Podcasts about Phoenix Theater

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the original submission.Americana in the Historic AuditoriumJean Shore of Balsam Lake, Wis., recommends crossing into Wisconsin for an evening of American roots music. Minnesota singer-songwriters Emmy Woods, Sarah Morris and Laura Hugo will perform at The Historic Auditorium in St. Croix Falls this Saturday, June 7 at 7 p.m.Jean says: Each performer brings a unique voice and style to the stage, blending folk and country and heartfelt storytelling. But what makes this even more exciting is the venue itself. The Historic Auditorium was built in 1916 and was recently renovated in 2023, and it's quickly becoming a cultural hub for this area.— Jean ShoreA Sondheim musical at the Ritz TheaterTwin Cities theater maker Kurt Engh recommends seeing Stephen Sondheim's musical “Passion,” staged by Theater Latté Da at the Ritz Theater. Written by the same team that created “Into the Woods,” the show runs through July 13.Kurt says: “Passion” is one of Stephen Sondheim's lesser-known musicals, but one of his most complex and most honest and emotional.It is a melodramatic story set in 1860s Italy during the unification of Italy. It is an uneven love triangle between a beautiful married woman, a very handsome army captain and a in the terms of the musical, a “troubled, ugly woman.” And it is about how love and desire are reflected through beauty and beauty standards.It is a very fascinating musical in that it is directed as almost a chamber opera at a breakneck speed. There are no applause breaks. It does not let you go. It just keeps moving.— Kurt EnghImprov Festival Moves to Phoenix TheaterMichael Krefting of Minneapolis loves the improv scene in the Twin Cities, and he recommends the Twin Cities Improv Festival, happening Thursday through Sunday, June 8. This is the annual festival's first year at the Phoenix Theater in Minneapolis, following the closing of HUGE Improv Theater last year.Michael says: They have artists coming in from all over the world, a couple artists coming in from Japan. There are a lot of local names. When they select the artists for the festival, they're always trying to get the local groups that are doing either the most interesting things or doing something new and creative that's picking up steam. The whole improv community is very welcoming. And I would, I would come ready to not just laugh but also feel. I would say to expect the unexpected!— Michael Krefting(Want more improv? Krefting also recommends Improv A Go-Go at Strike Theater in Minneapolis. Every first, second, and fourth Sunday, four or five improv groups are chosen by lottery to perform, offering an affordable evening of “yes, and” energy.)

He's been improvising for 30 years in the Twin Cities.  His main group is "Five Man Job", but he also ran Huge Theater.  He runs Improv-A-Go Go at Strike Theater the 1st, 2nd & 4th Sunday of each month AND he helps to run Twin Cities Improv Festival which is happening June 5th through 9th at Phoenix Theater on 26th and Hennepin in Minneapolis.  (Get tickets at the Twin Cities Improv Festival website).   Great song picks by Butch.  Enjoy!  

Meet my amazing friend, Diana Brown. I've taken several Improvised Shakespeareworkshops with Diana and she is a real gem! We had so much to talk about that this is Part ! Diana is an improv artist, teaching artist, actor, producer, director and voiceover talent. She was voted Most Valuable Mentor and Teacher at the San Francisco Improv Festival. Diana was named as one of The Improv Boosts 2025 Sudden Impact Teachers. She leads the improv program at Berkeley Repertory Theatre's School of Theatre. Diana is an instructor, producer and a member of the leadership team with Leela Improv Theatre in San Francisco. She presents the improvised Shakespeare program at All Out Comedy Theatre, is a guest teacher with BATS (Bay Area Theatre Sports) and teaches with Greater Than The Sum. Diana enjoys helping improv artists find and amplify their unique gifts! She genuinely believes everyone is infinitely fascinating and endeavors to instill that belief in her students. She believes the truth is the most compelling thing we can offer up on the stage and encourages her students to bring their truth to their characters whether they're naturalistic or fantastical. She's presented Improv workshops, intensives and “workshop to show” experiences at SAVI Fest, Northwest Improv Fest, Improv Fest Ireland, Belfast Improv Fest, Queen City and Comedy Experience, Uptown Improv Festival, Vancouver Improv Festival, Tucson Comedy Arts Festival, Ocean State Improv Festival, Gather Spring Improv Retreat, Cornerstone Improv, O-Town Improv festival, Countdown Improv Festival, Camp Improv Utopia West, Experience, IMPRIDE, Unscrewed Theatre, 2nd Best Comedy Fest, Denver Improv Festival, Unscrewed Theater in Tucson, AZ, All Out Comedy Theater in Oakland, CA, Sealevel, San Francisco, CA, Phoenix Theater, San Francisco, CA. Diana plays in the Shakespeare inspired, Gamesome Frolic. She's half of the duo Bingewatch, plays in the Tennessee Williams inspired duo Fleeting Reminiscence, the trios POPTOP, Slumber Party, the duos Horrible People, DJ, Secret Lives of Villains, Salt and Pepper, Davenport & Brown, and the Twilight Zone inspired ensemble But of Mind. Diana appeared as a guest artist with BATS Improv in San Francisco and is a member of the acting pool with the San Francisco sketch comedy company Killing My Lobster. She has appeared at Impro Amsterdam, the Liverpool Improv Festival in Mark Smith's Taxi Tales, the Vancouver Improv Festival, Uptown Improv Festival, Improv Fest Ireland, Gather Spring Improv Retreat, Rise Comedy Fest, SF Sketchfest, The Queen City Comedy Experience, San Francisco Improv Fest, Improvaganza Hawaii Festival of Improv, San Diego Improv Fest, O-Town Improv Fest, New York Improv Festival. Vintage Improv Fest, 2nd Best Comedy Fest, New Orleans Improv Fest, Twin Cities Improv Fest, Alaska State Improv Fest, Tucson Comedy Arts Fest and others. Diana also performs in scripted theater productions including Playground Solo Fest 2025 and at theaters and theatre festivals around the country. You can reach Diana at: Check out Bingewatch Improv my duo with Dan Wilson: https://www.contemporarytheatercompany.com/ocean-state-improv-festival Or her website at: https://www.dianalynnbrown.com

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the original submission.Celebrating the work of Duluth artist Oddio NibJeff Schmidt, owner of Lizzards Art Gallery & Framing in Duluth, recommends visiting a retrospective show for Duluth painter Oddio Nib. Nib is a prolific artist whose work includes still lifes as well as abstract and narrative paintings.Over 100 of Nib's paintings spanning more than 40 years of work will be in the exhibit, which opened this week at Zeitgeist's Gallery Cafe and runs through July 30. The exhibit will expand to the Zeitgeist's Atrium July 2–30, where some of Nib's larger works will be hung. The paintings are for sale as well.Sing me a SongAmanda Helling is an improviser from Minneapolis, and she appreciates the musical improv abilities of Hannah Wydeven. Her ability to make up engaging songs on the spot is on full display in her show “Sad Songs for Happy People,” which runs Fridays in May at 9:30 p.m. at Bryant Lake Bowl in Minneapolis. It's part of The Residency at the venue that pairs two 25-minute improv shows in an evening; Darth Hogbeef is the partnering act.“Sad Songs” will also help kick off the Twin Cities Improv Festival, which runs June 5–8 at the Phoenix Theater in Minneapolis.Amanda says: Hannah is an engaging musical improviser, and her show is very interactive. I'm always blown away by people who can improvise songs that sound almost preplanned, and Hannah is at the top of that game. Between the total 4th-wall break and the music that, despite being called “sad songs,” is often riotously funny.Hannah's show is a tour de force. “Sad Songs” would be at the top of my list of suggested shows to introduce someone to long-form improvisational theater.— Amanda HellingTell Me a StoryPeter Bretl of Minneapolis calls himself an enthusiastic amateur storyteller, and he's really been enjoying taking classes and attending open mic nights at the American School of Storytelling in Minneapolis.He appreciates the coaching to help him tell stories more comfortably before a crowd, and he recommends that anyone who is interested show up at an open mic night and add their name to the list of speakers for an opportunity to tell a story of up to 10 minutes in length.Open mic nights for storytelling are the third Monday of the month (next event: Monday, May 19 at 7 p.m.) and open mic nights for poetry are every fourth Monday (next event: Monday, May 26 at 7 p.m.)Peter says: The venue itself is delightful. I think seating capacity is 36, so you feel almost surrounded by friends. There's an intimacy to it that I really, really like. And the crowds there are very supportive. Everyone wants you to succeed.— Peter Bretl

Host Laurie Fitz with co-hosts Rick Bernardo and Mickaylee Shaughnessy visit with artists from Phoenix Theater’s coming 2/16–3/2 production, “Stolen Focus.” Guests include: Brenda Varda (Writer) • Mickaylee Shaughnessy (Actor/Co-host) • Mike Dee (Actor) • Sandi Flahn (Actor). Based on “Stolen Focus” by Johann Hari, the creative cast have devised an evening that brings the ‘circus’ of digital life into a story…

After a longer-than-intended winter break (the plague, etc.) your favorite hosts Rachael and Ansel are back for another Hound adaptation on this week's Sherlock Says! And it's time for special guest Jenna Papke of the Phoenix Theater to join our hosts in apologizing to Basil Rathbone because it turns out, when he wasn't burned absolutely out on cranking out these adaptations like he was last time we watched one, he's a really good Holmes!Check out Jenna's stuff! The Phoenix Theater:  https://m.facebook.com/PhoenixMinneapolis/Dealing with Dragons: https://www.simpletix.com/e/dealing-with-dragons-tickets-191597?fbclid=IwZXh0bgNhZW0CMTEAAR2E6spGaFhVV5DRcg_t1Fw1itpjUzk-rei9lQMrGpl4DyCQggsuncEIh6M_aem_HdlvkQH_L-Hb4QPJwEpJYgContact the pod! Linktree at: https://linktr.ee/sherlocksayspod?fbclid=PAAaalIOau9IFlX3ixKFo3lsvmq6U1pYn8m3cf7N6aOqkqUGCljCO0R00KZ3E

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.This play is

Section 31. The clandestine group of operatives has done things behind the scenes to keep the Federation and her allies safe from existential threats both foreign and domestic. However, what is the political implications of it. In this episode of Twin Cities Trekkies, which constitutes the seventh part of the podcast's celebration of Star Trek: Deep Space Nine, Wes is joined by Mr. Todd A. Davis, the host of the Computer Resume Podcast, to talk about Section 31. This group was introduced in Deep Space Nine and continued in Star Trek: Enterprise and Star Trek: Discovery, and even the subject of two films: the 2013 film Star Trek Into Darkness and the upcoming Section 31 film featuring Michelle Yeoh, which debuts January 24th on Paramount+. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us comments via the Spotify version of the episode. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! ⁠⁠⁠⁠⁠⁠⁠I'll Be Home for Kahless: The Hallmark Parody of the Season!* HURRY! Promotion ends October 31! *

Holmberg's Morning Sickness - Monday October 21, 2024 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Holmberg's Morning Sickness - Monday October 21, 2024 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Star Trek: Phase II. After the perceived failure of The Original Series, and the ending of The Animated Series, Paramount decides to do a film, then a television series, then back to a film, which ultimately became Star Trek: The Motion Picture. However, there was a time when a fourth major network was a big deal with a Star Trek series as its cornerstone. No, it is not the formation of the United Paramount Network (UPN) and the creation of Star Trek: Voyager. It is actually a different network and series altogether. In this episode of Twin Cities Trekkies, Wes is joined by Jeffrey of the Renegade Shipyards Instagram social media account, to talk about Star Trek: Phase II, which would have been the cornerstone of the Paramount Television Service and would have debuted in 1978. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us comments via the Spotify version of the episode. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! ⁠⁠⁠⁠⁠⁠I'll Be Home for Kahless: The Hallmark Parody of the Season!

"Duet." In the beginning of Deep Space Nine, often talked about as being "slow," there are classics, and there are AMAZING episodes. This first season episode is one of them, in which Kira Nerys is forced to confront her own personal prejudices. In this episode of Twin Cities Trekkies, which constitutes the sixth part of the podcast's 30+ Years of Star Trek: Deep Space Nine celebration, Wes is joined by Chris and Zach of The Random Redshirts Podcast to discuss this powerful first season episode of the show, which is often on the lists of the top 10 Deep Space Nine episodes. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us comments via the Spotify version of the episode. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! ⁠⁠⁠⁠⁠I'll Be Home for Kahless: The Hallmark Parody of the Season! *Twin Cities Trekkies is absolutely devastated by the destruction caused by Hurricanes Helene and Milton in Florida and the Southeastern United States. We encourage our listeners to pledge money to their local Red Cross chapter, or by blood donations. *

I'll Be Home for Kahless - The Hallmark Parody of the Season. Coming for the Holiday season, the Twin Cities theater scene will be having a Star Trek-themed Christmas musical at the Phoenix Theater in uptown Minneapolis from November 29-December 15, 2024. In this episode of Twin Cities Trekkies, Wes is joined by Angela Fox, the writer and composer of the musical, and Dawn Krosnowski, the musical's producer, to talk about whatever they can about the musical, their Star Trek stories and the like. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us comments via the Spotify version of the episode. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! ⁠⁠⁠⁠I'll Be Home for Kahless: The Hallmark Parody of the Season!

Quark and his bar. When one thinks of the station of Deep Space Nine, most would think the action and intrigue happens in Ops, or on the Defiant, but no most of the action and intrigue happens at the tavern where every Ferengi knows your name. In this episode of Twin Cities Trekkies that continues the podcast's 30+ Year Celebration of Star Trek: Deep Space Nine, Wes is joined by Jodi of the Clonestar Podcast to talk about Quark, the Ferengi, their Star Trek stories and much more. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us comments when you listen to the show on Spotify, just find the comment section. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! ⁠⁠⁠I'll Be Home for Kahless: The Hallmark Parody of the Season!

Prodigy Season Two Review, plus podcast updates. Season Two of Star Trek: Prodigy is in the books, but how does it compare to the first season? In this episode of Twin Cities Trekkies, Wes shares his thoughts about the second season of the animated series and updates on podcast news. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us comments when you listen to the show on Spotify, just find the comment section. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! ⁠⁠I'll Be Home for Kahless: The Hallmark Parody of the Season!

Show Notes Highlights: Pete Floyd's Formation: Pete Delaney shares how the pandemic inspired the formation of the tribute band Pete Floyd alongside Pete Hale, who profoundly loves Pink Floyd's music. - Band Lineup: The group features a powerhouse lineup of local musicians, including saxophonist Alex Garcia, keyboardist Bob McBain, bassist Toby Tyler, drummer Sean Englund, vocalist Paige Clem, vocalist and guitarist Teal Collins, and guitarist Pete Hale, each adding unique depth to the performances. - The Music: Pete Delaney discusses their approach to covering Pink Floyd's extensive catalog, focusing on albums like Dark Side of the Moon, Wish You Were Here, and The Wall, blending live elements from iconic performances. Visual Experience: Pete Floyd offers a full visual experience, complete with coordinated lighting designed by its new lighting director, adding a dynamic visual component to its live shows. - Special Moments: Delaney recalls memorable performances, including their third show at the Phoenix Theater in Petaluma and the incredible energy felt during the "Comfortably Numb" performance at The Chapel in San Francisco. - Upcoming Shows: The band will perform at Sebastiana Theater on Friday, September 20th, with a special laser light show. They are also preparing a 50th-anniversary tribute to Wish You Were Here for 2025.  Featured Songs - “Great Gig in the Sky” – Pete Floyd's rendition featuring Teal Collins on vocals. - “Dogs” – A segment from their live performance featuring Pete Hale's exceptional guitar work.  Links - Pete Floyd Official Website: https://petefloyd.com - Sebastiana Theater Tickets: https://www.sebastianitheatre.com  Social Media Hashtags #PeteFloyd #PinkFloydTribute #SonomaMusic #LiveMusic #SebastianiTheater #WishYouWereHere #DarkSideOfTheMoon #BackstageSonoma

Elim Garak. He's a spy. He's a tailor. He's a jack of all trades, both legal and illegal. Yet, he becomes friends with a Starfleet officer and makes him believe everything, especially the lies. In this episode of Twin Cities Trekkies celebrating 30+ Years of Star Trek: Deep Space Nine, Wes is joined by Joe from Captains Quadrant to talk about plain, old, simple tailor Garak, and about the actor who played him, Andrew Robinson, and their stories about Star Trek in general. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us voice messages by going to podcasters.spotify.com/pod/show/twincitiestrekkies/message. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! ⁠I'll Be Home for Kahless: The Hallmark Parody of the Season!

On May 24, 1996, Sublime played their last show at the Phoenix Theater in Petaluma. No one knew it'd be their final concert. But no one knew at the time, either, that singer Bradley Nowell would pass away the next morning at a motel in San Francisco. Sublime would go on to sell over 17 million records, and for obvious reasons, that final show in Petaluma has attained mythic status. An audio bootleg exists; legal issues over still-unreleased video footage have continued for years; and snippets of people's memories can still be overheard at parties in and around Petaluma. But only 900 or so people witnessed Nowell's final performance. The rest of Sublime's millions of fans always want to know: what was it like? FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"Past Tense" and the Bell Riots. The third season Deep Space Nine two-part episode "Past Tense", which were the last Star Trek episodes before the premiere of Star Trek: Voyager, tells a very powerful message about homelessness. This had been discussed about in local newspapers, but still has a powerful message about it that still resonates nearly three decades later. In this episode of Twin Cities Trekkies, which continues the podcast's 30+ Years of DS9 celebration, Wes is joined by fellow Star Trek fan, Minnesotan and podcaster Justin Grays to talk about "Past Tense" and its messages that still are present, nearly 30 years since they first aired. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiesctrekkiespod). You can also leave us voice messages by going to podcasters.spotify.com/pod/show/twincitiestrekkies/message. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! I'll Be Home for Kahless: The Hallmark Parody of the Season!

Kira Nerys. The first officer of Deep Space Nine is a fiery, fierce character when the audience first meets her in the pilot episode of Star Trek: Deep Space Nine, but as the series progresses, she becomes an empathetic, serialized character that she becomes a productive and loyal friend, confidant, surrogate mother and capable officer. In this episode of Twin Cities Trekkies, which continues the Deep Space Nine 30+ Year Celebration that began in February, Wes is joined by Jen of The Geek Girls Story Salon to talk about Kira, and about the actress who played her, Nana Visitor, and their stories about Star Trek in general. Any feedback you have can be submitted to the Facebook page (facebook.com/tctrekkiespod), or by emailing them at tctrekkiespodcast@gmail.com. Twin Cities Trekkies is also available on Instagram (instagram.com/twincitiestrekkiespod). You can also leave us voice messages by going to podcasters.spotify.com/pod/show/twincitiestrekkies/message. Just keep in mind the feedback you may give may be featured in an upcoming episode of this podcast. Twin Cities Trekkies is available on many platforms! This episode is brought to you by I'll Be Home for Kahless, a Star Trek parody play running from November 29-December 15 at the Phoenix Theater in Minneapolis. Go to the following link below and use the promo code TREKKIES2024 at checkout! I'll Be Home for Kahless: The Hallmark Parody of the Season!

In 1980 I started hitting the San Francisco Bay Area rock clubs nightly. The Stone , Old Waldorf , Mabuhay Gardens, Uncle Charlie's, The Phoenix Theater , Keystone Berkeley, Cotati Cabaret. I had a huge thirst for Rock n Roll.    Of course the big bands like Van Halen ,AC/DC , Judas Priest and Ted Nugent would come through town but that was like once a year so you had to find something more out there and that something was a blossoming local rock scene and the early kings of that scene was a band called Roadrunner.  This band absolutely crushed it live and it seemed like over night they were selling out every club in the Bay. By 1985 the band was done.  I will Never forget those days and especially my guest today lead singer of Roadrunner James Hume.  I learned all of my early rock n roll lessons from this band.  I don't think I've talked to James since 1985 so it was an honor to catch up with him and really hear his story.  You may not of heard of Roadrunner but I guarantee you will love the stories. From Metallica opening up for them, Dio trying to get them a record deal and the infamous band house "The Cave" Dig in my friends and hear some San Francisco Rock History.    Check out some art by James Hume in this link https://rebelunicorn.shop/collections/jh-canvas  Roadrunner's music can be heard here https://music.apple.com/us/album/teenage-warcry-ep/270227528    Join my Patreon at https://www.patreon.com/DeanDelray Enjoy tons of Bonus episodes.   My tour dates can be found here https://www.deandelray.com/tourdates    TO get tickets to see me shoot my special click here https://www.tixr.com/groups/thecaverns/events/bill-burr-with-dean-delray-112459    Thank you DDR

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above.  Want to be an Art Hound? Submit here. Click here. Winona wondersStephanie Lynn Rogers is the executive and artistic director of Anderson Center at Tower View in Red Wing, and a visual artist in her own right. Amid preparations for this weekend's Red Wing Studio Tour, she pointed listeners to Winona to see Judy Ofronio's exhibition “Deep Dive” at the Minnesota Marine Art Museum.  Stephanie says: It's an absolute must-see. Judy has had a phenomenal impact on Minnesota's arts community over the past 50 years, and she's one of the artists I respect most in our state. She's reinvented and reinvigorated her artistic style multiple times over a storied career, which takes guts and vision. This exhibition is not a retrospective, but it is definitely a very broad survey of the last two decades, going from colorful mosaic works from the early 2000s, through works that Judy made out of bones and bone castings that were more monochromatic in the 2010's. And in the last two years, her work has exploded back into this colorful three-dimensional collage that is one of her most known styles. I'm also really excited about the Minnesota Marine Art Museum in general. They've been through a leadership and programming transition in the past few years, and they're really hitting their stride with top notch exhibitions. I also think they do family-friendly museum experiences better than any other museum I've seen that isn't focused just on kids. For me, the expansion of their rotating exhibition program has changed MMAM from “must see when in Winona” to “Must plan to visit Winona so I make sure I see these shows.” — Stephanie Lynn Rogers Energetic ecosystemsVisual artist Pete Driessen of Minneapolis recently traveled north to Park Rapids to see the new exhibits at the Nemeth Art Center, which he recommends. The two solo shows each take a look at the natural world. Wayne Gudmundson's exhibit “What Stillness Has to Offer” encompasses large-scale photographic prints that zoom in close on forest scenes. Gudmundson is a retired art professor from Moorhead State University. Madeleine Bialke's exhibit “The Long View” consists of landscape paintings. Both exhibits run through Sept. 28. Pete says of Madeleine Bialke's work: The vibrant acrylic works, recently created during her residency at the Nemeth, are highly energetic and expressive works, with brilliant use of color. Her works have a unique idiosyncratic style, visually embracing the natural beauty within the gentle shapeshifting that occurs in our local ecosystems and environments. Of particular interest to me as a viewer is how Madeleine captures the transitional glowing light qualities of sunrises, sunsets, moonscapes and how that light filters through flower petals, long grasses, tree leaves, or branches in a dense forest. Whether it's a becoming pinecone, wiggly birch or pine branch, the tipped Big Dipper, or night lights in cottage windows on side of lake, the body of work electrifies our innate and subtle connections with rural bucolic countryside.— Pete DriessenShakespeare squashedTheater artist Stephanie Kahle saw Jackdonkey Productions' staging of “The Complete Works of Shakespeare (abridged)” when it was at the Phoenix Theater in Minneapolis, and she thought it was hilarious. The show now heads to Stillwater, presented by the Zephyr Theater, July 25-27. The performance is at the Washington County Historic Courthouse at 7 p.m. Billed as London's longest-running comedy, the high-energy show features three actors attempting to squash all of Shakespeare's works into two hours. Stephanie says: It is so fun. It has three really talented actors who are very smart in their playfulness and very committed to the silliness of the show, and is just a treat to see new and young artists taking new approaches to the classic arts. And I think that Zach Christensen, the director, has also given a lot of freedom to modernize and make it local and fresh, so not only is it really fun as a script, but I think their interpretation is also really fun.  Not only is it completely local talent who are amazing actors, but they take a lot of of modern social media trends. For example, they have an entire bit featuring chamoy pickles [referencing a TikTok trend.]— Stephanie Kahle

Welcome back! In this episode of Sherlock Says, your intrepid hosts Rachael and Ansel are joined by Eric Cohen of the Phoenix Theater in Minneapolis! They're reading The Adventure of the Beryl Coronet, Doyle's answer to the question "can one build a short piece of mystery fiction entirely out of asspulls?" Also they managed to rope poor Hugh Jackman into this.If you know what this fucking crown is made of please write in, we're so confused.TW: Domestic abuseCheck out the Phoenix Theater if you're in the Twin Cities area! https://www.phoenixtheatermpls.org/Contact the pod! Linktree at: https://linktr.ee/sherlocksayspod?fbclid=PAAaalIOau9IFlX3ixKFo3lsvmq6U1pYn8m3cf7N6aOqkqUGCljCO0R00KZ3E

This week is the conclusion of the interview with Alayna Jacqueline & Hannah Joyce from the Playwrights' Center, who offer so much wisdom and practical advice for playwrights.In this episode, we discuss:Current trends in playwritingDiagnosing script issues in the rehearsal roomAdvice for playwrights just starting outGetting out of Development HellAnd more!Resources MentionedPlaywrights' CenterTheatre Begins Here PodcastAbout Our GuestsHannah Joyce is the Director of Membership and education programs at the Playwrights' Center in Minneapolis. From 2017 to 2022 she was also the producing artistic director of the William Inge Theater Festival in Kansas. Hannah has developed the new work of some the country's finest playwrights over the past two decades and had the joy of celebrating visionary American playwrights. Through her work she has produced countless new play development workshops with playwrights from across the country, and worked with hundreds of theater artists in support of those plays. Originally from St. Louis, Hannah has worked and performed with a number of theater companies throughout the Midwest, including the Repertory Theatre of St. Louis, St. Louis Shakespeare Company, That Uppity Theater Company, Daleko Arts, and Prison Performing Arts.  Alayna Jacqueline is a Minneapolis-based playwright, dramaturg, and educator born and raised in Buckeye Nation. She's an instigator for new plays with the Twin Cities Playwright Cabal. In her absurd experimental writing, she loves finding new ways to bend, reshape, and deconstruct stories for the stage. Her writing weaves between themes of identity, mental health, women's relationships, privilege, and the corruption of power. Alayna's work has been performed and/or developed at Theater Mu, Phoenix Theater, Market Garden Theatre, Renaissance Theaterworks, Playwrights' Center, MadLab Theater, Lincoln Theater, Pythian Theater, and Haybarn Theater. Her play ALL OF THE EVERYTHING was produced at the 2019 Samuel French Off-Off Broadway Short Play Festival. FacebookInstagramConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

This week is Part 1 of 2 where Melissa interviews fellow theatre artists/arts administrators/podcasters Alayna Jacqueline & Hannah Joyce from the Playwrights' Center. In this episode, we discuss:The Playwrights' Center and its many programs and offeringsWho can become a memberWhat the PWC has coming up in the near futureThe excitement of working with big name playwrights And more!Resources MentionedPlaywrights' CenterTheatre Begins Here PodcastAbout Our GuestsHannah Joyce is the Director of Membership and education programs at the Playwrights' Center in Minneapolis. From 2017 to 2022 she was also the producing artistic director of the William Inge Theater Festival in Kansas. Hannah has developed the new work of some the country's finest playwrights over the past two decades and had the joy of celebrating visionary American playwrights. Through her work she has produced countless new play development workshops with playwrights from across the country, and worked with hundreds of theater artists in support of those plays. Originally from St. Louis, Hannah has worked and performed with a number of theater companies throughout the Midwest, including the Repertory Theatre of St. Louis, St. Louis Shakespeare Company, That Uppity Theater Company, Daleko Arts, and Prison Performing Arts.  Alayna Jacqueline is a Minneapolis-based playwright, dramaturg, and educator born and raised in Buckeye Nation. She's an instigator for new plays with the Twin Cities Playwright Cabal. In her absurd experimental writing, she loves finding new ways to bend, reshape, and deconstruct stories for the stage. Her writing weaves between themes of identity, mental health, women's relationships, privilege, and the corruption of power. Alayna's work has been performed and/or developed at Theater Mu, Phoenix Theater, Market Garden Theatre, Renaissance Theaterworks, Playwrights' Center, MadLab Theater, Lincoln Theater, Pythian Theater, and Haybarn Theater. Her play ALL OF THE EVERYTHING was produced at the 2019 Samuel French Off-Off Broadway Short Play Festival. FacebookInstagramConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves Heather Cox Richardson discusses her latest book, “Democracy Awakening: Notes on the State of America,” with host Richard Wolinsky, recorded in Oakland October 4, 2023. A Professor of History at Boston College, Heather Cox Richardson began four years ago a daily newsletter on Facebook, “Letters from an American.” Today, that newsletter has become a must-read for anyone interested in how current history relates to the historical record. She is the author of “How the South Won the Civil War” and several other books, with her specialty being the history of the Republican Party in the 19th Century. “Democracy Awakening” is a look at how America's politics changed into the current crisis in democracy, what that crisis looks like, and using history as a guide, helps us understand where to go in the future. In this interview, Prof. Richardson discusses much of this, with side-journeys into the 19th Century and some current issues. Podcast version. Photos: Richard Wolinsky. Review of “Nollywood Dreams” at San Francisco Playhouse through November 4, 2023.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  All Hallows Gala, October 27, August Hall. A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  1984 by George Orwell, adapted by Michael Gene Sullivan, In Theater, November 10 – December 10, Streaming, December 5-10. Awesome Theatre Company. Lizard Women by Eteva Trinidad, through October 14. Phoenix Theater. Berkeley Rep POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, by Selina Fillinger, September 16 – October 22, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. All Hallows Eve, October 26-28. At the Speakeasy. See website for details. Brava Theatre Center: See website for upcoming and current events. BroadwaySF: See website for assorted upcoming events in 2023. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose: Les Miserables, October 17-22. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: The Legend of Georgia McBride by Matthew Lopez, November 4 -26, Lesher Center for the Arts. Central Works The Engine of Our Disruption by Patricia Milton, October 14 – November 12. Cinnabar Theatre. The Addams Family, November 17-December 2. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre ;Tintypes, October 20 – November 12. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Tiny Fires by Aimee Suzara, October 19-29. CounterPulse, 80 Turk Street, San Francisco. Cutting Ball Theatre. Rossum's Universal Robots by Karel Capek, adapted by Chris Steele, October 20 – November 12, Cutting Ball Theatre, 277 Taylor St., SF 42nd Street Moon. Mame, November 2 -19, 2023. Golden Thread  ReOrient Festival of Short Plays, October 13 – November 4, 2023. Lorraine Hansberry Theatre. See website for upcoming productions and events. Magic Theatre. See website for events at the Magic. The Travelers by Luis Alfaro, at Los Angeles Theater Center, thru October 15. Marin Theatre Company Dragon Lady written and performed by Sara Porkalob, November 24-December 17. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Before The Sword by Andrew Alty, September 15 – October 15. we are continuous by by Harrison David Rivers, October 20 – November 26. Oakland Theater Project.  See website for upcoming events. Pear Theater. In Repertory, November 17 – December 10: District Merchants by Aaron Posner; William Shakespeare's The Land of the Dead by John Heimbuch. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for schedule of events and performances. Ray of Light: The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Nollywood Dreams by Jocelyn Bioh, September 28 – November 4, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Play That Goes Wrong. November 15 – December 10. Shotgun Players. Wolf Play by Hansol Jung, streaming through October 14. Hedwig and the Angry Inch. Performances start October 28. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Group Therapy by Tanika Baptiste, November 9 – December 3, Thursday thru Sunday. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Mrs. Christie by Heidi Armbruster, October 4 -29, Mountain View Center for the Performing Arts. Word for Word.  See schedule for live and streamed performances and readings. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – October 12, 2023: Heather Cox Richardson appeared first on KPFA.

Marisa Butler is the Director of development for the Phoenix Theater Company. You're going to find an incredible community at the Phoenix Theater Company . The theater just started their 104th season and are expanding their facilities. In fact, Steven Spielberg showed his first production as a high school senior in the Phoenix Theater, and still considers it to be the start of his movie career. Live theater is for the whole person and we encourage all to embrace live theatre in your community . The Phoenix Theater also provides healing and laughter for the Phoenix, Children's Hospital and other hospitals. Also, they all support hospice of the valley where they help elderly ones to enjoy laughter and connection with the community. One of the reasons that I chose to support this theater is the productions I have seen have been the best with professional actors from all over the world. Their website is wwwphoenixtheartre.com/support. In many cases, you can give funds to the Phoenix Theater and get a charitable deduction 

Colin and Bo explore Los Angeles, California with Anthony Anzaldo of Ceremony, Cold Cave, and new solo project ANTHONY, as Bo gets a tattoo from renowned tattoo artist (who just happens to be Anthony's wife) Heather Bailey. They thorough explore Anthony's journey from attending legendary wrestling events as a Bay Area child, discovering punk/hardcore/straight edge as a freshman in high school, Ceremony's early days into their uniquely ever-evolving discography, nearly 20 years of veganism and MUCH more. Please enjoy our newest installment of the "A Day With..." series with this 2+ hour adventure to discover why this modern Bay Area hardcore legend planted his roots in Southern California. Thank you to Anthony for joining us, Heather for hosting us at Holy Union, and Monty's Good Burger for hosting us. Join the HARDLORE DISCORD: https://discord.gg/jA9rppggef This episode is brought to you by ATHLETIC GREENS! Try AG1 at athleticgreens.com/HARDLORE to receive a free 1-year supply of vitamin D and 5 travel packs of AG1. Join WHATNOT with our special little link to get $15 off your first purchase. Get ready for the first ever Hardlore live auction TOMORROW, March 24th at 8:30 PM EST: https://www.whatnot.com/invite/hardlore Get 20% OFF @manscaped + Free Shipping with promo code HARDLORE at MANSCAPED.com! #ad #manscapedpod FOLLOW ANTHONY/CEREMONY: INSTAGRAM | https://www.instagram.com/anthonyxanzaldo/ INSTAGRAM | https://www.instagram.com/ceremony/ TWITTER | https://twitter.com/ceremony FOLLOW HARDLORE: INSTAGRAM | https://www.instagram.com/hardlorepod/ TWITTER | https://twitter.com/hardlorepod SPOTIFY | https://spoti.fi/3J1GIrp APPLE | https://apple.co/3IKBss2 FOLLOW COLIN: INSTAGRAM | https://www.instagram.com/colinyovng/ TWITTER | https://www.twitter.com/ColinYovng FOLLOW BO: INSTAGRAM | https://www.instagram.com/bosxe/ TWITTER | https://www.twitter.com/bosxe Check out our merch at https://knotfest.com/store/?view=hardlore Find all of our videos at https://knot1.co/3vWXsbx #HardLore #AnthonyAnzaldo #Ceremony

The gang talks with a group of theatre makers about their upcoming shows in the 2023 Minnesota Fringe at Phoenix Theater in Minneapolis. minnesotafringe.org phoenixtheatermpls.org facebook.com/badmouthtc instagram.com/badmouthtc twitter.com/badmouthtc Music credit: MusicbyAden - Mythology by MusicbyAden is licensed under CC BY-SA 4.0CC Download: Musicbyaden – Mythology @musicbyaden

Communities in LA County, like the city of Glendale, are home to the world's largest Armenian population outside of Armenia. Starting more than a century ago, Armenians fled their homeland during the Armenian Genocide and many of them ended up in California. But now, some LA Armenians are moving in the other direction, back to Armenia. Reporter Levi Bridges traveled to the Armenian capital, Yerevan, to meet some of the Angelenos who've made the move. And this week we kick off our new series “Flavor Profile,” about folks who opened successful food businesses during the pandemic. Some of them had little or no experience, like Rhea Patel Michel and Marcel Michel in Los Angeles. They took flavors from their Indian and Mexican heritages to start Saucy Chick Rotisserie. Sasha Khokha brings us their story from Los Angeles. Plus, our Hidden Gems series continues with a visit to Petaluma. The Sonoma County city has a lot of beautiful historic architecture, in part because many of its buildings were spared the devastation of the 1906 earthquake. One building dates back to 1904, and though its name has changed, it's been a theater for over 100 years. The group that is keeping it alive is not a historic society, but rather teenagers. Reporter Jessica Kariisa brings us the story of the Phoenix Theater.  

Sarah Schultz is a freelance curator and writer in Minneapolis. “I am really excited to see this body of work,” she says of the exhibition “Paysage Français: mémoire et fantasme” by Minneapolis artist Ilene Krug Mojsilov, which brings together decades of the artist's work. Schultz explains the show title translated into English is “French landscape: memory and fantasy.” She says Mojsilov's work is inspired by time the artist spent in France. “It's a rich assortment of work. It's both abstract, has elements of realism. [It] is a series of drawings and pastels and also large paintings. It's really beautiful and evocative,” Schultz said. “Paysage Français” is on display at Alliance Française in Minneapolis through June 10. South Minneapolis resident Davis Brinker took time away from cat sitting to recommend the play “West Point Players,” produced by Spiral Theater at the Phoenix Theater in Uptown Minneapolis. The comedy tells about a troupe of aspiring Army thespians who put on a show to raise money for their military academy. “It's a company that I think is really dedicated to just creating like, silly, unserious, very approachable work,” Brinker said. “I think sometimes the theater can feel sometimes a little bit stuffy and a little bit like taking itself very seriously. And this feels very, very antithetical to that.” “West Point Players” runs through May 14. Courtney Mault lives in Minneapolis but loves traveling to northern Minnesota where her family is from. Mault recommends a Duluth exhibit by artist Lori Franklin and describes the Minnesota nature-inspired art as “prismatic.” “A fox will have a big, bright pink splash of orange or pink on it, or a bear will have an image of a flower on it. So, very, very nature influenced but also … heightening that sense of the natural world,” Mault said. Lori Franklin's exhibit “Hidden Realms” opens Friday at Siiviis Gallery in Duluth.

Actor Chance Carroll joins the company to talk about Bad Mouth's upcoming production of Sean Reycraft's ONE GOOD MARRIAGE at Phoenix Theater, Minneapolis, running May 19-28th. phoenixtheatermpls.org/project/one-good-marriage twitter.com/badmouthtc instagram.com/badmouthtc Music credit: MusicbyAden - Mythology by MusicbyAden is licensed under CC BY-SA 4.0CC Download: Musicbyaden – Mythology @musicbyaden

South Minneapolis playwright and poet William Nour recommends “Returning to Haifa” by Pangea World Theater. This is a U.S. premiere of a play based on a novella by Palestinian author Ghassan Kanafani. The play tells of a Palestinian couple who return to Haifa after the 1967 war to find the baby they left behind in 1948. They find a Jewish family of Holocaust survivors living in their old home. “It's my reality,” Nour says. “I came here when I was 16. Basically, because there were no opportunities for Arabs in Israel, like as second-class citizens. So it's very poignant for me and it's just — I cried when I saw it for the first time.”  “Returning to Haifa” plays through May 6 at the Mixed Blood Theatre in Minneapolis. Eric Heukeshoven is the director of Worship, Music and Arts for Central Lutheran Church in Winona, Minn. He says he's “really excited” to attend “Portraits,” the spring concert for the Winona Symphony. The piece that he's most looking forward to is called “Peanuts Gallery.” American composer Ellen Taaffe Zwilich wrote it, inspired by the characters of the comic strip “Peanuts” by Charles M. Schulz. “I grew up with ‘Peanuts,'” Heukeshoven says, “and it's for piano and orchestra and it's just delightful.” The performance is Saturday at Wesley United Methodist Church in Winona. Holly Harrison is a freelance writer and a creative located in south Minneapolis, and she recently attended a performance of “Othello: The Remix” by Minneapolis Musical Theatre. “Unlike most tributes to Shakespeare, this one kind of tosses out all of the 17th-century dialogue,” Harrison says, “and rebuilds it as a hip-hop musical. Instead of taking place among Venetian military and political figures, it follows a hop-hop crew that's going on tour.” Harrison adds that “you really get to know your fellow audience members a little bit by seeing which references really crack them up and which ones slip past them.”  “Othello: The Remix” plays through May 7 at Phoenix Theater in Minneapolis.

Our guy is away from the manor on a secret mission but he sent in this blast from past episode from 5 years ago this month! Let's see what he had to say at the time... Hey everybody, Gino Vega here with episode six of the “Mr. Sensational” Gino Vega Podcast! This week is a super-sized episode as we finish off my “history as a music fan” story arc with my high school years as a HARDCORE PUNK ROCKER. We'll talk shows at the Phoenix Theater in Petaluma, CA, 924 Gilman Street in Berkeley, Operation Ivy, Fugazi, Nomeansno, Green Day, Screeching Weasel, Marcy's Playground (???), and more! But before that we'll take a look at the upcoming release of the video game Fire Pro Wrestling World, my struggles with Fire Pro addiction, and some memories of a few of the other great video games in wrestling video game history. As always, check out everything else the I See Robots Radio Network has to offer over at www.iseerobots.com, and help support us for as little as ONE DOLLAR A MONTH over at www.supportthereport.com

Children's talent school Inspiration this weekend will show the New Year's play "Winter Fantasy" in Russian at the Phoenix Theater in Melbourne. In this podcast, the theater director, director Elena Mikhailova and young artists tell what the performance will be like. This is a Russian language content. - Детская школа талантов Inspiration в эти выходные покажет новогодний спектакль "Зимняя фантазия" на русском языке на сцене театра Phoenix в Мельбурне. В этом подкасте руководитель театра, режиссер Елена Михайлова и юные артисты рассказывают, каким будет спектакль.

Thanks for checking out the Neanderthal Society Podcast. This week we're talking to Jeremy Gallegos, a former member of Life Long Tragedy, Duck Hunt, Steel Trap, Purple Mercy and more. Over the course of the conversation we talk about growing up in the North Bay, discovering metal and Hardcore, seeing shows at the Phoenix Theater, joining Life Long Tragedy, the Duck Hunt phenomenon, forming Steel Trap, signing to Deathwish Inc, touring in Europe, getting into woodworking, his new band, the impact and influence that RJ Phillips (RIP) had on the North Bay Hardcore scene and much more… Thanks for listening, enjoy the episode and please remember to follow us on Instagram. Hardcore lives.-Nathan neanderthal-society.cominstagram.com/neanderthalsocietydepop.com/neanderthalsociety

This week, we visit a theater local to your hosts: The Phoenix Theater Company, which may very well be home to five different restless spirits. Or all they all just one poor lost soul? Art by Andy Gerber @andy.gerber.56 Music by Tobylane on Pixabay Find us! IG: @thankyoudarkpodcast Youtube: @thankyoudark Twitter: @thankyoudarkpod Have a story of your own? Questions or suggestions? Email us at thankyoudarkpodcast@gmail.com --- Support this podcast: https://anchor.fm/thankyoudark/support --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thankyoudark/support

BECOME A PRODUCER! http://www.patreon.com/themidnighttrainpodcast   Find The Midnight Train Podcast: www.themidnighttrainpodcast.com www.facebook.com/themidnighttrainpodcast www.twitter.com/themidnighttrainpc www.instagram.com/themidnighttrainpodcast www.discord.com/themidnighttrainpodcast www.tiktok.com/themidnighttrainp   And wherever you listen to your favorite podcasts.   Subscribe to our official YouTube channel: OUR YOUTUBE   Support our sponsors www.themidnighttraintrainpodcast.com/sponsors   Ep. 112 Haunted Venues   On today's episode we're going on tour!!! That's right Moody and myself are heading back out on the road and this time we're bringing Logan to carry our shit instead of us lugging everyone else's shit! Why are we heading out on tour you ask? Well it's because we are doing a tour of haunted music and theater venues throughout the world! This is an episode we've been wanting to do for a while especially because we've been to quite a few of these places! There's even one in our home town! Like we have at that certain Cleveland venue, we're sure some of our listeners have spent a ton of their time at some of the venues on the list. This is gonna be a fun one for us so hopefully you guys love it too! First up we've got a big one that will be on every list of haunted venues. The House Of Blues in Chicago. So the history of the building took a bit to find because every search for the house of blues in any city comes up with the main house of blues page but with a little digging we found some info on the building's history. The House of Blues is part of a complex called The Marina City complex. The Marina complex is also known as the Corn cob apparently, and looking at it… You can see why. If you're listening in Chicago and are like "what the fuck, nobody calls it that", will remember our mantra.. Don't blame us, blame the internet… Although we did find that reference in a couple spots. The Marina is a mix of residential condos and commercial buildings built between 1961-1968. The complex consists of two 587-foot, 65-story apartment towers, a 10-story office building which is now a hotel, and a saddle-shaped auditorium building originally used as a cinema. When finished, the two towers were both the tallest residential buildings and the tallest reinforced concrete structures in the world. The complex was built as a "city within a city", featuring numerous on-site facilities including a theater, gym, swimming pool, ice rink, bowling alley, stores, restaurants, and, of course, a marina. WLS-TV (ABC Channel 7) transmitted from an antenna atop Marina City until the Willis Tower (formerly known as Sears Tower) was completed. Marina City was the first post-war urban high-rise residential complex in the United States and is widely credited with beginning the residential renaissance of American inner cities. These days the complex is home to the Hotel Chicago, 10pin bowling lounge, and several restaurants including… You fucking guessed it... Dick's Last Resort bitches!!! Oh and also the complex is home to the house of blues. The house of blues was built in the shell of the cinema which was out of use for quite some time. The story is that the hob is haunted by the spirit of a little girl that died due to an illness. There are many reports of weird things happening. The most circulated story seems to be that of a little boy who was playing with some of his toys toys. As he was playing he stepped away for a moment and when he came back he saw a little girl playing with his toys. She asked him if he'd like to play with her. FUCK THAT SHIT!!!! The little boy screamed and the girl vanished. Oddly enough, I did find a comment on one website from a man named Skyler seeming to corroborate this story. The comment reads as follows:              " This can not be… no way… I have performed there 2 times. once was in 2013, and there was a boy in the back playing with his cars. a few minutes after he screamed and started to cry. I was feeling bad,, but this can't be him… also know that in 2015 in march i had another performance and all the lights turned off. This is too creepy."   Was this the same boy that the story is referring too? Who knows. We also found several comments from people staying in what we assume is the hotel Chicago as it's in the complex and pretty much right next to the house of blues. There's comment also claim the hotel is haunted. One of the claims says this:            "It's haunted!!! I saw a middle aged/older woman (dressed in clothing from a period long ago) in my room when I stayed there in 1999/2000. I woke in the early morning to see a woman staring at me. I went through a rational thought process of it being my female business colleague (who stayed in a separate room) and I thought, oh well she can sleep in the other bed (it was a double room & I was in the bed furthest away from the front door) and then quickly snapped out of it and said to myself she has her own room why would she be in my room, I opened my eyes again and that's when I could see it was a woman clearly (w/ angry face) staring at me. I then thought this is a stranger/intruder in my room – I laid there with my eyes just open enough to see – she was there staring at me & she still didn't look happy. I laid there thinking of what to do – I decided I was going to reach and turn the light on and then charge her or run after her when she ran for the door (fortunately, there was a switch right next to the bed). HOWEVER, when I reached for the light and turned it on she was gone. This is what makes this story interesting — I called the front desk and simply asked, ‘had anything significant ever happened at the site of the hotel' (b/c as the person above points out, its not an old or historic looking building (e.g. PreWar). I asked another question that any tourist could have just asked (I don't recall what it was right now). She said immediatley, “No, why did you see a ghost?” My response was, yea, I saw a ghost, I'm in my twenties and not some nut job.” I asked if anyone else had ever reported seeing a ghost and she said, “No.” Anyway, when I met up with my colleague, she could tell I was shaken up and I was pretty pale (like “I had seen a host.”). My story has never changed in all this time. I did stay at the hotel 1 other time after (not in the same room) & didn't see anything – but I slept with the bathroom light on… Scary & Cool experience for sure!"   Sounds spooky!    Next on our list of haunted venues we are heading to Milwaukee! Which is actually pronounced meely waukay, which is Algonquin for the good land. Now the Rave is amazing for several reasons: first it's the location of one of Moody's favorite tour stories which also involves Jon and our friend Brad from Voudoux.  2: it's huge and creepy as shit. 3: the pool... The Rave/Eagles Club is a 180,000 square foot, seven-level, live entertainment complex in Milwaukee, Wisconsin. The building contains eight independent clubs with capacities ranging from 400 to 3500. The Eagles Ballroom is the building's showpiece, featuring a 25,000 square feet (2,300 m2) oval wooden dance floor, originally installed when the building was constructed, in addition to a large, old-fashioned domed ceiling and a stage on one side. Originally a ballroom, it has hosted everything from boxing matches to concerts to ethnic dances. The ballroom head hosted huge acts ranging from Bob Dylan to Green day, from the grateful dead to slayer and of course none other than Lil Pump.    Along with the eagles ballroom, the building houses the Rave hall, The eagles hall, the Rave bar, The Rave craft beer lounge, The penthouse lounge, and the eagles club.  Since its construction in 1926, the Eagles Club has known several incarnations. Prominently among them, it housed the Fraternal Order of the Eagles, a notable organization whose considerable impacts on America's cultural landscape remain in effect today.   In 1939, the idea of using the building for music presentations took hold, reinventing its purpose. The grand ballroom became a popular venue for big band music, such as band leaders Guy Lombardo and Glen Miller and their orchestras. Soon, other types of music, theatre and performing arts also offered shows and concerts in the large, elegant ballroom; from 1939 through the mid-sixties. Comedians like Bob Hope and Red Skeleton did stand-up comedy. In 1959, people who bought a $1.50 ticket to the Winter Dance Party, were treated to the music of Buddy Holly and the Crickets, Big Bopper, Dion and the Belmonts, and Richie Valens. This would be the last show for buddy Holly before he died. In 1964, The Eagles Club had its first rock concert, with the Dave Clark Five performing on the ballroom stage. The 1970s brought even more famous groups and people, such as Eric Clapton, Crosby, Stills and Nash and other rising rock stars.When the Athletic Club was closed, a homeless men's shelter opened up temporarily in the basement area, providing shelter for the destitute which is life-saving during the freezing winter months. By the late 1980s, The Eagles Club was in a state of disrepair and The Eagle Club put it out on the real estate market, after getting it listed on The National Register of Historic Places, in 1986.  In late 1992, the Eagles Club was rescued when it was bought by Wauwatosa businessman Anthony J. Balestrieri and his wife, Marjorie, who performed in the Milwaukee Symphony Orchestra. They began the long process of restoring the historic beauty of the elegant ballroom and interior art, as well as the outside facade. They also restored and renovated other areas turning the building into the multi venue building it is today.    We wanted to include this history because: A. We love the history of places like this and B. It shows how many things this building way used for and how many people have passed through the building. We all know where there tons of history there tends to be ghost stories!    Let's get into the spooky shit! Remember the pool we mentioned earlier… Well at one point a 17 year old boy had a fucking heart attack and died in the pool. Later, at least two more children would die in the pool. This would ultimately cause the closure of the athletic club.  Also the man who ran the homeless shelter was said to be extremely cruel and abusive to the men staying there.    The basement area which is the home of the former men's shelter, is one of the more haunted areas. The shelter manager mentioned earlier is thought to be the reason behind the heavy negative energy felt there. Cold spots are often felt by staff in the late hours after closing. Shadow people have often been reported by staff as well as band members packing up after a show.    Next is the pool area, which we've seen and it's fucking creepy. A little girl is said to roam around the area. People have heard her laughter and have said her presence can bring a sense of dread. Staff have said they have heard shuffling footsteps and have smelled a strong odor of bleach in the pool area.    In the boiler room under the pool, a former employee still hangs and he doesn't like people in his area. "Jack" was once recorded telling a group on a ghost hunt to "get out, get out now" Apparently, you can find a video of this on YouTube, we'll try and find it to post on our page.   The ballroom has had its share of apparitions hanging around during sound checks and after shows when everyone has left. An employee told a story of when he was standing on the floor of The Eagles Ballroom, making sure that the people going to the roof patio didn't “get lost” and go into the Eagles Ballroom by design.  He said that one of his fellow workers had seen what they thought was a man, standing in one of the second floor boxes located above the Eagles Ballroom. He called security and when they approached this person, he ran down the aisle but disappeared before the staff person that was behind him and the security person cutting off his escape could try to grab him.    One other common theme is people hearing either happy laughing children or sad crying children. Some staff have stated they've seen entities of children playing in groups.    We've been here.. This place is awesome. Also another fun tidbit… not to far away from the Rave is the ambassador hotel. Which of you're up on your serial killers, you know is the place where Jeffrey Dahmer killed his first victim in Milwaukee. Steven Tuomi was Jeffrey Dahmer's first victim in Milwaukee. Dahmer met Tuomi in September of 1987. At the time, Dahmer was out on probation after molestation charges of a minor. The two men spent the night together drinking heavily and visiting multiple bars. Later that night, they ended up in a room together in the Ambassador, room 507, which is a room some Dahmer historians have requested to stay in. Dahmer killed Toumi while he was in a drunken stupor. Upon waking up to find Tuomi dead, Dahmer put the body in a suitcase and took it to his grandmother's house where he was living. In the basement, he acted out necrophiliac desires and then dismembered the body. Supposedly when Dahmer awoke to find Tuomi dead, the body was in an awkward position hanging off the side of the bed. Some visitors have reported instances of waking up to discover their partner in a similarly awkward position.   Visitors to room 507 have reported a variety of experiences, such as a heaviness to the room that they can't quite explain. Some people get woken up in the middle of the night by odd circumstances. There's an extra little bit for ya!!!   Info on the Hauntings and most of the historical facts on the Rave was taken from an excellent article on hauntedhouses.com   Next up we're gonna head across the pond, so to speak. We're heading to London and the famous Royal Albert Hall! This place has a long and rich history behind it. The Royal Albert Hall was built on what was once the Gore estate, at the centre of which stood Gore House. The three acre estate was occupied by political reformer William Wilberforce between 1808-1828 and subsequently occupied between 1836-1849 by the Countess of Blessington and Count D'Orsay.   After the couple left for Paris in May 1851, the house was opened as the ‘Universal Symposium of All Nations', a restaurant run by the first celebrity chef, Alexis Soyer, who planned to cater for the Great Exhibition in Hyde Park.   After the exhibition and following the advice of Prince Albert, Gore House and its grounds were bought by the Exhibition's Royal Commission to create the cultural quarter known as Albertopolis. A complex of public Victorian buildings were developed to house exhibits from the Great Exhibition and to further the study of art, science and industry. On May 20, 1867 7,000 people gathered under a purpose-built marquee to watch Queen Victoria lay the Hall's red Aberdeen granite foundation stone, which today can be found underneath K stalls, row 11, seat 87 in the main auditorium. The Queen announced that “It is my wish that this Hall should bear his name to whom it will have owed its existence and be called The Royal Albert Hall of Arts and Sciences”, as a 21 gun salute was heard from Hyde Park and a trumpet fanfare from HM Life Guards sounded. By December 1870 construction of the Hall had moved on so much that HM Queen Victoria and her daughter Princess Beatrice visited the Hall to listen to the acoustics.   Almost three months later, on 25 February 1871, the Hall's first concert was held to an audience for 7,000 people comprising the workmen and their families, various officials and the invited public. Amateur orchestra, The Wandering Minstrels, played to test the acoustics from all areas of the auditorium.    This place has been running as a venue for 150 years! Again… History breeds ghosts and Hauntings! There's so much history in this building that we are not going to be able to include but please check out the official website for the royal Albert Hall to really drive into the history of this place. You won't be sorry you did. We gave you the beginnings to show how long this place has been around. We're gonna get right into the spooky shit though!    On 13 July 1930 the Spiritualist Association rented the Royal Albert Hall for a seance for Sir Arthur Conan Doyle, following the death of the Sherlock author on 7 July.   Conan Doyle was a spiritualist and believed in the existence beyond the grave. Upon his death 10,000 people gathered expectantly in the Hall to watch a medium take to the stage, hoping to witness some supernatural activity and hear a message from Conan Doyle from the other side…          Lady Doyle: “Although I have not spoken to Arthur since he passed, I am certain that in his own time and his own way he will send a message to us” Time Magazine, 21 July 1930   Lady Conan Doyle took to the stage alongside members of his family, with a vacant chair on her right reserved for her late husband.Time Magazine, who attended the seance, reports:   ‘Mrs. Estelle Roberts, clairvoyant, took the stage. She declared five spirits were “pushing” her. She cried out their messages. Persons in the audience confirmed their validity. Suddenly Mrs. Roberts looked at Sir Arthur's empty chair, cried: “He is here.” Lady Doyle stood up. The clairvoyant's eyes moved as though accompanying a person who was approaching her. “He is wearing evening clothes,” she murmured. She inclined her head to listen. A silent moment. Her head jerked up. She stared at Lady Doyle, shivered, ran to the widow, whispered. Persons nearby could hear: “Sir Arthur told me that one of you went into the hut [on the Doyle estate] this morning. Is that correct?” Lady Doyle, faltering: “Why, yes.” She beamed. Her eyes opened widely. The clairvoyant to Lady Doyle: “The message is this. Tell Mary [eldest daughter]…' Time Magazine, 21 July 1930   At this the audience rose in a clamor, and the great organ of the Hall began to peal, the noise drowning out the answer of Mrs Roberts.   But what was the message delivered to Lady Doyle that night? Did the ghost of Sir Arthur Conan Doyle really visit the Royal Albert Hall on that night in 1930?   Seances are always fun and definitely work as we found out...yea...right….   Here's some more stories taken straight from the RAH website!   THE GIRLS Beneath the Door 6 foyer, in the carpeted basement area, there is one spot where two young women, known as ‘the girls', briefly appear each  November 2nd a little before 2am, when the building is almost deserted, except for some security staff.   Over the years, several staff members reported hearing ‘the girls' laughing, and seeing their animated and excited silhouettes appear, clothed in the fashion of slightly risqué Victorian ladies (extravagant long dark dresses embellished with lace from neck to bodice, with many ruffles, especially around the sleeves and hem, and their hair styled in cottage-loaf buns with ringlets hanging over their ears). The Duty Security Incident Book indicates that there had been appearances by ‘the girls' for the three years prior to 1991. They have been seen passing across the foyer space, which is bounded by double doors at each end, leading on one side to the staff canteen (where we still eat today) and on the other to the kitchen corridor, and then disappear. That is why some believe that ‘the girls' may be responsible for unexplained accidents, tappings and footsteps that occur behind locked doors late at night in the kitchens. Assistants Chefs, who have to clean the kitchen every night after use, often used to hear noises and have been frightened whilst in that area.    FATHER WILLIS Whenever restoration work is carried out on our organ, its original constructor Henry Willis, fondly nicknamed ‘Father Willis', returns as a stooped ghost wearing a black skull cap. When the organ was being reconstructed in 1924, workmen saw a little old man walk down the stairs late one afternoon. On returning to their workshop and relating the facts, their foreman asked what the man was wearing. When told that he was donning a black skull cap, the foreman decided it was the ghost of Father Willis, the original builder of the organ, long since dead, who would not approve of the alterations being undertaken. Since then there have been many reports of a sudden cold atmosphere in the area behind the organ.   When interviewed in 2018, Michael Broadway, the Hall's organ custodian was asked if he had ever seen signs of the legendary ghost of Henry Willis. He answered: “I remember the organ builder Clifford Hyatt telling me about this over forty years ago. The tuner […] was making the final visit of the Willis contract before the Harrison & Harrison rebuild in the 1920s. When he got up on to the Great passage board he saw Father Willis there saying ‘They shan't take my organ from me'. A lovely story, but I haven't seen him. There are many questions I would ask him and hopefully have his approval of the way I look after this instrument. Perhaps he has no reason to be disturbed.”    THE MAN IN WHITE During a Jasper Carrott comedy event in May 1990, the Duty Manager was ordered to clear the Middle Choir seats and to post a Steward at either end to avoid anyone entering as it is very distracting for a performer to have people walking across the back of the stage during the show. That's why a very angry Stage Manager demanded on radio to know why there was someone crossing the stage. The description was of a man dressed in white, walking oddly as if on drugs. The Stewards insisted no one had passed them and on further investigation no one except Jasper Carrott was onstage, but several people had seen the figure cross the stage from left to right.   THE VICTORIAN COUPLE A staff member during the 2000s reported having seen a couple in Victorian clothing walk across the second tier near to Door Six and vanish into a box. As a venue whose history is so closely tied to the Victorian times, this didn't seem particularly odd (people dress up sometimes…)   But in 2011, a Head Steward was finishing off his shift one evening and had made sure that all members of the public had left the second tier. On going downstairs into the auditorium, he noticed a couple sitting in the box so he returned to the second tier but found no one in the box. He assumed they had left while he was on his way back, so once again he returned to the auditorium… Only to see them again. So he went back to the second tier, and that's when he heard the couple chattering. He assumed they were in the box but on opening the door, there was no one there.   There are several more accounts on their website and tons and tons of stories all over the web about experiences at the historical venue. It sounds like it's one crazy place!!!   We've got a couple more for you guys.                Next up is another club we've been too, the Masquerade in Atlanta. The Masquerade features three indoor venues with capacities ranging from 300 to 1000, appropriately named Heaven, Hell and Purgatory.  The Masquerade was founded in 1988 at the historic DuPre Excelsior Mill, a former excelsior mill at 695 North Avenue in the Old Fourth Ward neighborhood. The venue had both indoor and outdoor concert space. It was sold in 2006 and moved in late November 2016 after it was made part of a new mixed-use development called North + Line. The building was designated as historic by the city and all of the original parts will be saved through adaptive reuse. The masquerade had hosted tons of national and local acts from cannibal corpse to the greatest entertainer in history, Weird Al Yankovic.     This night club is said to be visited by the spirits who died in fire and tuberculosis outbreaks long ago, both of which killed several members of the building's former staff. Apparitions have been seen and unexplained footsteps have been reported.One popular story is that of a large and tall black man who is always seen walking around the nightclub. The staff believes that it is this man who turns the musical amplifiers every night.   The staff has also reported hearing footsteps from unidentified sources, as well as cold spots all throughout the building. Horrifying screams can also be heard coming from the back of the stairs even when there is no one there. They believe that the screams come from the young woman who died in a freakish accident in the nightclub. Nowadays, there are rumors that real vampires come to the nightclub and even live there.  Some people believe that this rumor has been spread to promote business as vampires have suddenly become very popular.   Next up were heading to Nashville and a place the Moody had been to, but not for music, for the national beard and mustache competition. He did not place unfortunately. The auditorium opened as the Union Gospel Tabernacle in 1892. Its construction was spearheaded by Thomas Ryman, a Nashville businessman who owned several saloons and a fleet of riverboats.When Ryman died in 1904, his memorial service was held at the tabernacle. During the service, it was proposed the building be renamed Ryman Auditorium, which was met with the overwhelming approval of the attendees. The building was originally designed to contain a balcony, but a lack of funds delayed its completion. The balcony was eventually built and opened in time for the 1897 gathering of the United Confederate Veterans, with funds provided by members of the group. As a result, the balcony was once called the Confederate Gallery.[5] Upon the completion of the balcony, the Ryman's capacity rose to 6,000. A stage was added in 1901 that reduced the capacity to just over 3,000. Though the building was designed to be a house of worship – a purpose it continued to serve throughout most of its early existence – it was often leased to promoters for nonreligious events in an effort to pay off its debts and remain open. In 1904, Lula C. Naff, a widow and mother who was working as a stenographer, began to book and promote speaking engagements, concerts, boxing matches, and other attractions at the Ryman in her free time.  Naff gained a reputation for battling local censorship groups, who had threatened to ban various performances deemed too risqué. In 1939, Naff won a landmark lawsuit against the Nashville Board of Censors, which was planning to arrest the star of the play Tobacco Road due to its provocative nature. The court declared the law creating the censors to be invalid W.C. Fields, Will Rogers in 1925, Charlie Chaplin, Bob Hope with Doris Day in '49, Harry Houdini in '24, and John Philip Sousa (among others) performed at the venue over the years, earning the Ryman the nickname, "The Carnegie Hall of the South". The Ryman in its early years also hosted Marian Anderson in 1932, Bill Monroe (from KY) and the Bluegrass Boys in '45, Little Jimmy Dickens in '48, Hank Williams in '49, The Carter Sisters with Mother Maybelle Carter in 1950, Elvis in '54, Johnny Cash in '56, trumpeter Louis Armstrong in '57, Patsy Cline in '60, Lester Flatt & Earl Scruggs (bluegrass) in '64, and Minnie Pearl in '64. The Grand Ole Opry was first broadcast from the Ryman on June 5, 1943, and originated there every week for nearly 31 years thereafter. Every show sold out, and hundreds of fans were often turned away. During its tenure at Ryman Auditorium, the Opry hosted the biggest country music stars of the day and became a show known around the world. Melding its then-current usage with the building's origins as a house of worship, the Ryman got the nickname "The Mother Church of Country Music", which it still holds to this day. The last Opry show at the Ryman occurred the previous evening, on Friday, March 15. The final shows downtown were emotional. Sarah Cannon, performing as Minnie Pearl, broke character and cried on stage. When the plans for Opryland USA were announced, WSM president Irving Waugh also revealed the company's intent to demolish the Ryman and use its materials to construct a chapel called "The Little Church of Opryland" at the amusement park. Waugh brought in a consultant to evaluate the building, noted theatrical producer Jo Mielziner, who had staged a production at the Ryman in 1935. He concluded that the Ryman was "full of bad workmanship and contains nothing of value as a theater worth restoring." Mielziner suggested the auditorium be razed and replaced with a modern theater. Waugh's plans were met with resounding resistance from the public, including many influential musicians of the time. Members of historic preservation groups argued that WSM, Inc. (and Acuff, by proxy) exaggerated the Ryman's poor condition, saying the company was worried that attachment to the old building would hurt business at the new Opry House. Preservationists leaned on the building's religious history and gained traction for their case as a result. The outcry led to the building being added to the National Register of Historic Places in 1971. Following the departure of the Opry, the Ryman sat mostly vacant and deteriorating for nearly 20 years, as the neighborhood surrounding it continued to see the increasing effects of urban decay.  In 1986, as part of the Grand Ole Opry 60th-anniversary celebration, CBS aired a special program that featured some of the Opry's legendary stars performing at the Ryman. While the auditorium was dormant, major motion pictures continued to be filmed on location there, including John Carpenter's Elvis (1979), Coal Miner's Daughter (1980 – Loretta Lynn Oscar-winning biopic), Sweet Dreams (1985 – story of Patsy Cline), and Clint Eastwood's Honkytonk Man (1982). A 1979 television special, Dolly & Carol in Nashville, included a segment featuring Dolly Parton performing a gospel medley on the Ryman stage. In 1989, Gaylord Entertainment began work to beautify the Ryman's exterior. The structure of the building was also improved, as the company installed a new roof, replaced broken windows, and repaired broken bricks and wood. In October 1992, executives of Gaylord Entertainment announced plans to renovate the entire building and expand it to create modern amenities for performers and audiences alike, as part of a larger initiative to invest in the city's efforts to revitalize the downtown area. The first performance at the newly renovated Ryman was a broadcast of Garrison Keillor's A Prairie Home Companion on June 4, 1994. Beginning in November 1999, the Opry was held at Ryman Auditorium for three months, mostly due to the success of the January shows, but partly due to the ongoing construction of Opry Mills shopping mall next door to the Grand Ole Opry House. The Opry has returned to the Ryman for all of its November, December, and January shows every year since then, allowing the production to acknowledge its roots while also taking advantage of a smaller venue during the off-peak season for tourism and freeing the Grand Ole Opry House for special holiday presentations.The Ryman has also served as a gathering place for the memorial services of many prominent country music figures. Tammy Wynette, Chet Atkins, Skeeter Davis, Harlan Howard, Bill Monroe, Waylon Jennings, Johnny Cash, Billy Block, George Hamilton IV, Earl Scruggs, and Jim Ed Brown have all been memorialized from the Ryman stage. In 2018, the Ryman was named the most iconic structure in Tennessee by Architectural Digest. And just because….On June 9, 2019, Wu-Tang Clan performed the first pure rap concert ever at the Ryman. The concert was sold out.   Again, we like to give history on these places for context and honestly it's just interesting to us so whatever. But this again illustrates the point that many crazy things happened here over the years as many many people have passed through this auditorium… Including Moody.   Ok, so let's get to the ghosts and spooky shit. Ryman's spirit was fine with most performances but would rise if the people onstage were getting a bit risqué. Apparently, he disrupted shows by stomping around the room so loudly that spectators were forced to leave. Famously, the ghost wreaked havoc while the opera Carmen was taking place. Probably because it tells the story of a gypsy temptress.    During the grand ole Opry period, rumors surfaced that the venue was cursed since apparently, most singers that performed there wound up dead. A total of 37 people met their fate in the most gruesome ways, dying from O.D.s, car accidents, fires, or slaughterings. Among the artists believed to have succumbed to the curse are: Stringbean Akeman, Patsy Cline, Texas Ruby, and many more. In a blog post by Virginia Lamkin titled Haunted Ryman Auditorium, the author explains that when the show relocated to the Opryland USA theme park, 14 additional acts died. It is believed that the curse followed because a large portion of the Ryman Auditorium stage was cut out and brought to the new location.   The spirit often referred to as “The Grey Man,” is believed to have been one of the Confederate soldiers who frequented the auditorium during post-war gatherings. Some say they've witnessed him sitting in the balcony while artists rehearse. He watches the stage steadily but disappears as soon as anyone gets too close.   ”The lady,” on the other hand, isn't a spectator; she's a performer. Believed to be the ghost of Patsy Cline, she has been heard singing by staff. Usually, her performance happens late at night as they prepare to close. Patsy Cline, who died tragically in a plane crash, has also been linked to the Opry Curse. Could the curse not only kill but also trap artists in the venue?   Speaking of Opry Curse victims, Hank Williams is said to have been another casualty. The successful singer/songwriter passed away in 1953, after mixing prescription drugs with alcohol. Similar to the other artists haunting the auditorium, Hank's voice has been heard clear as day by employees. They have also heard his songs being played onstage, without explanation. Along with Patsy, Hank Williams' soul has lingered in the old venue ever since he passed.   The info on the history of the ryman comes mostly from their own website while the stories of the hauntings we found on the website ghostcitytours.com   Next up is the Phoenix theater in Petaluma California. The club has been in existence since 1905 and has changed in both structure and purpose, mostly due to severe damage caused by several fires. Petaluma's Phoenix Theater has been entertaining Sonoma County residents for over 116 years. Hosting everyone from the likes of Harry Houdini to Green Day, the fabled teen center and music venue has a varied and interesting history.   The entertainment center opened in 1904 as the Hill Opera House. The structure was designed by San Francisco architect Charles Havens, who also designed Petaluma's Carlson-Currier Silk Mill in 1892. The Beaux Arts-style theater hosted operas, theatrical performances, high school graduations and music for over 15 years until the early 1920s when it was gutted by fire.   In 1925, the venue reopened as the California Theatre playing silent films accompanied by music. A Jan. 24, 1925, Press Democrat article proclaimed the showplace the “largest playhouse in Petaluma and one of the finest theaters of Northern California.” A packed house attended the opening night performance which include a double feature picture show and live entertainment.   The theater switched to movies with sound in later years and lost major sections of its roof to a second fire in 1957. Petaluma's Tocchini family bought the floundering venue in 1967 switching to a program of live music and entertainment.   In 1983, the theater was renamed the Phoenix - reflecting its ability to be reborn from the ashes. Tom Gaffey, a young man who had grown up in Petaluma and worked at both the California and the Showcase theaters, was hired as manager, a position he holds to this day. The theater gained unwanted attention after a late-night performance by the band Popsicle Love Sponge performed a questionable act with the body of what was believed to be a dead chicken. The late-night shows ended, but the movies continued for a short time.   Today the venue serves as a graffiti-covered teen center and venue for rock, punk, reggae and more. In 1996, it hosted the last show of the Long Beach ska band Sublime as well as rock and punk legends the Ramones, Red Hot Chili Peppers, X, Metallica and Primus. The guiding principle of the Phoenix has always been that it's "everyone's building" and this was formalized in the early 2000's when the Phoenix became a 501(c)3 nonprofit  community center.   This place sounds pretty awesome. This following except it's taken directly from their website :               The Phoenix Theater is open seven days a week, generally from 3pm to 7pm, for drop-in “unstructured” use. Our building interior is large and soulful, with several rooms to accommodate a variety of activities. On a typical afternoon, you'll find kids playing acoustic music (we've got two pianos and a big stage), skateboarding (across the large wooden floor and up one of four quarter-pipe ramps), doing homework in the tutoring room, or sitting in one of the overstuffed sofas: reading, talking with friends, or napping. There's always a staff member onsite, but the atmosphere is casual.    On top of this they have free music programs from lessons to recording to production to podcasting to band management and everything in between. Also they have many programs for teens in the art community to hone their skills. Not only that they have a teen health center to help inform teens and help them make better, more  conscientious choices regarding their personal health. They also have services for  transitive health and STD help as well. We feel like every town needs a place like this. Especially if it's haunted!!! Speaking of which we found an interview that Gaffney did where he talks about some of his experiences and other things that have happened. The following was taken from petaluma360.com:   Gaffey began by talking about his earliest days. “It was my job to close the theater down. By 10:15 it would just be me, and whatever people were watching the movie. Near the end, I'd go up to the projection booth. After the audience exited, I'd turn off the projector, come down onto the stage where the sound equipment was, turn off the amps, check doors, balcony, bathrooms, lock the doors, hit the security alarm, then go out the door by the box office.”   On three separate nights, as he was leaving, the box office phone rang.   Gaffey explained the building had five phone stations. The light on the box office phone indicated the call was from the projection booth.   “I'd have to turn off the alarm and pick up the phone. ‘Hello? Hello? Hello?' But there was nobody there.   “You can't believe in ghosts when you're shutting down a theater. You have to check.   “Three times I mustered my courage, turned the lights back on and burst into the projection booth. There was no one there.   “That was my first experience, when I was an unknown here, a spooky ‘welcome back.'”   Gaffey is quick to temper his conversation with “it could have been” and “maybe someone playing pranks.” He keeps an open mind. Ghosts or explainable experiences: it's for the individual to decide.   “Blue lights have been seen floating through the building. There's the Little Kid: he'd been seen even when I was a kid working down here. And one night, sleeping on stage as a teen, I could hear and feel big footsteps. I never felt afraid.   “The big guy has been felt by many over the years,” Gaffey said. “We named him Chris. Big Chris. He's the only ghost - if there are ghosts here - who's not from a show business background.” He added that psychics who've visited the theater have talked about Chris dating to the livery stable-era and that someone was murdered on this spot, possibly with a knife.   But Gaffey continued firmly, “My experiences in this building have been warm and protective. “Chris had the spirit of the Phoenix before it became what it is. Chris may have loved this spot. I think it's one of the coolest corners in town.” He commented he sensed from the warmth he felt as he was talking that Chris was on stage, observing.   Then there's the Little Kid - a boy. “That's an interesting one,” Gaffey said. “Again - a psychic had come in. First off, he talked about the guy in the attic [the projection booth], said he seemed to be older, white hair and faded green, almost khaki, clothing; tall, thin with angular knees and elbows.   The older man, the psychic told Gaffey, is trying to make good on something wrong he felt he did to a child. The psychic added the old man hadn't, however, done anything.   “I'm wondering,” Gaffey said, “if it's the little boy. This was the fly area” - the area to the rear of the stage where backdrops hung. “With stuff hanging here and ladder work, maybe the kid was injured. He's been seen by many. He's got shaggy hair, maybe less than five feet, wearing shorts or knickers, a wool suit and a cap, from the 1920s.”   In the 1990s, a security guard for the thrash metal band GWAR got down off a ladder and asked, “Who's that little kid back there in the exit?” When no one could find the boy, the guard quit.    There is much more to the interview and we would definitely recommend checking it out! We've got one one more venue for you guys even though there are a bunch more out there. Some of the more well known and covered places like Bobby Mackey's in Kentucky, The Avalon in Hollywood, Le Petit Théâtre du Vieux Carre in New Orleans, The rapids theater in Niagara falls NY among others we've left off but will definitely be back to cover at a future point as the history and Hauntings in these places is awesome.    So that brings us to our home town of Cleveland Ohio and to the World famous Agora Theater. Now this a place where we've both spent many nights jamming out to some great fucking shows. And yes.. Whether you like it or not… Here comes some history fuckers.    The first Agora in Cleveland, informally referred to as Agora Alpha, opened on February 26, 1966, at 2175 Cornell Road in Little Italy near the campus of Case Western Reserve University. In 1967, the Agora moved to a second building on East 24th Street near the campus of Cleveland State University. Once settled in their new location, the new Agora Ballroom, informally referred to as Agora Beta, played a role in giving exposure to many bands, both from the Cleveland area and abroad. Many artists such as Peter Frampton, Bruce Springsteen, Boston, Grand Funk Railroad, ZZ Top, Kiss and many others received much exposure after playing the Agora.[3] The Agora Ballroom was also the setting of the concert by Paul Simon's character in the opening minutes of the 1980 movie One-Trick Pony. The front facade of the Agora Ballroom was temporarily swapped for the one shown in the movie. It is also one of three locations used to record Todd Rundgren's live album Back to the Bars in 1978.   The East 24th Street building also housed Agency Recording Studios, located above the Agora. The onsite recording studio and the close proximity to radio station WMMS allowed for high-quality live concert broadcasts from the Agora. Some of these concerts were later released commercially, including Bruce Springsteen's “The Agora, Cleveland 1978”, the Cars' “Live at the Agora 1978”, Ian Hunter's “You're Never Alone with a Schizophrenic, Deluxe Edition” and Dwight Twilley Band's “Live From Agora”.   The popularity of the club led the Agora to expand during the 1970s and 1980s, opening 12 other clubs in the cities of Columbus, Toledo, Youngstown, Painesville, Akron, Atlanta, Dallas, Houston, Tampa, Hallandale, Hartford, and New Haven. However, the Cleveland location is the only one still in existence today.   In 1984, the Agora was damaged by a fire and closed.   The building currently known as the Agora first opened on March 31, 1913, with an English performance of Aida as the Metropolitan Theatre. It was the brainchild of Max Faetkenheuer, an opera promoter and conductor who had also been involved in the construction of the monumental Hippodrome Theatre on Euclid Avenue five years earlier. The new opera house was well received and did well early on, but later struggled to stay profitable. Among various uses, the Metropolitan was home to a Cleveland's Yiddish theatre troupe in 1927. This brief episode in its history came to an end a few months later in 1928 after the troupe was involved in a bus accident on the way to a performance in Youngstown; the actors were too injured to perform and the venture went bankrupt. By 1932, the venue had turned into a vaudeville/burlesque house called "The Gayety," hosting "hoofers, comics and strippers." The Metropolitan returned to its original use for a short time during the mid-1940s staging comedic musicals, but by the end of the decade stage productions had ceased and the theatre became a full-time movie house. From 1951–78, the theater offices were home to radio stations WHK (1420 AM) and WMMS (100.7 FM); the theater itself was known as the WHK Auditorium. In 1968–69 the theater was known as the Cleveland Grande. In the early 1980s, it briefly re-opened as the New Hippodrome Theatre showing movies. Following the fire which damaged the Agora Ballroom on East 24th Street, club owner Henry LoConti, Sr. decided to move to the 5000 Euclid Avenue location. Following extensive renovations, the new Agora Metropolitan Theater, the third Cleveland venue to bear the Agora name, opened in October 1986. The Agora has two rooms: a 500-person capacity, standing-room-only ballroom with adjoining bar, and an 1800-seat theater.   As far as some spooky shit goes, we were able to get some info straight from the source! We spoke with Mike who works at the agora and we got some cool stuff from him. In an email mine related the following information.            "Prior to our merger with AEG Presents, I used to lead our ‘Ghost Tours' with a group called Black Sheep Paranormal.   While I didn't know what to expect, and I wasn't exactly familiar with paranormal investigations, that quickly changed working with the group.             One of the members of the Black Sheep Paranormal group was a retired police officer. Pretty easy to say he's seen some shit, and could be characterized as fearless. Another member told him to check out the men's room, where we have a utility closest between our sinks and stalls. From past experiences, we usually get some decent activity from that closest. However, nothing occurred this time. After giving up on this spot, the team member decided to use the bathroom. Seconds later, he hears **CLAP, CLAP, CLAP** from behind his neck, and he exited the bathroom about as white as a ghost.   Oh man… Good thing he was in the bathroom in case he pissed himself!! This next story is pretty crazy. He talks about "The Cleaning Lady"!             "One of the known spirits at The Agora, who we call “The Cleaning Lady,” as you could have guessed, was responsible for cleaning the venue many decades ago. While I'm not exactly sure what happened to her, she was said to have fallen off our balcony, and died. One night, during an investigation, we were sitting in silence at the top of our balcony on the left hand side. As we sat there, we started to hear sweeping sounds. As the broom sweeps started to happen for a few seconds, all of the sudden, the sound traveled from the left side of the venue, all the way to the right side of the venue. We couldn't really explain it, but that's exactly what happened."   Wow! That's awesome! This next one would probably freak a lot of people out… but it's definitely cool.           "Another occurrence was when we were up in one of the suite boxes up in the balcony. The venue was blacked out, and from where we were sitting, you could still see the bar area in our lower level. The bar had a mini fridge up against the wall that had lighting in it. We draped it off with a black table cloth, but there was still exposed light coming from the fridge. As we're sitting there, we see a shadow fading in, and fading out of the light. Almost as if a person was pacing back and forth. We were able to see this because of the light from the fridge. As this shadow figure is pacing back and forth for a good 30 – 60 seconds, one of our team members calls out “if anyone is over by the bar, please make a sound.” And I shit you not, with no hesitation, a stack of plastic cups falls off the bar and onto the ground. That was definitely one of my favorite experiences."   Hopefully we get some action like that on our ghost hunt! Mike goes on to say that he actually got to see an apparition as well!       "Over the years, we've heard and seen many things. We've had items that turn up missing, seen plenty of white anomalies, and other occurrences. Apparitions are rare, but sounds are usually constant. We've heard bangs on our doors, we've heard voices, we've even heard music; big band music to be specific. The apparition I've seen was an unreal experience. We were sitting in the balcony, and we just saw this shadow figure in one of the seats across/behind us. The figure was perfectly human-shaped, but you could see through it. It definitely seemed like it was staring at us the whole time. Sadly, my story telling doesn't do this moment very much justice.   He said that a lot of the investigation stuff was mainly communication based with the spirits. He said they would ask  questions and they frequently got answers. We asked about how the spirits would answer and he told us:             "Most of the time in our investigations, we used dowsing rods for the questions, and asked them to cross the rods in a ‘yes or no' type of questioning. They were always responsive in this form. As long as we got it started, we usually were able to keep the questions going. Obviously, noises would happen all the time. I remember one evening just working (no event going on), but we use to have these ‘garage' type doors for our balcony entry. And for whatever reason, the spirts would not stop banging on them. Like something out of a movie, non-stop banging. That was the same day where my coworker went to use the bathroom, and as she was coming back to the office she heard “There she goes…” in a whisper type voice.   Damn! That's some crazy shit! We would like to thank Mike for his time and this incredible stories of the strange stuff that occurs at the agora! Hometown spooky shit is always awesome!  Top ten horror movie musicals https://screenrant.com/horror-musicals-best-ever-imdb/

On this date 25 years ago, Sublime performed for the last time ever at the Phoenix Theater in Petaluma, California. The following morning, the world tragically lost the band's innovative and soulful frontman Bradley Nowell to a heroin overdose. Join Oliver as he chills with Brad's younger sister Kellie, who in recent years has been working tirelessly as the executive director of the The Nowell Family Foundation! Providing addiction recovery services to musicians, the foundation is currently raising funds to open an opioid recovery facility in Brad's memory called 'Bradley's House'! Please donate if you can!! This episode is a dream come true for Oliver, who has been a Sublime fanatic since his youth. Acquaintances for over a decade, Oliver and Kellie finally have a real hangout and become fast friends! Things start off with talk about the foundation and all of the fantastic things it has spawned. Including the recent, dynamite tribute album titled 'The House That Bradley Built'! Featuring a ton of amazing artists, the proceeds will go towards all of the foundation's spectacular efforts! Kellie then discusses the 'Bradley's House' podcast, which she co-hosts and is a must-hear for any Sublime fan! Kellie shares fantastic stories about Bradley, Lou Dog, and Sublime, leaving Oliver completely elated in the process. She also expresses how profoundly difficult it was to lose her brother to addiction, and how her work with the foundation has helped her in processing that grief. Kellie then answers some of Oliver's burning questions, as well as some fan inquiries from Reddit! Recorded on May 12th, 2021 Audio/Visual Production by Zoom Edited (poorly) by Oliver George ARCADE- Oliver: 13 / Guests: 5 (No match, Zoom) https://thenowellfamilyfoundation.org/ https://shop.law-records.com/collections/the-house-that-bradley-built

"Love in the Time of Covid" is six short new plays written by Neva Hutchinson, Bridgette Dutta Portman, and Richard Talavera, produced by the St. Peter's Players, Redwood City. Player favorites Susan Mitchell, John McGill, Alejandro Mejia, Alec Braun and Roseannie Garraud will be appearing, along with Ruth Anne Lambert, Julie Lanesy and Paul Costello. Reserve your Zoom Seats: https://cutt.ly/LoveAndCovid ---Neva Hutchinson has acted in New York, Maine and the Bay Area in over 60 theater productions. She's worked with Francis Ford Coppola, Lee Sankowich, Kevin Malony and Libby Appel. In film, she's worked with Jon Voight and Will Smith. She's trained at the American Academy of Dramatic Arts, and with Richard Seyd and Wynn Handman. She recently appeared at the Phoenix Theater in San Francisco in "By The Waters of Babylon" by Robert Schenkkan. Presently, she's appearing in the lead role in "Raptured: the Disappearance and Discovery of Aimee Semple McPherson". Also, she can currently be seen as a dry cleaner in a Buster Posey Toyota commercial. ---Bridgette Dutta Portman is a playwright, teacher, and aspiring novelist in the San Francisco Bay Area. More than two dozen of her plays have been produced locally, nationally, and internationally. She is past president of the Playwrights' Center of San Francisco, was 2018 resident playwright at Custom Made Theatre Co., and is currently a member of Same Boat Theater Collective, the Pear Writers' Guild and the Dramatists' Guild. She has been a finalist for the Bay Area Playwrights' Festival, the Theatre Bay Area TITAN award, the PlayPenn Conference, the Kentucky Women's Theatre Conference Prize for Women Writers, the New Dramatists playwrights' residency, and more. She holds a PhD in political science (UC Irvine, 2011) and an MFA in creative writing (Spalding University, 2018). She lives in Fremont, CA with her husband, their 6-year-old son, their baby daughter, and their very sweet dog Snickers. ___________________________________________________________ Leave a review on Apple Podcasts (Itunes) Green Room On Air Web Site: http://greenroomonair.com  Facebook: https://www.facebook.com/raysgreenroom/ Opening and Closing Music by Carly Ozard: http://carlyozard.com Contact Ray at Green Room on Air: greenroomonair@gmail.com 

Tsunami Bomb, the punk-rock band from Petaluma, California formed in 1998 by bassist Dominic Davi, with keyboardist/vocalist Oobliette Sparks and later joined by drummer Gabe Lindeman. With lead-vocalist Emily Whitehurst aka "Agent M" they would become a staple of Warped Tour and toured throughout the United States, Europe, and Japan. After going through a number of lineup changes they separated in 2005. In 2015 the band reformed with new vocalist Kate Jacobi and new guitarist Andy Pohl. On Episode 3 “The Red Hoodie” we spoke with Tsunami Bomb’s bassist, Dominic Davi where he shared some interesting stories and behind the scene facts that any Tsunami Bomb fan would enjoy. He also shares a bone chilling and heartfelt ghost encounter that he and the whole band experienced while on tour that left them totally speechless. Dominic then shares about a Paranormal Investigation where he joined Amy Bruni, a Professional Paranormal Investigator and Executive Producer of the TV show “Kindred Spirits," along with members of Sci-Fi channels “Ghost Hunters." The Investigation took place at the Phoenix Theater in Petaluma California; a building that has been in existence since 1905. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/hazychaos/support

Arizona Theatre Company’s Sean Daniels (Artistic Director) and Chanel Bragg (Associate Artistic Director) will be hanging out with Phoenician Philanthropist and NAU Alumn, Billie Jo Herberger. Billie Jo Herberger has been a Phoenix resident since 1969 and was named the 2013 Woman of the Year by Women of Scottsdale. According to a 2015 article highlighting her in the Phoenix Magazine, “Billie Jo serves as an inspiration to many – she’s survived cervical cancer, breast cancer and malignant melanoma without losing a sliver of her spunk or spark. She doesn’t cover up her scars, but displays them proudly as ‘badges of courage.’” The Herbergers are well known in the Valley for their support of the arts. Just last year they were inducted into the Herberger Performing Arts & Broadcast Hall of Fame in 2019 and had a new Scottsdale arts award named after them - the Herberger Award for the Arts. They have given generously to arts organizations including the Herberger Theater, the Phoenix Theater, Valley Youth Theatre, Arizona Opera, Ballet Arizona, Scottsdale Philharmonic, Phoenix Art Museum, Scottsdale Center for the Arts as well as other important non-profits such as Release the Fear, Key to the Cure (TGen), Kids Read USA, and Phoenix Heart Ball.

Today I spoke with Neva Hutchinson and the folks in her acting class, about how actors can more effectively use social media for self-promotion. We discuss Facebook, Instagram, Snapchat, and others.  We also talk about surviving as an artist during the COVID 19 pandemic. Leave a Review for Green Room on Air: https://cutt.ly/GreenRoomOnAir Neva Hutchinson: https://www.nevahutchinson.com/ -------------------------------------------------------------- About Neva Neva Hutchinson has acted in New York, Maine and the Bay Area in over 60 theater productions. She's worked with Francis Ford Coppola, Lee Sankowich, Kevin Malony, and Libby Appel. In film, she's worked with Jon Voight and Will Smith. She's trained at the American Academy of Dramatic Arts, and with Richard Seyd and Wynn Handman. She recently appeared at the Phoenix Theater in San Francisco in "By The Waters of Babylon" by Robert Schenkkan. Presently, she's appearing in the lead role in "Raptured: the Disappearance and Discovery of Aimee Semple McPherson". Also, she can currently be seen as a dry cleaner in a Buster Posey Toyota commercial. ---------------------------------------------------- GreenRoomOnAir.com RayRenati.com Music by Carly Ozard: carlyozard.com Tracks by WillHoog 

In this episode, we just can't stop talking about horses for some reason! We are talking about horse surgeons, the Etsy dark web, a brief history on the electric chair, and Maria's first concert! We welcome our guest host Anna who brings us the true crime story of Hans Schmidt, a murderous Bavarian priest; and Maria covers the hauntings of The Phoenix Theater in Petaluma, California, a building that has literally risen from the ashes and collected a few spirits in its long history. Let's get spooky!Link to follow Melanie's illustration account: https://instagram.com/greydaysgirlStream "The Current War" film on Amazon Prime: https://www.amazon.com/Current-War-Directors-Cut/dp/B085FP951H"The Killing of Marilyn Monroe" Podcast on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-killing-of-jonbenet-the-final-suspects/id1469962833?i=1000446549395Support the show (https://patreon.com/thenewwitches)

Jim and Tom welcome Daniel Steinbock to the stage at the Phoenix Theater for an interview and performance on 3/17/20. We talk about his relationship with the muse, capturing songs from dreams, his relationship with his father, ancestral trauma, personal growth and much more Setlist Out of Blue Sea Inside Kiss of the Bee Too Close to You Recorded at at the Phoenix Theater in Petaluma, CA.

Jim and Tom welcome Maya Songbird to the stage at the Phoenix Theater for an interview and performance on 3/10/20. We talk about rainbows, what happens when you die, when Maya stopped giving a fuck, growing up in the Castro, how her son is a hater, Maya’s Magic Shop, being a witch, being an empowered woman, being a slut and much more. Setlist I Believe in Magic / You Should Be Dancin’ Staying Alive Disco Bill Recorded at at the Phoenix Theater in Petaluma, CA.

Jim and Tom welcomes The Band Ice Cream to the stage at the Phoenix Theater for an interview and performance on 3/3/20. We talk about their reinvention as a band, near death experiences, songwriting, a debilitating hockey injury, apathy and more. Setlist Eject Daily Pep Talk In Front of a Stained Mirror Big Car Roses Recorded at at the Phoenix Theater in Petaluma, CA.

Jim and Tom welcomes Clementine Darling to the stage at the Phoenix Theater for an interview and performance on 2/25/20. Clementine left Seattle ten years ago on a busking trip down the West Coast. We look back on the major events of her last decade that led to the life of music she now lives. Setlist The Road Holy Ghost Crazy Fire Map Recorded at at the Phoenix Theater in Petaluma, CA.

Jim and Tom welcome Yo! & The Electric to the stage at the Phoenix Theater for an interview and performance on 1/28/20. We talk about America’s political landscape, music as activism, the future and much more in a 60+ minute interview. Setlist Armando Miendo War Ready Makeup Song Would You Like to Buy a Vacuum? Recorded at at the Phoenix Theater in Petaluma, CA.

In Episode 52: Pantsuit, the guys are joined by an all-star cast of Twin Cities performers for Get Off My World!'s third anniversary live show at Minneapolis' Phoenix Theater. Hear! new material from The Sevateem, as they debut songs from their upcoming rock opera The Caves, based on a certain famous 1984 Doctor Who serial! […]