Podcasts about tal farlow

Play Episode Listen Later Jul 3, 2022 30:30

Luego de Charlie Christian la guitarra alcanza ese rol solista protagónico que nunca dejó. En el bop, hoy hablamos de y escuchamos a Jimmy Raney, al "pulpo" Tal Farlow, al maestro Jim Hall así como a Herb Ellis, Gabor Szabo, Grant Green y Kenny Burrell.

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Jazz Lo Sé Standards 97

Play Episode Listen Later Jun 29, 2022 22:05

Otoño en New York es un clásico de Vladimir Dukelsky y no es el único standard suyo que habla de un lugar y una estación (recuerden Abril en París, por ejemplo). Compuso otros memorables como "I can't get started" y "Taking a chance on love". Claro, era más conocido por su nombre artístico: Vernon Duke. Escuchamos a Billie Holiday, Satchmo, Bud Powell, Parker, Stitt, el MJQ, Chet Baker, Dexter Gordon, Tal Farlow y otros.

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El cl

Cafè Jazz

Play Episode Listen Later Jun 20, 2022 30:28

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Jazz Lo Sé Standards 91

Play Episode Listen Later May 18, 2022 19:30

"Yardbird suite", un tema icónico de Parker y del bop, compuesto en 1946. Escuchamos al autor, Sonny Stitt, Carmen McRae, el MJQ, Hank Jones y Hampton Hawks en piano, Getz, Pepper en saxos, Kai Winding en trombón, Tal Farlow en la de 6 cuerdas y otros.

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Beatles in Jazz, Helge & The A-Train XXL

Jazztime

Play Episode Listen Later May 17, 2022 50:23

weiterhin: Monty Alexander, Tal Farlow, Bud Powell & Holly Cole

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Jazz Guitar Life Podcast: Ep 8 - Royce Campbell

Jazz Guitar Life Podcast

Play Episode Listen Later May 15, 2022 59:16

Jazz Guitar Life "sat down" with the renowned Jazz Guitarist Royce Campbell to talk about his time with Henry Mancini, his background and his special Wes Montgomery Tribute CD featuring a wealth of players like Tal Farlow and Jimmy Raney to name but a couple. A fun and interesting chat that I hope you all enjoy. For more Jazz Guitar related content, please visit Jazz Guitar Life at www.thejazzguitarlife.com and as always, I'd love to hear or read your feedback so don't be shy :)

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Jazz Lo Se' Standards 80

Tony Davenport's Jazz Session

Play Episode Listen Later Feb 23, 2022 18:44

Nuages (Nubes) es una melodia impresionista del gran guitarrista belga (gitano), compuesta en 1940 cuando los nazis ocupaban Francia. Escuchemos al autor con y sin el Hot Club de Francia. Gus Viseur en acordeo'n, Charlie Byrd, Tal Farlow, Rosenberg, Bireli Lagrene, Martin Taylor y otros.

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The Hot Box #074 - The Guitar Files - Part 7

The Hot Box

Play Episode Listen Later Sep 29, 2021 62:39

The main event in The Hot Box 074 is a move to the Guitar Files Letter F. So we feature 3 greats from that file, Tal Farlow, Bill Frisell and Chris Flory. But there's other stuff too. An exciting taster from Aoife Doyle's upcoming new album, the single Strength to be Strong, and a track from Kevin Brady's Electric Quartet upcoming world release “Plan B”.Plus we find an amazing young guitarist from the D file who has just come to our attention, Graham Dechter, from his new album “Major Influence”.

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The Hot Box #074 – The Guitar Files – Part 7

The Hot Box

Play Episode Listen Later Sep 29, 2021

The main event in The Hot Box 074 is a move to the Guitar Files Letter F. So we feature 3 greats from that file, Tal Farlow, Bill Frisell and Chris Flory. But there's other stuff too. An exciting taster from Aoife Doyle's upcoming new album, the single Strength to be Strong, and a track from Kevin Brady's Electric Quartet upcoming world release “Plan B”. Plus we find an amazing young guitarist from the D file who has just come to our attention, Graham Dechter, from his new album “Major Influence”.

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Episode 87: The Jazz Session No.214

Play Episode Listen Later Jul 12, 2021 119:59

The Jazz Session No.214 from RaidersBroadcast.com as aired in July 2021, featuring the excellent recent album “Echoes to the Sky” from Archipelago. TRACK LISTING: Walkin' - Tal Farlow; Jaco - Pat Metheny Group; L.A. Is My Lady - Frank Sinatra, w. Quincy Jones Orchestra; Boy Wanted - Ella Fitzgerald, w. The Nelson Riddle Orchestra; Wake Up - Archipelago; Chemical - Archipelago; The Long Goodbye - Charlie Haden; Mosaic - Wayne Shorter, w. Art Blakey & the Jazz Messengers; Nowadays a Silhouette - National Health; Drop - Soft Machine; Freddie Freeloader - Miles Davis; Pussy Cat Dues - Charles Mingus; Oro - Chris Barber Jazz & Blues Band; Kansas City Stomps - Jelly Roll Morton & His Red Hot Peppers; Silhouette - Archipelago; Gold - Archipelago; Let's Fall in Love - Diana Krall; Cold Cold Heart - Norah Jones; Walk Away - Eddie Lockjaw Davis Big Band; Cu-Blu - Billy Taylor & His Orchestra.

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Le guitariste Tal Farlow, né le 7 juin 1921

Les Matins Jazz

Play Episode Listen Later Jun 7, 2021 11:27

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Steve Cropper Interview

The Slacker Morning Show

Play Episode Listen Later Apr 30, 2021 9:44

If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG's built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG's and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin' On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.

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The Terry Haggerty Interview

The Jake Feinberg Show

Play Episode Listen Later Sep 25, 2020 56:22

The evolution of the blues written and performed by Jon Hendricks was a direct critique of where the blues emanated from. It was a reminder of the gospel tinged spirituals of the church and the preachers who slung a guitar over themselves to sing and pick and lament those lost days in the fields picking cotton in slavery. Cats like the Reverend Gary Davis, John Lee Hooker,Indianola's own BB King, Muddy Waters, Blind Willie Johnson, Mississippi Fred McDowell epitomized this pan African struggle for basic human rights. They did this through the medium of records which gave these performers identities for younger white cats in Chicago and New York and Marin County who heard these sounds and then plugged in. My guest today is part of this generation who not only got to hear their heroes on the radio, but saw them up close with no teeth and in some cases had to sight guide them to their various gigs. In some cases they got to perform with them because of the regionalized economic wizardry of Bill Graham and Chet Helms who catered to music events which spoke to music. Not stratified in some genre necessitated label making funny farm but rather saw to it that young white bands shared the stage with soul acts and gospel and blues heck even the preservation hall jazz band. Bob Weir told me you can listen to these players but you really learn by playing with them. Relishing in their stage presence and eccentricities and calmness. Less is more, look beyond the surface and tell a story. My guest has been weaving musical stories for the last 5 decades. He was one of the Sons of Bill Champlin who enjoyed going to the original Fillmore and catching Sam and Dave along with James Browm at the Cow Palace, tripping with Phil Lesh and playing hootenannies with Janice Joplin and Jorma Kaukonen. He grew up with the sounds of Barney Kessel, Tal Farlow and his pops. He is an original seeker of sound who was an inspiration to both Carlos Santana and Jerry Garcia. The Sons were a sophisticated Mix of Blue Eyed Soul. They came out if the same school as Canned Heat, Boz Scaggs and Michael Bloomfield. The music has an Oakland funk flavor because of KSAN, Voco and the general creativity of a group of cats who expanded consciousness through legal LSD to see and feel how life really could be. Odd meters, hyperactive vocal harmonies and a bouncing melodic structure helped them stand out gain an identity and provide that essential link in the chain for modern day and future sound seekers.... Loosen Up Naturally. Terry Haggerty welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support

The Terry Gibbs Interview

The Jake Feinberg Show

Play Episode Listen Later Sep 18, 2020 56:56

My guest today has been a band leader for over 60 years. He made his name playing the vibes which is this hosts favorite instrument. It's a percussion instrument with a warm sound and can be played in a trio setting the way Red Norvo did with Tal Farlow and Mingus or in a Quintet setting like Cal Tjader did with Armando Peraza, Al mcKibbon and Dick Birk. It fits into all types of musical settings and it was popularized by my guest by his virtuosic approach and an ability to create an output within the big band ensemble. My guest today is a lover of people. He has an insatiable desire to play music you can tap your foot to. That's what Jack Kleinsinger told me about my guest. He's played on the east coast and west during the heyday of bebop and swing. His peers include Bill Holman and Chet Baker, Jimmy Rowles and Ray Brown, Milt Jackson and Harold Land. These cats had to sing for their supper because if they didn't sing there would be nothing left to eat. My guest was a relentless entertainer and musician. He created a following through his gesticulations and banter along with a Jitterbug Waltz when music was made for dancing. His collaborations with Steve Allen and Star Time increased his name recognition in the often obscure world of improvisational swing or melodic invention. He continues to be a link in the chain For younger musicians who are searching for something to say. There are no more live clubs on every corner of urban America, there are no longer 1 month residencies at the London House or Howard Rumsey's Lighthouse or Lord Chumleys and the barriers and stratification that have been put up in music hurt the ability for experimentation and chance taking because mega money has superseded quality art, pacification rules the day as opposed to the visceral culture that was visible on Market Street in Chicago or Harlem. Ultimately the ego has superseded the music in that individuals now project their own monster chops at the expense of the accompanists, the listening and the love. This is why lessons in life from the old guard are key. It's why my guests son plays with venerable grey beards Ron Carter, Kenny Barron and Ron McClure......time for some good vibes. Terry Gibbs welcome to the JFS. --- Support this podcast: https://anchor.fm/jake-feinberg/support

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Jazzenelaire prog.nº 651 STANDARD SEMANAL.- “Muskrat Ramble”.-JAZZ RECUERDO ANIVERSARIO.- The Buddy De Franco Quartet -

JAZZ EN EL AIRE

Play Episode Listen Later Feb 16, 2020 119:56

STANDARD SEMANAL.- “Muskrat Ramble”.-JAZZ RECUERDO ANIVERSARIO.- The Buddy De Franco Quartet - Mr. Clarinet-1953 .JAZZACTUALIDAD.-trío BENAVENT-DI GERALDO-PARDO con “FLAMENCO LEAKS. PROG.Nº 651.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Muskrat Ramble” JAZZ RECUERDO ANIVERSARIO.- The Buddy De Franco Quartet - Mr. Clarinet-1953 The Buddy De Franco Quartet* ?– Mr. Clarinet Sello: Verve Records ?– MV 1143 Serie: Immortal Jazz On Verve III – Vol. 7 Formato: Vinyl, LP, Album, Reissue, Mono País: Japan Publicado: Género: Jazz Estilo: Bop, Cool Jazz Lista de Títulos A1 Buddy's Blues 9:03 A2 Ferdinando 5:06 A3 It Could Happen To Me 4:22 A4 Autumn In New York 3:54 B1 Left Field 4:01 B2 Show Eyes 3:13 B3 But Not For Me 7:00 B4 Bass On Balls 7:50 Compañías, etc. • Manufactured By – Nippon Grammophon Co., Ltd. Créditos • Bass – Milt Hinton • Clarinet – Buddy DeFranco • Drums – Art Blakey • Piano – Kenny Drew • Supervised By – Norman Granz Notas Recorded July 1953 in New York. Japanese mono reissue before October 1, 1971. Bonifacio Ferdinand Leonard "Buddy" DeFranco (Camden, Nueva Jersey, 17 de febrero de 1923 ? Panama City, Florida, 24 de diciembre de 2014)1 fue un clarinetista de jazz estadounidense. De origen italiano, comenzó a tocar el clarinete en 1935 con sólo 12 años para ayudar a su padre ciego a mantener a su familia muy pobre que vivía en el sur de Filadelfia. A los 16 años ya era un músico que giraba a través de los Estados Unidos con varias bandas. Su carrera se desarrolló en lo que se considera la época dorada del swing jazz y las big bands, que tenía como principales clarinetistas a Artie Shaw, Benny Goodman y Woody Herman. Pero él fue el primero en dedicarse con su instrumento al bebop y a la música de Charlie Parker, y con Tony Scott se convirtió en uno de los pocos clarinetistas en ese tipo de la historia del jazz. También fue el primero en utilizar el clarinete bajo en el jazz con resultados extraordinarios. Entre sus colaboraciones más importantes se encuentran las que tocó con Count Basie, Sonny Clark y Tal Farlow. De 1966 a 1974 fue líder de la orquesta de Glenn Miller. También tocó con George Shearing, Gene Krupa, Charlie Barnet, Art Tatum, Oscar Peterson, Terry Gibbs, Art Blakey, Tommy Gumina y muchos otros. Se le dedicó una hermosa biografía en el libro: Una vida en la edad de oro del Jazz. También fue organizador del festival de jazz para jóvenes talentos Buddy DeFranco Jazz Fest y en 1996 como maestro y profesor publicó su versión del método Hanon para el aprendizaje de clarinete de jazz. Junto con su amigo de Tony Scott es considerado el más grande de todos clarinetista de jazz de su tiempo. JAZZ ACTUALIDAD .-Esta semana vamos a tener al trío BENAVENT-DI GERALDO-PARDO con “FLAMENCO LEAKS. Tras 20 años de la publicación de su primer disco; “El directo de Sevilla”, grabado en el Teatro Central, Carles Benavent (bajo eléctrico), Tino di Geraldo (batería) y Jorge Pardo (saxo y flauta), lo celebran y nos presentan “Flamenco Leaks”. Vida profesional conjunta entorno a las principales figuras del flamenco, colaboraciones individuales en incontables proyectos de casi todos los géneros, premios, reconocimientos, participación en centenares discos, miles de conciertos y horas y horas de convivencia y música. Vidas dedicadas al completo a la creación e interpretación, hacen de ellos, alumnos aventajados, inventores y maestros a la vez, que no necesitan más presentación. «El trío», que lejos de pretensiones, es el nombre con el que su público les conoce, es «un experimento» de resultados sin precedentes . Cada uno con su proyecto personal activo y exitoso, se juntan de cuando en cuando para, como un cometa, hacer una pasada por los teatros y festivales. En este caso, el proyecto Flamenco Leaks es su tercer álbum y segundo de estudio, que se presentará en directo a lo largo de 2020. Son una inusitada formación, de propuesta libre e indómita, flamenco de 24 quilates, alejado de la ortodoxia y el folclorismo. MÚSICA con mayusculas, que se nutre de la experiencia de estos titanes en su excelso devenir vital y musical entorno al flamenco, el jazz, el rock, el clásico, las músicas del mundo, etc Como si fueran las fugas a las que ser refiere el título del disco Flamenco Leaks, el jazz contenido que desarrollan sobre un escenario Carles Benavent, Tino di Geraldo y Jorge Pardo va ofreciendo pequeñas gotas de flamenco. Una discreta gotera que crece y crece cuando sus instrumentos vuelan libres en las improvisaciones. Y ese goteo constante, por momentos, parece una lluvia torrencial cuando por ejemplo se incorporan, ya sin disimulo, notas inconfundibles de La Tarara que popularizó Federico García Lorca hace un siglo o, más cerca en el tiempo, Camarón de la Isla a finales del XX. Benavent (bajo eléctrico), Tino de Geraldo (batería) y Jorge Pardo (saxo y flauta) no tocan flamenco, pero en su música se reconocen los flamencos, y por eso en la mañana de este jueves había más artistas de este género —como Carmen Linares, Pepe Habichuela o Josemi Carmona— que de cualquier otro en la presentación del último disco del trío, dos décadas después de su debut, en la sede madrileña de la Sociedad General de Autores (SGAE). Una presentación en la que desplegaron sus virtudes en un directo con un par de temas. “Una de las cualidades de esta pequeña banda es que ninguno de nosotros somos de una familia de abolengo flamenco pero, a pesar de ello, nuestro territorio común es el flamenco”, aseguró Jorge Pardo (Madrid, 62 años), “en nuestra música no hay ningún elemento ni estético, ni visual, ni de ningún tipo, que realmente haga ver el flamenco: no hay un pañuelo de lunares, no hay una guitarra, no hay un cante, no hay un tacón de una bota, no hay ninguno de esos elemento que son tan típicamente flamencos... y sin embargo, pregúntale a cualquier flamenco y mira lo que cuenta…”. Así es. Todos han evolucionado su música con este género musical, al tiempo que con el jazz y otros estilos. “Yo nunca he estudiado flamenco, lo he vivido”, resumió Pardo, con muchas colaboraciones y discos en solitario en sus labios. Y si Di Geraldo (Toulouse, 59 años) fue batería de los más grandes del flamenco, desde Camarón a Manolo Sanlúcar, Benavent (Barcelona, 65 años), que ha tocado incluso con Miles Davis o Chick Corea, presenta un currículo similar. De hecho, los miembros de este veterano trío se conocen desde hace cuatro décadas, cuando a finales de los setenta formaron parte del sexteto que fundó Paco de Lucía para revolucionar el flamenco. Junto al guitarrista, fallecido hace cinco años, formaron como miembros sus hermanos Pepe y Ramón, Rubem Dantas y Manolo Soler, además de Pardo, Di Geraldo y Benavent. Una formación en la que De Lucía presentaba al bajo del sexteto como: “A la guitarra china, Carles Benavent”, rememoró entre risas el barcelonés, que aplicó en sus inicios un truco para afrontar con su bajo la velocidad de toque del maestro de la guitarra flamenca: “Hay que ser un poco pícaro, das los acentos bien dados y parece que has tocado toda la partitura”. “Carles Benavent, Tino di Geraldo y Jorge Pardo llevaban tiempo siendo reconocidos como músicos excelentes en varios territorios musicales y casi todo el orbe terráqueo. Tres tipos de diversas procedencias, un madrileño que pugnaba por ser un músico de jazz, un catalán metido en el rock progresivo y un asturiano criado en el punk. Afortunadamente el flamenco se cruzó en sus carreras y se transformaron. Pasaron de ser los mejores en lo suyo a ser ÚNICOS. Unos artistas, unos músicos que asumen la posibilidad de crear como un reto posible” señala José Manuel Gómez, en la hoja de promoción del disco.

Ep. 26: "The Benny Goodman Stare"

The Truth About Vintage Amps with Skip Simmons

Play Episode Listen Later Dec 25, 2019 115:48

Special guest Charles Baty returns to the Truth About Vintage Amps Podcast for our final episode of 2019. Submit your vintage amp questions to Skip here: podcast@fretboardjournal.com or, better yet, leave us a voicemail or text at 509-557-0848. * SUPPORT TAVA & ANGELA INSTRUMENTS * Order a PDF download of Steve Melkisethian's tweed Princeton amp project here. This week’s sponsor: Grez Guitars (link) Some of the topics discussed on this episode: 1:46 An update on the Angela 5F2 Princeton schematic/article 4:23 TAVA Podcast Giveaways: A Stew-Mac Champ kit; an A/B box from Skip (winners to be announced during episode 27) 12:43 Reserve one of Manbroidery's two-prong TAVA hats (Instagram link) 14:33 More cast iron 17:26 Triad Electronics' return to guitar amp transformers, plus Benson Amps 25:02 Charles Baty returns: Red Norvo, Tal Farlow, Chico Hamilton, Red Garland & Chile Colorado! 48:21 Gibson GA8T (Discoverer) amps 51:14 A 1966 Fender Vibro Champ with a mystery hum 57:02 Silverface Fender Champs versus 1960s Gibson Skylark / Atlas / etc. 59:11 Sonic variations between vintage matching, serviced Fender amplifiers 1:03:59 Using a Variac and a power strip to power up multiple amps simultaneously 1:07:53 Vintage guitar amps with built-in legs 1:12:25 A request for a single-episode Champ schematic walk-through 1:12:46 25uf cathode bias 12ax7 cathode-bypass caps on Champs 1:17:19 Getting up to speed on electronics basics 1:20:08 Amp class 1:23:14 Buck Nickels and Loose Change – "Makin' Wine" (Larry Cragg in action! YouTube link.) 1:23:39 A new speaker configuration for a Danelectro DS100 cab 1:28:08 Gibson Invader amps 1:31:11 Grid leak biasing vs. cathode biasing 1:34:56 Modifying the Angela dual-singled amp with Russian 6P1P-EV tubes 1:36:35 Australia, Toyota Land Cruisers and fly fishing guides 1:38:43 Swollen caps in a 1979 Fender Deluxe Reverb and tips on drilling holes in a chassis Special thanks to TAVA listener Eric Casimiro for helping us edit this week's episode.

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57: Jimmy Bruno

The Nikhil Hogan Show

Play Episode Listen Later Mar 21, 2019 59:15

My guest today is legendary Jazz Guitar Virtuoso and Composer, Jimmy Bruno! At the age of 19, Bruno became the youngest member of the Buddy Rich Orchestra touring the world and this led to engagements in the orchestras of Frank Sinatra, Anthony Newley, Doc Severinsen, Lena Horne and many more. Over the years, he has shared the stage with a who's who of legendary and highly regarded musicians: Joe Beck, Bobby Watson, Jack Wilkins, Tal Farlow (at Farlow's 75th Birthday Concert), Howard Alden, Christian McBride, Curt Elling and many more! Jimmy has recorded over 13 critically acclaimed CDs, including "Sleight of Hand," "Like That," and "Polarity" (with Joe Beck). His most recent CD "Maplewood Avenue”. Downbeat magazine in 2009 — named Jimmy as one of the top 75 guitarists of all time! As a music educator Bruno is the creator of the independent online jazz guitar school - The Jimmy Bruno Workshop. ----- 2:07 - Talking about his father who played on the hit "Guitar Boogie Shuffle" 2:09 - Influence of musical family 3:26 - Were you drawn to the guitar? 4:10 - Do you have perfect pitch? 4:31 - How much help did your father give in learning the guitar? 5:45 - Influence of Philadelphia on your development? 8:50 - Did your father know many famous musicians? 9:31 - How did you end up practicing violin etudes on guitar? 11:00 - Was Armando a classical musician? 11:41 - When did you learn to improvise before taking jazz lessons with Al Stauffer? 15:48 - Why Al Stauffer was fond of Jimmy 15:59 - Why would a guitar player take lessons from a bass player (Al Stauffer)? 17:28 - Dennis Sandole and Al Stauffer student rivalries 19:14 - What do you think about guitar tablature? 20:05 - Are you a good sightreader? 23:42 - How long did it take to improve your sightreading? 25:13 - Why was Buddy Rich throwing drumsticks at auditioning guitarists? 28:30 - World Tour with Buddy Rich 29:28 - Personal relationship with Buddy Rich 31:10 - Having a good hardworking attitude while working with Buddy Rich 31:54 - Was Buddy Rich the greatest drummer of all time? 33:24 - Working with Frank Sinatra 35:53 - Transposing Songs 37:07 - Frank Sinatra to the Italian-American community 38:26 - Working with Liberace 40:32 - Did you get to talk or hang out with Liberace? 41:39 - Talking about Hank Garland 42:53 - Personal relationship with Hank Garland 43:49 - Talking about Tal Farlow 44:36 - How big are your hands? 45:00 - Talking about Joe Pass 45:57 - Joe Pass Stories 47:20 - What did Joe Pass think of your playing? 48:38 - Talking about George Benson 50:17 - Hot Seat: Top 3 Jazz Guitarists 50:44 - Hot Seat: Top 3 Jazz Pianists 50:50 - Hot Seat: Top 3 Jazz Drummers 50:59 - Hot Seat: Top 3 Bass Players 51:10 - Hot Seat: Top Saxophonists 51:29 - Hot Seat: Top Trumpet Players 51:40 - Hot Seat: Top 3 albums that you've recorded 51:53 - Hot Seat: Proudest Musical Moment 52:00 - Playing Moonlight in Vermont for Johnny Smith 52:36 - Economy Picking vs Alternate Picking 53:53 - How do you develop perfect technique? 54:47 - What's your opinion of Berklee Chord Scale Theory? 55:13 - Talking about Barry Harris trashing modes 55:34 - What's the best advice to be a good musician? 56:25 - How do you develop a good ear? 56:49 - Upcoming projects

The Solar System

Music From 100 Years Ago

Play Episode Listen Later Sep 16, 2018 43:27

Songs include: You Are My Sunshine, Venus di Milo, The Moon Got In My Eyes, Mercury, Jumpin Jupiter, On a Planet, Men From Mars and Meteor. Musicians include: Bing Crosby, Mildred Bailey, Adrian Boult, Wayne King, Miles, Davis, Woody Herman, Lennie Tristano and Tal Farlow.

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Guitar Master Emily Remler: "Retrospective"

Play Episode Listen Later Feb 20, 2018 216:24

The late guitarist Emily Remler is the third Jazz Feature with female instrumentalists. Emily's time here was sadly short-lived as she died at age 32. She was very prominent on the Jazz scene for about 9 years. She was praised by all the still living guitar greats like Barney Kessel, Tal Farlow, Charlie Byrd and especially Herb Ellis who loved her playing so much that he made sure she got a recording contract. Most of her work was documented on Concord Records and tonight we'll delve into those recordings to present a fine picture of Emily, who deserves to be remembered. She was born on Sept. 18,1957 and died on May 4,1990. She deserved a much longer life but we must be grateful for her fine recordings. She is backed by various musicians on this Feature like pianists Hank Jones, James Williams and bassists Don Thompson and Buster Williams and drummers Terry Clarke and Marvin "Smitty"Smith and others. Check out Ms.Remler tonight....you'll love her!

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HDO 353. Y hoy… un estándar: The Way You Look Tonight (003)

Play Episode Listen Later Nov 26, 2017 76:07

Y hoy… un estándar. Es el turno de “The Way You Look Tonight” con música de Jerome Kern y letra de Dorothy Fields, compuesto en 1936 para la película Swing TIme (en España En alas de la danza). Las interpretaciones están a cargo de Teddy Wilson & His Orchestra con Billie Holiday, Sonny Rollins, Ari Hoenig, Art Pepper, David Pastor Nu-Roots con la voz de Deborah J. Carter, Billy Bauer, Gwilym Simcock, Lionel Hampton & His All Stars, Keith Jarrett Standards Trio, Paul Gonsalves, Tal Farlow. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

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HDO 335. Una hora con… Tal Farlow (This Is – The Guitar Artistry Of – Plays The Music Of Harold Arlen)

Play Episode Listen Later Oct 28, 2017 73:52

Con HDO 335 finaliza el especial dedicado a Tal Farlow que comenzaba con el repaso que realizaba Marcos Pin a Autumn In New York. En esta tercera entrega suenan temas de las grabaciones This Is Tal Farlow (1958), The Guitar Artistry Of Tal Farlow (1959) y Tal Farlow Plays The Music Of Harold Arlen (1960). Eddie Costa,Frank Wess, Bobby Jaspar, Jimmy Campbell, Dick Hyman o Wendell Marshall son algunos de los músicos que participaron en estas grabaciones. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

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HDO 328. Una hora con… Tal Farlow (The Swinging Guitar of Tal Farlow – A Recital By Tal Farlow)

Play Episode Listen Later Oct 19, 2017 56:19

HDO 328 es la segunda entrega dedicada al guitarrista Tal Farlow. Tras la primera, en la que sonaban temas de Autumn In New York (1954) y Tal (1956), en esta segunda aproximación al trabajo del guitarrista retrocedemos hasta el año 1957 para escuchar algunos de los temas incluidos en las grabaciones The Swinging Guitar of Tal Farlow y A Recital By Tal Farlow. Un inconmensurable Eddie Costa y Vinnie Burke acompañan de nuevo al guitarrista en la primera de las grabaciones, mientras que en la segunda le acompañan el trío de vientos formado por Bob Gordon, Bill Perkins y Bob Enelvodsen, y la rítmica integrada por Monty Budwig y Lawrence Marable. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

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HDO 321. Una hora con… Tal Farlow (Autumn In New York – Tal)

Play Episode Listen Later Oct 6, 2017 70:41

HDO 321 es la primera entrega dedicada al guitarrista Tal Farlow con temas incluidos en sus grabaciones Autumn In New York (1954) y Tal (1956). Acompañan al guitarrista Gerry Wiggins, Ray Brown y Chico Hamilton en el disco con título otoñal, mientras que el cuarteto sin batería que completaba con Eddie Costa y Vinnie Burke son los protagonistas de la segunda de las grabaciones, siendo ambas unas obras más que recomendables. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

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"The Swinging Guitar of Tal Farlow"

Contrabass Conversations double bass life

Play Episode Listen Later Dec 6, 2016 218:22

The title really explains it all. This great self-taught guitarist is considered one of the finest players of his instrument in Jazz music. In 1956 Talmadge "Tal" Farlow had several long club gigs in New York with this drumless trio comprising of piano virtuoso Eddie Costa and bassist Vinnie Burke. They took the Farlow Trio into the recording studio on May 31, 1956 and recorded this wonderful uplifting album that featured not only Farlow's unique guitar style but some great interplay between the three musicians. This intimacy could only be really achieved through working together for a long time. They came up with "The Swinging Guitar of Tal Farlow" one of the pivotal Jazz guitar albums. Enjoy!

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166: Larry Gray on multi-instrumentalism, thinking in jazz, and the history behind Chicago's Jazz Showcase

Play Episode Listen Later Dec 7, 2015 64:47

We're featuring an interview with bassist Larry Gray on this week's episode. Larry's multi-instrumental path has taken him through performance on guitar, flute, cello, and piano in addition to bass. Larry is in high demand as a jazz bassist in Chicago, performing regularly for decades at Joe Segal's Jazz Showcase, and he teaches at the University of Illinois at Urbana-Champaign. Enjoy! About Larry Born on Chicago’s south side, Larry Gray is considered by many to be one of jazz music’s finest double bassists. His impressive versatility and uncommon musical curiosity keep him in demand as both a leader and sideman. Larry began his musical studies at the age of five when his father brought home an accordion and introduced him to his first teacher. Invigorated by this study, Larry added the guitar to his arsenal and studied piano seriously for many years thereafter. It was not until he was in his twenties that he decided to switch to the double bass. Larry went on to study classical music extensively, eventually adding the cello to his long list of loved instruments. His principal teachers were Joseph Guastafeste, longtime principal bassist of the Chicago Symphony Orchestra, and cellist Karl Fruh, a highly regarded soloist and teacher. Under Mr. Fruh's guidance, he received bachelors and masters degrees in cello performance from the Chicago Musical College of Roosevelt University. Throughout his long and varied career, Larry has worked with numerous exceptional artists and jazz legends, including McCoy Tyner, Jack DeJohnette, Danilo Perez, Branford Marsalis, Benny Green, Freddy Cole, Benny Golson, Steve Turre, George Coleman, Lee Konitz, Bobby Hutcherson, Sonny Fortune, Ira Sullivan, Junior Mance, David "Fathead" Newman, Willie Pickens, Ann Hampton Callaway, Charles McPherson, Antonio Hart, Jackie McLean, Sonny Stitt, Eddie "Lockjaw" Davis, Al Cohn, Randy Brecker, Nicholas Payton, Kurt Elling, Eric Alexander, Phil Woods, Jon Faddis, Roscoe Mitchell, Von Freeman, Wilbur Campbell, Eddie Harris, and Les McCann. In addition, he has collaborated with guitarists Kenny Burrell, Joe Pass, and Tal Farlow, as well trumpeters Donald Byrd, Harry "Sweets" Edison, and Tom Harrell, among others. Larry continues to tour extensively, performing at jazz festivals and clubs around the globe, including the Umbria Jazz Festival, the Havana Jazz Festival, Rio Sao Paulo Festival, North Sea Jazz Festival, the Montreal International Jazz Festival, ECM Festival in Bielsko-Biala, Poland, the Poznan Jazz Festival, Monterey Jazz Festival, the Montreaux Detroit Festival, the Chicago Jazz Festival, Carnegie Hall, Lincoln Center, the Hollywood Bowl, Village Vanguard, Blue Note (New York and Tokyo), Kennedy Center, and the Ravinia Festival, with such jazz luminaries as Marian McPartland, Clark Terry, Nancy Wilson, Frank Morgan, James Moody, Larry Coryell, Louis Bellson, Barry Harris, Dorothy Donegan, Monty Alexander, Frank Wess, Joe Williams, Doc Severinsen and the Tonight Show Band, Kenny Drew Jr., and most recently, Ramsey Lewis. As a classical musician, Larry played several seasons with the Civic Orchestra of Chicago, including a year as principal bass. He worked on many occasions with the Chicago Symphony Orchestra under master conductors Erich Leinsdorf, Rafeal Kubelik, Carlo Maria Guilini, and Sir George Solti. He also was the featured double bassist with Lyric Opera for the world premiere of the opera Amistad. Larry is an arranger and composer whose work has been widely recognized as uniquely melodic and exceptionally refined. His discography includes 1,2, 3,..., on Chicago Sessions, the solo bass record, Gravity, One Look, and Solo + Quartet, all on Graywater Records, as well as the Ramsey Lewis and Nancy Wilson collaborations Meant to Be and Simple Pleasures. He can also be heard on the Ramsey Lewis recordings Appassionata, Time Flies, and With One Voice, and the latest release, Songs From the Heart. Larry also arranged and produced the critically acclaimed CD, Django by Ferro. Furthermore, Larry has recorded with Chet Baker, Curtis Fuller, Ira Sullivan, Lin Halliday, Willie Pickens, Nicholas Payton, Randy Brecker, Bunky Green, Bob Moses, Irish flute-whistle virtuoso Laurence Nugent, pop sensations Linda Eder, Dennis DeYoung, and Peter Cetera, and songwriter Michael Smith, among others. In addition, Larry is a first-call studio musician, and his playing can be heard on many commercial radio and television jingles and studio projects as well as the PBS television series, Legends of Jazz, where he can be seen performing alongside Jim Hall, Benny Golson, Chris Potter, Phil Woods, David Sanborn, Chris Botti, Clark Terry, and Roy Hargrove. In addition, Larry's original composition for double bass and guitar, Five Movements, was commissioned and performed by the Chicago Symphony Orchestra Chamber Ensemble at Symphony Center in Chicago. Most recently, Larry has composed two commissioned works for the Jazz Institute of Chicago. Tribute to the Bass Masters Suite was premiered at the Poznan Festival in Poland in 2008 to much acclaim. A second work, String Thing, was first presented in Chicago in October 2010 as part of the Jazz Institute of Chicago Jazz in Chicago series. Larry also completed a collaborative project with bassists Rufus Reid and Joseph Guastafeste that was premiered in March of 2011 in Chicago. Larry Gray is also a dedicated teacher and is Assistant Professor of Jazz Studies at the University of Illinois at Urbana-Champaign. He also served for many years on the faculties at DePaul University and Northern Illinois University. Active as a clinician at high school and colleges and festivals thought North America, he also coaches various instrumentalists in jazz techniques as well as music theory, sight-singing, and composition. Subscribe to the podcast – follow on Twitter – Like on Facebook

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JazzTK Podcast 4x04: Josetxo Goia-Aribe y guitarristas

JazzTK Podcast

Play Episode Listen Later Nov 25, 2014 54:59

En el cuarto programa de JazzTK Podcast entrevistamos al saxofonista Josetxo Goia-Aribe en relación a su reciente trabajo Hispania Fantastic, en el cual le acompañan Baldo Martínez, Antonio Bravo y Lucía Martínez. También escuchamos algunos grandes guitarristas: Jim Hall, Joe Pass, Tal Farlow... Temas: * Josetxo Goia-Aribe: Hispania Fantastic (Hispania Fantastic) * Josetxo Goia-Aribe: Entradilla de Agapito (Hispania Fantastic) * Ella Fitzgerald & Joe Pass: I Ain't got Nothin but the Blues (Hamburg Duets 1976) * Jim Hall & Bill Evans: My Man's Gone Now (Intermodulation) * Tal Farlow: Yardbird Suite (The Swinging Guitar Of Tal Farlow) * Kenny Burrell & John Coltrane: Why Was I Born? (Kenny Burrell & John Coltrane) Disfruta del Jazz con JazzTK.com.

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JazzTK Podcast 4x04: Josetxo Goia-Aribe y guitarristas

JazzTK Podcast

Play Episode Listen Later Nov 25, 2014 54:59

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"The Swinging Guitar of Tal Farlow"

Play Episode Listen Later Jun 4, 2013 207:33

This is quintessential Tal Farlow one of the masters of Jazz guitar with his trio including the fabulous Eddie Costa at the piano and Vinnie Burke on bass. The repertoire is mostly standards but done in the unique and wonderfully refreshing manner by one of the great masters of Jazz guitar Tal Farlow! This album was recorded in May of 1956 after Tal did his apprenticeship with Red Norvo and Artie Shaw and others. This band became the house band at The Composer, an upscale Jazz venue in New York until it's closing in 1958. Enjoy a guitarist who was not only swinging but creative and distinctive and whose technical facility was the envy of every other guitarist. Tal Farlow Jazz giant!

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Broadcast on 23-May-2011