Podcasts about khasi

  On this episode of Limitless, Ahsaas Channa learns all about Khasi food from chef sisters Daphimanroi and Dakiwanri Warjri from Shillong, who share their native cuisine with diners across the country through their food pop-up project, Symbai. Daphi and Daki bust myths about North-Eastern cuisines, talk about what makes Khasi food stand out amongst the region and describe many of Symbai's delectable offerings – enough to make you very hungry!   Shop the look here: www.westside.com Follow Westside here: https://www.instagram.com/westsidestores   CREDITS: Host: Ahsaas Channa Guest: Daphimanroi Warjri, Dakiwanri Warjri Executive Producer: Umashan Naidoo Creative Director: Liana Deboo Created by Westside   This is a Maed in India production. Head of Production: Mae Mariyam Thomas Project Manager: Shaun Fanthome Head of Audio Production: Kartik Kulkarni Sound Editor & Mix Engineer: Lakshman Parsuram, Nihar Temkar Senior Producer: Ruchi Sawardekar Junior Producer: Saakshi Samant Production Coordinator: Natasha Vakil Director & Video Editor: Jishnu Guha Assistant DOP: Roshan Paul Recorded at School Studio, Mumbai

As Britain continues to add to its Imperial processions Welsh missionaries join them. Out of that movement to create Christians far and wide comes a desire to protect and preserve the local language and culture of these communities. Today we will talk about one in North East India at the tail end of control for the East India Company. Photo of a Khasi woman By Bogman - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=17152165 Welsh History Podcast is sponsored by Wales Outdoors for fabulous natural and historic guided tours of Wales please check them out at walesoutdoors.co.uk/tours Follow us on social media: Twitter: https://twitter.com/Welshhistorypod Facebook: https://www.facebook.com/welshhistorypodcast Please consider becoming a supporter at: http://patreon.com/WelshHistory  Music: Celtic Impulse - Celtic by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)  Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100297 Artist: http://incompetech.com/ © 2024 Evergreen Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark and Kathleen talk to each other from Meghalaya, in the east Khasi hills, where the government provides just 5 rupees per child per day for school lunch – about 6 cents – plus rice. They talk about the funding that's underway for a group of schools in Meghalaya to change meals there, plus what the schools can do to maintain these positive changes when the funding runs out.Subscribe to Food with Mark Bittman on Apple Podcasts, Spotify, or wherever you like to listen, and please help us grow by leaving us a 5 star review on Apple Podcasts.Follow Mark on Twitter at @bittman, and on Facebook and Instagram at @markbittman. Want more food content? Subscribe to The Bittman Project at www.bittmanproject.com.Questions or comments? Email food@markbittman.com. And if you have a minute, we'd love it if you'd take a short survey about our show! Head here: http://bit.ly/foodwithmarkbittman-survey Hosted on Acast. See acast.com/privacy for more information.

Tonight, we'll read part one of the story “Tears of Gold” found in “Folk-Tales of the Khasis” which was compiled by Mrs. Rafy and published in 1920. The original story in the book is titled “The Blessing of the Mendicant”. We first read this back in 2020. The second half of this story will air next week.The Khasi people are an indigenous ethnic tribe from India. A unique feature of the Khasi people is that they follow the matrilineal system of descent and inheritance. A mendicant is a person who relies on alms to survive, sometimes referred to as a beggar. This person is often a monk or otherwise part of a religious order. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

What's a matriarchy? Documentarian Izzy Chan puts us up on game about what matriarchies actually are and what they're like, and reveals surprising facts about women-led societies.Remoy takes the mic this week to explore this system that is often viewed as a patriarchy with women in charge. Matriarchy, however, is far from that. Remoy makes the important note, which bears repeating, that most sources used to write this episode have the same patriarchal lens that we are trying to unMASK. We must always bear this in mind.Izzy talks us through the buzz words that describe women-led societies—what's matrilineal versus matrilocal versus matriarchal? Listen to find out!But there's a reason why Izzy only uses one of these terms, though. She shares her experience creating her documentary Matriarch and the feedback she's gotten.Izzy dispels the one-to-one comparison between patriarchy and matriarchy using facts from the societies she's exploring in Matriarch.What role do men play in a matriarchy?Izzy fascinates Remoy and Samantha with the way men leaders (and husbands) are picked in the matriarchies she's documenting.Roles were respected in a different way in matriarchies, a way that didn't require oppression or exploitation. So much to learn from this system…Why don't we hear that much about matriarchies? Besides separate efforts to undermine their existence and legitimacy, many of them have been overtaken by patriarchal settlers.Remoy talks us through a couple matriarchies from different corners of the world.First the Bijagos. Folks living in the Guinea Bissau archipelago were a matriarchy run by clan mothers. But this wasn't just patriarchy with women at the top. Listen to find out how the Bijagos ran their community.Then he comes to the Western hemisphere to present the Haudenosaunee, an indigenous group based in what is now Canada. Also a matriarchal and matrilineal community with mixed leadership, the Haudenosaunee is a longstanding group with community as one of its core values.Is it true that in some societies, women propose to men? Get ready to hear more excitement from Remoy than you've heard all year. Izzy paints a picture of the matriarchies and what it looks like to include all genders in leadership. She makes an important point about gender roles in matriarchies, which she credits to her advisor on Matriarch, a member of the Haudenosaunee tribe.Why are there so many matriarchies that no longer exist? Look no further than Western settler culture and colonialism. Guess how they proceeded?Quiz yourself on matriarchies with all the buzz words we give you this episode!HoyanehOrebokClan motherDatukRemoy gets just five questions to ask Izzy about matriarchy and gender. Izzy shines more light on one of patriarchy's running theme: control.Is it still a problem in matriarchy? We'll let you take a wild guess.She shares the most surprising things about matriarchy and checks all of us on the language that we use when talking about community.Izzy implores us to ask “Right for whom?!” when it comes to gender roles in any system.Izzy shares why it's important to study and document matriarchies. What can we learn from them?Would you move to a matriarchy for a year? Why or not?? Let us know!Referenced in this episode:The first look at Matriarch, Izzy Chan's upcoming documentary on matriarchal societies:Indonesia's MinangkabauKhasis: India's indigenous matrilineal societyIn Sahara Desert's Tuareg Tribe, Islamic Women Rule The RoostA look at the MosuoInformation about the Haudenosaunee from the HaudenosauneeSome history on the BijagosCOMPANION PIECES:We talked about community with Jeremy Herte of Let's Talk Bruh and started exploring patriarchy vs matriarchy in Let's Talk MASKulinity, BruhLearn more about matriarchies!

During the month of May, East Shore will celebrate our partnership with the Khasi people, who live in the rain-blessed hills of Meghalaya, India. On May 5th we will dedicate our worship service to the bond that East Shore has with these Unitarian friends.

Sir Sidney Ruff-Diamond is Queen Victoria's Governor in the Indian province of Kalabar near the Khyber Pass. The province is defended by the feared 3rd Foot and Mouth Regiment, who are said to not wear anything under their kilts. When a soldier, the inept Private Widdle, is found wearing underpants after an encounter with the warlord Bungdit Din, chief of the warlike Burpa tribe, the Khasi of Kalabar plans to use this information to incite a rebellion in Kalabar. He aims to dispel the "tough" image of the Devils in Skirts by revealing that, contrary to popular belief, they actually wear underpants underneath their kilts. A diplomatic operation ensues on the part of the British, who fail to publicly prove that the incident was an aberration. The Governor's wife, in the hope of luring the Khasi into bed with her, takes a photograph of an inspection in which many of the soldiers present are found wearing underpants, and takes it to him. With this hard evidence in hand, the Khasi would be able to muster a ferocious Afghan invasion force, storm the Khyber Pass and capture India from the British; but Lady Ruff-Diamond insists that he sleep with her before she parts with the photograph. He delays on account of her unattractiveness, eventually taking her away with him to Bungdit Din's palace. Meanwhile, the Khasi's daughter, Princess Jelhi, reveals to the British Captain Keene, with whom she has fallen in love, that the Governor's wife has eloped, and a team is dispatched to ensure the return of both her and the photograph. Disguised as Afghan generals, the interlopers are brought into the palace and, at the Khasi's suggestion, are introduced to Bungdit Din's sultry concubines. Whilst enjoying the women in the harem, they are unmasked amid a farcical orgy, imprisoned, and scheduled to be executed at sunset alongside the Governor's wife. Princess Jelhi aids their escape by disguising them as dancing girls, but during the entertaining of the Afghan generals, the Khasi, contemptuous of an annoying fakir's performance, demands that he see the dancing girls instead. After their disguises are seen through, the British and the Princess flee, but Lady Ruff-Diamond drops the photograph on leaving the palace through the gardens. The group returns to the Khyber Pass to find its guards massacred and their weapons comically mutilated, in a rare (albeit tainted) moment of poignancy. All attempts to hold off the advancing Afghan invaders fail miserably, and a hasty retreat is beaten to the Residency. The Governor, meanwhile, has been entertaining, in numerical order, the Khasi's fifty-one wives, each one of them wishing to "right the wrong" that his own wife and the Khasi himself have supposedly committed against him. After a browbeating from his wife, Sir Sidney calls a crisis meeting regarding the invasion, in which he resolves to "do nothing". A black tie dinner is arranged for that evening. Dinner takes place during a prolonged penultimate scene, with contrapuntal snippets of the Khasi's army demolishing the Residency's exterior, and the officers and ladies ignoring the devastation as they dine amongst themselves. Shells shaking the building and plaster falling into the soup do not interrupt dinner, even when the fakir's severed - but still talking - head is served, courtesy of the Khasi. Only Brother Belcher fails to display a stiff upper lip, and breaks his calm by panicking. Finally, at Captain Keene's suggestion, the gentlemen walk outside to be greeted by a bloody battle being waged in the courtyard. Still dressed in black tie, Sir Sidney orders the Regiment to form a line and lift their kilts, this time exposing their (implied) lack of underwear. The invading Afghan army is terrified, and retreats at once. The gentlemen walk back inside to resume dinner, whilst Brother Belcher notices the Union flag flown by the governor bearing the slogan I'm Backing Britain and calls them "raving mad".

Lebensliebe Folge 67: Matriarchat – Sind Frauen die besseren Führungskräfte? Das Matriarchat gilt als älteste Gesellschaftsform der Welt. Diese Mütter bezogene Gesellschaftsformen gab es schon in der Steinzeit und sind auch heutzutage auf der ganzen Welt zu finden. Für uns, die wir in patriarchalen Strukturen aufgewachsen sind, nicht zuletzt dank der christlichen Religion, die den deutschsprachigen Raum stark geprägt hat, klingt diese gegenteilige Gesellschaftsform erst einmal fremd. In der heutigen Folge nehmen wir euch mit auf eine Reise zu dem matriarchal aufgebauten Volk der Mosuo in China sowie zu den Khasi in Indien und den Minangkabau in Indonesien. Wir schauen uns an, wie das System aufgebaut ist und vergleichen die zwei Systeme und geben euch ein Fazit, welches System besser funktioniert oder auch nicht. Am Schluss sprechen wir wie immer auch den Gesundheitsaspekt an, der sich durch das Dominieren des anderen Geschlechts ergibt und was das mit Rückenschmerzen, Schlaganfällen, Herzinfarkten und vielem mehr zu tun hat. Hier findet Ihr das Spiegel-Interview mit dem Journalist Ricardo Coler: https://www.spiegel.de/panorama/gesellschaft/matriarchat-maenner-leben-besser-wo-frauen-das-sagen-haben-a-627103.html Vielen Dank für Euren Support! --> Jeden Freitag um 05:00 Uhr eine neue Folge Lebensliebe --> hier gehts zu Aaron's neuem Podcast: Aaron Jurenka ⁠⁠https://open.spotify.com/show/1iy7M1XXfoEZBE959npkQx⁠⁠ Liebe geht natürlich wie immer raus. ❤❤❤ Viel Spaß beim Zuhören! Besuche meine Webseite für weitere Infos: ⁠⁠⁠⁠⁠⁠⁠⁠https://aaronjurenka.com/⁠⁠⁠⁠⁠⁠⁠⁠ Abonniert uns gern auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Folgt uns auf Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aaron⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dominik⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Weitere Infos findest du zu Dominiks Projekt: www.monestevole.com YouTube Aaron Jurenka: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCuYoLCvjYv91qu9ALITH3gA⁠⁠⁠⁠⁠⁠ TikTok aaron_outdoor: ⁠⁠⁠⁠⁠⁠aaron_outdoor tiktok⁠

In einem kleinen Büro in Shillong, Hauptstadt des nordindischen Bundesstaats Meghalaya, trinken drei Männer Tee, knabbern Kekse – und planen die Revolution. Wie an jedem Samstagabend seit 33 Jahren. Keith Pariat, Teibur Kongji, Arman Lyngdoh fühlen sich von Frauen unterdrückt. Bei ihrem Volksstamm, den Khasi, herrscht das matrilineare Gesellschaftsmodell: Abstammung wird von der Mutter hergeleitet, alle wichtigen Entscheidungen liegen traditionell bei ihr. «Wir fühlen uns wie Zuchtbullen», klagen die Männer. «In dieser Gesellschaft hast du als Mann nur einen Zweck.» Die Männerrechtsbewegung, die Pariat, Kongji und Lyngdoh anführen, will das nicht länger dulden: Die Männer von Meghalaya wollen an die Macht.

Welcome to Page 10! A show where our panel discusses news and current affairs and offer you a TL;DR of stories you might have read... or missed! in this edition of Page 10 , Abbas is joined by Meghnad, & Independent journalist Azania Patel as they discuss the following stories-   Violence in Manipur: https://frontline.thehindu.com/news/what-is-really-behind-the-violence-in-manipur/article66820969.ece Writer's Protest in the US:https://www.cbsnews.com/news/hollywood-writers-strike-wga-tv-film-cbs-news-explains/ King Charles Coronation: https://www.thehindu.com/news/international/king-charles-iii-crowned-in-uks-first-coronation-since-1953/article66820997.ece   Subscribe to All About Now on YouTube: https://www.youtube.com/channel/UC0sxICr-rvhR9dvBsx4uoTA Follow Abbas on Instagram: https://www.instagram.com/abbasmomin88/ Follow Meghnad on Instagram: https://www.instagram.com/meghnads/  Follow Azania on Twitter: https://twitter.com/azania_patel New Editions every Monday! See omnystudio.com/listener for privacy information.

How can we develop safe, sustainable ways of designing, making and building? In this episode, Alice Rawsthorn talks to Julia Watson, the designer, academic and activist whose years of research into the ancient nature-based technologies and sacred landscapes created by indigenous communities in remote parts of our planet promise to produce ingenious solutions to the devastating damage caused by the climate emergency.Raised in Australia and based in the US, Julia spent 20 years researching the diverse ways in which isolated communities have drawn on ancient wisdom and readily available natural materials to design ecologically responsible ways of living. Among them are the 6,000 year- old floating islands where the Ma'dan community dwells in Iraq's southern wetlands; and the living root bridges that defend the Khasi people against horrific floods in northern India. Julia describes how having shared her research in the book Lo-TEK: Design by Radical Indigenism, she is now designing systems and protocols to enable nature-based technologies to be deployed on larger scales in other places, while ensuring that the communities who conceived them are fairly paid.Thank you for listening. You'll find images of the projects described by Julia in this episode on our Instagram @design.emergency. And you can tune into this episode of Design Emergency and the others on Apple, Spotify, Amazon and other podcast platforms. Please join us for future episodes when we will interview other design leaders who, like Julia, are helping to build a better world. Hosted on Acast. See acast.com/privacy for more information.

It's rare that a musician makes such a mark with her first EP that Rolling Stone US magazine raves and international world music festivals beckon for you to play. But that's exactly what has happened for Brisbane born and Melbourne based artist Tiana Khasi, whose eloquent and distinctive music will grace the WOMADelaide stage this weekend. Her debut EP, Meghalaya – titled for Meghalaya, India, the land of the Khasi tribe whose name she proudly bears – is a testament to the power of her storytelling and ability to weave themes of family, self-empowerment and identity into the contemporary vernacular of Australian music.  And as she tells us on Streets of Your Town, Tiana credits finding her voice at such a young age to her life's journey honouring her Samoan and Indian heritage. This combination of influences makes for a unique sound that was further honed from expert teaching at Brisbane's Conservatorium. By exploring and integrating her past, Tiana creates a new take on soulful r and b that sets her apart.  Get the full story, and join The Wandering Journo tribe at substack.soyt.com  See omnystudio.com/listener for privacy information.

Interview with DYMBUR DYMBUR an Indian Folk Metal | Khasi Thraat Folk Metal band, based in Shillong, Meghalaya, India. They were formed in 2012 and started by playing djent/progressive metal. In 2020, the band decided to fuse Djent/Metal with Khasi traditional instruments to create a sound of their own. Hence, they termed their genre as ‘Khasi Thraat Folk Metal DYMBUR 'S Info https://dymbur.bandcamp.com/ https://www.facebook.com/Dymbur https://www.youtube.com/user/dymbur1 https://www.instagram.com/dymbur/ The Info for SPARK and DYMBUR'S  Mission statement for the song Child Abuse    The Official Music Video for the song CHILD ABUSE by DYMBUR. This song talks about the current situation in India with regards to Child Abuse. A good amount of research has been done before the lyrics were laid down and the stats and figures mentioned in the song paints a clear picture of what is happening in the country. Of course, certain lines in the song talk about Child Abuse that is prevalent in other cultures as well. Our intention here is not to point fingers at anyone but to raise awareness about Child Abuse and hopefully be able to create a behavioural change in the society. We not only aim to raise awareness on the topic but also to raise funds for the non-profit organization which is based in Shillong, Meghalaya, India called ‘SPARK – Bringing Light to Lives' which is a self-funded organization that is in dire need of financial aid. NATIONAL DONATIONS: Bank Name: Bank of Baroda Account Name: SPARK Bringing Light to Lives Ac No: 43580100002128 IFSC Code: BARB0LAITUM (0 IS ZERO) Branch : Laitumkhrah, Shillong, Meghalaya, India. Email: spark.ssg10@gmail.com Facebook: https://www.facebook.com/spark.lightt... INTERNATIONAL DONATIONS: PayPal account: dymbur@yahoo.com ____________________________________ Listen on Spotify: https://open.spotify.com/album/4EfZzB... Listen on Apple Music: https://music.apple.com/us/album/chil...  

Khasi is a second year student with the CDS MS Program. We talk with Khasi about his experience in research, finding housing, and life in CDS and NYC. This episode was recorded in June 2020.

On this episode of the Adventures of Pipeman, Pipeman is joined by Andreas from Dymbur of Sky, who have just released their new song entitled Child Abuse.Dymbur's music is considered Kasi Threat Folk Metal. Kasi is an indigenous strip from northeast India and a tribal community. Due to British colonisation, the territory has strong British influence and so is predominantly Christian. The threat part of the name comes from the triplets which they riff on. Andreas also talks about the origin of the name Dymbur which directly translates into English as Fig Tree. It comes from the Bible where it was depicted that the fig tree does no bear fruits in its initial phase of growth. He talks about how since he joined the band, the sound has changed a lot and they have decided to write about what's not right in the country. There new single is called Child Abuse which jumped out at Pipeman, as child abuse is a problem all throughout the world. Andreas explains Child Abuse was follow up to their first single Rape Culture. Rape in India is off the charts, so much so that women are being blamed for it. After realising every fourth rape in India is a child, they felt they had to write Child Abuse. No media source has offered them an interview in 8 months of the song being released. You can check out what the guys are up to on their YouTube channel, where you can find the link to Spark Foundation on the music video, where you can donate. All of your donation will go to the foundation and it's nothing to do with the band, so please consider helping out if you can.DYMBUR Release Official Music Video for Explosive New Single, "Child Abuse"!"Child Abuse" Premiered with GHOST CULT MAGAZINE“This song talks about the current situation in India with regards to Child Abuse. A good amount of research has been done before the lyrics were laid down and the stats and figures mentioned in the song paints a clear picture of what is happening in the country. Of course, certain lines in the song talk about Child Abuse that is prevalent in other cultures as well. Our intention here is not to point fingers at anyone but to raise awareness about Child Abuse and hopefully be able to create a behavioral change in the society.”“We not only aim to raise awareness on the topic but also to raise funds for the non-profit organization, which is based in Shillong, Meghalaya, India called ‘SPARK – Bringing Light to Lives' which is a self-funded organization that is in dire need of financial aid.” - CORNELIUS KHARSYNTIEWNATIONAL DONATIONS:Bank Name: Bank of BarodaAccount Name: SPARK Bringing Light to LivesAc No: 43580100002128IFSC Code: BARB0LAITUM (0 IS ZERO)Branch : Laitumkhrah, Shillong, Meghalaya, India.Email: spark.ssg10@gmail.comhttps://www.facebook.com/spark.lighttolives.52INTERNATIONAL DONATIONS:PayPal account: dymbur@yahoo.comDYMBUR is a Folk Metal band, formed in Shillong, Meghalaya in February 2012.“DYMBUR” is a word of KHASI origin that translates into English as “Fig Tree”.The KHASI people are an indigenous tribe, who live in the State of Meghalaya which is in the northeastern part of India.‘DYMBUR' - The fig tree symbolizing rebirth, progression and evolution, of victory after struggle, Fresh leaves from old branches forming new shapes defining one of nature's basic laws, the ability to regenerate and grow anew after a dry spell.On November 2021, Dymbur announced the band's shift towards folk metal, which we termed as 'KHASI THRAAT FOLK METALTake some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world. Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.The Adventures of Pipeman Podcasts are heard on The Adventures of Pipeman Site, Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:• The Adventures of Pipeman• Pipeman Radio• Pipeman in the Pit• Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com The Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

On this episode of the Adventures of Pipeman, Pipeman is joined by Andreas from Dymbur of Sky, who have just released their new song entitled Child Abuse.Dymbur's music is considered Kasi Threat Folk Metal. Kasi is an indigenous strip from northeast India and a tribal community. Due to British colonisation, the territory has strong British influence and so is predominantly Christian. The threat part of the name comes from the triplets which they riff on. Andreas also talks about the origin of the name Dymbur which directly translates into English as Fig Tree. It comes from the Bible where it was depicted that the fig tree does no bear fruits in its initial phase of growth. He talks about how since he joined the band, the sound has changed a lot and they have decided to write about what's not right in the country. There new single is called Child Abuse which jumped out at Pipeman, as child abuse is a problem all throughout the world. Andreas explains Child Abuse was follow up to their first single Rape Culture. Rape in India is off the charts, so much so that women are being blamed for it. After realising every fourth rape in India is a child, they felt they had to write Child Abuse. No media source has offered them an interview in 8 months of the song being released. You can check out what the guys are up to on their YouTube channel, where you can find the link to Spark Foundation on the music video, where you can donate. All of your donation will go to the foundation and it's nothing to do with the band, so please consider helping out if you can.DYMBUR Release Official Music Video for Explosive New Single, "Child Abuse"!"Child Abuse" Premiered with GHOST CULT MAGAZINE“This song talks about the current situation in India with regards to Child Abuse. A good amount of research has been done before the lyrics were laid down and the stats and figures mentioned in the song paints a clear picture of what is happening in the country. Of course, certain lines in the song talk about Child Abuse that is prevalent in other cultures as well. Our intention here is not to point fingers at anyone but to raise awareness about Child Abuse and hopefully be able to create a behavioral change in the society.”“We not only aim to raise awareness on the topic but also to raise funds for the non-profit organization, which is based in Shillong, Meghalaya, India called ‘SPARK – Bringing Light to Lives' which is a self-funded organization that is in dire need of financial aid.” - CORNELIUS KHARSYNTIEWNATIONAL DONATIONS:Bank Name: Bank of BarodaAccount Name: SPARK Bringing Light to LivesAc No: 43580100002128IFSC Code: BARB0LAITUM (0 IS ZERO)Branch : Laitumkhrah, Shillong, Meghalaya, India.Email: spark.ssg10@gmail.comhttps://www.facebook.com/spark.lighttolives.52INTERNATIONAL DONATIONS:PayPal account: dymbur@yahoo.comDYMBUR is a Folk Metal band, formed in Shillong, Meghalaya in February 2012.“DYMBUR” is a word of KHASI origin that translates into English as “Fig Tree”.The KHASI people are an indigenous tribe, who live in the State of Meghalaya which is in the northeastern part of India.‘DYMBUR' - The fig tree symbolizing rebirth, progression and evolution, of victory after struggle, Fresh leaves from old branches forming new shapes defining one of nature's basic laws, the ability to regenerate and grow anew after a dry spell.On November 2021, Dymbur announced the band's shift towards folk metal, which we termed as 'KHASI THRAAT FOLK METALPipeman's Power of Music is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman's Power of Music features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman's Power of Music also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman's Power of Music Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.comThe Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Pipeman's Power of Music are also available on Pipeman Radio (www.pipemanradio.com), Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

On this episode of the Adventures of Pipeman, Pipeman is joined by Andreas from Dymbur of Sky, who have just released their new song entitled Child Abuse.Dymbur's music is considered Kasi Threat Folk Metal. Kasi is an indigenous strip from northeast India and a tribal community. Due to British colonisation, the territory has strong British influence and so is predominantly Christian. The threat part of the name comes from the triplets which they riff on. Andreas also talks about the origin of the name Dymbur which directly translates into English as Fig Tree. It comes from the Bible where it was depicted that the fig tree does no bear fruits in its initial phase of growth. He talks about how since he joined the band, the sound has changed a lot and they have decided to write about what's not right in the country. There new single is called Child Abuse which jumped out at Pipeman, as child abuse is a problem all throughout the world. Andreas explains Child Abuse was follow up to their first single Rape Culture. Rape in India is off the charts, so much so that women are being blamed for it. After realising every fourth rape in India is a child, they felt they had to write Child Abuse. No media source has offered them an interview in 8 months of the song being released. You can check out what the guys are up to on their YouTube channel, where you can find the link to Spark Foundation on the music video, where you can donate. All of your donation will go to the foundation and it's nothing to do with the band, so please consider helping out if you can.DYMBUR Release Official Music Video for Explosive New Single, "Child Abuse"!"Child Abuse" Premiered with GHOST CULT MAGAZINE“This song talks about the current situation in India with regards to Child Abuse. A good amount of research has been done before the lyrics were laid down and the stats and figures mentioned in the song paints a clear picture of what is happening in the country. Of course, certain lines in the song talk about Child Abuse that is prevalent in other cultures as well. Our intention here is not to point fingers at anyone but to raise awareness about Child Abuse and hopefully be able to create a behavioral change in the society.”“We not only aim to raise awareness on the topic but also to raise funds for the non-profit organization, which is based in Shillong, Meghalaya, India called ‘SPARK – Bringing Light to Lives' which is a self-funded organization that is in dire need of financial aid.” - CORNELIUS KHARSYNTIEWNATIONAL DONATIONS:Bank Name: Bank of BarodaAccount Name: SPARK Bringing Light to LivesAc No: 43580100002128IFSC Code: BARB0LAITUM (0 IS ZERO)Branch : Laitumkhrah, Shillong, Meghalaya, India.Email: spark.ssg10@gmail.comhttps://www.facebook.com/spark.lighttolives.52INTERNATIONAL DONATIONS:PayPal account: dymbur@yahoo.comDYMBUR is a Folk Metal band, formed in Shillong, Meghalaya in February 2012.“DYMBUR” is a word of KHASI origin that translates into English as “Fig Tree”.The KHASI people are an indigenous tribe, who live in the State of Meghalaya which is in the northeastern part of India.‘DYMBUR' - The fig tree symbolizing rebirth, progression and evolution, of victory after struggle, Fresh leaves from old branches forming new shapes defining one of nature's basic laws, the ability to regenerate and grow anew after a dry spell.On November 2021, Dymbur announced the band's shift towards folk metal, which we termed as 'KHASI THRAAT FOLK METALPipeman in the Pit is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman in the Pit Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.comThe Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Pipeman in the Pit Podcasts are also available on Pipeman Radio (www.pipemanradio.com), Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

"Tiana Khasi" is a rising new talent on the neo/soul R&B scene. Born in Brisbane before re-locating to Melbourne Australia, Tiana's music can be described as soulful, R&B, Jazz encompassed in an other-worldly sonic landscape that explores her mixed heritage of India and Samoa.To date she has only released one EP, but it's a powerful collection of songs from a new artist that we really wanted to share with our listeners.To listen to the full episode, including the featured music, visit... signlradio.com"Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg

Pierwszy odcinek drugiego sezonu Queerstorii został zamówiony przez naszego Patrona, który chciał dowiedzieć się, czy matriarchalne społeczności cechują się większą inkluzywnością i akceptacją dla osób niecisheteronormatywnych niż te patriarchalne. Można też sformułować odwrotne pytanie: czy to patriarchat jest winny homofobii? Próbując odpowiedzieć na te pytania, opowiadamy o historii matriarchatu i odbywamy podróże do kilku społeczności matriarchalnych w różnych czasoprzestrzeniach. Napotykamy m.in. na osoby o dwóch duszach wśród Irokezów, małżeństwa chodzone w społeczności Mosuo czy matriarchat kompletny wśród ludności Khasi. Na okładce widnieje figurka Wenus z Willendorfu.Chcielibyśmy też bardzo serdecznie podziękować naszej nowej Patronce, Dagmarze Hadynie! Zachęcamy też inne osoby do wspierania nas na Patronite. Każde wsparcie bardzo wiele dla nas znaczy!Last but not least, ogromne podziękowania dla naszej serdecznej znajomej, Aleksandry Piotrowskiej, za stworzenie dla nas tego kosmicznego dżingla! Bibliografia: Bratkowska K., Nowicki F., “Matriarchat” w: „Encyklopedia Gender. Płeć w kulturze”, Wydawnictwo Czarna Owca, Warszawa, 2014. Kiereta, A., „Matriarchat istniał naprawdę. Gdzie do dziś rządzą kobiety?”, 2021.(https://www.focus.pl/artykul/matriarchat-istnial-naprawde-gdzie-do-dzis-rzadza-kobiety)Madaus, S., “6 Matriarchal Societies That Have Been Thriving With Women at the Helm for Centuries”, 2019. (https://www.townandcountrymag.com/society/tradition/g28565280/matriarchal-societies-list/) Roscoe, W., “Sexual and gender diversity in native America and the Pacific Islands” w: “LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History” red. Springate, M., National Park Foundation, Washington, 2016.Stacey J., “Unhitching the horse from the carriage: love and marriage among the Mosuo”, “Journal of Law and Family Studies”, [S.l.], vol. 11, nr 2, 2009.

As I embark on this fascinating journey of podcasts, my travel begins from my roots, India. In my very first episode, I bring to you an ancient and rarely known story from the traditional Khasi tribes of North-east India. Their belief of how Earth was formed is unique and fascinating. Give it a listen and travel to the enchanting mountains of Northern India. Happy listening!

Together with our Khasi Unitarians partners in NE India, we at East Shore strive to achieve a strong partnership based on mutual understanding -- one that is grounded in love and thoughtful listening. Still at times it can be challenging to put aside our own American experiences to truly listen. The members of East Shore's partnership ministry team will share our pathway toward better understanding.

kanthari alumni Pynhoi Tang was brought up in the Khasi tribal community in North Eastern India. She went to a local school but was thrown out because she was visually impaired. That moment influenced the rest of her life. Pynhoi Tang, is empowering the persons with disability through her Sapphire Early Intervention Center and Community Based Inclusive/Inclusion Development program, as part of Bethany Society in Jaintia Hills, Meghalaya, India.

AWR, Khasi, Shillong, Khasi Jaintia Conference of SDA,Ka Jingleit Jingiaseng, Burom ia U Blei, Kham jan sha U Blei, Jingiaiet parabriew, Jingnang jingstad,

An intimate chat with our pre-Valentine’s Day HT Brunch Cover Star and India’s current #nationalcrush actor Rohit Saraf, who spills it all – his thoughts on relationship, the ideal girl and how he’s recently single - with host Karishma Kuenzang. We also have HT Brunch columnist Vir Sanghvi talking about chefs who have suffered losses but bounced back innovatively in the pandemic, while Rehana Munir talks about the part love for food plays in relationships. We end with an original song by Khasi singer-songwriter Lily Adoryllene from Shillong.

Memories With MaIt was 1980 in Shillong, the incessant rains, the slow steaming insurgency, nauseatingly present in the mountain air thick with tension.It was a time of fear. I barely understood much, Yet I knew it was a time when you are supposed to not trust your neighbour or make new friends.Brave Ma went alone during curfew release hour, her head held high, as she walked into the lantern lit tiny Khasi shops that sold meat and vegetables, it was like kissing death.I recall that eternal wait for Ma, it remains fresh with its fragmented painful memories.I counted the hour and minutes for her return. My naive mind was excited to see the bulging packet of meat, something to look forward to during this time of mayhem.Sunday morning broke with the the mist filled mountains ahead, I woke up groggy to see the silhouette of Ma marinating the mutton pieces.As the aroma of the tart piping mustard oil, the large onions, the ginger, garlic paste made on the stone grinder called the “Sheelpata” the broken bay leaf hit the senses, I knew it was going to be a good noon inspite of the curfew.Ma used to mumble angrily about her life and the darned town.I remained oblivious and used to hover around the kitchen, to watch in wonder, the gravy simmer, with the mutton chunks with the potatoes, that ignited hope.At lunch we ate in silence, numbing the fear of the curfew and food was the comfort we sought in the cold stillness.Now when I miss home, I cook the same curry but I can never get the taste of the past, that lingers longingly on my taste buds.I have left Shillong. The rain is no longer the same, the places have changed, the address is swapped but the special Sunday noon lunch follows like a faithful shadow throughout my life. It reminds me of a secure place, I used to call home.Sound Recording & Mixing by @roshan_machayya_music

Ka, Ktien, U Blei, Baibl, jingthoh, baroh, pyrsad, Mynsiem, kynthup, jingiathuhlypa, mon, briew, pynkhih, set, byndi, paidbah, khubor, babha, bor, pynkylla, ia ka, Khasi, sharak, kjat, jingshai, lynti, iaid, jingduwai, pynpeit, khmat, pule, iohi, p

Ka, Ktien, U Blei, Baibl, jingthoh, baroh, pyrsad, Mynsiem, kynthup, jingiathuhlypa, mon, briew, pynkhih, set, byndi, paidbah, khubor, babha, bor, pynkylla, ia ka, Khasi.

25th October to 31st October 2020 The headlines this week: On-line Training in Instructional Design and Video Production held; Hill College selected to study higher education in post Covid times; Salesians lead among number of cardinals; Life of Blessed Carlo Acutis published in Khasi; Cookie Store organises educational material collection for poor students; Jingle Bells Season - 5 kicks off in collaboration with Darjeeling-Sikkim Youth.

Tonight, we’ll read the second part to the story "Tears of Gold", known as "The Blessing of the Mendicant", from from Folk-Tales of the Khasis compiled by Mrs. Rafy in 1920. The Khasi people are an indigenous ethnic tribe from India. A unique feature of the Khasi people is that they follow the matrilineal system of descent and inheritance.In part 1, a boy named U Babam Doh grows up not knowing that the father he had never known had was eaten by the dragon U Yak Jakor. The boy was bestowed the ability to cry tears of gold nuggets, because the boy’s mother had eaten some magical rabbit stew. The rabbit was a gift from a wise beggar. U Babam Doh grows up with another boy that is the heir apparent to rule his chiefdom. The prince grows jealous of U Babam Doh’s uncanny luck at winning, and charges him with witchcraft.-- read by 'V' -- Support the show (https://www.patreon.com/snoozecast)

Tonight, we’ll read a story from Folk-Tales of the Khasis called "The Blessing of the Mendicant" (or Beggar), compiled by Mrs. Rafy in 1920. The Khasi people are an indigenous ethnic tribe from India. A unique feature of the Khasi people is that they follow the matrilineal system of descent and inheritance. A mendicant is a person who relies on alms to survive. This person is often a monk or otherwise part of a religious order. -- read by 'V' -- Support the show (https://www.patreon.com/snoozecast)

In this episode of Highway On My Podcast, Rocky, Mayur, Abhinandan and Prashant take us to Mizoram to talk about warfare training and jungle foods, before setting off for the abode of the clouds, Meghalaya. After a backbreaking bus ride and a trip in a small aircraft that Abhinandan was scared to board, the gang reaches the Counter Insurgency and Jungle Warfare Training School in Vairengte, Mizoram. This is where the army is trained to survive harsh jungle conditions, and the team gets straight to shooting after a tiring journey. As Abhinandan opens his box of memories, he lists food they tried that people might not believe can be eaten. Rocky talks about being bitten by a snake while eating a snake-eating snake — and that’s the most he’ll disclose. Mayur remembers the wild and abundant growth of bamboo in the area, and how the training schools make everything, from ladles to pipes to cups, out of bamboo. Abhinandan says it was one of the most special shoots he’s been a part of. Driving to Meghalaya, the gang discusses how they’ve seen the state transform over their multiple visits. While driving from Guwahati to Shillong, they habitually stop at a certain point to eat fresh pineapples with red chillies. As they enter Shillong, they talk about how much the people in Meghalaya love their pork and their experience of eating Jadoh, which is red rice made with pig’s blood and various organ meats. The conversation also cartwheels across trying Khasi cuisine, the friends they’ve made in the state, and celebrating Christmas with locals. Before leaving for Cherrapunji, Abhinandan recalls visiting the Matter Of Taste cafe, with its slick interiors and thriving local music scene.In Cherrapunji, the group remembers a beautiful night where they cooked food in the darkness atop a rock that overlooked a lit-up town in Bangladesh. It was a special moment, Abhinandan adds. They also talk about some really stinky food, how Rocky is the first man in history to be bested by a dummy at the training school, dodging traps, and what it’s like to live off the land. For more trivia and behind the scenes moments from Rocky and Mayur’s travels across India, sign up for the HOMP newsletter. See acast.com/privacy for privacy and opt-out information.

Julia Watson is really into TEK. Not necessarily the Silicon Valley variety of tech, but rather traditional ecological knowledge. An anthropologist, environmentalist, activist, and landscape designer, Watson has become a leading researcher of indigenous communities, closely studying the vast implications of their centuries-old (in certain cases, millennia-old) innovations. In the face of today’s climate crisis, Watson’s new book, Lo-TEK: Design by Radical Indigenism (Taschen), a culmination of years of research in 18 countries around the globe, is poised to become something of a bible for a growing design movement that’s focused on harnessing nature-based technologies and better understanding how we can all live in closer harmony with the earth.Born in Australia, Watson studied landscape architecture at Harvard’s Graduate School of Design, where she focused on eco-technologies and preservation of sacred spaces. Currently, she teaches urban design at Columbia University’s Graduate School of Planning and Preservation, as well as at Harvard, and runs her own design studio that’s oriented toward the practice of “rewilding.”On this episode of Time Sensitive, Watson speaks with Andrew about her deep research into various indigenous communities, the symbiotic relationship between culture and nature, her perspective on the recent Australian bushfires, and more. 

Odkrywaliśmy miejsca do niedawna niedostępne dla turystów. Wycieczkę zaczęliśmy od Parku Narodowego Kaziranga w stanie Assam, gdzie żyje cała populacja nosorożca indyjskiego. Barwną kulturę assamską poznaliśmy na wyspie Majuli na Brahmaputrze, jeszcze niedawno największej rzecznej wyspie świata.W stanie Meghalaya spotkaliśmy lud Khasi słynący z „żywych mostów”, a w stanie Arunachal Pradesh kobiety z zatyczkami w nosach z plemienia Apatani. Tam też odwiedziliśmy Tawang z największym klasztorem buddyjskim w Indiach, drugim na świecie po pałacu Potala w Lhasie.W stanie Nagaland spotkaliśmy Nagów, potomków łowców głów i wybraliśmy się na słynny w Indiach Festiwal Dzioborożca w Kohimie.Naszym gościem była Danuta Rasała.

Celine speaks to Rachel Roberts from the artist collective Applespiel on their new exhibit ‘Return to Escape from Woomera’, and artist Ali MC on his upcoming exhibit ‘Nong Shain Maw: Stone Breakers of the East Khasi Highlands’. Sixteen years ago a group of Australians rocked the political landscape with Escape from Woomera, a video game putting players in the shoes of a refugee escaping detention. Now the sprawling creative collective Applespiel invite you to make your own bid for freedom as part of a turbo-charged and retro-fitted evening of live gaming, performance, discussion and debate. Each night the artists conjure a live commentary to accompany the gameplay alongside human rights advocates, refugees and the game’s original makers, exploring the ongoing significance of this singular cultural intervention.  Applespiel are a collective of eights artists who collaborate as performers, musicians, technicians and devisers. None of its members have any lived refugee experiences, but know that as Australians they’re complicit in the treatment of asylum seekers. Detention has been a political point-scorer since Applespiel were infants, and a defining way in which this nation engages with the rest of the world. Return to Escape from Woomera – ApplespielSeason 21 – 25 May 2019Times 6.30pm Tue – SatLocation Meat MarketAddress 5 Blackwood St, North MelbourneDuration 150 minutes (audiences are able to leave and re-enter the space at any time)Tickets $25 – $35 (plus transaction fee)Bookings artshouse.com.au or (03) 9322 3720Ali MC's ‘Nong Shain Maw: Stone Breakers of the East Khasi Highlands’. High in the mountains of north-east India, the indigenous Khasi eke out a living quarrying stone for shipment to Bangladesh. Hauled from the quarry and broken into smaller sized pieces by hand, the ‘nong shain maw’ – a Khasi word meaning ‘the people who break the rock’ – are paid as little as $2 per day.OPENING: Saturday 18 May, 4pm – 5.30pm EXHIBITION: 18 May – 8 June VENUE: FCAC Gabriel Gallery COST: FREE PRESENTATION: Thursday May 23 1-2pm, Michaels Camera (263-269 Elizabeth Street, Melbourne) LINK: http://footscrayarts.com/event/nong-shain-maw-stone-breakers-of-the-east-khasi-highlands/

[17]. খাসি গসপেল. Don ka ri. গায়কদলr // खासी सुसमाचार गीत .3gp

খাসি - "যিশু: শিক্ষক ও নিরাময়কারী" // खासी -यीशु: शिक्षक और मरहम लगाने वाले.3gp

খাসি - "যিশু: প্রভু ও পরিত্রাতা" // खासी - "यीशु: भगवान और उद्धारकर्ता".3gp

[२७].खासी इंजील गीत - "IALAM IA NGA" 2016.3gp

"Aiu ka dei ianga ban leh" - खासी इंजील गीत-CHT SYNOD CHOIR.3gp

खासी - "जीसस: भगवान और उद्धारकर्ता".3gp

खासी - "यीशु: शिक्षक और चिकित्सक".3gp

In this episode of Hafta, the big question that the panel discusses is whether sting journalism is real journalism. BJP by poll losses and the violence that erupted in Shillong is also discussed. Al Jazeera's sting operation on match-fixing in cricket is another issue that engages the panel in a heated debate. The panel also discusses arrests made in connection with Bhima Koregaon violence and the water crisis in Shimla.The panel consists of Abhinandan Sekhri, Madhu Trehan, Manisha Pande, Anand Vardhan and our guest, NDTV's Sunetra Choudhury.BJP’s evident loss in the by poll is critically considered by the panel, when Abhinandan asks, “Is it something that needs the kind of coverage that it did? Is it any indication of who the people will vote for?” Madhu feels the 2019 elections are going to be the “dirtiest elections”. She suggests not to make much of these by polls and adds, “In politics, things can change on a dime." Sunetra Choudhury talks about the excitement built around the by poll results. She says, “We are looking at each and every by poll with bated breaths saying, ‘okay whats going to happen here’…interesting to see how people are getting involved’." Manisha agrees with Madhu and adds, “I wouldn’t read too much into by polls."Abhinandan moves onto the sting operation carried out by Al Jazeera to expose match-fixing in cricket. He says, “I lost interest in it." He wonders, “What was so great about this sting operation?” Anand, despite being a cricket fanatic agrees that the sting was “low on substance” and says it didn’t come up with a conclusive outcome. He, however, also feels that the sting had “good production values”. Madhu talks a little about the Cobrapost and Al Jazeera sting in relativity. She feels that the Cobrapost sting is “not journalistically correct”. Sunetra talks about the two Bengali newspapers that refused to engage with Acharya Atal (Cobrapost's undercover reporter) and how those organisations are a “benchmark” for journalism.The panel shifts their attention to the communal clashes between the Khasi tribe and the Punjabi settlers in Shillong. Known to many as the ‘musical town’, Sunetra shared her anecdotes from Shillong and tension that has spurred over the years. She adds, “I spent every summer there, for 21 years of my life, …curfews were very very common because of this kind of tension between various communities.” Manisha informs the panel of Shillong's long-standing history of tension. She says, “The first major riot was in 1979 by Khasi mobs directed at minorities." Abhinandan feels, “Northeast is a little more complicated because in any case they feel let down by the rest of India." Anand restrains his views and says, “Any tribe (from Shillong) can...say you don’t know much about our tribe.”The Ugly Indian Tourist, an article published by Open magazine is next on the panel's agenda. The article is discussed because Abhinandan feels it has created a lot of flutter. "I think it is an interesting article because I see both sides." The controversy is about the article having racist content.Moving on, the panel discussed the unrest in Kashmir. Manisha said that many [news organisation] have used the headline “mows down”, which she felt was problematic. She thought that in this case, the CRPF personnel in the vehicle had to just “negotiate its way through this violent". She says, "And you must also remember...some men were saying they were upset they could not pull him [the driver] out of the jeep," adding, "you must remember it was exactly a year ago that a policemen Ayub Pandith was lynched to death in the same area and his eyes were gouged out. It was a brutal gruesome lynching. I mean it is this kind of pressure that officers are operating under. Mob fury is very scary even if you have a gun. You have like 50 people approaching…I think it is really this situation where the driver was trying to negotiate through.” See acast.com/privacy for privacy and opt-out information.

On this episode, we discuss Kumaoni and Khasi cuisine with Pooja Pangtey, the co-founder of Meraki Bombay, a pop-up kitchen that specializes in the food of the Himalayas and surrounding ranges. You can listen to this show and other awesome shows on the IVM Podcast App on Android: https://goo.gl/tGYdU1 or iOS: https://goo.gl/sZSTU5 You can check out our website at http://www.ivmpodcasts.com/

What's life like when women are in charge? Kim Chakanetsa talks to two women who've formed close ties with matriarchal communities in China and India, and who've gone onto document their experiences. Choo Waihong is a former high-flying lawyer from Singapore who quit her job to move to a remote part of China to live with the Mosuo tribe. This is one of the last matrilineal and matriarchal societies on earth. That means that the family descends from the female bloodline, and that women also hold the ultimate power in the community. Waihong ended up building a house among the Mosuo, and has written a book about her experiences called 'Kingdom of Women.' Karolin Klüppel is a German photographer who travelled to the remote north-east of India to get to know the Khasi people, who live in families where women inherit property, and children take the mother's name. Karolin was struck by the self-confidence of the young girls, and she set about making portraits of the children, which form part of her photo series, 'Mädchenland' or 'Kingdom of Girls.' Image and credit Choo Waihong (l) and Karolin Klueppel (r)

An amazing feat of man working with nature, the living root bridges in Meghalaya are a sight to behold. Climb down deep into the Khasi Hills, in the wettest place on earth and step into a surreal land. You can follow The reDiscovery podcast on iTunes: https://goo.gl/CWBVto Audioboom: https://goo.gl/biXKFX Stitcher: https://goo.gl/N36ciD Soundcloud: https://goo.gl/gkq9Bm IVM website: http://ivmpodcasts.com/rediscovery Or download the IVM podcast app on the App store and Android Play store. This is an IVM Production; for more such awesome podcasts, come find us: Website: Indusvox.com Facebook: facebook.com/ivmpodcasts Twitter: twitter.com/ivmpodcasts Instagram: instagram.com/ivmpodcasts

"जीवन क बातें"'-खासी .3gp

खासी भाषा - "जीसस: टीचर और हीलर".3gp

खासी भाषा - "यीशु: भगवान और उद्धारकर्ता".3gp

"Aiu ka dei ianga ban leh"-खासी इंजील गीत-CHT SYNOD CHOIR.3gp

[२७].खासी इंजील गीत - "IALAM IA NGA" 2016.3gp

It's a funny Khasi Parody on a Abused Husband who was recently married to a crude Wife who regularly taunts and scolds him.

Download Text: 1 Corinthians 1:10 Speaker: R. Venkata Rao (Paulus) Year: 1979 Place: Meghalaya Language: English with Translation into Khasi http://www.christiancharity.in