Podcast appearances and mentions of johnny greenwood

Send us a textWhat makes a composer tick? In this absorbing conversation with Dylan Glatthorn, we explore the unexpected creative influences that have shaped his musical identity. From a shy child with a toy piano to an accomplished composer for theater, film, and television, Dylan's journey reveals how early artistic experiences can profoundly shape a creative career.Dylan takes us back to his childhood in Tampa Bay, where The Beatles served as the "connecting glue" between his parents' different musical tastes – especially meaningful after their divorce. This early exposure to melodic innovation established his appreciation for music that balances emotional vulnerability with technical precision, a hallmark of his own compositional approach.The conversation delves into the nuanced storytelling of Sondheim's "Assassins," which captivated Dylan with its ability to navigate morally complex territory while balancing serious themes with sharp comedy. Similarly, Laura Marling's album "Once I Was an Eagle" demonstrates the power of music that is "both tender and subtle but also big and heartbreakingly forward" – a quality Dylan strives for in his own work.When discussing Spielberg's "Jurassic Park," Dylan analyzes how John Williams' score enhances the story without overpowering it, while Paul Thomas Anderson's "There Will Be Blood" showcases Johnny Greenwood's experimental approach to film music. These contrasting influences reflect Dylan's versatility as a composer who can move between traditional melodic structures and more innovative techniques.Throughout our conversation, Dylan articulates a creative philosophy centered on authenticity: "Keep writing what you like, not what you think other people will like." This principle guides his current project "The Pelican," a musical about a coastal Florida town facing complete destruction from an approaching hurricane. Whether you're a fellow creator or simply curious about the artistic process, this episode offers valuable insights into how diverse influences coalesce into a unique creative voice.Check Out Dylan's WorkFollow My Pop Five: @mypopfive on all platforms We'll see you next time. But until then, what's your Pop Five?

Thom Yorke, le leader de Radiohead, aime beaucoup son travail actuel au sein de son projet parallèle The Smile, revenu ce mois-ci avec ‘'Cutouts'', le deuxième album du trio cette année après ‘'Wall of Eyes''. Les Rolling Stones célèbrent les 25 ans d'un concert donné dans leur ville d'origine au Shepherd's Bush Empire de Londres le 8 juin 1999 au travers d'une réédition. Bruce Springsteen sera la tête d'affiche du rassemblement commun de Kamala Harris et de Barack Obama à Atlanta ce jeudi 24 octobre. Le guitariste des Stones, Keith Richards, a fait une apparition surprise au Country Music Awards ce week-end. La console d'enregistrement que les Beatles ont utilisée pour réaliser l'album "Abbey Road" en 1969 a été restaurée et sera disponible à l'achat à partir du 29 octobre prochain sur le site de vente en ligne d'instruments de musique et d'équipements Reverb.com. Joan Jett, militante de longue date des droits des animaux, s'est à nouveau associée à PETA pour une nouvelle publicité appelant les partisans des droits des femmes à penser au-delà des espèces et à lutter pour les droits reproductifs des femelles animales. Mots-Clés : média australien, attention, fans, avenir, prolifique, production, pause, durée indéterminée, Johnny Greenwood, rumeur confirmée, individuel, priorité majeure, notes, nouvelle édition, retour, compact des Stones, concert secret, club, lives à guichets fermés, stade, Wembley, intimiste, Aerosmith, Jon Bon Jovi, Robert Plant, Jimmy Page, Lenny Kravitz, format, option, audio, Dolby Atmos, campagne, Philadelphie, élection, partisan, parti démocrate, politique, interview, ABC , Vince Gill, Emmylou Harris, batteur Steve Jordan, Eagles, introniser, Elvis Presley, James Burton, surprise, rôle, honoré, unique, studios, EMI, 1968, fabriqué, ambitieux, album mythique, soutien, spot video qui met en scène le visage de la chanteuse du classique "I Love Rock'n'Roll" qui se transforme en images d'autres femmes et d'animaux tels qu'un chat, un renard, une vache, un singe, un chien et un mouton, filles, sœurs, mères, douleur, peur, amour, de force, lait maternel, œuf, vendre, enfant, expériences, violée, colère, cœur brisé, question, peau, spécisme. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Das 3. Album (und bereits das zweite dieses Jahr!) von The Smile, dem aktuellen Projekt der Radiohead-Köpfe Thom Yorke und Johnny Greenwood, lässt staunen. Die scheinen im Trio mit Sons of Kemet-Drummer Tom Skinner immer besser zu werden. Wird The Smile etwa die aktuell inaktiven Radiohead ablösen? Das dann wohl doch eher nicht. Auch wenn das Momentum aktuell für The Smile spricht, ist «Cutouts» das - zweifelsohne erneut geniale - Resultat der Sessions rund um die Aufnahmen der letzten Platte «Wall of Eyes», die im Januar dieses Jahres erschien . Mit der Verteilung auf zwei Alben haben The Smile die Fruchtbarkeit dieses kreativen Auswuchses geschickt in die Länge gezogen. Gleichzeitig haben verschiedene Mitglieder von Radiohead verraten, dass die Band jüngst wieder gemeinsam im Londoner Proberaum stand. Also auch wenn der kleine Bruder im Moment spannender tönt, scheint sich der Grosse im Hintergrund bereits in Position zu bringen, um die (Indie-)Weltordnung wieder herzustellen.

Während das letzte Radiohead-Album schon acht Jahre her ist, veröffentlichen Thom Yorke und Johnny Greenwood mit ihrem Nebenprojekt The Smile neue Platten quasi wie am Fließband. Gerade ist mit „Cutouts“ das zweite Album innerhalb eines Jahres erschienen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-smile-und-das-raetsel-um-ihr-neues-album

Während das letzte Radiohead-Album schon acht Jahre her ist, veröffentlichen Thom Yorke und Johnny Greenwood mit ihrem Nebenprojekt The Smile neue Platten quasi wie am Fließband. Gerade ist mit „Cutouts“ das zweite Album innerhalb eines Jahres erschienen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-smile-und-das-raetsel-um-ihr-neues-album

Während das letzte Radiohead-Album schon acht Jahre her ist, veröffentlichen Thom Yorke und Johnny Greenwood mit ihrem Nebenprojekt The Smile neue Platten quasi wie am Fließband. Gerade ist mit „Cutouts“ das zweite Album innerhalb eines Jahres erschienen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-smile-und-das-raetsel-um-ihr-neues-album

Während das letzte Radiohead-Album schon acht Jahre her ist, veröffentlichen Thom Yorke und Johnny Greenwood mit ihrem Nebenprojekt The Smile neue Platten quasi wie am Fließband. Gerade ist mit „Cutouts“ das zweite Album innerhalb eines Jahres erschienen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-smile-und-das-raetsel-um-ihr-neues-album

Während das letzte Radiohead-Album schon acht Jahre her ist, veröffentlichen Thom Yorke und Johnny Greenwood mit ihrem Nebenprojekt The Smile neue Platten quasi wie am Fließband. Gerade ist mit „Cutouts“ das zweite Album innerhalb eines Jahres erschienen. Hier entlang geht's zu den Links unserer Werbepartner. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-smile-und-das-raetsel-um-ihr-neues-album

Nueva entrega de Música de Contrabando, semanario de actualidad musical (6/6/24)Entrevistas:- Fernando Rubio & The Inner Demons. Nos deja unos temas para las Sesiones de Contrabando, que incluyen sorpresa- Con Perdón estrenamos su primer largo, , "Debería cuidarme un poco más", para el sello Sonido Muchacho. - Vic Vela estrena "Tú y yo", que marca nueva etapa. Lo sorprendemos rodando el videoclipNoticias:Sex Pistols fichan a Frank Carter para tocar ‘Never mind the bollocks'. Johnny Greenwood, defiende su alianza artística con músicos judíos, Judas Priests vuelve a España, Bilbao BBK Live anuncian los últimos nombres que completan su cartel, Visor Fest anuncia su cartel por días, Brisa Fest planeta novedades para su cuarta edición, The Lightning Sedds van a publicar un recopilatorio , Tomorrow's Here Today, por su 35 aniversarioNovedades discográficas :Blur anuncian disco en directo , ‘Live at Wembley Stadium'. Pixies, Mercury Rev, Florent y yo, La Habitación Roja, Ginebras, Cigarettes After Sex, Conszzz, Melenas, Shaman Shaman, Claim /Hoonine, Brijeab, Goat Girl, Quivers, Pet Shop Boys, Cassandra Jenkins, Madeleine Peyroux, Jamie XX, Snow Patrol, Alfie Templeman, Isobel Campbell, Niña Polaca/ Sexy Zebras, Mujeres/Svper, Mccroskey, Alondra BentleyAgenda de conciertos:Leprous en la final del CreaMurcia Pop Rock. Eliseo Parra recibirá premio del Cartagena Folk, Dillom, Raphael, Vantroi, Boria, Pia Tedesco y Lila Horovitz, TaliMurcia Fest, Vicky Gastelo, Los Astrónomos...

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Nueva entrega de Música de Contrabando (23/5/24) semanario de actualidad musicalEntrevistas: - Javier Ruibal se subirá al escenario de Murcia 3 Culturas' con ‘'Pensión Triana. 30 Aniversario.- The Meatpies fue un grupo seminal que se dividió en Ruto Neón (encabezado por Bruno Laencina) y Goblin Circus (liderado por Juanpe Jiménez), ambos envueltos en brumosa psicodelia. Celebranr el Xº aniversario de su primera actuación reuniéndose todos- La Pelousse tenían previsto presentar "Ópera Primoh"en vivo el 28 de diciembre, pero por un accidente de su guitarrista tuvieron que aplazarloNoticias: Recopilatorio de Amy Winehouse coincidiendo con su biopic. Tom Waits se suma a la nueva película de Jim Jarmusch. The Hellaopters y Mudhoney giras españolas. La Fundacion Club 45, que gestiona Alejandro Díez, se pone en marcha. Pretenders y Patti Smith inauguran Les Nits de Barcelona. Surfin Bichos y otros grupos anuncian concierto por Gaza. Johnny Greenwood compone banda sonora de Paul Thomas Anderson. Guns N' Roses preparan nuevo álbum. Un misterios trailer en las redes aviva la esperanza de reunión de Oasis. Novedades; The The, Marc Lindsay, The Jesus And Mary Chain, Strand Of Oaks, London Grammar, Cage The Elephant, Amyl & The Snifferes, The Low Flying Panic Attack, Katy J Pearson, Childish Gambino, Alfie Templeman, Los Punsetes, Sleaford Mods, Corte, Alondra Bentley, Carolina Durante, Karlan, Malva, Muerdo, The Meatpies, Ruto Neón, Goblin Circus, Vic Vela.Agenda de conciertos: Javier Ruibal, La Pelousse, Bratia, Estopa, Yessy Rivera, Fenómenos Extraños, Oh Bro, Las Wonder, Andrés Suárez, ..

Emily Fox talks with KEXP DJ and Radiohead fan, DJ Morgan Chosnyk on her take on The Smile's new album, ‘Wall of Eyes'. The Smile started as a pandemic project with Radiohead frontman Thom Yorke along with Radiohead's Johnny Greenwood and Tom Skinner of the jazz band Songs of Kemet.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

Embark on a sonic exploration with us as we unravel the intricate tapestry of Radiohead's "The Bends," an album that redefined the '90s musical landscape. From the haunting melodies of Johnny Greenwood's guitar to the visionary drumming of Phil Selway, we reminisce over a time when music was an authentic reflection of societal pressures and personal battles. Feel the nostalgia as we rank the top three non-hit tracks that might just shift your perception of this iconic album.Step into the complex world of Thom Yorke's songwriting, where each note and word is steeped in metaphorical prowess, painting a vivid soundscape shaped by experiences from single-sex education to Evel Knievel's daredevil stunts. Our candid discussion traverses through the band's ethos of staying genuine amidst the tumultuous waves of fame, as we dissect the layers of emotion that make their music a mirror to the listener's soul. Join us as we celebrate the individual contributions of each band member that together, create the undying legacy of Radiohead.Wrap up your Radiohead rendezvous with our pop culture roundtable, where Yorke's introspective lyrics find their echo in the scenes of 'Entourage' and 'Kingpin'. We explore the resonating themes of authenticity in the shiny veneer of Hollywood, and how "Fake Plastic Trees" became synonymous with the character depth in 'Clueless'. From laughs over attempts at singing Yorke's high notes in karaoke to our affectionate analysis of the song "Bones," this episode promises a heartfelt journey through the bends and curves of Radiohead's enduring masterpiece.Support the show

Embark on a sonic exploration with us as we unravel the intricate tapestry of Radiohead's "The Bends," an album that redefined the '90s musical landscape. From the haunting melodies of Johnny Greenwood's guitar to the visionary drumming of Phil Selway, we reminisce over a time when music was an authentic reflection of societal pressures and personal battles. Feel the nostalgia as we rank the top three non-hit tracks that might just shift your perception of this iconic album.Step into the complex world of Thom Yorke's songwriting, where each note and word is steeped in metaphorical prowess, painting a vivid soundscape shaped by experiences from single-sex education to Evel Knievel's daredevil stunts. Our candid discussion traverses through the band's ethos of staying genuine amidst the tumultuous waves of fame, as we dissect the layers of emotion that make their music a mirror to the listener's soul. Join us as we celebrate the individual contributions of each band member that together, create the undying legacy of Radiohead.Wrap up your Radiohead rendezvous with our pop culture roundtable, where Yorke's introspective lyrics find their echo in the scenes of 'Entourage' and 'Kingpin'. We explore the resonating themes of authenticity in the shiny veneer of Hollywood, and how "Fake Plastic Trees" became synonymous with the character depth in 'Clueless'. From laughs over attempts at singing Yorke's high notes in karaoke to our affectionate analysis of the song "Bones," this episode promises a heartfelt journey through the bends and curves of Radiohead's enduring masterpiece.Support the show

El pasado viernes, The Smile, la aclamada nueva banda de Thom Yorke y Johnny Greenwood, publicaban su segundo álbum Wall Of Eyes. Por eso en este episodio nos preguntamos si su éxito es una amenaza para el futuro de Radiohead, y aprovechamos para repasar la carrera de una de los grupos más importantes de los últimos 30 años. Como invitados contamos con Noel Turbulencias, director del magazine musical Turbulencias de CUAC FM, y autor del libro Galicia Musicalidade, y con Álvaro Mendez, co-fundador de Photolari.com. Y como siempre repasamos algunas noticias de actualidad, la agenda de conciertos, los charts y nuestras recomendaciones de Oído, Visto, Leído.

Johnny Greenwood

#music #podcast #guitarsolo The Cacophony Sessions are back with their thoughts on greatest guitar solos of all time. Joining Dan Whitell on this episode are Alex, Tom and Martyn; each with two pics for a discussion on what makes a guitar solo work - and what doesn't. The playlist containing all of our picks (including Dan B's and Jim's in spite of their absence from this episode) can be found on Apple Music and Spotify:https://music.apple.com/gb/playlist/shredders-revenge-or-just-axin-questions/pl.u-xlyNBoltkJxKX8https://open.spotify.com/playlist/2Vg5tA1SbXXB6HWNImQL7LIn this episode we spend a good thirty minutes or so going through some of the comments we've had on the subject as well, meaning that we cover a lot of different songs in this one. Also discover the two reasons Tom hates guitar solos (feat. science), Alex's latest band name, Baphomet's penchant for gran turismo, carnival metal and one of us channels our inner Dennis Reynolds.From this point on, all of our episodes will be available for free in full on both audio platforms and the YouTube channel. If you are interested in supporting our Patreon we will now be making monthly Q&A videos so sign up to have your questions answered by a member of the Cacophony Sessions team! As always, make sure you follow us on social media, and please like and subscribe to keep this Cac train rolling.Thanks for watching, see you in December for our overrated episode!Stay Funkyhttps://cacophonysessions.com/https://www.patreon.com/TheCacophonySessionsSupport the show

Et blik fra en fremmed en januar nat, et kryds over vejen, eller en dans for mange år siden der aldrig gentog sig. Natsværmeren fabulerer frit over kærligheden til at soundtrack af Bert Kaempfert, Johnny Greenwood, Händel, Jade Vincent, Piazzolla, Reich, Chopin og Monk blandt andre svævende væsner. Vært: Minna Grooss. (Sendt første gang 4. juni).

Featuring music from the newly-released collaboration from the late Nigerian drummer Tony Allen w/ Ali Shaheed Muhammad & Adrian Younge, the new release from African Head Charge, Israeli musician Dudu Tassa & Radiohead's Johnny Greenwood + more!

Put on your best party dress and come on down for a ball of tragic proportions! Charlie, Antonio, and Matteo dive into the 1953 French classic 'The Earrings of Madame De...' by Max Ophüls, and, for the first time on the podcast, almost come to blows. Not literally, of course...Intro/outro music: "House of Woodcock" from 'Phantom Thread' by Johnny Greenwood.THE EARRINGS OF MADAME DE... (1953), France and Italy, written by Max Ophüls, Marcel Archard, Annette Wademant, directed by Max Ophüls, cinematography by Christian Matras, featuring Danielle Darrieux, Charles Boyer, and Vittorio De Sica.

The culmination of my debatably healthy Radiohead obsession - "Replica" is my journey of influence through the worlds of Thom Yorke and Johnny Greenwood.

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (orm.es De 23,00h a 01,00h) Reunimos a los finalistas del CreaMurcia Pop Rock ( SHAMAN SHAMAN, Ave Alcaparra, Martina Efedra). Las entradas se agotaron en apenas unos minutos (Desakato)“Blue Jeans y Un Crop Top” es el tercer y último adelanto de “PO2054AZ (Vol. I)”, el esperado nuevo álbum de Sen Senra que se editará el próximo 23 de junio. Marcelo Criminal presenta "La Antepenúltima Casa de Apuntas". Un sencillo de tres canciones."Algorithms" nos trae un nuevo sonido fresco impregnado del carácter propio de Kasabian. El tema aborda las dificultades de la reciente aparición de la inteligencia artificial en la sociedad actual. "Nunca sentirán el amor como nosotros", denuncia Serge mientras contempla un futuro vacío de empatía. DJ Nano, uno de los dj españoles más importantes del mundo de las últimas tres décadas, remezcla "Himno (para los que están jodidos)" . Una canción fruto de la colaboración entre la banda española La La Love You y la mexicana Allison. Bastille acaba de lanzar uno de los temas favoritos de los fans, “No Angels”. El icónico tema en directo es un mash up del “No scrubs” de TLC y el “Angels” de The xx. Coincidiendo con la publicación de su recopilatorio SMASH – The Singles 1985-2020 1986, PET SHOP BOYS publican dos remezclas inéditas de su clásico “Suburbia” a cargo del reputado productor estadounidense Arthur Baker, quien ha confeccionado una versión "Club vocal" y otra "Dub version". Pretenders regresa con nuevo single, titulado "I Think About You Daily", como continuación del éxito "Let The Sun Come In". Ambos incluidos en su duodécimo álbum de estudio llamado "Relentless", que saldrá a la venta el 15 de septiembre. La canción cuenta con la participación del guitarrista de Radiohead, Johnny Greenwood..Drifter's Prayer es una declaración de amor al arte del vagabundeo. Un poema sobre el arte de ir de un lado a otro, sin rumbo fijo y con libertad total. a nueva canción de The Coral adquiere el formato spoken word narrado por el actor John Simm (Life On Mars, The Lakes). Este año se cumple el 15º aniversario de “Tu hoguera está ardiendo”, el primer álbum de KLAUS&KINSKI, sin lugar a dudas el disco más importante y destacado por crítica y fans de la carrera del dúo murciano que formaban Alejandro Martínez y Marina Gómez. Y Jabalina lo celebra con esta reedición especial y limitada en formato carpeta gatefold del doble vinilo LP 12”, que reproduce el diseño original del digipak de la primera edición en CD, añadiendo las letras de las canciones en su interior. Interpol estrenan la industrial reinterpretación que Jesu ha hecho de "toni", incluida en su proyecto colaborativo Interpolations Queens of the stone age no dan tregua rockera en "paper machete", nuevo adelanto de In times new roman... su nuevo disco.

Når der er større kræfter på spil end værten, kan det godt syre lidt ud. Ekkehard Ehlers, Kara-Lis Coverdale, Johnny Greenwood og Peter Sandberg vender blikket mod kosmos. Vært: Minna Grooss.

“I have a competition in me. I want no one else to succeed. I hate most people.”Talking About Paul Thomas Anderson's 2007 film There Will Be Blood with our guest, filmmaker Uwe BollThere are many films filmmaker Uwe Boll could've picked to discuss with us on the show, but the most recent film that's affected him as much as some of his all-time favorites is Paul Thomas Anderson's 2007 film There Will Be Blood. Before we dig into the film, we talk a bit about Boll's career. Sure, he's made some cinematic video game adaptations that weren't received well by critics, but he's also made some films that satirize modern society, whether in a comedic vein like Postal or a more serious tone like his Rampage films. There's a change in society as to how people react to their buttons being pushed. That's certainly reflected in films of the time. Who knows – some of that may come from the rise of the streaming services. Regardless, it all makes for a fascinating discussion.From there, we jump into Anderson's film. Boll has had some fairly unlikeable protagonists in his films, so we use that as a starting point with Daniel Plainview, the greedy, hateful protagonist of this film. Why is he still likable in some capacity? The film explores greed, capitalism, religion, family, and more. Everything stands out with the film as exemplary, from the performances (Daniel Day-Lewis and Paul Dano are in top form) to Johnny Greenwood's score to Robert Elswit's cinematography. We look at the complex story and ponder that the film got made in the first place. A film that doesn't have dialogue until nearly 15 minutes have passed? How did Anderson sneak it past the studio heads? It's a wonderful conversation with an insightful filmmaker. Tune in!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel's Movies We Like through your own membership with The Next Reel.Uwe Boll RAW podcastVariety: ‘Uwe Boll Returns With New York City Crime Drama ‘First Shift' (EXCLUSIVE)'Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to Movies We Like • There Will Be Blood with Filmmaker Uwe Boll(02:28) - Meet Uwe Boll(13:16) - Dark Protagonists(19:34) - Depicting the Time(20:07) - Paul Dano(20:50) - Killing the Fake Brother(23:14) - Goosebumps(26:43) - Discomfort in Filmmaking(30:10) - Challenging Films(33:12) - Cinematography(34:16) - Why We Want to Make Movies(37:08) - Today's Challenging System(39:42) - PTA's Films and Frequency(41:00) - Nothing Is Automatic(45:44) - About America(46:34) - Movies For Grown Ups(50:14) - Awards(53:37) - First Shift(01:01:33) - Uwe's Podcast and Films(01:04:06) - Wrap Up

Learn more about the WGA strike here.Learn more about the SAG-AFTRA strike here.“I have a competition in me. I want no one else to succeed. I hate most people.”Talking About Paul Thomas Anderson's 2007 film There Will Be Blood with our guest, filmmaker Uwe BollThere are many films filmmaker Uwe Boll could've picked to discuss with us on the show, but the most recent film that's affected him as much as some of his all-time favorites is Paul Thomas Anderson's 2007 film There Will Be Blood. Before we dig into the film, we talk a bit about Boll's career. Sure, he's made some cinematic video game adaptations that weren't received well by critics, but he's also made some films that satirize modern society, whether in a comedic vein like Postal or a more serious tone like his Rampage films. There's a change in society as to how people react to their buttons being pushed. That's certainly reflected in films of the time. Who knows – some of that may come from the rise of the streaming services. Regardless, it all makes for a fascinating discussion.From there, we jump into Anderson's film. Boll has had some fairly unlikeable protagonists in his films, so we use that as a starting point with Daniel Plainview, the greedy, hateful protagonist of this film. Why is he still likable in some capacity? The film explores greed, capitalism, religion, family, and more. Everything stands out with the film as exemplary, from the performances (Daniel Day-Lewis and Paul Dano are in top form) to Johnny Greenwood's score to Robert Elswit's cinematography. We look at the complex story and ponder that the film got made in the first place. A film that doesn't have dialogue until nearly 15 minutes have passed? How did Anderson sneak it past the studio heads? It's a wonderful conversation with an insightful filmmaker. Tune in!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel's Movies We Like through your own membership with The Next Reel.Uwe Boll RAW podcastVariety: ‘Uwe Boll Returns With New York City Crime Drama ‘First Shift' (EXCLUSIVE)'Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxdThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640547/advertisement

“I have a competition in me. I want no one else to succeed. I hate most people.”Talking About Paul Thomas Anderson's 2007 film There Will Be Blood with our guest, filmmaker Uwe BollThere are many films filmmaker Uwe Boll could've picked to discuss with us on the show, but the most recent film that's affected him as much as some of his all-time favorites is Paul Thomas Anderson's 2007 film There Will Be Blood. Before we dig into the film, we talk a bit about Boll's career. Sure, he's made some cinematic video game adaptations that weren't received well by critics, but he's also made some films that satirize modern society, whether in a comedic vein like Postal or a more serious tone like his Rampage films. There's a change in society as to how people react to their buttons being pushed. That's certainly reflected in films of the time. Who knows – some of that may come from the rise of the streaming services. Regardless, it all makes for a fascinating discussion.From there, we jump into Anderson's film. Boll has had some fairly unlikeable protagonists in his films, so we use that as a starting point with Daniel Plainview, the greedy, hateful protagonist of this film. Why is he still likable in some capacity? The film explores greed, capitalism, religion, family, and more. Everything stands out with the film as exemplary, from the performances (Daniel Day-Lewis and Paul Dano are in top form) to Johnny Greenwood's score to Robert Elswit's cinematography. We look at the complex story and ponder that the film got made in the first place. A film that doesn't have dialogue until nearly 15 minutes have passed? How did Anderson sneak it past the studio heads? It's a wonderful conversation with an insightful filmmaker. Tune in!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel's Movies We Like through your own membership with The Next Reel.Uwe Boll RAW podcastVariety: ‘Uwe Boll Returns With New York City Crime Drama ‘First Shift' (EXCLUSIVE)'Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to Movies We Like • There Will Be Blood with Filmmaker Uwe Boll(02:28) - Meet Uwe Boll(13:16) - Dark Protagonists(19:34) - Depicting the Time(20:07) - Paul Dano(20:50) - Killing the Fake Brother(23:14) - Goosebumps(26:43) - Discomfort in Filmmaking(30:10) - Challenging Films(33:12) - Cinematography(34:16) - Why We Want to Make Movies(37:08) - Today's Challenging System(39:42) - PTA's Films and Frequency(41:00) - Nothing Is Automatic(45:44) - About America(46:34) - Movies For Grown Ups(50:14) - Awards(53:37) - First Shift(01:01:33) - Uwe's Podcast and Films(01:04:06) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

“I have a competition in me. I want no one else to succeed. I hate most people.”Talking About Paul Thomas Anderson's 2007 film There Will Be Blood with our guest, filmmaker Uwe BollThere are many films filmmaker Uwe Boll could've picked to discuss with us on the show, but the most recent film that's affected him as much as some of his all-time favorites is Paul Thomas Anderson's 2007 film There Will Be Blood. Before we dig into the film, we talk a bit about Boll's career. Sure, he's made some cinematic video game adaptations that weren't received well by critics, but he's also made some films that satirize modern society, whether in a comedic vein like Postal or a more serious tone like his Rampage films. There's a change in society as to how people react to their buttons being pushed. That's certainly reflected in films of the time. Who knows – some of that may come from the rise of the streaming services. Regardless, it all makes for a fascinating discussion.From there, we jump into Anderson's film. Boll has had some fairly unlikeable protagonists in his films, so we use that as a starting point with Daniel Plainview, the greedy, hateful protagonist of this film. Why is he still likable in some capacity? The film explores greed, capitalism, religion, family, and more. Everything stands out with the film as exemplary, from the performances (Daniel Day-Lewis and Paul Dano are in top form) to Johnny Greenwood's score to Robert Elswit's cinematography. We look at the complex story and ponder that the film got made in the first place. A film that doesn't have dialogue until nearly 15 minutes have passed? How did Anderson sneak it past the studio heads? It's a wonderful conversation with an insightful filmmaker. Tune in!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel's Movies We Like through your own membership with The Next Reel. Uwe Boll RAW podcast Variety: ‘Uwe Boll Returns With New York City Crime Drama ‘First Shift' (EXCLUSIVE)' Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!Star your own podcast journey with the best host in the business. Try Transistor today!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.

Was Arthur Moorhead the greatest jazz buyer that ever worked at Tower Records? Stan Goman believes that is the case. Growing up in Arizona, Arthur became a proficient trombone player and obsessed with jazz, movie soundtracks and orchestral music. By his own admission he was almost completely ignorant of pop music, except The Beatles. As a young teenager, his weekends consisted of hopping on a bus with a friend and making the rounds of Arizona record storeslooking for records. Eventually he worked for a local record store called Recordland in Phoenix and Mesa, Arizona.In 1975 Arthur moved to San Francisco to pursue a career as a professional trombone player, as opportunities in Phoenix were few & far between. Needing a day job, he entered Tower Records Columbus & Bay. As luck would have it the current jazz buyer was planning to leave for a job with a catering company. Arthur's interview consisted of Stan Goman and the current jazz buyer interviewing him with very basic jazz questions Arthur aced and he was hired on the spot. For the next five years, Arthur worked at Tower by day and evenings as a trombonist.Through his tenure at Columbus & Bay, Arthur got to know the heads of the record labels and was approached by the US Managing Director of ECM Records which at the time was distributed by Warner Bros. Records, to be the National Sales Manager for ECM based out of New York City. For the next 40 years, Arthur worked in the WEA family of labels spending time with Elektra, Atlantic, Rhino and Nonesuch. At Nonesuch Arthur worked with John Adams, Steve Reich, Johnny Greenwood, Pat Metheny, David Byrne, Wilco, Fleet Foxes, Bill Frisell, Randy Newman and a host of other amazing artists. Arthur was also a producer, executive producer and reissue supervisor on many projects.

Abrimos número 11.2023 de La Ruleta Rusa, con el proyecto en paralelo a Radiohead, creado por Thom Yorke y Johnny Greenwood, The Smile., del que escuchamos su primer trabajo, A Light for Attracting Attention, publicado en 2022. Después disfrutamos de nuevo de King Crimson y su directo, a lo largo de su dilatada trayectoria, con The Elements 2021 Tour Box, que vio la luz en 2022. También escucharemos a los canadienses The Tragically Hip y su directo de 1991, Live at the Roxy. Continue reading La Ruleta Rusa 11.2023. The Smile. King Crimson. The Tragically Hip. The Jimi Hendrix Experience. at La Ruleta Rusa Radio Rock.

- Décès du compositeur Angelo Badalementi. - Tim Commerford de Rage Against The Machine atteint d'un cancer de la prostate - The Smile, l'autre projet de Thom Yorke, Johnny Greenwood et Tom Skinner de Radiohead vient d'annoncer la sortie d'un live enregistré au Montreux Jazz Festival

Episode Notes We all want to add to a new job or team immediately but what if we waited? Johnny Greenwood has had an amazing career in music and his time in Radiohead, this week Shannon and Rami talk about his origins in the band and how we all might learn from his experience.

As broadcast November 24, 2022 with plenty of biscuits and gravy for your fatty sporting feast!  Tonight we begin in hour 1 highlighting a new Thanksgiving playlist from Colemine Records in Ohio called Cookin' in a Colemine, which just posted on Spotify.  Lots of vintage soul vibes and instrumental jams to help you cook it up right here.  Whether it's for Thanksgiving over in The States or the big kickoff at the World Cup tonight between Korea and Uruguay, this will definitely keep you groovin' while you stir, sautee, fry, shake, and bake.  For our second hour weekly AMPED rock feature, Gwangju's maestro on the kit takes us through some favorite collab and side projects from big names in the rock world over the years, with The Smile, Better Oblivion Community Center, The Traveling Wilburys, and so many more to finish off the show right as Korea & Uruguay kick off!  #feelthegravityTracklist (st:rt)Part I (00:00)Ike Turner & The Kings of Rhythm – Gettin' NastyChuck Womack & The Sweet Souls – Ham Hocks & Beans, Pt. 1Delvon Lamarr Organ Trio – Raymond Brings The GreensThe Jive Turkeys feat Leroi Conroy – The ReggiePreston Love – Chili MacThe JB's – Pass The PeasThe Mighty Imperials – Thunder Chicken Part II (31:14)James Brown – Popcorn With A Feeling (inst)The Poets of Rhythm – Strokin' the GritsLeroy & The Drivers – The Sad ChickenThe Meters – Chicken StrutDurand Jones & The Indications – Tuck n RollGwen McCrae – 90% of Me Is YouScone Cash Players – NeckingMonophonics feat Fanny Franklin – All Together Part III (59:03)Crosses – SensationLS Dunes – It Takes TimeThe Smile – The OppositeThe Damned Things – Let Me Be (Your Girl)Them Crooked Vultures – New FangBetter Oblivion Community Center – Dylan Thomas Part IV (93:07)Lazybone – 우리의 힘을 (Go West)The Network – Threat Level MidnightMe First and the Gimme Gimmes – JoleneTraveling Wilburys – Inside OutThe Good, The Bad and The Queen – Nineteen SeventeenMad Season – River of Deceit 

Today Sam Tsang aka Congee joins me down the line from London, as we look back on one of the iconic records of the last decade - Frank Ocean's 'Blonde'. We talk about how Frank Ocean builds a new world with each album, and makes the release an event. We talk about the detail of the production, the care put into every choice, stories from the making of the record and speculate on the practical concerns of making a record where every song went through so many iterations. We talk about the guest cameos from everyone from Beyoncé to Radiohead's Johnny Greenwood, the rock influence on the record and what we think Ocean has up his sleeve for the next album.

”I'm cooler than you. Don't forget it.” “I don't need you to tell me whether I'm cool or not, old lady.” In this episode, we discuss writer/director Paul Thomas Anderson's latest feature: Licorice Pizza! as well as briefly reviewing the films we logged on our Letterboxd dairies in the past week. — TIME CODES: 00:00 - INTRO 01:48 - BASIC FACTS 03:36 - THE MEAT 50:14 - WHAT WE WATCHED — Licorice Pizza (2021) “Set in the San Fernando Valley in the 1970s, the film follows a high school student who is also a successful child actor.” Written and directed by Paul Thomas Anderson and starring Alana Haim, Cooper Hoffman, Sean Penn, Tom Waits, Bradley Cooper, Benny Safdie, Skyler Gisondo, and Mary Elizabeth Ellis. Scored by Johnny Greenwood, shot by Paul Thomas Anderson and Michael Bauman, and produced by Paul Thomas Anderson, Daniel Lupi, JoAnne Sellar, Adam Somner, Aaron L. Gilbert, Sara Murphy, Jason Cloth, and Demelza Cronin. Find where to stream it here: https://www.justwatch.com/us/movie/licorice-pizza — OUR LINKS: Recently Logged Main Webpage: https://anchor.fm/recentlylogged Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com — EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert Grawey Hosts - Micah and Robert Grawey Songs used in episode - Cool Intro - Stings by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ | Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100504 | Artist: http://incompetech.com/ Editor - Robert Grawey Episode art designer - Robert Grawey Episode description - Robert Grawey --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/recentlylogged/support

Snobbies, tonight we have Ethan's pick for our hot new topic Summer Hours. He chose a very long film, but one that is considered a modern Classic already. From the mind of the LEGENDARY Director, PTA (Paul Thomas Anderson), comes “There Will Be Blood.” Guess star Andy Harding for a brief moment on the pod, we talk through incredible lighting, incredible soundtrack from Johnny Greenwood, incredible story and yeah…an all around great time. Caleb was not here this week so we miss his presence. This was a heck of a film and we are excited to talk about it. Excellent choice Ethan. Enjoy! Film Discussed: There Will Be Blood (2007) Letterboxd: Eric Peterson: letterboxd.com/EricLPeterson/ Jared Klopfenstein: letterboxd.com/kidchimp/ Ethan Jasso: letterboxd.com/e_unit7/ Caleb Zehr: letterboxd.com/cjzehr/ Ricky Wickham: letterboxd.com/octopuswizard/ Five star reviews left on the pod get read out loud!

Mikko Gordon is a London based mix engineer and producer. He graduated from Goldsmiths with a degree in music and has worked with much of the exciting talent coming out of that university since then. After building a relationship with Radiohead producer Nigel Godrich through his act Ultraísta, Nigel recognised Mikko's talents, and brought him on to his team. Since then Mikko's worked on some incredible projects, most recently The Smile, a supergroup which include Radiohead members Thom Yorke and Johnny Greenwood, alongside Sons of Kemet drummer Tom Skinner, and the new Arcade Fire album 'WE'. Here, we join Mikko in the Neve room at his Hackney Road Studios base.The Process of Production is a music production podcast presented by Lawrence Diamond and Bob Matthews. Lawrence cut his teeth playing and writing in Indie bands before finding international success and touring the world with his band CITIZENS! During that time he worked with a host of revered producers including Liam Howe, Mark Ralph and Alex Kapranos. Since the band ended in 2016 he's been using that experience to help other artists develop their careers as a writer and producer while continuing to release his own music under various different guises. Bob learned his trade as the producer and multi-instrumentalist in Electronic Pop duo Alpines, whose career spans 3 albums, releases on major and indie record labels, shows with Florence + The Machine, The xx, Emeli Sandé, and a top 20 hit 'Tidal Wave' in collaboration with Sub Focus. In recent years he has turned his focus to producing other acts and has a studio in Chiswick in West London. If you have any feedback or questions, please email us: processofproductionpodcast@gmail.com Follow The Process of Production on Instagram @processofproduction If you like the podcast, please consider giving us a review on your podcast provider of choice! Thank you

Managing to occupy an incredibly narrow strip between Radiohead front man Thom Yorke's solo albums and the main band, whilst featuring fellow band alumni, Johnny Greenwood, wasn't an exciting prospect for me and pretty much Radiohead tbh. However, this was a much more thrilling and dynamic offering than expected. Offering some of the finest white funk this side of the immortal Krautrock legends Can and some of Yorke's most beautiful singing. Even if the dystopian lyrics were a bit slogany and the second half outweighed the first, it still would've made an excellent follow up to A Moon Shaped Pool - which it does I guess.

We're talking about the new supergroup, featuring Thom York and Johnny Greenwood from Radiohead, as well as Tom Skinner from Sons of Kemet. Does anyone else think it sounds like Thom is saying "we won't get cucked like that" in Free in the Knowledge? jubileestreetpod@gmail.com

Michael & Matthew talk the new divisive My Chem single, Kendrick Lamar's amazing new album (hence the episode title), and Thom Yorke and Johnny Greenwood's brilliant The Smile. Lots of laughs in between. Have a great week and thanks for listening

Nearly a year after Radiohead's Thom Yorke and Johnny Greenwood first teased The Smile, their side project with drummer Tom Skinner, the band's album is finally here. Indiecast hosts Steven Hyden and Ian Cohen dive into their album A Light For Attracting Attention (31:47), a title that can be taken ironically seeing as the side project garners far less attention than an official Radiohead release.After a fair amount of banter, Steven and Ian get into some of the relevant indie news from this week. Music discourse this week was mainly dominated by two very different album announcements: Kendrick Lamar's Mr. Morale And The Big Steppers (7:02) and the Jack Antonoff-produced Minions 2 soundtrack (2:20), which features groovy music by artists like Tame Impala and St. Vincent.In this week's Recommendation Corner (51:17), Steven plugs Rolling Blackouts Coastal Fever's zippy guitar pop-filled album Endless Rooms. Meanwhile, Ian shouts out power pop band Hey, ily!New episodes of Indiecast drop every Friday. Listen to Episode 88 and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's show we...  catch up on January records we slept on from Elvis Costello & The Imposters and St. Paul & The Broken Bones spin fresh tracks from Arcade Fire, Pixies & The Dream Syndicate nominate the legendary Dolly Parton for sainthood All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

‘De la literatura al cine. Grandes películas que se inspiraron en libros'. Ante la proximidad de la entrega de los Premios Oscar, Patricia del Río conversa con los entendidos en la materia. El director de cine, Federico García, nos da algunos lineamientos de lo que significa adaptar un libro al formato cinematográfico. La periodista Jennifer Llanos, conocedora de la narrativa de Elena Ferrante, analiza el libro y la película del mismo nombre, ‘La hija oscura'; mientras que el crítico de cine, Rodrigo Bedoya, nos da algunos alcances de las películas ‘Drive my car', de Haruki Murakami, y ‘El poder del perro', de Thomas Savage. Conoceremos también por qué los directores de cine eligieron adaptar estos libros y detalles de las otras novelas que postulan por un Oscar a mejor guion adaptado: "Dune", "El callejón de las almas perdidas" y ‘Coda'. El periodista Diego Pajares recomienda las películas "La naranja mecánica", de Stanley Kubrick; "El niño del pijama a rayas", de Mark Herman; y "Harry Potter y el prisionero de Azkaban", de Alfonso Cuarón; mientras que el crítico literario y librero de ‘Escena libre', recomienda los libros "Al este del Edén", de John Steinbeck; "Matar a un ruiseñor", de Harper Lee; y "Muerte en Venecia", de Thomas Mann. Las canciones que visten el programa son: ‘West', de Johnny Greenwood; ‘Tie ein afto pou to lene agapi', por Sofía Loren; ‘Drive my car', por The Beatles; y ‘It's your thing', por Emily Jones. Esto y mucho más hoy en Letras en el tiempo a las 7:00 de la noche por RPP Noticias, la voz de todo el Perú. Escúchanos también por rpp.pe y el podcast del programa. Ficha técnica: Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 10 – Tercera temporada

‘De la literatura al cine. Grandes películas que se inspiraron en libros'. Ante la proximidad de la entrega de los Premios Oscar, Patricia del Río conversa con los entendidos en la materia. El director de cine, Federico García, nos da algunos lineamientos de lo que significa adaptar un libro al formato cinematográfico. La periodista Jennifer Llanos, conocedora de la narrativa de Elena Ferrante, analiza el libro y la película del mismo nombre, ‘La hija oscura'; mientras que el crítico de cine, Rodrigo Bedoya, nos da algunos alcances de las películas ‘Drive my car', de Haruki Murakami, y ‘El poder del perro', de Thomas Savage. Conoceremos también por qué los directores de cine eligieron adaptar estos libros y detalles de las otras novelas que postulan por un Oscar a mejor guion adaptado: "Dune", "El callejón de las almas perdidas" y ‘Coda'. El periodista Diego Pajares recomienda las películas "La naranja mecánica", de Stanley Kubrick; "El niño del pijama a rayas", de Mark Herman; y "Harry Potter y el prisionero de Azkaban", de Alfonso Cuarón; mientras que el crítico literario y librero de ‘Escena libre', recomienda los libros "Al este del Edén", de John Steinbeck; "Matar a un ruiseñor", de Harper Lee; y "Muerte en Venecia", de Thomas Mann. Las canciones que visten el programa son: ‘West', de Johnny Greenwood; ‘Tie ein afto pou to lene agapi', por Sofía Loren; ‘Drive my car', por The Beatles; y ‘It's your thing', por Emily Jones. Esto y mucho más hoy en Letras en el tiempo a las 7:00 de la noche por RPP Noticias, la voz de todo el Perú. Escúchanos también por rpp.pe y el podcast del programa. Ficha técnica: Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 10 – Tercera temporada

Welcome to the Month with No Name, our salute to westerns! To start things off we are taking a spoiler-filled look at Jane Campion's 2021 neo-western, The Power of the Dog!We talk wife guys, the cinematic power of loneliness, and how Johnny Greenwood crafted the menacing power of a well-played banjo.Not so sure about westerns? Then you'll love our segment for this month on why you might actually like them!Next week we dive into the past with the original train schedule western, Delmer Daves' 3:10 to Yuma from 1957.

Oscar buzz is already surrounding the new Jane Campion film "The Power of the Dog" which pits an abrasive ranch hand (Benedict Cumberbatch) against his stoic brother (Jessie Plemons), his brother's wife (Kirsten Dunst) and her son (Kodi Smit-McPhee). ***Remember our Deep Dive Reviews contain SPOILERS*** Episode Index 0:00 - Intro 3:10 - Is the Power of the Dog a “Western” or “anti-Western” film? 6:20 - How the film defies expectations 10:30 - Synopsis of The Power of the Dog 13:00 - A vehicle for Benedict Cumberbatch 18:00 - Explanations and Motivations of the characters 28: 12 - Johnny Greenwood and the music 34:50 - Final Score for The Power of the Dog

In this episode I had a great interview with supervising sound editor Robert Mackenzie and sound designer Dave Whitehead about their work on Jane Campions psychological thriller Western, Power of the Dog. We chatted about their collaboration with Jane, finding the right sound of spurs, working with Johnny Greenwood's score, how Jane personally directed and oversaw the loop-group, and their thoughts on mixing for Netflix. Catch Power of the Dog now on Netflix! Follow me on Instagram or Letterboxed at @alfiefaber Or Facebook at Sound Perspective Podcast

This week, Josh Parham & guest Nathaniel Rogers from The Film Experience joined our main podcast review to discuss the latest feature film from Academy Award-winner Jane Campion, titled "The Power Of The Dog," starring Benedict Cumberbatch, Kirsten Dunst, Kodi Smit-McPhee & Jesse Plemons. Based on the novel of the same name by Thomas Savage, the film is packed with literary symbolism, metaphors, and characterization making it one of Campion's richest works yet. We discuss her writing and direction, the performances, the crafts, including Ari Wegner's cinematography, Johnny Greenwood's score, plus the film's awards season potential in our discussion down below. Be sure to watch the film first on Netflix before listening to our SPOILER-FILLED review, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Producer, director and creator Brian Volk-Weiss who is chatting with me about one of our mutual faves: Paul Thomas-Anderson's Daniel Day-Lewis starring masterpiece There Will Be Blood. In fact, it's Brian's favorite film of all time!We spoke about the film's genius casting, epic scope and lasting impact on filmmaking as a whole. We also get into the perils of judging a book (or film) by its cover and the rewarding experience of watching your favorite films over and over.Brian Volk-WeissThere Will Be BloodBehind The AttractionA Toy Store Near You Season This Way Up

To Etherea and Beyond - Episode 12 - The Scores and Soundtracks Show - Including music from Mogwai, My Bloody Valentine, This Will Destroy You, Brian Eno, Hans Zimmer, Johnny Greenwood, and many more. To Etherea and Beyond is a cross-genre radio show, showcasing music with ethereal, atmospheric, and often sublime qualities. The show aims to calm and thrill the listener in equal measure, whilst enjoying some well known and perhaps less familiar music. If you are a fan of tones, drones, tremolos, and soaring guitars, this show is for you. This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Jacob & Chris call on resident Paul Thomas Anderson expert, Peterson Hill, to dive deep into his latest film, PHANTOM THREAD. Dress up in your finest ensemble (nothing chic!) and join us as we discuss breakfast, debate the effectiveness of Johnny Greenwood's lush score, and wrestle with Reynolds Woodcock's complicated portrayal of masculinity in the wake of the #MeToo movement. PLUS! Find out what beer pairs exceptionally well with PHANTOM THREADand how this film is exactly like THE LEGO BATMAN MOVIE.