Podcasts about Bicycle face

Welcome to All the Feelings: Adulting, where fitness isn't about abs, it's about survival—and emotional support comes with a side of pepperoni.In this episode, Pete confronts a lifelong love-hate relationship with exercise (spoiler: mostly hate) and shares how working with a trainer finally reframed strength as energy storage, not just punishment. Protein becomes more than a punchline—it's a power-up. Tommy, meanwhile, peels back the anxious layers of adult health care avoidance and delivers a heartfelt, hilarious exploration of iatrophobia—the very real fear of doctors. From raccoon-infested crawl spaces to gym myths, shame spirals to colonoscopy bragging rights, this episode is probably not your way to health, strength, and medical care in adulthood.Bonus: historical sexism, magical poop, and the emotional complexity of car snacks. Welcome to adulthood.Links & NotesBecome a Feeling FriendThe infamous Bicycle Face panic of 1895Don't for Women on Bicycles, 1895 ---Learn more about supporting this podcast by becoming a member. Visit our website to learn more.

AW (Ava) Glen, author of Bukowski's Broken Family Band, and one half of Bicycle Face is on the show for the first time. We discuss the release of her book, diving deep into how the project came to fruition. And we intermingle lots of chat about Bicycle Face.(25:16) Ava breaks out the characters of the book, (36:36) How did Transister 66 get involved, where did it get printed, and chat on the amazing cover work done by Alexis Flower. We also talk about where the name of the novel came from. (43:44)We talk songwriting (51:12), the book launch (and gush over Elliot Feeling) (1:07:12), and finish the show with 5 Faces of Geek (1:10:24)#podcast #books #writing #music #Winnipeg #indiewriter #indiemusicWebsite: www.seanmcginity.caMerch: Red Bubble: https://www.redbubble.com/people/seangeekpodcast/shopTee Public: https://www.teepublic.com/seangeekpodcast@seangeekpodcast on Twitter, Instagram and Facebook@fastfretfingers on Instagram@ToddGeeks Tech Talk on Facebook @captivatefmMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

The brothers play catch up and talk about Elgato's Stream Deck Plus and the video game 7 Days To Die. (18:25) The boys analyze Mitch Malloy's track with Van Halen (previous to Gary Cherone getting the gig). We also take a listen at Mitch when he sang for Great White and compare him to original singer Jack Russell. (31:50) Todd's car stereo was a thing of beauty. (32:53) We talk Pirate Radio as well as the band Bicycle Face, and some chat about Alex Van Halen's new book. (37:20) Costco is in full Christmas mode and studio/gaming chairs. (44:35) Thanks to @InObscuria podcast, we know about the band The Damn Truth. We talk about and audio capture with apps like Shazam, and the intrusiveness to our privacy.#podcast #music #vanhalen #streamdeck #mitchmalloy #greatwhite #pirateradio #costco #Christmas @thedamntruth #shazam #privacy @awglen @bicyclefacebandWebsite: www.seanmcginity.caMerch: Red Bubble: https://www.redbubble.com/people/seangeekpodcast/shopTee Public: https://www.teepublic.com/seangeekpodcast@seangeekpodcast on Twitter, Instagram and Facebook@fastfretfingers on Instagram@ToddGeeks Tech Talk on Facebook @captivatefmMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

Have a question or want to suggest an idea? Text us!In this episode of the Human Design Hive podcast, Hali and I explore the concept of imposter syndrome, what it is, why it happens, and how it usually shows up.Understanding your Human Design can really help bust through the feelings of inadequacy and doubt that come with imposter syndrome, in many ways. We look at the intersection of imposter syndrome with Human Design types, strategies, and authorities, examining how the conditioning you have experienced can influence the feelings of being an imposter.We've all felt the effects of imposter syndrome, and in this episode we're exposing how it's really just a scheme to make you feel small and stay small. You don't want to miss this conversation!This week's Incarnation Cross is the Right Angle Cross of the Unexpected, (27/28, 41/31).00:00 Welcome and Intro 01:57 Podcasting- Fiction V Reality 06:58 IRL- Sacral Response, Boundaries, and the Big Picture 15:37 Intro to Topic- Imposter Syndrome 20:00 Reshma Saujani and "Bicycle Face" 25:27 What causes Imposter Syndrome 29:13 Signs of Imposter Syndrome 32:59 "Types" of Imposter Syndrome 41:27 Human Designs busts Imposter Sundrome 45:08 Projectors 49:47 Manifestors 52:26 MG's 52:55 Generators 56:14 Reflectors 58:28 Your HIgher Self Knows 01:02:42 Authority and Other factors in your chart 01:04:12 Appreciate Who you Are 01:06:41 How I can Help 01:07:18 Wrap Up Topic 01:08:23 ICX of the Week✨✨You can now grab a copy of your Human Design chart on my website!✨✨Get yours HERE- ☞ Ready to dig into your Human Design with Dana?Book a chart reading now!☞ Need some intuitive guidance? Check out my Email Intuitive Reading!☞ No time right now for a live 1:1 reading, but need help interpreting your chart? Check out my offering of a Recorded Video Chart Reading!Check out my free 2 part video training How To Get Started With Human DesignBuy Us A Coffee! ☕️Find Us on Youtube @humandesignhiveFind Dana on IG @humandesignhiveemail: Dana@humandesignhive.comThanks for listening, we appreciate you!

In this special live recording from Auckland and Wellington, we dive into the syndromes and stories society hands women—like "Bicycle Face," "Hysteria," and "Imposter Syndrome." We explore how these labels have held women back from leadership roles by blaming us instead of the system. From the wild history of these so-called syndromes to the modern-day struggles of juggling it all, we're tackling them head-on. Listen in as we break down these myths, share some laughs, and challenge you to rethink the narratives that have kept women stuck. 'Til next week, Powrsuiters! Got a topic you want us to discuss? Email us at ⁠hello@powrsuit.com⁠ Join Powrsuit on LinkedIn and Instagram, and be sure to check out our Membership Network at ⁠www.powrsuit.com.

Des and Iva revisit this all-important topic that roughly impacts 80% of women. They share insights garnered through the ‘Bicycle Face' story as told by Reshma Saujani. Listen in to find out how much of Imposter Syndrome is about our inner inadequacies and how much is a societal movement created to prevent us from moving upwards? The answer will surprise you! Important Links: Momergy Essentials - Home | Momergy Essentials Iva Perez - The Momergy Movement Desiree Gonzalez - Oily Essentials   Follow us on: Facebook Facebook Page Momergy Essentials Facebook Group: Momergy Essentials | The Work-Life Harmony Movement   Instagram @Momergy Essentials Instagram @MomergyMovement Instagram @desiree_oilyessentials Instagram Resources Are you looking for ways to support and upgrade your toxic-free lifestyle? Most of us until now might have failed to look at the most basic necessity we rely on every day_the water we drink. Water is your most valuable natural resource and it's vital to nourish and hydrate our body that is made of 70% Water. But whilst a water may appear the same, not all water is created equal. So finally one machine can filter and restructure regular tap water into five types with over 60 uses from electrolyzed reduced water rich and hydrogen and antioxidants for drinking to highly alkaline oxidized waters replacing toxic cleaners and personal products in your home. It's from Japan and it feels so good to drink this straight from the tap. Do you want to feel this good too? Access all the information an clip made for you by visiting https://www.oilyessentialsfamily.com/water

Gratulerer med kvinnedagen! (på etterskudd). I ukas episode snakker vi om det historiske fenomenet "sykkel fjes" og hvordan fenomenet ble parallelt med sykkels økte popularitet blant kvinner. Det er enkelt å le av slike ting i dag, men finnes det et moderne eksemepl på "sykkel fjes?" vi diskuterer resting b*tch face og imposter syndrome som fenomen samt hvordan slike betegnelser/"sykdommer" ofte rettes mot kvinner.

Nuevo episodio de La Escapada dedicado a la fotografía ciclista. En esta ocasión hablamos con la fotógrafa Naike Ereñozaga (@naikefotosport), fotógrafa freelance y gran apasionada del ciclismo, que como ella misma nos cuenta, lo lleva en los genes por tradición familiar. Nos cuenta como es su día a día en una carrera World Tour. También le preguntamos por el proyecto fotográfico "Bicycle Face" que llevó a cabo durante La Vuelta a España Femenina junto a la también fotógrafa Laura Ortiz (@wiccamari) e impulsado por Skoda. No dejamos de aprender cada vez que hablamos de fotografía y con Naike hemos aprendido mucho de cómo se organizan las diferentes profesionales alrededor de una prueba para que todos los aspectos fotográficos queden cubiertos. Nos vemos en el próximo episodio, muchas gracias por estar ahí ♥️

I really feel like our inner work, doing our inner work is the way to change the world and how we have an impact on the outer world. And I so, so deeply believe and know in my heart that embodiment is the way to freedom, and connection, and joy… And all of those things that we long for. So now, I'm moving into building a coaching business, but also writing a book. I feel like some of it is gonna be exorcised from me in the form of public speaking, or teaching, or possibly performance… That's the way I'm going to disseminate the experience to other people. So that is in the works! And I'm still constantly working on—and this has a place in all of these things that I'm mentioning—I'm still working on a solo performance piece that I have been working on for years. I'm performed it along the way in its different iterations at different places. It's called Bicycle Face. In my body and heart and mind, it's going to end up being in an anthology of sorts with other women and folks who identify as women. That's a thread that's through all of this too, and I don't know how all of these things are coming together, but I tell you what! At this time in my life, when I'm rounding the corner to 50—comin' in hot on 50—it feels like all of these things are being braided together in this sort of glowing… Golden braid. — Thanks for joining us on the podcast! So… Natalie Griffith Robichaux. Yes. Cool. Got it. Yay. So what is your age? I am 49. Gonna be 50 in January! Amazing. When's your birthday? January 18th! Okay cool! That's a little less than a month after mine! Hehe. Ah, all right! Are you a Capricorn? I am a Capricorn. I'm very much a Capricorn. Yeah? Are you into astrology? Totally! I have been my whole life. It just makes sense to me. It always has. I'm a Capricorn too! What about the Capricorn sign do you resonate with? Like what comes to mind when you think, “I'm a Capricorn!” I'm fiercely loyal. Can be very… Systems-oriented. Like I kinda get into the organizational, ambition behind organization, making systems work… I'm super passionate, I'm grounded. I can be a little… Jealous… At times? Stubborn! What else… I mean those are the things that come off the top of my head. I have three, including myself, Capricorns in my house. My daughter's a Capricorn, and my husband's a Capricorn. And then my son is a Virgo. So, very different. He's living with three Capricorns in the same building, so it gets interesting! I'm just picturing all the rams butting heads. Is it like that? (Laughs) Sure! (Laughs) There's some of that. But I think we're all very passionate in our own ways. Yeah. Cool! Yeah. So you mentioned you're a mother. What other roles do you currently carry? Like, how do you refer to yourself, and what do others refer to you as? I'm an artist, a performing artist, a teacher, a coach, a guide… I've been shifting the sort of roles and names as I've gotten older. I've become more comfortable with taking up roles that I would've been more timid about taking up before, when I was younger. I like to refer to myself as a witch, in the way that… I read this definition of a witch that an artist made, I don't remember who said this. Maybe we could find it. But it was in the New York Times, this artist that said, “A witch is a woman with unconstrained relationship to her power.” Ooooooh. And so I was like, “I wanna be a witch! So I'm gonna start saying, ‘I'm a witch.' I'm gonna invite that in.” So I guess “witch” would be a role that I would like to embody, that I try to embody. Definitely mother, friend, partner, sister, daughter—those are all very important to me. And you mentioned roles that you are becoming more comfortable with now as you're becoming older. Is that specifically the witch one, or are there others? The witch one, and some friends of mine… A particular friend of mine, who I consider a spiritual guide in my life, has been inviting me to entertain the idea of “shaman” or “shepherd” or… I've been a mentor already, and am a mentor to several young artists, young women. Did that quite a bit and enjoyed that part of my academic career—which is now over. I moved out of academia. So I guess witch, mentor, shaman, guide, shepherd. Okay. And yeah, you mentioned you're an artist. What all does that entail for you? What kind of art? It entails a lot, Juliana! I enjoy making things. I called myself a maker for a long time, cause I really enjoy making things. I love sewing. Years ago I had a handmade handbag line, when I lived in New York City, called Brooklyn Cowgirl, that I did for several years. I like making patterns for things, like sewing patterns. I paint! I also dabbled in a little bit of sculpture. And I'm a performing artist! I've been an actor and a dancer basically my whole life. That would be where my education is, in acting, dancing, movement, performing, and directing. Intimacy choreography for the stage, and all sorts of things. Intimacy choreography? Yeah. Have you heard about this? Mm-mm. You know, it's been a few years now that that's come into play. It's essentially somebody there to help you choreograph intimate moments, or sexual moments, or moments of violence that are of an intimate nature—for the stage. Oh wow. So we bring in all kinds of tools to explain and set up consent culture in the rehearsal room, and on the stage, with everybody involved in the production. And we choreograph like it's a dance—the actual movements of an intimate scene. So it's not just like, “Oh uh, roll around on the bed and kiss each other twice, and let's see what happens!” You know, you choreograph it like it's a dance movement, so that you can count on what's gonna happen—all the people involved can count on what's gonna happen, and you can repeat it. And then you are somebody who maintains, helps the actors and stage management maintain that choreography throughout the run. And sometimes the artists are scared that it's gonna limit things and take the spontaneity, in-the-moment creativity out of a moment that's about the human condition and about connecting in an intimate way. Making an imagined circumstance real. But I've found that the choreography and the consent culture guidelines actually give some guard rails, so that then you can play jazz when you're up there—it really just opens things up in a huge way. Interesting! Yeah, I've never heard about that. That study that I did, and that practice of choreographing several things for the stage, and working with theater groups and things like that—really informs the coaching and therapeutic work that I do. It feels like all of these different elements come in together to… Now as I turn the corner to turning 50, it feels like all of these different areas of study and experience are joining together finally, in a way that I haven't felt before. I've always struggled with doing too many things. Maybe that's something you can relate to—I know you're multi-faceted. Yeah. Yeah, so that in the past has felt like a struggle, and like I'm not doing anything completely… How can I really commit to something. This story, that I need to commit to one thing. Take that one thing all the way—that sort of thing. But now, it really feels like those seemingly disparate things have been really a gift, many gifts, that are now weaving together. Wow! Amazing. I really resonate with what you said, so many different things. That's really cool! Wow. Oh my gosh, there's so many different directions we could go in. How about… Can you talk about your performing arts, how that has shifted? Maybe like how did you first get into it? I mean, I'm sure you always dancing as a kid. But like, how did that evolve? You're a teacher, now you do coaching. Can you talk about it from like a dancing lens, and how that's shifted, changed, and evolved in your lifetime? Yes, yes! Well, dancing is where I started. And the way that I feel it is that it was always through my body, I was really drawn to and excited by and thrilled by expressing myself through my whole body. And that was something that came really easily to me, and it felt really powerful and impactful. It felt like a way that I could be impactful on an audience, or you know, using my expression through my body. And I maybe wasn't the most technically disciplined, or you know, my technical abilities were not always really high, just because of my sheer body shape. I don't know what you know about ballet or any sort of dance, but they can be very rigid, and very prescribed. You know, like a certain body type is a dancer, and there were certain things that my body just wouldn't do. Like there was a limit, even at a very young age, just because of anatomy. But I was always, always, always drawn to expressing myself with my body, and that led me to acting. I found that when I was dancing as a preteen and a teenager, I wanted to speak on stage. I wanted to see what other ways I could do that, those sorts of things. I was also always really fascinated with the human condition, psychology… Feelings! Why we have them! What happens in relationships? All of those things—it's been an area of interest for me for sure. So I went into acting with a BFA undergrad program. And then went directly from there into a graduate acting program, at UCSD in San Diego. That was in the late 90's—the 1900's, as my kids say. (Laughs) They're like “Mom, that movie is from the 1900's, and I'm like ‘Yes, so am I. So am I. I am also from the 1900's.'” That was in the late 90's. In a graduate acting program, your classes are acting, obviously, but there's also movement, and yoga, and body awareness, and vocal training, which is also body awareness-related, and breath-related, and singing and speech. And then how all of these things work together to produce sound! You know, all of that stuff. So I did that training. Loved it. Loved being in that training. And again, I was always an actor, and am still an actor, who first approaches it through the body. I taught a little bit in graduate school—like you are doing, right—as part of my graduate program. And then went to New York City, started working in theater: regional theater, Broadway, Off-Broadway, that sort of thing, in New York. I didn't do a lot of teaching while I was doing that. I was really trying to get jobs as an actor, and honing my retail sales skills, and my waiting tables skills, which I did for many years. (Laughs) Which have actually brought many, many skills that I still use today! And then I found myself wanting… And this was always kind of in the background when I was doing my graduate studies and when I was performing in theater productions and that sort of thing. I found myself wanting some sort of outlet to give back, and I knew that my experience in getting to know my body and using my imagination through movement was such a therapeutic experience for me, that I wanted to share that with other people. And I couldn't quite figure out how to do that. And while I was in New York… I don't even remember where I first heard the term “drama therapy”, but when I heard it, I was like “Oh, what? What??” And it was, you know, theater processes used for therapeutic purposes, right. And I was like, “Oh my god, that would be so great!” Immediately thrilled about it! And at that time, there were only two programs in the country. One at NYU, and one at University of San Francisco. And I applied to the one at NYU—it was another masters program. I was a, you know, struggling, starving actor who was working periodically but not making a lot of money, just making ends meet, and had no health care for a little while. Then would have health care through the actor's union, then I would not have it. Thank god for Planned Parenthood in Manhattan in the early 2000's. They saved my life on several occasions, for just basic female health care. I digress—it is part of the story. I interviewed for the program at NYU, and part of the interview process was they pulled out fifty applicants from their scores of applicants for their drama therapy program, and they all came to NYU for a weekend. And we went through all of these drama therapy exercises as a group, as a sort of like interview process where they would decide who would be M.A. candidates, who would become part of the program. So I got a real taste of what it was. And I was so thrilled by it, Juliana. I just took to it immediately. It made sense in my body. I was doing things with these other people who were interested in it as well, and it was working therapeutically for us in that weekend, even in that short period of time. I was just so excited by it. I got accepted to the program, and then found out the cost of the program. (Laughs) And was not able to do it. And that felt like a derailment. Like oh… Okay… But knew that I was still interested in it. So I got a few books that were written at the time about it, and started reading as much as I could. At that time, I moved with my then-boyfriend, who then became my husband, who I'm still married to now. We moved from New York to Los Angeles. He's an actor as well, and as acting teacher. And we moved to LA, and at that time in my acting work, I realized that I was 33, and… The parts that I was going up for in theater were getting less and less and less. There seemed to be an age gap in the parts that were there. It was like… 30 to 60, it was like there wasn't a lot there. Hm. And, I had reached a point where… I remember being in my agent's office in New York City. We were looking at something called the break downs, where they send out for auditions… They send out like what the characters are and actors they're looking for. So they'll say like… Woman, in her 20's. The character is flamboyant, and whatever. They'll tell the agents what kind of actors they're looking for for the parts. And he read a break down out to me, and it was for something like Cincinnati Playhouse, which was a regional theater, a great theater that would audition in New York and would be a great job to have. I don't remember if it was actually Cincinnati Playhouse, but it was one of those regionals. And it said next to the part that I would be up for, it said “Stars Only”. And that was during the time when reality TV was coming up, and lots of reality stars were starting to do theater, and bring in people for audiences, and theaters were looking for people who had some star power. That was not something I had. I was 33, and I felt like I was coming into a desert zone of parts. And so when I moved to Los Angeles, I left my agency, and I was like, “I'm done. If acting is breaking up with me, I'm gonna break up with it before it gets a chance to break up with me.” (Laughs) So I'm like nah, not gonna do that anymore. Gonna do something else. So in LA, I was really floundering, and trying to find what I was gonna do with this Masters degree in acting, and experience in theater… And I didn't know. And I found a drama therapy institute in Los Angeles, where I could take some classes. It wasn't a degree program, but I could take classes. So I started some classes there. My husband and I decided to start an acting company, or an acting school, in Los Angeles. He was the main teacher, and then I would supplement some things sometimes. So I started teaching a little bit there. And then it went on from there. We moved to Austin, Texas, after we had been in Los Angeles for about four years. We opened an acting studio in Austin, Texas, had that for several years. I had two kids during that time, who are my greatest spiritual teachers. And from there, we decided to move and take up academic appointments at Penn State University. They were offering my husband a job there—he had been teaching in universities in Austin, and they offered him a job, and they offered me a job as well. So that's how I got into academia. And when I started at Penn State, I was really interested in the imagination, and the imagination being the gateway to all progress and growth. And particularly something a teacher called Movement Imagination, which is… It's not a visualization exercise. The best way I can describe it is that your energetic body is moving. And you use it for creative purposes. So I was super, super interested in studying that. That led me Michael Chekhov work, which is an actor training theory and program, that is about the energetic body and expanding creative abilities through the body. And I was training to teach acting, but as the years went along and I got more attuned with Michael Chekhov and my energetic body and all of the doors in my creative abilities started to blow open because of this work… I started noticing my students were having positive therapeutic results from an acting class. Now, you don't ever want to make an acting class a therapy session. That would be unethical. But I was noticing that it was a by-product of the work that was really powerful, and I was really interested in that. Do you want me to keep going? Yeah! That was… Very long-winded answers. No, no, I love this! Yeah, please keep going! (Full transcription of interview can be found on wisenotwithered.com)

This week I  spoke with Mitchell McGirt of Bicycle Face via Skype to follow up on how the reunion show went and to hear about the Caleb Southern tribute show the following night as well. We also hit a few quick tangents and talk about what the future may hold for Mitch. This episode was already planned, but having this week's guest reschedule left a hole in the schedule, so this shorter episode should hold you over until next week's new full length episode drops!Bicycle Face at the Caleb Southern memorial show: https://youtu.be/yH1tHMKF4Y8?si=hWj398PsEfIK6c12Bicycle Face: https://www.facebook.com/profile.php?id=100053110207841Songs for GGHT83.5:Bicycle Face - Mitchell McGirtNorwegian Forehead - Dom FilnegroBicycle Face - Sonic Man vs The TroggsBicycle Face - I Can Hear the Grass GrowVisit Gabba Gabba Records & Vintage Goods! Located inside Vintage Village, on the first floor near Dillards, in the Eastridge Mall, Gastonia, NC!Support the show

This week I travelled to Greensboro, NC, to talk to Bicycle Face about their reunion shows and the reason they came about. In addition to talking about their histories in music, we also talk about witty stage banter, Caleb Southern, where Bicycle Face fit into the triangle signing spree of the mid-nineties, and becoming a "that guy!" actor.Bicycle Face: https://www.facebook.com/profile.php?id=100053110207841Songs for GGHT83: Smellit - BullSmellit - Johnny's KiteBicycle Face - I'm the Devil (And You're Not) Bicycle Face - Teenage Identity SongBicycle Face - Lost WeekendBicycle Face - Master ThespianBicycle Face - Fable of MythBicycle Face - Irrelevant Visit Gabba Gabba Records & Vintage Goods! Located inside Vintage Village, on the first floor near Dillards, in the Eastridge Mall, Gastonia, NC!Support the show

Tu connais la "Bicycle Face" ? C'est l'histoire d'un terme médical utilisé pour décrire le visage des femmes qui faisaient du vélo au 19ème siècle. Tu te demandes quel est le lien avec ton business ou avec toi ? Well... Le lien, c'est la place qu'occupe le patriarcat dans l'existence de ton syndrome de l'imposteur. Outch ! On met les pieds dans le plat aujourd'hui, mais c'est pas pour rien que je parle de libérer LA leader qui est en toi. Il est temps de reprendre ton pouvoir personnel et de pulvériser ton syndrome de l'imposteur. Bonne écoute ! Et si t'as envie de creuser le sujet des croyances limitantes et reprendre le contrôle sur ton syndrome de l'imposteur, je t'invite à regarder ma Masterclass gratuite juste ici :  https://event.webinarjam.com/register/12/l76v5t7 

Kennst du das Gefühl, nicht gut genug zu sein? Oder schiebst du gute Ergebnisse eher auf Glück und Zufall als auf dein Können? Fühlst du dich schnell als Angeber oder Hochstapler, wenn du über deine Erfolge sprechen sollst und kannst positives Feedback überraschend schlecht annehmen? Dann kann es sein, dass du an einem Impostor-Syndrom leidest. Was hat das mit deiner Gesundheit zu tun? Menschen mit Impostor-Syndrom haben z.B. viel häufiger Angstzustände, Depressionen, Burn-out, stressbedingte Erkrankungen und/oder psychosomatische Beschwerden als andere, wie Studien zeigen. Deswegen ist es Cordelia wichtig, dass du dieses Syndrom erkennen und bewusst etwas dagegen tun kannst, wenn du es bei dir oder jemandem in deinem Umfeld entdeckst. Frauen sind übrigens sehr viel häufiger davon betroffen als Männer. In dieser Folge klärt Cordelia über das Impostor-Phänomen auf, das sie selbst übrigens erst vor etwa einem Jahr diagnostizieren gelernt hat und zwar nicht von einem ihrer Professoren, sondern von Tobias Beck. Du erfährst, wie die Symptome aussehen können, was dahinter steckt und wie du lernen kannst, damit mindful, also bewusst umzugehen. Außerdem spricht sie über ein spannendes Phänomen, dem Bicycle-Face, und warum du als Patient in der medizinischen Versorgung oft vom Impostor-Syndrom betroffen sein kannst. Denk immer daran, dass du es verdient hast, gesund zu sein, dass du Gesundheit lernen kannst und dass du es dir wert bist, für dich, deinen Körper und deine Gesundheit dein Bestes zu geben. Lerne dir zu vertrauen. Das Impostor-Syndrom mag hartnäckig sein, aber du kannst es überwinden. Es ist heilbar.

It's (almost) the end of the year, so I decided to turn my annual year-end "favourite local albums" list into a podcast!Here's part one -- numbers six through 15 of my overall top 15 -- in an overstuffed episode that includes clips from interviews with a number of artists who made the list, and much more. Part two, my top five, will be out next episode. Part one includes releases by artists like Turn the Gun, Well Sister, Ultra Mega, Jocelyn Gould, The Secret Beach, JayWood, Death Trip, Antonio Mazza, Claire Therese and the Lockdown, and Bicycle Face. As mentioned in the intro, I'm sure I've missed some great stuff, both on this episode and the next, and there are also a lot of albums I didn't consider for 2022 -- mainly stuff that came out too late this year for me to fully absorb. Records that came out on streaming this year but have physical copies in 2023 count as "2023" releases as well. This episode brought to you by our pals at Devine Shirt Company, who have brand new Witchpolice merch in the works! Watch for that! Huge thanks to everyone who supports the podcast on Patreon! You can help out for as little as $1 a month if you like the show and want to throw some change in the guitar case! You can also throw a one-time tip via Buymeacoffee. As always, if you like the podcast, please tell a friend or 20! Rate and review on your podcast player of choice! Word of mouth is still the main way Witchpolice Radio reaches new ears.

It’s the triumphant return of Bicycle Face to the podcast!I hung out with the mostly non-Christmas joy-pop duo and talked about their upcoming space-themed album, returning from the great Unicycle Face schism, Myrrhvana and Xmas EPs, making music videos with cows, and so much more! Note: At a few points there's some weird robot-sounding (thematically appropriate, eh?) feedback on one of the BF members' ends of the conversation, but it certainly doesn't take away from the interview at all. Can't get enough Bicycle Face? Hear them way back on episode 169 (March 2016), and hear the members individually on episodes 500 (Theresa, July 2020) and 533 (Ava, Oct. 2020). This episode brought to you by our pals at Devine Shirt Company, who have brand new Witchpolice merch in the works! Watch for that! Huge thanks to everyone who supports the podcast on Patreon! You can help out for as little as $1 a month if you like the show and want to throw some change in the guitar case! You can also throw a one-time tip via Buymeacoffee. As always, if you like the podcast, please tell a friend or 20! Rate and review on your podcast player of choice! Word of mouth is still the main way Witchpolice Radio reaches new ears. Thanks for listening!

Bikes are awesome! But during the biggest bicycle craze of the 19th century, medical opinion on bikes went a little bit weird... Will tells Rod the story! The Wholesome Show is Dr Rod Lamberts and Dr Will Grant, proudly brought to you by The Australian National Centre for the Public Awareness of Science!

What would a Baffled episode be without forming a rap group where the lead is called Bicycle Face? (We don't know either ...)If you want to get involved then follow us on TikTok and Instagram - @BaffledPodOr email us info@baffledpod.com---A Create Podcast See acast.com/privacy for privacy and opt-out information.

When you are researching for history or even geography for that matter, you will come across a mountain of information on the Internet or in books or archives, wherever you are looking, and one of the most important skills you need to develop is to be a little judgemental about the sources you come across.This episode is proudly sponsored by Amped Up LearningSeason One Cover Lesson BundleDestination History PodcastContact: Twitter @HistoryDetect, Instagram @HistoryDetective9, email  historydetective9@gmail.comAll original music written and performed by Kelly Chase.

Guitarist and author [Ava Glendinning](http://www.instagram.com/awglen/) is back on the show for the first time in a while. Ava is perhaps best known as one half of the mighty Bicycle Face, but also a member of Robojom, À La Mode, and The Lockdown Project (among others)! We talked about her various musical endeavours, as well as her recently-completed[ debut novel](http://www.wattpad.com/user/awglen), a paranormal horror/comedy set in the Winnipeg music scene. Songs on this episode include a couple of Bicycle Face numbers, one of Ava's own isolation experiments, and a song by À La Mode. This episode brought to you by [Rob Crooks](http://robcrooks.bandcamp.com/) and [Saskatoon Folk Rap Records](http://saskatoonfolkraprecords.bandcamp.com/), and [Boots & Saddle](http://ckuw.ca/programs/detail/boots-and-saddle) on CKUW. Huge thanks to everyone who supports the podcast on [Patreon](http://www.patreon.com/witchpolice). You can help out for as little as $1 a month if you like the show and want to throw some change in the guitar case!

Guitarist and author Ava Glendinning is back on the show for the first time in a while. Ava is perhaps best known as one half of the mighty Bicycle Face, but also a member of Robojom, À La Mode, and The Lockdown Project (among others)! We talked about her various musical endeavours, as well as her recently-completed debut novel, a paranormal horror/comedy set in the Winnipeg music scene. Songs on this episode include a couple of Bicycle Face numbers, one of Ava's own isolation experiments, and a song by À La Mode. This episode brought to you by Rob Crooks and Saskatoon Folk Rap Records, and Boots & Saddle on CKUW. Huge thanks to everyone who supports the podcast on Patreon. You can help out for as little as $1 a month if you like the show and want to throw some change in the guitar case!

Vote for History Detective in the 2021 Podcast Awards  in the History and People's Choice categories!https://www.podcastawards.com/ If you would like to support the podcast, you and Buy Me a CoffeeListen to the lyric video  for Sticks and Stones Lyric Video on YouTubeThese Old Bones and Shadow of a Shark are now available on Spotify and all of your music streaming services.Accompanying teaching resources can be purchased from my Amped Up Learning StoreSeason One Cover Lesson BundleReflection QuestionsWhat comparable fake news do we still have in our society? Can you think of any examples of made up health issues?Consider that women could not vote in many parts of the world. Explain why women riding bicycles could be a threat to a patriarchal society.Visit the Trove website and research an aspect related to this episode; bloomers, bicycle face, Mrs Grundy, fashion, enfranchisement. (Be sure to select t he decade 1890-1899.) Find 3 quotes that demonstrate the attitudes and values toward women at this time.Find the cartoon in the Library of Congress, “The bicycle - the great dress reformer of the nineteenth century.” How reliable and useful is this source in depicting fashion from this era?Find the cartoon in the Library of Congress, “The bicycle - the great dress reformer of the nineteenth century.” What is the perspective of the artist who drew the cartoon?What is the implicit meaning behind the statement, “the bicycle hand is a thing of ugliness and a horror for ever"?Contact: Twitter @HistoryDetect, Instagram @HistoryDetective9, email  historydetective9@gmail.comAll original music written and performed by Kelly Chase. 

This week we discover the origins of the chain saw, what happens when you bike too much, and what the original rainbow pride flag looked like. Join us for more information on Instagram, Facebook, and Twitter where you can find me as @Threefactspod on all of them. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

We made it! Here's episode 500! It's a conversation with [Theresa Thordarson](http://theresathor.bandcamp.com/releases), best-known as one-half of the almighty [Bicycle Face](http://bicyclefaceband.bandcamp.com/album/bicycle-face), a/k/a Unicycle Face US. Theresa recently recorded and released a [solo album](http://theresathor.bandcamp.com/releases) and has been actively writing new material during the pandemic. We talked about the record, about living and working in the U.S. and collaborating remotely with her Bicycle Face bandmate, about Winnipeg's ‘alternative heart' music, and much more. If you're looking for celebratory, milestone-marking content, check out our social media for the ongoing '[WITCHPOLICE 500](http://www.facebook.com/watch/WitchpoliceRadio/635527643718267/)' series of live performances by artists from across Manitoba's varied music scene! This episode is brought to you by [Never Better Coffee](http://www.neverbettercoffee.ca/)! Don't forget to check out some socially-distanced shows at the [Park Theatre](http://www.myparktheatre.com/), who have slowly reopened after a long COVID-19 closure. Huge thanks to everyone who supports the podcast on [Patreon](http://[text](http://)www.patreon.com/witchpolice). You can help out for as little as $1 a month if you like the show and want to throw some change in the guitar case!

We made it! Here's episode 500! It's a conversation with Theresa Thordarson, best-known as one-half of the almighty Bicycle Face, a/k/a Unicycle Face US. Theresa recently recorded and released a solo album and has been actively writing new material during the pandemic. We talked about the record, about living and working in the U.S. and collaborating remotely with her Bicycle Face bandmate, about Winnipeg’s ‘alternative heart’ music, and much more. If you're looking for celebratory, milestone-marking content, check out our social media for the ongoing 'WITCHPOLICE 500' series of live performances by artists from across Manitoba's varied music scene! This episode is brought to you by Never Better Coffee! Don’t forget to check out some socially-distanced shows at the Park Theatre, who have slowly reopened after a long COVID-19 closure. Huge thanks to everyone who supports the podcast on Patreon. You can help out for as little as $1 a month if you like the show and want to throw some change in the guitar case!

Abby and Jennie do their favorite thing - research! (You thought we were going to say 'talk about vaginas', didn't you? That's their second favorite thing.) Vagina History 101 Class is in session. Laugh with your vagina besties as we take a look at the ridiculous beliefs (Our uterus is an inside out penis! Whaaaa?) and old timey diseases (Bicycle Face, anyone?) that reigned for far too long.

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica; min-height: 16.0px} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px 'Helvetica Neue'; color: #4a4f56} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px 'Helvetica Neue'; color: #4a4f56; min-height: 15.0px} The theme this week is rap, and our hosts tackle it like any white middle class english men would: with embarrassing enthusiasm and beats stolen from Dre.This week’s pieces:CHARLIEMiss Bliss and Mister Blister She’s sunshine’s brighter sister, with theGist of her rays and her ways And her warm lazy gaze but not seeing Lookin’ but not being alive to the facts That where she’s warm, he lacks Any form of human quality at all But just a short lesson from this rapping impression This guy keeps me guessing’ but he keeps on impressin’ herBENBicycle FaceI rode into the windand I got disfiguredFound no kinda gunCould get me triggered Chose harder higher gearsto push through the years Working uphill for fear of going down I Tried to break And I brokeDown Each passing place I passed the same Ticking off time And tasks the same Making me a machine My bike, my brain Got clogged with clay Saw the next place Refused to passLeft me laying On the cold damp grass These working daysAnd our working waysPut every play in the pastWe are burning our way During our stay In order to travel through fastMATTDraggin’ I don’t take time to get to speed Accelerating, Never need More than what I’ve got — I’m never sweating any beads L-A-S-S I’m here to burn the finish line Smoking all these suckers In my mirrors they’re behind me. Taking the lead,Taking the top team To the limit and winning, Never stopping or giving Anything away This has always been my day For you this is do or die For me this is playtime Hold the red light I don’t want you disqualified I’m here to see your face On the video rewind V-E-G-A, yeah that’s me Taking it above and beyond The whole scene.

This week on Frisky History, Lacey and Robyn talk about how terrified men were when women started riding bikes. Seriously.

Airomatic tires! Side saddles! Misogyny! Recording in a car!

This week Flo and Carra discuss wheel insanity, bicycle face, hygienic saddles and more.  Apologies for the audio quality this week - we recorded amidst a din of cat caterwauling, paper shuffling, police sirens and heating systems.

Doctors have given some odd advice over the years… Take these for example: The Salisbury Steak Diet. People we told only to eat Salisbury steak to cure their sickness. The Tongue Patch Diet. A doctor will sew a plastic patch to your tongue making it excruciatingly painful to eat solid foods. Bicycle Face. Women were warned not to ride a bike because it would cause undesirable physical attributes such as a red puffy face and extended chin. The Spinning Chair. A study took participants and spun them in various directions with the goal of curing brain injuries and mental illness. Also on the show we discuss something called “Alien Yoga” and give a few fitness tips. More at: http://www.undertenfitness.com/

What in the h*** was "bicycle face", why were 1890s doctors afraid of it, and what does it have to do with feminism? Find out today in this single-episode series! Become our patron on Patreon at www.patreon.com/deadideaspod. Maps, pics, references, and more at www.deadideas.net. Music and graphic design by Rachel Westhoff.

Cosmic Lion Radio is back and live in the home of Brian Huskey. You might know him from such things as Childrens Hospital, Another Period, Veep, and the upcoming shows People of Earth on TBS and Mr. Neighbors House on Adult Swim. A true honor and the beginning of a new age here on Cosmic Lion Radio. Out and about, on the scene and in your face, face to face and in place. Brian’s hospitality and sheer awesomeness led to an amazing interview and a great time. Check out his new shows and his old band Bicycle Face (album available on iTunes.) Enjoy! Brian's Vimeo  Brian Twitter  

This week, we sit down with three members of local 'heart-pop' noodlers À La Mode -- outgoing (as in 'about to leave the band') guitarist Andy Cole, frontwoman/mastermind Dominique Lemoine and latest addition Ava Glendinning. (You may recognize Dominique and Ava from our recent Big Mix-Up show). We talk about 'robot' songs (and just robots in general), hear a stripped-down acoustic performance, and discuss the members' other overlapping projects, including the recently defunct Eagle Lake Owls and Witchpolice guests from this spring, Bicycle Face.

This week, we sit down with three members of local 'heart-pop' noodlers À La Mode -- outgoing (as in 'about to leave the band') guitarist Andy Cole, frontwoman/mastermind Dominique Lemoine and latest addition Ava Glendinning. (You may recognize Dominique and Ava from our recent Big Mix-Up show). We talk about 'robot' songs (and just robots in general), hear a stripped-down acoustic performance, and discuss the members' other overlapping projects, including the recently defunct Eagle Lake Owls and Witchpolice guests from this spring, Bicycle Face.

This episode is a workshop-style collaboration that explores self-love practices with a focus on the experiences and art of people living at the intersections of oppression. In this episode Jessica Littenburg reads her poem “Healing Is” which is about finding tools for dealing with chronic illness, Ryannah Quigley shares her inspirational experiences as a plus-sized trans woman of color working on the film project hashtag body beautiful, and the band Bicycle Face shares two children’s songs which combine fun and silliness with some important messages about self-love. Discussion also delves into using art to push back against oppression, giving ourselves permission, valuing what we are doing, self-compassion, and using ritual as a tool for change.

Winnipeg indie-pop duo Bicycle Face not only have a phenomenal band name (and logo, holy shit), but they have a fantastically unique keyboard-and-guitar sound. They hang out on this week's episode to talk about the group's background, select "queen" songs and perform a few live ditties (so stay tuned until the end)!

Winnipeg indie-pop duo Bicycle Face not only have a phenomenal band name (and logo, holy shit), but they have a fantastically unique keyboard-and-guitar sound. They hang out on this week's episode to talk about the group's background, select "queen" songs and perform a few live ditties (so stay tuned until the end)!

Couldn't have had a nicer time on this week's episode with Brian Huskey. Known as a comedic actor, Brian actually started as a musician, playing in the band Bicycle Face in the North Carolina scene that gave birth to bands like Superchunk and Archers of Loaf. After moving to New York, he started taking classes at UCB, where he formed the group Naked Babies with Rob Corddry, Seth Morris and John Ross Bowie, and became one of the founding members of the seminal house team The Stepfathers. Since moving to LA, he's written for and acted in countless shows and movies including Children's Hospital, The Onion News Network, Veep, This Is the End, Kroll Show, Neighbors, Bob's Burgers and more!This is the website for Beginnings, subscribe on iTunes, follow me on Twitter, and check out my gameshow podcast Snap Impression!

It’s been such a crazy week in the news, that James and Jon felt that they would be remiss if they didn’t discuss it.  In doing so they happened into an excellent format.  The first thirty minutes is all current events and outrage.  The second thirty minutes is spent on Jon Feist Writes.  The final … Continue reading Episode 84: Bicycle Face →

On the third episode of Whale Cave, Karen Kilgariff tries to change her Dad with Depeche Mode; Brian Huskey takes us inside the mysterious world of Bicycle Face; and host Matt Price learns what's hot in pop music while returning some spolied meat.  Featured music:  Ali Young.