Podcasts about film history

When it comes to Hayao Miyazaki, the ocean is full of mystery and calamity. But one thing is for certain: Ponyo loves ham! This week is Miyazaki's late-career “movie for five-year-olds” that somehow combines the terror of complete environmental catastrophe with… the joy of floating around in a candle-powered speedboat. And cool jellyfish! Topics discussed: delicious-looking tea, delicious-looking ramen, whether or not the mad scientist/wizard Fujimoto represents Miyazaki, the perils of painting backgrounds for Ghibli, prehistoric fish, and Frankie Jonas. Next week we take a brief detour from the late works of Miyazaki and Takahata to cover Hiromasa Yonebayashi's THE SECRET WORLD OF ARRIETTY (2010). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Five Geniuses of Ponyo Interview with Toshio Suzuki Behind the Microphone Creating Ponyo Ponyo & Fujimoto The Nursery Scoring Miyazaki The Art of Ponyo The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Turning Point by Hayao Miyazaki Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Howl may be the worst type of early 2000s emo hunk. But listeners…We! Can! Fix! Him!!! This week is a real doozy. Dom and Adam are not particularly effusive about Miyazaki's moody, dark magic sequel to SPIRITED AWAY. It's bewildering, it's bizarre, and some moments seem completely incomprehensible. But as an animated film, it's a spectacle to behold, and we have a lot to celebrate, too. For instance…Calcifer! Next week, it's Miyazaki's child-friendly disaster film, PONYO (2008). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features: Behind the Microphone The Birth Story of the Film Soundtrack Interview with Diana Wynne Jones Explanation of CG: How to Move Howl's Castle  The Art of Howl's Moving Castle Turning Point by Hayao Miyazaki The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Hayao Miyazaki Takes Over Howl Variety Akihiko Yamashita Interview   Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Once, there was a type of movie called the teen sex comedy... The themes included coupling, horniness, and goofballs learning lessons about what love really was (sometimes, kind of). In 2009, director Will Gluck (EASY A) debuted with his first firm, one such teen sex comedy about two football stars who plot to score by attending cheerleading camp. F U! F U! F U! We get FIRED UP! watching two men around the age of 30 wisecracking (and growing as people) on this episode. Plus, a fantastical MouthGarf Report and I See What You Did There!  Edited by: Kelly Attaway Sources: https://en.wikipedia.org/wiki/Will_Gluck https://en.wikipedia.org/wiki/Fired_Up! https://www.imdb.com/title/tt1083456/ Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Ghost Hunting TV Show

Listeners, it's time to remember your name. We're getting Spirited Away this week to a Studio Ghibli production that is often called the most influential animated film of all time. Joining us to help purify the stink spirits and return the river gods to their kingdom is our old friend Stephen Hilger. Topics discussed this week: the enduring mystery of No-Face, why the Radish Spirit rules, whether or not SPIRITED AWAY is the TENET of Miyazaki's filmography, Ghibli's art style in the digital era, and of course, MARIO ODYSSEY. Next week, it's the most Hot Topic of Miyazaki's oeuvre, the very moody HOWL'S MOVING CASTLE (2004). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References:  The Art of Miyazaki's Spirited Away Sharing a House with the Never-Ending Man by Steve Alpert Turning Point by Hayao Miyazaki The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Spirited Away Making of Documentary Time Magazine Production History Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Greta Garbo was more than one of Hollywood's greatest stars. She helped change how women saw themselves and how the world viewed female independence.Rich speaks with author Scott Reisfield, Garbo's great-nephew and the author of Greta Garbo: The Rise of the Modern Woman. Drawing from family letters, personal memories, and years of archival research, Scott separates the real Garbo from the myths surrounding her private life and abrupt disappearance from motion pictures.In this conversation: Discover why working women connected so strongly with Garbo  Learn how Hollywood censorship prevented several planned films  Hear why Garbo continued pursuing projects long after 1941  Explore how pernicious anemia affected her work and health  Understand Garbo's lasting influence on women, acting, photography, and culture Scott also recommends the best films for first-time Garbo viewers and shares the surprising question he would ask his great-aunt today.Learn more about Scott and his books at https://scottreisfield.com/.This episode is sponsored by Sits & Wiggles Pet Care. Learn more at Best Dog Walkers & Cat Sitters in Bel Air | Sits & Wiggles Pet CareSubscribe to Conversations with Rich Bennett, share this episode with a classic-film fan, and leave a review to help more listeners discover conversations that matter.Send us Fan MailYour Pet AuPairAt Sits & Wiggles, we don't just care for pets. We care for your pet, exactly the way they like it.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showRate & Review on Apple Podcasts Follow the Conversations with Rich Bennett podcast on Social Media:Facebook – Conversations with Rich Bennett Facebook Group (Join the conversation) – Conversations with Rich Bennett podcast group | FacebookTwitter – Conversations with Rich Bennett Instagram – @conversationswithrichbennettTikTok – CWRB (@conversationsrichbennett) | TikTokSponsors, Affiliates, and ways we pay the bills:Hosted on BuzzsproutSquadCastSubscribe by Email

Did Studio Ghibli really make a family sitcom? Kind of! It's Isao Takahata's second-to-last film, and we simply couldn't resist adding it to our series. Joining us to revel in the brilliance (and surprisingly vindictive behavior) of the man they call Paku-San (aka Mr. Munch) is our dear friend and digital producer, Nik Long! Topics covered this week: whether or not YAMADAS is more like EVERYBODY LOVES RAYMOND or MALCOLM IN THE MIDDLE, the long-standing rivalry of Miyazaki and Takahata and its similarities to the film CHALLENGERS, our nostalgia for discovering movies on television, Takahata's love of bananas, and so much more! Next week, at long last, we get SPIRITED AWAY (2001). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Secrets of My Neighbors the Yamadas Studio Ghibli: An Industrial History by Rayna Denison Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After all these years of podcasting, Brandon and Stoney are just now getting around to the vast genius of Mel Brooks - for both of these guys, this was the first time sitting down and watching 1974's Blazing Saddles all the way through. 

Rewind. Did you know there was another SUPER MARIO BROS. MOVIE besides the animated blockbuster starring Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, Keegan-Michael Key, Seth Rogen, and Fred Armisen? The first SUPER MARIO BROS. MOVIE hit theaters in 1993 and was the first feature-length live-action film based on a video game. Directed by the husband-and-wife team Rocky Morton and Annabel Jankel, it follows brothers Mario Mario (Bob Hoskins) and Luigi Mario (John Leguizamo) as they quest to rescue Princess Daisy (Samantha Mathis) from a dystopian parallel universe ruled by the ruthless King Koopa (Dennis Hopper). Unfortunately, it was a box office failure and was widely panned by critics. The credits list three writers, Parker Bennett, Terry Runté, and Ed Solomon.Why did one MARIO movie succeed when the other MARIO movie didn't? That's the big question Sandy and Terry tackle in this episode.  

While the stars align to kick off the 2020s, Dan takes a look at what 2026 has had to offer so far: the best of what he's seen up until mid July, the penultimate month before Oscar season starts to take shape, including big hits and the criminally (he says) underrated and also Grogu is here. But to balance that out, Olav Rokne of the Hugo Book Club blob tags in to sum up what may be the worst the year has had to offer. How bad can it get? And what beloved (by Dan) movies did you miss that you should find on streaming? All that and more as we review slightly more than half of 2026!Find all of our episodes and the rest of Writing Therapy Productions' various entertainments at www.writingtherapyproductions.com

Before you listen to this episode, please join us in reciting the Ghibli prayer: Oh nameless god of rage and hate, we bow before you! This week we contend with what is unquestionably one of the greatest films ever made, animation or otherwise. It's a period epic that encapsulates everything we know and love about Studio Ghibli while also somehow raising the bar even higher. And hey, there's even a kaiju! Next week, it's a last-minute addition to the series: Isao Takahata's penultimate film, MY NEIGHBORS THE YAMADAS (1999). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Princess Mononoke: The Art and Making of Japan's Most Popular Film of All Time Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier The Guardian Hayao Miyazaki Interview Neil Gaiman on Scripting Princess Mononoke Cinefantastique Vol 31 No 4 Production History Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hang out with us for a fun conversation with Lisa Orkin and Harris Orkin — daughter and son of legendary radio writer, actor, and producer Dick Orkin. Dick Orkin, the mind behind the iconic radio serial “Chickenman” and the creative powerhouse The Famous Radio Ranch, was hailed by Newsweek as the pioneer of “The Advertising Theater of the Absurd.” He revolutionized audio advertising with his use of deadpan comedy, memorable characters, and situational humor, setting a new standard for creative storytelling in audio.Meet Our Guests:Lisa Orkin is a comedian, actor, writer, and audio director renowned for her unique blend of comedy, storytelling, and marketing across radio, film, and digital audio platforms. She's also known for her podcast production work, distinctive voice acting, and creative leadership at The Radio Ranch.Harris Orkin is a multi-medium storyteller — author, playwright, screenwriter, video game narrative designer, and voice director. He's best known for his BAFTA and WGA-nominated scripts for the Resident Evil video games and for his James Flynn Escapades spy comedy novels. The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernExecutive Producer/CreatorSandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller 

Country roads, take us home! Of the many, many movies that use the famous John Denver song, who would've expected the DEFINITIVE one to be about about a couple kids in Western Tokyo who fall in love with a really cool cat statue?  This week our old friend Stephen Hilger of the very great Into the Aether podcast is filling in as guest host! Topics explored by Dom and Steve: Zelda games (of course), Les Mis (obviously), doing improv comedy for no one (what?), learning to love yourself as an artist, and for some reason, pro wrestling! What an episode! Next week we worship at the altar of PRINCESS MONONOKE (1997). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Behind the Microphone Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Studio Ghibli: The Complete Works 2nd Edition Cartoon Brew Atsushi Okui Interview John Lasseter Whisper of the Heart Introduction Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Before 1960, movies just played on loops at the theater and people could buy a ticket and come and go as they pleased. Then, a film had so massive a twist that the director demanded theaters not let viewers wander in willy-nilly. We're discussing Psycho, Alfred Hitchcock's cinema-altering classic on this episode! Plus, a journey to the center of the MouthGarf Report, and I See What You Did There. Edited by: Kelly Attaway Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Pokémon

Thanks for hanging out with us!In this REWIND episode, Sandy and Terry dive into a fascinating Twitter thread that shares some really valuable insights into how signed writers found their representation. A big thank you to Tyler Clair Smith, the talented writer on X who inspired this episode. Be sure to follow Tyler Clair Smith at @tclairsmith—we certainly did!In this episode, we discuss helpful internet programs for screenwriters. The Writers' Hangout Podcast did not receive payment for our opinion.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

In this episode of Lunatics Radio Hour, we explore the history of the Final Girl, one of horror's most recognizable character archetypes. From early examples in horror literature and film to the rise of the slasher genre in the 1970s and 1980s, we examine how the trope developed and why it became so important to horror storytelling.We discuss the academic origins of the term, the characteristics traditionally associated with the Final Girl, and how characters like Laurie Strode, Nancy Thompson, and Sidney Prescott helped define and evolve the role. We also look at how modern horror films have challenged, expanded, and reinterpreted the trope for new audiences.Join us as we trace the history of the Final Girl and her lasting impact on horror cinema.Follow @Sonrisalibrary on Instagram.SourcesMen, Women, and Chain Saws by Carol J Clover (1992)Fandom article: Halloween Flips The Final Girl Trope on Its Head by Kim Taylor-FosterIn Session Film article by Codie Allen: The Scream Queen's Legacy: Janet Leigh and the Evolution of HorrorDread Central article by Mary Beth McAndrews: Jess's Choice: How ‘Black Christmas' (1974) Responsibly Addresses Abortion and Bodily Autonomy Get Lunatics Merch here. Join the discussion on Discord. Check out Abby's book Horror Stories. Available in eBook and paperback. Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.Watch Voices Carry for free on Tubi now! Consider joining our Patreon for bonus episodes, spooky literature and deep dives into horror and history. Click here to learn more. Follow us on TikTok, X, Instragram and YouTube. Join the conversation on Discord. Support us on Patreon. Support the show

We're back! Joining us after our one week hiatus is returning champion, the one, the only... Griffin Newman! We have so much to talk about this week, including: raccoon dogs, Isao Takahata's hatred of modernity, the history of “serious” animation, Operation Goblin, Star Wars(?), Mr. Belvedere(??), Dave Matthews Band(????), and also How To “Ball Up” a Pipeline! Next week it's our first non-Miyazaki/Takahata Ghibli entry, WHISPER OF THE HEART (1995) directed by Yoshifumi Kondō. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Blu-Ray Booklet Studio Ghibli: The Complete Works 2nd Edition Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert TCM Pom Poko Production History Pom Poko Influences Hoppers Band Inspiration Toshio Suzuki Incorrectly Anticipates Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode Summary Erin and Rachel return to the Hundred Acre Wood for Winnie the Pooh (2011), the sequel to The Many Adventures of Winnie the Pooh (1977). Although it's stuffed with as much fluff as its protagonist, nostalgia and a 69-minute run time make this benign film pleasantly watchable.  Episode Bibliography Anderson, J. [@jenna.sais.quoi.paris]. (n.d.). Reels [Instagram profile]. Instagram. Retrieved July 5, 2026 from https://www.instagram.com/jenna.sais.quoi.paris Anderson, S. & Hall, D. (Directors). (2011). Winnie the Pooh [Film]. Walt Disney Animation Studios. Armstrong, J. (2011, July 25). Winnie The Pooh's Directors Stephen Anderson and Don Hall: Back to the Hundred Acre Wood – Animated Views. Animated Views. https://animatedviews.com/2011/winnie-the-pooh%E2%80%99s-directors-stephen-anderson-and-don-hall-back-to-the-hundred-acre-wood/ Chang, J. (2011, April 1). Winnie the Pooh. Variety. https://variety.com/2011/film/reviews/winnie-the-pooh-1117944948/ Chen, T. (2016, September 16). People On Tumblr Are Obsessed With This Guy Who Gets Coffee On Movie Sets. BuzzFeed News. https://www.buzzfeednews.com/article/tanyachen/people-on-tumblr-are-obsessed-with-carlos-the-coffee-guy Culture Editor. (2011, April 18). Review: Winnie the Pooh. Platform. https://web.archive.org/web/20161229101056/http://platform-online.net/2011/04/review-winnie-the-pooh/ Denham, J. (2016, September 19). The guy that makes Disney animators coffee has been getting 'caffeination' credits for years. The Independent. https://www.the-independent.com/arts-entertainment/films/news/the-guy-that-makes-disney-animators-coffess-has-been-getting-caffeination-credits-for-years-a7316541.html Desowitz, B. (2011, July 15). Reinventing 'Winnie the Pooh'. Animation World Network. https://www.awn.com/animationworld/reinventing-winnie-pooh Don Hall (filmmaker). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Don_Hall_(filmmaker) Ebert, R. (2011, July 13). “Nobody can be uncheered with a balloon”. RogerEbert.com. https://www.rogerebert.com/reviews/winnie-the-pooh-2011 Goldstein, G. (2011, July 15). Movie Review: ‘Winnie the Pooh'. Los Angeles Times. https://www.latimes.com/entertainment/la-xpm-2011-jul-15-la-et-winnie-the-pooh-20110715-story.html Hill, J. (2010, June 3). GeneralDisney's going Back to the Future with Winnie the Pooh. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/disneys-going-back-to-the-future-with-winnie-the-pooh/ King, S. (2011, July 13). New ‘Winnie the Pooh' movie goes back to its Hundred Acre Wood roots. Los Angeles Times. https://www.latimes.com/entertainment/la-xpm-2011-jul-13-la-et-winnie-the-pooh-20110713-story.html Milne, A.A. (1926). Winnie-the-Pooh (E.H. Shepard, Illus.). Methuen.  Milne, A.A. (1928). The House at Pooh Corner. (E.H. Shepard, Illus.). Methuen. Ness, M. (2016, December 1). Hunting for Honey in the Franchise: Disney's Winnie the Pooh (2011). Reactor. https://reactormag.com/hunting-for-honey-in-the-franchise-disneys-winnie-the-pooh-2011/ Nimri, N. (n.d.) Self care is collective care is community care. Slow Factory. https://slowfactory.earth/readings/self-care-is-collective-care-is-community-care/ Radish, C. (2011, July 7). Don Hall and Stephen Anderson Interview WINNIE THE POOH. Collider. https://collider.com/don-hall-stepen-anderson-interview-winnie-the-pooh/ Rudulph, H. W. (2015, April 27). Get That Life: How I Co-Wrote the Music and Lyrics for "Frozen". Cosmopolitan. https://www.cosmopolitan.com/career/interviews/a39513/get-that-life-kristen-anderson-lopez/ Scott, A. O. (2011, July 14). 'Winnie the Pooh,' From Disney - Review - The New York Times. New York Times. https://www.nytimes.com/2011/07/15/movies/winnie-the-pooh-from-disney-review.html Soteriou, H. (2011, April 18). Winnie the Pooh returns to animate cinemas. BBC News. https://www.bbc.com/news/entertainment-arts-13066105 Stephen Anderson (artist). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Stephen_Anderson_(artist) Watts, T.W., Duncan, G.J., & Quan, H. (2018). Revisiting the Marshmallow Test: A conceptual replication investigating links between early delay of gratification and later outcomes. Psychological science, 29(7), 1159-1177. Doi: 10.1177/0956797618761661 Winnie the Pooh (2011). (n.d.). Box Office Mojo. https://www.boxofficemojo.com/title/tt1449283/ Winnie the Pooh (2011). (n.d.). IMDb. https://www.imdb.com/title/tt1449283/?ref_=nv_sr_srsg_3_tt_8_nm_0_in_0_q_winnie%20the%20pooh Winnie the Pooh (2011 film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Winnie_the_Pooh_(2011_film) Winnie the Pooh (soundtrack). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Winnie_the_Pooh_(soundtrack) Zahed, R. (2011, July 10). Back to the Days of Christopher Robin & Pooh. Animation Magazine. https://www.animationmagazine.net/2011/07/back-to-the-days-of-christopher-robin-pooh/ Zooey Deschanel Performs Three Songs for Winnie the Pooh. (2011, March 31). ComingSoon.net. https://web.archive.org/web/20110826070731/http://www.comingsoon.net/news/movienews.php?id=75804

They just don't make summer blockbusters like this anymore! On this episode of Movie Review Rewind, Brandon and Stoney relive the height of the 90s, a different side of Arnold Schwarzenegger, the prowess of James Cameron, a show-stealing Jamie Lee Curtis, and a delightful Tom Arnold in 1994's True Lies.

We review pop star Olivia Rodrigo's latest album, which blends pop, rock and heartbreak all into one.  Linktr.ee | Apple Podcasts | YouTube | SpotifyFacebook: @ViewpointsOnlineX: @viewpointsradioInstagram: @viewpointsradioFull ArchiveContact UsAffiliates & National Syndication Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Safety vs Surveillance: What's The Real Reason We Use Location Sharing? Location sharing can feel like a simple safety net, but we look at what happens when “peace of mind” turns into constant, obsessive monitoring. From parents tracking young adult children to couples sharing this real-time info, we explore how this technology can protect, pressure or slowly erode trust depending on how it's used. Guests:  Randi Smith, psychologist, professor, Metropolitan State University of Denver Sarah Clark, co-director, C.S. Mott Children's Hospital National Poll on Children's Health, faculty member, Department of Pediatrics, University of Michigan - Ann Arbor.   The Simple Learning Tool We May Be Leaving Behind In an era dominated by keyboards, it is easy to think handwriting is a skill of the past. But are we shortchanging our brains by abandoning this ability? Our guests this week explore the critical cognitive benefits of handwriting and discuss how the physical act of writing by hand significantly boosts literacy, memory retention, and idea generation. Guests:  Danny Oppenheimer, professor of decision sciences, Carnegie Mellon University Virginia Wise Berninger, professor emerita, University of Washington Linktr.ee | Apple Podcasts | YouTube | SpotifyFacebook: @ViewpointsOnlineX: @viewpointsradioInstagram: @viewpointsradioFull ArchiveContact UsAffiliates & National Syndication Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on the program, a trip into the archive and a return to Episode 693, my conversation with Candace Jane Opper, author of the debut memoir Certain and Impossible Events (Kore Press). Air date: February 17, 2021. Candace Jane Opper is a writer, a mother, and an occasional visual artist. She grew up in the woods of Southern Connecticut, in a house that alarmingly resembles the one from The Amityville Horror, where she learned to embrace the value of unconventionality. She holds an MFA in Nonfiction Writing from Portland State University and spent her undergraduate years in Providence studying Film History—a discipline her college advisor fondly described as the second most pointless major next to Art History, which she promptly declared as her minor. Opper's essays have appeared or are forthcoming in Longreads, Guernica, Creative Nonfiction, LitHub, Narratively, Brevity, and Vestoj, among others. She is a Creative Nonfiction Foundation Fellowship recipient and a member on the advisory council for Write Pittsburgh, a program collective that empowers writers to amplify their voices and strengthen their communities. Certain and Impossible Events is her first book. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Culture Crash: How “Disclosure Day” Brings Spielberg Back To Aliens Spielberg returns to sci-fi with “Disclosure Day” featuring Emily Blunt, Colin Firth and other big names. We review his latest summer blockbuster. Host and Producer:  Evan Rook   Linktr.ee | Apple Podcasts | YouTube | SpotifyFacebook: @ViewpointsOnlineX: @viewpointsradioInstagram: @viewpointsradioFull ArchiveContact UsAffiliates & National Syndication Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Batman: The Movie (1966) is a campy, quotable time capsule that helped turn a modest TV show into a pop culture icon. Adam West's earnestness, the film's comic-book style, and its playful villains make it a perfect snapshot of 1960s charm and lasting nostalgia.

Farewell to freedom in the Adriatic and days of wild abandon! We're soaring back over the sea this week to hang out with our close personal friend, Porco Rosso! This is… the best movie ever made, right? Topics discussed this week: whether or not Han Solo is just Porco in space, Italian antifascism, French antifascism, fascism in general, Looney Tunes, and of course, cool planes. Next week it's all about raccoons as we go long on Isao Takahata's POM POKO (1994)! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Interview with Toshio Suzuki Behind the Microphone The Art of Porco Rosso Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pour up a Skull Island Colossus and join McCash as he relives Peter Jackson's take on one of the most epic stories in cinema history alongside Brandon and Stoney. Today, we're drinking with...King Kong. To make the Skull Island Colossus, you'll need: • 1½ oz dark rum• ½ oz overproof rum• 1 oz coconut cream• 1 oz pineapple juice• ½ oz fresh lime juice• ½ oz banana liqueur• 2 dashes Angostura bitters• banana slice for garnishInstructions1. Fill a shaker with ice.2. Add dark rum, coconut cream, pineapple juice, lime juice, banana liqueur, and bitters.3. Shake well until chilled.4. Pour into a large rocks glass or tiki mug filled with crushed ice.5. Float the overproof rum on top.6. Garnish with a banana slice.

It's been 26 years since Jackass first hit our screens, and I can't believe we're here. From the early days of Big Brother magazine to the insanity of Jackass: Best and Last, this group of idiots turned "getting the crap kicked out of each other" into an art form.They weren't just stuntmen; they kickstarted the DIY approach to entertainment that defines a generation. Whether you grew up watching them on MTV or you're just discovering the legacy, Best and Last feels like waiving goodbye to an old friend. It's finite, it's funny, and yes, it's a bit teary-eyed to see the crew hang it up.Critics are calling it a "fearless kind of genius" and honestly, they're not wrong. If you loved the show, the movies, and the chaos, you owe it to yourself to see this in theaters.This episode is brought to you by LiQure Gummies. We've all had a little too much to drink and regretted it the next day. LiQure Gummies provides a convenient and simple way to support your body after a night of drinking, helping to minimize next-day discomfort and promote faster recovery. With their patent-pending blend of natural ingredients like Dihydromyricetin, Prickly Pear, Milk Thistle, vitamins B6 and 12, electrolytes and Ginger Root, LiQure Gummies will ensure you can drink like Bogart and wake up feeling like Bacall.  Go to  https://liqure.com/discount/CLASSIC to enjoy a 20% off discount on your order or use code “classic” when checking out.

What if one of the most iconic scenes in A Hard Day's Night happened by accident?In this Booked On Rock highlight, author and broadcaster Samira Ahmed reveals how a camera battery running low accidentally created the distinctive look of the Beatles' famous "Can't Buy Me Love" sequence. She also explains why director Richard Lester recognized the magic of the moment and left it in the film—creating one of the most memorable scenes in music movie history. 

Get ready to reconnect with your 10-year-old self. Because we're about to face some of the most embarrassing (and transcendent) childhood memories in movie history! Topics discussed this week: dividing fractions, the questionable taste of unripe pineapples, Takahata and Miyakazi's legendary beef, uncanny animated facial muscles, the weather, and whether or not ALADDIN still holds up. Next week we take to the skies with PORCO ROSSO (1992). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Making of Only Yesterday Princess Mononoke: The Art and Making of Japan's Most Popular Film of All Time Starting Point by Hayao Miyazaki Sharing a House with the Never-Ending Man by Steve Alpert Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's our First 100th Episode! Can you believe it? It's time to celebrate! We flip through the previous 99 episodes of Debut Buddies, remembering what we still do. And throughout, we play a multi-round I See What You Did There compiled from past episodes. If you love this episode, I have bad news... We'll never have another First 100th. And if you hate this episode, then I have great news for you!  Edited by: Kelly Attaway Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Issue of FATE Magazine 

Finally, an animated film about how the gig economy is BAD but dirigibles are COOL! This week we hang out with the snarkiest cat around, Jiji, and his very cool familiar, a little witch who dreams of something better than eating pancakes for every meal. Even if you're not a freelancer, this film speaks volumes, because work/life balance is impossible and Kiki's about to find out why! Next week, it's another Takahata gem, ONLY YESTERDAY (1991). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Creating Kiki's Delivery Service Scoring Miyazaki Kiki & Jiji Art of Kiki's Delivery Service Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After reconciling with the fact that they're turning 40 soon and starting to forget a lot of things, Brandon and Stoney finally dig into Sofia Coppola's feature directorial debut in The Virgin Suicides on this episode of Movie Review Rewind! 

In this episode, we're joined by Dr. Victoria “Vicky” Hart, daughter of acclaimed television writer Stan Hart, whose remarkable career helped shape some of the most beloved comedy programs in television history.Stan Hart, alongside writing partner Larry Siegel, was a key writer for The Carol Burnett Show, earning multiple Emmy Awards for his work. His extensive career also included writing credits for films such as Move and Eat and Run (1986), as well as television favorites such as Love, American Style (1971) and Oh, Nurse! (1972), The Hal Linden Special (1979), The Wonderful World of Disney, and many other productions. During our conversation, Vicky shares stories about her father's life, legacy, and impact on comedy writing.Dr. Victoria Hart is an accomplished performer and educator in her own right. She earned her Doctor of Musical Arts (D.M.A.) in Vocal Performance from the University of California, Santa Barbara, and has built an impressive career as an operatic soprano and teacher. She has performed leading roles with opera companies across the United States, including Knoxville Opera, Sacramento Opera, Fresno Opera, Greensboro Opera, Opera Santa Barbara, Eugene Opera, Lyric Opera of Kansas City, Long Beach Opera, and Rimrock Opera.Join us for a fascinating conversation about television history, comedy, music, family legacy, and the artistic journeys that connect generations.

Mike, Tom, and Kyle close out Season 5 by reflecting on the 1993 class of National Film Registry inductees, handing out superlatives to the standout performances and craftspeople from the season, and formally submitting their Registry picks. Plus, a look ahead to Season 6.  Since 1989, the National Film Registry has selected 25 films each year that are deemed "culturally, historically or aesthetically significant". In each episode, Mike Natale (Yahoo!) and Tom Lorenzo (Men's Journal) bring on a special guest to take a look at one of the films from the registry, to get to the heart of why these films matter.

Episode Summary Erin and Rachel follow Lightning McQueen and Mater around the globe in this discussion of Cars 2, a spy-themed sequel with a convoluted plot and disappointing politics.  Episode Bibliography Abg 13. (2021, February 21). Cars 2 Tokyo Race Lap One w/ Film Maker Commentary (Subs Included). YouTube. https://www.youtube.com/watch?v=eB-qsiCs6us&list=PLkVBJymkFErmVjGA_sJvZwr7CFirexCaa&index=1 Abg 13. (2021, February 27). Cars 2: Making Lemon-Aides (Subs Included). YouTube. https://www.youtube.com/watch?v=8WnBgTtuILU&list=PLkVBJymkFErmVjGA_sJvZwr7CFirexCaa&index=12 Barnes, B. (2011, October 17). John Lasseter of Pixar Defends ‘Cars 2'. The New York Times. https://www.nytimes.com/2011/10/18/movies/john-lasseter-of-pixar-defends-cars-2.html Bastoli, M. (2011, March 21). Screenwriter claims Cars was his idea, sues Pixar. The PIXAR Blog. https://web.archive.org/web/20111006214337/http://pixarblog.blogspot.com/2011/03/screenwriter-claims-cars-was-his-idea.html Bastoli, M. (2011, July 28). Victory for Disney/Pixar in Cars lawsuit. Big Screen Animation. https://web.archive.org/web/20120314153029/http://www.bigscreenanimation.com/2011/07/victory-for-disneypixar-in-cars-lawsuit.html Bastoli, M. (2011, July 28). Victory for Disney/Pixar in Cars lawsuit. Big Screen Animation. https://web.archive.org/web/20120314153029/http://www.bigscreenanimation.com/2011/07/victory-for-disneypixar-in-cars-lawsuit.html Billington, A. (2008, September 25). Pixar's Cars 2 Pushed Up to Summer of 2011. FirstShowing. https://www.firstshowing.net/2008/pixars-cars-2-pushed-up-to-summer-of-2011/ Blankenship, M. (2012, October 5). Summer bummer: 5 most disappointing movies. TODAY. https://web.archive.org/web/20121005003851/http://today.msnbc.msn.com/id/44260890/ns/today-entertainment/ Brew, S. (2011, July 24). Denise Ream interview: Eraser, Cars 2, stop motion animation, Star Wars and Pixar. Den of Geek. https://www.denofgeek.com/movies/denise-ream-interview-eraser-cars-2-stop-motion-animation-star-wars-and-pixar/ Cars 2. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Cars_2 Cars 2. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3091760641/ Cars 2 (2011) - Full cast & crew. (n.d.). IMDb. https://www.imdb.com/title/tt1216475/fullcredits/ Chang, J. (2011, June 19). Cars 2. Variety. https://variety.com/2011/film/reviews/cars-2-1117945476/ Child, B. (2011, June 20). Cars 2 premiere - in pictures. The Guardian. https://www.theguardian.com/film/gallery/2011/jun/20/pixar-walt-disney-company cinemajudgetv. (2011, August 16). CARS 2 - In the Studio. YouTube. https://www.youtube.com/watch?v=EP98hbvjc_s Desowitz, B. (2011, April 19). Lasseter Talks 'Cars 2'. Animation World Network. https://www.awn.com/animationworld/lasseter-talks-cars-2 Ebert, R. (2011, June 22). John Lasseter plays with his cars movie review. RogerEbert.com. https://www.rogerebert.com/reviews/cars-2-2011 FILM.TV. (2011, July 27). Cars 2: John Lasseter im Exklusiv-Interview. YouTube. https://www.youtube.com/watch?v=nRBkkuGnL-A Finklea, B.W.  (2014). Examining masculinities in Pixar's feature films: What it means to be a boy, whether  human, fish, car, or toy. [Doctoral dissertation, University of Alabama]. ProQuest Dissertations &  Theses Global.  Greenberg, C. (2011, May 23). State Farm Backs Disney/Pixar's 'Cars 2'. MediaPost. https://www.mediapost.com/publications/article/151040/None Hill, J. (2010, June 24). Hamming it up at Disney's Holiday Showcase. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/hamming-it-up-at-disneys-holiday-showcase/ Hunter, H. (2010, February 15). Cars 2 Gets A Toon Up... Blue Sky Disney. http://www.blueskydisney.com/2010/02/cars-2-gets-toon-up.html Kabuki. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Kabuki Lasseter, J. (Director). (2011). Cars 2 [Film]. Pixar Animation Studios. Malouf, M. (2017). Behind the closet door: Pixar and petro-literacy. In S. Wilson, A. Carlson, & I. Szeman  (Eds.), Petrocultures: Oil, politics, culture (pp. 138-161). McGill-Queen's University Press. Maltin, L. (2011, June 24). movie review: CARS 2. Indiewire. https://web.archive.org/web/20140108213426/http://blogs.indiewire.com/leonardmaltin/movie_review_cars_2 Ness, M. (2018, January 4). Pixar's First Minor Roadblock: Cars 2. Reactor. https://reactormag.com/pixars-first-minor-roadblock-cars-2/ O, C. (2011, June 28). Inside CARS 2 with Director John Lasseter. 5 Minutes for Mom. https://www.5minutesformom.com/cars-2-john-lasseter/ obsessedwithfilm. (2011, July 21). John Lasseter talks Cars 2. YouTube. https://www.youtube.com/watch?v=NO76wBgd1D8 O'Connell, M. (2011, October 18). ‘Cars 2' Director John Lasseter Defends Film, Says Sequel Wasn't About Merchandising. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/cars-2-director-john-lasseter-249910/ Parks, T. (2009, August 25). Disney 'hints at Cars sequel title'. Digital Spy. https://www.digitalspy.com/movies/a173720/disney-hints-at-cars-sequel-title/ Pixar boss reveals Cars movie merchandise made $10bn. (2011, July 21). BBC. https://www.bbc.com/news/newsbeat-14209968 Robertson, B. (2011). The World Is Not Enough. Computer Graphics World. https://www.cgw.com/Publications/CGW/2011/Volume-34-Issue-6-June-July-2011-/The-World-Is-Not-Enough.aspx#articletop Rorie, M. (2011, June 27). Was Cars 2 Too Violent For A G-Rating? Screened. https://web.archive.org/web/20110629141858/http://www.screened.com/news/was-cars-2-too-violent-for-a-g-rating/2473/ Saint, J. (2020, April 30). Oops! Disney's Cars Did Eugenics. YouTube. https://www.youtube.com/watch?v=Y6qMgiA-VY0 Slager, B. (2011, June 28). Sell-uloid: The Marketing of CARS 2. chud.com. https://chud.com/58735/sell-uloid-the-marketing-of-cars-2/ Szalai, G. (2011, February 14). Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/disney-cars-has-crossed-8-99438/ Travers, P. (2011, June 23). Cars 2. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/cars-2-91198/

The catbus is here and we're off to explore the (friendly) haunted forest! This week we're worshipping the ancient woodland spirit and face of Studio Ghibli — our good, personal friend, Totoro! But heads up, Adam and Dom have completely different takes on this one, so if you're looking for a real Siskel & Ebert type disagreement, this is the episode for you. Next week, we take to the skies with KIKI'S DELIVERY SERVICE (1989). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Behind the Microphone Creating My Neighbor Totoro Creating the Characters The “Totoro” Experience Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Grave of the Fireflies (BFI Film Classics) by Alex Dudok de Wit The Art of My Neighbor Totoro: A Film by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Totoro's Limited Animation Team Guillermo Del Toro - 2013 Studio Ghibli Masterclass - TIFF Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's Mann versus machine. It's Mann versus manhood. It's probably the best television film of all time. And it just so happens to be the debut for one Steven Spielberg. If you like Jaws, may we recommend Duel... where the shark is a big, scary truck! We discuss the film and its background, plus some general Spielberg chatter, the Mouthgarf Report, and I See What You Did There! Sources: https://en.wikipedia.org/wiki/Duel_(1971_film) https://www.rogerebert.com/features/book-excerpt-steven-spielberg-and-duel-the-making-of-a-film-career https://cinemaretro.com/index.php?/archives/8293-STEVEN-SPIELBERG-AND-DUEL-THE-MAKING-OF-A-FILM-CAREER;-INTERVIEW-WITH-AUTHOR-STEVEN-AWALT.html Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First 100th Episode!

Filmmaker Billy Luther talks with Sandy about his coming-of-age film, ‘Frybread Face and Me,' which was executive-produced by Taika Waititi and distributed by Ava DuVernay's company, Array, on Netflix.Written and directed by Billy, ‘Frybread Face and Me' was selected for SXSW 2023's Narrative Spotlight and TIFF 2023's Discovery and New Wave Selects. Billy's feature documentary, Miss Navajo, premiered at the 2007 Sundance Film Festival and aired nationally on PBS' Independent Lens that same year.Billy has also served as a writer and director on the hit AMC series Dark Winds, adapting Tony Hillerman's novels featuring Navajo tribal police investigations.You can watch ‘Frybread Face and Me,” ‘Miss Navajo,' and all of Billy's films for free on his website here: https://billyluther.comIf you have Netflix, go watch ‘Frybread Face and Me' right now!  Pick up the remote, click the link.  Do.  The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

In the Season 5 finale, Mike, Tom, and Kyle take on Point of Order (1964), Emile de Antonio's radical documentary assembled entirely from kinescope footage of the Army-McCarthy hearings. No narration. No talking heads. Just the hearings themselves and McCarthy slowly unraveling on camera. We dig into what makes this a film and not just a historical record, why de Antonio's editing choices still feel dangerous, and what the Library of Congress recognized when they added it to the National Film Registry.  Since 1989, the National Film Registry has selected 25 films each year that are deemed "culturally, historically or aesthetically significant". In each episode, Mike Natale (Yahoo!) and Tom Lorenzo (Men's Journal) bring on a special guest to take a look at one of the films from the registry, to get to the heart of why these films matter.

This week, we pay tribute to one of the most devastating (and life-affirming) movies ever made. It's our very first Takahata film, and… it's a doozy. We simply couldn't do a Studio Ghibli series without honoring this masterpiece. **Please be aware that this episode includes some distressing themes around children and violence. We tried our best to celebrate the brilliance of the film but inevitably the conversation turned dark at times. Next week, we get a (much-needed) big, fuzzy hug from MY NEIGHBOR TOTORO (1988). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Grave of the Fireflies (BFI Film Classics) by Alex Dudok de Wit Studio Ghibli: An Industrial History by Reyna Denison Animerica Isao Takahata & Akiyuki Nosaka Interview Studio Ghibli Movies Isao Takahata Interview Anime New Network Hirokatsu Kihara Interview Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rewind. Sandy and Terry will discuss Billy Wilder's 10 tips for screenwriters. Few screenwriters are as pedigreed as Billy Wilder, who is renowned as one of the most creative filmmakers of American cinema's Golden Age. Wilder was nominated 21 times at the Academy Awards, 13 for screenwriting and 8 for direction. He won the Best Director award for his 1945 film "The Lost Weekend" and again 15 years later for "The Apartment." Thanks to the success of "The Apartment," Wilder became the first person to win an Academy Award as a producer, director, and screenwriter for the same movie. Cameron Crowe said, “There's no better film school than listening to what Billy Wilder says.”The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss. The first known film to portray African American affection, it was lost for over a century until its rediscovery inspired contemporary audiences with a powerful and enduring depiction of Black love. More than a missing piece in an untold history of Black cinematic performance, Something Good—and the magnetism of Suttle and Brown—attests to the power of Black performance on stage and screen from the nineteenth century to today. In Acts of Love: Black Performance and the Kiss That Changed Film History (University of California Press, 2026), Allyson Nadia Field tells the story of Something Good and recovers the forgotten yet fascinating lives of its performers and their world. Drawing a vivid picture from sparse historical records, Acts of Love examines popular culture's negotiation of blackness to reconsider the intersections of minstrelsy, vaudeville, and cinema in ragtime America. This book not only presents the story of Something Good, its performers, and the drama of its rediscovery; it shows how the rediscovery of this short early film changes our understanding of American film history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss. The first known film to portray African American affection, it was lost for over a century until its rediscovery inspired contemporary audiences with a powerful and enduring depiction of Black love. More than a missing piece in an untold history of Black cinematic performance, Something Good—and the magnetism of Suttle and Brown—attests to the power of Black performance on stage and screen from the nineteenth century to today. In Acts of Love: Black Performance and the Kiss That Changed Film History (University of California Press, 2026), Allyson Nadia Field tells the story of Something Good and recovers the forgotten yet fascinating lives of its performers and their world. Drawing a vivid picture from sparse historical records, Acts of Love examines popular culture's negotiation of blackness to reconsider the intersections of minstrelsy, vaudeville, and cinema in ragtime America. This book not only presents the story of Something Good, its performers, and the drama of its rediscovery; it shows how the rediscovery of this short early film changes our understanding of American film history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss. The first known film to portray African American affection, it was lost for over a century until its rediscovery inspired contemporary audiences with a powerful and enduring depiction of Black love. More than a missing piece in an untold history of Black cinematic performance, Something Good—and the magnetism of Suttle and Brown—attests to the power of Black performance on stage and screen from the nineteenth century to today. In Acts of Love: Black Performance and the Kiss That Changed Film History (University of California Press, 2026), Allyson Nadia Field tells the story of Something Good and recovers the forgotten yet fascinating lives of its performers and their world. Drawing a vivid picture from sparse historical records, Acts of Love examines popular culture's negotiation of blackness to reconsider the intersections of minstrelsy, vaudeville, and cinema in ragtime America. This book not only presents the story of Something Good, its performers, and the drama of its rediscovery; it shows how the rediscovery of this short early film changes our understanding of American film history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Sweet Smell of Success (1957) is one of the most visually ruthless films Hollywood ever made — and one that doesn't show up in the conversation as often as it should. We dig into James Wong Howe's New York City cinematography, the Burt Lancaster and Tony Curtis dynamic, and what the Library of Congress saw in it when they added it to the National Film Registry.   Since 1989, the National Film Registry has selected 25 films each year that are deemed "culturally, historically or aesthetically significant". In each episode, Mike Natale (Yahoo!) and Tom Lorenzo (Men's Journal) bring on a special guest to take a look at one of the films from the registry, to get to the heart of why these films matter.  

Take pleasure in the gut-wrenching excitement of a 90s action milestone! This week on The Dana Buckler Show, we are heading straight to Alcatraz to break down Michael Bay's 1996 definitive high-concept thriller, The Rock.Coming off the success of Bad Boys, Michael Bay was handed the keys to a massive blockbuster budget, a killer premise, and an absolutely legendary cast. The result? A beautifully shot, fast-paced, explosion-filled masterpiece that stands as a high-water mark for the golden era of 90s action cinema and Hollywood summer blockbusters.In this cinema retrospective, film historian Dana Buckler dives deep into: The Powerhouse Trio: The incredible, lightning-in-a-bottle chemistry between Nicolas Cage's frantic, vinyl-loving FBI chemical weapons expert Stanley Goodspeed and Sean Connery's sophisticated, badass British operative John Patrick Mason. The Sympathetic Villain: Ed Harris's brilliant, nuanced performance as General Hummel—an antagonist with legitimate, tragic motives that elevate the stakes way beyond a standard hostage situation. The Pinnacle of 90s Action: From the iconic, destructive Ferrari car chase through the streets of San Francisco to the brutal shower room standoff, we break down why the practical effects and set pieces in this film still hold up today. The Uncredited Script Doctors: How Hollywood legends like Quentin Tarantino, Aaron Sorkin, and Jonathan Hensleigh secretly helped polish the razor-sharp dialogue. Whether you're a long-time fan who can quote "Your best! Losers always whine about their best" line-for-line, or you're revisiting this classic Don Simpson and Jerry Bruckheimer production era for the first time, grab your green smoke and join us for the ultimate film review.Welcome to The Rock!Join our Facebook group https://www.facebook.com/groups/danabucklershowJoin my Patreon for early access to all episodes, plus a new exclusive podcast, go to Patreon.com/howisthismovieSubscribe to the podcast on your favorite podcast platform by going to https://linktr.ee/DanaBucklerShowJoin our Facebook group https://www.facebook.com/groups/danabucklershowJoin Our Patreon for early access to all episodes, plus a new exclusive podcast, go to Patreon.com/howisthismovie #TheRock #TheDanaBuckler Show #90sAction #NicolasCage #SeanConnery #MichaelBay #FilmPodcast #MovieHistory #CinemaRetrospective #ActionMovies #90sCinema #FilmBuff

Get in, losers, we're going to Laputa! This week we take flight with Pazu, Sheeta, and a gang of pirates with some seriously questionable motives to find the mythical land in the clouds where cool robots take care of birds (and shoot lasers). It's the first true Ghibli film, and, man, does it set the bar pretty high. Also... what the hell is going on with the English dub of this film? Next week, it's our very first Takahata film, GRAVE OF THE FIREFLIES. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Creating Castle in the Sky Scoring Miyazaki Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In today's episode, we're diving into a key principle of screenwriting: SHOW DON'T TELL. This simple yet powerful rule can truly elevate your writing to new heights. These three words hold a lot of meaning—so what exactly does SHOW DON'T TELL mean? Join us as we explore this idea and share some great examples from well-known films and TV shows that beautifully illustrate this principle.Executive Producer Kristin Overn Creator/Executive Producer Sandy Adomaitis Producer Terry Sampson Music by Ethan Stoller 

Calling all Tolmekians: it's a series premiere!!!! Today we take flight with the Princess of the Valley of the Wind for our new Studio Ghibli series. What a dream (of madness)! For the next few months we'll be fully devoted to the works of Miyazaki, Takahata, and the entire Ghibli collective. We hope you'll join us in the Sea of Decay! The water is fine (it's only mildly acidic and poisonous). Next week, it's the first true Studio Ghibli film, CASTLE IN THE SKY (1986). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Nausicaä Continues On Behind the Microphone The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Starting Point by Hayao Miyazaki Sharing a House with the Never-Ending Man by Steve Alpert Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Hideaki Anno Wants to Remake Nausicaä of the Valley of the Wind The Sydney Morning Herald Mai Fujisawa Interview A Real Glider A Real Glider Part 2 Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Adam and Josh honor the late Robert Duvall with a Top 5 discussion of the scenes that best capture his range, authority, and restraint. From iconic bravura moments to quieter displays of control and vulnerability, the conversation traces performances that continue to define Duvall’s place in American cinema. Plus, the ’40s Madness bracket narrows to its Final 4 contenders. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:48) Top 5 Robert Duvall Scenes (00:01:49-01:21:05) Filmspotting Family (01:21:06-01:30:10) Notes / Filmspotting Fest Announcement (01:30:11-01:47:45) '40s Madness: Final 4 (01:47:46-02:00:12) Credits / New Releases (02:00:12-02:02:30) Links: -Sidney Lumet watches Network https://www.youtube.com/watch?v=z3zsLMUHhLo -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Michael Phillips talks with author Paul Fischer about The Last Kings of Hollywood and the fragile, collaborative moment that brought Coppola, Lucas, and Spielberg together before success hardened into mythology. From near-misses and rivalries to the system they helped build—and later found themselves up against—the conversation asks what was possible then, what was lost, and why none of it happens without people pushing one another. Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.