Podcasts about music making

Send us Fan MailSo you know you need and want a creative practice, but...which creative medium is right for you? Which instrument fits your personality? Can you feel fulfilled by expressing yourself in just one way, or do you need multiple outlets?In this episode, Emmeline sits down with autoharp enthusiast and musical comedian Harping Mel to tackle these questions and more. Mel shares how, despite growing up in a musical household with two professional musicians as parents, it took her a bit of time to find the perfect musical fit. She also details how the autoharp marks, for her, a melding of her engineering training and her affinity for singing. Lastly, Mel talks about the importance of having and nurturing a creative community--especially through open mics, showcases, and variety shows!To learn more about Harping Mel, or to follow her musical journey, find her on Instagram or YouTube. To get your own autoharp and learn more about how to play, visit Mel's favorite autoharp company, d'Aigle Autoharps. For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Greg Johnson is celebrating his birthday in style. After 45 years of performing, the Kiwi musician is celebrating 60 years with a "career-spanning" tour in late October and early November. The tour will feature all his classics as well as some new music from his album 'Some Night, Somewhere,' releasing in October. Johnson has released over a dozen albums over the years and has yet to run out of inspiration, telling Mike Hosking the music comes with a moment. "I've never been a writer that sits down and says, now I must write," he explained. "I just like, I've got a guitar in my hand now, so you know, you never know, I might just start writing something." "I'm not really an interventionist God-type person, as Nick Cave puts it, but there's something definitely spiritual about the way music comes and what it does to people." LISTEN ABOVE See omnystudio.com/listener for privacy information.

Making a Scene Presents - YouTube Changed Creator Music. Making a Scene Is Building the Artist-Owned Alternative YouTube Changed the Store. The Bigger Lesson Is Who Owns the Store. On August 10, 2026, YouTube crossed an interesting line with Creator Music. According to YouTube's own current Help Center, the company deprecated paid Creator Music licenses and began shifting Creator Music toward gratis, or free, license strategies. Existing licenses already in use remain in force until the end of their terms, but the paid licensing marketplace that creators and rights holders had been learning to use is being phased out. YouTube explains the current transition at https://support.google.com/youtube/answer/11273150?hl=en. That does not mean Creator Music itself has vanished, and it does not mean YouTube suddenly stopped caring about music licensing. YouTube's current Creator Music FAQ at https://support.google.com/youtube/answer/11610609?hl=en still describes Creator Music as a catalog that can support licensed and revenue-sharing uses depending on the terms attached to a track, even while the rights-holder documentation says paid license strategies are being retired in favor of gratis licensing. The important part for independent artists is not arguing over which button YouTube will move next. It is recognizing what happens when a useful business function lives inside somebody else's platform. A company launches a feature. Artists and rights holders begin building workflows around it. Creators learn how to purchase music through it, catalogs are organized for it, and then the platform changes direction because its business priorities change. That is normal technology-company behavior. It is also one more reason an independent artist should never confuse access to a platform with ownership of a business. http://www.makingascene.org

00:00 - Farooq's INSANE growth on YouTube02:15 - Transitioning to Desi music 03:05 - Making his "edgy" artwork 09:04 - Transitioning from Hip-Hop to Desi music & its success17:40 - Going viral with remixes 24:20 - There's no expiry on music 27:17 - Music selection - how does Farooq choose his songs? 33:00 - Personal vs audience enjoyment 34:15 - Failure's not an option 40:50 - Copyright issues in Bollywood and working with labels afterwards?47:15 - Being mistaken as a "remix DJ"52:10 - Breaking into Bollywood & their music scene57:00 - Making music for Dhurandhar?01:08:02 - Making sure to own the music 01:13:15 - The reason behind the tagline 01:15:30 - This or that: Bollywood edition 01:18:40 - The full circle moment: closed offFollow Farooq Got Audio:YouTube - https://www.youtube.com/channel/UCktNojQku-5vJRare4L-1nASpotify - https://open.spotify.com/artist/2u2vVyG4FLtNI8sMUMnIPmInsta - https://www.instagram.com/farooqgotaudioTikTok - https://www.tiktok.com/@farooqgotaudioFollow Us On:TikTok - https://bit.ly/indy-and-dr-tik-tokInstagram - http://bit.ly/indy-and-dr-instaFacebook - http://bit.ly/indy-and-dr-facebookSpotify - http://bit.ly/indy-and-drAlso available at all podcasting outlets.#farooqgotaudio #bollywoodmusic #desimusic

Ma$e, Cam'ron & Treasure "Stat Baby" Wilson are back with another one!! Please rate, review, and follow the podcast for more content.  Listen to the show on Spotify!  https://open.spotify.com/show/4Brb7BgCw4f4jwgS5v3sXQ?si=811988ecff7b416a Listen to the show on Apple Podcasts! https://podcasts.apple.com/us/podcast/it-is-what-it-is/id1719695401 Keep up with us on social media! https://www.instagram.com/itiswhatitis_talk/ Snap:  https://www.snapchat.com/add/iiwii_talk2023  Facebook:  https://www.facebook.com/ItIsWhatItIsTalk TikTok: https://www.tiktok.com/@maseandcam Twitter:  https://www.x.com/iiwiitalk Follow Our Hosts! https://www.instagram.com/masonbetha/ https://www.instagram.com/mr_camron/ https://www.instagram.com/treasurewilsxn/ Follow the show and our hosts on social media: ⁠⁠⁠It Is What It Is⁠⁠⁠, ⁠⁠⁠Cam'Ron⁠⁠⁠, ⁠⁠⁠Ma$e⁠⁠⁠, and ⁠⁠⁠Treasure "Stat Baby" Wilson⁠⁠⁠ , ⁠⁠⁠Producer Ayooo Nick⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 59, Ella chats to Polly Graham, Artistic Director of Longborough Festival Opera, about the festival's fascinating history and unique place within the UK opera scene. Polly also discusses her unconventional route into the opera world, and reflects on how experiencing the instability of the industry in her work as a freelancer informs her role as an Artistic Director.-------------------Longborough Festival Opera-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

#DaveBaker #PunknHeads #TopShelfProductions #GraphicNovel #IndieComics #ComicsPodcast #NicoleGoux #PunkRockStories #HorrorPunk #BandDrama #ComingOfAge #QueerStories #ComicCreators #BookTalk #Storycomic   Dave Baker is back on the show with a new graphic novel from Top Shelf: Punk'n Heads, co-created with Nicole Goux. It lands April 7, 2026, and it's a raucous, heartfelt story about making art, making mistakes, and trying to figure yourself out while the volume is turned way up. The book follows Hannah Lipsky, an art-school dropout reeling from a breakup who finds herself living in a flophouse and getting pulled into singing for a campy horror-punk band—costumes included. From there it's band dynamics, creative ambition, relationship mess, and that early-adulthood feeling of “I have no idea what I'm doing… but I'm doing it anyway.” We talk about building a full-length graphic novel (216 pages), how Dave and Nicole shaped the tone, what punk lets you say that other genres don't, and what Dave hopes readers walk away with when the last chord hits.   The Title sequence was designed and created by Morgan Quaid. See more of Morgan's Work at: https://morganquaid.com/   Storycomic Logo designed by Gregory Giordano See more of Greg's work at: https://www.instagram.com/gregory_c_giordano_art/   Want to start your own podcast?  Click on the link to get started: https://www.podbean.com/storycomic   Follow us: Are you curious to see the video version of this interview?  It's on our website too! www.storycomic.com www.patreon.com/storycomic www.facebook.com/storycomic1 https://www.instagram.com/storycomic/ For information on being a guest or curious to learn more about Storycomic? Contact us at info@storycomic.com   Thank you to our Founders Club Patrons, Michael Winn, Higgins802, Von Allan, Stephanie Nina Pitsirilos, Marek Bennett, Donna Carr Roberts, Andrew Gronosky, Simki Kuznick, and Matt & Therese. Check out their fantastic work at: https://marekbennett.com/ https://www.hexapus-ink.com/ https://www.stephanieninapitsirilos.com/ https://www.vonallan.com/ https://higgins802.com/ https://shewstone.com/ https://www.simkikuznick.com/ Also to Michael Winn who is a member of our Founders Club!  

Local MC and Producer Mundy talks about his beginnings as an artist, how his music making process has evolved, and the message he leaves in his his music. He is one of the performers at Song City on May 12. Mundy spoke with Jacob Boston and Richard Sleeper.

What if every fight over music technology throughout history has actually been the same fight, and we're just now facing a version of it we've never seen before? In this special episode, Dmitri shares a keynote he gave at the Algo Rhythms conference last month called "Is Music Making Up For Grabs?" Drawing on four hundred years of disruption in music, from the harpsichord to amplification, Dmitri traces the pattern of how every generation has fought over new tools and every generation has been wrong about what those tools would destroy. But this episode isn't just a history lesson. It's a live argument, complete with the Kalyuka, the WARBL, and few sounds you won't expect. Along the way, the stories of T-Pain and Blanco Brown show exactly where the pattern holds and where it finally breaks. Because the question Dmitri lands on is one no generation before us has had to answer. Not what counts as an instrument, but whether the creator is still human.   The news Selling a $3B Spotify stake, Michael Ovitz as Chairman of the Board, and a $100B+ company: Welcome to Bill Ackman's plan for Universal Music Group. After Universal, Warner, and Merlin deals, now Udio inks licensing agreement with Kobalt https://www.musicbusinessworldwide.com/after-universal-warner-and-merlin-deals-now-udio-inks-licensing-agreement-with-kobalt/   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

Today we're putting The Tonearm's needle on pianist and composer Noah Franche-Nolan.Noah's latest album, Rose-Anna, is named after his Acadian great-grandmother, a church organist from Grand Falls, New Brunswick. The Acadians are French-speaking people with deep roots in Canada's Maritime provinces. The Acadians were expelled from their land by the British in the late 1700s and many of them migrated south to Louisiana where they became known by their more famous name, the Cajuns. Noah's family connection runs deep through the record and he even plays organ on two tracks, honoring the woman who sparked his musical heritage.The album pairs him with bassist Jodi Proznick and drummer Nicholas Bracewell in a trio that displays deftness with groove-driven chops, tender hymns and free exploration. The music conjures thoughts of home, family, and what gets passed down through generations.Noah's also one half of Arid Landscapes, an ambient electroacoustic project with guitarist Dan Pitt, that takes a totally different approach—live looping, processing, and soundscapes that feel vast and open. My November 2024 talk with Dan for The Tonearm is linked in the show notes.Noah and I talk about both projects, his work as a church music director in Vancouver, and what it means to make music that honors the past while pushing into new territory.(The musical excerpts heard in the interview are from Noah Franche-Nolan's album Rose-Anna)–Dig Deeper• Artist and Albums:Visit Noah Franche-Nolan at noahfranche-nolanmusic.com and follow him on InstagramPurchase Noah Franche-Nolan's Rose-Anna from Bandcamp or Qobuz and listen on your streaming platform of choiceNoah Franche-Nolan on All About JazzVancouver Guardian profile• Arid Landscapes (duo with Dan Pitt):Arid Landscapes released September 2025, available on BandcampDan Pitt — official siteDan Pitt on BandcampBetween the Lines of Dan Pitt's 'Horizontal Depths' (The Tonearm)• Collaborators and Ensembles:Jodi Proznick — bassist, Noah Franche-Nolan TrioNicholas Bracewell — drummer, Noah Franche-Nolan TrioRaagaverse — JUNO-nominated Indo-jazz fusion quartet led by Shruti RamaniShruti Ramani — vocalist and bandleader, RaagaverseJaya (Raagaverse debut album) on BandcampNick Fraser — Toronto drummer and University of Toronto faculty; Noah's former teacher• Recording Labels:Cellar Music Group — Vancouver label founded by Cory Weeds; 2023 Grammy Award winnerCory Weeds — Cellar Music Group founder and artistic directorFrankie's Jazz Club — Vancouver jazz venue run by Cory Weeds (Rose-Anna release show venue)• Film Scoring:Häxan (1922) — Swedish-Danish silent horror essay film directed by Benjamin ChristensenThe Cinematheque — Vancouver independent film institute that commissioned Noah's live score for Häxan• Educational Institutions:Vancouver Community College (VCC) — where Noah teaches jazz pianoVSO School of Music — Vancouver Symphony Orchestra's school; Noah teaches in Jazz and Classical Theory/CompositionUniversity of Toronto, Faculty of Music — where Noah and Dan Pitt studied jazz• Venues and Spaces:The Tranzac — Toronto's not-for-profit community arts venue; central to the city's improvised music sceneBrentwood Presbyterian Church — Burnaby; where Noah serves as coordinator of musicking and where Arid Landscapes was partly recorded–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on pianist and composer Noah Franche-Nolan.Noah's latest album, Rose-Anna, is named after his Acadian great-grandmother, a church organist from Grand Falls, New Brunswick. The Acadians are French-speaking people with deep roots in Canada's Maritime provinces. The Acadians were expelled from their land by the British in the late 1700s and many of them migrated south to Louisiana where they became known by their more famous name, the Cajuns. Noah's family connection runs deep through the record and he even plays organ on two tracks, honoring the woman who sparked his musical heritage.The album pairs him with bassist Jodi Proznick and drummer Nicholas Bracewell in a trio that displays deftness with groove-driven chops, tender hymns and free exploration. The music conjures thoughts of home, family, and what gets passed down through generations.Noah's also one half of Arid Landscapes, an ambient electroacoustic project with guitarist Dan Pitt, that takes a totally different approach—live looping, processing, and soundscapes that feel vast and open. My November 2024 talk with Dan for The Tonearm is linked in the show notes.Noah and I talk about both projects, his work as a church music director in Vancouver, and what it means to make music that honors the past while pushing into new territory.(The musical excerpts heard in the interview are from Noah Franche-Nolan's album Rose-Anna)–Dig Deeper• Artist and Albums:Visit Noah Franche-Nolan at noahfranche-nolanmusic.com and follow him on InstagramPurchase Noah Franche-Nolan's Rose-Anna from Bandcamp or Qobuz and listen on your streaming platform of choiceNoah Franche-Nolan on All About JazzVancouver Guardian profile• Arid Landscapes (duo with Dan Pitt):Arid Landscapes released September 2025, available on BandcampDan Pitt — official siteDan Pitt on BandcampBetween the Lines of Dan Pitt's 'Horizontal Depths' (The Tonearm)• Collaborators and Ensembles:Jodi Proznick — bassist, Noah Franche-Nolan TrioNicholas Bracewell — drummer, Noah Franche-Nolan TrioRaagaverse — JUNO-nominated Indo-jazz fusion quartet led by Shruti RamaniShruti Ramani — vocalist and bandleader, RaagaverseJaya (Raagaverse debut album) on BandcampNick Fraser — Toronto drummer and University of Toronto faculty; Noah's former teacher• Recording Labels:Cellar Music Group — Vancouver label founded by Cory Weeds; 2023 Grammy Award winnerCory Weeds — Cellar Music Group founder and artistic directorFrankie's Jazz Club — Vancouver jazz venue run by Cory Weeds (Rose-Anna release show venue)• Film Scoring:Häxan (1922) — Swedish-Danish silent horror essay film directed by Benjamin ChristensenThe Cinematheque — Vancouver independent film institute that commissioned Noah's live score for Häxan• Educational Institutions:Vancouver Community College (VCC) — where Noah teaches jazz pianoVSO School of Music — Vancouver Symphony Orchestra's school; Noah teaches in Jazz and Classical Theory/CompositionUniversity of Toronto, Faculty of Music — where Noah and Dan Pitt studied jazz• Venues and Spaces:The Tranzac — Toronto's not-for-profit community arts venue; central to the city's improvised music sceneBrentwood Presbyterian Church — Burnaby; where Noah serves as coordinator of musicking and where Arid Landscapes was partly recorded–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

“Burnout is when you reach a point where there is no mystery in the music making anymore and you're just redoing what you've always done. You're reheating it. Self-exploration should be the goal of every musician. The idea of staying connected to sound through listening and really fantasizing is essential. You have to believe there's magic in the room, and then magic happens. What a gift it is to share music with other people in that room at that time.”GRAMMY-nominated conductor James Jordan is recognized and praised throughout the musical world as one of America's pre-eminent conductors, writers and innovators in choral music. He was described as a “visionary” by The Choral Journal, which cited his book Evoking Sound as a “must read.” His more than 60 books explore both the philosophical and spiritual basis of musicianship, as well as aspects of choral rehearsal teaching and learning. His latest book, The Conductor's Triangle, will be released in January 2026. He served as director of the Westminster Conducting Institute for 12 years and is Director of the Choral Institute at Oxford to be held this summer at Worcester College Oxford. He is also Conductor and Artistic Director of The Same Stream Choir and conductor of The Nexus Choral Artists.  He is founder of The Choral Academy, an online resource offering courses in Pedagogy, Conducting and Private Conducting Study. He has also created The Evoking Sound Virtual Classroom that houses his lectures and teaching as a resource, with contributions by Simon Carrington, Weston Noble and others.James Jordan holds a BM from Susquehanna University, a MM in choral conducting and a Ph.D in the Psychology of Music from Temple University where he was a student of Edwin Gordon. He is a conducting student of the legendary teacher Elaine Brown. He holds several conducting certificates from Chorstudio Wilhelm Ehman earned in St. Moritz, Switzerland. He has attended the Laban Institute of Movement Studies in New York. He was a finalist in the Stokowski Conducting Competition sponsored by The Philadelphia Orchestra.James Jordan's research beginning in 1980 regarding applications of Laban to rhythm pedagogy and conducting are pioneering. His books regarding the Application of Music Learning Theory to the Choral rehearsal have revolutionized choral teaching and Learning. His most recent book on this subject, Intonational Solfege (GIA) presents an approach for teaching Intonation skills to choirs. Dr. Jordan is exclusively published by GIA Publications.  James Jordan has been the major author regarding the application of vocal technique to the choral rehearsal. He was a student of Frauke Haasemann and has continued and advanced her work. He explores connections into voice science in the book, The Anatomy of Tone and most recently in the extensive text, Essentials of the Choral Warm-Up (GIA).Dr. Jordan has recorded over 20 CDs with the Westminster Williamson Voices, The Same Stream, and The Westminster Choir. James Jordan is also one of the hosts of the nationally syndicated radio program Sounds Choral on WWFM.org.Dr. Jordan's career and publications have been devoted to innovative educational changes in the choral art which have been embraced around the world. His residencies, master classes and guest conducting have taken him throughout the United States, Canada, Europe, Australia and China. To get in touch with Jim, you can visit thechoralacademy.com, email him at jevoke@mac.com, or find him on Instagram (@wckonductor) or X (@jevoke).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

What if your art could both heal your community & pay your bills? If you're a musician or creative itching to drive real-world change without sacrificing your livelihood, this episode maps a path: how Music to Life evolved from a songwriting contest into a rigorous accelerator that helps artists design, fund, and measure community projects—so you can make change while making a living. Learn how Music To Life helps musicians turn a community cause into a sustainable enterpriseSee real models you can adapt: Vanessa Lively's Home Street Music built 500+ song circles, 230 sessions, & raised ~$200K serving unhoused neighbors in Austin.Learn about proven impact from Benny Esguerra's mobile studio that measured violence reduction to poet-healer Myles Bullen co-facilitating prison education to process tough emotions and build trust.Tune in to hear strategies & stories that helped artists step off the stage and into community change—without abandoning the craft that got them there. Notable MentionsPeopleLiz Sunde – Co-founder and Executive Director of Music to Life, an organization empowering socially conscious musicians to become change agents in their communities .Bill Cleveland – Host of Art Is Change and Director of the Center for the Study of Art & Community, long-time advocate for artists as community leaders .Paul Stookey – Renowned singer-songwriter, member of the legendary folk trio Peter, Paul and Mary, and co-founder of Music to Life .Vanessa Lively – Austin-based singer-songwriter and founder of Home Street Music, a program using music circles to support people experiencing homelessness .Dick Crispo – Artist who co-created the longest indoor mural in the world at Soledad Prison, known for his community arts practice .Beny Esguerra – Toronto-based musician and educator, founder of the Mobile Studio Project using music to reduce gang violence through recording sessions .Myles Bullen – Indigenous poet/ rap artist from Maine, who collaborated with University of Maine Augusta faculty on prison-based education blending poetry and Holocaust studies .Barbara Schaffer Bacon – Arts leader and consultant, co-director of Animating Democracy at Americans for the Arts, key in helping Music to Life secure Mellon Foundation support .John Lewis – Late U.S. Congressman and civil rights icon, famous for urging people to make “good trouble” in the fight for justice .EventsKerrville Folk Festival – Long-running Texas festival where Music to Life hosted a 10-year social justice songwriting contest, spotlighting emerging activist musicians .

Join The Patreon for the Maximum amount of extra content: https://www.patreon.com/MaximumZach    In this episode, Zach talks to multi-talented musician and actress Rosita! They talk about her brand-new EP TRIAL AND ERROR which is out now, being allergic to shellfish, the ghost of her grandma, and her new show American Gangsters: Trap Queens.Follow them on Instagram: https://www.instagram.com/rosegottalents/________________________________________________________________________ Zach Holmes, AKA Zackass from Jackass Forever, is on a mission to become the most Maximum Zach he can be. To do so, he'll interview the brightest minds in tech, science & medicine...and if he can't get them, he'll probably just talk to his comedy, Hollywood, porn & skater pals. Join The Patreon for the Maximum amount of extra content: https://www.patreon.com/MaximumZach Subscribe to the channel: https://www.youtube.com/@maximumzachtvListen on Apple Podcasts: https://podcasts.apple.com/us/podcast/maximum-zach/id1707698909 Listen on Spotify: https://open.spotify.com/show/1j2PTiAN8kmvmvr6Un7QLZ?si=b9007e1555a14834 Instagram: https://www.instagram.com/zackass/ https://www.instagram.com/maxzachpod Book Zach On Cameo! https://www.cameo.com/zackass ________________________________________________________________________ See Zach LIVE!More dates coming soon!________________________________________________________________________ Maximum Zach is produced by Cosmic Monkey Recorded at F22 Studios - Burbank, CA #MaximumZach #Zackass #rosita

Timecodes: 0:00 Start 00:15 Sammy Adams' bad fall that led him to be almost paralyzed 10:53 Quinn Xcii Joins the show 01:18:36 Nate's parents messed him up 01:32:07 Dave Portnoy vs Nate Poker Match 01:57:46 Generational Talent Debate 02:03:39 Rico Bosco joins the show 02:11:41 Can "content creators" call themselves "artists"? +++++++++++++++++++++++++++ Gametime: Download the Gametime app today and use code KFC for $20 off your first purchase Hexclad: Find your forever cookware @hexclad and get 10% off at https://hexclad.com/KFC! #hexcladpartner Draft Kings: Gambling Problem? Call 1-800-GAMBLER. Help is available for problem gambling. Call (888) 789-7777 or visit ccpg.org (CT). 18+ (19+ AL/NE, 21+ AZ/MA/VA). Valid only where Pick6 operates, see dkng.co/pick6states. Void in NY, ONT, and where prohibited. Eligibility restrictions apply. 1 per new DraftKings customer. $5+ first Pick Set to receive max. $50 issued as non-withdrawable Bonus Picks that expire in 14 days (336 hours). Ends 10/13/25 at 11:59 PM ET. Terms: pick6.draftkings.com/promos Sponsored by DraftKings. Quince: Go to https;//Quince.com/KFC for free shipping on your order and 365-day returns. Jackpocket: GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). 18+ (19+ in NE, 21+ in AZ). Physically present where Jackpocket operates. Jackpocket is a lottery courier and not affiliated with any State Lottery. Eligibility restrictions apply. Void where prohibited. 1 per new customer. Opt-in for $5 in non-withdrawable Lottery Credits that expire in 7 days (168 hours). Ends 9/30/25 at 11:59PM ET. Terms: jkpt.co/draw5. Based on 2025 iOS download data collected by Sensor Tower. Sponsored by Jackpocket. Fox One: Start your 7 Day Free Trial today. Offers are subject to change. Go to FOX One for complete terms and conditions. FOX One. We Live For Live. Streaming Now.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

A2thaMo talks about The Simpsons, South Park, Colbert, Technology, Video Games, He is Coming, Baldur's Gate 3, Music Making, MMJ Dr Visit, Naked Gun, and more while playing music!Show Them Some Love - Sir NastyI'mma Star ft FPN norway, Karmaa - CorriIntermission - A2thaMo

Steve and Stuart rummage through the TPOM inbox and pull out some brand new listeners' questions to answer (send yours into us here: thepriceofmusicpodcast@gmail.com) – Does the money from a stream get split evenly?Do artists get paid if a festival is cancelled?How do music-making AIs get trained?What is Spotify's Discovery Mode?PLUS: they go over the UK government's reforms for artists.And in the special post-show lock-in section just for our Patreon Superfans, Steve and Stu chat about:Is the music industry really ready for the AI revolution or is it about to be caught on the hop?How many author pseudonyms has Steve used over the years?Which fan club was Stu in, and why did someone burp at him down a telephone as a result?As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: thepriceofmusicpodcast@gmail.com======Support The Price of Music on Patreon:https://www.patreon.com/ThePriceofMusicFollow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship, email - joe@musically.com

Episode: 1414 Viewing America through advertisements in Appleton's magazine, 1869.  Today, advertisements just after the Civil War.

Comedian Jay Pharaoh stops by ahead of his shows at the Helium Comedy Club in Alpharetta, May 2 through 4. Plus, The Peachtree Road United Methodist Church is celebrating its centennial all year long, and we hear about their upcoming concert, “Celebrate the Joy: 100 Years of Music Making.”See omnystudio.com/listener for privacy information.

“Sometimes my students ask me if I worry about the future of choral music with advanced technology, AI, but I really am not concerned at all. The way that I see it, the act of making music with each other, the need to connect with each other – I don't see that going away anytime soon. To connect through honest, authentic communication that is not a digital platform – people want that. I'm excited for the future of choral music.”Dr. Michael Murphy is the director of choral activities and a professor in Stephen F. Austin State University's School of Music, where he teaches choral conducting, ensembles, repertoire and methods courses, and oversees the graduate conducting program.Before joining the School of Music faculty in 2017, Murphy was the director of choral activities and associate professor at the University of Idaho for nine years. During this time, he was founder and artistic director of the Idaho Bach Festival and was recognized with the UI Faculty Award for outstanding scholarship, teaching and engagement.He is an active clinician, adjudicator and author, and research interests include training and developing the holistic conductor, rehearsal techniques, new choral compositions and investing and creating impactful connections in our global community through music.Murphy's international conducting and teaching experiences include Austria, China, Czech Republic, Ecuador, England, Germany, Norway, Panama and Sweden. The Confucius Institute awarded Murphy with the "Understanding China Fellowship" and asked him to serve as visiting scholar at Sun Yat-sen University, South China University of Technology and Guangzhou University of Foreign Studies.Murphy is the coauthor and editor of "Conducting Primer in Practice," has been published several times in "Choral Journal" and contributed to volume four of "Teaching Music Through Performance in Choir."As a passionate champion of music for all, Murphy has experience teaching all ages and levels and several auditioned and non auditioned collegiate, community, school and church choirs. His choirs have been invited to perform for several state and regional American Choral Directors Association and The National Association for Music Education conferences. He also has held several international, national and state leadership positions in International Choral Conductors Federation, ACDA, NAfME, and National Collegiate Choral Organization.Murphy received his degrees in conducting and choral music education from Florida State University and East Carolina University.To get in touch with Michael, you can email him at murphymt2@sfasu.edu or find him on Facebook or Instagram.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Canva is getting AI image generation, interactive coding, spreadsheets, and more; WhatsApp introduces new features across chats, calls, and channels Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode, Jen had the opportunity to connect with Gillian Desmarias to talk about the impact of digital music making and songwriting for non-traditional music students. Gillian shares insights into her experiences as an educator and some of the tools and curriculum she leverages to provide an extraordinary opportunity to her students.You can learn more about Gillian here: https://www.soundteched.com/

Send us a textUnlocking The Secrets Of Music Making: How Hip Video Promo Is Changing The Game!#mustwatch #music #musicvideos #rock #pop #hiphop #country #hipvideopromo #lyricvideoHIP Video Promo understands that in today's competitive landscape, your music and visuals are what set you apart. With over 20 years of trusted experience, our dedicated team provides a comprehensive approach, seamlessly integrating music video marketing, publicity, and creative content creation under one roof.As both creators and promoters, we offer the complete package. Our in-house creative team produces professional music videos, lyric videos, engaging social media content, and dynamic sizzle reels—ensuring your visuals captivate and connect with your audience.From crafting impactful artist bios to executing targeted promotions across platforms like YouTube, Spotify, terrestrial and streaming TV, retail stores, gyms, restaurants, and more, we cover every angle to amplify your reach.Website: https://www.hipvideopromo.com/*Call us directly at (732) 613-1779*Email us at info@hipvideopromo.comFacebook: https://www.facebook.com/hipvideopromo/Instagram: https://www.instagram.com/hipvideopromoX: https://x.com/HIPVideoPromoTikTok:  https://www.tiktok.com/ ⁨@HIPVideoPromo⁩ Youtube: https://www.youtube.com/ ⁨@HIPVideoPromoThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Have you ever wondered what Sound Healing is and how to incorporate it into your music? In this episode Xylo speaks to sound healer, composer and producer, Fatima Teixeira about an overview of sound healing, how it can benefit us and how to entwine sound healing principles in our music making.Distrokid has kindly offered all MPW listeners a 30% discount off the first year of their annual subscription! Use the following link to redeem the discount: ⁠⁠⁠⁠⁠https://distrokid.com/vip/mpw⁠Learn more about Fatima, book sound healing sessions, mentoring and more : https://fatimateixeira.com/

In this conversation, Rob & Noah from TheTaxpayers discuss their journey back to music after nearly a decade without a new album. They explore the themes of their upcoming release 'Circle Breaker', including trauma, loss, & the hope that follows. The band reflects on the resurgence of interest in their music, particularly through platforms like TikTok, & compares their past, more DIY shows to their recent performances, noting the differences in venue dynamics & audience engagement. Along with Pepe, they delve into topics like hot sauce, the bonds formed during challenging times & personal stories about forgiveness & redemption, emphasizing that no one is beyond hope. The discussion also touches on touring in Australia & the unique experiences there. The conversation wraps up delving into the nature of reality & the intriguing concept of Bigfoot & UFOs, suggesting a deeper spiritual connection to such phenomena.Support the podcast/get bonus episodes + goodspatreon.com/BackontheGrindHIGHLIGHTS:The theme of circles on their upcoming album Circle BreakerUnexpected TicToc fameShows then & nowThoughts on sound checksNoah & Rob give Pepe suggestions of what his potential venue should offerAlcohol Vs. no alcohol in venuesThe importance of inclusive, all ages spaces for musicMaking hot sauce at home & in prisonTime in TasmaniaRadical forgiveness & redemptionLosing friends to suicideRob discusses the duality of people who can be both generous & troubledThe impact of simple gestures can save lives, as shared by PepeThe discussion on Bigfoot & UFOs leads to deeper questions about reality & perceptionConnect with The Taxpayersinstagram.com/the_taxpayers/thetaxpayersband.comGet Coffee for the Bandit in you; roasted by PepeStayFreeCoffee.comFollow the podcast on Instagraminstagram.com/backonthegrindpod/?hl=engramSend us questions, comments or topic suggestions toPodcast@BackOnTheGrindRecords.comLeave a comment/question on Spotify or Instagram (we read them all)***Word of mouth really matters to us. Here's two simple things you can do to help keep this podcast going strong: Share your favorite episode with a friend who you think will also enjoy it.Leave us a rating or review. It will help us reach & support more folks like you & that's why we do this :)Stay Free until next time! Hosted on Acast. See acast.com/privacy for more information.

This one goes out to all the singing mamas out there, the musical mamas to be, the singers who also aspire to be mothers one day.     Can we just say… motherhood is hard!  It is both the most difficult thing I've ever done AND the most rewarding.    So what does all of this mean for your creative life, your music, your voice, your art?    Today's episode is more of a candid, open conversation in which I'll share a bit of my story, but I also want to give you some ideas in terms of what has worked for me when it comes to balancing motherhood and artistry as a singer.  I hope this episode will give you a dose of encouragement to keep singing through it all, and reassurance that you can do and be both.    Though it may look different and require adaptation… though it may feel impossible to find the time and energy for singing and making music when you've been pouring everything you have into your children… you can be BOTH a mother AND an artist.    

Your hosts with the most return from a trip to California where many discussions were had about Old Blood's future plans, lunch was had with Wes Borland, and all ended in the Effector Market Anaheim popup. So, they wanted to catch you up and also catch up with you: this one's full of listener voicemails and all about the year ahead.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's latest Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

We return from our holiday break with Tyler Gilmore, who you may know as BlankFor.ms! Tyler is most known as an electronic artist, using tape loops, pedals, synths, and other textural elements to create evocative slow-moving songs. It may surprise the listener, then, that his object is the trumpet! It's the instrument that started it all for him, and we all learn about his journey with it, then away from it, and perhaps back to it? Only time will tell. In the meantime, we talk about the bodily experience of instruments, some different things our listeners bought over the holidays, Andy's rabbithole of servicemen strats, and a lot of other things along the way. Enough reading start listening! Check out BlankFor.ms: https://www.blankfor-ms.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @blankfor.ms, @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

In episode 82, Kathryn and Theresa sit down with Matthew Stensrud, an accomplished music educator specializing in elementary music, responsive classroom techniques, and Orff Schulwerk approaches. Matthew shares his journey into music education, including his inspiration from mentors and his passion for creating inclusive and empowering music classrooms. He emphasizes the importance of fostering a sense of belonging and community where students feel safe to take creative risks. Matthew discusses actionable strategies for passing the baton to students, including movement activities, personalized compositions, and creating opportunities for student choice and voice. Highlights include empowering students through movement exercises like snowflake-inspired choreography and fourth-grade rap projects tied to identity and intersectionality. This episode is packed with practical ideas and insights to inspire music educators to cultivate creativity, collaboration, and a sense of ownership in their classrooms. Tune in to learn how small shifts in teaching practices can create transformative learning experiences for students. Website: www.mistersorff.com Patreon: www.patreon.com/mistersorff Instagram: @mistersorff Book: Responsive Classroom for Music, Art, PE, and Other Special Areas Book Recommendation: Intersection Allies: We Make Room for All Learn more about Pass the Baton: Pass the Baton website:⁠⁠⁠⁠ https://www.passthebatonbook.com/⁠⁠⁠⁠ Join the Coffee Club: https://buymeacoffee.com/passthebaton/membership  Support Pass the Baton: https://www.buymeacoffee.com/passthebaton Amplify student voice with Exit Tickets for Self Reflection! Get it for free now: ⁠⁠⁠⁠https://landing.mailerlite.com/webforms/landing/f8l7g9

Find more about Jason on:YouTube: https://www.youtube.com/c/workingclassmusicYouTube: https://www.youtube.com/@JasonTMaysInstagram: https://www.instagram.com/jasontmaysInstagram: https://www.instagram.com/wcmshowSponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Summer School Electronics: https://www.summerschoolelectronics.com/Summer School Electronics (Instagram): https://www.instagram.com/summerschoolelectronics/Affiliate LinksTourGear Designs: https://www.tourgeardesigns.com/discount/40WATTGet 10% off with code 40WATT at checkout!Rattlesnake Cables: https://www.rattlesnakecables.com/40watt/Get 20% off by using the link!TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends. Support the show

David Rowell is a veteran music journalist who has worked as an editor and writer at the Washington Post for over 20 years. Stewart Copeland of the Police said "David Rowell is the kind of critic that scares us musicians. He really gets it, maybe even more than we do."  David is here to talk about his new book The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. In it he expores the popularity of legacy acts and tribute acts and the challenges it creates for new musicians trying to get their music heard. David raises the question "do we even want new music?" We discuss his take on the trajectory of the music industry and what it means for artists like many of us, who create original music, and our culture in general. Finish-February 3-Day In-Person Workshop at Ableton's Pasadena Headquarters - https://brianfunk.gumroad.com/l/kwhsgv Listen on Apple, Spotify, YouTube Takeaways: The abundance of new music can be overwhelming for listeners. Investing in music through purchase creates a deeper connection. Nostalgic listening experiences shape our relationship with music. MTV revolutionized music consumption and artist visibility. The desire for new music is declining among audiences. Tribute bands reflect a growing preference for familiar music. Hologram performances raise ethical questions about music consumption. Nostalgia is a powerful marketing tool in the music industry. The emotional connection to music is vital for artists and fans. Venture capitalists are reshaping music consumption. Listeners are increasingly exposed to nostalgic music. Streaming services have changed how we discover music. Albums today don't linger in cultural impact as before. Tribute bands provide a living for many musicians. New music discovery requires intentional effort. Cultural references in music are becoming less shared. Links: David's Website - https://www.davidrowellauthor.com The Endless Refrain: Memory, Nostalgia, and the Threat to New Music - https://amzn.to/4gD4lno Wherever the Sound Takes You: Heroics and Heartbreak in Music Making - https://amzn.to/4iCgBq8 Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Yesterday, we featured a conversation with Jonathan Taplin about the dearth of high quality contemporary music and movies. The music writer, David Rowell, agrees with Taplin, but goes one step further, suggesting that we no longer even like new music. In his new book, The Endless Refrain, Rowell the rise of music streaming and the consolidation of digital platforms has so decimated the musical landscape that all we want to listen to now are the old hits of our youth. New music then, for Rowell, is being destroyed by new technology. The internet has frozen culture into a nostalgic mixtape of greatest hits. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His books include the novel The Train of Small Mercies, Wherever the Sound Takes You: Heroics and Heartbreak in Music Making and The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. He lives with his wife just outside of Chapel Hill.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Today we're joined by Sean Mackowski of Tallon Electric. Before the episode, we thought his object was going to be an amp, but as we get into it, we realize it's all about The Noise, his new pedal collaboration with the band Alpha Wolf. We talk about pedal usage in modern medal and heavy music in general, and various approaches to gain, octaves, and momentary bursts of sound. This one's inspired by the new wave of players using pedals as instrumental elements of the heaviest riffs around. Also, Andy and I are taken aback when we find out what band Sean used to be in. It's a fun one, so dive in!Check out Tallon Electric: https://tallonelectric.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @tallonelectric, @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Sonic Bending Extraordinaire Frequency Control Centre joins us for this week's musings as we're checking out the specs of the new Polyend synth and pondering on whether it's up to the mark when it comes to synthesis. In the Round Robin this week we're headed for a trip down memory lane as we go back to our roots to share our origin stories, how we came into the music world and what set us on the path of production. Help Support the Channel: Patreon: https://patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli, Stephen Setzepfandt, Mike K Smith & Justin Licameli Lars Haur - Audionaut Engineer Jonathan Goode - Audionaut Producer Sunwarper: https://sunwarper.com Kh3rtis: https://kh3rtis.com

Don't care all that much for new music these days? You're not alone and our guest is going to explain why. On the podcast is author David Rowell. His book is titled The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. The veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture. In The Endless Refrain, Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists “touring” via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. For nearly 25 years David was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making.Purchase a copy of The Endless Refrain: Memory, Nostalgia, and the Threat to New Music Visit David Rowell's website---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Today's all about Dark Star! After many cagey teasers, we reveal all about the new pedal and what it means for Old Blood. We take your voicemails, we tell tales of what it took to make the thing, and we get consistently distracted. Hope you like your hosts as much as you like our latest lofi reverb instrument!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill. David Rowell's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

That's right, this week it's just your hosts with the mosts talkin ghosts. Just kidding, this episode's pretty low on tricks and treats and frights and whatnot, but we did get some voicemails about spooky gear and we go off on some tangents from there. We're pretty confident this is the only podcast in the world that links discussion of what makes for a scary sound with the specifics of the treadle action on a Danelectro Shift Daddy, so if that's up your alley, boy have you landed in the right place. We also talk about dreams and other inevitabilities. Dive in!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Today we're joined by Chris Benson of Benson Amps. We're catching up with him after a busy year of releases and Benson Fest, and talking with him about the Bogen Challenger PA that became the first Monarch. This one's a casual conversation, where we take roughly an hour before we get to the object, distracted along the way by discussion of how we interact with the internet, breaking assumptions about the sound of any given component, taking time to play the devices we've created, hot soldering, and getting some absolute gems of wisdom from Chris. It's a great time with our favorite amp builder, now dive on in!Check out Benson Amps: https://www.bensonamps.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @bensonamps, @molterband, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

BADDEST FROM 2000'S (00:02:46) INTRO (00:07:43) THE ONLY RAT WE JACK? (00:14:16)  MUSIC MAKING (00:21:47)  DO YOU ACCEPT HELP? (00:25:47) WHEN YOU SHOULD STOP TRYING (00:34:32)  SUPPORT TO RECIVE (00:41:55)  OTHER CULTURES WOMEN(00:50:00) TESLA UPDATES (00:54:46)  GET IT OFF YA CHEST (01:00:23LEAVE US A RATING!!!!!!Follow our mains on IG@iam__nas_@sirmisterbizz @DmaGotDaJuice Audio Mixed by @dmagotdajuiceNothing But Discussion Social's!!!https://instagram.com/nothingbutdiscussion?igshid=YmMyMTA2M2Y=Twitter: https://twitter.com/nothingbutdisc1https://www.tiktok.com/@nothingbutdiscussion?_t=8aWHYLqrOv5&_r=1LAST VIDEO w GHFhttps://www.youtube.com/watch?v=wTF7GPma8PE

Ok wow, what an episode for you here. Hope you're not easily spooked!! Anyway, Dan is in Europe, so in lieu of the normal format we will be listening to voice messages dispatched from Dan himself during his travels to Guitar Summit in Germany. A few very special guests are featured! Andy is joined by our first returning guest, Jeremy SH Griffith. Jeremy talked about a TEAC reel-to-reel on a previous episode, but he's learned some new things about it since then. Jeremy has such good stories. God I hate writing these, Dan please come back.Shouts out to Dave Mantel for some sick RX on Jeremy's recording.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Today we're joined by one of the founders of Old Blood Noise Endeavors: Brady Smith! You may know his history with Keeley, Walrus, and Old Blood, but today we're here to talk about his history with a particular amp you may know as Marsnall: the Marshall JMP that's been his mainstay for decades. We start with a lot of discussion of the Eastside Music Supply 10 Year Anniversary party and the fun people and gear we encountered there, then take some voicemails aimed specifically at Brady, then finally get into his object and how it's informed not only his playing but his ear as a pedal designer, through both its presence and its absence. This is a fun one folks!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Today we're joined by Michael Nicosia, purveyor of incredible tone and owner of one of our favorite brick and mortar shops: Relic Music in Red Bank, New Jersey. We start with some of our most disappointing pedal purchases, talk about dream collaborations and the new EHX POG3, then get to Mike's object: the Hiwatt DR103. We talk about his journey toward finding a vintage example, pairing it with various cabs and speakers, and how it's been a central part of his sound for the last two decades. This one's about good gear and good people - get into it!Buy yourself some carefully curated gear from Relic: https://relicmusicshop.com/Or some pedals direct from OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @relicmusicshop, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Chelsea is joined by Jennie Ribadeneira, Center Director of Capital City Music Together. They discuss how music boosts early childhood development, offering tips for parents to engage kids in musical activities from a young age.For more information: Website - www.capitalcitymusictogether.comFacebook - https://www.facebook.com/profile.php?id=100064778779401Instagram - https://www.instagram.com/ccmusictogether/ Project Parenthood is hosted by Chelsea Dorcich. A transcript is available at Simplecast.Have a parenting question? Email Chelsea at parenthood@quickanddirtytips.com or leave a voicemail at 646-926-3243.Find Project Parenthood on Facebook and Twitter, or subscribe to the Quick and Dirty Tips newsletter for more tips and advice.Project Parenthood is a part of Quick and Dirty Tips.Links: https://www.quickanddirtytips.com/https://www.quickanddirtytips.com/subscribehttps://www.facebook.com/QDTProjectParenthoodhttps://twitter.com/qdtparenthood  

Fun With Dumb Ep #284: All the way from Sydney Australia, we're joined by Audiophile/Radio Host/DJ/Content Creator Derrick Gee as we talk about the coining sub-genres, finding music gems, and the business of Kpop. Thank You To Our Sponsor Zocdoc: https://www.zocdoc.com/dumb Join Our Patreon: https://patreon.com/funwithdumb Business Inquiries: dfd@dumbfoundead.com More FWD: https://linktr.ee/funwithdumb Hosted By Jonnie "Dumbfoundead" Park Dumbfoundead: @dumbfoundead   https://www.instagram.com/dumbfoundead Follow Rek: https://www.instagram.com/rekstizzy Follow Derrick Gee: https://www.instagram.com/gee_derrick/ Intro Animation by: @yeetheeast Intro Song by: @sweater_beats Fun With Dumb Producers:  Jonnie "Dumbfoundead" Park Dave Wu Alex the Intern Special Thanks to Our Patreon Family Members: Jessica A Walker Justin S Andrew Y Jason Y Allen L Julio Obvious Lee Chris M Davis Learn more about your ad choices. Visit megaphone.fm/adchoices

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Charlies takes the questions you email him at Freedom@CharlieKirk.com including:   -Why does playing classical music outside a store ward off criminals? -Why are suicides at a record high in America? -How can you convince your child to reject Marxism? -Why is Charlie the only person on earth not excited for an Elon Musk v. Mark Zuckerberg fight?Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Daphne Guinness is many things—a fashion icon, a model, a muse, an heiress, a designer—but today, she's here to discuss a lifelong passion that she began to seriously pursue a decade ago after an already remarkable career: music. Over the past 10 years, Guinness has written and recorded four albums, the latest of which will be released this November. She's walking us through how she stumbled into writing music almost accidentally, why she's always chosen to create art independently, and how the joy of learning new things has shaped her life. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.