Podcast appearances and mentions of roland juno

Diario en Movimiento nos dejamos llevar por los sonidos electrónicos de una época irrepetible. Una época en la que los sintetizadores pasaron de ser una rareza técnica a convertirse en el corazón de la música pop. En los años 70, los sintetizadores eran instrumentos costosos, experimentales y reservados a la música progresiva o de vanguardia. Pero con la llegada de modelos más asequibles como el Yamaha DX7 o el Roland Juno-60, los músicos encontraron nuevas formas de crear melodías, ritmos y atmósferas. Así nació el synthpop: una mezcla de pop tradicional con bases electrónicas, cajas de ritmo y texturas sintéticas

Today's guest deejay is Martyn Palmer AKA Broken Chip. I came across Martyn while scouring Bandcamp for new music, a modern treasure hunt. Immersed in his album The Quiet Garden, I found myself drawn into its depths. I asked Martyn to share a mix with us. Martyn is an Australian musician and sound artist, a creator of serene soundscapes. His works have graced labels such as Flaming Pines (UK), Feral Media (AU), King Deluxe (CA), and A Future Without (UK). His music, often built on looped sounds, crafts a tranquil, contemplative atmosphere. His latest work, Landscapes, exemplifies this gentle electronic ambience, captivating listeners with its peaceful stillness. The name “Broken Chip” arose from his trials with a malfunctioning Roland Juno 106 synthesizer. The 80017a VCF/VCA voice chips began to fail, producing a detuned, raspy sound. Martyn wove this brokenness into his music, finding beauty in imperfection. Though the synthesizer eventually became unusable, the broken sound it produced inspired the name of his project. Martyn hopes his music serves as ambient background sound, suitable for homes, planes, or trains. Once released, he seldom reflects on its reception, preferring to let listeners discover and experience it on their own. His initial promotion is brief; he avoids persistent self-promotion, letting the music speak for itself. Martyn has two albums coming out on Home Normal later this year. You can look forward to them, and perhaps, find solace in the quiet moments he creates. Join us next week when our guest deejay will be Philippe Neau. See you then. James Murray & Mike Lazarev “Ānimitta” THME “Wisdom of restraint” r beny “Alone in the Pavilion” Grouper “Alien Observer” Mark Jenkin “Enys pt.1” Jonny Nash “Perfume Dream” Tiny Vipers “Young God” Masaya Ozaki “Opið Rými” Daou “Silent Garden” Federico Durand “Hojas frescas de eucalipto”

Episode 106 Electronic Music of Dune Playlist Toto, “Main Title,” “Robot Fight,” and “Dune (Desert Theme)” from Main Title / Robot Fight / Dune (Desert Theme) (1984 Polydor). A single produced from the soundtrack of the David Lynch film version of Dune (1984). Toto, with its big synthesizers, created most of the soundtrack, although Brian Eno, Roger Eno and Daniel Lanois had one track (included later in this podcast). Bass, David Hungate; Drums, Percussion, Jeff Porcaro; Guitar, Steve Lukather; Keyboards, David Paich, Steve Porcaro. 6:36 David Matthews, “Part I: Arrakis,” “Part II: Sandworms,” “Part III: Song Of The Bene Gesserit,” “Part IV: Muad'Dib” from Dune (1977 CTI Records). Arranged by David Matthews and produced by Creed Taylor for his CTI jazz label, this was an extended work inspired by the novel by Frank Herbert. Cliff Carter plays the solo synth (mini-Moog?) on the first track and other places. The work is jazz with bits of electronic music blended into the instrumentation. It remains an interesting artifact partly because of the legal problems CTI faced once they released the album. Because CTI had not secured writer Frank Herbert's authorization to use his novel Dune as the thematic center piece for the album, Herbert filed a law suit against CTI and won, forcing the label to delete it from catalog. For this reason, that interesting album was never reissued in the USA. Enjoy. Alto Saxophone, David Sanborn; Bass, Mark Egan; Bass Trombone, Dave Taylor; Concertmaster, Sanford Allen; Drums, Andy Newmark, Steve Gadd; Flute, Piccolo Flute, Dave Tofani; Guitar, Eric Gale, Hiram Bullock; Keyboards, Cliff Carter; Oboe, Clarinet, Lew Del Gatto; Percussion, Gordon Gottlieb, Sue Evans; Tenor Saxophone, Soprano Saxophone, Grover Washington, Jr.; Trombone, Jerry Chamberlain*, Sam Burtis, Tom Malone, Wayne Andre; Trumpet, Flugelhorn, Burt Collins, Jim Bossy, Joe Shepley, John Gatchell, Jon Faddis, Lew Soloff, Randy Brecker; Vocals, Googie Coppola. Recorded at Electric Lady Studios, June 1977. The first side is the Dune suite, the second side features interpretations of other sci fi film themes (Silent Running, Star Wars, etc.). 20:29 Frank Herbert reading Dune from Dune, The Banquet Scene (1977 Caedmon Records) combined with a track by Alan R. Splet, “Space Travel W/ Changing Choral Textures” (2003 Sub Rosa) from An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003. The recording of Herbert was made at the height of the Dune craze, the late 1970s. When David Lynch made his film for release in 1984, he was working with Splet who is not credited by whom may have contributed some electronic and ambient sounds. This track appears to confirm that and I've combined it with the Herbert reading. 5:07 Brian Eno, Roger Eno and Daniel Lanois, “Prophecy Theme” from Dune (Original Soundtrack Recording) (1984 Polydor). This little track was the only one that remained of Eno's contributions to the Dune soundtrack, although he reportedly composed an entire movie's worth of music for the film. Some was used as incidental music. 4:21 Zheani, “The Litany Against Fear” from Eight (2018 Sleepcvlt). Cassette release from this Australian rapper, electronic musician, model and actress.This is a famous quote from Herbert's Dune and seemed fitting to have it represented by a musician for the podcast. 0:36 Klaus Schulze, “Dune” from Dune (1979 Brain). Yes, Schulze, too, was infected with the Dune craze and created this ambitious 30-minute work to acknowledge it. This is a truly lovely electronic work from those days when Schulze was largely still working analog synthesis, and synthesize voices and orchestral sounds, much like his earlier album X. The cello is played by Wolfgang Tiepold, produced by and all keyboards by Klaus Schulze. The first side comprises the piece called Dune and the second side features an unrelated work with vocals by Arthur Brown. An intriguing album all around! 30:05 Graeme Revell & The City Of Prague Philharmonic, “Seduction” from Frank Herbert's Dune (Original Soundtrack From The Sci-Fi Channel Mini Series) (2001 GNP Cresendo). Composed by Graeme Revell; executive producer, Neil Norman; orchestra, chorus, The City Of Prague Philharmonic. This is the soundtrack for a Sci Fi channel mini-series back in 2001. The music is primarily orchestral, being performed in the Czech Republic and arranged by Neil Norman, Hollywood veteran of science fiction films. But Revell did compose it and there are a few tracks, such as the one featured here, that have clearly electronic elements that stand out. 1:51 Grimes, “Caladan” from Geidi Primes (2011 No Pain in Pop). Grimes' first album was a concept album based on Frank Herbert's novel Dune and David Lynch's 1984 film adaptation of the book. This track is about the fictional home planet of the Atreides, the protagonist clan in the novel. Produced by, written by, played by Grimes. She used relatively simple sounds, overdubs, and interesting vocal mixes to tell these tales. 2:23 Kurt Stenzel, “Parallel World” (1:42), “Parallel World (Outro)” (1:04), “Leap Of Faith” (0:43), “Time And Space” (2:04), “Optical World” (2:56), “Nebula” (2:26), and “Invitation” (excerpt) from Jodorowsky's Dune (Original Motion Picture Soundtrack) (2014 Cinewax). This is a bit of a side-hustle because Alejandro Jodorowsky's much hyped film version of Dune, which he sought to make in the 1970s, does not exist. It is one of the most famous movies that never existed. Still, the Chilean-French film director, producer, composer, actor stuck with the idea for quite some time until the David Lynch movie was produced in the 1980s and sucked all of the available Dune oxygen out of the room. But Jodorowsky's passion for the project inspired others, including guitarist and synthesist Stenzel who produced this soundtrack to a 2014 documentary about Jodorowsky and the ill-fated project. Stenzel composed music inspired by the book. This double LP has 33 tracks and I focused on a selection of connected synth tracks from the first album. Moog Source, CZ-101s, Roland Juno 6, toy Concertmate organ, Ninendo DS, voice, Kurt Stenzel. 11:56 Klause Schulze, “Side E—"Der Hauch Des Lebens (The Breath of Life) Pt #1” from Deus Arrakis (2022 SPV Recordings). Dune remained a lifelong source of fascination for Schulze. This, his final album, was also inspired by the novel he loved so well. This is a three-LP set, but the first LP is single-sided. Because of his ill health, Schulze knew that this might be his final project. In the liner notes he wrote directly to his fans, saying, “Thank you for your great support over all these years. This is for you! May the spice be with you. Always.” Recorded and written by Klaus Schulze; Cello, Wolfgang Tiepold; Voice, Eva-Maria Kagermann. 16:24 Han Zimmer, “Arrakis” from The Art And Soul Of Dune (Companion Book Music) (2021 WaterTower Music). Zimmer composed the soundtrack for the Denis Villeneuve released in 2021. Villeneuve has praised Zimmer's work on the film and that he had spent,"months and months creating new instruments, defining, creating, and seeking new sounds, pushing the envelope." In addition to a soundtrack for the film itself, Zimmer released two companion releases that provide an extended listen to the sounds and experiments that were created for the project. Three albums were released for the film by WaterTower Music, including The Dune Sketchbook (Music from the Soundtrack), Dune (Original Motion Picture Soundtrack), and The Art and Soul of Dune on September 3, September 17, and October 22, 2021, respectively. This work is from the reading companion to the film. 13:28 Opening background music: Hans Zimmer, “The Shortening Of The Way” from The Dune Sketchbook (Music from the Soundtrack) (2021 WaterTower Music). This track is from a companion 2-CD set that accompanied the actual soundtrack. Zimmer called these sketches and they represent his sound experiments as he formulated the music for the film. This grand combination of acoustic instruments and synth sounds from Zimmer's private studio is stunning in its scope and virtuosity and highly recommended. Synth programming by Hans Zimmer. 11:14 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

John DeNicola and Stacy Widelitz are two esteemed figures in the world of music, each leaving an indelible mark through their songwriting, musical prowess, and creative collaborations.John DeNicola, a distinguished singer-songwriter, has solidified his legacy with an Academy Award and a Golden Globe Award to his name. Recognized for his exceptional talent, he co-wrote two iconic tracks for the legendary film "Dirty Dancing" – "(I've Had) The Time Of My Life" and "Hungry Eyes," in collaboration with Franke Previte. These timeless classics have resonated with millions, becoming synonymous with the film's magic. His debut solo album featured a remarkable composition journey that began with the Roland Juno 108 keyboard, as evident in the original demo of the songs. John further enriched his musical journey by releasing a second album and engaging in collaborations with notable artists like John Waite, who brought us hits like "Missing You."In addition to his songwriting accomplishments, John DeNicola played an instrumental role in discovering the talent of Maroon 5, showcasing his ear for groundbreaking artists.Stacy Widelitz, another luminary in the music realm, co-created the beloved ballad "She's Like The Wind," a significant part of the "Dirty Dancing" soundtrack. The song, co-written with his longtime friend Patrick Swayze, achieved remarkable success, reaching the third position on the US Billboard charts and securing the number one spot on the Adult Contemporary chart. Stacy's composition skills were also behind the unforgettable theme song of the 1982 Regis Philbin Show on NBC, showcasing his early aptitude for crafting captivating melodies.Stacy's talents extended beyond songwriting, as he ventured into scoring for features and numerous made-for-TV movies, further showcasing his diverse musical abilities. His notable contributions encompass scoring and composing dance music for the film "One Last Dance," earning him a Best Music Award at the 2004 Nashville Film Festival. He even co-wrote the original version of the Beverly Hills 90210 theme song, a lesser-known but impactful part of his musical journey.Beyond music, Stacy's creative spirit led him to excel in photography, with his works exhibited globally. Drawing inspiration from film noir and classic black-and-white street photography, Stacy's photography captured the essence of unfiltered moments and natural light, creating evocative visual narratives.Stacy's commitment to the music community extended to his leadership roles, serving as president of esteemed organizations such as the Grammy-nominated ALIAS Chamber Ensemble and Nashville Opera Guild. His wide-ranging collaborations and experiences have intertwined with the fabric of musical history, making John DeNicola and Stacy Widelitz invaluable contributors to the world of entertainment. Hosted on Acast. See acast.com/privacy for more information.

Thea Flowers creates open source and open hardware craft synthesizers that use Circuit Python for customization. She also writes about the internals of the SAMD21. Thea's synthesizer modules are found at Winterbloom, including Castor & Pollux and the Big Honking Button. It is all open source hardware so you can find code and schematics on Thea's github site: github.com/theacodes  Thea's site is thea.codes. You can find her blog there with deeply technical and detailed posts such as The most thoroughly commented linker script (probably), The Design of the Roland Juno oscillators, and Understanding the SAMD21 Clocks. She's on Twitter as Stargirl, @theavalkyrie. For more information about the Eurorack, listen to Embedded 356: Deceive and Manipulate You with Leonardo Laguna Ruiz of Vult.

Episode 84 Psychedelic Japan, Part 3   Playlist Boredoms, “Super Going” from Super æ (1998 Birdman). Boredoms (ボアダムス), alternatively known as V∞redoms, is a Japanese experimental/noise/space rock/tribal drumming band from Osaka, founded in 1986 by Yamatsuka Eye. Known for their extended jams and heavy drumming, it is remarkable that they had some mainstream success in the 1990s. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Tibetan Bell, Effects (EQ-phasing), Electronics, Eye. 12:26. Boredoms, “7-(Ewe Remix)” from Super Roots 7 (1998 WEA). Bass, Effects, Hilah; Drums, Percussion (Electronic), E~Da; Drums, Sampler (Samples), Percussion, ATR; Drums, Vocals, Tape (Bird Flying Sound), Keyboards (Casiotone), Yoshimi P-We; Guitar (Guitars), Yamamotor; Sampler, Synth, Kiyoshi Izumi; Vocals, Synth, Tape (Open Reel), Electronics (Vacuum Cleaner), Bell, Effects, Sounds, Electronics, Tape (Insects, Bird), Eye. 4:05 OOIOO, “Oizumio” from Feather Float (1999 Polystar). Pronounced OH-EE-OH, Band formed by trumpeter and drummer for the Boredoms on a whim as the result of a photo shoot she once did. Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 3:39 OOIOO, “1000 Frogs And 3 Sun In A House” from Feather Float (1999 Polystar). Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 10:28 Boredoms, “"Ҩ" (Spiral)” from Vision Creation Newsun (2001 Birdman). There have been some live performances of this music from Vision Creation Newsun where Eye has recruited as many as twenty drummers to join the fray, all positioned in a circle with Eye conducting from the middle. And it's said that this is not one of his most extreme performance setups. Bass, Effects, Vocals, Hilah; Drums, Percussion, Electronic Drums (Electric Pad), Vocals, ATR, E-Da; Drums, Percussion, Keyboards (Casiotone), Vocals, Yoshimi; Guitar, Vocals, Yamamotor; Vocals, Synth, Sampler (Samples), Turntables, Tape (Open Reel), Vocoder, Computer, Electronics, Edited, mixed by, Eye. 6:33 Boredoms, “"↑" (Arrow Up)” from Vision Creation Newsun (2001 Birdman). Bass, Effects, Vocals (Vox), Hilah; Drums, Percussion, Electronic Drums (Electric Pad), Vocals, ATR, E-Da; Drums, Percussion, Keyboards (Casiotone), Vocals, Yoshimi; Guitar, Vocals, Yamamotor; Vocals, Synth, Sampler (Samples), Turntables, Tape (Open Reel), Vocoder, Computer, Electronics, Edited, mixed by, Eye. 6:26 Adachi Tomomi, “Gamp” (2001 unofficial release). Adachi Tomomi is a performer/composer from Tokyo, Japan. He plays improvised music with voice, computer, and self-made instruments. 2:35 Acid Mothers Temple & The Melting Paraiso U.F.O., “The Creation Of The Human Race” from 41st Century Splendid Man (2002 tUMULt). Bass synthesizer, bass harmonica, Tsuyama Atsushi; Drums, Yoshida Tatsuya; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Effects RDS 900, Synthesizer, Kawabata Makoto; Cosmic Companion, Ayano; Space Phone girl, Yoko; Synthesizer, Higashi Hiroshi; Vocals, Cotton Casino. From a picture disc version of this recording. 9:12 Acid Mothers Temple & The Melting Paraiso U.F.O., “Dalai Gama” from 41st Century Splendid Man (2002 tUMULt). Bass synthesizer, bass harmonica, Tsuyama Atsushi; Drums, Yoshida Tatsuya; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Effects RDS 900, Synthesizer, Kawabata Makoto; Cosmic Companion, Ayano; Space Phone girl, Yoko; Synthesizer, Higashi Hiroshi; Vocals, Cotton Casino. From a picture disc version of this recording. 4:32 Merzbow, “Argus” from Karasu: 13 Japanese Birds Pt. 4 (2009 Important Records). Music by Masami Akita. We included a cassette release from Akita in part 2 of this series. That was from early days for Merzbow, 1984. It seems fitting that we include a more recent CD by him here. Limited edition of 1,000 copies. Recorded and mixed in Tokyo, Feb 2009. 19:40 Opening background music: Far East Family Band, “Parallel World” from Parallel World (1976 MU Land). Music by, arranged by, Far East Family Band. Produced, recorded, computer mix by, Klaus Schulze. Recorded November 15th to December 5th 1976 at the Manor Studio, UK. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations. See my blog for the Bob Moog Foundation.

Episode 82 Psychedelic Japan, Part 2 Playlist Wha Ha Ha, “On the Floor” from Wha Ha Ha (1983 Recommended Records). This group released three records in 1981, all in Japan. Recommended Records, the UK-based record maker, released this compilation of tracks taken from all three of those records. The group Wha Ha Ha ended at that point but its four principle members went on to varied musical careers. Akira Sakata is an alto saxophonist, Kiyohiko Semba is a percussionist, Mishio Ogawa is a vocalist, and Shuichi Chino is a keyboardist and electronic musician. 10:08 Merzbow, “Untitled 1” from Material Action for Two Microphone (sp) (2nd version) (1984 artist cassette). Masami Akita is one of my long-time favorite Japanese electronic/noise practitioners. He would send me cassettes back in the 1980s and I've always tried to keep up with him. Not strictly a Japanese psychedelic artist, I include him here primarily because, like some of the other artists in this podcast, he has widespread influence on other genres of Japanese electronic music. This prolific Japanese noise artist has released over 500 recordings since 1979.Recorded at Merzbau. Tape, Recorder, Synth, Effects, Kiyoshi Mizutani; Tape, Violin, Electronics, Effects, Masami Akita. Early cassette by Akita. 22:30 Yoshiaki Kinno, track 4 from unknown cassette, 1984.Japanese guitar and saxophone improviser. In the 1980's he established a cassette label featuring a wide range of improvised music. 3:32 Boredoms, “Boil Out UFO” from Boretronix 88' (1988 Mega Scum Groove Inc.). I think this is their first cassette release, going back to 1988. Boredoms (ボアダムス), alternatively known as V∞redoms, is a Japanese experimental/noise/space rock/tribal drumming band from Osaka, founded in 1986 by Yamatsuka Eye. Known for their extended jams and heavy drumming, it is remarkable that they had some mainstream success in the 1990s. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Tibetan Bell, Effects (EQ-phasing), cassette tape manipulation, electronics, Eye. 2:18 Boredoms, “Untitled” (excerpt) from Boretronix 3 (1990 Ltd.). Another early cassette release from Yamatsuka Eye on his private label. This cassette consists of remixes of unreleased Boredoms material and fully explores the noise and rhythmic aspects of their work. This is an interesting prelude to their latter, more cohesive works. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Effects (EQ-phasing), cassette tape manipulation, electronics, Eye. 12:01 Otomo Yoshihide, “We Insist? A) Rinko-Gun; b) x-Day” from We Insist? (1992 Sound Factory). Japanese experimental musician, turntablist and guitarist. Additional musicians on these tracks, Bass, vocals, Numata Jun; Guitar, Saito Ken-ichi; Vocals, performer (Junk), Lim Soowoong. 5:37 Omoide Hatoba, “Satellite Groove” from Kinsei (1996 Birdman). Japanese psychedelic, alternative, experimental -rock band. Alto Saxophone Isamu Kawamura, Yoshimi Yamazaki, Bass, Vocals, Drums, Percussion, Synthesizer, Drum Machine, Atsushi Tsuyama, Drums, Takashi Ogushi; Drums, Computer, Tape, Chew Hasegawa, Guitar, Vocals, Violin, Percussion, Piano, Synthesizer, Drum Machine, Seiichi Yamamoto, Tenor Saxophone, Satoshi Kawanishi, Trumpet, Yoshimi, Written by, Omoide-Hatoba. 3:53. Omoide Hatoba, “Alternative Funkaholic” from Kinsei (1996 Birdman). A&R, David Katznelson; Alto Saxophone Isamu Kawamura, Yoshimi Yamazaki, Bass, Vocals, Drums, Percussion, Synthesizer, Drum Machine, Atsushi Tsuyama, Drums, Takashi Ogushi; Drums, Computer, Tape, Chew Hasegawa, Guitar, Vocals, Violin, Percussion, Piano, Synthesizer, Drum Machine, Seiichi Yamamoto, Tenor Saxophone, Satoshi Kawanishi, Trumpet, Yoshimi, Written by, Omoide-Hatoba. 2:30 Yasunao Tone, “Part I” from Solo for Wounded CD (1997 Tzadik). Yasunao Tone was one of the founding members of Japan's Fluxus movement and has also been an organizer and participant in many important music and performance groups such as Group Ongaku, Team Random (the first computer art group organized in Japan). He is a pioneer in the use of prepared CDs of which this work is a prime example. All sounds used were from scratched CD's. 14:28 Changing Hands, “Spaced” from Changing Hands (1997 Medium Productions Ltd.). Written, performed, produced by, Nobukazu Takemura, Richard Barbieri, Steve Jansen. Takemura is a Japanese electronic DJ, producer, and artist. Richard Barbieri is a keyboardist, engineer (once a member of the group Japan). Steve Jansen is an engineer, drum programmer/percussionist and DJ (and brother of David Sylvian). 6:54 Melt Banana, “Section Eight” from Charlie (1998 A-Zap Records). Melt-Banana is a band from Tokyo, Japan. They were formed around 1991/1992 by singer Yasuko Onuki who later recruited guitarist Ichirou Agata and added the bassist Rika. Additional drummer, Natsume. 3:49 Melt Banana, “Taen Taen Taen (?)” from Charlie (1998 A-Zap Records). Melt-Banana includes singer Yasuko Onuki, guitarist Ichirou Agata, and bass player Rika. Additional musician, electronics, Oshima. 0:45OOIOO, “1000 Frogs And 3 Sun In A House” from Feather Float (1999 Polystar). Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 10:28 Opening background music: Junji Hirose + Yoshihide Otomo, “Noise From Far East” and “The Time to Live and the Time to Die” from Silanganan Ingay (1989 Tanga-tanga). Self-Made Instruments, Toy Rhythm Box, Toy (Voice-Changer), Toy Autoharp, Tenor Saxophone, Junji Hirose; Turntables, Cassette Tape, Hand-Made Guitar, Small Instruments, Toys, Otomo Yoshihide. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

1. Welche Töne (außer a) sind noch relevant? 2. Wozu ist stimmen überhaupt nützlich? 3. Was ist am Staubsauger musikalisch? Links: Ein Cello Stimmen https://www.youtube.com/watch?v=ZpN6l0SuNeI (Für Tenor oder Sopransax oder Klarinette: h – e – a – d (abwärts) Für Geige habe ich nur gezupftes mit nerviges Werbung gefunden. Dann lieber Tanpura: https://play.google.com/store/apps/details?id=com.swarsystems.is&hl=en_US&gl=US BONUSMUSIK 30 Cruisin‘ Eagles (mein Geburtstagsstück von 2010) mit Sopransaxofon, RC5050 Looper und Roland JUNO. Mein Realbook mit 50 Songs, derzeit 25 als Play Along verfügbar: https://shop.arpeggio.de/noten/saxofon/196/tailor-realbook(30EUR, Stimme in Bb, Eb oder C beachten) Weitere Fragen an mich: wind@barockundjazz.de Sowie Workshop Info für Rostock 22.10. https://www.musikschulen-mv.de/fortbildung-f%C3%BCr-sl-und-lehrkr%C3%A4fte/ Folgenempfehlung Folge 10: Die S-Bahn. Melodien im Alltag https://anchor.fm/steven-tailor/episodes/10-Die-S-Bahn--Melodien-im-Alltag-es6lm0/a-a4sskpg

Cette semaine dans la matinale, Red Led nous parle :✔️ Roland confirme le Juno-X✔️ Elektron dévoile la groovebox Syntakt✔️ Nuendo 12 est arrivée✔️ Avid présente ProTools 2022

ILWP Podcast Musician Showcase featuring the amazing BETAMAXX! Featured tracks: Abyss (Archaic Science LP) Crimson Sillhouette (Lost In A Dreamworld) The name “Betamaxx” was contrived from Sony's “Betamax” movie player which rivaled VHS in the early-mid 80's, ultimately losing the format war. Betamaxx's sound is inspired and created with a use of analog and digital hardware synths from the 80's and today including the Roland Juno-60, Sequential Circuits Prophet-6 and, Korg's M1 workstation. Official Website: https://www.retro-synthwave.com/artists/betamaxx Visit inlovewiththeprocess.com for more

Thea Flowers (Stargirl, @theavalkyrie) creates open source and open hardware craft synthesizers that use Circuit Python for customization. She also writes about the internals of the SAMD21. Thea’s synthesizer modules are found at Winterbloom, including Castor & Pollux and the Big Honking Button. It is all open source hardware so you can find code and schematics on Thea’s github site: github.com/theacodes  Thea’s site is thea.codes. You can find her blog there with deeply technical and detailed posts such as The most thoroughly commented linker script (probably), The Design of the Roland Juno oscillators, and Understanding the SAMD21 Clocks.  For more information about the Eurorack, listen to Embedded 356: Deceive and Manipulate You with Leonardo Laguna Ruiz of Vult.

George Michael loved Christmas. For years, he would have a big, boozy dinner party with about 25 of his closest friends on Christmas Eve. Some years, they’d even go out carolling after dinner. Imagine: George Michael showing up at your front door at 10 o’clock on Christmas Eve singing Silent Night. It should be no surprise that a guy who loved celebrating the season so much would write a future classic. This is the story of #LastChristmas. Behind the Christmas Hits is Presented by Pizza Pizza! George & Wham! partner Andrew Ridgeley were watching soccer together at Michaels’ parents’ house when the inspiration struck. Andrew Ridgeley recalled in an interview with British newspaper The Mail on Sunday, that they were having a bite to eat during the game when, almost unnoticed, George went upstairs and didn’t return for about an hour. When he did, Ridgeley said he was so excited, it was like he struck gold…which, in a way, he had. George didn’t live with his parents, but his old keyboard was still there…and he used it to write Last Christmas. The two went back upstairs and George played the chorus for Andrew, who described it as a moment of wonder. The timing of this inspiration came at a critical time for Wham! Earlier in ‘84, after a legal dispute with their original record label, Inner Vision, George and Andrew signed with Epic Records and had more creative control. And George…took full control. When recording the song Everything She Wants, George and sound engineer, Chris Porter, wound up in a studio in Paris with no band and no producer. Chris says that’s when George realized he could do everything himself. Later, when recording Last Christmas in August of ’84, not even Andrew Ridgeley was allowed in the studio. That’s right – it’s another Wham! song where Andrew Ridgeley is nowhere to be found. George played a Roland Juno-60 synth and a LinnDrumm drum machine himself. Porter has said he wanted to play the sleigh bells but George wouldn’t even let him do that – if it was going to be on the record, George had to play it. The video for Last Christmas was the last time George appeared on camera without a beard. You know, based on what Andrew Ridgeley wrote in his book Wham, George Michael & Me, we could do an entire episode on the making of the video alone. All of the people in it were real life friends of George & Andrew’s. Wham’s back-up singers Pepsi & Shirley were there as was Martin Kemp, the bass player for Spandau Ballet. They went on an absolute tear. On their first night at the chalet, Andrew says everyone jumped naked into a swimming pool. One unnamed friend swallowed half a gallon of water and got terribly sick…in the pool. While Last Christmas has been one of the most popular Christmas songs of the last 40 years, it has never reached #1. Christmas 1984 was the same year Band Aid’s Do They Know It’s Christmas was released and it was the song to dominate the charts that season. George, of course, sang on that song – but Andrew no-showed the recording session. He dismissed a vaguely worded FAX from their management team as being of little importance, so while George, Bono, Boy George and the rest of British pop royalty were making history, Ridgeley says he was at home having a bacon and egg sandwich. Ridgeley said in his book that he and George were conflicted about the fact Last Christmas was kept out of the #1 spot by Band Aid. Chart success was important to George, especially as he was planning his solo career. All proceeds from Last Christmas were also donated to African famine relief efforts that year, but this undertow of disappointment was real. A disappointment that the song had become what Andrew describes as a “Trivial Pursuit” answer to the question: what is the biggest-selling single NOT to get to #1 in the UK. Hit Subscribe for more stories #BehindTheChristmas!Behind the Christmas Hits is Presented by Pizza Pizza!

"Take On Me" by Norwegian trio A-Ha is one of the greatest pop songs ever made. We'll talk about the history of the song, Morten Harket's vocal gymnastics, and all the '80s instruments they used including the LinnDrum and the Roland Juno 60 synthesizer. "Take On Me" also had one of the greatest music videos ever made. We'll talk about how the video's animation was created, and how it gave new life to the song for American audiences.

Seja talks to her guest Andrew Falkous AKA Falco (Future of the Left, Mclusky) about how as a kid he wasn’t a music fan as a rebellion against his music teacher parents, how Queen changed everything and how he hates the term origin story. They chat about bullying the bullies, stage banter and their shared love for Roland Juno 60s. Falco tells Seja about his honesty regarding making a living from music, how he protects his voice, his trusting relationships with his bandmates and the role their egos play in the songwriting process. Falco's strange show experience was illustrated by Murdoch Stafford (@murdochstafford). You can find all illustrations on instagram @hearsejpodcast or on the HearSej Facebook page.

@der-goldene-reiter Freddy was born in the countryside of Westfalia and moved to Berlin in 2011. He got sucked into the world of electronic music, eventually began djing, then after getting a Roland Juno 60 from his mum and watching a lot of youtube videos started to explore the world of producing the soft balearic music. His first releases were 2 edits of German New Wave tracks together with Cochon D’isco (@cochondisco) on Luettje Luise (sublabel of Laut & Luise (@lautundluise). And right now Der Goldene Reiter is launching his own balearic tape label called Tropical Europe (@tropical-europe). Der Goldene Reiter made a Christmas gift for our listeners. It has become a little less balearic soft-house and gone more into the direction of "drum'n'haze", how he likes to call it”.

This week, a special conversation with the founder and sonic visionary behind one of the America's most beloved and underrated roots-and-noise-rock groups, Grandaddy: Jason Lytle. Starting from humble beginnings as a trio of skateboarding friends in Modesto, CA in the early 1990s, Grandaddy put out a series of daring, deeply weird records all produced and written by Lytle that first caught fire in Europe, and by the turn of the Millennium, the band found themselves headlining rock festivals like Glastonbury in the UK and crashing late night TV in the US with the cool kids. But Jason wasn't cut out for traditional cookie-cutter stardom. Grandaddy broke up for six years, and after disappearing into the Montana wilderness, the soft spoken multi-instrumentalist mountain-crazy songwriter kept his devoted fanbase coming back by creating oddly-titled solo records of cinematically rich soundscapes that encircled whacked anti-heroes and telling poetic, campfire-ready short story songs that still make us worried kids feel heard and seen but also constantly keep us guessing. His latest “NylonAndJuno”, which dropped in August on Dangerbird Records, is an experimental instrumental album made entirely with a nylon string guitar and a vintage Roland Juno synthesizer. Zach was able to catch up with Jason before a rare and recent solo show in LA.

Lindstrøm er aktuell med nytt album og gjest i ukens episode. På besøk i «hovedkvarteret», studioet i Oslo sentrum, går praten løst og fast om karrieren fram til nå og veien videre. Vi får høre om da han kjøpte sin første synth, en Roland Juno 106, for å spille i et «Bon Jovi-style» band mens han gikk i åttende klasse. Junoen er stadig blant favorittene, i en samling som blant annet består av Memorymoog, Minimoog, Yamaha CS60, Arp Odyssey, Korg MS20, Fender Rhodes, Wurlitzer, Yamaha CP70, og mye, mye annet.Blant mange høydepunkter er historien om hvorfor banjo ble et sentralt element i «Oslo-diskoen», og tanken om at – «det umulig kunne være såvanskelig å lære seg å spille steelgitar?»Lindstrøm forteller om hvordan samarbeidet med Prins Thomas begynte, hvorfor han har sluttet med laptop på livejobbene og ikke minst viktigheten – og gleden – ved å gjøre det meste selv. See acast.com/privacy for privacy and opt-out information.

we made this track with Roland Jupiter 8, Roland Juno 60, SC Pro one, Yamaha DX 7. Oberheim DMX. All vocals Joya

Thanks to episode sponsors http://signalsounds.com and http://thonk.co.ukLINKS FROM JAMES:https://www.thewire.co.uk/news/47326/darkstar-collaborate-with-liverpool-s-migrant-communitieshttps://www.differenttrains1947.com/trackbedhttps://thequietus.com/articles/11268-darkstar-news-from-nowhere-reviewhttps://www.residentadvisor.net/reviews/17886DARKSTAR’S CATALOGUE, STREAMABLE ON WARP SITE:https://warp.net/artists/91408-darkstarTHEIR WARP 30TH NTS SHOW:https://www.nts.live/shows/wxaxrxp/episodes/darkstar-rotten-sods-and-odds-23rd-june-2019LINKS TO OTHER STUFF DISCUSSED:Tim Exile's Endlesss app livestream: http://Discover.endlesss.fmThat 1 hour of Endlesss I mention: https://www.twitch.tv/videos/444503124News From Nowhere Album: https://en.wikipedia.org/wiki/News_from_Nowhere_(Darkstar_album)Hyperdub Label: https://hyperdub.net/Richard Formby: https://twitter.com/RichardFormbyRevox Tape Machines: https://www.revox.com/en/classics/reel-to-reel-machines.htmlIzotope Iris https://www.izotope.com/en/products/create-and-design/iris.htmlNeumann KH120: https://en-de.neumann.com/kh-120-a-gDigitakt: https://www.elektron.se/products/digitakt/Roland Juno 60: https://en.wikipedia.org/wiki/Roland_Juno-60NI Maschine: https://www.native-instruments.com/en/products/maschine/production-systems/maschine/Eventide H3000: https://www.soundtoys.com/plugged-in-h3000/Eventide PitchFactor: https://www.eventideaudio.com/products/stompboxes/pitch-delay/pitchfactorEventide TimeFactor: https://www.eventideaudio.com/products/stompboxes/delay-stompbox/timefactorLexxx = Alex Dromgoole (mix engineer): https://www.discogs.com/artist/395544-Alex-DromgooleKonk Studios: https://www.konkstudios.com/"K-risp modular" (it was Paul) aka Krisp1/Oakley modular: http://www.krisp1.com/storeRoland JP-08 (mini Jupiter 8): https://www.roland.com/uk/products/jp-08/James McVinnie (Organist): https://www.jmcvinnie.com/TC Voicelive: https://www.soundonsound.com/reviews/tc-helicon-voicelive-3Korg R3: https://www.soundonsound.com/reviews/korg-r3-synthvocoderMyspace (hah): https://myspace.com/North (album): https://en.wikipedia.org/wiki/North_(Darkstar_album)Sugar Bytes Effectrix (vocal effect from North album): https://sugar-bytes.de/effectrixVisit Slaithwaite (slawat!): https://en.wikipedia.org/wiki/SlaithwaiteThe best meal of my life was the beef-sandwich-in-gravy at: https://www.tripadvisor.co.uk/Restaurant_Review-g2078453-d4041206-Reviews-Crumbals_on_the_Corner-Marsden_Huddersfield_West_Yorkshire_England.htmlMPC2500: https://www.soundonsound.com/reviews/akai-mpc2500Valhalla Ubermod: https://valhalladsp.com/shop/delay/valhalla-uber-mod/Valhalla Room: https://valhalladsp.com/shop/reverb/valhalla-room/Elektron Octatrack: https://www.elektron.se/products/octatrack-mkii/OTO Reverb and Delay Pedals: https://www.otomachines.com/"UAD Quad": https://www.uaudio.com/uad-accelerators/uad-2-pcie.htmlThat time I put my Juno thru PitchFactor and TimeFactor in series: https://www.youtube.com/watch?v=ip4aap5cu1cFoam Island Album: https://warp.net/releases/115970-darkstar-foam-islandInherent in the Fibre (it was 'Yehgetme?'): https://warp.net/updates/darkstar-inherent-in-the-fibre-short-filmPDA party with Mischa Mafia: https://www.nts.live/shows/pdaKeezy iPad app: https://keezy.com/Deer Shed Festival: https://deershedfestival.com/Proving that kids love to hear their voices sampled since '83: https://www.youtube.com/watch?v=daLceM3qZmIThe KLF: https://en.wikipedia.org/wiki/The_KLF4TLR (fourtet live sets on spotify): https://open.spotify.com/artist/5iL1nEyS7dk7ogGGosP91v?si=tLbe3n4-TyGIP7HkTJMQFgMy blog about volunteering in Calais: https://helprefugees.org/news/want-volunteer-calais-unsure/

We all have the same 24 hour days. No one is more successful than you because they have more time. The most productive people make time. In today's episode of the Music Production Podcast, we discuss 10 things you can do to make the most of your time and get more done.  Listen on iTunes or Stitcher or Google Play or Spotify; watch on YouTube Show Notes: Ableton Live 10.1 Keyboard Shortcuts - printable PDF of useful editing shortcuts. 2 Minute Ableton Live Tip #46 - Quickly Map Root Notes in Sampler JUNO-106 Ableton Live Pack - 81 Ableton Live Instrument Racks made from samples of the Roland Juno-106. Foundational Drum Beats Sample Pack - 275 basic acoustic drum beats for starting new tracks. Workflowy - Make simple to do lists. This has helped me tremendously!  Save 25% on Ableton Live Packs at the My Store with the code: PODCAST Thank you for listening. Please consider giving the Music Production Podcast a review on your favorite podcast provider. And don’t forget to visit my site BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

To skip past our computer talk and get to the goods, skip to 10:19. Hit Anchor.fm/shuffleall to hear Derek's new podcast! Questions from the components! (stab: OBNE Dark Star Reverb) TC Electronic June-60 Chorus (stab: Bogner Uberschall) Vintage chorus based on the Roland Juno 60 Bypass switch, mono/stereo slider, and two buttons for modes Y-cable for stereo Mode 1: slow, warm chorus. Mode 2: Faster, more dynamic movement I + II: Dual chorus, slightly offset LFOs that give a slight Leslie effect Cool retro design w/ wood panels. Looks like the Juno 60 Pedal Genie Deep Space Devices - Golem - $169 Klon Centaur is back (stab: Wampler 30 Something) Bill Finnegan, creator of the Klon, is making new models again. About 8000 models were made between 1994 and 2000 originally. Original production run price was only $225, later went up to $329 The pedals are built by Bill and are the original Centaur, not the surface-mount KTR model He’s putting them on eBay starting at $100. 27 bids later, #3888 sold for over $2000 At the time of this note, #3952 is at $1358. What’s the hot take on this? Are we as guitarists over the Klon? --- Send in a voice message: https://anchor.fm/thetonecontrol/message

To close off the year I wanted to do something quite different to my usual DJ sets, so for this episode I've recorded a live Synth Jam of interpretations of music that has inspired me over the years. All of the music was performed live using Ableton and various outboard gear including my Moog Sub 37, Moog Mother 32, Roland Juno-106 and 303 and if you head over to my YouTube channel you can check out the video too. https://www.youtube.com/watch?v=ESNxRP9YUeg I hope you enjoy and have a happy Christmas!

Campfire’s Edge is the electronic music project of Hudson Valley, NY artist Nathan M. Yeager. Nathan's lifelong devotion to music is defined by his skills as a unique multi-instrumentalist; playing modular synthesizer, keyboard, guitar, homemade electronics, and whatever comes next in the evolution of music. He sees his current work as scores to short films yet to be realized. The music featured here is the result of 2 improvisational sessions layered on top of each other; and was created exclusively for the Data Cult Podcast. This piece features Eurorack Modular Synthesizer, Roland Juno 106, Moog Prodigy, Nord Lead 2x and Granular processing. Campfire’s Edge's debut EP “The Last Lighthouse” will be released August, 2017 on BlueHill. More information can be found at the following links: http://www.campfiresedge.com/ http://www.facebook.com/campfiresedge http://campfiresedge.bandcamp.com

In this episode of Synth Stories, Justin explains and demonstrates how he created the sounds for one of the tracks titled "The New Race" from Showtime's The Dark Net soundtrack using his Buchla 259 complex oscillator and a Roland Juno-6.

We made this track with Oberheim DMX drummachine , Roland Juno 60, ARP 2600, Roland Jupiter 8, Piano, alt sax

Welcome, Today it’s Thursday the 30th of October 2014, and we want to thank Rutger Maree for his epic set on the Drone Podcast. Recovered from ADE we have a very special edition in store for you again, we are thrilled to have this Techno minded Hero on this weeks show. A young man with a bright future ahead of him. Packed with talent and lots of experience in Techno and House music. His skills and interests are combining acoustic sounds like the piano with hardware to create his own house and techno sound. From a young age he was inspired by music such as Jazz, Soul, Blues and Funk that made him start to play the piano. While discovering his love for techno music and for house music a long time ago, he also found his love for hardware, producing and performing. A big talent with lots of experience. This year he will have all his focus on the one great love: Techno music.This is the second live set on the Drone Podcast. Performing with his Roland Juno 106 and MFB-522, he works with only his own productions and tracks. This hero loves to go wild with chopped up kicks, drums, stabs, hats, synths and so much more. He is known for his dynamic sets and for always pushing himself. A true perfectionist and performer in his heart and in his soul.We are also very proud to say announce he is working hard on his first vinyl release that will be released in January 2015 on Nighttripper label from Techno pioneer Orlando Voorn. Definitely an artist to follow. And don’t worry. He will be around. Welcome to the Drone Podcast 007 with the talented David Hulsken Live.Please enjoy.

Hungarian producer Kovary joins us on the Producer Podcast this week! Tell us a little about yourself and the type of music you produce. I’m a musician for more than 20 years. I was born in a small town in Hungary. When I was a kid I formed a rock band with my brother, we played blues rooted retro rock in the late 90’s. Originally I’m a guitar player. In 2003. I joined NEO, a successful Hungarian electro pop band. We made an original soundtrack for a famous Hungarian movie called ‘Kontrol’, directed by Hollywood based director Nimrod Antal. It was his first movie, and it was a huge success in Europe. The ost. won tons of awards, we toured all over Europe in the mid 2000’s. We supported bands like Duran Duran, Kasabian, Massive Attack etc.. Besides I started my own dj career around 2006. I was always into funk and disco. I play the mixture of house, funk, disco and electro, with a little French touch and techno. As a producer I produce nu disco/indie dance and house. How did you get started in electronic music production? In the 90’s I played live rock music. When electronic acts like The Prodigy and The Chemical Brothers were topping the charts in the mid 90’s I was amazed by them, and started build my own home studio. I started to produce music on the computer around 2000. What is your DAW of choice? Cubase. I started on Cubase and Nuendo. Now I use Cubase 7 with Propellerhead Reason Rewire. Tell us about your workflow? How do you write a song? It’s very different in every occasion. In the past I always write songs on the guitar, now on keyboards. Sometimes I have a good melody in my mind, and I build the song around it. Sometimes I make a groovy bass line first. It depends on my mood. Can you tell us your favorite production tips? I don’t have. I love to try new things over and over again. I don’t like routines. Favorite softsynth? I’m an analogue hardware synth fan. I have 9 synths at my home studio (Moog Little Phatty, Sequential Circuits Prophet 600, Roland Juno 106, Korg Polysix etc) Besides I love Arturia softsynths, I have their analogue factory stuff. Favorite effect plug-in? I use UAD plugins. The best on the market. I love them. Favorite piece of hardware? Roland Juno 106. Roland SRE-555 Chorus Echo. SC Prophet 600. Anything else in your studio that you love? My Mackie 1402-VLZ3 mixer. Where do you go to personally learn and improve your production skills? I listen to a lot of music. Mostly funk and disco from the 70’s. All my favourite producers are from that era. I always try to figure out how did they do their job. Sometimes I read magazines like Sound On Sound and Future Music. What is the highlight of your music career thus far? I shared the decks with almost all of my favourite producers. Lot of them supports my music. I had a dozen Beatport Top 100 tracks. I played in front of thousands of people. What really helped your career along? Faith in music. What is the most effective way you have found to market your music? Soundcloud/Facebook/Beatport What is the best gig you ever played? This year in Budapest Akvarium Club, with 2many Djs (Soulwax), in front of 2000 people. What’s the best piece of advice you could give to an aspiring producer right now? Follow your intuitions. I always did that. Where can people find you and your music? https://soundcloud.com/kovary https://www.facebook.com/Kovarymusic https://www.youtube.com/user/kovaryvideos

The man of one thousand voices, Andy Christ (aka radio legend Kevin Barbare) makes his Trick or Treat Radio debut. The mischievous mad man joins the lads to talk about the GGTMC flick pick of the month and Comic Book deaths. MonsterZero drops in to talk about Gangster Films. Ravenshadow brings us up to date on Androids and Zombies. The Hawaiian Giant of Horror and the British Bigmouth both call in. Plus Dr. Light and 12 Gauge Calhoun give us the 411 on an outpost of evil. This gives Wolfenstein, Dynamo and Tiny a chance to sit back and enjoy the mayhem!Topics discussed: Millers Crossing, Christopher Walken's poem about a sock, Rec 3: Genesis, HHH's soggy taint, Sly vs. Arnold (literally), Walking Dead Vol. 17, Z'dar and Thompson, Academy Awards, people with crocodile in their name, Alex Ross Exhibit, Roland Juno-106, The Death of Brion James, How to Destroy Angels, showdown at the sewage treatment plant, Dynamo's toy collection, Werewolf in the kitchen, Jack Bruce, The Dude abides, coffin in Wolfenstein's closet, Nick Cave and the Bad Seeds, peeing in the dryer, James Franco falls down a hole, Tombstone, X-O Manowar, Ultimate Spider-Man, Opus, the death of Damien Wayne - Robin, "The UGG Couple", Gabe Shaw and MSI, Westworld on Blu Ray, Millbury MA, Humanoids from the Deep, Cobra and Avengers Assemble Annual #1.Support the show (https://www.patreon.com/trickortreatradio)

We used: Moog Prodigy, Korg MS10, Roland Juno-106, Studio Electronics ATC-1, Roland TR-808, Roland DDR-30

We used: Moog Prodigy, Korg MS10, Roland Juno-106, Studio Electronics ATC-1, Roland TR-808, Roland DDR-30

We used: Moog Prodigy, Korg MS10, Roland Juno-106, Studio Electronics ATC-1, Roland TR-808, Roland DDR-30

We used: Moog Prodigy, Korg MS10, Roland Juno-106, Studio Electronics ATC-1, Roland TR-808, Roland DDR-30

We used: Moog Prodigy, Korg MS10, Roland Juno-106, Studio Electronics ATC-1, Roland TR-808, Roland DDR-30

We used: Moog Prodigy, Korg MS10, Roland Juno-106, Studio Electronics ATC-1, Roland TR-808, Roland DDR-30

This is a live improvised session, all played directly onto hard disk using MOTU Ultralite. copyright Owned by artists Artists Featured: Bulk Modulus (Roland Juno-D, Roland Juno, PC laptop w/ Ableton Live + Emu 1616m) Seb Spacestring (Boss GT-8, a guitar, a lighter, etc) Bellyeye (Roland V-Drums,MacBook w/ Reason)

This is a live improvised session, all played directly onto hard disk using MOTU Ultralite and Cubase Studio 4. Copyright Owned by artists Artists Featured: Bulk Modulus (Roland Juno-D, Roland Juno, PC laptop w/ Ableton Live + Emu 1616m) Seb Spacestring (Boss GT-8, a guitar, a lighter, etc) Bellyeye (Roland V-Drums,MacBook w/ Reason)

Beaucoup de discussions autour du Juno-X, avec des vues différentes sur le produit. Est-ce un plugin dans un contrôleur à prix d'or, quelle place dans le studio quand on peut avoir les sons dans Roland Cloud ? L'émission lundimadaire en live avec toute l'équipe, Cobb Nolan et Deep Forest (Eric Mouquet). Participez au concours en nous rejoignant sur Discord : https://lessondiers.com/discord Ce soir, tentez de remporter un plugin KORG M1 (valeur $99.99) https://www.korg.com/us/products/software/kc_m1/ Learning synth Ableton : https://learningsynths.ableton.com/fr Learning Music : https://learningmusic.ableton.com/fr/ Making Sound : http://makingsound.fr/blog/ Roland Juno X : https://www.roland.com/global/products/juno-x/ https://sonicstate.com/news/2022/04/27/-space-saving-version-of-the-colossus-synth/ Guy Michelmore : How to Turn a Few Notes Into a 3 Minute Piece of Music https://www.youtube.com/watch?v=6p8kQOrbvTw Science etonnante sur le synthétiseur : https://www.youtube.com/watch?v=Ceafhu9_vro ---- SOUTENEZ NOUS ---- Offrez nous un café, ça nous met la patate ! https://tipeee.com/les-sondiers Soutenez nous sur Patreon, parce qu'on le vaut bien ! https://patreon.com/lessondiers D'autres moyens de nous soutenir : https://lessondiers.com/soutien TOUT SAVOIR SUR LES SONDIERS : https://lessondiers.com/links Pour vos besoins en matériel, vous pouvez passer par notre lien affilié chez Michenaud, un super magasin pas cher, sérieux et sympa : https://lessondiers.com/michenaud ​ ​Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com​​ ​ Suivez nous sur Twitch : https://twitch.tv/lessondiers​​ ​Twitter : https://twitter.com/lessondiers​​ ​Instagram : https://instagram.com/lessondiers​​ ​Facebook : https://facebook.com/lessondiers​​ YouTube : https://youtube.com/lessondiersFR​ 00:00 Intro 01:00 Début de l'émission 05:00 Concours KORG M1 08:30 AskSondiers (canaux midi) 24:40 Projet Bonnettes 29:20 Rip Klaus Schulze 30:55 Ableton Learning Synths 34:40 Science Etonnante et les synhtés 37:50 Making Sound le podcast 41:00 Knarf sauve des oiseaux 43:05 Carl Martin Honey Comp 52:55 Roland Juno X 01:13:35 Tirage concours KORG M1 01:21:25 Guy Michelmore