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The Summer Preview brought new units and books for Legions Imperialis! Here's what we think is in store for us!Additional podcast content - "The Noosphere" is available now through our Patreon located here: http://www.patreon.com/maximalfirePlease consider supporting the cast through our Patreon including access to a Private Discord Channel and 10% off Battle Bling products! - Patreon: http://www.patreon.com/maximalfireOr join our new YouTube Members! https://www.youtube.com/channel/UCUrRZKbZ_dW4F3M-7ztFjWQ/joinhttp://maximalfire.comDiscord: https://discord.gg/5ruErzhsHaFacebook: www.facebook.com/maximalfireInstagram: @maximal.fireSponsored by Entoyment, Battle Bling, Grim Dark terrain and Troublemaker Games!Get 10% off your first nameplate order with code "newbuilders" at BattleBuilder.net!BattleBuilder: https://www.battlebuilder.netBattle Bling Affiliate Link: https://battleblingstore.co.uk/?ref=gadzxp8qGet your Maximal Fire Merch from Redbubble! https://www.redbubble.com/people/Maximalfire/shop?asc=u00:00:00 Intro00:02:07 The Summer Preview00:08:57 Legions Imperialis Preview00:10:56 Liber Strategia00:50:00 Whirlwinds and Scorpius00:55:57 Vindicators01:00:32 Cerberus Tank Destroyers01:03:09 Typhon Siege Tanks01:09:02 Mastadon01:16:11 Tokens01:17:51 Hobby Chat01:23:16 Final ThoughtsMusic:✘ Title: Killers✘ Music: Kevin MacLeod✘ License: CC BY 3.0 (http://goo.gl/BlcHZR)✘ Title: Suspense-war-teaser-ident-the-beginning-of-life-131572✘ Music: Alex Grohl✘ License: Pixabay ✘ Licensee: MaximalFire7
The Old Testament and surrounding Ancient Near East text refers to a "Whirlwind" every time God intervenes in supernatural fashion. While the New Testament doesn't mention a Whirlwind, it's clear that its traits accompany many of Jesus' supernatural moments, who Himself is called "the Gate" or portal!
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Are you ready for Shofar-Blowing, Jesus praising, Power-Packed Wednesday Morning session with Stacy Whited?! If not, then get your mind right because we are LIVE at 11:11AM CST.Are you ready for Shofar-Blowing, Jesus praising, Power-Packed Wednesday Morning session with Stacy Whited?! If not, then get your mind right because we are LIVE at 11:11AM CST.TO WATCH ALL FLYOVER CONTENT: www.flyover.liveTO WATCH ALL FLYOVER CONTENT: www.flyover.liveTO WATCH ALL OF THE PROPHETIC REPORTS - www.thepropheticreport.comTO WATCH ALL OF THE PROPHETIC REPORTS - www.thepropheticreport.comFor Printable Versions of the Declarations - text DECREES to 40509For Printable Versions of the Declarations - text DECREES to 40509(Message and data rates may apply. Terms/privacy: 40509-info.com)(Message and data rates may apply. Terms/privacy: 40509-info.com)
I had a wake-up call that is changing the way I approach my time, energy, and delegation. I'm a big believer in Masterminds, it's why I personally invest in them and why I've hosted a mastermind for entrepreneurs for years. One of my mentors in the fintech space who has had a multi-billion dollar exit brought his clients together and I'm sharing something I learned about reducing “whirlwinds” in your personal and business life that create headwinds against your progress. This exercise might surprise you revealing what to focus your time and energy on in life and business. HIGHLIGHTS What I learned at a high-level fintech mastermind. How "whirlwinds" create headwinds that slow your progress. Examples of personal and business whirlwinds that are eating up your time and energy. The exercise to free up your time for growth and happiness. How to eliminate headwinds in your life. RESOURCES Apply for the Elite Mastermind - chrisharder.me/mastermind Text DAILY to 310-421-0416 to get daily Money Mantras to boost your day. Want to grow your email list - Get Over 240 Free Lead Magnets HERE! Check out upcoming events + Masterminds: chrisharder.me FOLLOW Chris: @chriswharder Frello: @frello_app
Following a whirlwind of legislative activity in the last few days of the parliamentary sitting calendar for the year, the Senate passed a number of bills via a guillotine motion. Although the controversial Division 296 tax was not among them after a last-minute reprieve, several other bills were passed that will ultimately affect the SMSF sector. In this final episode of the SMSF Adviser Podcast for 2024, hosts Keith Ford and Aaron Dunn, CEO of Smarter SMSF, discuss the implications of these measures. Listen as they discuss: The perseverance and success of the campaign by the SMSF Association regarding the Division 296 tax. The objective of super bill and how it may influence future policy decisions. The collapse of wealth management companies, particularly Dixon Advisory, and its impact on the Compensation Scheme of Last Resort. The ATO's updated advice on long-running NALI regulations.
Send us a textParenting teens while navigating the complexities of perimenopause might sound like a plot twist worthy of a sitcom, but it's a real-life adventure we're embracing with humor and insight. Join Gabriella and me as we talk candidly about finding joy and self-assurance in life's different stages. I've just turned 50 and couldn't be happier about it, and many people actually agree that the 50s are more fulfilling than the 20s. We're diving into the liberating confidence that comes with age, like the freedom to enjoy a meal alone without second-guessing what others think. Plus, we brainstorm a cheeky idea sparked by Dustin Porter, the entertaining flag guy, about developing a social media system that highlights insecure behaviors. Together, we celebrate self-confidence and the grace to embrace every phase of life with a hearty laugh.Come along as we unpack the hormonal whirlwind that impacts both teens and parents, shaking up family dynamics. Teens, riding high on a cocktail of hormones, often exhibit impulsive and sensitive behaviors, while parents might find themselves grappling with irritability and fatigue. Our conversation shines a light on these hormonal challenges, encouraging empathy and effective communication. We also stress the importance of setting boundaries and engaging in self-care practices to maintain emotional balance. From quick personal time-outs to shared giggles over family dinner, we offer practical tips for nurturing stronger family bonds. Embrace this temporary rollercoaster with patience and understanding, knowing that while these phases will pass, the connections you build will last.Support the showFor my information about my coaching: 1-2-1 coaching, group programmes, workshops, etc. please go to https://kategrosvenor.com.For my brand NEW perimenopause collagen and supplements: info and shop here: https://kategrosvenorlifestyle.com/collections/perimenopause-supplementsThe UncompliKated Perimenopause Membership:https://kategrosvenor.kartra.com/page/UncompliKatedGuidetoPerimenopauseMemberIf you would like to shop for perimenopause supplements, my book "The UncompliKated Guide to Perimenopause", bamboo nightwear & lingerie, chemical free cleaning products, etc. please visit: https://kategrosvenorlifestyle.comIf you would like to submit questions for us to answer you can do that on our WhatsApp Number: (+44) 07946 163988 or in our Facebook group: https://www.facebook.com/groups/perimenopausewithkategrosvenor/For a copy of my FREE Perimenopause checklist and tracker you can find that here: http://www.myperimenopausesymptoms.com
Ever wondered how the Book of Revelation might be reflecting our current economic turmoil? Join me, Tony Arterburn, as we connect ancient prophecies with modern economic challenges and dissect mainstream media narratives. From Trump's Arlington Cemetery controversy to the strategic maneuvers of political heavyweights like Nancy Pelosi, we unravel the often-hidden motivations behind public actions and media portrayals. My personal anecdotes and commitment to uncovering truth will guide you through an insightful discussion on faith, freedom, and the importance of maintaining public decorum.You'll hear about the 26% plunge in Dollar General shares, revealing the financial strain on its core customers amid inflation and economic instability. We delve into the broader economic implications, including the potential rise of cryptocurrencies and gold as the dollar's value declines. Our conversation also touches on Pelosi's future election strategies and the pervasive theme of economic inequality, painting a vivid picture of systemic financial challenges faced by many today.In the final segments, we dive deep into Revelation 6:6's prophecy, examining its relevance to contemporary economic disparities and the potential for hyperinflation. We juxtapose biblical insights with modern pop culture references like Terminator's "Judgment Day" while exploring the complex relationship between geopolitics, war, and morality. Drawing from historical events and philosophical teachings, we contemplate the moral consequences of governance and warfare. Rounding off the episode, we invite you to join our Wolfpack Gold community, where exclusive opportunities in precious metals await.
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Watch the episode here. This week we drive into the eye of the storm to wrangle the narrative in Twisters. Our hosts discuss this surprisingly fresh movie and dive deeper to explore how it touches on foundational themes of what it means to be human and the relationship between science and religion. This episode is brought to you by Reel Leadership, the new book that helps you understand how your favorite films can make you a better leader. To learn more, visit www.jmlalonde.com/popcorn, and use the coupon code PODCAST to a $5 discount! — We've got new merchandise! Check it out at the merch store. Help us recruit more film lovers and theology nerds by sharing this episode with your friends. Rate and review the podcast wherever you listen to help attract more listeners. Follow and connect with us on social media. Support us on Patreon. Chapters: Intro - 00:00 Welcome - 2:04 Popcorn Ratings - 4:34 Theology Ratings - 6:43 Subscribe, Share, Support - 8:31 Ads - 10:44 Popcorn Thoughts - 16:43 Whirlwinds in the Bible - 22:00 Subduing Creation, Imaging God - 30:11 Life is Part-Science, Part-Faith - 39:59 Lightning Round - 52:55 #Twisters #Twister #DaisyEdgarJones #glenpowell #Adventure #ChristianPodcasts #MoviePodcasts #YouAreNotAMindlessConsumer #MovieDiscussion #FilmCriticism #MovieReview #FilmReview #FilmDiscussion #MovieExplanation #FilmAnalysis #CharacterAnalysis #MovieExplanation #MovieAnalysis #MovieReaction #reformedtheology #PopcornTheology Music by Ross Bugden: https://www.youtube.com/watch?v=Bln0BEv5AJ0&t=0s
Do you have the confidence to speak up and say “no”? Rachel Stevens has learnt it's ok to stand up for yourself and have a voice. In this chat with Fearne – live from the Happy Place Festival – Rachel talks about how emotions are messy, and they're better spoken out loud imperfectly than not at all. They also chat about the early years of S Club 7; the band gave Rachel safety and structure when she needed to escape from a difficult family life. But over time it wore down her autonomy and independence; she explains how she found her voice so that you can too. Plus, are you a worrier? Fearne and Rachel both share what they're anxious about every single day. Rachel's book, Finding My Voice, is out now. Hosted on Acast. See acast.com/privacy for more information.
Join us as our husband-and-wife team looks at some of the stories making headlines. Learn to apply the whole Truth of Scripture to the world around us, while measuring any "crooked" ideas being "bought and sold" in the marketplace of ideas by the Word of God. Get ready to think biblically and critically.See omnystudio.com/listener for privacy information.
Recorded live at Beatitudes Church in Phoenix, AZ on 6.23.24 Preaching: Reverend Sandi AnthonyScripture: Job 38:1-11, 42:1-6If you like what you hear, consider donating at: https://beatitudeschurch.org/donate/To watch the full service, click here: Service of Worship | June 23, 2024
LatterRain333 --- Send in a voice message: https://podcasters.spotify.com/pod/show/aei-leon/message
Hold on tight as we delve into the thrilling and sometimes hair-raising world of "Wedding Whirlwinds: Navigating Reddit's Wedding Horror Stories." Join us for an episode that brings to light the unexpected twists, turns, and sometimes downright shocking tales from the wedding experiences shared on Reddit.From quirky mishaps to unforeseen disasters, our hosts navigate through these real-life wedding sagas with humor, empathy, and a touch of cautionary wisdom. Whether you're in the midst of planning your own celebration or simply enjoy a good story, this episode promises a rollercoaster ride through the highs and lows of nuptial adventures.Tune in for laughs, gasps, and perhaps a sigh of relief as we unravel the threads of Reddit's Wedding Horror Stories, reminding us that sometimes the best memories come from the unexpected moments.
Welcome back to Episode 176 of 'Another Great Day,' where every moment is an opportunity for laughter and learning! In this episode, Aaron, Wes, and Chris (with a friendly hello from Chris) take you on a whirlwind adventure, starting with a whimsical exploration of the wind – ever wondered where it comes from and where it goes? Next, we narrowly avoid a 'LEGO landmine' in a rocky desert, sparking a playful chat. Then, we delve into a hilariously bad movie description that will have you guessing and giggling. Our journey through time then brings us to 1886, where we celebrate the patenting of the first modern automobile by Carl Benz, and Bertha Benz's groundbreaking road trip. Imagine a world before cars – Moses, Shakespeare, George Washington, all without the convenience of our modern 'metal horses'! We end with a thought-provoking question of the day: where would your dream road trip take you? Plus, don't miss our Dad Joke Correspondent and a wise word from Proverbs. Perfect for families on the go, this episode turns your commute into an amusing and imaginative ride. Don't forget to rate, review, and share us – your support helps us beat the internet and bring more fun to families everywhere. Let's make today, and every day, another great day! See you tomorrow! --- Send in a voice message: https://podcasters.spotify.com/pod/show/anothergreatday/message
This is another story that I came across when carrying out research for the documentary Whirlwinds and Widow-Makers. I was looking at what type of selection process my father would have had to go through to get into the RAF as a pilot.
This is a story that I came across when I was in Scotland carrying out research for the feature length documentary WHIRLWINDS and WIDOW-MAKERS.
Whirlwinds and Widow-Makers is the first of many long-form documentaries that we plan to release on Flights of Curiosity. It is a rather unique insight into the early days of rotary wing aircraft in the Royal Air Force, as it uses footage and photographs taken by one of the pilots who flew during this time, Flight Lieutenant Jim Reilly. Even for those with no interest in helicopters, it is well worth watching as Jim also captured the social, political and cultural changes that took place during the post war years in South East Asia.
Happy New Year! Join Fox and Sparrow for the final story of the year, a whirlwind of a tale from the enchanted forests of Bulgaria! Can a little orphan girl with a warm heart thwart the witch's plan for a forever winter? In the final episode of 2023, Fox and Sparrow reflect on what they have been into the previous year. From getting sick to enjoying new media, it's been a full year, and there is a lot to look back on. Enjoying the Podcast? We want to hear from you! Leave us a review on Podchaser or follow us on Goodpods and tell us what story you want us to cover next! Show notes can be found on our website at: www.talesfromtheenchantedforest.com You can also find us on: Twitter @FromEnchanted Bluesky Mastodon Instagram TikTok
In this episode of The Integrated Life podcast, Diana tells a story of how God is leading her through an adventure centered around a rainbow and whirlwind. What would you rather encounter? A rainbow or a whirlwind? How about both? Isaiah 55: 8 (NLT), "My thoughts are nothing like your thoughts," says the Lord. "And my ways are far beyond anything you could imagine." Listen and join a whirl of adventure. Connect with Diana: integratedpurposemanagement.com Like us on Facebook Follow us on LinkedIn Quick Episode Summary: Introduction and Sponsor Highlight Excitement for the Last Episode of 2023 The Journey of Grace and Wonder The Vision of the Rainbow Whirlwind The Unexpected Chair Story The Significance of Whirlwinds and Rainbows The Shift in Business Focus The Whirlwind Chair Delivery Closing Thoughts and Encouragement for 2024
Episode Notes: Nerd Ball. Biotechnology. Walking Dogs and Sleeping on Floors. Becoming Sponsored. Extravaganza. Teo's first sponsor. Dama Bingo. Holding an event. Everything about KenFest. Knowing Japan before going. Dama Travels. Stay on your Tablet. 69 Whirlwinds. Outro: Wii Menu BGM Support the show with $1 a month to get video episodes: www.patreon.com/kendertainment Follow us on IG: https://www.instagram.com/damanerds/ GUESTS IG: https://www.instagram.com/boehlstar/ Grab some Merch: https://www.incroillustrations.com/kdtmshop Subscribe to the YouTube Channel https://www.youtube.com/@DamaNerds Check out more nerdy stuff at the Kendertainment YouTube Channel: https://www.youtube.com/@KENDERTAINMENT
Audio Bible Old Testament Ecclesiastes to Malachi, King James Version
église AB Lausanne ; KJV Isaiah 21 The burden of the desert of the sea. As whirlwinds in the south pass through; so it cometh from the desert, from a terrible land. A grievous vision is declared unto me; the treacherous dealer dealeth treacherously, and the spoiler spoileth. Go up, O Elam: besiege, O Media; all the sighing thereof have I made to cease. Therefore are my loins filled with pain: pangs have taken hold upon me, as the pangs of a woman that travaileth: I was bowed down at the hearing of it; I was dismayed at the seeing of it. My heart panted, fearfulness affrighted me: the night of my pleasure hath he turned into fear unto me. Prepare the table, watch in the watchtower, eat, drink: arise, ye princes, and anoint the shield. For thus hath the Lord said unto me, Go, set a watchman, let him declare what he seeth. And he saw a chariot with a couple of horsemen, a chariot of asses, and a chariot of camels; and he hearkened diligently with much heed: And he cried, A lion: My lord, I stand continually upon the watchtower in the daytime, and I am set in my ward whole nights: And, behold, here cometh a chariot of men, with a couple of horsemen. And he answered and said, Babylon is fallen, is fallen; and all the graven images of her gods he hath broken unto the ground. O my threshing, and the corn of my floor: that which I have heard of the LORD of hosts, the God of Israel, have I declared unto you. ...
Mid-Atlantic - conversations about US, UK and world politics
Cory Bernard political commentator from ManchesterZee Cohen-Sanchez - Director Of Operations at campaign operation Sole Strategies in NevadaLeah Brown FRSA Founder and CEO Broadstairs Consulting Ltd broadstairs KentAram Fischer, california political activist and strategistSteve O'Neil political adviser and the host of the No mans Land podcastUS Politics:Examination of Kevin McCarthy's short tenure as speaker and its implications for the Republican Party.Analysis of the divisions within the Republican Party and the potential consequences for governance.Insight into the unprecedented ousting of McCarthy and the role of the far-right faction in this decision.Speculation on potential future leaders of the Republican Party and the challenges they might face.Exploration of the GOP's internal strife and its potential impact on the 2024 elections.UK Politics:Overview of the Conservative Party Conference in Manchester.Examination of the party's identity and direction, with a focus on Rishi Sunak's leadership and Suella Braverman's rise as a hardline faction leader.Discussion on the controversial views on human rights and immigration presented at the conference.Analysis of the decision to scrap the HS2 train line to Manchester and its implications for the UK's infrastructure and political landscape.Key Takeaways:The Republican Party in the US is facing significant internal challenges, with divisions becoming more evident.The Conservative Party in the UK is also grappling with its identity, with leaders like Suella Braverman taking hardline stances on various issues.Both parties are at crucial junctures, and their decisions now will shape their futures and potentially the political landscapes of their respective countries. Hosted on Acast. See acast.com/privacy for more information.
Highlights of the Podcast00:00 - Intro04:01 - A Global Inflationary Depression is very possible, but what does this do to the Energy and Oil markets?09:17 - Scientist Admits to spreading alarm about Climate Change it's a manufactured consensus12:27 - Don't Fall for the Ploy BlackRock is still working to undermine American Energy 16:32 - 30 foot humpback whale found dead on Fire Island, at least the 18th Doomed humpback discovered in the East Coast this year20:33 - Biden's Summer Regulatory Onslaught is Legislation through Regulation 24:13 - This week in Bidenomics Never Enough Oil 27:36 - Market Updates30:40 - OutroFollow Stuart On LinkedIn and TwitterFollow Michael On LinkedIn and TwitterENB Top NewsENBEnergy DashboardENB PodcastENB Substack– Get in Contact With The Show –
Welcome to this sleepy bedtime story called 'The Little Girl and the Winter Whirlwinds'. This is a Bulgarian Fairytale about a courageous little girl who goes on a blustery adventure to help bring the long cold and dreary winter to an end. This story is part storytelling and part relaxation. So if at the end of the story you are still awake, you can continue to listen to my voice as I help guide you to relax and ease into a restful sound sleep.So go ahead and get all nice and snuggly under the covers and sweet dreamszzz...Music in this episode is "Adrift" by Christopher Lloyd ClarkBecome a Drift Off Premium member today and receive: intro and ad-free listening to all episodes access to 2 monthly bonus episodes a monthly guided sleep hypnosis or guided sleep relaxation episodes that link directly to your Spotify account all episodes (regular & premium) linked to your favorite podcast app It's easy! Go sign up at driftoff.supercast.comYou can also support the show by leaving us a rating or a review on Apple Podcasts . This really helps our audience grow! Want to learn more about the Drift Off Podcast? Come visit our website! https://www.bedtimestoriesforsleep.comContent Warning Disclaimer: This podcast is a sleep aid for adults. The stories may be family friendly, however, adult supervision is required! We recommend that parents/guardians listen to the full episode first to decide whether or not the story is appropriate for their young listener. Safety Disclaimer: Podcast content is for entertainment purposes only and is not meant to be a replacement for medical, psychological or professional counselling. Only listen when you can relax safely....
Brian comes on to talk about Archie basketball, growing as a coach and teacher He brings up very good points on allowing kids room to grow and learn while taking on a role of ownership in their own lives. Brian has worked very hard to facilitate the ideas of learning all the time and researching things out before making a decision. He pushes the know what you believe by studying approachhttps://youtube.com/@platesandpancakes4593https://instagram.com/voodoo4power?igshid=YmMyMTA2M2Y=https://voodoo4ranch.com/To possibly be a guest or support the show email Voodoo4ranch@gmail.comhttps://www.paypal.com/paypalme/voodoo4ranch
HALFWAY UP MIDDLE - 030 - WHIRLWINDS Twitter: https://twitter.com/halfwayupmiddle Instagram: https://instagram.com/halfwayupmiddle/ Podbean: https://halfwayupmiddle.podbean.com/ Apple: https://feed.podbean.com/halfwayupmiddle/feed.xml Spotify: https://open.spotify.com/show/2GltizgVzM2YhvUb705Yjn Contact: halfwayupmiddle@outlook.com
Sound Sleep: Bedtime Stories & Guided Sleep Meditation - Time To Relax, Get Sleepy, & Fall Asleep
Hey Sound Sleepers! Relax with The Little Girl and the Winter Whirlwinds. A Bulgarian tale of a wicked Winter Witch who decided to stop Spring from coming on time and make Winter the only season on Earth.
I go through some of what Yahweh has shown me regarding the veil of heaven, the timing of his pouring out of his spirit, and how he might want to use us in this age of Aquarius.
AccuWeather Daily brings you the top trending weather story of the day - every day.
AccuWeather Daily brings you the top trending weather story of the day - every day.
The Snake Bros have been wanting to book review Charles Fort's The Book of the Damned for a while now, as in many ways it is the foundation of much of modern investigations into the strange, weird, and wonderful. As always, we begin by reading through the various intros and forwards to the book. There is an introduction by Jim Steinmeyer, which gives us some insight into Fort himself and his life. Then there is Fort's own introduction to The Book of the Damned, which gives us some insight into his goals and some of his thinking regarding the subjects of the book. It also gives us an introduction into Fort's unique style of writing. Strange atmospheric effects, rains and snows of coal, grains, frogs, "fishes", and SNAKES in this episode, Part 4 of our deep dive into Charles Fort's The Book of the Damned. Can "whirlwinds" account for all this biological material falling to earth? Can storms keep fish up in the skies long enough for them to begin to rot? Maybe. Or maybe something much more bizarre is happening in these instances of the damned.. The Book of the Damned.
In this first substantive episode of our new season, I begin an examination of medieval kingship. With surprise guest: Queens. Renaissance English History Podcast: https://www.englandcast.com/Music: https://en.wikipedia.org/wiki/Whirlwinds_of_Danger See acast.com/privacy for privacy and opt-out information.
Get yourself a cup of tea and a comfortable seat as you are about to listen to an exciting whirlwind of information on trends, fashion, textiles and of course color! David and I will talk about which trends were accelerated by the pandemic and which color directions will be key for the upcoming years. In this fast conversation we will talk about the future of fashion, health and merchandising in a world where supplies are short and consumers want comfort. David will also touch upon how the meta verse is influencing society and how it will bring color to a next level. Publisher at Metropolitan Publishing BV (Textile View, Viewpoint Colour, PantoneView Colour Planner, Pantone Colour InstituteTrendhouse Kids, Trendhouse Youth Lifestyle and Trendhouse Casual/Athleisure). He is and has been a consultant working on design and marketing developments with many leading apparel and industrial companies, ranging from fashion to automotive. He is renowned for his speeches around the world on social and design trends. David has been visiting professor at the Royal College of Arts, London examining MA students in textiles as well as Associate Professor at ARTez, Arnhem the Netherlands, for the course on branding and marketing and Associate Professor at Renmin University, Beijing. He is also a peer member for the CBI Ministry of Foreign Affairs in the Netherlands and is often called as an expert witness in legal matters.
Jim Peterson takes readers on a surreal journey in his short story collection The Sadness of Whirlwinds. In this first episode of the 2022 season of The Fall for the Book Podcast, he discusses how each tale dabbles or drips with magical realism and why it's important for the reader to ask questions.
We pick up this week's conversation where last week's (and so many of our past episodes left off) - what about Twitter, at this price, in this economy? We talk about the succession decision and why the set-up for the incoming CEO, intentionally set or not, is pretty attractive. We talk about Elliott Management's role in all this, and what they might be thinking about Twitter at this stage. We talk about downside and sector performance, and then we circle back to last week's discussion on the overall market volatility and why buying great companies irrespective of price can lead to more than the occasional pothole, even if the ride as a whole may turn out successful enough. Topics Covered 2:45 minute mark – Twitter's valuation and the set up for new CEO Parag Agarwal 8:00 - The succession decision 14:00 – Other considerations for this move 22:00 – The downside at this point for Twitter 25:00 – Elliott's role in all of this 29:00 – Sector movements 34:00 – Market considerations 40:00 – Places to avoid 45:00 – Extreme outcomes when buying a good business 49:00 – The ongoing volatility event in the market
Hosts Ryan and Mike are back after a week away to recap everything from Week 11 of the 2021 CFL season, give an update on CFL Fantasy/Pickem, and make their picks for Week 12 Recorded Monday October 18th, 2021 We are a proud member of the Canadian Football Podcast Network. Check out all the other great shows at @CFPodNetwork on Twitter
Episode 126 of A History of Rock Music in Five Hundred Songs looks at “For Your Love", the Yardbirds, and the beginnings of heavy rock and the guitar hero. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "A Lover's Concerto" by the Toys. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual, I've created a Mixcloud playlist, with full versions of all the songs excerpted in this episode. The Yardbirds have one of the most mishandled catalogues of all the sixties groups, possibly the most mishandled. Their recordings with Giorgio Gomelsky, Simon Napier-Bell and Mickie Most are all owned by different people, and all get compiled separately, usually with poor-quality live recordings, demos, and other odds and sods to fill up a CD's running time. The only actual authoritative compilation is the long out-of-print Ultimate! . Information came from a variety of sources. Most of the general Yardbirds information came from The Yardbirds by Alan Clayson and Heart Full of Soul: Keith Relf of the Yardbirds by David French. Simon Napier-Bell's You Don't Have to Say You Love Me is one of the most entertaining books about the sixties music scene, and contains several anecdotes about his time working with the Yardbirds, some of which may even be true. Some information about Immediate Records came from Immediate Records by Simon Spence, which I'll be using more in future episodes. Information about Clapton came from Motherless Child by Paul Scott, while information on Jeff Beck came from Hot Wired Guitar: The Life of Jeff Beck by Martin Power. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today, we're going to take a look at the early career of the band that, more than any other band, was responsible for the position of lead guitarist becoming as prestigious as that of lead singer. We're going to look at how a blues band launched the careers of several of the most successful guitarists of all time, and also one of the most successful pop songwriters of the sixties and seventies. We're going to look at "For Your Love" by the Yardbirds: [Excerpt: The Yardbirds, "For Your Love"] The roots of the Yardbirds lie in a group of schoolfriends in Richmond, a leafy suburb of London. Keith Relf, Laurie Gane, Paul Samwell-Smith and Jim McCarty were art-school kids who were obsessed with Sonny Terry and Jimmy Reed, and who would hang around the burgeoning London R&B scene, going to see the Rolling Stones and Alexis Korner in Twickenham and at Eel Pie Island, and starting up their own blues band, the Metropolis Blues Quartet. However, Gane soon left the group to go off to university, and he was replaced by two younger guitarists, Top Topham and Chris Dreja, with Samwell-Smith moving from guitar to bass. As they were no longer a quartet, they renamed themselves the Yardbirds, after a term Relf had found on the back of an album cover, meaning a tramp or hobo. The newly-named Yardbirds quickly developed their own unique style -- their repertoire was the same mix of Howlin' Wolf, Bo Diddley, Jimmy Reed and Chuck Berry as every other band on the London scene, but they included long extended improvisatory instrumental sequences with Relf's harmonica playing off Topham's lead guitar. The group developed a way of extending songs, which they described as a “rave-up” and would become the signature of their live act – in the middle of a song they would go into a long instrumental solo in double-time, taking the song twice as fast and improvising heavily, before dropping back to the original tempo to finish the song off. These “rave-up” sections would often be much longer than the main song, and were a chance for everyone to show off their instrumental skills, with Topham and Relf trading phrases on guitar and harmonica. They were mentored by Cyril Davies, who gave them the interval spots at some of his shows -- and then one day asked them to fill in for him in a gig he couldn't make -- a residency at a club in Harrow, where the Yardbirds went down so well that they were asked to permanently take over the residency from Davies, much to his disgust. But the group's big break came when the Rolling Stones signed with Andrew Oldham, leaving Giorgio Gomelsky with no band to play the Crawdaddy Club every Sunday. Gomelsky was out of the country at his father's funeral when the Stones quit on him, and so it was up to Gomelsky's assistant Hamish Grimes to find a replacement. Grimes looked at the R&B scene and the choice came down to two bands -- the Yardbirds and Them. Grimes said it was a toss-up, but he eventually went for the Yardbirds, who eagerly agreed. When Gomelsky got back, the group were packing audiences in at the Crawdaddy and doing even better than the Stones had been. Soon Gomelsky wanted to become the Yardbirds' manager and turn the group into full-time musicians, but there was a problem -- the new school term was starting, Top Topham was only fifteen, and his parents didn't want him to quit school. Topham had to leave the group. Luckily, there was someone waiting in the wings. Eric Clapton was well known on the local scene as someone who was quite good on guitar, and he and Topham had played together for a long time as an informal duo, so he knew the parts -- and he was also acquainted with Dreja. Everyone on the London blues scene knew everyone else, although the thing that stuck in most of the Yardbirds' minds about Clapton was the time he'd seen the Metropolis Blues Quartet play and gone up to Samwell-Smith and said "Could you do me a favour?" When Samwell-Smith had nodded his assent, Clapton had said "Don't play any more guitar solos". Clapton was someone who worshipped the romantic image of the Delta bluesman, solitary and rootless, without friends or companions, surviving only on his wits and weighed down by troubles, and he would imagine himself that way as he took guitar lessons from Dave Brock, later of Hawkwind, or as he hung out with Top Topham and Chris Dreja in Richmond on weekends, complaining about the burdens he had to bear, such as the expensive electric guitar his grandmother had bought him not being as good as he'd hoped. Clapton had hung around with Topham and Dreja, but they'd never been really close, and he hadn't been considered for a spot in the Yardbirds when the group had formed. Instead he had joined the Roosters with Tom McGuinness, who had introduced Clapton to the music of Freddie King, especially a B-side called "I Love the Woman", which showed Clapton for the first time how the guitar could be more than just an accompaniment to vocals, but a featured instrument in its own right: [Excerpt: Freddie King, "I Love the Woman"] The Roosters had been blues purists, dedicated to a scholarly attitude to American Black music and contemptuous of pop music -- when Clapton met the Beatles for the first time, when they came along to an early Rolling Stones gig Clapton was also at, he had thought of them as "a bunch of wankers" and despised them as sellouts. After the Roosters had broken up, Clapton and McGuinness had joined the gimmicky Merseybeat group Casey Jones and his Engineers, who had a band uniform of black suits and cardboard Confederate army caps, before leaving that as well. McGuinness had gone on to join Manfred Mann, and Clapton was left without a group, until the Yardbirds called on him. The new lineup quickly gelled as musicians -- though the band did become frustrated with one quirk of Clapton's. He liked to bend strings, and so he used very light gauge strings on his guitar, which often broke, meaning that a big chunk of time would be taken up each show with Clapton restringing his guitar, while the audience gave a slow hand clap -- leading to his nickname, "Slowhand" Clap-ton. Two months after Clapton joined the group, Gomelsky got them to back Sonny Boy Williamson II on a UK tour, recording a show at the Crawdaddy Club which was released as a live album three years later: [Excerpt: The Yardbirds and Sonny Boy Williamson II, "Twenty-three Hours Too Long"] Williamson and the Yardbirds didn't get along though, either as people or as musicians. Williamson's birth name was Rice Miller, and he'd originally taken the name "Sonny Boy Williamson" to cash in on the fame of another musician who used that name, though he'd gone on to much greater success than the original, who'd died not long after the former Miller started using the name. Clapton, wanting to show off, had gone up to Williamson when they were introduced and said "Isn't your real name Rice Miller?" Williamson had pulled a knife on Clapton, and his relationship with the group didn't get much better from that point on. The group were annoyed that Williamson was drunk on stage and would call out songs they hadn't rehearsed, while Williamson later summed up his view of the Yardbirds to Robbie Robertson, saying "Those English boys want to play the blues so bad -- and they play the blues *so bad*!" Shortly after this, the group cut some demos on their own, which were used to get them a deal with Columbia, a subsidiary of EMI. Their first single was a version of Billy Boy Arnold's "I Wish You Would": [Excerpt: The Yardbirds, "I Wish You Would"] This was as pure R&B as a British group would get at this point, but Clapton was unhappy with the record -- partly because hearing the group in the studio made him realise how comparatively thin they sounded as players, and partly just because he was worried that even going into a recording studio at all was selling out and not something that any of the Delta bluesmen whose records he loved would do. He was happier with the group's first album, a live recording called Five Live Yardbirds that captured the sound of the group at the Marquee Club. The repertoire on that album was precisely the same as any of the other British R&B bands of the time -- songs by Howlin' Wolf, Bo Diddley, Chuck Berry, John Lee Hooker, Slim Harpo, Sonny Boy Williamson and the Isley Brothers -- but they were often heavily extended versions, with a lot of interplay between Samwell-Smith's bass, Clapton's guitar, and Relf's harmonica, like their five-and-a-half-minute version of Howlin' Wolf's "Smokestack Lightning": [Excerpt: The Yardbirds, "Smokestack Lightning"] "I Wish You Would" made number twenty-six on the NME chart, but it didn't make the Record Retailer chart which is the basis of modern chart compilations. The group were just about to go into the studio to cut their second single, a version of "Good Morning Little Schoolgirl", when Keith Relf collapsed. Relf had severe asthma and was also a heavy smoker, and his lung collapsed and he had to be hospitalised for several weeks, and it looked for a while as if he might never be able to sing or play harmonica again. In his absence, various friends and hangers-on from the R&B scene deputised for him -- Ronnie Wood has recalled being at a gig and the audience being asked "Can anyone play harmonica?", leading to Wood getting on stage with them, and other people who played a gig or two, or sometimes just a song or two, with them include Mick Jagger, Brian Jones, and Rod Stewart. Stewart was apparently a big fan, and would keep trying to get on stage with them -- according to Keith Relf's wife, "Rod Stewart would be sitting in the backroom begging to go on—‘Oh give us a turn, give us a turn.'” Luckily, Relf's lung was successfully reinflated, and he returned to singing, harmonica playing... and smoking. In the early months back with the group, he would sometimes have to pull out his inhaler in the middle of a word to be able to continue singing, and he would start seeing stars on stage. Relf's health would never be good, but he was able to carry on performing, and the future of the group was secured. What wasn't secure was the group's relationship with their guitarist. While Relf and Dreja had for a time shared a flat with Eric Clapton, he was becoming increasingly distant from the other members. Partly this was because Relf felt somewhat jealous of the fact that the audiences seemed more impressed with the group's guitarist than with him, the lead singer; partly it was because Giorgio Gomelsky had made Paul Samwell-Smith the group's musical director, and Clapton had never got on with Samwell-Smith and distrusted his musical instincts; but mostly it was just that the rest of the group found Clapton rather petty, cold, and humourless, and never felt any real connection to him. Their records still weren't selling, but they were popular enough on the local scene that they were invited to be one of the support acts for the Beatles' run of Christmas shows at the end of 1964, and hung out with the group backstage. Paul McCartney played them a new song he was working on, which didn't have lyrics yet, but which would soon become "Yesterday", but it was another song they heard that would change the group's career. A music publisher named Ronnie Beck turned up backstage with a demo he wanted the Beatles to hear. Obviously, the Beatles weren't interested in hearing any demos -- they were writing so many hits they were giving half of them away to other artists, why would they need someone else's song? But the Yardbirds were looking for a hit, and after listening to the demo, Samwell-Smith was convinced that a hit was what this demo was. The demo was by a Manchester-based songwriter named Graham Gouldman. Gouldman had started his career in a group called the Whirlwinds, who had released one single -- a version of Buddy Holly's "Look at Me" backed with a song called "Baby Not Like You", written by Gouldman's friend Lol Creme: [Excerpt: The Whirlwinds, "Baby Not Like You"] The Whirlwinds had split up by this point, and Gouldman was in the process of forming a new band, the Mockingbirds, which included drummer Kevin Godley. The song on the demo had been intended as the Mockingbirds' first single, but their label had decided instead to go with "That's How (It's Gonna Stay)": [Excerpt: The Mockingbirds, "That's How (It's Gonna Stay)"] So the song, "For Your Love", was free, and Samwell-Smith was insistent -- this was going to be the group's first big hit. The record was a total departure from their blues sound. Gouldman's version had been backed by bongos and acoustic guitar, and Samwell-Smith decided that he would keep the bongo part, and add, not the normal rock band instruments, but harpsichord and bowed double bass: [Excerpt: The Yardbirds, "For Your Love"] The only part of the song where the group's normal electric instrumentation is used is the brief middle-eight, which feels nothing like the rest of the record: [Excerpt: The Yardbirds, "For Your Love"] But on the rest of the record, none of the Yardbirds other than Jim McCarty play -- the verses have Relf on vocals, McCarty on drums, Brian Auger on harpsichord, Ron Prentice on double bass and Denny Piercy on bongos, with Samwell-Smith in the control room producing. Clapton and Dreja only played on the middle eight. The record went to number three, and became the group's first real hit, and it led to an odd experience for Gouldman, as the Mockingbirds were by this time employed as the warm-up act on the BBC's Top of the Pops, which was recorded in Manchester, so Gouldman got to see mobs of excited fans applauding the Yardbirds for performing a song he'd written, while he was completely ignored. Most of the group were excited about their newfound success, but Clapton was not happy. He hadn't signed up to be a member of a pop group -- he wanted to be in a blues band. He made his displeasure about playing on material like "For Your Love" very clear, and right after the recording session he resigned from the group. He was convinced that they would be nothing without him -- after all, wasn't he the undisputed star of the group? -- and he immediately found work with a group that was more suited to his talents, John Mayall's Bluesbreakers. The Bluesbreakers at this point consisted of Mayall on keyboards and vocals, Clapton on guitar, John McVie on bass, and Hughie Flint on drums. For their first single with this lineup, they signed a one-record deal with Immediate Records, a new independent label started by the Rolling Stones' manager Andrew Oldham. That single was produced by Immediate's young staff producer, the session guitarist Jimmy Page: [Excerpt: John Mayall and the Bluesbreakers, "I'm Your Witch Doctor"] The Bluesbreakers had something of a fluid lineup -- shortly after that recording, Clapton left the group to join another group, and was replaced by a guitarist named Peter Green. Then Clapton came back, for the recording of what became known as the "Beano album", because Clapton was in a mood when they took the cover photo, and so read the children's comic the Beano rather than looking at the camera: [Excerpt: John Mayall's Bluesbreakers, "Bernard Jenkins"] Shortly after that, Mayall fired John McVie, who was replaced by Jack Bruce, formerly of the Graham Bond Organisation, but then Bruce left to join Manfred Mann and McVie was rehired. While Clapton was in the Bluesbreakers, he gained a reputation for being the best guitarist in London -- a popular graffito at the time was "Clapton is God" -- and he was at first convinced that without him the Yardbirds would soon collapse. But Clapton had enough self-awareness to know that even though he was very good, there were a handful of guitarists in London who were better than him. One he always acknowledged was Albert Lee, who at the time was playing in Chris Farlowe's backing band but would later become known as arguably the greatest country guitarist of his generation. But another was the man that the Yardbirds got in to replace him. The Yardbirds had originally asked Jimmy Page if he wanted to join the group, and he'd briefly been tempted, but he'd decided that his talents were better used in the studio, especially since he'd just been given the staff job at Immediate. Instead he recommended his friend Jeff Beck. The two had known each other since their teens, and had grown up playing guitar together, and sharing influences as they delved deeper into music. While both men admired the same blues musicians that Clapton did, people like Hubert Sumlin and Buddy Guy, they both had much more eclectic tastes than Clapton -- both loved rockabilly, and admired Scotty Moore and James Burton, and Beck was a huge devotee of Cliff Gallup, the original guitarist from Gene Vincent's Blue Caps. Beck also loved Les Paul and the jazz guitarist Barney Kessel, while Page was trying to incorporate some of the musical ideas of the sitar player Ravi Shankar into his playing. While Page was primarily a session player, Beck was a gigging musician, playing with a group called the Tridents, but as Page rapidly became one of the two first-call session guitarists along with Big Jim Sullivan, he would often recommend his friend for sessions he couldn't make, leading to Beck playing on records like "Dracula's Daughter", which Joe Meek produced for Screaming Lord Sutch and the Savages: [Excerpt: Screaming Lord Sutch and the Savages, "Dracula's Daughter"] While Clapton had a very straightforward tone, Beck was already experimenting with the few effects that were available at the time, like echoes and fuzztone. While there would always be arguments about who was the first to use feedback as a controlled musical sound, Beck is one of those who often gets the credit, and Keith Relf would describe Beck's guitar playing as being almost musique concrete. You can hear the difference on the group's next single. "Heart Full of Soul" was again written by Gouldman, and was originally recorded with a sitar, which would have made it one of the first pop singles to use the instrument. However, they decided to replace the sitar part with Beck playing the same Indian-sounding riff on a heavily-distorted guitar: [Excerpt: The Yardbirds, "Heart Full of Soul"] That made number two in the UK and the top ten in the US, and suddenly the world had a new guitar god, one who was doing things on records that nobody else had been doing. The group's next single was a double A-side, a third song written by Gouldman, "Evil Hearted You", coupled with an original by the group, "Still I'm Sad". Neither track was quite up to the standard of their previous couple of singles, but it still went to number three on the charts. From this point on, the group stopped using Gouldman's songs as singles, preferring to write their own material, but Gouldman had already started providing hits for other groups like the Hollies, for whom he wrote songs like “Bus Stop”: [Excerpt: The Hollies, “Bus Stop”] His group The Mockingbirds had also signed to Immediate Records, who put out their classic pop-psych single “You Stole My Love”: [Excerpt: The Mockingbirds, “You Stole My Love”] We will hear more of Gouldman later. In the Yardbirds, meanwhile, the pressure was starting to tell on Keith. He was a deeply introverted person who didn't have the temperament for stardom, and he was uncomfortable with being recognised on the street. It also didn't help that his dad was also the band's driver and tour manager, which meant he always ended up feeling somewhat inhibited, and he started drinking heavily to try to lose some of those inhibitions. Shortly after the recording of "Evil Hearted You", the group went on their first American tour, though on some dates they were unable to play as Gomelsky had messed up their work permits -- one of several things about Gomelsky's management of the group that irritated them. But they were surprised to find that they were much bigger in the US than in the UK. While the group had only released singles, EPs, and the one live album in the UK, and would only ever put out one UK studio album, they'd recorded enough that they'd already had an album out in the US, a compilation of singles, B-sides, and even a couple of demos, and that had been picked up on by almost every garage band in the country. On one of the US gigs, their opening act, a teenage group called the Spiders, were in trouble. They'd learned every song on that Yardbirds album, and their entire set was made up of covers of that material. They'd gone down well supporting every other major band that came to town, but they had a problem when it came to the Yardbirds. Their singer described what happened next: "We thought about it and we said, 'Look, we're paying tribute to them—let's just do our set.' And so, we opened for the Yardbirds and did all of their songs. We could see them in the back and they were smiling and giving us the thumbs up. And then they got up and just blew us off the stage—because they were the Yardbirds! And we just stood there going, 'Oh…. That's how it's done.' The Yardbirds were one of the best live bands I ever heard and we learned a lot that night." That band, and later that lead singer, both later changed their name to Alice Cooper. The trip to the US also saw a couple of recording sessions. Gomelsky had been annoyed at the bad drum sound the group had got in UK studios, and had loved Sam Phillips' drum sound on the old Sun records, so had decided to get in touch with Phillips and ask him to produce the group. He hadn't had a reply, but the group turned up at Phillips' new studio anyway, knowing that he lived in a flat above the studio. Phillips wasn't in, but eventually turned up at midnight, after a fishing trip, drunk. He wasn't interested in producing some group of British kids, but Gomelsky waved six hundred dollars at him, and he agreed. He produced two tracks for the group. One of those, "Mr. You're a Better Man Than I", was written by Mike Hugg of Manfred Mann and his brother: [Excerpt: The Yardbirds, "Mister, You're a Better Man Than I"] The backing track there was produced by Phillips, but the lead vocal was redone in New York, as Relf was also drunk and wasn't singing well -- something Phillips pointed out, and which devastated Relf, who had grown up on records Phillips produced. Phillips' dismissal of Relf also grated on Beck -- even though Beck wasn't close to Relf, as the two competed for prominence on stage while the rest of the band kept to the backline, Beck had enormous respect for Relf's talents as a frontman, and thought Phillips horribly unprofessional for his dismissive attitude, though the other Yardbirds had happier memories of the session, not least because Phillips caught their live sound better than anyone had. You can hear Relf's drunken incompetence on the other track they recorded at the session, their version of "Train Kept A-Rollin'", the song we covered way back in episode forty-four. Rearranged by Samwell-Smith and Beck, the Yardbirds' version built on the Johnny Burnette recording and turned it into one of the hardest rock tracks ever recorded to that point -- but Relf's drunk, sloppy, vocal was caught on the backing track. He later recut the vocal more competently, with Roy Halee engineering in New York, but the combination of the two vocals gives the track an unusual feel which inspired many future garage bands: [Excerpt: The Yardbirds, "Train Kept A-Rollin'"] On that first US tour, they also recorded a version of Bo Diddley's "I'm a Man" at Chess Studios, where Diddley had recorded his original. Only a few weeks after the end of that tour they were back for a second tour, in support of their second US album, and they returned to Chess to record what many consider their finest original. "Shapes of Things" had been inspired by the bass part on Dave Brubeck's "Pick Up Sticks": [Excerpt: Dave Brubeck Quartet, "Pick Up Sticks"] Samwell-Smith and McCarty had written the music for the song, Relf and Samwell-Smith added lyrics, and Beck experimented with feedback, leading to one of the first psychedelic records to become a big hit, making number three in the UK and number eleven in the US: [Excerpt: The Yardbirds, "Shapes of Things"] That would be the group's last record with Giorgio Gomelsky as credited producer -- although Samwell-Smith had been doing all the actual production work -- as the group were becoming increasingly annoyed at Gomelsky's ideas for promoting them, which included things like making them record songs in Italian so they could take part in an Italian song contest. Gomelsky was also working them so hard that Beck ended up being hospitalised with what has been variously described as meningitis and exhaustion. By the time he was out of the hospital, Gomelsky was fired. His replacement as manager and co-producer was Simon Napier-Bell, a young dilettante and scenester who was best known for co-writing the English language lyrics for Dusty Springfield's "You Don't Have to Say You Love Me": [Excerpt: Dusty Springfield, "You Don't Have to Say You Love Me"] The way Napier-Bell tells the story -- and Napier-Bell is an amusing raconteur, and his volumes of autobiography are enjoyable reads, but one gets the feeling that he will not tell the truth if a lie seems more entertaining -- is that the group chose him because of his promotion of a record he'd produced for a duo called Diane Ferraz and Nicky Scott: [Excerpt: Diane Ferraz and Nicky Scott, "Me and You"] According to Napier-Bell, both Ferraz and Scott were lovers of his, who were causing him problems, and he decided to get rid of the problem by making them both pop stars. As Ferraz was Black and Scott white, Napier-Bell sent photos of them to every DJ and producer in the country, and then when they weren't booked on TV shows or playlisted on the radio, he would accuse the DJs and producers of racism and threaten to go to the newspapers about it. As a result, they ended up on almost every TV show and getting regular radio exposure, though it wasn't enough to make the record a hit. The Yardbirds had been impressed by how much publicity Ferraz and Scott had got, and asked Napier-Bell to manage them. He immediately set about renegotiating their record contract and getting them a twenty-thousand-pound advance -- a fortune in the sixties. He also moved forward with a plan Gomelsky had had of the group putting out solo records, though only Relf ended up doing so. Relf's first solo single was a baroque pop song, "Mr. Zero", written by Bob Lind, who had been a one-hit wonder with "Elusive Butterfly", and produced by Samwell-Smith: [Excerpt: Keith Relf, "Mr. Zero"] Beck, meanwhile, recorded a solo instrumental, intended for his first solo single but not released until nearly a year later. "Beck's Bolero" has Jimmy Page as its credited writer, though Beck claims to be a co-writer, and features Beck and Page on guitars, session pianist Nicky Hopkins, and Keith Moon of the Who on drums. John Entwistle of the Who was meant to play bass, but when he didn't show to the session, Page's friend, session bass player John Paul Jones, was called up: [Excerpt: Jeff Beck, "Beck's Bolero"] The five players were so happy with that recording that they briefly discussed forming a group together, with Moon saying of the idea "That will go down like a lead zeppelin". They all agreed that it wouldn't work and carried on with their respective careers. The group's next single was their first to come from a studio album -- their only UK studio album, variously known as Yardbirds or Roger the Engineer. "Over Under Sideways Down" was largely written in the studio and is credited to all five group members, though Napier-Bell has suggested he came up with the chorus lyrics: [Excerpt: The Yardbirds, "Over Under Sideways Down"] That became the group's fifth top ten single in a row, but it would be their last, because they were about to lose the man who, more than anyone else, had been responsible for their musical direction. The group had been booked to play an upper-class black-tie event, and Relf had turned up drunk. They played three sets, and for the first, Relf started to get freaked out by the fact that the audience were just standing there, not dancing, and started blowing raspberries at them. He got more drunk in the interval, and in the second set he spent an entire song just screaming at the audience that they could copulate with themselves, using a word I'm not allowed to use without this podcast losing its clean rating. They got him offstage and played the rest of the set just doing instrumentals. For the third set, Relf was even more drunk. He came onstage and immediately fell backwards into the drum kit. Only one person in the audience was at all impressed -- Beck's friend Jimmy Page had come along to see the show, and had thought it great anarchic fun. He went backstage to tell them so, and found Samwell-Smith in the middle of quitting the group, having finally had enough. Page, who had turned down the offer to join the group two years earlier, was getting bored of just being a session player and decided that being a pop star seemed more fun. He immediately volunteered himself as the group's new bass player, and we'll see how that played out in a future episode...
Latter-day Saint Commentary from the Pacific Northwest - Rocky Mountain Sunshine Podcast
Did you see the movie Twister back in 1996? Helen Hunt and Bill Paxton. Or maybe more iconic, how about The Wizard of Oz from 1939 with Judy Garland? If you're like me, these movies made you terrified of tornados. And, well, I think that we should be. When we moved to Highland, Utah we were excited to have a big yard. We had three daughters; Julienne was 6, Maggie had just turned 5, and Emma was almost 2. Part of the appeal of the house was a big playground in the back yard and room for a trampoline. We bought a trampoline and my brother Nick and I spent a whole Saturday putting the thing together. It was very heavy and it had a big net that went all the way around it connected to big tall metal poles. You could not move the trampoline by yourself, and we had difficulty moving it where we wanted with just two of us. The day was almost over but the kids had a good couple of hours to jump on it. We were all excited about the trampoline. It looked really nice. It looked safe. I was tired, but it was a good day's work and I felt like we had accomplished something my kids would enjoy for a long time. We had the kids come inside, eat dinner, take baths, and read scriptures as a family. We did all the regular things on a Saturday night getting ready for church the next morning. Later that night a big storm came through. Now we were new to Highland and didn't know that Highland, Utah is known for its strong wind gusts. Highland sits at the base of American Fork Canyon. Well, this storm was a big one. I could hear the rain against our bedroom window and the wind howling. I had the thought, “I wonder how the trampoline is doing?” I turned on the floodlights to the backyard. I looked hard squinting and scanning the backyard, then I said to my wife Jen, “It's gone!” She said, “What do you mean it's gone?” and I said, “I can't see it anywhere!” I got dressed and grabbed a flashlight. I went out to where the trampoline had been. Nothing was around. I looked over to the swing set and it had been smashed and toppled. I shined the flashlight all around the yard, on our roof, in the trees. The trampoline had vanished. Sticks, branches, and other things were flying through the air like in a tornado. A large piece of aluminum siding from a shed flew through the air above me and I began to think that it might not be safe for me to be out in the storm. I went out to the front yard and through rain hitting my face and blurring my vision, I could see a crumpled trampoline across the street. I crossed the street to get a closer look. As I shined the flashlight on it in unbelief, I could tell that it actually wasn't our trampoline. It was a different color. I later found out it was our neighbor's who lived three houses down the street. Completely puzzled, I looked around and finally gave up. It wasn't in Kansas anymore… or at least it wasn't in my yard. So I clicked my shoes and said, “There's no place like home!” and went to bed. Tune in to hear the rest! --- Send in a voice message: https://anchor.fm/rocky-mountain-sunshine/message Support this podcast: https://anchor.fm/rocky-mountain-sunshine/support
Trek through the snowy woods of Bulgaria with a brave little girl armed with a warm heart, determined to rescue the world from endless winter. Join our lion-hearted heroine as she battles blizzards, whirlwinds and childhood wounds, triumphing over storms around and inside her to save the day. More about snowdropshttps://tobulgaria.org/2016/01/01/snowdrops-%D0%BA%D0%BE%D0%BA%D0%B8%D1%87%D0%B5%D1%82%D0%B0/Psalm 18https://www.biblegateway.com/passage/?search=psalm+18&version=NIVMore on the armor of Godhttps://www.biblegateway.com/passage/?search=Ephesians+6&version=NIVOne of my weapons of choicehttps://www.biblegateway.com/passage/?search=Psalm+91&version=NKJVSupport the show
Another episode, and our first request! Thanks to Diana, for asking for a Bulgarian folk tale. In this story, an evil witch has banished the spring forever, and its up to one little girl to save her town from eternal winter. Will she be able to defeat the witch? There's only one way to find out!
The storms may rage. Whirlwinds could be fierce. Mighty waters may rise. BUT we will not be afraid. We will not back down! "...Be steadfast, immovable, always abounding in the work of the Lord, knowing that your labor is not in vain in the Lord." I Cor 15:58
ABOUT TODAY'S SHOW: I hit rock bottom when my wife was killed in a car crash! Shock. Numbness. Loneliness. Depression. Whirlwinds of emotion. We had been on a journey of health, fitness, German Shepherd Rescue, Home Business. All came crashing down with a ring of a doorbell. Here is my story about what I did when I was at a crossroad in life. LINKS MENTIONED Just Do Today: http://bit.ly/justdotoday WANT MORE? If you would like to listen/view previous episodes of the Power Blast Podcast, please visit this link to subscribe and download episodes! http://www.powerblastpodcast.net My website: http://www.putyourselffirst.com Connect with me on FACEBOOK: http://www.facebook.com/coachtinsley Watch me on Youtube: http://www.youtube.com/ptinsley Connect on Instagram: @PerryTinsley Let's Tweet on Twitter @PerryTinsley How awesome are you for reading all the way to the bottom like this? You Rock!
The Gathering Church in Moravian Falls, NC. http://thegatheringchurch.info CONTACT 'THE GATHERING' AT: E-Mail address: thegatheringchurchoffice@gmail.com Facebook: https://www.facebook.com/The-Gathering-Church-in-Moravian-Falls-1706552402914251/
One year the wicked Winter Witch decided to stop Spring from coming on time and make Winter the only season on Earth. She hid the Sun behind dark clouds and covered the Earth with heavy snow. So one morning the people from a small mountain village woke up and found their houses buried under the snow up to the roofs. They started digging tunnels from their own to the neighboring houses, and gathered in small groups to decide what they could do.