Podcasts about mjq

Born in New York, some of his earliest musical influences included his mother's love for soca music and the distinct Caribbean rhythms of his culture. An appreciation of Jazz would be further guided by his father's expanding audiophile home system. Moving to Detroit in 1980, the start of the decade where Techno would take formation, put him at the center of music history while simultaneously working at the now famed nightclub “The Music Institute”Relocating to Atlanta to attend Morehouse College, he took it upon himself to bring more of the authentic House and Techno flavor to his new home, playing at numerous clubs and bars in the metro area. Eventually this led to DEEP, his aptly-named, game changing decade long Saturday night residency at local club MJQ, where he would bring guests such as King Britt, Steve “Silk” Hurley, Peven Everett, Kerri Chandler, Phil Asher and Joe Claussell.It is during the 2000s that Kai really sets his stride. 2002 saw the release of his first production, ‘The Kaizer EP', on Brett Dancer's seminal deep house label Track Mode. After a few releases on other labels such as Moodymann's Mahogani Music, Deep Explorer & Real Soon. A few years later he would co-found the Labor Day weekend outdoor event House In The Park with DJ Ramon Rawsoul which now has over 15,000 attendees.2008 saw the creation of his label NDATL and the first edition of his annual Deep Detroit. NDATL stands for the cities that have played a role in his musical development: New York, Detroit, ATLanta. Which is home to many of his own productions and A List producers such as Larry Heard, Mr. G, Theo Parrish & Mike Huckaby to name a few.e has recently curated the boutique Kai Alcé Eyewear line. “The Kaizer” never stops moving. A love of life, mixed with his flair for originality, willingness to experiment and devotion to the dancefloor has cemented his place as a pillar in American dance music history. Whatever comes next from Mr. Alcé, you can be assured that it will be classy, soulful, fulfilling and funky. www.ndatl.comRecorded on April 7, 2025 in Brooklyn, NY.

Atlanta actor and artist Danielle Deadwyler discusses her new film “The Piano Lesson,” which is streaming now on Netflix. MJQ co-owners Murphy and Ryan Purcell discuss the iconic club’s last days on Ponce de Leon Avenue and its upcoming grand opening in Underground Atlanta.See omnystudio.com/listener for privacy information.

 | Artist  | Title  | Album Name  | Album Copyright  | Dixieland Jug Blowers  | Boodle-Am-Shake  | A Richer Tradition - Country Blues & String Band Music, 1923-1935  | Joe Turner  | Christmas Date Boogie  | Arhoolie Records Christmas Time Blues  | Corey Harris* & Henry Butler  | King Cotton  | Vu-Du Menz  |   | Ramsey Lewis Trio  | Merry Christmas Baby  | Sound of Christmas  |   | Bukka White  | Black Train  | The Complete Sessions 1930-1940  | Seasick Steve & The Level Devils  | Xmas Prison Blues  | Cheap  |   |   | Alger ''Texas'' Alexander  | I am Calling Blues (1928)  | Complete Recorded Works, Vol. 2 (1928 - 1930)  | Charley Jordan with Mary Harri  | No Christmas Blues  | Charley Jordan Vol 3 (1935-1937)  | Sonny Terry & Brownie McGhee  | Hootin' the Blues - [ASH GROVE 1-21-1967 1ST SHOW]   | Michael Messer  | Rollin 'n' Tumblin  | King Guitar 2001  |   | Andres Roots Roundabout  | Miss Carmen James  | Three!  |   |   | Lead Belly  | The Christmas Song  | Rockin' Blues Christmas  | Pistol Pete Wearn  | Riverside Blues  | Live At Liège  |   | Jerry 'Boogie' McCain-  | I Want To Be Your Santa Claus  | I've Got The Blues All Over Me  1993  | MJQ  | God Rest Ye Merry, Gentlemen  | Germany (1956-1958 Lost Tapes)

On today's Closer Look with Rose Scott, in Part 2 of our interview with DJ Rasta Root and DJ Jah Prince, host Rose Scott talks with the DJs about playing their final Face/Off Friday at MJQ Concourse. The popular nightclub has drawn diverse crowds of music lovers for more than two decades. MJQ will soon relocate to Underground Atlanta.Then, WABE's environment reporter Marisa Mecke speaks with neighbors who are trying to address complex environmental pollution issues in their community.Also, one of Atlanta's beloved radio stations, WCLK, is marking 50 years on the air. Licensed by Clark Atlanta University, the NPR station has an expansive history of broadcasting mostly jazz, but also community news, gospel, and other jazz genres. Jamal Ahmad, the host of S.O.U.L. of Jazz, discusses WCLK's cultural impact.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dit tweede uur All That Jazzzz met echte onvervalste, onversneden jazz voor de die-hard jazzfans! Charles Lloyd, Monk, Coltrane, Rollins, Rubin, MJQ, Ellington, Hodges en een afsluiter met de vaandeldrager van de nieuwe New Orleans jazz: Christin Scott aka Atunde Adjua!

Synopsis On today's date in 1961, the New York City Ballet presented a new work scored by a 35-year old composer named Gunther Schuller, who was conducting the pit orchestra. On stage, in the middle of the green- and purple-garbed dancers, were four additional musicians: namely, the Modern Jazz Quartet, decked out in their usual white ties and tails. Schuller's score, entitled Variants, was an attempt to fuse modern music and jazz into a style he labeled Third Stream. ”I had this idea of the First and Second streams [classical and jazz] getting married and giving birth to a child, which is the Third stream," recalled Schuller years later, ruefully noting that today one would have to call it the 10,000th stream as composers have since introduced a multitude of ethnic, folk and vernacular music into the mix as well. But back in 1961, the idea attracted a lot of press – not all favorable. The New Yorker, for example, thought it odd that the MJQ “sat like a quartet of hunters in a duck blind, anxiously shooting out carefully calculated notes.” Time magazine wrote: “Schuller's score was the essence of the cool – spare, fragmentary, but resembling jazz only in its rhythmic drive.” If this was the Third Stream, the reviewer concluded, “it never seemed to be flowing anywhere.” Music Played in Today's Program Gunther Schuller (b. 1925) Conversation Modern Jazz Quartet and ensemble; Gunther Schuller, conductor. Wounded Bird 1345

Samba de ona nota sola es una obra maestra de Antonio Carlos Jobim, en los años 60. Escuchemos al autor, Ella, Hawkins, Dizzy, Getz, el MJQ, Toots y otros Hosted on Acast. See acast.com/privacy for more information.

Synopsis On today's date in 1907, the "Pomp and Circumstance" March No. 4 by Sir Edward Elgar had its premiere performance in London. Say "Pomp and Circumstance" to most people and they will start humming the tune of Number One, later set to words as "Land of Hope and Glory." That march accompanied many of us down the aisle at our high school or college graduations. In all, Elgar composed five "Pomp and Circumstance" marches, and meant to write a sixth, but just never got around to it. No. 1 is the most familiar, but No. 4 runs a close second, with another very noble, very British main tune. During World War II, Sir Alan Herbert fitted his "Song of Freedom" to this music and with its opening line of "All men must be free," it became an unofficial alternate British national anthem. Meanwhile on these shores, we note that one of America's classic chamber jazz ensembles was founded on today's date in 1951 in New York City , when the Modern Jazz Quartet was formed by pianist John Lewis, vibraphonist Milt Jackson, bassist Percy Heath, and drummer Kenny Clarke. Under the direction of Lewis, the Quartet fused jazz improvisation with classical forms and Baroque counterpoint. Instead of playing in smoky bars, MJQ made a point of playing in concert halls and even wore tuxes, asking audiences to afford their chamber jazz the same attention and respect usually reserved for classical music. Music Played in Today's Program Sir Edward Elgar (1857 - 1934) –Pomp and Circumstance (No. 4 London Philharmonic; Daniel Barenboim, cond.) Sony Classical 60789 Milt Jackson (1923 - 1999) –Blues in c (Modern Jazz Quartet) Atlantic 1652

HOTSEAThaas gives a weird scenario, talks McDonald's, MJQ closing and a lot more! --- Send in a voice message: https://anchor.fm/hotseat-haas/message Support this podcast: https://anchor.fm/hotseat-haas/support

Otoño en New York es un clásico de Vladimir Dukelsky y no es el único standard suyo que habla de un lugar y una estación (recuerden Abril en París, por ejemplo). Compuso otros memorables como "I can't get started" y "Taking a chance on love". Claro, era más conocido por su nombre artístico: Vernon Duke. Escuchamos a Billie Holiday, Satchmo, Bud Powell, Parker, Stitt, el MJQ, Chet Baker, Dexter Gordon, Tal Farlow y otros.            

Bag's groove es un simple blues de 12 compases compuesto por Bags (Milt Jackson) el genial vibrafonista de gran fama con el MJQ. Un poco como "break" bluesero en los espectáculos, para salirse de las composiciones complejas de John Lewis. Escuchemos varias de sus versiones, incluso aquellas con Miles y Monk, a Ray Brown con O. Peterson, los trombones de JJ Johnson y Winding, a Herbie Mann, a David Grisman y otros.

"Yardbird suite", un tema icónico de Parker y del bop, compuesto en 1946.  Escuchamos al autor, Sonny Stitt, Carmen McRae, el MJQ, Hank Jones y Hampton Hawks en piano, Getz, Pepper en saxos, Kai Winding en trombón, Tal Farlow en la de 6 cuerdas y otros.

Pink Floyd & Andrey Khylniuk, MJQ,Keith Jarrett , Erroll Gardner, Anne Ducros, Cjiff Richard, Ron Wood, Norman Jeffrey Healey, Vox Office, 

Angel Eyes (Ojos de ángel) es una canción popular de 1946 compuesta por Matt Dennis, con letra de Earl Brent. Fue introducido en la película Jennifer de 1953. Se transforma en standard de jazz que ha inspirado muchas interpretaciones. Ella Fitzgerald, quien grabó Angel Eyes al menos cuatro veces, la nombró su canción favorita. Sin hablar de Old Blue Eyes! Escuchémoslos junto al MJQ, Brubeck, Jamal, Flanagan, Art Blakey, Clark Terry, Art Pepper y otros.

When the clouds begin to thicken up, many of us head for cover. And small marine organisms may do the same thing. Some recent research found that they move up or down as cloud cover changes -- a way to keep safe as the amount of light changes.Many fish and other organisms move up and down in the water as light levels vary. When it gets dark, they move up to feed. And as day begins to break, they move down to avoid being eaten themselves. They also change their depth in response to moonlight -- trying to find just the right amount of light to survive another day. That process is called “vertical migration.”In 2018, researchers studied this up-and-down cycle in the northeastern Pacific Ocean. They watched the light levels, and compared them to the migrations of groups of tiny fish and other organisms. In particular, they used sonar to look at a layer of organisms that stayed about a thousand feet deep during the day.It was cloudy during the entire research cruise. But the thickness of the clouds varied, so the amount of sunlight varied as well. Scientists found that when the clouds got thicker, the tiny organisms moved up. And when the clouds thinned out, they moved down. It took a few minutes for the critters to respond to the change. And there had to be a pretty good shift in the light level to trigger a move. But the organisms often moved up and down many times during the day, and by a good distance each time -- keeping the light just right below the ocean surface.

Junto con Donna Lee esta pieza es de las mejores composiciones de Charlie Parker, que resume en 32 compases casi todas las innovaciones del bebop. Aunque Parker la graba en 1953, el tema en realidad es de una década antes. Y lo graba primero Dizzy, con el seudónimo "Gabriel" ! Escuchemos a ambos, MJQ, Art Blakey, Hank Jones, Teté Montoliú, Jimmy Smith, Frank Morgan, Toots Thielemans, Sonny Stitt y Supersax.

Pieza cumbre de John Lewis (MJQ), año 1954 en homenaje a su amigo Django Reinhardt que falleció en 1953. De una intensa melancolía y un pathos admirable, al punto que Miles dijo que era quizás la mejor composición hasta la época. Escuchemos versiones del MJQ, Sonny Rollins, Joe Pass, Bill Evans, Gary Burton y otros.

This episode explores live Jazz, Bop and Bebop recordings at the Lighthouse Cafe Hermosa Beach California during the Civil rights era: Lee Morgan, Cannonball Adderley, Ramsey Lewis, Elvin Jones, Grant Green, MJQ, Art Blakey…… --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/charmeljoiner/message Support this podcast: https://anchor.fm/charmeljoiner/support

I remember Clifford (me acuerdo de Clifford) es una maravillosa pieza del saxofonista Benny Golson (de fama con Art Blakey y sus Jazz Messengers), dedicada a Clifford Brown, el gran trompetista que murió tempranamente (1956, a los 25 años) en un accidente. Una de las baladas más hermosas de todo el jazz.  Escuchemos al autor, Lee Morgan, Dizzy, Don Byas, Getz, el MJQ, Keith Jarrett, Elia Bastida y Sandoval entre otros. 

Born and raised in Memphis,Tennessee, Curtisha LaShundra' Johnson is professionally known as madam cj. madam cj is a chart topping Singer/Songwriter,Dancer, Host, Womanist, Certified Strategic Self Care Ambassador, Licensed Certified Liquid Motion Instructor, Womb Wellness Revolutionary and Award Winning CEO of Divine Clementine Bath and Body and Hattie Evelyn's Movement Apothecary. Her career began as a Makeup Artist, GoGo Dancer and Legendary Themed Theatrical Club Kid in Atlanta,Ga at clubs Kaya, Nomenclature, Karma, Crescent Room,Yin Yang and MJQ. She appeared on the WB Networks music reality tv show, Popstars to compete for a spot in the Pop girl group Eden's Crush. The next year, she became one of the top figure study models in the city of ATL on the artistic and art school scene. She started her solo music career as madam cj. Since then she has performed with or opened for Joi, India.Arie, Bilal, Masego, Big Freedia, Kamasi Washington, FKA Twigs, Janelle Monae. Her song “Smell Urself” the Daz I Kue Bounce mix, is a soulful house remix of the original song she wrote, debuted at number 8 on the Top 20 Essential Soulful House Tunes on Traxsource.com, the go to source for all styles of House and Dance Music. She was diagnosed with Uterine Fibroids. This diagnosis led her to seek out natural healing options. She was introduced to her mentor in the art of soap making and revolutionary Womb Wellness, Dr. Eshe Faizah aka Eshe the Herbsistah. On this journey to fibroid freedom and womb wellness, she has also worked with Queen Afua and Chef Ahki. She has hosted and performed at AfroPunk ATL and AfroPunk NY alongside, Rahbi Raw. She has lived and worked as a nightclub singer at Al Mandaloun Nights,in Beirut, Lebanon. She won Creative Loafing Atlanta's, "Best Of" and Critic's Choice Award,has appeared in Uptown Magazine and Voyage ATL. She was handpicked to appear in Killer Mike's Netflix docu-series, “Trigger Warning”,the same year she appeared as a choir member in the Carlton Pearson biopic,”Come Sunday”. She is a member of Sister Care Alliance, Certified Strategic Self Care Ambassador under the guidance of Anana Harris Parris, the creator of SisterCare Alliance and a Licensed and Certified Liquid Motion Instructor under the guidance of the methodology creator, Jeni Janover. This has lead to her starting the womb wellness based service business, Hattie Evelyn's Movement Apothecary. madam cj believes in the power of personal and self transformation thru using all the categories of strategic self care. Those areas are: Spiritual/Emotional, Physical,Economic, Education,Artistic and Social.https://www.instagram.com/therealmadamcjhttps://linktr.ee/madamcjhttps://www.instagram.com/divineclementinebbBritta B performs “Dear Young Woman”Listen to more episodes, subscribe to my podcast and YouTube ChannelIf you would like to be a guest, click the link below - share your story.https://linktr.ee/nikimarieradio#uterinefibroids#womenshealth#wombwellnessadvocate

El grupo más longevo, que creó un estilo completamente diferente de cool jazz, el MJQ (Modern Jazz Quartet) surge de la sección rítmica de la orquesta de Dizzy de los 40. John Lewis (pn), Milt Jackson (vibes), Kenny Clarke (bat) y Ray Brown (b). En 1955 entran Connie Kay (b) y Percy Heath (b) y ese conjunto toca como una unidad 20 años, con reencuentros hasta el final de sus vidas. Una armonía de contrastes entre John Lewis, compositor, de toque suave y original con influencias de Bach y Milt Jackson, que trae al vibráfono un toque pianístico (a diferencia de lo percutivo de L. Hampton), pero con fantástico swing. Vendome, Concorde, Django son de las grandes piezas de Lewis. Bag's groove, el tema emblemático de Bags (Jackson). 

Featuring fresh beats from my Bay Area boys Scott Amendola and Wil Blades; a new bop from Brooklyn indie legend Beyondo; vibey stuff from NYC composer/bassist/bandleader extraordinaire Ben Allison's guitar-based quartet; the brand new single from underground BK sensation Casual Male aka Tim Lappin; an unreleased track from the Charlie Hunter Trio in 2008 at World Cafe Live; jazz legends Carmen McRae + the MJQ; the pride of France, Air; and finally my mentor, brother, and baseball guru: the great Art Lande.

Alison Zoe Gray is from the Queen City of Charlotte with deep roots in Atlanta, just signed to GRT Management a NYC based agency and will soon move to Las Vegas for a DJ Residency. She specializes in trap/dub, all types of house and open format, with lots of bass. Zoe has brought her DJ’ing A-Game to hundreds of events and festivals with many more on the roster. We dive deep into her style, sound, influences, mentors, friends, family . We talk about hot music spots from East Atlanta to Alley Cat, MJQ, Edgewood Avenue, Koo Koo Room, Domaine, EDC, RL Grime and more. We talk about her upcoming album production and her passion with enabling other women in the music industry. We dive into her jock upbringing at Providence being top 40 soccer players in the state. We discuss nutrition, diet and pooping in great detail. One of the most fun podcast I’ve ever done, spent more time than usual editing, please leave me your feedback in the comments or a review! Even better to subscribe!

Radio Jazz studievært Kay Seitzmayer fortæller om et show, der foregår i en gammel fabrik i London, hvor engelske og amerikanske bands samles til en stor, fed jamsession, også kaldet »The Last Great Jam of the 60's«. Jam'en varede i 2 dage, og show'et udkom første gang på videotape sidst i '70erne og igen i 2003 på DVD, hvor man både kan se og høre show'et. Musikerne er John Hiseman's Coloceum, Buddy Miles, MJQ, Buddy Guy, Roland Kirk, Stephen Stills, Eric Clapton og Jack Bruce. Et fantastisk show, hvor jazz, blues og rock bliver fusioneret for fuld drøn. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

Kimj was born in Glen Cove, N.Y. to Edith and Herbert Jenkins. Her father played guitar, keyboard, and timbales. A salsa lover, her father listened to the music of Willie Colon, Little Vega, and Mongo Sanataria, while her mother listened to MJQ, Carmen McCrea, Sarah Vaughn, Sonny Rollins and Miles Davis. At 9 years old, her Uncle David introduced her to John Coltrane's My Favorite Things, attuning Kimj to the sax. Shortly after that, Kimj found a silvertone alto sax in the attic. She took it to Mr. Hodges, her school music teacher who played bass. Hodges showed Kimj scales and she was hooked. Kimj attended Westbury, Hempstead public schools, and graduated from Fordham University in 1985. She is self-taught. She performed in several bands. In the band Special Assignment, Kimj met Michael Carpenter who introduced her to the EWI. In 2001, she became a  soloist. Over the years, Kimj acquired the passion for other instruments and now she plays 12 instruments. She composes and writes lyrics that she sings during her performances. Kimj moved to Florida in 2009, when her mother passed. Her father died in December 2018. Kimj got her love and passion for music from them. She has a home studio thanks to their support and encouragement. In 2010, Kimj met Dr. Joan Cartwright of Women in Jazz South Florida. She is an active member and has performed with the Amazing Musicwomen Ensemble for three years. She performs throughout South Florida where she resides. www.wijsf.org

Modern Jazz kvartettinn og Jimmy Guiffre leika lögin Fun, Finé og Da Capo og MJQ leikur Sun Dance, Three Windows og Rose Tuc. Charles Mingus leikur lögin Wrap Your Troubles In Blues, Me And You Blues, Mysterious Blues og Body And Soul. Terumasa Hino leikur lögin T For Three, Lava Dance, There's Always Time For Peace, Free Mandela, Sage og Over The Rainbow.

Modern Jazz Quartet, le Feu et la Glace   "Wintertale", par le Modern Jazz Quartet   M.J.Q. Trois initiales qui résonnent encore dans les salles de concert les plus prestigieuses du monde entier. Et évoquent l'un des petits ensembles les plus élégants et célébrés du genre: le Modern Jazz Quartet. A son origine, la rencontre du feu et de la glace, du vibraphoniste Milt Jackson et du pianiste John Lewis. L'un apportant son énergie exubérante et l'autre sa rigueur issue de sa formation classique. De la fusion de ces deux éléments nait un style musical emblématique du "third stream", la troisième voie inédite entre jazz et classique. Mais le MJQ n'était pas non plus insensible aux évolutions les plus récentes, comme en témoigne l'album Lonely Woman qui a placé Ornette Coleman sur la carte du jazz. Le groupe se sépare après un concert d'anthologie au Lincoln Center de New York en novembre 1974. Le Modern Jazz Quartet, retour sur un monument du jazz.   Etagère n°6… Boite n°2… Dossier MJQ1962… Modern Jazz Quartet, le Feu et la Glace.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We talked about Frank Zappa, Tom Dowd, The Hells Angels, Elliot Scheiner, and recording the biggest rock concerts of the day among many other stories. My guest today is David Hewitt, who designed and built the legendary Record Plant mobile recording studio, the “Black Truck” in 1978 and formed Remote Recording Services in 1979 for independent Engineering projects and equipment rental. David is an 8-time TEC Award Winner and member of the TEC Hall of Fame. His credits run from Aretha to Zappa, Miles to MJQ, George Jones to Shania, Mtv to Met Opera, Die Hard to Disney and some that simply defy categories.  Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Hear more on Youtube If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/146

HOTSEAThaas, Eastside Que, Mike aka M.Dobbs & Justone Malone are Creative Content Podcast. In this weeks episode the fellas sit down with Atlanta’s own @sky_hy. Eastside Que opens the episode to discuss his kickboxing class while Mike aka M.Dobbs talks his journey towards sobriety. The featured guest @sky_hy goes over his role in Atlanta with MJQ, Bonfire ATL, Doorways and Department Store. He also sheds light on the evolution of Edgewood. The gang go over topics from Eastside Que’s list covering current events, @sky_hy goes into further detail covering his creative background and influences, Atlanta’s “It Factor”, Whats going on right now and what he has planned for the future. Lock in and enjoy your audio experience! Follow Us On Instagram @est1359 @hahson_ @hahmaen @haastagram @leopoldjacobs1983 @creativecontentpodcast @nobdythateverbodynows @beaurakes @sky_hy Shoutout to Hahmaen & Brandon for their continuous help with the show and to all of our listeners! Make sure you check out www.leopoldjacobs1983.com for all your fashion needs! Sponsors Leopold Jacobs 1983 EST. 1359 Westside Wednesdays Dope Pedalers *The views expressed on this site are my own & do not reflect those of my employer or its clients. Views & opinions expressed by all contributors belong to them & not the blog owner. *For Mature Audience Only! *Intro & Outro Music by Sky Hy (Doorways) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/hotseat-haas/support

The fifth Hot Box includes the charming album MIQ plays MJQ, highlighting an Irish quartet that included Tony Micelo on vibes. Also check out the debut album by progressive group CEO Experiment, underlining the lively international jazz scene in Ireland. Also featured are tracks by recent visitors to Ireland, Wayne Shorter, Charles Lloyd and the Hot Club of Cowtown. You can talk to The Hot Box by emailing .donald@jazzireland.ie

This famous Christmas Eve session has for years been our Christmas Jazz feature and 2015 is no different. This all-star record date by a band nominally led by trumpeter and Jazz icon Miles Davis contains Jazz that will live forever and has influenced countless players over the years. A true musical landmark. Mr. Davis is paired with three members of the Modern Jazz Quartet which included Milt Jackson on vibes, Percy Heath on bass and Kenny Clarke on drums, who was the MJQ's first drummer. Davis was pleased with the lineup but Prestige Record's head honcho, Bob Weinstock insisted that Thelonious Monk be on piano. Miles at first objected but finally agreed and the addition of Monk to this mix was a touch of magic. Monk was the spice on this musical concoction. The musical chemistry was wonderful here and tonight we hear the four master takes from this session beginning with Milt Jackson's blues, "Bags' Groove" which contains one of Monk's most fascinating solos. Next is a Monk tune called "Bemsha Swing". Following that is the brightest tune of the set in Miles Davis' tune "Swing Spring" and the set ends with the band's interpretation of the George and Ira Gershwin standard "The Man I Love". Great Jazz for the ages and the spirit of Christmas is heard throughout the set. Merry Christmas to all!

Chubby! on Facebook: www.facebook.com/chubbyrecords Kai Alcé on Facebook: www.facebook.com/kaialce @kaialce www.ndatl.com & www.kaialce.com Perhaps it’s a combination of his Haitian roots, his youth spent in St. Croix, and his New York City upbringing. It is evident when he steps behind the turntables or CDJs, where he is at once clearly comfortable and believe it or not, just a tad bit nervous. After more than 20 years in the business, yes, “The Kaizer” still gets butterflies. That’s probably what makes Kai Alcé such a force: He doesn’t settle down, blend in or go along. That integrity comes through in every gig he’s worked – from his early days at Detroit’s Music Institute when he was just teenager, to the 10-year-long DEEP legacy at MJQ that he co-founded, to the production company, NDATL, that he created in 2008.

On November 29, 1957, Dizzy Gillespie, Billie Holliday, Zoot Sims, Chet Baker, Sonny Rollins, and a multi-talented young R&B player who played jazz that night, Ray Charles, and others played a benefit concert for the Morningside Recreation Center at Carnegie Hall. Almost a half a century later, these recordings, intended to be played on radio Voice of America, were found in the Library of Congress. The aforementioned artists’ performances were never made available and yet, one set from that night was released, featuring a quartet with pianist Thelonious Monk, saxophonist John Coltrane with Shadow Wilson on drums and Abdul-Ahmed Malik on bass. That recording, on Blue Note records, released in 2005, was a critical and commercial sensation. Monk and Coltrane had played more than 100 shows together the previous five months at the Five Spot Club in New York City and, as Gabriel Solis writes in his thought-provoking multi-disciplinary analysis of their program, that Carnegie Hall concert was “a compendium of what was possible in the jazz conventions of the day and a glimpse of how these jazz conventions could be pushed forward.” The Monk/Coltrane concert set featured two great icons in the history of jazz at different points in their career. Monk had already established himself as a unique, eccentric and groundbreaking composer and performer and bandleader, too (as Solis points out in our interview). John Coltrane was still evolving into one of the most multi-perspectived yet focused and revered players in American jazz. It was, as Solis documents, in many ways a golden age of jazz: besides new recording technologies that afforded the possibility of longer recordings with greater listening fidelity, it was an age of “legendary intensity” when players such as Miles Davis, Sonny Rollins, Sonny Stitt, Art Blakey, Horace Silver, Max Roach, Benny Golson, Dizzy Gillispie, MJQ, Hank Mobly, Hank Jones, Milt Jackson, Lennie Tristano, and Gerry Mulligan “wrote and played and recorded songs and albums that would challenge their contemporaries and become standards in time.” And, jazz had not “separated” from pop music. People went to clubs to hear live jazz; they went in great numbers to jazz concerts/benefits – and, at the same jazz recordings were being brought into the country’s living rooms to larger and larger audiences. Gabriel Solis, an Associate Professor in Music, African-American studies and Anthropology at the University of Illinois, has written a fascinating volume about the cultural significance of the concert, contextual insights about the serendipitous yet important collaborative bond between Monk and Coltrane, “close reading” musical analyses as to how each piece on their set “played out” with respect to the members of the quartet, and a retrospective look at the significance of the public’s and critical responses to the CD’s release by Blue Note Records in 2005. In Thelonious Monk Quartet with John Coltrane at Carnegie Hall (Oxford UP, 2013) Solis discusses whether the popularity of the CD after its release in 2005 is evidence of nostalgic reverence for an era gone by, or a validation that jazz is alive-and-well and more appreciated than ever. Of course, Solis knows it’s far more complicated than that, but he improvises riffs and ruminations that stimulate the reader into pleasing new ponderings about the meaning of “nostalgia,” the “is jazz dead?” question (which Solis notes going back as least as far as 1964), the decline of the jazz clubs, the ascendency of jazz studies in the Academy, and interesting perspectives on Monk’s and Coltrane’s musical development ... Learn more about your ad choices. Visit megaphone.fm/adchoices

On November 29, 1957, Dizzy Gillespie, Billie Holliday, Zoot Sims, Chet Baker, Sonny Rollins, and a multi-talented young R&B player who played jazz that night, Ray Charles, and others played a benefit concert for the Morningside Recreation Center at Carnegie Hall. Almost a half a century later, these recordings, intended to be played on radio Voice of America, were found in the Library of Congress. The aforementioned artists’ performances were never made available and yet, one set from that night was released, featuring a quartet with pianist Thelonious Monk, saxophonist John Coltrane with Shadow Wilson on drums and Abdul-Ahmed Malik on bass. That recording, on Blue Note records, released in 2005, was a critical and commercial sensation. Monk and Coltrane had played more than 100 shows together the previous five months at the Five Spot Club in New York City and, as Gabriel Solis writes in his thought-provoking multi-disciplinary analysis of their program, that Carnegie Hall concert was “a compendium of what was possible in the jazz conventions of the day and a glimpse of how these jazz conventions could be pushed forward.” The Monk/Coltrane concert set featured two great icons in the history of jazz at different points in their career. Monk had already established himself as a unique, eccentric and groundbreaking composer and performer and bandleader, too (as Solis points out in our interview). John Coltrane was still evolving into one of the most multi-perspectived yet focused and revered players in American jazz. It was, as Solis documents, in many ways a golden age of jazz: besides new recording technologies that afforded the possibility of longer recordings with greater listening fidelity, it was an age of “legendary intensity” when players such as Miles Davis, Sonny Rollins, Sonny Stitt, Art Blakey, Horace Silver, Max Roach, Benny Golson, Dizzy Gillispie, MJQ, Hank Mobly, Hank Jones, Milt Jackson, Lennie Tristano, and Gerry Mulligan “wrote and played and recorded songs and albums that would challenge their contemporaries and become standards in time.” And, jazz had not “separated” from pop music. People went to clubs to hear live jazz; they went in great numbers to jazz concerts/benefits – and, at the same jazz recordings were being brought into the country’s living rooms to larger and larger audiences. Gabriel Solis, an Associate Professor in Music, African-American studies and Anthropology at the University of Illinois, has written a fascinating volume about the cultural significance of the concert, contextual insights about the serendipitous yet important collaborative bond between Monk and Coltrane, “close reading” musical analyses as to how each piece on their set “played out” with respect to the members of the quartet, and a retrospective look at the significance of the public’s and critical responses to the CD’s release by Blue Note Records in 2005. In Thelonious Monk Quartet with John Coltrane at Carnegie Hall (Oxford UP, 2013) Solis discusses whether the popularity of the CD after its release in 2005 is evidence of nostalgic reverence for an era gone by, or a validation that jazz is alive-and-well and more appreciated than ever. Of course, Solis knows it’s far more complicated than that, but he improvises riffs and ruminations that stimulate the reader into pleasing new ponderings about the meaning of “nostalgia,” the “is jazz dead?” question (which Solis notes going back as least as far as 1964), the decline of the jazz clubs, the ascendency of jazz studies in the Academy, and interesting perspectives on Monk’s and Coltrane’s musical development ... Learn more about your ad choices. Visit megaphone.fm/adchoices

On November 29, 1957, Dizzy Gillespie, Billie Holliday, Zoot Sims, Chet Baker, Sonny Rollins, and a multi-talented young R&B player who played jazz that night, Ray Charles, and others played a benefit concert for the Morningside Recreation Center at Carnegie Hall. Almost a half a century later, these recordings, intended to be played on radio Voice of America, were found in the Library of Congress. The aforementioned artists' performances were never made available and yet, one set from that night was released, featuring a quartet with pianist Thelonious Monk, saxophonist John Coltrane with Shadow Wilson on drums and Abdul-Ahmed Malik on bass. That recording, on Blue Note records, released in 2005, was a critical and commercial sensation. Monk and Coltrane had played more than 100 shows together the previous five months at the Five Spot Club in New York City and, as Gabriel Solis writes in his thought-provoking multi-disciplinary analysis of their program, that Carnegie Hall concert was “a compendium of what was possible in the jazz conventions of the day and a glimpse of how these jazz conventions could be pushed forward.” The Monk/Coltrane concert set featured two great icons in the history of jazz at different points in their career. Monk had already established himself as a unique, eccentric and groundbreaking composer and performer and bandleader, too (as Solis points out in our interview). John Coltrane was still evolving into one of the most multi-perspectived yet focused and revered players in American jazz. It was, as Solis documents, in many ways a golden age of jazz: besides new recording technologies that afforded the possibility of longer recordings with greater listening fidelity, it was an age of “legendary intensity” when players such as Miles Davis, Sonny Rollins, Sonny Stitt, Art Blakey, Horace Silver, Max Roach, Benny Golson, Dizzy Gillispie, MJQ, Hank Mobly, Hank Jones, Milt Jackson, Lennie Tristano, and Gerry Mulligan “wrote and played and recorded songs and albums that would challenge their contemporaries and become standards in time.” And, jazz had not “separated” from pop music. People went to clubs to hear live jazz; they went in great numbers to jazz concerts/benefits – and, at the same jazz recordings were being brought into the country's living rooms to larger and larger audiences. Gabriel Solis, an Associate Professor in Music, African-American studies and Anthropology at the University of Illinois, has written a fascinating volume about the cultural significance of the concert, contextual insights about the serendipitous yet important collaborative bond between Monk and Coltrane, “close reading” musical analyses as to how each piece on their set “played out” with respect to the members of the quartet, and a retrospective look at the significance of the public's and critical responses to the CD's release by Blue Note Records in 2005. In Thelonious Monk Quartet with John Coltrane at Carnegie Hall (Oxford UP, 2013) Solis discusses whether the popularity of the CD after its release in 2005 is evidence of nostalgic reverence for an era gone by, or a validation that jazz is alive-and-well and more appreciated than ever. Of course, Solis knows it's far more complicated than that, but he improvises riffs and ruminations that stimulate the reader into pleasing new ponderings about the meaning of “nostalgia,” the “is jazz dead?” question (which Solis notes going back as least as far as 1964), the decline of the jazz clubs, the ascendency of jazz studies in the Academy, and interesting perspectives on Monk's and Coltrane's musical development ...

On November 29, 1957, Dizzy Gillespie, Billie Holliday, Zoot Sims, Chet Baker, Sonny Rollins, and a multi-talented young R&B player who played jazz that night, Ray Charles, and others played a benefit concert for the Morningside Recreation Center at Carnegie Hall. Almost a half a century later, these recordings, intended to be played on radio Voice of America, were found in the Library of Congress. The aforementioned artists' performances were never made available and yet, one set from that night was released, featuring a quartet with pianist Thelonious Monk, saxophonist John Coltrane with Shadow Wilson on drums and Abdul-Ahmed Malik on bass. That recording, on Blue Note records, released in 2005, was a critical and commercial sensation. Monk and Coltrane had played more than 100 shows together the previous five months at the Five Spot Club in New York City and, as Gabriel Solis writes in his thought-provoking multi-disciplinary analysis of their program, that Carnegie Hall concert was “a compendium of what was possible in the jazz conventions of the day and a glimpse of how these jazz conventions could be pushed forward.” The Monk/Coltrane concert set featured two great icons in the history of jazz at different points in their career. Monk had already established himself as a unique, eccentric and groundbreaking composer and performer and bandleader, too (as Solis points out in our interview). John Coltrane was still evolving into one of the most multi-perspectived yet focused and revered players in American jazz. It was, as Solis documents, in many ways a golden age of jazz: besides new recording technologies that afforded the possibility of longer recordings with greater listening fidelity, it was an age of “legendary intensity” when players such as Miles Davis, Sonny Rollins, Sonny Stitt, Art Blakey, Horace Silver, Max Roach, Benny Golson, Dizzy Gillispie, MJQ, Hank Mobly, Hank Jones, Milt Jackson, Lennie Tristano, and Gerry Mulligan “wrote and played and recorded songs and albums that would challenge their contemporaries and become standards in time.” And, jazz had not “separated” from pop music. People went to clubs to hear live jazz; they went in great numbers to jazz concerts/benefits – and, at the same jazz recordings were being brought into the country's living rooms to larger and larger audiences. Gabriel Solis, an Associate Professor in Music, African-American studies and Anthropology at the University of Illinois, has written a fascinating volume about the cultural significance of the concert, contextual insights about the serendipitous yet important collaborative bond between Monk and Coltrane, “close reading” musical analyses as to how each piece on their set “played out” with respect to the members of the quartet, and a retrospective look at the significance of the public's and critical responses to the CD's release by Blue Note Records in 2005. In Thelonious Monk Quartet with John Coltrane at Carnegie Hall (Oxford UP, 2013) Solis discusses whether the popularity of the CD after its release in 2005 is evidence of nostalgic reverence for an era gone by, or a validation that jazz is alive-and-well and more appreciated than ever. Of course, Solis knows it's far more complicated than that, but he improvises riffs and ruminations that stimulate the reader into pleasing new ponderings about the meaning of “nostalgia,” the “is jazz dead?” question (which Solis notes going back as least as far as 1964), the decline of the jazz clubs, the ascendency of jazz studies in the Academy, and interesting perspectives on Monk's and Coltrane's musical development ... Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On November 29, 1957, Dizzy Gillespie, Billie Holliday, Zoot Sims, Chet Baker, Sonny Rollins, and a multi-talented young R&B player who played jazz that night, Ray Charles, and others played a benefit concert for the Morningside Recreation Center at Carnegie Hall. Almost a half a century later, these recordings, intended to be played on radio Voice of America, were found in the Library of Congress. The aforementioned artists’ performances were never made available and yet, one set from that night was released, featuring a quartet with pianist Thelonious Monk, saxophonist John Coltrane with Shadow Wilson on drums and Abdul-Ahmed Malik on bass. That recording, on Blue Note records, released in 2005, was a critical and commercial sensation. Monk and Coltrane had played more than 100 shows together the previous five months at the Five Spot Club in New York City and, as Gabriel Solis writes in his thought-provoking multi-disciplinary analysis of their program, that Carnegie Hall concert was “a compendium of what was possible in the jazz conventions of the day and a glimpse of how these jazz conventions could be pushed forward.” The Monk/Coltrane concert set featured two great icons in the history of jazz at different points in their career. Monk had already established himself as a unique, eccentric and groundbreaking composer and performer and bandleader, too (as Solis points out in our interview). John Coltrane was still evolving into one of the most multi-perspectived yet focused and revered players in American jazz. It was, as Solis documents, in many ways a golden age of jazz: besides new recording technologies that afforded the possibility of longer recordings with greater listening fidelity, it was an age of “legendary intensity” when players such as Miles Davis, Sonny Rollins, Sonny Stitt, Art Blakey, Horace Silver, Max Roach, Benny Golson, Dizzy Gillispie, MJQ, Hank Mobly, Hank Jones, Milt Jackson, Lennie Tristano, and Gerry Mulligan “wrote and played and recorded songs and albums that would challenge their contemporaries and become standards in time.” And, jazz had not “separated” from pop music. People went to clubs to hear live jazz; they went in great numbers to jazz concerts/benefits – and, at the same jazz recordings were being brought into the country’s living rooms to larger and larger audiences. Gabriel Solis, an Associate Professor in Music, African-American studies and Anthropology at the University of Illinois, has written a fascinating volume about the cultural significance of the concert, contextual insights about the serendipitous yet important collaborative bond between Monk and Coltrane, “close reading” musical analyses as to how each piece on their set “played out” with respect to the members of the quartet, and a retrospective look at the significance of the public’s and critical responses to the CD’s release by Blue Note Records in 2005. In Thelonious Monk Quartet with John Coltrane at Carnegie Hall (Oxford UP, 2013) Solis discusses whether the popularity of the CD after its release in 2005 is evidence of nostalgic reverence for an era gone by, or a validation that jazz is alive-and-well and more appreciated than ever. Of course, Solis knows it’s far more complicated than that, but he improvises riffs and ruminations that stimulate the reader into pleasing new ponderings about the meaning of “nostalgia,” the “is jazz dead?” question (which Solis notes going back as least as far as 1964), the decline of the jazz clubs, the ascendency of jazz studies in the Academy, and interesting perspectives on Monk’s and Coltrane’s musical development ... Learn more about your ad choices. Visit megaphone.fm/adchoices

On November 29, 1957, Dizzy Gillespie, Billie Holliday, Zoot Sims, Chet Baker, Sonny Rollins, and a multi-talented young R&B player who played jazz that night, Ray Charles, and others played a benefit concert for the Morningside Recreation Center at Carnegie Hall. Almost a half a century later, these recordings, intended to be played on radio Voice of America, were found in the Library of Congress. The aforementioned artists’ performances were never made available and yet, one set from that night was released, featuring a quartet with pianist Thelonious Monk, saxophonist John Coltrane with Shadow Wilson on drums and Abdul-Ahmed Malik on bass. That recording, on Blue Note records, released in 2005, was a critical and commercial sensation. Monk and Coltrane had played more than 100 shows together the previous five months at the Five Spot Club in New York City and, as Gabriel Solis writes in his thought-provoking multi-disciplinary analysis of their program, that Carnegie Hall concert was “a compendium of what was possible in the jazz conventions of the day and a glimpse of how these jazz conventions could be pushed forward.” The Monk/Coltrane concert set featured two great icons in the history of jazz at different points in their career. Monk had already established himself as a unique, eccentric and groundbreaking composer and performer and bandleader, too (as Solis points out in our interview). John Coltrane was still evolving into one of the most multi-perspectived yet focused and revered players in American jazz. It was, as Solis documents, in many ways a golden age of jazz: besides new recording technologies that afforded the possibility of longer recordings with greater listening fidelity, it was an age of “legendary intensity” when players such as Miles Davis, Sonny Rollins, Sonny Stitt, Art Blakey, Horace Silver, Max Roach, Benny Golson, Dizzy Gillispie, MJQ, Hank Mobly, Hank Jones, Milt Jackson, Lennie Tristano, and Gerry Mulligan “wrote and played and recorded songs and albums that would challenge their contemporaries and become standards in time.” And, jazz had not “separated” from pop music. People went to clubs to hear live jazz; they went in great numbers to jazz concerts/benefits – and, at the same jazz recordings were being brought into the country’s living rooms to larger and larger audiences. Gabriel Solis, an Associate Professor in Music, African-American studies and Anthropology at the University of Illinois, has written a fascinating volume about the cultural significance of the concert, contextual insights about the serendipitous yet important collaborative bond between Monk and Coltrane, “close reading” musical analyses as to how each piece on their set “played out” with respect to the members of the quartet, and a retrospective look at the significance of the public’s and critical responses to the CD’s release by Blue Note Records in 2005. In Thelonious Monk Quartet with John Coltrane at Carnegie Hall (Oxford UP, 2013) Solis discusses whether the popularity of the CD after its release in 2005 is evidence of nostalgic reverence for an era gone by, or a validation that jazz is alive-and-well and more appreciated than ever. Of course, Solis knows it’s far more complicated than that, but he improvises riffs and ruminations that stimulate the reader into pleasing new ponderings about the meaning of “nostalgia,” the “is jazz dead?” question (which Solis notes going back as least as far as 1964), the decline of the jazz clubs, the ascendency of jazz studies in the Academy, and interesting perspectives on Monk’s and Coltrane’s musical development ... Learn more about your ad choices. Visit megaphone.fm/adchoices

Billed at "The Last Concert" and performed by the longest permanent group in Jazz music the Modern Jazz Quartet was going to disband. John Lewis, piano and musical director, vibist Milt Jackson, the group's major solo voice, bassist Percy Heath and drummer Connie Kay were going to go their separate ways. This great "last concert" took place at Avery Fisher Hall in New York on November 25,1974 and even the MJQ did some very special things with their music that night.It was recorded and occupies a special place in the MJQ's vast legacy of recordings. There is a special feel to this concert as on can imagine. As a postscript the MJQ reformed in 1981 and they continued to record and play engagements until the death in 1999 of vibist Milt Jackson. Jackson could never be replaced and that was the true end of the Quartet. Listen to these recordings to hear the MJQ at their best.

A live recording of my Birthday party on 2/20/2011 @ MJQ. Mostly deep house w/ a few disco cuts thrown in for good measure.

A live recording of my Birthday party on 2/20/2011 @ MJQ. Mostly deep house w/ a few disco cuts thrown in for good measure.

Tarrus Riley Interview  Shaka Zulu Pickney - Tarrus Riley Wildfire - Tarrus Riley All I Want - Rock City Let's Do It Again - J Boog Fraid Fi Go Home - Liquid I Don't Worry - Bugle Once More - I Octane Never Leave I - Tarrus Riley Tarrus Riley Mix Don't Judge Jah Nah Sleep Children A Pree We Young Heart & Lover's Flight ft Sadiki Can't Stop Hustling She's Royal & My Everything ft Yaz Alexander Soul Mate Something Strong (( PLEASE DOWNLOAD 2008-2010 PODCAST SHOWS )) (( NEW SHOWS + NEW USERS = WE ARE AT CAPACITY )) Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm.Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRootSunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com  

She Proud Of Me - Gappy Ranks Good Under Deh - Mr Lexx Come Fi Me Money - Gappy Ranks Tun Up Dubplate - Gappy Ranks ft Russian Send Me An Angel Dubplate - Bramma Hand Up Deh - Bridgez (( PLEASE DOWNLOAD 2008-2010 PODCAST SHOWS )) (( NEW SHOWS + NEW USERS = WE ARE AT CAPACITY )) Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm.Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRootSunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com 

When I'm With You - Da'Ville Serve Jah - Luciano Sensimilla - Queen Ifrica Mi Naah Rub - Queen Ifrica Cake Soap - Vybz Kartel So Far Gone - J Boog Longtime - Gappy Ranks featuring Beenie Man Hard Way - Ikaya Love & Affection - Pressure Together As One - Pressure   (( PLEASE DOWNLOAD 2008-2010 PODCAST SHOWS )) (( NEW SHOWS + NEW USERS = WE ARE AT CAPACITY )) Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm.Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRootSunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com 

Touch You (In Many Ways) - Buju Banton Turn Up The Scheme - Vybz Kartel Till My Life Over - Vybz Kartel Know Bout Me - Vybz Kartel Slow Motion - Vybz Kartel Brown Stew Fish - Food Kartel Vibe Is Right - Chris Martin Nah Stress Over Man - Cecile What To Do - Raine Seville Simple Song - Konshens Stay Fly - Mega Banton Wifey Anthem - Taranchyla Goody Goody - Galaxy P Name Fi Call - Cush Hunta Hot Grabba - Popcaan ft Vybz Kartel Jah Protect Me - Popcaan Do That - Popcaan Wine Up - Merital Good Body - Vybz Kartel Sexy Body Girl - Aidonia Sick Head Sick Head - Vybz Kartel Girls Like Wow - Kibaki Nah Set Nuh Rule - Spragga Benz Turn Me On - Kevin Lyttle   (( PLEASE DOWNLOAD 2010 PODCAST SHOWS )) (( NEW SHOWS + NEW USERS = WE ARE AT CAPACITY )) Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm.Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRootSunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com  

Conquering Lion Intro - Kelly Love Jones Love Created I - Tarrus Riley Warning - Jah 9 Jah 9 Interview Keep Holding On - Jah 9 Heaven In Her Eyes - Gappy Ranks Soul Rebel - Gappy Ranks Neatly Attire - Gappy Ranks The Almighty - Gramps Morgan Toppa Toppa - Delly Ranx Things A Come Up - Buju Banton (( PLEASE DOWNLOAD 2010 PODCAST SHOWS )) (( NEW SHOWS + NEW USERS = WE ARE AT CAPACITY )) Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm.Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRootSunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com    

Thanks & Praise - Gappy Ranks Could A Runaway - Gappy Ranks & Delly Ranx End Of Time - Christopher Ellis, Stephen Marley & Jah Cure Christopher Ellis Interview English - Christopher Ellis A Bird In Hand - Dennis Brown Revolution - Dennis Brown Persistence - Norris Man Show Us The Way - Sizzla After I'm Gone - Protoje featuring Jah9 (( PLEASE DOWNLOAD 2010 PODCAST SHOWS )) (( NEW SHOWS + NEW USERS = WE ARE AT CAPACITY )) Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm.Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRootSunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com  

Say I Love You - Gappy Ranks The One - Iceman  Iceman InterviewIt's You & Rude Wine - Iceman   Still A Get By - Demarco Rasta Love - Protoje & Ky-mani Marley Dr. Dre Kush Remix - I Octane, Busy Signal, Trevor Off-Key, Spragga Benz, Sean Paul, Collie Buddz Duppy Nuh Frighten Vampire - Spragga Benz Black Panamera - Magazeen Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm.Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRootSunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com  

Tifa Music Medley 1Tifa InterviewTifa Music Medley 2Dancehall Efx RiddimSmokin RiddimD.N.A RiddimListen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm.Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRootSunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com 

Think A Little Time - I-Octane Real Friends - Assassin, Chris Martin & D-Major Roll Out - Bounty Killer & Bridgez Give Love - D-Major D-Major Interview Party Like It's Your Birthday - Busy Signal, D-Major & Richie Loop   Starbucks Riddim Mix She Proud Of Me - Gappy Ranks Tell You My Mind - Gyptian Good Under Deh - Mr Lexx Born Swag - Baby Chris Talk Dem A Talk - Kibaki Grind and Shine Wid Us - Mr. Easy ft Notch   One Day Riddim Mix - Twin of Twins, Beenie Man, Liquid, Richie Loop Dancehall Again Mix - Tony Matterhorn, Serani, Mr Vegas Turn It Up - Tanya Stephens   Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm. Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRoot Sunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com

My Life (Street Life) - Richie Spice Write My Name - Luciano 2010 - Jah Cure Becareful - Da Professor Home Tonight - Cecile Coming Right Back - Pressure Love & No Pain - Pressure Cyaan Program Mi - Zamunda Stronger - Cham ft. Michael Rose & Bounty Killer My Heart Remix - Wayne Marshall ft Mavado African Queen - 2 Face She's Royal - Tarrus Riley The Real Thing - Bitty McLean You Are Me - Alaine The Best In You - Maikal X Bare With Me - Maikal X Never Find - Jah Cure More Life - Richie Spice King & Queen - Richie Spice ft Alison Hinds The Way You're Living - Richie Spice Don't Call Mi No Dog - Richie Spice Perfect Lover - Pressure Nah Tek - Capleton Make People Rise - Capleton My Faddah Seh - Gyptian Save The Juvenile - Lutan Fyah Come Over - Lutan Fyah Fi R Type - Da Professor Wildfire - Tarrus Riley Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm. Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFridays @djRastaRoot Sunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com

Too Many Men - Chi Ching ft Harry Toddler Whine Fi Mi Please - Fudgie Springer Anything - Tanto Blacks My Life - Future Fambo ft Mavado & Unga Notice Drink Drink - Richie Loop & Future Fambo Drink Like A G6 - Richie Loop & Future Fambo Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm. Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFriday @djRastaRoot Sunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com

African Caribbean Experience Live Audio Maikal X & Waxfiend Interview Get Away, Here She Comes - Maikal X Give Thanks - Maikal X ft Luciano Like I See It - Jah Cure ft Mavado & Rick Ross This Is Why I'm Hot - Mims ft Junior Reid & Cham Dying - Mavado ft Serani True Friend - Demarco Watch Friends (Dubplate) - Ja Vinci Cyaa Friend Again - Stephen Di Genius Really Like You - Laden Come Into My Room - Mavado ft Stacious Mek She Go So - Mr Murphy ft Fiona Can't Be Duplicated - Wayne Wonder ft Surpriz Our Name - Bling Dawg The Almighty - Gramps Morgan Neatly Attire - Gappy Ranks Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm. Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFriday @djRastaRoot Sunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com

Girls Dem Love We - Shaggy ft. Mavado Tenament Yard - Cush Hunta Love Confession (This Is Love) - Cush Hunta & Gyptian No Skylarking - Cush Hunta ft Marcia Griffits Cush Hunta Interview Name Fi Call - Cush Hunta Perfect Lady - Buju Banton Grab It Up - Lady Flame aka Fierce Stay Fly - Mega Banton Goody Goody - Galaxy P Wifey Anthem - Taranchyla See Tomorrow - Wayne Wonder If I Every - Wayne Wonder Party Like It's Your Birthday - Busy Signal,D Major, Richie LoopListen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturday Mornings from 10:00am to 1:00pm (Eastern). Also Love Ultra, RnB Show Tuesday Nights from 11:00pm to 1:00am and then the 'Fire Fridays' Hip Hop Show Friday Afternoons from 3:00pm to 5:00pm. Every Second (2nd) Friday of the Month is Face/Off at MJQ with my bredren Dj Rasta Root, follow on Twitter: @FaceOffFriday @djRastaRoot Sunsplash Media, Inc.,CY Clothing Inc. - www.cyevolution.com, Smokin Needles Records & Riddim Kidz  -  www.SmokinShells.com

Sunsplash Mix Show Vybrant & Da Professor   Listen weekly on www.DaFlavaRadio.com for the 'Sunsplash Mix Show' Saturdays from 10am to 1pm, then 'Love Ultra' RnB Show Tuesday Nights from 11pm to 1am and also 'Fire Fridays' Hip Hop Show Fridays from 3pm to 5pm. Every 2nd Friday of the Month is @FaceOffFriday at MJQ with my bredren @djRastaRoot Sunsplash Media, Inc., CY Clothing Inc. www.cyevolution.com, Smokin Needles Records & Riddim Kidz.

I Don't Mind - Verse Simmonds Cocoa Nut - Keri Hilson Anything You Want - Mary J Blige, Gyptian, Busta Rhymes What's It Really Like (Life) - Peetah Morgan If I Ever - Wayne Wonder Shake It - Elephant Man Wine Up Yuh Body - Mavado & Flexxx Not Scared Enough - Bounty Killer & Angel Doolas Can't Satisfy (She Waan More) - Vybz Kartel Like A Gypsy - Kenyatta Fire Wine U A Wine - DaVille Put Yuh Cups Up - Bugle, WahWa, Cutty 7 Days A Week - Rock City Whine Fi Me - Vybz Kartel Just The Way You Are (Remix) - Bruno Mars ft Honorebel

Just The Way You Are - Christopher MartinThe Song - BrammaParty Like It's Your Birthday - Richie Loop, Busy Signal, D-MajorMy Cup (Dubplate) - Richie LoopParty Time - Christopher Martin ft Mr. EasyWine Up - Red FoxxShake It - Elephant ManHello Good Morning - Rick RossPut Yuh Cups Up - Bugle, Cutty, WahwaWine U A Wine (remix) - DaVilleWhine Up - Di GeniusMy Lady - LadenDumpa Truck - Vybz KartelWhine Fi Me - Vybz Kartel7 Days A Week - Rock CityOn & On - PressureJust The Way You Are - Bruno MarsJust The Way You Are - HonorebelBadmind Energy - Karim HypeCup Full - Gappy RanksTouch A Button - Vybz KartelNo Wild Grain - Vybz Kartel   FACE OFF with @djrastaroot is 2nd Fridays at MJQ - @faceofffridays at 736 Ponce de Leon Place NE, Atlanta, GA 30306   Love Ultra -Tuesday - New RnB Music Mix Show - 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show - 10am - 1pm

Change - Faith Evans Way You Move - Faith Evans feat Snoop Dogg Somehting That I Like - Ryan Leslie feat Pusha T All I Want Is - Miguel Jontel ft J Cole & Raekwon Let's Ride - Josh Xantus feat Jadakiss Holding You Down (remix) - Jazmine Sullivan, Mary J Blige, Swizz Beatz I Don't Care - Josh Xantus feat Ghostface I'm Ill (remix) - Red Cafe, Ryan Leslie I Think Its Over - Ne-Yo Runaway - Slick&Rose   FACE OFF 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 3030 Love Ultra - Tuesday New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday Reggae & Dancehall Mix Show 10 am - 1pm

Stays The Same  - Spragga Benz ft Jazmine Sullivan & Stephen MarleyLongtime (Remix) - Gappy Ranks ft. Beenie ManEvery Corner I Turn - Jah CureTimes Like These - Queen IfricaWifey Material - Da Professor & AshaflamezzLow We - Da ProfessorMotion - Cecile Ft LiquidLove Me Right - Selena Serrano & PressureRoll - ProtojeHigh Grade - GyptianDem A Pree - All PurposePerfect Lady - Buju BantonLoving My Flow - Kris KelliWine Deh From - Da ProfessorBaheba - VoicemailPon De Floor Freestyle - Mini GPon De Floor - Major Lazer ft. Vybz KartelInna De Air - Razz & BiggyFACE OFF with @djrastaroot2nd Fridays at MJQ @faceofffridays736 Ponce de Leon Place NE, Atlanta, GA 30306Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1amSunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10am - 1pm

Hope She Cheats On You - Marsha Ambrosius ft. Fabolous & MainoA Few Reasons (Truth Pt. 2) - DweleAston Martin Music - Rick Ross ft. Drake & Chrisette MicheleLove Me Better - Trey SongzFalling - The DreamBrown Sugar - D'AngeloLady - D'AngeloCocoa-Nut - Keri HilsonRide - Conya DossCommon Ground - Conya DossLet Me In - Anthony DavidCan't Take My Eyes Off You - Lauryn HillX's & O's - Jeremih(Mini Mix - Mary J Blige)I Love You ft Smif and WessonU Remind MeCan't Get You Off My MindI Love U (Yes I Du)You Bring Me Joy(Love Ultra Extra)Feels So Good - DweleShe A Star - DweleSomething 2Nite - Conya DossYour Love Fly Away - Nicki Minaj ft Gappy RanksReal Love - Mary J BligeU Know What's Up - Donell JonesNothing on You - B.o.B ft ShiftaDon't Think - Selena Serrano ft Sizzla FACE OFF 2nd Fridays at MJQ - @faceofffridays736 Ponce de Leon Place NE, Atlanta, GA 30306Love Ultra - TuesdayNew RnB Music Mix Show11pm - 1amSunsplash Mix Show - SaturdayReggae & Dancehall Mix Show10 am - 1pm

www.daflavaradio.com Power to the People - Rootz UndergroundNo Vacancy - Sugar Minott & Louie CultureJealousy - Morgan HeritageShield and Guide - PressureRasta Can't Go - Buju BantonCurfew - Bunny RugsDefend It - RolhenshaLast Half - Bad Gal BambiMy Heart (remix) - Wayne Marshal, Mavado & EstelleWhere You Belong - GyptianPut The Stereo On - Gappy RanksStruggle Together - Buju BantonInnocent - Buju Banton   FACE OFF with @djrastaroot is 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 30306 Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10am - 1pm

Callin' - Slick&Rose, ChipFu, Hawkeye The Dollar - Bilal Lil Somethin' - Keri Hilson Millionaire Billionaire Remix - Travie McCoy ft Christian Dior Mean - Slick & Rose Jumpoff Remix - Jazmine Sullivan ft Senor Kaos All I Want Is You - Miguel ft Raekwon Still A Girl - Keri Hilson Carry Out - Timbaland ft Justin Timberlake Shutterbug - Big Boi Better For It - Ne-Yo You So Fine - Usher My Cupp (Dubplate) - Richie Loop   FACE OFF 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 30306   Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10 am - 1pm

Step Ova - Elephant Man Stulla - Mavado That Sweet Yuh - Vybz Kartel Like A Jockey - Vybz Kartel ft Gaza Sliwm Bubble n Turn - Aidonia Tell Dem Shoo - B.V. & Drastic Wine U A Wine - Da'Ville You R The One - Natel Girls Dem - Agent Sasco aka Assassin Turn & Wine - Vybz Kartel Get Gal Free - Vybz Kartel Touch A Button Nah - Vybz Kartel Madd Matterhorn - Tony Matterhorn Dem Ah Talk - Konshens Dance The Night Away - Tabia & Beenie Man Send Me An Angel - Bramma Come Fi Me Money - Gappy Ranks On & On - Pressure   FACE OFF with @djrastaroot 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 30306   Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10am - 1pm

Summertime - Mini G ft Mr. Easy Jamaican Party - Beenie Man ft Camar & Mario C Gwan Home - Ja Vinci All Night Long - Sean Paul Respect - Jah Cure All I Want - Rock City When You Feel Lonely - Mavado Come Down - Collie Buddz What To Do - Raine Seville Grab It Up - Lady Flame Goody Goody - Galaxy P Stay Fly - Mega Banton Wifey Anthem - Taranchyla I Got It - Bling Dawg Perfect Lady - Buju Banton High Grade - Gyptian Champagne Life (remix) - Neyo ft Tifa Not Scared Enough - Bounty Killer & Angel Doolas Wine Up Yuh Body - Mavado & Flexx Take It Off - Capleton Say You Love Me - Sizzla La La Lah - Ward 21 It Good - Galaxy P & Ward 21 Turn It Up - Tanya Stephens Strange Face - Chan Dizzy Get Gal Fi Free - Vybz Kartel Touch A Button Nuh - Vybz Kartel   FACE OFF 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 30306   Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10 am - 1pm

All In This Together - Dennis Brown What It's Like - Courtney John Lucky Man - Courtney John Courtney John Interview A Sometimes - Courtney John Courtney John Interview B Love Is - Courtney John Forever - Courtney John Float - Courtney John Fall In Love - Red Fox & Screechy Don Shopping - Gappy Ranks Nah Stop Shine - Tifa Customer Care - Romain Virgo Food Fi The Pot - Busy Signal Guilty Mouth - Mr G Swaggarific - Mr G Don't Tell Nuh Body - Twin of Twins   FACE OFF 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 30306   Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10 am - 1pm

Dreamkillers - Naira Gone Already - Faith Evans The Ones You Love - Trey Songz Lay It Down - Lloyd You Don't Love Me - Dwele Back To You - Goapele Ephiphany (I'm Leaving) - Chrisette Michele The Average Man - Jermaine Paul Successful - Drake ft Trey Songz I Wanna Know - The Foreign Exchange Just My Imagination - J. Tait Come Close To Me - Nicolay ft Common When I'm Rich - Levi Stephens   FACE OFF 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 30306   Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10 am - 1pm

Really Over - Raine Seville Without You - Selena Serrano My Angel - Maurice Coming Back For You - Pressure Love & Affection - Pressure I Wanna Know - Sizzla Brooklyn Jamaica - Morgan Heritage Country & Town - Hawkeye On and On - G Whizz Realest Song - Konshens Take Control - Black Ryno Prayer - Jah Vinci Soul To Keep - Jah Vinci Chant A Psalm - ZJ Liquid True Friend - Demarco Show It - Demarco ft Craig Beg U - Lady Saw Gwaan Suh - Vybz Kartel Yu A Mi Baby - Vybz Kartel & Gaza Sliwm Private Dancer - Munga Coffee - Cecile Where Weh U Have - Vybz Kartel Me Alone - Jah Vinci Hot Grabba - Vybz Kartel & Popcaan     FACE OFF 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 30306   Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10 am - 1pm

Political Friction - Half Pint Beware - Tarrus Riley Sweet Jamaica - Luciano Wise Up Youth - Luciano Wish You Were Mine - Luciano Groovy Lil Thing - Beres Hammond Something Strong - Tarrus Riley Love Is Divine - Sizzla Hold On - Half Pint Dressed In Diamonds - Gappy Ranks Musical Girl - Gappy Ranks Armagideon Time - Willie Williams Forever Young - Wayne Wonder Nice Up the Dance - Michigan & Smiley Summertime - Mini G feat Mr Easy Jamaican Party - Beenie Man, Camar & Mario C He Luv Me - Camar     FACE OFF 2nd Fridays at MJQ - @faceofffridays 736 Ponce de Leon Place NE, Atlanta, GA 30306   Love Ultra -Tuesday - New RnB Music Mix Show 11pm - 1am Sunsplash Mix Show - Saturday - Reggae & Dancehall Mix Show 10 am - 1pm

Save Yourself - Jah CureWatch Dem (Murderer) - Barrington Levy, Mims & Snoop DogNine Lives - MavadoCome Down - Collie BuddzIn His Own Words - Nas, Damian Marley feat. Stephen Marley*V.I.S.A. - Beenie ManHow We Do - Bounty Killer & Elephant ManMoney Around - Chino, Di Genius & Ricky BlazeClarks (Champion Remix) - Vybz Kartel, Popcaan, Gaza SliwmDancing In The Rain - NCity & Ding Dong Weed Feelings (Dubplate) - Supahype for JahPrinceI Got A Carnival Feeling - Selena Serano & Honorebel Face Off takes place every Second (2nd) Friday and is ATL's Longest running monthly party with DJs Rasta Root and Jah Prince and the next is June 11th. Follow my family on www.Twitter.com ==> @faceofffridays @jahprince @djrastaroot @rasgoldie @masterbaby @DaFlavaRadio @selectaprincess Contact Jah Prince:jahprince@gmail.comwww.myspace.com/JahPrinceFaceBook: Jah Prince Sunsplash Mix Show -Saturdays Mornings 10am to 1pm(eastern standard time)and also new show:Love Ultra Tuesdays - RnB Music ShowDaFlava After Dark - Tuesday Nights11pm to 1am (eastern standard time) www.DaFlavaRadio.com The Most Flava On The Web - Atlanta's Online Caribbean Radio Station

Oh Yeah - Jaicko Vybz Kartel (Black Chiney Rmx)Touch U - PressureFlow & Melody - Da ProfessorShow It - Sheek Louch, Demarco, Craig fr VoicemailEach Tear - Mary J Blige ft Jah Cure (Black Chiney Rmx)Better Can Wuk - Vybz KartelFind Your Love - DrakeLookin At Me - Toni Braxton ft Sean PaulDefend Mi Own - Bramma de Bomma ft Stephen di GeniusNew York City - Gappy RanksIn My Cupp (Dubplate) - Richie LoopsBelieve Me - Jah CureGroovy - TizzyBetter Than Dem - Natasja ft. Beenie ManWhine Mek U Wiggle - CapletonSomething Girl - SizzlaPretty Dread - Teflon Face Off takes place every Second (2nd) Friday and is ATL's Longest running monthly party with DJs Rasta Root and Jah Prince and the next is June 11th. Follow my family on www.Twitter.com ==> @faceofffridays @jahprince @djrastaroot @rasgoldie @masterbaby @DaFlavaRadio @selectaprincess Contact Jah Prince:jahprince@gmail.comwww.myspace.com/JahPrinceFaceBook: Jah Prince Sunsplash Mix Show -Saturdays Mornings 10am to 1pm(eastern standard time)and also new show:Love Ultra Tuesdays - RnB Music ShowDaFlava After Dark - Tuesday Nights11pm to 1am (eastern standard time) www.DaFlavaRadio.com The Most Flava On The Web - Atlanta's Online Caribbean Radio Station

This truly classic date was recorded on Christmas Eve 1954 and somehow, although not intended has a distinctive "Christmasy" feel to it. The date was really put together by the owner of Prestige Records, Robert (Bob) Weinstock. He had two best sellers under contract, Miles Davis and The Modern Jazz Quartet. He approached Miles Davis about the date and Miles was excited and pleased and expected to record with Milt Jackson, Percy Heath and Kenny Clarke and perhaps his close friend, John Lewis on piano, all members of the MJQ. If not Lewis, perhaps Horace Silver, another favorite of Miles. Weinstock threw a curve at Miles and said, Jackson, Heath and Clarke are on but the pianist will be Thelonious Monk. Weinstock asserted that he needed Monk to perform and record with some of the "best sellers". Miles was not pleased but Weinstock said either Monk or no date. After a long uncomfortable silence between Weinstock and Davis....Miles agreed to the date, He needed the money and liked all the other players. He liked and respected Monk as well but didn't enjoy playing with him but figured he could get around this in a musical way. The date came off beautifully despite the tension between the two men and Monk compromised by not accompanying Davis during his solos except for one tune which was Monk's. The tunes are "Bags' Groove", a blues by Jackson, "Bemsha Swing" by Monk,"Swing Spring" by Davis and the Gershwin's "The Man I Love". plus two alternates of Bags' Groove and The Man I Love. This session was how these gentlemen felt at the time and they had no idea that this date would become one of the bellwethers of Modern Jazz but it has and will remain a classic forever.