Podcasts about Take Me Home Tonight

In this special Album Dive episode, I'm joined by Cody Hanson, drummer and founding member of Hinder, to celebrate the release of their brand-new album “Back To Life” and reflect on the 20th anniversary of their breakthrough debut, “Extreme Behavior.” We dive deep into: The evolution of Hinder's sound over the past 20 years The story behind their unreleased 2020 album Releasing “Back To Life” through Evil Teen Records How music streaming platforms impact their album and single releases Crafting setlists that balance hits, fan favorites, and new songs The band's unique approach to cover songs, including Eddie Money's “Take Me Home Tonight” and The Eagles' “Life In The Fast Lane” Cody's thoughts on Lakeview's cover of “Lips of An Angel” The 5 essential Hinder tracks Cody would put on his ultimate Hinder mixtape … and much more behind-the-scenes insight into all things Hinder! 

(00:00-28:08) Don't sleep on Luke Donald. Joe Ferret and his gout. Nice piece of hitting, Donny. TMA pre-bump. Post Malone's prolonged writhing. Heckling lacrosse refs. Some of these text names, man. Shout out Brad Scherzer and Joe LaPorta. Which youth sport has the worst parents? Golf dad. Doggies with another draw. Jackson doesn't think parents should go to their kids' high school golf matches. How bout just a little bit of nuance?(28:16-55:21) This fire you up for the Royals series? "Happy spring break, son. Hope you enjoyed Wichita." You just mentioned her name so you could talk some pee pee. Cardinal Corner. Audio of Oli Marmol talking about loving this team and not panicking after giving up 5 in the first. Maple Leafs fans quit on em last night. Audio of PK Subban talking about Toronto getting worked in their biggest game in decades. Oil moving on with the overtime win over VGK. Earthquake talk. Audio of Pat Maroon talking about the best chirp he ever took. Doug's hot to trot this morning. Can the Celtics get it done?(55:31-1:07:03) Take Me Home Tonight. Eddie Money. 1997 VMAs. Trashed wingy wingy. Mt. Rushmore of STL wings. Cardinal Vaughn Index update. Crestwood Mall. Lots of people texting in their wing takes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textThis totally tubular movie is so rad! Actually it feels like a realistic time jump back into the 80's. So come follow along as we review this gem! Thank you to Chris from Cinematic Anarchy for joining us once again! Support the showWe are trying out a new format so let us know how you like it. Like subscribe and leave us a review. 5 stars makes us feel fabulous! You can find more witty commentary on all our favorite movies at Two Chicks Talkin Flicks Email twochickstalkinflicks@gmail.com Twitter @2chicksNFlicks Instagram @twochickstalkinflicks https://linktr.ee/Twochickstalkinflicks https://www.buzzsprout.com/1326058

Acclaimed actress Teresa Palmer joins The Art of Kindness with Robert Peterpaul to discuss uplifting others, acts of kindness from Emily Blunt and Ryan Gosling, her new show Mix Tape and more. Teresa Palmer is a globally recognized performer who has been nominated for multiple Best Actress awards, including Critics Choice and many others from her home country in Australia. You'll likely recognize Teresa from her extensive onscreen work, often alongside some of the most acclaimed talents in the industry. She shared the screen with Cate Blanchett and Christian Bale in Knight of Cups. Appeared alongside Andrew Garfield in Mel Gibson's Oscar-nominated film Hacksaw Ridge, with Danielle Radcliffe in December Boys and Adam Sandler and Keri Russel in Bedtime Stories... the list goes on. According to IMDb, some other most popular credits are I Am Number Four,Warm Bodies and Take Me Home Tonight. More recently, you may have spotted Teresa wielding a sword in the SAG Award-winning blockbuster The Fall Guy, starring Ryan Gosling, Emily Blunt, and Hannah Waddingham. And that's not even touching on her TV career, which most recently includes leading the cast of the cult hit A Discovery of Witches. Teresa's TV work continues with The Last Anniversary, an adaptation of Liane Moriarty's book, and the show that brought us together: Mix Tape. Follow Teresa: @teresapalmer Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guess the year of the major event! Fact of the Day: Frederick Douglas did not know his actual birthday, so he chose Feb 14, because his mother referred to him as her little Valentine.  Triple Connections: Spider-Man 3, Take Me Home Tonight, Predators THE FIRST TRIVIA QUESTION STARTS AT 00:58 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW!  GET A CUSTOM EPISODE FOR YOUR LOVED ONES:  Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music:  "EDM Detection Mode" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING:   Mollie Dominic Vernon Heagy Nathalie Avelar Natasha raina leslie gerhardt Skilletbrew Diane White Youngblood Trophy Husband Trivia Rye Josloff Lynnette Keel Lillian Campbell Jerry Loven Ansley Bennett Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Chelsea Walker Tiffany Poplin Bill Bavar Sarah Dan  Katelyn Turner Keiva Brannigan Keith Martin Sue First Steve Hoeker Jessica Allen Michael Anthony White Lauren Glassman Brian Williams Henry Wagner Brett Livaudais Linda Elswick Carter A. Fourqurean KC Khoury Tonya Charles  Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Chris Arneson Trenton Sullivan Jen and Nic Michele Lindemann Ben Stitzel Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter JohnB Patrick Leahy Dillon Enderby James Brown Christy Shipley Alexander Calder Ricky Carney Paul McLaughlin Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel

In this month's episode of Raise Your Words, your host Amani sits down with author Morgan Matson to discuss The Ballad of Darcy & Russell. Morgan is also known for her book, Take Me Home Tonight. You can find her on IG @morgamat. You can find Raise Your Words on IG @raiseyourwordspod and you can find Amani on bookstagram @meetcuteromancebooks.

This week on Dem Vinyl Boys, the boys crank up the good times with Eddie Money's greatest hits collection, Take Me Home Tonight: The Best of Eddie Money! Gear up for a trip down memory lane as we revisit the iconic rock anthems of the '80s. We'll be diving into Eddie Money's signature blend of rock and pop, along with his instantly recognizable raspy vocals. Get ready to air guitar to classics like the title track "Take Me Home Tonight," the romantic plea of "Baby Hold On," and the island getaway vibes of "Two Tickets to Paradise." The boys will also be sharing their thoughts on other fan favorites included on the album, such as "Shakin'," "Think I'm in Love," and "Gimme Some Water." Is this the perfect Eddie Money compilation? Will Dem Vinyl Boys agree on their favorite tracks? Tune in to find out! Dem Vinyl Boys listeners, take charge of your mental health and get 10% off your first month of BetterHelp! Just head over to BetterHelp.com/Vinyl or use code "Vinyl" at checkout. That's BetterHelp.com/Vinyl with code "Vinyl". Dem Vinyl Boys listeners, take a load off your plate and let Factor Meals fuel your next listening session! Head over to FactorMeals.com/DVB50 or use code "DVB50" at checkout for exclusive savings on your first order. That's FactorMeals.com/DVB50  with code "DVB50" for 50% off your first box and 20% off your next month!

The guys talk about “The Money Man” – the larger-than-life legend, backed by Bill Graham who seemed determined to kill himself with drugs in his first decade, and then relaunched his career by offering a different kind of legend a guest spot. SHOW NOTES: https://www.gulfbreezerecovery.com/rehab-blog/eddie-moneys-drug-addiction-struggle/ https://ultimateclassicrock.com/eddie-money-no-control/ https://en.wikipedia.org/wiki/Eddie_Money https://www.rollingstone.com/music/music-news/eddie-money-dead-obit-884000/ Paste Magazine performance from 2011: https://www.youtube.com/watch?v=IeQbY2F-vW4 https://en.wikipedia.org/wiki/Winterland_Ballroom https://en.wikipedia.org/wiki/Live_at_Winterland https://ultimateclassicrock.com/eddie-money-bill-graham/ https://www.nytimes.com/2001/02/01/arts/judy-davis-the-stars-vocal-coach-81.html https://en.wikipedia.org/wiki/Eddie_Money_(album) http://barbra-archives.com/bjs_library/60s/judy_davis_story_1964.html https://www.thewellnews.com/well-played/remembering-eddie-money/ Steven P Wheeler interview collection: https://rokritr.com/2019/09/14/eddie-money-in-memory-of/ https://www.inland360.com/lewiston-moscow/money-diversifies-before-their-new-reality-show-eddie-money-and-the-fam-play-lewiston/Content?oid=11372862 https://en.wikipedia.org/wiki/Ron_Nevison Ron Nevison interview: https://vwmusicrocks.com/2021/05/18/an-interview-with-record-producer-ron-nevison/ Interview clip with Dan Rather talking about the overdose: https://www.youtube.com/watch?v=TNFjCozbuiQ Merv Griffin interview 1982: https://www.youtube.com/watch?v=k-jCrdRYLT8 https://www.classicrockrevisited.com/show_interview.php?id=1260 https://americansongwriter.com/behind-the-death-of-take-me-home-tonight-singer-eddie-money/ https://en.wikipedia.org/wiki/Richie_Zito https://en.wikipedia.org/wiki/Take_Me_Home_Tonight_(song) https://en.wikipedia.org/wiki/Ronnie_Spector

Based in 1988, a group of friends decide to have a night for the ages.  Starring Topher Grace, Anna Faris, Dan Fogler, Teresa Palmer and Chris Pratt.

In this episode, the Goods from the Woods Boys are so pleased to be joined by the WONDERFUL stand-up comedian and "Get Real" podcast host, Andy Erikson! We kick this one off with a Baja Blast symphony featuring four of their new flavors just in time for the 20th anniversary of the greatest soda ever made. We talk about a new conspiracy involving AirBNB. Then, we take a historical tour of the wretched hive of scum and villainy that was late 19th and early 20th century St. Paul, Minnesota and a personal tour of Andy's hometown of Ham Lake. Eddie Money's "Take Me Home Tonight" is our JAM OF THE WEEK! Tune in now!  Follow Andy on all forms of social media @AndyErikson and be sure to listen to her podcast, "Get Real"! Follow our show on Twitter @TheGoodsPod.  Rivers is @RiversLangley  Sam is @SlamHarter  Carter is @Carter_Glascock  Subscribe on Patreon for HOURS of bonus content! http://patreon.com/TheGoodsPod Pick up a Goods from the Woods t-shirt at: http://prowrestlingtees.com/TheGoodsPod 

Aujourd'hui, nous allons parler du disque qui, plus que tout autre, a assuré la place de Phil Spector dans l'histoire de la musique populaire - un disque qui a changé la vie de plusieurs personnes qui l'ont écouté pour le meilleur, qui a changé la vie de sa chanteuse pour le pire, et qui possède l'intro de batterie la plus imitée de tous les temps. Nous allons nous pencher sur un chef d'oeuvre intemporel, sur une intro de batterie reconnaissable entre mille : "Be My Baby" des Ronettes The Ronettes, "Be My Baby" Frankie Lymon and the Teenagers, "Why Do Fools Fall In Love ?" Ronnie and the Relatives, "I Want a Boy" Ronnie and the Relatives, "I'm Gonna Quit While I'm Ahead" Joey Dee and the Starliters, "The Peppermint Twist" Bob B. Soxx and the Blue Jeans, "Zip-a-Dee-Doo-Dah". Connie Francis, "Second-Hand Love" Veronica, "Why Don't They Let Us Fall In Love ?" The Crystals, "The Twist"The Crystals, " The Wah-Watusi "Jeff Barry, "It's Called Rock and Roll" Sam Cooke, "Teenage Sonata" Ray Peterson, "Tell Laura I Love Her" Ellie Gaye, "Silly, Isn't It ?" Jay and the Americans, "This is It" Darlene Love, "(Today I Met) The Boy I'm Gonna Marry" Bob B. Soxx and the Blue Jeans, "Why Do Lovers Break Each Others' Hearts ?" Ellie Greenwich "Doo Wah Diddy Diddy (demo)" The Ronettes, "Be My Baby"" The Ronettes" (The Wrecking Crew), Tedesco and Pitman". The Ronettes, "Baby I Love You" The Ronettes Featuring Veronica, "Walking in the Rain" The Ronettes, "I Can Hear Music" Ronnie Spector, "Try Some, Buy Some" Southside Johnny and the Asbury Dukes, "You Mean So Much To Me" Ronnie Spector et le E-Street Band, "Say Goodbye to Hollywood" Eddie Money, "Take Me Home Tonight"

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Michael Ian Black is a multi-media talent who's starred in numerous films and TV series, written and/or directed two films, is a prolific author and commentator, and regularly tours the country performing his ribald brand of jokes and observations.  See him in Minneapolis June 17 Subscribe to his substack       Support him on Patreon He most recently starred in TVLand's “The Jim Gaffigan Show” and Comedy Central's “Another Period.” He also reprised one of his iconic film roles in Netflix's “Wet Hot American Summer: Ten Years Later,” and previously in "Wet Hot American Summer: First Day of Camp." His third standup comedy special, “Noted Expert,” was released on Epix. Black's authored 11 books, including the recently released best seller, “A Child's First Book of Trump.” He's written two well-received memoirs: “Navel Gazing: True Tales of Bodies, Mostly Mine (but also my mom's, which I know sounds weird)”, and “You're Not Doing It Right: Tales of Marriage, Sex, Death and Other Humiliations.” In 2012, he collaborated with conservative Meghan McCain on “America, You Sexy Bitch: A Love Letter to Freedom.” He's the author of “My Custom Van (and 50 Other Mind-Blowing Essays That Will Blow Your Mind All Over Your Face),” and seven children's books, including “Cock-a-Doodle-Doo-Bop!,” “Naked”, “Chicken Cheeks,” “The Purple Kangaroo,” “A Pig Parade Is A Terrible Idea” and “I'm Bored.” He also writes book reviews for the New York Times. Previously, Black released two stand-up specials, “Very Famous” and “I Am A Wonderful Man.” He and Tom Cavanagh host the popular podcast, “Mike and Tom Eat Snacks.” He also writes and hosts a podcast with Michael Showalter, "Topics,” and his own interview podcast, “How To Be Amazing.” He hosts “Debate Wars” on SeeSo, and he recently hosted “Easiest Game Show Ever” on Pop TV. Sketch comedy fans know Black's work on “The State,” “Viva Variety,” “Stella” and “Michael and Michael Have Issues” all of which he co-created, wrote and starred in. Other TV credits include quirky bowling alley manager ‘Phil' on the NBC series “Ed,” and his hilarious commentary on cable's “I Love the...” series. He recently starred in two hit web series that migrated to cable TV: “Burning Love” on E! and “You're Whole” on Adult Swim. Black's movie roles include “Slash,” “Smosh: The Movie,” “They Came Together,” “Hell Baby,” “This is 40,” “Wet Hot American Summer,” “Take Me Home Tonight,” “Reno 911!: Miami,” “The Ten” and “The Baxter.” Black wrote and directed the film “Wedding Daze,” starring Jason Biggs and Isla Fisher. He also co-wrote the comedy “Run, Fatboy, Run,” directed by David Schwimmer and starring Simon Pegg, Hank Azaria and Thandie Newton.    Pete on YouTube Check out all things Jon Carroll Follow and Support Pete Coe Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page  

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Michael Ian Black is a multi-media talent who's starred in numerous films and TV series, written and/or directed two films, is a prolific author and commentator, and regularly tours the country performing his ribald brand of jokes and observations.  See him in Minneapolis June 17 Subscribe to his substack       Support him on Patreon He most recently starred in TVLand's “The Jim Gaffigan Show” and Comedy Central's “Another Period.” He also reprised one of his iconic film roles in Netflix's “Wet Hot American Summer: Ten Years Later,” and previously in "Wet Hot American Summer: First Day of Camp." His third standup comedy special, “Noted Expert,” was released on Epix. Black's authored 11 books, including the recently released best seller, “A Child's First Book of Trump.” He's written two well-received memoirs: “Navel Gazing: True Tales of Bodies, Mostly Mine (but also my mom's, which I know sounds weird)”, and “You're Not Doing It Right: Tales of Marriage, Sex, Death and Other Humiliations.” In 2012, he collaborated with conservative Meghan McCain on “America, You Sexy Bitch: A Love Letter to Freedom.” He's the author of “My Custom Van (and 50 Other Mind-Blowing Essays That Will Blow Your Mind All Over Your Face),” and seven children's books, including “Cock-a-Doodle-Doo-Bop!,” “Naked”, “Chicken Cheeks,” “The Purple Kangaroo,” “A Pig Parade Is A Terrible Idea” and “I'm Bored.” He also writes book reviews for the New York Times. Previously, Black released two stand-up specials, “Very Famous” and “I Am A Wonderful Man.” He and Tom Cavanagh host the popular podcast, “Mike and Tom Eat Snacks.” He also writes and hosts a podcast with Michael Showalter, "Topics,” and his own interview podcast, “How To Be Amazing.” He hosts “Debate Wars” on SeeSo, and he recently hosted “Easiest Game Show Ever” on Pop TV. Sketch comedy fans know Black's work on “The State,” “Viva Variety,” “Stella” and “Michael and Michael Have Issues” all of which he co-created, wrote and starred in. Other TV credits include quirky bowling alley manager ‘Phil' on the NBC series “Ed,” and his hilarious commentary on cable's “I Love the...” series. He recently starred in two hit web series that migrated to cable TV: “Burning Love” on E! and “You're Whole” on Adult Swim. Black's movie roles include “Slash,” “Smosh: The Movie,” “They Came Together,” “Hell Baby,” “This is 40,” “Wet Hot American Summer,” “Take Me Home Tonight,” “Reno 911!: Miami,” “The Ten” and “The Baxter.” Black wrote and directed the film “Wedding Daze,” starring Jason Biggs and Isla Fisher. He also co-wrote the comedy “Run, Fatboy, Run,” directed by David Schwimmer and starring Simon Pegg, Hank Azaria and Thandie Newton.  Originally from Hillsborough, NJ, Black resides with his family in the wilds of Connecticut. Pete on YouTube Check out all things Jon Carroll Follow and Support Pete Coe Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page    

Come and hear more about how Eddie Money almost ended up as a cop. ⁠⁠⁠Here's the song!⁠⁠⁠ Hosted by @sliiiiip and @megamixdotcom, the Super Hits Podcast reviews a different retro single each episode! We're on all of the usual podcast platforms, so come find us. Come and give us a 5-star review! To correct us if we miss a fact or get something wrong, to request a single, or to just say hello, hit us up at superhitspodcast@gmail.com Here's our website: ⁠⁠⁠⁠https://megamixdotcom.com/super-hits/⁠⁠⁠⁠ Here's our Twitter: @SuperHitsCast Here's our Instagram: @SuperHitsPodcast You can also find playlists for all of the songs we've covered on Spotify and Apple Music. Just search for Super Hits Podcast Playlist! --- Send in a voice message: https://podcasters.spotify.com/pod/show/superhitspodcast/message

Heartland POD on Twitter - @TheHeartlandPOD Host: Jess Piper  @piper4missouri https://heartlandpod.com/JOIN PATREON FOR MORE!“Change The Conversation”

Heartland POD on Twitter - @TheHeartlandPOD Host: Jess Piper  @piper4missouri https://heartlandpod.com/JOIN PATREON FOR MORE!“Change The Conversation”

It's the 80's, there's a stolen car, sick synth beats, and a large bag of cocaine! It's time to party!This week the Mikes are looking at 2011's Take Me Home Tonight starring Topher Grace, Anna Farris, and Chris Pratt.Mike Field and Mike Butler discuss what makes this 80's themed movie work. Mainly all the drugs if they're honest. This is because of Dan Fogler's character, who's story revolves around a never-ending bag of cocaine. Though the movie might be par for the course in terms of college party gone wrong antics and young adults trying to find their way, the movie is a pretty fun ride, worth a watch.So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema. 00:00 - Introduction01:58 - Film Summary02:49 - Film Facts13:10 - Film Discussion47:15 - Critic Reviews54:51 - Why It's Forgotten1:00:57 - Where to Find Us

Episode # 192 - Jesse & Dez Money discuss updated version of "Everybody Loves Christmas: A Song For Dad" and more! NOTE: Unfortunately due to a power outage, we lost the connection with Dez soon after we started the conversation. Jesse was Awesome! About the song: Eddie Money's family carries on his legacy with an updated version of his song "Everybody Loves Christmas." Eddie's daughter Jesse has rewritten, and his son Dez produced their version of his holiday classic renaming it "Everybody Loves Christmas: A Song For Dad." The siblings blend their voices and words with Eddie's Signature vocals creating a beautiful tribute to their Dad and memories of him during the holiday season. The updated version of the song was brilliantly mixed and mastered by Grammy winning engineer Chris Lord-Alge.

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. On today's episode, Steve Riddle is watching “Take Me Home Tonight” by Eddie Money from 1986.   The YouTube link for the video is below so you can watch along!   https://www.youtube.com/watch?v=3aJvIFK9-xk

Angie Orth, of Angie Away, stops by to share stories from her travel adventures over the last decade plus. She and Briana were coworkers at a PR agency in NYC when Angie (then blogging as Big Apple Angie) decided to leave behind a life in a cubicle to travel the world.  Soon after, she was able to turn her passion into a career and she hasn't looked back. Angie talks about the highs and lows of her work and shares her perspective on the evolution of the travel influencer.Thanks for listening! Please review and subscribe and check us out at jobsblowpodcast.com. You can also follow us on IG and Twitter @jobsblowpodcast.

On today's episode, Scott interviews Paul Hanson, a world renowned bassoonist, who plays in the genres of classical, jazz and contemporary styles with equal proficiency, and is the pioneer of the electric bassoon. Paul has recorded and/or performed with drummer, Billy Cobham, banjo player, Béla Fleck and the Flecktones, saxophonist, Jeff Coffin, and singer/songwriter, Jon Batiste, just to name a few. In addition, he also plays various saxophones and has recorded and/or performed with chart topping artists that include Boz Scaggs, The Temptations, Tower of Power, and was the featured tenor sax soloist on Eddie Money's 1986 rock hit, “Take Me Home Tonight”. In 2008, Paul was invited to create his own role as the electric improvising bassoonist in Cirque Du Soleil's ZED, a resident show at the Tokyo Disney Resort, that ran from 2008-2011. Besides performing, my guest artist has been a dedicated bassoon and saxophone teacher for the past forty years. This highly sought after bassoon specialist and multi-instrumentalist, definitely GOT CHOPS! Follow Paul on Website: www.paulhansonmusic.com Instagram: @paulbassoon YouTube: https://youtube.com/channel/UCTOZvZekqJHrAjvQv1h79DA Facebook: https://www.facebook.com/paulhansonmusic Follow Got Chops on Instagram: @gotchopspodcast Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://anchor.fm/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: @scottgrimaldimusic Twitter: @GrimaldiMusic Facebook: Scott Grimaldi - "The Color Of Midnight" Website: www.grimaldimusic.com --- Send in a voice message: https://anchor.fm/gotchops/message

The greatest E division game the Yellowknife Slopitch league has seen to date took place last night between the Cabin Radioheads and Take Me Home Tonight. It had it all.

  Join Michael in his discussion with actor, comedian, writer, and podcast host Michael Ian Black about his book A Better Man, A Mostly Serious Letter to my Son; a compelling reflection on masculinity and its sometimes devastating consequences for human relations and American culture writ large. Guest Michael Ian Black Michael Ian Black is a multi-media talent who's starred in numerous films and TV series, written and/or directed two films, is a prolific author and commentator, and regularly tours the country performing his ribald brand of jokes and observations. He most recently starred in TVLand's “The Jim Gaffigan Show” and Comedy Central's “Another Period.” He also reprised one of his iconic film roles in Netflix's “Wet Hot American Summer: Ten Years Later,” and previously in "Wet Hot American Summer: First Day of Camp." His third standup comedy special, “Noted Expert,” was released on Epix. Black's authored 11 books, including the recently released best seller, “A Child's First Book of Trump.” He's written two well-received memoirs: “Navel Gazing: True Tales of Bodies, Mostly Mine (but also my mom's, which I know sounds weird)”, and “You're Not Doing It Right: Tales of Marriage, Sex, Death and Other Humiliations.” In 2012, he collaborated with conservative Meghan McCain on “America, You Sexy Bitch: A Love Letter to Freedom.” He's the author of “My Custom Van (and 50 Other Mind-Blowing Essays That Will Blow Your Mind All Over Your Face),” and seven children's books, including “Cock-a-Doodle-Doo-Bop!,” “Naked”, “Chicken Cheeks,” “The Purple Kangaroo,” “A Pig Parade Is A Terrible Idea” and “I'm Bored.” He also writes book reviews for the New York Times. Previously, Black released two stand-up specials, “Very Famous” and “I Am A Wonderful Man.” He and Tom Cavanagh host the popular podcast, “Mike and Tom Eat Snacks.” He also writes and hosts a podcast with Michael Showalter, "Topics,” and his own interview podcast, “How To Be Amazing.” He hosts “Debate Wars” on SeeSo, and he recently hosted “Easiest Game Show Ever” on Pop TV. Sketch comedy fans know Black's work on “The State,” “Viva Variety,” “Stella” and “Michael and Michael Have Issues” all of which he co-created, wrote and starred in. Other TV credits include quirky bowling alley manager ‘Phil' on the NBC series “Ed,” and his hilarious commentary on cable's “I Love the...” series. He recently starred in two hit web series that migrated to cable TV: “Burning Love” on E! and “You're Whole” on Adult Swim. Black's movie roles include “Slash,” “Smosh: The Movie,” “They Came Together,” “Hell Baby,” “This is 40,” “Wet Hot American Summer,” “Take Me Home Tonight,” “Reno 911!: Miami,” “The Ten” and “The Baxter.” Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin Subscribe to the Podcast: https://podcasts.apple.

  Join Michael in his discussion with actor, comedian, writer, and podcast host Michael Ian Black about his book A Better Man, A Mostly Serious Letter to my Son; a compelling reflection on masculinity and its sometimes devastating consequences for human relations and American culture writ large. Guest Michael Ian Black Michael Ian Black is a multi-media talent who's starred in numerous films and TV series, written and/or directed two films, is a prolific author and commentator, and regularly tours the country performing his ribald brand of jokes and observations. He most recently starred in TVLand's “The Jim Gaffigan Show” and Comedy Central's “Another Period.” He also reprised one of his iconic film roles in Netflix's “Wet Hot American Summer: Ten Years Later,” and previously in “Wet Hot American Summer: First Day of Camp.” His third standup comedy special, “Noted Expert,” was released on Epix. Black's authored 11 books, including the recently released best seller, “A Child's First Book of Trump.” He's written two well-received memoirs: “Navel Gazing: True Tales of Bodies, Mostly Mine (but also my mom's, which I know sounds weird)”, and “You're Not Doing It Right: Tales of Marriage, Sex, Death and Other Humiliations.” In 2012, he collaborated with conservative Meghan McCain on “America, You Sexy Bitch: A Love Letter to Freedom.” He's the author of “My Custom Van (and 50 Other Mind-Blowing Essays That Will Blow Your Mind All Over Your Face),” and seven children's books, including “Cock-a-Doodle-Doo-Bop!,” “Naked”, “Chicken Cheeks,” “The Purple Kangaroo,” “A Pig Parade Is A Terrible Idea” and “I'm Bored.” He also writes book reviews for the New York Times. Previously, Black released two stand-up specials, “Very Famous” and “I Am A Wonderful Man.” He and Tom Cavanagh host the popular podcast, “Mike and Tom Eat Snacks.” He also writes and hosts a podcast with Michael Showalter, “Topics,” and his own interview podcast, “How To Be Amazing.” He hosts “Debate Wars” on SeeSo, and he recently hosted “Easiest Game Show Ever” on Pop TV. Sketch comedy fans know Black's work on “The State,” “Viva Variety,” “Stella” and “Michael and Michael Have Issues” all of which he co-created, wrote and starred in. Other TV credits include quirky bowling alley manager ‘Phil' on the NBC series “Ed,” and his hilarious commentary on cable's “I Love the…” series. He recently starred in two hit web series that migrated to cable TV: “Burning Love” on E! and “You're Whole” on Adult Swim. Black's movie roles include “Slash,” “Smosh: The Movie,” “They Came Together,” “Hell Baby,” “This is 40,” “Wet Hot American Summer,” “Take Me Home Tonight,” “Reno 911!: Miami,” “The Ten” and “The Baxter.” Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings. In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post. Follow Michael on Twitter: @michaelzeldin Subscribe to the Podcast: https://podcasts.apple.com/us/podcast/that-said-with-michael-zeldin/id1548483720  

Dan Fogler [Fantastic Beasts and Where to Find Them, Balls of Fury, The Walking Dead, The Goldbergs, Take Me Home Tonight] talks with Anna about his first job working for a moving company, his second job as “The Amazing Zoltar” selling discontinued toys at FAO Schwartz, how he landed the role of playing Francis Ford Coppola in The Offer, losing his virginity, sage advice from Philip Seymour Hoffman and a lot more.Today's first call is from Monica whose boss continues to make unwanted advances despite her repeated rejections. Monica lives in Spain, and she would most likely lose her job if she were to call out the inappropriate behavior. Next to call in is Rebecca whose career as a Disney animator ended more than a decade ago when her department was shut down. Now working as a medical assistant, Rebecca finds herself missing the art world and has begun pursuing the career she was forced to give up. Unfortunately, her husband is not supportive, and she can't understand why. See acast.com/privacy for privacy and opt-out information.

Below The Belt Show (www.belowthebeltshow.com) presents our 2022 Season Premiere! After our Holiday hiatus we are back for another incredible episode to ring in the new year! Our featured guest is young actor Owen Morgan who plays Bert in our favorite hit series on Netflix Cobra Kai which just released Season 4! Owen talks about the casting process, how he holds a black belt in karate, working on some of our favorite scenes alongside Billy Zabka and Martin Kove, who he'd like to work with in future seasons and much more! Owen also talked about his new love for acting since Cobra Kai and how he'd like to appear in action movies! BTB's host with the most Al Sotto and "The King of the 80s" Chachi McFly bring to you another entertaining program! This week for our A list panel we welcome back Mike "The General" Zad and cosplayer extraordinaire Ana B! So expect all the late-breaking news on pop culture, entertainment, and more! Listen to our gut busting humor, insightful commentary, and thought provoking opinions on the world of entertainment uncensored only on Below The Belt Show (www.belowthebeltshow.com)! Song Credits Eddie Money feat. Ronnie Spector - "Take Me Home Tonight"

Sorry for the rough audio! The mic didn't work.Subscribe on YouTube:https://www.youtube.com/channel/UCQX-nWBQWKL3lnx52f3AuCwBOOKS MENTIONED: “Take Me Home Tonight” by Morgan Matsonhttps://www.goodreads.com/book/show/55710525-take-me-home-tonight “Minor Feelings: An Asian American Reckoning” by Cathy Park Honghttps://www.goodreads.com/book/show/52845775-minor-feelings?ac=1&from_search=true&qid=rB3pwTfFmo&rank=1 “We Are Not Like Them” by Christine Pride and Jo Piazzahttps://www.goodreads.com/en/book/show/56898303 “Apples Never Fall” by Liane Moriartyhttps://www.goodreads.com/book/show/56143578-apples-never-fall?ac=1&from_search=true&qid=iWnLbdhooI&rank=1 “Fight Night” by Miriam Toewshttps://www.goodreads.com/book/show/56978048-fight-night?ac=1&from_search=true&qid=Jr7XgSF9pk&rank=1FOLLOW ME ON…GOODREADS:https://www.goodreads.com/user/show/58041478-iliketoreadpodINSTAGRAM: https://www.instagram.com/iliketoreadpod/TWITTER: https://twitter.com/rpolansky77FACEBOOK:https://www.facebook.com/iliketoreadpodMEDIA MAVEN BLOG:https://rpolansky77.wixsite.com/website

Hugo Egon Balder erzählt Geschichten und Anekdoten rund um einen Lieblingshit und seine Entstehung: "Take me home tonight" von Eddie Money. Von Hugo Egon Balder.

Jackie and Dionne are joined by Andrew McMasters of Improv Mindset to talk all about the good, the bad, the ugly...the pick-up lines. What makes one good? What makes one awful? Can a bad one work? It's a great discussion about how best to break the ice and what NEVER to say. Let us know what you think!

First Draft Episode #323: Christine Riccio Christine Riccio, New York Times bestselling author of Again, But Better and Better Together and creative force behind PolandBananasBooks, her BookTube channel with more than 400,000 subscribers, and co-host of Booksplosion, the largest book club on YouTube. This episode is brought to you by Laura Sibson's Edie in Between, a modern-day Practical Magic about love, loss, and embracing the mystical, available now. And by The Lost Girls: A Vampire Revenge Story by Sonia Hartl, out from Page Street Publishing now. Links to Topics Mentioned In This Episode: Christine shared her perspective on promoting books on BookTube in the Track Changes Marketing and Publicity (Part 1) episode Booksplosion is the book club Christine cohosts with Katytastic and Jesse The Reader Sasha Alsberg, New York Times bestselling co-author with Lindsay Cummings of Zenith: The Androma Saga series (listen to their First Draft interview here) and creator of YouTube channel abookutopia The Parent Trap (movie - 1961) (movie - 1998)

First Draft Episode #322: Jennifer Niven Jennifer Niven is the Emmy Award-winning #1 New York Times bestselling author of ten books, including YA novels All the Bright Places, Holding up the Universe, Breathless, and Take Me With You When You Go (with David Levithan). This episode is brought to you by Laura Sibson's Edie in Between, a modern-day Practical Magic about love, loss, and embracing the mystical, available now. And by The Splendor by Breeana Shields, out from Page Street Publishing now. Links to Topics Mentioned In This Episode: Penelope Niven, biographer and author of Carl Sandburg: A Biography and Carl Sandburg: Adventures of a Poet, Thornton Wilder: A Life, Steichen: A Biography, memoirist (Swimming Lessons: Life Lessons From the Pool, From Diving In to Treading Water) and co-author of James Earl Jones's autobiography, Voices and Silences. The Perfect Storm: A True Story of Men Against the Sea by Sebastian Junger Jon Krakauer, author of Into the Wild, Into Thin Air, Under the Banner of Heaven, Missoula, and more Carl Sandburg, three-time Pulitzer Prize-winning poet (for Cornhuskers and Complete Poems) and biographer (for his four-book series, Abraham Lincoln: The War Years). Will Schwalbe, author of The End of Your Life Book Club and Books For Living: Some Thoughts on Reading, Reflecting, and Embracing Life, and co-author of Send: Why People Email So Badly and How to Do It Better with Dave Shipley Jennifer's original agent, John A. Ware, who passed away in 2013. Read his obituary in Publisher's Weekly. Jennifer's current agent, Kerry Sparks at the Levine Greenberg Rostan Literary Agency David Levithan, editorial director at Scholastic and the author of many young adult novels, including Boy Meets Boy, Every Day, and co-author with Rachel Cohn of Nick and Norah's Infinite Playlist and Dash and Lily's Book of Dares. Ava Dellaira, author of Love Letters to the Dead and In Search of Us. Listen to her First Draft interviews here and here.

What is the greatest SNL film of all time? It's a question Tony and Nadia continue to wrestle with throughout the season just kidding it's this one. It's MacGruber. It's so good. Nadia shares all of her SNL intern stories from when the movie came out. We extend a formal invitation to another guest we want to book, and also get in one more potshot at Abby Elliot. Our theme song is "S K A D R E A M" by Jeff Rosenstock; Jeff's music is distributed under a Creative Commons license and available at quoteunquoterecords.com . This week's outro music is Eddie Money's “Take Me Home Tonight”, as covered by Noelle Boc.

Wham! - Make It Big We do a lot of moaning and griping on this episode. Listen to find out what we think of the music. This is the second studio album by a group that one of us never thought he would ever have to review. Our tracks of the week are Eddie Money's "Take Me Home Tonight" and Ted Nugent's "You Make Me Feel Right At Home." We conclude with Lee's song "I'm No Longer Your Log." Stay cool, everyone. Cheerio and pip pip!

This week Aaron and Ollie discuss the knock-off, straight-to-DVD movies that copy popular movies and we accidentally subject ourselves to because we confuse them for something good. Recorded: 01.27.2021

Remembering the late great rock n' roll icon Eddie Money who passed away back on September 13th, 2019. This episode discusses a little about Eddie's bio including his musical career and his hit television show starring him and his family titled Real Money on AXS TV. Also mentioned is Money's hit song “Take Me Home Tonight,” that earned the singer a Grammy nomination for Best Male Rock Vocal Performance.

Today I am chatting with Morgan Matson. Morgan writes  fun YA contemporary. Her latest is Take Me Home Tonight which features two friends and one crazy night in NYC without their phone and everything wrong could happen. In this interview, we chat about her books, building her universe and some fun book recommendations.   BOOKS RECOMMENDED: Save the Date by Morgan Matson Take Me Home Tonight by Morgan Matson Second Chance Summer by Morgan Matson The Unexpected Everything by Morgan Matson  This is not the Jess Show by Anna Carey  Somewhere Only We Know by Maurene Goo  CONNECT WITH MORGAN MATSON  Website Instagram    SUPPORT THE WHAT TO READ NEXT PODCAST! If you're enjoying the show, please subscribe and leave a rating and review on Apple Podcasts.  Or you can subscribe to the show on Spotify. Spread the love. And if you liked this episode, share it with your friends   FROLIC PODCAST NETWORK  What to Read Next Podcast is part of the Frolic Podcast Network. You can find more outstanding podcasts to subscribe to at Frolic.media/podcasts!    CONNECT WITH LAURA YAMIN  WhattoReadNextBlog.com  

For episode show notes go to http://theishgirl.com/ep119.  

This week Annie recaps her May reads. The books mentioned on today’s episode are available at The Bookshelf: The Final Revival of Opal & Nev by Dawnie Walton  The Paper Palace by Miranda Cowley Heller  Take Me Home Tonight by Morgan Matson  The Best Babysitters Ever by Caroline Cala  Home Stretch by Graham Norton  Palm Beach by Mary Adkins  Seven Days in June by Tia Williams  Razorblade Tears by S.A. Cosby  All the Water I’ve Seen Is Running by Elias Rodriques  Harry Potter and the Sorcerer’s Stone by J.K. Rowling  From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf’s daily happenings on Instagram at @bookshelftville, and all the books from today’s episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today’s episode can be found here. Special thanks to Dylan and his team at Studio D Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading Finding Freedom by Erin French. If you liked what you heard on today’s episode, tell us by leaving a review on iTunes. Or, if you’re so inclined, support us on Patreon, where you can hear our staff’s weekly New Release Tuesday conversations, read full book reviews in our monthly Shelf Life newsletter, follow along as Hunter and I conquer a classic, and receive free media mail shipping on all your online book orders. Just go to patreon.com/fromthefrontporch. We’re so grateful for you, and we look forward to meeting back here next week.

This week we meet two animals that need a new loving home. Furever Friends has had the mission of finding cats and dogs new homes…

First Draft Episode #302: Morgan Matson Morgan Matson, New York Times bestselling author of Save the Date, The Unexpected Everything, and more answers listener questions about life, writing, and her new YA, Take Me Home Tonight. This episode was brought to you by the six-month Picture Book Writing and Illustration Online Course offered by author Zanni Louise & illustrator Anna Pignataro. First Draft listeners get a 20% discount on the course. Learn more, and sign up with the 20% discount, by clicking this link! Links to Topics Mentioned In This Episode: Hear Morgan’s previous episodes of First Draft, here and here! Big (movie) Toy Story 3 (movie) Good Will Hunting (movie) Morgan’s Spotify, and the Take Me Home Tonight official playlist Stephen King’s On Writing The Penderwicks series, beginning with The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy, by Jeanne Birdsall Richard Schiff, The West Wing Rep. Adam Schiff

In their episode on creating the best home environment, Allison passionately discusses the importance of water filtration, decluttering and live plants. Lila tells the tale of accidentally accumulating a taxidermy collection that would rival Teddy Roosevelt's.

"Tonight we're not thinking -- just doing." Let's travel back to the 80's to celebrate this film that was made in 2007 but released in 2011! We feel this gem went under the radar and judging by the box office we're not wrong. Join us as we cover all things Fogler, Grace, Faris and Pratt. We love an homage when it's done right and this film gets it right. All the way down to the "boyeeee" dance battle. The soundtrack is also rad. If you're a fan of '80s movies or a fan of laughing or just looking for something to do while you hold GME all the way to the moon, then you'll for sure enjoy this one. See you at Suncoast. Recommendations Jedd In Good Company Fanboys Just Friends Waiting Warm Bodies Wanted Some Kind of Wonderful Cole Balls of Fury Oceans 12 (Topher Cameo) House Bunny The Secret of My Success

  Episode 110 of A History of Rock Music in Five Hundred Songs looks at “Be My Baby”, and at the career of the Ronettes and Ronnie Spector.  Click the full post to read liner notes, links to more information, and a transcript of the episode.   Patreon backers also have a ten-minute bonus episode available, on “Little Saint Nick” by the Beach Boys. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Erratum I say Ray Peterson’s version of “Tell Laura I Love Her” was an American number one. It wasn’t — it only made number seven.   Resources As always, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode. A lot of resources were used for this episode. Be My Baby: How I Survived Mascara Miniskirts and Madness, or My Life as a Fabulous Ronette by Ronnie Spector and Vince Waldron is Ronnie’s autobiography and was the main source. Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era by Ken Emerson is a good overview of the Brill Building scene, and provided me with the information on Barry and Greenwich. I’ve referred to two biographies of Spector in this episode, Phil Spector: Out of His Head by Richard Williams and He’s a Rebel by Mark Ribkowsky. And information on the Wrecking Crew largely comes from The Wrecking Crew by Kent Hartman. There are many compilations available with some of the hits Spector produced, but I recommend getting Back to Mono, a four-CD overview of his career containing all the major singles put out by Philles. If you want something just covering Ronnie Spector and the Ronettes, The Very Best of Ronnie Spector  covers all the Ronettes hits and the best of her solo career. And the AFM contract listing the musicians on “Be My Baby” can be found here.   Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we’re going to take a look at the record that, more than anything, ensured Phil Spector’s place in popular music history — a record that changed the lives of several people who heard it for the better, and changed the life of its singer for the worse, and one which has the most imitated drum intro in the world. We’re going to look at “Be My Baby” by the Ronettes: [Excerpt: The Ronettes, “Be My Baby”] Before I start this one, two things need saying. The first is that this episode, by necessity, deals with spousal abuse. As always, I will try to discuss the issue with sensitivity, and touch on it as briefly as possible, but if you worry that it might upset you, please either skip this episode, or read the transcript to see if you’ll be OK listening to it. I imagine that very few people will be upset by anything I say here, but it’s always a possibility. And secondly, I’d like to apologise for this episode being so late. I had a major disruption in my personal life over Christmas — one of those really bad life events that only happens once or twice in most people’s lifetimes — and that made it impossible for me to get any work done at all for the last couple of weeks. I’m now able to work again, and this should not be anything that affects the podcast for the rest of the year. Anyway, enough about that, let’s get on with the story. The story of the Ronettes begins when Ronnie Bennett, a mixed-race girl from Harlem, became obsessed with the sound of Frankie Lymon and the Teenagers: [Excerpt: Frankie Lymon and the Teenagers, “Why Do Fools Fall In Love?”] Ronnie became the Teenagers’ biggest fan, and even managed to arrange a meeting between herself and Lymon when they were both thirteen, but had her illusions torn away when he turned up drunk and made a pass at her. But that didn’t stop her from trying her best to imitate Lymon’s vocals, and forming a vocal group with several friends and relatives. That group had a male lead singer, but when they made their first appearance on one of the Harlem Apollo’s talent shows, the lead singer got stage fright and couldn’t start singing when he got on stage. Ronnie stepped forward and took over the lead vocal, and the group went down well enough even with the Apollo’s notoriously hostile audience that a smaller group of them decided to start performing regularly together. The group took the name Ronnie and the Relatives, and consisted of Ronnie, her sister Estelle, and their cousin Nedra Talley. They originally only performed at private parties, bar mitzvahs and the like, but they soon reached the attention of Stu Phillips at Colpix Records, a label owned by the film studio Columbia Pictures. The first single by Ronnie and the Relatives was not a success — “I Want a Boy” came out in August 1961 and didn’t chart: [Excerpt: Ronnie and the Relatives, “I Want a Boy”] And nor did their second, “I’m Gonna Quit While I’m Ahead”: [Excerpt: Ronnie and the Relatives, “I’m Gonna Quit While I’m Ahead”] Those records did apparently sell to at least one person, though, as when Ronnie met President Clinton in 1997, he asked her to sign a record, and specifically got her to sign an album of those early recordings for Colpix. While the girls were not having any commercial success, they did manage to accidentally get themselves a regular gig at the most important nightclub in New York. They went to the Peppermint Lounge, just as the Twist craze was at its height, and as they were underage they dressed up especially well in order to make themselves look more grown up so they could get in. Their ruse worked better than they expected. As they were all dressed the same, the club’s manager assumed they were the dancers he’d booked, who hadn’t shown up. He came out and told them to get on stage and start dancing, and so of course they did what he said, and started dancing to the Twist sounds of Joey Dee and the Starliters: [Excerpt: Joey Dee and the Starliters, “The Peppermint Twist”] The girls’ dancing went down well, and then the band started playing “What’d I Say?”, a favourite song of Ronnie’s and one the group did in their own act, and Ronnie danced over to David Brigati, who was singing lead on the song, and started dancing close to him. He handed her the mic as a joke, and she took over the song. They got a regular spot at the Peppermint Lounge, dancing behind the Starliters for their whole show and joining them on vocals for a few numbers every night. Inspired by the Bobbettes and the Marvelettes, Ronnie and Estelle’s mother suggested changing the group’s name. She suggested “the Rondettes”, and they dropped the “d”, becoming the Ronettes. The singles they released on ColPix under the new name did no better than the others, but they were such an important part of the Peppermint Lounge that when the Lounge’s owners opened a second venue in Florida, the girls went down there with the Starliters and were part of the show.  That trip to Florida gave them two very different experiences. The first was that they got to see segregation firsthand for the first time, and they didn’t like it — especially when they, as light-skinned mixed-race women, were read as tanned white women and served in restaurants which then refused to serve their darker-skinned mothers. But the second was far more positive. They met Murray the K, who since Alan Freed had been driven out of his job had become the most popular DJ in New York. Murray was down in Florida for a holiday, and was impressed enough by the girls’ dancing that he told them if they were ever in New York and wanted a spot on one of his regular shows at the Brooklyn Fox Theatre they should let him know. They replied that they lived in New York and went to those shows all the time — of course they wanted to perform on his shows. They became regular performers at the Brooklyn Fox, where they danced between the other, bigger, acts, sang backing vocals, did a song or two themselves, and took part in comedy sketches with Murray. It was at these shows, as well, that they developed the look they would become famous with — huge hair piled up on top of their heads, tons of mascara, and tight skirts slit to show their legs. It was a style inspired by street fashion rather than by what the other girl groups were wearing, and it made them incredibly popular with the Fox audience. But the Ronettes, even under their new name, and even with the backing of New York’s most prominent DJ, were still not selling any records. They knew they were good, and the reaction to their stage performances proved as much, so they decided that the problem must be with Colpix. And so in 1963 they made a New Year’s resolution — they were going to get Phil Spector to produce them.  By this time, Spector was becoming very well known in the music industry as a hit maker. We already saw in the recent episode on the Crystals how he was making hits for that group and the Blossoms, but he was also making hits with studio groups like Bob B. Soxx and the Blue Jeans, who he took into the top ten with a remake of the old Disney song “Zip-a-Dee-Doo-Dah”: [Excerpt: Bob B. Soxx and the Blue Jeans, “Zip-a-Dee-Doo-Dah”] and as well as the records he was putting out on Philles, he was also working as a freelance producer for people like Connie Francis, producing her top ten hit “Second-Hand Love”: [Excerpt: Connie Francis, “Second-Hand Love”] So the Ronettes were convinced that he could make them into the stars they knew they had the potential to be. The group had no idea how to get in touch with Spector, so they tried the direct route — Estelle called directory enquiries, got the number for Philles Records, and called and asked to be put through to Spector. She was as astonished as anyone when he agreed to talk to her — and it turned out that he’d seen the group regularly at the Brooklyn Fox and was interested in working with them.  At their audition for Spector, the group first performed a close-harmony version of “When the Red Red Robin Goes Bob-Bob-Bobbin’ Along”, which they’d been taught by their singing teacher. Spector told them that he wanted to hear what they did when they were singing for themselves, not for a teacher, and so Ronnie launched into “Why Do Fools Fall In Love?”  It only took her getting to the second line of the song before Spector yelled at her to stop — “THAT is the voice I’ve been looking for!” The Ronettes’ first recordings for Spector weren’t actually issued as by the Ronettes at all. To start with, he had them record a version of a song by the writing team of Jeff Barry and Ellie Greenwich, “Why Don’t They Let Us Fall In Love?”, but didn’t release it at the time. It was later released as by “Veronica”, the name under which he released solo records by Ronnie: [Excerpt: Veronica, “Why Don’t They Let Us Fall In Love?”] But at the time, when Ronnie asked him when the record was coming out, Spector answered “Never”. He explained to her that it was a good record, but it wasn’t a number one, and he was still working on their first number one record. Their next few recordings were covers of then-current dance hits, like “The Twist”: [Excerpt, “The Crystals”, “The Twist”] And “The Wah-Watusi”, one of the few times that one of the other Ronettes took the lead rather than Ronnie, as Nedra sang lead: [Excerpt, “The Crystals”, “The Wah-Watusi”] But these, and two other tracks, were released as album tracks on a Crystals album, credited to the Crystals rather than the Ronettes. The song that eventually became the group’s first hit, “Be My Baby”, was mostly written by one of the many husband-and-wife songwriting teams that had developed at the Brill Building, Jeff Barry and Ellie Greenwich. Barry had started out as a performer who occasionally wrote, putting out records like “It’s Called Rock and Roll”: [Excerpt: Jeff Barry, “It’s Called Rock and Roll”] But while his performing career had gone nowhere, he’d started to have some success as a songwriter, writing “Teenage Sonata” for Sam Cooke: [Excerpt: Sam Cooke, “Teenage Sonata”] And “Tell Laura I Love Her”, which was recorded by several people, but the biggest hit version was the American number one by Ray Peterson: [Excerpt: Ray Peterson, “Tell Laura I Love Her”] Ellie Greenwich had also started as a performer, recording “Silly Isn’t It?” under the name Ellie Gaye: [Excerpt: Ellie Gaye, “Silly, Isn’t It?”] She’d become one of the most important demo singers in New York, and had also started writing songs. She’d first collaborated with Doc Pomus, cowriting songs like “This is It”, which had been a flop single for Jay and the Americans: [Excerpt: Jay and the Americans, “This is It”] She’d then been taken on by Trio Music, Leiber and Stoller’s company, where she had largely collaborated with another writer named Tony Powers. Trio had first refusal on anything the two of them wrote, and if Leiber and Stoller didn’t like it, they could take the song elsewhere. Greenwich and Powers had their biggest successes with songs that Leiber and Stoller rejected, which they sold to Aaron Schroeder. And they’d started up a collaboration with Phil Spector — although Spector and Greenwich’s first meeting had not exactly gone smoothly. He’d gone into her office to hear her play a song that she thought would be suitable for the Paris Sisters, but had kept wandering out of the office, and had kept looking at himself in a mirror and primping himself rather than listen to her song. Eventually she said to him  “Listen to me, you little prick. Did you come to look at yourself or to hear my songs?”, and she didn’t make that sale. But later on, Spector became interested in a song she’d sold to Schroeder, and made an appointment to meet her and talk about her writing some stuff for him — that second meeting, which Spector didn’t realise was with someone he’d already made a bad impression on, Spector turned up four hours late.  But despite that, Greenwich and Powers wrote several songs for Spector, who was also given songwriting credit, and which became big hits in versions he produced — “(Today I Met) The Boy I’m Gonna Marry”, a single by Darlene Love: [Excerpt: Darlene Love, “(Today I Met) The Boy I’m Gonna Marry”] And “Why Do Lovers Break Each Others’ Hearts?”, released as by Bob B. Soxx and the Blue Jeans, but with Love once again on lead vocals: [Excerpt: Bob B. Soxx and the Blue Jeans, “Why Do Lovers Break Each Others’ Hearts?”] I say that Spector was also given songwriting credit on those records, because there is some debate about how much he contributed to the songs he’s credited on. Some of his co-writers have said that he would often only change a word or a phrase, and get himself cut in on an already-completed song, while others have said that he contributed a reasonable amount to the songwriting, though he was never the primary writer — for example Barry Mann has said that Spector came up with the middle section for “You’ve Lost That Lovin’ Feelin'”. I tend towards the belief that Spector’s contribution to the writing on those songs he’s co-credited on was minimal — in his whole career, the number of songs he wrote on his own seems to be in the single figures, while those other writers wrote dozens of hit records without any contribution from Spector — and so when I talk about records he produced I’ll tend to use phrasing like “a Goffin and King song co-credited to Phil Spector” rather than “a song by Goffin, King, and Spector”, but I don’t want that to give the impression that I’m certain Spector made no contribution.  But while Greenwich and Powers were a mildly successful team, their partnership ended when Greenwich met Jeff Barry at a family Thanksgiving dinner — Greenwich’s uncle was Barry’s cousin. As Greenwich later put it, when they started talking together about music and realised how much they had in common, “I went ‘ooh’, he went ‘mmmhh’, and his wife went ‘I don’t think I like this'”. Soon their previous partnerships, both romantic and musical, were over, and Jeff Barry and Ellie Greenwich became the third of the great Brill Building husband-and-wife songwriting teams.  Where Goffin and King had a sophisticated edge to their writing, with a hint of sexual subversion and the mingling of pain and pleasure, and Mann and Weill tried to incorporate social comment into their songs, Barry and Greenwich were happy to be silly — they were writing songs like “Hanky Panky”, “Da Doo Ron Ron”,  and “Doo Wah Diddy Diddy”: [Excerpt: Ellie Greenwich “Doo Wah Diddy Diddy (demo)”] This worked extremely well for them, to the extent that after they broke up a few years later, Barry would continue this formula with songs such as “Sugar Sugar”, “Jingle Jangle” and “Bang Shang A Lang”. Barry and Greenwich’s style was to jam in as many hooks as possible, maybe put in a joke or two, keep the lyrics simple, and get out in two minutes. Very few of their songs were masterpieces of songwriting, but they *were* absolutely perfect templates for masterpieces of production. It sounds like I’m damning them with faint praise, but I’m really not. There is a huge skill involved in what they were doing — if you’re writing some heartwrenching masterpiece about the human condition, people will forgive the odd lapse in craft, but if you’re writing “My baby does the hanky panky”, there’s no margin for error, and you’re not going to get forgiven if you mess it up.  Barry and Greenwich were good enough at this that they became the go-to writers for Spector for the next couple of years. He would record songs by most of the Brill Building teams, but when you think of the classic records Spector produced, they’re far more likely than not to be Barry and Greenwich songs — of the twenty-seven Philles singles released after Barry and Greenwich started writing together, fourteen are credited to Barry/Greenwich/Spector, and other than the joke release “Let’s Dance the Screw”, which we talked about back in the episode on the Crystals, there’s a run of eleven singles released on the label between late 1962 and early 1964 which are credited either as Greenwich/Powers/Spector or Barry/Greenwich/Spector. And so it was naturally to Barry and Greenwich that Spector turned to write the first big hit for the Ronettes — and he let Ronnie hear the writing session. By this time, Spector had become romantically involved with Ronnie, and he invited her into his apartment to sit in the next room and listen to them working on the song — usually they got together in hotels rather than at Spector’s home. While she was there, she found several pairs of women’s shoes — Spector hadn’t told her he was married, and claimed to her when she asked that they belonged to his sister. This should probably have been a sign of things to come. Assuming that Spector did contribute to the writing, I think it’s easy to tell what he brought to “Be My Baby”. If you listen to that Connie Francis record I excerpted earlier, on which Spector is also a credited co-writer, the melody line for the line “that you don’t feel the same” leading into the chorus: [Excerpt: Connie Francis, “Second-Hand Love”] is identical to the melody line leading into the chorus of “Be My Baby”: [Excerpt: The Ronettes, “Be My Baby”] So that transition between the verse and the chorus is likely his work. After rehearsing Ronnie for several weeks in New York, Spector flew her out to LA to make the record in Gold Star Studios, where she spent three days recording the lead vocals. The backing vocals weren’t provided by the other Ronettes, but rather by the Blossoms, with a few extra singers — notably Spector’s assistant Sonny Bono, and his new girlfriend Cher — but what really made the track was not the vocals — although the song was perfect for Ronnie — but Hal Blaine’s drum intro: [Excerpt: The Ronettes, “Be My Baby”] That intro was utterly simple — Blaine was always a minimalist player, someone who would play for the song rather than play fussy fills — but that simple part, combined with the powerful sound that the engineer Larry Levine got, was enough to make it one of the most memorable intros in rock music history. Brian Wilson of the Beach Boys talks to this day about how he had to pull over to the side of the road when he first heard it on his car radio, and he would listen to the record incessantly for hours at a time. Incidentally, since I’m talking about the musicians, a lot of sources credit Carol Kaye for playing the bass on this track, so I’m going to say something once, here, which should be taken as read whenever I’m talking about records made in LA in the sixties — Carol Kaye is not only an unreliable source about what records she played on, she is an utterly dishonest one. For those who don’t know, Ms. Kaye was one of the great bass players of the sixties, and also one of the better session guitarists. She played on hundreds of records in the sixties, including many, many, classics from the Beach Boys, Spector, Frank Zappa, and others, and she was the only woman getting regular session work in LA on a rock instrument — there may have been session orchestral musicians who were women, but when it comes to guitar, bass, drums, keyboards, sax, and so on, she was the only one. For that, she deserves a huge amount of credit. Unfortunately, she has never been happy only being credited for the records she actually played on, and insists she played on many, many, more. Some of this can be reasonably put down to lapses in memory more than fifty years later — if you’re playing two or three sessions a day, and you play on a bunch of Beach Boys records, then it’s easy enough to misremember having played on “Surfin’ USA” when maybe you played on a similar-sounding record, and there are things like her claiming to have played on “Good Vibrations”, where there were multiple sessions for that track, and it happened that the takes eventually used weren’t the ones where she was playing bass, but she had no way of knowing that. That’s completely forgivable. But Ms. Kaye also claims, with no evidence whatsoever on her side and a great deal of evidence against her, to have been responsible for playing almost the entire recorded works of James Jamerson, Motown’s main bass player, claiming tapes were secretly shipped from Detroit to LA — something that has been denied by every single person working at Motown, and which can be easily disproved just by listening to the tapes. She claims to have played the bass on “I’m a Believer” by the Monkees — a track recorded in New York, by New York musicians. And whenever anyone points out the falsehoods, rather than saying “I may have made a mistake” she hurls abuse at them, and in some cases libels them on her website. So, Carol Kaye did not play on this record, and we know that because we have the AFM session sheets, which show that the bass players on the track were Ray Pohlman and Jimmy Bond. I’ll link a PDF of that sheet in the show notes. So in future, when I mention someone other than Carol Kaye playing on a song, and Wikipedia or somewhere says she played on it, bear this in mind. Two people who did play on the record were Bill Pitman and Tommy Tedesco, and this is why the B-side, an instrumental, is named “Tedesco and Pitman”. Spector was enough of a control freak that he didn’t want DJs ever to play the wrong side of his singles, so he stuck instrumental jam sessions by the studio musicians — with the songwriting credited to him rather than to them — on the B-sides. I don’t know about you, but I actually quite like “Tedesco and Pitman”, but then I’ve always had a soft spot for the vibraphone: [Excerpt: “The Ronettes” (The Wrecking Crew), Tedesco and Pitman”] “Be My Baby” was a massive hit — it went to number one on the Cashbox chart, though only number two on the Billboard chart, and sold millions of copies. The group were invited on to Dick Clark’s Caravan of Stars tour, but Spector wanted Ronnie to be in California to record the follow-up, so the girls’ cousin Elaine filled in for her for the first couple of weeks of the tour, while Ronnie recorded another Barry, Greenwich and Spector song, “Baby I Love You”: [Excerpt: The Ronettes, “Baby I Love You”] Ronnie didn’t realise it at the time, but Spector was trying to isolate her from the other group members, and from her family. But at first this seemed to her like a sensible way of solving the problem, and she rejoined the tour after the record was made. Soon after this, the group travelled to the UK for a brief tour in early 1964, during which they became friendly with the Beatles — Ronnie had a brief chaste flirtation with John Lennon, and Estelle something a little more with George Harrison. They also got to know their support act on the tour, the Rolling Stones — at least once Ronnie had had a row with Andrew Loog Oldham, as Spector had sent a telegram forbidding the Rolling Stones from spending time with the Ronettes. Once Ronnie pointed out that they were there and Spector wasn’t, the two groups became very friendly — and more than friendly, if Keith Richards’ autobiography is to be believed. On their return to the US, they continued having hits through 1964 — nothing was as big as “Be My Baby”, but they had three more top forty hits that year, with two mediocre records, “The Best Part of Breaking Up” and “Do I Love You?”, co-written by the team of Pete Andreoli and Vini Poncia, and then a return to form with the magnificent “Walking in the Rain”, written by Barry Mann and Cynthia Weill: [Excerpt: The Ronettes Featuring Veronica, “Walking in the Rain”] But Spector was becoming more and more erratic in his personal life, and more and more controlling. I won’t go into too many details here, because we’re going to see a lot more of Phil Spector over the next year or so, but he recorded many great records with the Ronettes which he refused to release, claiming they weren’t quite right — Ronnie has later realised that he was probably trying to sabotage their career so he could have her all to himself, though at the time she didn’t know that. Neither of the two singles they did release in 1965 made the top fifty, and the one single they released in 1966, a return to songs by Barry and Greenwich, only made number one hundred, for one week: [Excerpt: The Ronettes, “I Can Hear Music”] Also in 1966, the Ronettes were invited by the Beatles to be their support act on their last ever tour, but once again Spector insisted that Ronnie couldn’t go, because she needed to be in the studio, so Elaine substituted for her again, much to the Beatles’ disappointment. Nothing from the studio sessions during that tour was released. The group broke up in 1967, and the next year Ronnie married Phil Spector, who became ever more controlling and abusive. I won’t go into details of the way he treated her, which you can read all about in her autobiography, but suffice to say that I was completely unsurprised when he murdered a woman in 2003. You’ll probably get some idea of his behaviours when I talk about him in future episodes, but what Ronnie suffered in the years they were together was something no-one should have to go through. By the time she managed to leave him, in June 1972, she had only released one track in years, a song that George Harrison had written for her called “Try Some, Buy Some”, which Spector had recorded with her at Harrison’s insistence, during a period when Spector was working with several of the ex-Beatles and trying to rebuild his own career on the back of them: [Excerpt: Ronnie Spector, “Try Some, Buy Some”] Neither Ronnie nor Spector were particularly keen on the track, and it was a commercial flop — although John Lennon later said that the track had inspired his “Happy Xmas (War is Over)”. Ronnie eventually escaped from Spector’s abuse — leaving the house barefoot, as Spector had stolen her shoes so she couldn’t leave — and started to build a new life for herself, though she would struggle with alcoholism for many years. She got nothing in their divorce settlement, as Spector threatened to hire a hit man to kill her if she tried to get anything from him, and she made a living by touring the nostalgia circuit with various new lineups of Ronettes — the others having given up on their music careers — and while she never had another hit, she did have a recording career. Her solo career got its proper start because of a chance meeting in New York. Her old friend John Lennon saw her on the street and called her over for a chat, and introduced her to the friend he was with, Jimmy Iovine, who was producing an album for Southside Johnny and the Asbury Dukes. Bruce Springsteen had written a song for that band, and Iovine thought it might work well as a duet with Ronnie, and he invited her to the studio that day, and she cut the song with them: [Excerpt: Southside Johnny and the Asbury Dukes, “You Mean So Much To Me”] That song became one of the most popular songs on the album, and so when the Asbury Dukes toured supporting Bruce Springsteen and the E-Street Band, they brought Ronnie along with them to sing on that song and do a couple of her own hits. That led to the E-Street Band themselves backing Ronnie on a single — a version of Billy Joel’s “Say Goodbye to Hollywood”, a song that Joel had written with her in mind: [Excerpt: Ronnie Spector and the E-Street Band, “Say Goodbye to Hollywood”] However, that was a flop, and so were all her later attempts to have comebacks, though she worked with some great musicians over the years. But she was able to continue having a career as a performer, even if she never returned to stardom, and she never made much money from her hits. She did, though, sing on one more top-ten hit, singing backing vocals on Eddie Money’s “Take Me Home Tonight”: [Excerpt: Eddie Money, “Take Me Home Tonight”] Phil Spector continued to earn money from his ex-wife for a long time after their divorce. By 1998, when the Ronettes finally sued Spector for unpaid royalties, they had earned, between them, a total of $14,482.30 in royalties from all their hit records — the amount that came from a single 1964 royalty payment. In court, Spector argued that he didn’t owe them any more, and indeed that *they* still owed *him* money, because the cost of recording their singles meant that they had never actually earned more money than they cost. Eventually, after a series of appeals, the group members each got about half a million dollars in 2002 — obviously a great deal of money, but a small fraction of what they actually earned. Spector, who was on the board of the Rock and Roll Hall of Fame, prevented the Ronettes from being inducted out of spite towards his ex until he was imprisoned, at which point they were finally recognised, in 2007.  Ronnie continues to perform, and seems to have a happy life. Estelle, sadly, did not — she suffered from anorexia and schizophrenia, spent a period of time homeless, and died in 2009. Nedra became a born-again Christian shortly after the group split up, and recorded a couple of unsuccessful albums of Christian music in the seventies, before going off to work in real estate. In September last year, it was announced that a film is going to be made of Ronnie Spector’s life story.  It’s nice to know that there’ll be something out there telling her story with her as the protagonist, rather than as a background character in the story of her abusive husband.

It's been a long season full of incredible collaborations, angry comments, and record-breaking participation - but we're finally here, ready to crown the 2020 Buzz Bracket Champions: congratulations to Legion Brewing for being voted Charlotte's Best Brewery for the second year in a row! While we await the day when we can celebrate with them in person, we're talking about action and adventure on this week's episode. Join us as we watch Dilworth build fire stations like a kid building houses in Monopoly: side by side by side by side. We're also talking about the real life inspiration for Bones, naturally coming up with conspiracy theories about her, while simultaneously hoping we can hire her for some future podcast ideas. Submit your unsolved cases to us today!Instagramhttps://www.instagram.com/vangocreative/Unknown Brewinghttp://unknownbrewing.comOld Station No. 2http://landmarkscommission.org/2017/07/06/charlotte-fire-station-2/Old Charlotte Fire Stationshttps://legeros.com/history/stations/charlotte/Kathy Reichshttps://kathyreichs.comDon't forget to subscribe!

In Episode 61, we talk about a bad hire for SNL (another racist white guy who gets a shot - sigh), Zooey Deschanel's new boo, the passing of “Take Me Home Tonight” singer Eddie Money and a heartwarming story out of Florida (that's only partly pop culture BUT THIS IS OUR PODCAST AND WE DO WHAT WE WANT). In the Premiere Topic, we revisit the pilot of the hit ABC show “LOST” and discuss how well it holds up 15 years later, the good and the bad in the two-part episode and whether we would recommend it to someone who's never seen it. PLUS, in our teasers, Maureen recommends a new movie starring Mindy Kaling and Emma Thompson and Josh recommends a powerful short documentary that first aired on ESPN. Email us at thepoppedcast@vernacularpodcast.com! Links: Shane Gillis racist comments surface Zooey Deschanel is dating WHO?! Eddie Money passes away A heartwarming story out of Florida) “LOST” “Late Night” “The Man in the Red Bandana”

Photographer Megan Baker (UCB, The Comedy Store) blows away Steven and Sasha with her love for TAKE ME HOME TONIGHT, a 2011 film starring Topher Grace, Dan Fogler and Anna Faris. Does Megan really have a tatoo in honor of the film? Which character does she strongly identify with? And wait, did Bob Odenkirk repeatedly fire the P-word in one of the deleted scenes? Listen to find out. Email us at shutuppod@gmail.com Twitter/Instagram: @shutupiloveit1 Facebook: https://www.facebook.com/shutupiloveit1/

While you're reading A Hunger Like No Other, we're bringing you off-week romance recommendations, on themes! Join us this week for Rock Star Romances.Kristen CallihanIdol (VIP Series #1)Managed (VIP Series #2)Fall (VIP Series #3)Sarah's first Kristen Callihan book, EvernightKylie ScottLick (Stage Dive Series #1)Play (Stage Dive Series #2)Lead (Stage Dive Series #3)Deep (Stage Dive Series #4)Anna ZaboSyncopation (Twisted Wishes #1)Counterpoint (Twisted Wishes #2)JN WelshIn TuneSarah's first JN Welsh book, Gigolo All the WayThe book that made Sarah a Rock Star Romance reader, Erika Kelly's Take Me Home Tonight

Mark Kermode joins Simon Mayo to give his verdict on the week's movies.Joe Cornish of Adam & Joe fame chats to Mark and Simon in the first hour about the inspiration behind his directorial debut Attack the Block, which opens in cinemas across the country today.Mark and Simon argue over the best ever movie scores with the help of Andrew Collins, Paloma Faith and the BBC Philharmonic Orchestra - and they invite 5 live listeners to have their say on the ultimate winner. Should it be Jaws or Raiders of the Lost Ark?Plus the UK box office Top Ten and the rest of the week's new releases including Take Me Home Tonight, The Way, Red Hill and Love Like Poison. Email: mayo@bbc.co.uk Twitter: @wittertainment.

Dave waxes eloquently on his love for director Apichatpong Weerasathakul and his new film "Uncle Boonmee Who Can Recall His Past Lives," while Alonso stands alone in not loving "Rango."