Podcast appearances and mentions of paul leonard morgan

Estamos mal acostumbrados. Estamos acostumbrados a que nos bombardeen con anuncios por todas partes constantemente, estamos acostumbrados a que dirijan nuestras preferencias según los estudios de mercado y las últimas tendencias, acostumbrados a que escojan por nosotros, acostumbrados a que influyan en nuestro pensamiento según las últimas estimaciones interesadas del oportunista de turno. Estamos muy mal acostumbrados. Y en la música pasa lo mismo: estamos acostumbrados a escuchar lo que nos proponen las emisoras comerciales, estamos acostumbrados a escuchar lo que quieren que compremos las grandes discográficas. Afortunadamente existen los podcast como éste donde, en un extraordinario ejercicio de libertad, escuchamos músicas desacostumbradas. Philip Glass & XA4, Jyc Row w. Felicia Farerre, Seay, Lis Addison, Angel, Aura Noctis, José Travieso, Joel D. Hitos, Lightwave, Gabríel Ólafs, Philip Glass & Paul Leonard-Morgan, Tim Story & Hans-Joachim Roedelius, Goodbye Ivan. 🎧 El playlist detallado: lostfrontier.org/t29.html#1043.

http://www.attractionchecklist.com - Test Track 2.0 is now gone, but let's head to EPCOT in Walt Disney World and ride it one last time on this episode of Attraction Checklist. Attraction audio recorded on June 6, 2024. TRANSCRIPT: Welcome to Attraction Checklist. This episode we visit EPCOT to ride Test Track The Walt Disney World website describes this attraction by saying: Design a virtual concept car and put it to the test on this thrilling, high-octane attraction.   Guests must be 40” or taller to ride and the Thrill Level describes the ride as being a Thrill Ride with Small Drops. Before we hop in a SIM Car, here are five fast facts about Test Track. 1. Test Track officially opened at EPCOT on March 17, 1999.  The attraction replaced the original Epcot attraction World of Motion. 2. The version of the attraction we are hearing on this episode is known as Test Track 2.0.  This version of the attraction opened on December 6, 2012.  This version let riders design their perfect test car and then see how well that card did on the attraction. 3. Test Track vehicles can reach speeds of up to 64.9 mph or 104.4km/h. 4. The music for Test Track 2.0 was composed by Paul Leonard-Morgan who has composed music for television, film and video games. 5. On June 17, 2024, Test Track 2.0 closed to make way for Test Track 3.0 which Disney has said will be inspired by the original World of Motion attraction. Let's go ride Test Track 2.0 one last time.  Now I will say it was really difficult to get a good quality recording of this attraction.  The first time I rode it John B. deHaas was with me but the people in the car with us were so noisy and vulgar, we pretty much decided that that audio couldn't be released publicly. Though it will be released at the same time a this episode as a Patreon Patron exclusive to those Patrons who want to hear.  We even included a review, of our fellow riders. But forgetting about that, here now is Test Track 2.0 and afterwards I'll give you my thoughts on this attraction.  This is a binaural recordings so if you have headphone put them on now as we experience Test Track 2.0 at Walt Disney World's EPCOT. The attraction audio recorded for this episode is available exclusively to the Saturday Morning Media Patron Patron.  Support the show and get fun Bonus content over at http://www.patreon.com/saturdaymorningmedia Episode edited by Stephen Staver FOLLOW US https://www.instagram.com/attractionchecklist/ http://www.twitter.com/SaturdayMMedia  https://www.linkedin.com/company/saturday-morning-media http://www.youtube.com/user/SaturdayMorningMedia?sub_confirmation=1 FOLLOW GRANT http://www.MrGrant.comhttp://www.twitter.com/toasterboy  https://instagram.com/throwingtoasters/ SOURCES: https://disneyworld.disney.go.com/attractions/epcot/test-track/ https://en.wikipedia.org/wiki/Test_Track Show ©2024 Saturday Morning Media/Grant Baciocco  

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. BLAIR MOWAT Blair Mowat has composed well over two hundred scores for film, theatre, and television, with clients ranging from The English National Ballet and The Royal Shakespeare Company to the likes of BBC, SKY & ITV. He is a BAFTA nominated, award-winning composer with over 15 years of experience, and is consistently in high demand. His work includes Class, an acclaimed 8-part Doctor Who spin-off series on BBC One, ITV International / Britbox's hit show McDonald & Dodds, and SKY's The Amazing Mr. Blunden.He composed the music to Russell T Davies's latest drama Nolly, starring Helena Bonham Carter, earning him a TV BAFTA nomination for the score. This collaboration then led on to Men Up, a film Russell exec-produced, airing on BBC1 in late 2023. Doctor Jekyll, a new Hammer Horror film starring Eddie Izzard, will be released in the USA later this year. Blair currently splits his time between Los Angeles, London and Edinburgh. PAUL LEONARD-MORGAN Paul Leonard-Morgan is a BAFTA award-winning, Emmy and Ivor Novello-nominated composer and producer. His unique cinematic style of fusing orchestra with electronica has put him in high demand as a score composer & band producer, as well as a performer and artist in his own right. His film scores include DREDD, LIMITLESS, LAST BREATH, GIGI & NATE and 20th Century Studios BOSTON STRANGLER, starring Keira Knightley, directed by Matt Ruskin. He has worked on a string of projects with Academy-Award winning director Errol Morris including the features THE B-SIDE, MY PSYCHEDELIC LOVE STORY, the award-winning Netflix series WORMWOOD and the Steve Bannon documentary AMERICAN DHARMA. Recent projects include this years' INHERITANCE (teaming up again with Neil Burger), the Sundance feature THE TOMORROW MAN (starring Blythe Danner and John Lithgow), BEST SELLERS (starring Michael Caine and Aubrey Plaza), the Emmy-winning The Hunt For Planet B, directed by Academy-Award nominee Nathaniel Kahn, as well as the HBO feature documentary LUCY THE HUMAN CHIMP. His collaborations with legendary composer Philip Glass began on Amazon's series TALES FROM THE LOOP, winning them numerous awards, and continued with THE GREEN VEIL. After beginning his career working with bands such as No Doubt, Simple Minds, Isobel Campbell, Snow Patrol & Belle and Sebastian, Leonard-Morgan went on to work on films including three short films accompanying Universal Studio's DESPICABLE ME 2 and Fox/Evergreen's $80 million feature animation WALKING WITH DINOSAURS 3D. Leonard-Morgan's first video game soundtrack (EA Games' flagship BATTLEFIELD HARDLINE) was released in 2015, the success of which led him to score WARHAMMER: DAWN OF WAR 3 released in 2017, followed by the global hit CYBERPUNK 2077 and CALL OF DUTY MOBILE in 2021. Recent concert work includes his concerto commission for Orchestre Nationale de Bretagne, which premiered in France in 2021 and his latest album of études for piano and cello which is currently being choreographed by members of the San Francis ballet. Currently you can listen to Paul's score for Showtime's FELLOW TRAVELERS for Paramount+ which is streaming now, written by Academy Award-nominee Ron Nyswaner (PHILADELPHIA). His latest collaboration with Philip Glass, for the documentary feature film THE PIGEON TUNNEL, premiered at Telluride and TIFF, and has received a Critics' Choice Award nomination and Cinema Eye Honors nomination for Best Score. His most recent score can be heard in Netflix's new original drama series, BODKIN (the first series by the Obama's production company Higher Ground) as well as the new feature Last Breath (feat Woody Harrelson).

Cyberpunk 2077 has had quite a journey. From the disastrous launch, the warranted criticism, and years more work by the developers at CD Projekt Red, the game is finally in proper working condition, fine tuned into a magnificent experience. Add in the Phantom Liberty expansion, and you have some of the most compelling storytelling in AAA gaming. Joining me for the discussion is Adam Gumbert of Respawn Aim Fire, a gaming variety show, and Isle of Misfit Rolls, a D&D actual play podcast. You can check out Adam on Respawn Aim Fire (https://t.co/gK4XOeccAu) and Isle of Misfit Rolls (https://linktr.ee/Misfitrolls)! TIMESTAMPS Intros/Personal Histories/Opening Thoughts 1:49 Story Setup 11:46 Story Pacing 42:30 Music 50:52 Gameplay 1:06:01 Exploration/Driving 1:20:02 Final Thoughts/Recommendations/Housekeeping 1:29:34 SPOILER WALL 1:34:40 Music used in the episode is credited to P.T. Adamczyk, Marcin Przybyłowicz and Paul Leonard-Morgan. Tracks used: V (Przybyłowicz), Extraction Action (Leonard-Morgan), Never Looking Back (Adamczyk), Wushu Dolls (Przybylowicz), The Rebel Path (Adamczyk), Never Fade Away (Samurai - Refused), You Shall Never Have to Forgive Me Again (Adamczyk), Scavengers (Adamczyk), I'm a Netrunner (Adamczyk), Been Good to Know Ya (Przybyłowicz), Test of Loyalty (Adamczyk). You can support the artists by purchasing the album on Bandcamp (https://cyberpunk2077.bandcamp.com/album/cyberpunk-2077-radio-vol-1-original-soundtrack). Check out the King of Games 1996 tournament on Retro Hangover podcast (https://linktr.ee/retrohangover)! Support Tales from the Backlog on Patreon! (https://patreon.com/realdavejackson) or buy me a coffee on Ko-fi (https://ko-fi.com/realdavejackson)! Join the Tales from the Backlog Discord server! (https://discord.gg/V3ZHz3vYQR) Social Media: Instagram (https://www.instagram.com/talesfromthebacklog/) Twitter (https://twitter.com/tftblpod) Facebook (https://www.facebook.com/TalesfromtheBacklog/) Cover art by Jack Allen- find him at https://www.instagram.com/jackallencaricatures/ and his other pages (https://linktr.ee/JackAllenCaricatures) Listen to A Top 3 Podcast on Apple (https://podcasts.apple.com/us/podcast/a-top-3-podcast/id1555269504), Spotify (https://open.spotify.com/show/2euGp3pWi7Hy1c6fmY526O?si=0ebcb770618c460c) and other podcast platforms (atop3podcast.fireside.fm)!

On this episode, I spoke to composer Paul Leonard-Morgan about his work on Fellow Travelers. Fellow Travelers stars Matt Bomer and Jonathan Bailey.  Leonard-Morgan is an Emmy nominee, a 2x BAFTA nominee, and a Cinema Eye Honors Award nominee. 

This podcast has had a long and fruitful relationship with composer Paul Leonard-Morgan, the man behind the scores of films like Dredd and Limitless, among countless others. But two commonalities have permeated the scores he's discussed with me: Errol Morris and Philip Glass. For the former, he teamed up to score Amazon's Tales from the Loop; for the latter, he's scored A Psychedelic Love Story among many other Morris docs, many of them alongside Glass.   Now, both have teamed up for yet another of Morris' deep probes into an intriguing figure, this time famed novelist John le Carre, the author of books like Tinker, Tailor, Soldier, Spy. Framed as the prototypical days-long sitdown between Morris and his subject, The Pigeon Tunnel takes us through le Carre's childhood and early days with his abusive father, to his time in the spy service, to the ways those experiences informed his legendary novels.   In so doing, Glass and Leonard-Morgan had to build a whopping eighty minutes of score, a propulsive effort that keeps the spy-thriller momentum of the doc going with cimbaloms and other features of the '60s espionage caper. And this week, we've got Paul back on the podcast to talk about his collabs with Morris and Glass, and building a score for the most mysterious man in the world.   You can find Paul Leonard-Morgan at his official website here.   The Pigeon Tunnel is currently streaming on Apple TV+, and you can listen to the score on your preferred music streaming service courtesy of Platoon.

L.A.-based Glaswegian composer Paul Leonard-Morgan on his incredible career thus far, including scoring the Bradley Cooper and Robert De Niro-starring Limitless shortly after writing arrangements for the likes of No Doubt and Mogwai, and the new McCarthyism TV drama, Fellow Travelers.

"DREDD" Composer: Paul Leonard-Morgan.Paul Leonard-Morgan has composed some pretty amazing scores- Limitless, The Tomorrow Man and the iconic and very original "DREDD" score. EMMY nominated, BAFTA winning and Ivor Novello nominated composer who has become one of the most sought-after tv & film composers in the US and UK, as well as taking the concert / neo-classical world by storm.His unique cinematic style, fusing orchestra with electronica has put him in high demand, both as a producer for bands and as a soundtrack composer.Welcome, Paul-Leonard Morgan.www.mmcpodcast.comContact: Mondaymorningcritic@gmail.comhttps://www.instagram.com/mondaymorni...https://www.tiktok.com/@UCjjhZfRL7uKT... https://www.facebook.com/mondaymornin...https://twitter.com/mdmcritic?lang=en#dredd #superhero #podcast #fyp #interview #composer #music #moviemusic #soundtrack #moviesoundtrack #karlurban #judgedredd

Mike MacLennan is a TV & Film composer. Recent work includes the flagship BBC1 series Who Do You Think You Are, and he is currently co-scoring an upcoming natural history feature for Netflix with Paul-Leonard Morgan. He has written music for The Grand Tour (Amazon), Designated Survivor (Netflix) and the hit TV show, Dynasty. He has also composed additional music for a number of TV & film projects, working most recently with David Arnold on the BBC One drama Inside Man, starring Stanley Tucci & David Tennant.  In this special bonus episode, we delve into what it means to be a media composer. Mike initially started out learning piano, and he knew from an early age that he wanted to work in the TV and Film industry. ----more---- In this episode, you will learn: How Mike uses the piano to approach writing music for TV shows like Designated Survivor and Dynasty How anyone can get started writing orchestral music Why Library music is often referred to as a composers pension! And much, much more!    

In this episode of The Big Score, composer/producer, Paul Leonard-Morgan, reveals that his mother told him, “don't go into music, you'll never make a career of it.” But, in fact, he has made a successful and award-winning career out of it. In creating the score for 20th Century Studios' “Boston Strangler” airing on Hulu, Paul found great depth in the lead character “Loretta,” the female journalist who helped connect the murders, creating a quieter quartet feel with a massive orchestral sound for ‘the Strangler' character. As the suspense in the film builds, Paul masterfully meshes the smaller quartet sound with the big orchestral sound and then runs it through 8000 volts of electricity. What happens next? You'll have to tune in.

BAFTA winning composer, Paul Leonard-Morgan explains how he composed the score for new Hulu and Disney+ film, Boston Strangler, starring Keira Knightley.

An in-depth conversation with Paul Leonard-Morgan, composer of many great projects such as Dredd, Cyberpunk 21077, Tales from the Loop, and the new Hulu movie, Boston Strangler. We talk about Paul's success story, life, iconic projects, and his new movie.Boston Strangler is available right now on Hulu.Wassup Conversations is available on YouTube and all the major podcast streaming services.https://www.nikoofarmusic.com/wassup#PaulLeonardMorgan #BostonStrangler #DreddSupport the show

Samuel finally played Cyberpunk 2077 properly, and had a (mostly) good time! This episode interrogates CD Projekt RED's RPG/shooter, two years after release and firmly outside the shadow of the marketing campaign that made it such a headache to write about in the first place. This week's music is from the Cyberpunk 2077 soundtrack by P. T. Adamczyk, Marcin Przybyłowicz and Paul Leonard-Morgan. Hosted on Acast. See acast.com/privacy for more information.

Paul Leonard-Morgan is in his own lane. The Scottish-born composer has built a prolific career, mixing electronic and orchestral styles into a musical concoction all his own. He's worked extensively in film on projects like Dredd and Limitless, on TV with projects like Amazon's Tales from the Loop and Netflix's Wormwood, and more recently on video games like Call of Duty: Mobile, Warhammer III and Cyberpunk 2077. Paul joins Nick and Brian to share his journey as a composer, and to take a deep dive into his process for adding music to media. SHOW NOTES [6:26 - 7:58] Getting the call to score Despicable Me 2 [8:13 - 9:13] Collaborating with a director on a film score [9:32 - 11:12] Personal influences [12:00 - 13:34] Writing music for video games [21:54 - 22:45] Finding the right DAW [23:05 - 26:14] Advice for young composers [33:52 - 36:37] Immersion and Interactivity Paul's Socials: Instagram Twitter YouTube

No centésimo décimo segundo episódio do Quest, Rodrigo Gatti, Gustavo Vegas e, rufem os tambores.... Willam "Morpheus" Silva, discutem os prós e os contras de comprar um jogo ou jogar via serviços de assinatura. O que compensa mais, quais são as vantagens e desvantagens de cada um. Porque quando a gente compra um jogo ele entra na semana seguinte em um serviço de assinatura? Músicas Marcin Przybyłowicz, P.T. Adamczyk, Paul Leonard-Morgan. - Musorshchiki (Cyberpunkk 2077 Soundtrack) Marcin Przybyłowicz, P.T. Adamczyk, Paul Leonard-Morgan. - Wushu Dolls (Cyberpunk 2077 Soundtrack) Samurai - Chippin'In (Cyberpunk 2077 Soundtrack) Siga nossas redes sociais Twitter Facebook Instagram Assista nossas lives Twitch Participe do nosso grupo do Telegram t.me/amigosdomultitap Assine nosso feed Spotify Apple Podcasts Google Podcasts Deezer Amazon Music

Broadcasted on Radio Relativa in Madrid on January 11th, 2022. With tracks from Carl Sagan, Thomas Newman, Paul Leonard-Morgan, Aphex Twin, Ben Salisbury, Geoff Barrow, Jozef Van Wissem, Michael Andrews, Charlie Olins, Disasterpeace, Johann Johannsson, Toto, Brian Eno, Oneohtrix Point Never, Sinoia Caves, Ben Salisbury, Mica Levi, Bobby Krlic, Kenji Kawai, Homin Lviv Municipal Choir and Vangelis. For complete tracklist visit: https://individualactiviti.es Follow Luishock here: http://soundcloud.com/luishock

Muy buenas de nuevo amig@s!! Teníamos ganas de volver ya. En este episodio comentamos la titánica tarea que tuvieron que desempeñar Marcin Przybylowicz, P.T. Adamczyk y Paul Leonard Morgan para darle vida "musical" al gigantesco mundo de Cyberpunk 2007. "Un paseo en comparación con la banda sonora de The Witcher 3", comentaba Przybylowicz. Hablamos además de música diegética y no diegética, que en este tipo de juegos es muy común saltar de una a otra indiscriminadamente. Todo refiriéndonos a una música que se crea con una estética muy concreta y con unos instrumentos muy especiales que los propios creadores fueron desvelando en sus perfiles en redes sociales. Si os gusta el cyberpunk y el retrofuturismo no podéis perdéroslo.

Today’s broadcast is C1E56 for Mishmash Monday, February 22nd, 2021. Today’s episode will be Mishmash Monday, vol 10 – the inaugural episode of calendar 2021, and of our very non-standard "Season 4 – part 2".    Track# – Track – Game – System – Composer(s) – Timestamp    01) Season 4 [pt. 2] Earcatcher – 00:00:00   02) Intro – 00:00:03   03) Drawing Game –  Pictionary – NES – Tim Follin – 00:02:11   04) Menu 1 – Wimbledon Championship Tennis – Genesis – Crush-X – 00:04:50   05) In-Game Theme – Top Players Golf – Neo Geo MVS / AES – Kikuko Hataya – 00:06:36   06) 2dpp - Tetris Party Deluxe – Wii – Takashi Watanabe, Tomoya Yoshida, Keisuke Fukuhira, and/or Ichirō Shimakura – 00:08:54   07) Overworld Theme – Fester's Quest – NES – Naoki Kodaka – 00:11:46   08) Stage 3 – Journey to Silius – NES – Nobuyuki Hara, Naohisa Morota, Shinichi Seya, Naoki Kodaka, and/or Mabochan – 00:13:48   09) Misty Blue – Misty Blue – PC88 – Yuzo Koshiro – 00:15:35   10) Sand Hell – Lightening Force – Genesis – Toshiharu Yamanishi – 00:18:29   11) Cocoa Cave – Kirby Super Star – SNES – Jun Ishikawa, and/or Dan Miyakawa – 00:20:38   12) Results Parade – Check Mii Out Channel – Wii – Kazumi Totaka – 00:22:47   13) A North Breeze – Hover Racing – PS1 – Tooru Kawakami and/or Hiroaki Ohmori – 00:24:54   14) Sacred Warrior – Actraiser 2 – SNES – Yuzo Koshiro – 00:29:01   15) Track 12 – RyuuKyuu – PC Engine – Yasushi Kawasaki and/or Hiroto Saitoh – 00:30:49   XX) (Medley) – [color games) – Android/iOS – Bart Bonte        16) Yellow – 00:32:36         17) Red – 00:35:56         18) Black – 00:40:35         19) Blue – 00:43:47         20) Green – 00:47:19   21) Phazon Mine Ambience – Metroid Prime – GameCube – Kenji Yamamoto – 00:50:41   22) Voices of Urdak – DOOM Eternal – multi – Mick Gordon – 00:52:22   23) Apprehensive Moments (cutscene) / Stage 4-3 Ninja Gaiden – NES – Keiji Yamagishi, Ryuichi Nitta, and/or Ichiro Nakagawa – 00:58:39   24) Boss 1 – Golden Axe II – Genesis – Naofumi Hataya – 00:59:23   25) The Ing Attack – Metroid Prime 2 – GameCube – Kenji Yamamoto – 01:01:01   26) Shadow – Doomsday Warrior – SNES – Junta – 01:03:52   27) Story Sequence – Jurassic Park – Genesis – Sam Powell – 01:05:40   28) Hanako and Yorinobu – Cyberpunk 2077 – multi - P.T. Adamczyk, Marcin Przybyłowicz, Paul Leonard-Morgan, and/or Richard Devine – 01:06:33   29) Adore – Gran Turismo Sport – PS4 – i:Cube – 01:09:16   30) Gomoku, Shogi, Mini-Shogi, Hanafuda – Clubhouse Games: 51 Worldwide Classics – Switch – Chamy Ishi and/or Toshiki Aida – 01:16:06   31) Sunset Seaside – Kick Off – Arcade – Tsukasa Tawada – 01:18:08   32) In-Browser Theme (aka Addiction.mod, or "addicti.mod") – Wii Homebrew Browser – Wii – Noiseless (c1992) – 01:19:52   33) A Battle's Conclusion – Hyrule Warriors: Age of Calamity – Switch – Kumi Tanioka, Reo Uratani, Ryotaro Yagi, and/or Haruki Yamada – 01:24:53   34) Outro – 01:27:29   35) Season 4 [pt. 2] celebration sign-off – 01:38:33     Music Block Runtime: 01:25:22, Total Episode Runtime: 01:39:08    Our Intro and Outro Music is Funky Radio, from Jet Grind Radio on the Sega Dreamcast, composed by BB Rights.    Produced using Ardour 6 / Audacity in Ubuntu Studio 20.04. Music Block produced 01/27/21. Final Episode produced 02/20/21.    NOTICE: The "Nerd Noise Radio - RERUNS!" feed will be going away after December of 2021, and consolidating its output with the main feed. However, in the meanwhile, it will remain active with rerun content, and can be found here:     https://www.buzzsprout.com/77944/    or here    https://itunes.apple.com/us/podcast/nerd-noise-radios-podcast/id1191400767    You can also find all of our audio episodes on Archive.org as well as the occasional additional release only available there, such as remixes of previous releases and other content.    Our YouTube Channel, for the time being is in dormancy, but will be returning with content, hopefully, in 2021. Meanwhile, all the old stuff is still there, and can be found here:     https://www.youtube.com/user/NerdNoiseRadio    Our episodes (and occasionally, other content, including expanded show notes) can be found on our blog here:    nerdnoiseradio.blogspot.com.    Nerd Noise Radio is also available on The Retro Junkies Network at www.theretrojunkies.com, and is a member of the VGM Podcast Fans community at     https://www.facebook.com/groups/VGMPodcastFans/    Or, if you wish to connect with us directly, we have two groups of our own:     Nerd Noise Radio - Easy Mode: https://www.facebook.com/groups/276843385859797/ for sharing tracks, video game news, or just general videogame fandom.    Nerd Noise Radio - Expert Mode: https://www.facebook.com/groups/381475162016534/ for going deep into video game sound hardware, composer info, and/or music theory.    You can also follow us on Twitter at @NerdNoiseRadio. And we are also now on Spotify, TuneIn, Pandora, iHeartRadio, Stitcher, and Vurbl.    December may seem like a long ways away, but as a content creator, I can assure you it's not. Indeed, it feels like it's right around the corner. C1E60 will be a listener picks free play. So, please start getting me tracks - any tracks that move your heart, your feet, or your mind. You can get them to me by any available means, be that by e-mail at nerdnoiseradio@gmail.com, or on social media, or via the comments section on the blog. However you choose to get me tracks, just start sending them my way! And in December, we'll make an episode out of it!    If you liked our medley today, then please check out Bart Bonte's other works at www.bontegames.com and at https://bartbonte.bandcamp.com. Tell him you heard him on Nerd Noise Radio!    Thanks for listening. Join us again in March - date TBD for C2E3, that is, Nerd Noise Radio Channel 2, Episode 3: "Mishmash Monday - vol. 1 (not to be confused with C1E10 from 2017)….tasty VGM and talk on Nerd Noise Radio. And wherever you are….fly the N!      Cheers!   

The lockdown continues here in Leicester. It’s cold and not a lot is happening, so here’s a music mix I’ve put together as a way of interrupting the boredom. The Good Morrow – John Donne Read by Richard Burton Plans for the Future – Paul Leonard-Morgan – Last Breath OST Dropping Off the Bell – [...]

I’m continuing my look back at some past favorite episodes of The Tomorrow Society Podcast today. I really enjoyed the chance to talk with composer Paul Leonard-Morgan back in June of 2018. He composed the score for the current version of Test Track at EPCOT in Walt Disney World, and we talked all about that creative process.… Read more... The post REBROADCAST: 45. Paul Leonard-Morgan on Creating the Score for Test Track appeared first on Tomorrow Society.

في هذه الحلقة تكلّمنا عن انطباعاتنا للعبة Cyberpunk 2077 و Hades، بالإضافة الى أخبار ناقشناها مثل الاعلان عن جهاز منزلي من كنتاكي وغيره!ألعاب تكلمّنا عنها وبالترتيب:Cyberpunk 2077Hadesالحضور:أحمد الراشدعمر اليوسف00:00 - المقدمة06:30 - Cyberpunk 207721:35 - Hades31:00 - قضية ضد سي دي بروجكت 32:09 - خروج منتج بلودبورن وديمونز سولز34:32 - موقع جديد شامل لريزيدنت ايفل35:00 - لعبة رعب جديد من نفس مخترع سايلنت هيل36:04 - عادل! عادل!! عادل!!!36:15 - جهاز كنتاكي الجديد37:37 - نير اوتوماتا ورقم قياسي جديد38:15 - مبيعات سايبربنك 207738:55 - سواليف خاثره 42:35 - هاشتاق ألعاب!53:45 - 20 سؤال !!==================================================تابعوا حساباتنا:-قناة بودكاست ألعاب:https://www.youtube.com/channel/UCii1xw-36gToa878MLa9QKwقناة ألعاب الرئيسية:https://www.youtube.com/c/alaabgamingصفحة البودكاست الصوتيhttp://alaab.buzzsprout.comتويتر ألعاب: (@AlaabGaming)http://www.twitter.com/AlaabGamingانستجرام ألعاب: (@AlaabGaming)http://www.instagram.com/alaabgamingتابعوا جميل عبد الأحد على قناته في تويتش:http://www.twitch.tv/jemimaruقناة ألعاب للبث المباشر في تويتش:http://www.twitch.tv/AlaabLIVE==================================================موسيقات الحلقة:-Alaab Network - A Beautiful Day To Play ~Alaab Main Theme~Publisher: Ahmed AlrashedComposer: Tee LopesCyberpunk 2077 - The Rebel PathPublisher: CD ProjektComposer: Marcin Przybyłowicz, P.T. Adamczyk, Paul Leonard-Morgan, Mattias Bärjed, David Sandström, Kristofer Steen

The story of CD Projekt Red's Cyberpunk 2077 is now much bigger than the game itself. Still, in this episode, Matthew discusses his 70 hours playing the glitchy but nonetheless fascinating game, while Samuel throws questions at him about the game's best quests and why it's not a very good immersive sim. In the second half, we discuss the ways in which writing about big games has changed over the years. Note that this episode was recorded before Sony pulled Cyberpunk 2077 from sale on the PlayStation Store - the conversation around this game has changed quickly...This week's music is from the game's soundtrack by Marcin Przybyłowicz, PT Adamczyk and Paul Leonard-Morgan, as well as the Super Mario Galaxy soundtrack by Koji Kondo and Mahito Yokota. 

What happened to Timothy Leary? One minute, he was an anti-establishment rebel, spending ten years in prison after advocating for the "turn on, tune in, drop out" drug liberation culture of the '70s; the next, he was a government narc, informing on the same people he hooked in. One possible explanation lies in his exciting, deeply idiosyncratic relationship with Swiss-born Joanna Harcourt-Smith, the subject of Errol Morris' latest documentary My Psychedelic Love Story (which hits Showtime this weekend). Centered entirely on Harcourt-Smith's side of the story, Morris' latest doc is playful and intriguing in all the ways you'd expect of his interrogative, interview-centric approach to documentary filmmaking. It certainly helps, of course, that frequent collaborator Paul Leonard-Morgan is along for the ride, painting between the lines of Harcourt-Smith's lively, charming investigation of her own past, as much a mystery to her as it is to the audience. Was she really a CIA spy, a Mata Hari figure meant to take down one of the government's greatest counterculture nuisances? Or was she a lost, naive girl looking for the ride of a lifetime? Leonard-Morgan (no stranger to this podcast; we talked to him earlier this year about Amazon's Tales from the Loop) weaves an intricate blend of synths, driving strings, and percussion through Morris' kaleidoscopic, montage-heavy approach to Harcourt-Smith's story. Luckily, we managed to catch him in the final weeks of preparing the score to talk to us about working with Morris, the engaging mysteries of the film's subject, and the logistical complexities about recording live music during a global pandemic. Listen to our interview with Paul Leonard-Morgan, as well as an exclusive piano rendition of the film's main theme.

We have a great one this week on the pod as we talk all about, record breaking video games sales, Xbox's not so quick resume, and we sit down with some of the composers from Cyber Punk 2077!!! Featuring the voices of: - Jon Swanson, @JonnySamsonite - AJ Eide, @AJ_Eide Special Guests From Cyberpunk 2077: - Marcin Przybyłowicz, @kwazol - P.T. Adamczyk, @ptadamczyk - Paul Leonard-Morgan, @PaulLeonardMorg Our website has been updated! Come visit and sign up for our Newsletter, "Mostly Normal Monthly" at https://www.mostlynormalgamers.com/ Questions? Comments? Suggestions? Send emails to Podcast@MostlyNormalGamers.com or find us on twitter https://twitter.com/MNGamersPodcast While you are there, follow us for news and fun content! Listen to more episodes at https://www.mostlynormalgamers.com/listen or wherever you are listening to this episode! Don't forget to leave a 5 star review and thanks for stopping by. --- Send in a voice message: https://anchor.fm/mostlynormalgamers/message

https://thecommunists.org/2020/11/13/news/cbi-arrogance-undermines-capitalist-stability/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2020/10/29/news/insult-to-injury-government-plans-cut-universal-credit-boost/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2020/09/16/news/civil-servants-face-coercion-over-workplace-return/ Music: 'Dredd' by Paul Leonard Morgan

After working with bands like Simple Minds and Belle and Sebastian, the Scottish composer Paul Leonard-Morgan went on to write the soundtracks for Limitless, Dredd and the TV series Spooks (MI-5). More recently, he's collaborated on projects with two of the biggest names in the business: documentarian Errol Morris and composer Philip Glass. In the podcast, he tells Andrew Anderson about embracing mistakes, getting over imposter syndrome and the creative opportunities of being on lockdown.

Paul Leonard-Morgan’s unique cinematic style of fusing orchestra with electronica has put him in high demand as a film composer, a producer and arranger for bands, and has led him to win a BAFTA award, and receive Emmy & Ivor Novello nominations. In this continuation of the first part of the interview we delve deep into the world of our new favorite show, Amazon's Tales From The Loop and Paul's work with Phillip Glass on the series.

Paul Leonard-Morgan’s unique cinematic style of fusing orchestra with electronica has put him in high demand as a film composer, a producer and arranger for bands, and has led him to win a BAFTA award, and receive Emmy & Ivor Novello nominations. We reached out to Paul because of two different films. One documentary thriller called Last Breath and the Amazon hit series Tales From The Loop. Along the way we talk about all things composing. Paul's credits are far too numerous to list in totality but here's a summary. Here's worked with bands like Belle and Sebastian, Snow Patrol, Mogwai, and No Doubt. He's composed for film including Limitless, Dredd, 3 projects with Errol Morris including Wormwood, American Dharma, and The B-Side, Walking With Dinosaurs, etc. Video games including Warhammer 40,000 and the upcoming Cyberpunk 2077 and is currently composing his first classical commission, a celtic concerto for Inter-Celtic Festival in Lorient.

https://thecommunists.org/2020/08/24/news/ubi-recipe-for-universal-misery/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2020/08/05/news/bayer-ag-forced-to-pay-over-10bn-roundup-cancer-claims-monsanto/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2020/07/27/news/water-ceo-fleece-public-privatisation-utilities/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2018/02/01/news/air-pollution-in-britain-scandalously-high/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2020/07/24/news/ministry-of-justice-moj-retreats-cleaners-sick-pay/ Music: 'Mega City One' by Paul Leonard Morgan

https://thecommunists.org/2020/07/14/news/under-cover-covid-19-trial-by-jury-under-attack-justice-system/ Music: 'Dredd' by Paul Leonard Morgan

(TSAP S03E13) Sam Hughes speaks with the energetic Paul Leonard-Morgan about his composing career so far, his work on Tales from the Loop and The Nest , motivation in general as well as during the current COVID-19 situation and more! "Paul Leonard-Morgan (LIMITLESS, DREDD, BATTLEFIELD™ HARDLINE) is a BAFTA award winning, EMMY® and Ivor Novello nominated composer and producer. His unique cinematic style (fusing orchestra with electronica) has put him in high demand, both as a producer for bands and as a soundtrack composer." Big thanks to Toivo Kallio for editing. Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

https://thecommunists.org/2020/07/10/news/statues-come-down-toppling-of-the-mighty-racism-imperialism-blm/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2020/06/29/news/ferry-company-p-and-o-takes-money-and-runs-furlough/ Music: 'Mega City One' by Paul Leonard Morgan

https://thecommunists.org/2019/03/12/news/theory/job-cuts-factory-closures-car-industry-britain/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2020/06/25/news/covid-couriers-sacked-requesting-ppe-social-distancing/ Music: 'Dredd' by Paul Leonard Morgan

https://thecommunists.org/2020/06/25/news/british-gas-sps-technologies-announce-big-job-losses/ Music: 'Dredd' by Paul Leonard Morgan

Here is the new episode of the Interview Series on the MULTI-MEDIA MEN podcast network, where... The post Paul Leonard-Morgan Interview first appeared on Boomstick Comics.

Here is the new episode of the Interview Series on the MULTI-MEDIA MEN podcast network, where... The post Paul Leonard-Morgan Interview appeared first on Boomstick Comics.

Here is the new episode of the Interview Series on the MULTI-MEDIA MEN podcast network, where the show is related to all things Movies, Music, and Entertainment! Here on this new episode, hosts  Bryan Kluger from Boomstick Comics, High Def Digest, and Screen Rant, along with good friend Marc Ciafardini from GoSeeTalk joins in on the fun. Our Feature Presentation this episode is a fun-as-hell talk with the Scottish musician, film/tv/video game composer Paul Leonard-Morgan! Paul Leonard-Morgan composed the music for Dredd, Limitless, Tales From The Loop, Dynasty, and much much more. Paul has also collaborated with Phillip Glass and numerous bands across the globe. The three of us dive headfirst into how Paul started playing instruments, performing for the first time at school, working with Phillip Glass, and using his magic to create some excellent music for videogames, tv shows, and feature films. We also talk about musical inspirations, the most thrilling music moments, and the strangest recording Paul owns. It's a fun and candid talk. VISIT PAUL HERE! Enjoy the show! And don't forget to visit iTunes , Stitcher , I Heart Radio, and Spotify to subscribe to our podcast. You can also email us at mybloodypodcast@gmail.com. Enjoy the show and see you next week! Thank you for listening. https://boomstickcomics.com/wp-content/uploads/2020/06/Paul-Leonard-Morgan.mp3

In this Episode: Our Heroes fawn all over the 2012 cult classic - Dredd, starring Karl Urban (written by Alex Garland). It's a deep dive this week with a bit of Stallone love sprinkled in (he's Chad's dad after all). Follow Us: Our Website Twitter Instagram Facebook Items discussed (links to more info): Note - if the below links don’t work in your podcast player please visit the show page at: ebd.fm/episodes/61 Alex Garland Heavy Metal Magazine Rob Schneider Judge Dredd (1995) 2000 AD Future Shock: The Story of 2000 AD Anthrax - I Am the Law Judge Dredd vs. Aliens John Wagner First Blood episode Robocop The score / soundtrack Paul Leonard-Morgan (composer) 4k frames per second slo mo The Lawmaster Chris Stuckman review Initial Dredd Trailer Domhnall Gleeson (Techie) Ex Machina JP Olivia Thirlby (Anderson) TED Talk - How movies teach manhood Bechdel Test Lena Headey (Ma-Ma) Cersei (GoT) The Purge 300 The Sarah Connor Chronicles Karl Urban McCoy Eomer The Raid Michael Biehn Funtown Auto (get out your checkbook)

In deze aflevering van Geeky Dingen praten Linda Duits, Sidney Smeets en Thom Aalmoes over Tales from the Loop. Die serie, en de tekeningen waarop ze gebaseerd zijn, roepen nostalgie op naar een niet-bestaand verleden. De meningen onder de geeks zijn verdeeld: want heeft die nostalgie bedenkelijke conservatieve Amerikaanse trekjes of gaat het hier om een abstractere nostalgie die de melancholie van de verhalen ondersteunt? We kregen ook een ingezonden brief van componist Paul Leonard-Morgan die samen met Philip Glass de muziek voor de serie schreef. Hij legt uit hoe het was om met een legende als Glass samen te werken en hoe de muziek tot stand kwam. Daarnaast komen tips en nieuwtjes op het gebied van popcultuur aan bod.

https://thecommunists.org/2020/06/15/news/debenhams-shafts-cafe-workers-furlough-covid-19/ Music: 'Dredd' by Paul Leonard Morgan

Vita Ayala (https://twitter.com/definitelyvita) on writing “Marvel’s Jessica Jones: Playing with Fire” for Serial Box (https://www.serialbox.com/serials/jessica-jones).   Composer Paul Leonard-Morgan (https://twitter.com/PaulLeonardMorg) on creating the music for the Amazon Prime series “Tales from the Loop” (https://www.amazon.com/Tales-from-the-Loop/dp/B084NSNCK6)   And as always, thanks to our amazing sponsors Marcus Theatres https://www.marcustheatres.com/ and Historic St. Charles, Missouri https://www.discoverstcharles.com/!   0:00 Segment 1 Vita Ayala has written for DC, IDW, Image, Marvel, Valiant, Serial Box; when do they find time to sleep?!   14:09 Segment 2 Vita on owning their own worth and self-esteem.   22:08 Segment 3 Paul Leonard-Morgan on starting with a blank slate and creating the motif for a show from scratch   30:53 Segment 4 Paul on what it is like collaborating with other composers   40:00 Segment 5 Paul on what he loves most about his job as a composer   Amazon Affiliate Link -   http://bit.ly/geektome  Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon -   https://www.patreon.com/GeekToMeRadio  Website -   http://geektomeradio.com/  Podcast -   https://geektomeradio001.podomatic.com/  Facebook -   https://www.facebook.com/GeekToMeRadio/  Twitter -   https://twitter.com/geektomeradio  Instagram -   https://www.instagram.com/geektomeradio/

Paul Leonard-Morgan joins Gordon Burkell to discuss composing with Philip Glass for Amazon's Tales from the Loop.

Podcaster Dan Heaton (Host, The Tomorrow Society Podcast) joins Brett Nachman as they discuss their favorite Walt Disney World attraction queue music. These are the pieces that immediately transport you to another time and place as you await boarding beloved attractions. Dan and Brett celebrate the music of George Bruns, Randy Newman, Paul Leonard-Morgan and others as they take a virtually walk through the queues in "the World." They even revisit some extinct attractions that possessed some timeless tunes.   Check out The Tomorrow Society Podcast and follow the podcast on Facebook, Twitter (@tomorrowsoc), and Instagram. Feel free to reach out to Brett via Twitter @bnachmanreports, subscribe to the podcast, and send your feedback at notablydisney@gmail.com  New episodes of Notably Disney debut on the first and third Tuesday of each month.

TV writer Darren Swimmer (Shadowhunters, Smallville) and composer Richard Einhorn (Voices of Light) offer some advice on a range of quarantine-relevant topics, including apps that help you focus, where to find the best information on the latest public health updates, and curating your streaming lineup. And composer/ producer Paul Leonard-Morgan (Limitless, Wormwood) shares the challenges of collaborating and recording with musicians sheltering at home.

Paul Leonard-Morgan is no stranger to composing for science fiction, lending a propulsive, industrial wall of sound to films like Limitless and Dredd, as well as video games like the upcoming Cyberpunk 2077. But with Amazon Prime Video's latest anthology series Tales from the Loop, he's in a milder, more contemplative mode -- delicate, thoughtful, and endearingly beautiful. Based on the 'suburban sci-fi' artwork of Swedish illustrator Simon Stålenhag, Tales from the Loop tells the story of a sleepy, timeless town, under which lies 'the Loop', an research facility overseen by a mysterious institute conducting experiments on the nature of the universe. Along the way, the residents of the town feel its curious effects -- time loops, alternate universes, and the like -- and discover new things about themselves along the way. Closer to something like Arrival than Stranger Things, Tales from the Loop eschews bombast for something more akin to a tone poem. Episodes are slow, deliberate, heavily fueled by dusky visuals and restrained performances by the likes of Jonathan Pryce, Rebecca Hall and Paul Schneider, most of whom flit in and out of the episodes as we see the disparate ways the Loop's experiments reveal new things about these decidedly ordinary people. And underpinning this all is the score, a collaboration between Leonard-Morgan and the legendary Philip Glass that coats each stolen glance and mournful experiment with minimalist, arpeggio-laden wonder. Tales from the Loop is all about its atmosphere, and Glass and Leonard-Morgan's score mines a graceful elegance from the interdimensional magic surrounding Mercer, Ohio's denizens. In anticipation of the show's release, The Spool sat down with Leonard-Morgan to talk about Tales from the Loop's bittersweet magic, working with Philip Glass, and the ways the isolation that comes from our current historical moment is changing the ways composers and musicians collaborate with each other remotely.

In our latest episode of The Pop Disciple Podcast, we are joined by Paul Leonard-Morgan, the vibrant co-composer behind Amazon's mind-bending science fiction series, Tales from the Loop, inspired by the wondrous paintings of Simon Stålenhag. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Paul Leonard-Morgan

In this exclusive podcast hear BAFTA-award winning composer Paul Leonard-Morgan talk about his work with Philip Glass composing music for the new hotly-anticipated Amazon Prime series ‘Tales from the Loop’. A charming soundtrack, simply scored but deployed with devastating effect. Hear Paul discuss how he works in isolation from his glass-walled studio in LA. Watch the trailer on YouTube (https://www.youtube.com/watch?v=1htuNZp82Ck) . Tales of the Loop is available on Amazon Prime from 3 April. 

No todo el mundo tiene la oportunidad de salvarse de una muerte casi segura. El pasado 26 de enero tenía que grabar este episodio de Perpetuum Mobile, pero un infarto fulminante lo impidió. 28 días más tarde, he podido grabar el episodio 115 de Perpetuum Mobile con la misma selección musical que tenía prevista más dos temas, uno inicial y otro final. Espero que os guste. En este episodio escucharemos música de Vangelis por triplicado, Yanni, Jorge Bedoya, Luke Howard, Keith Thomas, Bruno Sanfilippo por partida doble, Wim Mertens, Richard Luke, Bersarin Quartett, Paul Leonard-Morgan, Eric Tingstad & Nancy Rumbel, Gandalf, David Arquenstone y Ólafur Arnalds.

Creating a theme park attraction is an insanely complicated process, but it’s easy to think of them as magic. We’ve heard so much about the wonderful world of Disney Imagineering, but that is only part of the story. So many individuals beyond the Imagineers help to put together a new attraction.… Read more... The post 45. Composer Paul Leonard-Morgan on Creating the Score for Test Track appeared first on Tomorrow Society.

The amazing Ian Crabb joins me again to talk about a couple of Soundtracks which really deserve more attention, featuring Scores by Carter Burwell, Paul Leonard-Morgan, Niki Reiser, Ben Lovett and Ralf Wengenmayr. Fans About Films: The Podcast Created & Hosted by Lasse Vogt Guest: Ian Crabb Title-Music by 3-nen E-gumi Utatan Please visit Ian Crabb here: https://twitter.com/EyunCrabb https://sideshowsoundtheatre.com/ https://sideshowsoundtheatre.com/sideshow-and-tell/ You can find all of my stuff here: https://www.facebook.com/lasse.vogt.7 https://www.facebook.com/LasseVogtPodcast/ https://twitter.com/LasseVogt https://scoregeek.wordpress.com/ https://www.youtube.com/channel/UC8OpBQEYuD9nnWzX__5_XOg?view_as=subscriber

Paul has scored a bevy of fantastic projects including Limitless, the hit show MI-5 (Spooks) and now the sci-fi action extravaganza Dredd. We talk about his approach for the score and how he wanted to do a different kind of blockbuster. He makes his case for his electronic-heavy sound and what he wanted to do to escape the traditional sound Hollywood usually goes after in action movies. We also chat about how his music had to compete with sound effects in the final mix and if action score should work precisely with the heavy editing or sort of flow underneath. Paul is always great fun to chat with and it was an honor to have him back on F.M.M. Enjoy! Interview Conducted By:Kaya Savas Special Thanks:Paul Leonard MorganCaroline GormanDianne Stevenson Photography By:Alexander Newton

Limitless composer Paul Leonard-Morgan chats about his current film, the state of electronic scoring in the industry and a lot about the scoring process. A really informative interview with a great and talented guy. Hope you enjoy!

Limitless composer Paul Leonard-Morgan chats about his current film, the state of electronic scoring in the industry and a lot about the scoring process. A really informative interview with a great and talented guy. Hope you enjoy!

For over 35 years Edward Meyer has traveled around the world collecting unusual stories and unbelievable artifacts to fill Believe It or Not! books The post 'Ripley's Believe It Or Not!' Historian Edward Meyer & 'Dredd' Composer Paul Leonard-Morgan first appeared on Pop Culture Tonight.

For over 35 years Edward Meyer has traveled around the world collecting unusual stories and unbelievable artifacts to fill Believe It or Not! books

Ben and George talk about 2000 AD's figurehead: Judge Dredd. Covering everything from the character's backstory and his inception, to their favourite Dredd stories and Hollywood's attempts at converting Dredd to the silver screen. They also discuss some of the most notable Dredd writers and artists, specifically John Wagner and Brian Bolland and the political aspects of Judge Dredd. Intro: I Am The Law - Anthrax Outro: Mega City One - Dredd Original Soundtrack (composed by Paul Leonard Morgan) comicsoccast.tumblr.com luucomicsociety@gmail.com

#perdidoseneleter #comics #judgedredd #vertigo #cosplay Primera parte de Perdidos En El Eter #148, del mes de noviembre. Festejando nuestro Premio Sheldon 2012! Bruno nos trae una RE: seña de Dredd, y MaGnUs una nota sobre el comic Y: The Last Man. Ademas, la segunda columna de cosplay "Hazlo Tu" de Laia Bee, con un instructivo sobre como aprontar todo para empezar un cosplay. El clon de Diego Gonzalez esta por terminar su ciclo de "Los Viajes Del Eter", con una visita al Universo Marvel. Con musica de Paul Leonard-Morgan, The Fink Brothers, The Beatles, & The Streets.