Podcasts about Alfred Hitchcock

Mel Brooks takes on Alfred Hitchcock in this underrated comedy that lovingly blends Hitchcock and his imitators into a fizzy little mystery. If this had starred Gene Wilder as intended, it would've been remembered along side the best of Brooks's films. Starring Mel Brooks, Madeline Kahn, Cloris Leachman, Harvey Korman, Dick Van Patten, Ron Carey, and Howard Morris. Written by Mel Brooks, Ron Clark, Rudy De Luca, and Barry Levinson. Directed by Mel Brooks. Listen without ads when you join the Patreon: patreon.com/maryvsmovies

With the help of his defense lawyer (Kelly Lynch), who is madly in love with him, psychotic killer Michael Bosworth (Mickey Rourke) escapes prison and goes on the run with his brother (Elias Koteas) and his partner in crime (David Morse). Killing time before his lawyer can meet up with them, the three invade the home of Tim (Anthony Hopkins) and Nora Cornell (Mimi Rogers), a bickering couple on the brink of divorce. Now the couple must fight to save their marriage, and their lives.Clearly drawing on Alfred Hitchcock, Michael Cimino makes his first thriller in this remake of a classic Humphrey Bogart film. How does he fare? Why does he keep casting Mickey Rourke? How could a movie with this cast (and Elias Koteas WITH HAIR) not snag an audience? Tune in and find out. #mickeyrourke #eliaskoteas #anthonyhopkins #mimirogers #michaelcimino #davidmorse #kellylynch #thriller #desperatehours

Few know of the original short story that inspired Alfred Hitchcock's iconic horror film, “The Birds” - but it's that story that I'm sharing with you tonight.THE STORY: On December 3rd the wind turns east and winter lands overnight on a Cornish peninsula, where Nat Hocken, a part-time farm worker living on a wartime disability pension, wakes to something tapping at the bedroom window. By dawn there are fifty dead birds on the floor of his children's room, and out in the bay the gulls are massing by the tens of thousands, riding the swells and waiting on the tide. Nat boards his windows and stuffs his chimneys while the wireless carries a Home Office statement, then a national emergency, then nothing at all; he works out that the attacks rise and fall with the flood tide, and measures his family's odds in bread, candles, and kerosene. Evan Hunter's screenplay moved the story to Bodega Bay and built new characters around du Maurier's title, keeping her unexplained attacks and little else. The original ends with Nat lighting the last cigarette in the packet and throwing the empty one on the fire.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/mitm-thebirdsSOURCES and RESOURCES: “The Birds” by Daphne du Maurier from the book, “Alfred Hitchcock Presents My Favorites In Suspense”: https://amzn.to/3knkjZ3WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Midnight In The Macabre (MITM), originally aired: September 17, 2026LIKE WHAT YOU'RE HEARING? WEIRD DARKNESS posts episodes 7 DAYS A WEEK! Listen FREE wherever you get podcasts or visit https://weirddarkness.com/listen. • Paranormal • True Crime • Ghosts • UFOs • Cryptids • Unexplained • Want even more? Become an OFFICIAL WEIRDO for commercial-free episodes, bonus episodes, weeknight live chats, audiobooks & more at https://WeirdDarkness.com/OFFICIAL

On today's page, Chullin 140, the rabbis encounter a bird that has killed a human being—and must now be brought to justice. Its strange case takes us from the Talmud to Alfred Hitchcock's The Birds and the bizarre real-life avian attack that helped inspire it. What can killer birds teach us about confronting our own most dangerous instincts? Listen and find out. Learn more about your ad choices. Visit megaphone.fm/adchoices

If there was ever a true cult movie within Alfred Hitchcock's filmography, this is the one. Carmelita Valdez McKoy joins us this week to discuss Marnie (1964).CMP on Bluesky and InstagramCarmelita on Bluesky and LetterboxdMatt on Bluesky, Instagram, and LetterboxdAnthony on Bluesky, Instagram, and Letterboxd

durée : 01:01:52 - Les Nuits de France Culture - par : Albane Penaranda - Dans ce cinquième volet d'Euphonia – "Les Hollywoodiens", Noël Simsolo et le critique Jean Douchet s'intéressent à la collaboration entre Franz Waxman et Alfred Hitchcock. Quatre films seulement, qui influenceront profondément le réalisateur lors de sa collaboration ultérieure avec Bernard Herrmann. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Por apenas R$ 5 mensais, você colabora com o podcast Mais Que um Filme:⁠⁠⁠⁠⁠ https://www.catarse.me/juliagavillanOu você pode me pagar um café via pix: julia.gavillan@gmail.comLançado em 1954, Janela Indiscreta é um dos filmes mais magistrais e duradouros de Alfred Hitchcock. O filme é um deleite visual e auditivo com um elenco de primeira, com a produção apresentando ao cineasta e sua equipe inúmeros desafios únicos, como recriar uma vizinhança inteira em estúdio. Eu sou Júlia Gavillan e esse é o Mais Que um Filme.

Introduction: Why Jesus' Victory is the Greatest Victory (1 Corinthians 15:50-58): He won the greatest PRIZE . (1 Cor 15:50-53) 1 Thessalonians 4:16 - For the Lord himself will descend from heaven with a cry of command, with the voice of an archangel, and with the sound of the trumpet of God. And the dead in Christ will rise first. He defeated the greatest ENEMY . (1 Cor 15:54-57) He gives us the greatest PURPOSE . (1 Cor 15:58) Sermon Notes (PDF): BLANKHint: Highlight blanks above for answers! Unified and Purified: We Labor in Victory Jeff Miller Download Audio Transcript 00:05Open up your Bibles with me please to the book of 1 Corinthians and chapter 15.00:12While you're turning there, just take a moment please and pray for me to communicate God's Word clearly and accurately as I should and I will pray for you to have a heart open to receive what it is the Lord wants to teach us in His Word today. Do we have a deal?00:30One of you?00:32Alright, let's pray.00:35Father in Heaven, this church was built on the belief that Your Word does Your work. Your Son made it clear that when Your Word is sown and it falls on good soil, it reproduces. And I'm praying today, Father, that our hearts our good soil.01:06And that we would allow your word to take deep root and change us from the inside out.01:18Father, we thank you for your goodness.01:21We thank you for your promises.01:24Be glorified now through your word.01:26We pray in Jesus' name.01:29And all of God's people said, Amen.01:33Amen.01:34Sports fans, don't you just love the thrill of a really tight game? I know I do. But you know what I love even better than a really tight game? An absolute blowout. I mean, just a good old-fashioned curb stomping, rubbing your nose in it. Like, I love when it's your team that's doing The dominating. I love that. I like that even way better than a close game. But even better than that is when you're actually playing the game where you're doing the stomping. That is delicious. I've had that experience a few times in my life. One, many, many years ago, I used to be decent at tennis. I mean, I wasn't like, Andre Agassi or anything. But I was decent. And I could keep up. But I remember meeting this guy through a friend of a friend kind of thing. And he found out I played tennis. He goes, oh, I play tennis. I'd like to play you sometime. I'm like, great, let's play. But then he started all the smack talking. He's like, well, you know, I'm going to destroy you. I'm like, okay. He goes, yeah, I'm really going to, he goes, I'm really going to beat you.03:04I'm like, aren't we adults? Like, why are you talking like this? But he just like kept us smacked. Okay, so now he's like in my head a little bit. Like, okay, so I'm going to show up and play this guy, and he's going to embarrass me. And I'm like, so I was trying to get in that headspace. Like, how do you walk into that, right? Well, the day came for our big match. And I don't know.03:33I don't know how else to say it. He was horrible. I mean, the word is pathetic. It was at the point that I'm not sure he knew which end of the racket to hold. In fact, if he would have been swinging at it with just a handle, I think he might have done a better. He was horrible. Like, how bad was he? He was so bad that I started playing as if I would play against like a five-year-old.04:03Just like he would get it over the net and I would like rejoice that he even got it over the net and I would just well in that when you're playing it like 10% obviously you're going to make mistakes because that's not how you're supposed to play and I'd like hit it into the net by accident. He started the smack talk up again like yeah what's up now I'm like oh okay like all right. That's when I proceeded to completely the court with him. Unmercifully never saw him again. I think he moved to Nepal or something. But it was so just exhilarating being on the side of a complete, dominating, crushing, one-sided victory. Oh, and speaking of, today we are going to talk about the greatest, one-sided, overwhelming victory, that's ever happened.05:05And that was Jesus Christ defeating death.05:09And he did it by resurrecting.05:14And that's what 1 Corinthians 15 is all about.05:18This whole chapter is about resurrection.05:24And we talked about this through this series.05:26The whole idea of resurrecting from the dead was crazy.05:32to the Corinthians, the Greeks, and Corinth. They didn't believe in a bodily resurrection, so Paul was setting them straight. He goes, no, this is what God said, okay? And there's even people in churches today really don't think about the idea of resurrection, right? Even people in churches today are like, okay, I get like salvation, and I get like heaven, but like this idea that I'm going to bodily resurrect, Yes! According to the Bible, you are literally going to get a new, eternal, indestructible, glorified, resurrected body. You're going to get a brand new body. Some of you should be shouting Amen. I know I am. You know, this is a rental, and I've beat it up pretty bad. So, last week the question we examined was this one.06:32What's the resurrected body like? What's it like? And you can go back and listen to that message, or if you weren't here, it's on our website or the YouTubes. But today, we're going to answer this question. This is where the text takes us. When do I get this resurrected body? When does that happen? And the answer is when Jesus returns.07:03The dead receive theirs first, then the living receive theirs, and that is going to be the day, according to this passage we look at today, that's going to be the day that we celebrate the greatest one-sided victory of all time. All right, some of you might not be convinced, so if you have an outline, why Jesus' victory is the greatest victory. Why Jesus' victory?07:32He just claimed it was the greatest one-sided overwhelming victory of all time. Why? Why is it? Well, number one, He won the greatest prize. He won the greatest prize. Look at verse 50. He says, I tell you this, brothers, flesh and blood cannot inherit the kingdom of God, nor does the perishable inherit the imperishable.08:02designs special bodies that are suited for eternity, suited for heaven. We talked about that a little bit last week, right? This body that he gave us that we're living in now, this body is suited for earth, right? The way this body functions, it works perfectly in the earth environment, right? This is suited for here. But this body is not going to work in heaven.08:31There, we're going to need a new body. So we're going to have to be changed. We saw last week, the Bible says that this body is like a seed. And when we die, we are buried in the ground. And like the seed, our resurrection, we are raised up as something new.09:01All right, so here's the question. On the table. Okay, you're saying the people who die are put in the ground, raises something new. What about people that, like, aren't dead when Jesus returns? Like, what about those people? If you have to be buried to come up as a new body, like, what if you're one of the people alive, and it very well could be us, who are alive when Jesus returns? Does that mean that we have to die so that we can be buried so that we can get our resurrected body. Is that what has to happen? And the answer is no. If you're alive when Jesus returns, you do not die. What does happen? Well, he tells us, look at verse 51. He says, behold, I tell you a mystery. We shall not all sleep, but we shall all be changed.10:01Now when he says mystery here he's not talking like you know Alfred Hitchcock or anything like that. He's the word mystery in the Bible just means something that God never said in past time but now he's revealing it for the first time. It's all through the Bible.10:18He says we will not all sleep. That's a nice way of saying die. We will not all die but he says we will all be changed.10:28So when Christ returns believers who are alive Christ comes, will not die, but are going to be transformed.10:38And do you know how long it's going to take?10:41If you're alive when Christ returns, do you know how long it's going to take for this body to be changed into the new body?10:50Do you know how long that takes?10:52He tells us, this is astounding.10:55Look at verses 52 and 53.10:57He says, in a moment, in the twinkling of an eye, at the last trumpet. For the trumpet will sound and the dead will be raised imperishable and we shall be changed. For this perishable body must put on the imperishable. And this mortal body must put on immortality. It's going to be, your change is going to be instant.11:31Your body is going to change faster than you can even recognize that it was changing. This is so interesting to me. When he says in a moment, you see that in the text, in a moment, verse 52, that word for moment in the Greek refers to something that is so small that it can't be divided. What I mean is this, if your body transforms in two minutes, that's a period of time that can be divided, right? You can divide two minutes into two one-minute periods or four 30-second periods or whatever. He's saying the amount of time it's going to take your body to change, that amount of time is so small that you can't even divide it. It is that small. Like, well, what does that mean? He just means instantly. When Christ returns, if you're alive, instantly, boom, new body.12:31Awesome. He also talked about the trumpet. The last trumpet. Study your Bibles. Trumpets were used all through the Old Testament for what purpose? To call God's people to come and meet God. The day is going to come that God is going to blow that trumpet one more time. He just said, all my people gather together to meet your God. This is exactly what Paul was talking about in 1 Thessalonians.13:014. I encourage you to go home and read this whole chapter because it really complements what he wrote in 1 Corinthians 15 here.13:09But he says, for the Lord himself will descend from heaven with a cry of command, with the voice of an archangel, and with the sound of the trumpet of God. And here it is again, the dead in Christ will rise first. This event that he talks about in 1 Corinthians 4.13:30And this event that he talks about in 1 Corinthians 15, you read it in John chapter 14 as well, is called the rapture. What is the rapture? What is this event that happens where we get our resurrected bodies, where the dead come out of the grave and get their resurrected bodies? What is this event? It's when Jesus Christ descends from heaven to gather his people, those who died and those who are living to be caught up to meet the Lord in the air to receive the glorified bodies. Then it's off to heaven. Like, well, when does the rapture take place? Well, I know, you know, when you follow church trends and doctrinal changes and things like that, it's not cool in our day to believe in the rapture, but it's biblical.14:30And I'd be more concerned about being biblical than what's trending. So I believe biblically that this rapture takes place before the seven-year tribulation period as described in Revelation. Okay? I believe that Jesus comes to take His church out of the earth before the seven-year tribulation. Why do I believe that? I'm going to give you three reasons why I believe that.15:01Why do I believe in a pre-tribulation rapture? Why do I believe Jesus is going to take the church out before the judgment events of Revelation? Why do I believe that? Jot these three things down. The first reason I believe that is it's the most straightforward understanding of the biblical language. Read Revelation 3.10. Read 1 Thessalonians 5.9. Jesus promises to keep His church out of the future time of testing the on all unbelievers. That's just the most straightforward understanding of the language. Jesus says, I'm going to keep you from the hour of trial that's coming on the whole world. I'm going to keep you from that.15:45Study that out.15:47That's just the most straightforward language.15:52Number two, why do I believe in a pre-tribulation rapture?15:55The second reason is, speaking of revelation, You know you never see the church during the tribulation in the book of Revelation? I always found that so interesting. People that believe the church is going to be there. Have you read Revelation? Have you read this? Our youth group just went through that recently. Where was that last year? Revelation chapters 2 and 3. The church, the church, the church, the church, the church. And then after chapter 3 when the events of judgment are described, the 70 tribulation, The church isn't mentioned one time. Not one time. The church, interestingly, is mentioned 19 times in Revelation 1-3. Not mentioned at all during the tribulation. And then after chapter 3, the church's next mention in the book of Revelation is chapter 22. Why? I believe because the church isn't there. Here. The church isn't here during those events.16:58The third reason, I believe in a pre-tribulation rapture, because people push back on this, and they're like, whoa, whoa, whoa, why do you think the church is exempt from suffering? And I would say, well, open your eyes, I don't think the church is exempt from suffering. But, when it comes to judgment, number three, write this down, God has a track record of removing His people before He judges the wicked. Have you ever noticed that? I mean, God has this incredible track record. Study this out. When God judges wicked, rebellious sinners, when God's going to bring His judgment on wicked, rebellious sinners, the first thing that He does is remove His people. He always does that, right? Like, remember Genesis chapter 6? God was going to send a flood. What was the first thing He did?17:58provided a way to separate and protect his people. Go to Sodom and Gomorrah. When God was going to burn them from the map, what was the first thing he did? Lot, get out of there, right? What about Israel and Egypt during the plagues? God separating his people from his judgment. What about the Israelites from Korah and the other rebels in the wilderness? You see it over and over. God's going to judge people who are rejecting him.18:28The first thing he does is say, I've got to get my people out of there so they're not receiving any of the judgment I'm pouring on the earth. On the sinners, rather. So with the rapture, God will again separate his people from the judgment on sinners by removing the church before the tribulation so that the church will not be the object of his wrath. So when that trumpet blows, understand you're going to finally receive the fulfillment of everything Jesus Christ Forgiveness of sin, eternal life, the promise of heaven, and that glorified body, the things that Jesus Christ has promised and will ultimately deliver to those who love Him. Can you think of a greater prize? Jesus' victory is the greatest victory because He won the greatest prize. And secondly, He defeated the greatest enemy.19:30He defeated the greatest enemy.19:36You're like, what enemy?19:39Well, we studied this earlier, right?19:41Verse 26 says death is the enemy.19:46You get that, right?19:48You felt that, haven't you?19:50Death is the enemy.19:55By nature of my job, I've been to a lot of funerals. You don't have to sell me on what a monster death is. When you're standing beside the casket with friends and family who are just distraught, gone, life on earth will never be the same. This person is gone. Death is such a monster. It takes people from us.20:25a monster that we can't do a thing to stop, right? I mean, as much as we hate death, as much as we hate watching people die, there's nothing we can do to stop it. Realizing also that it's going to happen to me. It's going to happen to me. I'm going to die someday. And you're like, sorry about your luck. You're going to die someday.20:56Have you ever thought about how? Are you going to be advanced in years? Are you going to die over time? Are you going to die suddenly? You're going to die someday. Like when? Is it going to be soon? Is it going to be decades from now? Unless the rapture happens before, you're going to die. But you see, that's what we see in this passage when Jesus does come. And when the resurrection occurs, death, death itself is finally completely conquered for God's people.21:55Jesus defeats the greatest enemy. We can't gloss over that. Look at verses 54 and 55. Jesus wins the victory. You're like, well, to what degree did Jesus win? Well, Paul tells us that Isaiah tells us. He says, when the perishable puts on the imperishable and the mortal puts on immortality, then shall come to the saying that is written. And here he quotes Isaiah 25. He says, death is swallowed up in victory. Oh, death, where is your victory? Oh, death, where is your sting? I love this because death isn't just beaten. Death isn't just slapped around a bit. Do you see this? Your Bible says that death is consumed.22:55It's swallowed. Meaning gone. He says, death, where is your sting? Where is your sting? You know that word sting, that was a word they used in the Greek for the same purpose that we often use the word sting. It referred to bees. The sting of a bee. You know, death has a sting.23:26And when Jesus Christ comes back for us, that sting is going to be gone. In other words, using this word picture, he says death is sort of like the bee, right? Have you ever been stung by a bee? Have you ever been stung by 30 yellow jackets at one time? I have. Not fun. Because of Jesus' victory, Paul's saying, death is the bee. And when Jesus died on the cross, what Jesus did was remove the stinger from the bee. So yeah, death is still buzzing around, but it doesn't have a sting anymore. And then when Jesus returns, that whole bee itself is going to be swallowed. Like this thing is over and done. Do you see the word picture?24:26what all these things mean. Well, he does. Look at verse 56. He says, the sting of death is sin. And the power of sin is the law.24:41Okay, so death is like a bee. Sin is the stinger. Right? Sin is the thing that causes the damage.24:52And I'm here to tell you today, if you don't know Jesus Christ as your Lord and Savior, if you have not received salvation in Him, death is something that you should be afraid of. You absolutely should be afraid to die and stand before a holy God with unforgiven sin on your record. Because if you do, death is eternally deadly.25:22He says the power of sin is the law. Like what does that mean? Just very simply what Paul said in Romans 7. The law defines sin. The law shows us that we're sinners. We can have some vague idea that maybe I don't always do the things that I should. But you see the law of God lays it out for us. You know what your problem is? Your problem is you have a sinful heart that results in doing these things. That's what the law has accomplished. Showing us that we're sinners.25:52This is the victory that he's talking about here. That the wages of sin is death and Jesus Christ paid that wage with his death. It should have been me. But Jesus stepped in and died on your behalf. He said, I'll pay. You owe and can't pay. I don't owe, but I will pay on your behalf.26:22You see when Jesus did that he satisfied the demands of the law. So when you receive Jesus Christ death to you is the bee without the stinger. Oh it's still around. And it's annoying. And we still might be a little afraid of it but we realize you know what?26:52can't do any damage because it doesn't have a stinger. Look at verse 57. He says, but thanks be to God who gives us the victory through our Lord Jesus Christ. You should underline that in your Bible. God gives us the victory.27:22He won the victory. What did He do with it? He goes, here, I'm going to give this to you. Now you are the winner. He defeated death by rising from the dead and gave the victory to us. And every time I read and think about this verse, I always think of the same thing. Jane Hour knows exactly what I'm going to say. I always think of the same thing. 1990, Michael Jordan. Michael Jordan put up 69 points in one game.27:5269 points in one game. It's astounding, right? But on Jordan's team, there was a rookie teammate. And his name is Stacy King. Well, they left this rookie in late in the game. And he made one free throw. He made one free throw. Well, in the post-game press conference, obviously, the reporters were all like wanting to talk to Michael Jordan and they were all swarming him, wanting to hear from the goat, right? Let's hear from Michael Jordan. But Stacey King was able to get in a comment. One of my all-time favorite sports quotes, Stacey King said, I will always remember this as the night that Michael Jordan and I combined to score 70 points.28:55And you realize, in a very real sense, that's exactly what Jesus has done for us. You see, Jesus won the victory. Jesus put up all the points. And He gives the victory to us, so we stand here on Sunday, and we're like, Jesus, we won! Jesus, the enemy is defeated! And it really had nothing to do with us.29:22But we get to celebrate the victory. That's why we can come to church and say, you know, I'm always going to remember Calvary as the day that Jesus and I gained victory over death. He defeated the greatest enemy. Jesus' victory is the greatest victory. Number three, because He gives us the greatest purpose.29:52us the greatest purpose. Last verse. He says, therefore, my beloved brothers, be steadfast, immovable, always abounding in the work of the Lord, knowing that in the Lord your labor is not in vain. Therefore, because of everything that we've studied in 1 Corinthians 15, therefore, because we know Jesus was Therefore, because it motivates our conduct. Therefore, because of the promise that we will be resurrected. Therefore, because of what our resurrected bodies are going to be like. Therefore, because Jesus defeated death. He says, therefore, be steadfast. Steadfast, that word literally means sitting. It means sitting.30:52And people are like, you know, sitting is the new smoking. Have you heard that? Sitting is the new smoking. Sitting is my favorite thing. Okay? Don't ruin it for me. But that's what it means. It's being settled. It's not being distracted. Just like, look, I believe in Jesus. He died for me. He rose for me. He gave me these promises. I'm resting in that. I'm settled. I'm not chasing after.31:22anything else. I'm settled in Christ. He says, be immovable. You know what that word means in the Greek? Not moving. Bless you. It means being rooted. He's saying, hey, because of all of these glorious promises, hold your position. Don't waver. Keep God's promises on the forefronts of your mind as a motivator.31:53He says, always abounding in the work of the Lord, always abounding. Yes, yes, it's going to be difficult at times. Yes, hard times are going to come. Yes, our schedules are going to fill up. But Jesus gave us the greatest purpose in church. Listen, we've got limited time to do it. He says, knowing, knowing, knowing that in the Lord, your labor is not in vain.32:22And church, this is a promise from God that we need to constantly be reminding ourselves of. Listen, everything that is done for the Lord, in the name of the Lord, empowered by the Lord, everything that is done for the kingdom of Jesus Christ, it all matters. It all matters. It says, your labor in the Lord is not in vain. I was thinking about that this week. That so much of life, is spending time doing things that end up being in vain, right? You know what I mean? We spend so much time on things that we're like, wow, that was a complete waste of time. Like, have you ever washed your car? And then, what happens? It rains, right? You're like, well, that was a waste of time. Or, have you ever, like, got this new recipe? You spend, like, all this time making this, making, oh, this is going to be fantastic, and then you, You put it in the oven and you get distracted with something else. You forget about it and you burn it. Have you ever done that? You're like, well, that was a waste. That was a waste. I spent all that time and it's in vain. You ever spend all day at work on a project and when you're just at the finish line, your boss says, oh, you know what? There have been some changes. I'm going to need you to all that and start over.33:56Has that ever happened to you?34:00It's in vain, right?34:02You're like, all that work meant nothing.34:09So much time is wasted because of extenuating circumstances, but the thing that really convicts me is when I think about how much time we choose to waste.34:25How much time do we choose to waste?34:32And I've got to tell you, church, it always astounds me when I talk to people who are like, well, I don't have time to serve in the church.34:40It doesn't matter that there's rotating teams for all the ministries, and usually service might be like once or twice a month.34:46I don't have time to serve.34:48I don't have time to help out in Harvest Academy.34:50I don't have time to join a small group. I don't have time to come to a prayer service. And then the thing that astounds me is in the same breath, you can like change the subject and talk about something else and find out that the person had plenty of time to doom scroll or to watch or attend sports all week or they'll say, oh yeah, you know, I love that show Stranger Things. You know, I binge watched that twice last week. And like, really?35:20to a prayer service had how many hours to sit and watch and re-watch a TV show? And you're like, hey man, I didn't come here for a guilt trip. Listen, please hear me. I'm not trying to give you a guilt trip. I just want to ask you and I want to ask myself, the stuff that we spend our time on, Can we really step back and say, yeah, yeah, that was worth it. That was worth it. I'm glad I spent all that time. Can we really, church, can we really be content to say, oh, I don't have time, Jesus. I don't have time for small group of prayer services. I don't have time, Jesus. And then fill up our calendars with these other things. Are we okay with that?36:22I was wondering, you know, would you be embarrassed if Jesus looked at your Google calendar? If Jesus showed up and he's like, hey, notice you were on a prayer service. Like, oh, I don't have time. Let me see your calendar. Let's see what you did have time for. And you thought your time this week was better spent doing this than assembling with the people of God and crying out.36:50out for me. Would you be embarrassed? I mean, church, at the end of the day, when you lie down, you put your head in the pillow, can you look back on your day and say, yeah, you know what? I invested my day in things that matter for eternity. Again, I'm not trying to beat anybody up. I'm just saying, when we say I don't have time to serve the Lord. I think we need to be really careful that the real truth of the matter isn't actually I just choose to spend my time doing other things. Because he says here in the Lord, Your labor's not in vain. Whatever's done for Jesus, it matters. It all matters. And some would say, well, wait, wait, wait, wait. You know, once upon a time, you know what? I did this thing for the Lord. It was a complete waste of time. You know, people didn't respond the way I think they should. Actually, nobody showed up. And it was a complete waste of time. I didn't see any results. Well, it doesn't really matter what you see, does it?38:20God has said it matters.38:24God says it matters.38:26So, so, we disciple our children.38:31Why?38:31Because it all matters.38:34We go to small groups to sharpen each other because it all matters.38:38We gather here to serve the Lord by serving people because it matters.38:43It all matters.38:44We witness at work because it all matters.38:47We get involved in LifeWise and Urban Impact and Vision Appalachia. Why do we do that? Because God says it all matters. Because we have the greatest purpose. If our worship team would make their way back up front, you know, we have the greatest prize. It's eternal life.39:17We have the greatest victory because the greatest enemy has been defeated. Death? Where's your sting, death? We have the greatest enemy defeated. We also have the greatest purpose. Because God promised that everything we do for the kingdom is from a position of victory. We've already won. In church, the trumpet is about to blow.39:47Are you ready? Are you ready? Are you ready for that glorified body? Are you ready to be in the presence of your Lord forever? When that trumpet blows, may it be while we are laboring Let's pray. Our Father in Heaven, we thank You for Your glorious promises.40:32You have promised us a body like the body of the resurrected Christ.40:38You have promised us that someday death is going to be history.40:44And Father, today, today, you have promised that our labor in the Lord is never in vain. That Father, everything we do in the name of Jesus for the advancement of his kingdom, it all matters. So Father, I pray that you would reinvigorate all of us, each of us, collectively, individually, Father. Every home, you would just revive us to this idea that it all matters in your eyes.41:14So it should matter in ours. Father, we thank you that we're not scraping by hoping that someday you're going to win. Father, we are operating from a position of victory because Jesus Christ has already won. And his victory is so sure that we operate from the position of already having Having gotten the W. Father, thank you. Father, by your spirit and by your word, move us, motivate us to glorify your name. We pray in Jesus' name. Amen. Small Group DiscussionRead 1 Corinthians 15:50-58What was your big take-away from this passage / message?The believer's resurrection happens at the Rapture (1 Cor 15:52). What reasons do we have to believe the Rapture will happen before the 7 Year Tribulation?Explain 1 Cor 15:56 in your own words.Where is the biggest temptation for you to waste time? Are you doing anything to redeem any time being wasted?BreakoutPray for one another.

Send us Fan MailJesse James Martin is the newly-crowned winner of the Harrisburg's Hilarious contest. He's been doing stand-up for three years. He got his start a week before turning 30 after careers in roofing and music production. Jesse's a regular at the Harrisburg Comedy Zone and is working all over Pennsylvania and into Baltimore. Follow Jesse James Martin: Instagram: https://www.instagram.com/jessejamesmartian/TikTok: https://www.tiktok.com/@jesse.james.martinFacebook: https://www.facebook.com/jesse.martin.923726Support the show

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Shadow of a Doubt was Alfred Hitchcock's favorite of the many classic films he directed, with its small town setting disrupted by the arrival of a dastardly murderer on the run from police. Joseph Cotten played the charming killer, and Teresa Wright was his niece and namesake who discovers his horrible secret. We'll hear Mr. Cotten recreate his role on Academy Award (originally aired on CBS on September 11, 1946) and in a Suspense adaptation of "The Most Dangerous Game" (originally aired on CBS on February 1, 1945). We'll also hear his co-stars Hume Cronyn and Macdonald Carey in Suspense shows: "The One Who Got Away" (originally aired on CBS on November 14, 1946) and "The Missing Person" (originally aired on CBS on May 12, 1952).

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.On this month's installment we see Hitchcock take flight with his own production company, his own projects, his own risks and bold formal gambits that no one else would ever be fool enough to try. In Rope (1948) Hitchcock embraces long takes, treacherous gays and color film, with Under Capricorn (1949) Hitchcock once again tries his hand at period costume drama and once again is humbled, Stage Fright (1950) finds Hitchcock returning to familiar moves and finding unexpected success, and finally Strangers on a Train (1951) sets a new path forward for Hitch, with a new trusted cinematographer and a new embrace of a dark bitter misanthropy that he makes look oh so good.All that and an impression of Jimmy Stewart as George Carlin! You can't lose!0:00 - 0:28 - Intro0:29 - 1:26:24 - Rope (1948)1:26:25 - 2:15:57 - Under Capricorn (1949)2:15:58 - 3:22:45 - Stage Fright (1950)3:22:46 - 4:29:13 - Strangers on a Train (1951)4:29:14 - 4:32:47 - Addendum4:32:47 - 4:33:02 - Outro

Ian and Jeff go positively psycho for William Castle's 1961 fast-follow thriller, Homicidal!It's easy to write this movie off as a copy/paste cash-in of Alfred Hitchcock's horror classic, Psycho (troubled blonde with a bagful of cash; mysterious references to shocking family events; terrible things happening on a very prominent staircase, etc.). But Castle and screenwriter Robb White present a twisty, twisted thriller that makes up in plot what it lacks in aesthetic originality.In today's spoilerific episode, the guys cut through the "Castle-as-Gimmick-Guy" narrative to look at an unsung B-Movie masterpiece that stands proudly on its own high heels. Despite some hiccups, nothing should discourage viewers from giving the film a chance.Plus: Ian and Jeff talk about their phenomenal trip to Chicago's historic Music Box Theatre, where they experienced William Castle's 13 Ghosts--in full Illusion-O! It was part of the theater's recent weeklong series, "The Greatest Showman: 5 By William Castle".Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Homicidal (1961) trailer.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.If you're in Chicago (or plan to be), bookmark the Music Box Theatre's website for info on weekly screenings, special events, and immersive movie tributes you won't find anywhere else!"Castle Freaks" is the next leg in our classic horror journey. If you're new to the channel, catch up with our 5-year "Hammerland" series, which wrapped up last year! If you want to learn more about William Castle's larger-than-life life and times, check out his indispensable autobiography, Step Right Up!And check out the wonderful Castle documentary, Spine-Tingler: The William Castle Story, now streaming on Tubi!Note: The opinions and views expressed in this podcast are those of the individual hosts and guests and do not necessarily reflect the official policy or position of Kicking the Seat or any organization, employer, or company. Ep1250: Castle Freaks: Homicidal (1961) - Movie Review Kicking the Seat

Before he thrilled television audiences with Alfred Hitchcock Presents, there were attempts to bring the master of suspense to radio in his own anthology series. We'll hear the three audition shows as we continue our salute to the great director. First, it's an adaptation of "The Lodger" - the audition show for what became Suspense - featuring Herbert Marshall and Edmund Gwenn (originally aired on CBS on July 22, 1940). Then, it's a pair of adaptations of "Malice Aforethought" - first for Once Upon a Midnight with Hume Cronyn and Jessica Tandy, and for The Alfred Hitchcock Show featuring Joseph Kearns.  

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

"If you hold on to the past, you die a little each day..." For Episode 416, Brandon and Thomas finish their main series on the Southern Gothic genre with Martin Scorsese's CAPE FEAR. Listen as they discuss how Steven Spielberg was the film's first director, why Robert De Niro was so motivated to make the movie, which A-List actors starred in the film, how Nick Nolte convinced Scorsese for him to star in the film, how Scorsese re-ignited interest in CinemaScope in the 1990s, how Scorsese tried to make this his Alfred Hitchcock movie, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Kyle Chandler and Friday Night Lights (00:00:10) Recap of the Southern Gothic Genre (00:08:24) Intro to Cape Fear (00:12:30) How Cape Fear Got to Production (00:17:42) Favorite Scenes (00:36:49) On Set Life - (01:07:09) Aftermath: Release and Legacy (01:17:34) What Worked and What Didn't (01:21:36) Film Facts (01:27:52) Awards (01:30:01) Final Questions on the Movie (01:35:23) Final Questions on the Southern Gothic Genre (01:39:15) Wrapping Up the Episode (01:49:31) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Welcome to a special Live N' Local concert episode featuring Cinema Quartet, a string quartet put together by local musician YoonJung Hwan specifically for our Film Works Alfresco presentation of Alfred Hitchcock's Rope recorded on July 27, 2026, at The Hudson in Inwood, NYC.

In this episode I spoke with author David Stereitt about his book "The Films of Alfred Hitchcock."

Alfred Hitchcock put nine people in a Lifeboat in his thrilling wartime drama, and the cramped and crowded conditions are the perfect setting for some suspense. We'll hear four of the film's stars - Henry Hull, Hume Cronyn, William Bendix, and John Hodiak - in radio thrillers: "The Pit and the Pendulum" (originally aired on CBS on November 12, 1943); "Too Many Smiths" (originally aired on CBS on June 13, 1946); "The Gift of Jumbo Brannigan" (originally aired on CBS on March 1, 1951); and "The Mountain" (originally aired on CBS on March 16, 1953). Then, Tallulah Bankhead recreates her lead role in an adaptation of the film from the Screen Directors' Playhouse (originally aired on NBC on November 16, 1950).

Un objet mystérieux, un secret, une valise, un document que tout le monde cherche… mais dont, au fond, on se fiche complètement : voilà ce qu'est un MacGuffin ! Popularisé par Alfred Hitchcock, c'est devenu un procédé narratif incontournable (en particulier au cinéma), et c'est le sujet de cet épisode. Bonne écoute !

On this week's episode, Flick Ford chats with Hugo Weaving – a true icon of the Australian screen – about his new series The Airport Chaplain which is now streaming on SBS. Later on, Flick's joined by Emma Westwood and the pair discuss Alfred Hitchcock's Vertigo which just screened on the closing day of this year's Melbourne International Film Festival on a 70mm print.

Existe un lugar llamado Correo de Medianoche. Una vez al mes, una carta postal llega a tu buzón. Dentro encontrarás mis pensamientos y emociones, detalles, sorpresas y esa sensación casi olvidada de abrir una carta sin saber qué te espera al otro lado del sobre. La carta de agosto ya ha emprendido su viaje. Si tú también echas de menos esa emoción y quieres recibir la próxima carta de septiembre, encontrarás toda la información en mi página web. Te dejo el enlace directo: https://historiasparaserleidas.wordpress.com/correo-de-medianoche/ Y recuerda... Quizá... la próxima carta lleve tu nombre. Bienvenido a nuestro CINE DE VERANO en Historias para ser leídas! Agosto ya está aquí y en la radio y las grandes plataformas de streaming (como Netflix, HBO o la televisión clásica) es tiempo de grandes reestrenos y éxitos de taquilla. Nosotros no íbamos a ser menos. Este mes apagamos las luces y rescatamos de nuestro archivo de culto esas joyas sonoras que inspiraron al séptimo arte. Un clásico indiscutible del suspense y el terror psicológico: Los pájaros, el célebre relato de Daphne du Maurier que el maestro Alfred Hitchcock inmortalizó en la gran pantalla. Una atmósfera asfixiante y una pesadilla de la que es imposible escapar. Si te lo perdiste en su día, o si quieres volver a sentir el aleteo del miedo en una calurosa noche de verano... dale al play. ¡Feliz sesión de cine de verano! Bio Olga Paraíso Si disfrutas de estas historias y quieres que sigamos alimentando las sombras, puedes apoyarnos siendo mecenas en iVoox. Cada pequeño gesto nos ayuda a que el aquelarre crezca. Muchas Gracias!! Enlace directo para unirte al pacto https://www.ivoox.com/support/552842 Sonido y voz Olga Paraíso Música epidemic sound licencia premium autorizada para este podcast BIO Olga Paraíso: https://instabio.cc/Hleidas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Tonight on Sunday Night Playhouse — the very first dramatization of Daphne du Maurier's Rebecca in any medium, broadcast 9 December 1938 as the debut episode of Campbell Playhouse. Orson Welles stars as Maxim de Winter and Margaret Sullavan as the unnamed second Mrs. de Winter, with Mildred Natwick as the formidable Mrs. Danvers and Agnes Moorehead as Mrs. Van Hopper. This broadcast came just weeks after Welles's infamous War of the Worlds panic, and it marks a turning point for his radio work: the unsponsored Mercury Theatre on the Air had just become the Campbell's Soup-sponsored Campbell Playhouse, bringing in guest stars from outside Welles's regular company for the first time. Rebecca itself hadn't yet been filmed — Alfred Hitchcock's celebrated adaptation was still a year and a half away — which means this broadcast isn't an echo of a film you already know. It's the story finding its voice for the very first time, anywhere. Bernard Herrmann's original score for this broadcast later became the foundation of his score for the 1943 film. The evening closed with Du Maurier herself, interviewed live from London. Visit us at vintageclassicradiopodcast.com. Please share and subscribe on Apple Podcasts, Spotify, SiriusXM, Pandora, and anywhere else you get your podcasts.

My interview with David Sterritt, author of "The Films of Alfred Hitchcock"

#1 international bestselling author Raphael Montes spoke with us about his dual career in TV and fiction, finding commercial success while maintaining authenticity, and the US publication of his hit book THE SECRET DINNER. Raphael Montes is the internationally acclaimed, #1 bestselling Brazilian thriller writer best known for The Secret Dinner, a dark and provocative novel set in Rio de Janeiro described as "a mixture of Alfred Hitchcock's suspense with Quentin Tarantino's black comedy.” He is published in over 25 countries with over 8 million copies sold. Set in Copacabana, The Secret Dinner—a biting, dark satire of foodie culture, wealth excess, and youth desperation—is landing in the US for the first time and has been named a summer most-anticipated by Crimereads, in addition to two mentions in The New York Times. #1 New York Times bestselling author Riley Sager said of the book, "The Secret Dinner is a potent combination of gallows humor, Hitchcockian suspense, and trenchant social commentary. Bold and bloody, it's a thriller with real bite."  Also a screenwriter, Raphael is the showrunner of Scars of Beauty—the most-watched original show on HBO Max in Latin America—and Netflix's award-winning series Good Morning, Verônica. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Raphael Montes, Milena, and I discussed: How he leveraged early Bookstagram and BookTok to great success The themes of power, ambition, food, and class behind The Secret Dinner Switching between screenwriting and fiction to beat writer's block Why he believes literature should provoke moral questions and self-reflection in readers How he broke into TV after producers noticed the filmic quality of his second novel Drinking dry gin martinis with Patricia Highsmith And a lot more! Show Notes: ElevenReader is a new, award-winning audio app for iOS, Android, Web RaphaelMontes.com The Secret Dinner: A Novel by Raphael Montes (Amazon) Raphael Montes Amazon Author Page Raphael Montes on TikTok Raphael Montes on Instagram Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

We kick off a series saluting Alfred Hitchcock, the master of suspense, and some of his classic films recreated for radio. First up is his wartime espionage drama Foreign Correspondent. We'll hear two of the film's stars in Suspesnse stories: Herbert Marshall in "The Beast Must Die" (originally aired on CBS on July 13, 1944) and Edmund Gwenn in "Murder in Black and White" (originally aired on CBS on April 14, 1949). Joseph Cotten steps in for the film's star Joel McCrea as the movie is adapted on Academy Award (originally aired on CBS on July 24, 1946), and we'll hear Mr. McCrea, not on Suspense but in his own radio series Tales of the Texas Rangers. He stars in "Hanging By a Thread" (originally aired on NBC on November 26, 1950).

It's that time of year when we stare longingly at the calendar, where we don't mind the sensation of rapidly advancing time. We are very much like the protagonist of this film, L.B. Jeffries —trapped in one spot, fighting stagnation and futility under great blazing wings of oppressive summer heat. If only we had a nurse like Stella to invigorate us with strong liniment and pithy maxims, or a dream lover like Lisa to wake us up from the torpor of our summer evening nightmares. The truth is we have more love and support around us than we realize, could be a coworker, or that neighbor across the courtyard that we barely know. Sam and I would like to believe that there are more Lisas and Stellas in this world than there are Lars Thorwalds. We come to the Alfred Hitchcock party a bit late given how long we've been going as a podcast, but Sam and I are longtime fans of the “Master of Suspense”. It's hard to choose a favorite, but I think Sam would agree, no matter the shifting rankings of Hitchcock's oeuvre, Rear Window has a special place on the mantel. As a film it is surprisingly timely, and not of the time. Yes, there are cultural and historical references, but they seem to remind one that while time marches on, so much stays constant, especially when examining human behavior. It's a tactile glimpse into mid-century New York, and the sensibilities of the era, that really haven't changed much since the film premiered, except that we are more irascible, and perhaps less sophisticated in the way we communicate, and careless in the way we treat each other. If only we could discuss our relationship problems as rationally as Jeff and Lisa, without seeking to wound. If only we had the poise and coolness of Grace Kelly waking us from a bad dream.It's a feast for the eyes, it's a breathtaking exercise in pulling those fine threads of suspense. Sam and I count it as a “perfect film”.Episode links:5 Secrets of the Rear Window set; Architectural Digest https://www.architecturaldigest.com/story/5-secrets-of-the-rear-window-setHitchcock's Techniques Tell Rear Window Story; American Cinematographer https://theist.com/article/hitchcocks-techniques-rear-window/Why Rear Window Was Shot from Exactly One Position https://youtu.be/8dZ-rwbRXQ8?is=BF4xADIKZYUQKQYLLisa Theme: https://open.spotify.com/track/4hkvQ2bkAnbtXtT1ttsXIu?si=OMxLyeWWSbu3vqbyyaLxhg&utm_source=copy-link

Dana and Tom with new guest, DW Lundberg (Host and Creator of the Nostalgia Cast and Back to Bluey), discuss Notorious (1946) celebrating its 80th anniversary: directed by Sir Alfred Hitchcock, written by Ben Hecht, cinematography by Ted Tetzlaff, music by Roy Webb, editing by Theron Warth, starring Cary Grant, Ingrid Bergman, and Claude Rains.Plot Summary: In Notorious, Ingrid Bergman stars as Alicia Huberman, daughter of a convicted Nazi spy, recruited by American agent, TR Devlin (Cary Grant), to infiltrate a ring of German conspirators hiding in Rio de Janeiro. Devlin falls for Alicia even as he sends her undercover — into a marriage with suspected traitor, Alex Sebastian (Claude Rains). As Alicia digs deeper into Sebastian's circle, she uncovers a chilling secret in his wine cellar while Sebatian's suspicious mother grows wary of her. When Sebastian discovers the truth, Alicia's life is put in grave danger. Devlin must decide whether duty or love will drive him to save her.Guest:DW LundbergHost and Creator of the Nostalgia Cast and Back to BlueySocials on Threads, Twitter, IG, YouTubeChapters:00:12 Introduction, Cast, and Background for Notorious03:37 Introducing DW Lundberg!16:49 Hitchcock and Notorious17:59 Relationship(s) with Notorious25:18 Plot Summary for Notorious26:28 What is Notorious About?42:39 Is Tom Misunderstood?44:34 Cary Grant v. Claude Rains48:14 The Film Star vs. The Actor52:30 Did You Know?56:27 First Break57:06 What's Happening with DW Lundberg?01:00:46 Best Performance(s)01:11:02 Best Scene(s)01:26:24 Second Break01:27:01 In Memoriam01:27:52 Best Line(s)01:30:25 The Stanley Rubric - Legacy01:36:42 The Stanley Rubric - Impact/Significance01:44:06 The Stanley Rubric - Novelty01:51:29 The Stanley Rubric - Classicness02:00:04 The Stanley Rubric - Rewatchability02:07:47 The Stanley Rubric - Audience Score and Final Total02:10:07 Remaining Questions for Notorious02:17:43 Thank You to DW / Final Thoughts02:19:12 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/notorious-1946-ft-dw-lundbergFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:film analysis, Cary Grant, Ingrid Bergman, Alfred Hitchcock, cinematic techniques, character development, movie performances, emotional storytelling, classic films, film critique, Hitchcock, film analysis, classic cinema, movie impact, originality, film execution, rewatchability, cinematic legacy, audience reception, film history, Hitchcock, Notorious, spy thrillers, trust, duty, female characters, communication, male insecurities, Cary Grant, Claude Rains Hitchcock, FBI, cinema, nostalgia, film discussions, movie inspiration, classic films, podcasting, cinematic history, film analysisRonny Duncan Studios

Alfred Hitchcock known as the "Master of Suspense" was born August 13th, 1899. In celebration of his birth month, Chelsea and Wade will be reviewing one of his films. On this episode, they discuss Strangers on a Train (1951).Don't forget to like, follow, or subscribe, and leave us a review! Let us know what you'd like us to cover next!  Follow us here!Instagram: https://www.instagram.com/poddemastered/Facebook: https://www.facebook.com/PodDemasteredBluesky: https://bsky.app/profile/poddemastered.bsky.socialYouTube: https://www.youtube.com/@poddemasteredHave any topic requests, questions, or general comments? Send us an email at demasteredpodcast@gmail.com.Music: Switch Me On by Shane Ivers - https://www.silvermansound.com

It's hard to go wrong with an Alfred Hitchcock film as the subject of your movie conversation, and this week's episode proves that. Howard Casner, Matt Simpson, and Dave Anderson tie themselves into knots trying to explain the attraction of this film. Is it the Approach that Hitchcock took in filming the movie? Maybe it is the creepy philosophy the antagonists use to justify their depravity. We had a big difference of opinion on whether the performances might account for the merits of the film, did one actor reveal the frays in the film?. We go down a few rabbit holes in search of movies that use similar approaches and of course we talk about a few other movies made by the actors and director. It's a compelling conversation, there is subtext and drama a plenty. 

Send us a text or a voicemailAfter the loss of her husband, a woman seeks solace with her favorite podcast. One by one the hosts transform into deadites, she comes to discover that she never even liked their show to begin with and starts listening to a more mainstream, less raunchy one. On Episode 730 of Trick or Treat Radio our feature film discussion is Evil Dead Burn from director Sebastien Vanicek! We also talk about what every Evil Dead movie should have, the intersection of horror and trauma, and we react to trailers for; Ken Russell's The Devil's 4K re-release, and Parasomnia. So grab your favorite deadite maiming power tool, hail to the king, and strap on for the world's most dangerous podcast!Stuff we talk about: The legends of horror, 80s horror, Texas Chainsaw Massacre, Halloween, Nightmare on Elm St. Leprechaun, Friday the 13th, Saw, The Collector, Warwick Davis, Infested, Spider-Man, The End of Oak St., RIP Reggie Bannister, Don Coscarelli, Angus Scrimm, Phantasm, Kevin Smith, A New Hope, Star Wars vs Marvel crossover, The Archies, Police Academy Part II, Summer School, Weird Science, X-Men vs. Star Trek, The Short Man, Man of 1000 Faces, Lord of the Flies, Land That Time Forgot, Future World, Friday the 13th Part 3, Braindead, Dead Alive, Jason Goes to Hell, Terror Toons, Alien vs. Predator, Gozu, Takashi Miike, Sebastian Stan, Sebastian Shaw, Robert Shaw, Ghost Storm, Debi Mazar, Paul Reubens, Eaten Alive, Tobe Hooper, John Beal, Amityville 3D, Dark Shadows, Alfred Hitchcock, Love Connection, Punky Brewster, Ken Russell's The Devils, The Sinful Nuns, Nunsploitation, Gothic, Parasomnia, Shudder, Salo, Sam Raimi, Evil Dead Burn, Evil Dead Wrath, Francis Galluppi, Sebastien Vanicek, Ash Williams, Duke Nukem, The Crow, Edward Furlong, Dippin' Dots, Kevin Bacon, Fred Ward, Fred Willard, Hot Stuff, Ossie Davis, Sundown: The Vampire in Retreat, shaky cam, Raimi Vision, abusive partners and those that defend them, Within the Woods, French Extremity, David Dastmalchian, David Harbour, Nick Offerman, Tom Holland, Hundreds of Beavers, Borderline, The Furious, From the Canopy Film Podcast, Michael Rosenbaum, Bruce Campbell, Archive of Idiocy, Evil Dead Giraffe, the devils lettuce infected me, and Cherry Mortal Cobbler.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Con Elio Castro hablamos de Alfred Hitchcock.

Existe un lugar llamado Correo de Medianoche. Una vez al mes, una carta postal llega a tu buzón. Dentro encontrarás mis pensamientos y emociones, detalles, sorpresas y esa sensación casi olvidada de abrir una carta sin saber qué te espera al otro lado del sobre. La carta de agosto ya ha emprendido su viaje. Si tú también echas de menos esa emoción y quieres recibir la próxima carta de septiembre, encontrarás toda la información en mi página web. Te dejo el enlace directo: https://historiasparaserleidas.wordpress.com/correo-de-medianoche/ Y recuerda... Quizá... la próxima carta lleve tu nombre. ¡Bienvenido a nuestro CINE DE VERANO en Historias para ser leídas! Agosto sigue su curso y en las grandes pantallas (como Netflix, HBO o los mejores ciclos estivales) es el momento de los thrillers psicológicos más absorbentes. Rescatamos de nuestro archivo una de las historias de suspense más perfectas jamás escritas. La ventana indiscreta, la tensa y claustrofóbica obra de Cornell Woolrich que el genio Alfred Hitchcock convirtió en una de las mayores obras maestras de la historia del cine. Un hombre inmovilizado en su habitación, unos prismáticos, un vecindario aparentemente tranquilo y una sospecha criminal que se vuelve obsesión. Si te perdiste este clásico del suspense en su día, o si quieres volver a asomarte a ese patio interior en una calurosa noche de verano... dale al play. ¡Feliz sesión de cine de verano! Bio Olga Paraíso Si disfrutas de estas historias y quieres que sigamos alimentando las sombras, puedes apoyarnos siendo mecenas en iVoox. Cada pequeño gesto nos ayuda a que el aquelarre crezca. Muchas Gracias!! Enlace directo para unirte al pacto https://www.ivoox.com/support/552842 Sonido y voz Olga Paraíso Música epidemic sound licencia premium autorizada para este podcast BIO Olga Paraíso: https://instabio.cc/Hleidas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Originally recorded on 09/02/21*CONTENT WARNING THIS PODCAST & FILM FEATURES TOPICS SUCH AS CHILDREN KILLING, BEING HARMED, DYING & CHILDREN'S MENTAL HEALTH.With the release Eli Roth's Ice Cream Man its time to finally make this Patreon exclusive on killer kids public!I've made a discovery! A podcast I recorded but did not edit or release from the archives, that I found while doing some admin. I'm unsure why I didn't return to this one perhaps it was the subject matter, personal problems, or something else caught my attention. Whatever the reason I'm giving it to you right NOW…Sorry for the delay.Who Can Kill A Child? (1976) A.K.A. Would You Kill A Child? A.K.A Island Of The Damned A.K.A. Death Is Child's Play A.K.A. Trapped is a Spanish horror film that asks the question what if you remade Alfred Hitchcock's The Birds but with kids! Join me as I discuss harrowing documentary footage, editing around violence in the best way and how far would someone go to protect the love of their life and their unborn child? #PrepareForPrattleIf you want to brave the film, it is available on Youtube. ⁠https://www.youtube.com/watch?v=ZmpFWm9Iz8oRecorded not long after my 100th episode with @IAmJACSMusings, the film itself was one of my answers to JAC'S questions why not go back and listen to that podcast too! ⁠https://tinyurl.com/cpwrascw⁠ Where to find the Spider-Dan & The Secret Bores Podcast…Follow this link to find your preferred podcast catcher of choice ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pod.link/danbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/secretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@spiderdansecretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@dan_bores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/spiderdansecretbores/?hl=en⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/CeVrdqdpjk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt22023774/?ref_=nv_sr_srsg_0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/spiderdan_2006/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like, share, comment, subscribe etc. and don't forget to use the #PrepareForPrattle when you interact with us.If you want to #JoinThePrattalion and to be briefed in full on the #SecretBores head over to #PrattleWorld ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.spiderdanandthesecretbores.com/⁠⁠⁠⁠⁠

TVC 745.1: Ed welcomes Michael Tove, writer and producer of Yale Saleing, a thirty-minute short with elements of Alfred Hitchcock and The Twilight Zone about a young couple that find themselves embroiled in a twenty-year-old mystery after purchasing a strange box at a yard sale. Directed by Tom Logan, and starring Eric Roberts, Yale Saleing was making the film festival circuit at the time this interview was recorded; you can watch the film online at EmeraldOakProductions.com. Topics this segment include filming Yale Saleing on location in San Diego, California; the inclusive environment behind the scenes on the set; and the surreal experience Michael had hearing actors performing the words he had written.

Episode 146 is absolutely stacked!  Spoilers below!Andy joins Vicky as they dig into some surprising facts about two incredibly famous names, revisit a moment in British history that raises some seriously difficult questions, and discover an 18th-century group of flamboyant men whose fashion choices were enough to cause a national scandal.Then we head back into the world of BDSM to explore edge play. Why would someone deliberately choose fear, pain, vulnerability or intense sensations? Where does consent fit when you're deliberately pushing your own boundaries? And what exactly happens in the brain when fear and excitement start crossing over?Throw in childhood gaming nostalgia, a ridiculous sex position and Vicky accidentally broadcasting details of her house party to 155,000 Facebook followers, and Episode 146 goes exactly where you'd expect it to.Strange history, kink, questionable decisions and absolute chaos.00:00 – Coming Up00:36 – Intro01:35 – Episode 146 Begins02:53 – On This Day03:09 – Alfred Hitchcock's Strange Life09:24 – The Other Side of Florence Nightingale12:53 – The Last Executions in Britain30:33 – The Bizarre Macaroni Club36:20 – BDSM Edge Play: Fear, Pain & Psychology59:11 – Fetish Factoid01:02:09 – The Facebook faux pas01:04:48 – Outro▶︎ Support us on Patreon for bonus content: https://www.patreon.com/ThePaddedCellPodcast▶︎ www.thepaddedcellpodcast.co.uk▶︎ www.thepaddedcellpodcast.store Watch  the podcast on YouTube:▶︎ YouTube - https://www.youtube.com/@ThePaddedCellPodcastFollow The Padded Cell for more:▶︎ Facebook - https://www.facebook.com/profile.php?id=61551425184285▶︎ Instagram - https://www.instagram.com/thepaddedcell_podcast/?hl=en-gb▶︎ TikTok - https://www.tiktok.com/@thepaddedcellpodcastRecorded and Produced by Vicky at The Padded Cell StudiosEp 1 - 120 recorded at: ▶︎ Web - http://www.liverpoolpodcaststudios.com

Just a year after he received his first two Oscar nominations for both starring in and directing Henry V, Oscar-winner writer/director Kenneth Branagh (Belfast, Thor, Murder on the Orient Express) directed and starred in this dazzling modern reinvention of the sort of suspense thrillers which Alfred Hitchcock had specialized in several decades prior.  The story focuses on a mysterious woman (Oscar-winner Emma Thompson) who has lost her memory, the private detective (Branagh) who has been tasked with helping her find out her memory, and.....how this mystery connects to the tragic passings in the 1940's of Roman and Margaret Strauss (Branagh, Thompson), a composer and musician who fell in love.  What results is passion and danger for all involved!  Also co-starring Andy Garcia, Derek Jacobi, Wayne Knight, and Robin Williams, this twisty and time-bending tale of love and loss remains an almost forgotten gem from thirty-five years ago.Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

We're back to talk about one of the lesser discussed films in Mel's catalogue, a parody of Alfred Hitchcock!

Dana and Tom, for their 325th episode, revisit Casablanca (1942) and Rear Window (1954) to break the tie between them. Who will come out on top?Casablanca Plot Summary: In the exotic melting pot of Casablanca during World War II, Rick Blaine (Humphrey Bogart), a jaded and enigmatic American expatriate, runs a swanky nightclub that attracts a colorful cast of characters seeking refuge from the chaos of war.When a mysterious and beautiful woman from his past, Ilsa Lund (Ingrid Bergman), walks into his club with her husband, resistance leader Victor Laszlo (Paul Henreid), Rick's life takes an unexpected turn. As the flames of romance reignite, Rick finds himself torn between personal desires and a higher sense of duty forcing him to navigate a treacherous web of loyalty, love, and sacrifice.Rear Window Plot Summary: In Rear Window, we find ourselves confined within the claustrophobic confines of a Greenwich Village apartment, peering through the lens of LB Jefferies (James Stewart), a wheelchair-bound photographer. His summer pastime is a voyeuristic venture into the lives of his neighbors, a cross-section of urban archetypes played out in the building's courtyard. Each window frames a fragment of humanity, from the lonely Miss Lonelyhearts to the tantalizing Miss Torso.The plot pivots on Jeff's suspicion that a neighbor, Lars Thorwald (Raymond Burr), has murdered his wife. This suspicion, shared and fueled by his glamorous girlfriend Lisa (Grace Kelly) and his nurse Stella (Thelma Ritter), drives the narrative forward. Hitchcock masterfully crafts tension not through action, but through the act of watching—turning the audience into voyeurs complicit in Jeff's obsessions.Chapters:00:12 Introduction to the Tiebreaker01:13 Cast, Background, and Plot Summary for Casablanca05:51 Discussing Casablanca09:50 Cast, Background, and Plot Summary for Rear Window13:48 Personal Relationship(s) with Casablanca and Rear Window18:46 Why Are These Two Films Enduring Classics?24:06 What is Casablanca About?29:10 Comparing the Masterwork Levels of Both Films30:54 GMOAT HOF Nominations - August 202633:01 First Break34:49 Tiebreaker - Legacy39:43 Tiebreaker - Impact/Sgifnicance45:15 Tiebreaker - Novelty49:36 Second Break50:14 In Memoriam53:04 Tiebreaker - Classicness57:08 Tiebreaker - Rewatchability59:47 Tiebreaker - Audience Score and Final Decision01:02:30 Final Thoughts01:05:47 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/casablanca-1942-v-rear-window-1954For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Casablanca, Rear Window, classic films, movie analysis, Alfred Hitchcock, film history, cinematic techniques, movie ratings, film discussions, greatest movies, cinema, classic films, Casablanca, Rear Window, film analysis, art, human emotions, historical tidbits, voyeurism, iconic performances, film discussion, movie reviews, podcast, cinema, classic films, Alfred Hitchcock, Dexter, anniversary, film analysis, entertainmentRonny Duncan Studios

TV critic Dan Fienberg from The Hollywood Reporter is back to review some new shows, including USA Network’s Anna Pigeon, HBO’s reptile-trafficking docuseries Monsters of God, and Ryan Murphy’s latest exercise in excess, The Shards. Nick and Dan also catch up on the latest news from the Big Brother house and talk about what else is happening in television. Later, Esmeralda Leon and Nick catch up on the weekend, talk about Heat, and get into some truly bizarre celebrity phobias. Alfred Hitchcock couldn’t stand eggs, Tyra Banks is afraid of dolphins, and Jennifer Aniston apparently has serious issues with water…and tricycles. Yeah, it’s pretty weird. [Ep 481]

Long before Sean Connery ordered his first martini, spy movies already had rules. This episode uncovers the Hitchcock blueprint James Bond secretly followed for decades. Hosts Dan and Tom trace espionage cinema back to the 1930s, when Alfred Hitchcock quietly invented the modern spy movie. Movies like The 39 Steps and Foreign Correspondent introduced ideas Ian Fleming would later borrow. Suspense built from uncertainty. Ordinary people caught in extraordinary plots. Villains who looked nothing like villains. Fleming studied these movie techniques closely. He even admired Hitchcock enough to suggest him as director for Thunderball. This episode connects the dots between Hitchcock's early spy movies and the world of 007. You will hear how Notorious shaped Bond's approach to romance and danger. You will learn how Sabotage taught filmmakers to build suspense from what audiences already know. And you will discover why Fleming's Bond became something Hitchcock's heroes never could. This is not just movie trivia. It is the hidden history behind one of cinema's most iconic characters. Ready to see Bond differently? Press play and find out how much of 007 started decades before Fleming ever picked up a pen. You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website , or our YouTube channel .

Dave McArthur welcomes guest host Jay Schweig to discuss the Alfred Hitchcock caper To Catch a Thief.

Send us Fan MailHannah and Laura are covering the middle portion of Turn Coat by Jim Butcher in today's episode, and friends, things get very zany! They also discuss some romance novels that didn't "hit" for them, a beautiful children's book, and Hannah's first foray into Alfred Hitchcock's works.*This episode contains SPOILERS for Turn Coat by Jim Butcher. Spoiler section begins at: 36 min 11 secs. ***CW for the episode: discussions of violence, sex, guns, gore, blood, sexism, vampires, racism, sexism, immigration, climate change, incarceration, death, murderMedia Mentions:Turn Coat by Jim Butcher Great Big Beautiful Life by Emily Henry Barbed Wire Between Us by Mia Wenjen Of Time and Turtles: Mending the World Shell, by Shattered Shell by Sy Montgomery There, There by Tommy OrangeSomething Wilder by Christina Lauren Dial M for Murder---Tubi Support the showBe sure to follow OWWR Pod!www.owwrpod.com YouTube: @owwrpodBlueSky: @OwwrPodTikTok: @OwwrPodInstagram: @owwrpodThreads: @OwwrPodSend us an email at: owwrpod@gmail.comCheck out OWWR Patreon: patreon.com/owwrpodOr join OWWR Discord! We'd love to chat with you!You can follow Hannah at:Instagram: @brews.and.booksThreads: @brews.and.booksTikTok: @brews.and.booksYou can follow Laura at:Instagram: @goodbooksgreatgoatsBlueSky: @myyypod

Your boys are back! Sean and Parker discuss some movies. Sean saw new films! But did he like them? Parker saw Evangelion with some Otaku sonsofbitches. And then the guys discuss the future of big budget blockbusters ahead of the new Spider-Man. Then it's an August movie preview and movies like "Tony," "Super Troopers" and "Insidious" are discussed. Then, Alfred Hitchcock's final film, "Family Plot," from 1976 is discussed. The film stars Karen Black, Bruce Dern and some other folks. A pair of fake mediums look for a missing heir, a quest that intersects with a couple of kidnappers and jewel thieves! All this plus voicemails and hot sweaty recording conditions! Direct Donloyd Here Got a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION! Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll drum funkily for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

This week, Drusilla returns from San Diego Comic-Con and Josh returns from NYC. The film of the week if Brian De Palma's Sisters. From wiki: “Sisters (released as Blood Sisters in the United Kingdom) is a 1972 American neo-noir psychological horror film directed by Brian De Palma and starring Margot Kidder, Jennifer Salt, and Charles Durning. It follows Dominique Blanchion, the separated conjoined twin of a French Canadian model, Danielle Breton, who is suspected of having committed a brutal murder witnessed by Grace Collier, a newspaper reporter in Staten Island, New York City.Co-written by De Palma and Louisa Rose, the screenplay for the film was inspired by the Soviet conjoined twins Masha and Dasha Krivoshlyapova and features narrative and visual references to several films by Alfred Hitchcock.[5] Filmed on location in Staten Island, the film prominently features split-screen compositions (also present in subsequent De Palma films such as Carrie), and was scored by frequent Hitchcock collaborator Bernard Herrmann.”Also discussed: The Vampire Lestat, The Death of Mr. Lazarescu, Her Private Hell, Never Rarely Sometimes Always, Beyond the Hills, Italian realism rec, Streetwise, May December, The Shards, [safe], ranking Brian De Palma, Black Christmas, and more. NEXT WEEK: Exorcist II: The Heretic (1978)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

We're stuck inside in the heat of summer picking apart the romance of Alfred Hitchcock's 1954 thriller Rear Window, starring Jimmy Stewart and Grace Kelly! Join in as we discuss watching movies while sick, the movie's incredible set, 1950s insurance care, and our favorite Grace Kelly outfits. Plus: Would Lisa (Kelly) be into true crime? Why was this movie so hard to see for thirty years? And why won't Jeff (Stewart) just marry Grace Kelly?!? Make sure to rate, review, and subscribe! Next week: The Italian Job (2003)-----------------------------------------------------------"When Hitchcock Banned Audiences from Seeing His Movies" (Mental Floss)"Hitchcock Film Treasures Resurrected from Family Vault" (Reading Eagle)Trailer for Jimmy (2026) starring K.J. Apa (YouTube)"Jeff Bezos Banned A-Lister from Met Gala 2026" (Yahoo)"Sorkinisms: A Supercut" by Kevin T. Porter (YouTube)

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.As the Selznick era comes to an end we see an Alfred Hitchcock growing in confidence, ambition and struggling against the increasing interference of the overbearing producer. With Lifeboat Hitchcock takes on a seemingly simple premise that was in fact an enormous technical challenge, Spellbound found a David O Selznick obsession with psychiatry producing a mess of a thriller, Notorious finds Hitchcock hitting a career high and pissing off every censor in Hollywood, while The Paradine Case begs the question: if a murder happens and no actors capable of emoting can't react to it, does it make a sound?You can add the mid-40's to Hitchcock's list of playmates. Check it out!0:00 - 0:32 - Intro0:33 - 40:31 - Lifeboat (1944)40:32 - 1:08:31 - Spellbound (1945)1:08:32 - 1:53:26 - Notorious (1946)1:53:27 - 2:18:54 - The Paradine Case (1947)2:18:55 - 2:21:28 - Outro

The original ending of Jeepers Creepers was supposed to continue far beyond the police station. At Days of the Dead Indianapolis, original Creeper actor Jonathan Breck and creature effects artist Brian Penikas reveal the massive 15-minute climax the production could not afford to film, including a battle atop the Creeper's truck and an oncoming train. They also share behind-the-scenes stories about: • The disturbing "puppet coach" sequence cut from Jeepers Creepers 2 • Why Jonathan Breck shaved his head before his audition • How the Creeper's face, body and weapons were designed • The real human tooth hidden inside one of his throwing stars • Why Justin Long was the first and last actor filmed in Creeper makeup • How Jaws and Alfred Hitchcock's Lifeboat influenced the first two films Recorded live at Days of the Dead Indianapolis and hosted by Griffey of Misfit Parade and the Messed Up Movies Podcast. Subscribe for more horror convention panels, filmmaker conversations and seriously messed up movie talk. Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod

Alfred Hitchcock remains cinema's Master of Suspense a century after directing his first film, but decades of biography have blurred the line between the man and the myth. Mike talks with author Tony Lee Moral about his sixth Hitchcock book, A Century of Hitchcock, and the archival discovery that reshaped it: a 36-page 1980 transcript of biographer Donald Spoto's own interview with Tippi Hedren.Moral traces how Spoto's personal grievances against Hitchcock — including being routinely ignored by name and bitten by the director's West Highland terrier — colored The Darkside of Genius and shaped decades of tabloid narrative. Drawing on new interviews with secretaries, screenwriters, and script supervisors who worked alongside Hitchcock, Moral makes the case for reexamining the record on Hitchcock's treatment of women, from Tippi Hedren's shifting accounts to the making of The Birds and Marnie.The conversation also revisits The Pleasure Garden on its hundredth anniversary, Hitchcock's collaboration with Salvador Dalí on Spellbound, and what a possible sixth Hitchcock book might hold. Find Tony Lee Moral's book and more of his work at tonyleemoralbooks.com.Buy the book at: https://amzn.to/4fvEBKG Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth