Podcasts about swieten

War er der echte "van Helsing"? Gerard van Swieten ist als Leibarzt Maria Theresias der ranghöchste Mediziner Österreichs. Bekannt wird er aber als Vampirjäger, der die Popkultur beeinflusst. Von Nik Berger.

Voltamos com mais um episódio do Escuta Essa, podcast semanal em que Denis e Danilo trocam histórias de cair o queixo e de explodir os miolos. Todas as quartas-feiras, no seu agregador de podcasts favorito, é a vez de um contar um causo para o outro. Neste episódio Danilo conta sobre a sua experiência com a maior dor do mundo, a cefaleia em salvas. Não deixe de enviar os episódios do Escuta Essa para aquela pessoa com quem você também gosta de compartilhar histórias e aproveite para mandar seus comentários e perguntas no Spotify, nas redes sociais @escutaessapod, ou no e-mail escutaessa@aded.studio. A gente sempre lê mensagens no final de cada episódio! ... NESTE EPISÓDIO - Existem muitas escalas diferentes para medir dor. A que o Danilo usa no episódio é uma escala utilizada pelo exército dos Estados Unidos e mistura números, cores, rostos e descrições. - Vídeo da BBC mostra pacientes sofrendo com crises de cefaleia em salvas, mas fica o aviso de que as imagens são perturbadoras. - A Dra. Maria Eduarda Nobre é especialista em cefaleia em salvas e responsável pelo perfil @cefaleiaemsalvas no Instagram, que faz um trabalho fundamental de divulgação e auxílio ao diagnóstico. - O "Clusterbusters" é um fórum internacional de pessoas que sofrem com cefaleia em salvas e recentemente tornou-se uma organização de apoio a pesquisas e financiamento de laboratórios ao redor do mundo. - Gerard van Swieten relata um caso típico de cefaleia em salvas em 1795. O medicamento receitado foi cinchona-vermelha, uma erva daninha muito usada no tratamento de malária. ... AD&D STUDIO A AD&D produz podcasts e vídeos que divertem e respeitam sua inteligência! Acompanhe todos os episódios em ⁠aded.studio⁠ para não perder nenhuma novidade.

Naturwissenschaftlich begründete Diagnose und Therapie gibt es in Wien seit 1745, mit der Berufung des Aufklärers Gerard van Swietens zum Leibarzt Maria Theresias. Die Geschichte der Medizin reicht aber viel weiter zurück, der Medizinhistoriker Herwig Czech setzt sie mit der Gründung der Medizinischen Fakultät an der Universität Wien an. Czech übernahm Anfang November die Professur für Geschichte der Medizin an der MedUni Wien. Er nehme großes Interesse der Studierenden wahr, sagt Czech, es gebe so viele Anfragen für Diplomarbeiten, dass er gar nicht alle annehmen könne. "Wir wollen ein historisches Bewusstsein für den Arzt-Beruf schaffen." Czechs Spezialgebiet ist die Geschichte der Medizin unter den Nationalsozialisten und die Verwicklung der Mediziner mit diesem verbrecherischen Regime. "Die Beschäftigung mit dieser Zeit ist nicht nur für Österreich, Deutschland und Israel relevant, sie enthält Lehren und Warnungen für die ganze Welt."

De Nieuwe Pensionado's is een podcast van Brand New Day. In de eerste aflevering ontvangen we Dirk Gerritsen van de Utrecht University School of Economics. In zijn onderzoek richt Dirk zich o.a. op het gedrag van financiële consumenten. Het blijkt dat beleggers vaak de verkeerde keuzes maken juist als ze denken slim te zijn. Verkopen als de koersen dalen en kopen als ze stijgen, leidt in de praktijk vaak tot verlies van rendement. Maar wie zijn vermogen wil laten groeien, moet rustig blijven. Indexbeleggen is dan verstandiger. Dat beaamt ook Judith van Swieten van Brand New Day. Of het nou gaat om pensioen (lijfrente) opbouwen of beleggen met een ander doel. 

Wie bereits angekündigt, finden in dieser Woche Dominik, Michael und Robin zusammen und besprechen mit euch zusammen die Geschichte des Leibarztes von niemand geringerem als Maria Theresia. Die Rede ist von Gerard van Swieten, der neben seiner ärztlichen Tätigkeit noch Vampirjäger war und ganz nebenbei Bram Stocker als Vorlage für Van Helsing diente. Ob es die Vampire oder eher die Gerüchte waren, die van Swieten jagte, erfahrt Ihr in der Folge. Wir wünschen viel Spaß beim Zuhören.

Wie bereits angekündigt, finden in dieser Woche Dominik, Michael und Robin zusammen und besprechen mit euch zusammen die Geschichte des Leibarztes von niemand geringerem als Maria Theresia. Die Rede ist von Gerard van Swieten, der neben seiner ärztlichen Tätigkeit noch Vampirjäger war und ganz nebenbei Bram Stocker als Vorlage für Van Helsing diente. Ob es die Vampire oder eher die Gerüchte waren, die van Swieten jagte, erfahrt Ihr in der Folge. Wir wünschen viel Spaß beim Zuhören.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.09.22.509106v1?rss=1 Authors: Zhou, J., Wade, S. D., Graykowski, D., Xiao, M.-F., Zhao, B., Giannini, L. A., Hanson, J. E., van Swieten, J. C., Sheng, M., Worley, P. F., Dejanovic, B. Abstract: Complement overactivation mediates microglial synapse elimination in neurological diseases like Alzheimer disease and frontotemporal dementia (FTD), but how complement activity is regulated in the brain remains largely unknown. We identified that the secreted neuronal pentraxin Nptx2 binds complement C1q and thereby regulates its activity in the brain. Nptx2-deficient mice show increased complement activity and C1q-dependent microglial synapse engulfment and loss of excitatory synapses. In a neuroinflammation culture model and in aged TauP301S mice, AAV-mediated neuronal overexpression of Nptx2 was sufficient to restrain complement activity and ameliorate microglia-mediated synapse loss. Analysis of human CSF samples from a genetic FTD cohort revealed significantly reduced levels of Nptx2 and Nptx2-C1q protein complexes in symptomatic patients, which correlated with elevated C1q and activated C3. Together, these results show that Nptx2 regulates complement activity and microglial synapse elimination in the healthy and diseased brain and that diminished Nptx2 levels might exacerbate complement-mediated neurodegeneration in FTD patients. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

DescriptionThe ‘Queen of the Night' aria, "Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), is a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). Take a minute to get the scoop!Fun FactThe story is a mixture of fun and high ideals, of Masonic philosophy and high jinx, of brotherhood and love affairs, of melodrama and serious thought.  Within this context Mozart sent his final message of personal conviction and standards of living, which had been confirmed by his membership in the Freemasons, on January 7, 1785, admitted into the Zur Wohltätigkeit Lodge in Vienna. There, he was in familiar company. Other contemporary members of this Lodge were Joseph Haydn, his patron Prince Lichnowsky, his father Leopold, Michael Puchberg and Gottfried van Swieten, two of his most important patrons, Anton Stadler (clarinetist) and Angelo Solimon, a good friend.About Steven, HostSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show

In het kader van Kerst dragen de Vinkers elk een verhalende podcast aan: lekker luisteren onder de boom. We beginnen traditioneel met een kerstmop en eindigen met de 'doeiiiii' van Vincent. 

In this episode, Hall welcomes Gerard van Swieten, Managing Partner at LvS Partners.Laursen van Swieten (LvS) specializes in funding and executing the international expansion of innovative growth-stage companies. They are especially active and experienced in Asia/China expansion. They make active expansion investments to establish footholds outside of home markets. LvS works in 3 fast-growing sectors: healthcare and biotechnology, industry 4.0, and media & entertainment. Mr. van Swieten is a Dutch national and has been working and living in China/Asia for 12+ years. He has extensive experience in cross-border trade and investment in FMCG, manufacturing, IT, and finance. Before founding LvS Partners, Mr. van Swieten was a partner at Mandarin Hill Capital and IJK Capital. During his tenure at both Mandarin Hill Capital and IJK Capital, Mr. van Swieten led the China expansion for multiple portfolio companies in solar, healthcare IoT, and media and entertainment sectors. Prior to that he served as Head of Legal of BRF SA for Asia, Europe and Africa after having worked as an attorney in Amsterdam at Clifford Chance and in Shanghai at HIL. Mr. van Swieten holds a Masters in Dutch law from Maastricht University, a Masters in Chinese law from Hong Kong University, and an MBA from Tsinghua-MIT Sloan. Gerard discusses expansion investment, advantages of this strategy over other value-added strategies, the primary trend in Asia/China expansion for ‘Western Companies', and changes he expects to see in the coming 12 months. You can visit LvS Partners at , and via LinkedIn at .   Gerard can be contacted via email at , and via LinkedIn at    Music courtesy of . 

Le fondateur de l’école de Médecine de Vienne se nomme est un certain Gerard van Swieten. Son fils, Gottfried, permettra à Mozart d’entrer en contact avec les œuvres de Bach et Haendel. Mozart s’en souviendra durant l’écriture de son requiem, citant à plusieurs reprises ses maîtres baroques et les compositeurs qu’il estime. La mort viendra ravir le compositeur durant l’écriture de son œuvre ultime « Fièvre miliaire aigue », peut-on lire comme cause de la mort dans le registre de décès de la cathédrale Saint-Etienne. On ne compte plus les mythes et légendes qui entoureront la fin du compositeur et parmi celles-ci, l’enterrement dans une fosse commune, seul, pauvre et abandonné, emmené dans un cercueil loin de la ville. C’est qu’en cette fin de XVIIIe siècle, on prend conscience du danger de garder les dépouilles mortelles près de soi, on appréhende les mauvaises odeurs comme vecteur de maladie et les prémices de ce qu’on appelle l’hygiène publique, commencent à pointer le bout de leur nez.

a cuar adi Massimiliano Samsa.Franz Joseph Haydn (1732 - 1809): Die Jahreszeiten (Le stagioni), Hob:XXI:3Oratorio in quattro parti per soli, coro ed orchestraLibretto di Gottfried van Swieten da "The Seasons" di James ThomsonsParte seconda: Der Sommer (L'estate)10.In grauem Schleier rückt heran das sanfte Morgenlicht - Introduzione e recitativo (Lucas, Simon) - Adagio (do minore) - 2 clarinetti, 2 fagotti, archi11.Der munt're Hirt versammelt nun die frohen Herden - Aria (Lucas) - Allegretto (fa maggiore) - flauto, 2 oboi, fagotto, corno, archiDie Morgenröte bricht hervor - Recitativo (Hanne) - basso continuo12.Sie steigt herauf, die Sonne / Heil! O Sonne, Heil! - Lobgesang (Canto di lode): Trio e coro (Hanne, Lucas, Simon e coro) - Largo (re maggiore). Allegro. Andante. Allegro - tutta l'orchestra13.Nun regt und bewegt sich alles umher - Recitativo (Simon) - basso continuo14.Die Mittagssonne brennet jetzt in voller Glut - Recitativo accompagnato (LUcas) - (la maggiore) - archi15.Dem Druck erlieget die Natur - cavatina (Lucas) - Largo (mi maggiore) - flauto, oboe, archi16.Willkommen getzt, o dunkler Hain - Recitativo accompagnato (Hanne) - Poco Adagio - flauto, oboe, 2 fagotti, 2 corni, archi17.Welche Labung für die Sinne! - Aria (Hanne) - Adagio (si bemolle maggiore). Allegro assai - 2 oboi, 2 clarinetti, 2 fagotti, 2 corni, archi18.O seht! Es steiget in der schwülen Luft - Recitativo (Simon, Lucas, Hanne) - basso continuo19.Ach, das Ungewitter naht! - Coro (coro) - Allegro assai (do minore). Allegro (do maggiore) - tutta l'orchestra20.Die düstren Wolken trennen sich - Trio e coro (Hanne, Lucas, Simon e coro) - Allegretto (fa maggiore). Allegro (mi bemolle maggiore) - tutta l'orchestraSimon : Walter Berry - BassoHanne : Gundula Janowitz - SopranoLukas : Werner Hollweg Tenore Coro della Deutschen Oper BerlinMaestro del coro: Walter Hagen-GrollBerliner PhilharmonikerDirettore: Herbert von Karajan

Synopsis Haydn’s oratorio “The Seasons” had its premiere performance on this date in Vienna in 1801. Like its predecessor, “The Creation,” Haydn’s new oratorio was a great success, and, as before, Haydn received help with the text and a lot of advice from the versatile Gottfried Bernhard Baron van Swieten, an enthusiastic admirer of Handel oratorios and the music of J. S. Bach. Swieten’s text for “The Seasons” included many opportunities for Baroque-style “tone painting”—musical representations of everything from croaking frogs and workers toiling in the fields, sections that raised a lot of smiles in 1801 and still do today. Haydn, famous for his sense of humor, in this case humored the old-fashioned tastes of the Baron as well. Speaking of the text, since Haydn was tremendous popular in England, Baron van Swieten prepared an English-language version of his text, trying to fit the English words to the rhythm of his original German. Alas, the good Baron’s command of English was, to put it diplomatically, perhaps not as firm he imagined. So these days, ensembles wishing to perform Haydn’s oratorio have a choice: they can opt for Swieten’s quaint but clunky English version, or his more graceful German original. Music Played in Today's Program Franz Joseph Haydn (1732 - 1809) Ländler, fr The Seasons Academy of St Martin in the Fields; Neville Marriner, cond. Philips 438715 On This Day Deaths 1921 - Dutch composer Alfons Diepenbrock, age 58, in Amsterdam; 1948 - Mexican composer Manuel Ponce, age 65, in Mexico City; 1998 - American composer Mel Powell, age 75, in Sherman Oaks, Calif.; He won the Pulitzer Prize for Music in 1990; Premieres 1742 - Handel: oratorio, "Messiah" (Julian date: April 13); 1801 - Haydn: oratorio "The Seasons," in Vienna; 1950 - Bernstein: incidental music "Peter Pan" (play by J.M. Barrie) at the Imperial Theater in New York City, conducted by Ben Steinberg; 1957 - Ives: String Quartet No. 1, in New York City (This music was completed in 1896); 1988 - Anthony Davis: "Notes from the Underground" (dedicated to Ralph Ellison), at Carnegie Hall in New York by the American Composers Orchestra, Paul Lustig Dunkel conducting; 1990 - Bright Sheng: "Four Movemenets" for piano trio, at Alice Tully Hall in New York City , by The Peabody Trio; 1992 - Joan Tower: Violin Concerto, with soloist Elmar Oliveira and the Utah Symphony, Joseph Silverstein conducting; 1997 - Stephen Paulus: opera "The Three Hermits," at House of Hope Presbyterian Church in St. Paul, Minn., with Thomas Lancaster conducting; Links and Resources On Haydn

Synopsis Haydn’s oratorio “The Seasons” had its premiere performance on this date in Vienna in 1801. Like its predecessor, “The Creation,” Haydn’s new oratorio was a great success, and, as before, Haydn received help with the text and a lot of advice from the versatile Gottfried Bernhard Baron van Swieten, an enthusiastic admirer of Handel oratorios and the music of J. S. Bach. Swieten’s text for “The Seasons” included many opportunities for Baroque-style “tone painting”—musical representations of everything from croaking frogs and workers toiling in the fields, sections that raised a lot of smiles in 1801 and still do today. Haydn, famous for his sense of humor, in this case humored the old-fashioned tastes of the Baron as well. Speaking of the text, since Haydn was tremendous popular in England, Baron van Swieten prepared an English-language version of his text, trying to fit the English words to the rhythm of his original German. Alas, the good Baron’s command of English was, to put it diplomatically, perhaps not as firm he imagined. So these days, ensembles wishing to perform Haydn’s oratorio have a choice: they can opt for Swieten’s quaint but clunky English version, or his more graceful German original. Music Played in Today's Program Franz Joseph Haydn (1732 - 1809) Ländler, fr The Seasons Academy of St Martin in the Fields; Neville Marriner, cond. Philips 438715 On This Day Deaths 1921 - Dutch composer Alfons Diepenbrock, age 58, in Amsterdam; 1948 - Mexican composer Manuel Ponce, age 65, in Mexico City; 1998 - American composer Mel Powell, age 75, in Sherman Oaks, Calif.; He won the Pulitzer Prize for Music in 1990; Premieres 1742 - Handel: oratorio, "Messiah" (Julian date: April 13); 1801 - Haydn: oratorio "The Seasons," in Vienna; 1950 - Bernstein: incidental music "Peter Pan" (play by J.M. Barrie) at the Imperial Theater in New York City, conducted by Ben Steinberg; 1957 - Ives: String Quartet No. 1, in New York City (This music was completed in 1896); 1988 - Anthony Davis: "Notes from the Underground" (dedicated to Ralph Ellison), at Carnegie Hall in New York by the American Composers Orchestra, Paul Lustig Dunkel conducting; 1990 - Bright Sheng: "Four Movemenets" for piano trio, at Alice Tully Hall in New York City , by The Peabody Trio; 1992 - Joan Tower: Violin Concerto, with soloist Elmar Oliveira and the Utah Symphony, Joseph Silverstein conducting; 1997 - Stephen Paulus: opera "The Three Hermits," at House of Hope Presbyterian Church in St. Paul, Minn., with Thomas Lancaster conducting; Links and Resources On Haydn

Das Team der Marssonde Peserverance schreit vor Begeisterung. Haydn ist still, so beeindruckt ist er. Dazwischen liegen fast 230 Jahre. In beiden Fällen geht's um den Blick in neue Welten, einmal auf den Mars, einmal auf Uranus. Nach einer anstrengenden Saison in London macht Haydn ein bisschen Urlaub in Bath und besucht die Herschels, durch deren Teleskop erstmals der Blick auf Uranus möglich wurde. Als Haydn durch das Teleskop sah, war er wohl total geflasht. Vielleicht nicht nur wegen Uranus, sondern auch von den Gesprächen mit den Herschels über die Entstehung der Welt. Diesen Blick in die Weiten des Kosmos, Händels Mega-Oratorien in der Westminster-Abbey und seine eigene Frömmigkeit packt er in ein Werk, das ihn zum Superstar macht. Klar, denn die Geschichte ist unschlagbar: Es geht um die Schöpfung. Haydn erzählt in seinem Werk, wie Gott in 6 Tagen die Welt erschuf. Und das Publikum kriegt sich fast nicht mehr ein, vor Begeisterung. In dieser Ausgabe sprechen wir darüber, wie Haydns Schöpfung in die Welt kam und was darin alles zu hören ist – vom Uranus bis zum damaligen politischen Geschehen. Dieser Podcast entstand rund um eine Film- und Musikproduktion aus dem Hause styriarte: recreation GROSSES ORCHESTER GRAZ spielt Haydns Schöpfung in einer 70-Minuten-Fassung. Sollten Sie Fragen zu diesem Podcast haben, schreiben Sie uns einfach eine Nachricht an: info@styriarte.com Die Musik in diesem Podcast: Joseph Haydn Die Schöpfung. Oratorium für Soli, Chor und Orchester in drei Teilen. Gekürzte Fassung von Andreas Stoehr Solisten: Tetiana Miyus, Franz Gürtelschmied, Ludwig Mittelhammer Chor: chor pro musica graz (Einstudierung: Gerd Kenda) recreation – GROSSES ORCHESTER GRAZ Konzertmeister: Harald Martin Winkler aufgenommen am 15. März 2021 Stefaniensaal Graz Im Podcast wird erwähnt: Wilhelm Herschel und seine Schwester (!) Caroline Herschel Sie wurde von mir im Podcast fälschlicherweise zu seiner Frau gemacht. https://de.wikipedia.org/wiki/Caroline_Herschel https://de.wikipedia.org/wiki/Wilhelm_Herschel Gottfried van Swieten und John Miltons episches Gedicht Paradise Lost Van Swieten hat den Text für Haydns Schöpfung erarbeitet und dabei auch Miltons Gedicht verwendet. https://de.wikipedia.org/wiki/Gottfried_van_Swieten https://de.wikipedia.org/wiki/John_Milton Der brandneue Aufsatz über Haydns Konzertsäle: Janós Malina, Performance Venues for Operas and Symphonies directed by Joseph Haydn: A Revaluation In: Theatre Spaces for Music in the 18th Century Europe erschienen bei Hollitzer, 2020 http://www.hollitzer.at/buch/theatre-spaces-for-music-in-18th-century-europe/

durée : 01:58:05 - Relax ! du jeudi 18 février 2021 - par : Lionel Esparza - Gottfried van Swieten est cet illustre inconnu sans lequel Mozart n'aurait sans doute jamais eu connaissance des oeuvres de Bach et de Haendel. - réalisé par : Antoine Courtin

Deze podcast is ook te beluisteren in adaptief 3D op YouTube: lab-3.com/vanswieten-deelIV-3D Kerstavond. De ontknoping van het kerstverhaal! De familie van Swieten is voor het eerst in jaren bijeen gekomen. Mathilda's kinderen hebben stuk voor stuk wel oren naar de villa. Wat heeft ze besloten? Wie mag zich de trotse bewoner van huize van Swieten gaan noemen? Meer weten over de totstandkoming van deze podcast? Kijk dan op lab-3.com/frits Met de stemmen van: Petra Laseur (Mathilda) Fred Hekket (Paul) Lies Visschedijk (Annemiek) Dick van den Toorn (Robbert) Kay Greidanus (Maurits) Daan Ekkel (Frits) Script en regie: Jeroen van Gessel Sounddesign: Florian van Oirschot Adaptieve 3D audio vormgeving: Matthijs Koster Muziek: Aike van de Crommert Artwork: Rient van de Crommert Dit hoorspel is een initiatief van LAB-3. Benieuwd wat de verbeeldingskracht van geluid voor jou kan betekenen? Kijk eens op lab-3.com

Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p515/Beethoven%3A_Symphony_No._1_in_C_Major%2C_Op._21.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Deze podcast is ook te beluisteren in adaptief 3D op YouTube: lab-3.com/vanswieten-deelI-3D Welkom in huize van Swieten! Maak kennis met Frits, zijn baasje Mathilda, butler Paul en Annemiek. Wat is de reden dat de familie een speciale kerstavond tegemoet gaat? Zet je koptelefoon op, zak lekker onderuit en kom er achter in deel I! Meer weten over de totstandkoming van deze podcast? Kijk dan op lab-3.com/frits Met de stemmen van: Petra Laseur (Mathilda) Fred Hekket (Paul) Lies Visschedijk (Annemiek) Dick van den Toorn (Robbert) Kay Greidanus (Maurits) Daan Ekkel (Frits) Script en regie: Jeroen van Gessel Sounddesign: Florian van Oirschot Adaptieve 3D audio vormgeving: Matthijs Koster Muziek: Aike van de Crommert Artwork: Rient van de Crommert Dit hoorspel is een initiatief van LAB-3. Benieuwd wat de verbeeldingskracht van geluid voor jou kan betekenen? Kijk eens op lab-3.com

Deze podcast is ook te beluisteren in adaptief 3D op YouTube: lab-3.com/vanswieten-trailer-3D Mathilda woont samen met butler Paul en haar trouwe viervoeter Frits in een magistrale villa. Het landgoed wordt haar te groot en daarom zal ze het huis overdragen aan één van haar kinderen. Op een ongemakkelijke kerstavond komt de familie voor het eerst in jaren bijeen, en zal beslist worden wie de nieuwe bewoner van huize van Swieten wordt: Annemiek, Robert of Maurits? Met de stemmen van: Petra Laseur, Fred Hekket, Lies Visschedijk, Dick van den Toorn, Kay Greidanus en Daan Ekkel. Script en regie: Jeroen van Gessel Sounddesign: Florian van Oirschot Adaptieve 3D audio vormgeving: Matthijs Koster Muziek: Aike van de Crommert Artwork: Rient van de Crommert

The Creation (German: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn (Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Support us on Patreon https://www.patreon.com/user?u=4186107 staff@classicalmusicdiscoveries.com

Ligt schaamte ten grondslag aan veel lijden en conflicten? Elza denkt van wel. Haar website is http://schaamte.info

durée : 00:58:28 - Beethoven, bientôt 30 ans, l'heure de la 1re Symphonie - par : Aurélie Moreau - C'est à presque 30 ans que Beethoven offre au public sa 1ère Symphonie. A 35 ans, Mozart était mort en laissant 41 Symphonies. Haydn dépassait quant à lui la 100aine. Même le baron van Swieten (dédicataire de la 1ère Symphonie de Beethoven) en avait écrit aisément une douzaine. - réalisé par : Bruno Riou-Maillard

Elza werkt schaamte los in haar leven. Niet schaamteloos maar schaamtevrij is haar doel. Een bijzonder interview tussen een klaag- en schaamtevrij expert.

Deep dives.   Gardeners love to fall in love with particular plants.   We can fall so hard, that we tune out other possibilities for our gardens.   Then, in a fascinating twist, our deep dives can suddenly stop.   As is often the case, those deep dives can be followed by a pivot.   I started out as a shrub gardener. Then, I made a pivot to annuals and ornamentals and had nary a shrub in my garden.   Then I was anti-annual.   Then I moved into herbs and edibles.   Now I'm a little bit of everything.   Deep dives and pivots. Part of the process of growing a gardener.       Brevities   #OTD  It's the birthday of the Dutch botanist Gerard van Swieten, born on this day in 1700. In 1740, Maria Theresa inherited the Habsburg Empire. When it came to medicine, Austria was about 200 years behind its European neighbors. Maria Theresa acted quickly, recruiting the best available medical experts to her court. Gerard van Swieten was one of the most important people she brought to Vienna.  By May 1745, the Van Swieten family had sold all their belongings in the Netherlands and traveled to Vienna. Van Swieten laid the foundation for Austria's medical institutions. He totally reorganized the medical faculty of the University of Vienna; adding a botanical garden and a chemical laboratory, each headed by a professor.  Swieten published, in Latin, five volumes on the writings of Boerhaave; the work influenced medical practice throughout Europe. It also contained the first description of episodic cluster headache. Swieten exchanged letters with Linnaeus on botanical matters for over a decade. He named his youngest daughter, Maria Theresia after the Empress, who was also her godmother. His son Godfried would become famous in his own right as Austrian ambassador and patron of great classical composers such as Haydn, Mozart and Beethoven. One fascinating story about Swieten was his role in fighting superstition during the enlightenment, specifically with regard to vampires.  In 1755 the Empress sent Swieten to Serbia to investigate. Swieten viewed the vampire myth as a "barbarism of ignorance" and his aim was to completely crush it.    In 1768 "that all the fuss .... [comes from] vain fear, a superstitious credulity, a dark and eventful imagination, simplicity and ignorance among the people."   Based on Swieten's report, Maria Theresa issue a decree that banned all traditional defences to vampires being put to the stakes, beheaded and burned.   The genus of mahogany, Swietenia,was named after Swieten.       #OTD in 1888, the first organizational meeting of the Rochester Parks Commission was held in Rochester, New York.  They decided to invite the great American landscape architect, Frederick Law Olmsted to design a park system for the city. In fact, Rochester was the last municipal park system designed by the renowned Olmsted. Charles Sprague Sargent, the first director of Harvard University's Arnold Arboretum, called Rochester "a city in a forest." Trees have been a vital part of Rochester since the city's founding. It was essentially an impenetrable forest when the first settlers arrived. In early Rochester, trees were so plentiful that early settlers built roads from them. Rochester's Plank Road, now paved, is a nod to the road's original construction.     #OTD  On this day in 1901, the Fruit and Vegetable Committee reviewed 16 stocks of radish in Drill Hall as part of the Royal Horticultural Society's trial of salad plants at Chiswick. All of the radish were sown in a cold frame on March 7. Except on cold nights the lights were not put on the frames.  1. Early Gem ''. Veitch).-Ready for use April 29. Roots longish oval, scarlet, tipped with white. Foliage moderate. A very crisp and pleasant-flavored variety. 2. Ever Tender (R. Veitch).-Same as No. 3. 3. Gem (Barr).-Distinct from No. 1, being rounder, paler scarlet, but ready for use at the same time, and similar in foliage and flavor. 4. Krewson's Oblong Black (Masters).-Not true. Roots white. 5. Lily White (R. Veitch).-Ready for use April 30. Roots long, white. Foliage short and distinct. Crisp, and of very good flavor. 6. Mortlake Gem (Carter).-Ready for use April 29. Roots turnip-shaped, white, beautifully speckled and mottled with scarlet. Foliage very short. Crisp, and of good flavor. A very pretty variety. 7. Olive-shaped Extra Early Scarlet (J. Veitch). Ready for use April 26. Roots deep round or olive-shaped. Foliage short. Excellent in all respects, and one of the earliest and best. This variety is the same as “Deep Scarlet Olive-shaped,” which received a F.C.C. April 21, 1897. 8. Olive-shaped Extra Early White (J. Veitch).-Ready for use April 26. A white form of No. 7, and equally good and early. (Syn.) “Forcing White Olive-shaped" and “ First of All White,” which received A.M. May 10, 1898. 9. Olive-shaped Jewel for use. April 29. , Roots oblong, deep scarlet. Foliage remarkably short. Crisp and of good flavor. (Syn.) “Olive-shaped Bright Red,” which received A.M. May 5, 1896. This variety is also known as “Leafless,” probably from the exceeding smallness of the foliage. 10. Scarlet Queen (Barr).-Ready for use April 30. Roots long, scarlet tipped with white. Foliage rather large. Crisp and sweet in flavor. 11. Triumph (J. Veitch).-Same as No. 6. 12. Turnip-shaped Extra Early Scarlet (J. Veitch).-Ready for use April 26. Roots scarlet. Foliage very short. Crisp and of excellent flavor; one of the best and earliest. 13. Turnip-shaped Extra Early White (J. Veitch).-Ready for use April 29. A white form of No. 12, but three ays later in com ing into use.  14. Turnip-shaped Early White (Barr). Same as No. 13. 15. Turnip-shaped (Barr).-Ready for use April 26. Roots deep, round, scarlet. Foliage very short. Crisp and excellent. Very similar to No. 7. 16. Wood's Frame White (R. Veitch). Ready for use April 30. A white form of the well-known Wood's Frame.   #OTD On this day in 1936, Henry Teuscher arranged for the first sod was cut in preparing the space for the Montreal Botanical Garden.   Teuscher had been appointed superintendent and chief horticulturalist of the future Montreal Botanical Garden. A visionary, Teuscher began dreaming of an ideal botanical garden. By fall, Teuscher had hired 2,000 unemployed men through Quebec government's unemployment assistance program to get building underway.  By 1939, the administration building, production greenhouses, roads, and two lakes had been installed.    WWII brought challenges for Teuscher that extended outside of the garden. A German, Teuscher was accused of being aspy for the Nazis.  Although he was declared innocent, the accusations took a toll. In 1956, Teauscher was there to see the opening of his greenhouses, the realization of his dream for the garden.        #OTD On this day in 2015, Bartram’s Garden, in Philadelphia, was designated an American Society for Horticultural Science (ASHS) Horticultural Landmark.   The prestigious award commemorates sites of horticultural accomplishments selected for historical, scientific, environmental, and aesthetic value. Bartram’s joins an elite group of ASHS Horticultural Landmarks. The award was first presented to Monticello, home of President Thomas Jefferson. Other recipients include Longwood Gardens, Missouri Botanical Garden, New York Botanical Garden, Arnold Arboretum, and Fairchild Botanical Garden.   How were Bartram’s Gardens preserved?     Andrew McCalla Eastwick (1806-1879) an engineer and the inventor of the steam shovel, made sure the historic garden was kept intact.  Eastwick had banked a personal mint after building railroads for Czar Nicholas I of Russia.  In 1850, he bought the 46-acre Bartram estate from John Bartram’s granddaughter; Ann Bartram Carr.   Unlike the fate of many old homes, Eastwick decided not to tear down the existing house.  Instead, he kept the Bartram family homestead as a memorial, building his own mansion beside Bartrams. He vowed not to harm “one bush” planted by the Bartrams.       Unearthed Words   "Trees are the earth's endless effort to speak to the listening heaven." ~ Rabindranath Tagore, born on this day in 1861   Today's book recommendation: Life in the Garden by Penelope Lively Penelope Lively takes up her key themes of time and memory, and her lifelong passions for art, literature, and gardening in this philosophical and poetic memoir. From the courtyards of her childhood home in Cairo to a family cottage in Somerset, to her own gardens in Oxford and London, Lively conducts an expert tour, taking us from Eden to Sissinghurst and into her own backyard, traversing the lives of writers like Virginia Woolf and Philip Larkin while imparting her own sly and spare wisdom. "Her body of work proves that certain themes never go out of fashion," writes the New York Times Book Review, as true of this beautiful volume as of the rest of the Lively canon. Lively said, "To garden is to elide past, present, and future; it is a defiance of time." Today's Garden Chore Trial something this year. Experiment with a few new varieties. Notice the differences. If you've ever seen the movie Runaway Bride, with Julia Roberts, there's a scene where she (Maggie) and Richard Gere (Ike) are arguing about eggs. Throughout the movie, Ike has been interviewing her former fiancés. He'd ask them how Maggie liked her eggs cooked. Maggie never formulated her own opinion, she just ordered whatever her fiancé ordered. Take basil.  How can you know if you prefer Mammoth or Purple Ruffles until you've grown or cooked with both? Whatever plants you think you love, the odds are good you'll love a variation of it even more.     Something Sweet  Reviving the little botanic spark in your heart In 1855, Darwin wrote to William Darwin Fox I am rather low today about all my experiments,—everything has been going wrong—the fan-tails have picked the feathers out of the Pouters in their Journey home—the fish at the Zoological Gardens after eating seeds would spit them all out again—Seeds will sink in salt-water—all nature is perverse & will not do as I wish it, & just at present I wish I had the old Barnacles to work at & nothing new.   It was just a bad day. 23 years later - in 1878 on this day, he wrote to Thomas Henry Farrer, 1st Baron Farrer "At present I care for nothing in this wide world except the biology of seedling plants."       Thanks for listening to the daily gardener, and remember: "For a happy, healthy life, garden every day."

Organisaties passen hun manier van werken voortdurend aan. Maar hoe verander je mensen? Zij zijn het immers die de organisatie vormen. Change agents inspireren door hun manier van doen anderen om hun gedrag te veranderen. In People Power Change onderzoeken wij hoe change agents denken, maar vooral hoe ze doen. Hoe veranderen zij organisaties, teams of individuen? Samen met Jeroen Busscher gaan we op zoek naar de geheimen van veranderaars. Vandaag is Huub van Swieten oprichter van Talent First te gast. Hij streeft naar een wereld waarin iedereen doet waar haar talent ligt en plezier heeft in haar werk.

Im 18. Jahrhundert häufen sich an den Rändern der Habsburger Monarchie Fälle von Magia Posthuma – Totenzauber! Diese frühen Berichte von Vampirismus beschäftigen nicht nur die Gelehrten der Aufklärung, sondern auch den kaiserlichen Hof in Wien: Maria Theresia verbietet daraufhin nicht nur jegliche Formen von Grab- und Leichenschändungen, sondern beauftragt ihren Leibarzt Gerard van Swieten mit der Untersuchung der Vorfälle.

Classical, 1733-1803: Composers were not the only ones who shaped the course of music. Sometimes a librarian influences the future in ways that no one could ever imagine. Baron Gottfried van Swieten is a name that isn’t too familiar in the musical world today but his work, energy and encouragement touched a generation of composers.

Maestro Classical Podcast: episode 5 feat. Ludwig van Beethoven, movements from Symphonies No. 1, 5, & 9. Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time. Born in Bonn, he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gained a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose, and to conduct and perform, even after he was completely deaf. This is Symphony No. 1 in C Major, Opus 21. It was written in 1799 - 1800 and was premiered April 2, 1800 in Vienna, and is dedicated to Baron Gottfried van Swieten, an early patron of the composer. Here, the 3rd movement is performed by the USSR State Symphony, conducted by Konstantin Ivanov. Konstantin Ivanov "Symphony No. 1 in C Major, Op. 21" (mp3) from "Beethoven: Symphony No. 1, The Creatures of Prometheus Overture" (MUSIC ONLINE) Buy at iTunes Music Store Buy at Napster More On This Album Symphony No. 5 in C minor, Op. 67 was written in 1804– - 08. This symphony is one of the most popular and well-known compositions in all of European classical music, and is also one of the most often-played symphonies. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterwards.
The symphony, and the four-note opening motif in particular, are well known worldwide, with the motif appearing frequently in popular culture, from disco to rock and roll, to appearances in film and television.
The Fifth stands with the Third Symphony and Ninth Symphony as the most revolutionary of Beethoven's compositions. Here, the first movement is performed by the Milwaukee Symphony Orchestra, conducted by Andreas Delfs. Milwaukee Symphony Orchestra & Andreas Delfs "Beethoven: Symphony No. 5" (mp3) from "Beethoven: Symphony No. 5" (MSO Classics) Buy at iTunes Music Store Stream from Rhapsody Buy at Amazon MP3 More On This Album Symphony No. 9 in D minor, Op. 125 "Choral" is the last complete symphony composed by Ludwig van Beethoven. Completed in 1824, it is considered both an icon and a forefather of Romantic music, and one of Beethoven's greatest masterpieces. It incorporates part of the poem "Ode to Joy" by Friedrich Schiller, written in 1785, with text sung by soloists and a chorus in the last movement. It is the first example of a major composer using the human voice on the same level with instruments in a symphony, creating a work of a grand scope that set the tone for the Romantic symphonic form. Further testament to its prominence is that an original manuscript of this work sold in 2003 for $3.3 million USD at Sotheby's, London. Stephen Roe, the head of Sotheby's manuscripts department, described the symphony as "one of the highest achievements of man, ranking alongside Shakespeare's Hamlet and King Lear." Here, the final movement is performed by Ama Deus Ensemble, conducted by Valentin Radu. Ama Deus Ensemble, Valentin Radu "Symphony No. 9 in D Minor, Op. 125 - "Choral"" (mp3) from "Beethoven: Symphony No. 9 & Die Ruinen von Athen" (Lyrichord) Buy at iTunes Music Store Buy at Napster Stream from Rhapsody More On This Album