Podcasts about O Fortuna

Everything's out in the open, at least as far as what the gals have been investigating, and Hassan's a little shell-shocked, but with security in mind, the group decides to prep for an all-nighter, making some very strange requests when they order some pizzas from O Fortuna and trying to figure out if it's the person's religion, or the vampire's religion, that dictates whether crosses hurt vampire, or if maybe just vampires don't like plus signs.  And at the last minute, things start to get REAL WILDEpisode 9/17Content Warnings: Adult Language, Adult Situations, ViolenceAmes plays Jordan "Dani" D'AmoreHarm plays Jasmine "Jazz" D'Amore This audio playthrough of Cozy Caverns Mysteries II is a Real Play Games Podcast production. Palladium Books® and Megaverse® are © Copyright and Registered Trademark owned by Palladium Books. Beyond the Supernatural, BTS-2, Lazlo Society, and Boxed Nightmares are trademarks of Kevin Siembieda and Palladium Books, Inc.  Used with permission.   You can find out more about  Beyond the Supernatural 2nd Edition™ and the entire Palladium Books  Megaverse® of role-playing games at www.palladiumbooks.com or wherever fine role-playing games are sold!DriveThruRpg Affiliate Link - https://www.drivethrurpg.com/index.php?affiliate_id=177655  Our theme song “Ode to Jay” is performed by Tunedogs and used under a commercial license, which includes synch licensing.If you want to reach out to the Real Play Games Podcast, feel free to email us at realplaygamespodcast@gmail.com or reach us on Twitter @realplaypod, on Instagram @realplaygamespod, on Tumblr under RealPlayGamesPodcast or on Bluesky @realplaygamespod.bsky.social  If you'd like to help support the show, as well as get early access to episodes, exclusive episodes, and behind-the-scenes looks at how we make our adventures, head on over to www.patreon.com/realplaygamespod and become a Patron today!Direct Download Link - https://www.buzzsprout.com/1805131/episodes/16263423-cozy-caverns-mysteries-ii-ep-9-unwanted-visitors.mp3?download=trueSupport the show

Mario Z takes the legendary O Fortuna from Carmina Burana and transforms it into an electrifying techno anthem. Fusing the raw power of classical choral elements with pulsating basslines, hypnotic synths, and driving percussion, this track bridges the gap between old-world drama and modern underground energy. With intense buildups, cinematic drops, and a relentless rhythm, Mario Z reinvents this iconic piece for the dancefloor, creating a high-energy experience that's both epic and immersive. Whether you're in a dark club or at a massive festival, this remix is bound to send chills down your spine and make the crowd erupt.

In this episode, the Goods from the Woods Boys are hangin' out in the foothills of eastern Los Angeles in the LOVELY home of phenomenal artist and illustrator Scott Marvel Cassidy and his better half, comedy great Maria Bamford! We kick this one off by checking out a "Green Cream" Fanta from Thailand and talking about Fanta's ignominious origins in 1940s Germany.  We talk about Scott and Maria's recent trip to Iceland and we go through our TOP 3 songs we never get tired of. Speaking of which, "Running With the Devil" by Van Halen is our JAM OF THE WEEK! Give us a listen and buy Scott and Maria's comic book 'Hogbook and Lazer Eyes' from your favorite local bookstore!  Follow Maria Bamford on Instagram @MariaBamfordComedy and on Twitter @MariaBamfoo.  Follow Scott Marvel Cassidy on Instagram and check out his AWESOME artwork @DodgeColt95.  Follow our show @TheGoodsPod on absolutely everything! Rivers is @RiversLangley  Sam is @SlamHarter on Twitter and @SamHarter666 on Instagram  Carter is @Carter_Glascock  Subscribe on Patreon for an UNCUT video version of the show as well as HOURS of bonus content! http://patreon.com/TheGoodsPod  Pick up a Goods from the Woods t-shirt at: http://prowrestlingtees.com/TheGoodsPod  

Culture Crawl 920 “Good ‘Ol Days in the Frat at the Heidelberg” Orchestra Iowa closes its Masterworks season with the landmark piece for orchestra and chorus, “Carmina Burana.” Tim Hankewich says Orff's landmark work is much more than its best-known segment, “O Fortuna.” Also on the program is Samuel Barber's Symphony No. 1, which the … Continue reading The post Culture Crawl 920 “Good ‘Ol Days in the Frat at the Heidelberg” appeared first on Jazz 88.3 KCCK.

Det faste panelet er tilbake i studio, og to sentrale temaer blir kampen mot Odd og salget av Eskil Edh til AIK. Siden sist har Lars debutert på Lauget, men han kan også melde om betydelig inflasjon hos byens gatekjøkken. Det blir ellers en del prat om forventninger inn mot seriestart og realistiske ambisjoner for sesongen, samt en spørsmålsrunde med brev og besøksforbud. Gutta gleder seg stort til bursdagsfeiring kommende fredag, og kommer med en del viktig informasjon i den forbindelse. Podkasten produseres av Mottaket Media og inneholder annonsering.

Salmo 127 - Fracaso o Fortuna Serie: Peregrinos (Serie en los Salmos de Ascensión) Predica: Pastor Fernando Rojas --- Send in a voice message: https://podcasters.spotify.com/pod/show/azleavenue/message Support this podcast: https://podcasters.spotify.com/pod/show/azleavenue/support

Radio 3's Linton Stephens reveals why he thinks O Fortuna is such an iconic piece. He's a professional bassoonist, a broadcaster, a teacher and someone who is passionate about introducing new audiences to classical music. He presents the Radio Three show, Classical Fix, where he invites music-loving guests to sample a playlist of classical music he has chosen especially for them. Here's our full interview with Linton. Hosted on Acast. See acast.com/privacy for more information.

Carl Orff's Carmina Burana is probably the most-performed choral work of the past one hundred years. O Fortuna – its opening and closing – is one of the most recognisable choral pieces ever, used everywhere from adverts to computer games to talent shows. Why is it so popular? What gives it its impact? And why do some people have very negative feelings towards it? We unravel the answers to those questions with the help of BBC Radio 3's Linton Stephens and Classic FM's Anne-Marie Minhall in the latest episode of Change Your Tune.Find out more about The Bach Choir and sign up for our newsletter here - https://thebachchoir.org.uk/thanks-for-listening-to-change-your-tuneChange Your Tune is a Podcart production. Hosted on Acast. See acast.com/privacy for more information.

Why are 1000 computer experts calling for a moratorium on the development of new Artificial Intelligence capabilities? Then, Amanda Fuller (Kentucky Academy of Science) interviews undergraduate researcher Chase Yost (Bellarmine University) on natural and synthetic phosphatase inhibitors. Finally, Scott Miller (Maysville Community and Technical College) discusses the science and policy of climate change and sea level rise. ‘Bench Talk: The Week in Science' is a weekly program that airs on WFMP Louisville FORward Radio 106.5 FM (forwardradio.org) every Monday at 7:30 pm, Tuesday at 11:30 am, and Wednesday at 7:30 am. Visit our Facebook page for links to the articles discussed in this episode: https://www.facebook.com/pg/BenchTalkRadio/posts/?ref=page_internal The music heard on this episode is ‘O Fortuna' from the cantata ‘Carmina Burana' composed by Carl Orff in 1935. This public domain performance is by the University of California-Davis University Chorus from 2016: https://orangefreesounds.com/carl-orff-carmina-burana/#google_vignette

There's more choral music in your life than you think - from movies to computer games, TV to sporting events. It's used because it moves people. But what makes it so powerful? Change Your Tune takes you on a journey of musical discovery into iconic pieces from The Hallelujah Chorus to O Fortuna! (or The X Factor Judges' walk on music!) We're starting with Handel's Zadok the Priest - UEFA Champions League theme and sung at every coronation for nearly 300 years - including King Charles'. We explore what makes the piece so powerful and coronation broadcast team front man, Huw Edwards, tells why he thinks music is so important to these great occasions. Hosted on Acast. Hosted on Acast. See acast.com/privacy for more information.

I'm breaking down the 2012 Yorgos Lanthimos film ALPS with my great pal SCOTT NELSON (Secret Grief)! We get into face blindness, my special ESP skill when it comes to Scott, we accidentally do half an ep on Dogtooth, and Scott breaks out his world famous impression of a REDACTED celeb! After dark, we get into Young Frankenstein, Charlie Brown Halloween, The Void, House, Party Down, Nirvanna the Band the Show, May, Lace Crater, Uncle Kent, Brown (Andrew DeYoung), White Rock Skate (Mary Dauterman), and Joe Pera Talks With You. Check out our band Secret Grief at www.secretgrief.bandcamp.com or wherever you rock your tunes, and you can check out the live sessions we did with Eureka Records here: https://www.youtube.com/watch?v=pfM8rHlKWSA&list=RDpfM8rHlKWSA&start_radio=1 Featured tracks are "Dreams (Live at Eureka Records)" by Secret Grief and "O Fortuna" by Carmina Burana. You can find the pod on instagram and everywhere else @screenvomit. I also have merch! All my links are here: http://linktr.ee/screenvomit. Thanks for listening!

From St. Nicholas Day through Christmas, the Devil figured prominently in medieval plays, embodying a subversive seasonal element also celebrated in the Feast of Fools. We enter the topic of medieval Christmas plays sideways through German composer Carl Orff's 1935 composition “O Fortuna,” a piece much beloved in Hollywood soundtracks.  The lyric Orff set to … Read More Read More The post Christmas Devils and the Feast of Fools appeared first on Bone and Sickle.

Música clássica

Oh, it's been 3 months since our last episode! Oh my! Well, in this one I have a new rant, go figure, about a song by someone named TK Da Ghetto Barbie. And, I lied I was gonna put the title in here, but I'm not! Anyway, still got shoutouts and some O Fortuna! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/tenminutesjp/support

vol. 1 episode 9Greetings,What's the point of it all? Are we enslaved hamsters on a wheel going nowhere, or are we participants in and witnesses to a never-ending wave of cycles and patterns that turn like the seasons, whirling its majesty through and around us?It's a topic Elisabeth and I get into in this episode, musing how even when we think we're in control, maybe we're not, and when we think we're acting of our own accord, we're just fulfilling our destiny. Most of all, why astrology can be trusted to give us the keys to the ride, and a map for the journey, even if it's a circular one.Ironically, we kick off philosophizing with silliness that turns out to be utterly on point. If you're a Cole Porter fan and know his song “Let's Call the Whole Thing Off”, and you're familiar with this rousing ass-kicker by Carl Orff:then you'll get my stupid intro joke. But even if you're not, what's faaahscinating, as Elisabeth would say, is that without realizing it, in our goofiness, we allude to this early 20th Century German work, one of the classical Western canon's greatest hits, that points to the very conversation we have about the nature of human existence. Funny how that happens…these little synchronicities of life. Carmina Burana's opening piece, “O Fortuna”, laments that no matter how hard the narrator tries to live his up and down, hierarchical life, that damned other paradigm, the one that features the Wheel of Life, just keeps pulling him under. I mean, what a crank. All he can see is that whatever he tries to build and hold on to disappears. He's pretty bitter about it, too: “Fate, monstrous and empty, you whirling wheel, you are malevolent…” yada, yada. Lots of complaining. Here's the full text if you want to get a load of all that tsuris.But, as this fun video performance of the work shows by way of some spectacular special effects, structures of stone and steel do eventually collapse, even the cathedrals we have imbued over centuries with the ideals and beliefs we hold sacrosanct. It is inevitable because Nature, which includes the wheeling cosmos, is the ultimate paradigm, the one that will always supersede the straight up and down linear one. The grousing over dashed aims, such as in “O Fortuna”, is the sound of self pity that arises when Saturn, god of structure, tradition, and karma (among many other areas of human experience) meets with Neptune, bringer of dreams and inspired visions, but also soggy, foggy, delusions.Is it possible for these two visions of reality to exist and more to the point, function simultaneously instead of piteously? Well, one of these paradigms is currently falling down around our ears while the other one rolls on…that alone should tell us that we are the ones insisting on our limitations by trying to keep Saturnian things like corporations and governments “in line”. Maybe if we choose to accept the wheel as the true pattern of life instead of the line, then the line becomes more productive, a spoke instead of the point of it all. We do need structure, after all. In this episode, we talk about how this dynamic is currently taking shape in the US, as Saturn and Neptune are unable to see each other from where they currently are traveling in the heavens, but how being blind to one another, they still each have a line of site to all the other celestial components that signal what goes in to making a society civil, or not. How will this play out?Well, lots of things have to happen between now and the summer of 2025, but Elisabeth in her inimitable way of clearly breaking down the technical stuff, explains why by then, we should have a pretty good idea as to whether the US will succeed in switching paradigms, or will commit itself to living, and now clearly dying, by the sword of Damocles we set up over all our heads when we insisted on building a nation predicated on the hierarchy of genocide and slavery. After all, you can't hold your place in a straight line unless you determine that some people don't deserve to ever be ahead of you in that line. You'd have to kill and chain them back! Will enough of us conclude the dream/delusion of specialness conferred by donning these Neptunian, shimmery robes embroidered with “entitled to be first” were woven from a fantastical betrayal, more than they were made of reality? How might the energy of that dream/delusion be repurposed if enough of us slip out of these robes and seek to try on something else?At the very least, think of the summer of 2025 as a critical turning point.We make a few predictions, too, including when I suggest that our generation's Emmett Till moment, currently being called for by a lot of people across all sectors of society, is coming, probably as early as this weekend when Venus meets Uranus. What would such a moment look like, and why will it be shocking? Elisabeth wants me to issue a trigger warning for how I go about telling you, but that annoyed me, so this is our compromise. Consider yourself warned. I think it's well past time we get graphic if that is what it takes to rip down the curtain of secrecy that shrouds the priests of patriarchy, the pillars of the linear paradigm, the sickos who are just fine with our nation's children being decimated.However, although we recorded this before the Congressional hearings about the insurrection on January 6, 2021, I am writing these show notes after a night of fast and furious texting between myself and Elisabeth about the riveting and shocking (Uranus) testimony by female Capitol Hill Police Officer Caroline Edwards (Venus), the first police victim to testify. In graphic, disturbing detail, she told how she endured hours of hand-to-hand combat:"There were officers on the ground, they were bleeding. They were throwing up. … I saw friends with blood all over their faces. I was slipping in people's blood.“When I fell behind that line … I can just remember my breath catching in my throat because what I saw was just a war scene,” Edwards said. “It was carnage. It was chaos.”And we answer a listener's question: why is Elisabeth so much gloomier about the future than I am? By way of explanation, Elisabeth offers a nifty Chinese proverb that when my husband overheard it as I was editing this podcast, he said it's featured in the rather good and surprisingly humorous Tom Hanks' movie, Charlie Wilson's War. That movie gives some context to how a short-sighted decision not to remain in Afghanistan in the 80s paved the way for the Twin Towers to be brought down.The moral of the story in both the movie and Elisabeth's telling of it, being that if you can't see how the good and bad always contour one another, you risk being ill-prepared for what is to come. Put another way, nothing's over until it's over.Two other interesting events of note that happened after we wrapped production of this podcast: actor and Uvalde, Tex., native, Matthew McConaughey's impassioned speech in favor of no more weapons of war in our streets, and in which he asks about how do we prove we value what we say matters, yet another theme of this episode; and, a suicidal-homicidal man was arrested after he called authorities asking for help to prevent killing Supreme Court Justice Brett Kavanaugh, a bizarre story that fully illustrates every current transit Elisabeth spells out is happening now, including that between May 29 and today, June 10, the only exact aspects among the planets are ones that involve the Moon. That leaves lots of space between all the other kids in the cosmic sandbox. Will they start throwing sand in each other's eyes? Or, as the Moon is carrying the light of all the other celestial bodies to and from one another, will the she help them see one another more clearly, especially as they try to inform Saturn of what Neptune has to say, and vice versa…If you'd like to learn more about the forecast that precipitated this podcast, including why Elisabeth is itching to share just what it is in McConaughey's chart that she says makes it plainly clear that he'd be a rising star right about now, and that the right wing media would attack him, then please visit her website: graceastrology.comFor more about me, poke around this page here. You will get a good sense of why and how I do what I do. And of course, I encourage you to subscribe.Meanwhile, I am looking up at the stars. I hope you are, too.Peace,Whitney (for Elisabeth, too)Thank you for reading Ensouled: The Journal of Cultural Astronomy. This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit ensouled.substack.com/subscribe

One animal that has seen it's fair share of importance, but mostly infamy, while rising through the superstitious minds of human history is the owl. A couple of the owl's powers that people believe in are possessing the ability to commune with our ancestors while being a spawn from the underworld. Nonetheless, the majority of people believe it is here to cause mischief and misfortune for us earth-walkers until the end of days. We can find the owl's influence as far back as Sumerian culture, the ancient Greeks, and even in todays masonic architectural layout of Washington D.C. (seriously go check out some pictures of it). The owl has been linked to various cryptids like todays subject and even the infamous Mothman of Point Pleasant as well as the descriptions of some people's encounters with extraterrestrials. The owl has vigorously gripped within it's talons; the human psyche. Overpowering it with the dominance and authority that it holds in the realm of the supernatural. From this supernatural uprising, we have the Stikini from Seminole Peoples folklore. A human/avian hybrid that shapeshifts between forms depending on the time of day. During daylight hours, the monster turns human, indistinguishably. It blends into society, staking out the lay of the land and scouting for potential prey. Upon nightfall, the Stikini turns into a murderous, bipedal, avian humanoid and seeks out the hearts of it's victims. A true supernatural serial killer if you ask us. Unfortunately, with the majority of Seminole peoples folklore being of oral tradition, we don't have too much information on the Stikini and therefore it may be somewhat lost to history. Nevertheless, if you find this legend hard to believe in, that doesn't make it any less real for others... For more information on this topic and others, visit our website: www.thefarthestreachespodcast.com FOLLOW US ON SOCIAL MEDIA Leave reviews as it is the best way to help our show grow! https://open.spotify.com/track/5nTcvqRID2mleHhQYoW2nX?si=b1291f097a4745b9– “Tell Me” by Kenny G https://freemusicarchive.org/music/MIT_Concert_Choir/Carmina_Burana_Carl_Orff/01_1355- “O Fortuna” by MIT Concert Choir All music used in this episode is for the purposes of entertainment only. All rights belong to the artists and no infringement is intended. --- Support this podcast: https://anchor.fm/the-farthest-reaches/support

My guest of this episode is William F. Mann, who has been a freemason for 30 years and written several books, part of them non-fiction, part of them fiction but nearly all of them revolving around Masonic history and concepts. William was born in the 1950s and from an early age on he was interested in solving puzzles and following clues to discover hidden meanings of his surroundings. His father's family had a rich Masonic tradition as far as it could be traced back and from his mother's side William had the chance to be introduced to North American indigenous traditions. Today, William is the Supreme Grandmaster of the Sovereign Great Priory of Canada and lives in Ontario. In this episode of the show we will discuss topics that might be completely off the radar of many of our listeners as we in Europe have sometimes little knowledge about the ideas and concepts in occulture that are very specific to certain parts of North America. Hopefully this episode will be even more fascinating and also lead to some further research and exchange of thoughts. One focus of our conversation will be William's notion concerning the role of the Knights Templar in North America having published ‘The Knights Templar in the New World: How Henry Sinclair Brought the Grail to Acadia', ‘The Templar Meridians: The Secret Mapping of the New World' and ‘Templar Sanctuaries in North America: Sacred Bloodlines and Secret Treasures'. We'll talk about his ideas that inspired him to write these books and the conclusions he draws upon. In this context we will first shed some light upon the general history of the Knights Templar in medieval Europe and then William will introduce us to the concept of the Knights Templar embarking on transatlantic expeditions to North America. We're also going to explore a highly fascinating idea concerning certain similarities between Templar and indigenous rituals in North America and their respective core concepts and elements as well as potential historical interactions and relationships between both groups sharing their wisdom on a basis of mutual respect and acceptance. Of course, William's most recently published book with Inner Traditions, ‘The Last Refuge of the Knights Templar: The Ultimate Secret of the Pike Letters' based on a series of 33 letters in the late 1800s between Confederate General Albert Pike and British Colonel James Wilson Bury MacLeod Moore will be of special interest. In the end, we'll mention one of William's upcoming projects to investigate early Templar settlements and the evidence of ancient civilisations in North America with a group of Masonic geologists which might ultimately culminate in a new book. William Mann's author page with Inner Traditions Here you will find  all of William Mann's books and where to get them Music played in this episode The three - very diverse - music tracks in this episode follow the idea of reinventing something ancient in a new style, which is coming from our modern times. 1) PRELIATOR by Globus - sung by Lisbeth Scott When I first heard this track, I immediately thought of Carl Orff's "Carmina Burana" (O Fortuna). But then I realized even though it sounds similar, it is different. It is medieval thought reimagined with the sound of today, but goes beyond Carmina, because it also heavily involves sound enhancement technology. Fascinating! (Track starts at 7:07) 2) ECHOES OF THE TEMPLE by Ghenwa Nemnom Lebanon, a land where in the 11th century the Templars were an important political factor, is the home to this music. Ghenwa Nemnom, born in Beirut, is a passionate Qanun player. The Qanun is a Mediterranean ethnic music instr...

Podden gästas av Henrik Bergion, lärare på De Geergymnasiet Musik i Norrköping. Förutom sin lärargärning är han verksam som pianist och arrangör. Ett fyrtiotal arrangemang för SON har det blivit genom åren och tusentals körarrangemang har glatt körer runt om i landet. Nästa vecka blir det uruppförande av hans verk O Fortuna, ett verk i 10 satser för kör, sångsolister och orkester.

On today's episode of In Unison, we're chatting with David W. Collins. We first became acquainted with David through his own podcast, The Soundtrack Show, where he takes a look at film scores and soundtracks from some of the most popular movies, TV shows, video games and theater pieces of all time, including some of the best choral soundtracks! http://www.inunisonpodcast.com/episodes/s04e04#transcript (Episode transcript) Edited by https://www.inunisonpodcast.com/fausto (Fausto Daos) Music excerpts “Te Deum Guarani,” by Ennio Morricone, from the film The Mission “Duel of the Fates,” by John Wiliams, from the film Star Wars: Episode I - The Phantom Menace “The Ice Dance,” by Danny Elfman, from the film Edward Scissorhands “Dry Your Tears, Afrika,” by John Williams, from the film Amistad Episode references https://www.imdb.com/name/nm1637637/?ref_=nmmi_mi_nm (David W. Collins) on IMDB https://podcasts.apple.com/us/podcast/the-soundtrack-show/id1351960656 (The Soundtrack Show) Theme Song:https://music.apple.com/us/album/mr-puffy/1457011536?i=1457011549 ( Mr. Puffy) by Avi Bortnik, arr. by Paul Kim. Performed byhttp://www.dynamicjazz.dk/ ( Dynamic)

Is that the rousing sound of Carl Orff's O Fortuna assaulting our ears? Yes, it's time for a genuine “round table” discussion: this episode we look back at Excalibur, John Boorman's 1981 whirlwind tour of Arthurian legend. Based on the 15th-century prose work Le Morte d'Arthur by Thomas Malory, which collected together many popular legends about King Arthur and his knights, Boorman's film takes us from Arthur's conception through to his death, taking in the rise and fall of Camelot and the quest for the Holy Grail. It stars Nicol Williamson, Helen Mirren, Liam Neeson, Gabriel Byrne, Patrick Stewart and other top Thespians. We're joined for this magical mosey into the misty middle ages by Joe Abercrombie, bestselling fantasy author of the First Law series, The Shattered Sea books, the Age Of Madness trilogy and more. His latest novel, The Wisdom Of Crowds, drops on 14 September 2021 from Gollancz (Orbit in the US). Joe is a Locus Award winner, an avid gamer, and a social media master with the moniker Lord Grimdark. You can find out more about him at his official site https://joeabercrombie.com/. Looking for more recent TV and film recommendations? We're happy to help there too. First up: The Suicide Squad, and a moment so funny that our Dave laughs the cat off his desk. True story. Yes, we hitch a ride with DC's worst of the worst – and silliest of the silliest – to see if it trumps 2016's definite-article-free Suicide Squad. Then it's a show so good that NBC pulled the plug – only for it to become a big hit on Netflix. We get Lost with mystery drama Manifest. There's all this plus Marvel's What If…?, BBC's Ghosts and more “requels”, in Robby The Robot's Waiting, the podcast that is a dream to some – a nightmare to others! NB There's no news section this time – we've stopped doing that, but we'll be introducing a monthly news round-up podcast you can hear separately! See our new website www.robbyscifi.com for details. Episode highlights: 0:01:00 – WHAT WE'VE BEEN WATCHING: The Suicide Squad, Manifest, Ghosts, and Marvel's What If…? 0:31:19 – Meet guest Joe Abercrombie! What has he been enjoying on his 72 streaming services? Includes Marvel on Disney Plus and Dark on Netflix. 0:38:01 – Joe Abercrombie introduces his new book The Wisdom Of Crowds, the third novel in his Age Of Madness trilogy. 0:47:07 – REWIND! We rewatch John Boorman 1981 swords-and-sorcery epic Excalibur. Who do we think we are? Richard Edwards: film and TV journalist and a former editor of SFX https://twitter.com/RichDEdwards Tanavi Patel: entertainment reporter for SFX magazine and Digital Spy, panel moderator for MCM, FanExpo and more https://twitter.com/tanavip Dave Bradley: writer, gamer, book reviewer and another former editor of SFX, who reveals here that he studied medieval literature back in the day https://twitter.com/BoxDaveB SPECIAL GUEST! Joe Abercrombie is an acclaimed fantasy author. His first book, The Blade Itself, was published in 2006 and began the celebrated First Law series. His latest novel, The Wisdom Of Crowds, is published on 14 September 2021 https://twitter.com/LordGrimdark

Cerpen ketiga berjudul Carmina Burana. Cerpen ini bertema politik. Dalam cerpen, Sukab disebut sebagai salah satu kandidat sebuah pemilihan umum. Cerpen ini mengkritisi proses pemilihan umum yang membosankan bahkan memuakkan, hanya menghabiskan energi, waktu dan biaya besar. Juga janji-janji manis para kandidat yang tinggi tapi seragam dan omong kosong belaka. Sebuah kegiatan memilih tapi sejatinya sama sekali tidak menyediakan pilihan. Carmina Burana adalah nama sebuah manuskrip berisi 254 puisi dan teks drama dari abad pertengahan yang ditulis oleh para pelajar dan (semacam) pendeta yang menyindir gereja katolik. Isinya memang tentang kritik kepada penguasa yang zalim, ketidakadilan dan penderitaan yang dirasakan oleh kaum rakyat jelata. Adalah Carl Orff, seorang komposer Jerman yang kemudian memusikalisasi 24 puisi dari manuskrip itu dan merangkainya menjadi sebuah kantata berjudul sama pada tahun 1937. Bagian pembuka dan penutup kantata itu berjudul O Fortuna adalah yang paling tersohor dan saya gunakan sebagai backsound beberapa part di cerpen ini. Sepotong musik yang sebenarnya sudah sering kita dengar. Barangkali, sebagaimana kalimat terakhir kantata Carmina Burana yang menjadi judul cerpen ini, Om Seno ingin mengajak kita menangisi bersama-sama kondisi perpolitikan kita yang memprihatinkan. Selamat mendengarkan.

poema

Carl Orff skreev ön di 1930er Jaaren di Musik tö jen fan di bikeenst Leedjis üt di "Carmina burana". Dit sen Teksten üt dit Merelialer, en ja sen waaraftig ek blüch.

Forty years ago, King Arthur and the Knights of the Round Table got the blockbuster treatment with John Boorman's 1981 production retelling the classic tales. Starring Nigel Terry as Arthur and Nicol Williamson as Merlin, the film also features Gabriel Byrne, Helen Mirren, Patrick Stewart, Liam Neeson, and Ciarán Hinds in some of their earliest film roles. Shot entirely on location in Ireland, the movie boasts a dazzling production design, elaborate (and shiny) costumes, and music from Carl Orff, whose “O Fortuna” from the cantata Carmina Burana was used in the film's trailer. Now Legends Podcast meets Arthurian Legend with Excalibur!   For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

¿Qué te detiene? ¿Qué es lo que no te deja alcanzar tus metas? En este podcast Carlos Marquez te comparte los 3 puntos importantes que te ayudarán a lograr tus metas personales y de negocios, ya que tú puedes lograr lo que te propongas, sólo necesitas verdaderamente ¡TOMAR ACCIÓN!

O Fortuna velut luna statu variabilis, semper crescis aut decrescis; vita detestabilis nunc obdurat et tunc curat ludo mentis aciem, egestatem, potestatem dissolvit ut glaciem. Sors immanis et inanis, rota tu volubilis, status malus, vana salus semper dissolubilis, obumbrata et velata michi quoque niteris; nunc per ludum dorsum nudum fero tui sceleris. Sors salutis et virtutis michi nunc contraria, est affectus et defectus semper in angaria. Hac in hora sine mora corde pulsum tangite; quod per sortem sternit fortem, mecum omnes plangite! ---------------------- O Fortune, like the moon you are changeable, ever waxing ever waning; hateful life first oppresses and then soothes playing with mental clarity; poverty and power it melts them like ice. Fate – monstrous and empty, you whirling wheel, you are malevolent, well-being is vain and always fades to nothing, shadowed and veiled you plague me too; now through the game I bring my bare back to your villainy. Fate is against me in health and virtue, driven on and weighted down, always enslaved. So at this hour without delay pluck the vibrating strings; since Fate strikes down the strong, everyone weep with me! ---------------------------- Oh, fortuna Oh Fortuna, como la Luna tu estado es variable. Siempre creciendo o menguando, la vida es algo detestable que primero oprime y luego cura según le plazca a su ánimo. Miseria y poder se disuelven como el hielo. Destino, cosa inhumana e inane, tú, rueda caprchosa que malignamente te alzas. La salud es vana y siempre se desvanece, ensombrecida y oculta, también me aquejas a mí, ahora, por tus caprichos presento a tu maldad mi espalda desnuda. El destino, en la salud y en la virtud está en mi contra. Avanza y cae rendido, siempre en esclavitud. Por eso, en esta hora sin demora tañed las cuerdas vibrantes. Pueso que el destino hace caer al fuerte, ¡llorad todos conmigo!. --- Send in a voice message: https://anchor.fm/john-kennedy98/message

The boys open episode 6 discussing improv comedy— specifically reminiscing over the brilliance of the duo that is Colin Mochrie and Ryan Stiles from Whose Line is it Anyway. Embracing their example, the boys try and fail at ridiculous segues. The implications of a hilarious meme (When you see Superman using the car you're still making payments on as a weapon) leads into the conversation of superhero insurance policies. Discussing readily available references from Amazon's The Boys and the corporate exploits of the billion dollar company, Vaught, the STFF boys touch on hero worship, propaganda, brainwashing, and the in's and out's of hush money in a world where collateral damage is just another Monday. Our Weekly Writing Prompt comes to us from Reddit User orangek1tty: Turns out God was a slacker and gave "Free Will" to not have to "plan" anything. He kicked out Lucifer cause he was a control freak. When you die turns out you have a choice, between a chaotic rule free Heaven or a smoothly machine operated Hell. With undesirable circumstances in either choice, the boys debate the specific boundaries associated with “super heaven” and “super hell”. After literally playing Devil's advocate, they land on a discovery that the afterlife might just be a direct parallel of everyday life…just suped up. Weekdays are spent working in Hell, while the weekends are saved for some R&R in my timeshare in Heaven. Taha opens things up with a Breaking Bad fanfiction with an interesting concept. Author Villakulla's White Light takes a look at the quiet death of Jessie Pinkman years after the events of Breaking Bad and El Camino as we follow his train of thought during a heart attack. Post-read, they discuss the very serious ramifications of addiction, as well as the profound impact of mentors and influential figures that shape us. Hunter follows up with a BBC's Sherlock and Doctor Who crossover that pits our 221B Baker Street boys against a terrifying enemy. O Fortuna by MegaFrost4, capturing the humor and pacing of the BBC show, introduces the Weeping Angels as an adversary to both the Doctor as well as Sherlock and Watson. After reading the introductory chapter, the boys theory-craft what is to come as they discuss the likely competitive relationship between Sherlock and the Doctor, and the adventures that lie in store for them all against this incredibly dangerous enemy.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Trans-Siberian Orchestra ( TSO ) es una banda de rock estadounidense fundada en 1996 por el productor, compositor y letrista Paul O'Neill , que reunió a Jon Oliva y Al Pitrelli (ambos miembros de Savatage ) y al tecladista y coproductor. Robert Kinkel para formar el núcleo del equipo creativo. O'Neill murió el 5 de abril de 2017. La banda ganó popularidad cuando comenzaron a viajar en 1999 después de completar su segundo álbum, The Christmas Attic , el año anterior. En 2007, el Washington Post se refirió a ellos como "un monstruo de arena-rock " y describió su música como "Pink Floyd se encuentra con Yes and the Who en el Radio City Music Hall ". TSO ha vendido más de 10 millones de entradas para conciertos y más de 10 millones de álbumes. La banda ha lanzado una serie de óperas de rock : Christmas Eve y otras historias , El ático de Navidad , La última noche de Beethoven , La víspera de Navidad perdida , su Night Castle de dos discos y Letters From the Labyrinth . Trans-Siberian Orchestra también es conocida por su extenso trabajo de caridad y elaborados conciertos, que incluyen una sección de cuerdas, un espectáculo de luces, láseres, trusses móviles, pantallas de video y efectos sincronizados con la música. Tanto la revista Billboard como Pollstar las han clasificado como una de las diez bandas con mayor venta de entradas en la primera década del nuevo milenio. Su camino hacia el éxito fue inusual en el sentido de que, según O'Neill, TSO es la primera banda de rock importante en ir directamente a los teatros y arenas, sin haber tocado nunca en un club, sin haber tenido un acto de apertura y nunca siendo un acto de apertura. Paul O'Neill dirigió y produjo bandas de rock como Aerosmith , Humble Pie , AC / DC , Joan Jett y Scorpions , y luego produjo y coescribió álbumes de la banda de metal progresivo Savatage , donde comenzó a trabajar con Jon Oliva (quien se había ido Savatage para pasar tiempo con su familia y ocuparse de asuntos personales), Al Pitrelli y Robert Kinkel . O'Neill dio sus primeros pasos en la música rock en la década de 1970 cuando comenzó el rock progresivo.banda Slowburn, de la que fue letrista y co-compositor. Lo que estaba destinado a ser el álbum debut de la banda fue grabado en Jimi Hendrix 's estudios Electric Lady y desarrollado por Dave Wittman. Aunque la ingeniería de Wittman capturaba el sonido exacto que O'Neill escuchaba en su cabeza, O'Neill tenía problemas con él porque muchas de sus melodías tenían entre dos y tres octavas. En lugar de lanzar un álbum con el que no estaba contento, dejó de lado el proyecto, pero continuó trabajando en la industria en Contemporary Communications Corporation (también conocida como Leber & Krebs). A lo largo de los años, O'Neill continuó trabajando como escritor, productor, gerente y promotor de conciertos. En 1996, aceptó la oferta de Atlantic Records de formar su propia banda. Construyó la banda sobre una base creada por la unión de la música clásica y el rock y los artistas que idolatraba ( Emerson, Lake & Palmer , Queen , Yes , The Who y Pink Floyd , y bandas de hard rock como Aerosmith y Led Zeppelin y los múltiples vocalistas principales de los grupos de R&B The Temptations y The Four Tops). Trajo a Oliva, Kinkel y Pitrelli para ayudar a iniciar el proyecto. O'Neill ha declarado: "Mi concepto original era seis óperas de rock, una trilogía sobre Navidad y tal vez uno o dos álbumes regulares" Su álbum debut, la primera entrega de la pretendida trilogía navideña, fue una ópera rock llamada Nochebuena y otras historias , y fue lanzado en 1996. Sigue siendo uno de sus álbumes más vendidos. Contiene el instrumental " Christmas Eve / Sarajevo 12/24 " que apareció originalmente en la ópera rock de Savatage , Dead Winter Dead , una historia sobre la guerra de Bosnia. Su lanzamiento de 1998 The Christmas Attic , la secuela de Christmas Eve and Other Stories siguió un formato similar. Este álbum produjo el éxito " Christmas Canon ", una versión del Canon en re mayor de Johann Pachelbel .con letras y nuevas melodías añadidas. The Christmas Attic se presentó por primera vez en vivo en 2014. La última noche de Beethoven fue escrita y grabada en 1998 y 1999 y entregada a Atlantic Records a fines de 1999 para su lanzamiento en 2000. La historia comienza cuando Mephistopheles aparece antes que Beethoven, a quien Paul O'Neill se refiere como "la primera estrella de rock pesado del mundo". para recoger el alma del gran compositor. Por supuesto, Beethoven está horrorizado ante la idea de la condenación eterna, pero el diablo tiene una oferta y comienza la negociación. Hay numerosos giros en la trama, incluido el destino de su música y el final se basa en un hecho cierto pero poco conocido sobre Beethoven. También en 1998, a petición de Scott Shannon de WPLJ , actuaron en vivo por primera vez en un concierto benéfico paraHospital de niños de Blythedale . En 1999, a instancias de Bill Louis, un DJ de WNCX en Cleveland, hicieron su primera gira, durante la cual debutaron secciones de Last Night de Beethoven . Interpretaron el álbum en su totalidad por primera vez durante la gira de primavera de 2010. En octubre de 2011, Beethoven's Last Night fue lanzado en Europa para coincidir con su gira europea con una nueva portada de Greg Hildebrandt y las páginas de poesía faltantes del lanzamiento original. Las canciones de Mephistopheles son cantadas por Jon Oliva . Para coincidir con la gira de primavera de 2012, Atlantic / Rhino / Warner Brothers Record lanzó Last Night: The Complete Narrated Version de Beethoven . [17] [18]Esta edición de lujo de dos discos incluye toda la música del lanzamiento original y, por primera vez, la narración presentada durante las presentaciones en vivo del álbum. Viene empaquetado con un folleto lleno de ilustraciones de la historia de Hildebrandt, además de la letra y la narración completas. La narración está a cargo de Bryan Hicks, quien ha estado manejando la narración en vivo en las giras de este álbum. El creador Paul O'Neill explica: "Así es como siempre imaginé que se experimentaría la historia. Donde el oyente pueda relajarse, cerrar los ojos y, en cuestión de minutos, pasear por las calles de la Viena del siglo XIX con Beethoven en la última gran aventura de su vida. Siempre que la banda estaba fuera de la carretera, regresaban al estudio y en 2004 completaban The Lost Christmas Eve , la última entrega de la Trilogía de Navidad. Es una historia de pérdida y redención que abarca un hotel ruinoso, una vieja tienda de juguetes, un bar de blues, una catedral gótica y sus respectivos habitantes, todos entrelazados en una sola Nochebuena encantada en la ciudad de Nueva York. Al año siguiente, combinaron los tres álbumes de Navidad y los lanzaron en una caja titulada The Christmas Trilogy, que también contenía un DVD de su especial de televisión de 1999 The Ghosts of Christmas Eve (cada uno de los álbumes sigue estando disponible individualmente .) La Nochebuena Perdidase presentó por primera vez en vivo en 2012, seguida de una gira encore en 2013. Los críticos una vez más lo llamaron "espectacularidad impresionante" "que incluía todos los trucos conocidos por el hombre, incluyendo pirotecnia masiva, láseres espectaculares, escenarios que se ciernen sobre el audiencia, cantantes de apoyo calientes mientras se conectan constantemente con su audiencia. Después de unos pocos años de gira, Night Castle , el quinto álbum de Trans-Siberian Orchestra, fue lanzado el 27 de octubre de 2009 y fue bien recibido por fanáticos y críticos por igual. Debutó en el puesto número 5 en las listas de álbumes de Billboard . Fue certificado oro en ocho semanas y ahora es platino. "Su trabajo más ambicioso y aventurero hasta la fecha. Abarca desde el hard rock hasta el clásico, llevando al oyente a un viaje a través de la historia que detalla los triunfos y las locuras del hombre, pero en última instancia es una historia de transformación y amor". Inicialmente destinado a ser su primera ópera regular, no rock, que consta de un álbum de diez canciones independientes, O'Neill le da crédito a la persistencia de Jon Oliva de que era demasiado pronto para tal movimiento y que el quinto álbum tenía que ser una ópera rock. Insistiendo en que "TSO no era como cualquier otra banda y que los fans esperaban una historia. Fue un poco de cambio de roles porque cuando estábamos trabajando en Savatage, siempre quise hacer un disco conceptual". El conjunto de dos discos incluye una versión de " O Fortuna " de Carmina Burana de Carl Orff , que fue vista previa en vivo por la banda durante sus giras 2004-2008. Una versión MP3 del álbum lanzada a través de Amazon.comcontiene una pista adicional titulada "El vuelo de Cassandra". La primera mitad es una ópera rock sobre una niña de siete años en una playa que conoce a un extraño de la ciudad de Nueva York que le cuenta una historia que la lleva por todo el mundo y a través del tiempo donde se encuentra con varios personajes, muchos de los cuales se basan en personajes históricos como Desiderius Erasmus . La segunda mitad rinde homenaje a las influencias de Trans-Siberian Orchestra. También contiene nuevas versiones de varias canciones de Savatage, así como " Nut Rocker ", originalmente de B. Bumble and the Stingers y que anteriormente se hizo famosa por Emerson, Lake & Palmer , con Greg Lake en el bajo. En febrero de 2011, Night Castle fue lanzado en Europa con dos bonus tracks en vivo ("Requiem" y "Toccata-Carpimus Noctem") añadidos. Ambas pistas en vivo fueron grabadas en la gira de primavera de 2010 en el Verizon Theatre en Grand Prairie , en Texas. Metal Kaoz, lo revisó como un CD de ópera rock doble de dos horas más con "sin relleno" que fluye sin problemas. "Las capas clásicas se encuentran con la belleza de la música Metal y forman la fina mezcla ... una amplia gama de emociones y colores musicales ... pistas que te dejarán boquiabierto. Pulsa play y deambula libremente en TSO's, Night Castle". El 30 de octubre de 2012, Trans-Siberian Orchestra lanzó un nuevo EP de cinco canciones titulado Dreams of Fireflies (On a Christmas Night) en Lava Republic Universal Records. Debutó en la lista de los 200 mejores álbumes de la revista Billboard en el número 9 y el número 1 en las listas de rock. Fue el primer EP de la banda y con un precio de lista de cinco dólares o menos fue la forma en que Trans-Siberian Orchestra dio las gracias a sus fans, En lugar de contener la historia habitual de TSO, era más como un Harry Chapinálbum donde se incluye una historia corta dentro de la canción. Por ejemplo, "Algún día" trata sobre cómo las personas tienden a posponer el agradecimiento a las personas con las que tienen una gran deuda y, con la mejor intención, se dicen a sí mismos que lo harán algún día. Además, cada canción va acompañada de un breve poema. Lanzada el 11 de octubre de 2013, esta colección de quince pistas es la primera colección de grandes éxitos de Trans-Siberian Orchestra e incluye canciones de los seis lanzamientos anteriores. Una vez más, la portada fue proporcionada por Greg Hildebrandt . El 11 de noviembre de 2011, TSO lanzó una nueva pieza coral titulada "Who I Am". Esto se lanzó originalmente como una descarga digital para los fanáticos que compraron boletos a través de la venta anticipada de boletos de la banda, pero ahora está disponible a través de otros sitios de música, además de ser lanzado en su álbum de 2015, Letters from the Labyrinth . La canción se interpretó en vivo como el número de apertura de la gira de invierno de 2011 en reconocimiento a los tiempos difíciles por los que atravesaban muchas personas en el mundo, pero trayendo un mensaje de esperanza al señalar que juntos podemos resolver estos problemas como lo han hecho las generaciones anteriores en el pasado. Fue acompañado por clips de sonido y video de personas que ayudaron a la humanidad a progresar o superar situaciones aparentemente imposibles. La primera cita e imagen fue la voz del reverendo ML King repitiendo "Tengo un sueño ... que todos los hombres serán juzgados por el contenido de su carácter", seguido del desafío inaugural del presidente Kennedy, "No preguntes qué puede hacer tu país por ti ; Pregunta qué puedes hacer por tu país." Incluía fotografías de Jonas Salk, el científico que curó la polio, Santa "Madre" Teresa de Calcuta que pasó su vida cuidando a los no deseados y terminó con Neil Armstrong dando el primer paso en la luna y la cita parafraseada de Gene Kranz de la NASA con respecto a salvando a los astronautas a bordo de la cápsula espacial Apolo 13 dañada, que "el fracaso no es una opción". En 2013, la banda anunció el lanzamiento a fines de noviembre de una novela, Merry Christmas Rabbi . Conocida como la última pieza que falta en la Trilogía de Navidad, es el diario descubierto por la niña en la ópera rock Christmas Attic que conduce a la canción "Dream Child". Los comunicados de prensa lo describieron como "la historia de una fatídica Nochebuena y cómo una de las apuestas más locas en la historia humana conduce a una segunda oportunidad para un joven con problemas que se encuentra más allá del punto sin retorno" O'Neill murió el 5 de abril de 2017, a los 61 años, mientras se hospedaba en un hotel Embassy Suites by Hilton en el campus de la Universidad del Sur de Florida en Tampa. La causa de muerte determinada por la Oficina del Médico Forense del Condado de Hillsborough, Florida , fue la intoxicación por una mezcla de metadona , codeína , Valium y doxilamina y la forma de muerte como abuso de drogas . En junio de 2017, la organización anunció que continuarían con su gira con temas navideños. La historia de Ghosts of Christmas Eve , que habían interpretado en 2015 y 2016, fue anunciada como su historia una vez más para la gira de 2017, David Z, bajista de TSO, murió el 14 de julio de 2017, mientras estaba de gira con Adrenaline Mob para su gira " We The People "; un tractor-remolque se desvió de la Interestatal 75 en Florida y golpeó el vehículo recreativo en el que viajaba Adrenaline Mob. Su compañero TSO y miembro de Adrenaline Mob, Russell Allen , también resultó herido en el accidente. Para la vigésima gira anual de invierno de TSO en 2018, la banda decidió hacer una gira una vez más con la historia de The Ghosts of Christmas Eve . En 2019, TSO regresó al espectáculo de Nochebuena y otras historias , que se había realizado previamente desde la gira inaugural de 1999 hasta 2011. No se realizará ninguna gira en 2020, debido a las continuas restricciones de reuniones masivas vinculadas a la Pandemia de COVID-19 en los Estados Unidos, En cambio, la banda está realizando una transmisión en vivo para 2020 que los fanáticos pueden comprar y ver el 18 de diciembre en línea.Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558

Back in the day, Lorenzo REFUSED to wear a Bad Religion t-shirt because he was a good christian boi. Congrats, Zo. You won the holy awards. In this episode, we talk fashion, and pet peeves. We promised to link:Copper Fire PlacesEven The Rich I'm Not a MonsterAll Gas No BrakesGlass AnimalsScience MikeThe DailyAFIGet in touch: Parenting vs. Podcast can be found at parentingvspodcast.com Lindsey tweets at @LindseyFace28Lorenzo tweets at @offlohiParenting Vs Podcast tweets at @parentingvspodBarelas Podcaster's Guild, including guild podcasts can be found at barelaspodcastersguild.comAll our music is made by Jeff: https://soundcloud.com/jeff-omidvaranO Fortuna by MIT Concert Choir 

As an undercover officer in South Africa, Bradley Steyn played his part in a deadly culture of racial oppression - Apartheid. After meeting an inspirational freedom fighter, he made the life-changing decision to switch sides. For years, Bradley worked from the inside to destroy the institutions of apartheid. What would you RISK for what you believe in? From SPYSCAPE, the home of secrets. A Cup And Nuzzle production. Series producer: Gemma Newby. Produced by Tim Mansel. Music by Nick Ryan. O Fortuna from Carmina Burana by Carl Orff, performed by MIT Concert Choir, is licensed under an Attribution-Noncommercial 3.0 United States License from Creative Commons.

Dante wants to know why some people have it good and some have it bad. Virgil, seemingly impatient, sets into his sermon on the goddess Fortune who controls this world. It's boiler-plate Boethius, as you'll see. But it may be a lot more, too. Join me, Mark Scarbrough, as we take a slow stroll with Dante-the-pilgrim and his (current) guide Virgil across the known universe in this podcast, WALKING WITH DANTE. We've come to the back part of Canto VII of INFERNO. We've seen those who hoard their wealth and those who spend too much. And Virgil's got some sort of answer. Trouble is, it's not a very satisfying answer. Nor are standard interpretations of this passage from INFERNO. Here are the segments of this episode: [01:03] I read the whole bit of Canto VII all the way up to and through this passage. It's my English translation--and I want you to hear the sweep of the canto to understand what I see as the strangeness of Virgil's sermon on fortune. [06:38] A series of very light glosses on this passage--just walking you through it to explain some of the more opaque lines (or at least opaque if you're not a medieval or haven't read the whole COMEDY already!). [13:00] Stepping back, let's look at Virgil's sermon. First off, it's from Boethius' work ON THE CONSOLATION OF PHILOSOPHY. I'll explain that connection. But I'll also highlight the interpretive knots Dante-the-poet ties in what should be a boiler-plate rehearsal from a classical figure's work. And I'll offer four interpretive stances you can take to Virgil's sermon on Fortune: 1) Virgil's wrong, 2) Virgil's character is changing, 3) Virgil's right but in a limited way, and 4) this passage isn't about Virgil at all but instead the start of the progress of revelation about the nature of the universe in COMEDY. You've gotta start somewhere. Here's as good as any a place! Support this podcast

Dorothea Schrade aus Leutkirch im Allgäu hat mit „O Fortuna, du Luder“ ein Buch über ihr buntes Leben geschrieben. Die 77-Jährige Künstlerin und Galeristin hat alles Mögliche ausprobiert, gab Kurse in Keramik, lernte Käse herstellen, studierte Kunst. Sie erzählt davon in frischem frechen Ton und mit ausgeprägtem Sinn für Humor. Wir lernen die Kunstszene Oberschwabens ab den 70-igern kennen und auch berühmte Künstlerkollegen, sei es Günther Uecker oder Georg Meistermann. Diese stellte Dorothea Schrade mit ihrem ehemaligen Mann Ewald Schrade aus, u.a. auf Schloss Mochental auf der Schwäbischen Alb, eine der vielen Stationen in ihrem turbulenten Leben. Die Erzählreise beginnt mit der Nachkriegskindheit in Reutlingen und endet zwar auf dem Friedhof, aber auch dort noch lebenssatt und herrlich.

Dorothea Schrade aus Leutkirch im Allgäu hat mit „O Fortuna, du Luder“ ein Buch über ihr buntes Leben geschrieben. Die 77-Jährige Künstlerin und Galeristin hat alles Mögliche ausprobiert, gab Kurse in Keramik, lernte Käse herstellen, studierte Kunst. Sie erzählt davon in frischem frechen Ton und mit ausgeprägtem Sinn für Humor. Wir lernen die Kunstszene Oberschwabens ab den 70-igern kennen und auch berühmte Künstlerkollegen, sei es Günther Uecker oder Georg Meistermann. Diese stellte Dorothea Schrade mit ihrem ehemaligen Mann Ewald Schrade aus, u.a. auf Schloss Mochental auf der Schwäbischen Alb, eine der vielen Stationen in ihrem turbulenten Leben. Die Erzählreise beginnt mit der Nachkriegskindheit in Reutlingen und endet zwar auf dem Friedhof, aber auch dort noch lebenssatt und herrlich.

Mysteries of the Sith! During a mission to rescue a colony on the fourth moon of Yavin, the Empire Wreckers discovered an ancient sarcophagus in the depths of a ruined temple.Peeking inside, the Republic heroes discovered in stasis a member of the primeval Sith species, untouched by the ravages of time and seemingly ready to awaken.Alongside the mysterious mystic, the Wreckers also captured the foul Durga the Hutt and destroyed his Darksaber station, striking a powerful blow against the Sapphire Evening....

Carl Orffs Kantate aus dem Jahr 1936 entwickelte sich schnell zu dem Bestseller ernster Musik im 20. Jahrhundert schlechthin. Auch wenn Orffs Rolle in der NS-Zeit umstritten ist - der neuartige Orchestersound, der Rückgriff auf Stilmerkmale des Mittelalters und die emotionalen Gänsehautmomente machen das Werk bis heute beliebt, ob bei Chören oder in Hollywood. (Autor: Martin Zingsheim)

Musikeren M. Rexen var som ung bosat på en institution, han gerne ville væk fra. En dag stak han af med en minidisc-afspiller med The Doors i ørene. Men efter "Riders of the Storm" var klinget ud, begyndte et andet og mere chokerende musikalsk stormvejr. Åbningssalven "O Fortuna" fra Carl Orffs Carmina Burana (1936) præsenterede M. Rexen for en helt ny følelsesmæssig horisont. Og det inspirerede ham til at bearbejde sit indre stormvejr kunstnerisk. M. Rexen er aktuel med albummet Tending to the Vulnerable Things (https://open.spotify.com/album/5ecbBxr1Sv4g7DwZ8tBrSt?si=v24R2WqWSP6f_qiW0tSWug). Vi beklager den let forringede lydkvalitet på optagelsen med M. Rexen. Varighed: 5:09

Nesta semana, Ivan fala do jogo The Exectioner, um jogo em texto gráfico sobre torturador e carrasco, e do livro Não Me Abandone Jamais, de Kazuo Ishiguro. Eduardo comenta A Cor que Caiu do Espaço, de 2020 e estrelando Nicholas Cage.Blocos do episódio:Nossa Semana:The Executioner: 00:49.Não Me Abandone Jamais: 18:30.A Cor que Caiu do Espaço: 23:50.Notícias da Semana:Diretor da Sega anuncia que portarão mais jogos da Atlus: 33:34.Criador de Act Age preso por assédio sexual em duas garotas estudantes e mangá cancelado: 34:41.Amazon anuncia a conversão da Twitch Prime para Prime Gaming: 38:56.Diário de Final Fantasy, até Iifa Tree: 42:52.Música de encerramento: O Fortuna, de Carl Orff, interpretada pela Shanghai Simphony Orchestra e convidados: 53:36.

Pour le tout dernier épisode de la saison 2019-2020, une vaticination particulière vous est proposée… Tout en approfondissant, amplifiant et fortifiant notre fervente passion pour le culte du Black, nous allons entreprendre un ahurissant détour vers un tout autre genre musical, pareillement noir de méphistophélique potentiel, mais davantage élitiste, ésotérique et vilainement outrageuse pour les non-initiés et les pauvres d'esprit. Bouillonnant de haines misanthropiques, de sombres méditations existentielles, de désespoirs nauséabonds, de ferveurs ancestrales et d'anxiétés apocalyptiques, voici douze compositions de l'éternel génie des Noirceurs au cœur de la musique savante. ☩ LISTE LITURGIQUE ☩ 1. Carlo Maria Giulini avec la Berliner Philharmoniker et la Ernst Senff Chor (Allemagne) - Messa da requiem : 2, Dies irae « Tuba mirum » (de Guiseppe VERDI) 2. Charles Dutoit avec l'Orchestre symphonique de Montréal (Québec) - Carmina Burana : 1, « O Fortuna » (de Carl ORFF) 3. Anna Meredith et la Scottish Ensemble (Écosse) - Concerto no. 4 en fa mineur, op. 8, RV 297, « L'inverno » (de Antonio VIVALDI) 4. Nemanja Radulovic et Les Trilles du Diable (France) - Toccata et fugue en D mineur, BmV 565 (de Johann Sebastian BACH) 5. Georg Solti avec la Wiener Philharmoniker (Autriche) - Götterdämmerdung, WWV 86D, acte 3 : « Trauermarsch » (de Richard WAGNER) 6. Peter Oundjian avec la Toronto Symphony Orchestra (Ontario) - The Planets : 1. « Mars, the Bringer of War » (de Gustav HOLST) 7. Thomas Dausgaard avec Hetna Regitse Bruun, Peter Lodahl, la Dansk Nationalt Kor, la Dansk Nationalt Vokalensemble et la danske nationale symfoniorkester (Danemark) - Endens tid, BVN 243 : IV, « La Catastrophe » (de Rued LANGGAARD) 8. Olivier MESSIAEN avec Lise Arseguest (France) - Poèmes pour mi, no.4, « Épouvante » (de Olivier MESSIAEN) 9. Juan Pablo Izquierdo avec la Cuarteto Latinoamericano et la Carnegie Mellon Philharmonic Orchestra (International) - Black Angels (13 Images from the Dark Land), partie 1 « Return » : no. 13, Threnody III, « Night of the Electric Insects » (de George CRUMB) 10. Sir Simon Rattle avec la City of Birmingham Symphony Orchestra (Royaume-Uni) - Three Screaming Popes (after the paintings by Francis Bacon), for Large Orchestra (de Mark-Anthony TURNAGE) 11. Philip Glass Ensemble (États-Unis) - « Prophecies », dernier mouvement du documentaire Koyaanisqatsi (de Philip GLASS) 12. Valery Gergiev avec la Mariinsky Orchestra (Russie) - Suite scythe, op. 20 « Ala et Lolly » : II. « Tchoujbog et la danse des esprits » (de Sergei PROKOFIEV) (en fond)

Es sind rhythmisch-geprägte, archaische Klänge, Töne wie antike Säulen. Sie wirken unverrückbar und werden lauthals gesungen: "O Fortuna". Diese Anrufung steht m Beginn der Kantate "Carmina burana", die ihren Komponisten Carl Orff weltberühmt gemacht hat. 1937 uraufgeführt, gilt dieses Werk inzwischen als exemplarische Visitenkarte für das musikalische Schaffen des gebürtigen Münchners. Autor: Christoph Vratz

This week we're watching "Throwdown"! Will and Sue are pitted against each other in an attempt to see who's the worse teacher, with Will putting Finchel in a wind tunnel and Sue encouraging crimes and aggressive kicking. Tanner and Christina engage in some ASMR, instant music knowledge, and Terri rolled a nat 20 on her Sonogram Deception.If you want to contact us we can be found at loserlikemepod@gmail.com, or @loserlikemepod on twitter. Tanner can be found @SparkyUpstart, and Christina @CWoodsArt.

Update: The audio is kinda bad for the first 6 minutes, then gets better. I was experimenting with some noise filtering that apparently did not work at all. Sorry about that!Tod & Claire discuss H.P. Lovecraft's "The Cats of Ulthar," which was written one hundred years ago today, but published in the November 1920 issue of Tryout, and later republished the February 1926 issue of Weird Tales. You can either listen to the last episode and pretend it is being told by our cat, or read it yourself for free.One musical cue is from He's the Houscat (Arthur's Theme) by Alexander Smith and Stuart Wellington, and another is O Fortuna by Carl Orff. See if you can tell which is which!Finally, I offer my most sincere apology for my casual and boorish use of the term "gypsy," a slur that Claire points out that Lovecraft did not use in describing the traders from the south. My bad.

Mine damer og herrer, så skal I ikke vente længere, Drager & Daimoner er tilbage! Og vi vender tilbage med et brag af et afsnit. Vi genåbner Drager & Deja Vu-kassen og genser i dette afsnit John Boormans film Excalibur fra 1981. Til at hjælpe os med det har vi fået besøg af forfatter og fantasynørd, Merlin P. Mann, ja det er hans rigtige navn, og hvad er mere passende end at snakke om en film om King Arthur, ridderne om det runde bord og Merlin end med en fantasyforfatter med samme navn. Afsnittet byder på alt lige fra svinske konge, drilske magikere, over the top acting og en granvoksen mand, der spiller et barn. Filmen tager 2 timer og 20 minutter og det tager os sjovt nok næsten den samme tid at snakke handlingen igennem, for Excalibur er en film, der i virkeligheden indeholder mange forskellige film, der svinger i pacing, tone og genre. Advarsel afsnittet indeholder som alle andre Drager & Daimoner afsnit heftige spoilers. Rigtig god fornøjelse. Dagens musik er naturligt nok fra Excalibur soundtracket af Trevor Jones med lidt Wagner og O Fortuna blandet ind.

On this week’s Damn Dirty Drive-In, Greg, Ben and Robb debut the new sketch “Kill Bob Hope Dot Com!” Plus, Producer Alexis Iacono drops by to discuss the upcoming remote Scripts Gone Wild shows on YouTube! Then, the gang puts the 2000 Nicholas Cage film “Gone in 60 Seconds” on trial in an all-new Reels of Justice! And finally, Erik tempts us all with the Chocolate Bar From Hell on the Damn Dirty Deli! All this and a mutant sloth belting out ‘O Fortuna,’ on the Damn Dirty Drive-In!

Yeah, don't hoard the corn. If you hoard the corn, then there's not enough to go around. But seriously, the times we're living in are surreal. People are clearing out grocery stores, buying up all the toilet paper, pasta, meats, canned food, even ramen.We hope it'll be okay. We also hope this episode finds you well. If you're quarentied, or social distancing, perhaps we can find a spot in our podcast rotation. Thanks if we do.If you're curious about the enneagram, Sandra has an amazing instagram page found at https://www.instagram.com/familypersonalities/. We suggest you visit. Also, if you're curious about the enneagram, the authors we've been paying attention to are Richard Rohr, Ian Morgan Cron, and Suzanne Stabile.Music is by Jeff Omidvaran (but not O Fortuna)https://soundcloud.com/jeff-omidvaranAlso check out Ryan Freeman's books.https://www.ryanpfreeman.comFind our contact information at https://parentingvspodcast.blogspot.com.Enjoy!

La compagnia come nelle migliori tradizioni si è divisa. Wardistran preoccupato dalla possibilità che i suoi ormai ex-amici possano averlo tradito decide di recarsi al rendez-vous con il simpatico bardo conosciuto a Vallaki. Insieme a Kasimir si troverà ai piedi... Continue Reading →

https://premium.badtaste.it ➡ Sostieni BadTaste.it: diventa nostro sottoscrittore e ottieni la tua t-shirt esclusiva disegnata da Mirka Andolfo! Carlo Alberto Montori ha recensito per voi “Caso o fortuna?”, opera scritta da Ivar Ekeland, disegnata da Étienne Lécroart e pubblicata da Edizioni Sonda.

Every Monday we listen to your misheard lyrics. Are you crazy, or are they really talking about cheese in O Fortuna?See omnystudio.com/listener for privacy information.

Nem tudo são tulipas e fish & fries por aqui! A gente fala nesse episódio sobre as batalhas de se conseguir um teto pra chamar de seu por nossas bandas. Vem conferir esse perrengue com a gente! Se liga nas dicas, hein? Site de aluguel e compra de imóveis na Holanda: https://www.funda.nl/ Site de aluguel e compra de imóveis no Reino Unido: https://www.rightmove.co.uk/new-homes-for-sale/Cardiff-County-of.html Blog do britânico que mora em Amsterdam e conta suas experências: https://amsterdamshallowman.com/ Créditos: "Casa no Campo" - Elis Regina "Supertrash"- Comédia MTV 2011 "A Briga do Edifício Itália Com O Hilton Hotel" - Tom Zé "O Fortuna" - Carmina Burana "E O Pintinho Piu" - Trio Nortista "Casa da Flor" - Joyce Moreno "Agora Vai Sentar" - MCs Jhowzinho E Kadinho "A Casa" - Boca Livre Nos encontre em: Email: fuiemborapodcast@gmail.com Instagram: @fuiemborapod Facebook: www.facebook.com/Fui-Embora-Podcast Twitter: twitter.com/fuiemborapod Música de abertura: Cloudy by KODOMOi @kodomoimusic Creative Commons — Attribution 3.0 Unported — CC BY 3.0 creativecommons.org/licenses/b… Music promoted by Audio Library youtu.be/ZIyyj2FrVI0

We are going backwards in this coffee break. For the past few shows we have heard how composers have expanded the sound of previous composer's works. This time we start off with a larger version of Carmina Burana then go smaller. Orff's disciple Wilhelm Killmayer in 1956 created a reduced version for soloists, SATB mixed choirs. children's choir, two pianos and six percussion (timpani+5). This version, authorized by Orff himself, allowed smaller ensembles the opportunity to perform the piece. We also sneak in Mozart's and Goosen's variations of Handel's Messiah. Contact the show at YCCB@mauriceriverpress.com

When one of their own goes missing, Bulwark must rely upon allies and traitors to stage a rescue. Written by Mercedes Lackey and Dennis Lee. Read by Veronica Giguere

Those not at the memorial struggle with grief and loss of their own. Unfortunately, there is always something more to lose. Written by Mercedes Lackey, Dennis Lee, and Veronica Giguere. Read by Veronica Giguere

This week, we're talking about The Saga Begins making love to bottles...?? Uh oh. David has a theory of Al's raunchier songs, Dan reveals the dark origins of Jim Croce's hit, and we finally learn the truth about tables.   Al's cameo: “Starmen (with Jonathan Coulton)” - NPR “Ask me Another”https://www.npr.org/programs/ask-me-another/483373204/-weird-al-yankovic-jeff-goldblum-and-maika-monroe-10-out-of-10-goldblums?showDate=2016-06-24   Dan's plugs n' stuff: https://www.instagram.com/danielkawka/ Dan's podcast suggestion: http://www.theavatarstate.com/   Special thanks to Allura March (@RetroAutomaton) for the awesome design! https://retroautomaton.tumblr.com/ https://www.instagram.com/retroautomaton/ https://twitter.com/retroautomaton?lang=en   Support us on Patreon: https://www.patreon.com/weirdalphabet    Email us at: alscarrierpigeons@gmail.com Facebook:  https://www.facebook.com/theweirdalphabetpodcast/ Twitter: https://www.twitter.com/weirdalpod Instagram: https://www.instagram.com/weirdalpod   Thumbnail by Josh K! https://twitter.com/AnimationJosh http://oneandonlyjsk.deviantart.com/   Show music: "Dvorak Polka", "Break Time", and "Thinking Song" - Kevin MacLeod (www.incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ "Time in a Bottle" by Jim Croce "If I Could Make Love to a Bottle" by "Weird Al" Yankovic (Chumash 1980, Knotts Berry Farm 1979, Red Twin 2017) Interview clip from Red Twin 2017 "O Fortuna" by Carl Orff "Science Blaster" by SpellingPhailer   For the above sound clips and songs, we don't own the rights to them, but are using them in compliance to Fair Use. Parody & Educational. Thank you. Find more of our episodes at www.pipedreampodcasts.com

It’s here! Podcast 100!! Nine years in and still going strong. Though I should add, this episode may have been my most difficult ever.    The genesis came from a discovery made a few months back while going through old boxes back home in Texas. My mom came across three mix cassette tapes I made back in 1998. That summer, at 16, I went on an off-road / camping / wilderness adventure trip to the northern tip of Australia. It was amazing but there was a lot of driving so they told us to bring mix tapes. It was basically my first podcast episode! In addition to finding the tapes, I also knew where to find the journal I kept during the trip. A journal (handwritten in cursive!) that I had never reread and that I knew featured a lot of focus on a girl I met. So, sure to be embarrassing but probably also a good read. With tapes and journal in hand, I thought I had podcast gold and the episode would write itself. I was very mistaken on that front, which I discuss in the episode. It came out great though. Very happy with this milestone episode. There are some classics on there.    In addition to finishing episode 100, I have also finished making Spotify playlists of all 100 podcast episodes. You can find them all at ActiveListener. There are songs missing from almost every episode and I have tried to note that in the playlist details but overall it's pretty good. They work as great seed playlists for further discovery and Spotify generated radio stations. Also, for those that want to go deeper on the Australia mixes, I made playlists of each tape in it's entirety.    I hope you all have a great New Years! Thanks for listening and don't forget to support the artists.     Aaron ActiveListener on Spotify     Tracklist 1.Shambala by Beastie Boys on Ill Communication 2.O Fortuna by Mozarteum Orchestra Salzburg & Kurt Prestel on Orff: Carmina Burana 3.Victory ft. Notorius BIG by Puffy Daddy on No Way Out 4.Triumph by Wu-Tang Clan on Wu-Tang Forever 5.Firm Fiasco by AZ, Nas & Foxy Brown on The Album 6.Apocalypse by Wyclef Jean on The Carnival 7.Tres Delinquentes ft. Sen Dog by Delinquent Habits on Hip-Hop Legacy, Vol. 6 8.Jack the Ripper by Link Wray on Link Wray at His Best 9.Just Dropped In - To See What Condition My Condition Was In by Kenny Rogers & The First Edition on Anthology 10.Paint It Black by The Rolling Stones on Aftermath 11.Small Town by John Mellencamp on The Best That I Could Do 12.Tomorrow by Ozzy Osbourne on Ozzmosis 13.Frank Sinatra by Cake on Fashion Nugget 14.Sunburn by Fuel on Sunburn 15.Push It by Garbage on Version 2.0 16.Song 2 by Blur on Blur 17.241 by Reel Big Fish on Turn the Radio Off 18.M+M's by Blink-182 on Cheshire Cat 19.Modern Man by Bad Religion on All Ages 20.Smash by The Offspring on Smash 21.The Off-White Album by Dennis Miller on The Off-White Album  

In Episode 22 we travel to the distant Hyborian era with Basil Poledouris’ muscular score for 1982’s Conan the Barbarian. As the gold standard for high fantasy prior to Howard Shore’s Lord of the Rings epics, Poledouris’ lush and orchestral score creates entire musical worlds and carries much of the emotion in this sparsely-dialogued film. Join us as we take a journey with the Riders of Doom and listen to this fantastic work of musical fantasy. Episode notes: 5:35 – The secrets to Conan’s success 9:22 – John Milius’s machismo 13:38 – Basil Poledouris’ score 19:54 – Conan’s canon – what era does the music come from? 22:45 – Anvil of Crom: the Hyborian rhythm and Nick’s rave remake 30:20 – Twenty-four French Horns and Total Recall’s Barbaric Recall 38:28 – Conan’s theme 48:10 – Double reeds and the passing of time 58:21 – The love theme, and saying more than Arnold through music 1:10:00 – The Riders of Doom theme 1:14:55 – O Fortuna’s influence on Conan (and film music generally) 1:19:34 – Conan’s Battle on the Ice 1:21:44 – The Wheel of Fifths 1:24:51 – Doom’s Dies Irae 1:38:16 – The Wheel of Pain’s ostinato 1:43:06 – Waltzing through theology 1:47:42 – The villain’s music for the hero’s journey – in the kitchen 1:49:28 – Waltzing through an orgy 1:57:07 – The Pit Fights and the Mountain of Power, via 1950s sword and sandal epics 2:03:49 – Conan’s Firebird finale We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

Un mes y un día… Cuenta atrás para disfrutar de un espectáculo sin parangón, el que este año dará inicio al Fair Saturday. Será el viernes 23 de noviembre en Bilbao Arena (Miribilla) y la venta de entradas va a muy buen ritmo. Así lo ha confirmado en Onda Vasca Saioa Eibar, cofundadora. Más de 1.000 voces en escena interpretarán grandes temas de la historia de la música en un espectáculo audiovisual inolvidable ¿Te imaginas O Fortuna cantando por mil voces? ¿y los Chicos del Coro cantado por más de 300 niños y niñas? Benito Lertxundi participara? como artista invitado cantando algunos de sus temas ma?s conocidos acompan?ado por todos los participantes, quienes también deleitarán al público con temas conocidos y populares como “Lau Teilatu” de Itoiz, “We are the world”, “Va pensiero” de Nabucco y temas de bandas sonoras, musicales, o?pera, pop... Emoción, sorpresa y diversión en una noche única que dará comienzo a Fair Saturday 2018 por todo lo alto.

Un mes y un día… Cuenta atrás para disfrutar de un espectáculo sin parangón, el que este año dará inicio al Fair Saturday. Será el viernes 23 de noviembre en Bilbao Arena (Miribilla) y la venta de entradas va a muy buen ritmo. Así lo ha confirmado en Onda Vasca Saioa Eibar, cofundadora. Más de 1.000 voces en escena interpretarán grandes temas de la historia de la música en un espectáculo audiovisual inolvidable ¿Te imaginas O Fortuna cantando por mil voces? ¿y los Chicos del Coro cantado por más de 300 niños y niñas? Benito Lertxundi participara? como artista invitado cantando algunos de sus temas ma?s conocidos acompan?ado por todos los participantes, quienes también deleitarán al público con temas conocidos y populares como “Lau Teilatu” de Itoiz, “We are the world”, “Va pensiero” de Nabucco y temas de bandas sonoras, musicales, o?pera, pop... Emoción, sorpresa y diversión en una noche única que dará comienzo a Fair Saturday 2018 por todo lo alto.

"You are the son of Uther and Igrayne. You are King Arthur!" Comic Creator Mark Martinez @markeldude ("Samuriachi," "Devil Mask") stops by to join the hosts to pull the Arthurian legend from the stone in the form of 1981's "Excalibur." Listen as they get in an epic discussion about the parade of Irish accents, the unironic use of "O Fortuna," Boorman's insane production and “Black Knight." Find Mark Martinez at markeldude.com Follow @markeldude on Twitter and Instagram Visit our site at filmaweekpodcast.com! Facebook @ filmaweekpodcast | Instagram & Twitter @ filmaweek Follow Serg Beret @ sergberet on Instagram & Twitter Follow Patrick Raissi @ pachathegreat Instagram & Tumblr @ HumaneRamblings on Twitter

Playing some old rave day classics! -=-=-=-=-=-=-=-=-=-=-=-=-= Brian Eno, Fractal Zoom (Up River Mix), Fractal Zoom Recoil, Faith Healer (Disbeliever Mix), Faith Healer L.F.O., Syndrome, Best Of Techno - Volume Two Fierce Ruling Diva, Rubb It In (Radio Mix), Only For The Headstrong Liberty City, Some Lovin' (Fierce Ruling Dub), Some Lovin' LaTour, People Are Still Having Sex, LaTour Noys, Ave Maria (Trasence Mix), Ave Maria Apotheosis, O Fortuna, O Fortuna Human Resource, Dominator, Dominator Interactive, Dildo (Interactive Mix), Dildo Liquid, Sweet Harmony, Sweet Harmony AB Logic, The Hitman (Piano Mix), The Hitman Push/Pull feat. Lady E and Niqué D, Africa, Africa Isotonik, Different Strokes (The Grooverider Remix), Different Strokes Skin Up, Stoned, A Juicy Red Apple Channel X, A Million Colors, Rave 'Til Dawn Toxic Two, Rave Generator, Rave Generator / Acid Flash

Corul claselor V-IX & al profesorilor, Liceul Teoretic „Elf”, prof. Simona Țupa (Înregistrare din concert)

Let's gather 'round the fireplace with a snifter of brandy and listen to classical music on the gramophone. Or... maybe just watch a new episode of FLoB. Also, more questions about Eva are answered! Dogs!This is an audio-only version of Far Lands or Bust #509: https://www.youtube.com/watch?v=RwG2k3aVwV0Donate to the FLoB Child's Play Charity fundraiser at http://farlandsorbust.com!This series is presented commercial-free thanks to support from fans at Patreon: http://patreon.com/kurtjmacIntroduction provided by Phedran: http://phedran.comMusic: "Go Cart" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/ See acast.com/privacy for privacy and opt-out information.

It’s the 80s and we love shopping because it’s totally rad! The only thing better than going to the mall is working there! Like wow! In this episode Steve returns to help the guys review the robot morality tale, The Chopping Mall. Tough one to find for streaming & the rights have passed back and forth between distributors. You can buy the DVD on Amazon if you wish. For no reason whatsoever two characters from the film Eating Raoul are in the opening? One of our party girls/heroines is Kelli Maroney who is also in the 80s classic, Night of the Comet. Hey! It’s the smart kid from Head of the Class & two of the Karate Kid films. Meanwhile, Steve is lost in the lingerie department. We are fascinated by the amount of skin flicks director Jim Wynorski has made. We learn that character actor Gerrit Graham made $600 as a player in this film. Steve is enjoying the 80s hair. “8 pounds of Aqua Net.” Chris wishes that actress doing a striptease was humming “O Fortuna”. Dick Miller from Gremlins is our grumpy janitor. Certainly the key to stopping the killer robots is, “Klaatu barada nikto!” What the hell is with these lasers? How do they work? This mall has gasoline, propane, M16 rifles, auto parts and a paint store. The film within the film is Attack of the Crab Monsters and it may actually be better than this one. 1986 was a monster year for film. Short Circuit, the non-slasher robot film finished 21st above Pretty in Pink. Steve recommends Fast Times at Ridgemont High. Thank you and have a nice day. Support Film Frown on Patreon

Who can pull the sword from the stone? Will it be Paul, Chris, or Colette? What’s the creepiest way to say someone is pregnant? Also, what’s with that green light? “AND CUT!” Want to watch this film (at your own risk)? It’s available for digital rental from the following services: iTunes Google Play Youtube Hilariously, we had originally a link to Target Ticket in here, but apparently that service is no more. Let the commentary begin! Colette was immediately surprised by the adult scenes in this film having seen it on TV so many times. Paul can’t help compare this film to the Merlin television show. John Boorman, the director of this film is the same man who brought us last season’s favorite, Zardoz. Excalibur was a hit when it came out in 1981. Hey, maybe this isn’t a bad movie? The Hobo font doth not flatter ye, film. Nicol Williamson plays Merlin. He’s a similar character in the bad movie, Spawn. When you don’t hide CGI in the dark, you get The Golden Compass. Paul thinks the glowing green sword might be light saber like. Igrayne gives everyone an innocent dance & then channels Tawny Kitaen. Is Uther riding to the Duke’s castle on fog & lust or is this a TriStar picture? Clan of the Cave Bear Igrayne is played by the director’s daughter, Katrine Boorman. That’s right, dad is giving her direction in a nude sex scene with Gabriel Byrne. A young Captain Picard shows up in this film. He’ll be followed by other youngsters like Liam Neeson and Helen Mirren. Behind the Sword in the Stone is documentary about Excalibur that has not been distributed yet, but you can see an excerpt here. Live listener &!(bitandbang) enjoys the new tag line Chris has for the film, “Patrick Stewart jousts the hell out of some dude.” Is Merlin Rasputin or Yoda? Has Arthur entered the forest or the Dark Side Cave? “What’s that song?” wonders Paul. Live listener &!(bitandbang) answers, “O Fortuna”. Click that link to see a recap of the film and hear the song. The Cave of Time is no Cave of Wonders. The guys compare bad lines & shaky plot bits to Empire Strikes Back and Harry Potter and the Deathly Hallows: Part 2. Boy Mordred is played by the director’s son, Charley Boorman who now does a lot of documentary TV. Chris compares the weird gold armor with nipples to the Joel Schumacher Batman & Robin bat suit. Lesson learned? You go into a room or tent and see someone you don’t expect in your mother’s clothes? Don’t ask questions, you kill that person! Listener &!(bitandbang) suggests we watch City of Lost Children. The final fight between Arthur and his son is going to be like a Mortal Kombat video game! It looks like a heavy metal album cover! Yet, it is completely anticlimactic. For a real end fight you have to go to revengeofthe.ninja from season 1. Recommendations: Star Knight, or perhaps some TV, Merlin. Support Film Frown on Patreon

Nathalie Miebach guides us on a tour of the weather data used to construct her sculpture O Fortuna, Sandy Spins.

Troy, Joseph and Tim discuss Troy's big news and which pizza is the best. Also features a brief compilation of speech-jammed readings of "Happy Birthday Shadow" submitted by listeners. Uncaringcaesar's dog: http://i.imgur.com/eWbxzFN.jpg Big thanks to Jordan for the rousing rendition of "O Fortuna" on the recorder. Readers: Jay M Rand al'Thor Gav Fyre ACID_pixel Lorin

선곡표 Bee Gees - Holiday Mauro Giuliani -기타 협주곡 1번 Guitar Concerto No.1 in A Major Op.30 - 1. Allegro maestoso 2. Andante sicilliano 영국 민요 Believe me, If all those endearing young charms 믿어주오, 모든 것이 변한다해도 쇼팽 - 폴란드 멜로디에 의한 환타지 Fantasia on Polish Airs in A Major Op.13 Dvorak - 관악을 위한 세레나데 D단조 op.44 중1. Moderato, quasi marcia 2. Tempo di menuetto Orff -카르미나 부라나 중 O Fortuna오 운명의 여신이여 말러 - 뤼케르트 가곡 Rückert - Lieder - 5. Um Mitternacht Cole Porter-뮤지컬 키스 미 케이트 중 So in love 바그너- 발퀴레중 발퀴레의 비행 모차르트 오페라 피가로의 결혼 중 편지2중창

Show Schedule: - Zenkaikon 2014:  April 25 - 27, Lancaster, PA - Official Cosplay Burlesque Show! This week on the podcast:  poets have written epics about it.  Bards have sung songs about it.  Tom Hanks is developing an HBO miniseries about it (it's the sequel to Band of Brothers).  Watch the entire Katsucon XX Cosplay Burlesque cast battle for supreme control of the most valuable resource in National Harbor - THE GAZEBO (ALL GLORY TO BE UNTO IT). Music:  "O Fortuna" from Carmina Burana, by Carl Orff.  MusicL  "O Fortuna" remixed by Apotheosis.

01- Chuckie, Dzeko & Torres - Down To This (HIIO Remix) 02- Marco V - Waiting (for the end) (Gum Me Edit) 03- Joachim Garraud feat. JD Davis - Can't Stop Love 04- Bobby Burns & Afrojack - Ghettoblaster 05- Nicky Romero, Sunnery James & Ryan Marciano feat. Fast Eddie - Sound Of The Underground 06- Ken Roll - Lunar 07- Moguai - When I Rock 08- Taurus & Vaggeli - Everybody Panic Now 09- Apotheosis - O Fortuna 10- Felix Cartal - The Joker 11- Jewelz & Scott Sparks - Cargo 12- Mehdi Dressy - Quantum 13- Jacob Plant - When I Say Go 14- Knife Party Vs Major Lazer - Bumayelrad (Marco G Bootleg)

01- Chuckie, Dzeko & Torres - Down To This (HIIO Remix) 02- Marco V - Waiting (for the end) (Gum Me Edit) 03- Joachim Garraud feat. JD Davis - Can't Stop Love 04- Bobby Burns & Afrojack - Ghettoblaster 05- Nicky Romero, Sunnery James & Ryan Marciano feat. Fast Eddie - Sound Of The Underground 06- Ken Roll - Lunar 07- Moguai - When I Rock 08- Taurus & Vaggeli - Everybody Panic Now 09- Apotheosis - O Fortuna 10- Felix Cartal - The Joker 11- Jewelz & Scott Sparks - Cargo 12- Mehdi Dressy - Quantum 13- Jacob Plant - When I Say Go 14- Knife Party Vs Major Lazer - Bumayelrad (Marco G Bootleg)

Michaela Cartner, an ED physician and intensivist, gives a down-to-earth fast paced low down on dialysis. She gave this lecture on the Registrar day at the Bedside Critical Care conference 2012 (#BCC3). The sound snippets are from "O Fortuna" which can be bought here

Stuart Lane, an intensivist from Nepean hospital, gives a 10 minute opinion on management of difficult airways in ICU, mainly focusing on videolayngoscopes. As always, Stuart gives us food for thought! He gave this lecture on the Registrar day at the Bedside Critical Care conference 2012 (#BCC3). The sound snippets are from "O Fortuna" which can be bought here

Anthony Holley gives a suberb and brief case-based talk on massive blood transfusion. This was recored at Bedside critical Care 2012. The sound snippets are from O Fortuna which can be bought here: http://itunes.apple.com/us/album/o-fortuna-from-carmina-burana/id333094640. The slides are available at www.intensivecarenetwork.com.

Tues 10-11pm PT www.party934.com "5-8-6" New Order "Supernaught" 100,000 Homo DJ's "Hey DJ" World Famous Supreme Team "Get Up and Get Down" Brass Construction "What Blues Is?" Little Beaver "Engine Number 9" Wilson Picket "Sure Thing" St. Germaine "Black Milk" Massive Attack "O Fortuna" (Razormaid Techno Mix) Apotheosis "I Have To Go" Dennis Brown

This is a race report and audio recording of my 7th time running the Boston Marathon.  This year was different in that I approached the starting line unprepared for the task ahead of me.  Suffering from a case of peroneal tendonitis, my training was minimal throughout the winter months.  On April 21st, 2008 I made the decision to ignore common sense setting a bad example to friends, family and fellow runners by ignoring my pain and pushing myself through a 26.2 mile race.  What you'll hear in this episode is neither inspiring or noble, but it will raise the question: "Why?‿ Show Links: The song “Curra Road‿ by Sharon Shannon off her 2007 album “Renegade‿ sung by Mike McGoldrick and produced by Daisy Entertainment in Dublin, Ireland.  O Fortuna was recorded by the Boston Symphony Orchestra The parody “Finish Line‿ was inspired of the song “Still Alive‿ by Jonathan Coulton  

And So It Begins!!What we have here is the first clip of BUNNY INFERNO! We have it available both in Quicktime and on YouTube for all to see! The Quicktime movie might actually work on your video iPods, all yee podcast viewers. Let me know if it does! We also have a BUNNY INFERNO! Myspace page up and running, so drop us a line on that! It is worth noting that this clip has a TEMPORARY soundtrack and is not the final score of the film. For information on the music used and how to BUY IT, check that out underneath the various links to the film.Now, I only have one more bit of distraction before I present you with the movie: very soon, I will be announcing a fairly big deal involving the finished BUNNY INFERNO! that will be unveiled perhaps by the next post. Keep your eyes peeled for that, as it will be a pretty momentous deal!Now without further ado, here is the first of many clips... of BUNNY INFERNO!Click here to enjoy BUNNY INFERNO! in Quicktime!Or check it out without all the bother of a download here on YouTube!This clip stars R. Dustin Kramer. It was created/(mostly) improvised by the Super Sentai Video Rockstars.Music Featured in this Clip:"Onde O Rio É Mias Baiano" from Caetano Veloso - Livro"O Fortuna" from Carmina Burana"Cupid Shot Me" from Noxagt - Turning It Down Since 2001