Podcasts about music making

Comedian Jay Pharaoh stops by ahead of his shows at the Helium Comedy Club in Alpharetta, May 2 through 4. Plus, The Peachtree Road United Methodist Church is celebrating its centennial all year long, and we hear about their upcoming concert, “Celebrate the Joy: 100 Years of Music Making.”See omnystudio.com/listener for privacy information.

“Sometimes my students ask me if I worry about the future of choral music with advanced technology, AI, but I really am not concerned at all. The way that I see it, the act of making music with each other, the need to connect with each other – I don't see that going away anytime soon. To connect through honest, authentic communication that is not a digital platform – people want that. I'm excited for the future of choral music.”Dr. Michael Murphy is the director of choral activities and a professor in Stephen F. Austin State University's School of Music, where he teaches choral conducting, ensembles, repertoire and methods courses, and oversees the graduate conducting program.Before joining the School of Music faculty in 2017, Murphy was the director of choral activities and associate professor at the University of Idaho for nine years. During this time, he was founder and artistic director of the Idaho Bach Festival and was recognized with the UI Faculty Award for outstanding scholarship, teaching and engagement.He is an active clinician, adjudicator and author, and research interests include training and developing the holistic conductor, rehearsal techniques, new choral compositions and investing and creating impactful connections in our global community through music.Murphy's international conducting and teaching experiences include Austria, China, Czech Republic, Ecuador, England, Germany, Norway, Panama and Sweden. The Confucius Institute awarded Murphy with the "Understanding China Fellowship" and asked him to serve as visiting scholar at Sun Yat-sen University, South China University of Technology and Guangzhou University of Foreign Studies.Murphy is the coauthor and editor of "Conducting Primer in Practice," has been published several times in "Choral Journal" and contributed to volume four of "Teaching Music Through Performance in Choir."As a passionate champion of music for all, Murphy has experience teaching all ages and levels and several auditioned and non auditioned collegiate, community, school and church choirs. His choirs have been invited to perform for several state and regional American Choral Directors Association and The National Association for Music Education conferences. He also has held several international, national and state leadership positions in International Choral Conductors Federation, ACDA, NAfME, and National Collegiate Choral Organization.Murphy received his degrees in conducting and choral music education from Florida State University and East Carolina University.To get in touch with Michael, you can email him at murphymt2@sfasu.edu or find him on Facebook or Instagram.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Canva is getting AI image generation, interactive coding, spreadsheets, and more; WhatsApp introduces new features across chats, calls, and channels Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode, Jen had the opportunity to connect with Gillian Desmarias to talk about the impact of digital music making and songwriting for non-traditional music students. Gillian shares insights into her experiences as an educator and some of the tools and curriculum she leverages to provide an extraordinary opportunity to her students.You can learn more about Gillian here: https://www.soundteched.com/

Send us a textUnlocking The Secrets Of Music Making: How Hip Video Promo Is Changing The Game!#mustwatch #music #musicvideos #rock #pop #hiphop #country #hipvideopromo #lyricvideoHIP Video Promo understands that in today's competitive landscape, your music and visuals are what set you apart. With over 20 years of trusted experience, our dedicated team provides a comprehensive approach, seamlessly integrating music video marketing, publicity, and creative content creation under one roof.As both creators and promoters, we offer the complete package. Our in-house creative team produces professional music videos, lyric videos, engaging social media content, and dynamic sizzle reels—ensuring your visuals captivate and connect with your audience.From crafting impactful artist bios to executing targeted promotions across platforms like YouTube, Spotify, terrestrial and streaming TV, retail stores, gyms, restaurants, and more, we cover every angle to amplify your reach.Website: https://www.hipvideopromo.com/*Call us directly at (732) 613-1779*Email us at info@hipvideopromo.comFacebook: https://www.facebook.com/hipvideopromo/Instagram: https://www.instagram.com/hipvideopromoX: https://x.com/HIPVideoPromoTikTok:  https://www.tiktok.com/ ⁨@HIPVideoPromo⁩ Youtube: https://www.youtube.com/ ⁨@HIPVideoPromoThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Have you ever wondered what Sound Healing is and how to incorporate it into your music? In this episode Xylo speaks to sound healer, composer and producer, Fatima Teixeira about an overview of sound healing, how it can benefit us and how to entwine sound healing principles in our music making.Distrokid has kindly offered all MPW listeners a 30% discount off the first year of their annual subscription! Use the following link to redeem the discount: ⁠⁠⁠⁠⁠https://distrokid.com/vip/mpw⁠Learn more about Fatima, book sound healing sessions, mentoring and more : https://fatimateixeira.com/

In this conversation, Rob & Noah from TheTaxpayers discuss their journey back to music after nearly a decade without a new album. They explore the themes of their upcoming release 'Circle Breaker', including trauma, loss, & the hope that follows. The band reflects on the resurgence of interest in their music, particularly through platforms like TikTok, & compares their past, more DIY shows to their recent performances, noting the differences in venue dynamics & audience engagement. Along with Pepe, they delve into topics like hot sauce, the bonds formed during challenging times & personal stories about forgiveness & redemption, emphasizing that no one is beyond hope. The discussion also touches on touring in Australia & the unique experiences there. The conversation wraps up delving into the nature of reality & the intriguing concept of Bigfoot & UFOs, suggesting a deeper spiritual connection to such phenomena.Support the podcast/get bonus episodes + goodspatreon.com/BackontheGrindHIGHLIGHTS:The theme of circles on their upcoming album Circle BreakerUnexpected TicToc fameShows then & nowThoughts on sound checksNoah & Rob give Pepe suggestions of what his potential venue should offerAlcohol Vs. no alcohol in venuesThe importance of inclusive, all ages spaces for musicMaking hot sauce at home & in prisonTime in TasmaniaRadical forgiveness & redemptionLosing friends to suicideRob discusses the duality of people who can be both generous & troubledThe impact of simple gestures can save lives, as shared by PepeThe discussion on Bigfoot & UFOs leads to deeper questions about reality & perceptionConnect with The Taxpayersinstagram.com/the_taxpayers/thetaxpayersband.comGet Coffee for the Bandit in you; roasted by PepeStayFreeCoffee.comFollow the podcast on Instagraminstagram.com/backonthegrindpod/?hl=engramSend us questions, comments or topic suggestions toPodcast@BackOnTheGrindRecords.comLeave a comment/question on Spotify or Instagram (we read them all)***Word of mouth really matters to us. Here's two simple things you can do to help keep this podcast going strong: Share your favorite episode with a friend who you think will also enjoy it.Leave us a rating or review. It will help us reach & support more folks like you & that's why we do this :)Stay Free until next time! Hosted on Acast. See acast.com/privacy for more information.

This one goes out to all the singing mamas out there, the musical mamas to be, the singers who also aspire to be mothers one day.     Can we just say… motherhood is hard!  It is both the most difficult thing I've ever done AND the most rewarding.    So what does all of this mean for your creative life, your music, your voice, your art?    Today's episode is more of a candid, open conversation in which I'll share a bit of my story, but I also want to give you some ideas in terms of what has worked for me when it comes to balancing motherhood and artistry as a singer.  I hope this episode will give you a dose of encouragement to keep singing through it all, and reassurance that you can do and be both.    Though it may look different and require adaptation… though it may feel impossible to find the time and energy for singing and making music when you've been pouring everything you have into your children… you can be BOTH a mother AND an artist.    

talk

Your hosts with the most return from a trip to California where many discussions were had about Old Blood's future plans, lunch was had with Wes Borland, and all ended in the Effector Market Anaheim popup. So, they wanted to catch you up and also catch up with you: this one's full of listener voicemails and all about the year ahead.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's latest Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

We return from our holiday break with Tyler Gilmore, who you may know as BlankFor.ms! Tyler is most known as an electronic artist, using tape loops, pedals, synths, and other textural elements to create evocative slow-moving songs. It may surprise the listener, then, that his object is the trumpet! It's the instrument that started it all for him, and we all learn about his journey with it, then away from it, and perhaps back to it? Only time will tell. In the meantime, we talk about the bodily experience of instruments, some different things our listeners bought over the holidays, Andy's rabbithole of servicemen strats, and a lot of other things along the way. Enough reading start listening! Check out BlankFor.ms: https://www.blankfor-ms.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @blankfor.ms, @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

In episode 82, Kathryn and Theresa sit down with Matthew Stensrud, an accomplished music educator specializing in elementary music, responsive classroom techniques, and Orff Schulwerk approaches. Matthew shares his journey into music education, including his inspiration from mentors and his passion for creating inclusive and empowering music classrooms. He emphasizes the importance of fostering a sense of belonging and community where students feel safe to take creative risks. Matthew discusses actionable strategies for passing the baton to students, including movement activities, personalized compositions, and creating opportunities for student choice and voice. Highlights include empowering students through movement exercises like snowflake-inspired choreography and fourth-grade rap projects tied to identity and intersectionality. This episode is packed with practical ideas and insights to inspire music educators to cultivate creativity, collaboration, and a sense of ownership in their classrooms. Tune in to learn how small shifts in teaching practices can create transformative learning experiences for students. Website: www.mistersorff.com Patreon: www.patreon.com/mistersorff Instagram: @mistersorff Book: Responsive Classroom for Music, Art, PE, and Other Special Areas Book Recommendation: Intersection Allies: We Make Room for All Learn more about Pass the Baton: Pass the Baton website:⁠⁠⁠⁠ https://www.passthebatonbook.com/⁠⁠⁠⁠ Join the Coffee Club: https://buymeacoffee.com/passthebaton/membership  Support Pass the Baton: https://www.buymeacoffee.com/passthebaton Amplify student voice with Exit Tickets for Self Reflection! Get it for free now: ⁠⁠⁠⁠https://landing.mailerlite.com/webforms/landing/f8l7g9

Find more about Jason on:YouTube: https://www.youtube.com/c/workingclassmusicYouTube: https://www.youtube.com/@JasonTMaysInstagram: https://www.instagram.com/jasontmaysInstagram: https://www.instagram.com/wcmshowSponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Summer School Electronics: https://www.summerschoolelectronics.com/Summer School Electronics (Instagram): https://www.instagram.com/summerschoolelectronics/Affiliate LinksTourGear Designs: https://www.tourgeardesigns.com/discount/40WATTGet 10% off with code 40WATT at checkout!Rattlesnake Cables: https://www.rattlesnakecables.com/40watt/Get 20% off by using the link!TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends. Support the show

David Rowell is a veteran music journalist who has worked as an editor and writer at the Washington Post for over 20 years. Stewart Copeland of the Police said "David Rowell is the kind of critic that scares us musicians. He really gets it, maybe even more than we do."  David is here to talk about his new book The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. In it he expores the popularity of legacy acts and tribute acts and the challenges it creates for new musicians trying to get their music heard. David raises the question "do we even want new music?" We discuss his take on the trajectory of the music industry and what it means for artists like many of us, who create original music, and our culture in general. Finish-February 3-Day In-Person Workshop at Ableton's Pasadena Headquarters - https://brianfunk.gumroad.com/l/kwhsgv Listen on Apple, Spotify, YouTube Takeaways: The abundance of new music can be overwhelming for listeners. Investing in music through purchase creates a deeper connection. Nostalgic listening experiences shape our relationship with music. MTV revolutionized music consumption and artist visibility. The desire for new music is declining among audiences. Tribute bands reflect a growing preference for familiar music. Hologram performances raise ethical questions about music consumption. Nostalgia is a powerful marketing tool in the music industry. The emotional connection to music is vital for artists and fans. Venture capitalists are reshaping music consumption. Listeners are increasingly exposed to nostalgic music. Streaming services have changed how we discover music. Albums today don't linger in cultural impact as before. Tribute bands provide a living for many musicians. New music discovery requires intentional effort. Cultural references in music are becoming less shared. Links: David's Website - https://www.davidrowellauthor.com The Endless Refrain: Memory, Nostalgia, and the Threat to New Music - https://amzn.to/4gD4lno Wherever the Sound Takes You: Heroics and Heartbreak in Music Making - https://amzn.to/4iCgBq8 Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Yesterday, we featured a conversation with Jonathan Taplin about the dearth of high quality contemporary music and movies. The music writer, David Rowell, agrees with Taplin, but goes one step further, suggesting that we no longer even like new music. In his new book, The Endless Refrain, Rowell the rise of music streaming and the consolidation of digital platforms has so decimated the musical landscape that all we want to listen to now are the old hits of our youth. New music then, for Rowell, is being destroyed by new technology. The internet has frozen culture into a nostalgic mixtape of greatest hits. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His books include the novel The Train of Small Mercies, Wherever the Sound Takes You: Heroics and Heartbreak in Music Making and The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. He lives with his wife just outside of Chapel Hill.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Today we're joined by Sean Mackowski of Tallon Electric. Before the episode, we thought his object was going to be an amp, but as we get into it, we realize it's all about The Noise, his new pedal collaboration with the band Alpha Wolf. We talk about pedal usage in modern medal and heavy music in general, and various approaches to gain, octaves, and momentary bursts of sound. This one's inspired by the new wave of players using pedals as instrumental elements of the heaviest riffs around. Also, Andy and I are taken aback when we find out what band Sean used to be in. It's a fun one, so dive in!Check out Tallon Electric: https://tallonelectric.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @tallonelectric, @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Sonic Bending Extraordinaire Frequency Control Centre joins us for this week's musings as we're checking out the specs of the new Polyend synth and pondering on whether it's up to the mark when it comes to synthesis. In the Round Robin this week we're headed for a trip down memory lane as we go back to our roots to share our origin stories, how we came into the music world and what set us on the path of production. Help Support the Channel: Patreon: https://patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli, Stephen Setzepfandt, Mike K Smith & Justin Licameli Lars Haur - Audionaut Engineer Jonathan Goode - Audionaut Producer Sunwarper: https://sunwarper.com Kh3rtis: https://kh3rtis.com

Don't care all that much for new music these days? You're not alone and our guest is going to explain why. On the podcast is author David Rowell. His book is titled The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. The veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture. In The Endless Refrain, Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists “touring” via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. For nearly 25 years David was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making.Purchase a copy of The Endless Refrain: Memory, Nostalgia, and the Threat to New Music Visit David Rowell's website---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Today's all about Dark Star! After many cagey teasers, we reveal all about the new pedal and what it means for Old Blood. We take your voicemails, we tell tales of what it took to make the thing, and we get consistently distracted. Hope you like your hosts as much as you like our latest lofi reverb instrument!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill. David Rowell's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill. David Rowell's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill. David Rowell's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill. David Rowell's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill. David Rowell's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture ... In The Endless Refrain: Memory, Nostalgia, and the Threat to New Music (Melville House, 2024), former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists "touring" via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell's book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it. David Rowell grew up in North Carolina and graduated from the University of North Carolina at Chapel Hill. For nearly 25 years he was an editor at The Washington Post Magazine and has taught literary journalism in the MFA department at American University. He is currently a senior editor at the International Consortium of Investigative Journalists. His previous books include the novel The Train of Small Mercies, and Wherever the Sound Takes You: Heroics and Heartbreak in Music Making. He lives just outside of Chapel Hill. David Rowell's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

That's right, this week it's just your hosts with the mosts talkin ghosts. Just kidding, this episode's pretty low on tricks and treats and frights and whatnot, but we did get some voicemails about spooky gear and we go off on some tangents from there. We're pretty confident this is the only podcast in the world that links discussion of what makes for a scary sound with the specifics of the treadle action on a Danelectro Shift Daddy, so if that's up your alley, boy have you landed in the right place. We also talk about dreams and other inevitabilities. Dive in!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Today we're joined by Chris Benson of Benson Amps. We're catching up with him after a busy year of releases and Benson Fest, and talking with him about the Bogen Challenger PA that became the first Monarch. This one's a casual conversation, where we take roughly an hour before we get to the object, distracted along the way by discussion of how we interact with the internet, breaking assumptions about the sound of any given component, taking time to play the devices we've created, hot soldering, and getting some absolute gems of wisdom from Chris. It's a great time with our favorite amp builder, now dive on in!Check out Benson Amps: https://www.bensonamps.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @bensonamps, @molterband, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

BADDEST FROM 2000'S (00:02:46) INTRO (00:07:43) THE ONLY RAT WE JACK? (00:14:16)  MUSIC MAKING (00:21:47)  DO YOU ACCEPT HELP? (00:25:47) WHEN YOU SHOULD STOP TRYING (00:34:32)  SUPPORT TO RECIVE (00:41:55)  OTHER CULTURES WOMEN(00:50:00) TESLA UPDATES (00:54:46)  GET IT OFF YA CHEST (01:00:23LEAVE US A RATING!!!!!!Follow our mains on IG@iam__nas_@sirmisterbizz @DmaGotDaJuice Audio Mixed by @dmagotdajuiceNothing But Discussion Social's!!!https://instagram.com/nothingbutdiscussion?igshid=YmMyMTA2M2Y=Twitter: https://twitter.com/nothingbutdisc1https://www.tiktok.com/@nothingbutdiscussion?_t=8aWHYLqrOv5&_r=1LAST VIDEO w GHFhttps://www.youtube.com/watch?v=wTF7GPma8PE

Ok wow, what an episode for you here. Hope you're not easily spooked!! Anyway, Dan is in Europe, so in lieu of the normal format we will be listening to voice messages dispatched from Dan himself during his travels to Guitar Summit in Germany. A few very special guests are featured! Andy is joined by our first returning guest, Jeremy SH Griffith. Jeremy talked about a TEAC reel-to-reel on a previous episode, but he's learned some new things about it since then. Jeremy has such good stories. God I hate writing these, Dan please come back.Shouts out to Dave Mantel for some sick RX on Jeremy's recording.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Today we're joined by one of the founders of Old Blood Noise Endeavors: Brady Smith! You may know his history with Keeley, Walrus, and Old Blood, but today we're here to talk about his history with a particular amp you may know as Marsnall: the Marshall JMP that's been his mainstay for decades. We start with a lot of discussion of the Eastside Music Supply 10 Year Anniversary party and the fun people and gear we encountered there, then take some voicemails aimed specifically at Brady, then finally get into his object and how it's informed not only his playing but his ear as a pedal designer, through both its presence and its absence. This is a fun one folks!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Have a guest recommendation? Let us know!Welcome to the first episode of Beyond the Measure - Season 2!Many of us get so caught up in creating music that we forget that we are actually creating leaders. Student leadership and connection is the foundation of everything else we do in the classroom, and our success as a group depends on it. The goal, therefore, is to make the group greater than the sum of its parts. Teaching the music is easy, but having the students work well together is hard. So how do we do it?We are so excited to welcome our very first guest of the season, Mr. Mike Lunney, who is a retired band director that now spends his time mentoring music teachers. In this episode, Mike emphasizes the importance of connecting students together regardless of background, and how it makes the difference between "average" and "extraordinary."Download the show notes for this episode HERE. Follow our official Instagram page and become a part of the community!Connect with Mike on Facebook: https://www.facebook.com/mike.lunney.9Listen to the "Ask Mike" podcast: https://ntunemusic.com/askmike/N-Tune Music: https://ntunemusic.com/Culture Code, by Daniel Coyle: https://www.amazon.com/Culture-Code-Secrets-Highly-Successful/dp/0804176981/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr=Atomic Habits, by James Clear: https://www.amazon.com/Atomic-Habits-Proven-Build-Break/dp/0735211299Want a free piece of music for your ensemble to perform? Join Christian's mailing list!https://www.christianfortnermusic.com/mailings

In Episode 74, Kathryn and Theresa talk to Berry McWhorter about how his deep dive into Japanese music education transformed his approach to teaching. After discovering the impressive performance of Japanese middle school bands during his studies, Berry embarked on a journey to understand the unique student-led structure of Japanese music programs. He found that these programs place significant responsibility on students to lead rehearsals, manage performances, and even handle administrative tasks, all with minimal direct supervision from teachers. Inspired by this model, Berry applied similar strategies in his own high school band teaching. He encouraged student leadership by implementing student-led sectionals and allowing students to choose and conduct their concert pieces. This shift toward student ownership, influenced by the Japanese approach, created a more engaged and motivated classroom environment. Berry emphasizes that this method not only improves students' musical abilities but also instills valuable life skills such as independence, responsibility, and collaboration.  Connect with Berry and learn more: Instagram: @berry_mcwhorter_drums Bravo Music: https://bravomusic-inc.com/ Learn more about Pass the Baton: Pass the Baton website:⁠⁠⁠⁠ https://www.passthebatonbook.com/ Join the Coffee Club: https://buymeacoffee.com/passthebaton/membership Support Pass the Baton: https://www.buymeacoffee.com/passthebaton Amplify student voice with Exit Tickets for Self Reflection! Get it for free now: ⁠⁠⁠⁠https://landing.mailerlite.com/webforms/landing/f8l7g9

Grammy award-winning platinum music producer Henny Tha Bizness joins Overtime to talk about iPad music production, the benefits of simplicity, mastering your tools, why AI in music isn't as new of a concept as it may seem, and much more. 9to5Mac Overtime is a weekly video-first podcast exploring fun and interesting observations in the Apple ecosystem, featuring 9to5Mac's Fernando Silva & Jeff Benjamin. Subscribe to Overtime via Apple Podcasts. You can also watch this episode on YouTube and subscribe to our YouTube channel for more. Show notes Henny's YouTube channel Henny Tha Bizness official website Hosts Fernando Silva Jeff Benjamin Henny Tha Bizness Subscribe 9to5Mac Overtime on Apple Podcasts 9to5Mac on YouTube 9to5Mac on YouTube membership with bonus perks

Today we're joined by Michael Nicosia, purveyor of incredible tone and owner of one of our favorite brick and mortar shops: Relic Music in Red Bank, New Jersey. We start with some of our most disappointing pedal purchases, talk about dream collaborations and the new EHX POG3, then get to Mike's object: the Hiwatt DR103. We talk about his journey toward finding a vintage example, pairing it with various cabs and speakers, and how it's been a central part of his sound for the last two decades. This one's about good gear and good people - get into it!Buy yourself some carefully curated gear from Relic: https://relicmusicshop.com/Or some pedals direct from OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @relicmusicshop, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Today we're joined by Matt Kidd of Slow Meadow, longtime friend of Andy's, ambient composer, and solo artist whose journey from guitar through piano eventually leads us to a very modern instrument, the Expressive E Osmose. We talk a lot about physical interaction between player and instrument, the magic of squishy keys, and the variety of elements that give us control over sonic textures. Also we get into Andy's Big Day, wherein he goes viral and gets a message from none other than Wes Borland.Listen to Slow Meadow: https://slowmeadow.bandcamp.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @slowmeadow, @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Chelsea is joined by Jennie Ribadeneira, Center Director of Capital City Music Together. They discuss how music boosts early childhood development, offering tips for parents to engage kids in musical activities from a young age.For more information: Website - www.capitalcitymusictogether.comFacebook - https://www.facebook.com/profile.php?id=100064778779401Instagram - https://www.instagram.com/ccmusictogether/ Project Parenthood is hosted by Chelsea Dorcich. A transcript is available at Simplecast.Have a parenting question? Email Chelsea at parenthood@quickanddirtytips.com or leave a voicemail at 646-926-3243.Find Project Parenthood on Facebook and Twitter, or subscribe to the Quick and Dirty Tips newsletter for more tips and advice.Project Parenthood is a part of Quick and Dirty Tips.Links: https://www.quickanddirtytips.com/https://www.quickanddirtytips.com/subscribehttps://www.facebook.com/QDTProjectParenthoodhttps://twitter.com/qdtparenthood  

The suspense is killing us: will they have a guest this week? Finally, we can confidently say, no! But at the same time, kind of, yes? Here's the deal folks. This is an episode of Andy and Dan catching up and answering some questions from the hogline. We talk about recent and upcoming pedal shows, the new Old Blood Noise Expression Ramper, the etiquette of pinging someone on Discord, folk-punk, and of course we check in with Clint, who we will see in December.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!

Song: The Change Music by: Mary L. Cohen ​Notes: “My dad played the copper fish mold.” — aren't you curious now? Listen in as Mary Cohen and I explore family music, personal structures for improvisation, creating connections between incarcerated and not-incarcerated people, and more… We wander a bit through grief and disconnection and finding what is, in a conversation that's real and messy and touches on fear and joy, building a caring community for ourselves, our neighbors, the global world… living with regret and streaming grace to the person we were when we made a mistake; restoring connection. It's a glimpse of the rich variety of resources Mary draws on as she shapes her life… I hope to add some into mine. Songwriter Info: Mary L. Cohen, Associate Professor of Music Education at the University of Iowa, is lead author of Music-Making in U.S. Prisons: Listening to Incarcerated Voices (2022). She co-founded the International Music and Justice Network: IMAJIN Caring Communities, a group of researchers from 18 countries who study music-making in prisons, and you are welcome to join by contacting Mary to get on the group email list (mary-cohen@uiowa.edu). From 2009 to 2020 she led the Oakdale Community Choir with incarcerated and non-incarcerated participants where participants have written over 150 songs, and the Oakdale Choir performed over 75 of these songs, available with the Creative Commons License. To continue working toward the choir's goals of building communities of caring through singing and songwriting, she founded the Inside Outside Songwriting Collaboration Project where partnerships between incarcerated and non-incarcerated songwriters create original songs, build relationships, and learn about transformative and generative justice. She has been a keynote for conferences in Germany, Canada, and Portugal, interviewed by the BBC3 Music Matters, and has over 40 publications in journal articles, book chapters, and conference proceedings. She leads weekly music groups inside the Juvenile Detention Center of Linn County. ​ Sharing Info: The song is free to share, and Mary welcomes networking support and invites you to further your education and activism regarding environmental justice, restorative/transformative/generative justice, and simply acting with kindness to all you encounter. ​ Song Learning Time Stamps: Start time of teaching: 00:05:45 Start time of reprise: 01:07:58 Links:  Oakdale Community Choir website: https://oakdalechoir.lib.uiowa.edu/ Dave Camlin's new book is Music-Making and Civic Imagination: A Holistic Philosophy. His website: https://www.davecamlin.com/civic There is a new 30 minute documentary film about the Oakdale Community Choir called "The Inside Singers." The 3 minute preview of the film is available at https://vimeo.com/169192145. Iowa PBS did a short 8'30" video story on the Oakdale Community Choir. Find it here: https://www.pbs.org/video/the-oakdale-community-choir-coralville-iowa-bfe7bd/ Andy Douglas, local Iowa City nonfiction & spiritual author wrote Redemption Songs: A Year in the Life of a Community Prison Choir about his experiences singing in the Oakdale Community Choir For people interested in abolition of the prison industrial complex, here are some good resources: Mariam Kaba's We Do This Til We Free Us University of Santa Cruz's Visualizing Abolition resources (including the Music for Abolition collection) Critical Resistance online at https://criticalresistance.org/ The book Mary wrote with Stuart Paul Duncan Music-Making in US Prisons: Listening to Incarcerated Voices To hear two versions of the Oakdale Community Choir performing "The Change" visit https://oakdalechoir.lib.uiowa.edu/original-works/ Most recent one was December 14, 2016 concert themed "Look on the Bright Side" track 13 The first version was Fall 2014 and is available under "Original works" link (scroll down a bit) along with the Fall 2016 version. The simple score of the song is available on that link too. Voice Science Works with lots of tools for voice habitation: https://www.voicescienceworks.org/ "The Real Work" (song) by Gretchen Sleicher, words by Wendell Berry https://songsforthegreatturning.net/originals/therealwork/ ​ Nuts & Bolts: 6:8, minor, round Join the A Breath of Song Mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.  https://dashboard.mailerlite.com/forms/335811/81227018071442567/share Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!  https://www.abreathofsong.com/gratitude-jar.html

Song: May My Tears Water a Sapling Music by: Mary L. Cohen ​Notes: Mary Cohen's huge heart and willingness to do big work in the world shines through in this song, with lyrics sparked by the 2020 midwestern derecho with devastated so many trees. When we talk in next week's songwriter conversation, the depth of Mary's passion for how singing can support and feed change is evident. I hope you can join us as we explore the US prison-industrial complex and music, the role of mentorship, and how self-care can adapt. In this episode, I invite you to experiment a bit, finding musical touchstones as a way into harmonizing. In the links, you'll find several different arrangement/performances you can listen to for other harmonizing ideas, if that's up your alley. Songwriter Info: Mary L. Cohen, Associate Professor of Music Education at the University of Iowa, is lead author of Music-Making in U.S. Prisons: Listening to Incarcerated Voices (2022). She co-founded the International Music and Justice Network: IMAJIN Caring Communities, a group of researchers from 18 countries who study music-making in prisons, and you are welcome to join by contacting Mary to get on the group email list (mary-cohen@uiowa.edu). From 2009 to 2020 she led the Oakdale Community Choir with incarcerated and non-incarcerated participants where participants have written over 150 songs, and the Oakdale Choir performed over 75 of these songs, available with the Creative Commons License. To continue working toward the choir's goals of building communities of caring through singing and songwriting, she founded the Inside Outside Songwriting Collaboration Project where partnerships between incarcerated and non-incarcerated songwriters create original songs, build relationships, and learn about transformative and generative justice. She has been a keynote for conferences in Germany, Canada, and Portugal, interviewed by the BBC3 Music Matters, and has over 40 publications in journal articles, book chapters, and conference proceedings. She leads weekly music groups inside the Juvenile Detention Center of Linn County. ​ Sharing Info: The song is free to share, and Mary welcomes networking support and invites you to further your education and activism regarding environmental justice, restorative/transformative/generative justice, and simply acting with kindness to all you encounter. ​ Song Learning Time Stamps: Start time of teaching: 00:03:48 Start time of reprise: 00:18:20 Links:  Oakdale Community Choir website: https://oakdalechoir.lib.uiowa.edu/ Nuts & Bolts: 3:4, Major, unison with optional harmonies Join the A Breath of Song Mailing list (https://dashboard.mailerlite.com/forms/335811/81227018071442567/share)  to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Exchange energy with A Breath of Song with dollars at the Gratitude Jar (https://www.abreathofsong.com/gratitude-jar.html) (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Journey with Dr. Jeremy Perigo and Nashville-based artists, Zach & Maggie, as they reflect on musicmaking inside and outside of the church. In addition to working alongside notable artists including Ricky Skaggs, Vince Gill, Alison Krauss, and a long tenure with hymn writers Keith & Kristyn Getty, their lively original compositions pair Zach's skilled guitar/vocals with Maggie's impressive violin/mandolin/vocals. The Rabbit Room states, "The music of Zach & Maggie is at once playful, captivating, and stealthily intelligent."  In this conversation, they discuss the joys and challenges of playing in and outside of the church. They also examine the "sacred" and "secular divide, their bluegrass influences, the use of surprise in arrangements, church music and performance, the need for good theology and singable melodies, artistic beauty, and musical excellence. Their newest album Elephant in the Room is a brilliant, quirky, creative project that is worth putting on repeat.

Fun With Dumb Ep #284: All the way from Sydney Australia, we're joined by Audiophile/Radio Host/DJ/Content Creator Derrick Gee as we talk about the coining sub-genres, finding music gems, and the business of Kpop. Thank You To Our Sponsor Zocdoc: https://www.zocdoc.com/dumb Join Our Patreon: https://patreon.com/funwithdumb Business Inquiries: dfd@dumbfoundead.com More FWD: https://linktr.ee/funwithdumb Hosted By Jonnie "Dumbfoundead" Park Dumbfoundead: @dumbfoundead   https://www.instagram.com/dumbfoundead Follow Rek: https://www.instagram.com/rekstizzy Follow Derrick Gee: https://www.instagram.com/gee_derrick/ Intro Animation by: @yeetheeast Intro Song by: @sweater_beats Fun With Dumb Producers:  Jonnie "Dumbfoundead" Park Dave Wu Alex the Intern Special Thanks to Our Patreon Family Members: Jessica A Walker Justin S Andrew Y Jason Y Allen L Julio Obvious Lee Chris M Davis Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Roland have done it, they've added live looping and a synth engine along with a whole host of other features. We'll take a deep dive into what they've added and then we've got an interesting look at the “future” of making music with Udio AI music generation Help Support the Channel: Patreon: https://www.patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, MARO, Mike K Smith, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt Lars Haur - Audionaut Producer Jonathan Goode - Audionaut Producer Join the conversation:

We're taking an Opera For All Voices-adjacent excursion to the realm of wiggly kiddos, innovative teachers, and fresh vocabulary words, highlighting the power of playful arts integration.  Join Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia with special guest Charles Gamble, Santa Fe Opera's Director Of School Programs, as they introduce two of Santa Fe Opera's most dynamic community engagement programs: ALTO: Active Learning Through Opera, a multi-session residency within the Santa Fe Public Schools that incorporates creative arts to make learning delightfully sticky; and NMArt Professional Learning Workshops For Educators, professional development workshops that elevate culturally responsive, student-centered teaching and learning via arts-integrated strategies.   We've all had that one teacher who coaxed us out of our comfort zone and into the world of possibility. That teacher was Miss Moretti of the third grade for a shy, socially awkward Charles. She gave him permission to engage with his artistic passions and live more fearlessly. "It was transformative," he explains. "Those experiences with remarkable teachers helped me find my place alongside the other theater and chorus kids."  We're grateful to that long line of encouraging adults. Without them, Charles may never have found a creative home at SFO. As Director of School Programs, Charles is tirelessly pursuing opportunities to make learning accessible and more operatic.  "Opera has it all. Poetry and dance, theater, media, arts, music. It's all there," he marvels. "There's an understanding that as human beings, we're naturally curious. By drawing the arts into the classroom, we're tapping into that natural curiosity and deepening the engagement that students––and their teachers!––have with whatever else they're learning in school." To Learn More About Becoming a Teaching Artist: https://www.santafeopera.org/alto-faqs/ For more information, please contact: Charles Gamble Director of School Programs cgamble@santafeopera.org MENTIONED IN THIS EPISODE ALTO: Active Learning Through Opera | Santa Fe Opera NMArt Professional Learning Workshops For Educators | Santa Fe Opera RELATED EPISODES Destination Santa Fe Opera: Life Skills, Music Making, and Billy Bad the Billionaire: Youth Opera Programs with Amy Owens and Charles Gamble Key Change: Telling Hard Truths *** Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices. Produced and edited by Andrea Klunder at The Creative Impostor Studios Hosted by Andrea Fellows Fineberg & Anna Garcia Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe Technical Director: Edwin R. Ruiz Production Support from Alex Riegler Show Notes by Lisa Widder Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello Cover art by Dylan Crouch This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.   To learn more about Opera For All Voices, visit SantaFeOpera.org. And for more Key Change, visit SantaFeOpera.org/KeyChange.

Want to learn more about Hear Your Song? Visit our website!Support Hear Your Song by making a tax-exempt donation to keep our programs free of charge for the kids and families we serve! You can donate here or on Venmo (@HearYourSong)!Want to register your child or teen to write a song with us? Looking to volunteer? Excited to partner? Reach out by contacting Hear Your Song here!Follow/subscribe to Hear Your Song onInstagramYouTubeFacebookTwitterSpotifyTikTokHosted by Hear Your Song's Executive Director and Co-Founder Dan Rubins and Co-Music Director Sofía CampoamorProduced by Jacob MillerHear Your Song is a 501(c)(3) nonprofit empowering children and teens with serious illnesses and complex health needs to make their voices heard through collaborative songwriting. Season Two of The Hear Your Song Podcast is made possible through the generous support of the Colburn-Keenan Foundation.

Ryan Gruss  “The Fantasty Football of Music Making”  Ryan's journey in the music business began after graduating from The Berklee College of Music in 2000 with a degree in Musical Performance for Drums, and then moving to New York City to begin his "career" in the real world. It was during his second week at Atlantic when Ryan was approached by the HR department, asking if he was interested in becoming Ahmet Erteguns' (the legendary Founder and CEO of Atlantic) assistant. His mind was blown and he instantly accepted the position.In 2010, Ryan launched The Loop Loft and began recording other musicians and treating it like a record label, providing the artists with royalties from the sales of each loop pack. Word began to spread amongst the studio musician community, and a roster of legendary musicians like Omar Hakim, Joey Waronker, Matt Chamberlain began to form and quickly grow. For the next 8 years, Ryan continued to organically build The Loop Loft, adding more artists and content on a weekly basis. Partnerships with companies like Ableton, Native Instruments, BandLab and PreSonus were formed. Guitar Center also began to sell products from The Loop Loft. The company was now the top-selling source for loop and samples, generating millions of dollars of revenue each year. It was a career and a company that Ryan had never dreamed of or anticipated, but he had finally found his musical North Star. Ryan left Native Instruments in 2020 and formed Yurt Rock, literally inside of his Yurt studio in the hills of LA. But with the COVID pandemic grinding studio work to a halt, Ryan decided to take the time and move his family to Nashville, a place that many consider the music capital of the world. It was time for a fresh start. With dozens of the world's top musicians, Yurt Rock has quickly become the ultimate source for producers, engineers and songwriters seeking not only loops and samples, but also custom BATTERY/MASCHINE kits, Ableton Live Packs, Logic Sessions, multitracks and much more.     Things That Came Up: -3:50 Yurt Rock is the “Fantasy Football” of music making  -5:10 The Loop Loft was acquired by Native Instruments in 2018.  -12:30 Berklee set the tone for relationships throughout life.  -14:30 Expanding into software, partnering with plug-in companies and diving into new media.  -16:00 Affordable price points are key -18:00 Redmond's Big Modern Drums Vol. 1 and 2, as well as Locked! (loop packages) -23:00 Revelations on the 405 Freeway -24:10 Moved to NYC -25:10 Assistant to Ahmet Ertegun, founder of Atlantic Records -28:00 Art and Photo department at Atlantic Records -29:50 Peter Asher signs Ryan's band “The Rinse” -31:15 Got married, moved to Boston and started working in digital assets management -37:50 John Mayer crashes with Ryan and they form the seeds to “Room For Squares”.  -42:00 Robin Williams becomes Ryan's roadie!  -46:40 Luke Bryan at Drakes -49:20 FB Ads are still powerful tool for marketing and sales -52:30 Pete Townsend and Butch Vig  -60:50 “The Fave 5”  Follow:  www.yurtrock.com X: @ryangruss  IG: @yurtrockmusic   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com      

See omnystudio.com/listener for privacy information.

Charlies takes the questions you email him at Freedom@CharlieKirk.com including:   -Why does playing classical music outside a store ward off criminals? -Why are suicides at a record high in America? -How can you convince your child to reject Marxism? -Why is Charlie the only person on earth not excited for an Elon Musk v. Mark Zuckerberg fight?Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Daphne Guinness is many things—a fashion icon, a model, a muse, an heiress, a designer—but today, she's here to discuss a lifelong passion that she began to seriously pursue a decade ago after an already remarkable career: music. Over the past 10 years, Guinness has written and recorded four albums, the latest of which will be released this November. She's walking us through how she stumbled into writing music almost accidentally, why she's always chosen to create art independently, and how the joy of learning new things has shaped her life. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.