Podcasts about olivari

FULL: Anthony breaks down how the Lakers were able to turn things around in the second half against the Miami Heat. LeBron James was a huge part of that. The Lakers went about it with a balanced effort and actually defended in the second half. JJ Redick also coached them through Miami's zone. All around, great night, maybe headlined by a viral moment LeBron shared with a young fan. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Anthony quickly breaks down the Lakers' win over Miami, snapping a three-game skid. He then discusses the Lakers waiving Quincy Olivari to sign Trey Jemison III, and how he didn't love how little an opportunity Olivari got with the parent team. Finally, he has some fun talking about LeBron James' interaction with that young fan and his message about the role sports teams play in their city. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Raj Chipalu joins Pete to discuss the Lakers win over Portland, first impressions of Dorian Finney-Smith, Max Christie's emergence, and what Raj has noticed while covering Bronny, Olivari, and the South Bay Lakers. Support Pete here: Patreon: https://www.patreon.com/lakerfilmroom Buy Me a Coffee: https://buymeacoffee.com/lakerfilmroom Pete's YouTube: https://www.youtube.com/@LakerFilmRoom Pete's Playback: https://www.playback.tv/lakerfilmroom For Feedback or Questions: lakerfilmroom@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

LA Lakers vs. Miami Heat NBA Pick Prediction 12/4/2024 by Tony T. Lakers at Heat Injuries Hayes, Vanderbilt and Wood are out for LA. Reaves and Hood Schifino are questionable. Davis and Olivari are probable. Jovic is out in Miami with Richardson, Love and Butler questionable. Ware is probable. Recent Box Score Key Stats Lakers at Heat—LA drops to 12-9 following their 109-80 road defeat to Minnesota. The Lakers shot 41% with 19% from three and 20 turnovers. D'Angelo Russell had 20 points with five assists. Anthony Davis chipped in with 12 points and 11 rebounds. LA allowed 51% shooting to the Timberwolves with 43% from three. Miami fell to 9-10 after their 108-89 road defeat at Boston. The Heat shot 36% with 23% from three. Jaime Jaquez put up 19 points with 10 rebounds. Tyler Herro chipped in 19 points with five rebounds. Miami allowed 44% shooting to the Celtics with 35% from three.

LA Lakers vs. Phoenix Suns NBA Pick Prediction 11/26/2024 by Tony T. Lakers at Suns Injuries Vanderbilt and Wood are out for LA with Olivari and Hood-Schifino questionable. Hayes and Davis are probable. Gillespie is out for Phoenix with Durant and Beal probable. Recent Box Score Key Stats Lakers at Suns— LA is 10-6 following their 127-102 home defeat to Denver. The Lakers shot 44% with 36% from three. Austin Reaves had 19 points with six assists. LeBron James chipped in with 18 points and six rebounds. LA surrendered 61% shooting to the Nuggets with 50% from three. Phoenix is 9-7 with their 138-122 home defeat to NY Knicks. The Suns shot 49% with 38% from three. Devin Booker scored 33 points with five assists. Tyun Jones had 15 points with 10 assists. Phoenix allowed 58% shooting to the Knicks with 49% from three.

Denver Nuggets vs. LA Lakers NBA Pick Prediction 11/23/2024 by Tony T. Nuggets at Lakers Injuries Gordan and Cancar are out for Denver. Wood, Vanderbilt, Olivari, Bronny and Hayes are out for LA with Davis probable. Recent Box Score Key Stats Nuggets at Lakers—Denver fell to 8-6 with their 123-120 home defeat to Dallas. The Nuggets shot 48% with 51% from three. Nikola Jokic returned with 33 points and a Triple Double. Michael Porter had 17 points and five assists. Denver allowed 51% shooting to the Mavs and 37% from three. LA drops to 10-5 following their 119-118 home defeat to Orlando. The Lakers shot 51% with 42% from three. Anthony Davis scored 39 points with nine rebounds. LeBron James contributed 31 points and 10 rebounds. LA allowed 47% shooting to the Magic with 38% from three.

Another week in the books. Join us for the previous week's top headlines. Week of 10-15-2024 Rundown NFL NFL owners unanimously approve Jaguars' $1.4B stadium renovation Jerry Jones calls out radio hosts during feisty interview over Cowboys' struggles Jets grant holdout on Haason Reddick permission to seek trade Mike Tomlin to consider starting Russell Wilson vs Jets NFL owners approve Super Bowl's return to Atlanta in 2028 NFL owners approve Tom Brady's bid to buy minority stake of Raiders Jets trade for Davonte Adams reunite with Rodgers Arami Cooper traded to Bills from the Browns NBA What are the longest winning streaks in NBA history? George suffers hyperextended left knee, bone bruise Clips' rule out Kawhi for the rest of preseason Pistons' owner Tom Gores ok'd purchase of 27% stake in Chargers by NFL owners Sources:  Grizz signing Pippen Jr. to multiyear deal Miscellaneous 10-16-2024 Rundown NFL Rayshawn Jenkins - on IR with an arm injury Brian Robinson Jr - felling great returning to practice Russell Wilson - takes first-team reps in practice Saquon Barkley - staying humble, no hate with the New York Giants Cooper Kupp - trending in the right direction for a possible return Davonte Adams - expects to play vs Steelers Rashid Shaheed - out with a knee injury and Chris Olave - out with a concussion Brandon McManus - grateful to join Packers after ‘difficult time' NBA Adam Sliver:  No regrets on backing legal betting Lonzo Ball set to play in 1st game since '22 Sources:  Doug McDermott agrees to deal with Kings Mavs' Doncic practices for first time in 2 weeks Rick Carlisle reaches resolution on suit, avoids trial Miscellaneous WNBA Finals series tied at 1.  Game 3 tonight 8 p.m. ET on ESPN Threatening, anti-gay email sent to wife of Liberty's Breanna Stewart after game 1 loss 10-17-2024 Rundown NFL Davonte Adams - trade a little weird, but need a change Tom Coughlin, Mike Shanahan and George Seifert advance in cutdown of HOF Chiefs owner OK with Harrison Butker's traditional values PAC Jets Superman Fireman Ed say team is phasing him out at MetLife Browns moving ahead with plans for new dome stadium in suburbs Titans release safety Jamal Adams, honoring his request Steelers Justin Fields - No QB debate if I play better Rashid Shaheed - out for the rest of the season (knee) NBA Lonzo Ball scores 10 in return; rehab ‘all behind me now' OKC's Hartenstein (hand) out at least 5-6 weeks 76er's Mccain released from hospital after fall Sources:  Kawhi out indefinitely to start season Miscellaneous World Series WNBA Finals; Liberty takes 2-1 series lead.  One win away from franchise first championship.Game 4 Friday night 10-21-2024 Rundown NFL Colts vs Vikings flex to SNF for week 9 while Jags and Eagles will go to 4:05 PM EST JuJu Smith-Schuster and Jaylen Watson out vs. Raiders Jamel Dean is on IR with a right hamstring injury MRI show Deshaun Watson ruptured his Achilles DK Metcalf is week to week with MCL sprain Tua set to practice, eyeing Sunday for return Jayden Daniels is week to week with a rib injury Brandon Aiyuk out for the season with torn ACL NBA Some NBA player props dropped after Porter case Curry (finger) sits, should be OK for Dubs opener Thunder sign Reese with Hartenstein sidelined Dunk champ McClung gets two-way deal with Magic Sources:  Grizz sign Kawamura to 2-way deal Lakers sign standout rookie Olivari to two-way deal Knicks waive injured guard Shamet sources say Cavs' Strus out six weeks with ankle sprain Raps' convert Battle to two-way deal, waive trio Sources:  Celtics to waive Walker, open 15th spot Knicks big man Achiuwa (hamstring) out 2-4 weeks Monty Williams to coach sons at Texas prep school Warriors extend Moody on 3-year $39M deal #DTSTInspire #DTST #opinion #debate #twins #podcasters #podcast #latestsportsheadlines --- Support this podcast: https://podcasters.spotify.com/pod/show/double-take-sports-talk/support

The Lakers got their first win of the preseason when the deep bench took over the 4th quarter with a 20-0 run that turned the game around. Pete and Darius discuss the win, diving into the first half run from the starters, the 3rd quarter struggles from some of the young guys, and then the 4th quarter comeback led by Quincy Olivari and the rest of the deep bench.  Support Pete here: Patreon: https://www.patreon.com/lakerfilmroom Buy Me a Coffee: https://buymeacoffee.com/lakerfilmroom For Feedback or Questions: lakerfilmroom@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rockstars con Gabriel León y Jocelyn Olivari, 12 de julio del 2024 by TXS Plus

Maxwell sat down with two of the most interesting prospects in the upcoming Portsmouth Invitational Tournament! First, Maxwell spoke with Quincy Olivari! After four years at Rice, Olivari transferred to Xavier this past season, and he was one of the top scorers in the Big East. They discuss his love of the game, his late-blooming development, his approach to scoring, and what he's hoping to show teams during the pre-draft process! Next, Maxwell talked to Kyle Rode! Rode delivered as both a role player and leading option throughout his college career. They discussed his outrageous three-point shooting, savvy passing game, and what he's been working on adding to his game! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Maxwell sat down with two of the most interesting prospects in the upcoming Portsmouth Invitational Tournament! First, Maxwell spoke with Quincy Olivari! After four years at Rice, Olivari transferred to Xavier this past season, and he was one of the top scorers in the Big East. They discuss his love of the game, his late-blooming development, his approach to scoring, and what he's hoping to show teams during the pre-draft process! Next, Maxwell talked to Kyle Rode! Rode delivered as both a role player and leading option throughout his college career. They discussed his outrageous three-point shooting, savvy passing game, and what he's been working on adding to his game! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Blob Bois (Kenny Frease, Jason "Cap" Meyer, and Coop Ledford) sat down with Courtney Olivari, the mother of Quincy Olivari, prior to Xavier's Senior Night. --- Support this podcast: https://podcasters.spotify.com/pod/show/roll-blob-pod/support

Sammy D is missing and the show has to go on so LT is solo for the latest Full Court Press Podcast : A College Basketball Experience as we welcome Xavier University Scorer and self-proclaimed Magician, Quincy Olivari as he talks about Xavier Hoops and Coach Pitino being Darth Vader. Quincy talks about the transfer portal and committing to Xavier from another school's coaches office.Don't forget to Subscribe, Rate (WE LOVE 5 STARS), COMMENT and Review. We would appreciate it as we grow the show.  Always pass the rock and share the Full Court Press Podcast with your college basketball friends

Lance talks with XU men's basketball player Quincy Olivari about his 43-point performance against DePaul.

What a weekend of college basketball both locally and around the country… We start with the Cincinnati Bearcats! The Cats were coming off one of their worst losses of the season to a West Virginia team that had 13 losses against just seven wins. They were headed to 15th-ranked Texas Tech, who did not lose a home game two years ago and had not lost a home game in 15 tries this year. Back and forth they went and it was like a movie we'd seen before… Cincinnati would compete in the Big 12… Just well enough to lose, But not this time. After Tech took the lead in the final minute, Simas Lukosius hit a jumper with 30 seconds to go. John Newman III capped things off with a dunk, and the Bearcats shocked the Red Raiders 75-72. Aziz Bandaago was huge in this one with a double-double, his first since the win at BYU. UC stands at 15-7…4-5 in the Big 12. They won't play again until Saturday against number 4 Houston… that's a 4 o'clock tip at the fifth-third arena. The Cougars lost at Kansas over the weekend. Then there's Xavier. One week ago they lost 43 points to UConn. They bounced back to beat St.John's at home. Then on Saturday, Quincy Olivari delivered one of the greatest performances in school history in a 93-68 rout of Depaul to move one game over .500 in the Big East for the first time all season. Olivari scored 43 points on 12-20 shooting with seven three-pointers. He becomes the first muskie to score 40 in a game since Trayvon Bluitt against UC six years ago. Olivari added 10 rebounds. X plays 3 of its next four at home including Creighton and Seton Hall. What is going on in Kentucky? Cal's guys can score… No donut about that, but the idea is to outscore the other team. They don't because they don't guard anybody. They've allowed 197 points in back-to-back losses at home to Florida and then number 5 Tennessee on Saturday. Wildcats plays at Vanderbilt tomorrow night. Armando Bacot says the acc goes thru him these days, and it ain't braggin if you're telling the truth. The Carolina big man had 25 points and 10 rebounds in the Tarheels 93-84 win over Duke at the Deam Smith Center Saturday night. Carolina shot 50 percent from the field …hit 9 three-pointers to go to 18-4 on the year. Who watched the Pro Bowl flag football game yesterday? There were 55 thousand people at the game in Orlando…The NFC beat the AFC 64-59. Ja'marr Chase scored a couple of touchdowns and after one, he pulled off an ochocinco. Took over for an ESPN cameraman. The Washington Commanders win is the Las Vegas Raiders loss… Apparently, the Raiders were trying to hire former Cardinals head coach Cliff Kinsbury as their offensive coordinator. They dragged their feet on a contract, and the Commanders swooped in and they hired Kingsbury. Washington added Joe Whitt Junior as their new defensive coordinator. The Dolphins hired Anthony Weaver as their new Defensive Coordinator. Weaver was the defensive line coach and associate head coach in Baltimore last year. The Ravens have lost their defensive coordinator, defensive backs coach, and now defensive line coach in this off-season.

Lance talks with XU men's basketball player Quincy Olivari about his 43-point performance against DePaul.

Xavier's graduate student transfer guard, Quincy Olivari, joins his head coach, Sean Miller, to discuss Quincy's transfer from Rice and breakdown how he's grown as a player since adapting to Xavier's game style. ---------- All platforms: https://linktr.ee/seanmillerpod Follow Sean on X (Twitter): https://twitter.com/CoachMillerXU Follow Paul on X (Twitter): https://twitter.com/PaulFritschner Follow Adam on X (Twitter): https://twitter.com/AdamJBaum The Sean Miller Podcast is brought to you by Deer Park Roofing. Visit their website at: https://www.deerparkroofing.com/

ALICE OLIVARI DA CUORI LIBERI

En esta conversación junto al Dr. Rafael López-Olivari. Dialogamos acerca del manejo sustentable del agua en la agricultura, y cómo esto impacta en el medioambiente.Sintoniza Efecto Ciencia por #UfroRadio todos los lunes a las 20 hrs.

Jeff Goodman catches up with FAU's stars Alijah Martin and Johnell Davis, Xavier's latest commit in Quincy Olivari, and Jesse Edwards on why he chose West Virginia! Sign up for Underdog Fantasy here and use code FIELD for a 100% deposit match up to $100 Sign up for Field of 68's bracket pool here Download the VLTED app here The Field of 68 merch store is now LIVE Purchase The Almanac here SUBSCRIBE to the Field of 68 Youtube Channel SUBSCRIBE to the Field of 68 Daily THE FIELD OF 68 IS POWERED BY BET RIVERS FOLLOW: Twitter Instagram Youtube https://thefieldof68.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Scott Pera Show returns after a 3-1 record the last two weeks. Guests are the second leading scorer in CUSA, Quincy Olivari, two-time CUSA Freshman of the Week Mekhi Mason and assistant coach Greg Howell.Coach Pera breaks down the recent hot stretch, including the win at North Texas, the comeback at UTSA and the buzzer beater against UTEP, along with the emotional aftermath.Olivari opens up about a recent heart-to-heart chat with coach Pera that got him back in the right frame of mind. He also discusses the turning point for the team this season and getting into trouble for a wild shot. Mason fondly remembers being a ball boy at Arizona State as a young kid. He talks about the transition to the college game and gives advice to players coming to the college level.Coach Howell compares coaching under coach Pera now versus playing for him at Artesia High School in Los Angeles with James Harden. He talks in depth about his growth as a coach and who first told him he'd be a good coachSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Please watch this episode on YouTube to gain the full experience! Make sure to subscribe to the channel! Link to my YouTube page: - Elevated Edge - YouTube Quincy Olivari has his sights on playing professionally in the NBA. As a current senior D1 guard at Rice University, he has learned a lot as a leader on the squad. From season-ending injuries and upsetting teams in conference tournaments, Quincy has put in a ton of work to get to where he currently is. All athletes can have takeaways on what it takes to be a high-level athlete. Learn all about Quincy's fascinating story and make sure to subscribe and share his story! Product's Go-to: - LMNT (free box with any purchase): http://elementallabs.refr.cc/naeems Quincy's Contact Information: Instagram: QuincyOlivari Twitter: @QuincyOlivari Naeem's Contact Information Instagram: Elevatededgepodcast Twitter: naeemsmith_ Vending Machine Business Instagram: Lsnwllc --- Send in a voice message: https://anchor.fm/elevatededge/message Support this podcast: https://anchor.fm/elevatededge/support

Carlos de la Púa, cuyo nombre original fue Carlos Raúl Muñoz y Pérez (La Plata, 14 de enero de 1898 - Buenos Aires, 9 de mayo de 19501​) fue un poeta y periodista argentino, también conocido como el Malevo Muñoz, y que en otros ambientes gustaba hacerse llamar Carlos Muñoz del Solar. Publicó dos libros, uno de narrativa, totalmente perdido que se llamó "El sapo violeta" y otro de poesía llamado La crencha engrasada, y fue uno de los máximos exponentes del lunfardo. Amigo de Gardel, de Raúl González Tuñón (a quien llamaba el otro poeta suburbano) y de otros intelectuales y artistas de la época como Nicolás Olivari, Jorge Luis Borges, Enrique González Tuñón, Aníbal Troilo, Roberto Arlt, Enrique Cadícamo, frecuentaba los más bajos fondos del Buenos Aires de entonces. Se basaba en estibadores portuarios, obreros de todos los oficios, delincuentes, prostitutas, personajes de la noche, que luego pasaban a sus versos en el lenguaje natural de ese mundo marginal. Sus poemas están escritos en lunfardo. Fue autor de los tangos Luces de París y Coraje y Fuego y del guion de la primera película sonora argentina, ¡Tango!, en la cual intervino la Orquesta de Juan de Dios Filiberto. Actuó en la película Galería de esperanza. Fue periodista del Diario Crítica dirigido por Natalio Félix Botana, donde desarrolló una larga labor desde el año 1925. Sus notas se caracterizaban por la ironía, la agudeza y el humor. En 1934 dirigió la película Galería de esperanzas (Chingolo) y en 1935 codirigió el filme Internado. Fue enterrado en el Cementerio de la Recoleta, donde Cátulo Castillo lo despidió con las siguientes palabras: “Este personaje fabuloso en nuestra admiración se fue por una absurda escotilla hurtándose a sí mismo, privando a la ciudad de un porteño convicto y confeso de la poesía lunfardesca”. Ulyses Petit de Murat, quien fuera amigo del Malevo, lo recordó en el tango "Bailate un tango Ricardo" donde se dice "...¡Bailate un tango, Ricardo! Miralo a quien te lo grita pues no es ninguna pavada, ese muchacho es el bardo, el de La Crencha Engrasada. De la Púa ahora te invita; ¡bailate un tango, Ricardo!" (refiere al novelista Ricardo Guiraldes, autor de "Don Segundo Sombra"). (Fuente: Wikipedia)

Let's meet Laura Olivari, our new LMS Designer!

FAKE DI ALICE OLIVARI

Café Plus con Victoria Walsh, Américo Olivari y Gabriel León. 5 de abril del 2022. by TXS Plus

Analizamos los entretelones del pedido de confianza del gabiente Torres con las politólogas Paula Távara y Denisse Rodríguez-Olivari. Hablamos con ellas también de los desafíos y barreras de las mujeres en la política a propósito del #8M , Día Internacional de la Mujer.  

Esta doncella tísica y asexuada, esta mujer de senos inapetentes, -rosicler en los huesos de su cara granulada, y ganchuda su israelita nariz ya transparente... Esta pobre yegua flaca y trabajada, con los dedos espátulas de tanto teclear, esta pobre mujer invertebrada, tiene que trabajar... Esta pobre nena descuajeringada, con sus ancas sutiles de alfiler, tiene el alma tumefacta y rezagada ¡y se empeña en comer! Yo la amé cuatro meses con los ojos, con mis ojos de perro triste y vagabundo; cuando le miraba los pómulos rojos, ¡qué dolor profundo! Un día juntamos hombro a hombro nuestra desdicha; vivimos dos meses en un cuchitril; en su beso salivoso naufragó la dicha y el ansia de vivir... Una tarde sin historia, una tarde cualquiera, murió clásicamente en un hospital. (Bella burguesita que a mi lado pasas, cambia de acera, porque voy a putear...).

May 30, Listen to my conversation with Quincy Olivari, Rice Owls junior guard. Quincy discusses his recruitment to Rice; the impact COVID-19 had on him last summer; the 2020-21 Rice Owls basketball team; Rice Head Coach Scott Pera; the upcoming 2021-22 season; some NBA talk; and much more.

Alice Oliari, cantante vegana che ha fatto della sua arte il mezzo di comunicazione per diffondere il suo pensiero.  

El Dr. Elmer Huerta contacta con Denís Rodríguez Olivari, politóloga peruana con estudios de postgrado en Berlín, quien nos informa de las nuevas medidas adoptadas por la canciller Ángela Merkel y la evolución de la pandemia en el país germano. También hablamos con el Dr. Mario Tavera, médico pediatra, asesor del despacho viceministerial de Salud Pública, sobre el apego infantil y los niveles de anemia en esta época de pandemia.

In questo audio vi proponiamo il prezioso dialogo con Marco Petroni e Letizia Olivari. Con gli autori parliamo di design e comunicazione, di scuola e impresa. Di progettazione che non è disegnare un oggetto ma disegnare dei mondi. Di alfabetizzazione alla tecnologia. Di giornalismo ben fatto che aiuta a comprendere il contemporaneo fornendo fonti e dati verificabili. Dell'urgenza di porre le persone al centro, della società economica e politica, e molto altro.Il dialogo è nel podcast Contemporaneamente a cura di Mariantonietta Firmani. Il podcast pensato per Artribune. Incontri tematici con autorevoli interpreti del contemporaneo tra arte e scienza, letteratura, storia, filosofia, architettura, cinema e molto altro. Per approfondire questioni auliche ma anche cogenti e futuribili. Dialoghi straniati per accedere a nuove letture e possibili consapevolezze dei meccanismi correnti: tra locale e globale, tra individuo e società, tra pensiero maschile e pensiero femminile, per costruire una visione ampia, profonda ed oggettiva della realtà.Letizia Olivari è imprenditrice nel settore della comunicazione e delle pubbliche relazioni, con particolare focalizzazione sull'innovazione informatica e digitale. Oggi impegnata in progetti di creazione di community professionali per favorire networking e produzione di contenuti rilevanti. In particolare dal 2012 ha dato vita a CMI Customer Management Insights rivolta ai manager che si occupano di relazione con il cliente. Nel 2015 come US AIDDA partecipa all'organizzazione di Expo 2015. Nel 2018 a HEI Human Experience Insights, rivolta ai manager delle risorse umane.Marco Petroni è teorico e critico del design. Insegna Storia del design, Cultura del progetto e Fenomenologia degli stili presso l'Accademia di Belle Arti di Napoli. Collabora con l'edizione online di Domus e cura la rubrica Fabulations per Artribune. Ha diretto il centro di ricerca museale Plart di Napoli dove ha sviluppato progetti curatoriali innovativi ed eventi legati ai temi della cultura del progetto con un approccio transdisciplinare come Botanica di Studio Formafantasma, Naturally combined di Mischer'Traxler, The future of plastic di Officina Corpuscoli e altri. Ha pubblicato vari saggi tra cui: Mondi Possibili, appunti di teoria del design (Edizioni Temporale); Going real, il valore del progetto nell'epoca del postcapitalismo (Planar Books); Il progetto del reale, Il design che non torna alla normalità (postmediabooks). Senior curator design and applied art, writer and lecturer, ha tenuto lezioni presso Naba Milano, Design Academy Eindhoven, London Design Museum, Politecnico di Milano e Università degli studi della Campania Luigi Vanvitelli dove è stato anche ricercatore.

In this episode we talk with Lynn Olivari, a certified Hypnotherapist who specializes in transformation with her unique process of Mind - Body - Spirit Integrated Training. We discuss how to aim for a healthy lifestyle through meditation to eliminate anxieties and travel-related fears. Her new project uses hypnotherapy and meditation techniques to effortlessly and safely help people return to travel.  Lynn's signature workshops, the “Amrita Awakening” & “Amrita Experience”, uses transformational hypnotic techniques and guided meditation to create a deeper connection to their pleasure and that of their partner. Lynn has shared these workshops with couples worldwide, and has been featured in retreats and on cruise ships in Europe and as far away as Siem Reap, Cambodia. Find Lynn here: www.lynnolivari.com Book a call with Lynn here: calendly.com/lynnolivari/hypnosis-consultation   See omnystudio.com/listener for privacy information.

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Podcast del Proyecto Voceras con las politólogas Kathy Zegarra, máster por la Universidad de Salamanca, y Denisse Rodríguez Olivari, candidata a doctora por la Universidad Humboldt de Berlín, quien es Socia Fundadora del Proyecto.

Antes de la renuncia de Manuel Merino de Lama a la presidencia, los curadores de Comité de Lectura Ale Costa, Augusto Townsend y Matheus Calderón hicieron un análisis de la coyuntura. Invitada especial: la politóloga Denisse Rodríguez Olivari, candidata a doctora de Humboldt-Universität de Berlín.

This week I talk to the owner and founder of The Vegan Cheese Shoppe in Hawaii - Erin Olivari. Her heavenly Macadamia “Brie” tastes like it was made in paradise and, well, it is! Find Erin on: TheVeganCheeseShoppe.com. Instagram: @thevegancheeseshoppe and Facebook: https://www.facebook.com/thevegancheeseshoppe/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Alice Oliari, cantante vegana che ha fatto della sua arte il mezzo di comunicazione per diffondere il suo pensiero.

HPR's Dave Lawrence speaks with Blue Note Hawaii manager and musician Marco Olivari in this Off The Road interview from June 2020.

Periodista, dramaturgo y poeta, ganador de dos premios municipales, Nicolás Olivari fue un renovador del lenguaje que osciló entre la alta literatura y la sintaxis callejera. Perteneció al Grupo Florida y al de Boedo. Olivari nació en Buenos Aires el 8 de Septiembre de 1908. Publicó en verso “La amada infiel”, “La musa de la mala pata”, “Los poemas rezagados”, “Diez poemas sin poesía”. Con “El gato escaldado” ganó - en 1926- el premio municipal de literatura. También escribió teatro: “Un auxilio en la 34”, “Regreso” y “Tedio”, entre otras obras. Como periodista trabajó en “Noticias Gráficas”, “Crítica”, “Reconquista”, “Democracia” y “La Epoca”. Desde allí disparó contra los “cíclopes de la literatura vieja” y los puristas del lenguaje. Murió un 22 de Septiembre de 1966. Ilustración: Luis Schinca.

"Il futuro dei media sportivi: Quotidiani, Pay-TV, OTT". In diretta alle 20.45 con Stefano Olivari, Gianfranco Teotino e Luca Marelli.

En nuestro programa de hoy estaremos con Leo Rivera y Américo Olivari, organizadores de Expo Café Chile, la cual tiene como propósito fortalecer y promover el consumo de café en nuestro país. Dentro de los dos días de producción, el evento contará con actividades como charlas, talleres, demostraciones y degustaciones. Después estaremos con Andrés Meirovich, cofundador del Fondo de Capital de Riesgo Genesis Venture y miembro de la Asociación Chilena de Venture Capital, para hablar de inversión, impuestos, y de que esta avanzando en el Congreso la disminución de línea de financiamiento de Corfo para escalamiento de startups --- Send in a voice message: https://anchor.fm/emprender-es-clave/message

Según datos del INE al año 2010 la participación laboral de los hombres era del 70,7% y el de la mujeres 49,9%. ¿Cómo  abordar las brechas de género –no sólo laboral- en los diversos aspectos de la vida y la sociedad ? ¿Cuál es el costo económico de no aprovechar el talento femenino?  En esta edición de la Ciencia del Podcast, Carlos Franco aborda estos temas junto a Jocelyn Olivarí,  profesora y directora del Comité de Equidad de Género de la Facultad de Ingeniería y Ciencias (FIC), PhD en Economía y Política de Innovación de la Universidad de las Naciones Unidas y de la Universidad de Maastrich.

Un podcast de literatura y más que eso. El año del jueves negro de Wall Street, Jorge Luis Borges y Ezequiel Martínez Estrada abandonaron por un largo rato la publicación de poesía y Roberto Arlt editó su novela Los siete locos y Nicolás Olivari su poemario El gato escaldado. Terminada la Primera Guerra Mundial y no iniciada todavía la Segunda, en 1929 se cruzan los sistemas financieros que caen y los poetas que abandonan la publicación de poemas con la aparición de libros basales del ideario antibelicista como Adiós a las armas y Sin novedad en el frente. 1929: un año en que se quiebran las armonías inestables de los años veinte y se bifurcan los senderos sobre los que los años treinta definirán sus contradicciones y conflictos.

Mirella Olivari dell'Agenzia Nazionale per i Giovani racconta il contenuto dei tre giorni di formazione a Villa Olanda, a Luserna San Giovanni, dal 23 al 25 febbraio

El fin de semana pasado tuvimos el placer de tener la visita del pastor Samuel Sirlupú Olivari y bella esposa Tania Ventura. Compartiendonos una palabra fenomenal sobre El Espíritu Santo!!!!

Cómo amarse y cuidarse a uno mismo por Enriqueta Olivari. Programa SHAMBALA CAFÉ RADIO conducido por Víctor Adrián con la colaboración de Diana López Iriarte. Mi nombre es Enriqueta Olivari y nací en Buenos Aires. Desde muy joven sentí la profunda necesidad de encontrarle un sentido a mi vida. Esta búsqueda me llevó a dejar atrás mi país y encontrar a Osho, quien me inició en la meditación en el año 1980. Gracias a su guía descubrí el Amor, la paz y la alegría en mi interior. Fui maestra de Tai Chi durante dos décadas, y soy maestra de Reiki. Me formé en meditación y en varias técnicas terapéuticas en la Osho Multiversity de Poona, India. También trabajé junto a algunos chamanes de distintos orígenes. Comencé a escribir en la adolescencia, y he colaborado con artículos en varias publicaciones de distintos países. Durante los últimos 30 años he dado conferencias, cursos y talleres en Argentina, Brasil, Estados Unidos, España y México. Asimismo he impartido diversos cursos por internet. En el año 2010 auto-publiqué mi primer libro, “El amor de tu vida”, en el cual comparto mi experiencia personal y profesional, y todos los pasos necesarios para amarse a uno mismo sin condiciones, y así poder llevar una vida plena. En el año 2014 auto-publiqué mi segundo libro, “El amor de tu vida compartida: una guía práctica y espiritual para relaciones sanas y armoniosas”. En octubre de este año auto-publiqué mi libro “La Abuela y el Gran Jefe”, una novela autobigráfica en la cual comparto una etapa fundamental en mi camino de crecimiento personal. Actualmente resido en México, e imparto talleres basados en mi primer libro en varias ciudades del mundo. http://sanatualma.com/ ------------------------------------INFORMACION SOBRE MINDALIA------------------------------ Mindalia.com y Mindalia Televisión son una ONG SIN ANIMO DE LUCRO Si te ha gustado este video, APOYANOS CON UNA DONACION: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=G58CS4AVKC6BU SUSCRIBETE AL CANAL DE YOUTUBE para no perderte ningún video: http://www.youtube.com/subscription_center?add_user=mindaliacom AYUDA A MINDALIA, SIN PAGAR NI UN SÓLO CÉNTIMO MÁS, CON TUS COMPRAS Y RESERVAS ONLINE: http://helpfree.ly/j20544 MILES DE VIDEOS de conferencias y entrevistas de interés en http://www.mindaliatelevision.com Participa en las CONFERENCIAS EN DIRECTO: http://television.mindalia.com/category/conferencias-en-directo/ -Puedes escuchar este y otros audios en Ivoox: http://mindaliacomradio.ivoox.com PIDE O ENVIA AYUDA http://www.mindalia.com - La Red Social de Ayuda a través del Pensamiento SIGUENOS EN REDES SOCIALES: -Youtube: http://www.youtube.com/mindaliacom -Facebook: https://www.facebook.com/mindalia.ayuda/ -Twitter: http://twitter.com/mindaliacom -Pinterest: https://es.pinterest.com/mindaliacom/ DESCARGATE LAS APLICACIONES MOVILES GRATUITAS: Mindalia Multimedia https://play.google.com/store/apps/details?id=es.app.mindalia_television Mindalia Red de Ayuda https://play.google.com/store/apps/details?id=es.app.mindalia_ayuda&hl=es CONTACTA CON NOSOTROS: http://television.mindalia.com/contacto/ -Skype: mindalia.com ¿Tienes un video que te gustaría que publicáramos? Envíanoslo!!

Cómo amarse y cuidarse a uno mismo por Enriqueta Olivari. Programa SHAMBALA CAFÉ RADIO conducido por Víctor Adrián con la colaboración de Diana López Iriarte. Mi nombre es Enriqueta Olivari y nací en Buenos Aires. Desde muy joven sentí la profunda necesidad de encontrarle un sentido a mi vida. Esta búsqueda me llevó a dejar atrás mi país y encontrar a Osho, quien me inició en la meditación en el año 1980. Gracias a su guía descubrí el Amor, la paz y la alegría en mi interior. Fui maestra de Tai Chi durante dos décadas, y soy maestra de Reiki. Me formé en meditación y en varias técnicas terapéuticas en la Osho Multiversity de Poona, India. También trabajé junto a algunos chamanes de distintos orígenes. Comencé a escribir en la adolescencia, y he colaborado con artículos en varias publicaciones de distintos países. Durante los últimos 30 años he dado conferencias, cursos y talleres en Argentina, Brasil, Estados Unidos, España y México. Asimismo he impartido diversos cursos por internet. En el año 2010 auto-publiqué mi primer libro, “El amor de tu vida”, en el cual comparto mi experiencia personal y profesional, y todos los pasos necesarios para amarse a uno mismo sin condiciones, y así poder llevar una vida plena. En el año 2014 auto-publiqué mi segundo libro, “El amor de tu vida compartida: una guía práctica y espiritual para relaciones sanas y armoniosas”. En octubre de este año auto-publiqué mi libro “La Abuela y el Gran Jefe”, una novela autobigráfica en la cual comparto una etapa fundamental en mi camino de crecimiento personal. Actualmente resido en México, e imparto talleres basados en mi primer libro en varias ciudades del mundo. http://sanatualma.com/ ------------------------------------INFORMACION SOBRE MINDALIA------------------------------ Mindalia.com y Mindalia Televisión son una ONG SIN ANIMO DE LUCRO Si te ha gustado este video, APOYANOS CON UNA DONACION: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=G58CS4AVKC6BU SUSCRIBETE AL CANAL DE YOUTUBE para no perderte ningún video: http://www.youtube.com/subscription_center?add_user=mindaliacom AYUDA A MINDALIA, SIN PAGAR NI UN SÓLO CÉNTIMO MÁS, CON TUS COMPRAS Y RESERVAS ONLINE: http://helpfree.ly/j20544 MILES DE VIDEOS de conferencias y entrevistas de interés en http://www.mindaliatelevision.com Participa en las CONFERENCIAS EN DIRECTO: http://television.mindalia.com/category/conferencias-en-directo/ -Puedes escuchar este y otros audios en Ivoox: http://mindaliacomradio.ivoox.com PIDE O ENVIA AYUDA http://www.mindalia.com - La Red Social de Ayuda a través del Pensamiento SIGUENOS EN REDES SOCIALES: -Youtube: http://www.youtube.com/mindaliacom -Facebook: https://www.facebook.com/mindalia.ayuda/ -Twitter: http://twitter.com/mindaliacom -Pinterest: https://es.pinterest.com/mindaliacom/ DESCARGATE LAS APLICACIONES MOVILES GRATUITAS: Mindalia Multimedia https://play.google.com/store/apps/details?id=es.app.mindalia_television Mindalia Red de Ayuda https://play.google.com/store/apps/details?id=es.app.mindalia_ayuda&hl=es CONTACTA CON NOSOTROS: http://television.mindalia.com/contacto/ -Skype: mindalia.com ¿Tienes un video que te gustaría que publicáramos? Envíanoslo!!

Cómo amarse y cuidarse a uno mismo por Enriqueta Olivari. Programa SHAMBALA CAFÉ RADIO conducido por Víctor Adrián con la colaboración de Diana López Iriarte. Mi nombre es Enriqueta Olivari y nací en Buenos Aires. Desde muy joven sentí la profunda necesidad de encontrarle un sentido a mi vida. Esta búsqueda me llevó a dejar atrás mi país y encontrar a Osho, quien me inició en la meditación en el año 1980. Gracias a su guía descubrí el Amor, la paz y la alegría en mi interior. Fui maestra de Tai Chi durante dos décadas, y soy maestra de Reiki. Me formé en meditación y en varias técnicas terapéuticas en la Osho Multiversity de Poona, India. También trabajé junto a algunos chamanes de distintos orígenes. Comencé a escribir en la adolescencia, y he colaborado con artículos en varias publicaciones de distintos países. Durante los últimos 30 años he dado conferencias, cursos y talleres en Argentina, Brasil, Estados Unidos, España y México. Asimismo he impartido diversos cursos por internet. En el año 2010 auto-publiqué mi primer libro, “El amor de tu vida”, en el cual comparto mi experiencia personal y profesional, y todos los pasos necesarios para amarse a uno mismo sin condiciones, y así poder llevar una vida plena. En el año 2014 auto-publiqué mi segundo libro, “El amor de tu vida compartida: una guía práctica y espiritual para relaciones sanas y armoniosas”. En octubre de este año auto-publiqué mi libro “La Abuela y el Gran Jefe”, una novela autobigráfica en la cual comparto una etapa fundamental en mi camino de crecimiento personal. Actualmente resido en México, e imparto talleres basados en mi primer libro en varias ciudades del mundo. http://sanatualma.com/ ------------------------------------INFORMACION SOBRE MINDALIA------------------------------ Mindalia.com y Mindalia Televisión son una ONG SIN ANIMO DE LUCRO Si te ha gustado este video, APOYANOS CON UNA DONACION: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=G58CS4AVKC6BU SUSCRIBETE AL CANAL DE YOUTUBE para no perderte ningún video: http://www.youtube.com/subscription_center?add_user=mindaliacom AYUDA A MINDALIA, SIN PAGAR NI UN SÓLO CÉNTIMO MÁS, CON TUS COMPRAS Y RESERVAS ONLINE: http://helpfree.ly/j20544 MILES DE VIDEOS de conferencias y entrevistas de interés en http://www.mindaliatelevision.com Participa en las CONFERENCIAS EN DIRECTO: http://television.mindalia.com/category/conferencias-en-directo/ -Puedes escuchar este y otros audios en Ivoox: http://mindaliacomradio.ivoox.com PIDE O ENVIA AYUDA http://www.mindalia.com - La Red Social de Ayuda a través del Pensamiento SIGUENOS EN REDES SOCIALES: -Youtube: http://www.youtube.com/mindaliacom -Facebook: https://www.facebook.com/mindalia.ayuda/ -Twitter: http://twitter.com/mindaliacom -Pinterest: https://es.pinterest.com/mindaliacom/ DESCARGATE LAS APLICACIONES MOVILES GRATUITAS: Mindalia Multimedia https://play.google.com/store/apps/details?id=es.app.mindalia_television Mindalia Red de Ayuda https://play.google.com/store/apps/details?id=es.app.mindalia_ayuda&hl=es CONTACTA CON NOSOTROS: http://television.mindalia.com/contacto/ -Skype: mindalia.com ¿Tienes un video que te gustaría que publicáramos? Envíanoslo!!

Philosophy in small coinsSome years before, in his essay Les Assassins de la Mémoire —an acute study on the neo-nazi revisionism in contemporary Europe—, the French writer Pierre Vidal-Naquet transcribed lyrics of “Cambalache”, the seminal tango by Enrique Santos Discépolo. A far-fetched quotation? Maybe a feature of exotism by an intellectual in search of oxygen out of the European culture environment? According to the author´s confession, he was acquainted with Discépolo´s work by way of some Latin American friends. And he decided to include him in a book not at all connected with tango. The image of a cambalache (second-hand shop) as scenery for insolent random, of a confusion of values and desacralization seemed to him most adequate to seal his denouncing text.That was not the first time which Discépolo´s work aroused interest in the field of thought. The Spaniard Camilo José Cela included him among his preferred popular poets and Ernesto Sábato had no doubt in identifying himself with the pessimistic philosophy of the one who wrote “Qué vachaché”: «True love got drowned in the soup». Several years before these recognitions, the lunfardo (slang) poets Dante Linyera and Carlos de la Púa defined Discépolo as an author with philosophy. Another writer from Buenos Aires, Julián Centeya, when reviewing one of his films, talked of «philosophy in small coins», and at the same time was risking an analogy —undoubtedly exaggerated— between Discépolo and... Charlie Chaplin.Unlike other popular creators who displayed their talent in an instinctive and somewhat naïve way to be later recognized as future exegetes, Discépolo was always conscious of his contribution. It could also be stated that all his artistic renderings were articulated by common sense, a certain Discepolian air or spirit which people immediately recognizes with affection and admiration as if his work —more than once defined as prophetic— should express the common sense of the Argentines. Discépolo´s singularity keeps on disquieting either in the tango universe or outside it. While most of his contemporaries are today strange to new generations, the man who wrote and composed “Cambalache” persists, is in force. Or to say it with one of his most loved images: he keeps on biting.Enrique grew up seeing theater guided by his brother Armando, the great playwright of the River Plate grotesque, and soon later he was attracted by popular arts. He arrived at tango after having tried with uneven success, play writing and acting. In 1917, he made his début as an actor, in the company of Roberto Casaux, a comic star of that time, and a year later he wrote together with a friend the play Los Duendes, mistreated by critics. He later improved his level with El Señor Cura (adaptation of a Maupassant´s story), Día Feriado, El Hombre Solo, Páselo Cabo and, especially, El Organito, fierce social painting sketched with his brother in the mid-20s. As an actor, Discépolo evolved from chorus member to a cast name, and his work in Mustafá, would be remembered, among many other renditions.Although the worlds of tango and theater were not divorced in the Argentina of Yrigoyen and Gardel, Discépolo´s decision to be an author of popular songs was resisted by his elder brother —Armando had been responsible for Enrique´s education after the early death of their parents—, and it cannot be said that things had been easy for the feeble and shy Discepolín. A mild familiar influence (Santo, his father, was a noted Neapolitan musician settled in Buenos Aires) may have been the first evidence towards the combined art of sound organization and lyrics, but the revelation was not immediate. On the contrary, either the anodyne “Bizcochito”, his first composition commissioned by the playwright Saldías, or the remarkable and revulsive “Qué vachaché”, published by Julio Korn in 1926 and premiered at a theater in Montevideo where it was noisily whistled, were a bad start or, at least, that was what people in Buenos Aires, used to appraise Manuel Romero's, Celedonio Flores' and Pascual Contursi's tangos, thought.The luck of the stubborn author changed in 1928 when, in a revue, the singer Azucena Maizani sang “Esta noche me emborracho”, a tango with Horatian touches (because of Horacio, author of Odes) and with an entirely River Plate subject: an old cabaret woman who was mercilessly treated by time. Days after its début, the lyrics of that tango were heard throughout the country. Argentine musicians on tour of Europe included it in their repertories, and in Alfonso XIII´s Spain, the composition achieved an enormous popularity. That was Discépolo birth in tango. That very year, the actress and singer Tita Merello returned to the previously critized “Qué vachaché” and drove it to the same stature of “Esta noche me emborracho”. Finally, 1928 would be the year of love for an intellectual full of uncertainties. Tania, a Spanish singer of cuplés settled in Buenos Aires, who would turn out to be an adequate interpreter of his tangos, was to accompany Discépolo until the end of his life.At a time when lyric writing and musical composition were clearly differentiated within the frame of cultural industries, Discépolo wrote lyrics and music, even though the latter was conceived with just two fingers on the piano keyboard, to be later committed to staff sheet by some friend musicians (generally Lalo Scalise). This twofold capacity allowed Discépolo to develop each tango as a perfect unit of lyrics and music. With an extremely sharp sense of rhythm and dramatic progression, with an impeccable melodic sense (Carlos de la Púa defined him as a Philharmonic Tom Thumb), Discépolo managed to make of his short and, most times, violent stories, an authentic River Plate human comedy. He set aside a big portion of the modernist influence which viciated other lyricists (Rubén Darío was the literary hero for hundred of Argentine poets, for many years) and translated to the minor format of song, certain predominant ideas of the age: theatrical grotesque, Croce´s idealism, Pirandellian estrangement...The profusion of ideas in each lyric found in the witty humor and in the lyricism of music, a certain balance, a sensory compensation, a way to tell things in and through tango. No other author would go so far.Of course, the fact that Carlos Gardel had recorded almost all his early tangos greatly helped to divulge and legitimate Discépolo as author and composer in a genre plenty of authors and composers. In this sense, Gardel´s rendition of “Yira yira” in October 1930 stands amongst the great numbers of Argentine music. The intensity of the recording, where there were not special theatrical resources and the singer avoided all unnecessary emphasis, is given by the immediacy of Gardel´s expression. There are no instrumental preambles to make the listener familiar with the material beyond a brief introduction by the guitarists who present the bridge with tremolos and phrasings in the low strings so typical of the period. The melodic line, with deceptive simplicity suddenly breaks in, with a force which excludes complaint.“Yira yira” was listened to and interpreted as a claim loaded with skepticism. The ridiculed militant in “Qué vachaché” comes back to assault, but this time he is backed by a profound material crisis. Now the conceited one, who resisted to believe that «true love got drowned in the soup», is taking the place of a cynical voice. The principles have been changed by reality. This is the triumph of disbelief but now without the cynicism —and even less the grotesque— of some years before. The character of “Yira yira” trusted the world but the world failed him. Such as in other Discépolo´s tangos, the lyrics tell us of a fall, a cruel sunrise: there is no more space for deceipt and fraud. (From this perspective, those who saw in Discépolo a moralist disappointed by modernity are not completely mistaken, but perhaps he is much more than that).The trend that begins with “Qué vachaché” and ripens in “Yira yira” is continued in the tangos “Qué sapa señor” and, in 1935, “Cambalache”. But this is not the only style of the compositional art of Discépolo. He was romantic in the waltz “Sueño de juventud”, mocking in comic tangos such as “Justo el 31” and “Chorra”, expressionist in “Soy un arlequín” and “Quién más quién menos”, passionate in “Confesión” and “Canción desesperada” and somewhat nostalgic and elegiac in “Uno” and “Cafetín de Buenos Aires”, both written together with Mariano Mores. He was not as prolific as Enrique Cadícamo, and a portion of his work lacks in interest. Undoubtedly, Discépolo's musical variety had to do with his interest in theater and cinema. His staging of Wunder Bar and his most known movies —Cuatro Corazones,En la Luz de una Estrella— made known several songs —some almost forgotten— which the director and actor wrote with his programmatic sense.Enrique Santos Discépolo was born in the neighborhood of Once, Buenos Aires, and died at his downtown apartment which he shared with Tania. His commitment with Peronism, made public through his brief and shocking participation in a controverted radio program, caused a troublesome distance between him and his old friends. Two years after his death, when the political trenches no longer needed him but several of his tangos kept on striking on the collective consciousness, Discépolo was remembered by the writer Nicolás Olivari on a remarkable article. There Olivari asserted that “Yira yira”'s author had been the bolt of Buenos Aires humorism, smeared with grease for anguish. In a way, that was a Discepolian definition.Sergio A. Pujol is historian and music critic. Among other books, he published Discépolo. Una Biografía Argentina (An Argentine biography) (Emecé, 1997).

Philosophy in small coinsSome years before, in his essay Les Assassins de la Mémoire —an acute study on the neo-nazi revisionism in contemporary Europe—, the French writer Pierre Vidal-Naquet transcribed lyrics of “Cambalache”, the seminal tango by Enrique Santos Discépolo. A far-fetched quotation? Maybe a feature of exotism by an intellectual in search of oxygen out of the European culture environment? According to the author´s confession, he was acquainted with Discépolo´s work by way of some Latin American friends. And he decided to include him in a book not at all connected with tango. The image of a cambalache (second-hand shop) as scenery for insolent random, of a confusion of values and desacralization seemed to him most adequate to seal his denouncing text.That was not the first time which Discépolo´s work aroused interest in the field of thought. The Spaniard Camilo José Cela included him among his preferred popular poets and Ernesto Sábato had no doubt in identifying himself with the pessimistic philosophy of the one who wrote “Qué vachaché”: «True love got drowned in the soup». Several years before these recognitions, the lunfardo (slang) poets Dante Linyera and Carlos de la Púa defined Discépolo as an author with philosophy. Another writer from Buenos Aires, Julián Centeya, when reviewing one of his films, talked of «philosophy in small coins», and at the same time was risking an analogy —undoubtedly exaggerated— between Discépolo and... Charlie Chaplin.Unlike other popular creators who displayed their talent in an instinctive and somewhat naïve way to be later recognized as future exegetes, Discépolo was always conscious of his contribution. It could also be stated that all his artistic renderings were articulated by common sense, a certain Discepolian air or spirit which people immediately recognizes with affection and admiration as if his work —more than once defined as prophetic— should express the common sense of the Argentines. Discépolo´s singularity keeps on disquieting either in the tango universe or outside it. While most of his contemporaries are today strange to new generations, the man who wrote and composed “Cambalache” persists, is in force. Or to say it with one of his most loved images: he keeps on biting.Enrique grew up seeing theater guided by his brother Armando, the great playwright of the River Plate grotesque, and soon later he was attracted by popular arts. He arrived at tango after having tried with uneven success, play writing and acting. In 1917, he made his début as an actor, in the company of Roberto Casaux, a comic star of that time, and a year later he wrote together with a friend the play Los Duendes, mistreated by critics. He later improved his level with El Señor Cura (adaptation of a Maupassant´s story), Día Feriado, El Hombre Solo, Páselo Cabo and, especially, El Organito, fierce social painting sketched with his brother in the mid-20s. As an actor, Discépolo evolved from chorus member to a cast name, and his work in Mustafá, would be remembered, among many other renditions.Although the worlds of tango and theater were not divorced in the Argentina of Yrigoyen and Gardel, Discépolo´s decision to be an author of popular songs was resisted by his elder brother —Armando had been responsible for Enrique´s education after the early death of their parents—, and it cannot be said that things had been easy for the feeble and shy Discepolín. A mild familiar influence (Santo, his father, was a noted Neapolitan musician settled in Buenos Aires) may have been the first evidence towards the combined art of sound organization and lyrics, but the revelation was not immediate. On the contrary, either the anodyne “Bizcochito”, his first composition commissioned by the playwright Saldías, or the remarkable and revulsive “Qué vachaché”, published by Julio Korn in 1926 and premiered at a theater in Montevideo where it was noisily whistled, were a bad start or, at least, that was what people in Buenos Aires, used to appraise Manuel Romero's, Celedonio Flores' and Pascual Contursi's tangos, thought.The luck of the stubborn author changed in 1928 when, in a revue, the singer Azucena Maizani sang “Esta noche me emborracho”, a tango with Horatian touches (because of Horacio, author of Odes) and with an entirely River Plate subject: an old cabaret woman who was mercilessly treated by time. Days after its début, the lyrics of that tango were heard throughout the country. Argentine musicians on tour of Europe included it in their repertories, and in Alfonso XIII´s Spain, the composition achieved an enormous popularity. That was Discépolo birth in tango. That very year, the actress and singer Tita Merello returned to the previously critized “Qué vachaché” and drove it to the same stature of “Esta noche me emborracho”. Finally, 1928 would be the year of love for an intellectual full of uncertainties. Tania, a Spanish singer of cuplés settled in Buenos Aires, who would turn out to be an adequate interpreter of his tangos, was to accompany Discépolo until the end of his life.At a time when lyric writing and musical composition were clearly differentiated within the frame of cultural industries, Discépolo wrote lyrics and music, even though the latter was conceived with just two fingers on the piano keyboard, to be later committed to staff sheet by some friend musicians (generally Lalo Scalise). This twofold capacity allowed Discépolo to develop each tango as a perfect unit of lyrics and music. With an extremely sharp sense of rhythm and dramatic progression, with an impeccable melodic sense (Carlos de la Púa defined him as a Philharmonic Tom Thumb), Discépolo managed to make of his short and, most times, violent stories, an authentic River Plate human comedy. He set aside a big portion of the modernist influence which viciated other lyricists (Rubén Darío was the literary hero for hundred of Argentine poets, for many years) and translated to the minor format of song, certain predominant ideas of the age: theatrical grotesque, Croce´s idealism, Pirandellian estrangement...The profusion of ideas in each lyric found in the witty humor and in the lyricism of music, a certain balance, a sensory compensation, a way to tell things in and through tango. No other author would go so far.Of course, the fact that Carlos Gardel had recorded almost all his early tangos greatly helped to divulge and legitimate Discépolo as author and composer in a genre plenty of authors and composers. In this sense, Gardel´s rendition of “Yira yira” in October 1930 stands amongst the great numbers of Argentine music. The intensity of the recording, where there were not special theatrical resources and the singer avoided all unnecessary emphasis, is given by the immediacy of Gardel´s expression. There are no instrumental preambles to make the listener familiar with the material beyond a brief introduction by the guitarists who present the bridge with tremolos and phrasings in the low strings so typical of the period. The melodic line, with deceptive simplicity suddenly breaks in, with a force which excludes complaint.“Yira yira” was listened to and interpreted as a claim loaded with skepticism. The ridiculed militant in “Qué vachaché” comes back to assault, but this time he is backed by a profound material crisis. Now the conceited one, who resisted to believe that «true love got drowned in the soup», is taking the place of a cynical voice. The principles have been changed by reality. This is the triumph of disbelief but now without the cynicism —and even less the grotesque— of some years before. The character of “Yira yira” trusted the world but the world failed him. Such as in other Discépolo´s tangos, the lyrics tell us of a fall, a cruel sunrise: there is no more space for deceipt and fraud. (From this perspective, those who saw in Discépolo a moralist disappointed by modernity are not completely mistaken, but perhaps he is much more than that).The trend that begins with “Qué vachaché” and ripens in “Yira yira” is continued in the tangos “Qué sapa señor” and, in 1935, “Cambalache”. But this is not the only style of the compositional art of Discépolo. He was romantic in the waltz “Sueño de juventud”, mocking in comic tangos such as “Justo el 31” and “Chorra”, expressionist in “Soy un arlequín” and “Quién más quién menos”, passionate in “Confesión” and “Canción desesperada” and somewhat nostalgic and elegiac in “Uno” and “Cafetín de Buenos Aires”, both written together with Mariano Mores. He was not as prolific as Enrique Cadícamo, and a portion of his work lacks in interest. Undoubtedly, Discépolo's musical variety had to do with his interest in theater and cinema. His staging of Wunder Bar and his most known movies —Cuatro Corazones,En la Luz de una Estrella— made known several songs —some almost forgotten— which the director and actor wrote with his programmatic sense.Enrique Santos Discépolo was born in the neighborhood of Once, Buenos Aires, and died at his downtown apartment which he shared with Tania. His commitment with Peronism, made public through his brief and shocking participation in a controverted radio program, caused a troublesome distance between him and his old friends. Two years after his death, when the political trenches no longer needed him but several of his tangos kept on striking on the collective consciousness, Discépolo was remembered by the writer Nicolás Olivari on a remarkable article. There Olivari asserted that “Yira yira”'s author had been the bolt of Buenos Aires humorism, smeared with grease for anguish. In a way, that was a Discepolian definition.Sergio A. Pujol is historian and music critic. Among other books, he published Discépolo. Una Biografía Argentina (An Argentine biography) (Emecé, 1997).