Podcast appearances and mentions of adrienne kennedy

Show Notes: Robert de Neufville dropped out of grad school after spending over a decade in grad school and not finishing his PhD. This was around the time of the financial crisis. Robert realized that after a decade in academia he was less employable than when he graduated from Harvard. He had done a lot of teaching at Berkeley and San Francisco State, but found himself struggling to find a job. He eventually moved to Hawaii to work freelance editing projects. He moved there because he had a friend who wanted to rent out his house. Working as a Forecaster and Political Writer Currently, Robert is working as a forecaster and political writer. He has a sub-stack newsletter called Telling the Future, which has about 1500 subscribers. While he is not particularly happy writing about politics right now, he believes it's necessary for his career and personal growth. Therapy and Political Theory Robert discusses their first period after college and therapy. He mentions the stigma surrounding therapy and the importance of normalizing it. However, he eventually reached a breaking point. He didn't know what he wanted to do after college. He drove to New York and worked at several different places, including consulting and Booz and Allen, which he ultimately found lacked meaning and decided to pursue a more intellectual career. He knew that he liked thinking and writing about things, so he applied to grad school for political science, where he studied political theory and moral issues related to community living. However, he found the academic culture at Berkeley to be toxic and, combined with an unhealthy lifestyle, he decided it was not for him.  Robert touches on his difficult childhood, which was characterized by narcissistic parents and abusive mother. He eventually sought therapy and found that he felt better, but struggled to complete his dissertation. He dropped out of grad school, despite their professors' concerns, and was diagnosed with chronic PTSD. Finding Solace in Teaching Robert found solace in teaching, but disliked the part where he had to grade students. Some people had unhealthy relationships with grades, and he felt he had to refer them to suicide watch. He realized that teaching was great because it allowed them to understand a topic better by explaining it to others. He found that teaching was the only way they could truly understand a topic, but he realized he didn't want to do academic work. Additionally, he found that there was a backlog of people who wanted to become political theory professors who spend their time teaching adjuncts and spending money on conferences and job opportunities. Robert believes that his experience in grad school was intellectually rewarding and that his training and political theory shaped who he is. Writing for Love and Money Robert  talks about his experience writing for mainstream publications like The Economist, National Interest, California magazine, The Big Think, and The Washington Monthly. He shares his struggles with freelance writing, as he finds it slow and fussy, and finds it frustrating to be paid for work that takes time to complete. He also discusses his writing about forecasting, becoming a skilled judgmental forecaster. He makes money by producing forecasts for various organizations, which is a relatively new field. He encourages readers to support writers they love and consider paying for their work, as it is hard and not very rewarding. Forecasting Methods and Examples The conversation turns to Robert's writing and forecasting. He explains his approach to forecasting and how he uses history to guide his predictions. He shares his method of estimating the probability of events in the future, which involves looking back at similar elections and establishing a base rate. This helps in estimating the probability of what is going to happen in a specific situation. Robert also mentions that there are some situations that require more analytical thinking, such as discovering AGI or other technologies. He talks about The Phil Tetlock project, a government agency that helped invent the internet, aimed to determine if anyone could forecast geopolitical questions. The research showed that people were terrible at it, even analysts and pundits. However, a certain percentage of people consistently outperformed intelligence analysts using methodical extrapolations. Robert participated in the tournament and qualified as a super forecaster in his first year. He works with Metaculus and the Good Judgment Project, which produces probabilistic forecasts for decision-makers. The forecasting community is now working on making forecasts useful, such as understanding the reasons behind people's forecasts rather than just the number they produce. Influential Harvard Courses and Professors Robert stresses that he found his interaction with fellow students to be most enriching, and he appreciated Stanley Hoffmann's class on Ethics and International relations, which was taught through a humanist lens and emphasized the importance of morality. He also enjoyed watching the list of movies and reading academic articles alongside his classes, which eventually informed his teaching. He also mentions Adrienne Kennedy's playwriting class, which he found exciting and engaging. He enjoys table reads and reading people's plays fresh off the presses and believes that these experiences have shaped his forecasting skills. Timestamps: 03:16: Robert's Move to Hawaii and Career Challenges  06:16: Current Endeavors and Writing Career  07:58: Therapy and Early Career Struggles  10:14: Grad School Experience and Academic Challenges  22:41: Teaching and Forecasting Career 26:21: Forecasting Techniques and Projects  41:27: Impact of Harvard and Influential Professors  Links: Substack newsletter: https://tellingthefuture.substack.com/ LinkedIn: https://www.linkedin.com/in/robertdeneufville/ Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Patrick Jackson who reports: “Hi I'm Patrick Ian Jackson, class of 1992. The featured nonprofit of this episode of The 92 report is His Hands Free Clinic, located in Cedar Rapids, Iowa. Since 1992 His Hands Free Clinic has been seeking to honor God by helping the uninsured and underinsured in our community. The clinic is a 501, c3 nonprofit ministry providing free health care to Cedar Rapids and the surrounding communities. I love the work of this organization. The church that I pastor, First Baptist Church, Church of the Brethren, has been a regular contributor to the clinic for the past couple of years. You can learn more about their work at WWW dot his hands clinic.org, and now here is Will Bachman with this week's episode.” To learn more about their work, visit: www.HisHandsClinic.org.  

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay.

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we revisit a conversation from the fall of 2022 that highlighted Get SET Nebraska's efforts toward developing effective onboard support for new-to-the-profession Special Education teachers. Since then, Get SET Nebraska has grown in its reach and impact, and this episode brings together a team of educators from Elkhorn Public Schools to speak about the Get SET program and materials. Together with Get SET's Project Manager Pam Brezenski, the Elkhorn team of Adrienne Kennedy, Cara Schrock, and Emma Jackson share their experiences as a part of this collaboration. To learn more about Get SET Nebraska, visit https://getsetnebraska.org/ To listen to the previous episode about Get SET Nebraska, visit https://getsetnebraska.org/podcast-explores-get-set-nebraskas-support-of-special-education-teachers/

In this episode, Hayley and Amy chat with multi-hyphenate Mayah Lourdes Burke about creating equitable rehearsal spaces as an artivist, juggling hats as a multi-hyphenate, and building and nurturing community in theatrical work! Click here for a ⁠transcript⁠ of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy Andrews Guest: Mayah Lourdes Burke Music: Chloe Geller Episode Resources: IlluminArt Productions Question Generator Guest Bio: Mayah “My” Lourdes Burke (she/her) is a director, producer, vocalist, playwright, poet, and actor from NYC. Credits: 54 Below Sings Jessie J (Producer), 54 Below Celebrates Curvy Queens, 54 Below Goes to the Library, and A Year With Frog and Toad (Toad). Mayah was a Directing Observer for SDCF for the revival of The Sign in Sidney Brustein's Window. Her recent directing credits include The Pitfalls of Exaggerated Swagger by Cris Eli Blak, Motherless… by Cherise Kimoy, Good Grief: A Best Friend Play by Ngozi Anyanwu, We are Proud to Present… by Jackie Sibblies Drury, and Funnyhouse of a Negro by Adrienne Kennedy. Her original play, 4SZNS, had its first fully staged production at 2022 Frenzy Fest at El Barrio's Artspace in East Harlem, NYC. She is a Touring Company Member and Teaching Artist with IlluminArt Productions, an Artistic Coach with MTEAF, and a proud member of the Makers Ensemble. In 2022, Mayah received a Staten Island Youth Award for community contribution to Arts and Culture. She has a passion for encouraging and molding young minds through the power of Artivism and is a huge celebrator of the world of new works. Mayah is exceptionally grateful for the opportunity to be here and would love to give thanks to God and all the people who have supported her along the way. Find Mayah Online: Mayah's Website Instagram Email Mayah Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone ⁠here⁠. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on ⁠Instagram⁠ and ⁠Facebook⁠, and consider ⁠making a donation⁠ to support our work. Thank you for listening!

CNP Producing Artist Daniel Alexander Jones hosts a conversation with Monty Cole, director of the CNP world premiere of Adrienne Kennedy's Etta and Ella on the Upper West Side, which premiered at REDCAT in Downtown Los Angeles in February 2023. Over the project's three year incubation at CalArts, Cole and his collaborators dug deep into Kennedy's trademark embrace of symbolism, lyricism, and mythic figures to capture the Black experience in 20th century New York.Hosted by Marissa Chibás, this podcast was produced by CalArts Center for New Performance, the professional producing arm of California Institute of the Arts, Travis Preston Executive Artistic Director and Dean of CalArts School of Theater. Produced by Rory James Leech. Editing and Sound Engineering by Clare Marie Neminich. Associate Producers Rachel Scandling and George Lugg. Associate Sound Design by Duncan Woodbury. Podcast theme music by Christian Amigo. Special thanks to Ravi Rajan, President of CalArts.For more information on these artists and their work, as well as other CNP projects visit centerfornewperformance.org.Find more episodes and subscribe to upcoming ones at centerfornewperformance.org/podcast by clicking on the podcast name and hitting the subscribe button! 

HCP - Ep. 171 - Guest - The Kennedy'sOn this pod, Larry and Drew are out and Heidi hosts by welcoming some BMA interns who are an entergetic couple on mission and in ministry in Mena, AR. Anthony and Adrienne Kennedy are being used of the Lord greatly in Anthony's home church and in many ways for discipleship.ALSO!Don't forget to REGISTER for RECHARGE in OKC, OK!! http://bmaamerica.org/recharge/You can email us at info@healthychurchpodcast.com orTo find more information about The Healthy Church Podcast go to:http://www.healthychurchpodcast.comor find us on FaceBook!For a video of today's podcast, you can find it on FaceBook or YouTube!

Today, I'm thriilled to announce my episode with one of Broadway's best directors, Kenny Leon, who's producttion of Purlie Victorious began previews this week. Tune in today to hear him discuss his process and career, including his collaboration with Adrienne Kennedy in Ohio State Murders, his upcoming projects Our Town and The Help, the project he feels should've transferred to Broadway, what he learned about visual storytelling during Children of a Lesser God, why he felt it was important to join the producing team of Some Like it Hot, his process when he first receives a play, his conversations with August Wilson, and so much more. You won't want to miss this masterclass in directing.

In the last episode of the series, we discuss commissions and how our writers can take the next step. - Send us your updates and questions: info@oldfirestation.org.uk Support the Old Fire Station: https://oldfirestation.org.uk/support-us/ Transcript available here: https://oldfirestation.org.uk/our-work/how-to-write-a-play/ ‘I was living in a fool's paradise': Adrienne Kennedy on meeting the Beatles and losing control of her play – The Guardian: https://www.theguardian.com/stage/2023/jun/06/adrienne-kennedy-on-meeting-the-beatles-american-playwright-john-lennon ‘Play' by Samuel Beckett: https://youtu.be/s2QJ0FYE3pw Hosted on Acast. See acast.com/privacy for more information.

Thinking Cap Theatre's Artistic Director Nicole Stodard talks with Alice Reagan, Associate Professor of Professional Practice in Directing at Barnard College and a seasoned director of the plays of Maria Irene Fornes, about her directing practice and her current project, directing Fornes' play Evelyn Brown: A Diary at La Mama (May 19, 2023 - Jun 4, 2023, https://www.lamama.org/shows/evelyn-brown-a-diary-2023) ALICE REAGAN'S BIO Alice Reagan directs new plays, adapted classics, and plays by María Irene Fornés.  Recent directing credits: Pirandello Project at Barnard College, Measure for Measure at Shakespeare & Company, Cherry Orchard with Portland Experimental Theatre Ensemble, On Loop by Charly Evon Simpson with New Plays at Barnard, No Good Things Dwell in the Flesh by Christina Masciotti at Yocum Institute, Funnyhouse/Movie Star by Adrienne Kennedy at Barnard, Hir by Taylor Mac at Shakespeare & Company, Jeune Terre by Gab Reisman with New Plays at Barnard, Grounded by George Brant at Dobama Theatre, Jackie by Elfriede Jelinek at Boom Arts, Elliot, A Soldier's Fugue by Quiara Alegría Hudes at Profile Theatre, the musical Promenade by María Irene Fornés and Al Carmines at Barnard, Or, by Liz Duffy Adams at Shakespeare & Company, PHAETON (a diggle of a fragment) by Mac Wellman at Classic Stage Company, Enter THE NIGHT by María Irene Fornés with Portland Experimental Theatre Ensemble, Nomads by Julia Jarcho at Incubator Arts Project, I Came to Look for You on Tuesday by Chiori Miyagawa at La MaMa.   Nominations and awards: NYC Fringe First, Berkshire Theatre Awards, Cleveland Critics Circle.  Recipient of two Foundation of Contemporary Arts Grants, Princess Grace Award, and Princess Grace Special Project Grant.  Alum: Mabou Mines/SUITE Resident Artist Program, Soho Rep Writer/Director Lab, Women's Project Directors Lab, and the Drama League.  MA, Performance Studies: Tisch/NYU.  MFA, Directing: Columbia.  Associate Professor of Professional Practice at Barnard College.  www.alicereagan.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

For actor Steve Carrell (Michael from “The Office) and playwright Adrienne Kennedy, the influence of a childhood teacher shaped their lives. Get in touch: podcast@gretchenrubin.com Follow on social media: @GretchenRubin on YouTube @GretchenRubin on TikTok @GretchenRubin & @LizCraft on Instagram Get the podcast show notes by email every week: happiercast.com/shownotes Get Gretchen Rubin's newest book Life in Five Senses to see how she discovered a surprising path to a life of more energy, creativity, luck, and love: by tuning in to the five senses. Now available for pre-order. Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app.  Happier with Gretchen Rubin is part of ‘The Onward Project,' a family of podcasts brought together by Gretchen Rubin—all about how to make your life better. Check out the other Onward Project podcasts— Side Hustle School, Happier in Hollywood and Everything Happens with Kate Bowler. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today, we're joined by Pulitzer Prize-winning writer and critic Hilton Als! To begin, we unpack his approach to writing profiles (5:50), inspired by the words of photographer Diane Arbus (6:10), and how he captured Prince in a new, two-part memoir entitled My Pinup (7:55). Then, Als reflects on his upbringing in Brownsville, Brooklyn (10:25), a timely passage from his 2020 essay "Homecoming" (14:40), and formative works by writers Adrienne Kennedy (20:58) and the late Joan Didion (27:05). On the back-half, we discuss the interplay of memory and writing (36:38), Hilton's writing routine (40:55), his sources of hope today (44:30), and to close, a dialogue from Jean Rhys' unfinished autobiography Smile Please (48:25).See omnystudio.com/listener for privacy information.

In this episode, Adam and Budi speak with the Head of the Drama Division at Juilliard, Evan Yionoulis.Evan Yionoulis, an Obie award-winning director and nationally-recognized teacher of acting, is  Richard Rodgers dean and director of Juilliard's Drama Division.  Before that, she served twenty years on the faculty of Yale School of Drama, where she was a professor in the practice of acting and directing and a resident director at Yale Repertory Theatre, as well as Lloyd Richards chair of the department of acting from 1998 to 2003. She has directed new plays and classics in New York and across the U.S., enjoying collaborations with major American playwrights, including Adrienne Kennedy and Richard Greenberg. She directed the critically acclaimed world premiere of Kennedy's He Brought Her Heart Back in a Box for Theatre for a New Audience, where she previously directed her Ohio State Murders (Lortel Award for Best Revival) and the Off-Broadway premiere of Howard Brenton's Sore Throats.  She opened Manhattan Theatre Club's Biltmore Theatre (Broadway) with Greenberg's The Violet Hour, directed his Everett Beekin at Lincoln Center Theater, and received an Obie Award for her direction of his Three Days of Rain at Manhattan Theatre Club, having directed the premieres of all three at South Coast Repertory.   At Yale Repertory Theatre, she directed Cymbeline, Richard II, The Master Builder, George F. Walker's Heaven, Brecht's Galileo, Gozzi's The King Stag (which she adapted with her brother, composer Mike Yionoulis and Catherine Sheehy), Caryl Churchill's Owners, the world premiere of Kirsten Greenidge's Bossa Nova, and numerous other productions including Kiss, by Guillermo Calderón. Other credits include productions at the Mark Taper Forum, the Huntington, NY Shakespeare Festival, the Vineyard, Second Stage, Primary Stages, Dallas Theatre Center, Actors Theatre of Louisville, Denver Center, Williamstown Theatre Festival, and many others.  She directed Seven, a documentary theatre piece about extraordinary women from across the globe who work for human rights, in New York, Boston, Washington, Aspen, London, Deauville, and New Delhi. Her short film, Lost and Found, made with Mike Yionoulis, premiered at Cleveland International Film Festival.  Their most recent collaborations are the multi-platform project Redhand Guitar, about five generations of musicians across an American century, and The Dread Pirate Project, about the malleability of identity between the digital and natural worlds.She has received a Princess Grace Foundation Fellowship, Works-in-Progress Grant, and the foundation's prestigious Statuette. She serves as president of the executive board of SDC, the labor union representing stage directors and choreographers. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

The six-time Tony winner on Adrienne Kennedy, Black Theatre United and her fancy new dressing rooms at the James Earl Jones Theater. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robertz, Andreaswww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

It's a solo episode fellow daydreamers. This week Charlie talks about his appreciation for artists that dive into work that scares the hell out of them. He discusses Jonah Hill's documentary Stutz, the current Broadway production of Topdog/Underdog, Howard Stern's Springsteen interview, the actress Emma Corrin, and the playwright Adrienne Kennedy who at 91 is finally receiving her first Broadway production. You can follow CBP on Instagram @creatingbehavior, and Charlie's NYC acting conservatory, the Maggie Flanigan Studio @maggieflaniganstudio. Theme music by  https://www.thelawrencetrailer.com. For written transcripts, to leave a voicemail on SpeakPipe, or contact Charlie for private coaching, check out https://www.creatingbehaviorpodcast.com

Profe Herrera (aka StinkyLulu) gathers some reflective ruminations on how this week's shows theatrically engage traumas of the recent past (and the immanent future) in unexpected, even existential ways. At center of this episode is an extended discussion of the Broadway production of Adrienne Kennedy's OHIO STATE MURDERS alongside additional glancing observations about this week's theatergoing, which includes extended asides on LifeJacket Theatre Company's workshop presentation of THE GORGEOUS NOTHINGS, Jordan E. Cooper's AIN'T NO MO', Will Arbery's EVANSTON SALT COSTS CLIMBING and DESPARECIDAS by Jaime Lozano, Florencia Cuenca and Georgina Escobar. https://linktr.ee/stinkylulu

Sara Farrington's The Lost Conversation: Interviews with an Enduring Avant-Garde (53rd State Press, 2021) is a collection of interviews with a host of influential artists in experimental theatre, including Richard Foreman, Lee Breuer, Adrienne Kennedy, Maude Mitchell, and Jessica Hagedorn. They discuss process, making a living as an artist, the changes that have rocked the New York theatre scene since the 1970s, AIDS, COVID, and so much more in wide-ranging and insightful conversations.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sara Farrington's The Lost Conversation: Interviews with an Enduring Avant-Garde (53rd State Press, 2021) is a collection of interviews with a host of influential artists in experimental theatre, including Richard Foreman, Lee Breuer, Adrienne Kennedy, Maude Mitchell, and Jessica Hagedorn. They discuss process, making a living as an artist, the changes that have rocked the New York theatre scene since the 1970s, AIDS, COVID, and so much more in wide-ranging and insightful conversations.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Sara Farrington's The Lost Conversation: Interviews with an Enduring Avant-Garde (53rd State Press, 2021) is a collection of interviews with a host of influential artists in experimental theatre, including Richard Foreman, Lee Breuer, Adrienne Kennedy, Maude Mitchell, and Jessica Hagedorn. They discuss process, making a living as an artist, the changes that have rocked the New York theatre scene since the 1970s, AIDS, COVID, and so much more in wide-ranging and insightful conversations.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Sara Farrington's The Lost Conversation: Interviews with an Enduring Avant-Garde (53rd State Press, 2021) is a collection of interviews with a host of influential artists in experimental theatre, including Richard Foreman, Lee Breuer, Adrienne Kennedy, Maude Mitchell, and Jessica Hagedorn. They discuss process, making a living as an artist, the changes that have rocked the New York theatre scene since the 1970s, AIDS, COVID, and so much more in wide-ranging and insightful conversations.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Sara Farrington's The Lost Conversation: Interviews with an Enduring Avant-Garde (53rd State Press, 2021) is a collection of interviews with a host of influential artists in experimental theatre, including Richard Foreman, Lee Breuer, Adrienne Kennedy, Maude Mitchell, and Jessica Hagedorn. They discuss process, making a living as an artist, the changes that have rocked the New York theatre scene since the 1970s, AIDS, COVID, and so much more in wide-ranging and insightful conversations.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this episode, La Shanda and her guest, Dr. Adrienne Kennedy, discuss advocacy, social capital, and friendship. For More Information on Dr. Adrienne Kennedy: www.pioneeringconnection.com Facebook: Pioneering Connections, LLC Instagram: pioneeringconnections Twitter: @teachandconnect LinkedIn: https://www.linkedin.com/in/adrienne-kennedy-dsw-1492ba19/ For more information about Labors of Love: www.thelaborsoflove.com Facebook: Labors of Love Counseling and Consulting Twitter: @LaborsofLove513 Instagram: @LaborsofLove513 @the_lol_pod Tik Tok: @labors.of.love YouTube: Labors of Love Counseling and Consulting LLC --- Support this podcast: https://anchor.fm/thelaborsoflove/support

Adrienne Kennedy, a climate activist and organizer from south Lumberton, North Carolina, talks about what environmental justice looks like for her after Hurricane Matthew destroyed her home. Dr. Joseph Campana, director of the Center for Environmental Studies at Rice University, explores ways the humanities can help us process relentless patterns of climate catastrophe.Find out how to support disaster relief and recovery in Lumberton and watch Robeson Rises, the film featuring Adrienne Kennedy's story. Read more about the North Carolina Humanities Watershed Moments initiative that screened the film as part of a touring discussion series.Learn more about the Center for Environmental Studies, the Investing in Futures project, and Dr. Joseph Campana's work on the relationship between the humanities and the environment.Read more about this episode's topic and guests at our website.

Adrienne Kennedy, activista climática y organizadora del sur de Lumberton (Carolina del Norte), habla de lo que significa para ella la justicia medioambiental después de que el huracán Matthew destruyera su casa. El Dr. Joseph Campana, director del Centro de Estudios Medioambientales de la Universidad de Rice, explora las formas en que las humanidades pueden ayudarnos a elaborar los patrones inexorables de la catástrofe climática.Obtenga más información sobre cómo apoyar la ayuda y la recuperación de la catástrofe en Lumberton y mire Robeson Rises; una película con la actuación de Adrienne Kennedy. Más información sobre la iniciativa de Humanidades de Carolina del Norte Watershed Moments que proyectó la película como parte de una serie de debates itinerantes.Obtenga más información sobre el Center for Environmental Studies, el proyecto Investing in Futures y el trabajo del Dr. Joseph Campana sobre la relación entre las humanidades y el medio ambiente.Obtenga más información sobre el tema de este episodio y de los invitados en https://www.statehumanities.org/.

We sit down with Dramaturg Khalid Y. Long, PhD and dive into the what/how/why of dramaturgy in theatermaking. We also discuss the world and work of Adrienne Kennedy, playwright of 'Mom, How Did You Meet The Beatles?', playing in Madison, WI in September 2021. 

Summary:In this episode, Adrian Ellis speaks with Jesse Cameron Alick, about his recently published study, commissioned by the Sundance Institute, based on extensive interviews of artists, arts administrators and thought leaders. The focus is the state of live performance as we 'emerge from the cave' of Covid. They discuss the key findings and themes of the study – particularly the skepticism that artists interviewed expressed about the the commitment of larger cultural institutions to artists, to their local communities, and to equity and inclusion.After, Adrian is joined by fellow host Criena Gehrke to discuss key takeaways. They discuss the moral, political, economic... and artistic! – responsibilities that 'anchor institutions' need to balance.DOWNLOAD TRANSCRIPTReferences:  Emerging from the cave – Reimagining our future in theater and live performance  Sundance Institute Bio: Jesse Cameron Alick is a dramaturg, producer, poet, playwright, essayist, artistic researcher and science fiction expert. He is currently the Associate Artistic Director of the Vineyard Theater in NYC. Jesse is an active freelance dramaturg at various off-Broadway theatres in the city, nationwide and in the UK, as well as a regular artistic consultant for the Sundance Institute. Jesse studied writing with Adrienne Kennedy and has taught theatre courses, lectured at classes and mentored students at a myriad of programs (Lewis and Clark, NYU, Goddard, UT Austin, Primary Stages, Playwrights Horizons school, Fordham). Previously, Jesse co-founded the Subjective Theater Company at 19, moved on to become the company's first resident playwright and then took the helm as Producer and Artistic Director. Jesse ran Subjective for 10 years and staged 15 full productions around Manhattan and Brooklyn. He was also formerly Company Dramaturg at the Public Theater, where he was in charge of commissions, readings and workshops, the Emerging Writers group and production dramaturgy.

We go in-depth with two artists that are bringing to life Adrienne Kennedy and Adam Kennedy's 'Mom, How Did You Meet The Beatles?' - Actress Marti Gobel and Director Baron Kelly. 

Robert Kennedy discusses issues that are impacting the city of Mobile and beyond. Featuring guests Pastor Marvin Lou, Adrienne Kennedy, and Jason Fisher.

This is like A DOUBLE EPISODE! Join Claudia Alick, Maya Chinchilla, Alison De La Cruz and  Maia Mills-Low host this deep dive on SPACE, SPIRIT and those red signals in S2 E2 “New Eden”!  How is spirit expressed and explored on this planet, does it bridge the vastness of space and what about those Red Signals! We are also super excited to feature  our very first Trek Table Guest Spotlight, featuring Aliza Pearl. You've probably heard us nerd out over one of Aliza's Women at Warp Podcast or TTRPG “Blood of the Void”.     Aliza Pearl is an actor, writer, Trekkie, gamemaster, and content creator. She regularly performs with Ripley Improv, and the Star Trek inspired “The Improvised Generation”. She's a co-host of the Star Trek podcast "Women at Warp," and a pro gamemaster-- in addition to running and playing in multiple streaming D&D 5e campaigns on Twitch, she also runs a monthly Klingon ttrpg show called "Blood of the Void."  Learn more about this amazing woman of color creator at https://www.alizapearl.com/!      TIMESTAMPS   04:59  Intro to Trek Table Episode 20   06:06  Check in with hosts 09:31  Trek Table Agreements 11:07  Trek Table Question 1  17:31  Popcorn Recap  23:10  Guest Spotlight:  Aliza Pearl 43:55  Discovery Design 58:20  Trek Table Question 2  01:03:53  Space Runway  01:07:17  Thematix  01:20:42 Spoiler Zone (ends at - 01:24:02) 01:26:50 Trek Table Question 3  01:30:27 Signal Boost  01:32:56 Final Thoughts  01:39:29  Gratitude #TrekTable #BIWOCTrek #StarTrekDiscovery   Subscribe to the TrekTable channel:  https://bit.ly/3hslxRw Watch full episodes of TrekTable: https://bit.ly/3w3a3rB Like TrekTable on Facebook:  https://www.facebook.com/TrekTablePodcast   Follow TrekTable on Instagram: https://www.instagram.com/trektable/ Follow Trek Table on Twitter: https://twitter.com/trektable1   ------   Trek Table is a weekly webcast amplifying Black, Indigenous, Brown, Women of Color (Queer or otherwise) and our allies as we hold Trek Space about Star Trek Discovery and all the Trek Multiverses. In particular we seek to build spaces for #BIWOCTrek, our observations and insights from women of color at every level of Star Trek fandom from newbies who are Star Trek Light to multi-generational Star Trekking families SIGNAL BOOST Women at Warp IDIC Festival  Check out all the shows on the Women at Warp Infinite Diversity in Infinite Combinations (IDIC) Festival on July 17th & 18th.  You can hear more about Trek from SyFy Sistas, Sci-Fi Feminists and more!  For the full schedule, go to Womenatwarp.com/IDIC-Fest   Network of Ensemble Theatre (NET) Our very own Alison De La Cruz hosts an interesting talk about inspiration with theatre legend Rose Portillo on the Network of Ensemble Theatre's YouTube channel.   Hear tips from this veterana of stage, screen and community about how she's survived and what still brings her inspiration. You can watch on the NET YouTube channel at  https://www.ensembletheaters.net   ELECTRA Be sure to check out ELECTRA, adapted from Euripides by Adrienne Kennedy and directed by Claudia Alick.  Euripides' 2500-year-old play comes to vivid life in Adrienne Kennedy's poetic language, dynamic digital design, and the equitable aesthetics of access and anti-racism. The play reminds us that... We are Clytemnestra. We are the Chorus. We are ELECTRA.   You can watch ELECTRA at the Women Theatre Festival; an all-virtual play festival scheduled for 3 weekends in July from July 9th through 25th, 2021).   Tickets to all are available now at   https://app.arts-people.com/index.php...   FOLLOW OUR MUSICIANS @Quetzalmusic on Instagram   FOLLOW OUR HOSTS Claudia Alick @calling up justice   Maya Chinchilla  IG: @maya_chapina   Alison De La Cruz IG: @picsbydela Twitter: @TweetsbyDeLa Maia Mills-Lowe @maia-splaining   FOLLOW TREK TABLE @TrekTable on Instagram  @TrekTable1 on Twitter @trektablpodcast on Facebook www.trektable.com  

This episode we discover more about the connection between Michael Burnham and Sarek as they stand in anticipation of an emergency meet-up with the USS Enterprise.   This Season 2 opener gives us so many feels - from Sa'ru calling Burnham Commander to the Original Series Uniforms to watching the power of math!  We'll welcome the addition of Tig Notaro, Anson Mount in the show and we'll discuss what's up with these SIGNALS.  The Trek Table dives deep into Season 2, Episode 1 of Star Trek Discovery: “Brother”. This episode the table explores the connection between Michael Burnham, Sarek and Spock as we stand in anticipation of an emergency meet up with the USS Enterprise. We'll talk Burnham's Brother,  samplings of signals and toxic masculinity in this episode.  Join Claudia Alick, Maya Chinchilla, Alison De La Cruz, and Marie-Reine Velez, as we dig into Trek Table Questions, Marie Has Questions; Discovery Design; Space Runway; Thematix & Spoiler Zone!    #TrekTable #BIWOCTrek #StarTrekDiscovery   Subscribe to the TrekTable channel:  https://bit.ly/3hslxRw Watch full episodes of TrekTable: https://bit.ly/3w3a3rB Like TrekTable on Facebook:  https://www.facebook.com/TrekTablePodcast   Follow TrekTable on Instagram: https://www.instagram.com/trektable/ Follow Trek Table on Twitter: https://twitter.com/trektable1   ------   Trek Table is a weekly webcast amplifying Black, Indigenous, Brown, Women of Color (Queer or otherwise) and our allies as we hold Trek Space about Star Trek Discovery and all the Trek Multiverses. In particular we seek to build spaces for #BIWOCTrek, our observations and insights from women of color at every level of Star Trek fandom from newbies who are Star Trek Light to multi-generational Star Trekking families   TIMESTAMPS 11:51 Trek Table Question 1  15:07 Popcorn Recap  20:19 Marie Has Questions 24:32  Discovery Design  38:34  Trek Table Question 2  41:31 Space Runway  47:33  Thematix  01:00:12 Spoiler Zone (ends at - 01:02:32) 01:04:37 Trek Table Question 3  01:08:44 Signal Boost  01:11:38 Final Thoughts  01:16:39  Gratitude   SIGNAL BOOST   MOSQUITA Y MARI Looking to close out your intersection PRIDE month - we invite you to check out  or rewatch - Mosquita y Mari its a stunning coming of age story by Aurora Guerrero and it is on Netflix.  We also wanna give Aurora a shout out for her AMAZING work on Queen Sugar.  Follow Aurora on Twitter at @Aurog24     INDIGENOUS PRIDE LOS ANGELES  We here at Trek Table want to wish happy pride to Indigenous Pride LA  celebrating two spirit, indigiqueer, and indigenous LGBTQPAI People.  Follow them at indigenouspridela on instagram.  https://indigenouspridela.org/   ELECTRA Be sure to check out ELECTRA, adapted from Euripides by Adrienne Kennedy and directed by Claudia Alick.  Euripides' 2500-year-old play comes to vivid life in Adrienne Kennedy's poetic language, dynamic digital design, and the equitable aesthetics of access and anti-racism. The play reminds us that... We are Clytemnestra. We are the Chorus. We are ELECTRA.   You can watch ELECTRA at the Women Theatre Festival; an all-virtual play festival scheduled for 3 weekends in July from July 9th through 25th, 2021).   Tickets to all are available now at   https://app.arts-people.com/index.php?actions=31&p=1 FOLLOW OUR MUSICIANS @Quetzalmusic on Instagram   FOLLOW OUR HOSTS Claudia Alick @calling up justice   Maya Chinchilla  IG: @maya_chapina   Alison De La Cruz IG: @picsbydela Twitter: @TweetsbyDeLa Marie Reine Velez IG:  @mariezpz   FOLLOW TREK TABLE @TrekTable on Instagram  @TrekTable1 on Twitter @trektablpodcast on Facebook www.trektable.com

We take a detour to discuss Forward Theater's recent announcement of their 2021-22 season, which includes plays by Adrienne Kennedy and Adam P. Kennedy, Jordan Harrison, Quan Barry, and Sarah Gancher.

Dr. Adrienne Kennedy is an educational consultant where she collaborates with school and system leaders across the country to promote whole child development. She has over 15 years of experience working with, educators, administrators, children, parents, and caregivers. She provides coaching, training, and technical assistance to professionals in child-serving organizations to create, implement, support, and sustain anti-racist and trauma-responsive practices. Adrienne is a lifelong learner who loves to teach, connect with others, and identify ways that child-serving organizations can improve outcomes for historically marginalized groups. She holds a Bachelor's degree in Psychology from Tennessee State University, a Master's degree in Organizational Development from Walden University, and a Doctorate in Social Work from The University of Southern California. Intro Music: Poet's Row, Young Bones

In this episode, The Queer Code teams up with the illustrious Antonio D. Mitchell once again to say a final “byeee” to 2020 with our highlights from the year.  Important StuffBody Kindness Podcast: https://www.bodykindnessbook.com/podcast/Criterion on Adrienne Kennedy: https://www.criterion.com/current/posts/6968-a-romance-with-the-screen-theater-legend-adrienne-kennedy-looks-backBeyond the Dick Pic: https://wearyourvoicemag.com/tag/consent/Do the Work: https://blacklivesmatters.carrd.comThe CDC on COVID-19: https://www.cdc.gov/coronavirus/2019-ncov/index.htmlThe WHO on COVID-19: https://www.who.int/emergencies/diseases/novel-coronavirus-2019/events-as-they-happenFollow The Queer Code on Social Media!@davidhparker_ / @devintyfranklin / insta: @thequeercode & twitter: @queercodepodSpecial thanks to:Antonio D. Mitchell (@antonio.d.mitchell/@a_d_mitchell), special guestRachel-Marie Strazza (@the.rachelmarie), showrunner and Ecuadorian dynamiteLew Williams (@lewcifer9), resident artist and raging bisexualSupport the show

Advocates discuss how COVID-19 intersects with efforts to reduce the over-incarceration of the mentally ill. The discussion covers many topics related to COVID-19, including how the pandemic increases the urgency to release some individuals into the community, accelerates telehealth efforts, and raises questions of ongoing reform efforts. The advocates featured include:Cecilia Livesey, M.D., Chief of Integrated Mental Health Services, Perelman School of Medicine, University of PennsylvaniaMavis Nimoh, Executive Director, Center for Prisoner Health & Human RightsStephanie Welch, Executive Officer at the Council on Criminal Justice and BehavioralHealth, Office of the Secretary, California Department of Corrections and RehabilitationModerated by Adrienne Kennedy, President, NAMI Board of Directors

In this episode, Daughters of Lorraine Podcast hosts Jordan Ealey and Leticia Ridley discuss how Black playwrights, such as Adrienne Kennedy, Tarrell Alvin McCraney, Suzan-Lori Parks, and Ntozake Shange, have experimented with form.

This episode is about home, and all that word can mean. We'll hear from a woman who lost her home due to climate change, a young man who used to hate his home, and … a super hero from Florida fighting for clean energy, one home at a time. Adrienne Kennedy runs the Seeds of Hope Project Disaster Relief Center, which provides aid to people displaced by Hurricane Matthew: we talk with Adrienne and some of the people she helps. Jorden Revels is a 19-year-old activist and member of the Lumbee Nation in North Carolina, and he talks about his own journey home. Susan Glickman was born in Tampa, Florida, and has been working to fight climate change since the 1990s. Here, she talks about trying to get Florida to change from fossil fuels to solar power—and about her secret identity, which works to get her home state onto 100% clean energy. This is the fourth full-length episode of The Land I Trust, a brand new audio storytelling project brought to you by the Sierra Club. In this series, we travel through the American South to talk with folks about the dirty energy projects that threaten their homes and the work they're doing to build a clean energy economy that allows all of our communities to thrive. This is the final episode of 2017's season, season one of The Land I Trust. To hear more from the people in this episode, and to hear other stories about moving from coal to clean energy, go to sc.org/stories. To take action, you can check out the latest ways to make a difference at addup.org.

Adrienne Kennedy was born in Robeson County, North Carolina. She moved away when she was young, but returned home as an adult. She now runs the Seeds of Hope Project Disaster Relief Center, which provides aid to people displaced by Hurricane Matthew. Here, she talks about what home means to her. The Land I Trust is a brand new audio storytelling project brought to you by the Sierra Club. In this series, we travel through the American South to talk with folks about the dirty energy projects that threaten their homes and the work they're doing to build a clean energy economy that allows all of our communities to thrive. Hear all of the first-person stories from The Land I Trust at http://www.sc.org/stories.