Podcasts about hatikva

Este Kabalat Shabat dedicado a Yom Ha'atzmaut el Rab Diego centró parte de su prédica en las enseñanzas del Rabino Jonathan Sacks, especialmente su interpretación de la visión profética del profeta Yejeskel (Ezequiel) quien vio un valle con huesos secos y un montón de esqueletos. "Di-s preguntó al profeta si esos huesos podían volver a la vida", simbolizando la renovación y esperanza del pueblo judío. Esta visión inspiró a Naftali Herz Imber en 1877 para escribir el"Hatikva," aquella canción que se convirtió en el himno nacional de Israel, a la que le añadió dos palabras que reflejan la esperanza persistente del pueblo judío: “aún no hemos perdido la esperanza”.El Rab Diego abundó en cómo, a pesar de las tragedias del Holocausto y otras persecuciones históricas, el pueblo judío ha mantenido su esperanza y resurgido repetidamente, culminando en la creación del Estado de Israel en 1948. Los sucesos del 7 de octubre, hicieron que por un instante perdiéramos la esperanza, pero la resiliencia y la esperanza del pueblo judío persisten. Israel ha transformado una tierra estéril en una nación floreciente, renovando su fe antigua y cultura, mientras se mantiene como un símbolo y hogar de esperanza.

Z okazji rozpoczynającego się w poniedziałkowy wieczór 76. Dnia Niepodległości Izraela, Konstanty Gebert zaprasza na wyjątkową muzyczną podróż, podczas której poznacie historię powstania Hatikwy - jedynego na świecie hymnu państwowego, do którego nie można maszerować, dowiecie się jaki był los autora słów do Hatikwy i posłuchacie o wyjątkowych wykonaniach i wariacjach tego utworu.  Wspomniane w podcaście wersje (i kilka dodatkowych) możecie obejrzeć i przesłuchać tu: linktr.ee/ziemiazbytobiecana A jeśli chcesz współtworzyć z nami Ziemię Zbyt Obiecaną, dołącz do nas w serwisie Patronite  ➡️ www.patronite.pl/ziemiazbytobiecana  Podcast do słuchania: ✴️Spotify https://spoti.fi/3yfxnFv ✴️Apple Podcasts https://apple.co/3ISwbNh   ✴️YouTube  https://www.youtube.com/@ZiemiaZbytObiecana www.ziemiazbytobiecana.pl

Israeli-American Comedian Modi Rosenfeld, who took part in the inaugural AJC's Voices Against Antisemitism Campaign, just-released a stand-up comedy special, Know Your Audience, which reflects a principle he has always subscribed to. But what happens when you know your audience is suffering a trauma like no other? Listen to this conversation with Modi, who was in Israel on October 7, on how he jokes about antisemitism and what he sees as his mission in this difficult moment: helping the Jewish community laugh again. Episode Lineup:  (0:40) Modi Rosenfeld Show Notes: Learn more: AJC's Voices Against Antisemitism: Meet the Celebrities Standing Up for the Jewish People and Israel modilive.com Photo Credits: John Cafaro Credits – Standup Clips: On Antisemitism Jewish Boyfriend Listen – People of the Pod on the Israel-Hamas War: A Look Back: AJC's Award-Winning “Remembering Pittsburgh” Series Jewish College Student Leaders Share Their Blueprint for Combating Antisemitism Matisyahu's Message to His Fellow Jews and to the Israel Haters Trying to Cancel Him Unheard, Until Now: How Israeli Women Are Powering Israel's Resilience Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts. Transcript of Episode with Modi: Manya Brachear Pashman:   Comedian Modi Rosenfeld, known by his fans as simply Modi, is nearing the end of a live national tour, co-hosts his own podcast, and he recently released his first televised stand-up comedy special titled Know Your Audience. It's a principle the Israeli-American comedian has always subscribed to. But what happens when you know your audience is suffering a trauma like no other. Here with us to talk about how we can and why we should laugh again is Modi Rosenfeld.  Modi, welcome to People of the Pod. Modi:   Hi, People of the Pod. Manya Brachear Pashman:   You were born in Tel Aviv and grew up on Long Island. Tell us how you found your way to comedy.  Modi:   I was actually just doing investment banking. And I used to imitate the secretaries. And my friends said this is really funny, you should do it on stage. And they set up an open mic night. And that was about 30 something years ago. And that's how the comedy began. Manya Brachear Pashman:   The special that I mentioned was filmed nearly a year ago. It was filmed before the Hamas terrorist attack and the war. You talk about COVID, you talk about marrying your millennial husband, you talk about Shabbat elevators. I'm curious if you do feel like the material still resonates in the current climate?  Modi:   Ever since October 7, I've been doing my shows and not mentioning the war itself. Until the very end where I sing Hatikva with the audience. I feel like the audience needs a moment to just laugh and not think about the war. And not think about what's happening in Israel and just have a laugh about being Jewish, being Jewish, about non-Jewish people.  Sometimes I tell the story about how I was October 7, while I was in Israel. And then sing Hatikva with the audience, people seem to, they're very touched and moved by it. And it reminds them, now, let's just remember where our hearts and where our prayers and where our thoughts are. Manya Brachear Pashman:   So let's talk about where you were on October 7. Modi:   The war began at the end of the holiday of Sukkot and I was in Israel. I had six shows, sold out shows in Israel that were absolutely amazing. One of the highlights of my career. Thursday was the last show. Friday we were there for Shabbat and Saturday we were scheduled to fly out to Paris to do four shows there. And obviously Saturday morning, the alarms went off and the bombs went off.  We were staying at the Setai Hotel, which is in Yafo, the Arab part of Tel Aviv. Bruno Mars was also staying at the hotel. He had three concerts in Israel and at 12 in the afternoon we saw them whisk him away to a private airplane to be taken out of Israel.  And I said to Leo, my husband, I said Thank God they got put on Mars out of the hotel. He said why? I said because if a bomb hits this hotel and me and Bruno Mars die, I would get zero press coverage.  And so that was you know, something light in the day, but it was a very, very stressful, scary day for everybody. We were on a scheduled flight to go to Paris. And it had a four hour delay. And we finally took off and got to Paris. And then we had to make a decision. Do we do these shows? Because the war was so fresh, people were just learning about what's happening and watching it on their phones. But the sold out shows were full. And that's when I began to do Hatikvah at the end of the shows, and I've been doing it ever since. You know, we just had an hour and 20 minutes of laughter, they just had the best time. We were all laughing. And then you just focus again, you know, yeah, we're laughing. But in Israel, there's a whole different experience happening. And even though in Israel now, the comedians there are also performing and doing shows. You've got to find a respite from being in the war. Because we are, you know, everybody's on their phones, you're 24 hours in the war, receiving news and footage and all kinds of information. And then you finally get to just take a few minutes to laugh. Manya Brachear Pashman:   When you said that you were actually an investment banker, that you found comedy kind of as a career later on, but what role did humor and comedy play in your upbringing, in your family life, your childhood? Modi:   Only later on in life that I realized that my father more than all is a very funny person, just by having no editing skills. I never was a class clown. I was always funny with friends, but you know, when you're a table comic, and you're a real comic it's two different things.  If you can be funny with your friends at a table, you know your audience, you know everybody at the table, you know what they've gone through, you know what we all know that they went through. And so it's easier to get a joke out. When you're on stage, you don't know everybody, and you don't know what they've all been through, or how they know each other.  Manya Brachear Pashman:   So how do you kind of unite your audience? How do you try to kind of find that common denominator? Modi:  People are kind of seeing the Jewish world through my eyes, through the eyes of a Jewish person. And they learn things, even though sometimes it gets a little specific, I always translate. My goal in comedy is to make people happy, is to bring laughter into the world, which I call Moshiach Energy. When you're standing in front of an audience of 500 to 1500 to 2000 people and you see them all laughing together. For me, that's Moshiach Energy.  How I pictured the world would be when Moshiach is here. You know, the Messianic era, just people just happy, united, laughing, not arguing. And even though you can create that for an hour and a half, you wish you could create it for 24/7. Manya Brachear Pashman:   So how else have you adjusted your live shows to reflect the current situation in addition to adding the anthem? Do you talk about antisemitism?  Modi:   I was always talking about antisemitism, not as a lecture, not as a type of Noa Tishby, but more as a comedian. Here's what's happening, here's how it's funny. You're bringing light to it, but you're bringing it with punch lines that are appropriate. And this was before the war, it's in my special, it's before the war.  I don't know if you remember there was a politician in Turkey that stood up and screamed that Allah was going to kill all the Jews and destroy Israel. And then he drops, has a heart attack. I mean, the jokes sometimes just write themselves.  Manya Brachear Pashman:   A few weeks ago, we spoke with musician Matisyahu, who also has been on a national tour. He has encountered protests at most of his concerts, actually. And some concerts have even been canceled because of security concerns. Have you encountered any of that? Modi:   In general to answer that, I would say not in the form he's had. We've had a lot of security at our shows, especially the European shows. Since the war I've performed in Berlin, Dusseldorf, Frankfurt, Vienna, Brussels, Amsterdam. I call it the Reparations Tour.  And we've had an enormous amount of security both from hired security and local police and guards from the city. Our last show in Paris, we had four shows in Paris, the fourth one, the police asked us to cancel because there was a huge pro-Palestinian riot across the street.  And the reason I stay riot and not protest is because it was unauthorized, and they were out of control. They had tear gas thrown in there. And that was one of the incidences. In Brussels there was a mixup in people knowing that the security would be there. So we lost about 100 people that were going to come to the show. So the show went from 900 people to 800 people. That's the worst that's happened. Manya Brachear Pashman:   And did you indeed cancel that fourth Paris show because of the riot? Modi:   The Paris police were so wonderful with providing security for all the other three shows, when they asked us to cancel that show, we listened to them, and we did it. And we actually moved it to the following day to a matinee.  But they said this is not going to be a good idea for this insane amount of, that kind of protest to be–it was catty corner across from where our theater was.  It was the Republic Square, which our theater was at the Apollo, which was you can see it. And so they said it's not a good idea to have Jews walking into a theater at that moment. Manya Brachear Pashman:   Makes sense. Was it a coincidence that it was that it was located there? Or was it connected to your show in any way? Modi:   No, no, no–the Republic Square is, I guess, an iconic place to do something like that. My theater happened to have been across the street from it. This was the Thursday after the Saturday, which was less than a week. Our first show in Paris was on Monday after the Saturday of the beginning of the war. So you couldn't understand how fresh this was.  All the news was coming in. Everybody was finding out exactly what was going on. We didn't have all the information, we had no idea about people that were locked in bomb shelters and people that were missing, they had no idea if they were killed or kidnapped and then just doing comedy there you know, literally I'm in the back of the theater looking at people watching their phones, trying to get information on what's happening on the war and then the lights go down and the comedy starts. Manya Brachear Pashman:   How have you been affected by the war? Modi:   We have family in Israel that are affected by just being in Israel and the change in their lifestyles that happened. Directly, we have family that their their kids are in Gaza. Ellie Beer from United Hatzalah is a close friend of mine, his son is fighting in Gaza. So when I speak to Ellie, I'm like, how's your kid doing?  When you're in Israel, you speak to people, it's like one degree of separation between you and anybody that's truly affected by the war.  When we did the 100th episode of my podcast at the 92nd Street Y, my podcast, which is called And Here's Modi. I'm so used to performing at fundraisers and charities where they show a movie of something horrible, and then they bring me out, and they go, and here's Modi:. And here I am the Monday after the war, doing a show.  We did a Q&A with the audiences, a pre Q&A, sent questions in, and everybody kept asking who would you want as a guest on the podcast and I said, Omer Shem Tov, which is one of the hostages. His photo for some reason I see it everywhere. And I wish he could be in front of me at the podcast and not in a tunnel somewhere being held hostage. I truly go to bed every night thinking I'm gonna wake up. When I open my phone up, it's gonna say today, all hostages were released, ceasefire has begun. And there will be an end to this soon. Manya Brachear Pashman:   I think that that is what we all pray for, and hope to wake up to every morning. I'm curious if you've returned to Israel since October 7, I know you've been on tour, traveling a lot, but have you had a chance? Modi:   I have been in every Jewish community from California to Florida to New York to Chicago to everywhere, with the tour. And again, it's, I think, for me, that's more important than being in Israel, because I'm connecting with these communities who are not in Israel, and bringing them a little bit of unity.  The community gets together, you see people –for some reason, all our shows are starting a little late, everybody just sees each other in the lobby and like, Hi, how are you? Good to see you. And then they come into the show.  I think that's more important for me to be doing that than running around Israel, saying how ridiculous this war is. Everybody's doing what they can do. And I'll be in Israel in June, and I'll be doing a show in Yerushalayim, and then I'll be back there in September doing a larger show in Tel Aviv and doing whatever I can do to help there. Manya Brachear Pashman:   You often interact with audience members in your show. Have you had any interesting encounters with individuals in your audience? Especially since October 7? Modi:   I'm not one of those comics who does the where are you from, what do you do and make a whole hour about trying to get something funny out of that. That's totally not my style. I do ask if anybody's not Jewish and this way I know–if you see my comedy special you see there's an extra layer of the joke. Me translating it to the person who's not Jewish.  I will tell you in that aspect, beautiful things have happened. People who are let's say in an intermarriage or even converted to Judaism come up to me afterwards and say, Wow, I never felt so welcomed and accepted and feel a part of the tribe and they tell me their story about how they ended up in the Jewish world. Like my husband, who was born Catholic. And now he is coordinating with your organization, with every other UJA, JJJ, JJC, JJABC, JABC JJBC. You know, and he is on the phone speaking to people about a motzei shabbos show, a pre-shabbos show, after yuntif, before yuntif.  He's coordinating with the Jewish world to make sure that they're laughing. And it's an amazing– that's one of the nicest things that I've been seeing. People who ended up in the Jewish community that weren't Jewish, feel so welcome from the show. Manya Brachear Pashman:   What makes you proud to be Jewish, Modi? Modi:   What makes me proud to be Jewish is, I just think that the contribution of Jews to the world is significantly larger than the size of the people that we are. And I talk about that now in the new part of my show, you know, how just everywhere you go, whether something to do with medicine, education, culture, there's always a Jewish name on the building. A part of being Jewish is not only helping the Jews in the community, it's helping the community. So not just creating something–the Lubavitcher Rebbe always spoke about that, whatever you are in the community, don't just help the Jews there, help the community in general.  And you see that, you know. You go to any hospital, any museum, and you just see the Goldberg Pavilion, you see the Horowitz Wing, and they just give and help create all of that. In comparison to the size that we are in the world, we do a lot more. And something, that makes me proud. Manya Brachear Pashman:   I think that you're absolutely right. And I think that your contribution of comedy and humor, and laughter, especially at a time like this is really so appreciated. Modi:   You can bring humor into the world by, I always say: be the friend that brings their friends to the comedy show. If you see me coming to a theater near you, another comedian, coming to a theater, buy a few tickets. By the time the comic gets there, you'll see how all your friends are looking for tickets, and they're gonna want to have a good night of laughter.  And now you can just make a night at your house, you can put my special on the TV and have a bunch of friends watching and make an evening of it, and make sure to send it and make sure that people who can't get to a show like the elderly and your parents, grandparents that don't have a way to get to a show or don't know how to set up Amazon or go to my website, help them, sit with them. Watch the comedy show with them. That's Moshiach energy. Manya Brachear Pashman:   Well, thank you so much, Modi. Modi:   Thank you. Manya Brachear Pashman:   Last week, we re-aired excerpts from our award-winning series Remembering Pittsburgh, which marked five years since the 2018 shooting at the Tree of Life synagogue.  Next week, one of the guests in that series returns. Marnie Fienberg founded 2ForSeder, an initiative to honor her mother-in-law Joyce who was one of the 11 victims murdered inside Tree of Life.  Ahead of Passover, Marnie will share how inviting newcomers to our Seder table can be a powerful way to push back against antisemitism.  

The week we look at the world through the eyes of Easter - including the Baltimore bridge; The Rest is History;  Hot Cross Buns; Easter in the West; Resurrecting the Dead Today; Blaming the Jews; Country of the Week - Israel; the New Religion in the West;  False Christs; Making Silent Prayer illegal in Scotland; Russel Brand gets closer to the Cross; and SEEK 28 on Predestinationwith music from Simon and Garfunkel, U2 and BB King, the Hatikva, Johnny Cash, Nazareth, and the Gettys. 

So often - especially throughout the current situation in Israel - Israeli music speaks directly to our hearts and evokes a wide range of emotions. This week we'll do the same...but in an overwhelmingly positive tone! Ready to smile? Hatikva 6, Moshe Peretz, Shlomi Shabbat, Lior Narkis, Mosh Ben Ari, Eden Ben Zaken, and many more will take you on a musical journey that's sure to lift your spirits just a bit during this difficult time. As one of our listeners said, 'I don't want this week's show to end!' Tune in and let us know if you agree. (Original Air Date: March 10, 2024) Full playlist at https://www.myisraelimusic.com/episode1184 Love the show? Please help us grow by becoming a member of MyIsraeliMusic.com: https://myisraelimusic.com/membership Join the Israeli Music Community on Facebook! https://www.facebook.com/groups/IsraelHourRadioFans/

So often - especially throughout the current situation in Israel - Israeli music speaks directly to our hearts and evokes a wide range of emotions. This week we'll do the same...but in an overwhelmingly positive tone! Ready to smile? Hatikva 6, Moshe Peretz, Shlomi Shabbat, Lior Narkis, Mosh Ben Ari, Eden Ben Zaken, and many more will take you on a musical journey that's sure to lift your spirits just a bit during this difficult time. As one of our listeners said, 'I don't want this week's show to end!' Tune in and let us know if you agree. (Original Air Date: March 10, 2024) Full playlist at https://www.myisraelimusic.com/episode1184 Love the show? Please help us grow by becoming a member of MyIsraeliMusic.com: https://myisraelimusic.com/membership Join the Israeli Music Community on Facebook! https://www.facebook.com/groups/IsraelHourRadioFans/

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So much pain and suffering right now in the Middle East in Israel in the world. It's so easy to spend our lives replaying heartbreak sadness and loss but maybe it's OK to inject a joyful memory to replay a moment of immense happiness from our childhood. I wish you joy.

Summer is here, and the Israeli music is getting HOT! The stars are out this week, all competing to become THE 'go-to' song of summer 2023. Competing for the title? Artists like Hatikva 6, Stephane Legar, Omer Adam, Noa, Netta, Narkis, Nunu, and many more! These are the songs that will be ALL OVER Israel this summer, blaring at the beach, the pool, the cafe, and in your earbuds all summer long! Your next favorite Israeli song is waiting! Looking for music to make your summer sizzle? Start here. (Original Air Date: July 9, 2023) Full playlist at https://www.myisraelimusic.com/episode1160 Love the show? Help us grow by becoming a member of MyIsraeliMusic.com: https://myisraelimusic.com/membership Join the Israeli Music Community on Facebook! https://www.facebook.com/groups/IsraelHourRadioFans/

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Met vandaag: Covid cijfers; Netanyahu gaat vandaag regering aankondigen; hightech leiders waarschuwen Netanyahu; Israel Philharmonic speelde Hatikva in Abu Dhabi; stamcel doorbraak; uit EU-rapport blijkt 'alles voor Palestijnen' en veel meer nieuws uit Israël.

Daf Yummy épisode 694 : Ketoubot 111 : Hatikva. L'aliyah, c'est pour quand ?

Is it your delight to dwell together harmoniously with your brothers Sunday in and Sunday out? Do you delight in serving them? Do you seek through prayer and Bible study how to be more united in your local church? This is not a far hope, like in Hatikva. It is a present reality, as David saw it, as Paul saw it, as our Lord Jesus Christ sees it today. It is a spiritual unity you can live in your church today.Thank you for listening to this episode of Declaring His Glory Among the Nations: Daily Scripture Meditations from Pastors Around the World.This show is from The Master's Academy International.If you like this podcast, please subscribe, and leave a review on your favorite podcast app. The Master's Academy International is committed to fulfilling the Great Commission by training indigenous church leaders worldwide.For more information and to learn how to get involved, visit www.tmai.org.► CONNECT WITH US: Facebook - https://www.facebook.com/tmai.orgInstagram - https://www.instagram.com/tmai_orgTwitter - https://twitter.com/tmai_org► SEE OUR RESOURCES: Field Reports - https://www.tmai.org/updateMinistry Updates - https://www.tmai.org/subscribeOnline Giving - https://www.tmai.org/donateDevotional Book - https://www.tmai.org/devotionalFree Book - https://www.tmai.org/freebook► CONTACT US: Address - 13248 Roscoe Blvd, Sun Valley, CA 91352Phone - (818) 909-5570Email - info@tmai.org

“Mientras palpite el corazón de un alma judía, y hacia el oriente se dirija la mirada a Sión, no se ha perdido nuestra esperanza”, así cantan las primeras líneas poéticas del himno nacional de Israel. Su mensaje representa el sentir de un pueblo diseminado y maltratado a lo largo de la historia, que despierta la esperanza de ser libres en su propia tierra. Empezó a entonarse en 1897 durante el Primer Congreso Sionista, fue prohibido durante el Mandato británico de Palestina, y fue tan inspirador que incluso llegó a ser cantado a coro por los judíos que eran obligados a entrar a las cámaras de gas durante El Holocausto. Desde la creación del Estado de Israel en 1948, es el himno oficial. Su letra fue escrita por el poeta judío Naftali Herz Imber. Su música está basada en una melodía italiana del siglo XVII llamada "La Mantovana", fue arreglada por Samuel Cohen y orquestada por el compositor Paul Ben-Jaim. Mientras escuchas el himno, piensa en el significado que tiene para Israel: la esperanza de vivir libres en su propia tierra.

Hatikva ist das hebräische Wort für Hoffnung. Ein Verein in Deutschland, der sich so nennt, schafft seit 30 Jahren eine Bildungs- und Gedenkstätte für jüdische Geschichte. Mit Veranstaltungen, einer Bibliothek, aber auch einem Online-Magazin setzt sich der Verein zum Ziel, über jüdische Geschichte aufzuklären. Zum Jubiläum des Vereins hat Radio Corax mit verschiedenen Menschen, die ... >

Once home to one of the world's oldest Jewish communities, some 50,000 Yemeni Jews, or Teimanim, left their homes between 1949-50 as part of Operation Magic Carpet. They walked for months to reach Alaskan Airlines planes “filled like sardines” that chartered them to safety in the then-young Jewish nation. How did this incredible story unfold and what were the political, social, and economic forces that drove them to leave? In the #1 Jewish podcast in the U.S, the history and personal stories of Yemenite Jews are uncovered and told. Hear from windsurfer Shahar Tzubari, who won a bronze medal in the 2008 Beijing Olympics, about how his grandparents left behind their life as dairy farmers in Ta'iz, Yemen, to come to Israel, and Ari Ariel, a Middle East historian at the University of Iowa, who delves into what the 2,600-year-old community was like and the dramatic transitions that led to the mass exodus. ___ Show notes: Sign up to receive podcast updates here. Learn more about the series here. Video credits: Sailing - Men's RS:X Windsurfing - Beijing 2008 Summer Olympic Games Shahar Tzuberi Wins Israel's First Olympic Medal Of 2008 Beijing Olympics  Song credits:  "Emet El Shmeha", by Shoshana Demari "Hatikvah"  “Muhabet” by Turku, Nomads of the Silk Road Pond5:  “Desert Caravans”: Publisher: Pond5 Publishing Beta (BMI), Composer: Tiemur Zarobov (BMI), IPI#1098108837 “Sentimental Oud Middle Eastern”: Publisher: Pond5 Publishing Beta (BMI), Composer: Sotirios Bakas (BMI), IPI#797324989. “Adventures in the East”: Publisher: Pond5 Publishing Beta (BMI) Composer: Petar Milinkovic (BMI), IPI#00738313833. “Modern Middle Eastern Underscore”: Publisher: All Pro Audio LLC (611803484); Composer: Alan T Fagan (347654928) “Middle Eastern Arabic Oud”: Publisher: Pond5 Publishing Beta (BMI); Composer: Sotirios Bakas (BMI), IPI#797324989 Photo credit: GPO/Zoltan Kluger ____ Episode Transcript: BENNY GAMLIELI/ZE'EV TZUBARI: During thousands of years, the Jewish people used to dream, that the Messiah would come, to go to Israel, to go to the Holy Land, to see the city of Jerusalem. It was a dream during thousands of years.  MANYA BRACHEAR PASHMAN: The world has overlooked an important episode in modern history: the 800,000 Jews who left, or were driven from their homes in Arab nations and Iran in the mid-20th century. This series, brought to you by American Jewish Committee, explores that pivotal moment in Jewish history and the rich Jewish heritage of Iran and Arab nations, as some begin to build relations with Israel.  I'm your host, Manya Brachear Pashman.  Join us as we explore family histories and personal stories of courage, perseverance, and resilience. This is The Forgotten Exodus.  Today's episode: Leaving Yemen. [Video clip of Beijing 2008 Summer Olympics Windsurfing RS:X event] MANYA: That is the sound of Israeli Windsurfer Shahar Tzubari in the 2008 Beijing Olympics, coming up from behind to earn the bronze medal. At the same time, he was electrifying his country by winning Israel's only medal in those Olympic Games, he was also fulfilling his mandatory military service to help defend the Jewish state. Two generations before him also served in the Israeli military, including his grandfather who fought to defend Israel against attacks from its Arab neighbors just days after shepherding his family on foot across Yemen to board a plane and make the new Jewish state their new home.   SHAHAR TZUBARI: I just know about the past, of my parents and my grandparents. And I know, they fought for this country. And they fought for independence. And for me, I'm here, and I represent basically what they fought for.  MANYA: Shahar, who now coaches Israel's women's windsurfing team, is a second-generation Israeli whose grandparents and generations before them lived in Yemen. Their journey to the Jewish state resembles that of tens of thousands of Yemeni Jews, who came to Israel from Yemen between 1948 and 1949 as part of a mass exodus commonly called Operation Magic Carpet.  In fact, Yemeni Jews, or Teimanim, are believed to be one of the oldest Jewish communities in the world outside of Israel, existing there even before the destruction of the First Temple. Yemeni Jews spoke a particular dialect of Hebrew and maintained many original religious traditions and others shaped over the centuries by the influence of Maimonides and Kabbalah. Hundreds of Jewish settlements were scattered across Yemen, where Jews primarily served as silversmiths, blacksmiths, carpenters, masons, shoemakers, and tailors.  But that population started to shift in the 19th Century, what historians call the “age of migration,” driven largely by economic shifts. When the Suez Canal opened in 1869, movement between the Red Sea and the Mediterranean suddenly became much easier. That was true not only for imported and exported goods, but transportation of people too. ARI ARIEL: Most of the time, the story is told starting with Magic Carpet, because that's the big migration. But it's really a much older story. MANYA: That's Ari Ariel, a Middle East historian at the University of Iowa who focuses on Jewish communities in the Arab world and Mizrahi communities, those who immigrated from Arab countries to Israel and elsewhere in the Diaspora.  His own family left Yemen for Israel in the 1920s. Professor Ariel has spent the last decade trying to piece together that lineage and the history of Yemeni Jews. He notes that between 1872 and 1881, Ottomans retook parts of Yemen where they had previously ruled centuries before. They also ruled over Palestine.  But that wasn't the only significant transition. In fact, just in the span of five decades leading up to 1922, monumental transitions unfolded. The Ottoman Empire fell apart. Yemen became independent, both Jewish and Arab national movements arose, and the British, who obtained a mandate over Palestine in 1922, expressed support for a Jewish national home – Israel.  ARI: So, there are big economic changes. More and more imported goods start to enter Yemen, and Yemeni Jews, who are craftsmen, largely, and small-scale merchants, really can't compete. So, you have documents complaining about the price of imported shoes and other kinds of imported things.  So, in 1911, the Zionist movement, for the first time sends an emissary to Yemen, because they want Yemeni Jews to move to Palestine. And here, there's also an economic factor. For the Jewish nation to redeem itself, Jews have to fulfill all economic roles.  What that means is they really want Jewish farmers. So, they send a guy named Shmuel Yavnieli. He goes and he walks, he goes around to different villages. It's kind of an intrigue story. He goes from village to village trying to get Yemeni Jews to move.  When he writes back to Jerusalem, he makes it pretty clear, the only Jews who he thinks he's going to be able to get to move to Palestine are the ones who aren't doing so well economically. And that if the Zionist movement agrees to pay for, say, their transportation or housing, or things of that nature, that they may move, and he is successful at doing that.  From my perspective, as a historian, that's important, too, because from that point, pretty much most Yemeni Jews who leave Yemen are going to Palestine. That's not true initially. So in the earlier periods, you have lots of Yemeni Jews going to East Africa, to India, to Egypt, a small number to the U.S., actually. So you get these movements. But once it's directed by a state, or I guess, a state like structure, in the case of the Zionist movement, at this point, the flow becomes much clearer to Palestine.  MANYA: The Tzubari family's initial departure from Yemen – aunts, uncles, cousins – is part of that larger story of migration. But Shahar's grandparents came amid the events of the mid-20th Century that sparked the most significant exodus. Within a three-month period, nearly 50,000 Yemeni Jews, including Shahar's grandparents and great grandparents, poured out of Yemen and made Israel their new home. This is their story as told to me by Shahar and his father Ze'ev Tzubari. Ze'ev Tzubari's parents were born in southwestern Yemen. For generations they had been dairy farmers. Before they left in 1949 through Operation Magic Carpet, they lived in Ta'iz, once known as the nation's cultural capital.  ZE'EV AND BENNY, TRANSLATOR: [speaking Hebrew]:  ZE'EV: In Yemen?  BENNY: Yes, you remember what they did? ZE'EV: They had, what I remember, goats, cattle, they had cattle. BENNY: In Ta'iz?  ZE'EV: In Ta'iz, there, we had cattle.] MANYA: Ze'ev spoke to me in Hebrew, and a family friend, Benny Gamlieli, translated. Here's Benny. BENNY: By the way, my parents as well came through this project by Alaska [Airlines] and brought, as I said, over 50,000-55,000 Jewish people from Yemen came through this project. You know this Aliyah, that we call the Magic Carpet. MANYA: Operation Magic Carpet was the nickname for a joint venture of the Israeli government, the American Jewish Joint Distribution Committee and the Jewish Agency, to transport Jews from Yemen to Israel. Its official name was Operation Kanfei Nesharim, which, translated from Hebrew means “On the Wings of Eagles”, referring to the passage in Exodus: “how I carried you on eagles' wings and brought you to me…” BENNY: So during thousands of years, the Jewish people used to dream, that the Messiah will come, to go to Israel, to go to the Holy Land, to see the city of Jerusalem. It was a dream during thousands of years. MANYA: There are a number of theories about why the exodus from Yemen took place at this moment in time and the circumstances surrounding it. Ze'ev's translator, Benny, said Jews and Muslims lived side by side. But being Jewish wasn't easy. Since the seventh century, Jews in Yemen were considered second class, which varied in meaning from ruler to ruler. Since 1910, the imam of Yemen had an agreement with the Ottomans to take care of the Jews.  But that did not prevent the Yemeni government from imposing heavy taxes or applying an even more troubling interpretation. Known as the Orphan's Decree, Yemen required any Jewish children under the age of 12 who lost a parent to be handed over to a Muslim family and convert to Islam – ostensibly for their protection. In 1924, the King of Yemen restricted Jewish immigration to Palestine. Then, in November 1947, after the Holocaust sent a wave of European Jewish immigrants seeking refuge in their biblical homeland, the United Nations voted for the partition of Palestine and the creation of an independent Jewish state.  Days later, rioters targeted Jewish homes and businesses in Aden. That pogrom killed an estimated 82 Jews. In 1948, the King of Yemen, the imam, opened the window for three months for Jews to leave under two conditions: leave everything behind, and teach the Yemeni Muslims your trades in order to maintain the economy.  With only three months, Jews seized the opportunity. ARI: It's not entirely clear why he gives permission at that point. But there are different stories. One is that maybe a Yemeni Rabbi tells him a story about a dream, that this is kind of fate and that Yemeni Jews are supposed to . . . because the Imami its legitimacy is religious, and it understands these kinds of movements. So, the idea of a Messianic movement is kind of appealing to the Muslim side of this as well, in a sense.  There's another story that he's paid. There's some sort of element of bribe because people are given money for the number of Jews that leave Yemen. MANYA: But that moment was also a time of political strife in Yemen that – as most times of political strife do – threatened the welfare of the Jewish community. After the riots in Aden, Jews already had good reason to worry.  Then in 1948, the imam of Yemen, who had agreed to take care of the Jews, was assassinated. If Jews saw their fortunes aligned with the imam, now they had even more reason for concern. ARI: It's about a moment of political instability and about the changing nature of government and society in Yemen, which pushes some Jews to leave because they've been so aligned with the imam.  MANYA: Jews came from hundreds of towns and villages throughout Yemen, some walking for weeks and months to reach Aden, where between June 1949 and September 1950 more than 380 flights took off for Tel Aviv. Those Kanfei Nesharim, eagles' wings, were provided by Alaska Airlines. BENNY: Alaska Airlines was the only company who agreed to do the journey. And you know what they did to absorb as much as they can in one plane? They took off all the seats and they filled them like sardines.  MANYA: For the harrowing mission, the airline stationed flight and maintenance crews throughout the Middle East and outfitted newly acquired war-surplus twin-engine planes, with extra fuel tanks to guarantee a non-stop 3,000-mile flight.  British officials warned pilots that if they had to stop along the way, those angry about the establishment of Israel, would surely kill the passengers and crew. To reassure the Yemeni passengers boarding the one-way flights from Aden to Tel Aviv, the airline painted the outstretched wings of an eagle above each airplane hatch. Planes were shot at, the airport in Tel Aviv was bombed. But miraculously, no lives were lost. BENNY: For three months it was a crazy situation. And the government cannot say, ‘Oh, we have no room for you.' That's why they built tents.” MANYA: Tents. A temporary tent city, or a ma'abara in Hebrew, was where Ze'ev's parents and grandparents lived when they first arrived in Israel. ZE'EV: [in Hebrew: Five meters by five meters, that in each corner of the tent was a family. Here's a family, here's a family, here's a family . . .]  BENNY: Five meters by five meters one square. And in each tent, four different families, each corner of the tent was settled by a family.  MANYA: Ze'ev's family shared a tent with other families from Yemen. That wasn't always the case. Sometimes each corner would be occupied by families from four different countries. Another tent could have Olim Chadashim, the Hebrew term for new immigrants, from Romania, Iraq, Yemen, and Egypt.  BENNY: Impossible to describe that terrible situation, that years, the beginning of the State of Israel, of course, until the government, you know, start to build, to establish cities and to try to absorb as much as they can, Olim Chadashim, you know, Jewish from all over the world. MANYA: In 1952, Ze'ev was born in one of those 5-meter-by-5-meter tents. But his father Natan did not know right away that Ze'ev had been born. He was already fighting for the Israeli army's Golani Brigade, the troops that defended the Jewish state from the Arab nations that attacked Israel as soon as it declared independence. ZE'EV: My father was in the army. Yeah. He didn't know that I was born.  BENNY: He knew it later because he was busy in the army in one of the missions, one of his job, whatever, as a young fighter, so it took it took a few weeks, (ZE'EV: a few weeks) to find his father to let him know that ‘You're lucky because the boy was born . . . now you have a son.'  That was the beginning of the war. It's funny to say the beginning and the end – no beginning and no end. War, all the time.  The minute when the Prime Minister David Ben Gurion declared about this young state of Israel, declared our independent country, at the same time – booming and shooting from the four different countries, Lebanon, Syria, Jordan, and Egypt, attacked Israel. So we have 10 months of fighting, 24 hours a day.  So his father Natan, he went to the army and by the way, in the army, he didn't get money, let me tell you, but you know what, he got? Uniform and food. That's enough, I can survive. You know, you know what I mean? As long as they feed him, and bring him some uniform, clothes, thank God, everything is okay. Every second, day was, you know, problems, shooting, whatever along the border. So, we have to protect the young country that starts to build itself. MANYA: Natan returned after the birth of his son. The government moved the families to cabins where Ze'ev's sister was born, and eventually to an apartment where his younger brother was born and raised.  Natan connected with an older brother who had come a decade earlier and found work building roads and planting trees – literally laying the foundation for and cultivating the nation of Israel.  ZE'EV:  Ok, so after that we [in Hebrew: . . . good, let's speak in Hebrew. We studied at the schools, and my mother would always say ‘I work like a donkey for you, only so you should learn and exceed your parents.' She used to work for an Ashkenazi family, they owned a pharmacy . . . Yes.] MANYA: His mother found a job working as a nanny for the family of an Ashkenazi pharmacist. BENNY: She found, his mother, the way they treat the children, how much they spend, because they have money. And it's mainly for education, mainly for studies. Because of the study. She said, ‘I'll do my best for my children as well.' MANYA: While progress has been made in closing the education and income gap between Ashkenazim and Mizrahim in Israel, it was difficult from the start. At that time, many Ashkenazim, Jews from Europe, had more financial resources and they were well-educated. Meanwhile, Mizrahim, including Jews from Yemen, left everything behind and did not have the same level of education. But Ze'ev's mother saw no reason why her family could not follow the same path as the Ashkenazi family for whom she worked. She and Natan set out to forge a bright future for their children. BENNY: And she said, she talked to her children. And she said ‘Listen guys, we are poor people. But I work 24 hours a day just because of one reason. I want you to study. I want you to be well-educated. I'll do my best. I sacrificed my life for you, for the three of you, and your father as well.' So, their parents work, as I said, so hard to earn money to promise them a good education.  And she found, because she learned from the Ashkenazi family, she said, why not to do the same for my children and that's why he describes the very hard difficult situation at that time, that how many hours a day they miss their mother because she was out working trying to get more money to promise them a good education in Tel Aviv at that time. MANYA: Ze'ev understood and appreciated what his mother and father provided and did what they asked of him. He studied and took care of his brother and sister while his parents worked.  At the age of 16, he entered a special military academy in Haifa, then, like his father Natan, served his time in the Israeli Defense Forces.  When he got out, he found a job working for a utility company on the Sinai Peninsula, which at that time, prior to the Israeli Egyptian peace treaty, was under Israeli control. BENNY: The peninsula of Sinai, it's a huge area, it's a desert, but with a beautiful golden seashore from Eilat to Sharm El Sheikh. 250 kilometers, which is like, 150-60 miles length to the south, and the southern city of that peninsula, called Sharm El Sheikh.  And a lot of young people went there, mixed with the Bedouins, to find a job and he earned a lot of money because as long as you work far away from the center, from the country, you have a chance to earn much more. So let's say, a double salary a month. Gave him a chance to help his family in southern Tel Aviv and the old place that he used to live, his parents.  MANYA: But in addition to earning money to send back to his family, Ze'ev also took advantage of that beautiful golden seashore and took up a hobby – windsurfing. He married an Ashkenazi woman, the daughter of a German businessman who left Germany before the Holocaust. Instead of returning to the HaTikva neighborhood, what was then a high crime area in Tel Aviv, Ze'ev and his wife moved to Eilat and when he became a father, Ze'ev took Shahar and his sister Tal to the shore of the Red Sea every day in hopes they too would fall in love with the ocean. And they did.  SHAHAR: I started windsurfing as well at the age of 6-7. Basically, she was windsurfing for fun as I was windsurfing for fun. And when I got to the age where I had to decide, I decided to go for a special athlete program in the army, because I was good. And I wanted to go to the Olympics, and I wanted to continue with the sport.  MANYA: Because Shahar grew up in Eilat, away from where his father's family remained, his exposure to Yemeni customs and culture was limited.  SHAHAR: So I kind of knew the roots of my father. And every time we went there, we went to the market, and I saw my cousins, and they were going to the synagogue with my grandparents. And we did the kiddush, and eating Yemeni food and connecting more to the roots of the Yemen side of my family, and hearing the stories and sharing the stories. But in a way, I was a bit disconnected, because I was living in Eilat.    So, like, less connected to the Yemen side, but my family name Tzubari and the roots. Also my appearance, it's more Yemeni. So when I became more known, the connection with the Yemen side became stronger and stronger.  MANYA: Shahar lost his grandparents this past year. But before they passed away, he made a point to listen to their stories.  SHAHAR: We tried to observe many of the history and their story about coming to Israel. And it's fascinating that when they were young, at the age of 10, or 12, they walked so many miles to come here, because they had hope. They didn't know what to expect, but they had hope. That they come here, and everything will be better. MANYA: He appreciates how far the family has come since his grandparents and great-grandparents arrived in Israel and lived in that 5-meter by 5-meter tent.  SHAHAR: Basically, it's a funny story. Because where my father was born and raised, or where my grandparents first lived when they came to Israel, now it's the most expensive place in Tel Aviv. And the parents of my wife are living in this neighborhood, in the penthouse. MANYA: Shahar also recognizes the role he plays in his family's and nation's progress, and how intertwined the history of his family is with the future of the Jewish nation. He realizes now that protecting Israel, defending the Jewish state, is part of growing up Israeli. It's not the diversion he once resented.  SHAHAR: So when I was young, I felt like it's kind of stalking me. But now I'm older, and I have athletes, which are also soldiers, because now I'm a coach, and I see all the positive things, because sometimes athletes think that they are the center of the world. And it's not so true because they are living in a system, doesn't matter which system it is– it's the Federation, it's the Olympic committee. You always have a boss, and you're always in a system.  And I think that the journey that I pass in the IDF, it's a good journey to build yourself and realizing and taking everything out there . . . and realizing that, okay, I might be the best athlete in the world, but I still have responsibilities. So it gave me a lot of tools and abilities for life. MANYA: In March 2021, Iranian-backed Houthi rebels deported the last three Jewish families living in Yemen, marking the end of that country's 2,600-year-old Jewish community within its borders. I asked Shahar if he would ever want to go to Yemen to trace his family's footsteps, once it's safe for Jews and Israelis.  SHAHAR: For me, it's a pity that, of course, this is life and politics, but I can't go there because I'm an Israeli, and I have an Israeli passport. And if I had another passport, I could go … Yeah, it's a shame. I have this thing that I really want to visit all the Arab countries, not only Yemen, because as an Israeli, learning about the conflict . . . in the end, I think that all the Arab nations, we are very similar. And we are neighbors, and you know, as neighbors, we have the same temperament. And we share many of the values of the family, and being together. For me, I think being able to visit those places, it's a dream come true. MANYA: Just as military service and family history have shaped Shahar, windsurfing has given him perspective too. The waters of Eilat can be soothing, serene, utterly breathtaking. But storms churn up fierce waves for which the strongest surfer is no match. And that's when Shahar really likes to be on the water. A fearless determination that goes back generations.   [Video clip from after the Beijing 2008 Summer Olympics Windsurfing RS:X event] Moments after he sailed across the finish line in Beijing and claimed that bronze medal, Shahar plunged into the water. A reporter shoved a cell phone into his hand to film Shahar sharing the victory with his family back in Israel.  Nearly 60 years later, another leg of the journey from Ta'iz was complete, another dream fulfilled.   SHAHAR: If you think about it … just to, one day, to wake up, take all your belongings and move. It's a brave act. In hard times, or not even in hard times, just sometimes when I do represent my country as an athlete, so I think about those moments, and it makes me feel pride that my grandparents or my family look at me and say ‘OK, it was worth it.' MANYA: Yemeni Jews are just one of the many Jewish communities who in the last century left Arab countries to forge new lives for themselves and future generations. Join us next week as we share another untold story of The Forgotten Exodus. Does your family have roots in North Africa or the Middle East? One of the goals of this series is to make sure we gather these stories before they are lost. Too many times during my reporting, I encountered children and grandchildren who didn't have the answers to my questions because they had never asked. That's why one of the goals of this project is to encourage you to find more of these stories.  Call The Forgotten Exodus hotline. Tell us where your family is from and something you'd like for our listeners to know such as how you've tried to keep the traditions and memories alive. Call 212.891-1336 and leave a message of 2 minutes or less. Be sure to leave your name and where you live now. You can also send an email to theforgottenexodus@ajc.org and we'll be in touch. Many thanks to Shahar and his father Ze'ev for sharing their family's story. And thank you to Benny Gamlieli for translating Ze'ev from Hebrew. Atara Lakritz is our producer, CucHuong Do is our production manager. T.K. Broderick is our sound engineer. Special thanks to Jon Schweitzer, Sean Savage, Ian Kaplan, and so many of our colleagues, too many to name really, for making this series possible. And extra special thanks to David Harris, who has been a constant champion for making sure these stories do not remain untold. You can subscribe to The Forgotten Exodus on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/theforgottenexodus.  The views and opinions of our guests don't necessarily reflect the positions of AJC.  You can reach us at theforgottenexodus@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts to rate us and write a review to help more listeners find us.

Nachum presents the annual JM in the AM Yom HaAtzmaut, Israel Independence Day Celebration which includes great Jewish music, Rabbi Benjy Kramer to discuss Israel's national anthem "Hatikva" and an interview with Yishai Fleisher about Israel at 74. Happy 74th Birthday to the State of Israel!

https://rumble.com/v11r3qh-hatikva-the-hope-2022.html https://www.youtube.com/watch?v=N-I0-9pyv48 _____________________________________________________________________ כֹּל עוֹד בַּלֵּבָב פְּנִימָה נֶפֶשׁ יְהוּדִי הוֹמִיָּה, וּלְפַאֲתֵי מִזְרָח, קָדִימָה, עַיִן לְצִיּוֹן צוֹפִיָּה, עוֹד לֹא אָבְדָה תִּקְוָתֵנוּ, הַתִּקְוָה בַּת שְׁנוֹת אַלְפַּיִם, לִהְיוֹת עַם חָפְשִׁי בְּאַרְצֵנוּ, אֶרֶץ צִיּוֹן וִירוּשָׁלַיִם. As long as in the heart within, The Jewish soul yearns, And toward the eastern edges, onward, An eye gazes toward Zion. Our hope is not yet lost, The hope that is two-thousand years old, To be a free nation in our land, The Land of Zion, Jerusalem. --- Send in a voice message: https://anchor.fm/mmmentertainmentllc/message Support this podcast: https://anchor.fm/mmmentertainmentllc/support

Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East, and the Jewish world, from Sunday through Thursday. Today's guests are founding editor David Horovitz and health and science correspondent Nathan Jeffay hosted by Jessica Steinberg. Jeffay discusses his recent op-ed about the need to view the current threat of the Omicron threat more responsibly, and to recognize Israel's still significant vaccination achievements. Horovitz speaks about the recent call from Christian leaders in the Holy Land who have warned that their communities are under threat of being driven from the region by extremist Israeli radical groups. Jeffay talks about research advances by Israeli scientists regarding autistic mice becoming more sociable when given cannabis products. Horovitz close up the podcast with a quick report about Israeli swimmer Anastasia Gorbenko who won two golds in the World Swimming Championships in Abu Dhabi, where Israeli anthem Hatikva was played. Discussed articles include: Vaccine grinches are wrong — Israel is still a paragon of immunization excellence Jerusalem church leaders: ‘Radical' Israeli groups driving Christians from Holy Land Israeli study gives encouragement, and guidance, to cannabis-for-autism efforts Israel's Gorbenko wins astounding 2nd gold at World Swimming Championships Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: A child is vaccinated against the coronavirus at an elementary school in Tzur Hadassah, December 19, 2021 (Olivier Fitoussi/Flash90) See omnystudio.com/listener for privacy information.

La mayor ciudad del norte de Israel, Haifa, que se estableció en las laderas del Monte Carmelo, escuchó el canto de 800 pasajeros que con su alma entonaron el Hatikva, himno nacional de Israel, cuando ilegalmente llegaban a Israel en tiempos del control británico y en las restricciones para la inmigración judía a Palestina. El 5 de noviembre, el partido político Kadima partió del sur de la ciudad de Palestrina Italia, con un número aproximado de 800 refugiados judíos. El mismo día, el barco Albertina partió de Francia trayendo a 182 refugiados, con la esperanza de llegar discretamente a Palestina. A 10 días de haber comenzado su viaje, un avión explorador británico detectó al Kadima, enviando un barco de guerra para acompañar a la nave al puerto de Haifa. El Albertina evadió con seguridad a los británicos y aterrizó en la costa de Palestina.

El 8 de octubre se cumple un nuevo aniversario del fallecimiento de Naftali Hertz Imber, poeta y autor del himno hebreo ‘Tikvatnu', cuya versión abreviada ‘Hatikva', se convirtió en el himno nacional del movimiento sionista y del Estado de Israel. --- Send in a voice message: https://anchor.fm/radiojai/message

Find the free video version of this audio on www.relaxingtraveler.com Support this Podcast by subscribing to my YouTube Channel! I upload traveling videos there for sleep, relaxation, focus, meditations, exploration to help you sleep better and discover new places! The following link will direct you to the Relaxing Traveler YouTube channel: www.relaxingtraveler.com This podcast episode: Tel Aviv Israeli Street Food Market - Hatikva - Walking In Israel - Israel Street Walk - Part 2

When Israel meets Jamaica: Our August Chagigot continue with our 'Chagigat Shirei Reggae' - a celebration of Israeli reggae songs! Wikipedia defines reggae as 'a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora'...and it's made its way to Israel! Thanks to the efforts of artists like Hatikva 6, Tomer Yosef, Muki, and others, reggae music is on the map in Israel. Enjoy an hour of fun, upbeat, 'tropical' Israeli music, sure to put a smile on your face! (Original Air Date: August 15, 2021) Full playlist at https://www.myisraelimusic.com/episode1092 Love the show? Support us by becoming a member of MyIsraeliMusic.com: https://myisraelimusic.com/membership Join the Israeli Music Community on Facebook! https://www.facebook.com/groups/IsraelHourRadioFans/

Over 1,600 Jews ascended The Temple Mount on Sunday, Tisha B'av to mourn the destruction of both Temples, and show their yearning for the construction of the Third Temple. Some groups were attacked by Arabs, while others were forced off the Mount after singing Hatikva, Israel's national anthem. A statement released by Prime Minister Bennett on Sunday indicated that Jewish prayer should be allowed at Judaism's holiest site, yet that statement was walked back this morning, indicating that the "status quo" remains in effect. In other words, Muslims can pray up there, but Jews can not. This story, plus all the latest news from Israel, on today's Israel Uncensored with Josh Hasten.

Yishai & Malkah talk about the fear of defending a tribal Israel in liberal circles, about getting detained for singing Hatikva on the Temple Mount, and about the rise of next gen Biblical leaders in the Torah portion of Pinchas - including the courageous Daughters of Tzlafchad. Then, Alex Traiman, Jerusalem Bureau Chief of JNS.org, on the challenge of the new Israeli government's international diplomacy.

Yishai & Malkah talk about the fear of defending a tribal Israel in liberal circles, about getting detained for singing Hatikva on the Temple Mount, and about the rise of next gen Biblical leaders in the Torah portion of Pinchas - including the courageous Daughters of Tzlafchad. Then, Alex Traiman, Jerusalem Bureau Chief of JNS.org, on the challenge of the new Israeli government's international diplomacy.

Record producer/songwriter/musician Michael Goldwasser is at the forefront of the international reggae scene, with game-changing albums such as Dub Side of the Moon and Radiodread, reggae remixes for artists such as Kelly Clarkson and Janelle Monae, and now a new album from multiple Grammy winner Jason Mraz. Michael has also hit #1 on the UK Soul Chart with his r&b album Goldswagger.Michael has written, produced, arranged, and played on many of Easy Star's releases, and has worked with some of the biggest names in reggae including Matisyahu, Steel Pulse, Third World, Luciano, Sugar Minott, Toots & the Maytals, Sister Carol, The Meditations, Ranking Joe, Frankie Paul, Morgan Heritage, Israel Vibration, Horace Andy, Sister Nancy, and Half Pint. He also produced Zion Crossroads for acclaimed blues artist Corey Harris, and the self-titled Hatikva 6 for Israel's leading reggae band. In 2011, Michael did a dub version of top-selling U.S. reggae band Rebelution's entire album Peace of Mind. He has done remixes for diverse artists such as Yoko Ono, Kelly Clarkson, Janelle Monae, Jason Mraz, Marina, Umphrey's McGee, Rebelution, and Tommy T of Gogol Bordello.Michael's latest production is the new Jason Mraz album Look For The Good. He also co-wrote two of the songs and is preparing a full dub version of the album. Michael also produces/writes/plays as Goldswagger, his r&b/soul/funk alter-ego. The Goldswagger single “I Can't Wait” featuring Maya Azucena has received radio play all over the world and his self-titled album went to #1 on the UK Soul Charthttps://www.michaelgoldwasser.com/https://www.instagram.com/goldswagger_/?hl=en@thecareermusician@nomadsplace

Record producer/songwriter/musician Michael Goldwasser is at the forefront of the international reggae scene, with game-changing albums such as Dub Side of the Moon and Radiodread, reggae remixes for artists such as Kelly Clarkson and Janelle Monae, and now a new album from multiple Grammy winner Jason Mraz. Michael has also hit #1 on the UK Soul Chart with his r&b album Goldswagger. Michael has written, produced, arranged, and played on many of Easy Star's releases, and has worked with some of the biggest names in reggae including Matisyahu, Steel Pulse, Third World, Luciano, Sugar Minott, Toots & the Maytals, Sister Carol, The Meditations, Ranking Joe, Frankie Paul, Morgan Heritage, Israel Vibration, Horace Andy, Sister Nancy, and Half Pint. He also produced Zion Crossroads for acclaimed blues artist Corey Harris, and the self-titled Hatikva 6 for Israel's leading reggae band. In 2011, Michael did a dub version of top-selling U.S. reggae band Rebelution's entire album Peace of Mind. He has done remixes for diverse artists such as Yoko Ono, Kelly Clarkson, Janelle Monae, Jason Mraz, Marina, Umphrey's McGee, Rebelution, and Tommy T of Gogol Bordello. Michael's latest production is the new Jason Mraz album Look For The Good. He also co-wrote two of the songs and is preparing a full dub version of the album. Michael also produces/writes/plays as Goldswagger, his r&b/soul/funk alter-ego. The Goldswagger single “I Can't Wait” featuring Maya Azucena has received radio play all over the world and his self-titled album went to #1 on the UK Soul Chart https://www.michaelgoldwasser.com/ https://www.instagram.com/goldswagger_/?hl=en @thecareermusician @nomadsplace

Hatikva, the Israeli national anthem and translation. The meaning of Zionism and Israel to the Jews. A brief history of the Israeli War of Independence 1948-49. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Hatikva is unique among national anthems. A maid employed by the French military found a memo in the trash in the German embassy in Paris with military secrets. The French Minister of War connected the document – despite not a shred of evidence – to a Jewish artillery captain, Alfred Dreyfuss, who subsequently was convicted of spying and denounced as a traitor. This set off anti-Jewish rioting, similar to blood libels, which also made no sense, but were lethal and costly for innocent Jewish victims. This was a tipping point for a reporter covering the trial named Theodore Herzl.  Generous Baron Maurice de Hirsch refused to contribute to Herzl's plan which he considered a fantasy. Eventually, as Daniel Gordis points out, this turned out to be a blessing in disguise for Herzl. “Better luck next time” wasn't an option, and the need to improve resulted in Der Judenstaat. When things look catastrophic there is often a silver lining, case in point: The Auschwitz Protocols. As Dreyfuss languishes on Devil's island, Emil Zola comes to his rescue by publishing, J'accuse. The most important work on sparking antisemitism,  the fictitious Protocols of the Elders of Zion, finds an enthusiastic supporter and disseminator in America, car magnate, Henry Ford.  Photo Credits: Vrba-Wetzler Memorial  Auschwitz Fence – Yad Vashem Holocaust Memorial, Jerusalem J'accuse headline – J'accuse by Gaumont Cover image Protocols Elders of Zion: Yad Vashem Holocaust Memorial, Jerusalem  Find Video Episodes at http://www.youtube.com/hanochteller Learn more at TellerFromJerusalem.com  © 2021 Media Education Trust llc   Audio Credits: Star Spangled Banner – USA Patriotism.org Hatikva sung by Enrico Massias  Visual Credits: Picture of Rabbi Aharon Soloveitchik courtesy of YUTorah.org Picture of Albert Dreyfus – J'accuse! The History of the Dreyfuss Afair. This is Barris! – French History Dreyfuss Humiliation – J'accuse by Gaumont Picture of Le Petit Journal nili.org.il Blood Libel Illustration – Leo Baeck Institute – New York/ Berlin Find Video Episodes at http://www.youtube.com/hanochteller Learn more at TellerFromJerusalem.com 

Tal Shamur presents his work on the melancholic protest of Hatikva residents. While the concept of citizenship is often related to legal status within the nation state, the actual expression of the concept is defined by one’s standing within the political community and develops questions of inclusion and belonging where spaces of citizenship extend to the city level. According to this perspective, although people may be included in the collective by law of the nation state, they may also be, in actual fact, excluded by the unwritten spatial law. This law dictates the life conditions of minorities and creates symbolic and physical boundaries that pushes “others” to the city margins where marginalized citizens and noncitizens contest their exclusions. Whereas public demonstration of discriminated citizens emerging at the urban periphery might be seen as reactionary and as a raging outbursts, closer examination reveals they are also a site of sadness and melancholy. following this line of thought, Tal Shamur will suggest the concept of “melancholic citizenship” to describe the emotion of sadness aroused among a discriminated group of citizens in light of a process that highlights their social and urban marginality. The case study explored is the struggle of old-time Mizrahi (Jews who immigrated to Israel from Arab countries) residents of the HaTikva neighborhood – a lower income neighborhood of south Tel Aviv – against the inflow of African migration to the area. Based on anthropological field work he conducted in the neighborhood he argues that the struggle of the long-standing residents aroused melancholic feelings among them when they realized that the global migration is a current indication of their discrimination as lower-income Mizrahim who inhabit the city periphery and are located at the margins of Israeli society. Tal Shamur is an ISEF Foundation International Fellow in the Department of Social Anthropology, at the University of Cambridge. He wrote his PhD in Cultural Anthropology in Haifa University. His work focuses on questions of belonging and identification within the urban sphere. His Book titled: Hope and Melancholy on an Urban Frontier: Ethnicity, Space and Gender in the Hatikva Neighborhood, Tel-Aviv was recently published in Haifa University of press (2020, in Hebrew). His articles were published in the journals Emotion Space and Society (2019) and Citizenship Studies (2018).

Join us as we celebrate Hanukkah, lighting the way with new Israeli tunes, including fresh releases from Static and Ben-El, Nissim Black, a few cuts from the new Hatikva 6 album and, of course, some great holiday music. Playlist: The Hava Song – Nissim Black Kol Yachol – Cohen, VIbe Ish & Argaman Aladin – Elsie Doll Hayom HaZe Magia – Mati Shriki Lechaim – HaTikva 6 Hachi Yafa BaOlam – HaTikva 6 Shalelu Li – HaTikva 6 Ross v’Rachel – HaTikva 6 Yafa Kmo HaShabbat – Moshik Afia & Yaniv Ben Mashiach Agadat HaShemesh – Rita with Static & Ben-El Ein Li Ma – Osher Bachta Kochecha Haram – Yuval Dayan Candlelight 2020 – The Maccabeats Dreidel – Shir Soul Chanukah Medley – Itzik Eshel

Israeli recently celebrated Yom HaAliyah - a national holiday celebrating those who have immigrated to Israel from around the world. Today on Israel Hour Radio, we salute those who have "come home", with great Israeli songs celebrating Aliyah, Hebrew, and living in Israel! You'll hear some amazing, patriotic songs by Sarit Hadad, Ilanit, Hatikva 6, Ofra Haza and many more! Do you have an 'aliyah story'? Ever considered moving to Israel? Tell us your thoughts about life in the Holy Land! (Original Air Date: 10/25/20) Want to sponsor an episode of Israel Hour Radio? Email josh - at - MyIsraeliMusic - dot - com. Full playlist at https://www.myisraelimusic.com/episode1063 Join the Israeli Music Community on Facebook! https://www.facebook.com/groups/IsraelHourRadioFans/

We’ve got an incredible show to get you in a fantastic summer mood. Brand new releases from Static & Ben-el, Omer Adam, Eden Ben Zaken, Stephane Legar, and Itai Levi. But the cherry on top is a massive Kol Cambridge exclusive. Playlist: Rak Banot – Stephane Legar & Itai Levi Osim Kavod Lalaila – Lior Narkis Zot Ani – Ella Li Shavua Tov – Avraham Tal Ichikidana – BEMET ft Hatikva 6, Omri 69 & Michael Suissa Ichikidana – Ann B Million Dollar – Not Kirel ft Shachar Soul Kuku Riku – Omer Adam & Eden Ben Zaken Habib Albi – Static & Ben-el Tavori ft Nasrin Kadri Mitbashelet Le’at – Tair Haim My Lady – Teddy Neguse Nishbar Lanu – E-Z Ein Kmo Yisrael – Yishai Saydof Tel Aviv Ze Ani V’At – Amir v’Ben ft Jane Bordeau

Hi, my name is Michael Sahno, the host of "12 Cities in Israel"! In this episode I am HONORED to sit down with one of the MOST TALENTED & HARDEST WORKING people in the Israeli music world Amit Sagie! He has either produced or performed (or BOTH) on some of the most influential and artistic music that has ever come out of Israel! He is a reggae LEGEND and I count myself as lucky and grateful to call him a friend! Enjoy!!! Here is his official YouTube channel: https://www.youtube.com/channel/UCeNCefBz-nQB2XNM9a9xm3g Here is the official YouTube channel for Hatikva 6: https://www.youtube.com/user/hatikva6 Here is the video of him performing "One Woman Man" ("Could You Be Loved" Riddim) w/Omri Glikman (of Hatikva 6) that had me saying WOW: https://www.youtube.com/watch?v=D6evcvxz37w Here is a video of his acapella version of "Could You Be Loved": https://www.youtube.com/watch?v=80gwh6La8J0 Here is Amit in Funk'n'stein's "All Day Long": https://www.youtube.com/watch?v=EyPXqRHFR5U Here he is in a song he produced and performed in for The Ultras "היא לא תדע": https://www.youtube.com/watch?v=mH5LYsMISlE Recorded in Tel Aviv, Israel at the SEA Executive Suites! https://www.sea-hotel.co.il We travel to Israel twice a year to do interviews with individuals from all across Israeli society. People from the left, people from the right, the religious, the secular, everyone. We do this to bring Israel to the world. We do this because the world needs to realize that Israelis are people, just like you and me. You Can Subscribe to This Podcast on iTunes, Google Play, Stitcher TuneIn, Spotify or Watch a Video Version of This Podcast on Our YouTube Channel @: https://www.youtube.com/c/12CitiesinIsrael If You Want to Help Support This Podcast, Then Please Visit Our Patreon Page @: https://www.patreon.com/12citiesinisrael Check Out the Song from This Episode, “Dunya” and More on iTunes! https://itunes.apple.com/us/artist/the-revivo-project/555377380 Also, Watch The Video for This Song on YouTube! https://www.youtube.com/watch?v=gaD8Qcqps3w And Subscribe to Their YouTube Channel! https://www.youtube.com/channe/UCvqlSAlwZN12ClJknGN78mw The Revivo Project IS Israel!!! Special Thanks to: Ilanit Ram & Everyone at the SEA Executive Suites, Maayan Bronstein & Olga Pertsovsky from Neviot, Sharon Mercer from Carmel Car Service, Dave, Johnny Z & Ryan at Alto Music, Jacob & Marquita from Adorama, Sally Zilberstein at El Al Airlines, Ariel & Roy at Glikson Camera, Stephanie & Robert Sahno, Rachel Villegas & Family, Moti Biton & Family, Rafi Cohen, Jeff Rosenfeld, Charlotte & Miriam Strauss, Kate Volman, The City College of NY Jewish Studies Program, Ben Gurion University International ------------------------------------------------------------------------------------------------- Please Visit Our Sponsors! Thank You Sponsors! Neviot+ Water https://www.neviotglobal.com/en/home Carmel Car Service https://www.carmellimo.com/ Alto Music https://www.altomusic.com Also, Please Visit These Organizations & See What You Can Do to Help! ALEH https://www.aleh.org Schneider Children's Medical Center of Israel https://www.schneider.org.il/eng ------------------------------------------------------------------------------------------------- Website: https://www.12citiesinisrael.com Instagram: https://www.instagram.com/12citiesinisrael Facebook: https://www.facebook.com/12citiesinisrael

On this episode we play you the latest music singles, including new releases from Sarit Hadad, Noa Kirel, HaTikva 6, and a song dedicated to Krembo! https://www.patreon.com/kolcambridge Playlist: Krembo - Ann B Pere - Kefir Tzafrir & Nitan Ben-Ari Or - Ben Zini & Taylor Tatus Li MiHalev - Sarit Avitan BeMakom Hachi Rachok - Benaya Barabi Chai al HaYareach - HaTikva 6 Tnu Li Daka - Nadav Guej Tagid She’Ata Kan - Sarit Hadad Im Eshkachech Tel Aviv - Amichai Yosef Ben Avraham Tazuz - Shira Kai Cohen Shtok - Emily Cooper Bye Bye - Elsie Doll Im Ata Gever - Noa Kirel Tavi’i Chaverot - Carakukly Kapara - Elkana Marciano Ba Li SheTagid Li - Nofar Batato

A perfect mix of old and new...song requests and new releases...ballads and party songs...it all comes together on this week's edition of Israel Hour Radio! The details? Glad you asked. Brand new music by Elai Botner, Noa Kirel, Hatikva 6, Sarit Hadad, Shlomo Artzi, and more! Plus - Static and Ben-El's new international release, which just may be the song to jumpstart their career in the USA. Join us for a fantastic hour of Israeli entertainment! (Original air date: 1/19/20) Full playlist at https://www.myisraelimusic.com/episode1030

A perfect mix of old and new...song requests and new releases...ballads and party songs...it all comes together on this week's edition of Israel Hour Radio! The details? Glad you asked. Brand new music by Elai Botner, Noa Kirel, Hatikva 6, Sarit Hadad, Shlomo Artzi, and more! Plus - Static and Ben-El's new international release, which just may be the song to jumpstart their career in the USA. Join us for a fantastic hour of Israeli entertainment! (Original air date: 1/19/20) Full playlist at https://www.myisraelimusic.com/episode1030

“Vuonna 2018 opetusministeriö tunnusti Makor HaTikvan Israelin ensimmäiseksi viralliseksi messiaaniseksi kouluksi – mutta tuohon hetkeen oli kuljettu pitkä tie: Kaikki alkoi, kun 1990 luvun alussa pieni joukko Jeesukseen uskovia perheitä kokoontui yhteen…”  Lue aiheesta lisää kansanlähetys.fi sivuilta

We bring you the latest musical releases, including new singles from The Ultras, Hatikva 6, Idan Raichel, and Avraham Tal, to name a few. Playlist: Poza - Omri 69 Segel ft Kfir Tzafrir Nesicha Sheli - Ben Zini & Taylor ft Shai Chai Achshav Nisharnu Shneinu - Idan Raichel Shir Chadash - Avraham Tal Mister Macho - Shira Margalit HaIvrit HeChadasha - HaTikva 6 Oi Va Voi Li - Asaf Goren Rotze et HaKol - Ron Nesher Hanichi Li - Moshiko Mor LeChulam Tamid Yihiye Ma Lahagid - Liat Eliyahu Ma At Osa Li - Osher Cohen ft Omri Segel Rutzi im HaLev - Nasrin Kadri Bilti Nishkachat - Kobi Peretz Ein Lach Ahava - Sapir Levy Ma Hu Yodea - HaUltras ft Osher Cohen Kotev Shirim - Mook E & Maor Edri Shabbat - Haim Israel

Mairov and Josh look back at the best 'Israeli' moments of Eurovision 2019 - with highlights from the Shalva band, Idan Raichel, Kobi Marimi, a fantastic medley of Israeli Eurovision entries, and much more! Plus - all-new music from Shiri Maimon, Hatikva 6, Noa Kirel, Moshe Peretz and Lior Narkis, and many more!

Mairov and Josh look back at the best 'Israeli' moments of Eurovision 2019 - with highlights from the Shalva band, Idan Raichel, Kobi Marimi, a fantastic medley of Israeli Eurovision entries, and much more! Plus - all-new music from Shiri Maimon, Hatikva 6, Noa Kirel, Moshe Peretz and Lior Narkis, and many more!

Here's Part 2 of our series on the best Israeli music of 5779, six months in. You'll hear some amazing music this week, from Eden Ben Zaken, Idan Raichel, Omer Adam, Moshe Peretz, Miri Mesika, and many more! Plus - an exclusive interview with Omri Glickman of Hatikva 6...a re-arrangement of our Eurovision entry this year...a hot new song for Netta Barzilai...a look back at Yom Ha'atzmaut 5779...and much more!

Here's Part 2 of our series on the best Israeli music of 5779, six months in. You'll hear some amazing music this week, from Eden Ben Zaken, Idan Raichel, Omer Adam, Moshe Peretz, Miri Mesika, and many more! Plus - an exclusive interview with Omri Glickman of Hatikva 6...a re-arrangement of our Eurovision entry this year...a hot new song for Netta Barzilai...a look back at Yom Ha'atzmaut 5779...and much more!

Selon les experts de l’audimat, l'Eurovision 2019 sera largement suivi. Egalement : venez découvrir une comédie musicale sur l’Eurovision dans le quartier "Hatikva" de Tel-Aviv, pendant que Zvika Hadar accueillera les touristes de l’Eurovision et expliquera pourquoi deux artistes ont porté des drapeaux israéliens en AllemagneSee omnystudio.com/listener for privacy information.

No segundo episódio do Hebracast nós contamos histórias de começo. A primeira machané, primeiro sábado, primeiro ataque, primeira colônia... Ao longo do episódio, escutamos as músicas de uma das maiores bandas israelenses, Hatikva 6. MOMENTO TARBUT GLORIOSO: - Documentário Minding the Gap (Hulu e Online) - Documentário Free Solo (Fox) - Exposição Os Planetas de Ziraldo (Casa Melhoramentos) - Série Por dentro do Mossad (Netflix)

Noa – also known as Achinoam Nini – is one of Israel’s most acclaimed artists. In 2009 she represented Israel at Eurovision, along with Palestinian-Israeli musician Mira Awad. This was recorded at her NIF event in Sydney last year. It includes some of her stirring music and also provided an opportunity for the audience to talk with her about social justice and human rights issues in Israel. She was on stage performing at the peace rally in Tel Aviv in 1995 just moments before Yitzhak Rabin's assassination and, more recently, sung Hatikva at the "50 Years Out" rally, calling for an end to the occupation on the 50th anniversary of the Six-Day War. Noa’s also known for her work promoting peace and equality in the region, and in just one her roles is a member of NIF’s governing board in Israel. You can support NIF's work by making a tax deductible gift at nif.org.au/donate. Other links: Video of Noa and her definition of Zionism Video of Noa and thoughts on criticism of Israel

Stump the Rabbi - Rabbi Yossi Paltiel What did the Rebbe have against the song Hatikva? To ask a question and for more answers visit: http://stumptherabbi.org/ This project was made possible by The Chanin Fund Reliable Fast Cash, LLC http://reliablefastcash.com/ Rabbi Yossi Paltiel http://insidechassidus.org

Subscribe to our SRM iTunes PodcastWe would be delighted to have you join us as we listen to Evan Levine share and update us about the latest endeavors taking place at Hatikva Project.

Julia Fisher talks to Yonatan Allon - Recently I was in Haifa and met Yonatan Allon. He helps run a charity that provides dental care for the poor. It is called the HaTikva dental clinic and Yonatan explains the vision behind the project. Our aim is to build bridges... To build bridges of understanding and support, in a spirit of reconciliation, between believers (both Jewish and Arab) in the Holy Land (Israel and the Palestinian Areas) and Christians worldwide. olivetreefund.org

The Silver Platter by Natan Alterman In today's episode, I talk about the stark transition between Yom Ha'Zicharon and Yom Ha'Atzmaut. I discuss the meaning and origin of the popular expression in Hebrew: Magash Hakesef. The following is the original poem by Natan Alterman. The Silver Platter And the land grows still, the red eye of the sky slowly dimming over smoking frontiers As the nation arises, Torn at heart but breathing, To receive its miracle, the only miracle As the ceremony draws near, it will rise, standing erect in the moonlight in terror and joy When across from it will step out a youth and a lass and slowly march toward the nation Dressed in battle gear, dirty, Shoes heavy with grime, they ascend the path quietly To change garb, to wipe their brow They have not yet found time. Still bone weary from days and from nights in the field Full of endless fatigue and unrested, Yet the dew of their youth. Is still seen on their head Thus they stand at attention, giving no sign of life or death Then a nation in tears and amazement will ask: "Who are you?" And they will answer quietly, "We Are the silver platter on which the Jewish state was given." Thus they will say and fall back in shadows And the rest will be told In the chronicles of Israel Resources: Rani Jaeger from the Shalom Hartman Institute Donniel Hartman Barbra Streisand singing Hatikva for Israel's 30th birthday in 1978 

Another week, another awesome music mix. This time, we'll hear brand new music by Cafe Shachor Chazak, Hatikva 6 and Natan Goshen mong others, take a look at the number one song of two years ago this week, meet Israel's representative to the 2017 Eurovision Song Contest...and have a lot of fun doing it all. We hope you'll join us!

Another week, another awesome music mix. This time, we'll hear brand new music by Cafe Shachor Chazak, Hatikva 6 and Natan Goshen mong others, take a look at the number one song of two years ago this week, meet Israel's representative to the 2017 Eurovision Song Contest...and have a lot of fun doing it all. We hope you'll join us!

A playlist of Israeli & jewish songs for CRB campers! Thanks: Jeff Weisz Karen Segal Miriam Hertzson Cantor Carol Chesler Mitch Mernick Yaniv Morozovsky Listen to our camp music all day long at http://KolRamah.US

A playlist of Israeli & jewish songs for CRB campers! Thanks: Jeff Weisz Karen Segal Miriam Hertzson Cantor Carol Chesler Mitch Mernick Yaniv Morozovsky Listen to our camp music all day long at http://KolRamah.US

This week, Kol Cambridge brings you the biggest new releases this week including new tracks from Kobi Peretz, HaTikva 6, Harel Skaat and more! Playlist: Ya Ruchi - Kobi Peretz Baa Li BeTov - Tzachi Balata Nosim L'Eilat - Shlomi Meulam ft Erez Shapira & Adi Aqua Zrukim al HaChof - Adva Omer Kol HaLaila BeShachakim - Shimon V'Levi Shana Chadasha - Beit HaBubot Shema - Makhelat HaEfroni Sim Ayin Aleinu - Hatikva 6 ft Mosh Ben-Ari Ba Li Mesiba - M-Ya Jamaica - Morel HeChevre HaTovim - Ortega Anachnu Po - Harel Skaat Modern Day Moses - Shmoolik ft Describe Vesamachta - The Shuk Pitchu Li - The Moshav Band Breslev Medley - Simply Tsfat

So what if Josh has laryngitis? The music still sounds amazing, as always. This week, the latest from Sarit Hadad, Eden Ben Zaken, Hatikva 6 and Mosh Ben-Ari, Shalom Hanoch, and new husband-and-wife-team Yonina, plus Rami Kleinstein and Keren Peles LIVE in Cesaria! Come for the music, stay for the fun!

So what if Josh has laryngitis? The music still sounds amazing, as always. This week, the latest from Sarit Hadad, Eden Ben Zaken, Hatikva 6 and Mosh Ben-Ari, Shalom Hanoch, and new husband-and-wife-team Yonina, plus Rami Kleinstein and Keren Peles LIVE in Cesaria! Come for the music, stay for the fun!

In this episode of Rega Shel Ivrit (A Moment of Hebrew), host and Master teacher Michal Nachmany teaches about Hatikva, the Himnon (National Anthem) of Israel. We hope that you will join us again for future episodes. If there are specific words or themes that you would like Michal to discuss, please eMail her at MzMotek@gmail.com […]

Meu convidado de hoje é o Flávio Huf da Hatikva Site do Flávio: http://www.hatikva.com.br/ Contatos: (21) 38527675 | falecom@hatikva.com.br | https://www.facebook.com/Hatikva-Informatica-Ltda-224706097563874/ Sites Recomendados: Tectudo, Endeavor e Sebrae Livros Recomendados: Estratégia do Oceano Azul, Como fazer uma empresa dar certo em... O post Empreendedor a todo Vapor – 0184 – Flávio Huf da Hatikva apareceu primeiro em Empreendedor a todo Vapor.

Want to keep up with today's hottest Israeli hits? You've come to the right place! This week, a few great new duets, including Hatikva 6 + Infected Mushroom, Shlomo Artzi + Yuval Banai, Rami Kleinsten + Keren Peles and more!

Want to keep up with today's hottest Israeli hits? You've come to the right place! This week, a few great new duets, including Hatikva 6 + Infected Mushroom, Shlomo Artzi + Yuval Banai, Rami Kleinsten + Keren Peles and more!

Get ready for the weekend with a bit of escapism on Kol Cambridge - the best in Israeli and Jewish music. Discover if you are 'hachi yisraeli' with the new release from Hatikva 6, enjoy the first release in years from Ivri Lider, and also brand new tracks from Dudu Aharon, Guy & Yahel and many more!   Playlist: Hey - Eti Biton Overet Muli - Dudu Aharon Hachi Yisraeli - Hatikva 6 Shamayim Boarim - Guy & Yahel Machrozet Ahuvat Levavi - Daklon & Sagiv Cohen Hakol Boer - Ivri Lider Ir U'vehalot - Dudu Tasa Yalda Ketana - Gali Atari Shema Yisrael - Sarit Hadad Yareach - Shlomo Artzi Yish Li Tzipur Ktana BaLev - Yigal Bashan Poteach et Yadecha - Gad Elbaz Late Night in Zion - Matisyahu Mimkomcha - The Chevra

Get ready for the weekend with a bit of escapism on Kol Cambridge - the best in Israeli and Jewish music. Discover if you are 'hachi yisraeli' with the new release from Hatikva 6, enjoy the first release in years from Ivri Lider, and also brand new tracks from Dudu Aharon, Guy & Yahel and many more! Playlist: Hey - Eti Biton Overet Muli - Dudu Aharon Hachi Yisraeli - Hatikva 6 Shamayim Boarim - Guy & Yahel Machrozet Ahuvat Levavi - Daklon & Sagiv Cohen Hakol Boer - Ivri Lider Ir U'vehalot - Dudu Tasa Yalda Ketana - Gali Atari Shema Yisrael - Sarit Hadad Yareach - Shlomo Artzi Yish Li Tzipur Ktana BaLev - Yigal Bashan Poteach et Yadecha - Gad Elbaz Late Night in Zion - Matisyahu Mimkomcha - The Chevra

From New York's New School to opening his own school -- Saxophonist and singer Daniel Zamir talks about dodging rockets on the Tel Aviv beach, his passion for Israel's national anthem Hatikva, and his shlichus (emissary work) in this world. Hear how this secular Israeli jazz protege befriended Matisyahu in New York and embarked on a journey to spirituality. Today Daniel is academic director of the Mizmor School of Music, the first music academy in Israel in 2,000 years to focus on Jewish music. His tenth album will be recorded at two upcoming live concerts in Jerusalem and Tel Aviv with Eviatar Banai and other famous Israeli singers.

Kol Cambridge is back with all the biggest, brand new music, featuring hot new releases from Aviv Gefen, Hatikva 6, Shlomi Shabat and many more. We are particularly excited this week about the 10-year-old child sensation Prieli Rubin! Playlist: Od Paam Paam - Hatikva 6 Mistovev - Aviv Gefen & Matti Caspi Tachzeri Elav - Dana Berger Mi SheShafui Meshuga - Shiri Maimon Lichvod Ima - Prieli Rubin HaTov Kore - Ethnix Brito shel Avraham - Lior Farchi Romi - Shlomi Shabat Tipesh Chacham - Meir Ariel BeVeiti HaNaul - Rita Elohai - Ofra Haza Micha Mocha - Hiphopshabbat El Chai - Itzik Dadiya Asher Bara - Naftali Kalfa

Israel Beat Jewish Music Podcast Fun & unusual versions of Israel's national anthem. Plus charming 1940s Israeli children's stories by celebrated author Levin Kipnis.

a Mantovana is a sixteenth century song composed by the Italian tenor Giuseppe Cenci, also known as Giuseppino del Biado, (d. 1616). Its earliest known appearance in print is in del Biado's 1600 collection of madrigals. The melody, later also known as "Ballo di Mantova" or "Aria di Mantova" gained wide currency in Renaissance Europe, being recorded variously as the Scottish “My mistress is prettie,” the Polish “Pod Krakowem,” Spanish "Virgen de la Cueva" and the Ukrainian “Kateryna Kucheryava." It is best-known as the melody of Bedřich Smetana's The Moldau and of the Israeli national anthem Hatikvah. I added the third part, in case old Giuseppe lifted the original riff from a raga, which I - of course - suspect:)

a Mantovana is a sixteenth century song composed by the Italian tenor Giuseppe Cenci, also known as Giuseppino del Biado, (d. 1616). Its earliest known appearance in print is in del Biado's 1600 collection of madrigals. The melody, later also known as "Ballo di Mantova" or "Aria di Mantova" gained wide currency in Renaissance Europe, being recorded variously as the Scottish “My mistress is prettie,” the Polish “Pod Krakowem,” Spanish "Virgen de la Cueva" and the Ukrainian “Kateryna Kucheryava." It is best-known as the melody of Bedřich Smetana's The Moldau and of the Israeli national anthem Hatikvah. I added the third part, in case old Giuseppe lifted the original riff from a raga, which I - of course - suspect:)

Since we have chosen to live in exile rather than Israel, perhaps we can show our pride in Israel and gratitude to Hashem by saying Hatikvah.

Since we have chosen to live in exile rather than Israel, perhaps we can show our pride in Israel and gratitude to Hashem by saying Hatikvah.