Podcasts about o festival

Ga voor de shownotes en het transcript naar https://www.damnhoney.nl/aflevering-228DAMN, HONEY wordt gemaakt door Marie Lotte Hagen en Nydia van VoorthuizenDeze aflevering wordt gesponsord door O Festival en Careibu: Kom naar het O. Festival for Opera, Music, Theatre. We mogen 20% korting weggeven op een voorstelling naar keuze op de eerste zaterdag van het festival, 24 mei. Ga voor tickets en het programma naar o-festival.nl en gebruik de code DAMNHONEY.Breng ook wat gezelschap en word maatje voor een senior of kind uit jouw buurt! Ga naar ikwordmaatje.com en bekijk hoe makkelijk jij impact kan maken!editwerk: Daniël van de Poppe jingles: Lucas de Gier website: Liesbeth Smit DAMN, HONEY is onderdeel van Dag & Nacht Media. Heb je interesse om te adverteren in deze podcast? Neem dan contact op met Dag en Nacht Media via adverteren@dagennacht.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Uma calorosa homenagem à atriz e diretora Dira Paes marcou a abertura do Festival de Cinema Brasileiro de Paris, na terça-feira (29). Além da exibição de filmes em competição, a 27ª edição do evento promoveu o lançamento mundial do documentário “Cazuza, Boas Novas”, sobre os últimos anos de vida do cantor e compositor. Na abertura do festival, a atriz paraense Dira Paes recebeu um prêmio pelo conjunto de sua carreira e pela contribuição ao cinema nacional. “De norte a sul do país, ela atravessa épocas, gêneros e lutas com uma presença luminosa”, diz a direção do festival, que programou cinco filmes emblemáticos de sua trajetória, entre eles “Anahy de las Missiones”, “Manas” e seu primeiro longa como diretora, “Pasárgada”. “Durante a homenagem fui relembrando a minha trajetória. E vi o quanto essa estrada é longa, 40 anos. Recebi essa homenagem num ano tão especial quanto o ano do Brasil na França e a COP 30 na minha cidade, Belém. Eu acho que foi uma confluência astral que me permitiu esse momento tão especial da minha vida, que eu vou me lembrar para sempre”, afirmou Dira Paes em entrevista à RFI.Na telona, “Vitória”, com Fernanda Montenegro no papel principal, foi o filme escolhido para a abertura do festival. Com a morte do diretor Breno Silveira no primeiro dia de filmagem, Andrucha Waddington assumiu o longa, baseado na história verídica de uma aposentada do Rio de Janeiro, Joana da Paz, que lutou e conseguiu denunciar a ação de traficantes de drogas e policiais corruptos que acabaram presos. O ator Alan Rocha, que vive um jornalista na trama, apresentou o filme, recebido com muito entusiasmo pela plateia que lotou o cinema L'Arlequin.“Esse filme presta muitas homenagens, à dona Joana, ao Breno e à nossa grande dama do cinema, a dona Fernanda (Montenegro). Estar aqui representando esse filme que traz essa grande artista brasileira, conhecida mundialmente, é muito importante e gratificante. Estou muito emocionado, muito feliz de estar aqui me assistindo mais uma vez nesse filme, mas num lugar diferente, como artista, em outro país”, disse o ator.Lançamento mundial de documentário sobre CazuzaImportante vitrine da cinematografia brasileira na França, o Festival de Cinema Brasileiro de Paris, fundado e dirigido por Katia Adler, oferece durante uma semana uma programação variada. Nesta edição, são oito filmes em competição, além de um panorama de obras de ficção e documentários que exploram a diversidade da produção, muitas delas exibidas com a presença de artistas e produtores que debatem com o público após as projeções.O documentário “Cazuza, Boas Novas”, que teve sua estreia mundial no festival, foi apresentado pelos produtores Guilherme Arruda, Roberto Moret e Malu Valois.O filme de Nilo Romero, que trabalhou com Cazuza, retraça com imagens de arquivo, fotos e vídeos, além de testemunhos de familiares e amigos próximos, os últimos dois anos de vida do cantor e compositor, que morreu de Aids em 1990.“Consideramos esse período o mais interessante da vida dele, porque quando ele recebe o diagnóstico da doença, ele muda um pouco a forma de enxergar a criação. Achamos que esse período da criação dele diz mais sobre o artista e a cultura brasileira. Além disso, o produtor musical (Nilo Romero) esteve muito próximo do Cazuza nesse período. Então foi unir o útil ao agradável. Achávamos que era um recorte histórico bem relevante”, destaca Moret. “Desde o início desse projeto, fizemos um pacto de reverenciar a memória do Cazuza”, acrescenta.Para Malu Valois, o filme tem também a vocação de mostrar Cazuza para diversas gerações. “O Cazuza tem uma coisa de poeta mesmo, ele escreveu coisas lindas que são atemporais. Todo mundo que escuta a obra do Cazuza é impactado, é sensibilizado, independentemente de ter convivido na mesma geração. Muita gente está conhecendo e vai conhecer o Cazuza através do nosso filme, e acho que vai ter um grande apaixonamento de novo do Brasil pelo Cazuza”, afirma, confiante, após avaliar a reação do público do festival parisiense.“O público reagiu super bem, rindo em momentos mais leves do filme. Isso é importante também, porque, apesar de ser um filme pesado, sobre uma pessoa que está adoecendo, tem também o Cazuza e essa sua leveza. Tínhamos um pouco de medo de o público não reconhecer esses momentos, de rir e interagir. Hoje foi uma amostra de que conseguimos isso, tem essa leveza apesar do tema pesado”, celebra Malu.A repercussão do público e da crítica no exterior é importante para preparar o lançamento do filme no Brasil, em julho, destaca o produtor Guilherme Arruda. “É muito difícil lançar documentário no Brasil. Estamos com uma expectativa boa de conseguir um bom número de salas no Brasil todo. Então festivais como este, e como o In-Edit, que vamos participar em breve, ajudam a ouvir a reação do público, das pessoas, da imprensa, para conseguir uma penetração em um número maior de salas quando ele for lançado. Por isso a estratégia de lançar primeiro aqui fora”, explica.Nesta edição, uma sessão do festival é dedicada a alunos do colégio e ensino médio de um estabelecimento bilíngue na região parisiense. O documentário “Salut, Mês Ami.e.s”, sobre o único colégio público franco-brasileiro da América Latina, em Niterói, foi escolhido para mostrar a ligação e os temas que unem os dois países.A diretora, Liliane Mutti, que já apresentou documentários sobre Miúcha e o produtor Robertinho Chaves no mesmo festival, apresenta seu trabalho, lançado em 2023, sobre a vivência do grupo de jovens do estabelecimento durante a pandemia.“Estudantes de várias regiões do Rio de Janeiro vão estudar nessa escola. O recorte foi o ano da pandemia, quando a escola reabre, mas eles voltam com máscaras no último ano da escola, após terem feito o penúltimo e antepenúltimo ano em casa. Então, eles se encontraram e se despediram. Foi o último ano deles juntos porque eles se questionam, depois da escola, o que fica? O filme traz essa provocação e, ao mesmo tempo, coloca em perspectiva o ensino público francês e o brasileiro”, diz.O Festival de Cinema Brasileiro de Paris, no cinema L'Arlequin, vai até terça-feira, 6 de maio.

Ga voor de shownotes en het transcript naar damnhoney.nl/aflevering-227DAMN, HONEY wordt gemaakt door Marie Lotte Hagen en Nydia van Voorthuizen:Deze aflevering wordt gesponsord door O Festival, NordVPN en Saily: Kom naar het O. Festival for Opera, Music, Theatre. We mogen 20% korting weggeven op een voorstelling naar keuze op de eerste zaterdag van het festival, 24 mei. Ga voor tickets en het programma naar o-festival.nl en gebruik de code DAMNHONEY voor de korting. Profiteer nu van de exclusieve NordVPN-deal met mega korting en 4 maanden extra via nordvpn.com/DamnHoney. Probeer zonder risico met de 30 dagen geld-terug-garantie!Ontvang 15% korting op Saily databundels! Gebruik de code DAMNHONEY (aan elkaar) bij het afrekenen. Download de Saily-app of ga naar saily.com/damnhoney.editwerk: Daniël van de Poppe jingles: Lucas de Gier website: Liesbeth Smit DAMN, HONEY is onderdeel van Dag & Nacht Media. Heb je interesse om te adverteren in deze podcast? Neem dan contact op met Dag en Nacht Media via adverteren@dagennacht.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Peculiar, ou João Nicolau Quintela, conquistou o oitavo lugar no Festival da Canção em 2025. A mistura de diferentes estilos musicais com figuras populares portuguesas fez furor nas redes sociais. Nesta conversa, vem descobrir os medos e as inseguranças de Peculiar, o pós Festival da Canção e os novos projetos. O novo tema, “Vampiros”, sai hoje, dia 25 de abril. Uma entrevista realizada por Diogo Machado e Mariana Rebocho no âmbito da unidade curricular de Atelier de Rádio da licenciatura em Ciências da Comunicação da Universidade Autónoma de Lisboa.

Você conhece o verdadeiro significado espiritual da Páscoa?Neste episódio especial do Ecotrimcast, Marcello Cotrim revela os bastidores ocultos da missão de Jesus Cristo, desmistifica a crucificação e ensina o real propósito do Festival da Páscoa segundo o ocultismo e a espiritualidade universalista.✨ Neste vídeo você vai aprender:Por que a cruz não deve ser um símbolo sagradoO que é a morte mística e o verdadeiro sentido da crucificaçãoA verdade sobre a "ressurreição" de Jesus e sua vida após a cruzA simbologia dos três grandes festivais espirituais do ano: Páscoa, Vesak e Boa VontadeComo o Festival da Páscoa representa o renascimento da luz crística em todos nós

A cidade de Piracaia está localizada na Serra da Mantiqueira, não muito longe da Capital, distante 90 km de São Paulo, e pertence à Região de Bragança Paulista, com belas paisagens, banhada pelos rios Cachoeira e AtibainhaPara mim, tem um quê de nostalgia, de lembrança de infância e que nos trouxe uma grata surpresa, pois tem muitos atrativos, além da parte gastronômica ser uma experiência à parte. O Festival da Truta, realizado anualmente entre agosto e setembro, celebra essa iguaria local de maneira única. Durante o evento, os visitantes podem degustar pratos elaborados com trutas frescas e criativas receitas preparadas por chefs locais.Links para se informar melhor: Turismo SP Isso é PiracaiaClique aqui no My Maps para ver os pontos que visitamos e os indicados também.Onde nós ficamos: -Recanto ElterComer e BeberRancho do Ferreiro Recanto do AviãoPara passearEstalagem Terra NovaPara comprasMercado GoyosPrado carnesMais episódios como esse-Ep. 38-Passeios bate e volta de São Paulo-Ep. 54-Santa Cruz da Conceição-Ep. 104-Sarapuí-Ep. 74-Jundiaí

O episódio desta semana recebeu Joana Stichini Vilela como convidada. A jornalista e comentadora quis reclamar de um recente festival de música decorrido no Parque Eduardo VII, onde a política de pagamentos era uma verdadeira dor de cabeça: "O certo é que as pessoas agora têm em casa imensos copos reutilizáveis, dos festivais. Para que é que serve, mesmo? Estão a usá-los?". José de Pina volta a atacar na questão do lixo visual político, não deixando passar em branco o erro no cartaz da AD: "Não havia um crânio no partido que conseguisse ver?". Carla Quevedo discute as práticas de skincare, com Luís Pedro Nunes a trazer para cima da mesa os ”Andrew Tates à portuguesa" e recordando que as feministas "caíram todas na ratoeira". Com moderação de Pedro Boucherie Mendes, o Irritações foi emitido a 18 de abril, na SIC Radical. Por questões autoriais na plataforma Spotify, a música final é agora retirada deste episódio podcast.See omnystudio.com/listener for privacy information.

O Festival do Livro de Paris está de volta ao icônico espaço parisiense do Grand Palais em 2025, com a presença de 450 editoras internacionais e cerca de 1.200 autores, consolidando-se como o grande encontro literário do ano na capital francesa até domingo (13). O Brasil marca presença no evento, a principal vitrine do setor na França, com diversos autores, lançamentos, artistas, tradutores e uma programação diversificada, apoiada pelo Ministério da Cultura e a Embaixada do Brasil em Paris. Destaque na temporada cruzada Brasil-França deste ano, a abertura do estande brasileiro nesta sexta-feira (11) contou com a presença do embaixador brasileiro em Paris, Ricardo Neiva Tavares, e do diretor para o Livro, Leitura, Literatura e Bibliotecas do Ministério da Cultura, Jéferson Assumção, entre artistas, tradutores e escritores. Em sua participação no Festival do Livro de Paris, Assumção abordou temas cruciais para o desenvolvimento do setor no país. Em entrevista à RFI, ele destacou a importância da Lei nº13.696, que institui a Política Nacional de Leitura e Escrita. Segundo o representante do Ministério da Cultura, o texto traz um elemento inovador ao enfatizar o desenvolvimento da escrita como porta de entrada para o universo da leitura e como forma de estimular o interesse pela literatura."A construção do novo Plano Nacional do Livro e Leitura, voltado para o período de 2025 a 2035, está em andamento e envolve uma articulação entre políticas de cultura, educação e outras áreas do governo, além da participação ativa da sociedade. Afinal, esse plano é também um pacto coletivo pela leitura, com o objetivo de ampliar o número de leitores no país e fortalecer a economia do livro de forma descentralizada", destacou. "Bibliodiversidade"Segundo ele, "o plano valoriza a bibliodiversidade, o desenvolvimento regional, o fortalecimento de bibliotecas, editoras e circuitos literários". "Essa ideia vai além da economia — porque se trata também de uma política de cidadania e de valorização simbólica, estética e criativa. A literatura, nesse contexto, ocupa um papel central, pois estabelece conexões com outras linguagens artísticas, como o cinema, o teatro, a música e as artes visuais", ressaltou Jéferson Assumção.Parceria com a França"A França sempre foi uma parceira importante do Brasil, e essa relação histórica facilita o diálogo sobre políticas de leitura", destaca Assumção. "Recentemente, estivemos no estande do Brasil conversando com representantes do sistema de bibliotecas públicas de Paris, buscando trocar experiências e aprender mutuamente. No Brasil, o fortalecimento das bibliotecas públicas é um grande desafio, tanto em termos quantitativos — com a necessidade de abrir e reabrir unidades — quanto qualitativos", diz.Clarice LispectorA atriz Maria Fernanda Cândido, uma das atrações do estande brasileiro durante o Festival do Livro de Paris de 2025, falou sobre sua participação no evento. "Eu vou ler três textos do livro A Felicidade Clandestina, de Clarice Lispector", esclareceu. "Especificamente, 'As Águas do Mundo', 'Uma História de Tanto Amor' e 'Felicidade Clandestina', que dá título ao livro", contou."Em 2024, fui convidada para transformar esse livro em um audiobook. Nós fizemos a gravação e, no início de 2025, ele foi lançado. Então, a partir de agora, tenho a honra de fazer parte da biblioteca de vozes aqui da França", comemorou a atriz brasileira.Ela também falou sobre as trocas literárias possíveis entre os dois países nesta temporada cruzada de 2025."Eu sempre percebi a França e o Brasil como culturas muito complementares. Acho que eles têm algo importante para a gente, que não temos, e nós temos algo muito importante para eles. Essa troca de olhares tem sido muito importante para ambos os países, e eu acho que esses centros de produção que a periferia acabou se tornando no Brasil são extremamente interessantes e têm muito a contribuir com a cultura e a literatura francesa", finalizou Maria Fernanda.Periferias como centros de produção"A França tem um forte interesse pelas bibliotecas, inclusive nas periferias, e discutimos como essas instituições podem se conectar com as especificidades culturais desses territórios. As periferias, cada vez mais, devem ser reconhecidas como centros de produção literária e cultural. Esse intercâmbio é fundamental para pensar políticas de leitura mais inclusivas e eficazes", conclui o representante do Ministério da Cultura do Brasil.O embaixador brasileiro em Paris, Ricardo Neiva Tavares, destacou a importância estratégica do evento para a promoção da literatura brasileira no exterior. Segundo ele, a presença do país no festival representa uma oportunidade valiosa de ampliar a divulgação de autores nacionais, tanto por meio de edições publicadas no Brasil quanto em território francês.Neiva ressaltou que a iniciativa integra uma programação mais ampla, "composta por cerca de 300 eventos culturais organizados ao longo do ano, visando intensificar os laços entre Brasil e França". “É um marco significativo nesse esforço contínuo de aproximação e de fortalecimento da cooperação entre os dois países”, afirmou.A periferia brasileira em ParisEm entrevista à RFI durante o Festival do Livro de Paris, Michele Teles, fundadora da editora BR Marginalia, apresentou sua iniciativa focada na literatura marginal e periférica afro-brasileira. A editora independente, que reside em Marselha, no sul da França, onde a editora nasceu, destacou o lançamento do primeiro livro da BR Marginalia: uma tradução de Wesley Barbosa, escritor periférico de São Paulo.“Nossa periferia, nossos quilombos e nossos povos indígenas têm muito a ensinar ao continente europeu”, afirmou Teles, destacando o valor cultural e a riqueza dos saberes produzidos fora dos grandes centros urbanos. A participação da editora no festival reforça o compromisso com uma literatura plural, diversa e conectada com as raízes do Brasil profundo, ainda segundo Nichelle Teles.Dramaturgia e literatura brasileiras em ParisPresente na abertura do festival em Paris, o ator e diretor de teatro Alan Castelo falou sobre sua participação no evento. "Os textos de teatro que apresentamos aqui na França não são apenas palavras no papel, mas obras que ganharam corpo e voz no Brasil, com temporadas e apresentações reais", explicou.A proposta, segundo ele, vai além de simplesmente mostrar os textos: também é uma oportunidade de compartilhar o histórico por trás de cada obra. "Apresentamos não só a dramaturgia, mas o contexto histórico em que ela foi criada e vivida, incluindo as montagens realizadas e os artistas envolvidos", completou.O Festival do Livro de Paris fica em cartaz no Grand Palais, na capital francesa, até o dia 13 de abril de 2025, como parte da programação cultural da temporada cruzada do Ano do Brasil na França.

No Rabiscos desta semana, falamos sobre o Festival Neomarginália, evento literário que desafia as regras do mercado e celebra a arte que brota nas margens. O Festival vai acontecer nos dias 11 e 12 de abril, em São Paulo, no Espaço um55 que fica na Rua Epitácio Pessoa, 155. Convidamos Vitor Miranda, um dos idealizadores do festival e que está lançando seu novo livro "Os Ratos Vão para o Céu?", para falar sobre como a cena independente resiste — e por que a literatura marginal ainda assusta tanto.    Para envio de livros e postagens: Tadeu Rodrigues Caixa Postal nº 129  CEP: 37701-010 - Poços de Caldas - MG   Acompanhe, curta, compartilhe!   Siga-nos | Instagram: @podcastrabiscos | @tadeufrodrigues | email: podcastrabiscos@gmail.com | tadeufrodrigues@gmail.com  

A Agrupación Instrutiva de Caamouco celebrará este sábado 15 de marzo, ás 19:00 horas, o concerto de cámara ‘Hoxe toca Caamouco!’, un evento que reunirá a mozos e mozas de entre 13 e 24 anos para poñer en valor o seu traballo e dedicación na formación musical. A entrada será de balde e aberta ao público en xeral. No recital participarán máis dunha ducia de xoves, moitos deles estudantes do Conservatorio Profesional Xan Viaño de Ferrol ou membros da Banda Xábrega de Ares. O concerto estará centrado no piano da Agrupación, pero tamén incluirá outros instrumentos como saxos, oboe, violín e violonchelo. O programa incluirá pezas clásicas de Chopin e Beethoven, así como obras contemporáneas de autores como Ludovico Einaudi e Yann Tiersen. O evento tamén terá un carácter solidario grazas á colaboración entre a Agrupación Instrutiva de Caamouco e a Xunta Local da Asociación Española contra o Cancro en Ares. Durante o concerto, instalarase un peto solidario para recadar fondos, e realizaranse seis sorteos con premios doados por patrocinadores locais como El Obrador de Laura, O Forno de Cotos, Supermercados Gadis, Supermercados Día e a artesá Luisa da Silva. A cita será unha oportunidade única para disfrutar da música e, ao mesmo tempo, apoiar unha boa causa.

A uma semana de lançar o quarto álbum, “Um Gelado Antes do Fim do Mundo”, Capicua regressa ao podcast da BLITZ depois de, em janeiro de 2020, ter sido a primeira convidada de sempre. A rapper do Porto falou sobre os temas que inspiram as novas canções, do estado do mundo às lutas pessoais, e a crise política que o país atravessa. O Festival da Canção, o regresso dos Dealema e o documentário sobre Peaches são outros temas da 228ª edição do Posto EmissorSee omnystudio.com/listener for privacy information.

O DUCENTÉSIMO VIGÉSIMO TERCEIRO EPISÓDIO do Podcast Dar Voz A esQrever

Cultura em Pauta #904 20/02/2025

O vindeiro 22 de febreiro, Limodre, en Fene, acollerá un evento cultural que combina música e cinema. O festival arrincará coa proxección do documental Graduados en Underground, sobre a banda "Los Negativos", Tras la proyección, Carles Estrada & Espiño Band ofrecerá un concerto rendendo homenaxe a "Los Negativos", mesturando psicodelia, pop e rock. Despois, Involukra2 subirá ao escenario para pechar a xornada cun espectáculo cheo de enerxía. Esta xornada, apoiada polas institucións culturais, promete ser unha gran celebración.

O 1º Recife Frevo Festival é a principal novidade das prévias do Carnaval 2025. O Festival será neste domingo (9), no Teatro do Parque, no Centro do Recife/PE, às 17h, com entrada gratuita e acessibilidade. E quem tem os detalhes desta prévia do Carnaval2025 é o diretor artístico do evento Felipe Koury, em entrevista a Neneo de Carvalho, âncora da Rádio Folha 96,7FM.

A Bienal da UNE será realizada em Pernambuco depois de dez anos sem receber o festival que está em sua 14ª edição. Segundo os organizadores, o festival de 29 de janeiro a 2 de fevereiro, deve receber mais de 10 mil estudantes de todo o país. Para falar sobre o assunto, o âncora da Rádio Folha, Jota Batista entrevista, no Espaço Aberto, do Conexão Notícias, a presidente da UNE, Manuella Mirella. estudante de engenharia ambiental , Manuella é natural de Pernambuco, onde foi também presidente da União dos Estudantes de Pernambuco Cândido Pinto (UEP) e coordenadora geral do Circuito de Arte e Cultura da UNE, o Cuca da UNE, organização responsável pela Bienal da UNE.

A escritora Djaimilia Pereira de Almeida acaba de vencer o Prémio Vergílio Ferreira. Neste Ensaio Geral conversamos com a autora sobre o seu mais recente "Livro da Doença", um romance que nasceu depois da morte do seu pai. Mais à frente, conheça o programa do primeiro Festival da Canção Erudita, que começa na próxima semana, e o novo trabalho de Rodrigo Leão. Antecipamos também o novo espetáculo que a coreografa brasileira Déborah Colker traz a Portugal, num episódio com a colaboração de Guilherme d'Oliveira Martins, do Centro Nacional de Cultura, a recordar a trasladação de Eça de Queiroz para o Panteão Nacional.

O Festival inicia a programação da sua 31ª edição no Teatro de Santa Isabel e até o 1º de fevereiro Recife recebe uma diversificada programação de teatro, música e dança com espetáculos locais, de outros estados e de outros países. Paulo de Castro o produtor -geral do festival conversou com a âncora Patrícia Breda nesta quarta (8 ) sobre a importância do evento que mobiliza mais 1.500 pessoas em sua equipe de realização.

Neste episódio, o Piado do Pardal centra a sua atenção no Pop Top, o novo festival dedicado à cultura pop, gaming e cosplay.O que há para dizer sobre este evento? A resposta está neste podcast!Obrigado por estarem desse lado! Votos de um bom ano!-Sigam o Piado do Pardal no ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ e no ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Contacto: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠piadodopardal@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Acompanhem os conteúdos do Oito Bits em ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://oitobits.org⁠⁠⁠⁠⁠⁠⁠

Nesta edição do podcast cinematório café, nós levamos você à 57ª edição do Festival de Brasília do Cinema Brasileiro. Saiba como foi participar do mais tradicional festival de cinema do país e confira nossa opinião sobre os principais filmes premiados. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Realizado no histórico Cine Brasília, o 57º Festival de Brasília contou com a presença de mais de 30 mil pessoas ao longo de sua programação, que exibiu 79 produções, entre longas e curtas-metragens, de 30 de novembro e 7 de dezembro de 2024. Com direção geral de Sara Rocha e direção artística de Eduardo Valente, o evento contou ainda com debates, rodadas de negócios, tenda gastronômica, oficinas e outras atividades. No podcast, você sabe mais sobre como o festival é estruturado e acompanha nossos comentários sobre alguns destaques da programação, incluindo o documentário "Apocalipse nos Trópicos", de Petra Costa, e filmes premiados na Mostra Competitiva Nacional, que teve como principais vencedores os longas "Salomé" e "Suçuarana" (confira a lista completa). O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br.

En el año 2022, Sebastian Rivas Fuentes viajó junto a su padre desde Panamá a Talamanca, para pasar las fiestas de año nuevo. Talamanca es el cantón más extenso de la provincia de Limón, su ciudad cabecera es Bribri, ubicada en la frontera con Panamá. Talamanca es húmeda y está inmersa en una gran biodiversidad rodeada de playa y montañas. Desde ahí, Sebastian nos presenta “La Voz de Talamanca”, una crónica que amplifica la señal de una emisora radial que ofrece programación local, que aborda problemáticas propias del lugar y que está dirigida por pobladores campesinos, campesinas e indígenas de la zona. Episodio 2: Participamos del Festival de la Jala de la Piedra o Ak Kué Esta quinta temporada de Pedal se realiza en co-producción con Poliedro Radio Universitaria de la Universidad de San Isidro (Argentina). Contamos con el apoyo de Grupo Ocho Operadora Host: María Luisa Braña Crónica: Sebastian Rivas Fuentes

O Narrativas é um programa que aborda os principais temas da atualidade sobre o aspecto do fato, das narrativas da direita e da esquerda e da opinião da colunista Madeleine Lacsko.        O programa vai ao ar de segunda a sexta às 17h.        Leia a coluna de Madeleine Lacsko no Antagonista.        A melhor oferta do ano, confira os descontos da Black na assinatura do combo anual.       https://bit.ly/assinatura-black      Siga O Antagonista no X, nos ajude a chegar nos 2 milhões de seguidores!         https://x.com/o_antagonista        Acompanhe O Antagonista no canal do WhatsApp.     Boletins diários, conteúdos exclusivos em vídeo e muito mais.         https://whatsapp.com/channel/0029Va2S...         Ouça O Antagonista | Crusoé quando quiser nos principais aplicativos de podcast.        Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

O Papo Antagonista desta quarta-feira, 13, traz uma entrevista com o deputado federal Kim Kataguiri (União Brasil). O programa também fala sobre o ‘Janjapalooza', o ‘namoro online' de Bolsonaro e Valdemar Costa Neto e os novos anúncios de Donald Trump sobre seu governo.Você também pode assistir ao Papo Antagonista com a apresentação de Felipe Moura Brasil na BM&C, nos canais de TV 579 da Vivo, ou 547 da Claro, além do SKY+.   A melhor oferta do ano, confira os descontos da Black na assinatura do combo anual.   https://bit.ly/assinatura-black  Siga O Antagonista no X, nos ajude a chegar nos 2 milhões de seguidores!     https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp.   Boletins diários, conteúdos exclusivos em vídeo e muito mais.     https://whatsapp.com/channel/0029Va2S...     Ouça O Antagonista | Crusoé quando quiser nos principais aplicativos de podcast.    Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

On this month's installment of Spirituality and Politics with Marielena Ferrer, we share our favorite moments of the O+ Festival and gratitude for those who helped to make it happen.Then Marielena and I discuss "The One" archetype that I mentioned a few weeks ago. It's one of Kim Kran's Archetypes that delves into nonduality, one love and unus mundus.Don't forget the Full Moon this Thursday!Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

https://beercast.com.br/wp-content/uploads/2024/10/BC_583_Podcast-Develon-FCB-Camboriu.mp3 2025 promete ser um ano especial para a Cerveja no Brasil. Neste programa entrevistei Develon da Rocha que me contou como a ABLUTEC vai realizar o Festival Brasileiro da Cerveja em Balneário Camboriú, de 12 a 15 de março de 2025, com centenas de cervejarias, mais de 1 mil rótulos e 120 estilos. Na Semana da Cerveja também acontecerão a Comenda da Cerveja Brasileira, o CBC Brasil - Concurso Brasileiro de Cervejas, o Conib - Congresso Internacional da Cerveja e a Feira Brasileira da Cerveja. Venha ouvir e entender como tudo isso funcionará! Procure por "Beercast Brasil" no seu app de música favorito. Ouvir no Spotify Ouvir no Apple Podcasts Ouvir na Amazon Music Ouvir no Deezer Seja Patrono do Beercast contribuindo a partir de R$10,00 por mês. Links: Ingressos FBC Balneário Camboriú 2025 Instagram FBC 2025 Entre em contato com o Beercast e acompanhe nossas mídias sociais: contato@beercast.com.br : Mande suas degustações, garrafadas, críticas, elogios e sugestões. Instagram Beercast Brasil Fanpage Beercast Brasil no Facebook Feed do Beercast (assine nosso feed)

Holly Troy is an artist, writer, teacher and musician, whose work explores forms for “deep play.” Her passion is to create positive transformation through imagination, movement, pranayama, co-creation, and playful embodiment.Holly envisions a world where people have the tools and resources to be their authentic selves as conscious creators contributing to a renaissance of human potential that uplifts all of humanity and every being on the planet.Holly came of age as a musician on the Lower East Side, New York City in the 80s and 90s. She earned her yoga teaching certificate from Sivananda Yoga Vedanta Center in 1996. She holds a degree in Creative Writing and Studio Art from Hunter College. Her painting has been the subject of solo shows in the USA and is held in private collections across the US, Europe and Australia. She is based in upstate New York.You should also know that she hails from an illustrious lineage of fortune tellers, yogis, folk healers, troubadours and poets of the fine and mystical arts. Shape-shifting Tantric Siren of the Lunar Mysteries, she surfs the ebbs and flows of the multiverse on the Pure Sound of Creation. Her alchemy is Sacred Folly — revolutionary transformation through Love, deep play, Beauty, and music.She believes creativity, love, kindness, radical authenticity, and self-care are imperative for a just and sustainable world.She's leading a workshop this weekend, I am Divine Love,  as a part of the O+ Festival on Sunday, at the Good Work Institute at 4:30pm.Today Holly shared the background in developing this workshop and what to expect. We talk about the themes of Love, true self, play, fun, and presence, and Holly shares about her lineage and how she became who she is now, someone who is forever exploring and choosing to see the world through love and play."There's going to be pain in life but suffering is optional..."Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

In this episode, we chat with Lara Hope and Jesse Scherer about the O+ Festival, coming up October 11-13 in Kingston, where their mission is to exchange the art of medicine for the medicine of art. Hear all about the origin story of O+ (which also sounds like the beginning of a joke), their unique model to provide healthcare for all, and their incredible initiative to expand services beyond the festival with a year-round clinic. Find out more, get involved, and get details about the festival at www.opositivefestival.org. They can also be found on Instagram and Facebook.  Our Westchester Valley Girl, Danielle, gives us the lowdown on block party season in the Rivertowns on our 411 of Westchester segment. Check out the Sleepy Hollow Street Fair and the Ferry Festa in Dobbs Ferry, both on Saturday, October 5th, and the Rivertowns Chamber of Commerce Halloween Block Party on Friday, October 18th in Irvington. Our Capital District Valley Girl, Rebecca, will make your mouth water describing the stick-to-your-ribs and other authentic New York deli fare from Gershon's Deli & Catering in Schenectady. Thanks for listening! To help support The Valley Girls, please follow our podcast from our show page, leave a rating and review, and please spread the word and share our podcast with others. We really appreciate your support! To stay up to date and for more content you can find us at valleygirlspodcast.com, at instagram.com/ValleyGirlsPodNY, at YouTube.com/@ValleyGirlsPodcast, and starting this season check out the Newsletter and Pod Squad tab on our website to sign up for our e-mail newsletter and join our new Facebook Group so you never miss a thing! All links can also be found in our Instagram bio. Episode music by Robert Burke Warren entitled Painting a Vast Blue Sky can be found at robertburkewarren.bandcamp.com/track/painting-a-vast-blue-sky.

Após duas edições em 2024, uma no Rio de Janeiro e outra em Salvador, o Festival Negritudes Globo chega à sua última parada do ano em São Paulo e o Ubuntu esteve presente ouvindo grandes personalidades do esporte e da Globo. O Festival tem o intuito de discutir e celebrar as narrativas negras no audiovisual brasileiro. Dá o play e confira os bastidores desse grande evento.

NeeNee Rushie grew up in Jamaica where her mom and her 3 sisters raised her. She's always been very touched by music and songs from a very early age. She sang in church and school choirs since the 4th grade- when she discovered that she had a talent for singing and performing.NeeNee moved to NY in 2003 and went to college in New Paltz in 2005 where she met the original drummer and Rob (their current bass and musical director) that same year. The band would form in a couple of years. Since then, they have released 5 full length studio albums, a couple live EPs, performed all over the country and experienced countless strange and  unforgettable moments. The band has had some line up changes over the years. Some wonderful musicians have come and gone. Rob, Chas and NeeNee are original members. Guthrie, Manuel, Roger and Ryan have been on board for several years now. The band operates like a family. They play reggae-ish, ska-ish, world-ish grooves, sprinkled with some soul-ish nuggets.When NeeNee became a mother, their strategy changed from playing tons of shows, to being more picky about the shows they play. She realized that she was going to have to make the same or stronger impact, but by playing less shows. NeeNee's daughter really regenerated a new love for the band in her. Her daughter has taken a major interest in the band and their music, and that has given NeeNee a new perspective. She's never felt more passionate about the band and is feeling prouder of what they have done, and more confident about what they are working on.https://www.bigtakeoverband.com/On today's show NeeNee shares about her childhood and the music that she was surrounded by while living in Jamaica and what it was like leaving her home and her mama. We talk about her process for writing and collaborating with the band, being a woman in a male dominated industry, and listen to a few songs and hear what they mean to NeeNee. Of course, we also talk about motherhood, how that's impacted her and the band, and how they are evolving as a result. They have two local shows coming up. First up is at The Falcon on September 28th and then The Linda in Albany on October 26th.Here's the Tarot reading that I shared from Nikki Foggerty. "I bring love and compassion to myself and embrace all the possibilities that lie ahead.. "We listened to a song from Amber Rubarth who will be a guest on the show Sept. 9th. She's also playing this benefit...Neighbors for Neighbors on September 14th supporting People's Place and the O+ Festival.Here's a link to today's playlist.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

J'ai eu la chance de me rendre au Paléo Festival 2024 pour le podcast durant deux jours et c'était une expérience incroyable.Dans cet épisode, je vous explique comment cela s'est organisé, ce que j'ai dû préparer ainsi que l'expérience sur place. Franchement, je me sens super chanceux et j'ai eu l'opportunité de discuter quelques minutes avec Mathieu Monnier, qui est l'un des programmateurs du Festival.J'espère que ce type d'épisode vous plaît et nous allons tout faire pour réitérer l'expérience dans le futur.Bonne écoute à tous et merci au Paléo Festival et au Service Presse.Merci à tous ✨4 the cultureYoHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pela segunda semana seguida temos coisas a falar de eventos de games que rolaram por aqui. Desta vez falamos do Festival Jogatório, que teve sua segunda edição no início de julho. Na companhia do Lucas Toso, o responsável pelo Controles Voadores, a gente conversou sobre o evento em si e o que jogamos por lá.Participantes:Lucas TosoJessica PinheiroHeitor De PaolaAssuntos abordados:07:00 - O festival Jogatório28:00 - Gurei35:00 - Astercys40:00 - Heavenstrafer44:00 - Lo Fi Console51:00 - BloodBoarderz54:00 - Roadout1:00:00 - Lipsync Killers 1:09:00 - Silva1:13:00 - Green Memories1:19:00 - Reality Rash e The Posthumous Investigation1:23:00 - Jogatório além dos gamesVai comprar jogos na Nuuvem? Use o link de afiliado do Overloadr! Hosted on Acast. See acast.com/privacy for more information.

Voltamos à Recife para saber tudo o que rolou na 28ª edição do Cine-PE, com comentários sobre todos os filmes premiados no festival. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Nesta edição do cinematório café, nós voltamos à Recife para saber tudo sobre os filmes exibidos no 28º Cine-PE - Festival do Audiovisual. A Kel Gomes esteve na capital pernambucana e comenta todos os longas e curtas premiados, além de outros destaques da programação. O 28º Cine-PE aconteceu de 6 a 11 de junho de 2024, no Cinema do Teatro do Parque. Visite o site oficial. Confira a minutagem em que os filmes do 28º Cine-PE são comentados no podcast: 00:11:53 - Memórias de um Esclerosado 00:17:25 - Invisível 00:21:56 - Geografia Afetiva 00:24:04 - Cordel do Amor Sem Fim 00:30:51 - No Caminho Encontrei o Vento 00:35:52 - Grande Sertão 00:42:13 - Curtas O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br. A sua mensagem pode ser lida no podcast!

Jo Shuman is a mental health nurse, in the field for 30 years. She has worked in several settings: Community Mental Health Clinics; Substance Abuse Programs; a State Prison; and has spent the last 10 years working for the Ulster County Mobile Mental Health Team. She just completed  a year long program through Psychedelics Today called Vital: Psychedelic Therapies and Integration. She has been a volunteer for the Restorative Justice 180 Program for 10 years and marvels at the growth she has witnessed in the youth it serves. She is a life long activist and has experienced the power of civil disobedience and getting into good trouble. She is also a proud mother of four in a blended family and grandmother of 8.Today we get to learn about Jo and her beautiful life, from fighting back against racist behavior in junior high, to protecting the land and humans from uranium mining and the danger in the transport of nuclear weapons, she's been a long time activist who is really lead by her heart in all she does. We learn about her work and why she's taken on such impactful roles, what she's learned about humans and relating with others, and how we can better take care of ourselves and others. Our conversation goes philosophically deep into many of the issues that Jo has been involved with in her work, and she shares her insight eloquently. If you'd like to connect with Jo as a resource in any of the subjects she discussed, please reach out and I will connect you. You can also find her on Instagram.She's beginning a monthly gathering for folks who have had a psychedelic or non-ordinary state experience in conjunction with the O+ Festival on July 9th. RSVP if you'd like to be a part of it.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

O Papo Antagonista desta terça-feira, 18, analisa as novas declarações de Lula sobre ‘saidinhas', Roberto Campos Neto, aborto e taxa da blusinha.O programa também fala a respeito da hipocrisia do STF em relação ao monitoramento de redes sociais.Ser Antagonista é fiscalizar o poder. Apoie o jornalismo Vigilante:  https://bit.ly/planosdeassinatura   Acompanhe O Antagonista no canal do WhatsApp.  Boletins diários, conteúdos exclusivos em vídeo e muito mais.   https://whatsapp.com/channel/0029Va2S...   Ouça O Antagonista | Crusoé quando quiser nos principais aplicativos de podcast.  Leia mais em www.oantagonista.com.br | www.crusoe.com.br  

O Dia de Portugal, de Camões e das Comunidades Portuguesas é celebrado anualmente a 10 de junho. Em Victoria, o evento que celebra a cultura portuguesa e das comunidades de fala portuguesa, Taste of Portugal Festival, aconteceu no conhecido Victoria Market, e a SBS Portuguese acompanhou a festa.

As novidades sobre a indústria dos videojogos, análises aos jogos do momento, retrogaming, os temas de fundo e até um quizz musical sobre videojogos. Com Pedro Moreira Dias, Élio Salsinha, Rui Gonçalves e Gonçalo Santos

Entre os dias 14 e 25 de maio acontece a 77ª edição do Festival de Cannes. Marcelo Janot, crítico de cinema, foi convidado para ser presidente do júri da crítica neste ano, e nos recebe neste episódio para compartilhar sobre o papel do júri em Cannes e em outros festivais icônicos internacionais, e para dar um panorama sobre os destaques aguardados por ele para esta edição.  Este episódio foi produzido por Eduardo Fradkin, contou com a captação de som de Louis Barbaras, identidade visual e artes de Gabriela Diniz, assessoria de Francis Carnaúba, coordenação geral e edição de Juliana Zalfa, e voz de Flávia Mano.

Bem amigos do Pelada na Net, chegamos em definitivo para o programa 656! E hoje temos o Príncipe Vidane, Maidana e Peixe Aquático sendo censurados o tempo todo! E neste intervalo demos voltas falando sobre séries, filmes, carnaval, youtubers das antigas e muito mais, tudo isso pra chegarmos na conclusão de que o Peixe é um filho da puta! Ouça agora mesmo esse programa que tá deliciosamente aleatório. E não se esqueça de usar a Hashtag: #BATOREN Siga nosso Twitter! @PeladaNETSiga nosso Instagram! @PeladaNaNetCurta a nossa página do Facebook! www.facebook.com/PodcastPeladaNaNetEntre no grupo do Facebook! www.facebook.com/groups/PeladaNaNetParticipe do nosso grupo no TELEGRAM! https://t.me/padegostosodemaisSiga a Twitch do Vidane! twitch.tv/principevidane Participantes: Fernando Maidana – Twitter / InstagramLeonardo “Peixe Aquático” Amaral – Twitter / InstagramVitor “Príncipe Vidane” Faglioni Rossi – Twitter / Instagram Links: Grupo do Pelada na Net no SteamJovem NerdMau Acompanhado – no Jovem NerdFeed do Mau Acompanhado no SpotifyPauta Livre NewsCanal do Victinho no YoutubeRede ChorumeFábrica de FilmesLegião dos HeróisNoites com MaidanaFrango FinoRadiofobiaCanal do Versão Brasihueira no YouTubeCanal do Mau JogadorThe Dark One – PodtrashPapo DelasCanal Mundo EdVai Passar – Desabafos na QuarentenaVortex – com Kat BarcelosDentro da Minha Cabeça Contribua com o Peladinha através do Padrim ou Patreon! Colaboradores de Janeiro/2024! Fica aqui o nosso agradecimento pelo carinho, dedicação e investimento aos queridos: Adriana Cristina Alves Pinto Gioielli, Alex Rodrigues,Alexandre Benardis Andrade, Bruno Burkart, Bruno Gouvea Santos,Celso Henrique Anacleto Filho, Cesar Mashima, Cleiton Lima Da Silva,Edvan Alves, Felipe Molina, Fernando Costa Campos,Gabriel Machado De Freitas, Gabriel Oliveira De Andrade E Silva,Guilherme Rezende Soria, Icaro Nascimento, Igor Trusz,Italo Albuquerque, Joao Baptista Fernando De Braganca Teixeira,João Pedro De Barros, João Victor Batista Lopes, Luan Germano,Lucas Guidi, Luis Vitor, Luiz Guilherme, Matheus Bento Da Silva,Renato Grigoli Pereira, Thais Cavalcanti, Tiago Fonseca,Vinícius Cavalcanti, Fabiano Agostinho, Rodrigo Luis Favaron,Thiago Lins, João Cárcio Silva, Adelita Vanessa, Adriano Nazário,Alcides Vasconcelos, Alysson Ferreira Da Silva,Anderson, O Carteiro Gato, Andre Luis Rufino, André Schlemper,André Stábile, Arthur Murakawa, Brando Silva Mota, Bruno Kellton,Bruno Soares De Moura, Cidão Oliveira, Concílio Silva,Danilo Rodrigues De Padua, Davi Andrade, Diego De Lima Dos Santos,Dionelson Silva, Edcarlos Santana, Eduardo Coutinho,Eduardo Vasconcelos, Elisnei Menezes De Oliveira, Erico,Evilasio Junior, Fernando Kost Neves, Filipi Froufe,Flávio Vieira Sonalio, Frederico Jafelicci, Guilherme Clementi,Guilherme Xavier Ferreira, Israel Peichim,Ítalo Leandro Freire De Albuquerque, Jhonathan Romão,José Vieira De Meneses Neto, Josué Solano De Barros, Júlio Barros,Khaue Pecher, Leonardo Lachi Manetti, Leticia Holl Bertoni,Lucas De Freitas Alves, Lucas Romualdo,Luiz Fernando Rodrigues Libarino, Maxwell Nelle,Natalia Kuchar Lohn, Nickolas Valcarcel, Paulo Righi,Pedro Bonifacio, Pedro Lauria, Pedro Machado,Professor Rogério Victor, Rafael Azevedo, Rafael Correia Da Silva,Rafael Matis De Moraes, Reginaldo Antonio Pinto, Renata Pereira,Robson Duarte, Rodrigo Dias Garcia, Thiago De Cesare, Vander Alvas,Victor Maeda, Vinicius Parente, Vinicius Dourado, Vinícius Gomes,Vinicius Renan Lauermann Moreira, Vitor De Almeida Flauzino,Vitor Madureira, Wanilon Rodrigues Da Silva, Wesley Barbosa,Wesley Souza, William Rogério Da Silva, Hassan Jorge,Bruno Monteiro, Júlio Barros, Marcelo Cabral, Felipe Pastor,Carlos Mucury, Maurilio Resende, Leonardo Dos Anjos, Bruno Macedo,Adryel Romeiro, Aline Aparecida Matias, Bruno De Melo Cavalcanti,Bruno Henrique Domingues, Caio Mandolesi,Fernando De Araujo Brandao Filho, Fernando Henrique Bilhiere,Gabriel Lopes Dos Santos, Gerson Alves De Souza, Lucas Andrade,Lucas Motti Lima, Marianna Feitosa, Murilo Segatto,Rafael Camargo Kuniyoshi Da Silva, Rafael Santos, Raphael Bubinick,Rodrigo Oliveira Porto, Stefano Bellote, Vágner Lenon,Vander Vilanova, Wellida Karine,Marco Antônio Rodrigues Júnior (Marcão), Daniel Moreira,Lenon Estrella, Raphael Piccoli, Victor Rodrigues, Sharon Ruiz,Thiago Goncales, Davi Lacerda, Felipe Artemio Schoulten,Isabelle Zacara, Lucas Penetra, Lucas, O Fofo,Tatiane Oliveira Ferreira e Vinicius Cunha Da Silveira! Obrigado por acreditarem em nós! Comente! Envie sua cartinha via e-mail para podcast@peladananet.com.br, ou comente no post.See omnystudio.com/listener for privacy information.

Justiça e debates, eis o cardápio para este Eixo do Mal com Clara Ferreira Alves, Luís Pedro Nunes, Daniel Oliveira e Pedro Marques Lopes. Foi com surpresa que foi recebida a notícia da libertação dos 3 suspeitos de corrupção na Madeira. Depois de 21 dias detidos, o juiz de instrução não encontrou indícios de nenhum crime. Entretanto, o homem que ofereceu uma reforma da justiça que António Costa recusou saiu do exílio político e voltou à carga. Rui Rio disse ainda que a Procuradora Geral da República parece estar-se nas tintas, palavras dele, para o que está a acontecer. Oiça aqui o Eixo do Mal emitido a 15 de fevereiro na SIC Notícias com moderação de Aurélio Gomes.See omnystudio.com/listener for privacy information.

Recorded from the Radio Free Rhinecliff studios in Rhinecliff, New York, this conversation includes two special community activist types from the Ulster County area. The two people who are responsible for running the O+ Festival in Kingston, NY: Lara Hope and Laura Wilson Crimmins.

Today on the show I get to chat with Francesca Hoffman, a multi-instrumentalist, singer, event producer and entrepreneur based in Kingston, who is currently in the process of opening her new queer-forward performance venue & bar called Unicorn Bar (formerly The Beverly Lounge). A classically trained flutist and self-taught guitarist, ukulele player and percussionist, she is also a co-founder of Hudson Valley-based brass band, Brasskill and the Hudson Valley Brassroots Festival, a member of both The Goddess Party and Eva Salina's Eastern European choir, and the parade coordinator for the O+ Festival.Francesca talks about how music entered her life, and how her relationship with it has evolved including how it has impacted her own personal evolution... finding her confidence, surrendering, letting go of control, and taking care of herself.Catch her performing her original songs live with support from pianist/accordionist Meghan Quinn on Dec. 17 at @vosburghbrewing and Jan. 5 at Tilda's...and with the Eastern European Choir on Dec. 9th.Happy 40th Birthday Francesca!Here's your Full Moon Report!Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFY | STITCHERITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCASTITCHER: https://www.stitcher.com/podcast/she-wants/i-want-what-she-has?refid=stpr'Follow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcastTWITTER * https://twitter.com/wantwhatshehas

Gente, a Jeska ta viciada no frigorífico da Xuxa kkkk Além disso, tem o lineup do Planeta Atlântida 2024

A confusao do Cristo com a camiseta da TS é a nossa nova obsessão kkkkk Além disso, tem o lineup do festival emo que saiu de novooooo

Mamileiros e mamiletes, o que inspira o Mamilos Cultura de hoje é o documentário ‘Summer of Soul', disponível no Star+. Ao longo de seis semanas no verão de 1969, apenas a 160 quilômetros de Woodstock, aconteceu o Festival Cultural do Harlem, filmado no Monte Morris Park. As gravações ficaram 50 anos guardadas em um porão, já que o produtor do filme não encontrou ninguém interessado em distribuí-lo. Então, ninguém nunca tinha visto as imagens até o momento. ‘Summer of Soul' (...ou, Quando A Revolução Não Pode Ser Televisionada) é o documentário que mostra a importância da história e o testamento do poder curativo da música em tempos de crise, tanto passada quanto presente. A obra conta com performances de lendas do cenário fonográfico, incluindo Stevie Wonder, Nina Simone, B.B. King, Sly and the Family Stone, corais de Gospel, nomes da Motown, do jazz e do blues e grupos latinos do lado caribenho do bairro. ‘Summer of Soul' levou para casa o Prêmio do Júri e o Prêmio do Público no Festival de Sundance e o Oscar de Melhor Documentário. Pra falar sobre as reflexões que esse filme inspirou, Cris Bartis recebe Cris Naumovs. Dá o play e vem com a gente! _____ DORFLEX Há 5 anos transformamos o nosso sonho em projeto, e o Mamilos virou também uma empresa. Com essa escolha vieram uma sucessão de desafios. Como desenhar produtos casando o que a gente acredita e o que o mercado quer? Quanto cobrar? Como vender? Como encontrar as pessoas certas pra tirar os sonhos do papel? Como capacitar e motivar essas pessoas? Qual é o melhor regime tributário? Como planejar fluxo de caixa? Ufa, empreender às vezes é uma grande dor de cabeça. Na busca pelos seus sonhos sua jornada não precisa ser dolorida. O importante é se sentir bem fazendo o que gosta. Dorflex UNO age em minutos no combate à dor de cabeça e a enxaqueca. Vai em frente e deixa a dor com Dorflex! Conheça a linha de produtos em Dorflex.com.br Dorflex UNO é analgésico e antitérmico. Dipirona monoidratada. Se persistirem os sintomas, o médico deverá ser consultado. DORFLEX® UNO (dipirona monoidratada). Indicação: analgésico e antitérmico. MS 1.8326.0460. O USO DO MEDICAMENTO PODE TRAZER ALGUNS RISCOS. Leia atentamente a bula. SE PERSISTIREM OS SINTOMAS, O MÉDICO DEVERÁ SER CONSULTADO. *Início de ação a partir de 30 minutos. Referências: 1 - Bula de Dorflex UNO - versão profissional da saúde. SET/2023 - MAT-BR-2304827. _____ FALE CONOSCO . Email: mamilos@mamilos.me _____ CONTRIBUA COM O MAMILOS Quem apoia o Mamilos ajuda a manter o podcast no ar e ainda participa do nosso grupo especial no Telegram. É só R$9,90 por mês! Quem assina não abre mão. https://www.catarse.me/mamilos _____ Equipe Mamilos Mamilos é uma produção do B9 A apresentação é de Cris Bartis e Ju Wallauer. Pra ouvir todos episódios, assine nosso feed ou acesse mamilos.b9.com.br Quem coordenou essa produção foi Beatriz Souza. Com a estrutura de pauta e roteiro escrito por Cris Bartis e Ju Wallauer. A edição foi de Mariana Leão e as trilhas sonoras, de Angie Lopez. A coordenação digital é feita por Agê Barros. O B9 tem direção executiva de Cris Bartis, Ju Wallauer e Carlos Merigo. O atendimento e negócios é feito por Telma Zennaro.

This week I have the pleasure of sitting down with Sue Silverstream, a Visual Artist, Singer, Musician, Dancer and Yogi/ni who has been practicing and teaching Yoga and the Sound Healing Arts for over 4 decades. She's been a friend and friendly face who I admire and look up to, and she's and I will be collaborating in sound this weekend for the O+ Festival. Sue share stories from her life, how she found yoga and sound healing and little nuggets of wisdom about life and how she lives it. I hope you enjoy our chat as much as I did! "All my Arts are Healing Arts in the Service of Peace! May All Beings Be Happy, Healthy and Free! May Peace Prevail on Earth!" Sue SilverstreamToday's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFY | STITCHERITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCASTITCHER: https://www.stitcher.com/podcast/she-wants/i-want-what-she-has?refid=stpr'Follow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcastTWITTER * https://twitter.com/wantwhatshehas

O+ supports the health of underinsured artists and musicians in the Hudson Valley and beyond through the annual O+ Festival, where they exchange art-making and performances for health and wellness services.The 2023 O+ Festival in Kingston, NY is taking place October 6-8 and we are joined by O+ co-founder Joe Concra, O+ co-director of Music Lara Hope, and O+ Art Director Lindsey Wolkowicz.

Community, exchange, interdependence, celebration, purpose: in this episode, Randall and O+ Founder Joe Concra share an example of bicycles serving as a vehicle first for connection, and from there serendipity, collaboration, and the creation of meaning. Join Joe, Randall, and other members of the community at the O+ Festival in Kingston, NY from October 6-8 for a weekend of music, art, riding, and wellness. https://opositivefestival.org/ Episode sponsor: Hammerhead Karoo 2 (use code THEGRAVELRIDE for free HRM) Support the Podcast Join The Ridership  Automated Transcription, please excuse the typos: [00:00:00] Craig Dalton: Hello, and welcome to the gravel ride podcast, where we go deep on the sport of gravel cycling through in-depth interviews with product designers, event organizers and athletes. Who are pioneering the sport I'm your host, Craig Dalton, a lifelong cyclist who discovered gravel cycling back in 2016 and made all the mistakes you don't need to make. I approach each episode as a beginner down, unlock all the knowledge you need to become a great gravel cyclist. This week on the podcast, I'm going to hand the mic over to my co-host Randall Jacobs. Who's joined by Joe conqueror. Joe is the founder of the O positive festival. In New York. He's joining. Randal's talk about community and how the bicycle serves as a vehicle for connection. I think you'll enjoy this conversation. But before we jump in i need to thank this week sponsor hammerhead and the hammerhead crew to computer The hammerhead crew too, is the most advanced GPS cycling computer available today with industry leading mapping navigation and routing capabilities. That set it apart from other GPS options, free global maps and points of interest included like cafes and campsite. It means you could explore with confidence and on the go flexibility. Once again, the other night I was hit with hammerheads bi-weekly software update where new features are released so unlike other head units, your crew too continues to evolve and improve each ride, getting better than the last. Personally, I love the climbing feature. That's available on the crew too. One thing I noted in comparison to some of the other devices I've used is that now the climber feature kicks in whether or not you've got a route loaded or not. That's super important. I was riding the other day, testing out another device and I had a climb that's very known, but I didn't have a route loaded. And all of a sudden that climbing feature wasn't available. I very much appreciate what the engineers at hammerhead have done to make this computer as good as it can be, but to continue to improve it. For a limited time, our listeners can get a free heart rate monitor with the purchase of our hammerhead crew to just visit hammerhead.io right now, and use the promo code, the gravel ride at checkout to get yours today. This is an exclusive limited time offer for our podcast listeners. So don't forget to use the code. Duck gravel ride. That's a free heart rate monitor with your purchase of a career to. From hammerhead.io. With that business behind us. I'm going to hand the mic over to Randall and I'll talk to y'all next week. [00:02:33] Randall Jacobs (host): Where do we [00:02:33] Joe Concra: begin? I don't know. The Randall Joe Comedy Hour. I have no idea. Where do you wanna start? Well, [00:02:38] Randall Jacobs (host): how about origin story because people have asked me this a number of times and I actually don't know if I get it right. I think I get the high level of it, like how we met, [00:02:47] Joe Concra: how we met. Huh? How did we, you you go back a little ways now. Yeah. So here, this is what I remember. It was a dark and stormy night. And, uh, now if I remember correctly, so I'm sure we'll get into o positive and what O positive is at some point, but I was doing. As I often do research on partners for O positive to help this crazy experiment continue. But I'm also like a mad cyclist, mad being the operative word. And I somehow found thesis and I think I just wrote to the info at and was like, I think this model's really awesome. And I do this festival where we exchange for healthcare, which probably doesn't make any sense at all. And. Would you like to come talk about being a sponsor or a partner? Yeah. And then you said, we're actually gonna be on the east coast. And then I ridiculously said, well, why don't you swing through Kingston and we can demo a bike? Which then I had to buy a bike. That's how [00:03:51] Randall Jacobs (host): that why you bought a [00:03:51] Joe Concra: bike. Well, I rode it. Okay. I mean, it was pretty simple. Once you ride it, you're like, okay, this bike's amazing. I should probably ride more gravel and get off the road. I've survived this long in my life without being killed by a car. So, uh, yeah, that's why. Is that close to what you remember? That's [00:04:07] Randall Jacobs (host): more or less exactly the way I tell the story. Yeah. So essentially you'd reached out and, the way I've told it is you had said, Hey, I like what you guys are doing. I'm thinking about getting a bike also, here's what I do and you should come check out Kingston. Um, and then that evolved into, you know, we did a small, uh, event at, uh, utility bikes. [00:04:28] Joe Concra: Yes. Uh, great time. [00:04:29] Randall Jacobs (host): Yeah. And really from that first moment there was a seed planted in me about being here. Some listeners will know I now live in Kingston, but [00:04:37] Joe Concra: we're closing the gate after you. Yeah. Like nobody else, like, oh yeah. Don't come here. It's not fun here. It's terrible here. Yeah. Don't, this is not where you want to be. Yeah. [00:04:46] Randall Jacobs (host): And I remember, at the time I was becoming, I wasn't quite done with San Francisco, but , I was getting to a different place in life and didn't quite know what would come next. And that seed was watered every single time I came back and I kept coming back. Mm-hmm. So, I'm trying to remember, I think the next time I came, we had a little team summit. Mm-hmm. A couple of team members during Covid. And, we were here with you and, you showed us around, and we were here for a couple of days and that was great. I remember ending up on your roof deck, looking at the mountains on this beautiful day with my colleagues, and then the next time I came, I think it might have been my first O positive. Did the gravel ride. Yep. I made a couple of friends on the ride who are now friends here that, you were starting the, what was then trust hub now Trust up project. Mm-hmm. And, you were looking for somebody to, to help run it. You had this idea for something and some funding lined up. And. I joined the, the hiring committee. And now, I've been involved as a advisor and now, Rob Jameson, who runs that project is a good friend. Yeah. And so, on a very personal level, like you've had a pretty big impact on my life. Through the direct things that you've done with me, but then also, just the, the resonance that I felt while being here, hanging out with you, the people I met through you and through the, the, the community that is here. so much so that I moved here, I bought my first house. That's says a lot about, about you and about this place, and this is a place that has a significant amount of your influence on it. Hmm. You walk around and you have the murals and you see the little o positive, the bottom of the mural. And, you know, there's a number of community initiatives that have been kicked off in this area, presumably stemming from that initial o positive grant when you first got the festival off the ground or, or a few years after that. Mm-hmm. So . [00:06:43] Joe Concra: Thank you. Yeah. I'm so glad we're not. Like you actually said, do you want to do this with video? And I, and it's because of this, cuz I be, people would see that I'm bee red right now. Um, because I'm, I thank you. And also, like, it makes me very uncomfortable to hear these things. I feel like everybody does the best they can. And you get lucky to create space for things to happen if you're really, you know, if you really, really think about what we do. As human beings, as people listen to this as cyclists, right? We're always looking for the gaps. We're always looking for the space. We're always looking for that. That thing between the thing, right? At least I know I am. So when we met, I was like, oh, well here's the bike I'm going to ride, and this, this guy seems really interesting. I want to know more about what they're doing and what gives somebody a. Like, why does somebody wanna reinvent the wheel? Is literally what I thought when I meant you, like you want to bring down costs, you want this thing to be this, this way you're designing it. It's amazing. Like same for me, like being on a bicycle for me in the woods, being out. Like last night I went riding in some hippie, decided to destroy my knee, but it was a voodoo doll. And we'll get to that. And uh, I wanna keep you all the same. You're riding in Woodstock. Yeah. No close. Rosendale, same thing. Yeah. Um, but you know, There is a desire to work a lot in community and do a lot of really good things. The counter weight to that is being on your bicycle and being alone. Yeah, so I can tell you that the thesis bike that I ride more than any road riding I did since 1982 on right. Being in the woods on gravel alone and like riding by a beaver pond and seeing an owl. At seven o'clock at night in the Hudson Valley is the quiet, it gets the monkeys outta your head and quiets you down. So I'm very, very thankful for, you know, what you've designed. This podcast. I really like the, I really like what's on Slack. I think that's really, really great. It's able to communicate with people on the ridership is great. So, you know, there's mutual respect in that way. I think that it's really, really important just to acknowledge how. You know, cyclists are weird, right? They're like hockey goalies, soccer goalies, cyclists, place kickers in football, right? They're, every cyclist I know is like, yeah, I really wanna be your friend, but also leave me alone. Like it's this weird dichotomy, like they've got their hand up and come here at the same time, which I really appreciate and I find that really, really, really, I'm just thankful [00:09:19] Randall Jacobs (host): You have maybe more of an outside view on cycling and cyclists than I do, cuz I had just been in it for so long. Mm-hmm. Like I was a competitive cyclist for a period and that's its own kind of mindset. Mm-hmm. Mm-hmm. worked for, worked in the industry quite a bit for quite a long time. I mean, obviously I have a company I do this podcast and so on, so I was like in it versus you are, I think first and foremost, what. An artist, a community builder. [00:09:47] Joe Concra: Yeah. I think first and foremost, I, I make paintings. I mean, that, that's what I do. Right. And then I do all these other things outside of the studio. Right. So I, I run a nonprofit with my friends who, which I built since two in 2010, um, that exchanges art and music for medicine at the festival you've been to every year? Yep. We're about to go year-round with a clinic after 13 years to take care of artists, musicians based on an exchange model, not based on money, trying to take money outta the system. Um, and. I ride bikes and I've ridden bikes like every day of my life for my entire life because I love them and surround myself with cyclists and just riding in general. Um, so yeah, not a pro avid cyclist, I think is what they would call it back in the day. An avid [00:10:26] Randall Jacobs (host): cyclist. Well, before we, we dive in on the, the clinic and o positive and so on. I'm just, uh, want to kind of pull at this thread. What, what do you notice? Do you notice patterns amongst cyclists in particular? So you mentioned [00:10:41] Joe Concra: like, can I just throw this? Can I throw a cyclist under the bus? Like metaphorically? [00:10:44] Randall Jacobs (host): I mean, we're under there. All right. It does [00:10:47] Joe Concra: too. I think everybody listening to this knows this. This isn't a secret. But I was a road rider for years. Mm-hmm. Like back in the, you know, you turn whatever age you get your, you save up your money cuz you're working at McDonald's or your newspaper route and you buy your first road bike, it's like a Ross, it's yellow, it's ugly as hell. Then you graduate to your next bike and you get a Schwinn cuz you think that's the best bike, whatever. And you're, Greg Lamonts, your, all those things. Then you spend years in group road rides and you do a little bit of like racing, like you and stuff, and you do all the things and you train to, and you go on group rides. A couple years ago, after getting the thesis four years ago now, I stopped. Hmm. And I was like, what a culture shift. I'm not hammering, I'm riding with my friends, I'm getting a great workout. I'm in the woods and just recently, and I know people are gonna listen to this and know me, and I rode ride with him. Please don't put your pump into my spokes when we ride together. But I went on a group ride again, a road group ride, and it was terrible. I spent the whole time looking at the wheel in front of me and somebody's back when I went to the front. I got to say I have a good, nice view, but that's what I noticed more than anything else. People are moving away from that way of riding to a more community based ride. For instance, you mentioned utility bikes. There's a whole generation of kids in sneakers and cutoff jeans. Yeah. And that's their ride. That's how they ride. Yeah. The old guys like me wearing stupid spandex, plastic shit. Like, sorry, I didn't mean to curse. Can I curse on a [00:12:23] Randall Jacobs (host): podcast? No, no. That's definitely gonna get us in trouble. [00:12:26] Joe Concra: Well, sorry. Ftc. F F, fda, whatever, whatever. Regulatory agency. Not the human consumption, [00:12:32] Randall Jacobs (host): fda, [00:12:34] Joe Concra: But I think that's the big shift, right? There's been this massive cultural shift. I'm a little bit nervous to see money going into gravel riding. Yeah, in a way that I think it might screw it up a little bit. It starts getting a little bit competitive where I really like the, like, like the first big long distance gravel ride I did. I remember like getting ready and being like a little bit nervous, like it was a race. I kept reminding myself it's a ride, and then like some dude passes me cranking out Aerosmith on a boombox tied, tied underneath his top tube wearing a cowboy hat, cut off jeans and sneakers smoking a joint, and I'm like, this is amazing. I couldn't believe it. I was like, what a different culture. So I, I hope that that culture, um, exists and keeps growing. I, [00:13:15] Randall Jacobs (host): I think it will. I think gravel specifically, there's something about the medium that is itself, very conducive to that. You're doing mixed terrain riding. You're leaving from your back door. It's not like a road ride where. You're either going solo or you might be going on some group hammer ride. The train isn't changing all that much and so on. Or a mountain bike ride where you're hopping in your car. so there's something more out the door. I think the events that I've been to, there's definitely a trend towards, elite racing. Mm-hmm. , we, we've had, event organizers, for some of the biggest races on the pod, uh, had, have had elite racers on the pod and so on. Mm-hmm. And like, that's its own thing. And as a, I would've joked in the past and I almost did it again, I was gonna say a recovering racer, but at the time I was racing, it was great. Yeah. Like I was living my best life. And just because current me isn't into that, Doesn't mean that past me was getting it wrong, cuz future me is definitely gonna look at current me and say what were you doing at that time? Right. Yeah. And the other thing I'd say is if you're more resonant with one way of riding create that and let people migrate to it, like the utility ride and a couple of the rides around here. But also what we've talked about, growing o positive rides around that, there's no race. It's more like, here's a ride where we're gonna go out and have a shared adventure. go through a share shared ordeal. It'll be accessible to riders of a variety of different abilities. And then we're gonna have a party after. Totally. [00:14:43] Joe Concra: in fact, it's a whole weekend of [00:14:44] Randall Jacobs (host): a party. Yeah, let's talk about that. So let's get in, but I also, what are, what are the dates? [00:14:48] Joe Concra: Uh, this year will be October 6th, seven and eight. Yep. And, but I just wanna say this for all my roadie friends, cuz I still go out on the road, don't hate me, but there's road rides at Oak Positive too. Are road ride right? Mean there's road gravel and a mural to mural tour. Mm-hmm. Um, for families and kid-friendly and bring your dogs and whatever craft you want to try to pedal around. Yep. Uh, the city of Kingston. So I'll give you a little bit of the origin story and what we do cause I think that'll probably help people. So if you haven't heard about o Positive, which I suppose most people haven't, um, we are based in Kingston, New York. And our festivals, which are music and art based, every artist and musician who plays the festival. Puts up a mural, dances tells comedy, whatever they do. In exchange, we build a clinic, and in that clinic are 160 providers. Everyone sees a doctor, has access to a dentist, mental health professionals, acupuncture, massage, you name it, it's all there. We started in 2010 with a really simple idea. As a painter, it was very, it was very, Easy to say, well you know what, we never have insurance. So what if we did a festival where instead of paying the artists with money, cuz we didn't have any money anyway, we got a bunch of doctors who loved music and art and said, would you see these people? So what started as a very, very small festival in 2010? We've done 22 festivals nationwide. Our home base is here in Kingston every year in October. We do the big one here and, uh, it's grown to include gravel riding and a whole weekend of experiential yoga and sound healing dance parties. You name it, it happens from Friday night till Sunday night. When is [00:16:23] Randall Jacobs (host): this coming out? We can put it out whenever. [00:16:25] Joe Concra: Okay. Whenever makes sense. I can give you a headliner. So yeah, this year one of our headliners will be comedy. It's bobcat. Goldway. I dunno if you remember him from the movies and, but I remember it was a standup guy with that crazy voice. But I can't wait to say hi to him and meet him and thank him for making me laugh for years. Because especially coming outta the pandemic, like, we're not dead yet. Like, we should laugh. Like, we should be like, holy shit, we're alive. Like, let's enjoy this moment. And hopefully he'll go to the doctor, he'll go to the dentist, he'll talk about mental health, you know, and, and people will be able to come out and enjoy the weekend. Yeah. [00:16:58] Randall Jacobs (host): Well, that was one of the things that really resonated with me when I first started looking into a positive and getting to know you and coming here was this feeling of okay, there, are there issues in the world that affect me personally? Like I have a significant concern about engaging with the medical system, the medical industrial complex because you hear horror stories. And I know people who've been bankrupted by a system that, on the one hand people say, here in America we have the best healthcare in the world. Well, you might add the caveat that money can buy. Mm-hmm. But, unless you have really good insurance you can end up drained, if you're a small business owner or something like that. Yeah. and you don't have a platinum package. And then there's all these ways in which it deals with symptoms and not with underlying issues. Mm-hmm. Like mental health isn't simply going to a therapist once a week, though I've had periods in my life where that was really helpful in transitioning and getting context and so on, but it's much more holistic. It's like, do you feel a sense of belonging in your community? Mm-hmm. are you part of something bigger than yourself where other people rely on you for certain things and when you have need people are there to help you out. And that's something I, I experienced from day one, uh, upon moving here. And I have it within my family and I've had it within friend groups, but to a lesser degree, in other places cuz people lived to apart or like they're too focused on their career or whatever it else. Mm-hmm. I had some very dear friends in San Francisco, but, everyone's really busy. Mm-hmm. I didn't know my neighbors. I lived in a building with six units. And I barely ever spoke my neighbors, despite my best efforts, right? Mm-hmm. I, you know, I'm very gregarious in that way. And the dynamics here were different. And last year was really the tipping point for me being at the festival and just seeing how all the things that I liked about, say, something like burning Man, but without the excess and the exclusivity and the whole place of washing and money, even though it's pretending not to be about money. Mm-hmm. and you're seeing live music and you're celebrating with your neighbors. Mm-hmm. Like, you're in celebration with people that you're going to see the next day at the cafe. Mm-hmm. Or my neighbor works at the convenience store on the corner. Mm-hmm. You know, things like this. that's a very different thing that for me, I, I had this feeling of wanting something and not knowing what it was. Mm. And then when I experienced that, I was like, this is it. Mm. This is the thing where, I go positive for me represents something much bigger. As big as the healthcare component of it is. Mm-hmm. It, it is, is a different mindset in many [00:19:37] Joe Concra: ways. Yeah. I think, I mean, that's, So wonderful to hear you say that. I would say that because O Positive takes money out of a system that people are used to having run by money for three days and says, Hey look, this can be different. The whole tenor of that weekend feels. Like what you just said, it feels inclusive, it feels community. And people have always said, I can't even describe what it is. And I'm like, well, don't worry about it because we're not used to it. Right. Like we are not used to living in a system where we go, you know, that's not, I mean, yes, we take donations to come into the festival, we run on donations, right. But when you go through the clinic, if you're an artist or musician or volunteer, and you go through that clinic and you get a root canal in exchange for playing your set, Mm-hmm. That's a whole different conversation because what it does is it says, Hey, we value each other equally. Yes. And that is different because we live in a system that does not value people equally ever. We value money first, usually, and we say it, oh, positive, not this weekend. Not this weekend. And that is vital. And the other thing that I think that's really important is you recently moved to a town where. You know, it's in flux. Yes. Because people have moved in, in, in droves here during the pandemic, but also like we introduced artists, musicians for 13 years now to their local doctor. So we hear it on the medical side. Like, I love being a doctor here because I know these patients, these are now my friends. Mm-hmm. Mm-hmm. Because when you're at that show and you're dancing Yes. That doctor's dancing next to you. Yep. And that is totally cool because the lab coat's not on. Yeah. And we take, we just peel away. All of the, all of the things that we, all the baggage we bring. [00:21:29] Randall Jacobs (host): Well, so you mentioned money and, and we can really distill it down to using price, denoted in money as the sole driver of exchanges. And so you need a thing. And you go on Amazon and you order the thing cuz it's the lowest price and it gets delivered at your door and you get up the next day or a couple days later and it's there. Right? Mm-hmm. You have no relationship with the person who made it. You probably don't even interact with the person who delivered it. Right. There's no relationship there. Mm-hmm. Nobody involved in that exchange is going to be there for you when you don't have money to buy a thing. Right. Right. And furthermore there's benefits of providing things to other people that are not incorporated in what you get paid. Like I don't help out my neighbor when he needs to move an air conditioner because he's gonna pay me. I do it because it's an opportunity to hang out. Mm-hmm. And because the day I moved in, he was coming over the fence to say hello and we were talking about taking down the fence. yeah. And, having that sort of Interdependency and having exchanged that is taking into account. Like, I get to interact with you, I get to be in community with you. That has value. the other thing you mentioned, valuing everybody the same, the trust up project. Core to that vision when you initially pitched it was this concept of time banking. Mm-hmm. It took me some time to get my head around it. I kept wanting to fit it into a model of like, oh, well maybe somebody can earn two time credits if their service is worth more. Right. Or something like that. It's like, no, no, that's not how it works. Maybe talk about some of that concept and how it integrates into the mindset around what you're building with o [00:23:03] Joe Concra: positive. Well, yeah, I mean, it's interesting, right? If we talk, first of all, I mean, The dollar is a great unit, unit of measure, right? We all agree that this is the unit of measure, so I get that side of the story. I think what we are trying to address is the inequity of that dollar and how that dollar is different values for each, for different professions. So if we think about time banking or we think about just straight exchanges, what you want to do is even get away from what you said. In our mind, it's like, no, a doctor visit isn't worth two units of measure. Yeah. Right. You don't [00:23:39] Randall Jacobs (host): need a medium of exchange. It's a, it's, it's a direct exchange. [00:23:42] Joe Concra: Exactly. It's harder. Exactly. And time is just time. Yeah. I will give my time, whatever that time would take mm-hmm. To do this task. Oh, I am available. I could also let you use my lawnmower for this much time. I mean, Yeah, this, the funny part is Randall, at the end of the day, I think what we are doing in all the things we're doing here in Kingston and, and other small communities that are doing a lot of these things, we're just trying to get back to the way our grandparents lived in community. We've somehow lost our way cuz we've gone so global to really hyper-local action and, you know, oh, positive to me, from the beginning, sitting at this exact table, like writing it all up and coming up with friends and dreaming it all up. Was about knowing that my grandparents, who had nothing would trade sweet potatoes to see the doctor with their doctor. And that was enough for the doctor. The doctor always had sweet potatoes. Somebody else would give 'em money. My grandparents could give him sweet potatoes, so they got to go to the doctor. So, you know, it's, it's just a different way of being a neighbor. [00:24:48] Randall Jacobs (host): Yeah. Well I think that the getting to be a neighbor is, Really the essential bit, being in community has value and there is resiliency that comes into it that doesn't get banked in the sense that there's some ledger. Mm-hmm. Right? Mm-hmm. But it's banked in the sense that people have a certain feeling around you. Mm-hmm. And you around them. And when there is hardship, that trust in those relationships that are built up mm-hmm. Form a web of interdependence Amazon's not gonna be there for you if you don't have any money to buy the thing. Right. and you know, it may be more expensive to make certain things locally and there's certain goods that it makes sense to centralize and distribute long distances and so on. But there's a lot of things where it does that doesn't make sense. And the price mechanism only works because there's so much direct subsidy in the firm of government subsidies, tax breaks, and so on. Or there's indirect subsidies in the sense that there's all these negative externalities, depletion of soil fertility or pollution of the water or pollution of the air, or changes in climate , that are not incorporated into the price. And that's Economics 1 0 1. You get Adam Smith's various market failures taught early on. And then you forget about them from then on when you get your neoliberal economics education. That was my undergraduate. Wow. Yeah. That, that [00:26:04] Joe Concra: sounds, yeah. Well, it's interesting what you, what you were just saying. You know, as you're talking, I'm like, oh my God, yes. Oh my God. Oh, it's too big. Oh, what do we do about, because people need money to pay to buy food. Still, we're not, we don't have a, we haven't built a perfect system. What we're trying to do is show people what's possible and then hopefully they can go to their own communities and do something that is important to them to do, because, you know, we are not gonna get away from this system tomorrow or the next day. We may not even have a planet by the time we're ready to get rid of this system and change it with something else. But in the meantime, we sure as hell can try and we sure as hell can build something that like someone like you is attracted to, right? Like, we know people have moved here because of O positive, like you just said it, but like we've been getting that for years because I wanna live in a community that actually values art and medicine and everything else. Equally, that's life, right? Without that, what do we have? Like, I don't know. I don't wanna live in a world without art and music and caring for each [00:27:06] Randall Jacobs (host): other, but we can have some sense of security from accumulating lots of things and living in a big house with a tall fence or Yeah. Or building a big buffer of dollars in our bank account or something like this. But, I don't think that the issue is gonna be, we're not gonna have a planet. I mean, the planet's not going anywhere. The question is how well it's going to support the sort of existence that we actually want to have for ourselves and those we care about. I view it as kind of a series of incremental experiments. Mm-hmm. You know, not everything sticks. Not everything works. And I love the, iteration process [00:27:38] Joe Concra: did you see the waste basket behind me with all the different ideas that are just all over the floor, like thousands of them. Like just the things that don't work. Oh my God, that time I was gonna start, you know, give mayonnaise to a tuna and cut out the middle man, that kind of thing. Yeah. Yeah. [00:27:52] Randall Jacobs (host): Well, I mean, being going for 13 years, so that says something. Yeah, it's hard. [00:27:57] Joe Concra: It's, um, you know, we survive off the support of the community. At the festival, everybody gets tickets. There's a price to it, but it's, it's like $75 for three days, which is insane. Um, and if you don't have that, we have community tickets available for everybody. So it's, it's, you know, It's a very low barrier to entry. In fact, if you have nothing, I'm sure we can let you in. So it's very simple to, to get involved and to, to do it and to do the work. I think that the, the hard part, We started as all volunteers and now we have a staff cuz we're going year round. Mm-hmm. Right. When we're taking over a space, we're building a clinic that's gonna open on August 11th. We're gonna go from three days to 365 with the dream of having a building that has music every night and art every night. And people can just wonder what the hell's happening there. But you get healthcare at the same time. Right. So we're like a Trojan horse of healthcare. Right. We make a party and inside that party, Are all these doctors and dentists and massage therapists and acupuncturists and mental health professionals. So we still need people's money, right? We still need the dollar while we build a separate system. And that is the hardest part. Like, that's what I worry about every day. How do we keep the lights on? And, um, it's daunting. That was my reality [00:29:15] Randall Jacobs (host): check. Yeah. I mean, it is the part that, um, I'm excited to, you know, be more involved with. As you know, my, my other commitments are less all-encompassing. Mm-hmm. Uh, building a house amongst them. Yeah. [00:29:28] Joe Concra: Have you told people about your house? Uh, I've mentioned it because you say building a house, but does everybody know that you like bought like a. Freaking falling down log cabin in a city that nobody even knew was there. It was covered in brambles. Like you guys, you all have to see and ladies, you, he Randall needs to, needs to post pictures from this place cuz it's like some weird mountain man's retreat from, but like 1970s with like shag carpets and bong hits everywhere. Like, but you're doing an amazing job. There may have [00:29:57] Randall Jacobs (host): been some paraphernalia previously. Less bongs and more bullet casings. Yes. Um, in flashband grenades. [00:30:05] Joe Concra: Really? Oh yeah. Wow. Yeah. Yeah. I mean it's [00:30:08] Randall Jacobs (host): pretty, that, that was a scary day when I found [00:30:09] Joe Concra: those. Wow. That's ama It's pretty phenomenal what you found. And you are literally resurrecting someone's dream cabin from the 1970s and making it your own. Yeah. And [00:30:20] Randall Jacobs (host): it'll be, uh, it'll be a community space as well, like adding, uh, a couple of, uh, loft bedrooms in there that I. Uh, we'll make available for, for people to, to, you know, coli. And then, um, there's a new ADU law accessory Dwelling Unit law in Kingston. Be attending some meetings around that and hopefully I can build a couple of smaller structures on the property. Nice. And then everyone who's on the property would have access to the main cabins, so like the grand room and the kitchen and the solarium off the back and so on. And have it be, um, well, I, I want, I want to learn permaculture. Mm-hmm. I want to grow as much food as I can fit. On that small little parcel in the city. Mm-hmm. Have some fruit trees facing the street that people can walk by and graze from. Mm-hmm. As I've enjoyed doing with the, uh, I think, uh, most recently it's, I got raspberries coming in and then, uh, there's lots of, uh, oh, what's the, the tr the tree berry that looks like a blackberry. That poison berry? Uh, mulberry. Mulberry. Mulberry. [00:31:15] Joe Concra: Oh my god. Mulberry's everywhere right now. The [00:31:17] Randall Jacobs (host): birds love them. Yeah. Yeah. I just like stand under, stand on sidewalks, under, under trees and just like, you know, eat Yeah. Eat my weight and, and mulberries in those. Yeah. Sit there for 30 minutes and my hands and mouth are all, you know, blackish purple. Uh, but yeah, that, that is something that I'm, I'm, uh, You know, it's still very much a still, still early stage, but as soon as it is structurally sound, um, there'll be, there'll be [00:31:46] Joe Concra: gatherings. So you haven't put any pictures up on the ground? You got? Not really. No. You have to kind of behind the radar. It's crazy now that we've talked about it. People have to see it. Yeah. [00:31:56] Randall Jacobs (host): Um, so let's talk about, well, let's talk about, so come to a positive. What's the experience? [00:32:01] Joe Concra: Yeah. Um, you get a wristband for three days. You have access to this year, ob. I said earlier about Bobcat, but there'll be 50 bands, maybe more. Um, several different stages to four or five different stages throughout the city. It's all walkable. Um, the art will be, I think there's five or six muralists we have. It's a very small city of 22,000, but we have 60 murals up at this point. Mm-hmm. Um, there'll be five. More murals going up this year. Um, plus all the other art events that are happening. Dance and readings and performances and spoken word. And, you know, you go to go on the website and as we start announcing the schedule, you'll get to see it. It's pretty exciting. Um, headlining music, amethyst Kia is playing. Um, there's a bunch, there's so many bands. It's, it's every year we're like, can we do 30? And it ends up being 50. And then you still reject. Hundreds and hundreds of bands apply and you always feel terrible because you can't accommodate them all. But the clinic can only handle so many artist musicians. So that's one reason for us going year round that is so important. So we could have every night having people seen and then, you know, the whole weekend just feels joyful. And Saturday morning, Those of us who ride get together and go on a 50 to 60 mile road ride. Um, the gravel ride, I think we will design it as like a 30 to 35 mile ramble down all the trails that Kingston is a hub for the Empire State Trail and a number of other trails. Mm-hmm. So we'll ramble down some trails to New Paltz and probably go up into Mohawk a little bit and then come back around and have a barbecue after and a big party and enjoy that. And really, I mean, it's like you get a gravel ride, but you get like, All this music and all this art all weekend long. [00:33:43] Randall Jacobs (host): Yeah. And this, the, in terms of the venues, uh, so there's Kegan Nails. Yep. Uh, which, you know, brew Brewery, local Brewer has been there for a while. And there's a, a whole stage there as well. Uhhuh, that's one of the venues. You have the old Dutch church. Yeah. Beautiful. Uh, just beautiful. And that is a music venue. And that's where the big, I know last year, Kimra amongst others. Yep. [00:34:04] Joe Concra: Kimra played there in Mercury. Rev played there. I'm trying to think else who played there last year. But yeah, it's a beautiful space. It's a Dutch reform church. It's one of the oldest buildings in the city. [00:34:12] Randall Jacobs (host): It's, which is an old city. This was the original capital of New York state. Yeah. [00:34:16] Joe Concra: Yeah, it was a fence around it to keep out people. It was very weird the way it was taken over. Oh, the stockade. Yeah. Yeah, exactly. But hey, we're learning, you know, every couple years in the city of Kingston, they do this thing called the burning of Kingston. And just one year I wanna just see if it actually will just burn. Like, I'm just like, why are we celebrating the, there's this, they do this celebration. This gives everybody an idea of like what living in Springfield and the Simpsons really is like every two years they, everybody dresses up in red coats and. So, and, um, revolutionary wore outfits and they chased the red coats around the streets and forced them out. But the reality is when the red coats got here, everybody just left. Like everybody just, everybody just went to the next town. Nobody fought. Everybody's like, whatever. Take the town. We don't care. But in our myth making history in our American myth making history, this town has turned it into this event where, you know, we held off the British, we didn't, it was no holding off. In fact, if we would've not held them off, maybe we would have a healthcare system. Not saying it would work great, but maybe we'd have a national healthcare system. So too bad we won. Yeah. Um, [00:35:22] Randall Jacobs (host): myth making. Uh, [00:35:23] Joe Concra: but it's true. We make such crazy myths in this country about our history. Well, that's true of [00:35:27] Randall Jacobs (host): any. Any country, any culture, totally. Any, I mean, myth is essential to unifying groups of humans, uh, for collective action, for community, for cohesion. Yeah. Shared myths are essential. I mean, money, we talked about money earlier. Money is a shared myth. That's true. Why does it add value? Like what can you do with money? Muddy? Yeah. I mean, it has a little bit of thermal energy if you burn it, but not much compared to what you have to do to acquire it. Um, but no, it's the, the fact that you believe that this dollar is. So, I mean, that's no [00:35:58] Joe Concra: different, right? Well, except that everybody dressed up in costumes and chases everybody around the streets firing muskets. I mean, that's just weird. Yeah. I mean, I suppose so I think it's actually this year, by the way, and, and it, you, there have been years where it's taken place during O positive, so you get all these musicians and like leather and like weird outfits. Amongst just itself, like a, you know, it's costume. This is my, it's its own mythmaking. Yeah. Oh my God. The rock and roll myths don't even get me started. But, uh, but it's pretty wild to see. Yeah. Rock and roll costumes and colonial costumes at the same time. [00:36:30] Randall Jacobs (host): That's super funny. So we talked a bit about the festival, talked about the rides that are going on. Yeah. Another thing I just wanna share about, you know, from a personal experience standpoint, with the festival is. There, I found, anyways, something very serendipitous, which is to say, I showed up. I, I know you, I knew peripherally a few people, who I'd bumped into. Um, and then I went on the ride and I saw some people I'd seen on the ride, the previous year and had spoken with a bit, but didn't, you know, couldn't even remember their names and so on. Mm-hmm. But there was enough of like, oh yeah, I remember you from last year, and. What started as like, alright, I'm gonna go check out Kingston. Cause I feel drawn to there for some reason, but I'm going solo and I don't really know anybody. Ended up being like a series of serendipitous little events where I get pulled into something. It's like, oh hey, like you're, you know, um, you were here last year. Oh, you know, I, I'm, you know, what do you do? Oh, I do this. Oh. Oh, what do you do? Oh, I'm a musician. I'm actually playing across from Rough Draft. Mm-hmm. Uh, tomorrow. And I go to that show and I see other people from the ride and then hanging out with him afterwards. And it's. And get invited to another thing to, to go sit around a fire. I actually, in that case it was, uh, it was, it was, uh, I get a text from, from Rob who runs Trust Up, which mm-hmm. You got kicked off. He's like, Hey, are you in town? I'm like, yeah, I'm in town. I was thinking of heading back. He's like, oh, well we should hang out. Ended up staying with him and his wife and his daughter. Mm-hmm. Um, over, I think a couple of nights and sitting around a fire, uh, that evening with a bunch of people who I now consider friends and so on, and, and that just, Happened over and over and over again over the course of the weekend, really being, being here. And I find that that often happens as I'm kind of walking around the neighborhood. Mm-hmm. Uh, because there's, again, there's um, it's a big enough place where. It doesn't feel too small, it doesn't feel too isolated or anything else like that. It has all the things that I need. Like I very seldom feel, uh, granted I just got here mm-hmm. Uh, some months ago, but I haven't had this feeling like, oh, I gotta go really far in order to, to find something interesting. Right. Um, but it, it's small enough where you bump into the same people over and over again. Like you see that person at the cafe. You know that that's also working there one or two days a week. Like you, you bump into them every so often and eventually you end up sitting around the big table. Um, and you know, you have a conversation. [00:38:49] Joe Concra: Yeah. The blessing and a curse of a mid-size to small town that Yeah. You know, you get to know everybody and at the same time it's like, oh, do I really wanna know anybody? Everybody. But yeah, you're right. But the other interesting thing, and I mean you're somebody who's moved here recently is I'm always curious how you, how does one I. Wherever you're listening to this, wherever someone is, when someone new comes to town, there used to be a thing called the welcome wagon, right? Like there would be, people would come over with a, a hot dish, right? Welcome to the neighborhood, here's some macaroni and cheese. Like how do you bring people in? And also economically, what's happened here, and I think what's happened if you draw a two to three hour circle around any major metropolitan area during the pandemic is. The value of prices has gone up so high that a lot of our RS musicians have had place housing [00:39:40] Randall Jacobs (host): in particular. [00:39:40] Joe Concra: Yeah. A lot of our folks have had, have had to leave. Yep. Right. So how do you get the new crop, which everybody's always looking for, greener pastures, wants to move somewhere, right? So how do you engage new people to get involved and feel like they're part of the community? I think that's, that's a difficult nut to crack sometimes. [00:40:00] Randall Jacobs (host): I mean, I, I would flip the question. In a way that I think would have similar answers, but is more immediately actionable and say, what can you do where you are to kind of kick off or catalyze those types of dynamics. Mm-hmm. So, you know, examples of like, you know, I have a neighbor who, uh, sometimes I'll come home and they'll be a pastry in a, in a Pyrex container on my deck. Mm. Right. Little acts of kindness go a long way. Um, or I. Uh, you with, I mean, trust, trust up was very much like looking to create, uh, a platform for kind of facilitating those types of dynamics. Mm-hmm. Where it's like, okay, you, here's a place where if you have some, some need or you have something you can contribute, you can come here. And this, it's almost like a clearing house for, for, you know, those needs and resources, whether it be like you, you know, you need a tool, you need a hand with things. Something. Mm-hmm. Or you have some expertise and, uh, you can provide to someone else. And then the process of doing so again, unlike a, an anonymous remote transaction over the interwebs mm-hmm. Where something just arrives at your door, you're having an, you're having a very intimate interaction with somebody that you're going to see again in your community. Mm-hmm. Um, you know, it really shifted, uh, like shifting the perspective from, uh, one of. I need to get as much utility defined very narrowly from every dollar I spend to, I have a certain set of needs and there's more than one way to get them met. And in fact, when I think about fun, fundamental needs, um, most of the things that we think of as needs in in modern culture, even if you don't have a huge amount of resources, are wants. Right. Right. What do you really need? You need to be fed, you need to be Mormon. You know, you need shelter and water security. Right. And then, you know, to, to live a live rich life, like, you know, you need a, a sense of belonging. Mm-hmm. Uh, you need, uh, some, some feeling of purpose, of, of meaning. Right. We are meaning creating machines like it, it's if, if humans do anything that seems really, um, that, that might be unique though. Uh, who knows what we'll discover as we are more and more able to interface with other non-human beings. Mm. Um, but we generate meaning, you know, we're, we're using words that it's like language is meaning built on. Meaning on meaning. It's abstraction. On abstraction. On abstraction. Mm. But its core, like, uh, uh, if you, like, if you feel insecure, Like somatically insecure, and then you have all these narratives around it. Only if I only had more money, only if I had this, this, this thing, right? That would be give me a feeling of, of, of esteem, right? I have the nice car, I have the clothes, I have the fancy bike, right? Mm-hmm. And the blingy, the blingy thing. Um, then I would feel, I would feel enough and I would feel secure and so on. And that whole mindset is something that is uh, uh, it's running up the down escalator. [00:43:15] Joe Concra: Oh, I like that. Yeah. Running up the down escalator sounds about right, but I didn't realize we were gonna get, I thought we were gonna just tell jokes for a while. This is getting really, this is getting, so I'm, I'm in a really philosophical mood these days. Here I am making fun of people who wear spandex like me, and I'm trying to, and we're getting so heavy. But you're right. I mean, it's, are you a mammal, mammal, [00:43:37] Randall Jacobs (host): middle age, something in Lycra. Middle aged man in Lycra. Oh my [00:43:42] Joe Concra: God, I've never heard about that. I hope not. No, I don't think so. I'm past middle age at this point, aren't I? I don't even know anymore. [00:43:48] Randall Jacobs (host): Well, I guess actuarily. I'm middle aged. Yeah. So to the extent that I'm still rocking Lycra on occasion, I guess I'm [00:43:53] Joe Concra: mammal. I, yeah, I think you're mammal. I think they're just looking at me in, be like, you're on the, I'm on the down. I'm on the, I'm on the downhill at this point. There's no more climbing. I'm on the downhill. That's, that's it. But the climbing is my favorite thing to do on a bike, I have to say. Yeah. That's one thing I miss about road bikes versus, versus gravel bikes. Mm. I do love climbing on road bikes. Yeah. I love the dancing on the pedals. I love going up mountains. I think it's, and around here it's great. Like, it's still my favorite thing. It's one thing I have not been able to do on a gravel bike is truly learn how to climb on gravel because it's so different than climbing on the road. And I find it, um, it's just less exhilarating. It's more of a slog. To sit in the saddle, figure out when to stand, when you're not gonna, how to distribute your weight, all that stuff. See, now I'm getting a little cycling geeky. Yeah, keep going. But it's true. I really do. I really do have, I mean, I just, I love climbing and I am, when I'm on the gravel, first of all, most carriage roads and gravel roads around here at least are old rail beds. So the grades aren't super steep. So you find places to go climb. So I find that, and this is one reason I decided to get a thesis, is. With the slicks on, I could just jump off the trail and just go climb a road. Because as you know, there's so many climbs around here. Yeah. So that's really great. But, but I'm not super good at, I'm not good at climbing on dirt. I'm really not. [00:45:21] Randall Jacobs (host): It's a different thing. There's a certain, um, you're far fewer variables on the road, and so you can, I, I find that. Uh, well, not I find recently, but I have found in the past that there's a certain flow state they can get into on a long, sustained road climb. Yes. Where, you know, you're, you're escalating the intensity and your heart rate and your cadence and all your breathing and all these things are kind of at their limits. And then once they fall into sync, all of that perception of suffering just kind of fades away and you're still going like, Really hard, but it's, it's, um, the all there is is that, that, that sinking mm-hmm. Of all the things, like, it's very, very, like in one's body, in, in that particular time and place. Mm-hmm. That, that, that string, that world line of events, it's like very much in that. Uh, I love, I love that feeling. [00:46:23] Joe Concra: I've never heard, I've never heard anybody talk about the thinking of it before. That's exactly it. That rhythm, that moment. Oh my gosh, it's so beautiful. It's so beautiful. You can't even des you just described it, but like, I want to get, I just wanna put on my freaking spandex and go out. Now I [00:46:39] Randall Jacobs (host): described it, uh, it was in Daoism, like the, the, the words used to describe the thing are not the thing itself. Yeah. Any, any Chinese nerds out there. But, but yeah, it's, that was the thing for me with cycling, it's like, oh, everything, everything can go away. Mm-hmm. Everything can fade and it's a whole different context, a whole different head [00:47:04] Joe Concra: space. Yeah. I call my thesis, my mental health machine. I'm sure other people call their bike that too. I think. I think it's just that thing that gets you. To what you just said, that flow state, that place, the other place. I feel that on a personal level is my studio. Yeah. There's only, there's only one place other, and my studio will always win even over the bike. But, but it, but when you're just, when you get to that place where the thinking stops and the being is and it's just, it's, it's tremendous. [00:47:29] Randall Jacobs (host): You know where I get that these days? Clearing brush, I [00:47:33] Joe Concra: had that. I knew you were gonna say something about the cabin. Have we named this cabin yet? What is the name of this cabin? Well someone tried to [00:47:38] Randall Jacobs (host): call it Disaster Cabin. Yes. [00:47:39] Joe Concra: I love that. [00:47:40] Randall Jacobs (host): Um, But, you know, and, and I'll accept it, right. Because, you know, it was in rough shape and there's the Disaster Mansion and Disaster Cottage from, you know, two, two mutual friends. Yeah. In town, other, other falling down houses that hadn't been inhabited in a long time, that are being resuscitated. Yeah. Um, but it doesn't feel like a disaster for me when I saw that house in the condition it was in, um, my feeling wasn't, oh, this is, this is. Gonna be a lot of work. Oh, this is, you know, how, how is it in this state? Or whatever The feeling was, this is my house. Yeah, that's great. I'm going to make this wonderful. And in fact, having that, that thing to push against, kind of like pushing oneself up a mountain, um mm-hmm. But not being, you know, there, there are times, you know, again, just as with on a bike, it's like, oh, the top of the mountain is like so far away and my legs are burning, and like, I, I don't want to, why am I even doing this? Mm-hmm. Why am I choosing this? Why am I such an idiot that I like, take on these hard things? Um, you know, that that's, you know, there are definitely those moments in, I think in any relationship. Mm-hmm. You know, any, any relationship to a thing or a person or something like that. If it's a meaningful relationship, it's, there's going to be some, some great difficulty. Mm-hmm. Uh, but, but the reward is that state of like, you know, I'm doing a thing and yes, it will have a result. And that result will be satisfying. But actually I just love doing this thing too. Mm-hmm. Yeah. Yeah. The reward is the process and not the outcome. Yeah, I [00:49:16] Joe Concra: was just gonna say that it's all about [00:49:17] Randall Jacobs (host): process. I think that, that, if I were to think about like a, a healthy relationship to the bike and, and, you know, would extend to any anything, is, uh, you know, it's used as a vehicle for that type of connection. [00:49:34] Joe Concra: Yeah. Yeah. I, yeah. I thank you again for making such a nice gravel bike. Uh, it's really fun. It's just really [00:49:43] Randall Jacobs (host): fun. There are, there are lots of very enjoyable bikes. I think the stories that you have around it probably matter as much. It's [00:49:49] Joe Concra: crazy how, I mean, I remember we first talked way back when, when you were, when you had been at specialized and you had started a thesis. It felt like a different world. Like there weren't as many companies making gravel bikes. Mm-hmm. And now it's just like it was the early days. Yeah. Oh my gosh. Everybody has a gravel bike. I ride in order I, one of my road bike that I've written tens of thousands of miles on is a 2007 frame where Baya Orca just, I had bought the frame and I built it up with Campy and built all these, it's a Franken bike. Right. I've spent more time on that bike than I have with anything in my life other than my cats. And, uh, And they now make a gravel bike or bay. Oh yeah. Every, and I'm like, what, what? How, how did they end up here? I, I [00:50:32] Randall Jacobs (host): used to define it as the, the multipurpose road bikes that the industry should have been providing to regular riders all along. Yeah. Like most riders don't need, you know, several different bikes for all the different purposes. Like a single bike, maybe with two wheel sets. Maybe with some features to, um, you know, make it adaptable to different types of riding, like a dropper and so on. I mean, that, that, that was the thesis. Yeah. I mean, not the only part of the thesis, but that was one of the core product thesis. Right. And why we, we called it as such. And, uh, I still feel that way. Yeah. Like I, I still have a single bike with two wheel sets, so I still drink my own Kool-Aid, I guess, in that regard. That's great. Um, how'd you get into riding? [00:51:16] Joe Concra: Oh, well, I was a disenfranchised youth. Ronald Reagan. Ronald Reagan made me ride a bike. Um, I think growing up, you know, we all have our own stories, right? And I, I'm not a big fan of people. It's a big push these days, it seems. Everybody has to tell their story, right? It's just like kind of whatever. Everybody has the same damn stories. At the end of the day, we're all just trying to survive. So, But I found the bike because I was a disenfranchised youth. That's the, that's the broad stroke of it all. And I was just like, I need to get outta here. I just need to get outta here. And I remember my first bike in a paper route, I think in Philadelphia where I had a paper route when I was a really young kid. And just riding around the streets early in the morning, tossing paper newspapers. Remember newspapers? No, no. Nobody remembers newspapers. I do. All right. I delivered papers too. Excellent, excellent. I'm Ask Walham, Walham News Tribune, Massachusetts, right? I think I was the first. My sisters did as well. What the, what is [00:52:14] Randall Jacobs (host): sometimes when I wasn't doing the route that I was supposed to, what was it called? The Wal News Tribune. Oh, [00:52:19] Joe Concra: I love that. I just heard that a nonprofit bought 11 out of the 12 independent newspapers in Maine yesterday to keep them alive. That's pretty [00:52:28] Randall Jacobs (host): cool. That's much better than Sinclair or some other conglomerate [00:52:31] Joe Concra: right. So there's now 11 of the 12 newspapers in Maine will survive as a not for pro anyway. I, I digress. Throwing newspapers and then, um, uh, you know, remember the, the mo there was a movie Breaking Away. Yeah. Right. And as an Italian American that kid's singing in Italian in the beginning of the movie. And then being a cutter and like being an outcast and not in the, the college, I was always an outcast. I was totally never comfortable wherever I was, I became a painter, like nobody, whatever. So I discovered bikes really early on, and it just got me out of whatever bad situation I was in. Hmm. And that to me, that was always the escape machine. So even now when I leave my front door, I can go do a 30 mile gravel ride now and never have to hit a road. And I always feel so much better when I come back, cuz now it's all in my head. [00:53:22] Randall Jacobs (host): Unfortunately at this point, the software we were using, having to cut out. So while the conversation continued for quite some time, we don't have the rest to share with you. However, if you'd like to join us at the O positive festival, whether for the rides or the festival itself, you can visit opositivefestival.org or reach out to Joe or myself in the ridership. So with that, I hope you've enjoyed the episode and as another dear friend of mine likes to say. Here's to finding some dirt. Under your wheels.