Podcast appearances and mentions of Robert De Niro

Let's do Robert De Niro movies.

Today on the Rarified Heir Podcast, we are talking to novelist  Matthew Specktor, whose new book, The Golden Hour: A Story of Family and Power in Hollywood, is out now and getting rave reviews. Matthew spoke to us about growing up behind the scenes in Hollywood as the son of an icon of the film industry, Fred Specktor, a super-agent of A-list Hollywood talent who is still going strong at 92 years old. With a roster of clients that included everyone from Robert DeNiro, Gene Hackman, Morgan Freeman, Helen Mirren, Danny Devito and many, many more, Matthew was brought up in and around the film business and had a firsthand look. Part memoir, part biography, part cultural history & part fiction, The Golden Hour has been priases in outlets such as NPR, the New York Times, the Kirkus Review, the LA Times and many more for it's unique look into Hollywood and the battle between art vs. commerce and much more. As this is his third book based on his take on Hollywood, Matthew is getting name-checked alongside iconic LA based, Hollywood centric authors such as Joan Didion and William Goldman and getting praise from authors like Jonathan Lethem and Griffin Dunne. High praise indeed. We get into that as well as how Matthew formed the book and the basis of his exploration into his family and the city formed him, shortly. Matthew's behind-the-scenes stories of how Hollywood was created in the second half of the twentieth century at Tinseltown institutions like MCA, William Morris and CAA beginning in the 1950s and where we are today, 70 years later a a large part of this episode. But we also hear personal stories about pranks the pre-rat pack played on him and his best friend Renee Estevez (daughter of Martin Sheen) in high school, what LA restaurants his family ate on special occasions, the cars and vanity plates of super agents in the City of Angelss and the movie theaters and books that shaped his youth on the Westside of Los Angeles. This is the Rarified Heir Podcast and if you've never had David Lynch tell you, you were more an artist than a deal maker at 13, take a listen because Matthew Specktor has. Everyone has a story.

Lasse returns to the podcast to discuss Midnight Run (1988), a buddy comedy film with emotional depth, starring Robert DeNiro and Charles Grodin, Joe Pantoliano, and Yaphet Kotto-Kananga from live and Let Die (1973).Discussion Points:-Sean discovers the power of positivity.-Lasse never misses.-The Bond-esque cold open.-Sean breaks out the clichés.Raised Questions:-Has Sean found the world's most enthusiastic German?-Why are there so many actor's from 1987's The Untouchables?-Are Lasse and Sean finally on the same page?-Would your ride DeNiro's coat-tails?Chapters:0:06 Welcome Back Lasse!1:01 De Niro's Bold Move2:45 Diving into Midnight Run10:05 Film School Memories13:47 Casting Connections19:02 Modern Film Critique22:56 Character Dynamics31:51 Exploring Emotional Depths38:25 Helicopter Chase Discussion45:14 Changing Film Landscape51:42 Gushing About Great Films1:04:56 The Future of Cinema1:16:31 Midnight Run's Impact1:21:38 Lasse's Podcasts/ShowsThanks for Listening!Find us here: X: @YourselfReviewInstagram: reviewityourselfpodcast2021YouTube: https://www.youtube.com/@ReviewItYourself⁠ Hosted on Acast. See acast.com/privacy for more information.

This week's ENA Podcast Blast takes you to Georgia where an ED nurse showed commitment beyond the hospital to help a patient get back to work. In Central Illinois, a grateful family honors the most caring nurse they've ever met. Then, in North Carolina, find out what an ED nurse and Robert De Niro have in common. Emergency nurses are always great things, share their stories in the comments to be featured on a future ENA Podcast Blast.   AJC Nurse Excellence Award: https://bit.ly/4mtOFqr Grateful Family: https://bit.ly/4k3fsIx ED Nurse on Netflix with De Niro: https://bit.ly/4msqMzl

The League returns to complete (and contrast!) the Cape Fear Do-Over as we tackle Martin Scorseeese's 1991 version, starring Robert DeNiro, Juliette Lewis and Nick Notle's angry voice.

NostalgiaCast turns up the heat as Paul of The Countdown Podcast joins our latest '90s Bucket List episode for a fiery discussion of BACKDRAFT, starring real-life stuntmen Kurt Russell and William Baldwin, plus Robert De Niro, Donald Sutherland, and Jennifer Jason Leigh. Grab your boots, gloves, and Self-Contained Breathing Apparatus as Paul, Jonny, and Darin obsess over the pyrotechnics, melodramatics, and classic Hans Zimmer score that brand Ron Howard's 1991 firefighter thriller.

JJ, Mattson, and Alec dive into a comprehensive exposition on the film "The Deer Hunter," a cinematic exploration that delves into the profound and harrowing effects of the Vietnam War on a group of friends from a small Pennsylvania steel town. The conversation commences with a juxtaposition of youthful appearances of renowned actors such as Robert De Niro, Christopher Walken, and Meryl Streep, highlighting the striking contrasts to their later careers. We engage in a critical analysis of the film's narrative structure, which some find convoluted, particularly in its pacing and transitions, as it oscillates between scenes of domestic life and the stark realities of war. Central to the discourse is the film's unflinching portrayal of the psychological trauma inflicted upon soldiers, emphasizing that it eschews romanticized depictions of warfare in favor of a more somber and realistic narrative. Ultimately, we conclude with personal reflections on the film's emotional weight, acknowledging its artistic merits while also expressing reservations regarding its length and editing choices, thus inviting listeners to contemplate the complexities inherent in war cinema.Support us:https://www.patreon.com/whatsourverdictEmail us: hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com

So why did Harris lose in 2024? For one very big reason, according to the progressive essayist Bill Deresiewicz: “because she represented the exhausted Democratic establishment”. This rotting establishment, Deresiewicz believes, is symbolized by both the collective denial of Biden's mental decline and by Harris' pathetically rudderless Presidential campaign. But there's a much more troubling problem with the Democratic party, he argues. It has become “the party of institutionalized liberalism, which is itself exhausted”. So how to reinvent American liberalism in the 2020's? How to make the left once again, in Deresiewicz words, “the locus of openness, playfulness, productive contention, experiment, excess, risk, shock, camp, mirth, mischief, irony and curiosity"? That's the question for all progressives in our MAGA/Woke age. 5 Key Takeaways * Deresiewicz believes the Democratic establishment and aligned media engaged in a "tacit cover-up" of Biden's condition and other major issues like crime, border policies, and pandemic missteps rather than addressing them honestly.* The liberal movement that began in the 1960s has become "exhausted" and the Democratic Party is now an uneasy alliance of establishment elites and working-class voters whose interests don't align well.* Progressive institutions suffer from a repressive intolerance characterized by "an unearned sense of moral superiority" and a fear of vitality that leads to excessive rules, bureaucracy, and speech codes.* While young conservatives are creating new movements with energy and creativity, the progressive establishment stifles innovation by purging anyone who "violates the code" or criticizes their side.* Rebuilding the left requires creating conditions for new ideas by ending censoriousness, embracing true courage that risks something real, and potentially building new institutions rather than trying to reform existing ones. Full Transcript Andrew Keen: Hello, everyone. It's the old question on this show, Keen on America, how to make sense of this bewildering, frustrating, exciting country in the wake, particularly of the last election. A couple of years ago, we had the CNN journalist who I rather like and admire, Jake Tapper, on the show. Arguing in a piece of fiction that he thinks, to make sense of America, we need to return to the 1970s. He had a thriller out a couple of years ago called All the Demons Are Here. But I wonder if Tapper's changed his mind on this. His latest book, which is a sensation, which he co-wrote with Alex Thompson, is Original Sin, President Biden's Decline, its Cover-up and His Disastrous Choice to Run Again. Tapper, I think, tells the truth about Biden, as the New York Times notes. It's a damning portrait of an enfeebled Biden protected by his inner circle. I would extend that, rather than his inner circle protected by an elite, perhaps a coastal elite of Democrats, unable or unwilling to come to terms with the fact that Biden was way, way past his shelf life. My guest today, William Deresiewicz—always get his last name wrong—it must be...William Deresiewicz: No, that was good. You got it.Andrew Keen: Probably because I'm anti-semitic. He has a new piece out called "Post-Election" which addresses much of the rottenness of the American progressive establishment in 2025. Bill, congratulations on the piece.William Deresiewicz: Thank you.Andrew Keen: Have you had a chance to look at this Tapper book or have you read about Original Sin?William Deresiewicz: Yeah, I read that piece. I read the piece that's on the screen and I've heard some people talking about it. And I mean, as you said, it's not just his inner circle. I don't want to blame Tapper. Tapper did the work. But one immediate reaction to the debate debacle was, where have the journalists been? For example, just to unfairly call one person out, but they're just so full of themselves, the New Yorker dripping with self-congratulations, especially in its centennial year, its boundless appetite for self-celebration—to quote something one of my students once said about Yale—they've got a guy named Evan Osnos, who's one of their regulars on their political...Andrew Keen: Yeah, and he's been on the show, Evan, and in fact, I rather like his, I was going to say his husband, his father, Peter Osnos, who's a very heavy-hitting ex-publisher. But anyway, go on. And Evan's quite a nice guy, personally.William Deresiewicz: I'm sure he's a nice guy, but the fact is he's not only a New Yorker journalist, but he wrote a book about Biden, which means that he's presumably theoretically well-sourced within Biden world. He didn't say anything. I mean, did he not know or did he know?Andrew Keen: Yeah, I agree. I mean you just don't want to ask, right? You don't know. But you're a journalist, so you're supposed to know. You're supposed to ask. So I'm sure you're right on Osnos. I mean, he was on the show, but all journalists are progressives, or at least all the journalists at the Times and the New Yorker and the Atlantic. And there seemed to be, as Jake Tapper is suggesting in this new book, and he was part of the cover-up, there seemed to be a cover-up on the part of the entire professional American journalist establishment, high-end establishment, to ignore the fact that the guy running for president or the president himself clearly had no idea of what was going on around him. It's just astonishing, isn't it? I mean, hindsight's always easy, of course, 2020 in retrospect, but it was obvious at the time. I made it clear whenever I spoke about Biden, that here was a guy clearly way out of his depth, that he shouldn't have been president, maybe shouldn't have been president in the first place, but whatever you think about his ideas, he clearly was way beyond his shelf date, a year or two into the presidency.William Deresiewicz: Yeah, but here's the thing, and it's one of the things I say in the post-election piece, but I'm certainly not the only person to say this. There was an at least tacit cover-up of Biden, of his condition, but the whole thing was a cover-up, meaning every major issue that the 2024 election was about—crime, at the border, woke excess, affordability. The whole strategy of not just the Democrats, but this media establishment that's aligned with them is to just pretend that it wasn't happening, to explain it away. And we can also throw in pandemic policy, right? Which people were still thinking about and all the missteps in pandemic policy. The strategy was effectively a cover-up. We're not gonna talk about it, or we're gonna gaslight you, or we're gonna make excuses. So is it a surprise that people don't trust these establishment institutions anymore? I mean, I don't trust them anymore and I want to trust them.Andrew Keen: Were there journalists? I mean, there were a handful of journalists telling the truth about Biden. Progressives, people on the left rather than conservatives.William Deresiewicz: Ezra Klein started to talk about it, I remember that. So yes, there were a handful, but it wasn't enough. And you know, I don't say this to take away from Ezra Klein what I just gave him with my right hand, take away with my left, but he was also the guy, as soon as the Kamala succession was effected, who was talking about how Kamala in recent months has been going from strength to strength and hasn't put a foot wrong and isn't she fantastic. So all credit to him for telling the truth about Biden, but it seems to me that he immediately pivoted to—I mean, I'm sure he thought he was telling the truth about Harris, but I didn't believe that for one second.Andrew Keen: Well, meanwhile, the lies about Harris or the mythology of Harris, the false—I mean, all mythology, I guess, is false—about Harris building again. Headline in Newsweek that Harris would beat Donald Trump if an election was held again. I mean I would probably beat—I would beat Trump if an election was held again, I can't even run for president. So anyone could beat Trump, given the situation. David Plouffe suggested that—I think he's quoted in the Tapper book—that Biden totally fucked us, but it suggests that somehow Harris was a coherent progressive candidate, which she wasn't.William Deresiewicz: She wasn't. First of all, I hadn't seen this poll that she would beat Trump. I mean, it's a meaningless poll, because...Andrew Keen: You could beat him, Bill, and no one can even pronounce your last name.William Deresiewicz: Nobody could say what would actually happen if there were a real election. It's easy enough to have a hypothetical poll. People often look much better in these kinds of hypothetical polls where there's no actual election than they do when it's time for an election. I mean, I think everyone except maybe David Plouffe understands that Harris should never have been a candidate—not just after Biden dropped out way too late, but ever, right? I mean the real problem with Biden running again is that he essentially saddled us with Harris. Instead of having a real primary campaign where we could have at least entertained the possibility of some competent people—you know, there are lots of governors. I mean, I'm a little, and maybe we'll get to this, I'm little skeptical that any normal democratic politician is going to end up looking good. But at least we do have a whole bunch of what seem to be competent governors, people with executive experience. And we never had a chance to entertain any of those people because this democratic establishment just keeps telling us who we're going to vote for. I mean, it's now three elections in a row—they forced Hillary on us, and then Biden. I'm not going to say they forced Biden on us although elements of it did. It probably was a good thing because he won and he may have been the only one who could have won. And then Harris—it's like reductio ad absurdum. These candidates they keep handing us keep getting worse and worse.Andrew Keen: But it's more than being worse. I mean, whatever one can say about Harris, she couldn't explain why she wanted to be president, which seems to me a disqualifier if you're running for president. The point, the broader point, which I think you bring out very well in the piece you write, and you and I are very much on the same page here, so I'm not going to criticize you in your post-election—William Deresiewicz: You can criticize me, Andrew, I love—Andrew Keen: I know I can criticize you, and I will, but not in this particular area—is that these people are the establishment. They're protecting a globalized world, they're the coast. I mean, in some ways, certainly the Bannonite analysis is right, and it's not surprising that they're borrowing from Lenin and the left is borrowing from Edmund Burke.William Deresiewicz: Yeah, I mean I think, and I think this is the real problem. I mean, part of what I say in the piece is that it just seems, maybe this is too organicist, but there just seems to be an exhaustion that the liberal impulse that started, you know, around the time I was born in 1964, and I cite the Dylan movie just because it's a picture of that time where you get a sense of the energy on the left, the dawning of all this exciting—Andrew Keen: You know that movie—and we've done a show on that movie—itself was critical I guess in a way of Dylan for not being political.William Deresiewicz: Well, but even leaving that aside, just the reminder you get of what that time felt like. That seems in the movie relatively accurate, that this new youth culture, the rights revolution, the counterculture, a new kind of impulse of liberalism and progressivism that was very powerful and strong and carried us through the 60s and 70s and then became the establishment and has just become completely exhausted now. So I just feel like it's just gotten to the end of its possibility. Gotten to the end of its life cycle, but also in a less sort of mystical way. And I think this is a structural problem that the Democrats have not been able to address for a long time, and I don't see how they're going to address it. The party is now the party, as you just said, of the establishment, uneasily wedded to a mainly non-white sort of working class, lower class, maybe somewhat middle class. So it's sort of this kind of hybrid beast, the two halves of which don't really fit together. The educated upper middle class, the professional managerial class that you and I are part of, and then sort of the average Black Latino female, white female voter who doesn't share the interests of that class. So what are you gonna do about that? How's that gonna work?Andrew Keen: And the thing that you've always given a lot of thought to, and it certainly comes out in this piece, is the intolerance of the Democratic Party. But it's an intolerance—it's not a sort of, and I don't like this word, it's not the fascist intolerance of the MAGA movement or of Trump. It's a repressive intolerance, it's this idea that we're always right and if you disagree with us, then there must be something wrong with you.William Deresiewicz: Yeah, right. It's this, at this point, completely unearned sense of moral superiority and intellectual superiority, which are not really very clearly distinguished in their mind, I think. And you know, they just reek of it and people hate it and it's understandable that they hate it. I mean, it's Hillary in a word. It's Hillary in a word and again, I'm wary of treading on this kind of ground, but I do think there's an element of—I mean, obviously Trump and his whole camp is very masculinist in a very repulsive way, but there is also a way to be maternalist in a repulsive way. It's this kind of maternal control. I think of it as the sushi mom voice where we're gonna explain to you in a calm way why you should listen to us and why we're going to control every move you make. And it's this fear—I mean what my piece is really about is this sort of quasi-Nietzschean argument for energy and vitality that's lacking on the left. And I think it's lacking because the left fears it. It fears sort of the chaos of the life force. So it just wants to shackle it in all of these rules and bureaucracy and speech codes and consent codes. It just feels lifeless. And I think everybody feels that.Andrew Keen: Yeah, and it's the inability to imagine you can be wrong. It's the moral greediness of some people, at least, who think of themselves on the left. Some people might be listening to this, thinking it's just these two old white guys who think themselves as progressives but are actually really conservative. And all this idea of nature is itself chilling, that it's a kind of anti-feminism.William Deresiewicz: Well, that's b******t. I mean, let me have a chance to respond. I mean I plead guilty to being an old white man—Andrew Keen: I mean you can't argue with that one.William Deresiewicz: I'm not arguing with it. But the whole point rests on this notion of positionality, like I'm an older white man, therefore I think this or I believe that, which I think is b******t to begin with because, you know, down the street there's another older white guy who believes the exact opposite of me, so what's the argument here? But leaving that aside, and whether I am or am not a progressive—okay, my ideal politician is Bernie Sanders, so I'll just leave it at that. The point is, I mean, one point is that feminism hasn't always been like this. Second wave feminism that started in the late sixties, when I was a little kid—there was a censorious aspect to it, but there was also this tremendous vitality. I mean I think of somebody like Andrea Dworkin—this is like, "f**k you" feminism. This is like, "I'm not only not gonna shave my legs, I'm gonna shave my armpits and I don't give a s**t what you think." And then the next generation when I was a young man was the Mary Gates, Camille Paglia, sex-positive power feminism which also had a different kind of vitality. So I don't think feminism has to be the feminism of the women's studies departments and of Hillary Clinton with "you can't say this" and "if you want to have sex with me you have to follow these 10 rules." I don't think anybody likes that.Andrew Keen: The deplorables!William Deresiewicz: Yes, yes, yes. Like I said, I don't just think that the enemies don't like it, and I don't really care what they think. I think the people on our side don't like it. Nobody is having fun on our side. It's boring. No one's having sex from what they tell me. The young—it just feels dead. And I think when there's no vitality, you also have no creative vitality. And I think the intellectual cul-de-sac that the left seems to be stuck in, where there are no new ideas, is related to that.Andrew Keen: Yeah, and I think the more I think about it, I think you're right, it's a generational war. All the action seems to be coming from old people, whether it's the Pelosis and the Bidens, or it's people like Richard Reeves making a fortune off books about worrying about young men or Jonathan Haidt writing about the anxious generation. Where are, to quote David Bowie, the young Americans? Why aren't they—I mean, Bill, you're in a way guilty of this. You made your name with your book, Excellent Sheep about the miseducation...William Deresiewicz: Yeah, so what am I guilty of exactly?Andrew Keen: I'm not saying you're all, but aren't you and Reeves and Haidt, you're all involved in this weird kind of generational war.William Deresiewicz: OK, let's pump the brakes here for a second. Where the young people are—I mean, obviously most people, even young people today, still vote for Democrats. But the young who seem to be exploring new things and having energy and excitement are on the right. And there was a piece—I'm gonna forget the name of the piece and the author—Daniel Oppenheimer had her on the podcast. I think it appeared in The Point. Young woman. Fairly recent college graduate, went to a convention of young republicans, I don't know what they call themselves, and also to democrats or liberals in quick succession and wrote a really good piece about it. I don't think she had ever written anything before or published anything before, but it got a lot of attention because she talked about the youthful vitality at this conservative gathering. And then she goes to the liberals and they're all gray-haired men like us. The one person who had anything interesting to say was Francis Fukuyama, who's in his 80s. She's making the point—this is the point—it's not a generational war, because there are young people on the right side of the spectrum who are doing interesting things. I mean, I don't like what they're doing, because I'm not a rightist, but they're interesting, they're different, they're new, there's excitement there, there's creativity there.Andrew Keen: But could one argue, Bill, that all these labels are meaningless and that whatever they're doing—I'm sure they're having more sex than young progressives, they're having more fun, they're able to make jokes, they are able, for better or worse, to change the system. Does it really matter whether they claim to be MAGA people or leftists? They're the ones who are driving change in the country.William Deresiewicz: Yes, they're the ones who are driving change in the country. The counter-cultural energy that was on the left in the sixties and seventies is now on the right. And it does matter because they are operating in the political sphere, have an effect in the political sphere, and they're unmistakably on the right. I mean, there are all these new weird species on the right—the trads and the neo-pagans and the alt-right and very sort of anti-capitalist conservatives or at least anti-corporate conservatives and all kinds of things that you would never have imagined five years ago. And again, it's not that I like these things. It's that they're new, there's ferment there. So stuff is coming out that is going to drive, is already driving the culture and therefore the politics forward. And as somebody who, yes, is progressive, it is endlessly frustrating to me that we have lost this kind of initiative, momentum, energy, creativity, to what used to be the stodgy old right. Now we're the stodgy old left.Andrew Keen: What do you want to go back to? I mean you brought up Dylan earlier. Do you just want to resurrect...William Deresiewicz: No, I don't.Andrew Keen: You know another one who comes to mind is another sort of bundle of contradictions, Bruce Springsteen. He recently talked about the corrupt, incompetent, and treasonous nature of Trump. I mean Springsteen's a billionaire. He even acknowledged that he mythologized his own working-class status. He's never spent more than an hour in a factory. He's never had a job. So aren't all the pigeons coming back to roost here? The fraud of men like Springsteen are merely being exposed and young people recognize it.William Deresiewicz: Well, I don't know about Springsteen in particular...Andrew Keen: Well, he's a big deal.William Deresiewicz: No, I know he's a big deal, and I love Springsteen. I listened to him on repeat when I was young, and I actually didn't know that he'd never worked in a factory, and I quite frankly don't care because he's an artist, and he made great art out of those experiences, whether they were his or not. But to address the real issue here, he is an old guy. It sounds like he's just—I mean, I'm sure he's sincere about it and I would agree with him about Trump. But to have people like Springsteen or Robert De Niro or George Clooney...Andrew Keen: Here it is.William Deresiewicz: Okay, yes, it's all to the point that these are old guys. So you asked me, do I want to go back? The whole point is I don't want to go back. I want to go forward. I'm not going to be the one to bring us forward because I'm older. And also, I don't think I was ever that kind of creative spirit, but I want to know why there isn't sort of youthful creativity given the fact that most young people do still vote for Democrats, but there's no youthful creativity on the left. Is it just that the—I want to be surprised is the point. I'm not calling for X, Y, or Z. I'm saying astonish me, right? Like Diaghilev said to Cocteau. Astonish me the way you did in the 60s and 70s. Show me something new. And I worry that it simply isn't possible on the left now, precisely because it's so locked down in this kind of establishment, censorious mode that there's no room for a new idea to come from anywhere.Andrew Keen: As it happens, you published this essay in Salmagundi—and that predates, if not even be pre-counterculture. How many years old is it? I think it started in '64. Yeah, so alongside your piece is an interesting piece from Adam Phillips about influence and anxiety. And he quotes Montaigne from "On Experience": "There is always room for a successor, even for ourselves, and a different way to proceed." Is the problem, Bill, that we haven't, we're not willing to leave the stage? I mean, Nancy Pelosi is a good example of this. Biden's a good example. In this Salmagundi piece, there's an essay from Martin Jay, who's 81 years old. I was a grad student in Berkeley in the 80s. Even at that point, he seemed old. Why are these people not able to leave the stage?William Deresiewicz: I am not going to necessarily sign on to that argument, and not just because I'm getting older. Biden...Andrew Keen: How old are you, by the way?William Deresiewicz: I'm 61. So you mentioned Pelosi. I would have been happy for Pelosi to remain in her position for as long as she wanted, because she was effective. It's not about how old you are. Although it can be, obviously as you get older you can become less effective like Joe Biden. I think there's room for the old and the young together if the old are saying valuable things and if the young are saying valuable things. It's not like there's a shortage of young voices on the left now. They're just not interesting voices. I mean, the one that comes immediately to mind that I'm more interested in is Ritchie Torres, who's this congressman who's a genuinely working-class Black congressman from the Bronx, unlike AOC, who grew up the daughter of an architect in Northern Westchester and went to a fancy private university, Boston University. So Ritchie Torres is not a doctrinaire leftist Democrat. And he seems to speak from a real self. Like he isn't just talking about boilerplate. I just feel like there isn't a lot of room for the Ritchie Torres. I think the system that produces democratic candidates militates against people like Ritchie Torres. And that's what I am talking about.Andrew Keen: In the essay, you write about Andy Mills, who was one of the pioneers of the New York Times podcast. He got thrown out of The New York Times for various offenses. It's one of the problems with the left—they've, rather like the Stalinists in the 1930s, purged all the energy out of themselves. Anyone of any originality has been thrown out for one reason or another.William Deresiewicz: Well, because it's always the same reason, because they violate the code. I mean, yes, this is one of the main problems. And to go back to where we started with the journalists, it seems like the rationale for the cover-up, all the cover-ups was, "we can't say anything bad about our side. We can't point out any of the flaws because that's going to help the bad guys." So if anybody breaks ranks, we're going to cancel them. We're going to purge them. I mean, any idiot understands that that's a very short-term strategy. You need the possibility of self-criticism and self-difference. I mean that's the thing—you asked me about old people leaving the stage, but the quotation from Montaigne said, "there's always room for a successor, even ourselves." So this is about the possibility of continuous self-reinvention. Whatever you want to say about Dylan, some people like him, some don't, he's done that. Bowie's done that. This was sort of our idea, like you're constantly reinventing yourself, but this is what we don't have.Andrew Keen: Yeah, actually, I read the quote the wrong way, that we need to reinvent ourselves. Bowie is a very good example if one acknowledges, and Dylan of course, one's own fundamental plasticity. And that's another problem with the progressive movement—they don't think of the human condition as a plastic one.William Deresiewicz: That's interesting. I mean, in one respect, I think they think of it as too plastic, right? This is sort of the blank slate fallacy that we can make—there's no such thing as human nature and we can reshape it as we wish. But at the same time, they've created a situation, and this really is what Excellent Sheep is about, where they're turning out the same human product over and over.Andrew Keen: But in that sense, then, the excellent sheep you write about at Yale, they've all ended up now as neo-liberal, neo-conservative, so they're just rebelling...William Deresiewicz: No, they haven't. No, they are the backbone of this soggy liberal progressive establishment. A lot of them are. I mean, why is, you know, even Wall Street and Silicon Valley sort of by preference liberal? It's because they're full of these kinds of elite college graduates who have been trained to be liberal.Andrew Keen: So what are we to make of the Musk-Thiel, particularly the Musk phenomenon? I mean, certainly Thiel, very much influenced by Rand, who herself, of course, was about as deeply Nietzschean as you can get. Why isn't Thiel and Musk just a model of the virility, the vitality of the early 21st century? You might not like what they say, but they're full of vitality.William Deresiewicz: It's interesting, there's a place in my piece where I say that the liberal can't accept the idea that a bad person can do great things. And one of my examples was Elon Musk. And the other one—Andrew Keen: Zuckerberg.William Deresiewicz: But Musk is not in the piece, because I wrote the piece before the inauguration and they asked me to change it because of what Musk was doing. And even I was beginning to get a little queasy just because the association with Musk is now different. It's now DOGE. But Musk, who I've always hated, I've never liked the guy, even when liberals loved him for making electric cars. He is an example, at least the pre-DOGE Musk, of a horrible human being with incredible vitality who's done great things, whether you like it or not. And I want—I mean, this is the energy that I want to harness for our team.Andrew Keen: I actually mostly agreed with your piece, but I didn't agree with that because I think most progressives believe that actually, the Zuckerbergs and the Musks, by doing, by being so successful, by becoming multi-billionaires, are morally a bit dodgy. I mean, I don't know where you get that.William Deresiewicz: That's exactly the point. But I think what they do is when they don't like somebody, they just negate the idea that they're great. "Well, he's just not really doing anything that great." You disagree.Andrew Keen: So what about ideas, Bill? Where is there room to rebuild the left? I take your points, and I don't think many people would actually disagree with you. Where does the left, if there's such a term anymore, need to go out on a limb, break some eggs, offend some people, but nonetheless rebuild itself? It's not going back to Bernie Sanders and some sort of nostalgic New Deal.William Deresiewicz: No, no, I agree. So this is, this may be unsatisfying, but this is what I'm saying. If there were specific new ideas that I thought the left should embrace, I would have said so. What I'm seeing is the left needs, to begin with, to create the conditions from which new ideas can come. So I mean, we've been talking about a lot of it. The censoriousness needs to go.I would also say—actually, I talk about this also—you know, maybe you would consider yourself part of, I don't know. There's this whole sort of heterodox realm of people who did dare to violate the progressive pieties and say, "maybe the pandemic response isn't going so well; maybe the Black Lives Matter protests did have a lot of violence"—maybe all the things, right? And they were all driven out from 2020 and so forth. A lot of them were people who started on the left and would even still describe themselves as liberal, would never vote for a Republican. So these people are out there. They're just, they don't have a voice within the Democratic camp because the orthodoxy continues to be enforced.So that's what I'm saying. You've got to start with the structural conditions. And one of them may be that we need to get—I don't even know that these institutions can reform themselves, whether it's the Times or the New Yorker or the Ivy League. And it may be that we need to build new institutions, which is also something that's happening. I mean, it's something that's happening in the realm of publishing and journalism on Substack. But again, they're still marginalized because that liberal establishment does not—it's not that old people don't wanna give up power, it's that the established people don't want to give up the power. I mean Harris is, you know, she's like my age. So the establishment as embodied by the Times, the New Yorker, the Ivy League, foundations, the think tanks, the Democratic Party establishment—they don't want to move aside. But it's so obviously clear at this point that they are not the solution. They're not the solutions.Andrew Keen: What about the so-called resistance? I mean, a lot of people were deeply disappointed by the response of law firms, maybe even universities, the democratic party as we noted is pretty much irrelevant. Is it possible for the left to rebuild itself by a kind of self-sacrifice, by lawyers who say "I don't care what you think of me, I'm simply against you" and to work together, or university presidents who will take massive pay cuts and take on MAGA/Trump world?William Deresiewicz: Yeah, I mean, I don't know if this is going to be the solution to the left rebuilding itself, but I think it has to happen, not just because it has to happen for policy reasons, but I mean you need to start by finding your courage again. I'm not going to say your testicles because that's gendered, but you need to start—I mean the law firms, maybe that's a little, people have said, well, it's different because they're in a competitive business with each other, but why did the university—I mean I'm a Columbia alumnus. I could not believe that Columbia immediately caved.It occurs to me as we're talking that these are people, university presidents who have learned cowardice. This is how they got to be where they got and how they keep their jobs. They've learned to yield in the face of the demands of students, the demands of alumni, the demands of donors, maybe the demands of faculty. They don't know how to be courageous anymore. And as much as I have lots of reasons, including personal ones, to hate Harvard University, good for them. Somebody finally stood up, and I was really glad to see that. So yeah, I think this would be one good way to start.Andrew Keen: Courage, in other words, is the beginning.William Deresiewicz: Courage is the beginning.Andrew Keen: But not a courage that takes itself too seriously.William Deresiewicz: I mean, you know, sure. I mean I don't really care how seriously—not the self-referential courage. Real courage, which means you're really risking losing something. That's what it means.Andrew Keen: And how can you and I then manifest this courage?William Deresiewicz: You know, you made me listen to Jocelyn Benson.Andrew Keen: Oh, yeah, I forgot and I actually I have to admit I saw that on the email and then I forgot who Jocelyn Benson is, which is probably reflects the fact that she didn't say very much.William Deresiewicz: For those of you who don't know what we're talking about, she's the Secretary of State of Michigan. She's running for governor.Andrew Keen: Oh yeah, and she was absolutely diabolical. She was on the show, I thought.William Deresiewicz: She wrote a book called Purposeful Warrior, and the whole interview was just this salad of cliches. Purpose, warrior, grit, authenticity. And part of, I mentioned her partly because she talked about courage in a way that was complete nonsense.Andrew Keen: Real courage, yeah, real courage. I remember her now. Yeah, yeah.William Deresiewicz: Yeah, she got made into a martyr because she got threatened after the 2020 election.Andrew Keen: Well, lots to think about, Bill. Very good conversation, as always. I think we need to get rid of old white men like you and I, but what do I know?William Deresiewicz: I mean, I am going to keep a death grip on my position, which is no good whatsoever.Andrew Keen: As I half-joked, Bill, maybe you should have called the piece "Post-Erection." If you can't get an erection, then you certainly shouldn't be in public office. That would have meant that Joe Biden would have had to have retired immediately.William Deresiewicz: I'm looking forward to seeing the test you devise to determine whether people meet your criterion.Andrew Keen: Yeah, maybe it will be a public one. Bread and circuses, bread and elections. We shall see, Bill, I'm not even going to do your last name because I got it right once. I'm never going to say it again. Bill, congratulations on the piece "Post-Election," not "Post-Erection," and we will talk again. This story is going to run and run. We will talk again in the not too distant future. Thank you so much.William Deresiewicz: That's good.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. GET SHORTY and OUT OF SIGHT weren't the only high-profile Elmore Leonard adaptations of the 1990s. Quentin Tarantino's long-awaited follow up to PULP FICTION was a race- and setting-swapped adaptation of Rum Punch retitled JACKIE BROWN, starring exploitation icons Pam Grier and Robert Forster. Podcasting's preeminent Elmore Leonard discusser Jane Altoids returns to the show to talk race, class, and Ray Nicolet in what might be Tarantino's best film! Follow Jane Altoids: https://x.com/staticbluebat Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

Ya está en marcha una nueva edición del Festival de Cannes y lo celebramos por todo lo alto con cine español. Oliver Laxe ha presentado en sección oficial ‘Sirât', un impactante viaje por el desierto con música electrónica. Además, por aquí se ha paseado Tom Cruise para presentar la última de ‘Misión imposible' y Robert de Niro ha recibido la Palma de Oro honorífica. En este episodio comentamos lo mejor de estos primeros días de festival y también analizamos los estrenos con óperas primas como ‘Lo que queda de ti' y ‘Tras el verano' y con documentales como el de Almudena Grandes y el del Caravaggio perdido. En televisión, charlamos con Jaime Foxx de un documental sobre las luchas de los actores y actrices negras de Hollywood. 

I am currently in France and have been road-tripping all over the place, but more on that in upcoming episodes....At the moment I have connected with friend to the Loulabelle's FrancoFiles podcast Ruby Boukabou and in this episode we discussed some observations from this particular Cannes Film Festival. We had tickets for the opening night red carpet event and we were in the room for the opening ceremony too, to see Robert De Niro receive his honorary Palme d'Or presented by Leonardo DiCaprio. I felt a shift in Cannes this time, with a more overt political statement being made, particularly i the opening night speeches from De Niro, DiCaprio and head of the 2025 Cannes jury Juliette Binoche..Ruby and I also spoke about the opening night movie "Partir Un Jour", the other goings-on in Cannes as well as what to do to escape the craziness for just a short time or a day-trip! We also touch on when the best time is, to visit Cannes for your specific purposes..Tune in and escape to France with us xx**Louise Prichard is the host of the Loulabelle's FrancoFiles podcast.**Other Loulabelle's links:FrancoFile Fix on YouTubeLoulabelle's FrancoFiles Spotify Playlist Loulabelle's FrancoFiles InstagramLoulabelle's FrancoFiles website

Unsere Wirtschaft braucht Impulse. Und Unternehmensgründer:innen mit Migrationserfahrung können welche liefern, erklärt unser Gast. Außerdem klagen wir in dieser Ausgabe über den Niedergang politischer Rhetorik und liberaler Überzeugungen. Von WDR 5.

Cannes, el exclusivo balneario de la Riviera francesa, se llena como cada año de estrellas y de glamur para su esperado festival internacional de cine. El jurado, presidido por Juliette Binoche, entregará la Palma de Oro a alguna de las 22 películas candidatas. Robert De Niro fue homenajeado con un galardón honorífico por toda su carrera, una ceremonia en la que envió un contundente mensaje político.

De Niro wyśmiewa Trumpa, „Mission: Impossible” przyprawia o zawrót głowy. Festiwal w Cannes jeszcze nie miał takiego otwarcia i po raz kolejny przeżywa amerykańskie oblężenie.

Megyn Kelly is joined by Sean O'Brien, General President of the Teamsters, to discuss his experience meeting with President Biden and what he saw, Kamala Harris' treatment of his members and all Americans, the arrogance of the Democratic party today, how the Democrats are increasingly out of touch with the working and middle class, their failed attempts at being more relatable, O'Brien's historic RNC speech and what Trump told him before, why Trump is resonating with the working class, Robert De Niro's lecture and why Trump is actually helping the American film industry, Trump's discussions with O'Brien now and how he's bringing jobs back to America, Jeff Bezos vs. his workers, and more. Then Tom Bevan, Carl Cannon, and Andrew Walworth of the RealClearPolitics Podcast join to discuss the arguments at the Supreme Court about birthright citizenship and nationwide injunctions overall, the lawfare against Trump stopping his administration's actions, the backlash Jake Tapper's already received ahead of his book release, his new messaging admitting "humility" over his past Biden coverage, the troubling questions Democrats and the media have to answer about their cover-up, the absurd and racist coverage of the Afrikaners refugees, and more. Then Megyn addresses Michelle Obama's new complaints and her wild marriage rule with Barack.O'Brien- https://teamster.org/Bevan, Walworth, & Cannon- https://www.realclearpolitics.com/Everglades Foundation: Learn more about President Trump's Everglades support project at https://www.EvergladesFoundation.orgSelect Quote: Get the right life insurance for YOU, for LESS at https://www.SelectQuote.com/MEGYNLean: Visit https://TakeLean.com & use code MK20 for 20% offTax Network USA: Call 1-800-958-1000 or visit https://TNUSA.com/MEGYN to speak with a strategist for FREE todayFollow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at: https://www.devilmaycaremedia.com/megynkellyshow

Cannes második napján a randevúnk Robert De Niróval katasztrofálisan sült el, de kellemes volt a közös mozizás Quentin Tarantinóval, illetve megnéztük a két legendás mellékszekció, a Rendezők kéthete és a Kritikusok hete nyitófilmjét is.Filmek, amikről szó esik:Enzo (Robin Campillo)Comanche Territory (George Sherman)Red Canyon (George Sherman)Reedland (Sven Bresser)Adam's Sake (Laura Wandel)Összekötő zene: Kristóf NorbertA műsort készíti: Onozó Róbert és Varga FerencJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

durée : 02:57:59 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Ce matin dans le 7/10 : Sepideh Farsi / Jean-Christophe Rufin / Thomas Legrand / Robert De Niro et Solal Bouloudnine

durée : 00:15:26 - L'interview de 9h20 - par : Léa Salamé - L'acteur américain a reçu une Palme d'or d'honneur au 78e Festival de Cannes pour l'ensemble de sa carrière, et a pris position de manière forte contre le président américain Donald Trump, ainsi que la montée du "fascisme" aux États-Unis. Robert De Niro est au micro de Léa Salamé. - invités : Robert de NIRO - Robert De Niro : Acteur et producteur américain

In this episode, we read out your hottest takes and dive into them. Is Babylon actually a masterpiece? And what's the deal with Robert De Niro? As always, we wrap things up with a game.

durée : 00:15:26 - L'interview de 9h20 - par : Léa Salamé - L'acteur américain a reçu une Palme d'or d'honneur au 78e Festival de Cannes pour l'ensemble de sa carrière, et a pris position de manière forte contre le président américain Donald Trump, ainsi que la montée du "fascisme" aux États-Unis. Robert De Niro est au micro de Léa Salamé. - invités : Robert de NIRO - Robert De Niro : Acteur et producteur américain

Rob and Chris profess their love for 1988's action comedy classic 'Midnight Run'

Aujourd'hui, Joëlle Dago-Serry, Emmanuel de Villiers et Antoine Diers débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Nuestro crítico de cine Carlos Boyero reflexiona sobre el discurso de Robert De Niro al recoger la Palma de Oro honorífica en Cannes. Recordamos 'La noche de 12 años', la película de Álvaro Brechner en la que Antonio de la Torre se metía en la piel de Pepe Mujica, fallecido este martes, que vivió varios años de cautiverio como guerrillero que le llevaron a la locura. Además, habla del estreno de la película española 'Lo que queda de ti'.

If you're a woman business owner over 40, join the Dear FoundHer... Forum to find support, advice, resources and mentorship—JUST FOR YOU. It's all inside, without the gatekeeping and without the overwhelm. Use the code FOUNDHER at checkout and join us inside for just over $1 a day. Boxed wine had a reputation problem until Lauren De Niro Pipher turned it into a sustainable, design-forward product that now moves across both direct-to-consumer and wholesale channels.Juliet Wine was born from a simple question: why doesn't high-quality boxed wine exist? Lauren and her co-founder, Allison Luvera, saw an opportunity and built a premium product that's as practical as it is planet-friendly, without any prior experience in the wine industry. In this episode, Lauren shares how they took the idea from concept to shelf, starting with a custom crush model, distinctive cylindrical packaging, and a brand that challenges the stigma around boxed wine.They also talk about the power of community, how their networks shaped their businesses, served as focus groups, and helped them make crucial early hires. Lauren opens up about the risks they took, from firing an expensive agency to bootstrapping the initial phase of the company before raising over $6 million in funding.With a go-to-market strategy that launched both direct-to-consumer and wholesale at the same time, Juliet Wine was built to scale. Instead of traditional influencer marketing, they focused on gifting and letting the product speak for itself, building authentic relationships that continue to drive word-of-mouth growth.This episode of Dear FoundHer… shows us what it takes to build something new in a crowded category, and how a smart, scrappy approach can cut through the noise.Episode Breakdown:00:00 Why Community Matters for Founders06:00 Lauren's Career Journey Before Juliet Wine07:06 The Spark Behind a Sustainable Wine Brand08:47 From Idea to Product: Early Decisions and Setbacks13:04 Redesigning Boxed Wine with Packaging Innovation15:02 Bootstrapping and Raising Over $6 Million20:10 Hiring Independent Talent Over Big Agencies25:32 Customer Feedback as a Growth Engine31:02 Go-to-Market Strategy: Direct to Consumer and Wholesale38:48 Influencer Marketing Without Paying for Posts43:46 What's Next for Juliet WineConnect with Lauren De Niro Pipher:http://www.instagram.com/iamldphttp://www.drinkjuliet.com/Get on the Marketing Made Simple Waitlist: https://lindsaypinchuk.myflodesk.com/waitlistDear FoundHer Forum: https://www.dearfoundher.com/dear-foundher-forumDon't forget to follow Lindsay on Instagram: https://www.instagram.com/lindsaypinchukFollow Dear FoundHer on Instagram: http://www.instagram.com/dearfoundherPodcast production and show notes provided by HiveCast.fm Hosted on Acast. See acast.com/privacy for more information.

AP correspondent Ed Donahue reports politics entered the picture on the first day of the Cannes Film Festival.

The likes of Robert De Niro, Tom Cruise and Scarlett Johansson will be descending on the south of France for the glitziest date on the movie calendar, the Cannes Film Festival. In our Cannes Chronicle, our culture editor Eve Jackson tells about the most anticipated films and names expected on the red carpet, including a gay romance with Paul Mescal, a documentary about U2's Bono and the new and last instalment of "Mission: Impossible". But first, Eve brings us reaction to the guilty verdict in the sexual assault trial of French cinema icon Gérard Depardieu.

In arts24 in Cannes, film critic Emma Jones joins culture editor Eve Jackson on opening night to discuss what to look out for at the 78th Cannes Film Festival, as film greats like Robert De Niro, Scarlett Johannson, Robert Pattinson and Tom Cruise descend on the south of France for 12 days of movie madness.

After a week off for The Chicago Critics Film Festival, Erik Childress and Peter Sobczynski return to get you up to date on the latest in physical media world. They include one of the great musicals and a landmark in 60s cinema. Disney upgrades one of their animated hits before its live-action counterpart hits theater. See the film Robert Zemeckis made in-between shooting Cast Away. There is plenty of sleaze thanks to Pete Walker and Wings Hauser and a reunion of Robert DeNiro and Meryl Streep. There is disaster sci-fi and upgrades for two of the all-time great horror films, one of them you may still have never gotten around to seeing. 1:53 - Criterion (The Umbrellas of Cherbourg 4K, In the Heat of the Night 4K, Room 666/999) 16:25 - Disney (Lilo and Stitch 4K) 19:49 - Fun City (Falling in Love) 24:09 - Shout Factory (What Lies Beneath 4K) 30:36 - MVD (Tunnel Vision) 36:52 - Kino (Crack in the World, Pete Walker Crime Collection, Vice Squad)  58:18 - Arrow (The Andromeda Strain 4K) 1:06:39 - Lionsgate (May) 1:16:22 - Ignite (Re-Animator 4K) 1:33:02 - New TV & Theatrical Titles On Blu-ray (Dune Prophecy 4K, Landman: Season One, The Seed of the Sacred Fig, Captain America: Brave New World, Mickey 17, Black Bag, Better Man, The End, Bridget Jones: Mad About the Boy) 1:35:38 - New Blu-ray Announcements  CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST. CHECK OUT THE LATEST FROM CRITERION BELOW Adventures of Antoine Doinel, The (4K) All We Imagine as Light Anora (4K) Barry Lyndon (4K) Basquiat (4K) Big Heat, The (4K) Brazil (4K) Carnal Knowledge (4K) Chungking Express (4K) How To Get Ahead In Advertising (4K) In the Heat of the Night (4K) Jean de Florette / Manon of the Spring: Two Films by Claude Berri Killer of Sheep (4K) Midnight Mishima: A Life In Four Chapters (4K) Prince of Broadway Room 666 / Room 999 Some Like It Hot (4K) Sorcerer (4K) Thelonious Monk Straight, No Chaser Thirty Two Short Films About Glenn Gould (4K) Three Musketeers, The / The Four Musketeers (4K) Ugetsu (4K) Umbrellas of Cherbourg, The (4K) Wind Will Carry Us, The Withnail and I (4K) Wiz, The (4K) You Can Count On Me (4K)

After months in the digital mines, Matt and Corbin come up for air with NATE FISHER, co-writer of the fabulous new American Baseball Picture EEPHUS. We discuss Tony Scott's 1996 Travis-Bickle-As-Sports-Fan classic THE FAN. Topics include: Frederick Weisman, Deniro in a very strange mode, Barry Bonds, and modernist stability slipping into the chaotic morass of the next thing. Our recs this week don't have any relevant links, so I will spare you the description of them here. But, Eephus is currently available on your VOD utility of choice, watch it today. Also make sure to check out Nate's scripted podcast with Will Senett, 'A Closer Look.' We return to Digital Cinema next week with ZODIAC. Finally.   

On our latest edition of The Bible Study, The Reverend and his guests, Jaylan-Salah Salman (The Jay Days YouTube Channel) and Frank Hannen (The Bachata Talk & Aventura's World Podcasts) take a deep dive into the 3rd chapter from the digital copy of Jackie Brown. Along the way they discuss Max & Ordell's cock fight, De Niro's brilliant performance as a wallflower, Beaumont being Chris Tucker's best role and the manipulation techniques of the sinister Ordell Robbie.Frank Hannen:Follow Bachata Talk on the shows Socials:Facebook, Instagram & Twitter: @bachatatalkListen to the Bachata Talk Podcast: https://podcasts.apple.com/us/podcast/bachata-talk/id1626371650Follow Aventura's World on the shows Socials:Facebook, Instagram & Twitter: @aventurapodcastListen to the Aventura's World: https://podcasts.apple.com/us/podcast/aventuras-world/id1733891852Jaylan-Salah Salman:Jay Days YouTube Channel: https://www.youtube.com/@jaylansalahsalman In Session Film: https://insessionfilm.com/?s=jaylan+salah&post_type=postCinema Recall (Reservoir Dogs Audio Drama): https://podcasts.apple.com/us/podcast/reservoir-dogs-the-audio-drama/id1477731497?i=1000675494348Follow Jaylan-Salah on her Socials:Instagram - @jaylansalmanX (Twitter) - @jaylan_salahLetterbox - @jaylansalmanBecome a member of The Church of Tarantino: Follow us on our socials: Facebook / Instagram / Threads / Blue Sky & Letterboxd: @ChurchOfQTPodEmail: TheChurchOfTarantino@gmail.comWe're also on the Rabbit Hole Podcast Network: https://rabbitholepodcasts.com/the-church-of-tarantino/

The gang kills for money this week as they review a movie that marks the end of Robert DeNiro's 100% serious phase... John Frankenheimer's Ronin. With a A-list cast, and a green light from Paris' police chief to do whatever they want in the driving sequences, this understated espionage thriller doesn't wow you with too much glitz and flash, until the time is right. So put the kids to bed early, and enjoy this throwback adult Action flickon Roku, Hoopla, or Pluto TV, and enjoy the 1st entry to MCFC's Car Chase May. Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/3kXP5OX9KLUhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

Tickets for Brandon's "Drunk Black History" shows in Boston, Detroit, and Brooklyn are available at https://www.drunkblackhistory.com/upcoming-shows   Support the podcast by subscribing to our Patreon to get access to hundreds of hours of bonus content, early access to upcoming episodes, and the ability to chat with the hosts! www.patreon.com/mediumpopcorn    On this week's episode, Brandon and Justin review the 1995 classic crime thriller, "Heat" where the great Al Pacino and Robert DeNiro go head-to-head, people die everyday B, and Ashley Judd reminds them of how good the 90's used to be.    Leave us a voice message to share your thoughts and/or movie suggestions at (347) 464-8214   MP Links: - patreon.com/mediumpopcorn   - youtube.com/@MediumPopcornPodcast   - https://www.teepublic.com/stores/medium-popcorn   Hosts: Brandon Collins Justin Brown Medium Popcorn Podcast   "Medium Popcorn" is a production of Casa de Collins LLC.    Special thanks as always to our producer Lluvia Gilliam. 

On The Other Side of Midnight, Dominic talks about the fall of Hollywood as Trump plans to impose tariffs on films. He also talks about Robert De Niro's transgender daughter and a horrible story of a mother of four being killed. Learn more about your ad choices. Visit megaphone.fm/adchoices

On The Other Side of Midnight, Dominic talks about the fall of Hollywood as Trump plans to impose tariffs on films. He also talks about Robert De Niro's transgender daughter and a horrible story of a mother of four being killed. Dominic discusses the country still struggling with migrant problems as well as the debate on whether the U.S. should have a military parade on Flag Day which is also President Trump's birthday. James Flippin talks about the true dangers of AI that will impact humanity, the state of China's economy and Canada's PM Mark Carney visiting the White House. James wraps up the show talking about issues in air traffic, the church, milk, history and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Travis Bickle, a lonely Vietnam War veteran working as a NYC taxi driver, descends into violent vigilantism as his mental state deteriorates and his disgust with urban decay intensifies. Martin Scorsese's legendary 1976 character study features an iconic performance by Robert De Niro that continues to influence cinema decades later.• Robert De Niro's transformative performance as Travis Bickle remains the film's standout element• Scorsese's portrayal of 1970s New York City creates a character of its own through gritty, atmospheric cinematography• Bernard Herrmann's jazz-influenced score perfectly enhances the film's sense of isolation and brewing violence• The film's ambiguous portrayal of its protagonist has led to controversial interpretations over the decades• Travis Bickle's character has influenced numerous films about isolated, disturbed individuals, most notably 2019's "Joker"• The "You talkin' to me?" mirror scene has become one of cinema's most referenced and parodied moments• Modern viewers may find the pacing deliberately slow compared to contemporary filmsLetterbox'd Synopsis: A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.

Adam and Jason “Mayhem” Miller open up the show with Adam recounting a Real ID Fiasco at a Florida airport, Variety's strange way of phrasing the headlines concerning Robert DeNiro's daughter coming out as Trans and local news in Santa Monica talking about WAYMO back up beepers.Ben Gleib then comes on the show to talk about his upcoming GLEIB OFF THE TOP! Live Zoom Comedy Show, Vaping and fat kids, Rupert Holmes vs. Jimmy Buffett, Mike August not booking Ben Gleib and sneezing violently, Adam's journey at the Groundlings, shitty improv partners and a possible moratorium on new comedians. Adam and Jason then talk about today's top news stories including Mayor Eric Adams spending 1.6 million on panic buttons to curb crimes, Jussie Smollett, and defunding of PBS and NPR. Get it on. FOR MORE WITH BEN GLEIB: WEBSITE: https://www.bengleib.com/TWITTER: @BenGleibINSTAGRAM: @bengleibFOR MORE WITH JASON “MAYHEM” MILLER:INSTAGRAM: @mayhemmillerTWITTER: @mayhemmillerThank you for supporting our sponsors:AuraFrames.com - Promo Code CAROLLABetOnlineCalderaLab.com/ADAMhttps://hometitlelock.com/adamcarollahttps://OmahaSteaks.comPluto.TvSIMPLISAFE.COM/ADAM-Go to https://hometitlelock.com/adamcarolla and use promo code ADAM to get a FREE title history report so you can find out if you're already a victim AND 14 days of protection for FREE! And make sure to check out the Million Dollar TripleLock protection details when you get there! Exclusions apply. For details visit https://hometitlelock.com/warranty-Link in Description & Pinned Comment: Go to https://OmahaSteaks.com and order the Built for the Grill Pack with 16 FREE smash burgers. Minimum purchasemay apply. See site for details. A big thanks to our advertiser, Omaha Steaks!LIVE SHOWS: May 24 - Bellflower, CAMay 30 - Tacoma, WA (2 shows)May 31 - Tacoma, WA (2 shows)June 1 - Spokane, WA (2 shows)June 13 - Salt Lake City, UT (2 shows)June 14 - Salt Lake City, UT (2 shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Trump's tariffs are shaking up the content creation industry, and it's time to adapt. In this episode of "Content and Cash," Ty Turner breaks down what these new tariffs mean for your camera budget and how content creators can stay ahead of the curve. From skyrocketing camera prices to game-changing tools and strategies, this video is packed with the insights you need to turn challenges into opportunities.Here's what you'll discover in this episode:- **How Trump's tariffs are driving up camera prices**: Learn how these changes are impacting brands like Leica, Canon, and Fuji, and what it means for your next upgrade.- **Blackmagic's groundbreaking camera app**: Turn your iPhone into a professional-grade rig with ProRes and 10-bit 4:2:2 capabilities—no more excuses, just results.- **Robert De Niro's vertical studio revolution**: Explore how Wildflower Studios is flipping Hollywood on its head by embracing vertical content creation.- **AI-powered client follow-up strategies**: Get Ty's step-by-step guide to using AI tools to build follow-up sequences that close deals and increase client retention.Whether you're navigating rising costs or looking for cutting-edge tools to revolutionize your photography or videography business, this episode is your ultimate roadmap for turning passion into profit.

Mike Rainey joins Zac Amico and they discuss Robert Deniro's child coming out as trans, Toight or Noight - the 6'8", 300lb model, their first time fisting someone, 100 men vs gorilla debate, the story of the Doomsday Mom Lori Vallow Daybell, how they'd want to be handled when they're dead, Murder Dogs - the woman who kept her dog after it bit her nose off, Meta AI celebrity sex convos, peeing their pants, Pete Davidson hiding his personality from people and so much more!(Air Date: April 30th, 2025)Support our sponsors!Him.com/ZOO - Support the show and start your free online Hims visit today.Reach out to the show at: ZacMorningZoo@Gmail.comHelp Replace Shannon's Cannons - https://www.gofundme.com/f/help-shannon-lee-replace-her-boobsZac Amico's Morning Zoo plug music can be found here: https://www.youtube.com/watch?v=oMgQJEcVToY&list=PLzjkiYUjXuevVG0fTOX4GCTzbU0ooHQ-O&ab_channel=BulbyTo advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!Submit your artwork via postal mail to:GaS Digital Networkc/o Zac's Morning Zoo151 1st Ave, #311New York, NY 10003You can sign up at GaSDigital.com with promo code: ZOO for a discount of $1.50 on your subscription and access to every Zac Amico's Morning Zoo show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Mike RaineyTwitter: https://twitter.com/mikerainey82Instagram: https://instagram.com/mikerainey82Podcast YouTube: https://www.youtube.com/channel/UCWWVkovtAdBInrZ4CMfSAvQPurchase Mike's Book: https://www.onpercs.com/storeZac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jackie wants to watch current TV, but she's trapped in the early 2000's Housewives reality and MJ really has no reason to exist now that 'The Baldwins' are done...at least until 'Secret Lives of Mormon Wives' comes back. While discussing how there's nothing to watch (except 'Andor'), they realize there's actually a couple reality shows dropping including 'Polyfamily' (a listener has written in with regards to how TLC might not give it the best edit) and a new 90 Day dating reality show! Speaking of TLC reality shows, there's now ANOTHER set of Australian identical twins that speak at the same time like healthy adults do. Jackie's ready to blast past aaaaalllll that celeb goss' to give praise to the hero we all need (except he shouldn't have done it in a school zone, come on dude). Raven-Symoné had Nick Cannon on her podcast where she basically just brags about being rich and Nick Cannon confirms he's got them danglers insured for TOO MUCH, which callin' all BALL LAWYERS for the logistics on insuring them testies. Haley Joel Osment got drunk and started screaming antisemitic slurs, bloated corpse Mickey Rourke releases gases to let 'Big Brother' know that they should have KNOWN what they were getting into when hiring him and is SUEING because they hurt HIS snowflake feelings, JoJo Siwa dumped her girlfriend at the after party for 'Celeb Big Brother UK', Vinny Guadagnino is gross but he said he made a ton of money being a Chippendales dancer, Martha Stewart did Martha when asked about Meghan Markle's new show, MJ hears the critics on making fun of Meghan Markle....but they're still gonna do it, Jackie has finally learned that money can't buy ya class, elegance is earned. Jackie watched the movie 'Street Trash', and MJ had a blast watching 'Black Bag' in the THEATRE, Jackie has some reflections on if it's aliens OR space that scares her more, the first episode of the current season of 'Black Mirror' is DEVASTATING, MJ started watching 'You' again, Jackie says the new season of 'Last of Us' is vvvv good, MJ just learned they share the same wedding anniversary (happy anniversary!) with Tom Hanks and Rita Wilson, Robert De Niro's daughter just transitioned and he's showing his support, the headlines are now full of celeb parents doing typical parenting things like Serena Williams teaching her kid about allowances and stuff, Beyoncé's rarely seen itty bitty son showed up at her Cowboy Carter tour, and SO MUCH MORE!!! Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast  Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

05-02-25 - Guad Squares - Tracy Morgan Tyronasaurus - David Beckham - Trump - Nic Cage - Jawbreaker Brady - DeNiro - RFK JrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kids' school lunches have improved since we were in class! A WTF warm-up round -- "Real Housewives" edition, "Thunderbolts*" and Bill Belicheck, Robert De Niro's a great, supportive dad Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kids' school lunches have improved since we were in class! A WTF warm-up round -- "Real Housewives" edition, "Thunderbolts*" and Bill Belicheck, Robert De Niro's a great, supportive dad Learn more about your ad choices. Visit podcastchoices.com/adchoices

MUSICFans all over social media have reported that System of a Down's groundbreaking 2001 album Toxicity is no longer on Spotify. After checking the platform ourselves, we can confirm that it's gone, though it's unclear what happened. IN OTHER SOAD news; Seven Hours After Violet, the band featuring System of a Down's Shavo Odadjian, have released a video for their track "Float." Check it out on YouTube. One of the most iconic photos of Blondie's Debbie Harry has inspired a new action figure. Michael Bolton's brain cancer treatments have impacted his short-term memory, speech, and mobility. He was diagnosed with an aggressive glioblastoma back in December of 2023 when he had emergency surgery. Jon Bon Jovi, Billy Joel, Paul Simon and Bruce Springsteen are featured in the trailer for Ron Delsener Presents, a documentary about New York concert promoter Ron Delsener. Check it out on YouTube. The film opens in New York City on May 30th. Selena Gomez unfollowed her bestie Theresa Marie, days after she was seen having dinner alone with Benny Blanco. It's also rumored that Benny is subscribed to Theresa's OnlyFans account. Lorde's fourth album, "Virgin", will be released June 27th. Check out the trailer for "Bono: Stories of Surrender". It premieres May 30th on Apple TV+. There's something extra memorable about a singer who only needs to go by ONE name. People over at Ranker.com are voting for their favorite one-name singer. TV Dick Van Dyke is releasing a book in November called "100 Rules for Living to 100: An Optimist's Guide to a Happy Life". He turns 100 on December 13th. MOVING ON INTO MOVIE NEWS:Guy Ritchie is set to direct "Road House 2" starring Jake Gyllenhaal, who will reprise his role as Dalton, the ex-UFC fighter who takes a job as a bouncer at a Florida Keys bar. Gyllenhaal will also produce with Josh McLaughlin via the duo's Nine Stories Productions banner along with Charles Roven and Alex Gartner of Altas Entertainment. Robert De Niro's daughter has revealed that she is transgender. Airyn De Niro sat down for a recent interview with Them magazine and shared that she's “stepping into this new identity.” After adding movie characters Jay and Silent Bob to its roster, 'Call of Duty' has added another 420-inspired playable character to its 'Black Ops 6' lineup. You can now play the game as actor Seth Rogen!AND FINALLYDogs just have a way of making everything better, even movies. "Rolling Stone" ranked the 15 Best Movie Dogs of All Time.AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

TDC Podcast topics - Esus joins the show tonight, we all share messed up teeth stories, the Pistons with a huge win, kid bangs his step mom and dad walks in to catch them in the act, in a shocking revelation we find out Robert Deniro's kid is trans, the search for a new Pope is on, email and so much more.

04-30-25 - Kicking Bret In The Nuts w/New Theories On Jimmy Hoffa And News DeNiro's Son Is Now His Daughter Airyn - Jumping Into The Idiotic Online Debate Of If 100 Men Could Take Down A Silverback GorillaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The first episode of this season of Movie Mindset is free for all listeners as always. To listen to the rest of the season, subscribe at www.patreon.com/chapotraphouse When you love movies, you've got to watch them. There's no other way…Movie Mindset Season 3 commences with our first ever single feature on the most referenced movie in Chapo Trap House history: Martin Scorsese's masterpiece Casino. Will and Hesse are joined by Felix to take a kaleidoscopic and dizzying dive into the inferno of American greed that is Las Vegas. Anchored by a triumvirate of all career great performances from Robert De Niro, Sharon Stone and Joe Pesci in FULL PSYCHO MODE, Casino is by equal turns hilarious and stomach turning and stands alone as Scorsese's grandest and most generous examination of evil and the tragic flaws that doom us all. Should you listen even if you haven't seen this movie? Why take a chance? At least that the way we feel about it.