Podcast appearances and mentions of Ryan Lott

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film.Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

"Thunderbolts*" marks a potentially major turning point within the MCU as it brings a group of anti-heroes together to face a new threat and forces them to confront the darkest corners of their pasts. The marketing has been called out for its A24 style, with particular early positive reactions directed towards the cast and director Jake Schreier's more grounded approach to the filmmaking. Schreier and the film's Oscar-nominated composers, Ryan Lott, Rafiq Bhatia, and Ian Chang (otherwise known as "Son Lux"), were all kind enough to spend some time speaking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is opening in theaters on May 2nd from Marvel Studios and Walt Disney Studios Motion Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

A lot of what has transpired in Ryan Lott's life as a musician has been unexpected, mainly in as much as his unfearing forays into the potentiality of his medium has expanded his zone of interest, and that of his band Son Lux. The gumption of Son Lux has landed them in some unusual places, not least of which was at the helm of scoring one of the most unusual films ever made – Everything Everywhere All at Once. Listen along as Lott gets open about being a part of the first ever Oscar nominated band for best score, and the choices he made to get there, and beyond. 

Get ready to hear from Ryan Lott, Founder & CEO of Neocol, a Salesforce Revenue Cloud system integrator experiencing explosive growth! In just 3 years, Neocol has quadrupled its team, driven by Ryan's 20+ years of business expertise. He's based in Las Vegas and Nashville, and in this episode, he'll take us on a deep dive into: Their journey from IBM to Salesforce Revenue Cloud: Discover why they made the switch and what benefits they've reaped. Unveiling their service offerings: Learn about Neocol's diverse portfolio and how they help businesses thrive. Learn more about the 25-30 accelerators they developed this year. Investing in innovation: Get more info on their spring 2023 funding from Salesforce Ventures. Partnering for power: Learn about their strategic collaboration with RightRev and its impact. Salesforce Summit Partner: Learn what that nomination as a Salesforce Summit Partner is doing for them AI/ML/LLM: Learn what Neocol thinks about this and where they see the biggest interest. Don't miss this insightful conversation with Ryan Lott as he shares the secrets behind Neocol's impressive success and their vision for the future! website: neocol.com LinkedIn: https://www.linkedin.com/in/ryan-lott-538313b/   

This week, Son Lux returns with Alternate Forms, the band's first new album since releasing its beloved score to the film Everything Everywhere All At Once. To mark the occasion, we're sharing an encore presentation of our interview with Son Lux frontman Ryan Lott about how the band managed to score one of the most awarded — and bonkers — films of all time.This interview originally ran on Feb. 20, 2023.

Join Rain on LaunchLeft today as they welcome Oscar-nominated Son Lux to kick off Qasim Naqvi's launch. Tune in for an engaging conversation with Ryan, Ian, Rafiq, and Qasim Naqvi as they discuss their unique experiences and creative processes in music-making. This versatile group excels as a live band, studio recording artists, and composers, embracing various aspects of the art they cherish. As a special treat, you'll have the privilege of hearing Qasim Naqvi's captivating performance of "The Curve" at the end of the episode. -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [02:23] Ryan tells how he and Rafiq came to collaborate.  [08:25] Ian explains how they became composers for Everything, Everywhere, All At Once.  [10:26] Rafiq shares what they have been working on recently.  [12:39] Ryan comments on the reward versus the work and how the work won out.  [17:42] Qasim Naqvi reveals how he met the members of Son Lux, and they all reflect on their times together.  [25:02] Ryan talks about how their music is visual, and Qasim Naquiv discusses the modular synthesis while they land on making music with what they have.  [40:03] Listen to “The Curve” by Qasim Naqvi.    KEY TAKEAWAYS:  The difference between performing on stage and recording in a studio is night-and-day. When you find like-minded artists who appreciate each other's talents, you have a winning combination. Sometimes it’s the accident that makes the music. It’s called working with what you have.   BIOGRAPHIES::  SON LUX BIO: From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and the triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for an equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux has most recently scored the new Daniels film for A24, Everything Everywhere All at Once (March 2022). The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others. Based in New York, Rafiq Bhatia is the first-generation American son of Muslim immigrant parents who trace their ancestry to India through East Africa. Early influences such as Jimi Hendrix, John Coltrane, and Madlib—as well as mentors and collaborators including Vijay Iyer and Billy Hart—prompted him to see music as a way to actively shape and represent his own identity, not limited by anyone else’s prescribed perspective. When Ian Chang describes his creative process, the phrase "third culture” keeps coming up. Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for ten years and since relocated to Dallas, Texas, he built an impressive roster of progressive pop collaborators such as Moses Sumney, Joan As Policewoman, and Matthew Dear, among others, all while performing internationally and recording as a member of Son Lux and Landlady. Ryan Lott makes his home in Los Angeles but grew up all over the United States. Music was the one constant in his formative years spent at the piano. In addition to an extensive career writing music for dance, he has become a sought-after composer for advertising, television, and film. Lott’s feature film credits include The Disappearance of Eleanor Rigby (2014), Paper Towns (2015), and Mean Dreams (2017). He has co-produced and co-written music for and with Woodkid, Sufjan Stevens, and Lorde.   BIOGRAPHY: QASIM NAQVI  Qasim Naqvi is a drummer and founding member of Dawn of Midi. Outside of his role in D.O.M., Qasim works on various projects, from electronic music to composing for orchestras, chamber groups, dance and film.  His concert music has been performed/commissioned by The BBC Concert Orchestra, Jennifer Koh, The London Contemporary Orchestra, Stargaze, Bang on a Can All-Stars, Crash Ensemble, The Now Ensemble, The Erebus Ensemble, yMusic, The Helsinki Chamber Choir, Alexander Whitley, Cikada, The Chicago Symphony Orchestra(MusicNOW Season) and others. He has been a featured composer at the Musica Nova Festival in Helsinki, the Spitalfields Festival in London, Ultima Festival, Southbank Centre and the Rest is Noise Festival in Holland.   Qasim's soundtracks for the film have appeared on HBO, NBC, PBS, Showtime, New York Times Op-Docs, VICE Media, at The Tribeca, Sundance, Toronto, Rotterdam and London Film Festivals, at dOCUMENTA 13 and 14, The Guggenheim Museum, The Tate Britain (Turner Prize 2018), MOMA P.S. 1, IDFA, Berlinale and others. He has worked with such notable filmmakers as Laura Poitras, Mariam Ghani, Marc Levin, Naeem Mohaiemen, Smriti Keshari, Prashant Bhargava and Erin Heidenreich. Acoustic trio Dawn of Midi has released two albums. Their most recent Dysnomia was acclaimed by Pitchfork, Rolling Stone, Spin, The Guardian and the New Yorker. Radiohead personally picked Dawn of Midi as their support band for two sold-out concerts at New York's Madison Square Garden for their Moon Shaped Pool tour.    Qasim earned his B.F.A in performance from the New School Jazz and Contemporary Music program and his M.F.A in composition and performance from California Institute of the Arts. He studied drums and performance with Andrew Cyrille, Joe Chambers, Reggie Workman, Buster Williams, Ralph Peterson Jr., Charlie Haden and Rashied Ali and composition with Wolfgang von Schweinitz, James Tenney, Morton Subotnick, Marc Sabat, Wadada Leo Smith, Michael Jon Fink and Anne LeBaron. He is a 2016 N.Y.F.A Fellow in Music and Sound and has received other fellowships and awards from Chamber Music America, The Foundation for Contemporary Arts, Mid-Atlantic Arts Council, Harvest Works, The Lower Manhattan Cultural Council, S.T.E.I.M. and Art OMI. Presently, Qasim lives in Brooklyn, New York and works on various projects as a freelance composer and drummer. He is represented by Erased Tapes Publishing.   RESOURCE LINKS Podcast - LaunchLeft   SON LUX LINKS: Son Lux Music - Website Son Lux - Instagram Son Lux - Twitter Son Lux - Facebook Son Lux - YouTube Son Lux - Soundcloud   QASIM NAQVI LINKS: Qasim Naqvi - Website Qasim Naqvi - Instagram Qasim Naqvi - Twitter Qasim Naqvi - Bandcamp  

Muziek van Son Lux bij de film Everything Everywhere All At Once, Amerikaanse film uit 2022 van Daniel Scheinert en Daniel Kwan. De Chinees-Amerikaanse Evelyn is een uitgebluste vijftiger die met haar sullige echtgenoot een wasserette runt. Op een dag ontdekt ze verbijsterd dat ze in staat is om parallelle universums te bezoeken waarin ze heel andere levenskeuzes heeft gemaakt. Deze duizelingwekkende indiehit heeft trekken van een typische Marvelsuperheldenfilm, maar is veel origineler en ambitieuzer. Verkozen tot VPRO Cinema's Film van het Jaar 2022 en winnaar van maar liefst zeven Oscars. Ook de soundtrack werd genomineerd voor een Oscar - muziek van Son Lux, een Amerikaanse ‘experimentele band' rond muzikant Ryan Lott. Uitgebracht in een album van nagenoeg twee uur herkenbare en toch zeer uiteenlopende korte stukjes, met medewerking van beroemdheden als David Byrne, Randy Newman de Ghanees-Amerikaanse zangere Moses Sumney en de New Yorkse avontuurlijke vocaliste Nina Moffitt. Son Lux ontstond in 2008 als een solo-project van Ryan Lott. Inmiddels zijn ook Rafiq Bhatia en Ian Chang officieel lid van Son Lux, als respectievelijk gitarist en drummer.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of assassination, graphic details of gunshots, homophobia, lies, drugging, conspiracy theories, war. We're fast approaching the 95th Academy Awards, so that means it's time to get our picks set for all the categories! Will Everything Everywhere All At Once complete its awards cycle, or will another challenger upset? Will Jimmy Kimmel hold the fort down after last year's unexpected ceremony? And what will we enjoy more - the sheer exuberance of “Naatu Naatu” or the sheer delight of seeing David Byrne onstage at the Oscars? Grab your ballots and prepare for your Oscar pools as we discuss our picks for the 2023 Oscars on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the scores to the following movies: All Quiet on the Western Front - Volker Bertelmann Babylon - Justin Hurwitz The Banshees of Inisherin - Carter Burwell Everything Everywhere All at Once - Son Lux The Fabelmans - John Williams "Applause" - Tell It Like a Woman - Music and Lyrics by Diane Warren "Hold My Hand" - Top Gun: Maverick - Music and Lyrics by Lady Gaga and BloodPop "Lift Me Up" - Black Panther: Wakanda Forever - Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyrics by Tems and Ryan Coogler "Naatu Naatu" - RRR - Music by M.M. Keeravaani; Lyrics by Chandrabose "This Is a Life" - Everything Everywhere All at Once - Music by Ryan Lott, David Byrne and Mitski; Lyrics by Ryan Lott and David Byrne

The Full Listing of Academy Award Nominees Best Picture All Quiet on the Western Front — Malte Grunert, Producer Avatar: The Way of Water — James Cameron and Jon Landau, Producers The Banshees of Inisherin — Graham Broadbent, Pete Czernin and Martin McDonagh, Producers Elvis — Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers Everything Everywhere All at Once — Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers The Fabelmans — Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers Tár — Todd Field, Alexandra Milchan and Scott Lambert, Producers Top Gun: Maverick — Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers Triangle of Sadness — Erik Hemmendorff and Philippe Bober, Producers Women Talking — Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers Best Directing The Banshees of Inisherin — Martin McDonagh Everything Everywhere All at Once — Daniel Kwan and Daniel Scheinert The Fabelmans — Steven Spielberg Tár — Todd Field Triangle of Sadness — Ruben Östlund Best Actor in a Leading Role Austin Butler in Elvis Colin Farrell in The Banshees of Inisherin Brendan Fraser in The Whale Paul Mescal in Aftersun Bill Nighy in Living Best Actress in a Leading Role Cate Blanchett in Tár Ana de Armas in Blonde Andrea Riseborough in To Leslie Michelle Williams in The Fabelmans Michelle Yeoh in Everything Everywhere All at Once Best Actor in a Supporting Role Brendan Gleeson in The Banshees of Inisherin Brian Tyree Henry in Causeway Judd Hirsch in The Fabelmans Barry Keoghan in The Banshees of Inisherin Ke Huy Quan in Everything Everywhere All at Once Best Actress in a Supporting Role Angela Bassett in Black Panther: Wakanda Forever Hong Chau in The Whale Kerry Condon in The Banshees of Inisherin Jamie Lee Curtis in Everything Everywhere All at Once Stephanie Hsu in Everything Everywhere All at Once Best Costume Design Babylon — Mary Zophres Black Panther: Wakanda Forever — Ruth Carter Elvis — Catherine Martin Everything Everywhere All at Once — Shirley Kurata Mrs. Harris Goes to Paris — Jenny Beavan Best Sound All Quiet on the Western Front — Viktor Prásil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte Avatar: The Way of Water — Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges The Batman — Stuart Wilson, William Files, Douglas Murray and Andy Nelson Elvis — David Lee, Wayne Pashley, Andy Nelson and Michael Keller Top Gun: Maverick — Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor Best Original Score All Quiet on the Western Front — Volker Bertelmann Babylon — Justin Hurwitz The Banshees of Inisherin — Carter Burwell Everything Everywhere All at Once — Son Lux The Fabelmans — John Williams Best Adapted Screenplay All Quiet on the Western Front — Screenplay by Edward Berger, Lesley Paterson & Ian Stokell Glass Onion: A Knives Out Mystery — Written by Rian Johnson Living — Written by Kazuo Ishiguro Top Gun: Maverick — Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks Women Talking — Screenplay by Sarah Polley Best Original Screenplay The Banshees of Inisherin — Written by Martin McDonagh Everything Everywhere All at Once — Written by Daniel Kwan & Daniel Scheinert The Fabelmans — Written by Steven Spielberg & Tony Kushner Tár — Written by Todd Field Triangle of Sadness — Written by Ruben Östlund Best Live-Action Short Film “An Irish Goodbye” — Tom Berkeley and Ross White “Ivalu” — Anders Walter and Rebecca Pruzan “Le Pupille” — Alice Rohrwacher and Alfonso Cuarón “Night Ride” — Eirik Tveiten and Gaute Lid Larssen “The Red Suitcase” — Cyrus Neshvad Best Animated Short Film “The Boy, the Mole, the Fox and the Horse” — Charlie Mackesy and Matthew Freud “The Flying Sailor” — Amanda Forbis and Wendy Tilby “Ice Merchants” — João Gonzalez and Bruno Caetano “My Year of Dicks” — Sara Gunnarsdóttir and Pamela Ribon “An Ostrich Told Me the World Is Fake and I Think I Believe It” — Lachlan Pendragon Best Animated Film Guillermo del Toro's Pinocchio — Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley Marcel the Shell With Shoes On — Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey Puss in Boots: The Last Wish — Joel Crawford and Mark Swift The Sea Beast — Chris Williams and Jed Schlanger Turning Red — Domee Shi and Lindsey Collins Best Original Song “Applause” from Tell It Like a Woman; Music and Lyric by Diane Warren “Hold My Hand” from Top Gun: Maverick; Music and Lyric by Lady Gaga and BloodPop “Lift Me Up” from Black Panther: Wakanda Forever; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler “Naatu Naatu” from RRR; Music by M.M. Keeravaani; Lyric by Chandrabose “This Is a Life” from Everything Everywhere All at Once; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne Best International Feature Film All Quiet on the Western Front — Germany Argentina, 1985 — Argentina Close — Belgium EO — Poland The Quiet Girl — Ireland Best Makeup and Hairstyling All Quiet on the Western Front — Heike Merker and Linda Eisenhamerová The Batman — Naomi Donne, Mike Marino and Mike Fontaine Black Panther: Wakanda Forever — Camille Friend and Joel Harlow Elvis — Mark Coulier, Jason Baird and Aldo Signoretti The Whale — Adrien Morot, Judy Chin and Anne Marie Bradley Best Production Design All Quiet on the Western Front — Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper Avatar: The Way of Water — Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole Babylon — Production Design: Florencia Martin; Set Decoration: Anthony Carlino Elvis — Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn The Fabelmans — Production Design: Rick Carter; Set Decoration: Karen O'Hara Best Cinematography All Quiet on the Western Front — James Friend Bardo, False Chronicle of a Handful of Truths — Darius Khondji Elvis — Mandy Walker Empire of Light — Roger Deakins Tár — Florian Hoffmeister Best Visual Effects All Quiet on the Western Front — Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar Avatar: The Way of Water — Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett The Batman — Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy Black Panther: Wakanda Forever — Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick Top Gun: Maverick — Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher Best Documentary Feature All That Breathes — Shaunak Sen, Aman Mann and Teddy Leifer All the Beauty and the Bloodshed — Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov Fire of Love — Sara Dosa, Shane Boris and Ina Fichman A House Made of Splinters — Simon Lereng Wilmont and Monica Hellström Navalny — Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris Best Documentary Short Subject “The Elephant Whisperers” — Kartiki Gonsalves and Guneet Monga “Haulout” — Evgenia Arbugaeva and Maxim Arbugaev “How Do You Measure a Year?” — Jay Rosenblatt “The Martha Mitchell Effect” — Anne Alvergue and Beth Levison “Stranger at the Gate” — Joshua Seftel and Conall Jones Best Film Editing The Banshees of Inisherin — Mikkel E.G. Nielsen Elvis — Matt Villa and Jonathan Redmond Everything Everywhere All at Once — Paul Rogers Tár — Monika Willi Top Gun: Maverick — Eddie Hamilton

Puja Patel and Jeremy Larson talk to Pitchfork Features Editor Jill Mapes about the Oscar-nominated music movies Elvis and Tár. Then, David Byrne and Ryan Lott of Son Lux talk about some favorite scores and their work on Everything Everywhere All at Once. Read Jill's article here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ryan Lott and Ian Chang from the experimental trio Son Lux talk about their Academy Award-nominated work on the score and soundtrack for the beautiful, epic film Everything Everywhere All At Once, which is as brilliantly unclassifiable as the movie itself. Their score is nominated for Best Original Score and the end credits tune (a duet between Mitski and David Byrne, who cowrote the tune with Son Lux) is up for Best Music (Original Song) at the upcoming 95th Annual Academy Awards. They also delve into their personal histories with music, from their childhood music lessons and impactful discoveries of artists including Radiohead, Jimi Hendrix, Ray Charles, Prince, Miles Davis, Jeff Buckley, Seal and more. And Lott narrates Son Lux's development from a solo project that he began in 2008 as a creative outlet while he was working as a composer for a dance company, to the full-fledged touring band and collaborative unit thanks to the addition in 2014 of Chang and their bandmate Rafiq Bhatia.

Ryan Lott of Son Lux talks working with Mitski, David Byrne, and 'Everything Everywhere All At Once.' Learn more about your ad choices. Visit megaphone.fm/adchoices

Our latest guests on Soundtracking are Ryan Lott, Rafiq Bhatia and Ian Chang, who come together under the banner of Son Lux. And under that banner, they provided the music for Daniels Kwan and Scheinert's mind-bending multiverse romp, Everything Everywhere All At Once. The score had to mirror the complexity of the narrative without confusing matters further. No mean feat, but one they manage to pull off with some considerable panache. 

Son Lux frontman Ryan Lott reveals how the band was able to keep pace with the frenetic, shape-shifting storytelling of Everything Everywhere All At Once, without missing its ultimate beat: love.

In our first dispatch from The Santa Barbara International Film Festival Christina talks to Oscar nominated artisans and filmmakers ahead of their panels and tributes at the festival! Composer Ryan Lott of the band Son Lux ' 'Everything Everywhere All At Once'  Prosthetics Makeup designer Adrien Morot 'The Whale' Writer, Director, Producer Todd Field 'TÁR' Sound designer Markus Stemler 'All Quiet on the Western Front' Production Designer Florencia Martin 'Babylon' Learn more about your ad choices. Visit megaphone.fm/adchoices

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. SON LUX From the start, Son Lux has operated as something akin to a sonic test kitchen. The band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux has most recently scored the new Daniels film for A24, Everything Everywhere All at Once. The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others.

Son Lux joins us to chat about their Oscar nominated score to Everything Everywhere All At Once! Ryan Lott, Rafiq Bhatia, and Ian Chang are the members of Son Lux. Get to know the history of their friendship and collaboration and how Son Lux grew from a solo project that Ryan created to a band that explores anywhere music takes them. We dive into Everything Everywhere All At Once to discuss what it was like working with the Daniels, how they developed the sound palette of the score, crafting the emotional structure, creating the sounds of the multiverse, building that immense staircase fight sequence climax in the third act, working without music editors for periods of time, utilizing Claire de Lune as a central motif, and so much more! Ryan, Rafiq and Ian are incredible musical storytellers, and getting to hear them discuss their process and approach is so insightful! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

The best albums out this week include A Reckoning from Kimbra, Sam Smith's deeply personal and powerful Gloria, jazz saxophonist Lakecia Benjamin's Phoenix and more.Featured Albums:1. Kimbra — A ReckoningFeatured Songs: "la type (feat. Pink Siifu & Tommy Raps)," "save me," "foolish thinking (feat. Ryan Lott)"2. Sam Smith — GloriaFeatured Songs: "Unholy (feat. Kim Petras)," "I'm Not Here To Make Friends," "Love Me More," "Gloria"3. Lakecia Benjamin — PhoenixFeatured Songs: "Amerikkan Skin (feat. Angela Davis)," "Supernova (feat. Wayne Shorter)"4. Samia — HoneyFeatured Songs: "Amelia," "Pink Balloon," "Sea Lions," "Breathing Song"5. Jonah Yano — Portrait of a DogFeatured Songs: "Always," "So Sweet"Lightning Round:Bob Dylan — Fragments - Time Out of Mind Sessions 1996-1997 The Bootleg Series Vol. 17Joe Henry — All the Eye Can SeeNite Bjuti — "Mood (Liberation Walk)" (single)Popcaan — Great Is HeOther notable releases for Jan. 27:The Arcs — Electrophonic ChronicAva Max — Diamonds & DancefloorsBass Drum of Death — Say I Won'tElle King — Come Get Your WifeF***** Up — One DayHammock — Love in the VoidMeg Baird — FurlingSG Lewis — AudioLust & HigherLove

Everything Everywhere All at Once is a sci-fi comedy independent film that came out in the spring of 2022. It's a huge hit that made over $100 million at the box office. It's already been named the best movie of the year by several publications and awards organizations. The movie stars the legendary actress Michelle Yeoh, and was directed by the Daniels, the directing duo of Daniel Kwan and Daniel Scheinert. The score for the film is by the band Son Lux. In addition to the score, Son Lux also made the original song for the film's end credits: "This is a Life," featuring two prestigious guest vocalists: Mitski and David Byrne of the Talking Heads. For this episode, I spoke to Ryan Lott from Son Lux, as well as the Daniels. Ryan tells the story of how the song was created, with his bandmates and Mitski and David Byrne and Daniels all adding to it and shaping it. For more, visit songexploder.net/son-lux.

Ryan Lott is a musician, composer, and founding member of music collective Son Lux. Ryan and his Son Lux collaborators developed the score for the 2022 film “Everything Everywhere All At Once,” much of which was written in a home Ryan rented out in Indianapolis. He talked about reconciling his classical training with a musical rebellious streak, the relationship between music and movement, and why he chose his bandmates to intentionally not just be a bunch of white men.

A unique movie deserves a unique score, and that's exactly what composers Ryan Lott, Ian Chang, and Rafiq Bhatia had to come up with for the Daniels' (now Gotham Award-winning) film, "Everything Everywhere All At Once." The three composers were kind enough to spend some time talking with us about their distinct work on the film, which is up for your consideration for Best Original Score and Best Original Song for the song "What A Life." Please take a listen and enjoy. Thank you!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

The legendary singer/singwriter formerly of Talking Heads reflects on the formation and breakup of that band, the international influences that have shaped his solo career and how he came to write, with Ryan Lott and Mitski, the original song 'This Is a Life' for the 2022 film that is now A24's highest-grossing release ever. Learn more about your ad choices. Visit megaphone.fm/adchoices

„Úplně se teď nehrneme do dalšího alba,“ říká Ian Chang z projektu Son Lux. Americké experimentální trio, které kromě Iana tvoří ještě Ryan Lott a Rafiq Bhatia, totiž za poslední dva roky pracovalo hned na dvou projektech – trojalbu Tomorrows a soundtracku k filmu Všechno, všude, najednou. Na obou deskách zůstávají věrni svému maximalistickému rukopisu, zároveň se vůči němu začínají vymezovat. Víc prozradili v rozhovoru z brněnského festivalu Pop Messe.

„Úplně se teď nehrneme do dalšího alba,“ říká Ian Chang z projektu Son Lux. Americké experimentální trio, které kromě Iana tvoří ještě Ryan Lott a Rafiq Bhatia, totiž za poslední dva roky pracovalo hned na dvou projektech – trojalbu Tomorrows a soundtracku k filmu Všechno, všude, najednou. Na obou deskách zůstávají věrni svému maximalistickému rukopisu, zároveň se vůči němu začínají vymezovat. Víc prozradili v rozhovoru z brněnského festivalu Pop Messe.Všechny díly podcastu On Air můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

To paraphrase the words of our special guest for this week's episode of the podcast, the most powerful songs are often the ones that both meet and challenge our expectations of music. Because of years of conditioning and generations of artistic traditions, we tend to make a lot of assumptions as listeners. We can't help but expect songs to more or less adhere to certain forms, chord progressions, instrumentations, and countless other patterns. Overall, that's not necessarily a bad thing. As writers, producers, and performers, we can use those instincts to create specific atmospheres, invoke complex emotions, and otherwise understand and connect with anyone who listens to the music we make. Of course, there's quite a bit to be said for surprise and delight — the big ideas and tiny details that stray from what's standard, drawing us in by defying that which we've come to expect. In the latest episode of Soundfly's podcast, Themes and Variation, Carter and Mahea are joined by composer, producer, and the artist featured in Soundfly's newest course, https://ryan-lott.com/ (Ryan Lott) to discuss "Songs That Defy Expectations." Themes and Variation is presented by Soundfly, a music education website changing the way we build our creative skills : Check out all of our courses including Ryan Lott: Designing Virtual Instruments https://soundfly.com/courses (here.) Subscribe to all of our https://soundfly.com/subscription (courses here) and use the discount code PODCAST to take 20% off! Sign up to work one-on-one with one of our incredible https://soundfly.com/mentors (mentors here). Listen to Son Luxhttps://open.spotify.com/artist/3kZdsaTYgaaolNxpnJ4iDe?si=ccA6U1FKTSe6aoS7cj2NhA ( here). Check out each song discussed on the pod and more songs that defy expectations with this episode'shttps://open.spotify.com/playlist/6QQDqiu8Yvn71Omy4Hx5gR?si=e206ae01e44e4aad ( playlist.) Have questions or comments? Want to suggest a theme for a future episode? Drop us a line at podcast@soundfly.com or reach out on https://twitter.com/learntosoundfly (Twitter).

In this episode, Gled sits with Social Champ Ryan Lott from Store 288 Woodville Texas and talks about their recent community involvement posts.

Son Lux has fashioned a score that you just have to hear for a movie you just have to see. Ryan Lott and Rafiq Bhatia of this irrepressibly imaginative band jump in to share their cherished experience of creating the music to the wild ride that is Everything Everywhere All at Once. Hold on to your hot dogs.

Rafiq Bhatia, Ian Chang, and Ryan Lott of Son Lux join Kyle Long to discuss their score for the critically acclaimed new film "Everything Everywhere All At Once", which was partly composed in Indianapolis. Son Lux recruited an impressive list of collaborators for the soundtrack, including Randy Newman, Mitski, David Byrne, Hanna Benn, Moses Sumney, Andre Benjamin of Outkast, and many others.

How do you put music to the multiverse? Especially when the multiverse includes sights as strange as rocks with googly eyes, people with hot dog fingers, and heads exploding into glitter? That's the challenge experimental band Son Lux faced when composing the whirlwind, two-hour score for Daniels' latest film, Everything Everywhere All at Once. Building on the devil-may-care absurdity of their previous works, like the music video for "Turn Down for What?" and 2016's farting-corpse buddy movie Swiss Army Man, Daniels starts their newest work simply -- a middle-aged Chinese immigrant (Michelle Yeoh) stresses about losing her laundromat and pleasing her visiting father. But before long, her distant husband Waymond (Ke Huy Quan) informs her that he's from a different universe, and she's the only person who's able to stop a chaotic force of destruction from destroying the multiverse as we know it. Kung fu fights, slapstick, and drama-filled confessions follow, spanning a million different genres, modes, and senses of humor. Keeping up with such whirlwind intensity in the score is no small feat, but it's one that LA-based experimental trio Son Lux leaned into with aplomb in their first feature film score as a collective. Comprised of founder Ryan Lott and collaborators Ian Chang and Rafiq Bhatia, Lux's sound to date feels airy, ambient and cosmic, albums like their Tomorrows trilogy already capturing some of the kaleidoscopic grandeur Everything Everywhere needs. And indeed, the score itself matches that dynamism, as zany and nostalgic as it needs to be in the needs of the moment while still maintaining a cohesive throughline. Now that the film's been out for a few weeks, I sat down with Son Lux member Rafiq Bhatia to talk about the film's soundtrack, Daniels' unusual collaborative processes, and the challenges of building a house around a single chair... metaphorically, of course. You can find Son Lux at their official website here. Everything Everywhere All at Once is currently playing in theaters everywhere. You can also listen to the score on your preferred music streaming service courtesy of A24 Music.

Part two (of two) of our exclusive, in-person interview with the filmmakers. If you missed part one, be sure to check out that episode (#121) from earlier this week, which you can find https://linktr.ee/dolbyinstitute (wherever you get your podcasts.) Joining us again are directors Daniel Kwan and Daniel Scheinert (known collectively as "Daniels"), as well as the film's sound designer and sound effects editor, Andrew Twite, and the re-recording mixer and sound supervisor, Brent Kiser. Today we're devoting the entire episode to the music of "Everything Everywhere All at Once" because it was such an intensive process. So much so that the composers, the indie band Son Lux (comprised of members Ryan Lott, Ian Chang, and Rafiq Bhatia) spent an unusually long time working very, very closely with the filmmakers on this project: "They came on before we started photography. They helped us write some songs that needed to be on camera. Like the fake musical and stuff. They gave us their entire library of all their personal projects, as well as all their records [and] instrumental versions. And we cut the whole movie to their music. And then they were on during the whole edit, working on the score. So they were part of the project for over two years and created over two hours of original music." — Daniel Scheinert, co-director, co-writer, and co-producer, "Everything Everywhere All at Once" If that sounds like a lot, that's because it was. As part of this episode, we also speak with Ryan Lott, the founding member of Son Lux, to describe his journey working on this film and all its many parts, including crafting different musical styles for each multiverse, collaborating (and singing a duet!) with Randy Newman, as well as discovering the artistic potential of working in Dolby Atmos®. "There were times where we were very specific about 'the front wall' and keeping most things really focused on the front wall. And then, finding moments and specific elements too that could basically embrace you, sonically. And I started to think, during that mix, how that is a musical choice. That's an artistic choice. That's not just a technology choice. That's not just an engineering thing." — Ryan Lott of Son Lux, composer, "Everything Everywhere All at Once" https://tickets.everythingeverywhereallatonce.movie/ (Be sure to check out "Everything Everywhere All at Once" at a cinema near you, now playing in Dolby Atmos®, where available.) https://a24films.com/films/everything-everywhere-all-at-once (Many thanks to our friends at A24 for helping us pull this conversation together! ) If you enjoyed this two-part conversation with the filmmakers, please subscribe to Sound + Image Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts), as we have many more episodes just like this one coming up in the near future! You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

In their new feature film, "Everything Everywhere All At Once," former music video directors the Daniels recruited the experimental band Son Lux to compose the score. Their soundtrack also features David Byrne, Mitski, Andre 3000, Randy Newman, and more. Son Lux frontman Ryan Lott joins for a Listening Party.

"Like Lazarus Did" is a dance piece that Ryan Lott scored and we explore the piece's resurrection themes.

In the 15th episode of the Son Lux podcast "Plans We Make,” @Ian Chang speaks with composer, singer-songwriter, and multi-instrumentalist Shara Nova aka @My Brightest Diamond on the topic of Reinvention. Over the course of four groundbreaking albums, she has resisted the conventions of genre, blending elements of rock, art pop, and chamber music into a sound totally her own. https://www.billfrisell.com/ Subscribe to the podcast now: https://smarturl.it/sonluxpodcast Plans We Make is available wherever you listen to podcasts, and full videos will go up on YouTube. Subscribe here: https://sonlux.lnk.to/SubscribeYoutube Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the 13th episode of the Son Lux podcast "Plans We Make,” @Rafiq Bhatia speaks with influential guitarist and composer @Bill Frisell. One of the most sought-after guitar voices in contemporary music, Frisell has contributed to the work of such collaborators as Brian Eno, John Zorn, The Los Angeles Philharmonic, film director Gus Van Sant, Bono, and more. The breadth of such performing and recording situations is a testament not only to his singular guitar conception, but his musical versatility as well. https://www.billfrisell.com/ Subscribe to the podcast now: https://smarturl.it/sonluxpodcast Plans We Make is available wherever you listen to podcasts, and full videos will go up on YouTube. Subscribe here: https://sonlux.lnk.to/SubscribeYoutube Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the 12th episode of the Son Lux podcast "Plans We Make,” Ryan Lott speaks with musician and singer Roberto Lange, who records and performs under the name Helado Negro. In 2019 he was awarded a United States Artists Fellow in Music and also the recipient of a 2019 Grants to Artists award in Music from the Foundation for Contemporary Arts. His latest full-length "Far In" was released on October 22 by 4AD. https://heladonegro.com/ Subscribe to the podcast now: https://smarturl.it/sonluxpodcast Plans We Make is available wherever you listen to podcasts, and full videos will go up on YouTube. Subscribe here: https://sonlux.lnk.to/SubscribeYoutube Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the 12th episode of the Son Lux podcast "Plans We Make,” Ian Chang speaks with musician, composer, and artist Darian Donovan Thomas. As a means of exercising his interdisciplinary nature, Darian is currently performing with eight bands and ensembles in New York, as well as creating interdisciplinary work in different visual mediums. He has recently performed with Moses Sumney on the Late Show with Stephen Colbert, in a Tiny Desk concert with critically acclaimed dreambow band Balun, toured internationally to Iceland with Apartment Sessions, toured nationally and recorded with the Katie Martucci Band, is performing with MEDIAQUEER, Mordechai, String Orchestra of Brooklyn, Prompts Collective, and constantly performs his solo set in different venues around NYC. https://darianthomas.myportfolio.com/ Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the 11th episode of the Son Lux podcast "Plans We Make,” Rafiq Bhatia speaks with musician, singer, and artist Holland Andrews. They are a solo artist and previously performed using the name Like A Villain. Their style of music draws from contemporary opera, musical theater, jazz, ambient music and noise music. They also compose music for dance, theater, and film. https://www.hollandandrews.com/ Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the 10th episode of the Son Lux podcast "Plans We Make,” @Ryan Lott speaks with musician and producer Kadhja Bonet. Her second album Childqueen was released in 2018 to critical acclaim, an amalgamation of folk, jazz and psychedelic soul that is ultimately genre-defying and puts her in a league of her own. kadhjabonet.com Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the ninth episode of the Son Lux podcast "Plans We Make," @IanChang​ speaks with Rapper and Producer Nappy Nina. For more on her work, head to: https://nappynina.bandcamp.com Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the eighth episode of the Son Lux podcast "Plans We Make," @RafiqBhatia​ speaks with Poet and Educator Mitchell L.H. Douglas. For more on his work, head to: https://www.mitchelldouglaspoetry.com Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the seventh episode of the Son Lux podcast "Plans We Make," @RyanLottMusic​ speaks with music video director, graphic designer, and musician Woodkid. For more on his work, head to http://woodkid.com/ Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the sixth episode of the Son Lux podcast "Plans We Make," @Rafiq Bhatia​ speaks with his long-time collaborator Michael Cina. The designer behind much of Rafiq's solo album artwork, Cina's clients have ranged from Ghostly International to Adobe and Apple: http://www.cinaart.com/ Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the fifth episode of the Son Lux podcast "Plans We Make," Drummer Ian Chang speaks with Hanna Benn - composer, vocalist, and Son Lux collaborator dating back to the Bones days. Subscribe to the podcast now: https://smarturl.it/sonluxpodcast Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the fourth episode of the Son Lux podcast "Plans We Make," Ryan Lott speaks with GRAMMY-winning performer and producer Kimbra around the theme of Collaboration. Subscribe to the podcast now: https://smarturl.it/sonluxpodcast Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD​ Facebook : https://sonlux.lnk.to/FacebookYD​ Spotify : https://sonlux.lnk.to/SpotifyYD​ Website : https://sonlux.lnk.to/_WebsiteYD​ Twitter : https://sonlux.lnk.to/TwitterYD​ Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD​ https://sonluxmusic.com

In the third episode of the new Son Lux podcast "Plans We Make," guitarist Rafiq Bhatia speaks with Deantoni Parks, an experimental drummer, songwriter, film director, actor, record producer, thinker, educator, and one of Rafiq's favorite living musicians. Deantoni was a member of The Mars Volta and appears on recordings by Flying Lotus and Sade, among many others. Learn more about Deantoni here: https://deantoni.bandcamp.com/ ========== Follow Son Lux Instagram : https://sonlux.lnk.to/InstagramYD Facebook : https://sonlux.lnk.to/FacebookYD Spotify : https://sonlux.lnk.to/SpotifyYD Website : https://sonlux.lnk.to/_WebsiteYD Twitter : https://sonlux.lnk.to/TwitterYD Youtube : https://sonlux.lnk.to/SubscribeYoutubeYD

In the second episode of the new Son Lux podcast "Plans We Make," drummer Ian Chang chats with visual artist Sougwen Chung, a former research fellow at MIT’s Media Lab and a pioneer in the field of human-machine collaboration. Read more about Sougwen here: https://sougwen.com/ "Plans We Make" was Created by Ryan Lott, Ian Chang, and Rafiq Bhatia, Produced and Edited by Chris Jacobs, and Executive Produced by Michael Kaufmann and Hannah Houser. Subscribe to "Plans We Make" wherever you get your podcasts. You can catch up on Ryan Lott’s conversation with mix engineer Chris Tabron - that episode is out now - and guitarist Rafiq Bhatia will be on next week talking with Deantoni Parks, one of our favorite drummers and an incredible thinker.

What started as a solo endeavor from band founder and frontman Ryan Lott, Son Lux has blossomed into a collaborative effort with the addition of band members Ian Chang and Rafiq Bhatia. Their new release Tomorrows seeks to defy the confines of the traditional album release, instead choosing to put out the music in three collections over a span of time. Ryan caught up with online publisher Geoff Stanfield to discuss his process, collaboration, film scoring and making music during a global pandemic. Enjoy! Sponsored by Distrokid http://distrokid.com

In the first episode of the new Son Lux podcast "Plans We Make," Ryan chats with mix engineer and longtime member of the Son Lux family Chris Tabron (Beyoncé, Nicki Minaj, Common). "Plans We Make" was Created by Ryan Lott, Ian Chang, and Rafiq Bhatia, Produced and Edited by Chris Jacobs, and Executive Produced by Michael Kaufmann and Hannah Houser. Subscribe to "Plans We Make" wherever you get your podcasts. Next week drummer Ian Chang will be taking the host duties and interviewing artist Sougwen Chung, a pioneer in the field of human-machine collaboration and an amazing multidisciplinary artist, and guitarist Rafiq Bhatia will follow that up with an episode talking with drummer and thinker Deantoni Parks.

Plans We Make with Son Lux is a unique artist-interviewing-artist podcast where band members Ryan Lott, Rafiq Bhatia, and Ian Chang take turns speaking with guests about a shared theme in three volumes: Technology, Collaboration, and Voice. Volume 1 includes conversations digging deeply into the relationship between technology, perception, and creativity. Composer and Singer Ryan Lott interviews Producer Chris Tabron (Beyoncé, Nicki Minaj, Common). Guitarist Rafiq Bhatia interviews Experimental Drummer and Songwriter Deantoni Parks (The Mars Volta, We Are Dark Angels), and Drummer Ian Chang interviews Visual and Performance Artist and former Google Artist in Residence Sougwen Chung.

This week Kyle's guest is composer and vocalist Ryan Lott of Son Lux. The group's new album "Tomorrows I" is discussed.

This week Kyle's guest is composer and vocalist Ryan Lott of Son Lux. The group's new album "Tomorrows I" is discussed.

This week Kyle's guest is composer and vocalist Ryan Lott of Son Lux. The group's new album "Tomorrows I" is discussed.

Look. I really absolutely adore Ian Chang.  I don't know him.  I just adore him.  And this band in which he plays, Son Lux, I just absolutely adore them. I feel like that's all there is to say, here.  Please hang with me and get to know Ian Chang, Ryan Lott, and Rafiq Bhatia.  Like, I promise you THAT at the very least.  Get to know the music of these people. Love yinz. -G

New music releases have slowed to a trickle, it's true, but they haven't stopped entirely! Seth chats with four creative musicians and ensembles who have recently released wildly inventive new music including saxophone quartet Nois, Third Coast Percussion, Sunny Knable and Amy Wurtz. Features music by Nikki Harlafti, Matthew Arrellin, Ryan Lott, Sunny Knable and Amy Wurtz.

Ryan Lott is a successful entrepreneur who founded his first company, Neocol, before he was 25! He currently lives in Chicago and his company Neocol is a System Integration Partner for SaaS and subscription companies that want to use or use Salesforce CPQ & Billing. In this interview Ryan talks about his move from the UK, his growth plans, why he is passionate about CPQ and Billing,  and much more LinkedIn https://www.linkedin.com/in/ryan-lott-538313b/ Website neocol.com email Ryan.Lott@neocol.com

This week Kyle's guest is Ryan Lott of @sonlux. The two talk about the new Son Lux box set released by @JoyfulNoiseRecs.

This week Kyle's guest is Ryan Lott of @sonlux. The two talk about the new Son Lux box set released by @JoyfulNoiseRecs.

This week Kyle's guest is Ryan Lott of @sonlux. The two talk about the new Son Lux box set released by @JoyfulNoiseRecs.

Host Kyle Long reflects on the amazing guests this year on Cultural Manifesto - from jazz icon Herbie Hancock, to folk music pioneer Barbara Dane. For the next couple weeks on Cultural Manifesto we look back at some of Kyle's favorite interviews and music of 2018, and look ahead to 2019. On this episode, words and music from: soul music outsider Swamp Dogg, The Beach Boys' Brian Wilson, Ryan Lott of Son Lux, 24 Carat Black's C Niambi Steele, trombonist and Tribe Records' co-founder Phil Ranelin, George Benn and Kenny Simms of the legendary Indianapolis jazz fusion band Merging Traffic, singer-songwriter Yadin Kol, and soul singer extraordinaire Keiana Whatley.

Host Kyle Long reflects on the amazing guests this year on Cultural Manifesto - from jazz icon Herbie Hancock, to folk music pioneer Barbara Dane. For the next couple weeks on Cultural Manifesto we look back at some of Kyle's favorite interviews and music of 2018, and look ahead to 2019. On this episode, words and music from: soul music outsider Swamp Dogg, The Beach Boys' Brian Wilson, Ryan Lott of Son Lux, 24 Carat Black's C Niambi Steele, trombonist and Tribe Records' co-founder Phil Ranelin, George Benn and Kenny Simms of the legendary Indianapolis jazz fusion band Merging Traffic, singer-songwriter Yadin Kol, and soul singer extraordinaire Keiana Whatley.

Host Kyle Long reflects on the amazing guests this year on Cultural Manifesto - from jazz icon Herbie Hancock, to folk music pioneer Barbara Dane. For the next couple weeks on Cultural Manifesto we look back at some of Kyle's favorite interviews and music of 2018, and look ahead to 2019. On this episode, words and music from: soul music outsider Swamp Dogg, The Beach Boys' Brian Wilson, Ryan Lott of Son Lux, 24 Carat Black's C Niambi Steele, trombonist and Tribe Records' co-founder Phil Ranelin, George Benn and Kenny Simms of the legendary Indianapolis jazz fusion band Merging Traffic, singer-songwriter Yadin Kol, and soul singer extraordinaire Keiana Whatley.

"Like Lazarus Did" is a dance piece that Ryan Lott scored and we explore that piece's resurrection themes. Krispin Mayfield then looks at resurrection in "Flight", followed by Chris Karndi on "Aquatic" and Blake Collier on "Alternate World".

Ryan Lott, founder of Son Lux, talks about where he goes looking for music in his brain.

Ryan Lott, founder of Son Lux, talks about where he goes looking for music in his brain.

On today's episode I talk to composer and musician Ryan Lott. Born in Denver, CO, Ryan began playing music when he was relatively young. His first album as Son Lux,  At War with Walls & Mazes, was released by Anticon in 2008, and since then they've recorded three other albums, We Are Rising in 2011, Lanterns in 2013, and Bones in 2015. In 2014, Ryan collaborated with Sufjan Stevens and Serengeti as the band Sisyphus, releasing a self-titled album that year. As a composer, Ryan has scored the soundtracks for a number of films, including Mean Dreams, Paper Towns, and The Disappearance of Eleanor Rigby. This Friday, City Slang will release Son Lux's latest album Brighter Wounds (and it is great!). This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

In this episode, indie composer and Son Lux founder Ryan Lott joins Tommy in the studio during his visit to Interlochen Arts Academy. Tommy and Ryan discuss his collaboration with the Interlochen Arts Academy comparative arts students, making a record in only 28 days, and his passion for composing for dancers. The episode concludes with the piece Lott composed for Interlochen. The official “Patterns Change” music video: https://www.youtube.com/watch?v=AGquIDI1ycc Son Lux songs on So You Think You Can Dance: “Tear, Part 1”: https://www.youtube.com/watch?v=D_3f588Qiyk “Breathe”: https://www.youtube.com/watch?v=o0Ws51PoK_U “Change is Everything”: https://www.youtube.com/watch?v=L0NhLbbEZhQ

Ian Chang, a classically-trained drummer from Hong Kong, explains how his voracious appetite led him to the maximalist band Son Lux. We had a chance to speak with Ryan Lott, leader of Son Lux, as well as guitarist Rafig Bhatia. Special thanks to Adam Schatz (Landlady) and Justin Chang (Ascot Chang) for being guests on our show.

In this Special Edition of the NACOcast, guest host Sean Rice interviews Ryan Lott (Son Lux) for the February 14, 2015 WolfGANG show at the Mercury lounge.

Episode 49- Ryan Lott (Son Lux). Yoni and friend and label-mate, Ryan get together in Crown Heights, Brooklyn, to catch up. They grab coffee and head up to RJ Maccani's apartment for a talk. They discuss some of Ryan's really technical studio tricks, his upbringing as a pianist, composer and producer, overcoming musical snobbery, bad Pitchfork reviews, collaboration with Sufjan Stevens and Serengeti as Sisyphus and working with Lorde.

1 - "Dança húngara/Hungarian Dance N.5" (Brahms). Roby Lakatos, violino/violin. László Bóni, violino/violin. Ernest Bangó, címbalo e violão/cymbalon & guitar. Kálmán Cséki, piano. Oszkár Németh, contrabaixo/double bass 2 - "Feira de mangaio" (Sivuca/Glória Gadelha). Clara Nunes, voz/voice. Sivuca, sanfona/concertina. 3 - Hedwig´s theme (John Williams) 4 - "Sinfonia prima: Arezzo para flauta doce e cravo/for recorder and harpsichord (Bartolomeo Montalbano). Dan Laurin, flauta doce/recorder. Masaaki Suzuki, cravo/harpsicord. 5 - Canto Yanomami/Yanomami indian chant 6 - "Beautiful mechanical" (Ryan Lott). Ensemble yMusic.