Podcast appearances and mentions of Ilan Eshkeri

The PlayStation Pals return to talk about a PlayStation State of Play that has come and gone. We cover and review the entire event. We give our initial impressions of Saros, MindsEye, Tides of Annihilation and much more. We also touch on the outage PSN had over the weekend. Thanks for listening! Intro: Saros 2 Things: - PSN Outage - State of Play February 2025 Outro: The Way of the Ghost - Ghost of Tsushima by Ilan Eshkeri, Clare Uchima Questions or comments? Please send emails to BetweenTheJoysticks@gmail.com. Follow us on Twitter @JoysticksPod Subscribe to us on Youtube @BetweenTheJoysticks

Send us a textEpisode 520"SUPER/MAN: The Christopher Reeve Story"Composer: Ilan EshkeriIlan Eshkeri is an award-winning composer whose eclectic body of work is linked by his love of emotional narratives.Known for cult films such as Layer Cake, Stardust, The Young Victoria and Still Alice, Eshkeri is also recognised for his innovative work with Ralph Fiennes and his extensive television scores with David Attenborough. Later this year sees the release of the powerful documentary ‘Super/Man the Christopher Reeve Story' with a standout score by Eshkeri'. The film will be the first theatrical release from the new DC Studios headed by James GunnEshkeri studied Music and English Literature at university, he is synaesthetic and dyslexic, colours, music and patterns merge in his mind allowing him to create with unconventional methods. This blended with a profound empathy for human stories, inspires unique work that has left an indelible and inspiring mark on the world of music.#superman   #christopherreeve   #dccomics   #clarkkent  #dcstudios   www.mmcpodcast.comReach out to Darek Thomas and Monday Morning Critic!Instagram:   / mondaymorningcritic  Facebook:   / mondaymorningcritic  TikTok:   / mondaymorningcritic  Mondaymorningcritic@gmail.com

In yet another bonus episode - boy, are we busy - we're bringing you a Soundtracking Everyman Film Club, recorded live at Screen on the Green in Islington, north London. This time, director Ian Bonhôte and composer Ilan Eshkeri join Edith to discuss their collaboration on Ian and Peter Ettedgui's beautiful documentary Superman: The Christopher Reeve Story.

Bienvenue à tous pour ce test qui portera sur la Director's Cut de "Ghost of Tsushima" sur PC, un jeu développé par Sucker Punch et édité par Sony Interactive Entertainment.Disponible sur PC depuis quelques semaines, ce portage PC de Ghost of Tsushima nous transporte dans le Japon féodal, où vous incarnez Jin Sakai, un samouraï dont le royaume est envahi par les Mongols. Nous allons voir en 10 minutes ce que cette Director's Cut de Ghost of Tsushima propose. Est-ce que nous avons droit à un portage de qualité - ou faut-il attendre que des correctifs soient apportés ? Et plus globalement, est-ce que cette version PC fait honneur l'excellente licence de Playstation ?Crédit musique :Ghost of Tsushima OST by Ilan Eshkeri & Shigeru UmebayashiHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

La bande-annonce vidéo du nouvel album de Nick Cave and the Bad Seeds montre que son enregistrement avance à grand pas. Within Temptation sort le titre "A Fool's Parade", en collaboration avec le producteur ukrainien Alex Yarmak dont le clip a été réalisé à Kiev, en Ukraine. Après Michael Jackson, Bryan Ferry, et Rod Stewart, c'est le groupe KISS qui vend à son tour son catalogue musical, son nom et son image à la société Pophouse Entertainment, entreprise suédoise spécialisée dans les marques et le divertissement. "Blackbird" sorti sur l ‘'Album Blanc'' des Beatles en 1968, prend un nouveau souffle avec la reprise de Beyoncé sur son nouvel album, ‘'Cowboy Carter''. Matt Bellamy de Muse a enregistré la bande originale de "1984" à Abbey Road, pour un thriller audio basé sur le livre du même titre de George Orwell. Il y a 20 ans, Prince publiait l'album ‘'Musicology'', un de ses plus grands succès commerciaux des années 2000 aux États-Unis et une nouvelle version d"United States of Division", la face B du single "Cinnamon Girl" sorti en juillet 2004 est maintenant disponible. Mots-Clés : politique, battre, déposer, armes, instrumental, objet, édition, physique, Royaume-Uni, mixer, morceaux, Colin Greenwood, Radiohead, basse, guest, tournée, groupe, solo, concerts, Warren Ellis, Sharon den Adel, chanteuse, single, collaboration, réalisateur, ukrainien, Indy Hait, initiative, fondation, Ukraine Aid OPS, attention, soutien, Europe, lutte de l'Ukraine, droits, marque, millions, euros, originaux, édition, Instagram, Paul McCartney, heureux, version, message, droits civiques, télévision, images, filles, noir, école, choquant, fabuleux, tensions, raciales, fier, narrations, transporter, auditeurs, dystopique, Ilan Eshkeri, musique originale. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Monthly series showcasing music from the world of gaming, today with Elle Osili-Wood focusing on open universe games - where you are free to roam where you like - featuring highlights of scores by Yasunori Mitsuda (Chrono Trigger), Ilan Eshkeri & Shigeru Umebayashi (The Ghost of Tsushima), Ludvig Forssell & Justin Burnett (Metal Gear Solid V: The Phantom Pain) and Gareth Coker (Halo Infinite). And she's joined by Inon Zur, Israeli-American composer of Starfield, the vast new game in the open world genre.

E nesse episódio, vamos falar do Ghost of Thsushima e para abrilhantar esta conversa cheia de referências históricas, convidamos o professor Vitor Soares, do podcast "História em Meia Hora". Falamos dos fatos históricos do jogo, da cultura da época, da expansão Mongol e, o que é ficção no jogo(?). O episódio contém muitos SPOILERS. Tudo isso numa conversa descontraída e divertia. O que realmente existiu naquela época na ilha de Tsushima? Quais personagens são reais? Quer saber? Então aperte start e vem com a gente! Caso não queira escutar as notícias da semana pule para 24m:18s Redes do História em Meia Hora: (23) História em Meia Hora Podcast - YouTube https://open.spotify.com/show/6uscSyqp0q7Cb0uoEujgL8?si=72fc0f4cbc384c21 História em Meia Hora (@historiaemmeiahora) • Fotos e vídeos do Instagram Prof. Vítor Soares (@profvitorsoares) • Fotos e vídeos do Instagram Trilha Sonora: Tema do Jin Sakai por Ilan Eshkeri (157) Jin Sakai - YouTube Decarnation trailer - (23) Decarnation | Release Date Announcement - YouTube Fontes: Microsoft-Activision deal: EU approves takeover of Call of Duty maker (cnbc.com) Redes Sociais:

Saison 1 – épisode 39 : en covoiturage avec Monsieur Poutounours Montez à bord pour une petite virée musicale d'une demi-heure : 7 titres qui donnent envie de prendre le large et d'aller voir ailleurs, sur la route encore. Mais cette fois-ci je ne suis pas seul : Monsieur Poutounours m'accompagne, choisit les chansons et les commente !! (01:09) Ultra Vomit - Kammthaar (05:02) The Pretty Reckless - Just Tonight (08:26) Halocene & Lauren Babic - The Pretender (13:24) Man With A Mission - Fly Again (18:11) Last Train - The Idea Of Someone (23:58) Halestorm - Wicked Ways (28:04) Ilan Eshkeri & Clare Uchima - The Way of the Ghost Sur la route encore est un balado créé et animé par Monsieur Dams (@feelgoodbuddy sur Twitter).http://www.surlarouteencore.frTwitter : @sur_encoremonsieurdams@surlarouteencore.fr Vous pouvez me retrouver sur le discord du collectif des podcasteurs d'histoires à bulles & d'imaginaire ;https://discord.com/channels/913715604496723988/914960488192933939/916622310348292126 Visuel créé par le talentueux Silver (@silverbd sur Twitter)www.patreon.com/Silverillustrationshttps://www.instagram.com/silverillustrations/https://silverillustrations.com

From Ilan's first big break, on Matthew Vaughn's Layer Cake, to the importance of having a great relationship with the Director and how Ilan starts the composing process we talk through Ilan's journey in composing and his love for story-telling through music. Ilan has composed music for many award-winning films including Layer Cake, Still Alice, Stardust, The Young Victoria and Shaun The Sheep.  We find out why he loves working with Ralph Fiennes, with whom he has composed the scores to all three films that Ralph has directed. Ilan also composed music for several video games including Sony PlayStation's blockbuster video game Ghost of Tsushima and The Sims 4. He has worked on TV shows including David Attenborough's A Perfect Planet and the Netflix series Captains. Ilan's live show in conjunction with British astronaut Tim Peake, entitled Space Station Earth, is touring the US in 2023. Check out their website for info here.   Ilan Eshkeri Website IMDB Soundcloud YouTube Twitter Instagram Facebook The Sync Report is where you will meet industry experts and top level songwriters as we pull the curtain back on music placement and scores, build vital relationships and provide real opportunities to our listeners. Listen to indie filmmakers present their latest productions and describe specific scenes as they consider music submitted by our audience. Music. Music is the difference between a good film and a great one. Songs included in this episode are... Nirvana – Smells Like Teen Spirit Back to The Future - Alan Silvestri Shooting Star – Ilan Eskeri (from Stardust) The Prodigal Son (Orch. Dannheisser) – Ilan Eshkeri (taken from White Crow) Reliquary – by Ilan Eshkeri - from Burberry fashion show. Pas de Deux by Ilan Eshkeri (from Narcissus & Echo) Lost Phone - Ilan Eshkeri (from Still Alice movie) The First Waltz by ilan Eshkeri – (from The Young Victoria) “Maps” and “Sun” by Ilan Eshkeri – (from Space Station Earth) SYNC SESSION FEATURING:  Milfredo Seven - Kevin Sharpley - Vinx De'Jon Parrette - Lisa Dunn - Heather Ragnars - Frank Reed - Jess Rodriguez - Katherine Brierley Songs What It Do by Native Sunz   Still with Me by Jess Rodriguez  I'm Destruction & Chaos by Abz K (Syncromental)  Please tell your friends about us, and remember to rate, comment, & subscribe to us on Apple Podcasts and across all platforms.  And find us at The Sync Report here TSR Website  Facebook  Instagram Twitter Youtube Linkedin Tik Tok  Hosted By: Colin O'Donoghue - Rose Ganguzza - Jason P. Rothberg Featuring:  Paula Flack and Willow Produced By: Jason P. Rothberg - Paula Flack - Robert Cappadona  Executive Producers: Colin O'Donoghue - Rose Ganguzza - Jason P. Rothberg - Kevin Sharpley - Gianfranco Bianchi - Dean Lyon Writers: Jason P. Rothberg - Lisa Dunn - Paula Flack Editors: Jason P. Rothberg - Milfredo Seven - Paula Flack - Edgar “Edge” Camey - Adam McNamara Marketing Director: Paula Flack Music Supervisors: Phill Mason Music Department: Heather Ragnars - Lisa Dunn Foley: Phill Mason Research: Lisa Dunn Art Director: Gianfranco Bianchi Graphic Design: Jodylynn Talevi College Programs: Dr Stacy Montgomery College interns: Angela Nicastro – Princess Arga – Stephanie Shafir

Composer, artist, songwriter and producer Ilan Eshkeri reveals how he recently teamed up with songwriter Andy Burrows once again for four special shows celebrating the 10th anniversary of much-loved Christmas film, The Snowman and The Snowdog.

British film composer Ilan Eshkeri joins us to talk about his third collaboration with actor/director Ralph Feinnes, The White Crow. The film tells the story of famed Soviet ballet dancer Rudolf Nureyev and his defection to France in 1961. Eshkeri's soundtrack, which features violinist Lisa Batiashvili, is meant to mingle with and compliment the ballet music of Tchaikovsky, which bore an important presence in Nureyev's career.

Composer Natalie Holt is one of the busiest composers working today, and she joins us for this fantastic All Access to take us behind her career and projects. Natalie discusses her early career working for composers like Ilan Eshkeri and Martin Phipps, and what she learned from that time being part of a composer's music team. We dive into her process and how she finds the starting point for a project. We also discuss how she approaches television arcs, thematic structure, the importance of music editors, working with directors, and much more! Natalie takes us behind her score to Loki, and what it was like to craft a score for one on Marvel's most iconic characters. She explores how she found the tone and atmosphere of the series, what Loki needed as a character, and what she found both rewarding and challenging. We also touch briefly on her score for Obi-Wan Kenobi, Natalie shares what a dream it was to work with John Williams and have him be part of the limited series. Natalie is an extremely passionate and talented storyteller and it was such a joy to have her take time to explore her career and process. A Film.Music.Media Interview | Produced & Presented by Kaya Savas  

Ilan Eskkeri has a conversation with Tom about his extensive career composing music for film, television and video games, including Still Alice, Stardust, Shaun The Sheep, The Snowman & the Snowdog, The Young Victoria, A Perfect Planet, Ghost of Tsushima and The Sims. He also discusses his latest project, a collaboration with the astronaut, Tim Peake, and the European Space Agency, entitled Space Station Earth. This episode is brought to you by Lumie, the original inventors of wake-up lights, whose Bodyclock Luxe 750DAB wake-up light mimics a natural sunrise and sunset. Shown to improve quality of sleep and to boost productivity in clinical trials, this remarkable device also features high quality audio with DAB+ radio, Bluetooth speakers, USB port and a selection of over 20 sleep/wake sounds. The Lumie Bodyclock Luxe 750DAB can transform the way you start and end your day, especially if you struggle to wake up in the morning and/or get to sleep at night. Go to lumie.com to find out more.

With Joe Wright's new film out, inspired by the fictional Cyrano de Bergerac and with a score by Bryce and Aaron Dressner, Matthew looks at films that explore the art of wooing. He introduces music by Ilan Eshkeri, Rachel Portman, Luis Bacalov, George Fenton, and John Ottman among others, and he talks to Bryce Dressner about his new score for 'Cyrano'. The Classic Score of the Week is Roy Webb's 'Notorious'.

Matthew Castle Productions and Big Sammy Holdings are each taking on Game Pass. Who built the best gaming subscription service? Matthew won this one.This week's music is from the Snatcher soundtrack by Konami Kukeiha Club, The Sims 4 soundtrack by Ilan Eshkeri and the Kid Icarus: Uprising soundtrack by Motoi Sakuraba, Yuzo Koshiro, Masafumi Takada, Noriyuki Iwadare, Yasunori Mitsuda and Takahiro Nishi.

Radio 3's ‘Sound of…' marks the 90th anniversary of one of the most famous of all recording studios, London's Abbey Road. Presenters Matthew Sweet and Louise Blain team up for a special programme for Christmas to mark Abbey Road's important and illustrious history of making music for film - and more recently for the gaming world. Together they tour the building, taking a keen interest on the legendary Studio 1 - meeting some of the people who have shaped soundtrack recordings there. The programme is lavishly illustrated with music from the Abbey Road catalogue. Abbey Road began its venture into film in the early 80s and quickly attracted the likes of Miklós Rózsa, John Williams and Stephen Spielberg, Jerry Goldsmith, and James Horner etc. It continues to play a major role in music for international film. One of the first significant scores to be recorded there was Raiders of the Lost Ark, which was soon followed with prestigious catalogue of titles: The Return of the Jedi, The Last Emperor, RoboCop, Aliens, The Lord of the Rings and The Hobbit, Skyfall, Gravity, The Shape of Water, Black Panther and so on. Matthew reflects both on the history, in conversation with engineers Merik Stiles and Ken Townsend, and with Hollywood composer James Newton Howard (The Hunger Games, The Dark Knight, Fantastic Beasts) who has recently been recording there. Meanwhile, Louise talks with Isabel Garvey about links with the world of Gaming. Titles such as Final Fantasy and Call of Duty have passed through Abbey Road's doors. She meets composer Ilan Eshkeri who rectory recorded ‘Ghost of Tsushima' there, and with cellist Caroline Dale, who explains some of the challenges that face the musician working on soundtracks.

Today we present the second ALL REQUEST SHOW on THE FLAGSHIP SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all request programs. For this second all-request program, our participants included Don Mase, Jochen Stolz, Andreas Wennmyr, Eldaly Morningstar, Will Welch, Glenn McDorman, Victor Field, Dave Williams, Doug Lacey, Al Brown, Alan Rogers, Max Hamulyak and Tim Burden.  They requested tracks from such composers as Brad Fiedel, Don Davis, Marc Shaiman, Keiki Kobayashi, Dimitri Tiomkin, Alan Silvestri, Bruce Broughton, Simon Boswell, Stephan Gregory, Ilan Eshkeri, Kenji Kawai, Marc Streitenfeld, and Alexandre Desplat. This was once again a fantastic show to produce and I want to thank those who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program, either in January or February 2022, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join.  Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman & Chris Malone. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Segunda entrega del análisis pormenorizado y contextualizado de la obra maestra del manga de Kozure Okami. Una invitación a releerlo y sacarle todo el jugo. Únete a nosotros en Telegram: t.me/marcianosenuntren Con Agustín Amador, Jose Contreras y David Martínez Edición: Jose Contreras Temas de: Ennio Morricone, Ilan Eshkeri, the Heavy y Asakura Noriyuki Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Louise Blain features conducive gaming music with which to chill - and perhaps set the world to rights - and she meets composer Ilan Eshkeri to talk about his music for Sims 4.

Ilan Eshkeri is the featured guest on this Score to Screen podcast. The award-winning composer highlights the importance of narrative and story when it comes to crafting score music. Eshkeri provides an in depth look at his soundtrack to the documentary series, A Perfect Planet as well as the admired video game, Ghost of Tsushima. A Perfect Planet is a unique fusion of blue chip natural history and earth science that explains how our living planet operates. This five-part series shows how the forces of nature drive, shape and support Earth's great diversity of wildlife. It takes us on a stunning visual journey, from lands drenched by the Indian monsoon to the slopes of fiery Hawaiian volcanoes, from the tidal islands of the Bahamas to the frozen wastes of Ellesmere Island. From Arctic wolves prowling moonlit landscapes in winter, to frozen wood frogs magically thawing back to life in spring; from the vampire finches of the Galapagos who drink the blood of seabirds, to the African flamingos who gather in their thousands every year in a vast volcanic lake to breed. The video game, Ghost of Tsushima, takes place in the late 13th century, when the Mongol empire has laid waste to entire nations along their campaign to conquer the East. Tsushima Island is all that stands between mainland Japan and a massive Mongol invasion fleet led by the ruthless and cunning general, Khotun Khan. As the island burns in the wake of the first wave of the Mongol assault, samurai warrior Jin Sakai stands as one of the last surviving members of his clan. He is resolved to do whatever it takes, at any cost, to protect his people and reclaim his home. He must set aside the traditions that have shaped him as a warrior to forge a new path, the path of the Ghost, and wage an unconventional war for the freedom of Tsushima. Ilan Eshkeri is an award-winning composer, artist, songwriter, producer and creator. Eshkeri's work is performed in concert halls, theaters, galleries, on film and television and in video games. Recent projects include A Perfect Planet, his fourth collaboration with the legendary naturalist David Attenborough and The White Crow which he worked on with Ralph Fiennes. Both followed the creation of a ballet, Narcissus and Echo, choreographed by famed dancer Sergei Polunin with set designs by David LaChapelle and a ballet commission from Rambert Dance Company. Eshkeri has collaborated with Burberry on a landmark fashion show, where he composed and conducted a choral symphonic suite, Reliquary, which then reached No. 1 in the UK classical chart. Before this, he worked with astronaut Tim Peake and the European Space Agency on a film documenting his mission to the International Space Station. He continues his collaboration with Tim Peake and ESA with his spellbinding show Space Station Earth, last performed in Stockholm to an audience of 10,000. Eshkeri's many creative partnerships include artists such as Annie Lennox, David Gilmour, Sinead O'Connor, KT Tunstall, Tom Odell, Ash and The Cinematic Orchestra. Amongst his extensive catalogue of film and television are multiple Oscar & BAFTA winning films, such as Still Alice, Stardust and Shaun The Sheep.  The Score to Screen podcast series is produced and hosted by Crossover Media's Max Horowitz. Listen to the Soundtrack to A Perfect Planet here. Listen to the Ghost of Tsushima Soundtrack here. List to the official Ilan Eshkeri Spotify playlist here. To learn more about Sony Soundtracks visit https://lnk.to/son

Louise Blain reflects on this week's 2021 Bafta Gaming Awards, talking with the nominees and featuring the music - considering them as a possible litmus test on the shape of gaming in the 2020s. Music featured in the programme is taken from the nominees for the Best Gaming Music category, which are: GHOST OF TSUSHIMA by Ilan Eshkeri, Shigeru Umebayashi, Peter Scaturro; HADES by Darren Korb; THE LAST OF US PART II by Gustavo Santaolalla, Mac Quayle, Scott Hanau; MARVEL'S SPIDER-MAN: MILES MORALES by John Paesano, Scott Hanau, Alex Hackford; ORI AND THE WILL OF THE WISPS by Gareth Coker; and SACKBOY: A BIG ADVENTURE by Jay Waters, Joe Thwaites, Joanna Skorupa. Nominees for the Game of the Year include ANIMAL CROSSING: NEW HORIZONS which has proved such a hit during a year of lockdown. Louise looks at these, and more, listing the winners. In Louise's words: "Gaming was such a lifeline for so many people over 2020 and the 2021 British Academy Games Awards nominations reflect that. I don't think many of us would feel quite as connected to friends if we hadn't spent months fishing together in Animal Crossing: New Horizons or sharing the emotional web of The Last of Us Part 2. Vitally, 2020's games are a clear indicator of the diversity possible in this industry. I can't wait to explore the incredible scores nominated in the Best Gaming Music category. From the heroic joy of Marvel's Spider-Man: Miles Morales to the indie sword-spinning action of Hades, these are soundtracks to define a year like no other."

Composer Ilan Eshkeri’s latest score is for BBC Earth’s A Perfect Planet – his fourth collaboration with Sir David Attenborough. He explains how his working relationship with Sir David has evolved, how he approached this programme’s score, how each episode packs in musical cues from horror, action, heist or comedy genres, and why this is a dream job for a composer.

Our latest guest on Soundtracking is a composer whose name has been mentioned on countless occasions on this podcast, such has been his productivity across the diverse world of screen music Ilan Eshkeri has worked on numerous films, TV shows and video games - the latest of which is the quite simply breathtaking Ghost Of Tsushima for the PS4. He's also scored four documentaries for David Attenborough, including A Perfect Planet, which you can watch on the BBC iPlayer right now.  He's also built up several strong creative partnerships over the years with the likes of Matthew Vaughn, Ralph Fiennes and Mat Whitecross.

Even before the pandemic, before we couldn't leave our homes anymore, nature docs were my happy place. But luckily, the Sir David Attenborough Industrial Complex continues apace with BBC One's A Perfect Planet, which just started airing on Discovery Channel's new streaming service, Discovery+. This five-part series explores the planet on which we live, the natural forces that maintain our fragile ecosystems, and the life that lives on it: volcanoes, oceans, sunlight, and so on. If you've seen these kinds of shows, you know not just  Attenborough's reedy, authoritative narration, but the big, bombastic scores that tend to accompany it. But for Ilan Eshkeri, for whom Perfect Planet is his fourth round at scoring an Attenborough-narrated nature doc series, he wanted it to sound a bit different. And that he does; the bigness and sweep are still there, but tempered by more muted, atmospheric orchestrations and the introduction of pop elements like guitars and drums. And the title track, "A Perfect Planet," makes wonderful use of several children's choirs to illustrate the fragility and innocence of the Earth, and the generations we'll be leaving the planet to after we're gone -- an even greater reminder of the need to take direct action on climate change. I had the pleasure of sitting down with Eshkeri, who's scored everything from Stardust to Ghosts of Tsushima, to talk about his motivations behind the project, how his own environmentalism fuels his scoring, and more.

We have one of Edith's dear old friends on this festive episode of Soundtracking - the one and only Andy Burrows As well as teaming up with Edith's fella Tom in their Smith & Burrows guise, Andy drummed with Razorlight, is Ricky Gervais's go-to guy, and scored Snowman & The Snowdog with Ilan Eshkeri. He and Edith discuss all of this and more. Hope you enjoy, merry Christmas everybody!

(TSAP S03E19) Sam speaks with composer, Ilan Eshkeri, about his journey into music composition, his recent work on Ghost of Tsushima, collaborating with Shigeru Umebayashi, Space Station Earth and more! "Ilan Eshkeri is an award winning composer, artist, songwriter, producer and creator. Eshkeri's work is performed in concert halls, theatres, galleries, on film & television and video games; his eclectic body of work is linked by his love of narrative. Ilan is currently creating music for A Perfect Planet, his fourth collaboration with the legendary naturalist David Attenborough. Recently, Ilan and Ralph Fiennes completed their third film together – a biopic about Rudolf Nureyev, ‘The White Crow'. This followed the creation of a ballet ‘Narcissus and Echo', choreographed by famed dancer Sergei Polunin with set designs by David LaChapelle and a ballet commission from Rambert Dance Company. Ilan has collaborated with Burberry on a landmark fashion show, where he composed and conducted a choral symphonic suite, ‘Reliquary', which then reached no.1 in the UK classical chart. Before this, he worked with astronaut Tim Peake and the European Space Agency on a film documenting his mission to the International Space Station. Ilan continues his collaboration with Tim Peake and ESA with his spell-binding show ‘Space Station Earth' last performed in Stockholm to an audience of 10,000. Other performance highlights include a unique concert for thousands in the gardens of the Louvre in Paris, the Royal Albert Hall in London and the Rudolfinum in Prague." NOTE: The quality of Ilan's audio was lower due to technical issues. Huge thanks to our editor, Toivo Kallio for improving it greatly and we hope you still enjoy this episode. Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

Nuevo episodio de #EfectoSonoro el spi noff de la factoría RDM en el que nuestro Big Boss en solitario traerá las mejores Bandas Sonoras de sus videojuegos favoritos, pinchando y comentando una selección de temas de cada juego. En este undécimo episodio podéis escuchar la BSO de Ghost of Tsushima, compuesta por Shigeru Umebayashi "Ume" y Ilan Eshkeri. Que disfrutéis. Playlist: 01 The Way of the Ghost 02 Jin Sakai 03 Komoda Beach 04 Lord Shimura 05 No Mercy 06 Khotun Khan 07 Lady Masako 08 Heart of the Jito 09 Forgotten Song 10 Sacrifice of Tradition

Nuevo episodio de #EfectoSonoro el spi noff de la factoría RDM en el que nuestro Big Boss en solitario traerá las mejores Bandas Sonoras de sus videojuegos favoritos, pinchando y comentando una selección de temas de cada juego. En este undécimo episodio podéis escuchar la BSO de Ghost of Tsushima, compuesta por Shigeru Umebayashi "Ume" y Ilan Eshkeri. Que disfrutéis. Playlist: 01 The Way of the Ghost 02 Jin Sakai 03 Komoda Beach 04 Lord Shimura 05 No Mercy 06 Khotun Khan 07 Lady Masako 08 Heart of the Jito 09 Forgotten Song 10 Sacrifice of Tradition

Ghost Of Tsushima, le test par Yohann Lemore Sortie: 17 Juillet 2020 Developpeur: Sucker Punch Productions Editeur: Sony Interactive Entertainement Genre: Action aventure Plateforme: Exclusivité Playstation 4 Age: A partir de 18 ans. Crédits audio: Ghost of Tsushima OST - Main Theme (The Way of the Ghost) Composer(s): Ilan Eshkeri, Shigeru Umebayashi https://www.youtube.com/watch?v=BoLDKPDj8UM

Austin Wintory chats with Ilan Eshkeri, one half of the composing team behind the Playstation 4 summer hit, Ghost of Tsushima. Austin and Ilan discuss working with Sucker Punch, his prior work in games and feature films; working together with and learning from Michael Kamen; the distinction between craft and art; and composing music for the European Space Agency in his spell-binding show, "Space Station Earth." Ilan Eshkeri is an award winning composer, artist, songwriter, producer and creator. He is one of the composers of the recently released Ghost of Tsushima by Sucker Punch Productions as well as several television, film, and live productions.  Follow us on Twitter @Official_AIAS, Facebook or visit us at interactive.org.

DC Comics is at a crossroads! With the "DC Bloodbath" in the rearview mirror and DC FANDOME up ahead, join host Aeric Azana for a State of the Union on DC Comics! Plus the return of the Wild Card Weekly Review, this weeks Comics Countdown, and more! Time Stamps: 00:01:51 News of the Week 00:12:21 State of DC Comics 01:00:13 Wild Card Weekly Review 01:23:00 Comics Countdown 01:33:00 Wrap-Up We're now on SPOTIFY! https://open.spotify.com/show/2zZkiutGUOxtvKphXnmisv Follow us! Twitter: https://twitter.com/geeksplainedpod?lang=en Instagram: https://www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK "Justice League Theme" by Lolita Ritmanis "Way of the Ghost" by Ilan Eshkeri

ETAO Podcast, Episode 89 Ilan Eshkeri has had a storied career in film and television—from Layer Cake, 47 Ronin, and Ninja Assassin, to Black Sea, Still Alice, Austenland, and the Shaun the Sheep Movie—and has recently been working in video games as well. He’s now taken the playful reactive soundtracking tricks he honed on The … Continue reading "How Conflict Sounds, with Ilan Eshkeri"

It's time to catch our breath from non-E3 2020 and take stock of what's been happening. Microsoft had their event, and also close Mixer. Ninteno suffers a deep probe-and-release, and Ubisoft hints at their next-gen price point. Half the kids in America are playing one game, and GabeN has been off the radar for a while. Plus, new releases and some sales and freebies, and we square up the PS5 and Xbox Series X based on their respective showings in recent weeks. Intro: "Super mario World RAP!" - MissaSinfonia Outro: "A Reckoning in Blood" - Ghost of Tsushima, by Ilan Eshkeri & Shigeru Umebayashi Check out our Discord community at https://discord.gg/ZTzKH8y Podcast audio produced by Jeremy Lamont

On this dulcet episode of the Popzara Podcast our own lowly Nathan Evans talks with Ilan Eshkeri, an award-winning composer whose music has filled concert halls, cinemas, television and, increasingly, gaming headsets, thanks in particular to his work helping compose the soundtrack (with Shigeru Umebayashi) to Ghost of Tsushima, the new historical action-RPG game from Sucker Punch Studios.

Velkommen til Drager & Daimoners nye tiltag, Drager & Deja Vu, hvor vi fra tid til anden ser en ikke aktuel eller decideret gammel fantasy film igennem og snakker om den. I forbindelse med vores kommende Good Omens gennemgang, fandt vi det passende at se Stardust fra 2007 af Matthew Vaughn baseret på bogen af samme navn af Neil Gaiman, der sammen med Terry Pratchett også har skrevet Good Omens. Afsnittet byder på alt lige fra flamboyante sømænd, Shakespeare-referencer, Deus Ex Unicorns, ansigtsskuespil fra Claire Danes, Den-Går-Ikke-I-2020-Klokke og meget meget mere. Filmen tager 2 timer og ironisk nok er det omkring samme tid, det tager Jannik og Thomas at forsøge at flette filmens 4-5 forskellige plots fra hinanden. Forvent hygge, morskab og to værter uden noter, der er på dybere vand, end de plejer. Advarsel afsnittet indeholder som alle andre Drager & Daimoner afsnit heftige spoilers. Rigtig god fornøjelse. Dagens musik er naturligt nok fra Stardust soundtracket af Ilan Eshkeri fremført af The London Metropolitan Orchestra.

Given a surprise prompt, consulting fans Emma Grant, Sunday Duck, Alexxphoenix42, and Cumbercookie improvise a fic. Listen along as we attempt to have John and Sherlock solve a murder at a class reunion! Soundtrack from: Johnny English Reborn (Original Motion Picture Soundtrack) by Ilan Eshkeri (2011): Killer cleaner, Hypnoticiation, Golf, Timoxybarbobutenol, Toy Cupboard, Poisoning the Drink Fiesta Macarena by Los del Río (1996): Macarena (Original Version) Shut the Duck Up and Play Your Accordion by Duckmandu (2007): Stars and Stripes Forever Sixty Symbols: How can you filter out the vuvuzela? (Youtube) Queen – Live Cover by young artists: We Are The Champions (Youtube) This segment was first released on January 6, 2020 in Episode 100: Class of 221B Music Credit Unless otherwise indicated, music is available for purchase through online retailers such as amazon.com and iTunes. Fic Improv –  Call to Adventure by Kevin MacLeod, CC-BY (Youtube) Production CreditsSegment Producer: Emma; Fic Editors: Emma; Music Editor: Finnagain Banner Art: Fox EstacadoDistribution funded by fans! Contact Email: bored@three-patch.comWebsite: https://www.three-patch.comFacebook: https://www.facebook.com/threepatchpodcastSkype: threepatch.podcastTwitter: https://twitter.com/threepatchTumblr: http://threepatchpodcast.tumblr.com/ How to CiteAPABy Three Patch Productions. (2020, January 6). Fic Improv: The Case of The Class Reunion Three Patch Podcast Episode 100: Class of 221B. Podcast segment retrieved from https://www.three-patch.com/casefiles//100-improv

British film composer Ilan Eshkeri joins us to talk about his third collaboration with actor/director Ralph Feinnes, The White Crow. The film tells the story of famed Soviet ballet dancer Rudolf Nureyev and his defection to France in 1961. Eshkeri's soundtrack, which features violinist Lisa Batiashvili, is meant to mingle with and compliment the ballet music of Tchaikovsky, which bore an important presence in Nureyev's career.

Cello-solo van Philip Glass, een nieuwe CD van Jeroen van Vliet en Mete Erker, en lekker veel filmmuziek vanavond! muziek van Ilan Eshkeri voor The White Crow (Ralph Fiennes, 2019) over danser Rudolf Noerejev; van Jed Kurzel voor The Mustang (Laure de Clermont-Tonnerre, 2019); van Thomas Newman voor The Highwaymen (John Lee Hancock, 2019); van Volker Bertelmann voor Hotel Mumbai (Anthony Maras, 2018). En verder fragmenten uit Ferrante Fever (Giacomo Durzi, 2019), The hole in the ground (Lee Cronin, 2019), Les filles du soleil (Girls of the sun), Mary Magdalene (Garth Davis, 2019), en Gloria Bell (Sebastián Lelio, 2019).

It’s time for another instalment of Ian Crabb’s exclusive interview series! In a welcome return to the show, Ian is joined by award-winning composer, Ilan Eshkeri! Ilan discusses his work on the new film The White Crow directed by Ralph Fiennes, the craft of ballet, the differences between scoring large and small projects, video games, […]

It’s time for another instalment of Ian Crabb’s exclusive interview series! In a welcome return to the show, Ian is joined by award-winning composer, Ilan Eshkeri! Ilan discusses his work on the new film The White Crow directed by Ralph Fiennes, the craft of ballet, the differences between scoring large and small projects, video games, […]

The very talented and versatile Ilan Eshkeri takes some time to chat about two of his recent scores, Still Alice and Black Sea. Ilan shares how he accidentally fell into the world of film music, and his path to becoming a composer. We talk extensively about his methods and approach, and Ilan goes into great detail about instrumentation and sound design on some of his work. We discuss in the ideas behind the score for Still Alice, and how much of a personal connection Ilan has to the topic of Alzheimer's Disease. From the structure to the instrumentation, the character of Alice and her battle with Alzheimer's Disease resonated deeply with Ilan who then tried to interpret that life struggle through music. We finish the interview by discussing his score for Oscar-winning director Kevin Macdonald's thriller Black Sea, starring Jude Law. From trying to echo the sounds of a submarine to creating disorientation, Ilan reveals his approach for the undersea thriller. This interview is truly an informative and resonating one, a wonderful chat and exploration of film music with one of the industry's most unique talents. Interview Conducted By:Kaya Savas Special Thanks:Ilan EshkeriChandler PolingJosine CohenWhite Bear PR Visit filmmusicmedia.com for more!

This week Noel was back! Ron Scapello popped by to talk about his new film My Name Is Lenny. Star and Director of nude play (yes you heard us!) Adam Scott-Rowley dropped in to talk This Is Not Culturally Significant. Also in the studio we had music composer Ilan Eshkeri who told us about his contributions to major feature films. Also, director Alex Taylor told us about his new film Spaceship – which premiered that evening! Last but not least, resident film reviewer Lucy Patterson passed through.

This week Noel was back! Ron Scapello popped by to talk about his new film My Name Is Lenny. Star and Director of nude play (yes you heard us!) Adam Scott-Rowley dropped in to talk This Is Not Culturally Significant. Also in the studio we had music composer Ilan Eshkeri who told us about his contributions to major feature films. Also, director Alex Taylor told us about his new film Spaceship – which premiered that evening! Last but not least, resident film reviewer Lucy Patterson passed through.

In our latest interview, Ian has the absolute pleasure of sitting down with the wonderfully charming and incredibly talented composer Ilan Eshkeri, who talks about learning violin from an early age, collaborating with Matthew Vaughn on Stardust, the pressure of writing music for The Snowman and The Snowdog, recording Hannibal Rising with Dino De Laurentiis at Abbey Road, having […]

Join Will & Wend over the wall in The Slaughtered Prince for their first Score Guide of 2017! In this episode we gush over composer Ilan Eshkeri‘s well-loved film score for the 2007 romantic fantasy, Stardust directed by Matthew Vaughn. Featuring astonishing performances by The London Metropolitan Orchestra and Metro Voices we guide you through this spectacular score, pulling back the […]

As subject matter goes, it doesn't get much more rock and roll than Joy Division, New Order, The Happy Mondays, Ian Dury, The Stone Roses, Coldplay and Oasis. But, in one way or another, all these artists have featured in the work of British director Mat Whitecross. As we'll discover, Mat got his big break from Michael Winterbottom while working as a runner on the set 24 Hour Party People, which tells the story of Tony Wilson and Factory Records. The pair went on to direct Road To Gauntanomo together, before he flew solo on the Ian Dury biopic Sex And Drugs And Rock And Roll and Stone Roses-inspired comedy, Spike Island. Coldplay are among his illustrious list of music video clients, while he's also worked with composer Ilan Eshkeri and Tim Wheeler of Ash on more than one project. Indeed, Ilan and Tim have very kindly supplied us with some of their favourite compositions for their film and TV work with Mat, which you'll hear throughout the show. And as if you needed more, there are excerpts from Rael Jones' score for Mat's Oasis documentary Supersonic too, amid the more familiar fare served up by the band themselves.

Entre otros, Scores de Joel McNeely, John Fritzzell, Ilan Eshkeri, Henry Jackman, James Horner y Thomas Newman.

Entre otros, Scores de Joel McNeely, John Fritzzell, Ilan Eshkeri, Henry Jackman, James Horner y Thomas Newman.

Matthew Sweet introduces a selection of film music inspired by 19th-century women alongside this week's featured new release, "The Invisible Woman" - about Charles Dickens's relationship with the actress Nelly Ternan. The programme features an interview with the composer , Ilan Eshkeri, and looks back at some of his past work, including "Stardust", "Coriolanus" and "The Ring of the Nibelungs". Other featured sound tracks include music by Carl Davis, Miklos Rozsa, Elmer Bernstein, Bryan Byrne and Georges Auric. Matthew's Classic Film Score of the Week is Richard Rodney Bennett's "Far From The Madding Crowd". #soundofcinema.

L’adaptation ciné de comics la plus polémique de 2010 revient dans une suite sobrement nommée Kick-Ass 2. C’est donc une belle occasion pour 24FPS, le podcast ciné avec ou sans spoiler, de revenir sur le phénomène, et surtout de voir si ce second épisode tient ses promesses en termes de fun et de violence.Dans la première partie (sans spoiler) de l’émission, Julien et Jérôme reviennent d’abord sur le comic-book d’origine ainsi que sur le casting du premier film avant d’évoquer la production de cette suite, pour enfin livrer leurs avis sans dévoiler quoi que ce soit de l’intrigue du film. Puis, après le signal sonore, ils reviennent sur l’intégralité des scènes marquantes du film dans une discussion pleine de spoilers et de réflexions sur le genre.Bonne écoute et n’hésitez pas à venir nous dire ce que vous avez pensé de Kick-Ass 2 !Crédits musicaux : Flying Home de Marius Vries, Ilan Eshkeri, Henry Jackman et John Murphy, issu de l’album Kick-Ass – The Score (2010).

UT goes epic, with soundtrack music by Basil Poledouris, Jeremy Soule, Ilan Eshkeri, Howard Shore and Miklos Rozsa.

UT goes epic, with soundtrack music by Basil Poledouris, Jeremy Soule, Ilan Eshkeri, Howard Shore and Miklos Rozsa.

UT goes epic, with soundtrack music by Basil Poledouris, Jeremy Soule, Ilan Eshkeri, Howard Shore and Miklos Rozsa.

UT goes epic, with soundtrack music by Basil Poledouris, Jeremy Soule, Ilan Eshkeri, Howard Shore and Miklos Rozsa.