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“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

May is over and Kneel Before Pod brings you a discussion about the news and trailers dropped during that month. The conversation covers yet more revivals, video game adaptations and The Rock trying to be an actor. Craig McKenzie can be found on this very site and over on We Are Starfleet on the Film Stories podcast network. Bo Nicholson's projects can be found on his Linktree. Show Notes TV Reviews Craig's reviews of WandaVision Craig's reviews of Star Trek: Picard Movie Reviews Craig's review of Thunderbolts* Craig's review of Black Panther Craig's review of Spider-Man: No Way Home Craig's review of Black Panther: Wakanda Forever Craig's review of Madame Web Craig's review of Uncharted Craig's review of Suicide Squad Craig's review of The Suicide Squad Craig's review of Black Adam Craig's review of Jurassic World Craig's review of Jurassic World: Fallen Kingdom Craig's review of Jurassic World: Dominion Craig's review of Skyscraper Craig's review of Tomb Raider Craig's review of Pokémon: Detective Pikachu Craig's review of The Jungle Book Craig's review of Jungle Cruise Craig's review of The Girl on the Train Craig's review of Noah Craig's review of Zootopia/Zootropolis Craig's review of Top Gun: Maverick Craig's review of The Man from U.N.C.L.E Podcasts Thunderbolts* WandaVision Black Panther Spider-Man: No Way Home Black Panther: Wakanda Forever Madame Web Star Trek: Picard season 1 Star Trek: Picard season 2 Star Trek: Picard season 3 Suicide Squad The Suicide Squad Pokémon: Detective Pikachu Trailers The Long Walk The Smashing Machine Weapons Highest 2 Lowest Caught Stealing Materialists Honey Don't Echo Valley Zootopia 2 Now You See Me, Now You Don't F1 Jurassic World: Rebirth Ironheart Peacemaker season 2 Superman News Krysten Ritter to return as Jessica Jones in Daredevil: Born Again season 2 T'Nia Miller cast in Vision Quest Avengers: Doomsday and Avengers: Secret Wars delayed Ralph Fiennnes to play President Snow in Hunger Games: Sunrise on the Reaping Guy Ritchie to direct Road House 2 Jenna Ortega and Robert De Niro to star in David O Russell's Shutout Keanu Reeves and Sandra Bullock reteam for romantic thriller Kerry Washington producing Desperate Housewives spinoff Wisteria Lane Miles Teller to star in Possum Song Rambo origin movie in the works Chris Hemsworth to star in submarine thriller Subversion Jude Law and Andrew Garfield to lead Wild Things Mikey Madison and Kirsten Dunst to star in Reptilia Zach Braff to return in Scrubs continuation Mel Gibson's The Resurrection of the Christ confirmed The Rock cast in Breakthrough Harry, Ron and Hermione cast in Harry Potter series Buffy The Vampire continuation finds its lead Alex Garland to direct Elden Ring movie Misc Diego Luna on the Criterion Closet Andrew Garfield on the Criterion Closet Craig's appearance on "At The Movies in the Noughties" discussing Mission: Impossible 2 Craig's appearance on "Reel Talk" discussion Mission: Impossible - The Final Reckoning Bo's appearances on Geneology - first and second Music Niall Stenson's cover of the “Jurassic Park theme“, the “Superman theme” and his YouTube channel If you enjoyed what you heard here, please subscribe to Kneel Before Pod. If you have any feedback then we'd love to hear it. You can find us on Facebook ,Twitter and BlueSky. You can also make yourself known in the comments section below or you can join us on Discord.

Morse code transcription: vvv vvv Ncuti Gatwa leaves Doctor Who in shock regeneration Swindon nurse struck off after filming in supermarket toilet Laura Kuenssberg Will strategic defence review meet the threats we face Hamas makes hostage pledge but demands changes to US Gaza ceasefire plan Disposable vapes ban begins but will teens quit Desperate Housewives star Valerie Mahaffey dies aged 71 Bondi stabbing How killer Joel Cauchi slipped through the cracks UK government to spend 1.5bn on six new weapons factories Norway calls time as school leavers Russ bus partying gets out of hand The Alarm Mike Peters funeral brings thousands to Denbighshire

Morse code transcription: vvv vvv Laura Kuenssberg Will strategic defence review meet the threats we face Desperate Housewives star Valerie Mahaffey dies aged 71 The Alarm Mike Peters funeral brings thousands to Denbighshire Norway calls time as school leavers Russ bus partying gets out of hand Swindon nurse struck off after filming in supermarket toilet UK government to spend 1.5bn on six new weapons factories Hamas makes hostage pledge but demands changes to US Gaza ceasefire plan Ncuti Gatwa leaves Doctor Who in shock regeneration Disposable vapes ban begins but will teens quit Bondi stabbing How killer Joel Cauchi slipped through the cracks

Morse code transcription: vvv vvv Laura Kuenssberg Will strategic defence review meet the threats we face Bondi stabbing How killer Joel Cauchi slipped through the cracks The Alarm Mike Peters funeral brings thousands to Denbighshire Desperate Housewives star Valerie Mahaffey dies aged 71 Norway calls time as school leavers Russ bus partying gets out of hand Ncuti Gatwa leaves Doctor Who in shock regeneration UK government to spend 1.5bn on six new weapons factories Swindon nurse struck off after filming in supermarket toilet Hamas makes hostage pledge but demands changes to US Gaza ceasefire plan Disposable vapes ban begins but will teens quit

Morse code transcription: vvv vvv UK government to spend 1.5bn on six new weapons factories Disposable vapes ban begins but will teens quit Hamas makes hostage pledge but demands changes to US Gaza ceasefire plan Norway calls time as school leavers Russ bus partying gets out of hand Desperate Housewives star Valerie Mahaffey dies aged 71 The Alarm Mike Peters funeral brings thousands to Denbighshire Swindon nurse struck off after filming in supermarket toilet Bondi stabbing How killer Joel Cauchi slipped through the cracks Laura Kuenssberg Will strategic defence review meet the threats we face Ncuti Gatwa leaves Doctor Who in shock regeneration

Today on Too Opinionated, we sit down with actress/singer Linda Purl!  Linda is known for her roles as Ashley Pfister (Fonzie's girlfriend) on Happy Days (she originally played Gloria as Richie's date in season 2.), Sheila Munroe in the 1982 horror film Visiting Hours, Pam Beesly's mother Helene in The Office, and Ben Matlock's daughter Charlene Matlock for the first season of the television series Matlock.  Linda released her fourth full-length album, a collaboration with music director Tedd Firth called This Could Be the Start on Reaching Records, August 2023. Purl is a jazz vocalist, known for imbuing classic show tunes and jazz standards with a distinctive narrative expressiveness.  Linda is also known for her roles in The Waltons, Mighty Joe Young, The Bold and the Beautiful, General Hospital, Hacks, The Oath, Homeland, Desperate Housewives, Walker Texas Ranger, The Love Boat and Murder She Wrote.  Make sure you keep an eye out for Duffy's Dough: https://duffysdough.com/   Want to watch: YouTube Meisterkhan Pod (Please subscribe)  

CHEESECAKES! We are SO EXCITED to share our interview with the GREAT Marc Cherry! Of course Mr. Cherry is probably best known for creating the mega-hit series "Desperate Housewives", but did you know he got his start writing on the final seasons of "The Golden Girls" - including writing fan favorite episode "Journey To The Center of Attention"? It was SUCH a thrill to get to hear his behind-the-scenes stories and favorite memories of working with these icons! And we would very much like to thank him for being a friend! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In today's Hot Topics, the co-hosts discuss the expected departure of Trump's National Security Advisor Mike Waltz from his position after the "Signalgate" controversy.Kerry Washington and Omar Sy join to discuss playing a deadly couple in the new movie “Shadow Force” and Washington shares about her involvement in the upcoming “Desperate Housewives” reboot.GLAAD President and CEO Sarah Kate Ellis presents the co-hosts with their GLAAD Media Award for a 2024 segment with Elliot Page on trans visibility. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The ladies of Desperate Housewives want a cut if there is a reboot, Jordon Hudson wants to be an SI Cover Model and Beckham Drama continues. Barry Keoghan talks addiction, Kris Jenner's plastic surgeon revealed and some of the biggest story around GMA and morning talk show scene. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we welcome Neal McDonough to the show. He is a prolific actor. He famously played the role of Buck Compton in Band of Brothers and has also been in many movies and TV shows, to include Star Trek: First Contact, Minority Report, Captain America: The First Avenger, Yellowstone, Justified, Tulsa King and Desperate Housewives. He has also been a part of several recent Angel Studios projects to include The Shift, Homestead, and The Last Rodeo. In this interview, we discuss what got him “cancelled” from Hollywood, how he almost succumbed to alcoholism, how his Christian faith saved him, his latest projects with Angels Studios, and much more. Let's get into it… Episode notes and links HERE. Donate to support our mission of equipping men to push back darkness. Learn more about your ad choices. Visit megaphone.fm/adchoices

À l'occasion du Festival de Cannes, je vous propose une série spéciale dédiée au cinéma.Des entretiens inédits avec des acteurs, actrices, réalisateurs et réalisatrices, venus du monde entier.Mais aussi des rediffusions de conversations marquantes avec des personnalités emblématiques du 7e art, pour découvrir leurs parcours, leur vision et leurs anecdotes exclusives.Aujourd'hui, un épisode avec l'incontournable Eva Longoria. Si j'avais su, quand je regardais Desperate Housewives avec mes soeurs sur le canapé, que j'aurais la chance d'interviewer quelques années plus tard l'icône qui incarne Gabrielle Solis…Mais Eva Longoria n'est pas seulement une actrice talentueuse : elle est une brillante réalisatrice, une femme d'affaires redoutable et une militante engagée.Ensemble, on a pu échanger sur le poids de l'apparence physique, de l'accomplissement professionnel et de l'importance de croire que le meilleur reste à venir, même lorsqu'on a connu le succès, et de la place qu'il reste à faire pour la nouvelle génération qui arrive. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Last week Bravo announced four new shows - Ladies of London (The Return), Shahs The Valley (Reboot), The Real Housewives of Rhode Island (New Franchise) and Wife Swap (Housewives Edition). Today we break down these four shows, what to expect, discuss casting, timing and so much more. In other news, Mauricio Umansky has gone wild. Southern Charm has been filming the new season with more drama than ever. Scheana comes for LVP again. Dolores Catania has a health scare. Gia Giudice feuds with everyone. Last, but not least, the most exciting news of all, the one and only Ms. Kerry Washington is working on a Desperate Housewives reboot called Wisteria Lane!!! @amiryassofficial @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - ⁠⁠⁠www.patreon.com/behindthevelvetrope⁠⁠⁠  BROUGHT TO YOU BY: PIQUE LIFE - ⁠⁠⁠piquelife.com/velvet⁠⁠⁠ (20% Off Plus a Free Rechargeable Frother & Glass Beaker If You're Tired of Feeling Depleted & Want to Finally Nourish Your Body the Right Way) SPOT & TANGO - ⁠⁠⁠⁠spotandtango.com/velvetrope⁠⁠⁠⁠ (Use Code Velvetrope To Get 50% Off Your First Order of UnKibble For Your Dog) THRIVE MARKET - ⁠⁠thrivemarket.com/velvetrope⁠⁠ (Get 30% Off Your First Order Of Health Conscious Food, Household Goods, Personal Grooming Products and More) DELETEME - (Get 20% Off By Texting VELVET to 64000 - To Take Control Of Your Data & Keep Your Private Life Private) CORNBREAD - ⁠⁠⁠⁠cornbreadhemp.com/velvet⁠⁠⁠⁠ (30% Off With Code Velvet on Cornbread's Gummies) WASHINGTON RED RASPBERRIES - ⁠⁠Redrazz.org⁠⁠ (Find New Ways To Use American Frozen Red Raspberries & Get More Details On Where You Can Grab a Bag) SELFUP - ⁠⁠selfup.com⁠⁠ (Use Code VELVET20 For 20% Off For a Fun Night Out of Cooking Classes) HULU - (Watch The New Season of “The Secret Lives of Mormon Wives”, Coming To Hulu May 15th) STRAWBERRY - ⁠⁠⁠Strawberry.me/VELVET ⁠⁠⁠(Get Started Today w/ Your $50 Credit because Career Success Shouldn't Wait) MEANINGFUL BEAUTY - ⁠⁠⁠⁠meaningfulbeauty.com/velvet⁠⁠⁠⁠ (Get 25% Off Cindy Crawford's Beauty Line & The Targeted Treatment Duo GIFT SET for FREE) ADVERTISING INQUIRIES - Please contact ⁠⁠⁠David@advertising-execs.com⁠⁠⁠ MERCH Available at - ⁠⁠⁠https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to the full episode and get access to over 130 episodes when you join the Ready to Be Petty Patreon. For $5 USD/month, you get weekly episodes on trending topics and pop culture deep dives and entry to the Discord to chat with other listeners.Public episodes of Ready to Be Petty are on an indefinite hiatus.You can also check out Torry's other podcast, Ready to Be Romanced, which recaps and reviews romance novels and their tv/movie adaptations wherever you find podcasts.Full Episode Description: On this patreon exclusive, Torry (she/her) and Cam (she/her) from what i will say discuss the 2025 Met Gala, David Beckham's 50th birthday, and Kerry Washington's Desperate Housewives reboot. Then Cam nominates Kath Ebbs for their recent Instagram shading Jojo Siwa as Pettyweight Champion of the Week and Torry nominates Craig Conover for his How to Giggle shade. Finally, Cam shares her This Week in Petty, an anonymous poster on her blog and Torry talks about her headphone volume. Buy official merch or an RTBP keychain on Etsy.Follow RTBP on Instagram, Tiktok, and Twitter.Photo by Mariah Burchell.

A daily non-partisan, conversational breakdown of today's top news and breaking news stories Headlines: – Welcome To Mo News (02:00) – Trump Ousts Mike Waltz As NSA: The Backstory and What's Next (05:45) – Apple's Warning On China Tariffs (21:30)– Senate Republicans Block Rebuke of Trump's Tariffs (22:30) – Newark Airport Hit With Delays In Part Because Of Staffing Shortages (25:00) – The McRecession Hits Fast Food Chains (27:40)  – In-N-Out Coming To New States (29:20) – Tony Nominations: Lots Of Hollywood Names (31:40) – ‘Desperate Housewives' Reboot From Kerry Washington in Development (33:50) – What We're Watching, Reading, Eating (36:00) Thanks To Our Sponsors: – LMNT - Free Sample Pack with any LMNT drink mix purchase – Industrious - Coworking office. 30% off day pass – Shipstation - Automated, discounted shipping free trial | Code: Monews – Athletic Greens – AG1 Powder + 1 year of free Vitamin D & 5 free travel packs

In today's Hot Topics, the co-hosts discuss the expected departure of Trump's National Security Advisor Mike Waltz from his position as National Security Advisor and being named UN Ambassador.Kerry Washington and Omar Sy join to discuss playing a deadly couple in the new movie “Shadow Force” and Washington shares about her involvement in the upcoming “Desperate Housewives” reboot.GLAAD President and CEO Sarah Kate Ellis presents the co-hosts with their GLAAD Media Award for a 2024 segment with Elliot Page on trans visibility.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Du lundi au vendredi, Julien Pichené fait le point sur l'actualité des médias. Aujourd'hui, Canal+ pourrait revenir dans la danse des droits TV, le retour de Mask Singer ce soir en prime time sur TF1, la finale de "The Voice", "Desperate Housewives" devrait bientôt vivre une seconde jeunesse et un podcast qui rend hommage aux grands reporters d'Europe 1. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Angel is getting us ready for garage sale season, BOOB TUBE: A "Desperate Housewives" reboot, Netflix says movie theaters are dead -- we disagree, and myTalk Loves Local: Minnesota Orchestra -- experience "Harry Potter," "Star Wars" and more with a live musical experience! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Angel is getting us ready for garage sale season, BOOB TUBE: A "Desperate Housewives" reboot, Netflix says movie theaters are dead -- we disagree, and myTalk Loves Local: Minnesota Orchestra -- experience "Harry Potter," "Star Wars" and more with a live musical experience! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on reCappin', we discuss Misa Hylton suing Mary J Blige; Katy Perry and the terrible, horrible, no good, very bad social media coverage; Elizabeth Hurley and Billy Ray Cyrus' dating announcement; and Kerry Washington reviving Desperate Housewives with Hulu/Onyx Collective (01:00). In Hot Topics, we discuss Rock and Roll Hall of Fame 2025 inductees and the Cowboy Carter tour kickoff (24:04).   Stay tuned for our next episode! We have our final "In Conversation" episode ahead of the Dayton Black Women's Film Festival with filmmaker Aisha Ford!  We are available on all podcasting platforms, but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

Could Desperate Housewives actually be getting a reboot? Plus, the NFL announced fines over the Sheduer Sanders prank. 

Join Casey, Tiggz, Rodrigo, Alan, and Chaz for an all-new episode full of hot topics!HOT TOPICS INCLUDE-- Paula Cwikly and Jeanne Marie Ford's writing debuts at "Days of Our Lives"-- Dana "Leslie" is ready to explode Ted's world, as Doug admits he's a gambling addict to Nicole on "Beyond the Gates"-- Allison Lanier is exiting the role of Summer Newman as the Abbott Manor is remodeled on "The Young and the Restless"-- A fashion show concludes on "The Bold and the Beautiful"-- Nina and Portia team up against Drew, Brook Lynn and Lulu face off, and Sonny comes close to death on "General Hospital"-- Scott Pelley reveals details about the Paramount merger on "60 Minutes"-- Primetime Chat: Kerry Washington will be producing an off-shoot of "Desperate Housewives" titled "Wisteria Lane"THERE'S ALWAYS SO MUCH TO 'CHAT' ABOUT, SO STAY TUNED!

Sydney Sweeney gets close to co-star Brandon Sklenar at Stagecoach (Page Six) (24:32)Meghan Markle Says Harry 'Slayed the Dragon, Saved the Princess' for Their Marriage (People) (31:59)‘Desperate Housewives' Offshoot ‘Wisteria Lane' In Works At Onyx (Deadline) (41:26) Katy Perry Says She's Been ‘Battered and Bruised' by Backlash (Variety) (47:45)Brittany Cartwright brutally shades ex Jax Taylor's sex skills on ‘WWHL' (Page Six) (54:11)The Valley Recap (58:34)The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Special K suggest some bad songs for a little league team. Website

Es ist wieder so weit, wir befinden uns in einer kurzen Feiertagswoche. Adam und Hanna sind von ihren Touren noch etwas erschöpft, haben aber interessante News zu House of the Dragon, Wednesday, 1923 und einem neuen Spin-off zu Desperate Housewives im Gepäck.Bei den Serien haben die Podcaster unter anderem You, Andor, Deli Boys und Étoile gesehen. Adam darf auch endlich frei über „Thunderbolts“ sprechen. Hanna hatte die Möglichkeit, am vergangenen Freitag die neue „Switch 2“ auszutesten.Schaut auch gerne in die Umfrage-Funktion bei „Spotify“ unter dem Podcast.Timestamps:News:0:00:00 HoTD Casting-News0:03:00 1923 Quoten, Startdatum Wednesday S20:08:40 Reboot vom Onyx Collective Reviews:0:12:50 Georgie & Mandy0:15:00 Deli Boys, You S50:20:00 Étoile, Parallel Me0:25:00 Andor, Thunderbolts0:28:00 Switch Event0:32:00 Neustarts der WocheANZEIGE:Unlimited Datenvolumen bei der Telekom für euch und eure Liebsten – mit dem neuen MagentaMobil M Tarif im größten 5G-Netz.Mehr dazu auf: www.telekom.de/unlimitedHanna Twitter/ X: https://twitter.com/HannaHuge Bluesky: https://bsky.app/profile/mediawhore.bsky.social Instagram: https://www.instagram.com/mediawhore Adam: Twitter/ X: https://twitter.com/AwesomeArndt Instagram: https://www.instagram.com/awesomearndt/ Youtube: https://www.youtube.com/@AwesomeArndt Hosted on Acast. See acast.com/privacy for more information.

Lunchtime Live's Reasons to be Happy looks at some of the news stories that you might have missed that will leave you feeling more optimistic.98FM's Cathal O'Sullivan joined Andrea in the studio to put a smile on your faces…

Florian Schroeder blickt auf die Symbolwirkung von Kate Perry und ihrem Ausflug ins All. Perry und ihre Frauenrunde böten Stoff für eine neue Serie mit dem Titel "The Real House Wives in Space". Nur aus feministischer Sicht hätte er noch ein paar Anmerkungen ... Von Florian Schroeder.

I sat down with Jesse Metcalfe—actor, entrepreneur, and now skincare brand founder—to talk about his incredible journey from Hollywood to launching his own skincare line, NUTRL Skin. With over two decades in the entertainment industry, Jesse has had his share of challenges, including battling acne as a teenager and navigating the pressures of the spotlight. We dive into the specifics of his skincare philosophy, from the power of hyaluronic acid to the importance of anti-aging ingredients like peptides. Jesse also shares his personal skincare journey, including how he's maintained a youthful glow without Botox, personal style, and the importance of taking a holistic approach to self-care.Whether you're looking to improve your skin's appearance or curious about the behind-the-scenes of a celebrity entrepreneur's journey, this episode is packed with valuable insights. Tune in now and get ready to be inspired. Plus, check out NUTRL Skin and see the difference for yourself!“Creating something from start to finish takes a lot of passion and definitely takes a lot of focus. It also takes a lot of patience.” ~ Jesse MetcalfeIn this Episode:- Jesse Metcalfe's background and journey to skin care- Launching NUTRL Skin and the focus on anti-aging- Jesse's thoughts on choosing the best sunscreen - Becoming an entrepreneur and launching his first product- The role of spirituality and mindfulness in Jesse's success- Jesse's personal style and how it has evolved over time- Jesse's early career in modeling and transition to acting- Getting his roles on Passions and Desperate Housewives- Jesse's role in John Tucker Must Die and its potential sequel- Upcoming movie releases and new projects- Jesse's experience on Law and Order- How to purchase NUTRL Skin products and connect with JesseAbout Jesse Metcalfe:Jesse Metcalfe is an American actor best known for his role as John Rowland on Desperate Housewives and as Christopher Ewing in the TNT series Dallas. He began his career in the soap opera Passions before gaining widespread recognition. Metcalfe has also starred in films such as John Tucker Must Die and Beyond a Reasonable Doubt. In recent years, he has appeared in Hallmark's Chesapeake Shores and Martha's Vineyard Mysteries. Additionally, he made a guest appearance as Sgt. Danny DeLuca in NBC's Law & Order in 2025.Facebook: https://www.facebook.com/RealJesseMetcalfe Instagram: https://www.instagram.com/realjessemetcalfe TikTok: https://www.tiktok.com/@realjessemetcalfe Buy NUTRL Skin Products: https://nutrlskin.com/ Connect with me here:

It's a Desperate Housewives and Glee mashup! Jenna and Kevin welcome their bestie actress Andrea Bowen to the pod! The best buds swap stories about their experiences growing up in front of the camera on hit shows, what Kevin learned from Andrea about interacting with fans, the time Andrea's brother was Jenna's first date (yes, we get all the deets), and you won't gleeking believe it! Andrea reveals she auditioned for Glee! She breaks down her experience, including the tune she sang! Plus, Andrea talks about her time on Desperate Housewives, including her relationship with on-screen mom Teri Hatcher and finding out about the show's cancellation with the rest of the world. For fun, exclusive content and behind-the-scenes clips, be sure to follow us on Instagram @andthatswhatyoureallymissedpod! See omnystudio.com/listener for privacy information.

You may have seen writer, actor, and comedian Jeffery Self on the shows 30 Rock, Desperate Housewives, and Jeffery & Cole Casserole alongside Cole Escola. Or you might know him from his books, Drag Teen and A Very Very Bad Thing. Jeffery's latest book Self-Sabotage: And Other Ways I've Spent My Time came out last month. And for this week's episode, we're heading into the Sewers archive to revisit my conversation with Jeffery from 2017, when we talked about forming a rebel theater troupe in his small southern hometown; testing his capacity for sass on television; and creating the circle of friends that he knew he needed in his life.We'll have that conversation in a minute. First, if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. You may also enjoy my YouTube videos about the making of iconic movies and TV shows — my latest is about the film Dog Day Afternoon. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

Anastasia Ganias-Gellin was a thriving actress, appearing in iconic shows like Dexter, True Blood, Desperate Housewives and more. But when her father fell ill, Anastasia left Hollywood behind to return to New York to care for him and intentionally build her family. During that time - and after her father passed - Anastasia turned to cooking, her Greek-American family’s love language, to heal. That personal connection to cooking turned into more than a hobby when Anastasia decided to launch Fancy Peasant, the household pantry staple you can now find in stores like Erewhon. In this episode, Anastasia opens up about the grief of losing her father, learning to embrace her heritage with open arms, and the nuts and bolts of the business. Be sure to subscribe, leave us a rating, and share with your friends if you liked this episode! She Pivots was created by host Emily Tisch Sussman to highlight women, their stories, and how their pivot became their success. To learn more about Anastasia, follow us on Instagram @ShePivotsThePodcast or visit shepivotsthepodcast.com. Support the show: https://www.shepivotsthepodcast.com/See omnystudio.com/listener for privacy information.

In this episode Eric and Tim finish discussing season 1 of Desperate Housewives

Host Jason Blitman sits down with Seán Hewitt (Open, Heaven) to discuss sense memories, queer representation in school growing up, and Seán's aversion to musicals—despite offering a sharp insight into The Sound of Music's film adaptation. Later, Jason is joined by Guest Gay Reader Jeffery Self, who shares what he's currently reading, talks about his book Self Sabotage, and reflects on theatre icons Cathy Rigby, Sally Struthers, and Gary Beach.Seán Hewitt's debut collection of poetry, Tongues of Fire, won the Laurel Prize in 2021, and was shortlisted for The Sunday Times Young Writer of the Year Award, the John Pollard Foundation International Poetry Prize, and a Dalkey Literary Award. In 2020, he was chosen by The Sunday Times (London) as one of their “30 under 30”  artists in Ireland. His memoir, All Down Darkness Wide, is published by Jonathan Cape in the UK and Penguin Press in the United States (2022). It was shortlisted for Biography of the Year at the An Post Irish Book Awards, for the Foyles Book of the Year in nonfiction, for the RSL Ondaatje Prize, and for a LAMBDA award, and won the Rooney Prize for Irish Literature in 2022. Hewitt is assistant professor in literary practice at Trinity College Dublin, and is a fellow of the Royal Society of Literature.Jeffery Self is a writer and actor whose TV credits include Search Party, The Horror of Dolores Roach, Shameless, 30 Rock, Desperate Housewives, as well as co-creating and starring in the cult low-fi series Jeffery & Cole Casserole with Cole Escola. His film credits include Drop, Spoiler Alert, Mack and Rita, and The High Note. He is the author of the young adult novels Drag Teen and A Very, Very Bad Thing. He lives in New York City.SUBSTACK!https://gaysreading.substack.com/ BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Television shows can live or die based on their premiere episodes – so-called “pilots” designed to make a series take off with viewers and critics alike. A great first episode can almost instantly cement a show's place in the television pantheon, and catapult a series into the cultural conversation. So join us as the Great Pop Culture Debate looks back at 16 of the most successful first episodes of all time as we attempt to name the Best TV Pilot Episode. Premiere episodes discussed include Breaking Bad, Lost, The West Wing, Six Feet Under, Schitt's Creek, How to Get Away with Murder, Dexter, Friends, Glee, The Walking Dead, Pushing Daisies, Twin Peaks, Stranger Things, Game of Thrones, Desperate Housewives, E.R. Join host Eric Rezsnyak and GPCD panelists Amma Marfo, Joelle Boedecker, and Karissa Kloss as they discuss 16 of TV's most notable first episodes. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss even more notable TV premieres that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Amma Marfo, Joelle Boedecker, Karissa Kloss Producer: Derek Mekita Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #tv #television #pilotepisode #premiere #firstepisode #lost #lostpilot #gameofthrones #got #breakingbad #dexter #schittscreek #friends #pushingdaisies #friends #htgawm #twinpeaks #strangerthings #desperatehousewives #glee #twd #walkingdead #thewestwing #sixfeetunder Learn more about your ad choices. Visit megaphone.fm/adchoices

Willie sits down with Eva Longoria to catch up on her many new projects, such as her starring role in the film "Alexander and The Terrible, Horrible, No Good, Very Bad Road Trip." Longoria also opens up about how her life changed after “Desperate Housewives” and her new perspective on turning 50 years old. 

Drea de Matteo is an Emmy award winning actress known for her roles in The Sopranos, Desperate Housewives, and Sons of Anarchy. Drea is the co-founder of the streetwear line ULTRAFREE. Drea is a mother of two teenagers. They're the grandchildren of country music icon Waylon Jennings. She was vocal in her support for RFK Jr.'s presidential bid. When he endorsed Trump, Drea joined the MAGA movement. She's working on a number of upcoming projects -- including starting her own podcast.