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2 episodes with city ballet
Welcome to The Wonderful World of Dance Podcast! We're excited to share our new podcast with Christopher Marney, award-winning dancer, teacher, choreographer and Artistic Director of London City Ballet. London City Ballet was first established in 1978 as the resident company of London's Sadler's Wells and was one of the world's leading dance companies. Before the company closed in 1996, Diana, Princess of Wales was the Royal Patron and often visited the company in Covent Garden. Under Chris' visionary leadership, the company has been reformed and is embarking on its first season in 30 years, with a tour spanning the UK and international stages. Listen to Chris as he shares memorable moments from his time dancing with renowned companies such as Balletboyz and Matthew Bourne's New Adventures. He also discusses his experience of working with acclaimed choreographers and the inspiration that ignited his passion for choreography. Discover his journey from dancer, choreographer to the artistic director leading London City Ballet's exciting new chapter. London City Ballet is presenting an exciting programme 'Resurgence' that includes the revival of Kenneth MacMillan's 1972 one-act ballet Ballade, unseen in Europe for over 50 years. Ashley Page's Larina Waltz marks the ballet's 30th anniversary, and Olivier award-winner Arielle Smith premieres a new work. Eve, a full company work by Christopher Marney (which premiered at Sadler's Wells in 2022) will close the evening. At tour venues in Portugal and China the pas de deux from Kenneth MacMillan's Concerto will also be performed. London City Ballet 18-venue UK and international tour starts on 7 July. Find venues and tickets: londoncityballet.com PRESS PLAY Concerto, Choreographer Kenneth MacMillan. Dancers: Ayca Anil & Mischa Goodman Larina Waltz, Choreographer Ashley Page. Dancers: Ayca Anil & Mischa Goodman Creation, Choreographer Arielle Smith. Dancer Harry Alexander Eve, Choreographer Christopher Marney. Dancers Kanika Skye Carr & Alvaro Madrigal
Cape Town City ballet is celebrating its 90th year and marking the occasion with the production “I Got Rhythm”, choreographed by Artistic Producer David Nixon CBE and set to the irresistible music of Gershwin, performed by the Cape Town Philharmonic Orchestra. Lester Kiewit speaks to Robyn Taylor, Executive Manager of Cape Town City Ballet. See omnystudio.com/listener for privacy information.
Crystal Orderson chats to Cape Town City Ballet's Artistic Producer David Nixon CBE about the first production to celebrate the company's 90th year. ‘I Got Rhythm' is set to Gershwin's music and started at Artscape on Friday.See omnystudio.com/listener for privacy information.
Pippa speaks to David Nixon who is choreographing the piece – it's his first production with the company since taking over as artistic producer.See omnystudio.com/listener for privacy information.
Ballet Help Desk sat down with Christopher Ruud, Second Company Manager and Rehearsal Director at Kansas City Ballet. This wide-ranging conversation covered everything from how the post-graduate levels are structured to performance opportunities to how students typically move through the ranks of the school. Chris also touched on the channels through when they recruit students as well as how they help students make that jump to the professional stage. LINKS: Kansas City Ballet School Ballet Help Desk Submit Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk
Artistic director of Cork City Ballet, Alan Foley chats about their upcoming 30th anniversary production of Sean Lake
Tony Award winner and Resident Choreographer at New York City Ballet Justin Peck is also a celebrated director, filmmaker, and dancer. Hailed as a prodigy, Justin has created over 50 dance works with more than 20 for City Ballet alone, as well as collaborated with Stephen Spielberg. Alicia and Justin talk about the New Dances program at Juilliard, Justin's connection to music in his work, and why he finds the Anytune Pro app so valuable in creating new dances. He shares how his position at City Ballet allowed him to take greater risks in his career, the differences between choreographing for film and for the stage, and the importance of learning something new when taking on new commissions.Check out Justin Peck on Instagram or the web.Learn more about New York City Ballet on the web.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss.This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.
Part 1 Barn Players May 11th @ 7:30 May 12th @ 7:30 May 13th @ 2:00 May 13th 7:30 May 14th @ 2:00 “A Grand Night For Singing” Rodgers & […] The post Arts Magazine Show: Barn Players & Kansas City Ballet appeared first on KKFI.
"See the bigger picture of where you are in your life, and then I think everything kind of makes sense." In this episode we speak with Amane Takaishi. We discuss her path to becoming a choreographer, teaching at the collegiate level, specific challenges faced during her career, and finding balance through prioritization. About Amane: Amane Takaishi is a dancer, educator, choreographer, and Pilates instructor based in Boston, Massachusetts. She is currently a company member with City Ballet of Boston and on faculty at both Boston College and Boston University. Amane has danced professionally with Eugene Ballet, Ballet Tucson, and A&A Ballet. She holds a BA with Honors in Dance and Performance Studies from Kent University and her masters in education from Bath University. Amane's Instagram!
Marvin Askew, Executive Director of the Buffalo City Ballet and school shares his personal story, and talks about their holiday performances of "The Nutcracker" in the Box Theater on Leroy Avenue. Then noted preservationist Tim Tielman, Executive Director of the Greater Buffalo Campaign for History, Architecture & Culture shares information from his recent public forum on "Wrecking Jefferson" looking at how a neighborhood of houses, family businesses, and busy sidewalks disappeared into neglect.
As mother and daughter, Heather and Emerson Mertens have seen God partner with them in numerous ways, all of which have prepared them for the wonderful journey they are in now … to bring change to the industry of dance by providing a family-friendly, God-honoring professional dance company and school where dancers can excel in all forms of dance and stage performing by telling beautiful stories that bring solid Biblical values to the human experience. Heather is the Administrative and Associate Creative Director and Emerson is the Artistic Director of City Ballet Theater in Columbia, Missouri. Keep reading...
Devon Carney- Artistic Director The Nutcracker Kauffman Center for The Arts December 7th-24th For more information you can visit: KCBALLET.org The post Arts Magazine Show: Kansas City Ballet featuring The Nutcracker appeared first on KKFI.
Meg Howrey is the author of the novels They're Going to Love You, The Cranes Dance, and Blind Sight. She is also the coauthor, writing under the pen-name Magnus Flyte, of the New York Times Bestseller City of Dark Magic and City of Lost Dreams. Her non-fiction has appeared in Vogue and The Los Angeles Review of Books. She currently lives in Los Angeles. Meg was a professional dancer who performed with the Joffrey Ballet and City Ballet of Los Angeles, among others. She made her theatrical debut in James Lapine's "Twelve Dreams" at Lincoln Center, and received the 2001 Ovation Award for Best Supporting Actress in a Musical for her role in the Broadway National Tour of "Contact." Book Recommendations: Bojan Lewis, Sinking Bell Leni Zumas, Red Clocks Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Meg Howrey is the author of the novels They're Going to Love You, The Cranes Dance, and Blind Sight. She is also the coauthor, writing under the pen-name Magnus Flyte, of the New York Times Bestseller City of Dark Magic and City of Lost Dreams. Her non-fiction has appeared in Vogue and The Los Angeles Review of Books. She currently lives in Los Angeles. Meg was a professional dancer who performed with the Joffrey Ballet and City Ballet of Los Angeles, among others. She made her theatrical debut in James Lapine's "Twelve Dreams" at Lincoln Center, and received the 2001 Ovation Award for Best Supporting Actress in a Musical for her role in the Broadway National Tour of "Contact." Book Recommendations: Bojan Lewis, Sinking Bell Leni Zumas, Red Clocks Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Meg Howrey is the author of the novels They're Going to Love You, The Cranes Dance, and Blind Sight. She is also the coauthor, writing under the pen-name Magnus Flyte, of the New York Times Bestseller City of Dark Magic and City of Lost Dreams. Her non-fiction has appeared in Vogue and The Los Angeles Review of Books. She currently lives in Los Angeles. Meg was a professional dancer who performed with the Joffrey Ballet and City Ballet of Los Angeles, among others. She made her theatrical debut in James Lapine's "Twelve Dreams" at Lincoln Center, and received the 2001 Ovation Award for Best Supporting Actress in a Musical for her role in the Broadway National Tour of "Contact." Book Recommendations: Bojan Lewis, Sinking Bell Leni Zumas, Red Clocks Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Meg Howrey is the author of the novels They're Going to Love You, The Cranes Dance, and Blind Sight. She is also the coauthor, writing under the pen-name Magnus Flyte, of the New York Times Bestseller City of Dark Magic and City of Lost Dreams. Her non-fiction has appeared in Vogue and The Los Angeles Review of Books. She currently lives in Los Angeles. Meg was a professional dancer who performed with the Joffrey Ballet and City Ballet of Los Angeles, among others. She made her theatrical debut in James Lapine's "Twelve Dreams" at Lincoln Center, and received the 2001 Ovation Award for Best Supporting Actress in a Musical for her role in the Broadway National Tour of "Contact." Book Recommendations: Bojan Lewis, Sinking Bell Leni Zumas, Red Clocks Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Kansas City Ballet Devon Carney | Artistic Director | Chorography “Giselle” & 2022-2023 Season Friday 14th @ 730pm Saturday 15th @ 730pm Sunday 16th @ 2pm Friday 21st @ 730pm Saturday 22nd @730pm Sunday 23 @2pm Kauffman Center Performing Arts Kcballet.org Happy Faces Entertainment Dennis Porter Ruby’s High School Reunion October 15th, Lawrence Clown […] The post Arts Magazine Show: Kansas City Ballet presents “Giselle” & Happy Faces Entertainment featuring Dennis Porter appeared first on KKFI.
The dancers left their home country of Ukraine right before Russia invaded, and haven't been back since. Now they're touring the U.S.
On this episode I talked with English about her first introduction to theatre, how studying ballet at City Ballet in North Carolina helped her and still helps her when it comes to performing and singing, getting nominated for and participating in the Jimmy Awards in High School, the most valuable advice she received from guest mentors at The Jimmy Awards, getting the opportunity to workshop the Pasek/Paul/Levenson Project, now known as Dear Evan Hansen, booking the tour of If/Then and learning the ins and outs of tour life in 2015-2016, why If/Then is still a show that holds relevance, whether she knew going into audition for Mean Girls that she would be standing by for three lead roles: Cady, Janis, and Regina, her process for learning all three roles and how she made the roles her own, when she found out she'd be leading the tour as Cady and how her portrayal of Cady has changed over the years, her dream roles, and much more! --- Support this podcast: https://anchor.fm/backstagewithbeccab/support
每日英語跟讀 Ep.K360: Ballet is hard enough. What Happens When You Lose a Year? In ballet when you lose a year, you lose a lot. It takes years of sacrifice and training to become a professional, and the performing life of a dancer is short. 在芭蕾的世界，你失去一年，你的損失可就大了。經過多年犧牲訓練才能成為一個專業舞者，表演生涯卻頗為短暫。 For elite ballet dancers, a solid career lasts around 15 years — and that comes after roughly a decade of schooling. Could this pause alter the evolution of dance generations? 對菁英芭蕾舞者而言，穩定的職涯約可維持15年，唯須先經10年左右正式學習。這波疫情中斷會改變舞蹈界的世代演進嗎？ “They're losing a year to a year and a half of their career that they're not going to get back,” Jonathan Stafford, New York City Ballet's artistic director, said. “It's not like they can make it up on the back end. Everyone eventually is going to age out.” 「他們損失一年至一年半的職涯，而且無法追回。」紐約市芭蕾舞團藝術總監強納森‧史代佛說。「這並非他們之後能補上的事，到頭來每個人都會不再適齡。」 Ballet dancers need mental toughness to prevail in ordinary times. But this collective timeout is unlike anything they have experienced in their careers. 芭蕾舞者平時就需有堅強的心智方能出類拔萃，碰上這波疫情被迫集體性暫停卻跟他們原來職涯中任何經歷都大不相同。 “It has to be brutal — physically and psychologically,” Mikhail Baryshnikov said in an email. He recalled having “tough tests” — times in his career when injuries had forced him to take off a few months. “But it's hard to imagine what it's been like for dancers sidelined by the pandemic.” 「這對身心肯定都是嚴苛考驗。」米夏‧巴瑞辛尼可夫在電郵中表示。他回憶職涯中多次因受傷被迫休息數月，遭遇「嚴酷試煉」。「但是，很難想像舞者因為疫情無法表演是何種光景。」 How does a dancer stay motivated and challenged? Some won't have jobs to return to, and those who do don't know when performances will return to normal. And the clock keeps ticking. 舞者如何維持積極向上和接受挑戰的心志？一些人將回不去原來的工作崗位，回得去的也不知演出何時能恢復正常。而時光繼續流逝。 “I can't imagine any point in my career being dealt this card,” said Wendy Whelan, the associate artistic director of City Ballet where she was a leading dancer for 30 years. “You are taking up steps — up, up, up, up, up — and you don't want to get knocked off of any one of those steps at any point. Then, when you get there, you want to hang on to it as long as you can.” 「我無法想像職涯中任何時間點碰上這種情況。」曾任紐約市芭蕾舞團首席舞者30年的該團副藝術總監溫蒂‧韋倫說。「你順著台階往上爬，一階階往上攻頂，不想在任何時刻從任何一階上被打下來。然後當你登頂後，會想在那兒待得愈久愈好。」 Stafford said he wasn't worried about dancers regaining their athleticism and movement quality; he even thinks their technique will be better, a result of working more slowly and focusing on the basics. But it will take time — months of classes and then rehearsals — to get them back to where they were last March. 史代佛說，他並不擔心舞者無法回復運動能力與動作品質，甚至認為他們的技巧會更好，因為能以較慢步調練習及專注於基礎。但需要相當時間，數月課程再加上排練，才能讓他們重回去年三月的狀態。 Dancers are practical; this year has shown that they are also incredibly resilient. While the shutdown has meant time away from performing, it has also given dancers an opportunity to experience life beyond their art, and many have relished the pause. They are taking college classes or teaching or having surgery they have put off, knowing there is time to recover. There are lots of babies on the way. 舞者是務實的，這一年顯示他們也極具韌性。封城雖意味無法表演，卻也給舞者體驗舞蹈以外人生的機會，許多人很享受這段空檔。他們去大學上課、教課或接受擱置的手術，因為知道有時間可以休養。另外也會有許多新生命即將誕生。 “I am convinced that they're going to come back more well rounded, more interesting, softer in a way,” Whelan said, adding: “This time has been so healthy. Unfortunate, yet healthy.” 「我確信他們再回來時會更全面而完整，更有趣，或者也可以說更柔軟。」韋倫說，她又說：「這段時光十分健康，雖不幸」Source article: https://udn.com/news/story/6904/5348793
On this week's Hear the Dance episode of City Ballet the Podcast, join host Silas Farley for an in-depth conversation with former NYCB Principal Dancer Helgi Tomasson. In Part 1, Tomasson shares his journey from childhood in his native Iceland to joining the Company at age 26. In between, Tomasson auditioned for Jerome Robbins' Ballet USA, gaining a significant fan in the choreographer; discovered the States while on tour with the Joffrey Ballet; danced for six years with the Harkness Ballet; and won the silver medal following an adventure-filled performance at the First International Ballet Competition in Moscow in 1969. Tune in to Part 2 for more of Tomasson's fascinating story. (45:15) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Symphony in Three Movements (1945) by Igor Stravinsky Le Baiser de la Fée (1928) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach Symphony No. 1 in C major (1855) by Georges Bizet All music performed by the New York City Ballet Orchestra READING LIST: The Joffrey Ballet: Robert Joffrey and the Making of an An American Dance Company by Sasha Anawalt The Stravinsky Festival of The New York City Ballet Written and Edited by Nancy Goldner Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Somewhere: The Life of Jerome Robbins by Amanda Vaill San Francisco Ballet at Seventy-Five by Janice Ross; Preface by Brigitte LeFévre; Foreword by Allan Ulrich How Helgi Tomasson Reshaped S.F. Ballet to World-Class Renown by Rachel Howard
durée : 00:32:40 - Boomerang - par : Augustin Trapenard - Ils étaient en tournée en France lorsque la guerre contre l'Ukraine a été déclaré. Ensemble, ils forment le Kiev City Ballet. Olga Posternak, étoile, et Ekaterina Kozlova, directrice associée de la troupe, sont les invitées d'Augustin Trapenard. - réalisé par : Lola COSTANTINI
Angelina and her cousin Jeanie are getting ready for their big performance!
Courtney Nitting, a performer with the Kansas City Ballet, and one of Dance magazine's Top 25 to Watch in 2022 chats about her career, creativity and the importance of rest days.
What's it like for a professional ballerina to try a sedentary art form like writing? Georgina Pazcoguin, soloist with the New York City Ballet, talks with Eve and Julie about the creation of her debut memoir, Swan Dive: The Making of a Rogue Ballerina, in which she shakes the “stereotype of the uptight ballerina to bits.” Georgina takes Eve and Julie behind the curtain of the ballet and describes her experiences as NYCB's first Asian American soloist. She also discusses the abuse inflicted by Peter Martins during his time as Artistic Director of NYCB, and its lingering effects on the dancers. Georgina Pazcoguin joined the New York City Ballet in 2002 and became a soloist in 2013, the first Asian American ever to be promoted to the company's upper tier. In addition to her many appearances at City Ballet, including a celebrated portrayal of Anita in Jerome Robbins' West Side Story Suite, her credits include the award-winning film NY Export: Opus Jazz, Ivy in the Broadway revival of On the Town, and Victoria in the Broadway revival of CATS. Georgina is a passionate activist for The Orphaned Starfish Foundation, and she's a co-founder of the globally recognized diversity initiative, Final Bow for Yellowface. Find us on Twitter (@bookdreamspod) and Instagram (@bookdreamspodcast), or email us at contact@bookdreamspodcast.com. We encourage you to visit our website and sign up for our newsletter for information about our episodes, guests, and more. Book Dreams is a part of Lit Hub Radio and the Podglomerate network, a company that produces, distributes, and monetizes podcasts. For more information on how The Podglomerate treats data, please see our Privacy Policy. Since you're listening to Book Dreams, we'd like to suggest you also try other Podglomerate shows about literature, writing, and storytelling like Storybound and The History of Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Directed by Eric Magnus […] The post Arts Magazine: The show “Company” feat Barn Players & Kansas City Ballet feat. ‘New Dance Partners’ appeared first on KKFI.
Amanda "Mandy" DeVenuta joins the Slipperhood to share about her magical onstage experience portraying Dorothy in ruby red pointe shoes as a professional ballerina with the Kansas City Ballet! Mandy walks us through her daily rituals as a performing artist, shares what keeps her dedicated to her art form, details her experience being filmed for Kansas City PBS's behind the scenes documentary "Me, Dorothy... and This Road to Oz" and spills all about the bedazzled ruby pointe shoes, of course!Show Notes:Kansas City BalletMe, Dorothy... And This Road to OzInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: @emshrayOriginal music by Shane ChapmanEdited by Emily Kay Shrader
San Diego North County Congressman Mike Levin has announced the formation of a bipartisan congressional caucus to explore solutions to the spent nuclear waste problem. Plus, this weekend in the arts: La Jolla Playhouse has a new play series, The Color Forty Nine performs at the Casbah and "On the Move” brings City Ballet back to audiences. And KPBS Roundtable covers the biggest stories of the past week, including Comic-Con returning with another virtual convention due to the COVID-19 pandemic.
Autor: Hüster, Wiebke Sendung: Kultur heute Hören bis: 19.01.2038 04:14
Supporters of the San Pasqual Academy in Escondido are calling on the San Diego County Board of Supervisors to help the school for foster youth stay open. Plus, artificial tide pools may help keep rising sea levels from flooding the land around San Diego Bay. And our weekend arts picks: City Ballet, Philipp Scholz Rittermann, a dance film reflection on a year of closures and the acoustic rock of Grampadrew.
Guest: Debbie Turner | CEO at Cape Town City Ballet See omnystudio.com/listener for privacy information.
City Ballet the Podcast is back for a special edition of See the Music. Music Director Andrew Litton hosts a tour through the musical delights of the Tschaikovsky score to George Balanchine’s The Nutcracker®, from the ballet’s ignominious beginnings to the composer’s felicitous discovery of the celesta—the renowned accompaniment to the Sugarplum Fairy’s introduction in Act II. Litton is joined by Concertmaster Kurt Nikkanen, who performs the lilting violin solo Balanchine borrowed from the rarely-played Entr’acte of Tschaikovsky’s The Sleeping Beauty for inclusion in his version of this classic holiday tale. (23:44) Music: The Nutcracker (1892) by Pyotr Ilyich Tschaikovsky
Trained with an expertise and forte' in the George Balanchine form of ballet, she graduated from the prestigious Indian University Jacobs School of Music. Professional Ballet Dancer, Anna Barnes, sits with America's Podcaster, Kurt Caceres, to talk about one of the most grueling and impossible careers to find success on the planet. Only 10% of all children who start this form of dance, ever make it to the top of the profession and get paid to do what they love most. It's one of the few art forms that is also considered a "sport", because of its intense daily and rigorous training, 7 days a week, for life. The physical toll it takes on the body and mentally on the psyche is rivaled by few careers. Anna takes us through the day to day career of a ballet dancer from the day she started at 2 1/2 years old now to her life as a professional dancer with the City Ballet of San Diego. It is a story of perseverance, dedication, pain and celebration! XX Please Follow and Subscribe to the Podcast. Email anytime to podcast@provenanceroom.com X https://www.youtube.com/channel/UCRF42UoBNLo9DXv5BYQQCqg X https://www.instagram.com/kurt_caceres/ X https://www.instagram.com/wyna.podcast/ X https://www.instagram.com/provenance_room/ X https://www.provenanceroom.com/wyna-podcast
City Ballet the Podcast is back with a new season of deep dives into the history and artistry of New York City Ballet. We begin by revisiting our very first See the Music episode to celebrate the premiere of the Digital Fall Season—and the All Balanchine program. NYCB’s Music Director Andrew Litton delves into the background of Bizet’s Symphony in C, a hidden treasure that, 80 years after its creation, found a new popularity with the help of George Balanchine. Litton also sits down with NYCB Orchestra’s principal oboist, Julia DeRosa, to discuss Symphony in C’s iconic oboe solo and the intricacies of playing an instrument that is integral to so many ballet scores. (26:12) Music: Symphony in Three Movements (1945) by Igor Stravinsky Symphony No. 1 in C major (1855) by Georges Bizet All music performed by the New York City Ballet Orchestra.
Elana Brundyn, the CEO of the Norval Foundation, joins Pippa on the line. See omnystudio.com/policies/listener for privacy information.
In this episode I am joined by Cindy Bradley owner of San Pedro City Ballet and Julianne Thompson owner of The Dance Factory. We discuss the rapidly changing climate for small businesses and the need for continued adaptation. Due to the pandemic more and more small businesses are closing every day, but Cindy and Julianne have found that the best way to move forward is together. LINKS: San Pedro City Ballet Website: http://www.sanpedrocityballet.org/ The Dance Factory Website https://www.dance-factory.net/ Cindy Bradley's Previous Episode: Apple Podcast link https://podcasts.apple.com/us/podcast/hello-san-pedro/id1437670990?i=1000423897295 Anchor Link https://anchor.fm/hellosanpedro/episodes/E8-Cindy-Bradley---The-Ballet-Teacher-Behind-Misty-Copeland-e2jb3h
Meet Silas Farley, NY City Ballet Performer who is retiring at the age of 26 Years old! He will become an artist-in-residence in ballet in the dance division at the Meadows School of the Arts at Southern Methodist University for the 2020-21 school year. Here from him what influenced his decision and learn more about his incredible journey to becoming a young legend! He is also featured in the NY Times TODAY! Subscribe to The Kim Jacobs Show: Https://youtube.com/dailybalancewithkimj #NYTIMES #NYCITYBALLET #SMU
Kansas City Ballet-Swan Lake Devon Carney-Artistic Director KC Ballet Barn Players “Titanic” The Musical Vida Bikales-President,Barn Players The post Arts Magazine: Kansas City Ballet feat. “Swan Lake” & Barn Players feat. “Titanic” appeared first on KKFI.
앞으로 JJ 팝콘토크에서는 종종 뉴욕의 아트와 문화 행사, 전시, 공연 등에 대한 소식도 간단히 전해드릴 계획입니다. 뉴욕 필하모닉에 이어 두번째로 뉴욕시립발레단의 "올 발란신" 공연 소식과 이번 시즌에서 주목할 만한 프로그램, 티켓가격 등을 안내해 드립니다. 의견 혹은 응원 메시지는 jjpopcorntalk@gmail.com으로 보내주세요. Music from www.bensonsound.com
Episode 11: William Starrett and the Columbia City Ballet The Nutcracker is a holiday favorite that is performed in thousands of theaters across the world. We spoke with William Starrett, artistic director of the Columbia City Ballet, about how he reinvigorates the ballet classic from year to year and the scale of the production itself.Koger Center Arts Roundup is hosted by Nate Terracio and produced and edited by Lauren Smith; the theme music was written by Steve Borders.
The post Arts Magazine Show: Kansas City Ballet “The Nutcracker” and Heartland Men’s Chorus Holiday Concert appeared first on KKFI.
Artistic Director Jonathan Stafford welcomes you back to a new season of City Ballet The Podcast, and announces the release of our newest series – The Rosin Box with Claire Kretzschmar and Aarón Sanz. (1:15) Music: Serenade for Strings in C, Op. 48 (1880) by Peter Ilyitch Tschaikovsky performed by the New York City Ballet Orchestra
Join Artistic Director Jonathan Stafford as he kicks off City Ballet The Podcast with hosts Associate Artistic Director Wendy Whelan, Music Director Andrew Litton, and Corps de Ballet Member Silas Farley. (17:21) All music performed by the New York City Ballet Orchestra.
GaySA Radio — Hendrik & Marie Du Toit went to see The Sleeping Beauty @ The Artscape Theatre in Cape Town. The timeless story of Princess Aurora based on Perrault’s familiar fairytale, widely considered to be a summation of 19th-century classicism. The story of Aurora’s 100-year sleep and her magical awakening will leave audiences of all ages delighted and entranced. International guest artists and live orchestra
Hendrik & Marie Du Toit went to see The Sleeping Beauty @ The Artscape Theatre in Cape Town. The timeless story of Princess Aurora based on Perrault's familiar fairytale, widely considered to be a summation of 19th-century classicism. The story of Aurora's 100-year sleep and her magical awakening will leave audiences of all ages delighted and entranced. International guest artists and live orchestra www.gaysaradio.co.za
Growing up in Millis, Massachusetts, Carly grew a determination to pursue ballet from an early age. Training at Boston Ballet and overcoming a brutal achilles injury while at CPYB, Carly continued to persevere. She went on to attain her dream job, dancing as a professional Ballet Dancer with City Ballet of San Diego. 3 years in to being with the company, she launched her own photography business, Carly Topazio Photography, as a way to build a portfolio to present to her directors. The company has incredible dancers and she had a vision of how she could help improve their online presence through photography. In 2018, Carly used her photography skills as another way to help promote her newest venture, founding her dancer bred company, The Rosin Box Project. Links: SHOWNOTES The Rosin Box Project Carly Topazio Photography Instagram: @jordannicoleh @ctopaziophotography
The Kansas City Ballet will talk about their show, “Tharp, Parsons, & Forsythe”. Then later Karen Knotts will talk about her one-woman show, “All Tied Up In Knotts”. The post Kansas City Ballet followed by Karen Knotts appeared first on KKFI.
Guests from the Kansas City Ballet talk about there presentation called ‘New Moves’. Then later, the Olathe Community Theatre talks about their show, ‘Pass Over’. The post Arts Magazine Kansas City Ballet OCTA appeared first on KKFI.
The post Kansas City Ballet’s “The Nutcracker”. Then the annual Holiday performance of the Heartland Men’s Chorus. appeared first on KKFI.
Today on the podcast I talk about Splatoon 2, feeling confused, San Diego city ballet, my son had a hard day, and more. Send me a message via: Anchor - https://anchor.fm/thezim Instagram - https://www.instagram.com/_thezim/ Facebook - https://www.facebook.com/theZimSeattle email - the_zim@hotmail.com Support: Patreon - https://www.patreon.com/thezim Anchor - https://anchor.fm/thezim/support Paypal - https://www.paypal.me/creatorzim Go Fund Me - https://www.gofundme.com/x2ypjj-new-computer Music & Art: Music - http://thezimarock.bandcamp.com/ Art - https://www.etsy.com/shop/Tunnelbooksbythezim Alexander Thomas - https://www.etsy.com/shop/AlexanderThomas2015 Letters By Zim - https://www.etsy.com/shop/LettersByZim YouTube: https://www.youtube.com/user/theZimvideo Word On the Street Podcast: http://www.wotspodcast.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thezim/support
Jack and Reid catch up by phone. Are you coming to the drag party to benefit Callen-Lorde this Sunday? Reid also reviews City Ballet and interviews Robert Binet. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
The Kansas City Ballet will join us and talk about their presentation of “Peter Pan”. Then later, Musician and Composer Tim J. Harte will talk about the new Conservatory production. The post Kansas City Ballet and Musician Tim J. Harte appeared first on KKFI.
Welcome to the Conversations on Dance Festival Forum Bonus Content. All this week we are publishing bonus mini-pods from Vail, Colorado where we are here covering the Vail Dance Festival. We have been talking with Unity Phelan, NYCB Soloist about her career and quick rise at City Ballet. Stay tuned to Conversations on Dance for the […] The post Vail Festival Forum Bonus Content: Unity Phelan, NYCB Soloist appeared first on tendusunderapalmtree.com.
Welcome to the Conversations on Dance Festival Forum Bonus Content. All this week we are publishing bonus mini-pods from Vail, Colorado where we are here covering the Vail Dance Festival. We have been talking with Unity Phelan, NYCB Soloist about her career and quick rise at City Ballet. Stay tuned to Conversations on Dance for the […] The post Vail Festival Forum Bonus Content: Unity Phelan, NYCB Soloist appeared first on tendusunderapalmtree.com.
The Wanderers (G.P. Putnam's Sons) Brilliantly imagined and wholly original, The Wanderers follows three astronauts as they audition for the first-ever mission to Mars, an experience that will push the boundary between real and unreal, test their relationships, and leave each of them—and their families—changed forever. Inspired by real-life experiments designed to test the psychological and physiological demands of a human mission to Mars, Meg Howrey’s intrinsically-researched, stunning new novel is described best by J. Ryan Stradal, New York Times-bestselling author of Kitchens of the Great Midwest, “Ambitious and deeply empathetic, Howrey’s exquisite novel demonstrates that the final frontier may not be space after all.” Readers of Station Eleven, Karen Joy Fowler, and Ruth Ozeki will love this imaginative, witty work of literary fiction and its moving tribute to human relationships that define and support incredible scientific achievement. In four years, Prime Space will put the first humans on Mars in a wildly ambitious and history-making mission called MarsNOW. Helen Kane, Yoshihiro Tanaka, and Sergei Kuznetsov must prove they’re the crew for the job by spending seventeen months in the most realistic simulation of a space mission ever created. Helen, recently retired from NASA after a decades-long career and three extended missions to space, has not trained for irrelevance. It’s nobody’s fault that the best of her exists only in space, but her daughter can’t help placing blame. This mission is Helen’s last chance to return to the only place she’s ever felt at home. For Yoshi, the mission is an opportunity to prove himself to the high-powered wife he has loved absolutely, if not quite correctly. Sergei is willing to spend seventeen months in a tin can if it means traveling to Mars, ultimately proving his own immense strength and stamina as an example of solidity for his sons. As the days turn into months aboard the simulated spacecraft, the line between what is real and unreal fractures irreparably, and the astronauts learn that the complications of inner space are no less fraught than those of outer space. As their family members navigate planet Earth thousands of miles away, facing their own greatest fears and achieving incredible personal triumphs, the astronauts grapple with intense loneliness and increasingly prevalent psychological stress. They start to ask themselves the eternal questions that we have all faced: What is life? Who are we? What is the purpose of all this cosmic mayhem? Probing just how well we can ever know ourselves, or hope to know somebody else, The Wanderers gets at the heart of what it means to be human—even when we’re a million miles from home. Sweeping in both its delicious, witty writing and phenomenal, factual exploration of outer space, Howrey’s meticulously researched yet tender novel puts a uniquely human face on the science behind space exploration, bringing sparks of life to each astronaut and reminding us that in an age of space exploration, the thing we search most desperately for is to find ourselves. Praise for The Wanderers "Three astronauts and those who know them best explore the limits of truth and love in Howrey's genre-bending novel...The voices are distinct, each member reviewing and acting on his or her own emotional telemetry with equal parts brilliance and blunder, and the stakes are high, with any heartbeat capable of tipping the scales against the crew's survival...With these believably fragile and idealistic characters at the helm, Howrey's insightful novel will take readers toa place where they too can 'lift their heads and wonder.'"–Publishers Weekly, Starred Review "Engrossing…Although the contours of a space drama may seem familiar to a 21st-century readership, Howrey, through the poetry of her writing and the richness of her characters, makes it all seem new. A lyrical and subtle space opera"-–Kirkus, Starred Review “The Wanderers…confronts ageless questions of why humans explore, what they are looking for, and what happens when they find it. Evoking the authenticity of Neal Stephenson’s Seveneves (2015) with the literary sensitivity of Ann Patchett, Howrey has made the mission-to- Mars motif an exquisite exploration of human space, inner and outer.”-–Booklist “The Wanderers is phenomenal. A transcendent, cross-cultural and cross-planetary journey into the mysteries of space and self, the novel explores the dangers and necessities of venturing away from the familiar and finding home in the unknown. Howrey's expansive vision left me awestruck.” —Ruth Ozeki, New York Times bestselling and Man Booker shortlisted author of A Tale for the Time Being “An expansive tale of the costs of human ambition, The Wanderers is unquestionably the work of a brilliant writer at the height of her powers. Meticulously researched and magnificently rendered, Howrey’s dazzling novel on humankind’s most ambitious project is, in itself, a work of wondrous skill and ambition, a book about space that’s truly about people, but also about the lonely wonder of true trailblazers, the disparate cast behind a great life, and the compromises that build success. Fiercely inventive and deeply empathetic, Howrey’s exquisite novel demonstrates that the final frontier may not be space after all.”—J. Ryan Stradal, New York Times bestselling author of Kitchens of the Great Midwest “The Wanderers is a stealthily brilliant novel. A distinct, shimmering vision of who we are and where we think we want to go. Meg Howrey’s three astronauts and their families seem to embody the whole human race at the signal moment of a growth spurt. They exist, as we do now, at the edge of science fiction, their story propelled by a seriousness and intelligence wrapped in a comic and tender humanity. Meg Howrey delivers this vision in a prose that feels new, sui generis, its own necessary vehicle, with a kind of sleek precision that is at once simple, gorgeous, and profoundly moving.”—Peter Nichols, national bestselling author of The Rocks and A Voyage for Madmen “Elegant, thoughtful, gorgeously written. A meditation on solitude, connection, aspiration, imagination and reality, which builds effortlessly to moments of immense power and honesty. There are passages near the end of this book that I will never forget.”—Charles Yu, author of How to Live Safely in a Science Fiction Universe and Sorry Please Thank You “The Wanderers is a wonderful exploration of space, trust, and what it means to be a conscious creature, finely-tuned and funny from the first page to the last. I loved getting lost in Meg Howrey's off-kilter world of astronauts and their simulated fantasies. She's a writer with an amazing eye for freedom and confinement and the thin line that sometimes lies between the two.”—Jonathan Lee, author of High Dive Meg Howrey is a former dancer who performed with The Joffrey, Eglevsky Ballet, and City Ballet of Los Angeles. She toured nationally with the Broadway production of Contact, for which she won the Ovation Award in 2001 for best featured actress in a musical. Howrey is the author of two previous novels, Blind Sight and The Cranes Dance, and the coauthor of the bestselling novels City of Dark Magic, and City of Lost Dreams, published under the pen name Magnus Flyte. Her nonfiction has appeared in Vogue and The Los Angeles Review of Books. She currently lives in Los Angeles. Charles Yu is the author of three books. His fiction and non-fiction have appeared in various publications including The New Yorker, The New York Times, and Wired. He is currently writing for an upcoming HBO show created by Alan Ball, and is also at work on his next novel, The Book of Wishing.
The Kansas City Ballet will be here to talk about their spring production showcase, “New Works”. Then Johnson County Parks and Recreation will tell us about their summer schedule and […] The post Kansas City Ballet and Johnson County Parks and Recreation appeared first on KKFI.
David Oyelowo and Rosamund Pike discuss A United Kingdom, a new film which tells the true story of Seretse Khama, the future King of Bechuanaland, and Ruth Williams, a clerk from South London. When they married in 1948 they not only faced fierce opposition from both of their families but from the British and South African governments. It had been claimed that the lost sketchbook from Van Gogh's time in Arles, France, has been discovered. However, in a statement released this afternoon, the Van Gogh Museum in Amsterdam has said they are of the opinion that these sketches 'could not be attributed to Vincent van Gogh'. We talk to the museum and the expert behind the 'discovery'.Cape Town City Ballet, the oldest ballet company in South Africa, has been resident at Cape Town University for eight decades. It's now caught in the long-running student protests for decolonisation of the curriculum. With the university deciding not to renew the company's lease, Gerard Samuel, Director of the School of Dance at Cape Town University and a Cape Town City Ballet board member, discusses the troupe's uncertain future.And 60 years after Ray Charles made his eponymous album, the music critic Kevin Le Gendre re-evaluates the moment that an artist who played rhythm & blues, the music from which rock & roll was born, was about to change the music world.Presenter: Samira Ahmed Producer: Ella-mai Robey.
Guests from the Kansas City Ballet will be here to talk about their new show, “A Midsummer Night’s Dream”. The post Kansas City Ballet’s “A Midsummer Night’s Dream” appeared first on KKFI.
Christian is 14 and dreams of becoming a professional ballet dancer. He hopes his career will lift his family out of poverty. Fourteen year old Christian Torreres dreams of becoming a professional ballet dancer – the only way to save his family from a life of poverty. Right now they live on the biggest garbage site in Manila. How does Christian cope with the permanent contrast between misery and glamour?
Charlita Schuster is one of a kind when it comes to developing the potential of children. A former dancer & founder of her dance studio, Music in Motion School of Higher Dance Education, Charlita goes all out for the children in her hometown of Fredericksted, St. Croix, US Virgin Islands. An invitation to participate in a dance concert at Disney World allows 5 of her young students to participate in a televised Christmas event by ABC TV. Charlita has always been closely associated with our local youth. She's the guiding force behind providing professional dance training to the children of the Virgin Islands. Charlita’s career was molded from an early age. Her family moved from native St. Croix to New York City where she was able to take advantage of the available opportunities. From an early age she trained with the Children’s Ballet at Carnegie Hall & graduated from the NY High School of Performing Arts. Performing with the Dance Theatre of Harlem & the Alvin Ailey American Dance Theatre eventually led to the professional stages of the City Ballet of Honolulu & Ballet Florida. Her dream of becoming a professional ballerina had been realized. Much sought-after as a pageant coach, she's been credited with making winners in pageants such as Hal Jackson’s Talented Teen Competition, Miss St. Croix, Miss Cinderella, Miss Jabberwock, and others. She's participated for 3 consecutive years as a choreographer for the Miss British Virgin Islands Pageant. Many local & international winners owe their success to her expertise. She's also often asked to participate as a judge & has received many awards for her choreography & stage productions.
Interview with Kansas City Ballet dancers Angelina Sansone and Sarah Chun concerning the “New Moves” initiative and performance to assist and foster emerging choreographers. Also, Greg Butell, who plays Atticus […] The post Kansas City Ballet and White Theatre appeared first on KKFI.
Today on Arts Magazine, Michael Hogge is pleased to welcome Michael Pink (Choreography) and Ramona Pansegrau (Conductor and Music Director) to the studio to speak about the Kansas City Ballet production Dracula. Then, at 12:30, Michael will […] The post Kansas City Ballet & “Journey’s End” appeared first on KKFI.
Video review to help spread word of mouth on the beauty and magic to be found within live theatre
This afternoon on Arts Magazine, tune in to hear Michael Hogge interview Ramona Pansegrau (Music Director) about the Kansas City Ballet and their 41st annual production of The Nutcracker. Later, […] The post Kansas City Ballet & Quality Hill Playhouse appeared first on KKFI.
This afternoon on Arts Magazine, Michael Hogge is pleased to host Ramona Pansegrau (Music Director) and Mike Alley (Director of Marketing) from the KC Ballet. They will discuss “Fancy Free” […] The post Kansas City Ballet & “A Lie of the Mind” appeared first on KKFI.
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