Podcasts about All American Girl

Welcome to this explosive and investigatory episode of Light ‘Em Up.Our global audience has reached 119 countries. Spread the word! This is the story of the tragic death of an “All-American Girl” and the sloppy investigation that ensued.Out of Aubrey, Texas, we shine the antiseptic light of the truth to investigate the death of Haley Cheney, a 24-year-old, new mother who was found sitting in her car in the driveway of her boyfriend's home early on December 3, 2023 — with a bullet in the right temple of her head.We're honored to sit and talk with (Mrs.) Jackie Stewart Alvarado, Haley's aunt. According to Jackie, “Haley had the biggest, bluest eyes and she gave THE ABSOLUTE BEST hugs. She always greeted everyone with the words, “hello beautiful”.  She never met a stranger, and she absolutely loved, loved, loved animals.  Haley loved life. She was filled with hope, promise and potential.  She loved fully and completely her family and those around her.  She was one of the most selfless individuals.”  Haley was thrilled to be a new mother — she adored her baby boy.  Her life had barely just begun. Haley had to work very hard in order to maintain the peace and to encourage a positive perspective in the relationship with her boyfriend.She wanted to be loved by her boyfriend, yet time and again, she was confronted with threats of physical violence by him.  We'll showcase just one of many verbal threats made by Kristopher Winston, as was posted on Facebook (according to members of Haley's family).The City of Little Elm Police Department caught this case.  That may have been one of the most detrimental and injurious factors in the case.Police departments are entrusted with a diverse set of tasks requiring a high degree of integrity within their agencies. Without that integrity, bad things happen, and people and cases suffer.Determining the correct cause and manner of death are among the chief responsibilities of the forensic pathologist, not a street cop or even a Detective Sgt.  When confronted with a case having a questionable manner of death, it is important for scene evidence, witness statements, and forensic autopsy findings to be thoroughly reviewed before certifying the manner of death.We examine the factors that hurt a thorough investigation and led to a rush to judgement that this case was a suicide.  Haley's family vehemently disagrees with this finding.There's nothing common about murder nor a suicide. Each case has its unique aspects and signatures. Every case, victim and member of the surviving family deserves to have their loved one's case investigated to its fullest extent.The investigative process involves both science and art.  For an investigation to be effective it must follow a few basic principles.  Following the acronym “T-A-R-O-T” (just like the card) ...The incident must be investigated in a: Timely, Accurate, Relevant, Objective & Thorough manner.  We'll break down each aspect of a proper investigation and discuss the 5 F's of Murder.  We educate on IPV & IPH (Intimate Partner Violence and Intimate Partner Homicide).3 women are killed every day at the hands of those who "claim" to love them.You can judge for yourself if that's what transpired in this case. We deliver the facts ... not the fiction. Tune in to hear all of the explosive details. Follow our sponsors: Newsly & Feedspot.For case history, updates and more detailed information follow this page on Facebook Justice For Haley CheneyWe want to hear from you!

In today's fearless episode of The Coop, we welcome the one and only Margaret Cho—comedian, actor, musician, activist, and absolute legend. From crushing stand-up stages at 14 years old, to breaking racial barriers with All-American Girl, to selling out Carnegie Hall, and even playing Kim Jong-il on 30 Rock—Margaret has done it all, and then some.She's Live and Livid on stage these days, and we get into exactly what's fueling her fire—from women's rights to political absurdity to finding joy in the madness. She opens up about sobriety, body image, love, loss, and why she's choosing “situationships” over marriage. And yes, we dig into her famous 12 hours up, 12 hours down sleep practice, how she writes a joke every single day before getting out of bed, and why her mother has an actual prayer group dedicated to finding her a husband (bless her heart).Margaret doesn't just push boundaries—she obliterates them. Whether she's talking about being one of the few women in stand-up in the ‘90s, the sheer injustice of Hollywood's double standards, or why love isn't just for the young and beautiful (the theme behind her new song Lucky Gift), this conversation is as bold as it is soulful—with just the right amount of bite.And because The Coop always leaves you with something to chew on, we'll close it out with a Margaret-ism to live by:“You reap what you sow. So I'm sowing joy.”Or just the life mantra we all need:“Do it. It doesn't have to be good. Just do it.”So y'all, tune in and get ready for a conversation that is sharp-witted, unfiltered, and deeply, beautifully human.

Meet Margaret Cho who emerged in the 1990s from a difficult childhood in San Francico to become a quadruple threat: stand-up comedian; actress; musician; and activist. In 1994 Margaret became the first Asian American to have her own TV sitcom (All American Girl) and after that was cancelled, she endured a period of drug and alcohol addiction before resurfacing with comedy that was far more pointed and personal. Margaret has also staged a burlesque style revue (The Sensuous Woman) and been a reliable guest star on television shows including HBO hits The Flight Attendant and Hacks. A prolific creator, she has recorded nine comedy albums and hosts two successful podcasts, along with a number of well-received books. As always, find more clips below and thanks for sharing our shows! Want more Cho? One of Margaret's earliest major appearances was as part of the Just For Laughs comedy festival. Here's a sample. https://youtu.be/34lLm_gFTEY?si=7ZMcmn0MSio-6Y0j After some rough years following cancellation of her sitcom, Margaret remerged with an act that had much more edge, including the well-received special "The Notorious C.H.O". https://youtu.be/2EkMNnNnYFI?si=G2_4GIzWtLb94eaC Margaret continues to be a draw on the stand-up circuit with a routine that is playful and pointed. https://youtu.be/pyTZ_LGU7QI?si=Nq461hjl0VJh7fb7

Jessie Jones proves she will go to any lengths to deter her former teammate the All American Girl, Americana, from success. Siren the Voodoo Doll is back! And she's ready for action alongside Chainsaw as the pair takes on the unlikely duo of Holidead and Chantilly Chella. The much anticipated match between former friends Princess Aussie and Kandi Krush takes place and the two settle their differences in the ring. Coach Campanelli makes sure Ariel Sky knows her place as Top Tier's water girl. Former WOW World Champions collide as Penelope Pink sets her sights on The Beast to prove she has what it takes to reclaim what was once hers. HELPFUL LINKS: Website - [https://wwtalkpod.com] DONATE: [https://cash.app/$WWTalkPod/] [https://ko-fi.com/wwtalk] LISTEN: Apple Podcasts: [https://apple.co/3hIUnlx] Spotify: [https://spoti.fi/32CGbGL] LIKE AND FOLLOW: Follow us on Twitter - [  / wwtalkpod  ] Like us on Facebook - [  / wwtalkpod  ] Follow us on Instagram - [  / wwtalkpod  ] Check Out Our Merch! : https://forurwear.com/womens-wrestlin... ABOUT WOMEN'S WRESTLING TALK : The #1 Women's Wrestling Show on the Planet, showcases news and interviews with top female wrestlers and professionals throughout the industry. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Send in a voice message: https://podcasters.spotify.com/pod/show/womens-wrestling-talk/message

Een van de grootste hits van Taylor Swift is Cruel Summer. Nu was de afgelopen zomer allesbehalve cruel voor haar. Haar ster rees tot grote hoogten. Ze is de verwezenlijking van de All American Girl. Al haar concerten waren uitverkocht, en zelfs de bioscoopversie daarvan was een hit. Ik vind het bijzonder dat mensen naar de bioscoop gaan om een concert te zien. Bij elkaar heeft ze daarmee al ruim $1 mrd verdiend. Ze heeft een enorme schare fans, de Swifties, en aangezien ze erg anti-Trump is, sluit ik niet uit dat haar opmerkingen nog invloed gaan krijgen op de Amerikaanse presidentsverkiezingen in november. 18% van de kiezers zegt de kandidaat te steunen die Taylor Swift ook steunt. Als kiezer zou ik ook naar de verkiezingsprogramma's en de geloofwaardigheid van de kandidaten kijken. Maar wat mevrouw Swift zegt geeft blijkbaar meer doorslag. Ongetwijfeld zullen aan de andere kant de Trump-fans niet meer naar haar concerten gaan. Maar, terug naar de economie. Dit enorme succes geeft aan hoeveel de gemiddelde Amerikaanse consument snakt naar entertainment, na corona. De dienstensector loopt prima. De restaurants zijn vol. De inkoopmanagersindices voor de dienstensector laten een veel zonniger beeld zien dan die in de productiesector. Een van de redenen voor dit verschil is dat de consumenten wel even genoeg spullen hebben gekocht. Ze gaan dus van dingen kopen naar plezier. Daarom zie je nu ook de autoverkopen terugvallen. Dat was ook terug te zien in de inflatiecijfers van afgelopen tijd. Sommige producten worden zelfs goedkoper, zoals tweedehands auto's. Hertz verkoopt zijn voorraad Tesla's bijvoorbeeld met grote korting. Een Tesla van 2 jaar oud kun je nu voor $18.000 kopen. Niet voor niets moet Hertz een kwart miljard afschrijven op zijn autovloot. De goedereninflatie staat dus onder druk. Maar de diensteninflatie is er nog volop. Even terug naar Taylor Swift. Ik kwam een oude advertentie tegen uit 2007. Toen kostte een kaartje nog $20. Oké, toen was ze ook nog niet zo bekend. Binnenkort treedt ze in Nederland op. De kaartjes kosten nu €220. Ik sla even over. Als meer concertbezoekers dat doen, daalt de vraag vanzelf en normaliseren de prijzen weer. Of zoals het gezegde onder economen luidt: het beste recept tegen hoge inflatie is hoge inflatie, want uiteindelijk zorgt dat voor vraaguitval. Je hoeft niet naar dat concert. Hoewel veel Swifties daar ongetwijfeld anders over denken. Al met al zal deze All American Girl in 2024 weer een enorme invloed op de Amerikaanse economie en maatschappij hebben. En dat alleen omdat ze een paar leuke liedjes zingt. Misschien gaat het toch nog een wrede zomer voor Trump worden. Over de column van Corné van Zeijl Corné van Zeijl is analist en strateeg bij Cardano en belegt ook privé. Reageer via c.zeijl@cardano.com. Deze column kun je ook iedere donderdag lezen in het FD.See omnystudio.com/listener for privacy information.

Actress and singer Doris Day built a giant career in Hollywood on the image of the All-American Girl, a perfectly relatable Girl Next Door, virtuous and funny. It was pure spin, with Groucho Marx once quipping, "I've been around so long, I knew Doris Day before she was a virgin." Doris herself chafed at the limitations of the type-casting and how utterly at odds it was to the life she was actually living. In this first part of her story, Alicia takes us through her start in show business, her first two husbands, and a whole lotta playing the field in 1950s Hollywood. Want early, ad-free episodes, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! Sponsors Factor. Head to factormeals.com/trashy50 and use code trashy50 to get 50% off America's #1 ready-to-eat meal delivery service! To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TrashyDivorces. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Molly Martens arrived in Limerick in 2008, she seemed like an All-American Girl with the world at her feet. But that public persona - like many of the stories she told about herself - was just a work of fantasy. From mother to monster, from wife to Jason Corbett's killer, who is Molly Martens?See omnystudio.com/listener for privacy information.

When Molly Martens arrived in Limerick in 2008, she seemed like an All-American Girl with the world at her feet. But that public persona - like many of the stories she told about herself - was just a work of fantasy. From mother to monster, from wife to Jason Corbett's killer, who is Molly Martens? If you'd like to hear more on this story, here's the recent episode referenced in the show. https://www.independent.ie/podcasts/the-indo-daily/the-indo-daily-revisited-the-killing-of-jason-corbett-and-the-tom-and-molly-martens-retrial/a1621224266.html Host: Kevin Doyle | Guest: Ralph Riegel. Voice actors: Ryan Nugent and Rachel Taylor FawsittSee omnystudio.com/listener for privacy information.

Award winning actress Maddie Corman had been working professionally since she was a teenager, appearing in "after school specials" and such classic 80s teen fodder as Seven Minutes in Heaven and John Hughes' Some Kind of Wonderful. She was also series regular on Mr. President starring George C Scott, All American Girl and Almost There and had a recurring role on Madame Secretary, Divorce, Younger and Bull. Some of her other work includes guest starring on TV shows or co-starring in feature films such as Ford Fairlane, PCU, Swingers, Mickey Blue Eyes, Maid in Manhattan, Nurse Jackie, Person of Interest, Damages and Law & Order. (All 3 of them.)

Enchanted to Meet You: A Witches of West Harbor Novel The Princess Diaries Meg Cabot is a #1 New York Times bestselling author of books for both adults and tweens/teens. Born in the year of the Fire Horse (a notoriously unlucky astrological sign) and raised in Bloomington, Indiana, Meg also lived in Grenoble, France and Carmel, California (the setting for her bestselling Mediator series) before moving to New York City after graduating with a bachelor's degree in fine arts from Indiana University. After working for ten years as an assistant residence hall director at New York University (an experience from which she occasionally draws inspiration for her best-selling Heather Wells mystery series), Meg wrote the Princess Diaries series, which was made into two hit movies by Disney. While over 25 million copies of Meg's nearly 80 published books have been sold in 38 countries, Meg's most proud of the letters she's received from fans thanking her for helping them to overcome their “dislike of reading.” Some of Meg's fan favorites include the 1-800-Where-R-You? series (which has been reprinted under the title Vanished and was made into the Lifetime series called Missing), as well as All-American Girl and Avalon High (on which an original Disney Channel movie was based), and several books told entirely in emails and text messages (Boy Next Door/Boy Meets Girl/Every Boy's Got One). A fourth book told in this format, The Boy is Back, was published by HarperCollins in 2017. Meg's first ever adult book in the Princess Diaries series, Royal Wedding, was published in 2015, along with a new Princess Diaries series for younger readers, From the Notebook of a Middle School Princess, which Meg also illustrated. The 4th book in the Middle School Princess Series, Royal Crown, was published in August of 2018, as well as paperback editions of the 2nd and 3rd editions series. Remembrance, the 7th and first adult book in the Mediator series, became available in 2016, along with a novella titled Proposal. In 2020, Meg signed a franchise deal with Netflix for screen rights to The Mediator series, along with writer/director Sarah Spillane and media powerhouse Debra Martin Chase. In 2019, Meg authored a Black Canary graphic novel for DC Zoom for middle-grade readers with illustrator Cara McGee, and also launched a new adult contemporary series set on the fictional Little Bridge Island in the Florida Keys. While each book in the series focuses on a different couple and their sometimes humorous, sometimes serious struggles, all guarantee a Happily Ever After (with plenty of sunshine and margaritas). The latest, No Words, debuted in September 2021. And finally, Meg has written Quarantine Princess Diaries, a new novel for adults in The Princess Diaries series, was released in March of 2023! 10% of Meg's proceeds from the sale of this book will go to real life royal Princess Mabel van Oranje of the Netherlands' charity to end child marriage www.vowforgirls.org.  Meg Cabot (her last name rhymes with habit, as in “her books can be habit forming”) currently lives in Key West, Florida with her husband and various cats. If you see her husband, please do not tell him that he married a fire horse, as he has not figured it out yet. When you click a link on our site, it might just be a magical portal (aka an affiliate link). We're passionate about only sharing the treasures we truly believe in. Every purchase made from our links not only supports Dabble but also the marvelous authors and creators we showcase, at no additional cost to you.

Enchanted to Meet You: A Witches of West Harbor Novel The Princess Diaries Meg Cabot is a #1 New York Times bestselling author of books for both adults and tweens/teens. Born in the year of the Fire Horse (a notoriously unlucky astrological sign) and raised in Bloomington, Indiana, Meg also lived in Grenoble, France and Carmel, California (the setting for her bestselling Mediator series) before moving to New York City after graduating with a bachelor's degree in fine arts from Indiana University. After working for ten years as an assistant residence hall director at New York University (an experience from which she occasionally draws inspiration for her best-selling Heather Wells mystery series), Meg wrote the Princess Diaries series, which was made into two hit movies by Disney. While over 25 million copies of Meg's nearly 80 published books have been sold in 38 countries, Meg's most proud of the letters she's received from fans thanking her for helping them to overcome their “dislike of reading.” Some of Meg's fan favorites include the 1-800-Where-R-You? series (which has been reprinted under the title Vanished and was made into the Lifetime series called Missing), as well as All-American Girl and Avalon High (on which an original Disney Channel movie was based), and several books told entirely in emails and text messages (Boy Next Door/Boy Meets Girl/Every Boy's Got One). A fourth book told in this format, The Boy is Back, was published by HarperCollins in 2017. Meg's first ever adult book in the Princess Diaries series, Royal Wedding, was published in 2015, along with a new Princess Diaries series for younger readers, From the Notebook of a Middle School Princess, which Meg also illustrated. The 4th book in the Middle School Princess Series, Royal Crown, was published in August of 2018, as well as paperback editions of the 2nd and 3rd editions series. Remembrance, the 7th and first adult book in the Mediator series, became available in 2016, along with a novella titled Proposal. In 2020, Meg signed a franchise deal with Netflix for screen rights to The Mediator series, along with writer/director Sarah Spillane and media powerhouse Debra Martin Chase. In 2019, Meg authored a Black Canary graphic novel for DC Zoom for middle-grade readers with illustrator Cara McGee, and also launched a new adult contemporary series set on the fictional Little Bridge Island in the Florida Keys. While each book in the series focuses on a different couple and their sometimes humorous, sometimes serious struggles, all guarantee a Happily Ever After (with plenty of sunshine and margaritas). The latest, No Words, debuted in September 2021. And finally, Meg has written Quarantine Princess Diaries, a new novel for adults in The Princess Diaries series, was released in March of 2023! 10% of Meg's proceeds from the sale of this book will go to real life royal Princess Mabel van Oranje of the Netherlands' charity to end child marriage www.vowforgirls.org.  Meg Cabot (her last name rhymes with habit, as in “her books can be habit forming”) currently lives in Key West, Florida with her husband and various cats. If you see her husband, please do not tell him that he married a fire horse, as he has not figured it out yet. When you click a link on our site, it might just be a magical portal (aka an affiliate link). We're passionate about only sharing the treasures we truly believe in. Every purchase made from our links not only supports Dabble but also the marvelous authors and creators we showcase, at no additional cost to you.

A new episode of Fear and Loathing in Cinema Podcast is upon you where we take an old movie and deep dive into the production, behind-the-scenes, and casting to see if the film still holds up or if it never really did! Here on this 42nd episode, host Bryan Kluger from Boomstick Comics, High Def Digest, and Screen Rant, along with good friend Dan Moran of Boomstick Comics, and host Preston Barta of Fresh Fiction and the Denton Record-Chronicle joins in on the fun. We also have special guest Chelsea Nicole to give her two cents on the movie this time around.  In this excellent episode, we tackle the 2002 film –  AMERICAN PSYCHO 2: ALL AMERICAN GIRL, starring Mila Kunis, William Shatner, and more. Enjoy the show! FEAR AND LOATHING PODCAST APPLE PODCASTS FEAR AND LOATHING PODCAST SPOTIFY Thank you for listening.

A new episode of Fear and Loathing in Cinema Podcast is upon you where we take an... The post Episode #42 – American Psycho 2: All American Girl (2002) first appeared on Boomstick Comics.

A new episode of Fear and Loathing in Cinema Podcast is upon you where we take an... The post Episode #42 – American Psycho 2: All American Girl (2002) first appeared on Boomstick Comics.

We are back and still holding strong with SAG-AFTRA and the WGA, so no new actress interview, but we are joined by Emmy-winning actor and President of the Los Angeles Local branch of SAG-AFTRA, Jodi Long. You Might Know Her From Shang-Chi, Dash & Lily, All-American Girl, and season 4 of this podcast! Jodi breaks down the SAG strike and spells out what the union is fighting for, the threat to the working class, and what she'll treat herself to when this is all over. Fear not, we're still going deep on Kim Cattrall's :47 cameo on And Just Like That and the menace that is Michael Patrick King. Plus Barbie, Oppenheimer, and just in time for fall, sweet potato pie, sweet pies! Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this week: Jodi Long's full interview: S4 ep116 NYT on why we should keep killing lantern flies We saw Barbie Anne saw Oppenheimer on Labor Day Cillian Murphy and his translucent skin was in Breakfast on Pluto Kim Cattrall's (71 second) cameo in And Just Like That in S2 And Just Like That, The Writer's Room Podcast Kim Cattrall engraved her own name with “Liverpool's Cleopatra” next to it on her gravestone Michael Patrick King is a menace, let's bring back Darren Star Michael Patrick King also helped create one of our favorite shows of all time, The Comeback. But Lisa Kudrow doesn't want to be a mogul like SJP Why are screen actors (SAG-AFTRA) and screen writers (WGA) striking?   AMPTP is the negotiating organization for the Hollywood studios Jodi Long was full-body scanned on Shang Chi and the Legend of the 10 Rings. They own that image in perpetuity.  Reality shows are a different contract and not part of the current SAG-AFTRA  CEO salaries in 2022 for huge networks averaged $32M for 13 CEOas across 12 companies Actors have to make $26k+ in order to qualify for health insurance (only 12% of SAG-AFTRA actors make that every year) Hollywood studio CEOS are tonedeaf: Disney CEO Bob Iger / Warner Brothers CEO, David Zaslav AMPTP hired a new PR person to change the public narrative Movie studio A24 has agreed to all of SAG-AFTRA's terms, so they are currently in production while other studios are not Anne Hathaway,  Matthew McConaughey and others are working on waivers because their production companies have met SAG-AFTRA's demands SAG-AFTRA President Fran Drescher's call to arms We love pie: ALR-key lime, cherry, blueberry / DB-Banana cream, strawberry rhubarb, pumpkin Domino's song “Sweet Potato Pie”  Watch Norma Rae with us! 

What a fascinating discussion. Playwright Wendy Graf sat in the Playwright's Spotlight and shared her experiences throughout her career including the effects of Covid, plays vs screenplays and how the translation of the latter can to stop the action on stage, the "secret" of success in playwriting, the concept of small vs large markets, and how to approach requested rewrites as a beginning and established playwright. We also discuss the audience's response to controversial subject matter, good and realistic dialogue, the benefits of overwriting, and the future of theatre and how the current political climate is affecting it. Whether you agree or not, Wendy Graf gives amazing insight on the where theatre has evolved and how it may meet its demise. As with all episodes, I hope you listen with an open mind and walk away all the wiser and a better playwright in the end. Enjoy. Wendy Graf is a multi-award winning, Los Angeles-based playwright whose plays have been produced nationally and Internationally. Her play EXIT WOUNDS was Gold Medalist for the Moss Hart and Kitty Carlisle New Play Initiative) and will be receiving its World Premiere at International City Theatre in Long Beach, CA. Her other plays include - UNEMPLOYED ELEPHANTS: A LOVE STORY, PLEASE DON'T ASK ABOUT BECKET, ALL AMERICAN GIRL, CLOSELY RELATED KEYS, and BEHIND THE GATES amongst many others. To view the video format of this episode, visit the link below -https://youtu.be/652wKYF7wG8Links to sites and resources mentioned in this episode - ICT (International City Theatre) - https://ictlongbeach.org/Lucy Pollack Public Relations -https://www.lucypr.comPacific Resident Theatre -https://pacificresidenttheatre.orgLab Theatre Project -https://www.labtheaterproject.comNorth Hollywood Arts District - https://nohoartsdistrict.comActors Equity Association -https://www.actorsequity.orgNew York Times Article (may require subscription) -https://www.nytimes.com/2023/08/05/opinion/saving-american-theater.htmlContact information and socials for Wendy Graf -Website -www.wendygraf.comEmail - wgraf89132@gmail.comX (Twitter) - @wendygrafFacebook - https://www.facebook.com/wendy.graf.3Websites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

We cover the second book in the All American Girl series. Book talk starts at 20:20. LINKS:PatreonOur merchGLU TwitterGLU InstagramDiscordWebsiteSuggest topicsOur theme song is by Leggy. You can email us at girlslikeusshow@gmail.com.Girls Like Us is part of the Frolic Podcast Network. You can find more outstanding podcasts to subscribe to at Frolic.media/podcasts!

Date: February 1, 2023Name of podcast: Backstage Pass RadioEpisode title and number:  S4: E4: Payton Howie  Artist Bio -With backwoods bathed vocals and bona fide southern swagger, Payton Howie is leading the next generation of redneck women. Branded as the ultimate ‘All American Girl' by Scenes Media, Howie is gaining nationwide notoriety with features from CMT, Guitar Girl Magazine, The Boot, Country Rebel, Fox News, and more. Payton unapologetically embodies the untamed tradition that country music was built on, and she's hellbent on bringing her own grit to the honky tonk. Not many can say they've shared the stage with the likes of Carrie Underwood, and Howie is one of even fewer who can say they were handpicked to do so at the age of 5; while other kids were learning how to ride a bike, she was teaching people to expect the unexpected whenever they hear the name Payton Howie. She has multiple songs featured on several of Spotify's sought after editorial playlists and her debut EP, “Youngblood”, has attained over 1 million streams. The accompanying music video for "Never Go Home" shows off her non-stop party attitude while the "Freedom" music video bleeds red, white, and blue. Payton has also shared the stage with artists such as Clay Walker, William Clark Green, Pam Tillis, Aaron Watson, Bret Michaels, The Bellamy Brothers, Ian Munsick, The Band Perry, Warren Zeiders, Billy Ray Cyrus, Hunter Hayes, Walker County, Gary Allan, Chris Janson, Jack Ingram, Coffey Anderson, Josh Ward, Laci Kaye Booth, Bryson Gray, Tyler Farr, Honey County, Chayce Beckham and more. Having just released her newest single, "Keep Her Breathing", Payton Howie is prepared to scorch country music with a brand that's hers alone.Sponsor Link:WWW.ECOTRIC.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist Media Handles:Website - www.paytonhowie.comInstagram  - https://www.instagram.com/paytonhowiemusicFacebook - https://www.facebook.com/payton.howieTwitter - https://twitter.com/paytonhowieCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass RadioYour Host,Randy Hulsey 

This week we're breaking down “Training Day.” Michael becomes fast friends with the man who's been hired to replace him at Dunder Mifflin, Deangelo Vickers, who is played by the very funny Will Ferrell! But once Michael introduces Deangelo to the office, Michael begins to have second thoughts about his replacement and leaving. The ladies make some Kahlua Sombreros in honor of Michael and Deangelo's meet up and talk about what it was like to work with Will Ferrell for four episodes. Angela plays some deleted Michael and Deangelo scenes, and Jenna deep dives the origin of meet cutes. Angela also shares a song sung by her aunt and the ladies reminisce with temp job stories. We don't have to lure you with a turtle to enjoy this episode because it's a good one, way better than the TV Show “Babies I Don't Care About.” Link to Thelma Mercer's “All American Girl”: https://www.youtube.com/watch?v=kcFZDWYR3UI Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestionFollow Us on Instagram: OfficeLadiesPodCheck out Office Ladies Merch at Podswag: https://www.podswag.com/collections/office-ladies

Date: November 16, 2022Name of podcast: Backstage Pass RadioEpisode title and number:  S3: E16: Payton Howie  - Hulsey/Howie...A Poisonous DuoArtist Bio -With backwoods bathed vocals and bona fide southern swagger, Payton Howie is leading the next generation of redneck women. Branded as the ultimate ‘All American Girl' by Scenes Media, Howie is gaining nationwide notoriety with features from CMT, Guitar Girl Magazine, The Boot, Country Rebel, Fox News, and more. Payton unapologetically embodies the untamed tradition that country music was built on, and she's hellbent on bringing her own grit to the honky tonk. Not many can say they've shared the stage with the likes of Carrie Underwood, and Howie is one of even fewer who can say they were handpicked to do so at the age of 5; while other kids were learning how to ride a bike, she was teaching people to expect the unexpected whenever they hear the name Payton Howie. She has multiple songs featured on several of Spotify's sought after editorial playlists and her debut EP, “Youngblood”, has attained over 1 million streams. The accompanying music video for "Never Go Home" shows off her non-stop party attitude while the "Freedom" music video bleeds red, white, and blue. Payton has also shared the stage with artists such as Clay Walker, William Clark Green, Pam Tillis, Aaron Watson, Bret Michaels, The Bellamy Brothers, Ian Munsick, The Band Perry, Warren Zeiders, Billy Ray Cyrus, Hunter Hayes, Walker County, Gary Allan, Chris Janson, Jack Ingram, Coffey Anderson, Josh Ward, Laci Kaye Booth, Bryson Gray, Tyler Farr, Honey County, Chayce Beckham and more. Having just released her newest single, "Keep Her Breathing", Payton Howie is prepared to scorch country music with a brand that's hers alone.Sponsor Link:WWW.ECOTRIC.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist Media Handles:Website - www.paytonhowie.comInstagram  - https://www.instagram.com/paytonhowiemusicFacebook - https://www.facebook.com/payton.howieTwitter - https://twitter.com/paytonhowieCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass RadioYour Host,Randy Hulsey 

“I was never much of a fan of Literary Guise, at least not until the 31st episode of their 2nd season, a hyper-pop EDM new disco fantasia entitled, “Bret Easton Ellis: American Genius (Part 3: ‘American Psycho')” Before that I had always found their sound a little too niche, a touch too twee. But on Part 3 they really hit their mainstream sensibility stride. The rich, sonorous baritone of Zac Kellian blends exquisitely with Gordy Macallan's delectable wordplay and the crisp timbre of Eric Bennett's sound mixing really brings out the ebullience of the duo's chemistry that had always been lurking, just beneath the surface. Now, if you'll excuse me, I have to go return some videotapes.” —Patrick Bateman**Yes, we're doing a full episode on American Psycho. The novel. The movie. The Sequel: American Psycho 2: All American Girl. Yes, there are going to be in-jokes and easter eggs galore. This is the work that solidified our nascent friendship and one that continues to inspire debate on the nature of masculinity and the best way to secure reservations at Dorsia. 

For this week's episode of And Then We Watched, Justin and Gem were tasked with watching a movie and its sequel! The pair watched American Psycho and American Psycho 2: All American Girl! Did they talk about the movies, though? That is a much better question! And the answer? Tune in to find out!And Then We Watched is a podcast and radio show where two friends make each other watch stuff. It airs LIVE every Friday at 4pm on WMUC Digital, College Park! You can tune into the show here!Our show is on Instagram @wewatchedwmuc!Gem and Justin have another show! It's called One Boy Allowed, and you can listen to it here!

Dawn DeKeyser on IMDB - https://www.imdb.com/name/nm0215245/Dawn's Website - https://www.dawndekeyser.comMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistTranscripts Are Auto-GeneratedMichael Jamin:I've made a number of posts about this that yeah, put yourself in a box. People are like, But I don't wanna be in a box. Put yourself in a box and you'll worry about getting outta the box later. But right now, you need to sell yourself as who? This is what you are. What do I do? That's right. That'sDawn DeKeyser:Right. And, and so many new writers are still struggling with that. And I said, People cannot help you if they don't know where to put you.Michael Jamin:You're listening to Screenwriters. Need to Hear This with Michael Jam. Hey everybody, this is Michael Jamin and you're listening to Screenwriters. Need to Hear this. Mike cohost Phil Hudson. He's got the day off again. He's doing some more work behind the scenes, but I'm here interviewing the amazingly talented Dawn de Kaiser. And, uh, Dawn, let me tell, tell everybody who you are. Let me also you, I need to remind you who you are.Dawn DeKeyser:Okay? Please doMichael Jamin:So. You got a long history of writing some pretty great shows. So first you started, I guess, on All American Girl. That was the Margaret Cho show you did Ink Ted Danson. Remember that one? I remember that one. News Radio you wrote a news radio you wrote on All right, already, which I did not know. I guess you wrote with Steven Engel on that one. I didn't know that. Conrad Bloom, you know, I went to, uh, I went to uh, college with him. We were friends in college, Mark Fostein. Um, but I haven't talked to him since. And then the Gina Davis show starring who, who started that? Uh, the Becker Becker again. Ted Danson. Let's listen to these credits you got there was amazing. Uh, just for kicks. Ugly Betty. We know Betty Lafa, Samantha, who if I were on that show, I would've been insufferable because someone would've said, Yeah, I I have an idea. What if Samantha goes on a date? And I would've been like, Samantha, who? That would've been my joke all every day. Sign sealed. Oh, I skip on the client list. Sign sealed, delivered, hit Streak. The Gourmet Detective Summer. Love the Good Witch. Thank you, John. Thank you so much. Look at me. Are you impressed with how much work?Dawn DeKeyser:I am so impressed at. Who knew? I had no idea.Michael Jamin:You've done a lot of you. So anyway, I thank you so much for joining because, uh, is, we've never worked together. I always, even though I've known you for years, I always figured we would work together at some point. We just never did. And I blame you for that.Dawn DeKeyser:I, uh, I, blame me, we were on the same studio a lot. We were like, Yeah. Next to we had bungalows next to each other. Mm-hmm. . So that counts completely is, Yeah.Michael Jamin:Yeah. You were always a familiar face.Dawn DeKeyser:But before we start, can I curse?Michael Jamin:I don't Sure. Why, why would you, Is there something you wanna get off your chest? ?Dawn DeKeyser:Yeah. No, just that in the course of talking, it's gonna play a part of describing my path in life and Oh yeah. I don't think I could do it without some gods and fucks. SoMichael Jamin:Do it. Do it up.Dawn DeKeyser:Okay.Michael Jamin:Cause I we're getting to the truth again. So let's begin. How did you become? Where did you start? How did you get into sit? Everyone wants to know how people get into sitcom writing or TV writing. So how did you get in?Dawn DeKeyser:Yeah, so, and we all come from different angles on different paths. And in order to get to my TV days, I'll just say a little bit about my background. I was raised in a military family and my dad was a fighter pilot. And I grew up in a very great Sani kind of house. Um, I, I say I was the best son my dad ever had because I was tough and competitive. And I weighed 92 pounds and I was pious.Michael Jamin:Wait, did, were you the only child?Dawn DeKeyser:No, I had two sisters. So my mom, who was lovely, she would dress my sisters and I all in matching dresses, hats, gloves and shoes. And we would march out onto the tarmac and salute the F four phantoms as they landed.Michael Jamin:Wow. And so, and so you moved around the country then? Probably?Dawn DeKeyser:Yeah, I was born in Japan and I lived in England.Michael Jamin:Oh my. And so your Okay. Military brat. And then when you say Great Santa, cuz your dad was strict. Oh, is Now, do you wanna start cursing now? What did you want to curse?Dawn DeKeyser:Um, well, let's see. He, we did have a flow chart of our chores on our bedrooms. And when we were, I think starting at three and four and our beds had to be made with hospital corners really. And we would have to stand in a line, add attention and get, you know, understand what our chores were gonna be for the day and for the week.Michael Jamin:Because you are so not that you're so, you know, kind of almost soft spoken, very gentle. You're very warm energy. You're not , you're not a, you know, uh,Dawn DeKeyser:It's taken a long time to get this outta my system. So when I was in junior high, we moved from England to Texas and I went from riding English, um, horseback to competing in rodeos. And I then started racing sailboats. And by college I was on the varsity team. And, um, by the way, I paid my way through college, working two or three jobs each semester. And I started working when I was 15. That's a little Rob Cohen of me. Yeah.Michael Jamin:Wait, where did you go to school?Dawn DeKeyser:Um, which time? Uh, I went to, so in college I went to the University of Texas and I studied international business, Uhhuh. And then I dropped out of UT and moved to Belgium where I worked at a division of NATO for, for,Michael Jamin:I feel like you might speak a lot of languages. Do you speak how many languages you speak?Dawn DeKeyser:Um, I used to speak French when I worked in the warehouse with the Belgians. Right. Um, and then, you know, when my other girlfriends were cheerleaders and all that, I was treasurer of the Latin Club. I don't mean to brag.Michael Jamin:Wow. So you speak Latin. I knew you spoke. What?Dawn DeKeyser:And, and so then I, after dropping out, I went back and I finished up my degree in, uh, appropriately named a BS in advertising. And that's, that's really when I started my writing career. And, um, let's see, what did I do? So I started,Michael Jamin:You worked in advertising.Dawn DeKeyser:So I got to work on tv, radio, and print. And in fact, my first assignment was writing, uh, dozens of scripts for David Brener for TacoMichael Jamin:Bell. That was your work. Now I, now I know your work. .Dawn DeKeyser:That's what I'm known for. Um, so getting closer to the TV part, I was living in Dallas. My boyfriend was discovered by a talent manager, and he immediately moved out to LA and became a successful actor.Michael Jamin:Do we know his name?Dawn DeKeyser:Yeah. I went, I'll I'll say it. I mean, it was a long time ago. So Tom Hayden Church.Michael Jamin:Oh, I did not know that. Okay.Dawn DeKeyser:Yeah. And so he, his confidence and his uniqueness was just like he broken right away. Mm-hmm. . And I went on to New York and in advertising, which I loved. And you know, after a while, after about two years, I thought maybe I could write something longer than 30 seconds. Mm-hmm. . So I took writing classes at night. I did improv, which I was terrible at because of that. Let's revisit the military background. I am not spontaneous.Michael Jamin:You're not supposed to go off script when you're in the military.Dawn DeKeyser:Oh. Oh, no. And I'm very methodical and you know, by this time I was like mid to late twenties and I guess I was having a quarter life crisis and thinking, what, what am I, what do I wanna do and what do I love doing? I loved writing and I loved sitcoms more than anything. Um, I didn't know how to do that. I called Tom, who was at the time on Wings, that was his first series. And I said, Could you send by now my ex-boyfriend? And I said, Could you send me the writer's draft through a producing draft? I wanna see the transition mm-hmm. of how this writing is done. And so then I started taping my favorite shows and then doing the stop and pause on the VHS tape.Michael Jamin:Like really studying how long a scene would be, how what the act breaks are everything. Huh.Dawn DeKeyser:All that. The dialogue, the, and I would map out the beats on a notepad, which by the way, I still write on old fashioned paper notepads for everything. And then I transfer it to the computer. Wow.Michael Jamin:That's old school.Dawn DeKeyser:That is old school. And it is all about the ritual. And like, I think there's something about the the brain to the heart to the hand that gets on paper that I, I don't get when I write.Michael Jamin:But you could, you must be able to read your handwriting. Cause I can't read my handwriting. I couldn't even try.Dawn DeKeyser:I no, I can't. I can get the gist of it.Michael Jamin:Oh, really? Okay.Dawn DeKeyser:Yeah. Um, so Tom sent me a series of one of one script and, um, I was writing my own two spec scripts. And then I moved to LA with $3,000 in cash.Michael Jamin:And where, what I always, I I have to What part in LA did you live at first?Dawn DeKeyser:I lived Endless Field, which was being hailed as the New West Village of LA and it is not. And I was living right on Vermont Avenue and I slept on my bathrobe for the first two weeks until my stuff came from New York.Michael Jamin:But you had a place all by yourself or you have roommates?Dawn DeKeyser:Uh, no, I had a place to myself. I mean, it was $700 for one.Michael Jamin:Mm-hmm. . That sounds about right. That's a good deal actually. Uh, even then, that's a good deal. So, okay. And then, and then how did you find a, how did you finally get work?Dawn DeKeyser:So I was writing these spec scripts and I sent them them to Bill Diamond and Mike Sal. Mm-hmm. . And when I moved out to LA, they were my first meeting.Michael Jamin:But How did you know them?Dawn DeKeyser:Through Tom? Because they were baby writers on the show. Oh,Michael Jamin:Right. Yeah.Dawn DeKeyser:And they said, you know, we thought you were just gonna be some gal who want, who had this idea of writing for sick homes, but you know what you're doing. Right. And I was very happy about that. They didn't give me my first break,Michael Jamin:But they, but they weren't, they were just staff writers at the time.Dawn DeKeyser:Yeah, yeah. Which is fine. You know, I thought the first thing I needed to do was build a community. So I took a UCLA extension class at night and on the last day of the class, everyone was filing out. Someone turned around and said, you know, the deadline for the Disney Writer's Fellowship is tomorrow. You have to have your work postmarked by then. Okay. And I ran home and got my stuff in the mail the next morning. And, um, I sort of like that intro that I just talked about my life, I sort of put some of that in the essay that you write for what's your unique background. And, um, and then sent in a, uh, a Murphy Brown, maybe. Mm-hmm. , I'mMichael Jamin:Not sure you had a bunch of specsDawn DeKeyser:Probably. No, I had, because I'm very methodical, I would spend six months writing each of them. Okay. And that's night and day work shopping, doing writers groups, doing punch up mm-hmm. , um, until I felt like every page that your eyeballs land on made sense and was good and had a joke and you knew where the characters were going.Michael Jamin:Before we skip ahead, you said something I thought was really smart, you said you wanted to build your community. Right. Because a lot of people don't even think about that.Dawn DeKeyser:Yeah.Michael Jamin:So you knew you wanted by, you knew you wanted help or you wanted, like what, what were you looking for?Dawn DeKeyser:Well, I knew that I didn't know anyone here. Tom was off on his own, uh, fabulous life. I knew a girl from Dallas from years before, but, um, there was, there was no one that I could send my stuff to and I did cold calling to the agents and that didn't work. Doesn't do anything. Yeah. And so in the UCLA classes, I would usually, if you've got a group of 20 people, there's two that get it, let's say 10%, they'reMichael Jamin:Get what get you or what do you mean get it?Dawn DeKeyser:I mean, they get what the, they are really there to learn and to be in that field. Mm-hmm. some others, you know, just they, it's a fun class to take. Right. But you can tell the two or three people that are very, um, interested in moving their career forward. Right. So I ingratiated myself and said, Let's form a writer's group. And that was okay. You know, that was fine until you start meeting people through them, they bring in their set of information that you don't have access to mm-hmm. and then it just starts growing.Michael Jamin:Right? Yeah. You gotta be there. And you, you were there now, how were you making a living? You still working in advertising now?Dawn DeKeyser:So I was still in, I wasn't in doing advertising. I was temping and I had this job at, uh, Disney on the lot where I was answering phones for the head of marketing mm-hmm. . And I thought, I'm advertising and marketing. And because, um, at, on the second day, he came out of his office and he said, Who are you and why are you so bad at answering phones? Like you're dropping calls and you're, you're sending in the wrong people. And I was like, Yeah, cuz um, this is really what I do. I actually love the One Sheet movie posters that you guys are writing, so I'd like to write headlines for that. And I had secretly gone into the files to see what their freelancers were invoicing them.Michael Jamin:Interesting.Dawn DeKeyser:And he said, Yeah, I don't think you're right for that. So I brought in my portfolio the next day and he said, I think you're right for this. So I started picking up freelance for movie posters,Michael Jamin:But that was not, See some people think that that's how you break in, but I wouldn't think that that's how to break in. That's just how to make a book. Right.Dawn DeKeyser:What do you mean? Like,Michael Jamin:Well, like that wouldn't, working in that advertising side for Disney wouldn't get you, you know, you're on the Disney lot, but it wouldn't get you as a sick, you know, get you work as a sit home writer.Dawn DeKeyser:That's right. So that predated getting into, so I got in the Disney Writer's Fellowship, Right. Um, that was over the course of like a two, two month process of interviewing and meeting with their executives. And I went into that meeting thinking, this is what I moved out here for. And they said, So what is your plan if, if this doesn't work out? And I said, This is going to work out. I really can't imagine y y'all finding someone better or more dedicated to doing great work. I really wanna do this. I wanna work with my heroes. I wanna work with people that will make me a better writer.Michael Jamin:And who were your heroes then?Dawn DeKeyser:Well, weirdly enough, um, I had top a top five. One was Diane English, one was Chris Lloyd, the, the writer. HowMichael Jamin:Did you know Chris Lloyd? But yeah, I was so surprised you from, how would you know, how did you know Chris? Like how was he? He, Diane English? Yeah,Dawn DeKeyser:Diane English. Um, Chris was,Michael Jamin:Was he running, He wasn't running Fraser then?Dawn DeKeyser:He was like higher up on Fraser.Michael Jamin:Wow. Okay. Yeah. I'm surprised you even thought of him. But I mean Yeah, he's great. He's a he is a great writer forDawn DeKeyser:Sure. Yeah, he is. And I can't remember the other three, but within the first two years of breaking in, I worked with all five of them.Michael Jamin:Wow. Wow. Now, what was the fellowship like? Cuz we did the Warner Brothers Writer's Workshop.Dawn DeKeyser:Yeah.Michael Jamin:I'd rather you talk about it. What was the Disney one like? What was your experience there?Dawn DeKeyser:It was so great. They picked five people. I think they had in that year, um, 3000 applicants. They picked five of us and Wow. That's it. Pardon?Michael Jamin:That's it. That's, I can't, I I didn't, I didn't know it was that small.Dawn DeKeyser:Well, it's, I think it's bigger these days. I think they take on 10 or 20, which is good. And they have a, they had another five fellows that did only film. And our five, you know, I'm still in contact with today. We would meet, um, twice a week at each other's houses. And then usually once a week or every two weeks we'd go to Disney and we would pitch where we are with our specs script. So it was a small, like a small stipend that paid the rent. OhMichael Jamin:Wow. And those five, all five went on to work?Dawn DeKeyser:Um, not consistently. Not really. Okay. But that again, was just, I think it has everything to do with focus. Mm-hmm. . Um, and I'll talk about that a little more of like, if you, if you are not, if you don't pick a lane, I am a sitcom half hour multi-camera mm-hmm. writer. That's what I wanna do.Michael Jamin:That Right. I, I so intriguing. Cause I say that I've made a number of posts about this that Yeah, put yourself in a box. People like, but I don't wanna be in a box, Put yourself in a box and you worry about getting outta the box later. But right now you need to sell yourself as who this is what you are. Why do I do? That's right.Dawn DeKeyser:That's right. And, and so many new writers are still struggling with that. And I said, People cannot help you if they don't know where to put you. Yeah. And so if you say, Oh, I write drama and comedy and romance, it's like, that's great for you, but I only know comedy writers. Right. So I don't think I'm gonna even help you because I don't know if you're really connected with that or with drama orMichael Jamin:How serious you are about it. Yeah, exactly. Market yourself. Make it easy for people. Yeah. You know? Yeah. What, See, it's, so sometimes I, sometimes I wonder, am I just bullshitting? Am I making this up? You know, am I the only one who feels this way? No, I don't, I don't think, I think I'm saying stuff everyone else thinks, you know, agrees withDawn DeKeyser:You are not alone. And you're getting such great information out there to so many people. It's really spectacular.Michael Jamin:You're very kind.Dawn DeKeyser:You're fan Michael Jam. ButMichael Jamin:That's me. So then, okay, so then okay, then what you have. All right.Dawn DeKeyser:So then I was in the fellowship and they put, they don't promise, but they say, we may place you on one of our Disney shows. And that's where I went onto All American Girl. Mm-hmm. . AndMichael Jamin:It, Were they paying you? Cuz I'm Warner of Brothers. If they staffed you in one of their shows, you get, at least back then you would get, you work for like a third of scale. A third. But was that the case on Disney?Dawn DeKeyser:We didn't get paid, but we got paid for the scripts that we wrote because they were already paying. Like, more brothers doesn't pay youMichael Jamin:To pay. Right. No one of those you pay to get in.Dawn DeKeyser:Oh yeah.Michael Jamin:We paid. Yeah. We, we paid like, I think it was like $400 each or something. But I think it's way more than now. I think it's a lot more now.Dawn DeKeyser:Hmm. No, they, they would place you as free labor on their shows. And it was my first experience in the writer's room. It was hard. I had trouble being heard. And I did end up, we had an order for 13 episodes. I ended up writing three of them.Michael Jamin:What was your three? That's that's a lot actually for a staff writer. I wonder why weren't you, you must have been scared.Dawn DeKeyser:They liked my writing. They liked, like, I spent again, it was like, I really sweated it. This is another thing that I, that I stress to writers is sweated, you can't make a lot of money if you're not putting that amount into your writing and your own career. SoMichael Jamin:Yeah. So 13, that's a lot. And but what was it like? I mean, were you okay? I always think that when we first kinda just shoot me, I was like, I'm in over my head. I am in over my head. Yeah. How did you felt? The same wayDawn DeKeyser:I am in over my head. Um, I, yeah, I, it was terrifying. And I realized that I wasn't a match for people who had been in writing rooms that were louder funnier, more obnoxious, mostly just louder. Mm-hmm. . So I sat next to this one writer and I, I'd whisper things to him to see if he could pitch them for me.Michael Jamin:And did he? Yeah. And, and they went over and then did he give you, did you say as dope? OhDawn DeKeyser:Yeah. Yeah. He would gimme credit. But you know, I said I don't even wanna push that. I just wanna see.Michael Jamin:Right. IfDawn DeKeyser:You're on the right game. Well, I wanna be part of this game, but I don't know how to play.Michael Jamin:Yeah, right. Exactly. Right. And it takes several, How long did it take you before you felt like you knew how to play? How many years?Dawn DeKeyser:Um, well that's the interesting thing because my next job was on news radio. Right. And I, I have all, I had felt like an all American girl that I was getting my, you know, sort of getting my feet under me. But that was, they were kicked out from under me on this, on the next actual staff job that I have. Right. That I had. And it took me, um, quite a long time to feel okay in the room. And it really wasn't until many years later when I was in the ugly Betty Writers' room because the, you had drama writers there who were so great about staying on focus with the story and not performing and the performance of the comedy when you do a comedy pitch. I was scared ofMichael Jamin:Oh, interesting. So cuz they don't have, obviously when you're doing the drama you don't have to be funny. So they're basically just talking about the story points. Cause I haven't really worked on it and they're not, Yeah. They're not hoping the joke will land cuz there is no joke.Dawn DeKeyser:It was so weird to, um, go out on, on an act with no joke. It was like, what? Wait, we can just cliff hanger like that. .Michael Jamin:Do you feel like these drama rooms are more civilized because of that?Dawn DeKeyser:Yeah, definitely. They were also, they were just more writerly and, um, more mature. And I, you know, I say that sitcom riding was a full contact sport. Mm-hmm. . And I didn't realize that when I started I wanted to be around really funny people. And it was so much work for me. There was the whole other aspect of being a female writer and oftentimes the only woman in the room.Michael Jamin:Why? Talk about that experience a little. What's that like?Dawn DeKeyser:Well, it sucked .Michael Jamin:It, it sucked. It sucked.Dawn DeKeyser:It wasMichael Jamin:Sucked. But not all the time. Just sometimes or all the time?Dawn DeKeyser:Every timeMichael Jamin:On every show. Every show.Dawn DeKeyser:No. If there were other women in the writer's room, it was a little less terrible,Michael Jamin:But still terrible.Dawn DeKeyser:Yeah. Yeah. Mm-hmm. . It wasn't until I got into dramas and then dramas that I just felt like, okay, I can, I can do my work. I could be funny. I'm much funnier on the page and I would just think, Oh God, I gotta get out of the writer's room so I can be funny. Right. So that was not the best strategy.Michael Jamin:Right.Dawn DeKeyser:Um, and I was the only woman on news radio that year. Andy and Eileen were there and they left after a few episodes.Michael Jamin:Right. But Right. But you overlap with him. Right. Cause that's how I, that's how I met you through Eileen I think.Dawn DeKeyser:Oh, probably. Yeah. Yeah. That's right.Michael Jamin:And you know, they were both very, I remember I'd just shoot me, both of them. They'd pitch a line, like a story, uh, idea and then, you know, people Oh, that's good. And like, how do you know it's good? How do they, like how are they doing this? Like how do you know? You know, Anyway, but I thinkDawn DeKeyser:That's, I don't know. Would you say that it helps to have a partner? Oh yeah. Yeah. Yeah.Michael Jamin:For sure. It helped a lot. I mean I, you know, the two of us were clinging to each other for, you know, for dear life. . Um, I think definitely it's that way more intimidating to do it all to it on yourself. But how do you, what do you like, what do you experience even now or like lately when you have a staff writer who feels the same way that you felt like what, you knowDawn DeKeyser:Yeah.Michael Jamin:What goes on there?Dawn DeKeyser:Well, um, working on pilots, there was one young girl who came in and just to sort of observe mm-hmm. and I just took to her because she was so, um, she had a script in a big binder with all of it color coded with all of her nose. I was like, Oh my God, you're after my heart. Um, becauseMichael Jamin:She's so prepared. People, young writers come in prepared sometimes. I'm alwaysDawn DeKeyser:Yeah, they do. And I just said, You are after my heart. I will help you in any way that I can. And she was working for, for quite some time. I think she lives on the East coast now. Right. It's that, um, it's that showing up prepared and really earnest. Like, I love that. I kind of love when people try a little too hard and sometimes it can be cringy. I'm like, Yes, I get it. That's me.Michael Jamin:But do you have you also, cause I've experienced young writers who kind of don't under, they don't know what they don't know as well, you know, as well and they kind ofDawn DeKeyser:Yeah.Michael Jamin:Argue or overstep and, you know, have you experienced that?Dawn DeKeyser:Oh yeah. And the, one of the first things I say is, do not litigate. Do just, just take it in. And it's also the, um, once you learn how to take notes on your script and realize that it's not personal, get out of your own fucking way. Get outta your way. Because after like being in writer's groups, we had rules about how we gave notes to each other. And the person getting the notes has to shut up. You cannot explain why you put something in a script. It's like, I don't care why you put it in there. Here's me as a reader is not getting this part of it. Right. And there's been plenty of times I'd be giving people notes and just like in classes or writer's room. Um, Yeah. Classes a writer resume. And I could tell that they didn't want the note.Michael Jamin:Yeah. Oh well no one wants a note. . Yeah. I mean,Dawn DeKeyser:I mean just like basic stuff, especially in writers' groups where if, if they are arguing their stance and their reason for why they wrote something, it's like, Oh, I get it. Okay. You're good. You're good to go. All all's good.Michael Jamin:Right. Right. And so this, see, it's so funny how we have the same, like we've never worked in the same show. We've had so many the same exact experiences.Dawn DeKeyser:Yes. Although I would, I would, Oh you said venture to mention that. Um, you know, and some writers' rooms, it's like, I was not safe. I was commented, my body was commented on when I would walk into a room and when I would leave a room and I was told to suck it up by my agents because it was a really good show. OrMichael Jamin:Do you think they were trying to be funny or were they're being sexual harassing? Like, you know, what were they trying, what was the Oh,Dawn DeKeyser:Sometimes it was just trying to be funny. But, um, it was funny at my expense I say I was humiliated for sport on a particular show. Right. And they were cruel. And they were also like, my agents came in after one of our show tapings and they looked around the office and went, Oh, I see what you're talking about. It smells like rancid cheese in here. The guys were walking around in boxer shorts. They had brought futons to their offices cuz they were just staying there.Michael Jamin:So like, cuz the hours is terrible. Yeah,Dawn DeKeyser:Yeah. And they also had jars of their pee in the offices because I thought that was hilarious.Michael Jamin:Yeah.Dawn DeKeyser:So that's, that's not just being like, IMichael Jamin:Dunno. And it's interesting that you, you were able to speak up about this because this was before people were really speaking up about this. You know what I'mDawn DeKeyser:Saying? I didn't, I didn't, I mean, I didn't until more recently. That's a really,Michael Jamin:To your agent at least you did. You know?Dawn DeKeyser:Well, I just said it's so hard. I mean it's so Yeah. And that my agents were womenMichael Jamin:And they still, And you're, they still,Dawn DeKeyser:Yeah.Michael Jamin:I can't, I want, What do you think if that were today though? I can't imagineDawn DeKeyser:It wouldn't happen today.Michael Jamin:Yeah. You'd be taking a lot more seriously, you know. Yeah,Dawn DeKeyser:Yeah. It, it, it, yeah. It wouldn't happen today. Um, that, that show ended up not hiring a woman writer for the rest of its run for like three or four more seasons.Michael Jamin:And, but from what I understand, well maybe, maybe I shouldn't say which show it was. Do we say which show it was? I know some,Dawn DeKeyser:It may have earlier, butMichael Jamin:I know some of the, like some of these shows that you were on the hours were absolutely terrible. Terrible. Like, what were those, what was that like?Dawn DeKeyser:That was like being held hostage by a crazy person. Right. And that sometimes the showrunner would be on medication and they would not be able to focus and they would just kind of keep us there. A lot of times you'd hear about showrunners who just didn't wanna go home to their wife and kids, which is terrible,Michael Jamin:Terrible, terrible. Right. Wow.Dawn DeKeyser:Yeah. Wow. So that was, that was hard. I mean, driving home at four in the morning and then getting up at around 10, um, and then getting back to the office by 10 30 or 11,Michael Jamin:Was there a lot of sitting around and waiting? Or was it all work?Dawn DeKeyser:No, it was a lot of sitting around and waiting and storytelling galing each other. Mm-hmm. , you know. Geez. But, but things are not, they don't work that way anymore. Which is,Michael Jamin:Yeah. I don't think so. You gotta, yeah. When you get, that's a bad situation. Uh, sometimes like we, you know, we did a couple bad hours like on just shoot me, but it was never, cuz we were dicking around, it was because like a story blew, blew up and we had to work till four in the morning. That was a couple of those. But it wasn't, cuz it wasn't ill behavior. It was just, that's just the, you know, sometimes that happens.Dawn DeKeyser:Yeah, for sure. And you know, people like Steve Levitan and some of the other guys you've worked with, they are not there to make a point or single someone out just for fun. Yeah. And you guys, you and Sea were as showrunners, you would never do that. You would never write that.Michael Jamin:No. Our goal was always to go home early. That was, how could we go home early today, , what could we do to get the work done, Have a, have a good hour. Um, but what about developing when you, you know, come up with your own ideas? What's that? How does that work?Dawn DeKeyser:That was, um, that was usually, uh, someone that I'd be in the writer's room with. They would come to me and say, I've got an idea. Do you like this? Or we would pair up just for the pitch.Michael Jamin:So most of your develop, Okay. So people ask me about that. Can you, can you work independently or can you work with team up with people? Cuz we, we, you know, that's what you did mostly.Dawn DeKeyser:Yeah. And when I was, um, like I'd say mid-level writer mm-hmm. , it would behoove me to go in with a showrunner or a co p Right. And, um, just so that I could to have those meetings and kind of get the lay of the land until later when I would writeMichael Jamin:Around.Dawn DeKeyser:Yeah.Michael Jamin:But in the beginning, were you, were you kind of working under them or were you literally together.Dawn DeKeyser:Together. Okay. Together.Michael Jamin:And, and then now, okay, now when you come up with an idea, how does that work alone? I mean,Dawn DeKeyser:Oh, it was, it was great. So we're, we've been talking mostly about the nineties and then after a few of the shows, like I, I went to work through the rest of the nineties, but I did definitely get the comedy knocked out of me. Um, I went on to do a series of shows and over that time there were less and less options because we had the game shows coming in and reality tv. And by 2000 I went to rehab and it was very helpful. I mean, you know, I got this shit kicked out of me and I was no match. I was not cravenly ambitious. I was just always grateful to be there, which doesn't give you any control. And with, with my, it was a short stint and I was able to piece things together. I also took jobs for shorter amounts of time. Like if they had a full year season, I'd say I'll work the first 13.Michael Jamin:What if they pick, what if they wanted you for the back nine or whatever.Dawn DeKeyser:Then I said, I'm not available. And I'd move to New York and just kind of in between each show I had to do a lot of repair. I just had to sleep.Michael Jamin:Interesting. I I, I didn't even know that was an option. Like that's kind of, I that's kind of unusual to kind of good for you. Like, you're calling the shots, you're saying this is what I'm willing to do. I don't know anybody who does that, who can do that, I guess.Dawn DeKeyser:Well I wasn't, um, I couldn't, I mean financially it was not the thing to do, but mentally I knew that I had to not put myself in harm's way. Right. And, um, I always, it also had advertising to go back to occasionally. Right. So, um, you know, by, I would say, so I continued to work. I'd pick up an episode here, um, less staff drops available, but I just kind of eked out a living. It wasn't the trajectory that I'd started on. Right. And I was okay with that.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michael jamin.com/watchlist.Michael Jamin:Basically this is the, the interesting part, which I don't really talk about a lot on anything is the economics of really being a writer. Because I don't know, we don't just talk about it, but cuz we were saying, you know, you kind of, you kind of, you were calling the shots. You're saying, this is what I'm willing to do. I don't want, I'll work this much, I don't wanna work that much because it's not , it's not good for me, my mental health. And I get that. Um, but so then to kind of to, you know, had to make, to make ends meet, you also have this other project that you've been working on and I wanna talk about that.Dawn DeKeyser:Yes. So I think we, uh, we were talking about 2000 rehab, excellent. Mm-hmm. very helpful. And so it was on the heels of that that I was starting to piece together what I wanted my life to look like, which was not working 18 hours a day with difficult people. Yeah. So I would, I would take my jobs for shorter amounts of time. Like if a, if a show had an order for 22, I said I'll work on the first 13. Right. And then I would generally go to Texas or New York and then just repair in between shows. And it, financially it was not a strong way to do it. But, um, I wanted to circle back a little bit on the, the rehab stuff. Um, you had asked at one point about did I, was I an AA and I wanna say that that never worked for me.Dawn DeKeyser:And there was this book a few years back called Quit Like A Woman. And it's about, it was by H Whitaker and it's about smart recovery. And one of the things that just made so much sense to me was that AA is a AAL system. And one of the first things that they ask you to do is give, give away your power. And the thing is, we women are rendered powerless in so many situations already. Why the fuck would I wanna go into a meeting and, and not have any agency over myself and my decisions? So that's a part of smart recovery and I love it. I think it's reallyMichael Jamin:Do do you meet as as often as, as somebody you know, in, in the group or, you know?Dawn DeKeyser:No, and the thing about it is, um, I'm sort of a social drinker. I don't have an issue with that anymore. And it's really about like, if you have a drink, you don't start at day one. You just, you figure out if you wanna manage your use of anything or, um, if you don't want to . Right. And, and it's just, um, it's just less, um, punishing Right. Say so. Um, and I know that, you know, we're writers, we're tender souls and we feel a lot. And I just wanted to get sort of, get that out there. That's something that's really helped and resonated withMichael Jamin:Viola Davis said something like that, you know, obviously not a writer but an actor, but she said, I guess I can't remember what it was about, but she's basically saying someone criticized her for having thin skin. And she goes, I'm supposed to have thin skin. That's, I'm an artist. Like I, you know, I'm not supposed to have thick skin . I'm supposed to feel things and express things. YouDawn DeKeyser:Know? That's right. That's right. I mean, that's what we do. We do. And um, we feel things and then we express them and we write them and we get it out there and people get it. They understand that. Um, you can't be general in really good writing. You gotta be specific.Michael Jamin:Right, Exactly. Specific. Yes. Yeah. Well tell but tell me about your summit.Dawn DeKeyser:Okay, so sumMichael Jamin:It up.Dawn DeKeyser:Sum it up. Um, one, sum it up. One of the things we don't talk about as writers is all that dead air, that space between gigs or the fact that the seasons are shorter now, and there's the writing staffs are smaller and the industry expands and contracts and the summit called writers making money. Lose the ego, tap into your talent and bring cash in during these weird ass apocalyptic times. I'm said that earlier. And, um, it's really about what are you doing for passive income investing? How are you keeping the lights on mm-hmm. and these, So I talk to money experts and mindset coaches and, um, we talk about things like cash machines, which is how do you bring in a little bit just in passive income? It's not hard. Um, if you have lazy assets, like my IRA's been sitting there doing nothing for a long time. And, um, we talked about what types of entities as a creative person you need to set up and forget it'll run on its own without you. But just getting all of that in place. And so, uh, in 2020 my life imploded mm-hmm. . And after that, and I'll just say a little bit like in 2020 my house flooded and I lost about 50 years worth of furniture, clothing, art, stuff like that. And then my husband, um, emailed me d divorce papers.Michael Jamin:Right. And then it gets worse,Dawn DeKeyser:And then it gets worse. And then covid hit. And then while the house was being torn apart with asbestos, tenting, my daughter and I moved into one corner of the house during, while she was in virtual school, I lost my dream job. I lost the house. And then we just decided to go and spend time in Woodstock, New York with friends, which was good. And then we came back in November and about that Thanksgiving, my husband passed away. Right. So that was very hard. And, um, I spent after, you know, we went through the grieving process and then after we , just after we got that done, after we were cured of that , I started into just figuring out again, what do I want my life to look like in my career? And I still wanna write. And so I started taking business classes, business coaching, leadership training, um, and talking to money experts and just like, what, how am I setting myself up for generational wealth? Which is something that I didn't look ahead, I didn't look to, excuse me. And then my daughter got into college, which was amazing, and she's in New York now. She's at the number one design school in the country, Parsons. And we said yes. And then I looked at the, how much it was gonna cost and out. Oh. And also in 2020, all my money kind of evaporated, unbeknownst to me. So I was really starting from scratch with no home address. Right. And, um,Michael Jamin:What do you mean your money evaporated? What hap what do you mean?Dawn DeKeyser:Well, um, my husband was, um, he was not, well, he was very troubled and very ill. And that kind of went with him. SoMichael Jamin:He, Okay. So he learned,Dawn DeKeyser:He found out that we were a few hundred thousand in debt. So again, all that doesn't matter, it's just money. So we find out that Ava's college is 80,000 Right. Thinking, you know what, we're gonna do this. We'll just figure out a way. So for the last 18 months, I have been figuring out ways to set our lives up and start bringing in money in a different way outside of tv, outside of just writing as a creative person. And it's working and I wanna, and I just want people to know that there's, IMichael Jamin:Share that that's important cuz you know, creative people, like, we don't go into this profession, at least I don't think, you know, we don't go into the special to become middle managers. We don't go to become to know about money because like, you know, I think that's part of, also, I'm not excusing any of the bad behavior in TV shows, but no one becomes a writer because they wanna manage people. They go because they just wanna goof off and be creative and do whatever and that. But the problem is that can, that can affect people, other people working underneath you, you know?Dawn DeKeyser:Yeah, for sure. You know that as a showrunner. Yeah. And you work up through the ranks because of your writing talent and then you're suddenly in an administrative position, Right. As a showrunner, right? Yeah.Michael Jamin:Yeah. It's like, I don't, I didn't want, I don't wanna be the boss, I just wanna be a writer. But, but this is how it is now. Now you have to manage people. So anyway, so, but, but so that's why I think what you're talking about in your summit is important. So Yeah. Tell us more about it. Yeah.Dawn DeKeyser:So I think it's really important because we are, this is gonna talk about, um, using your left brain in a right brain industry mm-hmm. . And it's not that hard. It's not that scary. I talked to this one woman who's known for her millionaire maker series, and I started working with her this summers. Like, what am I, I'm doing everything wrong. I know that, and I've made money and I've spent it, and I would kind of like to not do that anymore. And her team is, you know, they're talking about how to get me set up and any of their other clients and it's been just a complete game changer. Right. Like, it just, um, and she's very intense and very complex in all of the knowledge that she has. She's not a Susie Orman or Dave Ramsey where they talk about saving mm-hmm. and don't have that latte in the morning.Dawn DeKeyser:And she says, Oh, you know, fuck all that live. You're like, make money and do the right thing with it because we just aren't ever aware of what to do. Like lazy assets. My IRA sitting there, and now I'm going to instead take some of that out and put it into a, an investing group that will, will put money into apartment buildings and real estate. And y'all who have houses out here are, you know, that is great, but it's not a financial strategy. Mm-hmm. . And anyway, so I was excited about learning all of this, especially on the heels of having to reconfigure my whole life. And I just wanna get it out there.Michael Jamin:Yeah. You had, you did a giant reset. A giant reset. Yeah. Very overwhelming. I I'm getting nervous just thinking about what you did .Dawn DeKeyser:It was, um, it was weird. It was, yeah. It was really hard. And, um, yeah, I am grateful. Like I'm grateful for my life. There's one of two ways you can go when tragedy happens. And that is, you can stay in it and think of the all the other bad things that are right around the corner mm-hmm. or, um, you can pick yourself up and get going in a completely different way. That's the, that was the, the real impetus for me is like, I wanna do things differently and Oh, and there was something you said about h hustling. Yes. Yes. Um, so I'm, I'm now putting questions out there and answering them and not even giving you any air time . Like, we all hustle, we all get that, get the work done. One thing that I wanted to do in this new reset was to not hustle as much what I do. I'm working a lot, but at home on my own schedule. And if it feels like it's getting stressful or sense of urgency, I take a nap. Right. I just slow down and I wanna do it in a more peaceful way.Michael Jamin:Right. That's so interesting. And so people can learn more about your, the summit@dawntokaiser.comDawn DeKeyser:Slash writers making moneyMichael Jamin:Back slash writers making money. And so then when is the next one?Dawn DeKeyser:It's going to be October 17th through the 19th. So for three days we have, Oh, sorry. For three days we have nine speakers. Right. And each day we'll talk like one, I talk to an actress who is now writing this really fabulous, um, children's book series. She loves that. She's like, I still act, but here's something that fills my heart. Right. Um, talking to Laura Lang Meyer, who's intense, she's still intense. Um, and she is all, she's, she talks about money in a way of let's get everything. Let's not have your bookkeeper talk to your cpa, talk to your business manager. She's like, We just do everything and, and all in one place, which is what I,Michael Jamin:And we should mention, this is all free for people who want to join the summit. Right. It'sDawn DeKeyser:All free. It's free, free, free. So you just sign up, give me your email and your name, and you'll get access to all of that.Michael Jamin:Right. Right. Yeah. And then, but then you and you also have a consulting business, a script consultingDawn DeKeyser:Business. I do. So all that's gonna launch to, I am all about putting everything off to the last minute. So that launches next week, and that'll be on my dawn de kaiser.com website. I'll do, I'll be doing script consulting, um, coaching for creatives and the writer's room. We're going be, we'll meet once a once a weekMichael Jamin:About,Dawn DeKeyser:Yeah. We'll do guest speakers and q and a and then writing sprints.Michael Jamin:Once a writing sprintDawn DeKeyser:That is kind of a Pomodoro style I put on a timer and heads, pencils up, heads down.Michael Jamin:Oh, okay. And then you give a little short assignment. PeopleDawn DeKeyser:Not even, you know, I'll say, set your intention at the very beginning of what you wanna accomplish in the next 25 minute sprint. Okay. And, um, and we just do check in. It helps to get online or, you know, to check in with other people. Your Facebook group is really going strong and people are finding each other there. Mm-hmm. . And that's been really helpful for them.Michael Jamin:Yeah. Yeah. Interesting. You got a lot going on.Dawn DeKeyser:Yeah. Um,Michael Jamin:Now I wanna talk about when you're, when you're on a a show, like what's, what's your experience like working with new young writers and and what do you see? Dos and don'ts?Dawn DeKeyser:Yeah. I see the ones that really, that just grab my heart are the ones who try really hard. Mm-hmm. , they are like, to a cringy point, like I love that. I was working on a pilot and this one young writer came in, she was gi given a shot and she had her script in a big binder, three reading binder with all of her color coordinated post-it notes. Mm-hmm. that. And, and I just thought, she's after my own heart. Like I, that's She was prepared. She was prepared. That's right.Michael Jamin:Because sometimes new young writers, they'll look at the boss and because the boss very often isn't really prepared because, you know, they got a million things going on. Or even some of the upper level writers are kind of play it loose. But, uh, and so some of 'em think, well, if the boss has got his feet up on the, or her feet up on the desk, so could so can I, I'll just do what the boss is doing. . But you're not the boss. YouDawn DeKeyser:Know, you have not earned the right to put your feet up on the table yet.Michael Jamin:Right. So you, But when you see people come in prepared, uh, you know, I like that. I like, sometimes they'll, like, they'll say, I have a pitch. I'm like, Oh good. I, they'll say like, I have five ideas. Well let's hear 'em. I don't have any ideas.Dawn DeKeyser:That's right. . That's right. Yeah. It's just, it's just sort of, um, you know, not taking it personally mm-hmm. . And uh, I see a lot of writers who litigate their script. Mm-hmm. ,Michael Jamin:They overstep. Right.Dawn DeKeyser:They do. And they just argue for the, they don't need to argue. Mm-hmm. , they, their work is on the page. It either is working or it's not. And you are in a room with professionals who will tell you mm-hmm. and you don't need to explain to them what you put in the script and why, because they don't care. It's not working. Right. Right. So yeah. It is that losing the ego part of it.Michael Jamin:Yeah. It's, it's hard for people to, it's hard for young writers to accept that. Um, and they don't see it yet. And then as you get older, and then sometimes I feel like, ah, I, I'm like, crouchy the old guy. Um, but I, I don't, I don't think so. I think like you just, you have the experience. It's like, I don't wanna argue with you. I, you know, I know from experience that this is how, this is how it's gotta go. This is what this is. What you presented is not gonna work. I just know. I just know that, youDawn DeKeyser:Know. Yeah. You've, you've done your time.Michael Jamin:Yeah. Um, and do you feel, But how do you, and I think I I I, we talked about this a little bit. How, how do you think people are breaking in today?Dawn DeKeyser:Oh, that's right. I said I do not know. I have no idea. Yeah. I have no idea. Um, what you and Rob Cohen talked about was just coming in from all different angles. Like mine was a winding road getting here. And um, some of it worked, some of it didn't. But, um, that, yeah. It's like no one is going to give you a career. They will give you a shot. Right. And that's why your work has to be outstanding. And I say, not good, not great. Outstanding. And you'll get work. You know, I, I just, um, and there are so many,Michael Jamin:Cause some people think, well, it's good enough or it's better than what the garbage that I see on tv. And they think, well, you know, Okay, okay. Maybe it is, but it's, you know, that's not good enoughDawn DeKeyser:That, But people have been saying that since I started in tv. It's like, Oh, it's better than what's on the air. No, it's not .Michael Jamin:No,Dawn DeKeyser:No. You, you are competing with a room of 12 professional writers who have each other to bounce it off of. And there's a reason that they write all of that. It may not end up great. That may be for all these reasons that you have no access to, which is network notes or, um,Michael Jamin:Acting notes. The actor you can get it from. Yeah. Um, there's a lot of reasons even, you know, I haven't really talked about this a lot, but even writing a bad television show is hard. Even writing bad TV is hard, You know,Dawn DeKeyser:, it's so hard. I worked on this one show that was a drama but just inadvertently a comedy. It was so terrible. And I think we got written up in the Hollywood Reporter for it just being so campy. We weren't going for campy, we were just trying , We're just, just trying to get the scripts to the actors.Michael Jamin:Right. How funny. Do and, and do you find, I think we, we've talked, I don't remember we mentioned this, but do you find working cuz you kind of transitioned to from comedy sitcom to DRM or, and even drama, like, um, and I think you were talking about even more chill. Like what? Cause I hadn't worked in drama, really. So what are the differences in the writing room, the writers' room forDawn DeKeyser:That? Yeah. It's a, it's a's a huge difference. So, um, 2017 Me Too movement mm-hmm. , um, that was a game changer for people like me who had been dragged around a few rough corners. And, um, it did change the, it changed the personality of a lot of writers' rooms. As, as you know, for me, um, comedy was always kind of a full contact sport. Mm-hmm. , you'd be in the room with comedians, performers, writers, and there would be jumping up and down and just, it was a lot of performance. And so Right.Michael Jamin:Because you gotta sell that joke.Dawn DeKeyser:You gotta sell it. Right. You gotta sell it. No one else is gonna sell it. Um, so I, my first job in drama was Ugly Betty, but they had, half of the staff was comedy writers, which hadn't been done a lot or before. Right. So what I noticed was that the drama writers were so writerly and they were so not worried about selling the act break and getting the big joke out on a beat or a scene. And it was, it was so great. It was so great to talk about the story and not about not worry about how you're gonna sell the joke for me. Right. I, I liked that part of it. And then I went on to be in other drama rooms that were just very respectful.Michael Jamin:And how did you make that transition? You had basic, cuz it's not like you could just jump from comedy writer to drama. You ba you're kind of starting overDawn DeKeyser:Kinda, you know, I didn't look at it that way. I will say that drama writers don't tend to become comedy writers.Michael Jamin:Right. Right. It's, it's a one, right? You, if you can write comedy, you could probably write drama, but not necessarily the other way around. Right.Dawn DeKeyser:Right. I mean, it's just a whole different muscle. Um, I don't know. I think I got this shit kicked out of me in comedy, so I thought, I wanna be . I'm now more serious.Michael Jamin:But now you started writing sample, you had to write samples. You gotta start as if you'd never done ob cause you'd never done it before. You had start writing drama samples.Dawn DeKeyser:That's right. And I found that the agents did not want to marketing me that way. You know, I've already established myself and, and they would then have to hand me over to a different set of agents.Michael Jamin:That's interesting. Right? Cause I talk about this. Well, so many people think that soon as I get an agent, how do I get an agent? They say this all the time. How do I get an agent as if that's gonna help at all? You know, that's not gonna change your life. Once you've, you know, once even when you become at your level, you know you're in charge,Dawn DeKeyser:Right? Yeah, absolutely. And I didn't get an agent until I was, I'd won some script writing contests. I was in the Disney Writer's Fellowship. I was writing all those scripts on one of their shows, and I still couldn't get an agent. StillMichael Jamin:Couldn't get an agent. Yeah.Dawn DeKeyser:And so I called, I contacted CAA and uta and they're like, Yeah, no, we're very interested. And no one would pull the trigger. So I called CAA back and said, Yeah, I'm going into UTA this afternoon. And that's when I got the offer. And then I called uta. I said, Yeah, I'm gonna go on, go ahead and go to CAA this afternoon.Michael Jamin:And Wow. So you were just bluffing? Yeah. Wow. Interesting. Yeah, we, for a while when we, um, God, where were we? I think we were at, uh, Endeavor. Mm-hmm. . And we weren't getting much. Um, we, I guess we weren't getting to kind of help the support we needed then as soon as, but as soon as we threatened to, to go to uta mm-hmm. , like everyone was called suddenly, suddenly they wanted to talk to us. .Dawn DeKeyser:Yeah. Yeah. That'll get them sitting up straight. Yeah.Michael Jamin: good for you. That's hard. That's, that's, uh, gutsy. But, okay. So then, um, but in terms of breaking stories, it, is it kind of the same on a, on a drama forDawn DeKeyser:Yeah. It's kind of the same. Instead of going out on a big blow, you go out on a big cliff hanger. Right. AndMichael Jamin:A pregnant moment.Dawn DeKeyser:What?Michael Jamin:That's, that's what I was told. It's called, It's, it's a pregnant, a pregnant moment. Like, OhDawn DeKeyser:Yes, that's right. Yes. What next? Yeah, and I, I just really liked it. I had this lovely experience working with Martha Williamson, who created Touch by an Angel. Mm-hmm. . And she's one of like the top Christian women in the country. And she was interviewed on 60 Minutes and she had quite a big career. And I had never been in a respectful writer's room before. And so I was like, Oh, we can't say fuck. And they, the two other guys, it was just like four of us. Mm-hmm. said, Oh, no, no, no. And so I thought, okay, no, I'm, I'm, I'm gonna give it a go , andMichael Jamin:I'm gonna hold my tongue when I don't have to say be crashed. Weird.Dawn DeKeyser:Yeah. I'm not gonna be disgusting. So, um, it was a really great experience. Right. That's interesting. And yeah. And the other, the dramas that I've done, and then, and then things sort of went, like I was able to write, um, episodes of Hallmark shows that's, I call that the women, the women writers ghetto. Um, cause we all, we all sort of end up there doing our cozy mysteries, which, um,Michael Jamin:It used to be, I guess children's shows, but I guess now you're saying for it's, it's home, It's, uh,Dawn DeKeyser:Hallmark has always been the family network. Yeah.Michael Jamin:Yeah.Dawn DeKeyser:Family. Family.Michael Jamin:But when you develop, are you develop on your own? Are you, are you mostly doing comedy or drama?Dawn DeKeyser:Um, comedy, No, I would say both. And I'm not developing a lot. I have had this one idea that I love so much that I'm afraid to write it. I just, I just can't seem to do it.Michael Jamin:Why? Why?Dawn DeKeyser:Because I want it to be really good.Michael Jamin:Well, why don't you make, Write it as a book then?Dawn DeKeyser:No, it's a great series.Michael Jamin:Yeah. But if you sell it as a book, then, then you can turn it as a TV show. No.Dawn DeKeyser:Mm. Book writing. That's hard.Michael Jamin:Book writing. What would I know?Dawn DeKeyser:What writingMichael Jamin:? What do you mean book writing? ?Dawn DeKeyser:What is this book thing you talk about?Michael Jamin:Um, so interesting. But, okay, so I wanna make sure everyone knows more about, I guess I, when we talked about it, I wanna make sure before we sign off, but everyone knows more about how they can get in touch with you, how they can find you and learn more about your summit and your, your consulting services and all that.Dawn DeKeyser:Yeah. So that's all coming out next week and maybe by the time this runs, Yeah, probably it's, yeah, Hope. Um, Instagram @dawndekeyserwrites TikTok @dawndekeyserwrites website DawnDeKeyser.com. And I will tell you, you know, you use your name and all of your stuff. I would, I just was so uncomfortable doing that. I was calling it everything else, but what I am doing. So now it's just my name.Michael Jamin:Yeah, I know. I was, I was a little in the beginning. I was, uh, you know, it was uncomfortable cuz writers don't, we're not actors. We're behind the scene. It's, it's weird for us to, uh, promote ourselves this way. That's not what we do. We're not act, That's what the actors we write for somebody else put them in front. So that was a hurdle for me to, I had to get over, you know?Dawn DeKeyser:How did you get over it?Michael Jamin:Um, you know, I I I'm always reminded of the Oscar Wild. There's a wonderful qu I think he said, but I'm not sure cause I can find it again. But he said you'd worry, I think he said you'd worry less about what other people thought. Think about you if you realized how little they did. Which works on two levels, which means they already think you're garbage. So what are you worried about? Or they're just, they're just thinking about themselves. And so, yeah, I just, at some point I was like, I screw it. If people wanna judge me, let, let them, they're, they're gonna forget about me anyway. I'm not on anyone's, you know, why does no one's staying up late to think about me .Dawn DeKeyser:Right, right. That's good to know. I mean, that's, that is liberating.Michael Jamin:Yeah. Yeah. You know, and I, I, I do actually, I've thought about it a lot and especially as a writer, cuz I started, you know, writing more like personal essays, more stuff about my life. And, um, and then I kind of realized that there's like a paradox about judge being about judgment and that, cause I, you know, I, I did this show and then I didn't want people to think like, my biggest fear would be to perform my work and have people think, Oh, this guy's not a good writer. You know? And to be a good writer, you have to expose yourself. Yeah. And that's the paradox. So if I don't want people to judge me, I have to put my, allow people to judge me. I have to make myself vulnerable so that they might judge me ironically. And if you do that, they ironically won't judge you. You know,Dawn DeKeyser:On your website you talk about vulnerable, being vulnerable. Yeah,Michael Jamin:Yeah,Dawn DeKeyser:Yeah. It's hard. It's hard because that's exactly right. You put your yourself out there, your heart and it can hurt.Michael Jamin:But to me, the bigger pain is having someone say, Oh, you can't write . So like, that would hurt harder . So I'd rather just ex be vulnerable. And that people Wow. Cuz people walk away, they go, Wow, how'd you do that? That was pretty brave. I'm like, whew. No, it would've been brave if I gone up there with my less than adequate work then, you kno

In Episode 20, Riely and Ida talk about the definitely just as good sequel to American Psycho, 2003's "American Psycho 2: All American Girl". It's an amazing piece of cinema. THIS SHOW IS STREAMED LIVE ON TWITCH! Check it out LIVE at twitch.tv/rielystreams

The squad turns in their snazzy suit jackets and off-white business cards to hit the books with Mike's pick, AMERICAN PSYCHO 2 (2002). Is William Shatner still a stud? Is 9/11 somehow to blame for all of the film's shortcomings? And, what does LILO & STITCH have to do with any of this?! Listen to find out if we award this film a NAY, OKAY, YAY, or SLAY!Follow us on all social media:FacebookTwitterInstagramTumblrYoutubeSlasherWant some official Merch?!SHOP HERE!*Intro & Outro Music by Dylan Bailey (IG: @thedylanbailey)* CHAPTERS:Theme/Intro (00:00:00)What We Been Consuming (00:01:43)Trailer (00:17:51)Bio/First Experiences (00:18:57)Review (00:22:01)Rating/What Do You Think? (01:15:17)Promotions (Horrific Hotline/Social Media/It Slays Podcast's Horrific Playlist) (01:21:13)Upcoming Episode/Outro (01:23:49)Support the show

Psycho 2 (9:18)Toy Story 4 (42:45)American Psycho 2: All American Girl (1:22:02)Some movies are simply unnecessary. We've already got a clean story that's wrapped up perfectly, but someone decided to cash out one more time. Sometimes, a few more times! These are sequels that simply had no reason to exist! Narratively anyways, we all see the real rea$on.There's some real Grenny potential here, as our hosts get a case of the slap happies. It's an audience centric episode next as we get closer to our 1 year celebration, so find us on Facebook, or follow on Twitter & Instagram @moviesforwhen to get yourself involved!

What is "the Mila Kunis-led sequel to a wild serial killer movie that wasn't originally a sequel to said movie but was more or less retconned into one after production wrapped?" If you answered AMERICAN PSYCHO 2: ALL AMERICAN GIRL (2002), you win nothing but the joy of having this silly movie staining your grey matter just like us! Scott picked this, sort of, and was shocked to learn that he was the reason the team was discussing it. Someone get him a bottle of gingko pills and some prune juice, he's getting old. Thankfully he doesn't look like William Shatner, who somehow plays a world-renowned serial killer hunter (who looks like someone left him overnight in a bathtub). If you like the show, be sure to Rate, Review & Subscribe! Email us at HMNPodcast@gmail.com Follow us on social media! Twitter: @HMNPodcast Instagram: @HMNPodcast Facebook Group:  Horror Movie Night Podcast | Facebook Donate to our Patreon:  Horror Movie Night Podcast is creating A Comedy Podcast about Horror Films | Patreon This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-4222c3 for 40% off for 4 months, and support Horror Movie Night.

In this episode of the Hacks Official podcast Lucia Aniello, Paul W. Downs and Jen Statsky are joined by guest host Margaret Cho (30 Rock, All-American-Girl), who makes a cameo as herself in episode 4 of the show.They discuss competitiveness and sexism in stand-up, what makes talented comedians give it all up and unpack the mother-daughter dynamic between Ava and Deborah. Plus, Margaret shares why Joan Rivers once gave her the silent treatment and some stories from being a road comedian. We'll also learn about a dark joke that didn't quite make it into Deborah and Ava's pool scene.  See omnystudio.com/listener for privacy information.

Whether you're ready or not… things are about to get both steamy and political on Episode 195. Alli and her guest discuss Meg Cabot's Ready or Not. In this sequel to All-American Girl, main character Samantha Madison wrestles with her complicated feelings about sex and the new conservative political agenda for which she's unwittingly become the poster child. There's talk of the murky business of likability, the “not like other girls” trope, the pressures of having a platform, the absurd misunderstanding that drives Ready or Not from start to finish, and models of popularity and femininity in the early aughts. Of course, there's also plenty of talk of sex — more specifically, the way it's portrayed in the book. Shauna Robinson is the author of Must Love Books. Follow her on Instagram (@shauna.robs) and Twitter (@shaunarobs).

From “Everything Everywhere All At Once” to “Shang-Chi and the Legend of the Ten Rings” and “Crazy Rich Asians,” more Asian American stories have made it to the mainstream in the last few years.  But it isn't just the big screen that's changing. Recently, more TV shows representing the experiences of Americans with East Asian and South Asian backgrounds are popping up on our small screens.  We've definitely come a long way from 1994's “All-American Girl” — one of the first primetime sitcoms to feature an Asian American family. Since then, we've had shows that have ditched the stereotypical portrayals and best friend or sidekick roles. And shows like “Fresh Off the Boat,” “Kim's Convenience,” and “Never Have I Ever” are showing audiences a more realistic view of what it's like to grow up as an Asian American.      Today, we're kicking off Asian American and Pacific Islander Heritage Month by exploring the evolution of the lived experience of first- and second-generation Asian Americans on TV.  And we interviewed a few culture critics to get their takes on the shift in AAPI representation and where we go from here. You'll hear from: Natasha Jung, founder of Cold Tea Collective                                                          Sharon Kwon, psychotherapist, social worker, writer, and mental health advocate Lakshmi Gandhi, freelance journalist and co-founder of The Lakshmi and Asha Show Want more Skimm?  Sign up for our free daily newsletter Subscribe and leave us a review wherever you get your podcasts Skimm'd by Senior Producer and Host Bridget Armstrong. Produced by Alaisha Key. Engineered by Andrew Callaway. TheSkimm's senior director of audio is Graelyn Brashear.

With backwoods bathed vocals and bona fide southern swagger, Payton Howie is leading the next generation of redneck women. Branded as the ultimate ‘All American Girl' by Scenes Media, Howie unapologetically embodies the untamed tradition that country music was built on, and she's hellbent on bringing her own grit to the honky tonk. Not many can say they've shared the stage with the likes of Carrie Underwood, and Howie is one of even fewer who can say they were handpicked to do so at the age of 5; while other kids were learning how to ride a bike, she was teaching people to expect the unexpected whenever they hear the name Payton Howie. Her singles “Freedom”, "Never Go Home", and "Country Before Me" are featured on several of Spotify's sought after editorial playlists and her debut EP, "Youngblood", has attained over a million streams across platforms. The accompanying music video for "Never Go Home" shows off her non-stop party attitude while the "Freedom" music video bleeds red, white, and blue. Having just released her newest single, "Jail and Jesus", Payton Howie is prepared to scorch country music with a brand that's hers alone.

For the first time, I'm writing a bio completely off the top of my head because, for my family, this week's guest is a hero. Our guest, Margaret Cho is a comedian, activist, actress, and so much more. She has helped create ground-breaking television shows such as All American Girl, and nine notorious comedy specials. She has uplifted people who feel like misfits, including queer people like me. And she's here to tell us all about how she got to where she is today.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the mid-90s, comedian Margaret Cho had a sitcom deal with ABC. She wanted to call it "The Margaret Cho Show" and to have Skankin' Pickle to write its theme song. But, the network wanted it to be called "All-American Girl," and they weren't keen on having a ska-punk band write its theme song. Skankin' Pickle singer/saxophonist Mike Park had already written the delightfully catchy song, "It's Margaret Cho." Since it wouldn't be playing on TV, he included it on Skankin' Pickle's third studio album, Sing Along With Skankin' Pickle. Margaret was friends with Mike and other members of the band. She showed up at Pickle shows and danced on the side of the stage whenever she could. But her love for ska and punk goes back to the 80s. These shows were a big part of her development as a person. She saw several amazing bands like Operation Ivy and Fishbone, who she says are her all time favorite band. She even wore a Fishbone shirt for the interview!On this episode, Margaret tells us about her friendship with the Skankin' Pickle. She also discusses the iconic bay area venues that meant a lot to her growing up, like Gilman, The Farm, and Mabuhay Gardens. She even tells us about the wildest show she ever attended.  But it turns out, it was a comedy show where a comedian casually drink his own piss and told corny jokes.  Support the show (https://www.patreon.com/indefenseofska)

How do you get the guy? Blackmail his father on television, of course! On this episode we discuss how Sam finally learns to see! This episode focuses on chapters 20 through the end of All-American Girl! Website - www.thepodcastdiaries.com Facebook - The Podcast Diaries Instagram - @thepodcastdiary1 Twitter - @thepodcastdiary Gmail - thepodcastdiary@gmail.com Anchor - www.anchor.fm/thepodcastdiaries

Can the President's son get drunk? Who should supply the restaurant options on a date? Are full-length velvet skirts cute? What is the sweetest gift a literary boyfriend can give?? All that and more in this episode which focuses on chapters 14-19 of All-American Girl! Website - www.thepodcastdiaries.com Facebook - The Podcast Diaries Instagram - @thepodcastdiary1 Twitter - @thepodcastdiary Gmail - thepodcastdiary@gmail.com Anchor - www.anchor.fm/thepodcastdiaries

What happens when you save the President's life and have to have dinner at the White House? You make risky choices regarding picky eating. This episode focuses on chapters 7-13 of All American Girl! Jordan's audio on this episode is wonky - sorry! It's better in the next episode! Website - www.thepodcastdiaries.com   Facebook - The Podcast Diaries   Instagram - @thepodcastdiary1   Twitter - @thepodcastdiary   Gmail - thepodcastdiary@gmail.com   Anchor - www.anchor.fm/thepodcastdiaries

It's our first All-American Girl episode! In this episode, we discuss chapters 1-6 of Meg Cabot's groundbreaking, show stopping, incredible book, All-American Girl! Website - www.thepodcastdiaries.com Facebook - The Podcast Diaries Instagram - @thepodcastdiary1 Twitter - @thepodcastdiary Gmail - thepodcastdiary@gmail.com Anchor - www.anchor.fm/thepodcastdiaries

Our first All-American Girl episode (chapters 1-6) is out on February 9th, 2022!

Episode 15.1 Asian Sitcoms!  My friend Melanie and I are joined by our high school friend, Hollywood actor, Feodor Chin to talk about Asians in TV sitcoms.  Feo has more than 80 acting credits on IMDB, including The Mindy Project, The Affair, Jane the Virgin, and just this month Marvel's Hit Monkey on Hulu.  He is perhaps most famous for being the voice of Zenyatta on the Blizzard Entertainment videogame Overwatch.  Join us this week as we talk about Asians in sitcoms going all the way back to Arnold on Happy Days to Margaret Cho's All American Girl, Fresh Off the Boat and Kim's Convenience.  *WARNING: mildly strong language* Follow Feodor @feochin on Twitter and Instagram Write to us with your memories of seeing Asian faces on the small screen at Infatuasianpodcast@gmail.com, be sure to follow us at Instagram or Facebook to know when episodes drop @theinfatuasianpodcast   Listen to us at podcast distributors like Spotify, Apple Podcasts, and many more.  Please consider giving us a rating or review on Apple Podcasts! Sounds bites taken from YouTube: "All American Girl: Submission Impossible," Tennis89Insomniac "Fighting for Mum's Approval: Fresh Off the Boat," Comedy Central UK "Look the Same Not the Same Thing," Kim's Convenience Channel #Asian #AsianAmerican #Asianpodcast #Asianamericanpodcaster #asiansitcoms #TV #overwatch #feodorchin #infatuasian #infatuasianpodcast #freshofftheboat #kimsconvenience #allamericangirl #netflix #sitcoms #lowellhighschool #margaretcho #constancewu #randallpark #simuliu #laurentom #mindykaling      

Country artist Payton Howie has released singles this year, including the heartfelt tune "Freedom" and the upbeat party anthem "Never Go Home." She talks about the stories behind those and gives some details on her latest upcoming music video that she says will be a bit different. She also gives some surprising answers to personal questions!Hear Payton's music and follow her on social media here:https://paytonhowie.com/homeListen to and follow the Bored and Curious Podcast here:https://linktr.ee/boredandcuriouspodcastBio: With backwoods bathed vocals and bona fide southern swagger, Payton Howie is leading the next generation of redneck women. Branded as the ultimate ‘All American Girl' by Scenes Media, Howie unapologetically embodies the untamed tradition that country music was built on, and she's hellbent on bringing her own grit to the honky tonk. Not many can say they've shared the stage with the likes of Carrie Underwood, and Howie is one of even fewer who can say they were handpicked to do so at the age of 5; while other kids were learning how to ride a bike, she was teaching people to expect the unexpected whenever they hear the name Payton Howie. Her most recent single “Freedom” was featured on several of Spotify's sought after editorial playlists, and the accompanying music video bleeds red, white and blue. On the verge of releasing her debut EP, Payton Howie is prepared to scorch country music with a brand that's hers alone.Intro music artist credit: Short Guitar Clip by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Artist: http://audionautix.com/

  Folks might think of Mila Kunis as a typical All American Girl, but the 70's Show actress proves she can be an American Psycho II after homicidal yuppie Patrick Bateman attacks her babysitter. Is this coed so eager to land a job hunting serial killers with the FBI that she's willing to murder everyone in her criminology class?  And how do the Now Playing hosts grade William Shatner, beaming down into this direct-to-video oddity to play a lecherous professor?  You'd have to be a sociopath not to be curious about this special Friday freebie show. Listen Now! 

Margaret Cho, an elder stateswoman in comedy, began touring the stand up circuit as a teenager. She dropped out of school and, at age 23, launched the very first TV sitcom about an Asian-American family, All American Girl. The show bombed. And in the immediate aftermath, she looked in the mirror (literally) and blamed the failure on her inability to lose weight. Years later, she realized she was missing the historical context of the era and the “invisibility” that Asian-Americans were dealing with. Today, Cho is host of The Margaret Cho, a podcast on the EARIOS network, where she dedicated a season to discussing anti-Asian violence. Cho talks with Art of Power about her mistakes, including how she mistakenly looked up to a white male leader who was later convicted of voluntary manslaughter in the death of his wife. She also gives a mini-master class on what makes a joke funny (in case you wanted tips).

Well THAT was a hell of thing! This week we got seriously pulled into Season 2, Episode 16, “The Condemned Woman" and could barely get a handle on its wonderfully Peaksy twists and turns. In this episode of Back to the Double R: Damon gives a presentation on the natural history of the Little Pine Weasel; Jonathan unmasks the show's unmaskings and raises a glass to Josie Packard; Jennifer asks about the metaphysics of that big twist; and Colin wonders about the narrative boundaries of a TV show. For the Twist, we honor awards season by inaugurating the First Annual Creamed Corn Award, saluting the worst storylines we're glad to see the back side of!LISTEN: Apple Podcasts | Google Podcasts | BuzzSprout | Spotify | RSS | and more!S2, E16 NOTES:Lesli Linka Glatter (episode director) Tricia Brock (episode director) Joan Chen (b. 1961, Josie Packard) Titanic (1997, film, directed by James Cameron) Billy Zane (b. 1966, John “Jack” Justice Wheeler) David Warner (b. 1941, Thomas Eckhardt) Kate Winslet (b. 1975, British actor) All American Girl (1994, ABC TV series starring Margaret Cho) Shang-Chi and the Legend of the 10 Rings (2021, film) Joy Luck Club (1993, film) Crazy Rich Asians (film, 2018, dir. by John M. Chu) Mulan (2020, film, dir. by Niki Caro) Spotted Owl (near-threatened species of owl in Western North America) American pine marten (critter of the weasel family) 50 Simple Things You Can Do to Save the Earth (2008, book, update of 1990 classic) Dragon Lady (media stereotype of Asian women) Charlie's Angels (1976-1981, ABC TV series)Robyn Lively (b. 1972, Lana Budding Milford) James Booth (1927-2005, Ernie Niles)

You've seen Amy Hill on Crazy Ex-Girlfriend, 50 First Dates, All-American Girl, and more! John chats with Amy about being born in Deadwood (the coolest place ever), finding herself in Japan, writing a one-person show in a month out of pure desperation, portraying matriarchs of all stripes, and her work with famed Los Angeles theatre group: East West Players. All that and more on this week's episode of Household Faces! Listen to Household Faces Ad-Free on Forever Dog Plus: http://foreverdogpodcasts.com/plus Follow Household Faces: https://twitter.com/householdfaces https://www.instagram.com/householdfaces Amy Hill on: IMDB Wikipedia East West Players Twitter Instagram Hosted by John Ross Bowie Follow John on Instagram Produced by Ben Blacker and Forever Dog Follow Ben on Twitter If you enjoy this podcast, you'll probably also enjoy The Writers Panel Household Faces is a Forever Dog podcast https://foreverdogpodcasts.com/podcasts/household-faces Learn more about your ad choices. Visit megaphone.fm/adchoices

I spoke with Payton Howie about her new single, Never Go Home. We also talk about the choice she had to make between playing softball in college or pursuing her passion for singing. We talk about how Carrie Underwood brought her up on stage when she was just 5 years old and how that shaped her perspective. We talked about music, video and photo shoots and so much more.  ********  With backwoods bathed vocals and bona fide southern swagger, Payton Howie is leading the next generation of redneck women. Branded as the ultimate ‘All American Girl' by Scenes Media, Howie unapologetically embodies the untamed tradition that country music was built on, and she's hellbent on bringing her own grit to the honky-tonk. Not many can say they've shared the stage with the likes of Carrie Underwood, and Howie is one of even fewer who can say they were handpicked to do so at the age of 5; while other kids were learning how to ride a bike, she was teaching people to expect the unexpected whenever they hear the name Payton Howie. Her most recent single “Freedom” was featured on several of Spotify's sought-after editorial playlists, and the accompanying music video bleeds red, white, and blue. On the verge of releasing her debut EP, Payton Howie is prepared to scorch country music with a brand that's hers alone. Traditionally influenced by the music of Johnny Cash, Reba McEntire, and Miranda Lambert, Payton's vocals ring reminiscent of Chris Stapleton, Carrie Underwood, and Gretchen Wilson. Her involvement with the West Coast Country Music Association earned her accolades of New Country Female Entertainer of the Year and Traditional Country Female Entertainer of the Year. She also received a Rising Star Josie Award in 2020.Songs: Never Go Home, Freedom, F150, Troublemaker, RunBoyRun, A Hallelujah Christmas, Catch Flights, Last NameWebsite: https://paytonhowie.com/homeMusic: https://paytonhowie.com/musicTour dates : https://paytonhowie.com/tourMerchandise: https://paytonhowie.com/merchFacebook: https://www.facebook.com/paytonhowiemusicInstagram: https://www.instagram.com/paytonhowiemusic/YouTube: https://www.youtube.com/channel/UCCa06R5ppgbF4NiEQGX1Z2gTwitter: https://twitter.com/paytonhowieTikTok: https://www.tiktok.com/@paytonhowiemusic?lang=en********Video of the interview is available here: https://youtu.be/6wGjtZhObMsHave a question or want to be a guest on the podcast email: dauna@bettertopodcast.comTo see upcoming guests click here: https://www.dmneedom.com/better-topodcast©2021 Better To...Podcast with D. M.Needom--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app--- Send in a voice message: https://anchor.fm/d-m-needom/messageSupport this podcast: https://anchor.fm/d-m-needom/supportSupport the show

Christy Curtis Buss is a dancer, choreographer, entrepreneur, and business owner among many more. From dancing in her mom's Dance Studio, Christy won "The All-American Girl" contest at the age of 19. After which, she was offered 2 TV contracts and moved to California. That event opened up many opportunities for her to pursue her career in both the acting and dancing industry. She had become a dance instructor at a gym, dance captain in professional sports, choreographer for multiple Daytime TV Shows, the host of her own talk show, and now, the CEO of her own skincare line, Hedo. In this episode, we talked about dancing, traveling and seeing different cultures, entrepreneurship, and the importance of self-care. Episode 30 at a glance...Christy's role models and her perception on entrepreneurshipWhy Christy never wanted to own a Dance StudioThe event that launched Christy's career in acting and dancingHow Christy's life changed after moving to CaliforniaHow Christy got into the film industry as a choreographerWhat Christy thinks about the world after seeing different places and culturesChristy's lifestyle and how she got the idea of launching her own skincare lineWhat made Christy's skincare line uniqueThe countries Christy would love to visit againChristy's tips on how to mindfully recharge yourselfCheck out Christy Curtis Buss' all-natural skincare line for men and women on this website.  Download your FREE GUIDE to Mindful and Energetic Living here,  and subscribe to this podcast!See you in Episode 31!———Buzzsprout podcast link: http://mindfullyrecharged.marianathomas.com/Apple podcast: https://podcasts.apple.com/in/podcast/mindfully-recharged-with-mariana-thomas/id1540285007Spotify: https://open.spotify.com/show/3b1IfgnP3uCpEFOPHzlACN?si=lhViiwSbRVC7BE7CxpbPxwAmazon Music: https://www.amazon.com/Mindfully-Recharged-with-Mariana-Thomas/dp/B08JJQZ792/ref=sr_1_1?dchild=1&keywords=mindfully+recharged&qid=1605818730&sr=8-1Visit my Website and subscribe to my mailing list! https://www.marianathomas.com/7 Days of Healthy Habits Workbookhttps://www.marianathomas.com/courses Follow me on Instagram!https://instagram.com/the_real_mariana_thomas?r=nametag

Once upon a time, celebrities dressed themselves. And, sometimes, we made fun of them for it. Actress and comedian Margaret Cho knows a lot about those '90s worst-dressed lists, because Joan Rivers was her mentor. And she was on Fashion Police. And she appeared in PEOPLE's 1995 Best and Worst Dressed Issue. We go back with Margaret as she honors Joan, explains how the culture of roasting evolved, and opens up about how the decade shaped her own body image. We also discuss her groundbreaking sitcom All-American Girl and how she once watched John Travolta eat an entire pie on the set of 1997's Face/Off. Oh, and remember Showgirls? Learn more about your ad choices. Visit megaphone.fm/adchoices

Life's rough when you're a 5'2” left-handed redhead with upper middle class parents and all you want to do is fight the system. Join Mary as she walks Renee through the sea of awkward encounters and teenage angst that is Sam Madison's life. She goes from loser art kid to national hero after she saves the president from an assassination. Follow along as she refuses to wear anything but black, refuses to eat anything but hamburgers, and refuses to examine anything in her personal life.  Episode Source Material: Cabot, Meg. All American Girl. Macmillan Children's, 2002. 

Shayla Lawson is an author and poet, with a fierce and humorous new voice. She stops by First Gen Burden to discuss her new book This Is Major: Notes on Diana Ross, Dark Girls, and Being Dope, a relevant, insightful, and riveting collection of personal essays on the richness and resilience of black girl culture. Rich and Shayla talk about her upbringing in Kentucky and her creative journey, all the reasons why All American Girl's "Addy Walker" doll is a terrible idea, and the challenges of creating narratives that are free of the influence of white supremacy. Also, they ponder comic books, and whether X-Men's attempt at a civil rights' metaphor actually does more damage than good? LINKS Check out FirstGenBurden.com for all the episodes. Follow us @firstgenburden and Rich Tu / @rich_tu Thanks to Listening Party and DesGin for their support. Some recommendations for donations are: American Civil Liberties Union: https://www.aclu.org NAACP Legal Defense Fund: https://www.naacpldf.org Equal Justice Initiative: eji.org The Bail Project: bailproject.org/donate --- Send in a voice message: https://anchor.fm/firstgenburden/message Support this podcast: https://anchor.fm/firstgenburden/support