Podcasts about foley artists

Grab your Very Important Props and crunchiest snacks, dearest listeners! Join us as we step into the studio to meet the man behind the sound, Mitchell Kohen, to discuss his work as the ton's finest Foley Artist. We'll be learning how Mitchell made a splash in the industry, from his time curating airplane playlists, to working shifts at the Grey Sloan Memorial Hospital and bowing before the Queen of Regency England.As Mitchell takes us on a tour of the Foley stage, we'll be living a day in the life of Bridgerton post-production, walking in the footsteps of the Diamond, playing skittles with Prudence and putting on our heels to dance the Quadrille six times over. We'll also be uncovering the secrets of Lady Whistledown's quill, an earthy afternoon tea and the great escape of a soon-to-be-monarch. What crucial role does a toy train play in the Polin love story? Why will we forever shudder at the thought of ravioli? And, most importantly, what does Francesca Bridgerton really think about SunChips?Turn up the volume and listen close: if there is one thing you should know by now, it is that this podcast cannot keep quiet for long. *Show NotesFollow Mitchell on Instagram: @soundslikemitchellFollow Mitchell on Reddit: u/soundslikemitchell*Show Notes: Crumbs Radio Times: Bridgerton casts Gracie McGonigal in Season 4 AlloCiné: Interview with Nicola CoughlanReddit: *Spoiler Alert* Rumoured casting for Season 4Reddit: Chris Fulton at Land ConYouTube: Trailer for Tudum 2025Shorty Awards: The Bridgerton Chaise speaks outGold Derby: Netflix put forward Bridgerton cast for Emmy considerationHarper's Bazaar: Nicola Coughlan honoured with Konbini Commitment Award at CanneseriesWhatsOnStage: Nicola Coughlan to star in ‘The Playboy of the Western World' at the National TheatrePlaybill: Hannah Dodd and Rob Madge join the London cast of ‘Cabaret'WhatsOnStage: Rob Madge's ‘My Son's A Queer (But What Can You Do?)' announces New York runWhatsOnStage: Kitty Devlin joins the cast of ‘The Show That Goes Wrong'Regent's Park Open Air Theatre: James Phoon joins ‘Shakespeare For Every Day of the Year: Live'UKTV: Release date announced for Bessie Carter's ‘Outrageous'*Follow UsPatreon Instagram⁠ ⁠ ⁠TikTok⁠YouTube

From breaking bones to trudging through snow – it is a Foley artist's role to reproduce the everyday sound effects that are added to film, TV and games. By using a variety of unconventional props and their own bodies, the goal is to create an authentic soundscape that will enhance our auditory experience. If the Foley goes unnoticed then they've done their job well! Datshiane Navanayagam speaks to two award winning Foley artists and asks what it's like to spend so much time, quite literally stepping into someone else's shoes. Caoimhe Doyle has over 25 years' experience creating Foley sound effects and footsteps for film, television and video games. She's been nominated three times for the MPSE Golden Reel Award for her work on Colm Bairéad's An Cailín Ciúin (The Quiet Girl), The Favourite, directed by Yorgos Lanthimos and David Cronenberg's Eastern Promises. In 2011 she won a MPSE Golden Reel Award and was nominated for an Emmy for her work on Game of Thrones: Season 1 and is a current MPSE nominee for work on Rich Peppiatt's Kneecap. Caoimhe collaborates with an all-female team out of The Foley Lab in a quiet part of County Wicklow in Ireland.Marita Sbeih is a Lebanese Foley artist and one of only a handful working in the Middle East. Since 2018, she has been the dedicated Foley Artist at DB Studios in Beirut, which provides audio post-production for films, documentaries, and art productions from around the globe. Pursuing a career as a Foley artist in a country with many unique challenges has been far from easy, but Marita has built an impressive list of credits for Foley and footsteps in some of the Arab world's more distinguished art-house and indie productions, as well as international projects. Most recently, she worked on Hot Milk, a UK film directed by Rebecca Lenkiewicz, which was selected for the official competition at the 75th Berlinale (2025).Produced by Hannah Dean (Image: (L) Caoimhe Doyle courtesy Caoimhe Doyle. (R) Marita Sbeih credit Lama Sawaya.)

Ever wondered what the creative process is behind the films, TV shows and theatre productions you watch? Well, Crew Chats is a podcast that goes behind the scenes and speaks to the crew that help make these productions. Have you ever wondered about the sound of footsteps echoing in a hallway, the rhythmic trot of a horse, the rustle of clothing, or even the clatter of a wand in your favourite film or TV show? Those sounds don't just happen—they're created by Foley artists. And in this episode, I had the pleasure of speaking with Foley artist, Pete Burgis, who is so passionate about the craft. We talked about what Foley involves, how he found his way into this fascinating world, some of the strangest props he's ever used, and he even recreated some sounds just for us! Credits include: Blood Brothers, Paddington 1 &2, Batman Begins, Harry Potter films from Chamber of Secrets - Deathly Hallows part2 Pete's Recommendations: Twin Peaks Shaun of the Dead Gladiator 2

In this next episode of The Table of Content, Michael and Albert talk with Matt Mann, a Sound Engineer and Foley Artist for WAOB® Theatre. Matt talks about what he does for his job and explains the details that go into crafting a good sounding production as well as how much fun he has. Tune in to this next episode! Link to "Live Performance at Brookdale Senior Living": https://youtu.be/gc23fqCcuQI Link to "A Frog's Destiny": https://youtu.be/EOA0bAJpEGo Link to "Behind the Scenes - A Frog's Destiny": https://youtu.be/vxqZu7bcqsE

Several of our favorite guests from Astronomicon 7, including: 00:35 - Voice acting legend Billy West 07:19 - Wrestling legend Mick Foley 09:31 - Artist Dave Brown Jr. 12:31 - Actress Heather Matarazzo from Scream 3, Hostel II and Welcome to the Doll House 15:24 - Actor Walter Jones from Power Rangers Follow comicsbeerscifi on YouTube, TikTok, Facebook, Instagram and X.

The Sounding Board 4.0 has just been announced by The Cinema Audio Society and The Motion Picture Sound Editors! So that makes it a great time to push out this talk from last year's Sounding Board, that was moderated by Tonebenders' host Tim Muirhead. We have all heard many interviews with Re-Recording Mixers, so as a contrast, this panel focuses on the rest of the important mixers involved in the audio post process. Foley Mixer Gary DeLeone (and his Foley Artist, Michell Kohen), ADR/Loop Group Mixer Jesse Dodd and Scoring Mixer David Boucher all get a spotlight to shine on their craft. This episode was recorded live in front of The Sounding Board's audience in October 2023. This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects- 
Show Notes: https://tonebenderspodcast.com/280-the-sounding-boards-mixers-panel/ Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead Get Tickets to Sounding Board 4.0, on October 20th at https://shop.cinemaaudiosociety.org

Bone crushes; door creaks; feet padding through the snow. They are sounds we hear all the time... but could you recreate those sounds without bones, doors, or snow? If you can... then you might just be a foley! We hear from a brother sister duo who make sound effects on the big screen. (Krissy Holmes with foley Hilary Thompson and sound editor Matthew Thompson)

In dieser Episode sprechen wir mit dem Geräuschemacher Bastian Gerner über seine Arbeit als Foley Artist und die Kunst, Filme und Games durch Sounds zum Leben zu erwecken. Bastian gibt uns Einblicke in seine Mikrofonierungstechniken, die er für sich selbst entwickelte, dokumentiert den kreativen Aufnahmeprozess sowie die Herangehensweise, mit der er die entsprechenden Sounds findet, und teilt mit uns seine Erfahrung aus der Produktion von Filmen und Games. Viel Spaß beim Hören!

Daniel sits down with a professional noise maker, Emmy-winning Foley artist Tara Blume, to discuss all things sound in TV and movies. See omnystudio.com/listener for privacy information.

Katie Waters is a Foley Artist who enhances stories by performing the everyday sounds you hear in TV shows, movies, podcasts and video games. She captures live audio as she creates many different elements in a soundscape to perfectly match what's happening on screen - everything from the sound of someone pouring water into a glass, walking down a hallway in high heels or hitting a tennis ball.Katie says that when she starts a project, it's necessary to immerse herself into the world the characters are living in, in order to deliver the best sound - sliding it in as a layer of the soundtrack. She's an active member of the Motion Picture Sound Editors organization and is a full-time Foley artist at Noisefloor, a post-production audio facility in Chicago.On this episode, host Angela de Burger chats with Katie about how she discovered the art of Foley, the process of finding the right items and props to create the sounds she needs, and the most challenging, satisfying, weird and fun sound projects she's worked on to date.Say hi to Katie:  Website - syncitkatie.com   Instagram - @kt_h2o_foley----Creative Pulse Podcast socials:  Instagram: creativepulsepodcast  Twitter: @CreativePulseTWMusic credit: https://www.purple-planet.com

It's All Been Done Radio Hour Commercial #233  The News #2 "Missing Foley"     Where is J.T., and why did Megan replace him at the Foley table? Also, "Welcome to Our Show."    Visit our website http://iabdpresents.com Script books, clothing, and more at https://amzn.to/3km2TLm Please support us at http://patreon.com/IABD   Find more from It's All Been Done Radio Hour here: Instagram: https://www.instagram.com/iabdpresents/ TikTok: https://www.tiktok.com/@iabdpresents   A comedy radio show originally performed Saturday, February 11, 2023, at Boxland Media in Columbus, Ohio.       STARRING Ashley Clements as Ashley  Megan Overholt as Megan  Chase McCants as Chase  and the cast performing the theme song    Narrated by Darren Esler  Foley Artist Megan Overholt  Podcast edited by Trulie Awesome Productions     Written by Jerome Wetzel  Directed by Samantha Stark  Music Director Kristin Green  Theme Songs composed by Nathan Haley, with lyrics by Jerome Wetzel  Technical Director Shane Stefanchik   When you post about us, hashtag #IABD   #youtuberadioplays #bestyoutubepodcastchannels

On this episode we are joined by Sanaa Kelley who is award-winning Foley Artist. She is The Insect Collection green noise soundtrack artist.Get your show merch here! Enjoying the show...give us a like and comment on all platforms. Help us make the LEGO world available to all!Find us everywhere through LinkTreeMusic: www.bensound.comLEGO, the LEGO logo, the Minifigure, and the Brick and Knob configurations are trademarks of the LEGO Group of Companies. ©2023 The LEGO Group.THE BRICKS KING PODCAST IS NOT ENDORSED BY THE LEGO GROUP OR AFFILIATED IN ANY WAY.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4920139/advertisement

This WFT Ireland podcast is brought to you by writer and actor Aoife Nic Ardghail and producer Ciara Gillen. In this episode, Ciara sat down with Emmy-nominated Foley Artist Caoimhe Doyle and Foley Mixer Jean McGrath. They spoke about their seventeen years of collaborating as Ireland's only female foley artist and mixer team. The interview was recorded in Ardmore Sound. To support the work we do, join Women in Film and TV Ireland at WFT.ie or you can donate the cost of a cup of coffee here. https://www.buymeacoffee.com/WFTIreland/ https://wft.ie/

John Roesch is a Hollywood legend you may not know about. He's retired now, but was formerly the Lead Foley Artist at Skywalker Ranch, making the movies we love sound the way they sound. John was on with Chaz and AJ this morning to explain how something simple, like walking through the snow, actually requires a whole different stage and set of props to make it "movie-ready."  Image Credit: Natalia_80 / iStock / Getty Images Plus

Imagine if you could make money by stomping your feet? That's what a foley artist does and Anna is obsessed with watching their videos of making audio come to life on social. But can Anna, Raven, Producer Jon and Producer Sean make audio too? This is dumb, be advised. But you'll laugh. Image Source: Getty Images

People have been saying the can't hear what people are saying in Oppenheimer, we get to the bottom of it and ask if you watch with the captions on.  We'll give you an update on how purchasing Taylor Swift tickets is going.  Plus, face eating aliens, bags for every occasion, and What's Trending. 

It's All Been Done Radio Hour Commercial #213  The Nubes #18 "The Tones"     Megan is beholden to those sexy, sexy commercial tones.    Visit our website http://iabdpresents.com Script books, clothing, and more at https://amzn.to/3km2TLm Please support us at http://patreon.com/IABD   Find more from It's All Been Done Radio Hour here: Instagram: https://www.instagram.com/iabdpresents/ TikTok: https://www.tiktok.com/@iabdpresents   A comedy radio show originally performed Saturday, August 13, 2022 at Boxland Media in Columbus, Ohio.      STARRING Ashley Clements as Ashley  Megan Overholt as Megan  GUEST STARRING  J.T. Walker as J.T.    Narrated by Darren Esler  Foley Artist J.T. Walker  Podcast edited by Jerome Wetzel     Written by Jerome Wetzel Directed by Samantha Stark  Music Director Kristin Green  Theme Songs composed by Nathan Haley, with lyrics by Jerome Wetzel  Technical Director Shane Stefanchik   When you post about us, hashtag #IABD   #youtuberadioplays #bestyoutubepodcastchannels

Heute unterhalten wir uns bei Le Brunch mit Almut Schwacke. Sie ist Foley Artist von Beruf. Das sind die Menschen, die dafür sorgen, dass ihr Geräusche in Videospielen, Filmen und Serien hört.

Listen to this futuristic version of a Frog Prince written by Josiah Smith where a time traveling robot helps a scientist save a frog and much more. Directed by Dana Flowers and Karrie Fetter. Cast members include Theresa Arnette as the Narrator, Peg Bryan as Destiny, Joe Janke as Xavier the Frog, and Julius Steele as the Robot Henr-001. Foley Artists include Matt Mann, Anita Janke, Emma Janke, Sophie Janke, Amelia Steel and Jackie Callahan. Audio Technicians were Matthew Mann and Jacob Gorsich. Music composed by Matthew Mann

We talk with Motion Picture Foley Artist Sanaa Kelley (Part2) Find Sanaa: @reel_foley_sound https://linktr.ee/reelfoleysound Send your Concert Questions to NHCONCERTPHOTOGS@GMAIL.COM www.TalesFromThePit.net #NHCONCERTPHOTOGS #SanaaKelley #foley #foleyartist #concert #tour #onstage #rock #reelfoleysound #photography #cinema #concertphotography Hosted by Jason Levasseur www.AcoustifiedMedia.com Music Licensed by Story Blocks

We talk with motion picture Foley Artist Sanaa Kelley (Part1) Find Sanaa: @reel_foley_sound https://linktr.ee/reelfoleysound Send your Concert Questions to NHCONCERTPHOTOGS@GMAIL.COM www.TalesFromThePit.net #NHCONCERTPHOTOGS #SanaaKelley #foley #foleyartist #concert #tour #onstage #rock #reelfoleysound #photography #cinema #concertphotography Hosted by Jason Levasseur www.AcoustifiedMedia.com Music Licensed by Story Blocks

The Creative Guts' team is back with another installment of Creative Catalogues! In these mini episodes, someone from the Creative Guts' team will share a glimpse at the inspiring, creative things and folks they think you ought to know about. This week's episode is being hosted by Laura, one of the co-founders and hosts of Creative Guts and owner of Artful Harper Studios. Featured in this episode:Christine R. Bay | www.christinerbay.comJoanna Fang | www.instagram.com/the_foley_artistNoah Floersch | https://www.tiktok.com/@noahfloerschHang out with Creative Guts on Facebook and Instagram where our handle is @CreativeGutsPodcast and learn more online at www.CreativeGutsPodcast.com.Special thank you to Bug for the tunes! Hang out with Bug on Instagram at @TypicalBug and listen online at www.soundcloud.com/musicforbugs.If you love listening, consider showing Creative Guts your support! You can leave a review, make a tax deductible donation, or interact with our content on social media. Learn more about us at www.CreativeGutsPodcast.com.

On today's episode, we'll explore the incredible story of Jack Foley, a film-maker whose inventive style of creating sound effects for movies revolutionized Hollywood. We'll discuss the unique history of how sound effects came to the movies, how Jack's inventive techniques led to some of today's most creative sounds, and how Foley Artists use everyday objects to sensationalize the stories we see on screen.I hope you enjoy today's episode. To learn more about the show, view transcripts, and more visit:https://www.actsofimpact.comVoiceover acting by Art Brown.  Music by Alex Grohls.

It's All Been Done Radio Hour #411  Meet the Cast #40 "J.T. Walker"     Creator Jerome Wetzel sits down with our 3rd Foley artist, J.T. Walker.    Visit our website http://iabdpresents.com Script books, clothing, and more at https://amzn.to/3km2TLm Please support us at http://patreon.com/IABD   Find more from It's All Been Done Radio Hour here: Instagram: https://www.instagram.com/iabdpresents/ TikTok: https://www.tiktok.com/@iabdpresents   When you post about us, hashtag #IABD   #youtuberadioplays #bestyoutubepodcastchannels

In Part Two of this episode, the MAP guys continue their conversation with foley artist, Dawn Lewis.   We learn more about her work as a foley artist, talk about the importance of EQ and also learn about the music she likes to listen to!   Hosted by: Mobile Arts Programming (John Baker, Wes Grove)

Beth Ann Hopkins is an Actor, Singer, Director, Foley Artist and Country Mouse. After feeling embraced by the Carroll Gardens community of Brooklyn, she decided to co-found a theater company there entitled, SMITH STREET STAGE with her now husband Jonathan Hopkins. Twelve years, 20+ production and hundreds of performances later, she has been blessed to work on Queens, Fools, Warriors and Lovers and she wouldn't have it any other way. When honing her own directorial style, she enjoys the movement of theater, using View Points, Suzuki, Modern Dance, acrobatics, fabrics and a variety of other physical techniques. She longs for a future when live theater is well funded, when Artists have the time and space to create thoughtful pieces of work, and when the Parks Department will let her hang sails from the trees. Today, Daniella talks with Beth Ann Hopkins about adopting her son and her experience in the theater industry! Daniella and Beth Ann will dive into how she met her husband working in the theater (1:51), her adopted son Calvin Dean Hopkins (4:33), and making the decision to adopt (10:18). Beth Ann will also share her experience of her son's birth and adoption protocol (15:40). Beth Ann goes in depth about directing Measure for Measure in the current political climate (25:15), and her consciousness of her son's race (34:40). Daniella and Beth Ann discuss mothering as a community (44:50) and raising kids in NYC (48:20). Beth Ann gives us her thoughts on adopting older children (53:38), and her parting words for anyone looking into adoption (1:06:39). Learn more about your ad choices. Visit megaphone.fm/adchoices

Catherine has worked for the post-production studio Boom Limited in London for the past 15 years, starting as a runner, moving into foley recording, editing, mixing, and performance. Catherine has worked on several major productions in film and television, including: The Crown, Black Mirror, Peaky Blinders, Call The Midwife, The Kings Speech, and The Aeronauts, and more recently worked on Ali And Ava and Pretty Red Dress. Catherine is a member of MPSE, or Motion Picture Sound Editors, the premiere organization for sound editing professionals, and she has been nominated for 7 MPSE Golden Reel Awards, and won two, for her work on A Christmas Carol and Oasis.

Had a fun conversation with world traveler Charlie Samos. Charlie is a bit of a modern day renaissance man, an explorer of sorts. Mr. Samos lives a full-size life. Not only is he a well accomplished Yoga Instructor who rock climbs, he also worked as a Foley Artist for film and television. Charlie still finds time to travel the world a few times a year. When describing Charlie Samos, one often sounds like you're describing “The Most Interesting Man in the World” from those “Dos Equis” ads. Charlie's stories of travel and intrigue and adventures and dangerous close calls would make even “Robert Ludlum” lean in to hear more. Robert might even steal a few scenarios for his next book. Charlie Samos has keen observational skills and insights into the human condition. This is evident as he relays the stories of his adventures with such picturesque details, recounting the emotionally impacted moments of his journeys. He may not be “The Most Interesting Man in The World“ but I guarantee you, when Charlie Samos speaks of his adventures and travels, he is the most interesting man at a party. --- Send in a voice message: https://anchor.fm/rawle-d/message

Mani Ratnam's Ponniyin Selvan Part 1 released a little over a week ago and has taken the box office by storm. A critical and commercial success, the film has attracted a wide demographic to the theatres. Largely due to its source - Kalki R. Krishnamurthy's serialized novel Ponniyin Selvan published in the 1950s, a historical fiction based on the Cholas and the conflicts within and outside the kingdom for the throne. The film, like most Mani Ratnam films, is also an example of technical mastery which is one of the attractions for widespread theatre viewing with almost no one choosing to wait for the streaming release like it is the norm of late. The film is star studded - Karthi, Aishwarya Rai, Vikram, Trisha, Jayam Ravi, Jayaram, Sobhita Dhulipala, Aishwarya Lekshmi, Sarath Kumar, Parthiban, Prabhu, Lal, Prakash Raj and more. There are stars behind the camera as well apart from the director and writing team (Mani Ratnam, Jeyamohan and Elango Kumaravel). It is edited by Sreekar Prasad, art direction by Thotta Tharani with cinematography by Ravi Varman. Music is by A.R Rahman and sound design by Anand Krishnamoorthi. Foley Artist is Prathap and re-recording mix by Craig Mann. In this episode, we talk about one aspect of the technical mastery - sound design. Sound Designer/Engineer/Editor Anand Krishnamoorthi joins Aditya and Ashoka to talk about the sound of Ponniyin Selvan Part 1 and the nuances in the art of sound design. We talk about sound design in general in cinema as well as the work that has gone into Ponniyin Selvan. Anand gives both eli5 explanations for some aspects of his work and also some nerdy and deeply technical things that go into a film's sound. Listen on. Definitions of a few technical terms that will help in enjoying the conversation better Recce Foley Sync Sound ADR Participants: Anand Krishnamoorthi Aditya Ashoka Edited by Ashoka.

Creative M Projects Founder Melissa Sharee hosts featuring JEFF GARDNER - Sound Designer, Foley Artist & Actor. Jeff is thrilled to be returning to the Mark Taper Forum after working with Phylicia Rashad on Blues for an Alabama Sky. A sound designer, foley artist and actor based in Los Angeles, additional credits include: In The Upper Room at Denver Center for the Performing Arts, The Cake, and Paradise Blue at the Geffen Playhouse; Native Son at Kirk Douglas and Antaeus Theatre Company. He has also done work for the Wallis Annenberg Center, Pasadena Playhouse, A Noise Within, Circle X Theatre, Echo Theater Company, Rogue Machine, IAMA Theatre, Shakespeare Theatre Company DC, Arena Stage, The Kennedy Center, Cleveland Playhouse, Williamstown Theatre Festival as well as the Edinburgh Festival Fringe in Scotland. Jeff can be seen at L.A. Theatre Works where he regularly performs live sound effects. Online: jeffthomasgardner.net --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/4theartists/message Support this podcast: https://anchor.fm/4theartists/support

What's that sound? Well, it's probably been recreated in a studio by a Foley Artists. Little known, but hugely important, Foley Artists are the artists who recreate the sounds for films after they've been shot. Need a horse clop? Foley Artist. Need a door opening in space? Foley Artist. Need realistic noises of rhinos? Foley artists. Listen in as 4 of the top foley artists chat all about the sounds of life! *This is a completely improvised podcast*This episode of Artists on Artists on Artists on Artists is a Sugar23 production, executive produced by Mike Mayer and Michael Sugar, and produced by Liam Billingham. Production support by Angelo Restaino and Anthony Defranchesco.  Theme Music is by Gabriel PontonHollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

In recent news surrounding the announcement of the Netflix/Microsoft Advertisement deal, the crew discusses how this could affect the entire streaming industry.(recorded on July 15, 2022)Watch the Video Format on Youtube: Coming Summer 2022!LISTEN to us on our other various platforms:Apple Podcasts:https://podcasts.apple.com/us/podcast/the-red-band-podcast/id1559313468Spotify:https://open.spotify.com/show/3DtTVkV9HZz65ukS5FWETn?si=QfjbyAXqQT-HGsYr1mz9DQAmazon Music:https://music.amazon.com/podcasts/ea910e0c-11dd-458b-8cb5-1d2b66ecd4b8/THE-REDBANDIheartradio:https://iheart.com/podcast/97702928Google Podcasts:https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvNTU4MTEyMC9lcGlzb2Rlcy9mZWVkSubscribe & Follow to get the latest updates on new episode releases!Subscribe to our Patreon @ https://www.patreon.com/theredbandpodcastDiscussion Links Below:04:00 ~ Foley Artist for Game of Thrones Season 1- https://www.imdb.com/name/nm0236304/?ref=ttfcfc_cr15504:40 ~ Foley Effects Editor for Game of Thrones Season 1- https://www.imdb.com/name/nm3287837/?ref=ttfcfc_cr15615:00 ~ Netflix Possibly Looking to be Bought Out - https://finance.yahoo.com/news/netflix-microsoft-ad-agreement-merger-191742862.html?guccounter=1&gucereferrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&gucereferrersig=AQAAAMcqp1ba3KBC68A3xYfENdFGeKPdxYziMXQ26bgJSTW2IMMYborkUlbG4dyntAAZiUxWAQPjxxGmo8-jaMus2BTj0rxvf9abB8GpUWqBhaLdK5phAxEDCgwXcUKwVVLBY1S4XaNpy4zxG9lYd4GxEl01Va3i43wULdvPCFcQGNK46:30 ~ Microsoft Owned IPs - https://www.iskmogul.com/heres-every-major-studio-and-gaming-ip-that-microsoft-owns/

For our third event in our Crew Talks series, WFT is continuing the conversation when it comes to spotlighting the women working in the field of Sound. Irish Foley Artist Caoimhe Doyle and Oscar-winning Supervising Sound Editor Nina Hartstone talk about their experiences working in the industry – and how sound can elevate a story. This event has been made possible with the support of Screen Skills Ireland. About Caoimhe Doyle Caoimhe Doyle is a Foley artist and co-owner of The Foley Lab, a dedicated Foley studio located on a quiet country estate in County Wicklow, Ireland. She has 24 years experience creating Foley sound effects and footsteps for film, television and video games. In 2018, Caoimhe was nominated for a MPSE Golden Reel Award for her work on The Favourite, directed by Yorgos Lanthimos. She won a MPSE Golden Reel Award and was nominated for an Emmy for Game of Thrones: Season 1 (2011). In 2008, she was nominated for a MPSE Golden Reel Award for her work on David Cronenberg's Eastern Promises (2007). Caoimhe received a BA Honours Degree in Film Production from Dun Laoghaire Institute of Art Design + Technology. About Nina Hartstone Nina Hartstone is an Oscar-winning Supervising Sound Editor working in feature films, specialising in Dialogue and ADR. She is always seeking to create the highest quality soundtrack for every project by working with leading industry professionals to implement innovative ways of recording, creating and editing sound for film. In 2019, this work was recognised with Oscar, BAFTA, AMPS and MPSE award wins for sound editing on the film Bohemian Rhapsody. Other credits include Evita, The Hours, An Education, Everest and multi-award winner, Gravity. She is particularly passionate about nurturing the next generation of sound creatives and in particular, fostering opportunities for under-represented groups. https://wft.ie/

This week, host Karen Han talks to foley artist Joanna Fang, who uses everyday objects to create sound effects for movies, TV shows, and video games. In the interview, Joanna explains what a foley artist does and describes some of her tools and techniques. Then she demonstrates how pasta shells can sound like breaking bones and how a wet cloth can be used to make a whole range of (mostly gross) sounds.  After the interview, Karen and co-host Isaac Butler discuss Joanna's unique passion for her work.  In the exclusive Slate Plus segment, Joanna talks about her work on the movie musical In the Heights.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Karen Han talks to foley artist Joanna Fang, who uses everyday objects to create sound effects for movies, TV shows, and video games. In the interview, Joanna explains what a foley artist does and describes some of her tools and techniques. Then she demonstrates how pasta shells can sound like breaking bones and how a wet cloth can be used to make a whole range of (mostly gross) sounds.  After the interview, Karen and co-host Isaac Butler discuss Joanna's unique passion for her work.  In the exclusive Slate Plus segment, Joanna talks about her work on the movie musical In the Heights.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Karen Han talks to foley artist Joanna Fang, who uses everyday objects to create sound effects for movies, TV shows, and video games. In the interview, Joanna explains what a foley artist does and describes some of her tools and techniques. Then she demonstrates how pasta shells can sound like breaking bones and how a wet cloth can be used to make a whole range of (mostly gross) sounds.  After the interview, Karen and co-host Isaac Butler discuss Joanna's unique passion for her work.  In the exclusive Slate Plus segment, Joanna talks about her work on the movie musical In the Heights.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you'll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Susan Fitz-Simon has carved out an interestingly unique path for her life. She has been a professional Foley Artist for almost 30 years. What the heck is a Foley Artist, you say. Well that is exactly what Susan was so eloquently and passionately able to explain to us during this podcast interview. Foley is the art of performing sound effects to picture after a film, T.V. show, commercial or video game has been shot. Susan informs us that the Foley Artist is often performing live syncopations to picture in order to enhance sounds in the scenes. Certain sounds like footsteps, prop noises, sword play, clothing flapping in the wind are often added by the Foley Artist. Susan Fitz-Simmons has worked on over a hundred film and television projects, carving out a reputation as an extremely respected Foley Artist/Foley Editor. Susan is able to use her knowledge of music gained from her rock star days in the 90's. These skills have given her a rhythmic approach to the world of Foley which helped her to adapt nicely to this very unique occupation. Susan has put a little rock n roll into Foley. --- Send in a voice message: https://anchor.fm/rawle-d/message

Jeff and Rebecca talk about a striking attempt to sue Barnes & Noble for obscenity and pornography, admit we were wrong but for dumb reasons, talk about a hero of the week, and more. Follow the podcast via RSS, Apple Podcasts, and Spotify. The show can also be found on Stitcher. For more industry news, sign up for our Today in Books daily newsletter! This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Discussed in this episode: The Book Riot Patreon! Klara & the Sun by Kazuo Ishiguro VA Beach Barnes & Noble being sued over GenderQueer and A Court of Mist and Fury Now in book banning: conservative parents take aim at library apps If it sounds too good to be true…this company will pay you $200 for every book you finish Something you don't see every day – expanded book coverage! The Dracula Daily newsletter is a fun thing Hero of the Week: teen upset about book bans starts forbidden book club The Book of Night by Holly Black Trust by Hernan Diaz Flying Solo by Linda Holmes Translating Myself and Others by Jhumpa Lahiri How the World Really Works by Vaclav Smil Learn more about your ad choices. Visit megaphone.fm/adchoices

Okay, this is a fun episode about something that we've all heard about but have rarely seen. Have you ever noticed in movie credits that there's somebody called the Foley Artist? Well this episode is about those people. Almost 100% of the sounds that are recorded on a movie set during production are actually replaced by Foley artists, in some amazing, remarkable, wacky ways. Enjoy. This is one to talk about.

Email Us Here: Disturbinglypragmatic@gmail.comWhere To Find Us!:  Disturbingly Pragmatic Link Tree!This Episode has EVERYTHING!It's got:Nat King Cole!71 Makes You Cum!Subconscious Brain Habits!Eye Flickering!We're Cat Food!Nope...They're Picky!Poopsicles!Foley Artist, Paul!Dave'll Be Dead in 10 Years!Dead Old Lady Calls 911!Paul Walker Liked 16 Year Olds!Scary Child Terrifies Father!Don't Open The Door to the Black Eyed Children!Dave's Terrible Haircut Sunburn!Manitoba - Canada's Winter Hellscape!Paul's Shoulder Burns!Kevin Allison Is A Groovy Guy!Pizza Delivery Suicide!Canada's Medical Assistance In Dying For the Mentally Ill!Jimmy Savile Was Gross!The Only Bottom at the Orgy, You Say?!Rampant Child Abuse In Hollywood!Episode Links (In Order):Movie Filmed in 2015, Won't Be Shown Until 2115!100 Years Film!Florida Woman Sugar Daddy Jury Excuse!Cops Share Stories of the Creepiest Calls They Ever Responded To!People Describe the Creepiest Things That Woke Them Up in the Night!Paul Walker Had A Thing For Underage Girls!The Black Eyed Children!Romphims Are An Actual Thing! Rompers For Men!Risk! Podcast - True Stories Boldly Told!Canada Medical Assistance In Dying for the Mentally Ill!When You're The Only Bottom At The Orgy!MUSIC CREDIT!Opening Music Graciously Supplied By: https://audionautix.com/

Can you tell a real sound effect from a fake one? Why do some sound effects for movies, TV shows or podcasts need to be specially created? What does a Foley Artist do? For free home activities sign-up at www.WhoSmarted.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do you make sounds for movies? Stefan Fraticelli is a three-time Emmy nominated Foley Artist who has created professional film & TV Foley tracks for 20 years. Oddio Studio and Stefan Fraticelli have been providing professional foley tracks for feature films and television series since 2001, with credits ranging from Parks and Recreation to Silver Linings Playbook, and The Conjuring series...  Find Stefan and follow Oddio Studio on social at https://www.oddiostudio.com/ In this episode, you'll hear:Joke of the WeekHow our guest plays for a living and helps others do the sameHow to have the most fun in your life and workIf our guest can win the Wheel of Weird in a faceoff with MikeThe show is brought to you by Playful Humans. If you need a little more fun, flow, and fulfillment in your life, join our club where we transform the burned out and bored quantity-seekers into energized and engaged playful humans focused on their quality of life.Take the free playfulness quiz or join the club at https://www.playfulhumans.com.Don't forget to subscribe to the podcast on iTunes, Spotify, or YouTube, and leave us a 5-star review!Theme Music: Chasing the Sunshine by Pink Zebra - Licenced at Envato ElementsSupport the show (https://paypal.me/mikedmontague)Support the show (https://paypal.me/mikedmontague)

Almut Schwacke lebt und arbeitet in einer Welt voller Geräusche und Musik: Sie ist Komponistin, Sound Designer und Foley Artist, kümmert sich also um die Nachvertonung von Filmen und Spielen. Ihr Portfolio ist beeindruckend: Anno 1800, Through The Darkest Of Times, Dead Island 2 und viele weitere Titel gingen in den letzten Jahren durch ihre Hände. Bei OK COOL erzählt sie von ihrer spannenden Arbeit, bietet spannende Einblicke in die Welt der Foley Artists und verrät ihr Lieblingsgeräusch.

Heard but not seen, foley artists break a lot of sweat behind the scenes to help bring your favorite movies to life. Let's talk a little about foley art and all the hard work that goes into it. Footsteps doc: here A bit on Jack Foley: here The Shop --- Send in a voice message: https://podcasters.spotify.com/pod/show/i-need-friends-podcast/message

In der 14. Folge vom Hörspielplatz haben wir Jörg Klinkenberg zu Gast. Er ist seit über 30 Jahren Geräuschemacher beim Film, Fernsehen, Hörspiel und auf der Bühne, beispielsweise bei den ???-Live-Touren. Der Berliner hat schon weit über 250 Filme vertont wie z.B. Das Schweigen der Lämmer, unzählige Tatorte, 4 Blocks oder Bad Banks. Wie es für ihn ist, den Platz im düsteren Tonstudio mit dem im Scheinwerferlicht auf der Bühne zu tauschen, wie man am besten das Geräusch von Menschenfleisch erzeugt und wie sein Alltag im Tonstudio abläuft, haben Daniel Schröckert und Johanna mit ihm besprochen. Hier ist eine neue Folge Hörspielplatz, viel Spaß beim Lauschen. See acast.com/privacy for privacy and opt-out information.

Wie klingt Geschirr aus den 20er Jahren? Oder das Rascheln eine Zeitung aus dieser Zeit? Was braucht man, um das Bellen und das Hecheln eines Schäferhundes täuschend echt nachzumachen? Und was wird benötigt, um den toten Körper einer Frau, der an die Wand geworfen wird, zu imitieren? Antworten darauf gibt Christopher Gropp. Er ist für die gesamten Tonaufnahmen, die Geräusche, das Sounddesign und die Mischung der einzelnen Folgen der Dark Berlin Hörspiel-Reihe verantwortlich.

In episode 6, I review the "Podcast Taxonomy" whitepaper, a framework for who does what in this nascent industry. Drawing comparisons to traditional media and entertainment, I dive into one specific role, that of the Foley Artist. What an exciting time to be involved in the audio space. Join me weekly to hear more about my onboarding experience at Ausha and for general musings on the Podcast x Tech ecosystem. If you're interested in collaborating with the team at Ausha, don't hesitate to reach out via teh channels below or visit www.ausha.co for details on our offerings for podcasters! Additional Resources: The Podcast Taxonomy: Whitepaper The Magic of Making Sound: YouTube Video

Michael and Tyler dive into the world of foley, play some games, and express their fascination with those who can make any object sound like something else. DONATE to the makers of "Feeding Back" Links to what we discuss in this episode: Philip R. Singer, "Art of Foley": http://www.marblehead.net/foley/ The Foley Artist: https://cogswell.edu/blog/the-foley-artist/ The History and Magic of Foley Sound: https://audioacademy.in/the-history-and-magic-of-foley-sound/ The History of Foley: https://filmmakeriq.com/lessons/the-history-of-foley/ A Quiet Place: Insider Look with Foley Artists: https://www.youtube.com/watch?v=WnozP8OWeik Ben Burtt and the Sound Effects for Star Wars: https://www.youtube.com/watch?v=WBKKXjNf1sE --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/feeding-back/support

Behind Movie Sound Effects (0:34)Guest: Marko Costanzo, Emmy Award-Winning Foley ArtistWe know there's a lot of movie watching going on right now with everyone cooped up at home, so here's a conversation about the really surprising origin of the sounds you hear when you watch a film. Marko Costanzo's done sound effects for a bunch of hit movies and TV shows, including The Irishman, The Nutcracker and the Four Realms and Mary Poppins Returns. (Originally aired 2/6/19) In the Surprisingly Organized World of Kidnapping for Ransom, Insurance Companies Are Key (25:35)Guest: Anja Shortland, Professor in Political Economy, King's College London, Author of “Kidnap: Inside the Ransom Business”A lot of people are probably kicking themselves for not buying travel insurance for trips they had to cancel due to the pandemic. But no one could have foreseen that happening. There's another kind of insurance you will probably never need: kidnap insurance. There's a surprisingly organized industry built around kidnapping people for ransom globally. The companies that provide insurance against the possibility that you'll get kidnapped for ransom play a strange and important role, according to the research of Anja Shortland. (Originally aired 9/25/2019) First It Burned Them, Then It Froze Them. How an Asteroid Killed the Dinosaurs. (50:41)Guest: Sean Gulick, Research Professor, University of Texas at AustinYou've heard that a massive asteroid caused the dinosaurs to go extinct. But how exactly? I've never understood why a giant rock crashing to Earth would kill all the dinosaurs. One asteroid couldn't smash them all. What about the dinos on the other side of the planet – how does an asteroid kill them? Geologist Sean Gulick at the University of Texas at Austin is part of a team that's pieced together the most detailed timeline yet of just how the extinction happened. (Originally aired 9/26/2019) Human Trafficking Is More Prevalent Than Previously Thought, Know the Signs (1:07:14)Guest: Amy Farrell, Associate Professor of Criminology and Criminal Justice, Northeastern UniversityHuman trafficking still happens right here in the United States. And it's happening more often than the official data suggest. Police departments often don't have a category for “human trafficking” when recording crimes in state and federal databases. Criminologist Amy Farrell at Northeastern University says that – coupled with insufficient training of police officers – has led to a “massive undercount” of human trafficking cases in the US. (Originally aired 10/7/2019) Processing Processed Food Guilt (1:24:23)Guest: Ruth MacDonald, Department Chair / CALS Assistant Dean of Graduate Programs, Department of Food Science and Human Nutrition, Iowa State University When people rushed to stock up on food at the start of pandemic quarantines, the cereal and pasta shelves emptied – but there was still plenty of fresh produce at my grocery store. Which makes sense, because if you don't know how long you'll be stuck at home, you want stuff that won't go bad as quickly.  And there's the rub of processed food – it lasts longer and is often easier to cook. But it's also not good for us, right? (Originally 10/14/2019)

Barnaby Smyth is a Foley Artist and Supervisor who has worked on productions including ‘Big Little Lies', ‘Widows' and ‘Darkest Hour'. He joins Georgie on the podcast this week to chat about his job and how it involves producing sound effects for films and television shows. Barnaby discusses the use of interesting props, movements and techniques to achieve this, why he decided on a career in this area of the industry and the shoes he enjoys wearing to replicate Gary Oldman's footsteps on screen.