Podcast appearances and mentions of Larry Klein

Tim Palmer is a renowned producer and mixer who has worked with an extensive roster of iconic artists, ranging from Robert Plant, David Bowie, and Tears for Fears to Ozzy Osbourne, The Goo Goo Dolls, and U2. With the recent success of The Psychedelic Furs' latest album, which he mixed, Tim has achieved the remarkable milestone of contributing to UK Top Ten albums across five decades.Tim's career includes mixing Pearl Jam's Ten, one of the top 50 best-selling albums of all time. This landmark record was inducted into the Grammy Hall of Fame in 2021. In 2001, Tim was nominated for a Grammy for his mixing work on U2's All That You Can't Leave Behind, an album that won the Grammy for Best Rock Album. Tim also mixed the Grammy-winning tracks Stuck in a Moment and Elevation from the same release.Currently based in Austin, Texas, Tim continues to collaborate with prominent artists such as Tears for Fears, Jason Mraz, Blue October, The Polyphonic Spree, H.I.M., and The Psychedelic Furs. In 2014, he mixed Map to the Treasure by Billy Childs, an album that earned three Grammy nominations.In recent years, Tim has contributed to projects with Grammy-winning producer Larry Klein, mixing works by Kandace Springs, Lang Lang, Lizz Wright, Luciana Souza, and two multi-artist jazz albums honoring Charlie Parker and Jacques Brel. Additionally, he co-produced Ville Valo's (VV) latest album, which debuted at #4 in Germany, and mixed The Tipping Point by Tears for Fears, which reached #8 on the Billboard 200.Beyond the studio, Tim has served two terms as a Recording Academy Trustee and sits on the advisory board of Sonic Guild (formerly Black Fret), an Austin-based nonprofit that supports local musicians as artists deserving of patronage. Over four years, Sonic Guild has provided more than $3.5 million in grants and performance payments to Austin's vibrant music community.IN THIS EPISODE YOU'LL LEARN:Learning the good and bad traits of other producers/engineersBeing open to working in all genresFinding the beauty in production detailsThe flow of an albumStaying on top of musical/production trendsMixing Pearl Jam's “Ten”The challenges of doing remixes/remasters of classic recordsAdding elements in the mixing stageNot being afraid to edit tracksGetting snares to crack and cut through mixesAdding cymbal samplesPreserving imperfectionsTo learn more about Tim Palmer, visit https://timpalmer.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/Want additional help with your music productions?For tips on how to improve your mixes, visit https://masteryourmix.com/Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.comThe Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio:

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This week's episode comes to you in the afterglow of two sold out Joni Mitchell performances at the Hollywood Bowl in Los Angeles, where molecules were rearranged, hearts were broken wide open and 17,000 fans basked in her brilliance. Though she has a bit of FOMO over missing out on being part of the Joni Jam, this week's first guest, Shawn Colvin, has plenty of Joni stories. After initially discovering Clouds as a teenager at church camp, Shawn found herself many years later recording her 2nd album at Joni's house with Joni's then-husband Larry Klein, and Episode 7 guests Béla Fleck and Bruce Hornsby. Shawn says that she learned everything she could from Clouds, including a percussive approach to guitar, and it set her on a path to a solo approach to performing and writing songs which would not have happened without Joni Mitchell. She tells host/producer Carmel Holt about her “big brother” relationship with Bruce Hornsby and how he helped her overcome the heartbreak of a terrible New York Times live show review by sharing a folder of his own scathing media clips, one of which called him a “gherkin” (UK speak for pickle). MUNA guitarist, multi-instrumentalist and writer Naomi McPherson grew up in a family of jazz musicians. Like several of our guests, their gateway to Joni Mitchell was Blue and then the fretless bass of Jaco Pastorius on Hejira locked them in. From there, they went hardcore into 70s and onward Joni while listening to cassette tapes of Turbulent Indigo, Night Ride Home and Miles of Aisles in their 1998 Honda Accord. Naomi says that they are still learning from Joni's music and that because of her, they play exclusively in open tunings. They talk about how Joni's music spans genres and how much sonic exploration there is to mine in her catalog - from folk to the jazz era to 80s pop influences. Naomi thanks Joni for her fearlessness and considers her to be the greatest songwriter of all time.

El disco 'Ornithology. The best of Bird' recoge algunas grandes grabaciones del legendario saxofonista Charlie Parker (1920 - 1955) acompañado por músicos como Miles Davis, Max Roach, Bud Powell, John Lewis o Dizzy Gillespie: 'Ko-ko', 'Now´s the time', 'Cheryl', 'Parker´s mood', 'Billie´s bounce', 'Donna Lee', 'Confirmation', 'Ornithology', 'Groovin high', 'Anthropology' y 'Salt peanuts'. Cierra Madeleine Peyroux cantando 'Ornithology' del disco colectivo producido por Larry Klein 'The passion of Charlie Parker'.  Escuchar audio

The two guest interviews featured in Episode 7 with Bruce Hornsby and Béla Fleck were recorded back-to-back by host/producer Carmel Holt. As it turns out, the threads that connect the two artists to each other and to Joni, make the conversations a perfect pair. Joni's then-husband, Larry Klein, played bass on and co-produced several of her albums in the '80s and '90s. He would also bring the two guests in this episode closer to each other and to their shared SHERO, Joni. Pianist and genre-blending musician Bruce Hornsby sings us through his Road to Joni, which includes Joni's first live album Miles of Aisles, a revelation that led him to devour her entire early catalogue, becoming a "complete Joni Mitchell devotee." In the 90's, Hornsby would go on to play on Shawn Colvin's second album, Fat City, produced by Larry Klein. Bruce ends by giving us a hint at a new project that he considers a "Paprika Plains"-like opus. Banjo player and fellow breaker of genre-boundaries Béla Fleck's Road began with a birthday gift from his stepfather: a copy of Blue that he would wear out that summer. Béla recounts how "The Last Time I Saw Richard" taught him entirely new emotions as a teenager. Later on, he tells us how he, too, played on Shawn Colvin's album with Hornsby and Klein, and got to record in Joni's house. He also shares the story of a terrifying overnight hospital stay his son and family endured, where they played Night Ride Home on repeat to get them through.

Acclaimed genre-crossing songwriter and interpreter Madeleine Peyroux takes stock of her songwriting over the years and shares insights into the creation of her latest album. PART ONEPaul and Scott talk music books, the value of recording, and whether or not performers should stick to a strict or loose interpretation of a song when performing live. PART TWOOur in-depth conversation with Madeleine PeyrouxABOUT MADELEINE PEYROUXMadeleine Peyroux moved to Paris with her mother at the age of 12 and began singing with street musicians while still a teenager. She eventually joined the Lost Wandering Blues and Jazz Band, with whom she toured Europe. After being discovered by Atlantic Records she released her debut album, Dreamland, in 1996. Madeleine's commercial breakthrough came with the Gold-selling album Careless Love in 2004 and it's single, the self-penned “Don't Wait Too Long,” which was released by Rounder Records and topped the jazz charts. The follow-up album, Half the Perfect World, hit the Top 40 on Billboard's US album chart. Her 2009 album, Bare Bones, was the first to feature all original material. She moved to Decca Records for the Standing on the Rooftop album in 2011 and has since released four additional studio albums. Her latest effort, Let's Walk, features all original material and continues to showcase her masterful blending of jazz, blues, folk, pop, and more. 

SPECIAL SUMMER EPISODE: A Conversation w/ Ann Powers, author of Traveling: On the Path of Joni MitchellFor Part Two of our celebration of Joni Mitchell, the great ANN POWERS, esteemed rock writer and NPR music critic, joins Mark for a conversation about her brilliant new book Traveling: On the Path of Joni Mitchell. Topics include: the question of critical enthusiasm, Ann Beattie, Don DeLillo & Don Henley, Joni's plug into the pulse of the culture, Joan Didion and Play It As It Lays, Roberta Flack, Miles Davis, Art Nouveau and Don Juan's Reckless Daughter, Joni's evolving obsession with rhythm (and percussionists), Los Lobos, Chaka Khan, Prince's song for Joni, the Jazz Fusion scene of the mid-1970s, Jaco Pastorius, Brandi Carlisle and the Joni Jams, Taylor Swift and a celebration of the studio nerd, the underrated Larry Klein, Joni's relationship with the press, Joni's live performances, Michelle Mercer, and what moment in music Ann would travel in a time machine. Plus, a passionate reappraisal of Joni's four 1980s albums on Geffen Records and the value of meeting (and not!) your musical heroes. Special thank you to Dey Street Books and Mr. Brian Ulicky for his assistance with this conversation.Order Ann's book at your local independent bookstore here!

You've heard him on WTMD. And you can hear him in an abbreviated set with WTMD at their Live Lunch series on June 13th at Rams Head On Stage--tickets are free, but you need to RSVP at WTMD . And yet another chance to see a full show at the Creative Alliance on August 17th. But before that, check out our conversation with Raul Midón. Raul's new album, "Lost and Found," released in April 2024, showcases his talent for blending folk and roots with jazz, soul, and pop. As a seasoned singer and guitarist, Raul has received multiple Grammy nominations and was honored with the distinguished alumni award from the University of Miami, where he studied before becoming a highly sought-after session singer. His impressive collaborations include work with Lizz Wright, Larry Klein, Arif Mardin, Pat Metheny, Richard Bona, Bill Withers, Marcus Miller, Herbie Hancock, Dianne Reeves, and Alex Cuba. IMPORTANT NOTE: During our conversation, I mistakenly thought (and said) his full concert at the Creative Alliance was on June 17th, it is actually on AUGUST 17th! -JF Have a listen! LINKS: Raul Midón (Website) Raul Midón (Facebook) Raul Midón (Instagram) Raul Midón (YouTube Raul Midón (Spotify) WTMD (Free Tickets)

Davide DiRenzo is one of the most versatile and in-demand drummers in Canada, with an equally strong profile in the jazz, rock, pop and R&B scenes coast-to-coast and beyond. With years of studio experience under his belt working with some of the world's top artists, Davide is now also working as a producer out of his home studio (Studio 86) in Toronto, Ontario. From there, he also records and sends drum tracks to artists and producers all over the globe. Davide has performed and recorded extensively around the world with a wide range of artists including two time Grammy award-winning Cassandra Wilson. Other acts he's performed and recorded with include Chaka Khan, Mariah Carey, Holly Cole, Feist, Kevin Breit, and just recently recorded and co-wrote three songs on Molly Johnson's new album, “Meaning To Tell You” where he had the pleasure of working with multi grammy award-winning and internationally celebrated producer/musician, Larry Klein.  He has won six Juno awards to date, including two in 2007: one as a member of jackSoul (Best R&B Recording) and one as a band member with Tomi Swick (Best New Artist). He also received a National Jazz Award nomination the same year for Jazz Drummer of the Year.   In this episode, Davide talks about: How he creates dialogue with audio engineers  Deciding how many options to provide in terms of mics/tracks How in-ears have affected how we experience our own playing Finding the volume where your drums and cymbals start sounding bad Working with producer Larry Klein on Molly Johnson's record I Been Meanin' to Tell Ya Submitting to the collaborative process and letting go of some control Collaborative producers vs. impresario producers

Davide DiRenzo is one of the most versatile and in-demand drummers in Canada, with an equally strong profile in the jazz, rock, pop and R&B scenes coast-to-coast and beyond. With years of studio experience under his belt working with some of the world's top artists, Davide is now also working as a producer out of his home studio (Studio 86) in Toronto, Ontario. From there, he also records and sends drum tracks to artists and producers all over the globe. Davide has performed and recorded extensively around the world with a wide range of artists including two time Grammy award-winning Cassandra Wilson. Other acts he's performed and recorded with include Chaka Khan, Mariah Carey, Holly Cole, Feist, Kevin Breit, and just recently recorded and co-wrote three songs on Molly Johnson's new album, “Meaning To Tell You” where he had the pleasure of working with multi grammy award-winning and internationally celebrated producer/musician, Larry Klein.  He has won six Juno awards to date, including two in 2007: one as a member of jackSoul (Best R&B Recording) and one as a band member with Tomi Swick (Best New Artist). He also received a National Jazz Award nomination the same year for Jazz Drummer of the Year.   In this episode, Davide talks about: Making professional and personal choices based on knowing “where you're at” Thinking of time as your most precious resource Why he has opted out of social media since its inception Being present in relationships and in music, and how they're the same Reconnecting with Toronto music and musicians, especially the club/bar scene Making yourself available to connect with audience members 

Joni Mitchell's songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend.In the first episode, we hear how young Joni loves to watch the trains go by from the window of her house in a Saskatchewan prairie town. Even as a child, there is a desire to see what's around the next bend. She's a tomboy and an athlete, until polio forces her into a period of convalescence; she's no longer picked first for sports teams but when she gets the use of her legs back she rock 'n' roll dances her way through her teens. Her childhood ambition is to be a painter, but when she finally makes it to art school everything changes....“I've always been a creature of change” – Joni MitchellThrough archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation.In Legend, we follow Joni from her ‘flatlander' childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.'s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in 2023: “like seeing, in the wild, a rare bird long feared extinct” (Lindsay Zoladz).Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. Jesca speaks to musicians like Blake Mills, Allison Russell, Holly Laessig and Jess Wolfe, who have played alongside Joni, and we hear tributes from those, like musician John Grant, who have been inspired and influenced by her music. We also hear from friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly.The Joni Mitchell Story comes from the production team behind BBC Radio 4's award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison Commissioning Editor: Daniel Clarke

Larry Klein has had his mitts on so many amazing records over the past 40 years, but is still a relatively quiet, behind-the-scenes kind of musician. He is a four time grammy winner as a producer, and has made records for artists like Joni Mitchell, Herbie Hancock, Holly Cole, Madeleine Peyroux and Tracy Chapman. I think the first time I ever saw his name was on a cassette I had of Shawn Colvin called “Fat City”, and then I kept seeing his name pop up on cool records over and over again. Larry started out as a bass player in California, and landed a gig pretty early on with jazz legend Freddie Hubbard. He toured with Freddie for years, and then slipped successfully into the session world. As a bass player he played on so many classic albums like “So” by Peter Gabriel, “Building the Perfect Beast” by Don Henley, Robbie Robertson, Tracy Chapman's debut album and many more. He eventually landed a session with Joni Mitchell, which led to him playing on and producing a string of her records, starting with “Wild Things Run Fast” in 1982, right up through “Travelogue” in 2002. They were married and divorced in that window of time as well. His production work is always deep and sonically interesting. He has a real jazz mentality towards making pop records, which I love. There's alot of live performance based takes, mixed with rich sounds and experimentation. Gaining the trust of Herbie Hancock and Wayne Shorter is no small feat, but Larry did that and produced records for those jazz legends! In recent years, Larry made a great record with Herbie Hancock of Joni Mitchell tunes called “River: The Joni Letters”, and during Covid, he made a record in a similar vein called “Here It Is”, a Tribute to Leonard Cohen. It's basically an insane house band backing up artists like Iggy Pop, Norah Jones, Peter Gabriel, Mavis Staples and lots more doing Leonard Cohen tunes. I should also mention that we just ran out of time on this one, hence the abrupt ending. Larry had a limited window and I lost track of time, so we just kind of had to cap it mid-stream, but we got into tons of cool stuff anyway! I don't think Larry is on the road at all any more, so you can't catch him live with anyone currently, but you can get info on him and news on his latest projects over at larrykleinmusic.net  — Please enjoy my conversation with Larry Klein! If you enjoyed this episode, please consider supporting the show with a donation or Patreon subscriptionThe show's website can be found at www.makersandshakerspodcast.comYour fearless host, Steve Dawson can be found at www.stevedawson.ca Become a member at https://plus.acast.com/s/mmasspodcast. Hosted on Acast. See acast.com/privacy for more information.

Joni Mitchell's songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend. In the first episode, we hear how young Joni loves to watch the trains go by from the window of her house in a Saskatchewan prairie town. Even as a child, there is a desire to see what's around the next bend. She's a tomboy and an athlete, until polio forces her into a period of convalescence; she's no longer picked first for sports teams but when she gets the use of her legs back she rock 'n' roll dances her way through her teens. Her childhood ambition is to be a painter, but when she finally makes it to art school everything changes.... “I've always been a creature of change” – Joni Mitchell Through archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation. In Legend, we follow Joni from her ‘flatlander' childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.'s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in 2023: “like seeing, in the wild, a rare bird long feared extinct” (Lindsay Zoladz). Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. Jesca speaks to musicians like Blake Mills, Allison Russell, Holly Laessig and Jess Wolfe, who have played alongside Joni, and we hear tributes from those, like musician John Grant, who have been inspired and influenced by her music. We also hear from friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly. The Joni Mitchell Story comes from the production team behind BBC Radio 4's award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison Commissioning Editor: Daniel Clarke

Legend is a new music biography series from BBC Radio 4 exploring the extraordinary life stories of pioneering artists who changed music forever.In the final episode, we hear how Joni comes full circle. She reunites with the daughter she gave up for adoption, retires then returns to music, suffers from and then recovers from a near-fatal brain aneurysm, all those years after contracting and surviving polio. With the love and support of a community of musicians, Joni once again returns to the stage, celebrating all that she's created over 80 years. “I've always been a creature of change” – Joni Mitchell Through archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation. We follow Joni from her ‘flatlander' childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.'s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in the past year: “like seeing, in the wild, a rare bird long feared extinct”.Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. We hear tributes from musicians who have played alongside Joni and from those who have been inspired and influenced by her music. We hear from friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly. The Joni Mitchell Story comes from the production team behind BBC Radio 4's award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire). Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison

Joni Mitchell's songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend.In episode five, we hear how meeting a towering figure of jazz leads to a new collaboration, but Joni's hopes for a hit are unfulfilled. As the 1980s arrive, Joni continues to experiment with new sounds, but discovers the cost of being a middle-aged woman in pop. This is the decade of new politics and new love, hard knocks and bad omens. Joni experiences a series of misfortunes, and the pain of giving up her daughter resurfaces once more, in a song. “I've always been a creature of change” – Joni Mitchell Through archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation. We follow Joni from her ‘flatlander' childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.'s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in the past year: “like seeing, in the wild, a rare bird long feared extinct”.Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. We hear tributes from musicians who have played alongside Joni and from those who have been inspired and influenced by her music. We hear from friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly. The Joni Mitchell Story comes from the production team behind BBC Radio 4's award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire). Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison

Joni Mitchell's songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend.In episode four we follow Joni from 1974 through to 1978. In 1974 Court and Spark is released to huge acclaim but already Joni is heading in new directions musically. This is the era of The Hissing of Summer Lawns, Hejira and Don Juan's Reckless Daughter. Through '74 and '75 she tours extensively and joins Bob Dylan's Rolling Thunder Revue. Her creative restlessness and refusal to be put in a box take her in new directions, but also into controversial territory. “I've always been a creature of change” – Joni MitchellThrough archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation.In Legend, we follow Joni from her ‘flatlander' childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.'s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in 2023: “like seeing, in the wild, a rare bird long feared extinct” (Lindsay Zoladz). Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. Jesca speaks to musicians like Blake Mills, Allison Russell, Holly Laessig and Jess Wolfe, who have played alongside Joni, and we hear tributes from those, like musician John Grant, who have been inspired and influenced by her music. We also hear from Joni's friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly.The Joni Mitchell Story comes from the production team behind BBC Radio 4's award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison Commissioning Editor: Daniel Clarke

Joni Mitchell's songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend.In episode three we follow Joni from 1970 through to 1974 - an incredibly fertile period during which she creates her albums Blue, For the Roses and Court and Spark. A period of romantic highs and lows, heady successes and hermit-like retreats, of psychoanalysis and vulnerability, and of new creative directions. “I've always been a creature of change” – Joni MitchellThrough archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation.In Legend, we follow Joni from her ‘flatlander' childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.'s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in 2023: “like seeing, in the wild, a rare bird long feared extinct”.Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. Jesca speaks to musicians like Blake Mills, Allison Russell, Holly Laessig and Jess Wolfe, who have played alongside Joni, and we hear tributes from those, like musician John Grant, who have been inspired and influenced by her music. We also hear from Joni's friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly.The Joni Mitchell Story comes from the production team behind BBC Radio 4's award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison Commissioning Editor: Daniel Clarke

Joni Mitchell's songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend.In episode two we follow Joni from 1964 through to late 1969. Joni makes a 'bad marriage', signs adoption papers, leaves a bad marriage, makes it to Greenwich Village and then to LA's Laurel Canyon. We find out about the inspiration for some of her best known songs, including Little Green and Both Sides Now. In 1968, her recording career begins with her debut album 'Song to a Seagull'; with two more records following in quick succession - Clouds, and Ladies of the Canyon. In 1969, she is heartbroken to miss out on one of the biggest events of her generation - Woodstock. But - despite not getting to go - she writes a song that will help to define the event, and the era, in the popular imagination. “I've always been a creature of change” – Joni MitchellThrough archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation.In Legend, we follow Joni from her ‘flatlander' childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.'s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in 2023: “like seeing, in the wild, a rare bird long feared extinct”.Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. Jesca speaks to musicians like Blake Mills, Allison Russell, Holly Laessig and Jess Wolfe, who have played alongside Joni, and we hear tributes from those, like musician John Grant, who have been inspired and influenced by her music. We also hear from Joni's friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly.The Joni Mitchell Story comes from the production team behind BBC Radio 4's award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison Commissioning Editor: Daniel Clarke

Joni Mitchell's songs have soundtracked our lives and her pioneering work changed music forever. Jesca Hoop explores her extraordinary story to reveal the life behind the legend.In the first episode, we hear how young Joni loves to watch the trains go by from the window of her house in a Saskatchewan prairie town. Even as a child, there is a desire to see what's around the next bend. She's a tomboy and an athlete, until polio forces her into a period of convalescence; she's no longer picked first for sports teams but when she gets the use of her legs back she rock 'n' roll dances her way through her teens. Her childhood ambition is to be a painter, but when she finally makes it to art school everything changes....“I've always been a creature of change” – Joni MitchellThrough archive, fresh interviews, narration, immersive sound design and an original score, we trace the story of an extraordinary life and explore what makes Joni Mitchell a singular artist: the genius of her lyrics; her incredible talent as guitarist, painter and producer; and her restless drive for innovation.In Legend, we follow Joni from her ‘flatlander' childhood on the Canadian prairies, through the folk clubs of Toronto and Detroit, to a redwood cottage in L.A.'s Laurel Canyon, to a cave in Crete, to a deserted desert highway, to recording studios and stages around the world. From her earliest home recordings to masterpieces like Blue, Court and Spark, and Hejira, we explore some of the stories behind her best-loved songs and celebrate her remarkable return to live performance in 2023: “like seeing, in the wild, a rare bird long feared extinct” (Lindsay Zoladz). Our guide through the series is the California-born, Manchester-based musician, Jesca Hoop. Jesca speaks to musicians like Blake Mills, Allison Russell, Holly Laessig and Jess Wolfe, who have played alongside Joni, and we hear tributes from those, like musician John Grant, who have been inspired and influenced by her music. We also hear from friends, including Larry Klein and Graham Nash; and from music critics and biographers, including Ann Powers, David Yaffe, Lindsay Zoladz, Kate Mossman, Barney Hoskyns, Miles Grier and Jenn Pelly.The Joni Mitchell Story comes from the production team behind BBC Radio 4's award-winning podcast Soul Music – “… the gold standard for music podcasts…” (Esquire).Producers: Mair Bosworth and Eliza Lomas Production Coordinator: Andrew Lewis Editor: Chris Ledgard Story Editor: Emma Harding Story Consultant: John Yorke Sound Design and Original Music: Hannis Brown Studio Engineers: Ilse Lademann and Michael Harrison Commissioning Editor: Daniel Clarke

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Stage Seven from the 2023 Dakar Rally was canceled after Stage six dragged on for most riders into the night. The organizers made the call to make it a commute today, sending the motorcycle riders off on 500km road ride into a marathon bivouac. The weather really threw the last couple days into chaos but after tonights camp-out without their teams, the riders have just one more day of racing before the rest stage.In today's show we hear from a resurrected Paul Neff who spent 30+ hours without sleep to get to the pits today after limping is rally bike in at 4am, doing major electronic repairs and hitting the road again. We also check in with Larry Klein, Mason Klein's dad, who is running the motorhome duty for Mason. Finally, we get updates from Mason, Skyler Howes, and Jacob Argubright about the state of the race for each of them and what they expect in the coming days.

Hoy quiero presentarte dos artistas de jazz muy jóvenes, de dos continentes distintos: Yazz Ahmed y Grace Kelly. Además, tenemos momento homenajes con un hilo conductor, Leonard Cohen y Larry Klein. Hay gemas olvidadas y un disco de los 80s que ganó un GRAMMY. Dale play!

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Après avoir dévoilé ''The Loneliest'' la semaine dernière, Maneskin nous en propose son clip, dans une ambiance "dramatique et gothique", réalisé par Tommaso Ottomano. Bruce Springsteen continue de dévoiler des extraits de son nouvel album soul, après "Do I Love You (Indeed I Do)", voici une reprise des Commodores, "Nightshift" hommage à Jackie Wilson et Marvin Gaye, à paraître sur l'album ‘'Only the Strong Survive'' le 11 novembre. Retrouvailles de Blink-182 avec le line-up composé de Mark Hoppus, Tom DeLonge et Travis Barker, avec un single "Edging'' et son retour en live, dont le vendredi 8 septembre 2023 au Sportpaleis d'Anvers, avec en special guests : The Story So Far. Rival Sons a sorti le clip du morceau ‘'Nobody wants to die'', qu'ils avaient joué en live sur la scène du Graspop Metal Meeting le 19 juin dernier, réalisé par Éli Sokhn, à l'ambiance de Kill Bill, la sortie d'un album complet, ‘'Darkfighter'', est attendu pour le 10 mars et produit par Dave Cobb. ‘'Here It Is : A Tribute to Leonard Cohen'', un album qui compile une série de reprises de l'artiste canadien par quelques grands noms comme Peter Gabriel, Iggy Pop ou encore Mavis Staples, est sorti, avec également : Norah Jones, Nathaniel Rateliff et James Taylor, une idée de Larry Klein, accompagné de Bill Frisell, Immanuel Wilkins, Kevin Hays, Scott Colley et Nate Smith. Le New York Times a dévoilé le 13 octobre des premiers extraits du prochain livre de Bob Dylan, lauréat 2016 du prix Nobel de littérature, "The Philosophy of Modern Song". --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30.

Pedro Sánchez ha hecho balance del primer semestre de 2022. En su comparecencia, ha anunciado un paquete de medidas urgentes para la eficiencia y el ahorro energético. Lo hace el mismo día en el que la inflación llega al 10,8%, su nivel más alto desde 1984. Sánchez ha reconocido que el dato “no es bueno”, y ha dicho a las eléctricas y los bancos que “pueden y deben ayudar a España”. También ha valorado el último CIS catalán, que da mayoría a los que no quieren su independencia. Por otro lado, repasamos la nueva transferencia de fondos de la Comisión Europea, algo que ha valorado la ministra Calviño. En la jornada de hoy también hemos conocido la condena que pide la Fiscalía de Barcelona para Shakira. Último viernes de julio, y ha arrancado la segunda fase de la operación salida de verano, que finalizará a la medianoche del lunes, 1 de agosto. Además, José Manuel Albares ha hablado sobre el posible desbloqueo de las operaciones comerciales en Argelia. Y terminamos con un álbum tributo a Leonard Cohen. Realización: Gustavo LunaProducción: Jorge QuirogaLocución: Carmen DesmontsSee omnystudio.com/listener for privacy information.

Pedro Sánchez ha hecho balance del primer semestre de 2022. En su comparecencia, ha anunciado un paquete de medidas urgentes para la eficiencia y el ahorro energético. Lo hace el mismo día en el que la inflación llega al 10,8%, su nivel más alto desde 1984. Sánchez ha reconocido que el dato “no es bueno”, y ha dicho a las eléctricas y los bancos que “pueden y deben ayudar a España”. También ha valorado el último CIS catalán, que da mayoría a los que no quieren su independencia. Por otro lado, repasamos la nueva transferencia de fondos de la Comisión Europea, algo que ha valorado la ministra Calviño. En la jornada de hoy también hemos conocido la condena que pide la Fiscalía de Barcelona para Shakira. Último viernes de julio, y ha arrancado la segunda fase de la operación salida de verano, que finalizará a la medianoche del lunes, 1 de agosto. Además, José Manuel Albares ha hablado sobre el posible desbloqueo de las operaciones comerciales en Argelia. Y terminamos con un álbum tributo a Leonard Cohen. Realización: Gustavo LunaProducción: Jorge QuirogaLocución: Carmen Desmonts

On this episode of Analog Smile, Sherry speaks with David Poe. His highly-anticipated new album Everyone's Got A Camera arrives September 23rd, 2022 on ECR Music Group. Its powerful third single, “Analog” is out now. More sonically adventurous than his previous album, Poe's latest begins and ends with straightforward songs for a world in reckoning. This third single follows on a wave of critical and commercial success for the artist. Rolling Stone writes, “David Poe gives the singer-songwriter genre a much-needed jolt.” Poe has toured the world with Bob Dylan, Joan Baez, Tori Amos, The Jayhawks, and Glenn Tilbrook of Squeeze. A composer fellow of the Sundance Institute, his work features in numerous film, TV, dance and theater projects, official selections of the Sundance Film Festival, and commercials for humanitarian projects like the Malala Fund and the You Mean The World Foundation. His songs have been performed by a wide array of artists, including Curtis Stigers, Oh Land, Ana Moura, C.C. White, Thomas Dybdahl and the cast of ABC's Nashville, and recorded by producers including T-Bone Burnett, Larry Klein, Buddy Miller, and Dave Sitek. He has also produced recordings for other artists, including Regina Spektor and Kraig Jarret Johnson. Shadowland, a collaboration with contemporary dance company Pilobolus, toured for a decade and was performed on five continents, for Her Majesty Queen Elizabeth II, and was released as a feature film. In an era of pop music that tends to either turn away from big concerns or focus on small ones, David Poe's Everyone's Got A Camera feels both new and old, as surprising as it is inevitable: a musical treatise for an age in flux that is as daring as it is profound. From 1960s-tinged rock & roll to quasi-trap, with nods to the jazz-inflected folk and acoustic music for which he is best known, Poe's new songs take on the handoff between this century and the last, surveillance culture and the ongoing battle between fact and opinion with a plain-spoken philosopher's wit. Transplanted from the American Midwest to New York City, David Poe served as the sound engineer at CBGB's 313 Gallery before signing with Sony/Epic. He currently lives in Los Angeles. Sherry and David chat about his new single “Analog”, his forthcoming album ‘Everyone's Got A Camera', and much more! Check out davidpoe.com for more information.

'Whistling in the dark' es el título del disco de Denise Donatelli, producido por Larry Klein, en el que la cantante estadounidense interpreta composiciones de Burt Bacharach como 'The look of love', 'Anyone who have a heart' o 'Walk on by'. Del disco del guitarrista brasileño Daniel Santiago 'Song for tomorrow' las canciones 'Clara manhã' -con Aaron Parks- y 'Mundo' -con Pedro Martins-. Y del disco póstumo de Elza Soares 'Elza ao vivo no Municipal', grabado dos días antes de que nos dejara con 91 años, 'Dura na queda', 'Lata d´água', 'Comportamento geral', 'Maria da Vila Matilde' y 'Mulher do fim do mundo'. Abre el pianista Ethan Iverson con 'She won´t forget me' y cierra el clarinetista y saxofonista Eddie Daniels con 'Trem noturno'. Escuchar audio

Join Becky Parker Geist and Jim Parker, owner of Riverview Studios, as they have a behind-the-scenes chat about Colla Voce, a new play by Larry Klein that premieres May 7, 2022. Bringing a play to life in film, including filming in a confined space, creates opportunities and challenges for the entire production team. From lighting to sound to resident dogs, the five-day shoot and months of post-production work involved an abundance of creative problem-solving. Learn more at https://proaudiovoices.com/colla-voce Learn more about your ad choices. Visit megaphone.fm/adchoices

 DrDebzz Opening ShpielWhat are you doing to reduce your emotional, verbal, psychological, intellectual, existential, philosophical, metaphysical, spiritual, and material imprint thus preserving civilization for future generations?Are you utilizing your superpowers to achieve and attain your purpose, passion, and possible dreams or do you ignore innate instincts and intuition opting to stay stuck in unhealthy, unproductive, unfulfilling, unattractive, unethical behaviors?Do you prioritize and practice self care, setting boundaries, saying yes to number one even if it means no to others? Do you aspire to be "kind" rather than "nice" to those you care about, i.e. placing a preference on honesty, authenticity, vulnerability, candor, and constructive criticism? Sage advice:"No" is a complete sentence. Say what you mean but don't say it mean! Guest CallerJeremy often butts heads with his Dad overthinking whether he might be rude or disrespectful and setting himself up to receive unwanted advice. DrDebzz offers a toolkit filled with various approaches and valuable concepts, e.g.  "No" to a loved one and "Yes" to yourself is saying "I Love You" and "I want our relationship to be as fruitful as possible."DrDebzz reminds Jeremy that those who push our buttons the most motivate our growth the most.  It helps to "Bless them, Change me."  When you change, the people around you change.    Weekly WOW (Words of Wisdom)Every time you praise, every time you appreciate, every time you feel good about something or someone including yourself, you're telling the Universe, "More of this, please.  More of this, please."- Abraham HicksConfidence Boosters/Esteem BuildersToday and every day, I savor all the gifts I am given--the totality of my external and internal senses that allow me to treasure my life.I spend time reveling in qualities and attributes about myself so that I may increase my value, worth, and significance, thriving, striving, and flourishing even more.Featured ArtistThe exquisitely elegant, enchantingly enthralling, superbly sublime, delightfully divine jazz vocalist, Denise Donatelli, reveals the meaning of music in her life, offers advice for aspiring artists, expresses what she believes is the key to finding and keeping love, and much much more.You'll hear a specially selected tune from Denise's critically acclaimed, highly regarded, magnum opus masterpiece CD entitled "Whistling in The Dark… the music of Burt Bacharach." Denise is backed by la creme de la creme of expert musicians: pianist Larry Goldings, guitarist Anthony Wilson,bassist Larry Klein, and drummer Vinnie Colaiuta.DrDebzz Call-in Advice Talk Show "Sleepless in Studio City" Airs Nightly 9PM PT / midnight ET at AmericanHeartsRadio.com.Previous episodes of "Sleepless in Studio City" can be found HERE.As a lauded life coach, celebrated columnist, and proficient family mediator, I am pleased and privileged to offer heartfelt help, gentle guidance, a nurturing spirit, practical positivity, and transformative tools.Testimonials: "DrDebs is my favorite talk show host." "Her words of wisdom are gems." “Brilliant! DrDebs is a natural at this." "A true treasure. Her advice is always spot on!!!" "DrDebs' Opening Shpiel is worth its weight in gold." "So inspiring and such good life lessons. I am completely in awe of her talent in doing this."For a limited time only, I am providing Complimentary Life Coaching Sessions to facilitate finding your inner moxie, passion, purpose, power, and a new perspective with all the silver linings shining through. To everything turn turn turn...It's an apropos moment to exchange your black and white melodrama script for a full living technicolor work of art, by producing a masterpiece to cherish and behold! Contact me at sleeplessinstudiocity@gmail.com or 818-326-9003 to set up a confidential consultation.CHECK OUT 5 MIN EXCERPTS on YOUTUBE. LISTEN & LEARN WHILE WATCHING A SOOTHING SERENE SLIDESHOW.“THE CRITICAL SPIRIT” Are you judgmental, accusatory, fault-finding, negative, nitpicking with yourself and/or others? You can transform into an encouraging supportive positive spirit! https://youtu.be/r_1MiJsmc4Q“THE POWER OF NO” Saying “no” & setting boundaries signifies yes I care & that you're valuable & worthy of my time & attention. https://youtu.be/X0pwDsdzfl0”GENEROSITY OF SPIRIT” Kindness is caring enough about someone to be forthcoming about your true feelings, desires, dreams, sensitivities, vulnerabilities, i.e. the sixth language of love. https://youtu.be/QcgYckl4LzA"WORDS AS WEAPONS/SETTING BOUNDARIES" T.H.I.N.K. before you speak. https://youtu.be/b6DSED3QPNA"STUFFING EMOTIONS" destroys relationships; people pleasing causes mistrust; being authentic is true kindness. https://youtu.be/cRM2c0rwQzc“MINDFUL WALKING” Take a tizzy, clear your mind, heal your heart. https://youtu.be/M1VW2VUuX2w“FORGIVENESS” Free yourself from toxic resentments & negativity. https://youtu.be/A_fsui09x_8"JEALOUSY" Celebrating others' success increases chances you'll be victorious. https://youtu.be/cUnNj1VRWlU“LEGAL ABUSE” How abusers use the legal system to gain control. https://youtu.be/WSDhZEtCosI“PERFECTIONISM” Killing the perfectionism monster that's keeping you from pursuing passions. https://youtu.be/lXX27MAcVm0"THE SIXTH LANGUAGE OF LOVE: Sharing Secret Sensitivities." https://youtu.be/_Hp9vDQt5J0"FROM NEGATIVITY TO POSITIVITY: Changing Your Brain Chemistry" https://youtu.be/O2ayZ9FnEsY“IRREPARABLE DAMAGE CAUSED BY VERBAL ABUSE” https://youtu.be/wwz1wT5Kab

Singer, songwriter and saxophonist Curtis Stigers tells us true stories with a cast of characters including Van Morrison, Eric Clapton and Bob Dylan. A fan from way back (“Bob is the perfect creation. He's an art form in himself”), his jazzy cover versions include Things Have Changed (“people go nuts for that song. Their heads explode”). A committed conversationalist with a huge wealth of musical knowledge, Curtis has strong opinions about Shawn Colvin, Jim Croce, The Carter Family, Neil Diamond, Jimmie Rodgers, Frank Sinatra, Bertolt Brecht and Larry Klein (who produced both Joni Mitchell and Curtis). His cover of Don't Think Twice, It's All Right “always lights up the room”, he says. We feel the same about Mr. Stigers.Born in Los Angeles, Curtis Stigers grew up in Boise, Idaho. His interest in music began as a teen when he played in punk and blues bands. He moved to New York to pursue rock music but attracted label attention as the saxophonist/vocalist of a jazz trio, signing a deal with Arista and releasing his self-titled first album in 1991 (the multi-platinum album included the Billboard Top Ten single I Wonder Why). He contributed a cover of (What's So Funny 'Bout) Peace, Love and Understanding to the soundtrack of The Bodyguard, which spent 20 consecutive weeks at Number 1 on the Billboard album chart. Curtis's third album, Brighter Days, featured appearances by Jackson Browne and Benmont Tench. From 2001, he began to concentrate on jazz albums, including Real Emotional and Lost In Dreams. In 2012, he released the country-tinged album Let's Go Out Tonight, featuring covers of songs by artists like Steve Earle and Richard Thompson. One More For The Road, a live salute to the Sinatra At The Sands album was another big success. Curtis is currently touring the UK, promoting his new album This Life.WebsiteSongs From My KitchenTour DatesTwitterTrailerEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 8th February 2022This show is part of Pantheon Podcasts

Singer, songwriter and saxophonist Curtis Stigers tells us true stories with a cast of characters including Van Morrison, Eric Clapton and Bob Dylan. A fan from way back (“Bob is the perfect creation. He's an art form in himself”), his jazzy cover versions include Things Have Changed (“people go nuts for that song. Their heads explode”). A committed conversationalist with a huge wealth of musical knowledge, Curtis has strong opinions about Shawn Colvin, Jim Croce, The Carter Family, Neil Diamond, Jimmie Rodgers, Frank Sinatra, Bertolt Brecht and Larry Klein (who produced both Joni Mitchell and Curtis). His cover of Don't Think Twice, It's All Right “always lights up the room”, he says. We feel the same about Mr. Stigers. Born in Los Angeles, Curtis Stigers grew up in Boise, Idaho. His interest in music began as a teen when he played in punk and blues bands. He moved to New York to pursue rock music but attracted label attention as the saxophonist/vocalist of a jazz trio, signing a deal with Arista and releasing his self-titled first album in 1991 (the multi-platinum album included the Billboard Top Ten single I Wonder Why). He contributed a cover of (What's So Funny 'Bout) Peace, Love and Understanding to the soundtrack of The Bodyguard, which spent 20 consecutive weeks at Number 1 on the Billboard album chart. Curtis's third album, Brighter Days, featured appearances by Jackson Browne and Benmont Tench. From 2001, he began to concentrate on jazz albums, including Real Emotional and Lost In Dreams. In 2012, he released the country-tinged album Let's Go Out Tonight, featuring covers of songs by artists like Steve Earle and Richard Thompson. One More For The Road, a live salute to the Sinatra At The Sands album was another big success. Curtis is currently touring the UK, promoting his new album This Life. Website Songs From My Kitchen Tour Dates Twitter Trailer Episode playlist on Apple Episode playlist on Spotify Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 8th February 2022 This show is part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Singer, songwriter and saxophonist Curtis Stigers tells us true stories with a cast of characters including Van Morrison, Eric Clapton and Bob Dylan. A fan from way back (“Bob is the perfect creation. He's an art form in himself”), his jazzy cover versions include Things Have Changed (“people go nuts for that song. Their heads explode”). A committed conversationalist with a huge wealth of musical knowledge, Curtis has strong opinions about Shawn Colvin, Jim Croce, The Carter Family, Neil Diamond, Jimmie Rodgers, Frank Sinatra, Bertolt Brecht and Larry Klein (who produced both Joni Mitchell and Curtis). His cover of Don't Think Twice, It's All Right “always lights up the room”, he says. We feel the same about Mr. Stigers.Born in Los Angeles, Curtis Stigers grew up in Boise, Idaho. His interest in music began as a teen when he played in punk and blues bands. He moved to New York to pursue rock music but attracted label attention as the saxophonist/vocalist of a jazz trio, signing a deal with Arista and releasing his self-titled first album in 1991 (the multi-platinum album included the Billboard Top Ten single I Wonder Why). He contributed a cover of (What's So Funny 'Bout) Peace, Love and Understanding to the soundtrack of The Bodyguard, which spent 20 consecutive weeks at Number 1 on the Billboard album chart. Curtis's third album, Brighter Days, featured appearances by Jackson Browne and Benmont Tench. From 2001, he began to concentrate on jazz albums, including Real Emotional and Lost In Dreams. In 2012, he released the country-tinged album Let's Go Out Tonight, featuring covers of songs by artists like Steve Earle and Richard Thompson. One More For The Road, a live salute to the Sinatra At The Sands album was another big success. Curtis is currently touring the UK, promoting his new album This Life.WebsiteSongs From My KitchenTour DatesTwitterTrailerEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 8th February 2022This show is part of Pantheon Podcasts

Larry Klein, Vice President of Logistics at Bringg, is joined by FreightWaves Reporter Kaylee Nix in this fireside chat. Follow FreightWaves on Apple PodcastsFollow FreightWaves on SpotifyMore FreightWaves PodcastsJoin the F3 Virtual Experience

Larry Klein, Vice President of Logistics at Bringg, is joined by FreightWaves Reporter Kaylee Nix in this fireside chat. Follow FreightWaves on Apple PodcastsFollow FreightWaves on SpotifyMore FreightWaves PodcastsJoin the F3 Virtual Experience

Episode 55 Drum Machines: A Recorded History, Part 2: Digital Drum Machines   Playlist Linn Drum Gary Numan, “My Brothers Time” from Dance (1981 Beggar's Banquet). Early use of the Linn LM-1 by John Webb on this track. Note the sound of the claves, played by Numan but not digital. Bass, Saxophone, Mick Karn; Linn LM-1 drum machine, John Webb; Piano, Claves, Gary Numan. 4:37 Rajie, “ストーミー・ナイト (Stormy Night)” from Acoustic Moon (Sony 1981). Early recognition in Japan of the original Linn LM-1 drum machine. Rajie, vocals; Guitar, Mikihiko Matsumiya; Bass, Tsugutoshi Goto ; Chorus,  Hiroshi Koide,  Raji ; Composed By,  Akira Inoue ; Drums,  Tatsuo Hayashi ; Electric Guitar-Tsuyoshi Kon; Flute,  Motoya Hamaguchi ; Lyrics By,  Etsuko Kisugi ; Percussion,  Motoya Hamaguchi ; Prophet-10, Linn LM-1, Electric Piano,  Akira Inoue. Early Linn Drum Computer. 5:08 Herbie Hancock, “The Twilight Clone” from Magic Windows (1981 Columbia). If you want to study the latest in emerging electronic music instruments, just listen to the many albums by Herbie Hancock throughout the 1970s and 1980s. He was an early adopter of the Linn LM-1, heard here and played by Hancock. Bass, Louis Johnson; Linn LM-1 Drum Machine, Herbie Hancock; Ghanian Drums, Moody Perry III; Ghanian Drums, Bells, Kwasi Dzidzornu, Kwawu Ladzekpo; Lead Guitar, Adrian Belew; Percussion, Paulinho Da Costa; Rhythm Guitar, George Johnson; Written by, A. Belew, H. Hancock. 8:16 Don Henley, “The Boys of Summer” Linn Drum demo version (excerpt) (1984 private). Guitar and Linndrum, Mike Campbell; Synthesizer, Steve Porcaro; Synthesizer, Guitar, Danny Kortchmar. Bass, Larry Klein; vocals, lyrics, Don Henley. The instrumental part of the song came first and was put together by Tom Petty bandmate Mike Campbell who had just purchased a LinnDrum machine which was a more affordable model than the original LM-1 released in 1980. Campbell put together a rhythm track and played some guitar. Tom Petty wasn't interested in the song at that time, so it went to Henley, who wrote the lyrics. This demo was close to the final version. The final mix of the song also included some human drumming, as did live performances where a human drummer tried to replicate the sound of the original Linndrum. 0:42 Jean Michel Jarre, “Zoolookologie” from Zoolook (1984 Disques Dreyfus). A fascinating exploration of samples both of voice and drums. This is the later version of the Linn Linndrum machine, just before the introduction of the Linn 9000. There is pure joy in this track as Jarre uses the Linndrum to create many unexpected sounds and atypical rhythms. Bass, Marcus Miller; Composer, Producer, Ethnic Vocals Processing, Keyboards, Electronics, Jean-Michel Jarre; Drums, Yogi Horton; Daniel Lazerus; Guitar Ira Siegel; Guitar, Effects, Adrian Belew; Keyboards, Frederic Rousseau. 4:13 David Van Tieghem, “In-A-Gadda-Da-Vida” from In-A-Gadda-Da-Vida (1986 Wide Angle). Drummer and percussionist Van Tieghem created this version of the Iron Butterfly song using electronic drums (Octapads) and digital drums. Engineer, Programmed By Fairlight Programming Assistance, Eric Liljestrand; Guitar, Larry Saltzman; Vocals, Synthesizer Digital, Analog, Percussion Acoustic, Electronic, Mixed By, Producer, David Van Tieghem; Written-By, Doug Ingle. Basically a one-person performance aside from guitarist Saltzman. Van Tieghem was using both hand played electronic drums (the Octapads) plus some digital drum machines. 5:36 Suzanne Ciani, “Mosaic” from Neverland (1988 Private Music). Composed, Arranged, Performed, Produced by Suzanne Ciani. Among the many electronic instruments used by Ciani were keyboards made by Yamaha, Roland, and Bode (vocoder). For drum programming, she turned to the Linn 9000. This track has some decidedly simple, yet complex rhythms using the Linn 9000 that are truly nuanced and more jazz like. The care with which she programmed this track is in contrast to the typical drum machine beats you hear on records. Ciani also used a Roland TR-707 on this album, which you may also detect on this track. 4:37 Oberheim DMX Todd McKinney, “Kimberlite” from The Sound Of The System (1982 Oberheim). This 7-inch demo disc includes music created by Todd McKinney and Daniel Soger, two Oberheim employees. “Kimberlite” was composed and performed by McKinney using the DMX Programmable Digital Drum Machine, the DSX Digital Polyphonic Sequencer, and the OB-Xa Polyphonic Synthesizer. 2:28 Tangerine Dream, “Poland” from Poland (The Warsaw Concert) (1984 Jive Electro). You can hear the Bohn Digital Drums in the first half of the song and the Oberheim DMX in the second half. But that's a bit of a guess. Dr. Böhm DIGITAL DRUMS was a rhythm machine made in Germany from 1982-83, also known as ''the German Linndrum.'' Composed, performed, and produced by Tangerine Dream. Jupiter 8, PPG Wave 2.3 Waveterm, Minimoog, Korg Monopoly, Sequenced by EEH CM 4 Digital Sequencer, Bohm Digital Drums, Roland Tr 808 Drums, Roland SDE 3000 Delay, MXR 01 Digital Reverb, MXR Digital Delay, Johannes Schmoelling; Prophet 5, Prophet 600, Prophet 1, E-mu Custom Programmable Synth, Moog Custom Programmable Modular Synth, MTI Synergy, Sequenced by the PE Polyrhythmic Sequencer, Compulab Digital Sequencer, Syntec Custom Digital Drum Computer, Electronic Drums Simmons Drum Modules, Effects Quantec Room Simulator, Roland SDE 3000, Electronics Hill Multi-mixer, Chris Franke; Yamaha DX 7, Yamaha YP 30, Jupiter 8, Jupiter 6, Prophet 5, PPG Wave 2.2, Sequenced By Pe Polyrhythmic Sequencer, EEH Cm 4 Digital Sequencer, PE Custom Trigger Selector, DMX Oberheim Digital Drum machine, Edgar Froese. 8:43 Herbie Hancock, “Earth Beat” from Future Shock (1983 Columbia). In addition to the DMX, this track includes evidence that Garfield Electronics Dr. Click Rhythm Controller was a much-needed rhythm device for wrangling the otherwise incompatible signals prior to the introduction of MIDI a few years later. Craig Anderton wrote the following about Doctor Click in an article in Keyboard from 1983: "Doctor Click is not a keyboard instrument, not a drum machine, and not a signal processor: What it does is synchronize and interface these three families of devices together. Not only can it interface to existing sync tracks, it can build up click tracks from incomplete click tracks, and even create sync and/or click tracks which are referenced to a live musician." Hancock masters Dr. Click on this album. Fairlight CMI, Yamaha GS-1, Yamaha CE-20, Dr. Click Rhythm Controller, Herbie Hancock; DMX Drum Machine, Synare Electronic Drums, Memory Moog Programming, Michael Beinhorn; Bass, Bill Laswell; Bata, Daniel Ponce; Turntables – Grandmixer D. ST. 5:09 Herbie Hancock, “Hardrock” from Sound System (1984 Columbia). The sound of the Oberheim DMX digital drum machine as used by Herbie Hancock. This album was his follow-up to the album Future Shock on the DMX made a famous appearance in the song Rockit, which was unusually a top-selling hit for Hancock. The DMX is played here by non-other than Bill Laswell. Note that Simmons electronic drums are also being played on this track by Anton Fier, but I think you can tell the difference. Bass, Drum Machine DMX, Tape, Bill Laswell; Bata, Daniel Ponce; Simmons electronic drums, Sound Plates, Cuica, Anton Fier; Guitar, Henry Kaiser, Nicky Skopelitis; Fairlight CMI Programming, Will Alexander; Fairlight CMI, Rhodes Chroma, Apple IIe, Yamaha DX7, Emu 4060 Digital Keyboard, Herbie Hancock; Synthesizer (XMD), Rob Stevens; Turntables, D. St; Written-By, B. Laswell, D. Showard, Herbie Hancock. 6:10 Davy DMX, “Bonus Beats” from One For The Treble (Fresh) (1984 Tuff City). Davy DMX when he first met the Oberhheim DMX digital sampling drum machine. He is also known as David Franklin Reeves, Jr. Here is a bonus track of only drum machine and turntable. 1:47 Davy DMX, “One For The Treble (Fresh) (Instrumental)” from One For The Treble (Fresh) (1984 Tuff City). Davy DMX when he first met the Oberheim DMX digital sampling drum machine. Another track from that same 12-inch. 7:31 Movement MCS Drum Computer John Foxx, “Pater Noster” from The Garden (Virgin 1981). This album was produced after Foxx left Ultravox. It is another example of the MCS Drum Computer. This track only features Foxx on synthesizers, voice, drum programming, and a manually struck Tom Tom. 2:30 Roland El Escuadrón Del Ritmo, “Las Cucarachas” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). I discovered this wonderful collection of Mexican synth-pop tracks, some never before heard, and immediately dug-out a track using a drum machine. This track is from 1982. In this case, the drum machine is the Roland Compu-Rhythm CR-78, which was a transitional analog device with analog drum sounds and digital control for programming patterns. 3:44 Nahtabisk, “La Dama De Probeta” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). Another hidden gem from Mexico. This track is from 1984 and features the Roland drumTR-606 Drumatix. The TR-606 featured PCM-encoded sounds of real drums. This small device, that ran on batteries, helped define the sound of early techno. 3:20 E-mu Joe Mansfield, “Drumulator (Instrumental)” from Drumulator (2014 Get On Down). This is a track featuring the sounds of the E-mu Drumulator that was sold from 1983 to 1985. It had twelve, 8-bit sampled sounds of real drums and at about $1000 was more affordable that drum machines like the Linndrum and Oberheim DMX. It was created on the heels of the sample synthesizers they made under the Emulator name. It also had a relatively short life so few recordings from the time were made. This demo is an example of what could be done with the Drumulator and Herbie Hancock took a liking to it prior to switching to the Oberheim DMX. 2:02 Richard Souther, “Uncharted Waters” from Innermission (1986 Meadowlark Records). Music and realization by Richard Souther. Includes synthesizers from Roland, PPG, Sequential Circuits, and Casio. He also used both the Linn 9000 and E-mu SP-12 drum machines, which are both heard on this track. You can clearly hear the Linn 900 and its distinctive snare and bass sounds, while the E-mu, which was built around the circuits in the company's popular keyboard samplers, provided some of the more unusual, even exotic, percussion sounds. 3:23 Alesis Slant, “Sheep” and “Ducks” from Hive (1989 These Records). This amazing group, although short-lived, was a British experiment in rock with noise elements that included Cris Cheek, Philip Jeck, Sianed Jones, and Osian Tam. Cross used an Alesis HR-16, which is showcased in the second of two tracks, “Ducks.” I think that is probably the same drum machine in the first track, “Sheep” so I thought this represented some good contrast in the way that the sound could be treated. This had 49 digital samples of drums that could be programmed in real-time by playing the velocity sensitive drum buttons. Double Bass Julia Doyle; Guitar, Cabasa, Engineer, Co-producer Maciek Hrybowicz; Keyboards, Accordion, Synthesizer DX7; Piano, Clarinet, Voice, Marimba, Goblet Drum Darabouka, Tambourine, Bells Agogo Bells, Sampler Cassette Samples, Flute Souffara, Rattle Seed Pod Rattles, Performer Emax, Alesis HR-16, Breath Rhythms, Face Slap, Mixed By, Co-producer Cris Cheek; Turntables, Radio Philip Jeck; Violin, Piano, Vocals, Organ, Fife, Viol Viola Da Gamba, Harmonium, Claves, Performer Emax, Breath Rhythms, Mixed By, Co-producer Sianed Jones; Voice Osian Tam. 4:31 Closing, Linn LinnDrum Mikel Rouse, “Quorum part 2” from Quorum (1984 Club Soda Music). It was inevitable that a composer would create an extended piece of music using only the Linn Linndrum. Mikel Rouse was that person. Listen to the hypnotic patterns of this work. From the composer's notes: “Quorom is a piece for LinnDrum machine (or 18 percussion players) in 9 parts running approximately 1 hour and 45 minutes in length. Though the sequence of parts 1 through 9 must be maintained, the parts may be divided into sections, or run continuously. Themes are produced through the synchronization of the 3 generators, 3-5-8, and their complimentary factors yield counterthemes. Power series are then applied to produce harmonic contrasts from the original themes. Thematic material is developed through multiple variation techniques (circular permutations, accents through superimposition of an additional component, natural growth through the summation series). I decided to undertake the programming myself and, with the aid of Jim Bergman, successfully completed the programming in about 5 hours. I would like to stress that all programming was done through the step-by-step process provided in the operator's manual for construction “songs” from “patterns”. No special treatments or extensions (including cassette interfaces) were required.” Such was the versatility of the Linn Linndrum. 11:16   Background Sounds Volti, “Corazón” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). Mexican electro-pop group. This track is from 1986 and features unknown drum programming. vocals, synthesizer, Lyndell Brookhouse; bass, synthesizers, drum programming percussion, Eddie Rubello; Backing Vocals, Katie Taylor; Congas, Edgar Herrera; Piano, Vincent Kenis; Timbales, Pedro Ortiz. 3:45. Adams and Fleisner, tracks “a1, a2, b1, b2, b3” from Modern Digital Recorded Drumcomputer Rhythm Tracks (1983 Break Records). I think this track of library digital drum samples from the Netherlands was made with the Drum Computer MCS II (or Percussion Computer) from Movement Computer Systems, a rare British made-drum machine circa 1983. It had an integrated CRT monitor and had an orange (or black) case. It used 8-bit samples of drums and featured 14 voices and programmable patterns. Opening: Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations. There are dozens of drum machines that dot the history of electronic music. For an encyclopedic list of almost every drum machines ever made, and there were dozens of variations and models up until around 1985, check-out the excellent books by Alex Graham, a UK-based drum machine collector and specialist.

On this Dan Lutz interview, leaving school early, cool stories about working with Vinny Colaiuta, Larry Klein, Melody Gadot, Lyle Workman, Jeff Babko, Robben Ford, Jonathan Butler, Patti Austin, Taylor Hicks… an early commitment he made to his family and how he managed to stick with it. Dealing with hard times during the Pandemic, his WORST gig EVER, Hershey's chocolate, work ethic, being intentional about bringing positive vibes to situations, priorities, and more If you'd like to support this show: http://www.everyonelovesguitar.com/support Dan is a busy LA Session & touring bassist. Some of the artists he's played or toured with include Josh Groban, Lizz Wright, Kirk Whalum, Melody Gardot, Patti Austin, Brian Auger's Oblivion Express, Robben Ford, Lyle Workman, Michael Buble, Lang Lang, Jonathan Butler. Film scores he's played on include Coming 2 America, All My Life, The Incredible Burt Wonderstone, Chronicles of Narnia... he's played LA Performances of Broadway shows: Hamilton, Wicked, Frozen, Lion King, Phantom of the Opera, others Subscribe YouTube: https://www.youtube.com/c/EveryoneLovesGuitar?sub_confirmation=1 Website:  https://www.everyonelovesguitar.com/subscribe

Double bassist talks about learning the ropes on the bandstand with the likes of Freddie Hubbard.

A continual discussion about the aesthetics of spiritual music.

It's All About The Bass (Part 5)   Into The Woods With Stewart Strauss is a listener supported podcast. I thank you for your patronage, by liking and subscribing. Thank you, thank you, thank you!!!   On this episode of #ITWWSS we're going to celebrate Black Music Month, and hear more from some of the best bassists to ever hold an upright, fretless or fretted bass! There will be plenty of great vocals, percussion, drums, horns, guitars, keyboards, instrumentals, live and studio tracks, and (did I mention) bassists? You'll hear from Chaka Khan and Rufus, Bill Withers, Miles Davis, Jaco Pastorius, Joni Mitchell, Phoebe Snow with the New York Rock and Soul Revue, Marvin Gaye and Tammi Terrell, The Jackson 5, Michael Jackson, Stanley Clarke, and Tower Of Power (TOP) The emphasis is on the musicians we've heard our whole lives, but maybe didn't know who these most accomplished players were. As long as the music moves you, there isn't much more to know, unless you feel like taking a little deeper dive.  Some of the bassists you'll hear in the episode are… Dennis Belfield, Jerry Knight, Paul Chambers, Jaco Pastorius, Larry Klein, Lincoln Schleifer, James Jamerson, Wilton Felder, Louis Johnson, Stanley Clarke, and Frances “Rocco” Prestia,  The rest of the bands are powerhouse musicians too. Herbie Hancock, David Sanborn, Larry Carlton, Drew Zing, Donald Fagen, Boz Scaggs, Michael McDonald, Bill Evans, Cannonball Adderley, John Coltrane, Jimmy Cobb, Narada Michael Walden, The Brecker Brothers, Sam and Dave, Vinnie Colaiuta, Michael Landau, Billy Cobham, Darren Johnson, Najee, David Garibaldi, Lenny Williams, Emilio Castillo, Bruce Conte, Mic Gillette, Stephen “Doc” Krupka, Lenny Pickett, Greg Adams, Chester Thompson, and many more. Please check out live performances of my original music, as well as cover songs, skits, and a new segment where I tell stories about meeting various icons of the entertainment industry, to promote this very podcast. All on the Sonny Michaels Show, June edition. Always available on YouTube. There's lots of great talent on the show, including a live performance from Acoustic Alchemy. I performed Bob Dylan's Tangled Up In Blue. Please tune in when the spirit moves you. Cheers!

It's All About The Bass (Part 5) Into The Woods With Stewart Strauss is a listener supported podcast. I thank you for your patronage, by liking and subscribing. Thank you, thank you, thank you!!! On this episode of #ITWWSS we're going to celebrate Black Music Month, and hear more from some of the best bassists to ever hold an upright, fretless or fretted bass! There will be plenty of great vocals, percussion, drums, horns, guitars, keyboards, instrumentals, live and studio tracks, and (did I mention) bassists? You'll hear from Chaka Khan and Rufus, Bill Withers, Miles Davis, Jaco Pastorius, Joni Mitchell, Phoebe Snow with the New York Rock and Soul Revue, Marvin Gaye and Tammi Terrell, The Jackson 5, Michael Jackson, Stanley Clarke, and Tower Of Power (TOP) The emphasis is on the musicians we've heard our whole lives, but maybe didn't know who these most accomplished players were. As long as the music moves you, there isn't much more to know, unless you feel like taking a little deeper dive. Some of the bassists you'll hear in the episode are… Dennis Belfield, Jerry Knight, Paul Chambers, Jaco Pastorius, Larry Klein, Lincoln Schleifer, James Jamerson, Wilton Felder, Louis Johnson, Stanley Clarke, and Frances “Rocco” Prestia, The rest of the bands are powerhouse musicians too. Herbie Hancock, David Sanborn, Larry Carlton, Drew Zing, Donald Fagen, Boz Scaggs, Michael McDonald, Bill Evans, Cannonball Adderley, John Coltrane, Jimmy Cobb, Narada Michael Walden, The Brecker Brothers, Sam and Dave, Vinnie Colaiuta, Michael Landau, Billy Cobham, Darren Johnson, Najee, David Garibaldi, Lenny Williams, Emilio Castillo, Bruce Conte, Mic Gillette, Stephen “Doc” Krupka, Lenny Pickett, Greg Adams, Chester Thompson, and many more. Please check out live performances of my original music, as well as cover songs, skits, and a new segment where I tell stories about meeting various icons of the entertainment industry, to promote this very podcast. All on the Sonny Michaels Show, June edition. Always available on YouTube. There's lots of great talent on the show, including a live performance from Acoustic Alchemy. I performed Bob Dylan's Tangled Up In Blue. Please tune in when the spirit moves you. Cheers! --- Support this podcast: https://anchor.fm/stewart-strauss/support

Cande Buasso y Paulo Carrizo son de San Juan, Argentina, y en su primer disco, producido por Larry Klein, han grabado canciones como 'Treaty', de Leonard Cohen, 'Summertime' o 'Límite en tu amor' de Feist. Del dúo armenio-brasileño, Tatiana Parra Vardan Ovsepian, 'O silêncio de Iara', de Guinga, 'Life is but a day', 'Too soon to tell' y 'Qele quele/Assum preto' en el disco 'Tryptich'. Y 'Dindi', 'Só danço samba', 'Caminhos cruzados' y 'How insensitive' en el disco del guitarrista Albare 'Plays Jobim vol 2'. Despide el pianista Emet Cohen con 'Toast to Lo' de su disco 'Future stride'. Escuchar audio

Burning through the ozone with Freddie, Billy Childs (p), Larry Klein (b), Carl Burnett (d), Hadley Caliman (tenor sax)

In this, our final episode of the season, we cover the final two albums in your box set: 1+1, an album Herbie made with his best friend and collaborator Wayne Shorter, and River: The Joni Letters, an album that garnered Herbie the Album of the Year Grammy. We start with Herbie talking about 1+1, and then hear from Wayne, before Robert Glasper explains why the album is two masters in communication. Then we transition to River, where we hear from Herbie, producer Larry Klein, Robert Glasper, and finally Corinne Bailey Rae, who sings on the album and performed with Herbie a number of times after the album came out.

This first episode of Season 7 of the VMP Anthology Podcast introduces some of the folks we’ll hear from this season sharing their thoughts on Herbie Hancock’s artistry, what makes him special, and why he’s such a joy to work with. We start with Wayne Shorter, Larry Klein, and Ron Carter, and hear from Bernie Grundman, who remastered this box set, as well as Robert Glasper and Corinne Bailey Rae.  Without further ado, here’s the Story of Herbie Hancock:

On this special episode of WTT LIVE from FreightWaves 3PL Summit, Dooner and The Dude are speed dating their way through 8 business leaders as the discuss many of the issues stymying supply chains in ‘21. With 10% of the world’s freight blocked by an Evergreen vessel in the Suez Canal, the West Coast jammed with 27 ships at anchor, plus the lasting impacts of COVID, 3PLs have the odds stacked against them. On the show we’ll discuss dealing with upset customers, providing visibility to sales teams, forecasting freight demand and weather, as well as how to engage remote sales teams. We’re joined by: Larry Klein, Vice President, Logistics, Bringg; Riley Ford, Account Executive, Front; Prasad Gollapalli, Founder & CEO, Trucker Tools; Bob Hitt, North American Lead, Transportation & Logistics Industry, Salesforce; Brian Trautschold, Co-Founder and COO, Ambition; Sachin Ghaisas, Managing Partner, Emtec Digital; Scott Pecoriello, Founder & CEO, Weather Optics; Bill Catania, Founder & CEO, OneRail Subscribe to the WTT newsletterApple PodcastsSpotifyMore FreightWaves Podcasts

On this special episode of WTT LIVE from FreightWaves 3PL Summit, Dooner and The Dude are speed dating their way through 8 business leaders as the discuss many of the issues stymying supply chains in ‘21. With 10% of the world’s freight blocked by an Evergreen vessel in the Suez Canal, the West Coast jammed with 27 ships at anchor, plus the lasting impacts of COVID, 3PLs have the odds stacked against them. On the show we’ll discuss dealing with upset customers, providing visibility to sales teams, forecasting freight demand and weather, as well as how to engage remote sales teams. We’re joined by: Larry Klein, Vice President, Logistics, Bringg; Riley Ford, Account Executive, Front; Prasad Gollapalli, Founder & CEO, Trucker Tools; Bob Hitt, North American Lead, Transportation & Logistics Industry, Salesforce; Brian Trautschold, Co-Founder and COO, Ambition; Sachin Ghaisas, Managing Partner, Emtec Digital; Scott Pecoriello, Founder & CEO, Weather Optics; Bill Catania, Founder & CEO, OneRail Subscribe to the WTT newsletterApple PodcastsSpotifyMore FreightWaves Podcasts

The show where we uncover the stories, processes, and worldviews behind NYC’s most artful and creative musicians.   Apple Podcasts: https://podcasts.apple.com/us/podcast/brave-sound-podcast/id1537645722 Spotify: https://open.spotify.com/show/5ByvBpLEwvf1FkyZr40d11 Today's Guest: Robert Buonaspina is a New-York-City-based composer, arranger, pianist, organist, violist, and educator. Robert recently received his Master’s degree (Summa Cum Laude) in Jazz Composition from the Manhattan School of Music, where he was a student of Jim McNeely and Phil Markowitz. As a composer and arranger, Robert has had the honor of having his work performed around the world, whether in Hamburg, Germany or at the Cathedral of St. John the Divine in New York. In January 2021, Robert was the recipient of the International Society of Jazz Arrangers and Composers (ISJAC) Chuck Owen Prize in Jazz Composition, where his work for jazz ensemble, "Smile Pretty," will be soon recorded and performed by the WDR Big Band in Cologne, Germany. Whether as an arranger or a music copyist, Robert has collaborated heavy hitters across the scene — such as Joel Ross, Candice Hoyes, Grammy-winning producer Larry Klein, and Steven Feifke. Robert also maintains a schedule as an active pianist and violist in the greater New York City area, sharing the stage with several key figures in New York, such as Lalah Hathaway, Vince Mendoza, Ralph Lalama, Melissa Errico, Alice Ripley. Between piano and viola, he has performed at seminal venues in New York such as Lincoln Center, 54 Below, and Riverside Church. Currently, Robert holds a full-time position as Director of Music and Organist of St. Pancras Roman Catholic Church in Glendale, Queens, and runs an arranging, production, and education studio out of his apartment on the Upper West Side. At St. Pancras Roman Catholic Church he manages a network of volunteer and professional cantors, two choirs, and several professionally produced events/concerts during the year. Robert is based on the Upper West Side where he freelances in music arranging, production, and education to a studio of motivated students. Find him at https://robertbuonaspina.bandcamp.com/ Instagram: @rbuonaspina Your hosts: Michael Shapira: michaelxshapira.com @michaelxshapira Austin Zhang: austinzhang.org @austindiscovers Learn more: https://bravesound.org/ Instagram: @bravesoundnyc

Singer/ songwriters Zachary Scot Johnson ( http://www.zacharyscotjohnson.com ) & Shawn Colvin ( http://www.shawncolvin.com ) discuss Joni Mitchell's legacy and her work. Shawn inducted Joni into the Rock and Roll Hall of Fame, recorded a fantastic album in Joni's house with Joni's then-husband Larry Klein and has performed at a number of benefits and tributes with and for Joni over the years. Check out Shawn's upcoming holiday show on http://www.mandolin.com and enjoy her full performance of "Holiday Songs and Lullabies" and more holiday classics with a full band on December 17th. Get her beautiful memoir, "Diamond in the Rough" at your local bookstore and her perfect records at your local music store. Thank you, Shawn. Email the host at JoniMitchellPodcast@gmail.com and please remember to rate, review and subscribe to this podcast if you enjoy it!

Mayor Larry Klein represents the City of Sunnyvale’s over 155K residents, and moved to Sunnyvale more than 30 years ago. Prior to serving on the city council, Mayor Klein served 9 years on the Sunnyvale Planning Commission, as well as serving as board member for several local non-profits. Larry has extensive experience in Silicon Valley’s tech industry, trained as a software engineer, his current "day-job" is as a program manager at the East Bay Start-up, Qnovo.

A continual discussion on music composition, musician development and adapting to the new climate.  --- Support this podcast: https://anchor.fm/jake-feinberg/support

Melody Gardot, certains d'entre vous le savent à l'écoute de notre antenne, a choisi Paris pour son confinement, admirant depuis sa terrasse la plus belle ville du monde,  désertée des automobiles dans une attitude d'inspiration forte, contemplative et active. Elle a donc décidé de lancer par voie digitale un casting international pour réunir des musiciens, sur la base unique de leur talent et sous la houlette de ses directeurs musicaux de haut niveau tels que Larry Klein, Vince Mendoza ou encore l'ingénieur du son Al Schmitt, habitué à travailler avec Michael Bublé, Paul Anka ou Georges Benson…et aujourd'hui, avec des moyens confinement et post confinement sort le magnifique premier single de son futur album intitulé « From Paris With Love »...

Episode 3. J.D. Souther Song Chronicles is proud to present its third episode, a conversation with songwriter J.D. Souther. Inducted into the Songwriters Hall of Fame in 2013, Grammy-nominated Souther has penned countless hits for The Eagles, Linda Ronstadt, Roy Orbison, James Taylor, Don Henley, George Strait, Trisha Yearwood, and Brooks and Dunn, and found success as solo artist. J.D.’s latest album Tenderness, produced by Larry Klein, connects “LA’s ‘70s golden age with the Great American Songbook,” writes Uncut, with songs that sound “like standards themselves.”    J.D. Souther and Linda Ronstadt   J.D. Souther and Jackson Browne Louise first met J.D. when she was a teenager living with her mom, spending a summer in Malibu. Two years later, Louise made her debut album Kid Blue, produced by Danny Kortchmar, at the iconic Sunset Sound Factory at the peak of the California singer-songwriter multi-platinum-selling era. J.D. Souther, Don Henley and Stevie Nicks sang background vocals! In this conversation that took place July 13, 2019 at John David’s ranch in Nashville, TN, J.D. talks about his early inspiration for his classic songs; his musical upbringing; his latest album, Tenderness; and what it’s like to tour as a solo performer. The conversation feels more like reminiscing between friends than an interview, with wonderful personal stories of many '70s golden era heavyweights: Linda Ronstadt, Glenn Frey, Don Henley, Joni Mitchell, Jackson Browne, James Taylor, Carole King, Bob Dylan, Joe Walsh, Emmy Lou Harris, Bonnie Raitt, Peter Asher, Waddy Wachtel, Warren Zevon, Don Grolnick, David Sanborn, and more.     early days with Glenn Frey       A passionate animal lover and advocate, J.D. is also involved with Best Friends Animal Society.     with Joe Walsh - photo by Barry Shultz   His classic albums John David Souther, Black Rose, and Home by Dawn have been released as expanded reissues (Omnivore Recordings). As an actor, he has appeared in the TV shows Thirtysomething and Nashville, among others.            *Song Chronicles is a brand new podcast series hosted by Louise Goffin. The complete 32 episodes of The Great Song Adventure podcast hosted by Louise Goffin & Paul Zollo can be found on thegreatsongadventure.com.                

Beyond Music is the latest brainchild from Regula Curti, co-founder of The Beyond Foundation. Beyond Music is an online platform for musicians. You can go to the site BeyondMusic.org and join for free, then look for musical collaborators anywhere in … More ... The post Beyond Music – Regula Curti & Larry Klein – New Album “Same Sky” appeared first on Paradigms Podcast.

Join Randy Thomas and Anita Gevinson once again, for a fascinating convo with 4 Time Grammy Award Winner, 8 Time Grammy Award Nominee, bass player, songwriter and record producer Larry Klein. Larry shares his musical memories about his marriage to Joni Mitchell, his collaborations with Herbie Hancock, Tracy Chapman, Warren Zevon, Peter Gabriel and Walter Becker, and SO MUCH more! https://www.larrykleinmusic.com

HOWA EP 53 - BRAD COOK      I was listening to Larry Klein on a recent mix with the masters explain this idea that a producer is someone that sees the spark of uniqueness in an artist and tries to amplify that.  That is a noble process and so nuanced that it takes years to know when to speak, when to encourage, when to call it a night, when to listen and so on. Brad knows aaaallll about aaaallll of this ! He's an excellent energy in the room and so many musicians can benefit from his touch.  I've only been privy to his vibe in a session on two occasions but his presence is both large and also magically effortless.  I think it's the fact that you know he gets it. He knows a real moment and he's in it for the depth, not the racking up of medals and the shallow status games.  The first time I met him, he was rather high and laughing at a bass. It was a gathering with Justin Vernon (aka Bon Iver) and a large crew of players in Nashville where I ended up shouting into a mic with the other members of the collective they call “Gangs” . That first meeting was a great hang but there was no time to chat and so I was super happy to bump into him again on my mystical trip to the sonic ranch in Texas. Turns out that's where a lot of the latest Bon Iver record was made and Brad was there the whole time as producer so it only seemed right to jump into that story and to see what that was all about and to feel out the ways Brad has learned to listen and cultivate the fledgling music growing in the room. He's a formidable musician and a very easy going chap. I loved chatting with him! Please welcome to the show BRAD COOK!   _______________________________   In the nitty I gently roll the dice on music asking what probability can offer the sequencer? Take a chance!   _______________________________   Music for Ep 53 comes from Jeremy Hunter aka Doxa Check his music here:   https://doxadoxa.bandcamp.com    Welcome!

David Batteau (nacido el 25 de junio de 1949) es un cantautor estadounidense y hermano del cantante/compositor Robin Batteau. Batteau es ampliamente reconocido por escribir canciones para varios artistas, incluyendo Seals and Crofts , Trisha Yearwood , Michael Sembello y Shawn Colvin. También co-escribió varias canciones con Madeleine Peyroux y Larry Klein para el álbum de Peyroux de 2009, Bare Bones. También se centró en el trabajo en solitario y lanzó un álbum en solitario, Happy in Hollywood (1976) en A&M Records. David Batteau había trabajado anteriormente con su hermano Robin como Batteau, lanzando un álbum en Columbia Records en 1971. Este álbum contiene la canción “Tell Her She’s Lovely”, que fue interpretada por El Chicano en 1973. A mediados de la década de 1980, Batteau formó la banda de Pop/New Wave Nomo, que lanzó un álbum, The Great Unknown, en 1985, anotando un éxito menor con “Red Lipstick” antes de disolverse. También escribió e interpretó la canción “Walk in Love”, que luego fue cubierta por The Manhattan Transfer , llegando al número 12 en el UK Singles Chart.

Lynne Earls is a music producer, songwriter and sound engineer based in Los Angeles. She runs EMP Studios and has worked with legendary artists and producers such as K.D.Lang, Larry Klein, Airto Moreira and Flora Purim, Lizz Wright, Bobby Bazini, Lemar and many more.​ She is a governor on the board for the LA chapter of the Recording Academy as well as a member of the Producers & Engineers Wing Committee and Grammy Next. Lynne is an active member in the local community of music creators in LA as well as the UK and Ireland, with a particular focus on supporting young women in the field.

Tune in as we interview Brian Boozer, owner of Bakersfield based recording studio, Aum Studio Productions. Brian is an engineer and small business owner as well as a drummer of the band Soulajar. He also works as the house sound engineer at the Ford Theater in Shafter, CA. Over the past two decades, he has built his business into one of the busiest recording facilities in the Central Valley which has attracted notable artists and clients from all over the globe such as: Grammy-Award winning singer Gregory Porter, rock ‘n’ roll legend George Thorogood, Blue Note Records president Don Was, Florida Georgia Line, Freebo (Bonnie Raitt), Rosie Stone (Sly and the Family Stone), Larry Klein, BBC Music, The London Symphony Orchestra, PBS, NPR, Netflix, Decca Records, Blue Note Records, Concord Records, Verve Records, Impulse Records, and Universal Music Group. Don't Forget to subscribe to the show!

Join Randy Thomas and Anita Gevinson for a fascinating convo with 4 Time Grammy Award Winner, 8 Time Grammy Award Nominee, bass player, songwriter and record producer Larry Klein. Larry shares his musical memories about his marriage to Joni Mitchell, his collaborations with Herbie Hancock, Tracy Chapman, Warren Zevon, Peter Gabriel and Walter Becker, and SO MUCH more!

Curtis Stigers on making Nick Lowe rich, writing lyrics to the music of Larry Goldings, singing Sinatra with the Danish Radio Big Band, being produced by Larry Klein, raising funds for the homeless in his home town; as well as his admiration for movie director Bill Forsyth… Part 1 of this conversation is available as Episode #19.

Larry Klein is a legendary record producer, musician and songwriter. He's worked as a bassist or a songwriter with a diverse number of artists including on Henley, Lindsey Buckingham, Luciana Souza, Bob Dylan and Warren Zevon. As a producer he's worked with Joni Mitchell, Madeleine Peyroux, Melody Gardot, Tracy Chapman and Herbie Hancock. In fact, Madeleine Peyroux was the seed for this interview. This episode of The Paul Leslie Hour was an honor indeed! Larry Klein is a generous man who has had a hand in some of the greatest recorded music of the era. Don't touch that dial, Larry Klein is next! Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Wow, what a guest we have on today's show: 4-time GRAMMY Award Winning Producer, Musician and Songwriter, Larry Klein! Klein has worked with artists such as Herbie Hancock, Tracy Chapman, Madeleine Peyroux, Walter Becker, Luciana Souza, Melody Gardot, Pink, Seal, numerous albums with Joni Mitchell, Robbie Robertson, Bob Dylan, Don Henley, Warren Zevon, Celine Dion and many others. He produced the GRAMMY Award winning 2007 Album Of The Year, and Best Contemporary Jazz Album Of The Year, “River: The Joni Letters” with Herbie Hancock. Previously He won the GRAMMY for Best Traditional Pop Vocal Album for Both Sides Now in 2000 and the GRAMMY for best pop album for Turbulent Indigo in 1995. We talk about how he learned music, his musical influences, his views on songwriting and production, music education and so much more!

Larry Klein started out as a musician’s musician before becoming a producer’s producer. At a young age he was playing bass with his heroes in the jazz world, including a long and creative stint with trumpeter Freddie Hubbard in the late 1970s and early 1980s. The way he explains it, Klein became more drawn to the world of songs, singers and popular music, and put off by the jazz insiders’ insistence on what was and what wasn’t “the real s*#t”. As a session player he worked on some of the most classic LA record dates of the 80s and 90s (for the likes of Peter Gabriel, Tracy Chapman, Don Henley, Bob Dylan, Cher and Joni Mitchell) and seemed positioned for a life as a hired gun sideman. But while married to his first wife, Joni Mitchell, Larry began producing records. Over the last 30 years he has become one of the most sophisticated, musical and thoughtful producers around, producing records for Mitchell, Madeleine Peyroux, Melody Gardot, Herbie Hancock, Luciana Souza (who he is married to now) and many, many more. Klein has won Grammys for his work on Mitchell's Turbulent Indigo and Both Sides Now; and Hancock's River: The Joni Letters. I've been a huge admirer of his for a long time. I love how he manages to make timeless records that also feel contemporary. It’s a kind of magic trick that anyone who has ever tried to make confident, approachable music in the studio will recognize as much easier said than done. I recently spent a morning with Larry at his home studio in Los Angeles. Considering how great his records sound, it should have come as no big surprise to me that underneath it all he’s still just a huge music fan. Here he talks about the art and craft of record production, what is and isn’t the real s*%t, why he often works with female artists, and the importance of good coffee. This one was a long time coming for me and I’m delighted to share it. Thanks for listening. If you enjoy it, please leave a review on iTunes and consider supporting the podcast on Patreon!

Singer, songwriter and philanthropist Molly Johnson sits down with Terry this week to discuss her latest record, Meaning To Tell Ya. Molly talks about working with Grammy-award winning producer Larry Klein, who has worked on some of the greatest vocal jazz records of all time. She reflects on “being born into the business”, and the people who’ve shaped her life along the way. Plus, she chats with Terry about covers – why she loves performing them, why nobody other that k.d. lang should cover “Hallelujah”, and why she now enjoys singing Leonard Cohen songs.

Kirsten Collins began working with Grammy producers and writers in the beginning of her teen years. Her potential for stardom was evident early on as she was singing on key when she was less than 2 years old. She sang her first solo at age 5 and wrote her first song at 6. At the age of 9 was fronting adult bands at professional events. She then went on to win Calgary Junior Idol when she was 10. She was later named Miss Teen Calgary - World in 2012 and also competed in the Miss Teen Canada - World pageant. As an actress, she had a major role in the 2009 film Rust, which featured her original song "Could You Imagine." She is featured on the MC Mario single "Anti-Gravity" and has received several offers from music labels, movie producers and has been featured in international publications but has decided to remain independent. David Poe has toured the world with Bob Dylan, Joan Baez, The Jayhawks, Chris Whitley, Glenn Tilbrook and Tori Amos. His songs have been recorded by producers including T-Bone Burnett, Larry Klein, Buddy Miller and Dave Sitek, and performed by Curtis Stigers, Oh Land, Ana Moura, C.C. White, Thomas Dybdahl and the cast of Nashville. His solo recordings include his most recent release God & The Girl, a self-titled debut produced by T-Bone Burnett, The Late Album on Sony/Epic records, Love Is Red on Universal Music/The Lab,  two live recordings and much, much more. Not bad for a sound engineer from the Midwest transplanted to Los Angeles by way of New York City.

Larry Klein might be best known as the go-to producer for strong, individualistic women including Joni Mitchell, Shawn Colvin, Madeline Peroux and Luciana Souza. But his work with artists like Herbie Hancock, Steely Dan’s Walter Becker and most recently with modern jazz greats on the Passion of Charlie Parker reveals Klein’s incredible musical dimensions. In this episode he reveals his path from bassist to Grammy-winning producer.

Larry Goldings has been one of the most respected, versatile and working jazz pianists and organists around since he moved to New York in 1986 to attend the (then) brand new New School jazz program. His career has been varied, working with his own trio with drummer Bill Stewart and guitarist Peter Bernstein (a project that started nearly 30 years ago), stints as a sideman with Jon Hendricks, Jim Hall, John Scofield, Maceo Parker, and more recently James Taylor, and session work in LA. Since moving to California in the early aughts, he has worked as a session player with producers including Larry Klein, Tommy LiPuma and Steve Jordan, and artists including Madeleine Peyroux, John Mayer, and of course James Taylor. Along the way he's recorded on over 100 albums as a sideman, released nearly 20 as a leader, and contributed to various film and TV projects.  Here he talks about the scene in New York in the 90s, developing his approach to the organ, the difference between New York and LA, and the importance of humor in his life. www.third-story.com

David Ivar se despertó una mañana y decidió que no quería seguir formando parte (al menos por un tiempo) de Herman Düne, compró un micrófono Electrovoice por el precio de dos botellas de tequila y se instaló con su equipo portátil en Malibú. El resultado es el álbum de Black Yaya que hoy te presentamos en Future Beats. Nicolas Comment compagina la fotografía con la música y su fijación con Gainsbourg, Jean Claude Vannier y Michel Colombier. Rodolphe Burguer revisa Billy The Kid, una joya desconocida para gran parte del público fuera de Francia y otros temas de su anterior proyecto: Kat Onoma, una suerte de “Velvet Underground” francesa, junto a Philippe Poirier... Todo eso suena hoy en Future Beats. También el acertado regreso de Melody Gardot bajo la producción de Larry Klein, los nuevos discos de Novalima, Camila Moreno, Ghostpoet....los favoritos Django Django, Jacco Gardner y un avance con entrevista y acústico del prometedor debut de la venezolana Laura Guevara.