Podcast appearances and mentions of Jane Rosenthal

Brace yourself for more hilariously awkward family moments as Universal announces a new Meet the Parents movie! Original stars Robert De Niro, Ben Stiller, Teri Polo, and Blythe Danner are in talks to reprise their iconic roles, with franchise writer John Hamburg penning the script. This comedy juggernaut, which first charmed audiences in 2000, saw its sequel, Meet the Fockers, rake in $522 million worldwide. Producers include De Niro, Jane Rosenthal, and Ben Stiller, but the director's chair remains unclaimed. While details are still hush-hush, fans can expect another uproarious family showdown. Stay tuned—this reunion promises chaos, laughs, and love!

Like this? Get AIDAILY, delivered to your inbox, every weekday. Subscribe to our newsletter at https://aidaily.us AI Enhances Work Satisfaction, HP Survey Finds A survey of 15,600 workers by HP revealed that those who use AI at work have a healthier relationship with their jobs. AI users reported being 11 points happier with their work than non-users. The study also found that 90% of AI users saved more time, 84% felt more creative, and 83% found more pleasure in their work. However, concerns about AI's impact on personal relationships and job security persist. Despite this, AI usage has surged, with 66% of knowledgeable workers using AI tools, compared to 38% last year. Google's AI Tool Turns Text Into Lifelike Podcasts Google's NotebookLM AI tool can generate audio podcasts that sound convincingly human. Users input text, and the AI creates a podcast featuring lifelike voices, natural banter, and even emotional understanding. This free tool uses "notes" from PDFs, Google Docs, text, audio files, and URLs to create its podcasts. While the results are impressive, the technology raises concerns about the authenticity of content and potential misuse. Meta's AI-Generated Posts on Facebook and Instagram Meta is testing a new feature that generates personalized AI content for Facebook and Instagram users. This includes images based on user interests and even those featuring their likeness. The AI-generated posts aim to engage users and allow them to explore new content directions. While some see this as a natural evolution of Meta's algorithm-driven feeds, reactions may vary, with concerns about AI-produced content becoming impersonal and monotonous.  Nintendo's Stance on AI: Miyamoto Explains Why They're Not Jumping on the Trend Nintendo's Shigeru Miyamoto explained in a recent interview that the company is not currently embracing AI technology, even as others in the industry pursue it. He highlighted that Nintendo often takes a different path, focusing on what makes the brand unique rather than following trends. Runway Launches AI-Focused Film Grants Runway, an AI research company, has introduced The Hundred Film Fund, offering grants from $5,000 to $1 million to support indie filmmakers in producing AI-powered movies. The fund's advisory panel includes industry experts like Jane Rosenthal and Richard Kerris. The company recently partnered with Lionsgate, accessing its vast movie library to train AI models.

Shownotes and Transcript Dr. Andy Wakefield joins Hearts of Oak to discuss his transition from mainstream physician to medical industry whistle-blower, sharing with us his findings on the MMR vaccine's link to autism.  He talks about facing backlash, making films like "Vaxxed" and the recently released "Protocol 7" to address vaccine safety and pharmaceutical fraud.  Despite challenges like losing his license, Andy stresses the importance of revealing the truth to the public.  He highlights the profit-driven pharmaceutical industry's negligence towards patient safety, legal protections shielding companies from vaccine injury liability, and the need for public involvement in spreading awareness and demanding accountability.  PROTOCOL 7 - An Andy Wakefield Film   WEBSITE          protocol7.movie  X/TWITTER      x.com/P7Movie INSTAGRAM     instagram.com/protocol7movie Andy Wakefield has been likened to the Dreyfus of his generation -- a doctor falsely accused of scientific and medical misconduct, whose discoveries opened up entirely new perceptions of childhood autism, the gut-brain link, and vaccine safety. As an ‘insider,' the price for his discoveries and his refusal to walk away from the issues they raised, was swift and brutal, with loss of job, career, reputation, honours, colleagues, and country. And yet he enjoys a huge and growing support from around the world. Wakefield's stance made him a trusted place for whistle-blowers -- from government and industry to confess and ‘download.' He has extraordinary stories to share. Wakefield is now an award-winning filmmaker. Despite elaborate attempts at censorship, his documentary VAXXED: From Cover-Up to Catastrophe – the revelations of a vaccine scientist at the U.S. Centers for Disease Control and Prevention- changed the public mindset on the truth about vaccine safety. Wakefield's is a story that starts with professional trust in the instincts of mothers, choice and consequences, a quest for truth, and perseverance against overwhelming odds. Andy has long pursued the scientific link between childhood vaccines, intestinal inflammation, & neurological injury in children.   Dr. Wakefield is the co-founder of the Autism Media Channel & the founder of 7th Chakra Films.   He is the director of his first major narrative feature, the recently released #Protocol7,  co-written with Terry Rossio (Aladdin, Shrek, Pirates of the Caribbean, Fast and Furious, Godzilla vs. King Kong). Connect with Andy... WEBSITE           7thchakrafilms.com  INSTAGRAM      instagram.com/andrewjwakefield X/TWITTER       x.com/DrAndyWakefield Interview recorded  25.6.24 Connect with Hearts of Oak... X/TWITTER        x.com/HeartsofOakUK WEBSITE            heartsofoak.org/ PODCASTS        heartsofoak.podbean.com/ SOCIAL MEDIA  heartsofoak.org/connect/ SHOP                  heartsofoak.org/shop/ Transcript (Hearts of Oak) I am delighted to have Dr. Andrew Wakefield with us today. Andrew, thank you so much for joining us today. (Dr Andy Wakefield) Peter, my pleasure. Great to be here. Great to have you. And your name will be well known, certainly to many Brits. And I live through what you faced just as a Brit consuming news. And we'll get into all of that. People can follow you @DrAndyWakefield on Twitter. And we're going to talk about your latest film, Protocol7.Movie. All the links will be in the description. So we will get to that. But I encourage people to not only look at your Twitter feed, but also look at the website for the film, which is literally just out. But you're the award-winning filmmaker of Vaxxed and many other films. And of course, the latest one just came out. Doctor, if I can bring us back a little bit, because you had a certain time where your name was massively out there and that was simply asking questions. I think a lot of us have woken up to maybe big pharma, have woken up to vaccines and their role over the last four years. And you were much earlier than many people in the public. But that Lancet MMR autism, and I think your Wikipedia probably says fraud more than any other Wikipedia I've ever read. But you talked about that link between MMR, mumps, measles and rubella vaccine and autism. Maybe you could just go back and let us know your background, your medical background, and then what led up to you putting that out and maybe give us an insight into the chaos that ensued? Certainly, Peter. I was an entirely mainstream physician. I graduated at St. Mary's Hospital in London, part of the University of London, one of six generations of doctors in my family to have graduated there. And I ran a research team in gastroenterology at the Royal Free Hospital in North London and our principal interests were Crohn's disease and ulcerative colitis inflammatory bowel disease, and in 1995 parents started contacting me and saying my child was perfectly fine they had an MMR vaccine in many cases and they regressed rapidly into autism, had seizures, lost speech, and language interaction with their siblings. And ultimately they were diagnosed with autism, well I know I knew nothing about autism. It was so rare when I was at medical school we weren't taught about it and I said you must have got the wrong number,. They said the reason we're contacting you is my child has intractable bowel problems, failure to thrive, they're in pain, I know they're in pain even though they've lost the ability to communicate. And the doctors and nurses that I've spoken to about this have said that's just part of autism, get over it, put them in a home, move on have another child. It's an extraordinary situation and so we investigated these children I put together a very eminent team of physicians. Who investigated these children and confirmed that the parents were right the children had I had an inflammatory bowel disease, and that's now been confirmed in multiple studies worldwide. When we treated that bowel disease, then not only did the gastrointestinal symptoms improve, but the autism improved. We didn't cure it, but the children, for example, started using words they hadn't used for five years. It was quite extraordinary. And so as academics, we said that didn't happen, and we did it 183 times, and it happened pretty much every time. So, we then began to believe that there was something really very, very interesting. So, when the parents said my child regressed after a vaccine, we had a professional and moral obligation to take that very seriously. But that really flew in the face of government policy and pharmaceutical industry profiteering. And that was really the beginning of the end of my career. The dean, Harry Zuckerman, took me aside and said, if you continue this vaccine safety research, it will not be good for your career. In that, at least he was correct. And when you offend government policymaking and the bottom line for the pharmaceutical industry, really, there's no price you will not pay. And people are now familiar with that. In the context of COVID, it's happened to many, many eminent doctors and scientists. But at the time, this was was a novelty, the cancel culture was a novelty, the ability of the system to destroy your career if you stepped out of line was something really quite new. And... So, I moved to America, set up a centre there for here in Austin, Texas for autism. They eventually destroyed my career there. And so I thought, well, how can I continue to help this population? And I'd been fascinated by filmmaking for a long time, screenwriting for a long time. And what had happened, Peter, is that over the years, because of the position I'd taken, And people had come to me from the Department of Health in the UK or from regulatory agencies such as the CDC in the US or the industry, the vaccine manufacturers, and said, we've done a terrible thing. Here is the evidence. We've committed fraud. And so I became a repository, if you like, for whistle-blowers. And this story, the latest story, Protocol 7, I mean, my films have been made about these whistle-blowers, some of them. And the latest story, Protocol 7, is one such whistle-blower, who came to me many years ago and presented to me the compelling story that ultimately we've turned into a major narrative feature film. Well, we'll get into that, but the role of media, I mean, you had BBC Channel 4 with hit pieces against you and I'm sure many others. What was that like? Because you said you were kind of mainstream. I remember that time as well, whenever I was mainstream, probably six years ago. So, it was a little bit later due. And you believe these institutions are positive. They're about actually reporting the news. And then you realize, actually, they're not. What was that like whenever you had all these media outlets suddenly make you a target of their reporting? Well, I think it really, part of it was Rupert Murdoch, his son, James Murdoch, was put onto the board of GlaxoSmithKline, Europe's biggest manufacturer of MMR, with the objective as a non-executive director of protecting that company's interests in the media, certainly the Murdoch media. And his target was me and they came after me in the biggest way and in the wake of that you know channel 4 as you say and others followed suit. It was very tricky. It was very difficult, because you didn't get to put the other side of it everything was heavily edited and it was just a relentless attack they were determined utterly determined that I committed fraud never committed scientific fraud in my life. But you can destroy the career of a physician or scientist in five minutes, literally five minutes. All you need is the headline and that's it. And then you spend the rest of your life trying to. Get back your reputation if ever. And I abandoned that idea because it was, the issue wasn't about me. It was about something far more important. And as soon as I, you know, I stopped worrying about what the media might say about me and simply got on with the job of doing what I could to help these children, then a huge weight was lifted from my shoulders. I just didn't worry about that anymore. Say what they like. I've got a job to do while I still have time on this planet. And that was to advocate on behalf of these children and try and move the needle on the real pandemic, which is of childhood neurodevelopmental disorders. I mean, it's in the media in the UK every day. We're talking about one in just over 20 children in Northern Ireland, in Scotland, in the UK. And this is an extraordinary level of a permanent serious neurological condition. When I was at medical school, it was one in 10,000. So what has happened? Just to bring your listeners up to date, your viewers up to date. The CDC performed a study at my behest. I told them, I said, look, I think that age of exposure is a major factor. The younger you are when you get the MMR, the greater the risk. It's not simply you get the MMR, you get autism. That's not it. There's got to be a co-factor associated with it. And age of exposure is one, I believe. Now, everybody is now familiar that the outcome from a viral infection, for example, COVID, is age-related. The older you are with COVID, the greater the risk. So everybody gets that now. And I said this to them. I said, I think that younger of age, your exposure is a major risk. Why? Because with natural measles, if you get it under one, you're at greater risk of a severe outcome than you are if you're over one. There is an age-related risk. So, they went away, they tested that hypothesis, and they confirmed that it was absolutely true. And they spent the next 14 years covering up, destroying the data, destroying the documents and changing the results to say that MMR vaccine was safe. And it was only when William Thompson, the senior scientist at the CDC who had designed the study, collected the data and analysed the data, had written the paper, came to me, came to a colleague of mine who came to me and said, we have done this terrible thing. I can no longer live with it. Here is the truth. And that was the basis of the film Vaxxed. And it wasn't my opinion. It wasn't my producer's opinion. This was the senior scientist from the CDC responsible for the study confessing to this fraud. What happened? Nothing. No one was held accountable. Absolutely appalling. These people, these five scientists at the CDC and their superiors had. Committed fraud and put millions of children at risk of serious permanent neurological disease and done so wilfully, knowing that there was a risk. And so I was appalled. And beyond that, I thought my filmmaking is going to expose people. It's going to actually hold people accountable for what they've done. Your study was, it was a small study, wasn't it? I think it was what like a dozen or 16. You're simply saying there does seem to be a link and it's surprising it could have been surprised, one time it should have been surprising, that actually a doctor who raises a concern that should surely be looked at and checked over instead of attacking but it wasn't a massive. You were simply saying these this is the pattern that I'm seeing in the small number of patients that I'm looking at in this study. That's absolutely right. The way in which human disease syndromes are described is usually in a handful of patients who present with... It's such a consistent pattern of signs and symptoms of clinical measures that they merit reporting in their own right. And that's exactly what this was. It couldn't test any hypothesis. It couldn't come to any conclusions other than more research was needed. It actually said this study does not confirm an association between the vaccine. It doesn't. It couldn't do. It is merely reporting the parent's story. And it was a very sober paper. But of course, the media blew it up to claim that I had said MMR vaccine causes autism. No, I didn't. However, I would say that now in light of the CDC study, I would most certainly. And it's their behaviour. It's their need to commit the fraud and hide the data that is the most compelling evidence that there is this clear link. They know there's a link, and rather than do something responsible about it they have put the children at continued risk. In fact they've expanded the vaccine program dramatically, so they've put even more children at risk in my opinion. No, completely and where many of us maybe may not have been anti-vaxxers five years ago we sure as hell are now so it's changed completely, but can I just ask you; you were up against the UK General Medical Council. They're the ones that allow you to practice. They're a judge and jury. It was like a few years investigation. Then in 2010, they decided that you were no longer acceptable. They struck you off. Tell us about that, because I've talked to doctors recently during the COVID chaos who have fought for their right to continue to practice as doctors and they've struggled. You were doing this 14 years ago. What was that experience at the General Medical Council? It was difficult. It was really difficult because there needn't have been a hearing. They'd made up their minds before we even walked through the door. The General Medical Council were under threat from the government of having their powers taken away and the government dictating policy such as right to practice and medical sort of ethics. And they therefore were under scrutiny from the government. They had to deliver on a decision, and they did. Now, the reason I can say that is that their decision was contrived and indeed made up their minds before they even come to the hearing is that when it came for the first time before a proper judiciary, before the UK's sort of senior courts, if you like. The judge was appalled by the GMC's behaviour. He said, and this is in the trial of John Walker Smith, my colleague's appeal against the decision to strike him off, he said, this must never happen again. It was really a political tool to destroy dissent. Now, I appealed as well as John Walker Smith, but I was told by my lawyers that it would cost me half a million pounds to pursue that appeal. I didn't have half a million pounds. I didn't have anything. So, the law belongs to those who can afford it. And that's a fact, whether you live in America or whether you live in the UK. Justice belongs to those who can pay for it. And so there was no opportunity for me to have my case heard on its merits it was simply thrown out. What we did do though when Brian Dear a journalist published in the British medical journal now claiming that I had committed fraud which is absolute nonsense. We sought to sue him and the British Medical Journal in the state of Texas. Now, that's where I lived. That's where my reputation was damaged. And that's where there was legal precedent that allowed us to sue them. Because the BMJ is a journal, sells its wares, its journal, to Texas medical schools. It profits from Texas medical schools. And there is a long-arm statute in Texas that allows us to sue them for defamation. Why would you, it costs about $3 million to sue someone for defamation. Why would you even think of doing that in a situation where all of the evidence is going to be laid bare for the public to scrutinize? Why would you do that if you committed fraud? You wouldn't do it. There was no fraud and therefore we had an extremely strong case and they knew it. They absolutely knew it and and they did everything they could to get out of it. Ultimately, the judge, the appeal court judges here ruled that we did not have jurisdiction. That went in the face of all of the legal precedent. We did not have jurisdiction. Indeed, the BMJ lawyers invoked Texas law in an attack on us. I mean, it was extraordinary that we weren't allowed to sue them here in Texas. This was a political decision from the highest level. They did not want this case to go forward. They They knew we were going to prevail, we were going to win, and that would have undermined their entire sort of years and years and years attacking me and others for suggesting that MMR vaccine might not be safe. And so we were denied the opportunity to have the case heard on its merits, and that's where it remains. Tell us about Vaxxed in 2016 from cover-up to catastrophe. And that talks about the CDC and others destroying evidence to show that there could be a link between MMR and autism. That's something which I think many of us over the last four years would probably accept that sounds plausible, definitely that makes sense, because of what we've seen with big pharma and the collusion with media and governments. But this, you put this out prior to that happening probably in a world where maybe people may not accept that as much because there was more were trusting institutions. But tell us about that film and the authorities wanting to destroy any evidence which would show there was a link. Yes, that was a fascinating film because, as I say, it was an insider from the CDC who was intimately involved in the study that looked at age of exposure to MMR and autism. And it clearly showed that the younger you were when when you've got the vaccine, the greater the risk of autism. And that was in... All children, boys in particular, and black boys above all. For some reason, black children seem to be highly susceptible to this adverse vaccine reaction. Now, we don't know the reason for that. Further follow-up studies should have been done. Now, when the CDC found this association, they had some clear options that would have been there available to them in the interests of the the American public. They could have said, right, we can delay. Let's suggest delaying this vaccine until it's safer. And we have done a bigger, better study to confirm it or refute it. That's what they should have done, to give parents the information, to give them the option. But they didn't. They trashed all of the documents. They trashed the data. They altered the results. And they, for 14 years deceived the public, doctors, the government, everybody, and so it was a very powerful story and we made the documentary it got into the Tribeca film festival which for us was one of the sort of preeminent film festivals and then it was withdrawn, it was censored. And I think that occurred because one of the sponsors of the film was involved in money management on Wall Street involving the pharmaceutical companies and also perhaps a sponsor of the Tribeca Film Festival. And so, you know, this is what I hear, whether it's true or not, that remains to be seen. But we were censored. This is the first time this had ever happened at Tribeca Film Festival. And it was a bad few days. And then De Niro went on the television on the what's called Good Morning America and the Today Show, the big national shows and said, we should never have done that. We should have played this film, everybody should have seen it and made up their own minds. And suddenly there was an explosion of interest in this film that people had been banned from seeing. And every attempt by the media to cover it up or De Niro's partner, Jane Rosenthal, to shut him down during interviews failed. He was very angry, very angry. And it had the impact of spreading the news of this film worldwide. And so what we saw at that point, which should have pre-empted COVID, was a major shift in people's perception. They came to the movie theatre, they watched the movie, and they said, wow. There is something, there's a problem here. And then, of course, we had the COVID experience and the extraordinary mishandling and misconduct and lies and deception, about the disease, its origins, and the vaccines, so-called vaccine. And public trust in the public health authorities has never been at such a low. And it will never recover and the point peter is this is that they only have themselves to blame. That is the truth. It's no good then coming after me, or after you, or people who bring them the message or come from the clinic and saying this is what I see in these children. They only have themselves to blame for their arrogance and their stupidity. Now, 2016 it was about that specific link MMR and autism 2019 you widened it in vax 2and to look at actually side effects, vaccine harms, across a range. And certainly the issue does not seem to just be one vaccine, there seems to be a range and we've seen that, and I know any parent will have had this conversation thought, any parent that actually is aware of conversations happening, and they will maybe have questioned the rush to jab children. I will touch on the amount of jabs children now get, which is quite concerning, the rise of jabs. But 2019, yeah, you widen it away from just MMR and concerns of side effects to this seems to be in many vaccinations. Was that received differently or do you still have the the same uphill struggle. Now, that film was not mine. It was made by Brian Burrows and Polly Tommy. And I was interviewed for that film, but it wasn't my movie. But what happened, it was based upon a series of interviews. After Vaxxed, we went off across the country, principally Polly Tommy, interviewing thousands of parents about their experience. And it emerged that other vaccines were involved as well. And I'd come to this via a different route. I came over to America to testify before Congress on the vaccine autism issue. And there I became aware that the mercury in vaccines was a problem. I wasn't aware of it before, that aluminium in vaccines was a problem. And so it became clear that it is very likely that it's the actual toxic load that a child is presented with at a very early stage, rather than just being one vaccine or another. Now, we'll never be able to discern the truth of that. We know which vaccines are involved, which are more important or less important. And this comes to a point you've made, is that they have so many vaccines now that how do you even begin to untangle the complexity, the permutations of how was it this vaccine or this one and this one together or these three or these 15? We just don't know. And I think there's almost been a deliberate attempt to expand the program without doing the appropriate safety research in order to make it virtually impossible possible to target any specific vaccine. So, I think that my sort of current thinking on it, and had we been allowed to conclude our research without it being sabotaged, is that it is related to the toxic load. And there is a study that has literally just come out from Brian Hooker. Scientist with an affected child, that shows that there is an exponential increase in severe adverse reactions like autism with increasing load of vaccines. The more you're given at one time, the greater the risk of an adverse reaction. This dose response effect is very plausible and is very strong evidence of causation. So, the field is highly complex. I'm quite certain that the sheer volume of vaccines that are given to children is way in excess of being safe. I mean, way in excess. And it has never been subjected to any formal clinical trial. You know, is it safe to give multiple vaccines at the same time? Hasn't been done. Well, yeah let me poke, because the issue is supposedly we have had a vaccine that's tested over a 10-year period or whatever and then it's decided safe, but the amount of vaccines that children are given; there is absolutely no way you could do any long-term study on that number of combinations of vaccines. So, it's completely into the unknown. It is. Now and here's the dilemma lemma is that when you take a pharmaceutical agent in the United States, for example. Then it goes through years, literally sort of 10, 15 years of clinical trials, randomized control clinical trials using a placebo, an inert placebo, before it's deemed to be safe. And yet with vaccines, that doesn't apply. They're classified as biologics, and the bar is set very much lower for safety. And so for the childhood vaccines, there has never been a proper long-term placebo-controlled randomized trial of safety. And therefore, it is deceptive, entirely deceptive to say that these vaccines are safe. They're not because they've never been subjected to the appropriate safety studies. And people need to know that. People need to realize that. It just has not been done. And it's now, you know, it's too late to close the gate. The horse has bolted. The vaccine safety studies are very difficult to do now, certainly prospectively. Well, one thing I just, before I get into Protocol 7, one thing I realized traveling the States so much over the last couple of years is that you turn on a TV, so different from Britain, and you see an advert for medication and it tells you how wonderful this medication is. And then half the advert is telling you the possible side effects and usually ends up with death. And you're thinking, that's the last thing I want to have. But that's a world away, and that's just kind of pushed through and accepted that actually the side effect could be much worse than the disease or the issue that it's trying to address. And you think, I sit and watch some of those adverts when I'm over in the States and think, how do we get to this situation where death is seemingly better than a headache? It is bizarre and this direct consumer advertising that happens in America and the other the only other place it happens is New Zealand. We don't, you know it doesn't happen in the UK, but it it's it's there's something more insidious about it, and that is the fact that the nightly news networks here way in excess of 70% of their income comes from the pharmaceutical industry advertising. They could not sustain their operation, a news operation, in the absence of that pharmaceutical industry sponsorship. And so, the industry controls the narrative the industry controls the editorial the headline they're not going to publish something and this happened to me I was interviewing with a girl called Cheryl Ackerson outstanding journalist who was at the the time at CBS. And she said, Andy, when we have finished editing this sequence about vaccines and autism, I will get a call within, you know, in 15 minutes, I'll get a call from the money men on the top story, a top floor saying, you will not play this segment because our sponsors have said they'll pull their money. Well, she was wrong. It was five minutes later. It came five minutes later. And that's the way they operate, I'm afraid. So there is, over and above advertising their drugs, there is something far more sinister about the control, the influence that these drug companies have over American mainstream media. Fortunately, in the UK, that direct-to-consumer advertising does not exist. So I want to jump on, which fits perfectly into Protocol 7, which seems to be about someone, a lawyer, small town, sees issues with Big Pharma, with the industry and wants to challenge. And it is a David and Goliath, something I guess, as you alluded to, we're all up against with Big Pharma. But tell us about this film, which is a story about a whistle-blower, but also going up against Big Pharma. This is based on a true story whistle-blower who came to me many years ago at a meeting in Chicago and revealed this fraud within Merck in respect of its mumps vaccine. And it's really a story more about the behaviour, how the industry behaves when confronted with a threat to its profiteering and its monopolistic sort of control of a vaccine in a country like America. And it's against sort of set against the love and devotion the um intuition of a mother who happens to be a lawyer who fights who battles against the power of the industry. And I'm not going to spoil the end for anyone but I urge people to see this film. It is it's now won 27 film awards it's only just really come out. It's got some wonderful reviews. Very, very high scores on rotten tomatoes and IMDb, so the key to the success of this film is its dissemination is people watching it and we're planning our UK release our European release as well right now So when it comes, please support it. Please get your friends and family to it. Merck realized in the 90s that the Mumps vaccine wasn't working and they took, many, many steps to cover that up and to essentially defraud the American public, the medical profession and others. And that's what the story is about. And it's based upon documents, actual documents obtained from that company that confirm beyond a shadow of a doubt what happened. It's important in the context of safety. And you may say, why is it? The film really is about, or Merck's fraud, was about the efficacy, the protectiveness of the vaccine. It wasn't working as well as they said it was working. And that made it dangerous. Why? Because mumps in children is a trivial condition. That's acknowledged by the CDC. Mumps in post-pubertal adults is not trivial. You risk suffering testicular inflammation and sterility or or ovarian inflammation, brain inflammation. And so a vaccine that doesn't work or only works for a limited amount of time will make you susceptible to mumps again when you're past puberty, when you're in that at-risk period. And so a vaccine that doesn't work makes it a dangerous vaccine. It makes mumps a more dangerous disease. And this is a very important thing to understand within the context of mumps. Merck certainly knew about it and continued to defraud the public despite that. So yeah, it's a very, very important film over and above the issue of mumps. It's about how the industry responds to threats that really sort of compromise its ability to earn revenue, make profits, and maintain a monopoly. Because I think people often forget, and maybe have woken up during the COVID tyranny, that these institutions, they exist to make money for their shareholders. They don't really exist to make a product which makes you better. Their primary aim is the share price for shareholders, just like any company. And if they make a product that actually helps you, then to me, that's a bonus. Is that too cynical a view of the industry? No, it's absolutely true. And they wouldn't deny that. They would say, we're here as a business to make money. We're here as a business to serve our shareholders, our stockholders, first and foremost. That's not ambiguous at all. They would admit to that. The problem comes when everything's fine and they're making good drugs and they're benefiting people. That's fine. It's how the industry responds when something goes wrong. And for example, with Merck and Vioxx, the drug that, you know, was notoriously unsafe. But, you know, they knew at the time of licensing that there were problems. It was causing strokes and heart attacks. It was estimated, I think, that many hundreds or thousands of people suffered as a consequence of that drug. In the litigation in Australia, where Merck were, really, their heads were on the block about this. They uncovered some, in discovery, they uncovered documents which were an exchange between Merck employees about what to do about doctors who criticized their drug. And they said, we may have to seek them out and destroy them where they live. This is not conspiracy theory. This is company policy. There you have these guys saying, we may have to seek them out and destroy them where they live. Okay, so these are the kind of people with whom you're dealing. Tell us, because we hear that these companies are beyond the legal sphere. They have protections and safeguards within countries, and it doesn't matter what side effects that the drug causes, they have this legal protection. I mean, is that the case, or is there a way of actually using the legal system to actually go after these companies? Or is it a slap on the wrist? Sometimes they pay out money to different governments and they say: oops Well there there is and it's interesting the national childhood vaccine injury act in this country in America in 1986 took away liability financial liability from the drug companies for death and injury caused by childhood vaccines on the recommended schedule. Now, that was a gold mine for the industry because they had mandatory markets. Kids had effectively to get vaccinated to go to school and no liability. All they could do was make a profit. But the legal system does work sometimes. And in the context of COVID and the so-called COVID vaccine. There's just been a ruling, I think, by the Ninth Circuit Court of Appeals that has said COVID vaccine is not a vaccine. It doesn't protect against disease and it doesn't stop transmission. Ergo, it is not a vaccine. Now, once it's not a vaccine, by ruling of the court, it's not covered by the indemnity. It's not covered by the government protecting the industry. Suddenly, they're on their own. And that really raises some very interesting legal possibilities that is for litigation in this country. So, we'll see what happens. But there will be every effort by the government to side with the pharmaceutical industry to prevent them being sued, I'm quite sure, because that's what happened. But let's hope that the judges see it differently. I just want to end off on people's response to you because you were maligned, attacked. The media tried to discredit you. You then moved to the US. You lost your medical license. But these films you're putting out, they tell a compelling story. Tell us about how you feel these films have woken people up, maybe in a way that back whenever this happened to you 25 years ago, the opening was not there for the same ability to win people over. The opening does seem to be here now, maybe because of COVID, maybe people are more aware, maybe because of alternative media. But tell us about the message you're putting out in these films and kind of the response you're getting. Thing well really the films are made in a way that they're entirely up to the protocol seven, these were entirely factual documentary films and so vax for example if there'd been any word of a lie, if we'd got something wrong, we would have we've accused these scientists at the CDC of the worst sort of humanitarian crime. Their job was to protect these children they did completely the opposite. The hypocrisy goes way beyond what we've seen before and so if there had been a problem. We would have been sued to the moon and back again and there wasn't and they why because they know that it's true. And that's a very powerful thing and the same comes now with protocol 7 even though it's a narrative feature film. If there was something in that film that was defamatory of Merck, then they would come after us. They may well do because they're big and rich and powerful, certainly far more powerful than we are. But that's not a reason. Not to get the story out. My commitment is, my duty is to the public, not to Merck or to the government or indeed to the whistle-blower, but to the public who are being harmed. And so never make a decision based in fear. This is something I've learned over the years. If the story has merit, if it's honest, if it's true, if it has integrity, then you get it out there and, you know, let the cards fall where they may. Yeah completely. I want to ask you about funding, because it's everything costs money. It is actually, it takes a lot of work not only finance but expertise and research to put anything like this out and you know you're going up against an industry that will attack you in any opening any any chink in your armour. Was it difficult to actually raise funding to put these films together? Initially, it was. You know, this is my fifth film, and initially it was difficult, because people said, well, you're a physician. You know, what are you doing making films? Now they say, they're much more inclined to say, you've proven you can do it. Get on and make the next one. It's not easy, particularly in the current climate, I mean, Hollywood itself is in the doldrums; filmmaking, but the people still want meaningful films they want films that count films like Sound of Freedom and others that they really mean something that are worth going to the movie theatres to watch. And so that's the kind of film that we're making and hopefully we'll be able to continue to do it. I just can ask you about the last last thing about those who want to be part of what's happening, supporting the film as it comes out. I mean, how do they play a part? They can go, obviously, to the website, protocol7.movie, make sure and follow that, and they can follow your Twitter. But if they want to say, actually, I believe this message, it's so true, I have friends, family, actually suffering side effects, not only MMR, but across the board, and I want to make sure this message gets out. How can they play a part in doing that? One thing they can do, I mean, if they're immensely rich, they can fund the next film. If they're not, then they can help. People can help by going to the website and clicking on Pay It Forward. And this is a way of, we saw it with Sound of Freedom. It was very successful, a way of providing tickets for people who might not otherwise be able to afford a ticket to go and watch the movie, or for people who might not be inclined otherwise to go. In other words if there if there is an incentive to get a free ticket they may go and then be persuaded. And so it's a way of helping other people to access the film. When they might not otherwise be able to or be inclined to do that so pay it forward is a very useful device. And of course on the website you can pass on the trailer and make sure people watch that and get ready for it. Please do. Now, the success of the film comes down to the public. And that means, you know, your listeners, your viewers. So, we're very, very grateful for any help in that respect. And Sound of Freedom did that to a degree we hadn't seen before. And I encourage the viewers and listeners to do the same for Protocol 7. Dr. Andrew Wakefield, it is an honour to have you on and someone who I read all the stuff. In the late 90s and probably believed a lot of it that uh how times change and it's great to have you on and thank you for what you're doing on getting the message out on the link between the pharmaceutical industry and side effects. Well thank you so much. My pleasure thank you for having me on.

Robert De Niro and Jane Rosenthal discuss this year's Tribeca Film Festival. Also, Shonda Rhimes on her return to the world of documentaries with “Black Barbie.” Plus, Dakota Fanning talks about her new movie, “The Watchers.” And, Matt Smith catches up with the third-hour crew ahead of the release of the second season of the hit HBO show “House of the Dragon.”   

A Bronx Tale is a 1993 American coming-of-age crime drama film directed by and starring Robert De Niro in his directorial debut and produced by Jane Rosenthal, adapted from Chazz Palminteri's 1989 play of the same name. It tells the coming of age story of an Italian-American boy, Calogero, who, after encountering a local Mafia boss, is torn between the temptations of organized crime and the values of his honest, hardworking father, as well as racial tensions in his community.

Tamir Muhammad is a brilliant entrepreneur, filmmaker, producer, director, actor, husband, father and executive who has created a name that is respected in some of the most powerful entertainment networks. This native of Bridgeport, CT is a filmmaker/producer for Warner Bros., HBO Max/HBO and the founder of Populace Productions. Tamir has been in the film industry for 25 years working with greats such as Jane Rosenthal and Robert De Niro. He is Executive producer for HBO's new hit series "Random Acts of Flyness."

In this episode, Lake Bell (In A World) and Tribeca's Davy Gardner discuss the human voice and Lake's audio-only book, "Inside Voice". The episode also features a live talk, where Lake is interviewed by Pushkin's Malcolm Gladwell, at the book's opening night event in New York City at The Strand book store's rare book room.  LISTEN TO THE FULL BOOK HERE, or anywhere you listen to audiobooks! For more episodes like this, make sure to follow/subscribe to Tribeca Audio Premieres so you don't miss another episode, and follow us @TribecaAudio.   For full transcripts of our episodes head to https://www.tribecaaudiopremieres.com. Our email is audiopremieres@tribecafilm.com.@DavyGardner hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Our Intern is Harriet Throsby Sonic ID by Hannis Brown and voiced by Margaret BurrusOur artwork is by Brielle DeMirjian.Our executive producers are Jane Rosenthal, Paula Weinstein, and Davy Gardner@TribecaAudio@DavyGardner

Avery Trufelman joins Tribeca Audio's Davy Gardner for a conversation about what we wear, the nature of trends, and the new season of Articles of Interest: American Ivy on Radiotopia from PRX SUBSCRIBE HERE > Articles of Interest: American Ivy Articles of Interest > Newsletter / WebsiteFor more premieres like this, please subscribe! And follow us on twitter @TribecaAudio.   You can find full transcripts of our episodes here. Our email is: audiopremieres@tribecafilm.comOur website: tribecafilm.com/audiopremieres Davy Gardner (@DavyGardner) hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Sonic ID by Hannis Brown and voiced by Margaret Burrus.Our artwork is by Brielle DeMirjian.Our intern is Harriet Throsby. Our executive producers are Jane Rosenthal, Paula Weinstein, and Davy Gardner.@TribecaAudio@DavyGardner

Lake Song is an epic new audio drama series from the Make-Believe Association. It's 2098 and the Republic of Chicago has what the world needs: fresh water. But with new opportunities come new threats, especially for a pair of siblings on the South Side. Can the people come together to save their city—and each other?Combining sci-fi and music, politics and poetry, Lake Song is a collective response to our times, and a shared dream of our future. Created by and performed by Chicago-based artists. SUBSCRIBE to hear the full series here.Subscribe to Tribeca Audio Premieres before you forget so you don't miss another episode, and follow us @TribecaAudio.   For full transcripts of our episodes head to https://www.tribecaaudiopremieres.com. If you're a podcaster and you have a show that's gonna premiere pretty soon, we wanna know about it! Let us know audiopremieres@tribecafilm.com.@DavyGardner hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Our engineer is James Quesada. Sonic ID by Hannis Brown and voiced by Margaret Burrus.Our artwork is by Brielle DeMirjian.Our executive producers are Jane Rosenthal and Paula Weinstein.

This brand new audio documentary from Wonder Media Network's Grace Lynch charts how Texas has dictated American education over the course of several decades. Grace is an audio journalist who's been investigating the subject for years. Tune in to her conversation with Tribeca's Davy Gardner for an illuminating conversation and the compelling premiere that follows.   SUBSCRIBE to "Teaching Texas" here or anywhere you listen to podcasts!  Subscribe to Tribeca Audio Premieres before you forget so you don't miss another episode, and follow us @TribecaAudio.   For full transcripts of our episodes head to https://www.tribecaaudiopremieres.com. If you're a podcaster and you have a show that's gonna premiere pretty soon, we wanna know about it! Let us know audiopremieres@tribecafilm.com.Davy Gardner hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Our engineer is James Quesada. Sonic ID by Hannis Brown and voiced by Margaret Burrus.Our artwork is by Brielle DeMirjian.Our executive producers are Jane Rosenthal and Paula Weinstein.

Today's guest is the host of The New York Times Modern Love podcast, Anna Martin. In this episode, Anna takes Tribeca's Davy Gardner behind-the-scenes of a podcast institution. They discuss personal storytelling, the audio essay, Anna's goals for the show, and the must-listen season premiere that follows. In that premiere, Anna gets advice from Diana de Veigh — a legally-blind 83 year-old woman who “schools her” on how to cultivate her sensuality. SUBSCRIBE to Modern Love here or anywhere you listen to podcasts! Here are a couple of Anna's other favorite Modern Love stories to get you hooked (as discussed in this episode): Modern Love: "One Man's Trash" Modern Love: "Do It I Dare You"Make sure to subscribe to Tribeca Audio Premieres before you forget so you don't miss another episode, and follow us @TribecaAudio.   For full transcripts of our episodes head to https://www.tribecaaudiopremieres.com. If you're a podcaster and you have a show that's gonna premiere pretty soon, we wanna know about it! Let us know audiopremieres@tribecafilm.com.Davy Gardner hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Our associate producer is Max Ludlow. Sonic ID by Hannis Brown and voiced by Margaret Burrus.Our artwork is by Brielle DeMirjian.Our executive producers are Jane Rosenthal and Paula Weinstein.

Recorded in 2001 for the DVD release. Rent the film on YouTube here.

A new Tribeca Audio's premiere selection is here! The exclusive early release of Radiotopia's “Mumbai Crime”. In this episode Davy interviews powerhouses Ayeesha Menon and John Scott Dryden about thriller, sound, and more! If you like #AudioDrama this episode is for you. @GoldhawkProd @PRX @Tribeca If you like the Mumbai Crime, you can keep listening here. Make sure to follow, rate, and review Tribeca Audio Premieres before you forget!Our twitter is: @TribecaAudio.   If you're a podcaster and you have a show that's gonna premiere pretty soon, we wanna know about it! Let us know audiopremieres@tribecafilm.com.For full transcripts of our episodes head to https://www.tribecaaudiopremieres.comTribeca Audio PremieresDavy Gardner hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Our associate producer is Max Ludlow. Sonic ID by Hannis Brown and voiced by Margaret Burrus.Our artwork is by Brielle DeMirjian.Our executive producers are Jane Rosenthal and Paula Weinstein

In this episode Davy interviews actors Himesh Patel (Station Eleven) and John Reynolds (Search Party) before the Tribeca Audio exclusive premiere of The End Up. If you like the show, you can keep listening here.Make sure to follow, rate, and review Tribeca Audio Premieres before you forget! Our twitter is: @TribecaAudio.   If you're a podcaster and you have a show that's gonna premiere pretty soon, we wanna know about it! Let us know audiopremieres@tribecafilm.com.For full transcripts of our episodes head to https://www.tribecaaudiopremieres.comTribeca Audio PremieresDavy Gardner hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Our associate producer is Max Ludlow. Sonic ID by Hannis Brown and voiced by Margaret Burrus.Our artwork is by Brielle DeMirjian.Our executive producers are Jane Rosenthal and Paula Weinstein

Follow the deep dive investigation into the multinational mob behind the scam calls that we get all the time... Today on Tribeca Audio Premieres is the premiere of a new audio series called “Scam Likely”. It's the fourth installment of the hit podcast, Chameleon, from Campside Media. Here's the link where you can listen to the rest of "Scam Likely". Host Davy Gardner interviews journalist Yudhijit Bhattacharjee. If you like Tribeca Audio Premieres, follow us on Apple Podcasts or wherever you're listening right now, and leave us a five star rating and review. If you're a podcast creator and you have a premiere that's coming up, let us know about it. Our email is audiopremieres@tribecafilm.com. Our music and sound design is by Raj Makhija. Sonic ID by Hannis Brown and voiced by Margaret Burrus. Artwork is by Brielle DeMirjian. I'm Davy Gardner, I host and produce Tribeca Audio Premieres. Our executive producers are Jane Rosenthal and Paula Weinstein for Tribeca Audio.

In this episode host Davy Gardner interviews guest Dianna Agron for the Tribeca Audio premiere of QCode Media's brand new podcast, Narcissa. If you like the show, episode 2 is already available, so head here to keep listening. For more podcast premieres like this, make sure to follow, rate, and review Tribeca Audio Premieres before you forget! Our twitter is: @TribecaAudio.   If you're a podcaster and you have a show that's gonna premiere pretty soon, we wanna know about it! Let us know audiopremieres@tribecafilm.com.For full transcripts of our episodes head to https://www.tribecaaudiopremieres.comTribeca Audio PremieresDavy Gardner hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Additional engineering help by Max Ludlow and James Quesada.Sonic ID by Hannis Brown and voiced by Margaret Burrus.Our artwork is by Brielle DeMirjian.Our executive producers are Jane Rosenthal and Paula Weinstein

If you like this premiere, you can hear the rest of the series by heading to the show feed here. Or here on Apple Podcasts.  Episodes 1-8 are available now! Mother Country Radicals is a production of Crooked Media, Audacy, and Dustlight productions.For more podcast premieres like this, make sure to follow, rate, and review Tribeca Audio Premieres before you forget! Our twitter is: @TribecaAudio.   This episode of Tribeca Audio Premieres features Alex Wagner, Zayd Ayers Dohrn, Bernardine Dohrn, Bill Ayers, and is hosted by Davy Gardner.  If you're a podcaster and you have a show that's gonna premiere pretty soon, we wanna know about it! Let us know audiopremieres@tribecafilm.com.For full transcripts of our episodes head to https://www.tribecaaudiopremieres.comMother Country Radicals CREATOR & HOSTZayd Ayers DohrnWRITERZayd Ayers DohrnPRODUCERAriana Gharib Lee and Stephanie CohnEDITORArwen NicksSOUND DESIGNArwen Nicks, Stephanie Cohn Ariana Gharib Lee, Misha Euceph.EXECUTIVE PRODUCERSZayd Ayers Dohrn, Jon Favreau, Sarah Geismer, Lyra Smith, Alison Falzetta, and Misha EucephCOMPOSERAndy ClausenHISTORICAL CONSULTANTThai JonesSENIOR ENGINEERValentina RiveraTribeca Audio PremieresDavy Gardner hosts and produces Tribeca Audio Premieres.Head of sound is Raj Makhija.Additional engineering help by Max Ludlow and James Quesada. Sonic ID by Hannis Brown and voiced by Margaret Burrus.Our artwork is by Brielle DeMirjian.Our executive producers are Jane Rosenthal and Paula Weinstein, for Tribeca Audio.

If you like this premiere, you can hear the rest of the series by heading to the Radiotopia Presents podcast feed. It's a home for indie creators on the Radiotopia podcast network from PRX. Tribeca Audio Premieres is proud to celebrate this innovative new audio memoir.   This episode of Tribeca Audio Premieres features Jason Reynolds, Davy Gardner, Jad Abumrad, and Julie Shapiro, as well as the full first episode of this new series, Radiotopia Presents: My Mother Made Me.  If you're a podcaster and you have a show that's gonna premiere pretty soon, we wanna know about it! Let us know audiopremieres@tribecafilm.com. For full transcripts of our episodes head to https://www.tribecaaudiopremieres.com Radiotopia Presents: My Mother Made MeCreator - Jason ReynoldsProducer - Mark PagánSound - Ian CossE.P. - Julie ShapiroE.P. - Audrey MardavichArtwork - Jason GriffinProduction Support - Yooree LosordoTribeca Audio PremieresDavy Gardner hosts and produces Tribeca Audio Premieres. Music and sound design is by Raj Makhija. Our associate producer is Max Ludlow. Sonic ID by Hannis Brown and voiced by Margaret Burrus. Artwork by Brielle DeMirjian. Our executive producers are Jane Rosenthal and Paula Weinstein, for Tribeca Audio.

This is one of Metro-Boston's most infamous murders. Richard Rosenthal was a successful financial analyst at John Hancock Insurance in Boston. He met Laura Jane at work and they later married. The couple appeared to be living the American dream. But inside the home was another story, friends at work would later report, seeing Laura Jane with black eyes on at least two separate occasions. In retrospect she was the classic victim of on-going domestic abuse. In 1994 the duo had a baby boy who died quickly after being born, he had problems with his heart and lungs. Richard Rosenthal blamed his wife and seemingly could not move on, despite the arrival of a healthy baby girl. Richard, holding on to the death of his son, soon killed his wife, he eviscerated the woman he claimed to love. He removed some organs and placed them on a stake in the backyard, which organs were selected? Yes, Laura Jane's heart and lungs. Please be advised this episode contains extreme violence. Tune in for more details.FindLaw-Commonwealth V Rosenthal https://bit.ly/3NEsA5VCelebrate Boston-https://bit.ly/3yCdt8DThe Harvard Crimson- https://bit.ly/3bFmiWd

Follow Tribeca Audio Premieres here on Twitter and here on IG for show updates. New Episodes on July 13th. Featuring Davy Gardner, Jason Reynolds, Zayd Ayers Dohrn, Dianna Agron, and Margaret Burrus. Executive produced by Jane Rosenthal and Paula Weinstein for Tribeca Audio. Music and sound by Raj Makhija Sonic ID by Hannis Brown 

Tribeca Festival returns this year with a whole slate of new films, events and even games. We get a preview from co-founder and CEO of Tribeca Jane Rosenthal.  

Top “obesity” scientists say they have discovered why some can't lose weight. Plus, Savannah Guthrie and Hoda Kotb chat with Tribeca Festival founders Robert DeNiro and Jane Rosenthal as the 21st annual festival kicks off this week – how you can experience the films at home. And, the heartwarming reunion for the “Scrubs” cast a decade in the making.

Humans have a propensity to think in absolutes. For instance, fire the team member or keep them? Get divorced or have a baby? Consider this, the profound and innovative technologies tend not to be either or, but rather AND based instead. Who can we look too? Who can teach us an AND way of thinking, particularly when confronting the really big questions, the really big problems we face? You may love or hate people like Elon Musk, Richard Branson, or Jeff Bezos, but as a leader, you likely do want to know what drives them to extraordinary heights? One thing is certain, these individuals tend to be solution-based not in an either-or but very much in an AND way. So, let me ask you, do you know what or who got someone like Jeff Bezos to even think about big problems, particularly in an AND way? The answer may surprise you. It is a man who very few people today would even recognize the name of, a man who our guest today has made a fascinating movie about. The gentleman I'm referring to has inspired everyone from Jeff Bezos and Elon Musk to Star Trek creator, Gene Rodenberry. A man who, when you watch this movie, ‘The High Frontier,' may change your entire understanding of the possibilities and value of the new space race. Our guest on the next two episode is Will Henry, Producer at Multiverse Media. Will is a Filmmaker and Writer based in Los Angeles, CA. Born and raised in Princeton, NJ, Will later attended the School of Visual Arts in New York City as a Directing/Screenwriting double major where he graduated top of his class. Will began his career in development at Tribeca Film under Jane Rosenthal and Robert De Niro, and later as a Creative Executive at Cindy Cowan Entertainment. Will Henry then moved into the independent film industry as a Filmmaker and Writer shortly after relocating to Los Angeles, CA. He is the Senior Producer at Multiverse Media and has gained recognition for his first feature documentary film, The High Frontier: The Untold Story of Gerard K. O'Neill. More on Will Henry: Website: https://www.willhenryfilm.com https://multiversemediagroupllc.com https://thehighfrontiermovie.com Social Media https://twitter.com/WillTHenry https://www.linkedin.com/in/will-henry-86003654 https://www.instagram.com/multiversemedia_group https://www.facebook.com/HighFrontierDoc PART1) The Untold Story of Professor Gerry O'Neill How Politics and Religion of The 1980's killed The Space Frontier (even though we had the tech) Living in Deep Space Do you have GPS - Thank Gerry O'Neill Why every physicist and quantum physicist has a debt to Gerry O'neill How The Tonight Show's Johnny Carson Inadvertently Killed Professor O'Neill chance at a Nobel Prize Why Millions of People quit their job to help create the High Frontier Gerry's Kids in The Princeton Quad

Humans have a propensity to think in absolutes. For instance, fire the team member or keep them? Get divorced or have a baby? Consider this, the profound and innovative technologies tend not to be either or, but rather AND based instead. Who can we look too? Who can teach us an AND way of thinking, particularly when confronting the really big questions, the really big problems we face? You may love or hate people like Elon Musk, Richard Branson, or Jeff Bezos, but as a leader, you likely do want to know what drives them to extraordinary heights? One thing is certain, these individuals tend to be solution-based not in an either-or but very much in an AND way. So, let me ask you, do you know what or who got someone like Jeff Bezos to even think about big problems, particularly in an AND way? The answer may surprise you. It is a man who very few people today would even recognize the name of, a man who our guest today has made a fascinating movie about. The gentleman I'm referring to has inspired everyone from Jeff Bezos and Elon Musk to Star Trek creator, Gene Rodenberry. A man who, when you watch this movie, ‘The High Frontier,' may change your entire understanding of the possibilities and value of the new space race. Our guest on the next two episode is Will Henry, Producer at Multiverse Media. Will is a Filmmaker and Writer based in Los Angeles, CA. Born and raised in Princeton, NJ, Will later attended the School of Visual Arts in New York City as a Directing/Screenwriting double major where he graduated top of his class. Will began his career in development at Tribeca Film under Jane Rosenthal and Robert De Niro, and later as a Creative Executive at Cindy Cowan Entertainment. Will Henry then moved into the independent film industry as a Filmmaker and Writer shortly after relocating to Los Angeles, CA. He is the Senior Producer at Multiverse Media and has gained recognition for his first feature documentary film, The High Frontier: The Untold Story of Gerard K. O'Neill. More on Will Henry: Website: https://www.willhenryfilm.com https://multiversemediagroupllc.com https://thehighfrontiermovie.com Social Media https://twitter.com/WillTHenry https://www.linkedin.com/in/will-henry-86003654 https://www.instagram.com/multiversemedia_group https://www.facebook.com/HighFrontierDoc Part 2) Living in Space Living in Space and Not on a Planet Space Living: Death by Politics and Religion The Economics of Space Living Why Millions of People Quit their Job to Help Create the High Frontier Gerry Kids in The Princeton Quad Lessons from Colonization Who Were and Are Today's "Gerry's Kids" Inspiring Multiple Generations Space - Syfy and Human Philosophy

Humans have a propensity to think in absolutes. For instance, fire the team member or keep them? Get divorced or have a baby? Consider this, the profound and innovative technologies tend not to be either or, but rather AND based instead.  Who can we look too? Who can teach us an AND way of thinking, particularly when confronting the really big questions, the really big problems we face? You may love or hate people like Elon Musk, Richard Branson, or Jeff Bezos, but as a leader, you likely do want to know what drives them to extraordinary heights? One thing is certain, these individuals tend to be solution-based not in an either-or but very much in an AND way. So, let me ask you, do you know what or who got someone like Jeff Bezos to even think about big problems, particularly in an AND way? The answer may surprise you. It is a man who very few people today would even recognize the name of, a man who our guest today has made a fascinating movie about. The gentleman I'm referring to has inspired everyone from Jeff Bezos and Elon Musk to Star Trek creator, Gene Rodenberry.  A man who, when you watch this movie, ‘The High Frontier,' may change your entire understanding of the possibilities and value of the new space race. Our guest on the next two episode is Will Henry, Producer at Multiverse Media. Will is a Filmmaker and Writer based in Los Angeles, CA.  Born and raised in Princeton, NJ, Will later attended the School of Visual Arts in New York City as a Directing/Screenwriting double major where he graduated top of his class. Will began his career in development at Tribeca Film under Jane Rosenthal and Robert De Niro, and later as a Creative Executive at Cindy Cowan Entertainment. Will Henry then moved into the independent film industry as a Filmmaker and Writer shortly after relocating to Los Angeles, CA. He is the Senior Producer at Multiverse Media and has gained recognition for his first feature documentary film, The High Frontier: The Untold Story of Gerard K. O'Neill. More on Will Henry:  Website:  https://www.willhenryfilm.com https://multiversemediagroupllc.com https://thehighfrontiermovie.com Social Media https://twitter.com/WillTHenry https://www.linkedin.com/in/will-henry-86003654 https://www.instagram.com/multiversemedia_group https://www.facebook.com/HighFrontierDoc  Part 2) Living in Space  Living in Space and Not on a Planet Space Living: Death by Politics and Religion The Economics of Space Living Why Millions of People Quit their Job to Help Create the High Frontier  Gerry Kids in The Princeton Quad  Lessons from Colonization Who Were and Are Today's "Gerry's Kids" Inspiring Multiple Generations Space - Syfy and Human Philosophy . . Curious about how to tap into what drives meaning in your life and create meaningful transformation in the lives you touch? Take a look at DovBaron.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Humans have a propensity to think in absolutes. For instance, fire the team member or keep them? Get divorced or have a baby? Consider this, the profound and innovative technologies tend not to be either or, but rather AND based instead.  Who can we look too? Who can teach us an AND way of thinking, particularly when confronting the really big questions, the really big problems we face? You may love or hate people like Elon Musk, Richard Branson, or Jeff Bezos, but as a leader, you likely do want to know what drives them to extraordinary heights? One thing is certain, these individuals tend to be solution-based not in an either-or but very much in an AND way. So, let me ask you, do you know what or who got someone like Jeff Bezos to even think about big problems, particularly in an AND way? The answer may surprise you. It is a man who very few people today would even recognize the name of, a man who our guest today has made a fascinating movie about. The gentleman I'm referring to has inspired everyone from Jeff Bezos and Elon Musk to Star Trek creator, Gene Rodenberry. A man who, when you watch this movie, ‘The High Frontier,' may change your entire understanding of the possibilities and value of the new space race. Our guest on the next two episode is Will Henry, Producer at Multiverse Media. Will is a Filmmaker and Writer based in Los Angeles, CA. Born and raised in Princeton, NJ, Will later attended the School of Visual Arts in New York City as a Directing/Screenwriting double major where he graduated top of his class. Will began his career in development at Tribeca Film under Jane Rosenthal and Robert De Niro, and later as a Creative Executive at Cindy Cowan Entertainment. Will Henry then moved into the independent film industry as a Filmmaker and Writer shortly after relocating to Los Angeles, CA. He is the Senior Producer at Multiverse Media and has gained recognition for his first feature documentary film, The High Frontier: The Untold Story of Gerard K. O'Neill. More on Will Henry:  Website: https://www.willhenryfilm.com https://multiversemediagroupllc.com https://thehighfrontiermovie.com Social Media https://twitter.com/WillTHenry https://www.linkedin.com/in/will-henry-86003654 https://www.instagram.com/multiversemedia_group https://www.facebook.com/HighFrontierDoc  PART1) The Untold Story of Professor Gerry O'Neill How Politics and Religion of The 1980's killed The Space Frontier (even though we had the tech) Living in Deep Space Do you have GPS - Thank Gerry O'Neill Why every physicist and quantum physicist has a debt to Gerry O'neill How The Tonight Show's Johnny Carson Inadvertently Killed Professor O'Neill chance at a Nobel Prize Why Millions of People quit their job to help create the High Frontier  Gerry's Kids in The Princeton Quad  . . Curious about how to tap into what drives meaning in your life and create meaningful transformation in the lives you touch? Take a look at DovBaron.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode 270, we visit with Jane Rosenthal, author of “Del Rio,” where the once thriving town set on the U.S.-Mexico border for which the book is named, is now run-down, a place the locals call Cartel Country. When the dismembered body of a migrant teen is found in one of Del Rio's surrounding citrus groves, local district attorney Callie McCall faces a career make-or-break case that takes her on a dangerous journey down the violent west coast of Mexico, to a tropical paradise hiding a terrible secret, and finally back home again, where her determination to find the killer pits her against the wealthiest, most politically connected, most ruthless farming family in California: her own. Debra Thomas, author of the award-winning novel, LUZ, had this to say about the book: “A page-turner, its final chapters will keep you up until dawn.” #DelRio #JaneRosenthal Engage with the show here: https://linktr.ee/CharlotteReadersPodcast Detailed show notes here: https://charlottereaderspodcast.com Facebook: https://www.facebook.com/charlottereaderspodcast Instagram: https://www.instagram.com/charlottereaderspodcast/ Twitter: https://twitter.com/charlottereader Charlotte Readers Podcast is a proud member of the Authors on the Air Global Radio Network and the Queen City Podcast Network. © Charlotte Readers Podcast and Authors on the Air Global Radio Network

In this episode 270, we visit with Jane Rosenthal, author of “Del Rio,” where the once thriving town set on the U.S.-Mexico border for which the book is named, is now run-down, a place the locals call Cartel Country. When the dismembered body of a migrant teen is found in one of Del Rio's surrounding citrus groves, local district attorney Callie McCall faces a career make-or-break case that takes her on a dangerous journey down the violent west coast of Mexico, to a tropical paradise hiding a terrible secret, and finally back home again, where her determination to find the killer pits her against the wealthiest, most politically connected, most ruthless farming family in California: her own. Debra Thomas, author of the award-winning novel, LUZ, had this to say about the book: “A page-turner, its final chapters will keep you up until dawn.” #DelRio #JaneRosenthal Engage with the show here: https://linktr.ee/CharlotteReadersPodcast Detailed show notes here: https://charlottereaderspodcast.com Facebook: https://www.facebook.com/charlottereaderspodcast Instagram: https://www.instagram.com/charlottereaderspodcast/ Twitter: https://twitter.com/charlottereader Charlotte Readers Podcast is a proud member of the Authors on the Air Global Radio Network and the Queen City Podcast Network. © Charlotte Readers Podcast and Authors on the Air Global Radio Network

To learn more, visit https://www.futureofstorytelling.org/story/jane-rosenthal-ep-47--© 2021 Future of StoryTelling, Corp.Produced by Future of StoryTelling, Corp.124 West 13th StreetNew York, NY 10011Founder and CEO, Charles MelcherExecutive Producer, Carolyn MerrimanAssociate Producer, Luke Gernertin collaboration with Charts & LeisureFounder, Jason OberholtzerExecutive Producer, Mike RugnettaEditor, Garrett Crowe Mix and Music, Michael SimonelliWith special thanks to Jane Rosenthal, TJ Williams, Bonnie Eldon, Madison Brown, Shannon Fanuko, Meghal Janardan, and Megan Worman.

On the outside, they were a successful and loving couple but what was going on behind closed doors finally came to a head on an August night in 1995. The murder of Laura Jane Rosenthal in her Framingham, Massachusetts home was so brutal and so savage that no one would believe the killer could be sane. The crime was so salacious media outlets dubbed it "The Burnt Ziti Murder" but it had so little to do with pasta and everything to do with a cold, controlling, and obsessive husband.Crime of the Truest KindOnline: CrimeoftheTruestKind.com Updates and show notes appear on the show page on crimeofthetruestkind.comEpisode 24 on YouTubeMusic from Joe onlyone Kowalksi and Andrew King appears in this episode. The Doug Flutie. Jr Foundation for AutismFlutieFoundation.org National Domestic Violence Hotline - TheHotline.org 1-800-799-SAFE (7233)Listen, subscribe,  rate + review the show. Available everywhere you listen to podcasts. #framingham #massachusettsSupport the show (https://www.buymeacoffee.com/truestkind)

Jane Rosenthal, an Oscar and Emmy nominated producer and the CEO of Tribeca Enterprises, joins Scott Rechler to discuss the complexity of planning this year's Tribeca Film Festival, the first in-person film festival in North America since the COVID-19 pandemic began. They also discuss how this year's festival will help play a role in the recovery of all of New York City. Recalibrate Reality is presented in collaboration with 92nd Street Y and the Regional Plan Association (RPA).

Jane Rosenthal, founder and CEO of Tribeca Enterprises, offers her perspective on how the entertainment industry is slowly but surely coming back to life. She details the massive effort that went into planning for this year's 20th anniversary Tribeca Film Festival across New York's five boroughs. The film veteran also weighs in on the cyclical nature of media M&A and the fate of old-fashioned movie-going. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Jane Rosenthal, founder and CEO of Tribeca Enterprises, offers her perspective on how the entertainment industry is slowly but surely coming back to life. She details the massive effort that went into planning for this year’s 20th anniversary Tribeca Film Festival across New York’s five boroughs. The film veteran also weighs in on the cyclical nature of media M&A and the fate of old-fashioned movie-going. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

If there’s anyone with a plan to bring New York back, and to do it with fanfare, it’s Tribeca Enterprises Co-Founder and CEO Jane Rosenthal. In this episode, we talk to the Oscar and Emmy-nominated producer on how she’s reimagining the Tribeca Film Festival as it kicks off a global wave of re-openings for large-scale events. She also talks to us about storytelling through new mediums like gaming and VR, as well as the organization’s work with brands to put the spotlight on diverse artists and creators.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

A special episode of murder & mayhem with special guest & loyal listener, Liz! This week we get into the "Carbolic Acid Cocktail Murder" & a baked ziti dinner that goes terribly wrong and ends with a plate of hot, gruesome murder. Thank you so much for your support, we appreciate you! For more on these stories, you can find us at @howdidwemissthat on Instagram & https://www.facebook.com/groups/341782203700776 (Facebook). Keep your heads up and look out for each other...

Jane Rosenthal, American film producer and co-founder, CEO and executive chair of Tribeca Enterprises, knows about leadership in times of crisis.Rosenthal reveals how she harnessed the power of filmmaking to empower New York, co-founding the Tribeca Film Festival with actor Robert De Niro after 9/11. In addition to talking about digitizing the Tribeca Film Festival in 2020 and City National Bank sponsoring the festival's 20th anniversary in 2021, Rosenthal discusses why you should stay true to what you're doing now more than ever.Just as film uses human stories to empower communities, Rosenthal talks about how you can use your own personal experience to reconnect with and energize those you love.This podcast is for general information and education only and is provided as a courtesy to the clients and friends of City National Bank. It is compiled from data and sources believed to be reliable, however City National Bank does not warrant that it is accurate or complete. Opinions expressed and estimates given are those of the speaker as of the date of the podcast with no obligation to update or notify of inaccuracy or change.

Nesse episódio, nossa equipe recebe o Mestre, Professor e Pesquisador Isac Silveira da Costa (Currículo Lattes: http://lattes.cnpq.br/0322718363111781; instagram: @isacscosta; tweeter: @isacsc77), para uma conversa sobre os desafios da regulamentação do mercado de capitais ante a influência das novas tecnologias a popularização do trading e o caso Gamestop. Referências citadas: A GRANDE APOSTA (THE BIG SHORT). Direção: Adam McKay. Produção: Dede Gardner, Jeremu Kleiner, Arnon Milchan, Brad Pitt. Intérpretes: Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt, et al. Roteiro: Adam McKay, Charles Randolph. Estados Unidos, 2015; AKERLOF, George A.; SHILLER, Robert J. Pescando Tolos: A economia da manipulação e da fraude. Rio de Janeiro: Alta Books, 2016; BARCELLOS, Marta. Histórias do Mercado de Capitais no Brasil. Rio de Janeiro: Alta Books, 2018; COSTA, Isac Silveira da; PRADO, Viviane Müller; GRUPENMACHER, Giovana Treiger (coord.). Cryptolaw: Inovação, Direito e Desenvolvimento. São Paulo: Almedina, 2020; EIZIRIK, Nelson; GAAL, Ariádna B.; PARENTE, Flávia; HENRIQUES, Marcus de Freitas. Mercado de Capitais: Regime Jurídico. 4. ed. São Paulo: Quartier Latin, 2020; FOX, Justin. O Mito dos Mercados Racionais: Uma história de risco, recompensa e decepção em Wall Street. Rio de Janeiro: Best Seller, 2011; GATTACA – A EXPERIÊNCIA GENÉTICA (Gattaca). Direção: Andrew Niccol. Produção: Danny DeVitto, Michael Shamberg, Stacey Sher. Intérpretes: Ethan Hawke, Jude Law, Uma Thurman, Gore Vidal, Loren Dean et al. Roteiro: Andrew Niccol. Estados Unidos, 1997; HAN, Byung-Chul. No Enxame: Perspectivas do digital. São Paulo: Vozes, 2018; LAMY FILHO, Alfredo; BULHÕES PEDREIRA, José Luiz. Direito das Companhias. 2. ed. Porto Alegre: Forense, 2017; LAZZARESCHI NETO, Alfredo Sérgio. Lei das S.A. Comentada e Anotada. 6. ed. São Paulo: Quartier Latin, 2020; LEWIS, Michael. A Jogada do Século. 2. ed. Rio de Janeiro: Best Seller, 2011; _____________ Flash Boys: A Wall Street Revolt. Nova Iorque (EUA): W. W. Norton & Company, 2015; O CAPITAL (LE CAPITAL). Direção: Costa-Gravas. Produção: Michèle Ray-Gravas. Intérpretes: Gabriel Byrne, Gad Elmaleh, Bernard Le Coq, Natasha Régnier, et al. Roteiro Adaptado de Le Capital, de Stéphane Osmont. França, 2012; O MAGO DAS MENTIRAS (THE WIZARD OF LIES). Direção: Barry Levinson. Produção: Barry Levinson, Jane Rosenthal, Jason Sosnoff, Joseph Iberti, Robert De Niro. Intérpretes: Robert De Niro, Michelle Pfeiffer, Nathan Darrow, Alessandro Nivola, Hank Azaria, et al. Roteiro: John Burnham Schwartz, Sam Levinson, Samuel Baum. Estados Unidos, 2017; THALER, Richard H. Misbehaving: A construção da economia comportamental. São Paulo: Intrínseca, 2019.

***** This podcast is sponsored by BetterHelp. I've Got Scars Baby listeners get 10% off their first month at: http://betterhelp.com/IveGotScarsBaby  It's always a good time to invest in yourself. Turn your scars into your superpower! ***** Camille discusses her experience with career delays (having written The Clark Sisters film 15 years prior to its release) and her battle with maintaining faith during the dark parts of her journey. She provides tips on how to not to let outward success dictate your inner happiness. *Check out Camille's Superpower Tips here: https://www.audrabryant.com/camilletucker ABOUT CAMILLE: Screenwriter Camille Tucker hails from Compton, CA, and is a daughter of the city—both her father and brother formerly served as mayor. As a girl, the elementary school she attended burned down, after which she was bused to an affluent, predominantly white private school in Palos Verdes, CA. There, she was constantly challenged to defend the negative characterizations of her hometown. “I felt like I was bridging two worlds,” says Camille. “One where kids were dropped off in Benzes and Bentleys, and another that was wrongly stereotyped for gangs and violence. It was like being in a fish bowl. As an object of curiosity to my classmates, I became profoundly aware of my blackness.” Things changed for Camille when she got her hands on the works of phenomenal, black women writers such as Gwendolyn Brooks, Ntozake Shange, Maya Angelou and Octavia Butler. Their written word inspired her and helped her to find her own voice. Camille began to write—poetry, songs, plays and eventually screenplays. Today, Camille has sold screenplays to many of the major studios such as Sony, Universal, New Line Cinema, Fox TV and Disney, and has worked with producers such as Robert De Niro, Jane Rosenthal, Stacey Snider, Marc Platt, Todd Garner and Debra Chase. One of her most memorable experiences was co-writing the screenplay Golddiggaz with the late Oscar-nominated director, John Singleton, a friend and mentor. Camille has produced and directed six short films. Her short, Cellular, won Best Short Narrative Film at Boston's Roxbury International Film Festival. In 2019, Camille was honored to be a finalist and the drama alternate in the prestigious Disney|ABC TV Writing Fellowship; and in 2018, she was one of eleven filmmakers selected in the Producers Guild of America Power of Diversity Workshop. Camille is co-writer of the highly-anticipated biopic The Clark Sisters: The First Ladies of Gospel, airing at 8:00 p.m., Saturday, April 11, 2020 on Lifetime Television. Camille holds an MFA in screenwriting from Loyola Marymount University, an MA from Fuller Seminary, and is a member of the Writers Guild of America, West. CONNECT WITH CAMILLE: https://www.instagram.com/camilletuc/ http://camilletucker.com/index.html ***** CONNECT WITH AUDRA: https://www.instagram.com/audraabryant/ https://www.audrabryant.com/ Coming Soon!!! Audra's New Book: "I've Got Scars Baby! How to Embrace Your Scars and Power Your Purpose  Get on the Pre-Order List Here: https://www.audrabryant.com/bookpreorder *****

***** This podcast is sponsored by BetterHelp. I've Got Scars Baby listeners get 10% off their first month at: http://betterhelp.com/IveGotScarsBaby  It's always a good time to invest in yourself. Turn your scars into your superpower! ***** Camille discusses her experience with career delays (having written The Clark Sisters film 15 years prior to its release) and her battle with maintaining faith during the dark parts of her journey. She provides tips on how to not to let outward success dictate your inner happiness. *Check out Camille's Superpower Tips here: https://www.audrabryant.com/camilletucker ABOUT CAMILLE: Screenwriter Camille Tucker hails from Compton, CA, and is a daughter of the city—both her father and brother formerly served as mayor. As a girl, the elementary school she attended burned down, after which she was bused to an affluent, predominantly white private school in Palos Verdes, CA. There, she was constantly challenged to defend the negative characterizations of her hometown. “I felt like I was bridging two worlds,” says Camille. “One where kids were dropped off in Benzes and Bentleys, and another that was wrongly stereotyped for gangs and violence. It was like being in a fish bowl. As an object of curiosity to my classmates, I became profoundly aware of my blackness.” Things changed for Camille when she got her hands on the works of phenomenal, black women writers such as Gwendolyn Brooks, Ntozake Shange, Maya Angelou and Octavia Butler. Their written word inspired her and helped her to find her own voice. Camille began to write—poetry, songs, plays and eventually screenplays. Today, Camille has sold screenplays to many of the major studios such as Sony, Universal, New Line Cinema, Fox TV and Disney, and has worked with producers such as Robert De Niro, Jane Rosenthal, Stacey Snider, Marc Platt, Todd Garner and Debra Chase. One of her most memorable experiences was co-writing the screenplay Golddiggaz with the late Oscar-nominated director, John Singleton, a friend and mentor. Camille has produced and directed six short films. Her short, Cellular, won Best Short Narrative Film at Boston's Roxbury International Film Festival. In 2019, Camille was honored to be a finalist and the drama alternate in the prestigious Disney|ABC TV Writing Fellowship; and in 2018, she was one of eleven filmmakers selected in the Producers Guild of America Power of Diversity Workshop. Camille is co-writer of the highly-anticipated biopic The Clark Sisters: The First Ladies of Gospel, airing at 8:00 p.m., Saturday, April 11, 2020 on Lifetime Television. Camille holds an MFA in screenwriting from Loyola Marymount University, an MA from Fuller Seminary, and is a member of the Writers Guild of America, West. CONNECT WITH CAMILLE: https://www.instagram.com/camilletuc/ http://camilletucker.com/index.html ***** CONNECT WITH AUDRA: https://www.instagram.com/audraabryant/ https://www.audrabryant.com/ Coming Soon!!! Audra's New Book: "I've Got Scars Baby! How to Embrace Your Scars and Power Your Purpose  Get on the Pre-Order List Here: https://www.audrabryant.com/bookpreorder *****

***** This podcast is sponsored by BetterHelp. I've Got Scars Baby listeners get 10% off their first month at: http://betterhelp.com/IveGotScarsBaby  It's always a good time to invest in yourself. Turn your scars into your superpower! ***** Camille discusses her experience with career delays (having written The Clark Sisters film 15 years prior to its release) and her battle with maintaining faith during the dark parts of her journey. She provides tips on how to not to let outward success dictate your inner happiness. *Check out Camille's Superpower Tips here: https://www.audrabryant.com/camilletucker ABOUT CAMILLE: Screenwriter Camille Tucker hails from Compton, CA, and is a daughter of the city—both her father and brother formerly served as mayor. As a girl, the elementary school she attended burned down, after which she was bused to an affluent, predominantly white private school in Palos Verdes, CA. There, she was constantly challenged to defend the negative characterizations of her hometown. “I felt like I was bridging two worlds,” says Camille. “One where kids were dropped off in Benzes and Bentleys, and another that was wrongly stereotyped for gangs and violence. It was like being in a fish bowl. As an object of curiosity to my classmates, I became profoundly aware of my blackness.” Things changed for Camille when she got her hands on the works of phenomenal, black women writers such as Gwendolyn Brooks, Ntozake Shange, Maya Angelou and Octavia Butler. Their written word inspired her and helped her to find her own voice. Camille began to write—poetry, songs, plays and eventually screenplays. Today, Camille has sold screenplays to many of the major studios such as Sony, Universal, New Line Cinema, Fox TV and Disney, and has worked with producers such as Robert De Niro, Jane Rosenthal, Stacey Snider, Marc Platt, Todd Garner and Debra Chase. One of her most memorable experiences was co-writing the screenplay Golddiggaz with the late Oscar-nominated director, John Singleton, a friend and mentor. Camille has produced and directed six short films. Her short, Cellular, won Best Short Narrative Film at Boston's Roxbury International Film Festival. In 2019, Camille was honored to be a finalist and the drama alternate in the prestigious Disney|ABC TV Writing Fellowship; and in 2018, she was one of eleven filmmakers selected in the Producers Guild of America Power of Diversity Workshop. Camille is co-writer of the highly-anticipated biopic The Clark Sisters: The First Ladies of Gospel, airing at 8:00 p.m., Saturday, April 11, 2020 on Lifetime Television. Camille holds an MFA in screenwriting from Loyola Marymount University, an MA from Fuller Seminary, and is a member of the Writers Guild of America, West. CONNECT WITH CAMILLE: https://www.instagram.com/camilletuc/ http://camilletucker.com/index.html ***** CONNECT WITH AUDRA: https://www.instagram.com/audraabryant/ https://www.audrabryant.com/ Coming Soon!!! Audra's New Book: "I've Got Scars Baby! How to Embrace Your Scars and Power Your Purpose  Get on the Pre-Order List Here: https://www.audrabryant.com/bookpreorder *****

Early in her career, Trina Wyatt launched the Tribeca Film Festival with Robert DeNiro and Jane Rosenthal, and was the festival's Founding Director. She was a film producer and a studio executive before founding Conscious Good, a media company that produces and distributes entertainment aimed at raising people's consciousness. We spoke with Wyatt about CGOOD TV, which is a new streaming platform dedicated to conscious entertainment. See acast.com/privacy for privacy and opt-out information.

This legendary duo came together at the Beacon Theatre as part of Tribeca's 2019 Directors Series to reflect upon their illustrious decades of collaboration from Mean Streets to The Irishman.This podcast includes clips from Mean Streets, The Last Waltz, Raging Bull, The King of Comedy, Casino, Silence, and The Wolf of Wall Street. Robert De Niro launched his motion picture career in Brian De Palma's The Wedding Party in 1969. By 1974, he had won the New York Film Critics Award for Best Supporting Actor in Bang the Drum Slowly and from the National Society of Film Critics for Mean Streets. In 1974 De Niro won the Academy Award® for Best Supporting Actor for The Godfather: Part II. In 1980 he won his second Oscar®, as Best Actor, for Raging Bull. De Niro has also earned Academy Award® nominations for his work in: Taxi Driver, The Deer Hunter, Awakenings, the remake of Cape Fear and Silver Linings Playbook. He was most recently seen in The Irishman, his ninth collaboration with Martin Scorsese. The Irishman, based on the book I Heard You Paint Houses by Charles Brandt, either won or was nominated for a multitude of awards including being nominated for best picture from the Academy of Motion Pictures and BAFTA. The Irishman, released by Netflix, also won the New York Film Critics and the National Board of Review awards for Best Picture. Prior to The Irishman, De Niro was seen in Warner Bros. The Joker and Tribeca Productions’ and HBO’s Wizard of Lies starring as Bernie Madoff, for which he received both an Emmy Award® nomination for lead actor in a limited series or movie and a Screen Actors Guild nomination for Outstanding performance by a male actor in a Miniseries or Television movie. In 2009, De Niro received the Kennedy Center Honor for his distinguished acting and the Stanley Kubrick Award from the BAFTA Britannia Awards. De Niro was honored with the Cecil B. DeMille Award at the 2011 Golden Globe Awards. He served as the jury president of the 64th Cannes Film Festival.  In 2020, De Niro received the Screen Actors Guild Lifetime Achievement Award. De Niro takes pride in his production company, Tribeca Productions, and the Tribeca Film Festival, which he founded with Jane Rosenthal and Craig Hatkoff. Through Tribeca Productions, De Niro has developed projects on which he has served as producer, director and actor. Tribeca's A Bronx Tale in 1993 marked De Niro’s directorial debut. De Niro also directed The Good Shepherd in 2006.

Tribeca celebrated the legacy of The Godfather & The Godfather Part II one with a 45th anniversary screening and reunion event at our 2017 festival. The director and cast got together for a conversation after the screening.Francis Ford Coppola (Director) is one of the most acclaimed filmmakers of our time; a six-time Academy Award®-winning writer, director, and producer of such films as Patton, The Godfather, The Godfather Part II, American Graffiti, The Conversation, Apocalypse Now, and Bram Stoker’s Dracula. He produces a short story magazine called Zoetrope: All-Story, winner of three National Magazine Awards for Fiction, and is the best-selling author of The Godfather Notebook and Live Cinema and Its Techniques, about a new form of art which is a combination of theater, film, and television. He has also been producing wine for nearly forty years at his Napa Valley and Sonoma Valley wineries.Actor and director Al Pacino (Michael Corleone) was born in East Harlem and grew up in New York City’s South Bronx. He attended the School of Performing Arts until he moved on to study acting at the Herbert Berghof Studio with Charles Laughton, and later, at the Actors Studio with Lee Strasberg. His first leading part in a feature film was in the 1971 drama Panic in Needle Park. The following year, Francis Ford Coppola selected him to take on the breakthrough role of Michael Corleone in The Godfather, for which he was nominated for an Academy Award®One of the most versatile actors in film, James Caan (Sonny Corleone) is best known for his Academy Award® nominated performance as Sonny Corleone in The Godfather and for his Emmy®-nominated portrayal of football star Brian Piccolo in Brian’s Song. Appearing in more than 100 movies, Caan also earned great recognition starring in Rob Reiner’s critically acclaimed film Misery; and For The Boys, co-starring Bette Midler. He was equally praised for his performance as a brain damaged football star in Francis Ford Coppola’s The Rain People. Caan made his directorial debut and starred in the critically acclaimed film Hide In Plain Sight.A leading man since the 1960s, Robert Duvall (Tom Hagen) has specialized in driven characters of all types. Respected by his peers and adored by audiences worldwide, he has earned numerous Oscar® nominations for his performances in The Judge, The Godfather, Apocalypse Now, The Great Santini and The Apostle. Duvall won the Academy Award® and a Golden Globe® as Best Actor for his role in Tender Mercies. In addition, he has received Golden Globe® Awards for his performances in the title role of HBO’s Stalin as well as for his memorable turns in Apocalypse Now and Lonesome Dove.Talia Shire (Connie) comes from a family of artists. The Yale drama school alum has appeared in over fifty movies and television shows, received two Academy Award® nominations, and won the NY Film Critics Award for her performance in Rocky (1976). She and her husband Jack Schwartzman independently financed and produced several movies among them Never Say Never Again (1983) and Rad (1986) whose sequel is currently in development. In 1994 she directed One Night Stand. In 1994 Jack Schwartzman died. In 1997 she was one of several producers on the Tony® nominated play Golden Child. Family is at the center of her life. Talia’s children continue on in the same tradition of theatre and film. Her two step children John Schwartzman (Cinematographer) and Stephanie Schwartzman (Artist), her son Matthew Shire (Writer/Producer), Jason Schwartzman (Actor/Musician/Writer/Director/Producer), & Robert Schwartzman (Actor/Musician/Director/Producer).Diane Keaton (Kay Adams)Robert De Niro (Vito Corleone - The Godfather: Part II) launched his motion picture career in Brian De Palma's The Wedding Party in 1969. By 1974, he had won the New York Film Critics Award for Best Supporting Actor in Bang the Drum Slowly and from the National Society of Film Critics for Mean Streets. In 1974 De Niro won the Academy Award® for Best Supporting Actor for The Godfather: Part II. In 1980 he won his second Oscar®, as Best Actor, for Raging Bull. De Niro has also earned Academy Award® nominations for his work in: Taxi Driver, The Deer Hunter, Awakenings, the remake of Cape Fear and Silver Linings Playbook. He was most recently seen in The Irishman, his ninth collaboration with Martin Scorsese. The Irishman, based on the book I Heard You Paint Houses by Charles Brandt, either won or was nominated for a multitude of awards including being nominated for best picture from the Academy of Motion Pictures and BAFTA. The Irishman, released by Netflix, also won the New York Film Critics and the National Board of Review awards for Best Picture. Prior to The Irishman, De Niro was seen in Warner Bros. The Joker and Tribeca Productions’ and HBO’s Wizard of Lies starring as Bernie Madoff, for which he received both an Emmy Award® nomination for lead actor in a limited series or movie and a Screen Actors Guild nomination for Outstanding performance by a male actor in a Miniseries or Television movie. In 2009, De Niro received the Kennedy Center Honor for his distinguished acting and the Stanley Kubrick Award from the BAFTA Britannia Awards. De Niro was honored with the Cecil B. DeMille Award at the 2011 Golden Globe Awards. He served as the jury president of the 64th Cannes Film Festival.  In 2020, De Niro received the Screen Actors Guild Lifetime Achievement Award. De Niro takes pride in his production company, Tribeca Productions, and the Tribeca Film Festival, which he founded with Jane Rosenthal and Craig Hatkoff. Through Tribeca Productions, De Niro has developed projects on which he has served as producer, director and actor. Tribeca's A Bronx Tale in 1993 marked De Niro’s directorial debut. De Niro also directed The Good Shepherd in 2006.Taylor Hackford (Moderator) was the director of the Academy Award® winning films Ray and An Officer and a Gentleman. In addition, he helmed the beloved features Against All Odds, The Devil’s Advocate, Dolores Claiborne, and Blood In, Blood Out. Hackford most recently directed Robert De Niro in The Comedian. His feature documentary work is equally acclaimed, with Chuck Berry: Hail!, Hail! Rock n’ Roll and When We Were Kings, a behind-the-scenes look at the legendary 1974 bout between Muhammad Ali and George Foreman, which won for Best Documentary Feature. He has served two terms as president of the Directors Guild of America.

Joe Nocera, Bloomberg Opinion columnist, discusses his column: Covid-19 Has the Power to Break the Sports World. Stephen Dover, Head of Equities at Franklin Templeton, on global equities and why supply chains will shift back to the midwest. Jane Rosenthal, Tribeca Enterprises and Tribeca Film Festival co-founder and CEO, on their summer drive-in series and how the film industry is managing the pandemic. Andy Browne, Editorial Director for Bloomberg New Economy, on the politics behind the amped up U.S.-China tensions. Hosted by Paul Sweeney and Vonnie Quinn. 

Jane Rosenthal, film producer and Tribeca Enterprises CEO, joined The Washington Post Live to discuss how the coronavirus is affecting the entertainment industry and its path forward.

Featuring Ava DuVernay, Cindy Holland, Jane Rosenthal, Jonathan King & Berry Welsh It was a shocking crime that made headlines from coast to coast — a jogger brutally raped in New York’s Central Park in 1989. Five Black and Latino teenagers from Harlem were wrongly convicted of the attack. The men were finally exonerated in 2002 but not before they were vilified in the media and forced to serve time for a crime they did not commit. When They See Us tells the heartbreaking story of this miscarriage of justice in a miniseries for Netflix, created by Ava DuVernay. DuVernay also serves as a writer and director on the series. Learn about the challenges and the journey she and her producing partners faced to bring this compelling chapter in our history to television.   Speakers Ava DuVernay When They See Us, Queen Sugar READ MORE   Berry Welsh Senior Vice President, Production and Development, Tribeca Productions READ MORE   Cindy Holland Vice President for Original Content, Netflix READ MORE   Jane Rosenthal CEO and Chairwoman of Tribeca Enterprises READ MORE   Jonathan King President, Narrative Film & TV, Participant Media READ MORE   Moderator Franklin Leonard Founder and CEO, The Black List READ MORE  

"We are One : A global film festival", va réunir 20 festivals internationaux en panne d'événement, le concept est de créer un festival mondial gratuit sur la plateforme YouTube du 29 mai au 7 juin intitulé « We are One », on est un !   Et cela l'initiative du Festival de Tribéca, fondé à New York en 2001 par Jane Rosenthal et Robert de Niro, dont la 19e édition se déroule actuellement physiquement et surtout virtuellement en raison de l'épidémie.

Hosted by Carol Massar and Jason Kelly Featuring a conversation with Jane Rosenthal, Co-Founder and CEO of the Tribeca Film Festival, on moving the annual event online in the wake of the coronavirus pandemic Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Hosted by Carol Massar and Jason Kelly Featuring a conversation with Jane Rosenthal, Co-Founder and CEO of the Tribeca Film Festival, on moving the annual event online in the wake of the coronavirus pandemic

Join your host Ryan Perez and guest Jane Rosenthal as they discuss Jane's illustrious career as a producer and organizing and running the Tribeca Film Festival. See acast.com/privacy for privacy and opt-out information.

BEST PICTUREFord v FerrariAmerican automotive designer Carroll Shelby and fearless British race car driver Ken Miles battle corporate interference, the laws of physics and their own personal demons to build a revolutionary vehicle for the Ford Motor Co. Together, they plan to compete against the race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.Director: James MangoldProduced by: James Mangold, Peter Chernin, Alex YoungCast: Roberta Sparta, Caitriona Balfe, Christian Bale, Matt DamonDistributor: 20th Century FoxRelease Date: November 1, 2019Runtime: 2 hours 32 minutesGenre: Action, Biography, DramaRated: PG-13Ford v Ferrari (Listen to the Full Episode below)http://www.whywatchthat.com/sneak-peek-ford-v-ferrari/ The IrishmanFrank Sheeran maintains ties with the Bufalino crime family and claims to have killed fellow Teamster Jimmy Hoffa.Director: Martin ScorseseProduced by: Martin Scorsese, Robert De Niro, Jane Rosenthal, Gastón Pavlovich, Randall Emmett, Emma Tillinger Koskoff, Gerald Chamales, Irwin WinklerCast: Robert De Niro, Al Pacino, Joe PesciDistributor: NetflixRelease Date: (in select theaters 11/1, available on Netflix 11/27)Runtime: 3 hours 29 minutesGenre: Biography, Crime, DramaThe Irishman (Listen to the Full Episode below)http://www.whywatchthat.com/sneak-peek-the-irishman/ Jojo Rabbit:Jojo is a lonely German boy who discovers that his single mother is hiding a Jewish girl in their attic. Aided only by his imaginary friend -- Adolf Hitler -- Jojo must confront his blind nationalism as World War II continues to rage on.Director: Taika WaititiProduced by: Taika Waititi, Chelsea Cohen, Carthew NealCast: Roman Griffin Davis, Thomasin McKenzie, Scarlett JohanssonDistributor: Walt Disney Studios Motion PicturesRelease Date: October 18, 2019Runtime: 1 hour 04 minutesGenre: Comedy, Drama, WarPG-13Jojo Rabbit (Listen to the Full Episode below)http://www.whywatchthat.com/sneak-peek-jojo-rabbit/ Joker:Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.Director: Todd PhillipsProduced by: Todd Phillips, Bradley Cooper, Emma TillingerCast: Joaquin Phoenix, Robert De Niro, Zazie BeetzDistributor: Warner Bros. PicturesRelease Date: October 4, 2019Runtime: 2 hours 01 minutesGenre: Crime, Drama, ThrillerRated: RJoker (Listen to the Full Episode below)http://www.whywatchthat.com/sneak-peek-joker/ Little WomenFollowing the lives of four sisters, Amy, Jo, Beth and Meg, as they come of age in America in the aftermath of the Civil War. Though all very different from each other, the March sisters stand by each other through difficult and changing times.Director: Greta GerwigProduced by: Amy Pascal, Denise Di Novi, Robin SwicordCast: Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris CooperDistributor: Sony Pictures ReleasingRelease Date: December 25, 2019Runtime: 2 hours 14 minutesGenre: Drama, RomanceRated: PGLittle Women (Listen to the Full Episode below)http://www.whywatchthat.com/movie-talk-sneak-peeks-little-women-and-1917/ Marriage StoryA stage director and his actor wife struggle through a grueling, coast-to-coast divorce that pushes them to their personal and creative extremes.Director: Noah BaumbachProduced by: David Heyman, Noah BaumbachCast: Merritt Wever, Scarlett Johansson, Adam DriverDistributor: NetflixRelease Date: December 6, 2019Runtime: 2 hours 16 minutesGenre: Comedy, DramaRated: RMarriage Story (Listen to the Full Episode below)http://www.whywatchthat.com/sneak-peek-marriage-story/ 1917Two British soldiers embark on a dangerous mission to save 1,600 men from certain doom during World War I.Director: Sam MendesProduced by: Sam Mendes, Pippa Harris, Jayne-Ann Tenggren, Callum McDougall, Brian OliverCast: Andrew Scott, Benedict Cumberbatch, Richard MaddenDistributor: Universal PicturesRelease Date: December 25, 2019Runtime: 1 hour 58 minutesGenre: Drama, WarRated: R1917 (Listen to the Full Episode below)http://www.whywatchthat.com/movie-talk-sneak-peeks-little-women-and-1917/ Once Upon a Time... in HollywoodQuentin Tarantino’s Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.Director: Quentin TarantinoProduced by: David Heyman, Shannon McIntosh, Quentin TarantinoCast: Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Austin Butler, Dakota Fanning, Bruce Dern, Al PacinoDistributor: Sony Pictures ReleasingRelease Date: July 26, 2019Runtime: 2 hours 41 minutesGenre: Comedy, DramaROnce upon a Time...in Hollywood (Listen to the Full Episode below)http://www.whywatchthat.com/movie-talk-sneak-peek-luce-and-first-look-once-upon-a-time-in-hollywood/ ParasiteGreed and class discrimination threatens the newly formed symbiotic relationship between the wealthy Park family and the destitute Kim clan.Director: Bong Joon-hoProduced by: Kwak Sin-ae, Moon Yang-kwon, Jang Young-hwanCast: Kang-ho Song, Yeo-jeong Jo, So-dam ParkDistributor: NEON, CJ EntertainmentRelease Date: October 11, 2019Runtime: 2 hours 12 minutesGenre: Comedy, Drama, ThrillerRated: RParasite (Listen to the Full Episode below)http://www.whywatchthat.com/movie-talk-sneak-peek-parasite-and-first-look-light-of-my-life/ See acast.com/privacy for privacy and opt-out information.

The Oscar-nominated producer and Tribeca Film Festival co-chief reflects on why she left a career as a studio exec to team with Robert De Niro, how 9/11 reshaped her priorities and why it took 24 years after 'Casino' to reteam De Niro and Martin Scorsese.Credits: Hosted by Scott Feinberg and recorded and produced by Matthew Whitehurst and Joshua Farnham.

Movie producer Jane Rosenthal sits down with Norma to discuss "The Irishman", aging with power, generational differences and gender identity, politics, hope for the future, and more.

The IrishmanFrank Sheeran maintains ties with the Bufalino crime family and claims to have killed fellow Teamster Jimmy Hoffa.Director: Martin ScorseseProduced by: Martin Scorsese, Robert De Niro, Jane Rosenthal, Gastón Pavlovich, Randall Emmett, Emma Tillinger Koskoff, Gerald Chamales, Irwin WinklerCast: Robert De Niro, Al Pacino, Joe PesciDistributor: NetflixRelease Date: (in select theaters 11/1, available on Netflix 11/27)Runtime: 3 hour 29 minutesGenre: Biography, Crime, Drama See acast.com/privacy for privacy and opt-out information.

The IrishmanFrank Sheeran maintains ties with the Bufalino crime family and claims to have killed fellow Teamster Jimmy Hoffa.Director: Martin ScorseseProduced by: Martin Scorsese, Robert De Niro, Jane Rosenthal, Gastón Pavlovich, Randall Emmett, Emma Tillinger Koskoff, Gerald Chamales, Irwin WinklerCast: Robert De Niro, Al Pacino, Joe PesciDistributor: NetflixRelease Date: (in select theaters 11/1, available on Netflix 11/27)Runtime: 3 hour 29 minutesGenre: Biography, Crime, Drama Pain and GloryA film director reflects on the choices he's made in life as past and present come crashing down around him.Director: Pedro AlmodóvarProduced by: Agustín AlmodóvarCast: Antonio Banderas, Asier Etxeandia, Leonardo Sbaraglia, Nora Navas, Julieta Serrano, Penélope CruzDistributor: Sony Pictures Releasing InternationalRelease Date: October 4, 2019Runtime: 1 hour 53 minutesGenre: Drama AtlanticsAlong the Atlantic coast, a soon-to-be-inaugurated futuristic tower looms over a suburb of Dakar. Ada, 17, is in love with Souleiman, a young construction worker.But she has been promised to another man. One night, Souleiman and his co-workers leave the country by sea, in hope of a better future. Several days later, a fire ruins Ada’s wedding and a mysterious fever starts to spread. Little does Ada know that Souleiman has returned.Director: Mati DiopProduced by: Judith Lou Lévy, Eve RobinCast: Mame Bineta Sane, Amadou Mbow, Ibrahima TraoréDistributor: NetflixRelease Date: (limited theaters 11/15/19, on Netflix 11/29/19)Runtime: 1 hour 44 minutesGenre: Drama Portrait of a Lady on FireOn an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.Director: Céline SciammaProduced by: Véronique Cayla, Bénédicte CouvreurCast: Mame Bineta Sane, Amadou Mbow, Ibrahima TraoréDistributor: Pyramide FilmsRelease Date: December 06, 2019Runtime: 1 hour 59 minutesGenre: Drama, History, Romance See acast.com/privacy for privacy and opt-out information.

Get ready for an epic conversation on Day 2 of our New York Film Festival daily podcast, featuring Martin Scorsese's NYFF57 opener The Irishman. Eugene Hernandez, FLC Deputy Director and Co-Publisher of Film Comment, is joined by Steven Zeitchik of The Washington Post to discuss the long-awaited crime epic. Then, we go to the press conference featuring Martin Scorsese, Robert De Niro, Al Pacino, Joe Pesci, and producers Emma Tillinger Koskoff and Jane Rosenthal. They discuss pulling off the decades-spanning production, getting the momentous cast together, finding the film's emotional center in the adaptation process, the testing process of the digital effects, and much more. The 57th NYFF continues through October 13! See all available tickets at filmlinc.org/nyff This podcast is brought to you by Film at Lincoln Center.

In today's podcast, we're featuring Loren Hammonds, Senior Programmer at Tribeca Film Festival in New York City and the man in charge of feature-films and immersive. Tribeca Film Festival was founded by Robert De Niro and Jane Rosenthal in direct response to the events on 9/11 to revitalize the community. Immersive is a significant part of the festival that is growing exponentially every year. In this episode, we'll talk about the evolution beyond film at Tribeca, how Loren is following up artists and why sustenance is essential to artists.

Running the Tribeca Film Festival is Jane Rosenthal’s side hustle. Rosenthal co-founded it with her producing partner, Robert De Niro, in the aftermath of 9/11 when few visitors wanted to make their way downtown. Her more than 50 credits include movies like “Meet the Parents,” “Bohemian Rhapsody” and the upcoming Martin Scorsese directed crime drama “The Irishman,” which will be released by Netflix later this year. She talked with us about why she doesn’t like the word “content,” what she does like about video games and why she’s excited for the way Netflix has disrupted the movie business.  

I got an education from a Nuyorican––right there, I’d never heard the term before. Felix Angel Solis is a revelation––on the Fountain Theatre stage as Eddie, in the Pulitzer Prize-winning, The Cost of Living, where he blew my mind and moved me beyond compare (I immediately set out to track him down), to his thoughts on acting––actors as musicians, the script the sheet music, “actioning,” “referencing,” not giving what they’re looking for, offering something different. Seeking characters who care about something. All explained with fascinating analogies to life. His twice a day meditation practice, where thoughts are encouraged to run and play… adaptive energy, how we let go. New York theatre, the Labyrinth, The Cherry Lane, being directed by Philip Seymour Hoffman, twice. Getting tracked down not just by me, but Pacino, too. Crossing over to film and TV… series regular work on Law & Order, The Good Wife, The Following, NYC22 for Jane Rosenthal and Robert DeNiro; Subway Token Films, his joint production company, whose first film made the Tribeca Film Festival––street level miracles––saying yes to everything, and no to nothing, And yes he said to coming to perform for us at Women Who Write. As passionate as Felix is In performance is as passionate as I am to watch him do it, on any medium. Warm, humble, spiritual, insightful, resourceful, instinctual, inspiring and delightful, This time, this man, is so rich, I’ll be rewatching this more than once. Felix Solis is a revelation as an actor and as a human. Mind blown watching him on stage, mind blown sharing this life experience. Director of Photography Christinna Guzman Live on The Facebook Full show replay here https://bit.ly/2QBEMXo All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Soundcloud http://bit.ly/2hktWoS Stitcher bit.ly/2h3R1fl tunein bit.ly/2gGeItj This week's BROADcast is brought to you by Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. quikimpressions.com And, Nicole Venables of Ruby Begonia Hair Studio Beauty and Products for tresses like the stars she coifs, and regular peoples, like me. I love my hair, and I loves Nicole. http://www.rubybegoniahairstudio.com/

Craig M. Hatkoff is an American real estate investor and philanthropist from New York City. Along with wife Jane Rosenthal and Robert De Niro, he co-founded the Tribeca Film Festival and the Tribeca Film Institute in 2002.[1] The three founders were recip

Jason Silva is the Emmy-nominated host of National Geographic Channel’s #1 rated and Emmy-nominated TV series, Brain Games, seen in over 100 countries.    “A Timothy Leary of the Viral Video Age” was how The Atlantic described television personality, filmmaker and philosopher Silva, who has also been described as “part Timothy Leary, part Ray Kurzweil, and part Neo from ‘The Matrix.’”   Silva is the creator of the Discovery Digital web series SHOTS OF AWE, micro-documentaries exploring creativity, innovation, exponential technology, futurism, metaphysics, existentialism and the human condition.  In short: Philosophy, Science and Art for the YOUTUBE generation.    The videos, which  “play like movie trailers for ideas,” according to The Atlantic, have spread like wildfire across the internet and have been viewed more than 10 million times.     Influencers such as Ron Howard, Richard Branson, Leo Dicaprio, Tribeca Films Co-founder Jane Rosenthal, actor Mark Ruffalo, NASA, and many others have tweeted Jason's videos.    Here are the details for Jason's tour: Link: http://www.ticketfly.com/event/1468748?utm_source=ManTalks Use promo code: "mantalks" for 20% off. For more information about ManTalks or to join a ManTalks Mastermind: Click Here Subscribe on iTunes, SoundCloud, Stitcher Radio, TuneIn For more episodes visit us at ManTalks.comFacebook | Instagram | Twitter  Some questions Connor asks... How did your obsession start with documenting with film? - 2:50 Why do you believe language is so important? - 7:02 What are some of your insights into microdosing responsibly? - 14:34 What’s your opinion on Artificial Intelligence? - 17:51 Can you tell us some details of your upcoming tour of Canada? - 22:26 Did you enjoy the podcast? If so please leave us a review on iTunes or Stitcher. It helps our podcast get into the ears of new listeners, which expands the ManTalks community!   Thank You to the Team: Editing & Mixing by: Aaron Johnson

Jane Rosenthal is one of the most influential people in the entertainment industry. She navigated her way through male-dominated Hollywood executive offices and then left it all behind to join Robert De Niro to create Tribeca Productions, one of New York

The Tribeca Film Festival, one of the leading independent film festivals in the world, turns 16 this month. Founded in the aftermath of 09/11, a festival born to bring creative life back to downtown New York has developed over the years into an event intended to push the boundaries of the entertainment industry, from its commitment to diversity to its investment in new forms of storytelling, such as video games. We sat down with two of its founders - legendary actor Robert De Niro and his longtime producing partner Jane Rosenthal, to talk about what they've learned through their decades of working together, what they think of the Trump administration, and whether they think they are any good at what they do.

Louis E. Perego Moreno, founder and executive producer of Prime Latino Media, joined us to discuss his "A Latino Call to Arms in Not Supporting the Tribeca Film Festival" opinion piece. Later in the show, we spend some time telling you all about the most racist campaign ad of 2016. Featured image: Robert De Niro and Jane Rosenthal at the 2016 Tribeca Film Festival (Brianga/Wikimedia Commons) #tribeca #hollywood #latinos

Jane Rosenthal is one of the most renowned producers in show business. Along with Robert De Niro, she co-founded Tribeca Productions in lower Manhattan and is also the co-founder of the TriBeCa Film Festival which begins this week in New York City. Go grab your tickets today. On today's show, Jane talks about being the first female page in the Rhode Island State House (5:00), the roadblocks she had to fight through as a young woman producing television (19:00), and meeting Martin Scorsese on the set of The Color of Money (23:00). Plus, Brian and Jane discuss the long road to making A Bronx Tale (31:00), Robert De Niro's performance as Bernie Madoff in the upcoming HBO movie The Wizard of Lies (45:30), and the character trait that she knows about Hillary Clinton that nobody else can truly see (57:00). Shownotes: Slate.com/TheMoment Twitter: @BrianKoppelman Leave us a review: itunes.com/themoment The Moment is brought to you by Monster. Find employees who work as hard as you at Monster.com/hiring. Monster. Find Better. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jane Rosenthal is one of the most renowned producers in show business. Along with Robert De Niro, she co-founded Tribeca Productions in lower Manhattan and is also the co-founder of the TriBeCa Film Festival which begins this week in New York City. Go grab your tickets today. On today’s show, Jane talks about being the first female page in the Rhode Island State House (5:00), the roadblocks she had to fight through as a young woman producing television (19:00), and meeting Martin Scorsese on the set of The Color of Money (23:00). Plus, Brian and Jane discuss the long road to making A Bronx Tale (31:00), Robert De Niro’s performance as Bernie Madoff in the upcoming HBO movie The Wizard of Lies (45:30), and the character trait that she knows about Hillary Clinton that nobody else can truly see (57:00). Shownotes: Slate.com/TheMoment Twitter: @BrianKoppelman Leave us a review: itunes.com/themoment The Moment is brought to you by Monster. Find employees who work as hard as you at Monster.com/hiring. Monster. Find Better. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane Rosenthal is one of the most renowned producers in show business. Along with Robert De Niro, she co-founded Tribeca Productions in lower Manhattan and is also the co-founder of the TriBeCa Film Festival which begins this week in New York City. Go grab your tickets today. On today’s show, Jane talks about being the first female page in the Rhode Island State House (5:00), the roadblocks she had to fight through as a young woman producing television (19:00), and meeting Martin Scorsese on the set of The Color of Money (23:00). Plus, Brian and Jane discuss the long road to making A Bronx Tale (31:00), Robert De Niro’s performance as Bernie Madoff in the upcoming HBO movie The Wizard of Lies (45:30), and the character trait that she knows about Hillary Clinton that nobody else can truly see (57:00). Shownotes: Slate.com/TheMoment Twitter: @BrianKoppelman Leave us a review: itunes.com/themoment The Moment is brought to you by Monster. Find employees who work as hard as you at Monster.com/hiring. Monster. Find Better.

In honor of the Tribeca Festival taking place this week in New York City, we're revisiting a conversation with Tribeca's CEO and co-founder Jane Rosenthal. In this episode, Jane discusses the festival's important role in finding, highlighting, and supporting the development of new and diverse voices. For additional links, information, and more, visit our website.--© 2023 Future of StoryTelling, Corp.Produced by Future of StoryTelling, Corp.124 West 13th StreetNew York, NY 10011Founder and CEO, Charles MelcherDirector, Carolyn MerrimanAssistant Producer, Madison Brownin collaboration with Charts & LeisureFounder, Jason OberholtzerExecutive Producer, Mike RugnettaEditor, Garrett CroweMix and Music, Michael SimonelliWith special thanks to Jane Rosenthal, Bonnie Eldon, Meghal Janardan, Elisabeth March, Michael Bass, and Megan Worman.