Podcasts about Alfred Hitchcock

Group Guide Use this guide to help your group discussion as you meet this week. TranscriptIf you will, grab a Bible and go to Acts chapter 17. It's our first week of our Give series. Recently, Starbucks released a barista cup and it's precious. That's it. That's the barista cup. There was an article about it in Forbes titled Starbucks Barista cup frenzy leaves big lessons for brands. So I just want to read the beginning of this article for you. It says the Starbucks barista cup caused a frenzy online and in stores. I don't exactly know what an online frenzy looks like, but that cup calls one. When Starbucks announced the release of limited edition holiday merchandise, including the bear shaped $29.95 glass cold cup, which you thought that the temperature of your cup was up to, you Incorrect. This is a cold cup. Actually, I think what it means is if you put hot coffee in it, you're going to burn your hand. So it's a cold cup. It says as part of their holiday menu, few people expected overnight queues in store brawls and a booming resale market. People camped out and fist fought each other. Then it says, beyond the surreal headlines, there are some valuable marketing lessons from the Starbucks bear cup drama. Starbucks barista cup has tapped into an undeniable human truth. I was on the edge of my seat reading this article. The barista cub has tapped into an undeniable human truth. And I had a lot of guesses, none of which prepared me for the answer. So here's the answer. People are obsessed with cuteness. Starbucks released 12 holiday items, but only one captured the public imagination. Cuteness is the primary explanation for the barista cup frenzy. Overnight cues, fist fights, cuteness, which makes a little bit of sense because you know you've seen like a baby so cute before that you punched its mother.I would argue that Forbes analysis is incomplete. Cuteness may have contributed, but I think there are other undeniable human truths at work here. You know, as a pastor, I'm going to float sin out there. I also think that one of the things that this indicates to us is the absolute human ability to, to get our priorities out of line, to misplace value in things. That if you're punching someone for a cup because of the cuteness, your value system is off. And it's a real danger that we're all in. I think when I read these, sometimes I think like I'll read and go, oh my goodness, laugh at it and think, that would never, I would never do that. But really what I'm saying is I would never do that for a bear shaped Starbucks cup. I just have other things I'm willing to punch you for. I have other things that I've misplaced value in. Like, it just should give us the undeniable human truth that we are able to get our priorities out of, out of line. We're able to misplace value. We're able to suddenly think that something is more important than it is and to spend our time and our energy and our money on it. And that that is one of the primary reasons that we have our Give season, our Give series every Christmas season is that we're going to be pushed and pulled in a million different directions and told repeatedly that certain things have value that do not. And we want to always take this time to consider what actually is valuable and are we sending our effort and our money in the right direction.So let's pray then we're going to start in on trying to figure this out together this morning. Lord, we ask for wisdom. We ask for discernment. We ask for the work of the Spirit to help us make correct valuations so that we do not waste our time and specifically for what we're talking about today, that we do not waste our money on things that have no real value. In Jesus name, Amen. Because of our ability to get this wrong, it's always very helpful for us when the Bible just tells us this has value, when it just steps in and explains to us this thing is valuable, it helps us know, okay, then that's something to pursue. That's something worth giving energy towards. I don't want to give away all of what we're doing in our Give series, but we're about to talk about Paul's missions efforts in the Book of Acts. So we're going to walk through. What we're going to do is walk through some of Paul's missionary journey, discuss it, see what's going on here, and then we're going to see something that's behind it, something that's at work in it that the passage doesn't talk about, but that we find out later as we read Paul's letter. So we're going to be in Acts chapter 17. We're going to watch Paul as he goes, who have just been in Philippi, in Acts 16, saw a few people converted to Christianity, got arrested and was beaten and then released. So he leaves. We're going to follow him as he goes to Thessalonica, Berea, and then on a boat down to Athens and then from Athens over to Corinth. And we're going to move pretty fast because It's a couple chapters of text, and we're just trying to follow along and see some of what's going on here.So. Acts, chapter 17, verse 1.> it says now, when they had passed through Amphipolis and Apollonia, they came to Thessalonica, where there was a synagogue of the Jews. And Paul went in, as was his custom. And on three Sabbath days, he reasoned with them from the Scriptures, explaining and proving that it was necessary for the Christ to suffer and rise from the dead, saying, this Jesus, whom I proclaim to you, is the Christ.So part of Paul's missionary strategy was when he went to a city, if there was a synagogue, he went to the synagogue because they were going to be studying the Scriptures. And so he would go and start showing them in the Scriptures that Jesus had fulfilled the promises of the Messiah. It's one of the things that we do around Christmas time. We read some of these passages like we read earlier, and we see that Jesus is the fulfillment of the promises made to the Jewish people that he is their Messiah. And that's what he's doing. He's saying, the Christ has come. Jesus has fulfilled this. And he does this for three weeks every Sabbath day. And some of them were persuaded and joined Paul and Silas, as did a great many of the devout Greeks and not a few of the leading women. But the Jews were jealous. And that's where it goes into. After that verse, it's going to talk to us about. As people start to believe, some of the people in the area begin to fight against Paul. They actually attack them. And Paul and Silas sneak out at night. And so they were only there for a couple of weeks. They're seeing people believe and they're run out of town. So let's pick back up in verse 10 as the brothers immediately sent Paul and Silas away by night to Berea.> As the brothers immediately sent Paul and Silas away by night to Berea.So the brothers being the people who have just believed, it's just the beginnings of a church. And they're like, hey, we live here, but y' all, don't they want to hurt you, not us. Y' all get out of here. And we're going to keep following, figuring this out. And when they arrived, this is in Berea, they went into the Jewish synagogue. So Paul was like, I know my strategy. We're going back. Didn't work well last time, but we're going to do it this time. And it did work in some ways, because people believed. He's like, this is working. Even though some people hated me and wanted to Kill me. So he keeps going.> Now, these Jews were more noble than those in Thessalonica. They received the word with all eagerness.I just love that that note was in there. Just like these people were better than the ones in Thessalonica. And that's in Scripture, and it's there forever, you guys. All right? Many of them therefore believed with not a few Greek women of high standing as well as men. But when the Jews from Thessalonica learned that the word of God was proclaimed by Paul at Berea also, they came there, too, agitating and stirring up the crowd.So we don't exactly know how long he was in Berea, but. But he was there long enough for people to believe and for that to become such a thing that's happening there that they find out in Thessalonica. So they're like, oh, well, he's just going to keep at it. So they head over there to run him off out of Berea. Then it says, the brothers immediately sent Paul off on his way to the sea. But Silas and Timothy remained there. And those who conducted Paul brought him as far as Athens. And after receiving a command for Silas and Timothy to come to him as soon as possible, they departed.So Silas and Timothy stay. They sneak Paul out to a boat and ride him down to Athens. And then he says, when y' all get back, tell Silas and Timothy to come to me. And then he's hanging out in Athens by himself. While he's in Athens, he finds out that there's a place in Athens. There doesn't seem to. He does go to a Jewish synagogue. Then he also finds out that there's a place in Athens where they just gather and share news and anything new and debate new topics and new ideas. So he goes there and starts proclaiming the Gospel. And we're going to pick up in that.> The times of ignorance God overlooked. But now he commands all people everywhere to repent because he has fixed a day on which he will judge the world in righteousness by a man whom he has appointed. And of this he has given assurance to all by raising him from the dead.To Paul, as he's concluding, he says God overlooked ignorance, but not anymore. Now there's a man who's going to judge the whole world in righteousness. And he says, and God's proven this by raising him from the dead. So he's proclaiming the gospel that everyone everywhere needs to repent, which Just so you know, that's essential to the gospel, that everyone, everywhere needs to repent. Sometimes we'll pick specific isolated sins and someone will say, well, you think this is bad? And it's like, I don't know how to tell you this. We think everyone everywhere needs to repent, that you can't. If you just pick an isolated one, we're like, probably, yes, that's a sin. And that's a sin. And that's a sin. We believe that everyone has fallen short of the glory of God and needs Christ, that we aren't going to moral ourselves into this. We're not going to work our way into this. And this is what he's proclaiming to them. And he says that it's proven by. By the resurrection of Christ from the dead.> Now, when they heard of the resurrection of the dead, some mocked, but others said, we will hear you again about this.So Paul went out from their midst, but some men joined him and believed, among whom also were Dionysius the Areopagite and a woman named Damaris and others with them. So several people believe he proclaims the Gospel. He goes to a new place, begins proclaiming the Gospel, and more people believe.Chapter 18. After this, Paul left Athens and went to Corinth.> After this, Paul left Athens and went to Corinth.So he jumped across out of. He was on Athens and then he jumped across Corinth, had to take a boat, and he found a Jew named Aquila, a native of Pontus, recently come from Italy with his wife Priscilla, because Claudius had commanded all the Jews to leave Rome. And he went to them. And because he was of the same trade, he stayed with them and worked for they were tentmakers by trade. And he reasoned in the synagogue every Sabbath and tried to persuade Jews and Greeks.> When Silas and Timothy arrived from Macedonia, Paul was occupied with the word, testifying to the Jews that the Christ was Jesus.So now, instead of making tents, his occupation, what he's at work in now is proclaiming the Gospel. He's had enough room now to share it. And he's spending his time trying to articulate to them this. And he's studying with them and proclaiming it to them.> When the Jewish people opposed and reviled him, he shook out his garments and said to them, your blood be on your own heads. I am innocent. From now on, I will go to the Gentiles.And he left there, and he went to the house of a man named Titius Justus, a worshiper of God. His house was next door to the synagogue. I just appreciate that a whole lot. He's like, fine, I'm gonna go to the Gentiles. He walks out. He turns the corner. He walks in that house and is like, boom, Setting up shop. Here we go. So he's right next to the synagogue. He didn't go far away. He's like, I'm telling people about Jesus. I don't know. Right here next to y'. All. That's what he starts doing. Then it says, crispus, the ruler of the synagogue, believed in the Lord. So he was next door. He was overseeing that. He just is like, I'm going to. And he heads over to the other house together with his entire household. And many of the Corinthians, hearing Paul believed and were baptized. And the Lord said to Paul one night in a vision.> Do not be afraid, but go on speaking and do not be silent, for I am with you, and no one will attack you to harm you, for I have many in this city who are my people.And he stayed a year and six months teaching the word of God among them. So he's been chased all along. He's in Corinth. Jesus shows up and says, stay here. Keep preaching. Because there are many people in this city who are mine, but not yet. So Paul is in a spot where Jesus says, there are people here who belong to me, but they don't know it yet. I know it. They don't know it. And you've got to stay and you've got to tell them. You've got to proclaim the gospel. You've got to explain what's happened, and then they will belong to me. To me, because they already belong to me. That's what he's saying. And that's one of the things that undergirds missions. One of the reasons we go, one of the reasons we plant churches, one of the reasons we send, one of the reasons we go to places where people have never heard. One of the reasons we go to places that are difficult is because all over the place, there are people who belong to Jesus. And we've got to go tell them. We've got to go tell him who he is. And the Spirit goes to work in their heart, and Jesus claims them it's not something that happens without their knowledge. They are going to come to genuine faith in Jesus that will be tangible and real in their life. But what Jesus is saying is that he sins at times and he puts somebody in a place at times because there are people there who belong to him. They just haven't heard about him yet. That ought to give us courage. We ought to begin to beg the Lord. Lord, are there people at work? There are people at my job. Are there people in this class? Are there people on the street who belong to you that I'm supposed to stay and proclaim the gospel to? And we ought to start praying over maps, and we ought to start going to places and saying, lord, there's gotta be people here who belong to you. Put me in the right spot, Send me to the right place. Help me to be there to proclaim the gospel.Now, there's something else that's happening in this text that I think we need to consider. Alfred Hitchcock was a director. He did movies like Psycho and the Birds, and he had a concept that he called the refrigerator test. He just said he wanted all of his movies that he made to pass the refrigerator test. The point was, you'd go see a movie, you're in it, soaking it up. It's great. You leave, you go home, you open your refrigerator to grab a snack before you go to bed, and suddenly you're like, wait a second. How did they get on the train in the first place? And you realize that the movie just skipped a thing. It didn't explain something to you, or there's a logical problem. You're like, why didn't the bad guys just shoot him? They shot his wife. Why'd they shoot her and then leave him alive? Were they running out of bullets? You open your refrigerator and you think, why don't they ever shoot at Captain America's legs? You know, I've played paintball before. I picked up a pallet one time. I got shot in the legs, like 45 times. Seems easy enough. And as we're reading this passage, there's a little hint at it in one place, but I think there's a thing that we should go. Hold on a second. How does Paul survive not just not get killed, but we've watched him travel around for years at this point. There was one moment where they said he went and made tents. And unless he sold the most extravagant, amazing tents, that he just did that for a couple of weeks, and then he was set for several years. It feels like there's something else going on here now, you could say, well, it's fair to assume that the people that are believing are starting to tend to him, they're going to feed him, they're going to help him have a place to stay. And it's like that. That's reasonable. But there's places where he shows up and there's nobody. That hasn't happened yet. And so this is one of those things where you go, well, how does. How is he doing this? Is he independently wealthy, like Bruce Wayne or something? What's going on? And then it doesn't talk about it in this text, but it does show up in Paul's letters. And so I want us to go to. It's mentioned in Corinthians, but it's talked about directly in Philippians. And I want y' all to see this. This is the end of Philippians chapter four. He's writing to the church in Philippi. So that was the first dot on our map. And he says, and you, Philippians yourselves know that in the beginning of the Gospel. So this is right when I first started, was proclaiming this.> When I left Macedonia, no church entered into partnership with me in giving and receiving, except you only. Even in Thessalonica, you sent me help for my needs once and again.So he's writing to this church, and he's saying, y' all partnered with me from the very beginning you entered into partnership with me. Meaning that the work that Paul did, they had a hand in it. They had a share in it. Even though he's the one traveling around the church in Philippi is helping make sure that's possible. And y'. All. He says something crazy. Look at this. That's Philippi. The whole big section here is Macedonia. When he gets out of Macedonia, he's in Corinth. So he says, nobody helped me when I left Macedonia except for y'. All. So he's like, y' all helped provide for me while I was in Corinth. And that's why he mentions it to the Corinthians, because I didn't take anything from y'. All. He says, I worked. He mentioned that. And then he says, and the churches in Macedonia helped me. But he also says, when I was in Thessalonica, you sent me help. That was right after he left Philippi. He went through two towns, and the next town that it says he was in for three weeks was Thessalonica, which means that the Philippians, as soon as they believed, started helping Paul be a missionary. As soon as it happened, what they said Was, oh, we want everybody to know this. And if you're gonna go and tell people, we want in on that. We want to be a part of making sure that everybody knows what we now know. And it started immediately with them.> Not that I seek the gift, but I seek the fruit that increases to your credit.You know how that works, right? With your money, there are certain things where it's like your wallet magically appears in your hand that you're just willing to pay for. Usually people who get married to each other, those things are wildly different. So your spouse seems to have infinite money for this stupid category. When you know that you should never spend money on that. You should spend money on this brilliant category that you love. And that seems to be what happens. And what happens with the Philippians is as soon as they know about Christ and they find out that Paul's gonna go check, share it with other people, their wallet's just in their hands. They're just like, oh, yeah, we want this to happen. Make sure he has what he needs. And they do it the whole time. They find out he's in Corinth, and they're like, make sure he has what he needs so that he can tell more people about this. And Paul says that they've partnered with him. And then he says this. Not that I seek the gift, because they've just given him a gift. And he's telling him, thank you. That's what he was doing earlier. He says, not that I seek the gift, but I seek the fruit that increases to your credit. He says. So he was telling him, thank you. He said, I appreciate it. He said, but that's not what it's all about. What it's about is that you are doing something that's valuable and that you receive credit for doing this good thing. He's basically saying to the Philippians, this is something you ought to do. It's a good thing to do. And I'm glad that you're doing it. Which if you've ever talked to missionaries, they do have that weird. They're really thankful, but they're also trying, like, they don't trying to be about money. So they'll say like, thank you so much. We also are just trusting the Lord, but thank you. But also, it's good for you to give. But also it's not all about, like, they have these weird. If you read this section in Philippians, you can see Paul being like, you should do this. But I'm not super worried about it. Cause Jesus is gonna take care of me. But not being worried about it doesn't mean I'm not thankful. I'm very thankful. And he just is trying to articulate all these things at once. And he says, I have received full payment and more. I am well supplied having received from Epaphroditus the gifts you sent.> A fragrant offering, a sacrifice acceptable and pleasing to God, and my God will supply every need of yours according to his riches in glory in Christ Jesus,so that they're getting to be stewards of God's provision for them by providing for Paul. And Paul says, God sees it, God knows it. It's a sacrifice pleasing to him. Now, I would argue that there are things we put money towards that do not fit the category of a fragrant offering, a sacrifice acceptable and pleasing to God. Not to say that everything we spend our money on is bad. And I think that there are things that are, you're perfectly fine to exist and pay your bills and do things. But I think that when we see that there are things that the Lord delights for us to participate in, that we get to join in partnership with missionaries, that we get to enjoy partaking in the endeavor that they're after, and that we get to do something that the Lord looks at and is pleased with than we ought to. When he sets our valuation of something, take him up on it. When he says this is good and valuable, take him up on it. And when Jesus is talking about this, at one point he says it's not about the amount. He just says not even a cup of cold water will be forgotten. That if you give anything to try to participate in this, if you give anything to care and to love and because you're a disciple and because they're a disciple and because they're going, he says, not a thing's forgotten. So every penny is remembered and every penny is worth it. But then he says this in Philippians 4:20, then this is why we do this to our God and Father. Be glory forever and ever. Amen.> To our God and Father be glory forever and ever. Amen.That's the point. That's the reason the Philippians want a partner. It's because they want everyone everywhere to give glory to God. To know who Christ is, to know what he's done, to know how good he is, to know how wonderful he is, to know how much he loves, to. To know the grace that he offers. When you ever consider how merciful and kind he's been to you, if you consider the weight of your sin, the weight of your failings, the weight of your shortcomings, the depth of the destruction that we deserve and how loving and good and wonderful he is, and that he's designed so that we would belong to him and so that he can lavish his riches and kindness on us for all eternity. And that that's offered to all who will call on him, then we want all to call on Him. That's why John Piper says that missions exist because worship doesn't. He says worship is the goal and fuel of missions. That's why we go, because we have tasted of the joy of worshiping Jesus and we want all the families of the earth in included.So while everything around you is going to push and pull you in a different direction and tell you, you need this, you need this, you should have one of these in order to be happy, you'll need this. My sons asked me, they said Halloween hadn't happened. Why are all the commercials, Christmas commercial? I said, oh, boy, they want money. Our whole economy runs off of you buying things you don't need. And we're trying to take a moment to just go, look, we want to celebrate well, we also want to pause and go, is my money going in the right direction? Do I have my priorities right? Is my value system correct? Do I look like a person who knows the delight and the goodness of Christ? Does that show up in how my money and my budget works? And that's what we want to pause and do every year in our gift series.So this year what we do. Not this year. I started the wrong sentence. I'll start that sentence in a second. What we do every year is we pick a project or two one time, three, I think, and we just say we want to give money to this. It's just an opportunity for our church to rally together and be generous. So we've done different things. Sometimes we do local things, sometimes we do further away things. This year we're going to partner, hopefully Lord willing, with two different organizations to do some foreign missions work. So I'm introducing the first project today. So this year we're going to do two. I'm introducing the first project today, we'll introduce the next one next week. And then over the next few weeks we'll try to raise money to support these agencies in the efforts that they're doing in foreign mission work. So the first one we're going to partner with is elam. It is a missions organization in Mexico. When we started praying about this and looking, we were like, we want to do something with foreign missions. We want to give some effort in this direction. Scott and Kit's Hill's son Scotty, also Isaac Hill, is one of our pastors. It's his uncle also Isaac Hill's wife Lydia, it's her uncle in law, works with Elam in Mexico. So we just called him up and started trying to talk to him about what would it look like if we partnered with you? What kind of work are you doing? What's the labor looking like right now in where you are? So this is a picture. One of the things, as we said, just start dreaming a little bit if we partner with you now. It's an EFCA organization. So the money's going towards an organization that is very transparent in how they handle their finances. ELAM is they pick that name because it's the name of Oasis mentioned in the book of Exodus and what they do. I'll read some of this specifically. I can find my notes here. Yeah. ELAM is a mission development and mobilization organization in Mexico that focuses on equipping and mobilizing local churches. They do this through trainings and through short term missions trips to indigenous communities. So one of the things they do is they'll partner with a local church in a harder area and they show up and help do missions trips to try to help that church serve the community and have an opportunity for evangelism, have an opportunity to build goodwill with the community as that church is trying to develop. So what they've been doing recently is, is medical mission, short term missions programs. And so they'll go to a community and do medical missions for a couple weeks to try to help a local in partnership with a local church in a community. So the core activities are they do general medical exams and treatment, dental care and hygiene education, vision screenings and the distribution of eyeglasses. And then throughout that they're doing church support and evangelism as a part of it.So they currently have a donated auto refractor which is a machine you put on your face and it tells you what your prescription is. And then someone donated to them 6,000 pairs of glasses. So they show up to places, stick an autorefactor on people's faces, find out what the prescription is, find it and give them a pair of glasses. And so they're able to go to these rural places and under resourced places and help people see. They also have two mobile dental machines and chairs. And then they're using all this on supplies on borrowed trucks and on the open bed trailer covered with tarps. They've been going to Sierra Mezateca where there's about 300,000 Mezatecos and only a few local churches. They've been in Partnership with a church called Amigos de Fe. And they've planted churches and trying to plant churches in eight communities. They've done five medical trips in that area with about 80 to 120 medical patients, 40 to 50 dental patients, and then they were given out 20 to 30 glasses. And then in the areas near Veracruz and hidalgo, there's about 490,000 people. They have two medical trips they've done this past year. They've got a third one scheduled. On their first two, they had about 100 to 150 medical patients, 60 to 100 dental patients, and they gave out 50 to 100 pairs of glasses, which I don't know if you've ever tried to live without glasses and then got glasses, but it's magical. Just ask third grade Chet. So for them to show up to places where people have not been able to see and just outfit them, they walk in and walk out with glasses is a wonderful thing.And so we just said, what would you need if we were going to give you money? What would you use it for? What would this look like? And so the biggest, they said the current biggest limitation is the logistics problem for them. They have an open bed trailer that they've just been throwing a tarp on. And so they said we'd love. Yeah, that. They said they have lost equipment due to rain. And some of the places that they go to, they end up having to park and hike up mountains. I mean, they're going to hard to reach places and difficult to resource places. And so they said they'd love to have an enclosed trailer. And so they sent us this sort of thing now just to help you all out. That 98,500 is pesos. So if you're like, nah, we're gonna have to smuggle in one of our trailers. We ain't paying that. That's in pesos. So don't stress out over that.So here's what we said. We just said, start telling us what you would need. And they gave us a list. We said, dream. We've learned as a church that we want to. We want to get some options. We want to get some things in front of us and we'll see what the Lord does and what we're able to do together. Like we said, our hope is to knock this out, to be able to do what they've asked and do another one. But we'll see. We're happy to get to partner together however we're able to. But this is what. This is how the money would work for this Group the trailer is about $6,000. So the first $6,000 we raise, they're going to go get a trailer. After that, they would use 1250 for insurance, taxes, maintenance of the trailer. So they said if we're able to give them about $7,000, 7,500, they'll get a trailer and they'll be taken care of for a year, and then they'll, you know, just continue to operate with it. But they would be blessed by that because they'd be able to load it up, they'd be able to lock it up, they'd be able to show up to the place, unload what they needed to unload, keep. Like they just said this would bless their souls and their ability to get in and out of places and. And not lose equipment. So we said that sounded smart to us. So we thought, yes, let's try to get them a trailer if we're able to keep giving. Here are other things. They were like, well, look, y' all give us money, we're going to spend it. So they would love another auto refractor, which helps them to do multiple trips or to be able to just handle more people when they're coming in, getting them glasses. A lensometer is actually what you use to shine through glasses to make sure it is the right prescription. So auto refractor goes on the face, lensometer goes on the glasses. A diagnostic kit and a retinoscope is just the ability to try to actually check eyes, see what's going on. If they could have a mobile dental X ray with a computer, that would be amazing so that they could actually do X rays right there, see what's going on inside. And then they said dental chairs and lights, 600 general dental tools and supplies, 1500 general medical equipment, 500, for a total of $22,250. We'd love to be able to raise that for them. We'd love to get to join in partnership in a way that we get to be a part of people in areas of Mexico we'll never step foot in being cared for, loved, and getting a tangible picture of the gospel. As a group of people is trying to plant churches to articulate the gospel.Just so y' all know, we don't do a whole lot as a church in partnership with any kind of foreign missions organization that isn't trying to plant churches and articulate the gospel. We think it is incomplete if we're just doing physical things, but we love to partner where they're doing some physical work, some. Some tangible help in connection with local church planting and church organization and these sort of things going forward. So as a church, every year we do every year at Christmas we partner with the Lottie Moon Christmas offering, which is, you see it on the tables and it's in your bulletin, which is a part of missions efforts for the Southern Baptist. We do that every year and then we pick a give project and then sometimes we pick as a give project a missions opportunity. And we've got two in front of us this year. This is the first one we're going to be able to get after we're excited to be able to partner in this specific way in Mexico for the sake of what they're doing and would love for you to begin praying about what does it look like for you to partner in helping see other people come to know Jesus and tangibly see what he does among a group people, let's pray.Father, we're thankful. We're thankful that you have met us in our need. We're thankful that you have redeemed us and called us into something eternal. We ask that your spirit would be at work so that our church might be a blessing to those who are out and doing international efforts. We pray, Lord, that you would stir in the hearts of our church family so that we might be able to send people and we pray that you would stir in our hearts that we might be able to send money to the people who are already there. But may we be a part of what you are doing around the world in the places where people belong to you. There just hasn't been someone who's told them about you yet. In Jesus name Amen. Band's gonna come up. We're gonna sing. If you desire to give, there are there is a drop down menu online that you can give directly to it already. You can also give via an envelope or just put on the check that it's for our gift project. But we ask you to begin to pray and hopefully, Lord willing will be able to begin to move on this and then get into some of the other stuff, see what the Lord does.

Please enjoy a little post Thanksgiving treat of a preview of our Patreon-only episode released today on Patreon. We went hard in the paint on V for Vendetta, talking about all the many many trans metaphors of the Wachowskis, all the masks that we wear, and fighting fascism - a message that somehow continues being relevant no matter how popular movies about it get.If you want to join the patreon, click on the link in the notes on every episode. For five dollars a month you get an extra episode every month and ad free episodes on our Patreon feed!Be sure to come back next week to talk about the Alfred Hitchcock classic with perhaps the most homoerotic tension (yes, more than Rope) it's The Birds!Take our listener survey: http://bit.ly/progressivelyhorrified-surveySign up to support Progressively Horrified on Patreon for as little as $5 a month and get bonus episodes! https://www.patreon.com/c/progressivelyhorrified Hosted on Acast. See acast.com/privacy for more information.

A new week means new questions! Hope you have fun with these!Hinge, pivot, ball and socket are three types of what skeletal structure?In Canada, what province is the capital city located?Stanisław II August ruled from 1764 to 1795 and was the last king of which country, the fifth largest EU country?What element has the highest melting point?In 1926 Gertrude Ederle swam what in 14 1/2 hours, breaking the men's record by 2 hours, and the inspiration for the Daisy Ridley film "Young Woman and the Sea"?Which Aristophanes comedy shares its name with a 1963 natural horror film directed by Alfred Hitchcock?What was the first horror film to be nominated for Best Picture?The word "Alphabet" comes from the first two letters of what language?In operation since 1930, London's Great West Aerodrome later became the site of what?Traditionally, what color are the community chest cards in a game in Monopoly?In "The Office" what does Michael Scott eat at lunch to make him fall asleep?What is the best selling album of the 21st century thus far?In 2010, Jonathan Franzen was the first American novelist to appear on the cover of TIME since what legendary and prolific American writer?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Prepare-se, porque desta vez o terror vem do céu. Neste episódio Andreia D'Oliveira e Gabi Idealli mergulham no conto “Os Pássaros”, de Daphne du Maurier com um único intuito: falar pela primeira vez de uma obra de Alfred Hitchcock! Vem com a gente entender como Du Maurier constrói o medo na página, como Hitchcock traduz para o cinema, e por que essa história continua nos fazendo olhar pro céu com desconfiança. Então corre, fecha as janelas, afasta o parapeito e vem ouvir!

La Órbita de Endor vuelve a recuperar el cine de Alfred Hitchcock, en esta ocasión con una película de suspense total como es REBECA (Rebecca – 1940), su primera película de Hollywood con un siempre cumplidor Laurence Olivier, acompañado de la sensibilidad de Joan Fontaine y la terrible interpretación de Judith Anderson como la pérfida ama de llaves. Una película con un supuesto personaje principal cuyo nombre no llega a saberse nunca y cuya auténtica protagonista, que da nombre al título, no sale en pantalla ni un solo segundo. Hoy, junto al Coronel Kurtz, Abraham Hithorso y Antonio Runa se darán todos los datos de producción, la historia del rodaje y se analizará la película de principio a fin. Lo clásico vuelve a LODE, gracias por escucharnos. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Hello! Apologies that the scheduling of ERRP episodes has been a little erratic of late. I recently moved flats and as a result I am dealing with lots of change. Anyway, since I'm back in the office today and so have internet for the day, I am dropping a random 1950s solo episode, which I have ready to go. In this episode- recorded back in May 2024-, I returned to the 'One Perfect Scene' format with an episode on the 'Scottie's nightmare' sequence from Alfred Hitchcock's 'Vertigo' (and my thoughts- in particular- on the film's third act, following this recent rewatch). This episode was recorded as a Patreon exclusive episode (over at https://www.patreon.com/ErrP) but now it's free to listen to, for your audio entertainment. Enjoy!

Before heading into the Holiday season, Noir November could not be ignored. For the first time, Nick & Bella celebrate Noir November with three unforgettable, game-changing classics. We start with the Humphrey Bogart-led masterpiece and the catalyst for the Film Noir movement, 1941's The Maltese Falcon. Second, Billy Wilder's bleak, twisted, and sultry classic Double Indemnity. Finally, Alfred Hitchcock dipped his toes in the Noir lore with the wildly unnerving Strangers on a Train. Nick and Bella also dive into the debate of whether Film Noir is a genre or a style. Let us know what you think of these films, and let us know what your favorite Film Noir movie is. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Sixty-five years ago, Alfred Hitchcock shocked audiences with his film ‘Psycho.' It broke Hollywood conventions about what a film should and should not do, ushered in a new era of horror/thriller, and became one of the most studied movies in cinema history. We listen back to Terry's interview with star Janet Leigh, who talks about filming the famous shower scene. And we hear from screenwriter Evan Hunter about working with Hitchcock on his next film, ‘The Birds.'Also, Justin Chang reviews the new film ‘Hamnet,' about Shakespeare as a young playwright, husband and father. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

For our November 2025 Special Subject we watched the Antoine Doinel films of François Truffaut: The 400 Blows (1959), Antoine et Colette (1962), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). In addition to the charms of star/auteur avatar Jean-Pierre Léaud, we focus on the films' evolving style and increasing interest in the women in Doinel's life. And in our Fear and Moviegoing in Toronto section we discuss Paul Leni's horror comedy The Cat and the Canary (1927) and a Hitchcock double feature, Shadow of a Doubt (1943) and Saboteur (1942). Time Codes: 0h 00m 25s:    THE FOUR HUNDRED BLOWS / LES QUATRE CENTS COUPS (1959) [dir. François Truffaut] 0h 28m 50s:    ANTOINE ET COLETTE (1962) [dir. François Truffaut] 0h 37m 30s:    STOLEN KISSES / BAISERS VOLÉS (1968) [dir. François Truffaut] 0h 54m 42s:    BED AND BOARD / DOMICILE CONJUGAL (1970) [dir. François Truffaut] 1h 05m 15s:    LOVE ON THE RUN / L'AMOUR EN FUITE (1979) [dir. François Truffaut] 1h 19m 32s:    Fear and Moviegoing in Toronto – Paul Leni's The Cat and the Canary (1927) at TIFF Lightbox and Alfred Hitchcock's Saboteur (1942) and Shadow of a Doubt (1943) at The Paradise +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Welcome to the first part of MIAPS's exciting three-part 100th episode celebrating Alfred Hitchcock's legacy! Jamie and Jonny are joined by Hitchcock expert Tony Lee Moral.In this episode they discuss Hitchcock's early life and film career, from the silent era to the evolution of one of cinema's greatest directors, covering films including Saboteur, Lifeboat, The Lodger, Blackmail, the 39 steps, Rebecca, Notorious, Spellbound and many more!

Sixty-five years ago, Alfred Hitchcock shocked audiences with his film ‘Psycho.' It broke Hollywood conventions about what a film should and should not do, ushered in a new era of horror/thriller, and became one of the most studied movies in cinema history. We listen back to Terry's interview with star Janet Leigh, who talks about filming the famous shower scene. And we hear from screenwriter Evan Hunter about working with Hitchcock on his next film, ‘The Birds.'Also, Justin Chang reviews the new film ‘Hamnet,' about Shakespeare as a young playwright, husband and father. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Send us a textWelcome back to DMRMonster: The Ed Gein Story is the third season of the Netflix anthology Monster. Charlie Hunnam takes on the chilling role of Ed Gein, the real-life murderer and grave robber, playing him with a disturbing mix of vulnerability and menace. He's supported by Laurie Metcalf as his domineering mother, Augusta, and Tom Hollander portraying Alfred Hitchcock in a metafictional twist — tying Gein's life to the cinematic monsters he inspired. The series was developed by Ian Brennan and overseen by Ryan Murphy, with Max Winkler directing much of the season. Hunnam has said that he felt significant pressure playing such a dark, psychologically complex figure, and described the role as emotionally taxing.Critically, the season has been met with strong backlash. Many reviewers criticize it for sensationalising Gein's crimes rather than offering a thoughtful exploration of his psyche. Some argue that the show leans too heavily into stylised horror, fictional subplots, and shock value — distracting from any deeper commentary on mental illness or the nature of evil. There's also concern about historical inaccuracy and how the series humanizes Gein at the expense of his real-life victims. While Hunnam's performance is often cited as a high point, critics largely describe the overall show as morally ambivalent, unfocused, and exploitative.Remeber to grab you 30 day free Audible trial, link in the show!Support the showThe audio clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

If you're curious about how to handle unlikeable protagonists, this episode is for you! In Hitchcock's classic, DIAL M FOR MURDER, the protagonist is the villain — he plots the murder of his wife, and that's about as unlikeable as it gets! His anti-hero's monologue is a veritable masterclass and his shadow reveals that he's actually kind of a nice guy underneath it all ... when he's not blackmailing people and planning murders that is. -V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Alfred Hitchcock || Rebecca, by Daphne De Maurier || December 27, 1989: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoying my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr@duaneOldTimeRadio #duaneOldTimeRadio#mysteryclassics #oldtimeradio #otr #mysteryradio #radioclassics #rodserling #agathachristie #thewhistler #mystery #suspense #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

Boomer & Brandon discuss two different films that share the same title and director: Alfred Hitchcock's The Man Who Knew Too Much (1934) and its loose remake The Man Who Knew Too Much (1956) https://swampflix.com/ 00:00 The Soup 02:50 KPop Demon Hunters (2025) 8:02 The Blue Gardenia (1953) 13:25 Erica's First Holy Sh!t (2022) 20:06 Cloud (2025) 26:40 The Mastermind (2025) 30:54 Eephus (2025) 37:00 Frankenstein (2025) 44:47 Predator - Badlands (2025) 52:32 Keeper (2025) 1:04:36 Materialists (2025) 1:10:15 Die My Love (2025) 1:14:12 Reflections in a Dead Diamond (2025) 1:17:48 Mr. Melvin (2025) 1:22:12 Sirāt (2025) 1:26:37 Twinless (2025) 1:33:00 The Man Who Knew Too Much (1934, 1956)

When Tony Marvel returns home from an eight-month voyage to discover he's been declared dead and finds his own corpse in his bed, he realizes his brother's perfect murder plot has gone terribly wrong—but the true horror is discovering who has been protecting him all along.IN THIS EPISODE: We dive back into one of the Alfred Hitchcock books I have on my shelves titled, “My Favorites In Suspense.” The story is from Carter Dickson entitled, “New Murders For Old” which is a great macabre mystery.SOURCES and RESOURCES:“New Murders For Old” by Carter Dickson is from the book “Alfred Hitchcock Presents: My Favorites In Suspense”: https://amzn.to/3gTAAFU=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: June, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/NewMurdersForOldABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #NewMurdersForOld #DoppelgangerMurder #CarterDickson #ImpossibleCrime #LockedRoomMystery #SupernaturalRevenge #PerfectMurder #ClassicMystery #GoldenAgeDetective

The dust has barely settled in Verde Park — and the souls (not deaths, legally) are still being counted. Whisp Turlington and Geoff “The Angry Man” Garlock return to the air after Whispstock 25, the ill-fated eight-day music festival that celebrated Whisp… and possibly ended civilization.Whisp defends the festival, claiming the “482 deaths” were actually “souls captured and sent home courtesy of Whisp Turlington.”John Mellencamp stops by to explain his time working the funnel cake stand — and why you should never finger John Mellencamp.Geoff delivers a Good Rock Fact about Alfred Hitchcock nearly directing a Peter Gabriel movie.Whisp reveals his new liquor line, Turlington Cognacs, co-founded with George Clooney.Geoff and Whisp salute the ending of Greg Lemonsour's legendary podcast, "WTDG."There's confusion, regret, and a Zamboni that somehow killed both people and animatronic bears.Do you want 108.9 The Hawk to do better in the ratings? Give ‘em a hand!Subscribe to the podcast on Apple, Spotify, YouTube — or whatever app you use. Your choice!Join the Rock Battalion: sign up for our mailing list at 1089thehawk.com.Patreon keeps the lights on (and the Food Gulch ads rolling): patreon.com/1089thehawk.YouTube is where you'll find clips, video episodes and yelling: youtube.com/@1089thehawk.Follow us everywhere: Instagram, TikTok, Bluesky, Facebook, Threads Hosted on Acast. See acast.com/privacy for more information.

In the world of storytelling, there's plenty of advice about what to do. What not to do. What to show. What to hide. Alfred Hitchcock talks about suspense. Trey Parker and Matt Stone talking about but and therefore. The holy grail: Show, don't tell. What happens if you follow those rules to a T and still end up making something dogshit? ---------------------------------------------------------------- Want to watch these episodes live? Check us out at https://www.youtube.com/@somederpsplaygames or twitch.tv/somederpsplaygames Check out the podcast on Soundcloud: https://soundcloud.com/somederpstalkaboutgames Want to tell us something? Email us at podcast@somederpsplaygames.com Like our Facebook page too! www.facebook.com/SomeDerpsPlayGames/ We have a Patreon! https://www.patreon.com/somederpsplaygames Rate us on iTunes! https://itunes.apple.com/us/podcast/some-derps-talk-about-games/id1048899720 Follow us on Twitter! SDPG: twitter.com/somederps Buddy: twitter.com/thatbuddysola Mango: twitter.com/theonetruemango Intro and Outro courtesy of twitter.com/VinceRolin

In our 100th episode, we invited you, our audience, to select the films we'd discuss. In a mini-tournament which included the top films from three different lists: Sight and Sound Magazine's Greatest Films of All Time, IMDb's highest rated films of all time, and Letterboxd's highest rated films of all time, these were the films you selected.We open with the American masterpiece that changed the crime genre and cinema as a whole: Francis Ford Coppola's brilliant epic, The Godfather. Second, the master Alfred Hitchcock is at the top of his game in this gorgeous but wildly unnerving psychological thriller, Vertigo. Finally, Sidney Lumet delivers the goods in his debut feature film, 12 Angry Men, a boiling pot of tension. Thanks to all who voted. And thank you for helping us reach one hundred episodes!❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1960, Alfred Hitchcock's Psycho introduced the world to the future of my horror. But before the genre would embrace it, it would first confront it's very origins with a boom of Gothic Horror films that would make icons out of people like Vincent Price, Barbara Steele, and Christopher Lee. Perhaps no one would have a greater impact on this era of the macabre than Roger Corman, the b-movie king whose adaptations of Edgar Allan Poe's classic works changed horror forever. Perhaps nonemoreso than his 1961 classic The Pit and the Pendulum. This week on Years of Fear, we explore the legacy of Corman, Poe, Vincent Price, and the gothic horror films of the early 1960s.        If you want to get in touch with the show, you can reach us at yearsoffearpodcast@gmail.com  

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

It's been a year since the last time we sat down for a pod but this one is least recorded within the last month - we're making progress! Joe hosts JT, Sam, and Jono to talk all things games, TV (except this episode), and film. Games * Joe starts the show discussing Death Stranding, Hideo Kojima's unique open-world action game where you play a courier trying to reconnect a post-apocalyptic United States. * Sam heads to Steam Deck Corner to check out the wacky physics-based comedy of What the Golf? (a game that makes fun of golf) and the digitally adapted classic board game, Carcassonne (where players build a medieval French landscape one tile at a time). * JT and Jono give their first impressions after picking up the brand-new Switch 2 console. Film * Jono and JT review two major new films: the sleek sci-fi sequel Tron: Ares (about a highly advanced program crossing into the real world) and the gritty biographical sports drama The Smashing Machine (starring Dwayne Johnson as legendary MMA pioneer Mark Kerr). * Sam took inspiration from Ed Gein to watch the 1960 horror classic Psycho, directed by Alfred Hitchcock. * Joe wraps up the reviews with two genre films: Weapons: A new supernatural mystery-horror film about a group of children who all vanish at the same time and Arrival: Denis Villeneuve's thoughtful sci-fi drama about a linguist (Amy Adams) trying to communicate with aliens who have landed on Earth. Get in touch with us: X - https://x.com/DSTEPodcast Email - dontspoiltheending@gmail.com 00:00:00 - Intro Games 00:04:53 - Death Stranding 00:19:33 - Steam Deck Corner > What the Golf? > Carcassonne 00:25:12 - Battlefield 6 00:29:40 - Switch 2 > Pokemon Film 00:43:59 - Tron: Ares > Jared Leto 00:48:46 - The Smashing Machine 01:03:00 - Psycho 01:17:37 - Weapons 01:39:40 - Arrival 01:45:41 - Outro

Tune in as Anna (@banananna024/@formergleek) hops back onto the podcast for a discussion on Rope, the 1948 thriller film about a pair of men who dare to see if they can carry out the perfect murder by hosting a dinner party at their apartment—the place where they have their victim's corpse all tucked away. The lost art of homoeroticism, avoiding the spoilery trailer for Project Hail Mary, nitpicking unrealistic depictions of strangulation, and comparing Rope to Frasier and Death Note land as a few of the subjects for this episode.Directed by Alfred Hitchcock, Rope stars John Dall, Farley Granger, James Stewart, Sir Cedric Hardwicke, Constance Collier, Douglas Dick, Edith Evanson, Joan Chandler, and Dick Hogan.Spoilers start at 37:35Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Anna: The Lego Batman Movie• Arthur: The GloryReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

Penny & Midge discuss the filming and legacy of Alfred Hitchcock's Psycho. The original slasher film had a major impact on the horror genre in film as well as on its cast. Join the Ghouls Night In discord! Shop for Ghouls Night In merch Follow the ghouls on Instagram at @ghoulsnightinpod Cover art by Alex Zimdars

Do you ever meet someone and just click? That's what happened when I hopped on the call with Sheila Roberts. She writes novels that are contemporary mysteries set in a larger community. You can tell from the cover that they have humor and fun. It only takes a few minutes of chatting with Shelia to see how much that fun comes from her personality and perspective on life.The Man Next Door is her most recent novel, and the idea dropped into her mind like so many do. It's a twist on Alfred Hitchcock with an unreliable narrator and multigenerational family dynamics. She wants to tell a good story that pulls readers in with its cast of characters and layers. This book does exactly that. She's been creating stories since she was a child, telling herself bedtime stories.I hope you enjoy our conversation and learning more about her books and writing process.Connect with Sheila RobertsFacebook | Instagram | YouTube | TikTokWant to watch this interview? You can see this episode as well as multiple others on YouTube! Enjoy!If you enjoyed this conversation, I would be thrilled if you left a rating and review on your favorite podcast app and leave me a note below letting me know who you would love to see on the show!

Re-Animator (1985) was chosen by new show supporter Rhys — and what a debut pick it is. Directed by Stuart Gordon in his feature film debut, the movie became one of the defining cult horror films of the 1980s. Based loosely on H.P. Lovecraft's serialized story Herbert West–Reanimator, Gordon initially envisioned it as a stage play and later as a television series before realizing it would work best as a feature film. Shot on a modest budget of around $900,000, the production was backed by Charles Band's Empire Pictures, a studio known for embracing the stranger side of horror and science fiction. The creative team leaned into excess and black comedy, pushing the boundaries of gore and taste in a way that both shocked and delighted audiences.Filming took place over 18 days in Los Angeles, with Gordon assembling a cast of relatively unknown actors — including Jeffrey Combs, Bruce Abbott, and Barbara Crampton — who would go on to become icons of cult horror cinema. The movie's practical effects team, led by John Naulin, worked wonders with limited resources, creating gruesome yet inventive visuals that defined the film's enduring reputation. Upon release, Re-Animator was met with controversy and acclaim in equal measure, with critics alternately praising its audacity and condemning its extremity. Despite its low budget and NC-17-level violence, the film became a sleeper hit and helped launch a wave of splatter comedies that blended horror, humor, and outrageous imagination — ensuring Re-Animator a permanent place in cult movie history.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot Summary.Fun FactsThe green reagent serum used in the movie was made from fluorescent green glow stick liquid mixed with food coloring, giving it that unforgettable neon look.Director Stuart Gordon claimed he was inspired to make the film after watching Frankenstein with his wife and wondering what a modern, more extreme version would look like.Jeffrey Combs' portrayal of Herbert West became so iconic that he went on to play the character again in two sequels — Bride of Re-Animator (1989) and Beyond Re-Animator (2003).The film's most infamous scene was so shocking that it caused walkouts at its first festival screening — and immediate cult status among those who stayed.To achieve the movie's outrageous gore effects, the production used over 24 gallons of fake blood, much of it homemade from corn syrup and food dye.Barbara Crampton later revealed that she was hesitant to take on her role due to the film's extreme content, but she has since embraced its legacy in horror history.The film's composer, Richard Band, intentionally modeled the score after Bernard Herrmann's music for Alfred Hitchcock's Psycho (1960) — a choice that added a darkly playful tone.The severed head effects were created using a combination of latex prosthetics and reverse photography, which gave the film's shocking visuals their uncanny realism.Re-Animator was banned or heavily censored in several countries, including Germany, Singapore, and Australia, due to its extreme violence and sexual content.The movie's success helped revive interest in H.P. Lovecraft adaptations, paving the way for later films like From Beyond (1986), The Resurrected (1991), and Dagon (2001).⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

“It looks amazing.” - Eric on the production design On this week's episode, we're kicking off We ❤️ Movies Month with a ridiculously silly discussion about Alfred Hitchcock's masterful peeping tom thriller, Rear Window! How gorgeous and meticulous is this set design? How hilarious is Raymond Burr's dye job? How on earth is L.B. Jefferies ignoring Lisa's advances this much, murderous neighbor or no? And where in New York can we get this Lobster Thermidor dish for crying out loud? PLUS: Coming soon to Peacock, the new Hitchcock Universe mash-up show, Hitchrock! Rear Window stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Judith Evelyn, Ross Bagdasarian, Georgine Darcy, Sara Berner, Frank Cady, Jesslyn Fax, Rand Harper, Irene Winston, Havis Davenport, and Raymond Burr as Lars Thorwald; directed by Alfred Hitchcock. This episode is sponsored by Sonos! Do you want studio quality sound at home? Then check out Sonos speakers, soundbars and more at Sonos.com, and discover how easy it is to build your own whole home audio system. Don't wait, check out Sonos.com today! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Welcome to Episode 246! We recap some fun Biblioadventures in this episode. Emily got to see Mel Rosenthal in conversation with Virginia Evans about her debut novel The Correspondent at an event hosted by RJ Julia Booksellers. Chris had a research visit to Columbia University's Rare Book and Manuscript Library, where she enjoyed their book arts exhibit and admired the mantel in front of which Edgar Allan Poe wrote “The Raven.” She also had an impromptu browse at New Haven's used bookstore, Grey Matter Books. We also had some Couch Biblioadventures. Because we recently read Daphne Du Maurier's excellent short story, “The Birds,” we thought we'd also watch Alfred Hitchcock's movie of the same name, which was inspired by the written word. Spoiler alert: the movie is nothing like the short story. PSA: the birds are LOUD. Other literary-related movies we watched include The Turn of the Screw, starring Michelle Dockery and Dan Stephens. Emily made an exciting discovery about A Star is Born—did you know some famous writers penned the screenplays for various incarnations of this classic story? Some of the books we discuss include: – All the Beauty in the World: The Metropolitan Museum of Art and Me by Patrick Bringley – Amelia Bloomer: Journalist, Suffragist, Anti-Fashion Icon by Sara Catterall – Death at the Door: A Ruby and Cordelia Mystery by Olivia Blacke – A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck by Sophie Elmhurst And we discuss our second-to-last ghost story from The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce: “The Readjustment” by Mary Austin. Chris has finished, and Emily is currently reading our Q4 readalong book, How to Sell a Haunted House by Grady Hendrix. The Zoom conversation is on Sunday, November 9th, at 7 pm ET. It is free and open to all, but registration is required. We still have a few spots available, so email us if you're interested (bookcougars@gmail.com). Special thanks to this episode's sponsors: Epic and Lovely by Mo Daviau and Paper Roses by Debby Show. Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode246

Chaque trimestre, je vous donne désormais rendez-vous avec une figure du monde du vin. Pour ouvrir le bal, j'ai le plaisir de recevoir Véronique Boss Drouhin. Arrière-petite-fille de Joseph Drouhin, elle incarne la quatrième génération à la tête d'une maison qui fait rayonner le vignoble bourguignon depuis plus de 140 ans.Tout commence en 1880, à Beaune, lorsque Joseph Drouhin, jeune homme de 23 ans, abandonne sa librairie pour se lancer dans le négoce de vins. Son fils Maurice prend la relève en 1918 et ouvre une nouvelle page de l'histoire familiale. Trois ans plus tard, il acquiert la première parcelle de la maison : le mythique « Clos des Mouches », qui deviendra l'un des emblèmes du domaine.Dans cette première partie d'entretien, nous revisitons l'histoire familiale à travers quelques cuvées phares de la Maison.A écouter

In 1960, Alfred Hitchcock's Psycho ushered in the modern era of horror filmmaking. But in order for the film to make the impact that Hitch wanted, he was going to need to overcome several massive obstacles to fulfill his vision. Whether it was the censor board, struggles with the music editing, or the very way that films were screened at the time, it was all going to be an uphill battle. Join us for the conclusion to our two-part debut episode on Psycho.   Stick around to the end to hear the announcement for our 1961 episode, which will be released on 11/13/2025.

Ready to discuss the ultimate film-making genius! Grab some popcorn and hop in the shower! Today, we're putting the SUS in suspensful! If you're not too scared, dive into this delicious round about Alfred Hitchcock!Round 291Your support on the Beer Thursday Patreon page is invaluable to us! By becoming a patron, you'll get early access to our rounds, exclusive content, and the satisfaction of being a crucial part of our journey to continue creating fun-filled episodes like this one. Join us on Patreon and be a part of our journey! At the $10 level, the next 18 Great Human Beings will get access to the Beer Thursday Facebook group, where you can connect with other beer enthusiasts, participate in live Q&A sessions with the hosts, and get sneak peeks of upcoming rounds.We'd love to hear what you think and see Jay's brilliant beertography at beerthursdayshow on Instagram! Your feedback is not just appreciated; it's crucial to our growth. Join the conversation and be a part of our growing community. What's your favorite Hitchcock movie? Your voice matters!Never miss a round, and help us take you to the top by subscribing and leaving a 5-star review on your favorite podcasting app. By doing so, you'll ensure you never miss an episode and help us reach more listeners. And remember, sharing this round with your friends spreads summer cheer and brings more people into our quirky culture-loving community! The more, the merrier!Here's what our house elf, Artie (not Archie), says about this round: Hitching a Ride with Hitchcock: A Suspenseful Soirée Grab your popcorn and perch on the edge of your seat! Your creepy and cunning hosts, Jay and Shayne, dive deep into the eerie world of Alfred Hitchcock, unraveling his legendary suspense-filled films. From Hitchcock's timeless classics like "Psycho" and "Rear Window" to other masterpieces such as "The Trouble with Harry" and "Rope," they explore it all. [Correction: They explore a lot.]Find out about Hitchcock's unique film techniques, his influence on modern directors like M. Night Shyamalan and Jordan Peele, and even his fun cameos. Plus, get the scoop on Hitchcock's TV series and feel the chills of "The Birds." Whether you're a Hitchcock newbie or a staunch aficionado, this episode is a real thriller.

Let's talk about God! Our favorite subject… Or is it?? It would be—or could be—if we hadn't been lied to about God. Well, our job at FreedHearts is to make you feel better about God — or have no feelings about God, that's fine. But what we DON'T want is for you to have bad feelings about God because they're usually connected to bad feelings about yourself – and none of that is true! Today we tell you a story as a contrast to God—about Alfred Hitchcock. Hitchcock is known as the Master of Suspense. Just in time for Halloween!This is going to be fun!Send us a private message. *Note: INCLUDE YOUR EMAIL ADDRESS if you'd like us to answer. :-) Support the show

Turn on the shower. Disrobe. Cue the music! Tonight, Ben Lewandowski and I consider the merits of the classic 1960 thriller PSYCHO, directed by the master of suspense Alfred Hitchcock. As well as the very curious remake in 1998 directed by Gus Van Zant.  This is an interesting one folks, since no other filmmaker has ever intentionally set out to copy a film to this degree. Ben and I had a great time discussing these films and we hope you will have just as good a time listening to our ramblings. Let's go!

Happy Halloween! Chelsea and Wade discuss the 1938 Alfred Hitchcock film The Lady Vanishes.Don't forget to like, follow, or subscribe, and leave us a review! Let us know what you'd like us to cover next!  Follow us here!Instagram: https://www.instagram.com/poddemastered/Bluesky: https://bsky.app/profile/poddemastered.bsky.socialFacebook: https://www.facebook.com/PodDemasteredYouTube: https://www.youtube.com/@poddemasteredHave any topic requests, questions, or general comments? Send us an email at demasteredpodcast@gmail.com.Music: Dank Halloween by Shane Ivers - https://www.silvermansound.com

In this episode of Film & Whiskey, Bob and Brad dive into the dizzying world of Alfred Hitchcock's 1958 masterpiece, Vertigo. Join us asIn this episode of Film & Whiskey, Bob and Brad dive into the dizzying world of Alfred Hitchcock's 1958 masterpiece, Vertigo. Join us as we explore the psychological depths of this classic suspense thriller, starring James Stewart and Kim Novak. From the iconic Bernard Herrmann score to the intricate cinematography, we break down what makes "Vertigo" a Hitchcockian gem. Then, we switch gears to taste and discuss the Larceny Small Batch Bourbon - a delightful American whiskey that brings its own twists to the palate.(0:00) Introduction(5:38) Brad Explains "Vertigo"(8:55) Performances and Themes in "Vertigo"(29:35) Larceny Small Batch Bourbon Review(36:56) Two Facts and a Falsehood Game(40:57) Final Analysis of "Vertigo"(53:50) Let's Make it a Double and Final Scores"Vertigo" is not just a movie; it's a journey through the mind's eye, crafted masterfully by Alfred Hitchcock. With James Stewart's gripping performance and Kim Novak's enigmatic presence, the film takes us through a twisted narrative that still captivates audiences today. The film's visual storytelling, complemented by Bernard Herrmann's haunting score, creates a surreal experience. We discuss the intricate film techniques Hitchcock used, the movie's impact on the suspense genre, and why "Vertigo" remains a subject of study and fascination.Transitioning to the world of whiskey, we review the Larceny Small Batch Bourbon. Known for its easy drinkability and rich flavor profile, this bourbon is a testament to American whiskey craftsmanship. We delve into its wheated formula, tasting notes, and how it stands as a top value choice for bourbon enthusiasts. Film & Whiskey Podcast. New episodes every Tuesday.Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Remember, you can always join the conversation and share your thoughts on the Film & Whiskey community pages. And if you loved the episode, don't forget to rate and review us on your favorite podcast platform!

The Birds is a 1963 American natural horror-thriller film produced and directed by Alfred Hitchcock, released by Universal Pictures and starring Jessica Tandy, Rod Taylor, Suzanne Pleshette, and introducing Tippi Hedren in her film debut. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over the course of a few days. The screenplay is by Evan Hunter, who was told by Hitchcock to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks.   Watch The Birds: https://www.amcplus.com/movies/the-birds--1063949    Out this Month: Psycho The Birds Patreon: Hot Take: Shelby Oaks      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 Christopher Nelson Dan Alvarez Dirty Birdy eliza mc Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Joe Criswell Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Matt Walsh Matthew McHenry Nicole McDaniel Nikki Niko Allred Nimble Wembley Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sharon Sinesthero William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

In this installment, directed by Alfred Hitchcock, Vincent Price plays Charles Courtney, a detective with a perfect record who is not about to let a mistake stain his reputation. Then Amy joins Al to discuss the passive nature of the episode, suggest a different ending and wonder if Hitchcock was lazy in his directing this time or if this was his regular working routine.

Junk Food Dinner returns with our Schlocktober Spectacular, filled with vampires, zombies and demons!Up first, Indonesian horror icon Suzanna stars in The Hungry Snake Woman from 1986 about a group of friends who must contend with a mystical snake lady.Then, when an infected baboon bites a college journalist, it starts a rage zombie outbreak on campus just in time for the big Halloween dance in Primal Rage from 1988.And finally, a British author revisits this 80's supernatural TV show in Garth Marenghi's Darkplace from 2004.All this plus Halloween snacks chat, what costumes are hot this year, James Whale and Alfred Hitchcock blu-rays and much more!LISTEN NOW:MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.

As another Halloween approaches, Sophia and Nick are excited to celebrate Hitchcock-tober once again! This time, they marvel at the outstanding collaboration between the famed director and the costume designer with the most Oscar nominations and wins, Edith Head. Their eleven films together spanned three decades, multiple studios, and the transition from B/W to color. Listen to find out how Head uses different materials and colors to create looks that accentuate an actor's figure, develop a character's identity, and provide narrative function, all the while dazzling audience with unforgettable designs. Should she have been nominated for more than just To Catch a Thief? From Notorious (1946) to Topaz (1976), which is your favorite collaboration between them? *Note: If you've never seen Vertigo and do NOT want it spoiled, skip ahead from (36:46) to (38:55) for a more general appreciation of the film's costumes.Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan AdamichMore content including updated predictions and merch @ oscarwild.squarespace.com

When a retired magician and an arrogant estate owner clash over property changes, their feud escalates to a deadly wager—one that traps a man in an ancient torture device with only an hour to escape, while his fate hangs on whether his rival will open the door in time.Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPEIN THIS EPISODE: In this tale fro Stanley Ellin – a tale deemed too disturbing for Alfred Hitchcock's TV show - two men of very different character, different ways of viewing the world, challenge one another over the future of a house each values in his own way. A bet is made, the stakes are unexpectedly raised, and in the end… well, suffice it to say that the story lingers long past the closing line.SOURCE:“The Moment of Decision” by Stanley Ellin, from the book, “Alfred Hitchcock: 13 More Stories They Wouldn't Let Me Do on TV”: https://amzn.to/3ta2oJX=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September, 2020EPISODE PAGE (includes sources): https://weirddarkness.com/MomentOfDecisionABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #ThrillerStory #AlfredHitchcock #ClassicHorror #PsychologicalThriller #DarkFiction #TrueCrimeAndMystery #CreepyStories #SuspenseStory #HorrorNarration