Podcasts about 3d animation

Jiake Liu is the Co-Founder and CEO of Outer, a brand revolutionizing outdoor living by reimagining furniture and transforming backyards into immersive, functional spaces. With a mission to make life outside effortless and enjoyable, Outer combines eco-friendly materials, durable design, and an innovative showroom model—crowdsourcing real customers' backyards to create a unique, community-driven shopping experience.Before launching Outer in 2018, Jiake built his career in tech and software engineering at Riot Games, where he honed his expertise in problem-solving and user experience. Now, as an angel investor and founder, he's leveraging technology, sustainability, and consumer-first innovation to redefine how people connect with their outdoor spaces.In 2025, Jiake is taking Outer beyond furniture with Outer Spaces—a proprietary solution designed to convert vacant backyards into fully functional outdoor living spaces, from wellness retreats and dining areas to personal gyms.Under his leadership, Outer is reshaping the way we think about outdoor living—proving that sustainability, design, and convenience can coexist seamlessly in Ecommerce.In This Conversation We Discuss:[01:06] Intro[01:48] Introducing a new way to sell products[03:40] Finding the right investors for growth[05:10] Pitching a better product to investors[07:38] Building a brand through viral marketing[08:35] Building brand trust through storytelling[09:43] Validating ideas with ad mockups[10:13] Talking to customers before launching[11:14] Staying connected with customers post-purchase[11:57] Inventing solutions before customers ask for them[14:06] Episode Sponsors: StoreTester and Intelligems[17:19] Building trust with real product experiences[19:58] Turning media buzz into big opportunities[22:22] Mastering numbers before raising capital[23:27] Building outdoor spaces in one dayResources:Subscribe to Honest Ecommerce on YoutubeThe Perfect Outdoor Sofa is Now Within Reach liveouter.com/Follow Jiake Liu linkedin.com/in/jiakeliuBook a demo today at intelligems.io/Done-for-you conversion rate optimization service storetester.com/If you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!

In einer Welt, in der Stormtrooper lieber Gadgets auspacken als zu kämpfen, entstand ein ungewöhnliches Projekt: Der Star-Wars-Fanfilm “E:11” verbindet das epische Universum von George Lucas mit der absurd-komischen Welt der YouTube-Unboxing-Videos. Wie aus einer verrückten Idee ein viraler Kurzfilm wurde, verraten der Macher Robert Hranitzky und Editor Michael Münch in dieser Podcastfolge von “Credit to the Edit”. Die Folge taucht ein in die Herausforderungen des Fanfilm-Schnitts: Wie bleibt man dem Star-Wars-Universum treu, ohne die Ironie des YouTube-Genres zu verlieren? Warum scheiterten erste Versuche an der „hölzernen“ Mimik des maskierten Stormtroopers? Und wie landete der Film schließlich sogar in der Timeline von Luke Skywalkers deutscher Synchronstimme? Ob als Star-Wars-Nerd, YouTube-Junkie oder Filmschaffender: Diese Folge zeigt, wie Leidenschaft, Humor und eine Portion Mut aus einer Fan-Idee mehr machen können als bloße Nachäffen eines Franchises. Und wer weiß? Vielleicht inspiriert sie ja zum nächsten verrückten Projekt. Möge der Schnitt mit euch sein!   Robert Hranitzky Robert Hranitzky, Designer, Regisseur und Speaker, verwirklichte mit Star Wars – E:11 ein Herzensprojekt an der Schnittstelle von Fandom und Kreativität. Robert, der sich selbst einen Stormtrooper-Anzug samt Blaster bastelte, kombiniert seit Jahren handwerkliches Know-how mit Kreativität und auch gerne Humor: ob in Werbung, 3D-Animation oder ungewöhnlichen Fanprojekten.   Michael Münch Michael Münch, erfahrener Editor und Roberts langjähriger Freund, bringt strukturierende Präzision in kreative Prozesse. Sonst vor allem narrativen Formaten zugetan entdeckte er für Star Wars - E:11 die Absurdität des YouTube-Genres und wurde zum unverzichtbaren Sparringspartner zwischen Rohschnitt und Feinschliff.   Timeline-Shortcuts 00:14 Anmoderation 03:11 Gesprächsbeginn 09:47 Die Idee 16:00 Genre-Mix 17:14 Die Ebenen des Films 22:28 Die Werbeeinblendung 24:04 Star Wars, Unboxing, Comedy 31:00 Warum? 34:29 Kategorien 45:34 Ende 48:18 Abmoderation Links Star Wars - E:11 Robert Hranitzky Michael Münch “Seagulls! (Stop it Now)” -- A Bad Lip Reading of The Empire Strikes Back

Mit „Arcane“ hat das Studio Fortiche in Zusammenarbeit mit Riot Games einen echten Coup gelandet: Die Serie, basierend auf der Welt von „League of Legends“, begeistert selbst jene, die dem Spiel nichts abgewinnen können. Jetzt ist die zweite Staffel gestartet, und wir haben die ersten drei Episoden für euch unter die Lupe genommen. Die Handlung knüpft nahtlos an das explosive Finale der ersten Staffel an. Die fragile Beziehung zwischen der reichen Oberstadt Piltover und der rebellischen Unterstadt Zaun droht endgültig zu zerbrechen. Während der Konflikt eskaliert, spielen politische Intrigen, persönliche Tragödien und revolutionäre Untertöne eine zentrale Rolle. Besonders beeindruckend bleibt die Fähigkeit der Serie, komplexe Charaktere und ihre Beziehungen greifbar zu machen – allen voran die Geschwisterrivalität zwischen Vi und Jinx. Auch visuell setzt „Arcane“ Maßstäbe: Mit ihrem einzigartigen Mix aus 2D- und 3D-Animation bleibt die Serie ein optisches Meisterwerk, das mit jeder Szene begeistert. Die erste Staffel beeindruckte durch innovative Erzählstrukturen und tiefgründige Themen, und Staffel 2 scheint diesen Weg konsequent fortzusetzen. Allerdings vermisst man bisher ein wenig den frischen „Wow-Moment“ neuer Perspektiven oder Figuren.

In this episode of Jar of Genius, host Russ Perry is joined by Bryan Grant, Creative Director, Motion Designer, and Founder of Bryan Grant Studios. Together, they explore the evolution of creativity in motion graphics and design, how motion graphics artists can succeed beyond entertainment, and the role of AI in supercharging creativity and reviving the power of personal touch.

The Virtual Production Podcast is back with a brand new live format! Our guest Phil Galler co-founded Lux Machina Consulting. Focusing on in-camera visual effects, real-time mixed reality, and the future of film making and live broadcast, Phil's been fortunate enough to find himself at the crossroads of technological innovation and creativity. To check out this and other recent episodes live with video, please visit: https://www.linkedin.com/in/noahkadner/recent-activity/events/Follow Noah Kadner on Linkedin.

VFX Production Coordinator Esha Sandhu joins Alexie and Theo LIVE to talk about how screenwriters can write the most visually compelling screenplays. We'll cover: VFX breakdown in a script The nuances of writing explosions  Tips for breaking into the VFX industry And more!  Join us for our live Young Screenwriters Podcast recording, and stick around after for an open Q&A and more screenwriting talk :) About Esha Sandhu With a background spanning over 2 years in the VFX industry, Esha's journey began with studies in 3D Animation, Visual Effects, and a touch of Game Design. However, her true passion unfolded in the realm of Production, where the spirit of collaboration and shared objectives fuels her enthusiasm as a VFX Production Coordinator. Esha has worked on Hawkeye, Obi-Wan Kenobi, Willow series, The School for Good and Evil, Lift and Dune Part: Two. In the autumn of 2023, Esha embarked on her WIA mentorship journey, eagerly embracing the opportunity to nurture and steer the forthcoming wave of Production Enthusiasts. Esha's guiding principle is to “embrace a production mindset while maintaining a friendly approach to artists". Esha also thrives in the dynamic environment of a film set, where she channels her skills and experience. She also works as a Script Supervisor on set, contributing to the seamless execution of productions while writing her own short films to fuel her passion for filmmaking. Esha's IMDb: https://www.imdb.com/name/nm13157752/ Esha's Insta: https://www.instagram.com/films_by_esha/?hl=en Reach Esha: films.by.esha@gmail.com  Connect with Us YS Website YS Discord Script Vault YS Courses Writing the Short Writing the Scene Writing the Feature Writing the Pilot

The Framestore Podcast, our learning and talent development focused podcast made by Framestore, for Framestore, is back with another fantastic new episode. Every two weeks on Mondays, we welcome a special guest to the pod to answer questions about their inspirations, work at our studio, and career journey via the Framestore Podcast 'dailies' questions. Then, the following Thursday, we invite a guest 'co-host' from our global community to take over, engaging our guest in a deeper dive conversation for a valuable learning experience. Our special guest this week is Creative Technology Director Manon Dave! Manon is a product designer, inventor, musician, and creative technologist known for leveraging technology to create immersive experiences for the entertainment and education industries. He was behind two of TIME Magazine's Top 100 Inventions of 2022 and has appeared on the list five times. Over his decade-long career, Manon has received numerous awards for innovation and design, including CES, iF, and Red Dot awards. He has led product development for innovative UK startups like ROLI and Kano, with his products featured in Apple stores globally. As a creative director, Manon has worked with clients like Mercedes, HBO, and Christian Dior. In 2023, he became Artistic Director of TED Tech. In music, Manon has co-written songs with will.i.am, PJ Morton, and Idris Elba, and produced for UK rap artist Che Lingo. His music has been featured in NBA2K, FIFA, and Apple ad campaigns. He also advises leading musical artists and is a published songwriter and producer with Universal Music. Our co-host for this conversation is Technology Coordinator, Patricia Lauzon. Patricia joined Framestore Montreal on reception in November 2019, then quickly moved into a Runner role, and then the Systems Support team where she's been since September 2020. A graduate of the NAD, School of Digital Arts, Animation and Design, where she studied 2D and 3D Animation, Modelling, Texturing and Rigging, Patricia is the perfect co-host for this weeks podcast. We get into the fascinating career of Manon, a trailblazer whose journey spans from music production to product management. We discover what inspired Manon to navigate such varied roles and industries, and gain insights into the evolving intersection of art and innovation. With a rich background in both music and technology, Manon shares thoughts on the future of creativity in the age of AI and machine learning. Manon shares his latest work on the inspiring film '1 in 100 Million,' celebrating the Refugee Olympic Team for Paris 2024. We discuss his sources of inspiration, his amazing mentors and personal journey managing imposter syndrome. Despite his many roles, including shaping the future of technology and creativity at Framestore, Manon remains humble and grounded. Check out the inspiring '1 in 100 Million' at: https://www.youtube.com/watch?v=ztBUQAW89z4

“The next couple of days were really rough. They were really dark. But something inside of me woke up. And it's something that I think is inside all of us. And that is this desire to change.” Chris Koehler is a professor of 3D Animation and a runner who went through a transformation. In this episode, hear Chris chat with Luis about how he got into running, hear how he started his journey at 330 pounds, how his marriage fell apart, how he started out running small distances and how it grew to running ultras, his Born to Run experience, and what he has coming up. Hear his powerful transformation through running. Support Road Dog Podcast by: 1. Joining the Patreon Community: https://www.patreon.com/roaddogpodcast 2. Subscribe to the podcast on whatever platform you listen on. GO SLEEVES: https://gokinesiologysleeves.com HAMMER NUTRITION show code: Roaddoghn20 Listeners get a special 15% off at https://www.hammernutrition.com DRYMAX show code: Roaddog2020  Listeners get a special 15% off at https://www.drymaxsports.com/products/ Allwedoisrun.com Chris Koehler Contact Info: Email: chriskoehlerdesign@gmail.com IG: https://www.instagram.com/2d3dchris/ Luis Escobar (Host) Contact: luis@roaddogpodcast.com Luis Instagram Kevin Lyons (Producer) Contact: kevin@roaddogpodcast.com yesandvideo.com Music: Slow Burn by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Original RDP Photo: Photography by Kaori Peters kaoriphoto.com Road Dog Podcast Adventure With Luis Escobar www.roaddogpodcast.com    

Disguise is a creative platform powering major live entertainment from Taylor Swift to U2 and beyond. LED volume stages also leverage Disguise for virtual production. Addy Ghani, Fernando Kufer, and Tom Rockhill from Disguise join us in this special expanded episode of the Virtual Production podcast.Follow Noah Kadner on Linkedin.

Whether you've seen a drone show in the past, or it's an entirely new experience, the Christmas and New Year's events from Sky Elements Drone Shows are not to be missed. Go to https://skyelementsdrones.com/ for more information. Sky Elements Drone Shows City: North Richland Hills Address: 3819 Rufe Snow Dr #203 Website https://skyelementsdrones.com/ Phone +1 817 286 3400 Email Rick@skyelementsdrones.com

James started his 3rd career at age 40 in 3D animation. Discover the challenges and considerations he made when successfully switching careers and now working on his first feature film as a 3D animator next year. As mentioned in the podcast: Trainee program James went through: https://www.screenskills.com/ Demo Reel that got James into that program: https://vimeo.com/manage/videos/496443097 Animator's Journey Beginner course: https://animatorsjourney.com/beginner-course/

Brian Bosché is the VP of Marketing & Revenue at Move Ai, a tool enabling anybody to capture high-quality motion data in any environment using phones and standard cameras without the need for suits or markers. Move AI's software extracts natural human motion from video using applied AI, computer vision, biomechanics, and physics. Episode 37 Timestamps: 00:00:00 Introduction 00:02:51 Why Brian joined Move Ai? 00:06:28 3D as the new Medium 00:08:37 Origin of Move Ai 00:11:00 Use-cases of Move Ai 00:12:45 Move One, Multi-Capture, API 00:17:00 Real-time Motion Capture without markers 00:21:50 Working with AAA Studios 00:23:52 Tracking Props and future developments 00:31:16 Why Sports Teams are looking for 3D Content? 00:37:28 Metaverse Adaptation 00:45:30 Brian's Career Challenges 00:48:04 Move.Ai Marketing Strategy 00:52:22 Motion Impossible Challenge Find out more about Brian and Move.ai: https://www.instagram.com/brian.bosche/ https://www.move.ai/ https://www.instagram.com/move_ai_/ https://www.linkedin.com/company/move-ai/ Join our discord server where we connect and share assets: https://discord.gg/zwycgqezfD Bad Decisions Audio Podcast

Crying: Are people getting too emotional over nostalgic/new IPs? Where is the line? A new movie trailer? A sad pet video? A dad seeing colors for the first time!? Moon Part 2: We revisit the India rover moon landing and delve back into the theories around space travel and leaving low Earth orbit. Strike Force Five: The Late Night hosts have entered the podcastsphere! Let's check in on their new podcast that has been launched to support their staffs during the strike. LET'S JUST TALK!, BOOGIE NIGHTS!, DON CHEADLE!, STORMY!, MONSOON SEASON!, HHN OPENING NIGHT!, THE LAST OF US!, STRANGER THINGS!, CRYING!, EMOTIONAL!, DETAIL!, NEIL DRUCKMANN!, NOSTALGIA!, FIVE NIGHTS AT FREDDYS!, NINJA TURTLES!, MICROPLASTICS!, EVERYTHING EVERYWHERE ALL AT ONCE!, TIKTOK DOG!, SPIKEY MICHAEL!, THEDODO!, GRUMPY DAD!, CHARITY!, ORPHANS!, SCRUBS!, BRENDAN FRASER!, DR COX!, WHO'S READY FOR FALL!?, ORLANDO!, PATREON!, IRELAND!, TAX HAVEN!, INDIA'S MOON LANDING!, ROVER!, LOW EARTH ORBIT!, SHUTTLE!, VIDEO!, REACTION!, N64!, UNMANNED!, SLOT REGIONS!, PARTICLES!, 3D ANIMATION!, AUTOCAD!, MOON COPE!, INDIA'S FLAG!, SLUT ERA!, SPACE ISN'T REAL!, OLDBOY!, HALLWAY FIGHT!, SEND MOON!, SEND BOB!, PERVERTS!, HORNY!, CULTURE!, REPRESSED!, FORCE FIELD!, FOLEY GUY!, SOUND EFFECTS!, POLICE ACADEMY!, CADDYSHACK!, GOPHER!, BILL MURRAY!, MURDER SUICIDE!, INCANTATION!, DAILY SHOW!, STRIKE FORCE FIVE!, LATE NIGHT HOSTS!, PODCAST!, STEPHEN COLBERT!, JIMMY KIMMEL!, JIMMY FALLON!, JOHN OLIVER!, SETH MEYERS!, QUALITY!, ZOOM RECORDING!, BORING!, AMBER RUFFIN!, CARSON DALY!, ANIMANIACS!, AVENGERS!, LITERARY REFERENCE!, STONE FACED!, LEAVE!, PODESTA!, SOMEBODY THAT I USED TO KNOW!, CONCERNED!, STOPPING THE SHOW!, MEMORY HOLED!, 2 BEERS DEEP!, 9 BEERS DEEP!, SPIN A YARN!  You can find the videos from this episode at our Discord RIGHT HERE!

Tired of 3D animated movies all looking the same? I like this new trend we are starting to see with animated movies!

In this interview, Carson Reed shares how leveraging the qualities of his neurodiversity has advanced his career of choice – 3D animation and film. Diagnosed earlier in life with autism spectrum disorder, he has found that his neurodiverse qualities empower him to think differently and have proven to provide significant advantages in his personal and professional life. He also describes some of his childhood experiences, the triggers that bother him the most, and how he copes with them. Carson is a brilliant, young cinematic animator.  His company is CinemaMotions. He is already making his mark in the world of motion pictures as one of the top people in his field. He describes himself as a 3D animator and Motion Capture Actor. This career started while he was in high school. He describes what he does as “creating stories through 3D animated characters and CGI worlds.” He has mastered many of the programs needed to excel in this genre and is making tutorial videos to help others using his “weirdly good” memory. In addition, Carson's hobbies include guitar, gaming, and connecting with his friends.

Kenneth Nakada is the Head of Virtual Production Operations at Amazon Studios. He was instrumental in Amazon's efforts to build an LED volume in Hollywood, which became one of the largest in North America when it opened in 2022. Before Amazon, Nakada worked as a visual effects supervisor and artist on movies like Avatar, The Matrix Revolutions, Terminator 3, and X-Men. But a far earlier special effects film got him interested in filmmaking as a career. 

If you're afraid of spiders, this video is probably not something you should watch before going to bed. This 3D animation is so realistic, it will make you feel as if you're inside a giant spider's web. You'll feel a whole bunch of emotions as the huge monster will get closer and closer to you. Do you think you can escape the web? Let's see! Learn more about your ad choices. Visit megaphone.fm/adchoices

Buckle up - we're going on a journey to outer space. Don't worry - you don't need any special preparation as it will all happen inside a simulation room. Your mission today is to experience gravity on different celestial bodies and share your observations. Our first stop will be Mercury. Be careful, it's really hot here. But now it's time to move on to other planets! Learn more about your ad choices. Visit megaphone.fm/adchoices

You're sitting at home watching TV, when suddenly, a tornado warning comes out. You run outside to hide in a bunker and hear a familiar sound. Your cow Betty needs your help, and you can't leave her behind. The next thing you know you're inside the tornado vortex with Betty. This 3D animation is so realistic you'll want to get out of the vortex alive. Learn more about your ad choices. Visit megaphone.fm/adchoices

Luciannys Camacho is a Dominican filmmaker, illustrator and sequential artist based in the NYC with a passion for comics, storytelling, and all things colorful. She is continuing her journey through comics and is currently pitching her first graphic novel based on her short film “Check Yes!” called Heroes Circle. She has done work for clients like IDW, Hasbro, Tapas Media, and Wacom. She currently holds a BFA from the School of Visual Arts in 3D Animation and Visual Effects. Connect with her on instagram @opal_lines

In this episode, we delve into the technical requirements and best computer options for beginners eager to explore the dynamic field of 3D animation. Tune in to equip yourself with the knowledge to make an informed decision and kickstart your animation journey with the right tools. I'll share my computer specs and how much it cost. We'll explore how to create an ergonomic workspace that marries comfort with efficiency. Discover the secrets behind my setup and gain insights to enhance your own animation journey.

Pinar Seyhan Demirdag is an AI director, multidisciplinary artist, and opinion leader originally from Turkey. In 2020, she founded Seyhan Lee with renowned advertising executive Gary Koepke. Demirdag is on the cutting edge of generative AI and exploring how it can enhance virtual production workflows. Her current project is Cuebric, a generative AI tool for creating virtual production environments instantly.  

In this week's episode of Alicyn's Wonderland, we are joined by veteran animator Robb Pratt. Robb has had an illustrious career spanning decades, starting as a traditional animator at Feature Animation in the 90s before moving on to work on Disney modern classics like Pocahontas, Tarzan, Hercules, Kim Possible, and the Disney Plus animated show Firebuds. He has also played a key role in the animation of the Nickelodeon hit animation Danny Phantom and a long list of other projects. In addition, Robb is an independent animated filmmaker, with credits including Superman Classic and Bizarro Class, and is the creator of CARMAN - The Road Rage Anti-Hero.In this episode, Robb takes us on a journey into his past, sharing fantastic stories about his childhood and the lessons he learned from Disney animators, getting insider info on all of Disney's upcoming hit animation films, and eventually securing a desk at the studio where all the animation magic happened in the 90s. Robb also gives a detailed explanation of what went into creating traditional animation and talks about the transition from 2D to CG animation and how it affected him and his fellow artists at the time. Along with these colorful nostalgic stories, Robb shares insights into his present projects, including CARMAN and Disney Plus's Firebuds. Despite coming from a challenging background, Robb's numerous beloved accomplishments serve as a powerful testament to the fact that passion has the incredible power to unlock a world of endless possibilities. Join us for an episode filled with animation magic and inspiration!Timestamp:[05:02] Robb talks about working at Disney during the Golden Era of 2D Animation.[08:04] Robb describes the intense and laborious process of 2D Animation.[11:28] Robb talks about why he was lucky to be in the sweet spot between 2D and digital animation.[12:25] This is how CG animation impacted animators and cleanup artists.[21:19 ] Robb talks about Firebuds[25:24] Robb talks about CARMAN---Follow Alicyn:Instagram:  https://www.instagram.com/alicyn/TikTok: https://www.tiktok.com/@alicynpackardTwitter: https://mobile.twitter.com/alicynLinkedIn: https://www.linkedin.com/in/alicynpac...Facebook: https://www.facebook.com/alicynpackar...Website: https://www.alicynpackard.com/Follow Robb:Instagram: https://www.instagram.com/robbpratt/YouTube: https://www.youtube.com/user/robbprattTwitter: https://twitter.com/robb_prattWebsite: http://www.robbpratt.com/robbpratt.com/Welcome.htmlAlicyn's Wonderland | Inside the World of Animation & Games

Paul Debevec is the Director of Research for Creative Algorithms and Technology at Netflix. A pioneer in new techniques such as photogrammetry and image-based lighting, Debevec's work formed the basis of breakthrough visual effects for movies like The Matrix, Spider-Man, and Avatar.

Christian Kaestner began his career as an art director at leading advertising agencies, crafting unique work for clients such as Sony and Adobe. After working with high-profile clients to create beautiful, memorable imagery he pivoted to VFX in the mid-2000s. He graduated from San Francisco's Academy of Art University with a Masters of Fine Arts in 3D Animation and Visual Effects and launched his VFX career with The Orphanage, before joining Framestore in 2007. Since then, he has worked on a wide variety of projects including The Dark Knight, Quantum of Solace, Where The Wild Things Are, Avatar and the Oscar-winning Gravity. Christian made the move to Montreal in 2013 and quickly established himself as a key member of the studio's senior team, supervising titles such as Paddington, Alien: Covenant, Mary Poppins Returns, Captain Marvel, The Aeronauts, and the BAFTA-winning His Dark Materials. His most recent project is 1899, a major episodic project for Netflix utilizing Europe's largest LED volume facility. Here he led a team spanning concept art, visualization, virtual production and VFX. Highlights of the Episode:0:00 Introduction0:18 Introduction of guest1:35 Getting into film3:34 Why commercials?4:42 How studying helps you jump into the industry6:51 Getting a break9:57 Good route for anyone wanting to get into the industry11:48 Improving mentoring in a remote work setting15:49 Becoming a visual effects supervisor17:23 A VFX supervisor's job18:55 What makes a good visual effects supervisor?22:31 How a visual effects supervisor differs from a virtual production supervisor34:17 What virtual production tools need to succeed40:37 Virtual production ideas that didn't work when done42:08 How water environments were approached in the volume45:38 How much change happens once work is turned over to the vendor?49:14 Challenges in virtual production that needs solving50:02 Working from home and productivity52:49 AI and how it will affect the visual effects industry56:35 How to compensate for the things we don't have to do anymore59:02 What's emerging that can be exciting1:03:57 Advice for someone who wants to break into the industry1:14:33 Outro Connecting with the Guest:Website: https://www.framestore.com/Linkedin: https://uk.linkedin.com/in/ckaestnerInstagram: https://www.instagram.com/ckvfx/Twitter: https://twitter.com/ckvfx?lang=en Connecting with CG Pro:Facebook: https://www.facebook.com/groups/becomecgproInstagram: https://www.instagram.com/becomecgpro/Website: https://www.becomecgpro.com/Twitter: https://twitter.com/edgevisualCG #virtualproduction #remoteworking #cgpro

In this episode, we explore the often-overlooked downsides of pursuing a career in 3D animation. From long hours and tight deadlines to creative constraints and job instability, we examine the challenges faced by industry professionals. I also offer insights and tips for navigating these difficulties, and discuss the pros and cons of pursuing a career in this exciting but demanding field.

I chat with Anik Rosenblum, the director and founder of Dancing Line Productions, an animation studio that focuses on short form animation with an emphasis on commercials. We talk about the process of creating an animated commercial, how there's actually more room for creativity in commercials than you think, and how there's a surprising amount of VO in short form animation, at least, surprising to me. Plus, we get into Anik's journey to becoming an animator from growing up in Lithuania to being one of the first to study 3D Animation, to coming to Canada for formal education and his influences from independent shorts to Ren and Stimpy. And you know there's going to be awesome advice if you want to set out on your own. Check out more about Anik's company at www.dancinglineproductions.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/inside-animation/message Support this podcast: https://podcasters.spotify.com/pod/show/inside-animation/support

Emma Needell is an independent writer/director. Her screenwriting skills caught the attention of Oprah Winfrey, who came on to produce her script, The Water Man when Needell was 24 years old. She also completed a short film, Life Rendered, using Unreal Engine and motion capture virtual production techniques which played at the Tribeca Film festival.

Link to previous videos: https://www.youtube.com/playlist?list=PLCY3SEDjbHKTlExgGSJ4U7iuOPnmb_waL . Link to All things 10 to LIFE: https://linktr.ee/_annieelise . For Business Inquiries: 10toLife@WMEAgency.com . 10 to LIFE Merch: https://shop10tolife.com/ . Join My Patreon: https://www.patreon.com/annieelise . Case Suggestions: 10tolifeinfo@gmail.com Trailer Music by Cain German. http://CainKong.com YT/IG: @cainkong . Follow me on Social: Instagram: https://www.instagram.com/_annieelise Facebook: https://www.facebook.com/10toLIFE Tik Tok: https://www.tiktok.com/@_annieelise . *Sources used to collect this information include various public news sites, interviews, court documents, FB groups dedicated to the case, and various news channel segments. When quoting statements made by others, they are strictly alleged until confirmed otherwise. Please remember my videos are my independent opinion and to always do your own research. •••••••••••••••••• Disclaimer: The views and opinions expressed in this video are personal and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. Assumptions made in the analysis are not reflective of the position of any entity other than the creator(s). These views are subject to change, revision, and rethinking at any time and are not to be held in perpetuity. We make no representations as to the accuracy, completeness, correctness, suitability, or validity of any information on this video and will not be liable for any errors, omissions, or delays in this information or any losses injuries, or damages arising from its display or use. All information is provided on an as-is basis. It is the reader's responsibility to verify their own facts. Comments on this channel are the sole responsibility of their writers and as such the writers will take full responsibility, liability, and blame for any libel or litigation that results from something written in or as a direct result of something written in a comment. Please feel free to challenge or disagree in the comments section – but 10 to LIFE reserves the right to delete any comment for any reason– so please keep it polite and relevant. Idaho Murders: New Horrific Details, 3D Animation, Hearing Updates & More idaho murders, idaho murders true crime update, bryan kohberger, 10 to life, bryan kohberger affidavit idaho murders, idaho murders true crime update, bryan kohberger, 10 to life, bryan kohberger affidavit Idaho Murders: New Horrific Details, 3D Animation, Bryan Kohberger Hearing Update & More bryan kohberger search warrant Idaho Murders | New Updates and Bryan Kohberger's Instagram DMs & Love Letters to Old Fling

Link to previous videos: https://www.youtube.com/playlist?list=PLCY3SEDjbHKTlExgGSJ4U7iuOPnmb_waL All things 10 to LIFE: https://linktr.ee/_annieelise . For Business Inquiries: 10toLife@WMEAgency.com . 10 to LIFE Merch: https://shop10tolife.com/ . Join My Patreon: https://www.patreon.com/annieelise . Case Suggestions: 10tolifeinfo@gmail.com . Follow me on Social: Instagram: https://www.instagram.com/_annieelise Facebook: https://www.facebook.com/10toLIFE Tik Tok: https://www.tiktok.com/@_annieelise . *Sources used to collect this information include various public news sites, interviews, court documents, FB groups dedicated to the case, and various news channel segments. When quoting statements made by others, they are strictly alleged until confirmed otherwise. Please remember my videos are my independent opinion and to always do your own research. •••••••••••••••••• Disclaimer: The views and opinions expressed in this video are personal and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. Assumptions made in the analysis are not reflective of the position of any entity other than the creator(s). These views are subject to change, revision, and rethinking at any time and are not to be held in perpetuity. We make no representations as to the accuracy, completeness, correctness, suitability, or validity of any information on this video and will not be liable for any errors, omissions, or delays in this information or any losses injuries, or damages arising from its display or use. All information is provided on an as-is basis. It is the reader's responsibility to verify their own facts. Comments on this channel are the sole responsibility of their writers and as such the writers will take full responsibility, liability, and blame for any libel or litigation that results from something written in or as a direct result of something written in a comment. Please feel free to challenge or disagree in the comments section – but 10 to LIFE reserves the right to delete any comment for any reason– so please keep it polite and relevant.Idaho Murders: New Horrific Details, 3D Animation, Hearing Updates & More idaho murders, idaho murders true crime update, bryan kohberger, 10 to life, bryan kohberger affidavit idaho murders, idaho murders true crime update, bryan kohberger, 10 to life, bryan kohberger affidavit Idaho Murders: New Horrific Details, 3D Animation, Bryan Kohberger Hearing Update & More bryan kohberger search warrant Idaho Murders | New Details , Conflict of Interest with 3 Parents, Bryan Kohberger Updates

The Netflix mystery series 1899 is set on a migrant steamship on the high seas and was shot in a giant LED volume in Germany. Writer/producer Jantje Friese and producer/director Baran bo Odar created the show with collaborators, including director of photography Nikolaus Summerer and production designer Udo Kramer. In this special episode, we speak with both Summerer and Kramer about their experiences. 

Link to All things 10 to LIFE: https://linktr.ee/_annieelise . For Business Inquiries: 10toLife@WMEAgency.com . 10 to LIFE Merch: https://shop10tolife.com/ . Join My Patreon: https://www.patreon.com/annieelise . Case Suggestions: 10tolifeinfo@gmail.com . Follow me on Social: Instagram: https://www.instagram.com/_annieelise Facebook: https://www.facebook.com/10toLIFE Tik Tok: https://www.tiktok.com/@_annieelise . *Sources used to collect this information include various public news sites, interviews, court documents, FB groups dedicated to the case, and various news channel segments. When quoting statements made by others, they are strictly alleged until confirmed otherwise. Please remember my videos are my independent opinion and to always do your own research. •••••••••••••••••• Disclaimer: The views and opinions expressed in this video are personal and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. Assumptions made in the analysis are not reflective of the position of any entity other than the creator(s). These views are subject to change, revision, and rethinking at any time and are not to be held in perpetuity. We make no representations as to the accuracy, completeness, correctness, suitability, or validity of any information on this video and will not be liable for any errors, omissions, or delays in this information or any losses injuries, or damages arising from its display or use. All information is provided on an as-is basis. It is the reader's responsibility to verify their own facts. Comments on this channel are the sole responsibility of their writers and as such the writers will take full responsibility, liability, and blame for any libel or litigation that results from something written in or as a direct result of something written in a comment. Please feel free to challenge or disagree in the comments section – but 10 to LIFE reserves the right to delete any comment for any reason– so please keep it polite and relevant. Idaho Murders: New Horrific Details, 3D Animation, Hearing Updates & More idaho murders, idaho murders true crime update, bryan kohberger, 10 to life, bryan kohberger affidavit idaho murders, idaho murders true crime update, bryan kohberger, 10 to life, bryan kohberger affidavit Idaho Murders: New Horrific Details, 3D Animation, Bryan Kohberger Hearing Update & More

Erik Weaver is a specialist focused on the intersection of cloud computing and the media and entertainment industry. He's currently the director of the Entertainment Technology Center's Adaptive Production project and special projects in Los Angeles. That means he gets to test out new technologies and report to the major movie studios on his findings.

Prospective animation students might feel overwhelmed with everything they think they need to learn. One common question from parents of budding animators and new animators starting out is: do I need to learn to code to become a 3D animator? The answer is no, but there's a lot more nuance to that no, and that's what we're covering this week on Animator's Journey. Visit AnimatorsJourney.com to begin your own animation journey and transform into a 3D animator.

In this episode, Wágner interviews serial entrepreneur and technological creative, Carlos Phoenix. Over the years, Phoenix, launched a career as an illustrator in the Sci-Fi/Fantasy Genre, and then entered the Hollywood Film Industry. Specializing in Paste-Up Mechanicals, he did Advertising for magazines and newspapers like Wells, Rich & Greene at age 15. During his college years, Phoenix began working in film production, when he was drawing in a NYC subway where a person working on a film asked if he could do storyboards. Eventually he was hired to build sets and set dress which developed for over 17 years all while continuing to paint sci-fi illustrations. Attending both the Fashion Institute of Technology as well as, The School Of Visual Arts Phoenix soon left to become a 3D Animation Producer. Early on, way before 3D Animation films were big for Hollywood.

Find Mark: https://www.linkedin.com/in/pullyblank/Learn 3D Animation: https://www.cgspectrum.com/career-pathways/3d-animatorMaxine interviews Mark Pullyblank, Department Head of 3D Animation at CG Spectrum, to talk about his midlife career switch into animation from an entirely different industry -- live music. Mark tells us how he went from starting a new career in animation in his mid-30s with two young kids and zero income to getting headhunted to work on Avatar. He and Maxine discuss why your attitude matters so much, how failures lead to success, and the importance of falling in love with the process. This episode is not to be missed!Mark Pullyblank spent much of the nineties working as a musician before beginning his animation career. He has been an Animation Supervisor at Rainmaker Digital and Frantic Films, a Senior Animator at Sony Pictures Imageworks, and worked in various departments at Wētā FX. His film credits include Avatar, The Adventures of Tintin, The Smurfs, Night at the Museum, and many others. Mark is currently the Department Head of 3D Animation at CG Spectrum, co-founder of Theia Interactive, Director of Non-Stop Motion Virtual Productions, a Lecturer at a Californian university, and undertakes freelance and consulting work at film and game studios.

One of the first questions that comes to a new or aspiring 3D animator's mind is: "What software should I learn?" There's so many options available these days and conflicting opinions online depending where you look or who you listen to that it's hard to know what is a a good investment of your time to learn. In this week's episode I will demystify the whole process and you'll discover what software is the right one to learn and what in my experience supports this opinion. Visit AnimatorsJourney.com to begin your own animation journey and transform into a 3D animator.

Brett Leonard is an American film director, producer, and music video director specializing in science fiction and horror. He also hosts a podcast called What the F is the Metaverse. One of Leonard's first films, The Lawnmower Man, is considered the first significant movie to feature virtual reality as a cautionary tale long before our present fascination with all things virtual production. 

About Guest: Rupesh Shrestha is a Mechanical Engineer who earned his undergraduate degree at Visvesvaraya Technological University in India. Rupesh has a passion for design and sketching, which made him pursue certification in Solidworks, a 3D Computer-aided design software. Coincidentally, he is the first person based in Nepal to be a Certified Solidworks Expert and to be selected as a SolidWorks Champion from Nepal. Rupesh is involved in different organizations in Nepal such as National Innovation Center, and Action Nepal (NGO) solving real-life problem-solving projects in Nepal. With his knowledge and expertise in this field, Rupesh hopes to contribute to improving the productivity of the agricultural sector of Nepal. ---------------- Host: Sanjib Lamichhane Send me a message: https://bit.ly/3cbxj2q ----------------- Timestamp: 00:00 - Intro 03:05 - Mechanical Engineering Overview 08:10 - Opportunities after graduation 09:45 - How to learn 3D designing independently? 13:45 - Types of Design 16:10 - Design cultures in Nepal 26:30 - Manufacturing plant abroad 27:30 - Mechanical Engineering Community in Nepal 30:00 - Design Process Life Cycle 34:30 - Prototyping vs Manufacturing designs 37:25 - National Innovation Center 45:10 - Printing Designs in Nepal 46:40 - Managing a project in Solidworks 51:35 - 3D Animation 52:44 - Recommended Computer Spec 54:25 - Myths -------------- Download Audio Podcast: Download givingBack Podcast wherever you get your podcasts. Apple Podcast: https://apple.co/3ACuvoj Spotify: https://open.spotify.com/show/473BXymyKIGxH0o8PWLuV2 ------- Please drop a comment telling us how you like the podcast. You can let us know how we can make it better for you and even suggest new topics you'd like to be discussed or even better -- suggest a guest! Hmm.. not feeling like dropping a comment. Here's an anonymous survey you can fill out. We do not need your name and email. https://bit.ly/3ADfOBq === Thanks for supporting us. Subscribe to us whenever you get your podcast. Visit www.givingBack.ai for more information. === --- Support this podcast: https://anchor.fm/givingbackpodcast/support

Hey, did you know Will ran a VR animation company before we did this podcast? By popular request, this week we talk through the history of Foo VR start to finish, touching on all kinds of topics like leaving behind a steady paycheck to bet on an emerging technology, the overwhelming shininess of venture capitalist offices, the meaning of "bad signal," how rapidly three months can turn into a year, and more.SHOW NOTESThe Foo Show: https://store.steampowered.com/app/411820/The_FOO_Show_featuring_Will_Smith/Andre's original demo reel: https://www.youtube.com/watch?v=_Uru5Wp9oJASupport the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod

Henrique Reginato is a VFX Supervisor and the Founder of NOX Visual Effects. After working in VFX for over 13 years, Henrique launched NOX Visual Effects during COVID-19 by purchasing the Nuke Indie license and working from home. Born in Brazil, Henrique first studied at Centro Universitario Senac, in Sao Paolo. He then pursued 3D Animation and VFX training from Vancouver Film School. He's worked at a number of studios, including Pixomondo. His credits include: Star Trek: Discovery, For All Mankind, The Orville, The OA, Gotham and so many more! In this Episode, Henrique shares his journey as an artist, the benefits of working for smaller studios, how to become a VFX Supervisor and gain experience on set, how to start your own studio, the importance of relationships and gaining a business mindset for artists. For more show notes, visit www.allanmckay.com/362.

Alex Proyas is an Australian film director, screenwriter, and producer. He's best known for directing films like The Crow, Dark City, I Robot, Knowing, and Gods of Egypt. A longtime master of visual effects wizardry, Proyas is currently in pre-production on a horror movie to be shot in an LED volume. The Virtual Production podcast is brought to you by Puget Systems and Blackmagic Design. Please visit Abel Cine and The Virtual Company for all your virtual production needs.  

Clayton Jacobson is an award-winning producer/director/writer whose experience spans commercials, documentaries, online content, music videos, and feature films. His debut comedy feature Kenny was a highly acclaimed box office hit, winning the 2006 IF Awards for Best Feature Film and Best Script, and the Film Critics Circle of Australia Award for Best Original Screenplay. Jacobson is the founder and CEO of Dreamscreen Australia, Melbourne's largest LED volume. 

In Part 5 we touch on Season 1 Episodes 21 - 25 To watch our recording sessions live Follow Romeo Stone on TWITCH - www.Twitch.tv/TheRomeoStone & Twitter for all updates - www.Twitter.com/TheRomeoStone -------------------- - Join the Facebook Group - www.facebook.com/groups/animeautopsy/ - - Follow us on Instagram and TikTok @AnimeAutopsy - Take a second to leave a 5 Star review on our Spotify or whatever platform you are listening to us on - Leave us a Voice Mail or email to review live on the Podcast at - https://anchor.fm/anime-autopsy or animeautopsy90@gmail.com -------------------------- - Intro song "I just Wanna be Great" by Neffex - Outro song "Damn" Yung Logos --------------------- - Our Logo was made by Blue Room Media Blue Room Media offers a variety of services. Photography, Music videos, Lyric Videos, Audiovisuals, Stream Videos, Spotify Canvas, Logo, Animated Logo, Motion Graphics, 3D Animation just to name a few. For all inquiries on art bellow are the links to put you in contact with Blue Room Media Ask for Brandon and tell him we sent you Instagram: https://www.Instagram.com/blueroommediacompany Facebook: https://www.facebook.com/blueroommediacompany Youtube: https://www.youtube.com/channel/UCriBamJjorliWgCinAv7Y-Q Website: https://www.blueroommediacompany.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/anime-autopsy/message

In Part 4 we touch on Season 1 Episodes 16 - 20 House keeping notes Follow Alex on TWITCH - Twitch.tv/AlexanderCahoon Follow Brandon on TWITCH - Twitch.tv/brandonsuttonart - Intro song "I just Wanna be Great" by Neffex - Outro song "Damn" Yung Logos - Join the Facebook Group - www.facebook.com/groups/animeautopsy/ - - Follow us on Instagram and TikTok @AnimeAutopsy - Take a second to leave a 5 Star review on our Spotify or whatever platform you are listening to us on - Leave us a Voice Mail or email to review live on the Podcast at - https://anchor.fm/anime-autopsy or animeautopsy90@gmail.com - Our Logo was made by Blue Room Media Blue Room Media offers a variety of services. Photography, Music videos, Lyric Videos, Audiovisuals, Stream Videos, Spotify Canvas, Logo, Animated Logo, Motion Graphics, 3D Animation just to name a few. For all inquiries on art bellow are the links to put you in contact with Blue Room Media Ask for Brandon and tell him we sent you Instagram: https://www.Instagram.com/blueroommediacompany Facebook: https://www.facebook.com/blueroommediacompany Youtube: https://www.youtube.com/channel/UCriBamJjorliWgCinAv7Y-Q Website: https://www.blueroommediacompany.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/anime-autopsy/message

Casey Schatz is a veteran of virtual production techniques for motion pictures and television. His credits include Avatar, Game of Thrones, Avengers: Age of Ultron,  The Martian, and more. As Head of Virtual Production at The Third Floor, Schatz promotes the design and use of on-set simulcam. 

Connor & Jon dive into the big blue with Michael Kelley to discuss the aquatic cinematic masterpiece: Finding Nemo. Of course there is a fair amount of discussion on the state of animation, Michael tells how the film affected his relationship with his family, Connor just wants to talk about the score, and Jon can't remember all of Dory's misremembered names for Nemo. WARNING: Major spoilers for Finding Nemo Follow Michael: http://www.michaelkelleyfilm.com/ Follow us:Facebook: https://www.facebook.com/rulesoftheframe/  Instagram: https://www.instagram.com/rulesoftheframe  Twitter: https://twitter.com/RulesOfTheFrame  YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featured Films mentioned in this episode:---------------------------------Finding Nemo (2003) | Dir. Andrew StantonA Series of Unfortunate Events (2004) | Dir. Brad SilberlingToy Story (1995) | Dir. John LasseterThe Lion King (1994) | Dir. Roger Allers & Rob MinkoffA Bug's Life (1998) | Dir. John Lasseter & Andrew StantonToy Story 2 (1999) | Dir. John Lasseter, Ash Brannon, Lee UnkrichThe Incredibles (2004) | Dir. Brad BirdMonsters Inc. (2001) | Dir. Pete Docter, David Silverman, Lee UnkrichWALL-E (2008) | Dir. Andrew StantonToy Story 3 (2010) | Dir. Lee UnkrichRaya and the Last Dragon (2021) | Dir. Don Hall, Carlos Lopez Estrada, Paul Briggs, John RipaThe Dark Knight (2008) | Dir. Christopher NolanToy Story 4 (2019) | Dir. Josh CooleyFinding Dory (2016) | Dir. Andrew Stanton & Angus MacLaneThe Lego Movie (2014) | Dir. Phil Lord & Chris MillerSpider-Man: Into the Spider-Verse (2018) | Dir. Bob Persichetti, Peter Ramsey, Rodney RothmanRatatouille (2007) | Dir. Brad BirdShark Tale (2004) | Dir. Bibo Bergeron, Vicky Jenson, Rob LettermanLuca (2021) | Dir. Enrico CasarosaBrave (2012) | Dir. Brenda Chapman, Mark Andrews, & Steve PurcellThe Good Dinosaur (2015) | Dir. Peter SohnTarzan (1999) | Dir. Chris Buck & Kevin LimaCitizen Kane (1941) | Dir. Orson WellesStar Wars (1977) | Dir. George LucasAntz (1998) | Dir. Eric Darnell & Tim Johnson

Join us as we discuss the most recent Halo News. We also talk about the new GTA update. Also joining us for women's history Month is Deborah Anderson. Deb is a 3D Animator who has worked on such projects for Family Guy, The Cleveland show, Batman The Brave and Bold , and more! All of this and more on todays episode. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Podcasting isn't hard when you have the right partners, and the team at Buzzsprout is passionate about helping you succeed. Join over a hundred thousand podcasters already using Buzzsprout. Following the link in the show notes let's Buzzsprout know we sent you, gets you a $20 Amazon gift card if you sign up for a paid plan, and helps support our show. Click the link below to get started for FREE.https://www.buzzsprout.com/?referrer_id=399292Today I'm joined by 3D Animator Oscar Torres. Oscar has a degree in Computer Animation, with over 7 years of technical and artistic experience as a 3D modeler for Animation, Game design, Gobile app creation and Gd printing. He has a strong grasp on  various tools Maya, MudBox, SpaceClaim ,  Zbrush, and Photoshop. Oscar has worked on various arenas in the 3d realm. From mobile asset creation for ios and Android. To creating of assets for fabrication and manufacturing. He's also very capable of creating 3D objects for  3d printing as well. He has recently had an opportunity to work with Augmented Reality experiences.Here's what listeners can learn:- How To Get Started With 3D Animation- Types Of 3D Printing- Resources For Learning Online- 3D Fabrication IdeasGuest: Oscar Torres - Instagram (@creaturefactory54)Website: https://oscartorres9.wixsite.com/oscartorres-3dYouTube: https://www.youtube.com/user/OscarTorresWork/videosPodcast: Hardwood Rod Podcast (@hardwoodrod)Host: Rodrigo Roque IV (@rodrigo.filmmaker) My Website: RodrigoRoque4.comSubscribe and Share on all platforms.  Follow us on Instagram & Facebook @hardwoodrodInterested in Sponsoring or being on the Podcast? Contact us at info@relionmedia.comCheck out the new merch!www.HardwoodRod.comBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.buymeacoffee.com/hardwoodrod)

Tim Moore is a three-time Emmy award-winning director and founder of Diamond View Studios, a creative video agency headquartered in Florida. In 2021, Moore co-founded Vū Technologies, a Virtual Studio Network with LED volumes that can work in tandem over the internet. He is also the author of "Sold On Purpose," a comprehensive guide to purpose-driven marketing, and the founder of the Tampa Foundation, a non-profit focused on inspiring communities through positive public messaging.