Podcasts about song without words

"Song Without Words" to pierwszy singiel zapowiadający nowy album Bartka Wąsika. - To napisana w neoromantycznym duchu miniatura, która zajmuje na albumie swoje ważne miejsce, wyznacza jego emocjonalny środek - tak swój utwór anonsuje sam kompozytor i pianista.

Kate Benson, clarinet, Karlson Can, ‘cello, The Handbell Ensemble, Stephen Main, Piedmont Community Church, Piedmont, California

Sunday Worship for September 17, 2023, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Guest preacher Rev. Leslie Mahraun; Pastor Dan Peterson, presiding; Cantor Kyle Haugen. Prelude—To a Wild Rose, Edward MacDowell (1861–1908); Song Without Words, Felix Mendelssohn-Bartholdy (1809–1847) • Introit—Ecclesiastes 36:18; Psalm 122:1 • Gathering Hymn—God Is Here, ELW 526 • First Reading—Genesis 50:15-21   • Psalm 103:1-13  • Second Reading—Romans 14:1-12 • Gospel—Matthew 18:21-35   • Sermon—Pastor Leslie Mahraun • Hymn of the Day—Forgive Our Sins as We Forgive, ELW 605 • Distribution Hymn—Take My Life, That I May Be, ELW 685 • Sending Hymn—God of Grace and God of Glory, ELW 705 ⁠Link here to view the bulletin.⁠ Enjoying our worship recordings? Consider giving a gift to our church; ⁠go to this link.

Because one barcarolle wasn't enough... Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Music to a late-night Venetian canal trip. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Because one barcarolle wasn't enough... Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Music to a late-night Venetian canal trip. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

EPISODE 50 This is great! I am so happy that I have made all the way to 50 episodes. It has been 2 ½ years of episodic regularity with periods of uploading drought. Thanks for joining me on this journey of Forgotten Cello Music, where I have forged ahead with a unique project of featuring unknown cello music, or at the very least, neglected music. This milestone of 50 episodes is reason to for the excuse to feature a piece music which I would consider neglected, although, the composer is far from neglected. I mean, Felix Mendelssohn. He wrote the piece featured in this episode, which he entitled Lied Ohne Worte, op. 109. It is an original composition for Cello and Piano, along with three other originals. From time to time, I arrange certain works that are particularly interesting to me or that lend themselves well to arrangement for cello duet. I have done just that for "Song Without Words", op. 109. I am quite happy with the result and I am confident you will find some enjoyment in it. Please join me for this episode. Thanks for listening and send messages or emails if you have any comments. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/forgottencellomusic/message Support this podcast: https://anchor.fm/forgottencellomusic/support

Synopsis On today's date in 2001, during the Lucerne Festival in Switzerland, the German violinist Anne-Sophie Mutter premiered a new chamber work for violin and piano titled “Tango, Song and Dance.” She had commissioned the work from Andre Previn several years earlier, but its premiere was delayed as Mutter embarked on a project to perform and record all Beethoven's Violin Sonatas. “After doing all those stern [Beethoven] recitals,” said Mutter, “I wanted to play pieces which reflected the basis of musical history, the folksongs and dances which has inspired composers through so many centuries. ‘Tango, Song and Dance' is both modern and old-fashioned, and it touches the heart, especially the slow movement, which is really a ‘Song Without Words'.” And that wasn't the only thing to touch her heart. It was around this time that Previn and Mutter became husband and wife. For his part, Andre said, “I have one piece of advice to composers for the violin – make sure Anne-Sophie premieres your piece. Then you're home and dry, and everything works!” Other composers seem to agree, and Krzysztof Penderecki, Witold Lutoslawski, Henri Dutilleux, Wolfgang Rihm, and John Williams have all written violin works for Anne-Sophie Mutter. Music Played in Today's Program Andre Previn (1929-2019) –Tango Song and Dance III. Dance (Lambert Okis, pno; Anne-Sophie Mutter, vln.) DG 8143

Felix Mendelssohn, Song Without Words, opus 85 No. 40, arranged for piano and oboe d'amore by David Walter. Fiber art in photo is by Martha Mae Jones.

Shostakovich, Mendelssohn, Dvorak.

Today's scripture is Psalm 139:9-10, "If I rise on the wings of the dawn, if I settle on the far side of the sea, even there your hand will guide me, your right hand will hold me fast."

This episode is also available as a blog post: http://rogermoorepoet.com/2021/11/13/song-without-words/

3 Love Song Without Words - Cello Improvisation by Ruach Breath of Life

SCP基金會是歐美非常受歡迎的一個網路創作虛擬特工組織，其中便收錄了一些跟古典音樂相關的危險物品。 更甚至有作曲家直接被這個特工組織給抓了起來?! 更多內容: https://the-music-history.com/ [BGM (opening)] Mendelssohn, Song Without Words, Op. 67 No.4 [BGM] Mendelssohn, Song Without Words, Op. 30 No.6/ Op.19 No.1/ Op.102 No.3/ Op.102 No.4 Powered by Firstory Hosting

Song Without Words (Op. 102, No. 4) by Felix Mendelssohn.Support the show (https://paypal.me/gregwalkermusic?locale.x=en_US)

Please, read this. Hello. If the podcast was helpful for you, I ask you to give some money to a charity. I truly believe we can make a better world with less cynicism and egoism. You can handle several days without coffee. However, that money REALLY can help. Even a few dollars. Where to send and how much is only on you. Children, nature, homeless people. All problems are more real and nearer than you think. Just be a good person. Be a real hero. Peace. My podcast about WEB Development. Check it out if you are interested. Apple Podcasts Spotify Google Podcasts Castbox Tracklist: 00:00:00 Mazurka in A Minor, Op. 67 No. 4 (Chopin) 00:03:01 Song Without Words, Op. 2 No. 3 (Tchaikovsky) 00:06:20 Divertimento, K. 334: Menuet (Mozart) 00:10:29 Hungarian Dance No. 6, WoO 1 (Brahms) 00:13:42 Hungarian Dance No. 1, WoO 1 (Brahms) 00:16:40 Romance in A Major, Op. 94 No. 2 (Schumann) 00:22:02 Morceaux, Op. 10: No. 2, Humoresque in G Major. Menuet (Bocherini) 00:25:34 Les millions D'Arlequin: Serenade (Drigo) 00:30:10 Sonata in A Major (Paganini) 00:35:04 Träumerei, Op. 21 (Drdla) 00:37:45 Das Lied der Geige, Op. 2 (Schebek) 00:40:56 Immer oder nimmer Walzer, Op. 156 (Waldteufel) 00:50:22 Schön Rosmarin (Kreisler) 00:52:10 Espana, Op. 165 No. 2: Tango (Albeniz) 00:54:45 Russian Romance (Chernyetsky) 00:57:36 Guitarre, Op. 45 No. 2 (Moszkowski) 01:01:14 Menuet (Attr. Porpora) (Porpora / Kreisler) 01:05:20 Allegretto grazioso (Porpora / Bonelli) 01:07:25 Le triomphe de la République: Tambourin (Arr. Burmester) (Gossec (Francois)) 01:08:42 Salut d'amour, Op. 12 (Elgar) 01:11:16 3 Pieces, Op. 11: Mazurka in F-Sharp Minor (Chopin) 01:14:07 Poème for Violin and Piano, Op. 41 No. 4 (Arr. Weniger) (Fibich (Zdenek)) 01:16:01 5 Gedichte, WWV 91: V. Träume (Wagner) 01:19:38 Valse scherzo (Tchaikovsky) 01:21:30 Song Without Words, Op. 60: I. Andante espressivo “May Breezes” (Arr. Kreisler) (Mendelssohn) 01:24:12 Myrthen, Op. 25: I. Dedication (Schumann) 01:26:38 Romance (Rubinstein) 01:29:18 Cantabile in D Major, Op. 17 (Paganini) 01:32:19 Hungarian Dance No. 7 in F Major, WoO 1 (Allegretto) (Brahms) 01:34:45 Romance, Op. 3 (Gliere) 01:38:50 Kujawiak in A Minor (Wieniawski (Henryk)) 01:41:48 3 Old Viennese Dances: II. Liebesleid (Kreisler) 01:44:48 Le roi s'amuse: VII. Passepied (Arr. Elman) (Delibes / Elman (Mischa)) 01:46:46 Waltz No. 1 in A Major, Op.54 (Moderato) (Dvorák) 01:50:22 5 Spanish Dances, Op. 12: I. Allegro brioso (Moszkowski) 01:52:01 16 Morceaux de Salon, Op. 49: VII. La Sevillana (Alard (Delphin)) 01:54:33 Bandana Sketches, Op. 12 "Nobody Knows the Trouble I've Seen" (White) 01:57:57 Le Secret (Gautier (Jacques)) 02:00:40 14 Romances, Op. 34: No. 14, Vocalise (Rachmaninoff) 02:06:31 Préludes, L. 117, Premier Livre: VIII. La fille aux cheveux de lin (Debussy) 02:09:17 Orfeo ed Euridice, Wq. 30, Act 2: Melodie No. 2 (Arr. Heifetz) (Von Gluck, arr. Jascha Heifetz) 02:12:27 2 Pieces for Cello and Orchestra, Op.20: II. Serenade Espagnole (Arr. Kreisler) (Glazunov, arr. Kreisler) 02:15:50 3 Romantic Pieces, Op. 75: I. Allegro moderato (Dvorák) 02:19:25 3 Romantic Pieces, Op. 75: II. Allegro maestoso (Dvorák) 02:22:22 3 Romantic Pieces, Op. 75: III. Allegro appassionato (Dvorák) 02:25:13 Thaïs, Act 2: Méditation (Massenet) 02:29:49 Zigeunerweisen, Op. 20 (Sarasate (Pablo de)) 02:39:46 Romance (Wieniawski (Henryk)) 02:44:46 Hora staccato (Dinicu (Grigoras)) 02:46:10 Pacsirta (Dinicu (Grigoras))

10 13 2019 - Song Without Words by Snowmass Chapel

https://www.waynelinseymusic.com/The consummate musician, producer, arranger, songwriter and artist in his own right, Wayne Linsey's list of credits reads like a who's who in contemporary music. Legendary names like Miles Davis, Aretha Franklin and Stevie Wonder are among the plethora of artists with whom the L.A.-based maestro has worked on stage and in the recording studio. Super producers like Kenneth ‘Babyface' Edmonds and hitmakers like Whitney Houston and Earth, Wind & Fire always call Wayne to work on their projects; as a touring musician, Wayne spent many years with the ever-popular band Maze featuring Frankie Beverly, lending his distinctive and soulful touch as the primary keyboardist to the group's energetic live show. While he maintains a non-stop schedule of touring and studio work, Wayne's focus in 2009 is his first solo project: “As a professional, I've been blessed to work with every artist of my dreams. I also see the purpose of my gift to provoke thought and enjoyment through my own music.” In keeping with an array of personal musical influences – which include Duke Ellington, Parliament, Oscar Peterson, Donny Hathaway, Wonder, Beverly and Davis – Wayne's new project runs the gamut from jazz and R&B to world music and rap: “The album is not based on one dimension stylistically,” he notes. “Diversity is important to me. There's enough material on the CD for the smooth jazz market: as an instrumentalist, that can be your only outlet for radio. But I didn't approach this album the way the industry usually does by favoring one musical style…”  As a multi-talented instrumentalist, Wayne plays keyboards, guitar, bass and drums on the record; special guest players include trombonist Fred Wesley, Bobby Brown, Michael ‘Patches' Stewart on trumpet, saxophonist Kenny Garrett, drummer Teddy Campbell., Kevin Ricard on percussion, Hiram Bullock, Paul Jackson Jr., John “Jubu” Smith & Tariqh Akoni on guitars and vocalists Leon Ware, Louis Price Jr., Lamont Van Hook, Sy Smith and Wayne's former wife, artist in her own right, Lynne Fiddmont, among others. Incorporating funky grooves, soulful slow jams and pieces with topical lyrical messages and including “Bookendz,” a tune originally commissioned by Miles Davis which appears on his live recordings as “Wayne's Tune,” Wayne's new CD, “A Song Without Words,” reflects the broad spectrum of music he's mastered since his early days studying at Washington DC's Howard University. Since that time, Wayne's musical dexterity has brought increased work in the television and film area: he contributed to Robert Townsend's popular “Five Heartbeats” movie, worked on “Motown Live” & “Fame” with longtime friend Ricky Minor and in 2003, created music for the Fox network's “Cedric The Entertainer” show, and can be seen regularly on this season's “American Idol” as a member of “The Rickey Minor Band”. Asked on a regular basis to perform at music industry veteran Clive Davis' famed pre-Grammy party, Wayne has also played on the BET Awards, The Essence Awards, The NAACP Image Awards, The Grammys, The Billboard Awards, “The UNCF An Evening of Stars” where he was featured with Nancy Wilson. Wayne was also called on to fill the piano shoes of the late “Ray Charles” in the television tribute “Genius – A Night For Ray”. https://www.waynelinseymusic.com/https://www.facebook.com/wlinsey1https://www.instagram.com/waynelinsey/

https://www.waynelinseymusic.com/ The consummate musician, producer, arranger, songwriter and artist in his own right, Wayne Linsey’s list of credits reads like a who’s who in contemporary music. Legendary names like Miles Davis, Aretha Franklin and Stevie Wonder are among the plethora of artists with whom the L.A.-based maestro has worked on stage and in the recording studio. Super producers like Kenneth ‘Babyface’ Edmonds and hitmakers like Whitney Houston and Earth, Wind & Fire always call Wayne to work on their projects; as a touring musician, Wayne spent many years with the ever-popular band Maze featuring Frankie Beverly, lending his distinctive and soulful touch as the primary keyboardist to the group’s energetic live show. While he maintains a non-stop schedule of touring and studio work, Wayne’s focus in 2009 is his first solo project: “As a professional, I’ve been blessed to work with every artist of my dreams. I also see the purpose of my gift to provoke thought and enjoyment through my own music.” In keeping with an array of personal musical influences – which include Duke Ellington, Parliament, Oscar Peterson, Donny Hathaway, Wonder, Beverly and Davis – Wayne’s new project runs the gamut from jazz and R&B to world music and rap: “The album is not based on one dimension stylistically,” he notes. “Diversity is important to me. There’s enough material on the CD for the smooth jazz market: as an instrumentalist, that can be your only outlet for radio. But I didn’t approach this album the way the industry usually does by favoring one musical style…”  As a multi-talented instrumentalist, Wayne plays keyboards, guitar, bass and drums on the record; special guest players include trombonist Fred Wesley, Bobby Brown, Michael ‘Patches’ Stewart on trumpet, saxophonist Kenny Garrett, drummer Teddy Campbell., Kevin Ricard on percussion, Hiram Bullock, Paul Jackson Jr., John “Jubu” Smith & Tariqh Akoni on guitars and vocalists Leon Ware, Louis Price Jr., Lamont Van Hook, Sy Smith and Wayne’s former wife, artist in her own right, Lynne Fiddmont, among others. Incorporating funky grooves, soulful slow jams and pieces with topical lyrical messages and including “Bookendz,” a tune originally commissioned by Miles Davis which appears on his live recordings as “Wayne’s Tune,” Wayne’s new CD, “A Song Without Words,” reflects the broad spectrum of music he’s mastered since his early days studying at Washington DC’s Howard University. Since that time, Wayne’s musical dexterity has brought increased work in the television and film area: he contributed to Robert Townsend’s popular “Five Heartbeats” movie, worked on “Motown Live” & “Fame” with longtime friend Ricky Minor and in 2003, created music for the Fox network’s “Cedric The Entertainer” show, and can be seen regularly on this season’s “American Idol” as a member of “The Rickey Minor Band”. Asked on a regular basis to perform at music industry veteran Clive Davis’ famed pre-Grammy party, Wayne has also played on the BET Awards, The Essence Awards, The NAACP Image Awards, The Grammys, The Billboard Awards, “The UNCF An Evening of Stars” where he was featured with Nancy Wilson. Wayne was also called on to fill the piano shoes of the late “Ray Charles” in the television tribute “Genius – A Night For Ray”. https://www.waynelinseymusic.com/ https://www.facebook.com/wlinsey1 https://www.instagram.com/waynelinsey/

The consummate musician, producer, arranger, songwriter and artist in his own right, Wayne Linsey's list of credits reads like a who's who in contemporary music. Legendary names like Miles Davis, Aretha Franklin and Stevie Wonder are among the plethora of artists with whom the L.A.-based maestro has worked on stage and in the recording studio. Super producers like Kenneth ‘Babyface' Edmonds and hitmakers like Whitney Houston and Earth, Wind & Fire always call Wayne to work on their projects; as a touring musician, Wayne spent many years with the ever-popular band Maze featuring Frankie Beverly, lending his distinctive and soulful touch as the primary keyboardist to the group's energetic live show.https://www.waynelinseymusic.com/@thecareermusician@nomadsplace

The consummate musician, producer, arranger, songwriter and artist in his own right, Wayne Linsey's list of credits reads like a who's who in contemporary music. Legendary names like Miles Davis, Aretha Franklin and Stevie Wonder are among the plethora of artists with whom the L.A.-based maestro has worked on stage and in the recording studio. Super producers like Kenneth ‘Babyface' Edmonds and hitmakers like Whitney Houston and Earth, Wind & Fire always call Wayne to work on their projects; as a touring musician, Wayne spent many years with the ever-popular band Maze featuring Frankie Beverly, lending his distinctive and soulful touch as the primary keyboardist to the group's energetic live show. https://www.waynelinseymusic.com/

선곡표 1. E. Elgar -사랑의 인사 (Salut d'amour) Op.12 2. Dvorak -어머니가 가르쳐준 노래 Op.55-4 3.R. Strauss - 가정 교향곡 Op.53 中 4악장Adagio 4L.V. Beethoven - 장엄 미사(Missa solemnis) Op.123 中 Agnus Dei 5.G. Puccini -잔니 스키키(Gianni Schicchi) 中 오 사랑하는 나의 아버지 (O mio babbino caro) 6. G. Faure - 피아노 트리오 d단조 Op.120 中 2악장Andantino 7. 멘델스존 - 무언가 '봄의 노래' Song Without Words, Op. 62, No. 6 ‘Spring Song'

We are just 6 months away from St. Patrick's Day. So we're gonna celebrate with an extended show of Halfway to St Patrick's Day Celtic music from Black Market Haggis, Sharon Shannon, Lochlainn, Coast, Forkroot, Screeched Inn, Peat in the Creel, Mary Jane Lamond & Wendy MacIsaac, Mark Davies, Seamus Kennedy, Crepuscule, Screaming Orphans, Ed Miller, Men of Thunda, Fiddler's Green, Alasdair White, Kilmaine Saints, Nancy Daily-Green, Battlelegs, Kilted Kings. Listen and download 34 Celtic MP3s for Free! http://celticmusicpodcast.com Subscribe to the Celtic Music Magazine. This is our free newsletter and your guide to the latest Celtic music and podcast news. Remember to support the artists who support this podcast: buy their CDs, download their MP3s, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast. http://bestcelticmusic.net TODAY'S SHOW IS BROUGHT TO YOU BY LOUISVILLE IRISH FEST The Louisville Irish Fest is held on the final weekend in September of each year and features traditional Food, Unique Gifts, Children’s Events, Irish Dancing, Libations and Music from the Emerald Isle. Enjoy music from Blarney Castle, Runa, and Keltricity. http://louisvilleirishfest.com NOTES * Helping you celebrate Celtic culture through music. My name is Marc Gunn. I am a Celtic and Geek musician and podcaster. This podcast is dedicated to the indie Celtic musicians. I want to ask you to support these artists. Share the show with your friends. And find more episodes at celticmusicpodcast.com. You can also support this podcast on Patreon. * CELTIC PODCAST NEWS. Do you have news to share with the podcast or the Celtic music world? Use the hashtag #CelticMusicNews.  Altan is fundraising a new album through PledgeMusic. Traditional Irish musicians in the DFW area, with the support of the Traditional Irish Music Education Society (TIMES), are banding together to play a 24-hour session to raise money for those who have been affected by Hurricane Harvey. Black Market Haggis, who played the first track of this podcast are helping to raise awareness for this event. Support Tunes for Texas right now! If you want more Halfway to St Patrick's Day music, I published a special for the Pub Songs Podcast. You'll enjoy a lot of traditional Irish & Celtic pub songs from my many bands. Listen and subscribe at pubsong.net. And if you enjoy my music, I have an incredible special. You can get 5 of my CDs for just $24. Follow the link to my Bandcamp page to take advantage of this low offer and save 68% off the regular price! The offer is good in September 2017 only. * I WANT YOUR FEEDBACK: What are you doing today while listening to the podcast? You can send a written comment along with a picture of what you're doing while listening. Email a voicemail message to celticpodcast@gmail.com Robert Eby emailed: "Thanks for your great work on the podcast, Marc! I love how much diversity of Celtic music you put into it. I especially love Celtic rock and you have a special hour just on that with bands I’m mostly unfamiliar with! Ed Miller used to host a Celtic segment on Austin’s NPR station, but he NEVER played anything with bagpipes. I have a theory that Ed Miller doesn’t like the bagpipes. But you, Marc, you aren’t afraid of anything!" You're very welcome Robert. That's one of the many things I love about this podcast. The diversity. That is what truly makes America great. A few years ago, I published my CD How America Saved Irish Music (listen to show #169). The main part of the story is that the Irish diaspora preserved traditional Irish music, which made it's way back to Ireland. But the other aspect is that we are melting pot of different cultures. And all of those influences end up in contemporary Irish & Celtic music, whether you're talking about rock'n'roll, R&B, jazz, country, bluegrass, hip hop, electronica. And it's brilliant. The traditional culture is important but so are the changes that affect the music every day. Without it, I would be playing the same 12 bands over and over again. As for Ed Miller, I love that theory. And I have a few vague memories of him cracking jokes about bagpipes which may confirm your hypothesis. If you're like Ed Miller or just like Ed Miller's music, he has a radio program called Across the Pond. It comes out on Sundays from 6-8 PM on Sunradio in Austin. And I *think* you can listen to it online. The Irish & Celtic Music Podcast exists on the generosity of our Patrons of the Podcast. You can pledge as little as $1 per episode to pay for the production of this podcast, as well as my time in producing the show. You'll even get shows before regular listeners and my deepest thanks. I want to thank our newest patron: Scott Bradlee Welton, Jamie Ray, Tyler Murphy, Ellen Calnan. Wanna enjoy another 2-hour episode of Celtic Rock? Become a patron today to celebrate Celtic culture through music! http://patreon.com/celticpodcast THIS WEEK IN CELTIC MUSIC 0:29 "Concertina Reel Set" by Black Market Haggis from Better Than It Sounds 4:07 "Rusheen Bay" by Sharon Shannon from Sacred Earth 7:58 "Keg of Brandy" by Lochlainn from Fisher Street 12;41 "Windmills in the Sky" by Coast from Windmills in the Sky 17:16 "Unk's Last Stand" by Forkroot from Water & Shade 21:10 "Black Velvet Band" by Screeched Inn from Screeched Inn 25:36 "Autumn Child" by Peat in the Creel from The Barn Session 28:53 CELTIC PODCAST NEWS 30:19 "Rinn Mi Córr is Naoi Mìle / I Travelled More Than Nine Miles" by Mary Jane Lamond & Wendy MacIsaac from Seinn 33:36 "Song Without Words" by Mark Davies from The Celtic Harp 37:29 "You're Not Irish" by Seamus Kennedy from On the Rocks 40:25 "The Hosting of the Sidhe" by Crepuscule from Horizon 44:42 "Paddy's Lamentation" by Screaming Orphans from Taproom 50:14 CELTIC FEEDBACK 52:18 "Gie the Fiddler a Dram" by Ed Miller from Many's The Fine Tale 57:08 "Jim's Aire/Scotland the Brave" by Men of Thunda 59:25 "Irish Air" by Fiddler's Green from Drive Me Mad 1:03:15 "The Amorous Lover" by Alasdair White from An Clar Geal (The White Album) 1:08:58 "Raise My Glass" by Kilmaine Saints from Whiskey Blues & Faded Tattoos 1:13:42 "Fisherman's Song for Attracting the Seals/Song of the Seals" by Nancy Daily-Green from Delia's Hearth 1:18:56 "Gentlemen Sing" by Battlelegs from Lost My Shoes 1:22:59 "Slainte Mhaith" by Kilted Kings from Name On My Soul VOTE IN THE CELTIC TOP 20. It's easier than ever to do. Just list the show number, and the name of one or two bands. That's it. You can vote once for each episode help me create next year's Best Celtic music of 2017 episode. bestcelticmusic.net/vote/ The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather. To subscribe, go to iTunes or to our website where you can become a Patron of the Podcast for as little as $1 per episode. Promote Celtic culture through music at celticmusicpodcast.com.

This is easily the weirdest fucking episode in the history of this podcast. We perform an entire gibberish-ridden Green Day song, we're launching into improvised bits that may or may not last way too long, it's insanity. Last week, 'Bathroom Money' AKA 'The Moonman' AKA Tim Ewers returned to the podcast with the nicknameless Miranda Stokes, and you DanDans seemed to love it, so guess what? They're back again! LIKE, SHARE, SUBSCRIBE. You know I love you. Follow us on Twitter! Me: @IDS616 The Artist: @artist_616 Tim: @TimothyEwers Miranda: @MsMirandaStokes The 616 Video Blog #1: https://www.youtube.com/watch?v=bhCeho7uvaI 'A Suicide Story.' https://www.youtube.com/watch?v=5Cn_j70NRMg Top 5 Useless Talents. https://www.youtube.com/watch?v=kCv2Cc12X5o We love you.

Felix Mendelssohn: Song Without Words Book 2, Op. 30 No. 3 Carlos Márquez, piano. Image by S. Tore: https://flic.kr/p/bqw2gv

Can Pwyll regain his True Love? After a magical meeting with the beautiful and mysterious Rhiannon, a magical Lady riding a powerful White Horse, Pwyll falls deeply in love. They arrange to marry after a courtship lasting a year-and-a-day in the Otherworld Palace of her father, Hevaydd Hen. Hevaydd the Ancient, first ruler of Dyfed and now a powerful ruler in the Fae realms. Pwyll anxiously waits for the year to pass and still tells no one of his plans. Now it is Beltane - time for feasting and match-making and Pwyll gathers his Companions to seek for his own Match! This episode is also the 8th episode of the First Branch of the Mabinogi: Pwyll, Prince of Dyfed and carries on with the second half of that Branch - the story of his encounter with Rhiannon. More resources over at our main Website at http://celticmythpodshow.com Running Order: Intro 0:42 News - King Arthur & Arthuret 1:28 Recap 2:43 Story 3:34 Listener Feedback - Symbian 26:24 Promo - Standing Stone & Garden Gate 30:33 We hope you enjoy it! Gary & Ruthie x x x Released: 15 Dec 2013, 34m, 31Mb Always great to hear from you! garyandruth@celticmythpodshow.com, or call us on Speakpipe News & Views King Arthur buried at Arthuret St. Michael’s & All Angels at Arthuret We mention that Professor Norma Goodrich, from , a specialist in the Arthurian Tradition belives that King Arthur may have been buried in the Parish of Arthuret on the Scottish Borders. Find out more below at: King Arthur's Grave believed found! (Toledo Blade)   Names Used in this Story Listed in order of appearance Pwyll Dyfed Mabinogion Prince of Annwn Arberth Gorsedd (Arberth) Cantref Maenol Calan Mai Beltaine Sidhe Rhiannon Sea-Voice Delwyn Cerys Hevaydd Hen (Heueyd Hen) Hefaidd the Ancient Gwern Abwy Island of the Mighty Ilen Gwawl Son of Clud Morrighan Dagda   Rhiannon Tarot Card by Branawen Locations visited in this Episode Some wonderful information from Nantle about the locations seen in the First Branch. Not from Nantle but from our own research.. The Court of Hefaydd Hen THE COURT OF HEFEYDD HEN (or Hyfaidd Hen) – unknown, but, according to the Mabinogion, certainly not in Dyfed. But according to some other traditions, Hefeydd was the first King of Dyfed. Gorsedd Arberth was his burial place and also the entrance to Annwn. Was this the enchanted castle in the third Branch? A hero called Hefeydd Hir is found in the 6th century epic poem Y Gododdin (composed by a Briton named Aneurin who lived in a land which is now part of Scotland). In the second Branch of the Mabinogion he appears as one of the Seven Knights, King Hefeydd of Dyfed who died in 892 etc... Hefeydd was a common name in Mediaeval Wales. The Kingdom of Gwawl fab Clud Map of Scotland showing the Wall It is said that the literal meaning of the name is “Wall Son Of Wealth”. “Gwawl”, according to the University of Wales Dictionary means: The Vallum (Roman wall) between the Firth of Forth and the Firth of Clyde - the Antonine Wall, not Hadrian’s Wall Man Light But his last name more than likely refers to the River Clyde in Scotland. Therefore he was one of the people of the Old North, that is to say they were Britons, like the Welsh. Alt Clud - now called Dumbarton Rock Their capital was Allt Clud – a huge rock on the further north bank of the River Clyde. [Now called Dumbarton (City of the Britons) Rock NS399745]. [source]   Listener Feedback Symbian/Sean We play some lovely feedback from Symbian and are blown away by his comments. Thank you Sean!   Promo - Standing Stone & Garden Gate Standing Stone & Garden Gate This occasional show is co-hosted by Brenda Myers and Juniper. Brendan is a superb and stimulating author of books about Druidry and Pagan Morality and Ethics and Juniper is a Hedge Witch with a superb blog of her own. Since we recorded the show, his latest book - The Earth, The Gods and the Soul - is now available from Amazon. They have segments for the Bardic Arts, Pagan Philosophy, reviews, rants, Dr. Expert and all sortsa of stuff. A super podcast to catch up on! Standing Stone & Garden Gate     Huge Thanks to Special Guest Actors   Damh the Bard Damh the Bard Damh, taking on the role of Gwawl and other parts in the second half of our re-telling of the First Branch, is a musical storyteller who works within the world of myth that cannot be proved; where the Faerie really do dance on Midsummer's Eve, where the trees talk, and the Hollow Hills take you into the realms of Annwn. Where the Goddess rides her horse, guiding you to magic, and the Horned God of old calls us from the shadows of the Greenwood. You can find out more about Damh and his work on his website at paganmusic.co.uk or on our Contributor page.   Cerri Lee Cerri Lee Cerri Lee, playing the role of Rhiannon, is a multi-talented visionary artist who can turn her hand to almost anything creative. She is inspired by nature, and the ancient Pagan myths and legends of many cultures, her beliefs as a modern day Druid as well as those around her. Cerri is equally in her element when she is up to her elbows in clay or painting one of her fabulous pictures. She is partner to Druid musician and long-time supporter of our show, Damh the Bard and can be found supporting him at many of his performances.   Extra Special Thanks to Show Friends   Celtic Twist Celtic Twist A special thank you Phil Holland of Celtic Twist for her version of Song Without Words from the album Going Home that be heard as Pwyll enters the great Castle of Hevaydd Hen in the Otherworld. Phil is one half, along with Dave Palmley, of the amazing duo that make up Celtic Twist. You can find out more about Celtic Twist on their website or on their Contributor page.   Keltoria Keltoria We are pleased to be able to bring you a superb piece by Keltoria, Wildwood - from their brand new album, Beyond the Wildwood! Keltoria make such wonderful music all in aid of the Hill of Tara and to help eradicate Genetically Modified foods! Great work! You can find out more about Keltoria on their website or on their Contributor page.   Our Sources for the Episode Places Mentioned in the First Branch, Fascinating website. Bullfinch's Mythology, The Celts, section 8. The Mabinogion, pp ix-xxxvi, 3-21, 227-232, Sioned Davies, Oxford, 2007, ISBN 978-0-19-283242 The Mabinogion, pp 9-41, 45-65, Jeffrey Gantz, Penguin, 1976, ISBN 0-14-044322-3 The Mabinogion, pp ix-xliv, 3-24, 275-278, Gwyn Jones & Thomas Jones, Dent & Dutton, 1977, ISBN 0-460-01097-2. Can also be found online at www.donaldcorrell.com Pwyll Pendeuc Dyfed, Lady Charlotte Guest, Mary Jones Pwyll, Prince of Dyfed, Lady Charlotte Guest, 1877, Sacred Texts Notes to Pwyll, Prince of Dyfed, Lady Charlotte Guest, 1877, Sacred Texts The Mabinogion, Lady Charlotte Guest, 1849, Project Gutenberg The Mabinogi of Pwyll, W. M. Parker, mabiongi.net. Notes at mabinogion.info 'The Lord of Dyfed', from Legends of the Celts, p.134ff, Frank Delaney, HarperCollins, 1991, ISBN 0-586-21151-9 Tales from the Mabinogion, Gwyn Thomas & Kevin Crossley-Holland, Gollancz, 1984, ISBN 0-575-03531-5 Celtic Myths & Legends, p.147ff, Michael Foss, Selectabook Ltd., 1998, ISBN 0-75252-402-X Prince of Annwn, Evangeline Walton, Del Rey, 1974, ISBN 0-345-27060-6 Encyclopaedia of Celtic Wisdom, p.117, 156, Caitlin & John Matthews, Element, 1994, ISBN 1-85230-560-6 The Celts, p.211, Frank Delaney, Grafton, 1989, ISBN 0-586-20349-4 Women in Celtic Myth, Moyra Caldecott, Arrow, ISBN 0-09-955920-X Celtic Heritage, p.41 ff, Alwyn & Brinley Rees, Thames & Hudson, 1978, ISBN 978-0500110089 Pagan Celtic Britain, p.288, Anne Ross, Constable, 1967, ISBN 0-09-472330-3 'Myth in the Mabiogion', from A Celtic Reader, p.151, John Matthews, Aquarian, ISBN 0-85030-935-2 Celtic Myths and Legends, p.356 ff, T. W. Rolleston, 1995, ISBN 978-1859580066 Celtic Folklore: Welsh & Manx Vol.2, pp 499ff, John Rhys, Wildwood House, 1980, ISBN 0-7045-0406-5 The White Goddess, p.215ff, Robert Graves, Faber, 1952 http://www.maryjones.us/jce/eufyd.html, Hyfaidd Hen as one of the Children of Don. Mabinogi Study: Enlivening Y Mabinogi, Welsh Pronounciation for the Mabinogi And, of course, the Awen - inspiration and imagination! Special Thanks   For Incidental Music Armolithae, for Lost in the Green Sea from Artanis. See our Contributor Page for more details. Charles Fenellosa, for Danza Pagana from Senda. See his Contributor Page for more details. Flavio Simone, for Dernier Moment from his album Differences. See our Contributor Page for more details. Psicodreamics for Sancta Inquisitio from the album Ancient Wisdom. See his website for further details or check out his Contributor Page. Dan-O for Autumn Boy from his Royalty Free Meditation and Relaxation Music set. See his Website for more details. Giorgio Campagnano, Be Calm from his album The Grand. See the website or his Contributor page for more details. Diane Arkenstone The Secret Garden. See her Contributor page for details. Kim Robertson The Hangman's Noose. See her Contributor page for details. Jigger Time Ticks Away. See her Contributor page for details.   For our Theme Music The Skylark and Haghole, the brilliant Culann's Hounds. See their Contributor page for details.   Extra Special Thanks for Unrestricted Access to Wonderful Music (in Alphabetic order) Anne Roos Extra Special thanks go for permission to use any of her masterful music to Anne Roos. You can find out more about Anne on her website or on her Contributor page. Caera Extra Special thanks go for permission to any of her evocative harping and Gaelic singing to Caera. You can find out more about Caera on her website or on her Contributor Page. Celia Extra Special Thanks go for permission to use any of her wonderful music to Celia Farran. You can find out more about Celia on her website or on her Contributor Page. Damh the Bard Extra Special thanks go to Damh the Bard for his permission to use any of his music on the Show. You can find out more about Damh (Dave) on his website or on his Contributor page. The Dolmen Extra Special thanks also go to The Dolmen, for their permission to use any of their fantastic Celtic Folk/Rock music on the Show. You can find out more about The Dolmen on their website or on our Contributor page. Keltoria Extra Special thanks go for permission to use any of their inspired music to Keltoria. You can find out more about Keltoria on their website or on their Contributor page. Kevin Skinner Extra Special thanks go for permission to use any of his superb music to Kevin Skinner. You can find out more about Kevin on his website or on his Contributor page. Phil Thornton Extra Special Thanks go for permisssion to use any of his astounding ambient music to the Sonic Sorcerer himself, Phil Thornton. You can find out more about Phil on his website or on his Contributor Page. S.J. Tucker Extra Special thanks go to Sooj for her permission to use any of her superb music. You can find out more about Sooj on her website or on her Contributor page. Spiral Dance Extra Special thanks go for permission to use Adrienne and the band to use any of their music in the show. You can find out more about Spiral Dance on their website or on their Contributor page. We'd like to wish you 'Hwyl fawr!', which is Welsh for Goodbye and have fun, or more literally Wishing a Good Mood on you!   Get EXTRA content in the Celtic Myth Podshow App for iOS, Android & Windows Contact Us: You can leave us a message by using the Speakpipe Email us at: garyandruth@celticmythpodshow.com. Facebook fan-page http://www.facebook.com/CelticMythPodshow, Twitter (@CelticMythShow) or Snapchat (@garyandruth), Pinterest (celticmythshow) or Instagram (celticmythshow)   Help Spread the Word: Please also consider leaving us a rating, a review and subscribing in iTunes or 'Liking' our Facebook page at http://www.facebook.com/CelticMythPodshow as it helps let people discover our show - thank you :) If you've enjoyed the show, would you mind sharing it on Twitter please? Click here to post a tweet! Ways to subscribe to the Celtic Myth Podshow: Click here to subscribe via iTunes Click here to subscribe via RSS Click here to subscribe via Stitcher We'd like to wish you 'Hwyl fawr!', which is Welsh for Goodbye and have fun, or more literally Wishing a Good Mood on you!       Save Save Save

Remember, as a kid, playing the old game of telephone? Someone says something, and passes it on. After it goes through 5, 6 or more people, it often comes out very different on the other end. Well imagine if everything you heard had to go through that kind of process. That’s just part of what Gerald Shea went though; dealing with partial deafness since he was six. He still managed to sing, play football and get through Andover, Yale and Columbia Law. Gerald Shea has written about his experience in Song Without Words: Discovering My Deafness Halfway through Life. try { var pageTracker = _gat._getTracker("UA-6296941-2"); pageTracker._trackPageview(); } catch(err) {} My conversation with Gerald Shea:

It’s said that Felix Mendelssohn’s sister, Fanny, served as the inspiration for his series of short, lyrical piano pieces called “Songs Without Words.” Fanny herself wrote a few similar pieces, one of which can be heard here. YouTube recommendation: http://www.youtube.com/watch?v=_ClJtFxmPhQ Additional links: http://lcweb2.loc.gov/diglib/ihas/loc.natlib.ihas.200156440/default.html And http://oboeclassics.com/~oboe3583/ambache/women.htm http://filesource.abacast.com/king/music/exploringmusic/3133699.mp3

Yo-Yo talks about his best friend Emanuel Ax and the piece “Song Without Words.”

"Love Secrets" is a 3 movements chamber piece written for flute, clarinet, violin, cello, contrabass, piano and percussion. Movement 1: Late Night Dreams; Movement 2: Song Without Words; Movement 3: Love Secrets. If you like the music, please leave a feedback on iTunes Store (Chao-Jan Chang)! My music, images and podcast are also available on cjchang.org, iTunes and YouTube.

"Love Secrets" is a 3 movements chamber piece written for flute, clarinet, violin, cello, contrabass, piano and percussion. Movement 1: Late Night Dreams; Movement 2: Song Without Words; Movement 3: Love Secrets. If you like the music, please leave a feedback on iTunes Store (Chao-Jan Chang)! My music, images and podcast are also available on cjchang.org, iTunes and YouTube.

"Love Secrets" is a 3 movements chamber piece written for flute, clarinet, violin, cello, contrabass, piano and percussion. Movement 1: Late Night Dreams; Movement 2: Song Without Words; Movement 3: Love Secrets. If you like the music, please leave a feedback on iTunes Store (Chao-Jan Chang)! My music, images and podcast are also available on cjchang.org, iTunes and YouTube.