Podcast appearances and mentions of joseph alessi

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Come watch the Los Angeles Brass Alliance (LAB-A) at 7PM on May 4th at Glendale First baptist Church for their second installation of Next Up! This free concert (generously sponsored by Bob Reeves Brass) spotlights LAB-A's annual collaboration between emerging LA-based composers and brass musicians.  Learn more at: www.labrassalliance.org. Join hosts Noah and John as they interview Michael Dease, commercial trombonist from Los Angeles. About Michael: Michael Dease is one of the world's eminent trombonists, lending his versatile sound and signature improvisations to over 200 recordings and groups as diverse as Grammy winning artists David Sanborn, Christian McBride, Michel Camilo, and Alicia Keys. Born in Augusta, GA, he played the saxophone and trumpet before choosing the trombone at age 17. In 2001, Dease moved to New York City to become part of the historic first class of jazz students at The Juilliard School, earning both Bachelors and Masters degrees, and quickly established a reputation as a brilliant soloist, sideperson, and bandleader.   Best Next Thing (Posi-Tone, 2022), Dease's newest release, his ninth on Posi-Tone, gathers together an assemblage of exceptional musicians to help him interactively explore the essence of the blues and reframe the abstract truths of jazz as the "Best Next Thing "for today's audience of listeners. Dease, the winner of the 69th Annual DownBeat Magazine Poll for Trombonist of the Year and multi-Grammy award winner, is also a sought-after lead, section and bass trombonist with today's leading jazz orchestras. His experiences include bands led by Christian McBride, Roy Hargrove, Nicholas Payton, Charles Tolliver, Rufus Reid, Jazz at Lincoln Center Orchestra and the Dizzy Gillespie All-Star Big Band. However, it is on the frontline of quintets and sextets led by master musicians like The Heath Brothers, Winard Harper, Renee Rosnes, Bill Charlap, Claudio Roditi, and Lewis Nash, where Dease has revitalized the trombone's image. Not content to simply improvise, Dease arranges and composes for many different bands, constantly adjusting his tone and timbre to add just the right flavor to the music. Dease's unique blend of curiosity, hard work and optimism has helped him earn worldwide recognition, including awards from ASCAP, The International Trombone Association, Yamaha, Eastern Trombone Workshop, New York Youth Symphony, Hot House Magazine, Michigan State University, among others. Dease was profiled in Cicily Janus' book, The New Face of Jazz: An Intimate Look at Today's Living Legends (Random House). His experience in the studio has led him to produce several recording sessions for emerging artists, often composing and writing liner notes for the releases. Dease's singular talent has made him an effective and prolific teacher, resulting in invitations, master classes and residencies at University of North Texas, Scranton University, University of Iowa, Florida State College, Broward College, and many institutions abroad. He serves as Professor of Jazz Trombone at the renowned Michigan State University jazz program and has also been on faculty at Queens College - CUNY, The New School and North-eastern University. Many of Dease's current and former students are enjoying successful careers in the music world. Always an informed, but forward-thinking musician, Dease learned the craft from trombone legends Wycliffe Gordon and Joseph Alessi. His associations have run the entire spectrum of musical experience: Alicia Keys, Paul Simon, Paul Schaffer and the CBS Orchestra, Elton John, Neal Diamond, Illinois Jacquet, Slide Hampton & The World of Trombones, Fred Wesley, Maceo Parker, WDR Big Band, George Gruntz, Billy Harper, and numerous others. Dease enjoys spending every possible minute with his extraordinary wife and Professor of Percussion at MSU, Gwendolyn Dease, and their daughters Brooklyn & Charley. Michael Dease is a Yamaha Performing Artist and uses Pickett Brass and Vandoren mouthpieces exclusively. View Michael's All Music Guide entry here for a partial listing of his sideperson credits and discography.

M

M

The brass and trombone community are quite amazing with all the resources we have to offer from pedagogical minds all over the world. Just to name a few of the great trombone pedagogical minds with great resources for you to devour for your own practice or studios are Joseph Alessi and the Alessi Music Studios. Brad Edwards has a plethora of resources and texts about the trombone written, created, and composed by him. David Vining and his hive of pedagogues through Mountain Peak Music. Another great resource that popped up over the lockdown of Covid is Slide-School, with the creators Nathan Zgonc and Brian Hecht. If you have not had a chance to join slide-school in any capacity, you should check it out. They bring in the best of the best in the world of trombone to talk about their careers, pick their minds about trombone topics, and the members always have a chance to submit a recording to be critiqued by their guest artist. Please take a listen to this episode and listen to the end to make sure you can take full advantage of your first month's membership with a discount, just in time for the holiday season.

The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions. This journey began in Jones' hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President's Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli's composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli's music and other contemporary compositions in related genres. Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University's top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University's Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg's Travelogue for Eb Trumpet. Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Minds” among other productions listed under the media tab of his website. Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones was a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,” at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.

April 29th, 1865: Fifteen days after the assassination of Abraham Lincoln, the Philharmonic paid tribute to the late president with the Funeral March from Beethoven's Symphony No. 3. Beethoven intended this work to honor Napoleon — but ripped out the dedication page when Napoleon declared himself Emperor of France. Now, the symphony merely known as “Eroica” (or “heroic”) is fitting music to honor any national leader or heroic figure.Later, in the wake of an all-too-familiar tragedy, students at Marjory Stoneman Douglas High School reached out to two New York Philharmonic musicians. Clarinetist Anthony McGill, trombonist Joseph Alessi, and former band director of Marjory Stoneman Douglas High School Alex Kaminsky discuss how music helped console a community in the face of violence and loss.The NYPhil Story: Made in New York production team includes Lauren Purcell-Joiner, Helena de Groot, Sapir Rosenblatt, Laura Boyman, Elizabeth Nonemaker, Eileen Delahunty, Christine Herskovits, Natalia Ramirez, and Ed Yim. Our engineering team includes: George Wellington and Ed Haber. Production assistance from: Ben James, and Jac Phillimore and Mary Mathis. Special thanks to Monica Parks, Adam Crane, Gabe Smith, and the New York Public Radio Archives. This episode contains discussions of self-harm and school violence. If you or someone you know is considering suicide or self-harm, help is available. The National Suicide Prevention Lifeline is 988. And if you're outside the U.S., you can visit findahelpline.com to find resources for your country. You can also find free multilingual trauma resources online from the Child Mind Institute. A transcript of this episode is available on our website: nyphilstory.com

When Hitler encounters an elegant, divorced woman at his Berlin hotel, he finds that he is unexpectedly drawn to her. Unfortunately, what he doesn't know is that Magda Quandt is already involved with his Head of Propaganda, Joseph Goebbels. But that isn't Goebbels' only headache: the first great love of Magda's life was Chaim Arlosoroff, fervent Zionist. Nevertheless Hitler's Deputy, Rudolf Hess, can see a perfect compromise: if Joseph and Magda marry, she will thus become the perfect companion for a Führer who is ‘married to Germany'. Starring Shanaya Rafaat as Magda Goebbels, Alexander Vlahos as Joseph Goebbels, Tom Mothersdale as Adolf Hitler and featuring George Kemp as Rudolf Hess. Cast: Geli Raubal - TANVI VIRMANI Magda Goebbels - SHANAYA RAFAAT Adolf Hitler - TOM MOTHERSDALE Emil Maurice - OSCAR BATTERHAM Otto Meissner - EDWARD BENNETT Sefton Delmer - ADITOMIWA EDUN Anni Winter - MELODY GROVE Putzi Hanfastaengl - COREY JOHNSON Herman Göring - SCOTT KARIM Rudolf Hess - GEORGE KEMP Mimi Reiter - SORCHA KENNEDY Joseph Goebbels - ALEXANDER VLAHOS Other parts were played by: JOSEPH ALESSI, WILLIAM CHUBB, JACK LASKEY, MICHAEL MALONEY, LYNNE MILLER and ANDREW WOODALL The Narrator is JULIET STEVENSON Sound designer – ADAM WOODHAMS Studio Manager – MARK SMITH Casting Director – GINNY SCHILLER Original Score – METAPHOR MUSIC Writer and Director – JONATHAN MYERSON Producer – NICHOLAS NEWTON A Promenade Production for BBC Radio 4 and BBC Sounds

Hitler's strange dealings with the opposite sex come into sharp focus when his niece, aged 23, living in Hitler's apartment, shoots herself. Geli first moved in when she was 18 but from that moment on, Hitler refuses to let her go out on her own, even chaperoned. He nurtures hopes that she will become an opera singer and, enraged by the very idea, refuses her permission to marry. Was it suicide? Was it murder? Was it an accident? Starring Melody Grove as Anni Winter, Hitler's housekeeper, Alexander Vlahos as Joseph Goebbels, Tom Mothersdale as Adolf Hitler and featuring Tanvi Virmani as Geli Raubal. Cast: Geli Raubal - TANVI VIRMANI Magda Goebbels - SHANAYA RAFAAT Adolf Hitler - TOM MOTHERSDALE Emil Maurice - OSCAR BATTERHAM Otto Meissner - EDWARD BENNETT Sefton Delmer - ADITOMIWA EDUN Anni Winter - MELODY GROVE Putzi Hanfastaengl - COREY JOHNSON Herman Göring - SCOTT KARIM Rudolf Hess - GEORGE KEMP Mimi Reiter - SORCHA KENNEDY Joseph Goebbels - ALEXANDER VLAHOS Other parts were played by: JOSEPH ALESSI, WILLIAM CHUBB, JACK LASKEY, MICHAEL MALONEY, LYNNE MILLER and ANDREW WOODALL The Narrator is JULIET STEVENSON Sound designer – ADAM WOODHAMS Studio Manager – MARK SMITH Casting Director – GINNY SCHILLER Original Score – METAPHOR MUSIC Writer and Director – JONATHAN MYERSON Producer – NICHOLAS NEWTON A Promenade Production for BBC Radio 4 and BBC Sounds

Released after just six months in prison, Hitler must now renounce violence and vow that the Nazi Party will seek power through the ballot box. But his speeches are still vitriolic and he is soon banned from public speaking again. Goebbels is drawn deeper into the party faction who advocate the Socialist in ‘National Socialist' but how will he react when Hitler personally writes to him, seeking to bring him closer to his own standpoint? And will it mean the end of his relationship with Else? Starring Alexander Vlahos as Joseph Goebbels, Tom Mothersdale as Adolf Hitler and featuring Joseph Alessi as Gregor Strasser, leader of the Nazis' Socialist faction. Cast: Joseph Goebbels - ALEXANDER VLAHOS Adolf Hitler - TOM MOTHERSDALE Gregor Strasser - JOSEPH ALESSI Emil Maurice & Rudolf Diels - OSCAR BATTERHAM Helene Bechstein - NANCY CARROLL Otto von Lossow - NICHOLAS FARRELL Leni Hanfstaengl - MELODY GROVE Putzi Hanfastaengl - COREY JOHNSON Herman Göring - SCOTT KARIM Rudolf Hess - GEORGE KEMP Else Janke - SORCHA KENNEDY Hermine Hoffman - LYNNE MILLER General Ludendorff - ANDREW WOODALL Other parts were played by: EDWARD BENNETT, WILLIAM CHUBB, JACK LASKEY, FORBES MASSON and MICHAEL MALONEY The Narrator is JULIET STEVENSON Sound designer – ADAM WOODHAMS Studio Manager – MARK SMITH Casting Director – GINNY SCHILLER Original Score – METAPHOR MUSIC Writer and Director – JONATHAN MYERSON Producer – NICHOLAS NEWTON A Promenade Production for BBC Radio 4 and BBC Sounds

When a merger with other nationalist parties is suggested, Hitler – effectively the Nazi Party's only source of revenue – threatens resignation if he is not given total, unquestioning control over every aspect of the party. He uses this to establish the paramilitary Storm Division led by Captain Ernst Röhm, the ‘Machine Gun King of Bavaria'. So when Mussolini takes power in Italy in October 1922, everyone is asking: when will Hitler launch his own coup? Starring Nancy Carroll as Helene Bechstein, Tom Mothersdale as Adolf Hitler and featuring Edward Bennett as Gottfried Feder, the Nazi Party's first economist, and Joseph Alessi as Ernst Röhm. Cast: Helene Bechstein - NANCY CARROLL Adolf Hitler - TOM MOTHERSDALE Ernst Röhm - JOSEPH ALESSI Karl Harrer - OSCAR BATTERHAM Gottfried Feder - EDWARD BENNETT Rudolf Hess - GEORGE KEMP Anton Drexler - JACK LASKEY Other parts were played by: WILLIAM CHUBB, NICHOLAS FARRELL, SCOTT KARIM, SORCHA KENNEDY, MICHAEL MALONEY, FORBES MASSON, LYNNE MILLER and ANDREW WOODALL The Narrator is JULIET STEVENSON Sound designer – ADAM WOODHAMS Studio Manager – MARK SMITH Casting Director – GINNY SCHILLER Original Score – METAPHOR MUSIC Writer and Director – JONATHAN MYERSON Producer – NICHOLAS NEWTON A Promenade Production for BBC Radio 4 and BBC Sounds

Hitler has a gift for oratory and party membership is growing: every week he draws a larger crowd. The party formally changes its name to the National Socialist German Workers Party – soon everyone will be calling it Na-Zi for short. But in his speeches, Hitler still reserves his vilest attacks for the ‘November Traitors', namely any politician who signed the Versailles Treaty and plunged Germany into third-class status. But all this campaigning costs: will Helene Bechstein, whose husband inherited the piano company, be able to help? Starring Nancy Carroll as Helene Bechstein, Tom Mothersdale as Adolf Hitler and featuring Edward Bennett as Gottfried Feder, the Nazi Party's first economist, and Joseph Alessi as Ernst Röhm, Commander of the SA. Cast: Helene Bechstein - NANCY CARROLL Adolf Hitler - TOM MOTHERSDALE Ernst Röhm - JOSEPH ALESSI Karl Harrer - OSCAR BATTERHAM Gottfried Feder - EDWARD BENNETT Rudolf Hess - GEORGE KEMP Anton Drexler - JACK LASKEY Other parts were played by: WILLIAM CHUBB, NICHOLAS FARRELL, SCOTT KARIM, SORCHA KENNEDY, MICHAEL MALONEY, FORBES MASSON, LYNNE MILLER and ANDREW WOODALL The Narrator is JULIET STEVENSON Sound designer – ADAM WOODHAMS Studio Manager – MARK SMITH Casting Director – GINNY SCHILLER Original Score – METAPHOR MUSIC Writer and Director – JONATHAN MYERSON Producer – NICHOLAS NEWTON A Promenade Production for BBC Radio 4 and BBC Sounds

Once the revolution is crushed, Army Intelligence looks around for soldiers who might be able to influence their comrades, steer them away from all this Bolshevik nonsense. And that's how Corporal Adolf Hitler starts making speeches – it seems he has quite a talent for it. Even his old platoon members are amazed to see him transformed. He is also sent to observe one of the many fringe political parties, to check they're not getting too subversive. The German Workers Party has less than forty members and meets in a grimy room at the back of a grimy restaurant. The army orders him to join: Adolf Hitler becomes Party Member 55. Starring Toby Stephens as Captain Mayr, Tom Mothersdale as Adolf Hitler and featuring Jack Laskey as Anton Drexler, founding Chairman of the German Workers Party. Cast: Captain Mayr - TOBY STEPHENS Adolf Hitler - TOM MOTHERSDALE Gottfried Feder - EDWARD BENNETT King Ludwig - WILLIAM CHUBB Kaiser Wilhelm - NICHOLAS FARRELL President Hindenberg - DEREK JACOBI Kurt Eisner - MICHAEL MALONEY General Ludendorff - ANDREW WOODALL Other parts were played by: JOSEPH ALESSI, OSCAR BATTERHAM, SCOTT KARIM, GEORGE KEMP, SORCHA KENNEDY, JACK LASKEY, FORBES MASSON and LYNNE MILLER The Narrator is JULIET STEVENSON Sound designer – ADAM WOODHAMS Studio Manager – MARK SMITH Casting Director – GINNY SCHILLER Original Score – METAPHOR MUSIC Writer and Director – JONATHAN MYERSON Producer – NICHOLAS NEWTON A Promenade Production for BBC Radio 4 and BBC Sounds

Longtime Principal Trombonist with the New York Philharmonic and Juilliard faculty member Joseph Alessi discusses his musical childhood, the key to inspiring his students, and a recent health scare that jeopardized his career and caused him to consider a life without the trombone.Check out Joseph Alessi on Facebook, YouTube, Apple Music, Spotify, or the web.Follow Speaking Soundly on Instagram, Facebook, Twitter, and TikTok.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram, Facebook, TikTok, or the web.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2022 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Estamos realmente contentos de traeros a la sección de Una Cosa Rara esta gran charla con Ricardo Mollá, uno de los nombres más importantes del viento metal en España. Además, también es el fundador y uno de los máximos responsables del Numskull Brass Festival, curso celebrado en Caudete (Albacete) que ya se ha establecido como uno de los acontecimientos más relevantes del verano musical en nuestro país. En esta entrevista Ricardo nos habla sobre sus años como estudiante en Julliard junto al gran Joseph Alessi, y nos cuenta su realidad actual dedicándose plenamente a la composición.

Welcome to today's conversation with Joseph Alessi, Principal Trombone with the New York Philharmonic. In our conversation, Joe shares wonderful wisdom on many topics, including the importance of fundamentals, the types of mindset that are helpful to nurture, tips on performance preparation, helpful habits to adopt, and so much more.  I know that you're going to find this discussion really interesting and will take a lot of Joe's insight with you in the practice room today! We covered: How Joseph's artistic journey has unfolded (3:53) What his mindful, efficient practice looks like (07:58) The importance of having a clear image before you play, using skills like conducting and emotive singing (13:17) Consistently bringing a performance mindset into your practice room (19:18) Joseph's approach to teaching (25:26) Additional skills musicians should hone (33:30) How Joseph's habit of planning contributed to success (37:37) LINKS: Website: https://slidearea.com/ Alessi Music Studios: http://alessimusicstudios.com/ Instagram: https://www.instagram.com/josephalessi_ny/   WATCH JOSEPH TALK ABOUT THE TROMBONE & PRACTICING: New World Symphony: https://musaic.nws.edu/videos/audition-preparation-and-style All-star Orchestra: https://www.youtube.com/watch?v=Qld3ZF3-qWo SOAxNYPhil Virtual Masterclass 3: https://www.facebook.com/watch/?v=750234919063308    THE MUSIC MASTERY EXPERIENCE: Enrollment for THE life-changing, highly personalized group coaching program for musicians is now open! You will go beyond just strategies and methods by getting to the root cause of issues and unlock everything that's keeping you stuck to help you experience amazing results (in every level of your music-making and life). We cover everything from practice methods that work, to performance preparation strategies that have you perform with confidence, and mind management techniques that will remove all the obstacles and self-limiting beliefs that hold you back. So if you're ready to make big dreams, plans, and more happen in your musical life, book a call today at MindOverFinger.com and let's make it happen.   THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme.  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to pianist-singer-song-writer Louise Kelly for the introduction!  You can find out more about Kelly and her creative work by visiting louisekelly.com.    MIND OVER FINGER: Visit MindOverFinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter and receive your free guide to a highly productive mindful practice using a metronome. Don't forget to join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/

Synopsis Mountains can have unforeseen consequences on the imagination. For Philadelphia-native Melinda Wagner, serving as a composer-in-residence at a music festival in Vail, Colorado, this resulted in the composition of a new Trombone Concerto, a piece tailor-made for Joseph Alessi, the principal trombonist of the New York Philharmonic. “During my free moments in Vail,” said Wagner, “I found myself gazing – in disbelief really – at the jagged, youthful beauty of the Rockies. By comparison, ‘my' mountains – the old Endless, Allegheny, and Pocono ranges of Pennsylvania – seemed to be no more than a set of soft wrinkles in the skin of the earth! “Nobility and power, hallmarks of the trombone sound, are words that come to mind in the presence of mountains, old and new. And a truly great musician, as I learned while hearing Joseph Alessi play, can coax so much more out of the trombone: aching tenderness, sadness, lyricism, mirth.” Alessi gave the premiere performance of Wagner's new Concerto on today's date in 2007, with the New York Philharmonic conducted by Lorin Maazel.  She's also written three major orchestral works for the Chicago Symphony, including a piano concerto for Emanuel Ax entitled “Extremity of Sky.” Music Played in Today's Program Melinda Wagner (b. 1957) — Trombone Concerto (New York Philharmonic; Lorin Maazel, cond.) Bridge 9345

For their first interview live in front of an audience at the International Trombone Festival, Nick and Sebastian talk to Joseph Alessi, principal trombonist of the New York Philharmonic about his life and career, how he views pressure in his position and the poster Sebastian had of him on his wall growing up.Hosted by Sebastian Vera - @js.vera (instagram) and Nick Schwartz - @basstrombone444 (instagram) Produced and edited by Sebastian Vera Music: Firehorse: Mvt 1 - Trot by Steven Verhelst performed live by Brian Santero, Sebastian Vera and Nick Schwartz New York City sounds: https://freesound.org/people/georgisound/sounds/368602/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trombonist Nikki Abissi tells us how (like several previous guests) she felt so at home at Interlochen Arts Camp, what it was like to study with world renowned trombonist Joseph Alessi, and how Extendabone came to fruition! All episodes recorded during COVID-19 lockdown via video call programmes. There are occasional technical glitches - please bear with us! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

Bos BonesSeason 1Episode 5: Angel SuberoSeason Finale! Really fun show with maestro Angel Subero. Since the early 2000's Angel's become a fixture in Boston subbing with the Boston Symphony Orchestra, a member of Boston Philharmonic, Boston Modern Orchestra Project, Triton Brass, the Brian Thomas/Alex Lee Clark Big band, the John Allmark Big Band, all while leading his own salsa band Latin Logic. That's all while heading the brass department at Boston Conservatory.Hear his inspiring story coming from Venezuela, coming to Boston and studying with Doug Yeo,  Boston's live salsa scene, and how he expertly navigates disparate scenes.Thanks for all of your support, I appreciate every listener! See you soon for season 2-Follow @BosBones on instagram and facebook-Watch on youtube at https://youtu.be/b5ZFXaB1G18-Sign up for the mailing list at www.MichaelPrentky.com/BosBonesSupport the show

Our sponsor: Houghton Hornswww.houghtonhorns.comMarques Young - Q Soundwww.qsoundmusic.com/introSince wrapping up his 7-year career with the Malaysian Philharmonic Orchestra in late 2015, the former Principal Trombone is now ready to take the music world by storm. With his rich experience in composing and performing music from his favourite genres jazz, R&B, hip hop and electro to soul, funk and classical music, audiences can expect nothing less than raw talent, skill and a continuous evolution from Q Sound. Since moving to Kuala Lumpur, Malaysia in 2009 from New York, Q Sound or better known as Marques Young has made profound contributions to the development of the growing jazz culture in Southeast Asia. Through his bands 'Q Sound Band' and the 'Bassment Syndicate', he has led numerous performances at jazz venues throughout the region, including sold-out performances at the Dewan Filharmonik Petronas as part of DFP’s Happy Hour Series. He’s also initiated several educational projects where he has had the opportunity to mentor outstanding young jazz musicians. Among these projects, the Jazz Camp at DFP, mentored by Marques and a number of young jazz stars from New York City, resulted in his appointment as artistic director of the Encounter Jazz Program.Marques began his musical studies at age twelve with the euphonium under the direction of Gordon Manley. At sixteen, he was also playing trombone, and in 2001 was accepted into Arkansas Tech University School of Music, studying under Dr. Will Kimball. During his undergraduate studies, he received numerous awards and honors, including an invitation to the Leonard Falcone International Euphonium Solo Competition, where he was awarded first runner-up.In 2003, Marques began his studies at The Juilliard School under Joseph Alessi, Principal Trombone of the New York Philharmonic. During his orchestral training at Juilliard, Marques found continued success in solo competitions. In 2005, he won the Frank Smith International Trombone Solo competition, and in 2006 won both The Eastern Trombone Solo Competition and The International Trombone Association’s Van Haney Orchestral Solo Competition. He was also a member of the award winning Trombone Ensemble “Dease Bones” and The Lionshead Brass Quintet. During his time in New York, Marques was invited to perform with the American Brass Quintet, Buffalo Philharmonic and New York Philharmonic.In 2008, Marques was accepted into the Jazz Studies Program and received private instruction under jazz greats Wycliffe Gordon, Steve Turre, Ron Blake, and Carl Allen. He has also had the honor and privilege of performing and sharing the stage with a wide range of jazz legends, including Benny Golson, Paquito D'Rivera, Wynton Marsalis, Randy Brecker, Terri Lyne Carrington, Adam Rogers, Gil Goldstein, Helen Sung, Paulette McWilliams, Eddie Henderson, James Morrison, Marvin Stamm, Wycliffe Gordon, Benny Green, Buster Williams, Chris Botti, Victor Lewis, Clifford Adams, Christian Jacob, Gerald Wilson, Sheila Majid, Victor Goines, Maria Schneider, Valery Ponomarev and Lew Soloff. He has also performed with Lalah Hathaway, The Clark Sisters, Cheryl “Pepsi” Riley, Kim Davis, and Milo Z. Marques was a member of the West Village All-Star band “The Union,” led by Elan Lanier.Currently based in both Malaysia and New York, Q Sound when not performing classic symphonic repertoire with the Malaysian Philharmonic Orchestra can be found on stages with the Patrick Terbrack Quintet, Eleven Fela Orchestra, Najwa Mahiaddin, The Juny Brothers as well as Bassment Syndicate or in festivals in the region and beyond as a Thein performing artist.Support the show (https://thatsnotspit.com/support/)

With a style that has been described as “passionate,” “fiercely vigorous,” and even “humorous,” Brad Edwards has appeared as a soloist before audiences in the United States and Europe. His solo credits include radio and television broadcasts, premieres of new music, guest recitals at colleges and regional workshops, and concertos with student and professional orchestras and wind ensembles. He has twice been featured as a soloist with “Pershing’s Own” Army Band at the American Trombone Workshop in Washington D.C. As a member of the Air Force Concert Band he was twice featured as a soloist.             His CD, “Trombone And…” features concert duets pairing the trombone with other instruments.  It includes several works written for and premiered by him as well as one of his own compositions, Five American Folksong Sketches. Of this recording, Audiophile magazine wrote, “Trombonist Brad Edwards is an accomplished musician. The performances are all excellent, and the pairings with other instruments, particularly the marimba are quite interesting.”             Dr. Edwards began teaching trombone at Arizona State University in Fall, 2016. Previously, he  taught at the University of South Carolina and the University of Northern Iowa. Other teaching positions have included Franklin and Marshall University and Kinhaven Music School. Reecently, he has begun teaching at the Raphael Mendez Brass Institute and performing there with the Summit Brass Ensemble.             He is best known for his pedagogical books including Patterns and Snippets, Lip Slurs, Lip Slur Melodies as well as the Trombone Craft and Simply Singing for Winds series.  His latest book is The Intermediate Trombonist. He has published a number of pieces through the International Trombone Association Press (available from Warwick Music) including Blue Wolf which has been recorded three times and Four Impromptus for Low Bone Alone, which was selected for the national solo competition of the American Trombone Workshop. He has composed a set of 176 one-minute audition solos for all woodwinds and brass. These solos have been adopted for all-state auditions in South Carolina and Utah. These solos are available for free download at the his companion website, AuditionSolos.com. In 2018 he composed a set of 24 concert pieces for trombone and piano targeted at the intermediate-advanced ability level. His recordings of these pieces, play-along including versions with the piano part alone, will become available in 2020.             In addition to the Air Force Band, Dr. Edwards has held positions as Principal Trombonist of the South Carolina Philharmonic, Symphony Orchestra Augusta and the Waterloo/Cedar Falls Symphony. He has also been the bass trombonist of the Cedar Rapids Symphony and the Arlington Symphony in Virginia. He has performed with such ensembles as the Phoenix Symphony, Baltimore Symphony, the Kennedy Center Opera Orchestra, the brass choir of the National Symphony, Hartford Symphony, the Charleston Symphony, the Charlotte Symphony and the Baltimore Opera Orchestra as well as the Wintergreen and Cabrillo Festival Orchestras. He has shared the stage with such diverse artists as Al Jarreau, Ray Charles, Dave Brubeck, Wycliffe Gordon, Ben Folds, Jean-Yves Thibaudet, Olivia Newton John, Bela Fleck, the Gatlin Brothers, Robert Merrill, Big Bad Voodoo Daddy and Roger Daltry. In 2007, he was selected to be participant at the prestigious Alessi Seminar in New Mexico.             Dr. Edwards holds degrees from the Peabody Institute of Johns Hopkins University, the Cincinnati College-Conservatory of Music and the Hartt School of Music. His primary teachers have been Jim Olin, Tony Chipurn, Ronald Borror and Henry Schmidt. He has also studied with Joseph Alessi, Arnold Jacobs, Dave Fedderly and Milt Stevens.

With a style that has been described as “passionate,” “fiercely vigorous,” and even “humorous,” Brad Edwards has appeared as a soloist before audiences in the United States and Europe. His solo credits include radio and television broadcasts, premieres of new music, guest recitals at colleges and regional workshops, and concertos with student and professional orchestras and wind ensembles. He has twice been featured as a soloist with “Pershing’s Own” Army Band at the American Trombone Workshop in Washington D.C. As a member of the Air Force Concert Band he was twice featured as a soloist.             His CD, “Trombone And…” features concert duets pairing the trombone with other instruments.  It includes several works written for and premiered by him as well as one of his own compositions, Five American Folksong Sketches. Of this recording, Audiophile magazine wrote, “Trombonist Brad Edwards is an accomplished musician. The performances are all excellent, and the pairings with other instruments, particularly the marimba are quite interesting.”             Dr. Edwards began teaching trombone at Arizona State University in Fall, 2016. Previously, he  taught at the University of South Carolina and the University of Northern Iowa. Other teaching positions have included Franklin and Marshall University and Kinhaven Music School. Reecently, he has begun teaching at the Raphael Mendez Brass Institute and performing there with the Summit Brass Ensemble.             He is best known for his pedagogical books including Patterns and Snippets, Lip Slurs, Lip Slur Melodies as well as the Trombone Craft and Simply Singing for Winds series.  His latest book is The Intermediate Trombonist. He has published a number of pieces through the International Trombone Association Press (available from Warwick Music) including Blue Wolf which has been recorded three times and Four Impromptus for Low Bone Alone, which was selected for the national solo competition of the American Trombone Workshop. He has composed a set of 176 one-minute audition solos for all woodwinds and brass. These solos have been adopted for all-state auditions in South Carolina and Utah. These solos are available for free download at the his companion website, AuditionSolos.com. In 2018 he composed a set of 24 concert pieces for trombone and piano targeted at the intermediate-advanced ability level. His recordings of these pieces, play-along including versions with the piano part alone, will become available in 2020.             In addition to the Air Force Band, Dr. Edwards has held positions as Principal Trombonist of the South Carolina Philharmonic, Symphony Orchestra Augusta and the Waterloo/Cedar Falls Symphony. He has also been the bass trombonist of the Cedar Rapids Symphony and the Arlington Symphony in Virginia. He has performed with such ensembles as the Phoenix Symphony, Baltimore Symphony, the Kennedy Center Opera Orchestra, the brass choir of the National Symphony, Hartford Symphony, the Charleston Symphony, the Charlotte Symphony and the Baltimore Opera Orchestra as well as the Wintergreen and Cabrillo Festival Orchestras. He has shared the stage with such diverse artists as Al Jarreau, Ray Charles, Dave Brubeck, Wycliffe Gordon, Ben Folds, Jean-Yves Thibaudet, Olivia Newton John, Bela Fleck, the Gatlin Brothers, Robert Merrill, Big Bad Voodoo Daddy and Roger Daltry. In 2007, he was selected to be participant at the prestigious Alessi Seminar in New Mexico.             Dr. Edwards holds degrees from the Peabody Institute of Johns Hopkins University, the Cincinnati College-Conservatory of Music and the Hartt School of Music. His primary teachers have been Jim Olin, Tony Chipurn, Ronald Borror and Henry Schmidt. He has also studied with Joseph Alessi, Arnold Jacobs, Dave Fedderly and Milt Stevens.

For your consideration: Two great names in the trombone world.    Justin (Jay) Cook is the Assistant Professor of Trombone at the University of Central Arkansas where he teaches studio trombone, trombone choir, brass ensembles, and low brass methods. He also serves as the Exhibits Director for the International Trombone Festival. Justin Cook holds a Bachelor of Music Education and Bachelor of Trombone Performance degree from Northern Arizona University, a Master of Music in Instrumental Conducting from Northern Arizona University, and a Doctor of Musical Arts degree from the University of North Texas. During the summer of 2009, Mr. Cook was chosen as one of 18 international tenor trombonists to attend the Alessi Seminar where he had the opportunity to work with Joseph Alessi and Peter Ellefson. Equally at home as an educator and performer, the UCA trombone studio has seen tremendous success since Dr. Cook’s arrival. The studio has tripled in size and now features two trombone choirs: The BearBones Trombone Choir, and the Natural Slides Trombone Choir.  The trombone choirs have performed at the American Trombone Workshop in Washington D.C., the Big 12 Trombone Conference at Texas Tech University, the Arkansas Music Educator’s Conference, and the Texas State Trombone Symposium.  Dr. Cook’s students have graduated and been accepted to some of the nation’s most prestigious universities. For more information about the UCA Trombone Studio please click here.   Dr. Seth T. Vatt has travelled the United States extensively, and is currently a freelance bass trombonist and music educator in Dallas, TX. He has served on the performance faculty at Arizona State University with Ralph Sauer and Sam Pilafian, and has performed with the Phoenix Symphony and Scottsdale Arts Orchestra. While living in Phoenix he was also on faculty teaching music humanities at Phoenix College and within the Maricopa Community College System. In 2010 he earned his Doctor of Musical Arts in Trombone Performance while serving as a graduate teaching assistant to Ralph Sauer at Arizona State University. He also holds a Master of Music in Trombone Performance degree from ASU and a Bachelors of Music in Music Education from the University of Kentucky. There he was a founding member of the Momus Trombone Quartet, receiving a prestigious research and creativity grant to fund their first CD, "The Lexingport Project" and to compete as a finalist in the 2002 ITF Trombone Quartet Competition. Other performance credits include the DiMartino/Osland Jazz Orchestra, Kentucky Jazz Repertory Orchestra, Mesa Symphony, Tucson Symphony, New England Brass Band, Arizona Musicfest, Phoenix Theater, Texas Music Festival, and Victory Brass Quintet. Seth also maintains an active low brass studio with students ranging from 4th grade to college level. An active arranger, his music can be found published with Kagarice Brass Editions and Momus Music Editions. His teachers include Ralph Sauer, Dale Warren, Scott Hartman, and Gail Eugene Wilson.

For your consideration: Two great names in the trombone world.    Justin (Jay) Cook is the Assistant Professor of Trombone at the University of Central Arkansas where he teaches studio trombone, trombone choir, brass ensembles, and low brass methods. He also serves as the Exhibits Director for the International Trombone Festival. Justin Cook holds a Bachelor of Music Education and Bachelor of Trombone Performance degree from Northern Arizona University, a Master of Music in Instrumental Conducting from Northern Arizona University, and a Doctor of Musical Arts degree from the University of North Texas. During the summer of 2009, Mr. Cook was chosen as one of 18 international tenor trombonists to attend the Alessi Seminar where he had the opportunity to work with Joseph Alessi and Peter Ellefson. Equally at home as an educator and performer, the UCA trombone studio has seen tremendous success since Dr. Cook’s arrival. The studio has tripled in size and now features two trombone choirs: The BearBones Trombone Choir, and the Natural Slides Trombone Choir.  The trombone choirs have performed at the American Trombone Workshop in Washington D.C., the Big 12 Trombone Conference at Texas Tech University, the Arkansas Music Educator’s Conference, and the Texas State Trombone Symposium.  Dr. Cook’s students have graduated and been accepted to some of the nation’s most prestigious universities. For more information about the UCA Trombone Studio please click here.   Dr. Seth T. Vatt has travelled the United States extensively, and is currently a freelance bass trombonist and music educator in Dallas, TX. He has served on the performance faculty at Arizona State University with Ralph Sauer and Sam Pilafian, and has performed with the Phoenix Symphony and Scottsdale Arts Orchestra. While living in Phoenix he was also on faculty teaching music humanities at Phoenix College and within the Maricopa Community College System. In 2010 he earned his Doctor of Musical Arts in Trombone Performance while serving as a graduate teaching assistant to Ralph Sauer at Arizona State University. He also holds a Master of Music in Trombone Performance degree from ASU and a Bachelors of Music in Music Education from the University of Kentucky. There he was a founding member of the Momus Trombone Quartet, receiving a prestigious research and creativity grant to fund their first CD, "The Lexingport Project" and to compete as a finalist in the 2002 ITF Trombone Quartet Competition. Other performance credits include the DiMartino/Osland Jazz Orchestra, Kentucky Jazz Repertory Orchestra, Mesa Symphony, Tucson Symphony, New England Brass Band, Arizona Musicfest, Phoenix Theater, Texas Music Festival, and Victory Brass Quintet. Seth also maintains an active low brass studio with students ranging from 4th grade to college level. An active arranger, his music can be found published with Kagarice Brass Editions and Momus Music Editions. His teachers include Ralph Sauer, Dale Warren, Scott Hartman, and Gail Eugene Wilson.

Episode 100! John Mackey joins me for a conversation about his hugely successful career, from Commodore 64 through his remarkable "Places We Can No Longer Go" that was recently premiered at CBDNA 2019! Topics: The story of how John went from writing primarily chamber and orchestral music to becoming one of the most celebrated composers of music for wind ensemble and band. John’s background growing up and learning music and how to compose not in a traditional band, choir, or orchestra but instead on his computer through thousands of hours entering music via a joystick and reverse engineering what he was transcribing. The value of self publishing and the story of John’s growth from printing and shipping everything himself to having two employees to handle his current workload. The impact of writing dance music and how it’s influenced his compositional style and then an extended discussion of impostor syndrome, including John’s feelings about his most recent work Places We Can No Longer Go written about his mother’s battle with dementia and premiered at CBDNA just this past weekend. Links: johnmackey.com/ostimusic.com Mackey: Redline Tango Mackey: Wine Dark Sea Ravel: Concerto for the Left Hand Biography: John Mackey has written for orchestras (Brooklyn Philharmonic, New York Youth Symphony), theater (Dallas Theater Center), and extensively for dance (Alvin Ailey American Dance Theater, Parsons Dance Company, New York City Ballet), but the majority of his work for the past decade has been for wind ensembles (the fancy name for concert bands), and his band catalog now receives annual performances numbering in the thousands. Recent commissions include works for the BBC Singers, the Dallas Wind Symphony, military, high school, middle school, and university bands across America and Japan, and concertos for Joseph Alessi (principal trombone, New York Philharmonic) and Christopher Martin (principal trumpet, New York Philharmonic). In 2014, he became the youngest composer ever inducted into the American Bandmasters Association. In 2018, he received the Wladimir & Rhoda Lakond Award from the American Academy of Arts and Letters. He resides in Cambridge, Massachusetts, with his spouse, A.E. Jaques, who titles all of his pieces (and also teaches at MIT). ---- Thanks for listening! If you are finding value from these interviews, please consider becoming a supporter of the podcast by visiting www.patreon.com/markjconnor. For just $2 a month you can help me bring these great interviews to the band community.

Anthony Barfield is a composer and music producer in New York City. In this episode Anthony discusses his early career as a trombonist, his “Heritage Concerto” for euphonium and band, and also a bit about his current career as a producer for commercial and urban music. Topics: Anthony’s background growing up on his family farm in Mississippi and how the work ethic developed as a child has helped him achieve success as a musician. How Anthony’s success in high school helped to give him an identity outside, the impact of his middle school and high school band directors on his musical growth, and how the television show “Family Matters” may have helped him develop perfect pitch. The story of how Anthony kept leveraging his success into opportunity, including how being brave and persistent led him to studying trombone with Joe Alessi at Juilliard, and how that relationship led to his career as a composer. Anthony’s music for band and the story of the Heritage Concerto and his current work in commercial music. Links: Velocity Music Barfield: Here We Rest Barfield: Heritage Concerto Biography: Anthony Barfield is a Composer and Producer based in New York City. Known for his lyrical writing style, his compositions have been performed throughout the U.S. and Europe. Anthony has received commissions from groups such as The University of Kentucky Wind Ensemble and Joseph Alessi of the New York Philharmonic. He made his Carnegie Hall debut at the 2012 New York Wind Band Festival where his work "Here We Rest" was performed. In demand as a composer in residence, Mr. Barfield has had performances at College Bandmasters National Association and has worked with groups such as The United States Army Band "Pershing's Own." Anthony released his first composition album in the fall of 2013 titled "Chapter II" with The University of Alabama Wind Ensemble. Anthony studied composition with C.P. First, Avner Dorman, Thomas Cabaniss, and Nils Vigeland.  

Composer Steven Bryant's music for winds has quickly become part of the standard repertoire. As the son of a music educator, he is a strong supporter of music education and he joins me from the mountains of Austria to talk about his early influences, his music, and his career to this point. Topics: Steven’s background as the son of a high school band director and how that influenced his path to becoming a composer. The story of BCM International and Steve’s early success with Chester Leaps In and the stories of Dusk and Ecstatic Waters. The value of being self-published and the nuts and bolts about a career as a successful composer. Writing music for band and electronics. Links: Steven Bryant Mid Europe Band Festival Bryant: Chester Leaps In Bryant: Dusk Bryant: Ecstatic Waters Bryant: Hummingbrrd Bryant: Concerto for Wind Ensemble John Cage: As Slow as Possible Biography: Steven Bryant’s music is chiseled in its structure and intent, fusing lyricism, dissonance, silence, technology, and humor into lean, skillfully-crafted works that enthrall listeners and performers alike. His seminal work Ecstatic Waters, for wind ensemble and electronics, has become one of the most performed works of its kind in the world, receiving over 250 performances in its first five seasons. Recently, the orchestral version was premiered by the Minnesota Orchestra to unanimous, rapturous acclaim. The son of a professional trumpeter and music educator, he strongly values music education, and his creative output includes a number of works for young and developing musicians. John Corigliano states Bryant’s “compositional virtuosity is evident in every bar” of his 34’ Concerto for Wind Ensemble. Bryant’s first orchestral work, Loose Id for Orchestra, hailed by composer Samuel Adler as “orchestrated like a virtuoso,” was premiered by The Juilliard Symphony and is featured on a CD release by the Bowling Green Philharmonia on Albany Records. Alchemy in Silent Spaces, commissioned by James DePreist and The Juilliard School, was premiered by the Juilliard Orchestra in May 2006. The Chicago Symphony Orchestra’s MusicNOW series featured his brass quintet, Loose Id, conducted by Cliff Colnot, on its 2012-13 concert series. Notable upcoming projects include an orchestral work for the Detroit Symphony Orchestra (April, 2018), an evening-length dramatic work for the Pittsburgh New Music Ensemble, a choral work for the BBC Singers (July, 2017), a work for FivE for Euphonium Quartet and wind ensemble (2019), and a large work to celebrate the 150th anniversary of the University of Illinois Bands. Recent works include a Concerto for Alto Saxophone for Joseph Lulloff and the Michigan State University Wind Symphony (winner of the 2014 American Bandmasters Sousa Ostwald Award), and a Concerto for Trombone for Joseph Alessi and the Dallas Wind Symphony. Other commissions have come from the Gaudete Brass Quintet (Chicago), cellist Caroline Stinson (Lark Quartet), pianist Pamela Mia Paul, the Amherst Saxophone Quartet (funded by the American Composers Jerome Composers Commissioning Program), the University of Texas – Austin Wind Ensemble, the US Air Force Band of Mid-America, the Japanese Wind Ensemble Conductors Conference, and the Calgary Stampede Band, as well as many others. Steven studied composition with John Corigliano at The Juilliard School, Cindy McTee at the University of North Texas, and Francis McBeth at Ouachita University, trained for one summer in the mid-1980s as a break-dancer (i.e. was forced into lessons by his mother), was the 1987 radio-controlled car racing Arkansas state champion, has a Bacon Number of 1, and has played saxophone with Branford Marsalis on Sleigh Ride. He resides in Durham, NC with his wife, conductor Verena Mösenbichler-Bryant (Duke University).

Listening Through Time features the New York Philharmonic’s Joseph Alessi in conversation with the Orchestra’s Archivist and Historian Barbara Haws, considering how trombone and trumpet performance practices and interpretations have changed over the decades. One of Leonard Bernstein’s Hunky Brutes, Alessi discusses former Philharmonic members as well as his father and grandfather, both members of the Metropolitan Opera. Works discussed are Tchaikovsky's Sixth Symphony, Mahler’s Symphonies conducted by Bernstein, R. Strauss' Ein Heldenleben, and Shostakovich's Symphony No. 5. Philharmonic players discussed are Armand Ruta, Mario Falcone, Gordon Pulis, Simone Mantia, Warren Deck and Don Harwood. Recorded September 25, 2017. Conceived by Barbara Haws. Recorded by Larry Rock, assisted by Ian Good. Edited by Charles Van Tassel. © 2017 New York Philharmonic. http://www.archives.nyphil.org/podcasts

This week we dive into our mailbag to listen to some recent new music releases sent to Relevant Tones. Hosted by Seth Boustead Produced by Jesse McQuarters Sunbin Kim: Whirlwind, Palisades Virtuosi James MacMillan: Seraph, I BBC Scottish Symphony Orchestra Jason Wright Wingate: Symphony No. 2 Movement of the Vaulted Chambers The Twittering Machine Hermitage Orchestra de l'invisible/Wingateabout Jason Wright Wingate Michael Nyman: Songs for Tony, I&IV sonic.art Saxophone Quartet Ronald Roxbury: Crazy Jane, Crazy Jane Trio; Patrick Mason, David Starobin, Daniel Druckman Richard Reed Parry: For Heart, Breath, and Orchestra Kitchener Waterloo Symphony; Edwin Outwater, Conductor John Cage: Five, Essential Music Melinda Wagner: Concerto for Trombone and Orchestra, I, IV New York Philharmonic Orchestra; Lorin Maazel, Conductor, Joseph Alessi, Trombone

Bridge Records was founded in 1981 by the classical guitarist David Starobin, and his wife, the violinist, Becky Starobin. The company celebrates its 30th anniversary with a catalog of more than 400 CD and DVDs, as well as a music publishing arm and an artist management division. Both of the Starobin's children, Robert Starobin and Allegra Starobin, work for the company, as well as a staff of engineers, designers and allied personnel. Bridge now issues between 35 to 40 discs per year, across a broad spectrum of classical music, contemporary music and jazz. The Washington Post wrote that "Bridge is a company with a highly selectiveand consistently excellent catalog". It is this selectivity that has led to 25 Grammy nominations and numerous awards from the international critical press. New Orford String Quartet "String Quartet No. 15 in G Major, D. 887, Op. 161: I. Allegro molto moderato" (mp3) from "New Orford String Quartet performs Schubert and Beethoven" (Bridge Records, Inc.) Buy at Amazon MP3 More On This AlbumThe New Orford Quartet is a brilliant all-star group from Canada. The quartet includes the concertmasters of the Montreal and Toronto Symphonies. This is the debut recording of the New Orford- a recording which has been receiving rave reviews in the critical press. Susanna Phillips, Myra Huang "Poemes Pour Mi: VII. Les Deux guerriers" (mp3) from "Susanna Phillips: Paysages" (Bridge Records, Inc.) Buy at Amazon MP3 More On This AlbumSusanna Phillips is a spectacular young mezzo-soprano. Ms. Phillips is the winner of the Metropolitan Opera's 2010 Beverly Sills Award. Her solo debut recording on Bridge is called Paysages (Landscapes) and includes French songs by Messiaen, Debussy and Fauré. Here we listen to a track from Olivier Messiaen's magical song cycle Poemes pour Mi.The Budapest String Quartet "String Quartet No. 3 in D Major, Op. 18, No. 3: IV. Presto" (mp3) from "Beethoven: The Early Quartets" (Bridge Records, Inc.) More On This AlbumOne of the special parts of the Bridge catalog is the company's historical recordings, many released by Bridge for the first time ever. These include 25 volumes of concerts played at the Library of Congress, between 1940 and the present day. Famous names on the Bridge series include George Szell, Leopold Stowkowski, Leontyne Price, Samuel Barber and the Budapest String Quartet. Here the Budapest String Quartet performs from a 1944 concert. Garrick Ohlsson "Sonata in B Minor, S. 178: IV. Allegro energico" (mp3) from "Garrick Ohlsson: Liszt Recital" (Bridge Records, Inc.) More On This AlbumBridge has a long history of recording many of today's leading soloists. Among pianists in the Bridge catalog you'll find names like Rudolf Serkin, Richard Goode, Peter Serkin and Garrick Ohlsson. Here we listen to Garrick Ohlsson's recent Liszt recording, which celebrates the 200th anniversary of Liszt's birth.BBC Symphony Orchestra, Sir Andrew David "Concerto In Pieces - Purcell Variations: I. Theme and Variation I, Vivace Maestoso" (mp3) from "Concertos of Melinda Wagner and Poul Ruders" (Bridge Records, Inc.) Buy at Amazon MP3 More On This AlbumBBC Symphony Orchestra, Sir Andrew David "Concerto In Pieces - Purcell Variations: II. Variation II, Vivace Scherzando" (mp3) from "Concertos of Melinda Wagner and Poul Ruders" (Bridge Records, Inc.) Buy at Amazon MP3 More On This AlbumAmong the strengths of the Bridge catalog is a strong commitment to finding the leading composers of our own time, and recording large portions of their catalog. The Danish composer Poul Ruders has become known for his operas and orchestral music, much of which has been recorded on Bridge. Here we listen to his "Concerto in Pieces", played by the BBC Symphony Orchestra, conducted by Sir Andrew Davis.Joseph Alessi, Susan Narucki, George Crumb, Paul Cesarczyk, Warsaw Philharmonic Orchestra "Star-Child: IV. Musica Apocalyptica" (mp3) from "George Crumb Edition, Vol. 3" (Bridge Records, Inc.) Buy at Amazon MP3 More On This AlbumThe composer George Crumb celebrated his 80th birthday last year. Bridge has a particularly close relationship with Crumb, and is involved in recording the great American composer's complete output. Here we listen to the "Dies Irae" from Crumb's massive orchestral work, "Star-Child." This recording was a Grammy winner!Clara Rockmore, Nadia Reisenberg "Requiebros" (mp3) from "Clara Rockmore's Lost Theremin Album" (Bridge Records, Inc.) Buy at Amazon MP3 More On This AlbumEclectic titles are also a part of the Bridge catalog, and what could be more eclectic than a recording of classical masterpieces on the Theremin! Here we listen to the superb performer Clara Rockmore with an eerily beautiful rendition of Requiebros by Gaspar Cassado, accompanied by pianist Nadia Reisenberg.