Podcasts about El Burro

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

En este mensaje, el pastor José Luis habla sobre el significado espiritual del burro en la Biblia y cómo este animal simboliza humildad, servicio, pacto y autoridad legítima en el liderazgocristiano.Explica que Jesús entró en Jerusalén montado en un burro para mostrar que su reino no se establece por la fuerza ni la conquista militar, sino a través del servicio y la humildad. Además, enfatiza la importancia de que los líderes cristianos mantengan la humildad y la fidelidad a Dios al recibir influencia y autoridad, recordando siempre que cargas la presencia de Dios y no debes olvidar tu origen y propósito.

El burro no es terco, es inteligente.En este episodio de Vamos a la playa® nos detenemos a observar a uno de los animales más incomprendidos de la historia. Un compañero silencioso que ha acompañado al ser humano durante más de 7.000 años, contribuyendo a la agricultura, al transporte y a la supervivencia en entornos extremos Hablamos de su verdadero comportamiento, de su capacidad de adaptación, de su memoria y del significado que ha tenido en distintas culturas.Un episodio para cuestionar estereotipos… y empezar a mirar con otros ojos.www.espanolvamosalaplaya.com

Segundo mensaje de la serie: No todos los burros son tan burros. La Biblia está llena de historias fabulosas, todas aplicables, todas profundas. Pero, ¿qué dirías si te cuento que, entre esas historias, hay algunas en las que Dios usó al menos popular de los animales para su gloria? Eso debería ser motivo de gran esperanza, porque si Dios puede usar un burro, Él puede usar a cualquiera de nosotros para hacer cosas maravillosas. Este mes aprenderemos que no todos los burros son tan burros.

Pensó que había dejado de ser útil… pero esa misma noche salvó una vida. Ya está disponible el nuevo episodio: “El burro y la campana rota” Una historia sobre el verdadero valor, la presencia y por qué no necesitas hacer ruido para marcar la diferencia. Escúchalo ahora en todas las plataformas. ¿TE GUSTA ESTE ESPACIO CULTURAL Y LLENO DE ALMA? Ayúdanos a seguir creándolo  : ☕ Ko-fi ➡ https://ko-fi.com/nekoeteurythmia iVoox ➡️ https://www.ivoox.com/support/632772 Disfruta del contenido completo en nuestra web: nekoeteurythmia.com Si quieres participar en el programa, envíanos la historia, eventos o novedades de tu grupo al correo: nekoeteurythmia@gmail.com  Contenido generado por Inteligencia Artificial

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Pensó que había dejado de ser útil… pero esa misma noche salvó una vida. Ya está disponible el nuevo episodio: “El burro y la campana rota” Una historia sobre el verdadero valor, la presencia y por qué no necesitas hacer ruido para marcar la diferencia. Escúchalo ahora en todas las plataformas. ¿TE GUSTA ESTE ESPACIO CULTURAL Y LLENO DE ALMA? Ayúdanos a seguir creándolo  : ☕ Ko-fi ➡ https://ko-fi.com/nekoeteurythmia iVoox ➡️ https://www.ivoox.com/support/632772 Disfruta del contenido completo en nuestra web: nekoeteurythmia.com Si quieres participar en el programa, envíanos la historia, eventos o novedades de tu grupo al correo: nekoeteurythmia@gmail.com  Contenido generado por Inteligencia ArtificialEscucha este episodio completo y accede a todo el contenido exclusivo de NEKO ET EURYTHMIA ®. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/632772

Esmeralda Ruiz analiza la búsqueda de uno de los burros de la Asociación Amigos de la Ribera del Marco, desaparecido desde el domingo en Cáceres.

Hola mi gente! Today we are going to read, translate and listen The Christmas Song: El Pavo y el Burro. I will be reading the song in Spanish very slowly and you will try to understand word by word. You will be learning some interesting words and new vocabulary and also you will be improving your listening skills in Spanish. I will translate the song in English and then read in Spanish again in a normal speed but explaining some words at the same time.. You can support me and my podcast if you want:Donate with PayPal:https://www.paypal.com/paypalme/spanishwithdennisYou can buy me a cup of coffee here:https://www.buymeacoffee.com/spanishwithdennisThe Song: El burro y el pavoHabia una vezSegun dice el cuentoUn pavo de granjaQue vivia del cuentoSiempre se burlabaDe un burro que habiaTrabajando siempreDe noche y de diaY burro llorabaaaaaaafff aaaaaaafffY el pavo reiablblblblblblblbllbblFue en un mes de MayoQue el pavo llego a la granjaY desde ese diaEl burrito no tuvo calmaEl pavo sentadoRiendo gozabaDiciendole al burroTrabaja Trabaja!!!Y burro llorabaaaaaaafff aaaaaaafffY el pavo reiablblblblblblblbllbblPasaron los mesesJunio, Julio, AgostoY el pobre animalVolviendose locoSeptiembre y OctubreY luego NoviembreY sufriendo asiLe llego DiciembreY burro llorabaaaaaaafff aaaaaaafffY el pavo reiablblblblblblblbllbblY faltando un diaPara una gran fiestaLlevaron al burroA comprar la CenaY al volver el burroEl pavo miroQue no trajo carneY se preguntoDonde esta la carneQue yo no la veoDonde esta la carneDonde esta la carneY quien no se pone chivo con ese asuntoEl pavo nerviosoVolvio y preguntoDonde esta la carneNo la veo yoEl burro riendoCon todos los dientesLe responde al pavoLlego tu Diciembre!!!!A comer pavo se ha dicho compai!!!Y el pavo llorabablblbllblblblblbY el burro reiaaaaaaaafffff aaaaaaaffffY el burro reiaaaaaaaafffff aaaaaaaffffY el pavo llorabalblblblbllblblblblbThe Link of The Song:https://www.youtube.com/watch?v=l9V72ufcg-4My new Youtube channel: Spanish with Dennishttps://www.youtube.com/channel/UCQVuRUMQGwtzBIp1YAImQFQMy new Discord server and chat and you can already join and write to me there:https://discord.gg/HWGrnmTmyCMy new Telegram channel and you can already join and write to me or comment there:https://t.me/SpanishwithDennisJoin my Patreon:https://www.patreon.com/spanishwithdennisSupport me by joining my podcasts supporter club on Spreaker:https://www.spreaker.com/podcast/slow-spanish-language--5613080/supportDonate with Boosty:https://boosty.to/spanishwithdennis/donateDonate with Donation Alerts:https://www.donationalerts.com/r/dennisespinosaDonate with Crypto currency:Bitcoin (BTC)1DioiGPAQ6yYbEgcxEFRxWm5hZJcfLG9V6USDT (ERC20)0xeb8f678c0b8d37b639579662bf653be762e60855USDT (TRC20)TXoQwsaiTGBpWVkyeigApLT8xC82rQwRCNEthereum (ETH)0xeb8f678c0b8d37b639579662bf653be762e60855If you have any other suggestions or recommendations on what other platform you can support me and my podcasts, please let me know. You can write to me on telegram.Thanks in advance!! Gracias por adelantado!My other podcasts you can find it on different platforms and apps:1-  Comprehensible Spanish Language Podcast2 - Crazy Stories in Spanish Podcast3 - TPRS Spanish Stories

Distribuido por Genuina Media Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

El "equipo" decide tomar una curiosa estratégia ante el problema que les plantea Negociante, Él.

Miguel Mancera se sinceró con Jorge “El Burro” Van Rankin en una charla llena de anécdotas, risas y confesiones. Habló sobre su amistad con grandes figuras como Luis Miguel, Federico de la Madrid y Roberto Palazuelos, y recordó su noviazgo con la hija del expresidente Carlos Salinas de Gortari. Además, dio su opinión sobre La Casa de los Famosos, revelando cómo este proyecto “vuelve locos” a los participantes, y recordó su paso por el legendario programa El Calabozo. ¡No te pierdas los detalles de su polémica entrevista con Alfredo Adame y la verdadera razón por la que se distanció de Luis Miguel! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Miguel Mancera se sinceró con Jorge “El Burro” Van Rankin en una charla llena de anécdotas, risas y confesiones. Habló sobre su amistad con grandes figuras como Luis Miguel, Federico de la Madrid y Roberto Palazuelos, y recordó su noviazgo con la hija del expresidente Carlos Salinas de Gortari. Además, dio su opinión sobre La Casa de los Famosos, revelando cómo este proyecto “vuelve locos” a los participantes, y recordó su paso por el legendario programa El Calabozo. ¡No te pierdas los detalles de su polémica entrevista con Alfredo Adame y la verdadera razón por la que se distanció de Luis Miguel! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A un hombre lo rechazaron una vez cuando pidió matrimonio y no contento con eso, decidió volver a intentarlo a pesar de la humillación. Mantente al día con los últimos de 'El Bueno, la Mala y el Feo'. ¡Suscríbete para no perderte ningún episodio!Ayúdanos a crecer dejándonos un review ¡Tu opinión es muy importante para nosotros!¿Conoces a alguien que amaría este episodio? ¡Compárteselo por WhatsApp, por texto, por Facebook, y ayúdanos a correr la voz!Escúchanos en Uforia App, Apple Podcasts, Spotify, y el canal de YouTube de Uforia Podcasts, o donde sea que escuchas tus podcasts.'El Bueno, la Mala y el Feo' es un podcast de Uforia Podcasts, la plataforma de audio de TelevisaUnivision.

Hey now, Cabalists! The gang is back and fired up for another episode of The Cabal! Tony's dealing with his dog's unfortunate bout of diarrhea, Chris went out to see Weird Al, and the crew hit the table with a pile of great new games including Above and Below Haunted, Ark Nova: Marine Worlds, El Burro, Heat Pedal to the Metal, Moon Colony Bloodbath, and feature Shackleton Base by Fabio Lopiano and Nestore Mangone, published by Sorry We Are French. After Tony T delivers his always-popular News segment, the gang dives into a discussion on the vital connection between theme and mechanisms in board games. Above and Below Haunted: 00:09:41, Ark Nova: Marine Worlds: 00:18:15, El Burro: 00:27:16, Heat: 00:37:35, Moon Colony Bloodbath: 00:46:319, Shackleton Base: 01:04:09, News with Tony T: 01:38:04, Theme and Mechanism Alignment: 02:31:41. Check out our sponsors Restoration Games at https://restorationgames.com/. Game Toppers at https://www.gametoppersllc.com/. And Game Night Picks at http://gamenightpicks.com/cabal.

Es un cuento lleno de ternura y valentía, donde un pequeño burro descubre que sus diferencias lo hacen especial.Mi Instagram: ⁠⁠⁠⁠https://instagram.com/cuentos_e_historias_infantiles⁠⁠⁠Mi Facebook: ⁠⁠⁠⁠https://www.facebook.com/CuentosHistoriasMexico⁠

El burro no solo es un animal de carga, también es un gran símbolo de la vida rural en Colombia, que además refleja la relación entre los campesinos y la historia del país.

2 Peter 2:15-22 The post El burro sabe mas que tu appeared first on Faith Church.

Lee Juan 12:13–17 Aunque a menudo consideramos a los burros o mulas como tercos y obstinados, en la Biblia se les ve como animales pacientes, tolerantes criaturas de trabajo (Isaías 30:24). Los burros eran bestias de carga en el mundo bíblico y hoy serían el equivalente a las camionetas en cuanto a sus capacidades utilitarias. Pero los burros también tenían otro uso. Fueron montados en coronaciones, por ejemplo Salomón en 1 Reyes 1:33–44. Fueron montados por los hijos de David (2 Samuel 13:29) y por los hijos de los líderes en Jueces (Jueces 10:4; 12:13–15). En Juan 12:13–17, Jesús hace Su entrada triunfal en Jerusalén. El pueblo se reunió en anticipación, gritando: “¡Hosanna! —¡Bendito el que viene en el nombre del Señor! —¡Bendito el Rey de Israel!” (v. 13). Jesús llegó montado en un burrito. Su entrada humilde, pero real, cumplió la profecía de Zacarías 9:9, que hablaba de un rey venidero, “humilde, montado en un burro” (NTV). El burro transmitía el mensaje de que el reino de Jesús no se trataría de poder y dominio terrenal, sino de humildad, paz y salvación. Esto desafió las expectativas de muchos que esperaban un Mesías que derrocaría el dominio romano por la fuerza. Tanto el burro como el caballo son opciones idóneas para la llegada del Rey Jesús. Para Su entrada en Jerusalén en ese primer Domingo de Ramos, Jesús llegaría montado en un humilde burro. Pero cuando regrese, el Hijo de Dios regresará triunfante, cabalgando sobre un caballo blanco. En Apocalipsis 19:11, Jesús regresa como un general victorioso. “Luego vi el cielo abierto y apareció un caballo blanco. Su jinete se llama Fiel y Verdadero. Con justicia dicta sentencia y hace la guerra”. Anhelamos el día en que daremos la bienvenida al Rey Jesús, diciendo: “¡Aleluya! Ya ha comenzado a reinar el Señor, nuestro Dios Todopoderoso” (Apocalipsis 19:6–7). ¿Por qué Jesús eligió llegar con tanta humildad? ¿Cómo contrastará Su regreso en comparación? Ora con nosotros Jesús, nos maravilla la belleza y la humildad de Tu vida en la tierra. ¡Incluso para entrar en Jerusalén, elegiste al humilde burro! Y la anticipación de Tu segunda venida en gloria nos llena de esperanza y alegría. ¡Ven, Señor Jesús!See omnystudio.com/listener for privacy information.

La tragedia de la discoteca JetSet en República Dominicana dejó más de 200 personas fallecidas, entre ellas dos ex peloteros.Por otro lado, un joven colombiano, aficionado de Atlético Nacional, falleció por una puñalada en su pecho, propinada por otro aficionado de su equipo en Brasil, tras un juego de Copa Libertadores.Y en Francia, "aficionados" del PSG atendieron a botellazos a algunos simpatizantes del Aston Villa que disfrutaban un partido en el centro de Paris.Hechos lamentables, algunos fortuitos, pero que sin duda manchan al deporte y se aleja de lo que debería ser: una fiesta. Mantente actualizado con lo último de 'TUDN Podcast'. ¡Suscríbete para no perderte ningún episodio!Ayúdanos a crecer dejándonos un review ¡Tu opinión es muy importante para nosotros!¿Conoces a alguien que amaría este episodio? ¡Compárteselo por WhatsApp, por texto, por Facebook, y ayúdanos a correr la voz!Escúchanos en Uforia App, Apple Podcasts, Spotify, y el canal de YouTube de Uforia Podcasts, o donde sea que escuchas tus podcasts.'TUDN Podcast' es un podcast de Uforia Podcasts, la plataforma de audio de TelevisaUnivision.

León fue expulsado del Mundial de Clubes que organiza la FIFA por culpa de la multipropiedad, es por eso que los dueños de Puebla, que son los mismos que de Mazatlan, estén pensando en vender uno de sus clubes para evitar problemas en el futuro.Hablamos con una leyenda del Puebla a quién le duele ver a su equipo en la situación en la que está y por qué debería ser vendido  cuanto antes. Mantente actualizado con lo último de 'TUDN Podcast'. ¡Suscríbete para no perderte ningún episodio!Ayúdanos a crecer dejándonos un review ¡Tu opinión es muy importante para nosotros!¿Conoces a alguien que amaría este episodio? ¡Compárteselo por WhatsApp, por texto, por Facebook, y ayúdanos a correr la voz!Escúchanos en Uforia App, Apple Podcasts, Spotify, y el canal de YouTube de Uforia Podcasts, o donde sea que escuchas tus podcasts.'TUDN Podcast' es un podcast de Uforia Podcasts, la plataforma de audio de TelevisaUnivision.

Julie and Eric spend some time recapping PAX Unplugged before all of us take a look at the year that was 2024. What was the easiest game to teach? The game that you'd best set aside a day to play? The Hoopiest Hula Hoop? All will be revealed, dear listener! 01:00 - PAX Unplugged Recap 14:03 - The Quiet House 16:49 - Star Trek TNG VCR Game 20:41 - 2024 as a Whole 29:25 - Best to Play at a Convention: Ito, Rock Hard 1977, Duck & Cover 31:40 - Best Theme: Rock Hard 1977, Mistwind, Kelp: Shark vs. Octopus 34:43 - Most Likely to be Gifted: Muppets Clue, Wicked 38:00 - Best Traveling Game: Seaside, Smug Owl, Ito 40:25 - Best Set Aside a Day For It Game: Tidal Blades 2, El Burro, Wandering Galaxy 45:13 - Easiest Teach/Learn: Cat Horror Costumes, Pixies, Ito 46:50 - Bonus Heavy Euro: Civolution 47:16 - Wanted to Play but Didn't: Power Grid Outpost, Quacks of Quedlinburg: The Duel, Paella Park, Pagan: Fate of Roanoke, Daitoshi 50:18 - Hoopiest Hula Hoop: Ziggurat, Slay the Spire, Panda Panda 53:51 - Sharpest Thorn: I Am Done, Clash of Galiformes, Unlock Kids 57:31 - Rosiest Rose: Star Wars Unlimited, Wyrmspan, The 7th Continent 59:22 - Anticipated for 2025 - Raas, Azul Duel, All My Books, The Elder Scrolls, Galactic Cruise Next Episode: January 14th, 2025 Tales of Horror? Questions? tom@dicetower.com

Toyota announced the creation of their swappable hydrogen fuel cells. The cells are hydrogen power and small enough to behave as the propane tank swaps today. We're super excited about this and think this could and should be the future. They smoke the Sinistro El Burro Corojo and drink the Vizcaya VXOP rum. They also discuss delicate digging with pressure washers. https://www.msn.com/en-us/autos/news/toyota-s-portable-hydrogen-cartridges-look-like-giant-aa-batteries-and-could-spell-the-end-of-lengthy-ev-charging/ar-AA1rXmeH?ocid=winp1taskbar&cvid=cf8ff6d8de39423e964aa135c0bfb03a&ei=96

Podcast: LAS NOTICIAS CON CALLE DE 28 DE OCTUBRE DE 2024 - No vendrá a Puerto Rico comediante que habló sucio de Puerto Rico, vienen jóvenes que ganaron su concurso - Kamala presenta plan para Puerto Rico - El Nuevo Día - Jenniffer González es derrotable según encuesta - Miguel Romero con amplia ventaja dice la misma encuesta - Demasiado costoso poner aire en todas las escuelas - Primera Hora - Evalúan subir el mínimo en propinas y agrícolas - El Nuevo Día - Miles de votos adelantados no llegan a su gente a la dirección - El Nuevo Día - Vienen de Estados Unidos a ver los apagones en Puerto Rico y hacer que se divulguen datos - El Nuevo Día- Cano Delgado a punto de cumplir su pena total - Juez resuelve que se sienten a negociar con las bombas de agua entre empresa y recursos naturales - El Nuevo Día - Dan multas por marcos en tablillas - El Vocero - Consideran caso de El Burro podrían solicitar pena de muerte - El Vocero - PNP pide al PIP explicar posición sobre fondos federales - El Vocero MMM hoy voy pa Martins BBQ Cocinando diariamente comida fresca, saludable y sabrosa Hoy es lunes de sancocho o aprovecha la sopa del dia, llévatela en combo con un complemento y Coca Cola o Agua ,….MMMM….Esto si es criollo Martins BBQ El mejor y más sabroso pollo asado a la varita de Puerto Rico, MMM Hoy voy pa Martins BBQ Asado…Jugoso…Sabroso Incluye auspicio

Converso con Daniel Nina Pisan el acelerador del miedo en el PNP Presentan en España una propuesta para devolver la ciudadanía española a los puertorriqueños y otras nubes de humo para desviar la atención mediática Demandan por discrimen político a Javier Jiménez. Contratista de San Sebastián alega que el candidato a la gobernación por el Proyecto Dignidad le canceló contrato por no querer abandonar el PNP y reclama $1 millón Ricky Martin se activa contra el PNP y aumenta la campaña de miedo “El Burro” habría recibido ayuda de policías estatales durante su tiempo prófugo Mientras se reúnen países en cumbre BRICS, En EEUU Trump y Harris van a la caza del voto latino a dos semanas de las presidenciales Muere el astro del béisbol mexicano Fernando Valenzuela Estas son algunas de las noticias que tenemos hoy En Blanco y Negro con Sandra. AUDIO: Este es un programa independiente y sindicalizado. Esto significa que se transmite simultáneamente por una serie de emisoras de radio y medios que son los más fuertes en sus respectivas regiones, por sus plataformas digitales, aplicaciones para dispositivos móviles y redes sociales. Estos medios son: 1. Cadena WIAC - WYAC 930 AM Cabo Rojo- Mayagüez 2. Cadena WIAC – WISA 1390 AM Isabela 3. Cadena WIAC – WIAC 740 AM Área norte y zona metropolitana 4. WLRP 1460 AM Radio Raíces La voz del Pepino en San Sebastián 5. X61 – 610 AM en Patillas 6. X61 – 94.3 FM Patillas y todo el sureste 7. WPAB 550 AM - Ponce 8. ECO 93.1 FM – En todo Puerto Rico 9. Mundo Latino PR.com Podcast disponible en Spotify, Soundcloud, Apple Podcasts, Google Podcasts y otras plataformas https://anchor.fm/sandrarodriguezcotto También nos pueden seguir en: REDES SOCIALES: Facebook, X (Twitter), Instagram, Threads, LinkedIn, Tumblr, TikTok BLOG: En Blanco y Negro con Sandra http://enblancoynegromedia.blogspot.com SUSCRIPCIÓN: Substack, plataforma de suscripción de prensa independiente https://substack.com/@sandrarodriguezcotto OTROS MEDIOS DIGITALES: ¡Ey! Boricua, Revista Seguros. Revista Crónicas y otros --- Support this podcast: https://podcasters.spotify.com/pod/show/sandrarodriguezcotto/support

-      Gobierno federal se consolida: capturan al narcotraficante El Burro, designan a un agente a evitar el fraude electoral que quieren montar, vigila candidatos políticos corruptos -        -      Fiscalía federal designa a un Oficial Electoral para Puerto Rico -      Show de Nydia Velázquez y Alexandria Ocasio Cortés se las cantan a los políticos locales -      Legisladores y candidatos del PNP y sus comentaristas y agentes de propaganda en los medios están en brote porque las congresistas se la dejaron caer -      Miente el jefe de la Policía en rueda de prensa sobre pago de horas extra y copiete de claves del examen de asenso -      ¡¡¡Desacato!!! Juez ordena la demolición de construcción ILEGAL EN LAJAS del pana del alcalde Jayson Jay Martínez,  Roberto Mejías Paz. -      Secretario de Agricultura firma acta donde se viabiliza el proyecto de placas solares en terrenos de una corporación en la que él es inversionista -      Y hoy nos unimos a la pena que embarga el mundo de las artes plásticas con el fallecimiento de una talentosísima y joven pintora, Bárbara Díaz Tapia --- Support this podcast: https://podcasters.spotify.com/pod/show/sandrarodriguezcotto/support

¡ Rápido ! Suscríbete y activa la campanita.Se parte de la comunidad REDE.ENVIAME TUS HISTORIAS A: relatosdesclasificados@gmail.comSÍGUEME EN FANPAGE: https://bit.ly/33H3Og3SÍGUEME EN INSTAGRAM: https://bit.ly/3dgiBmd

In today's episode:Geopolitics and the difficulties in discerning what's actually happening through the fog of an information warThis is not the first time the Regime has tried to overthrow the Maduro governmentWhen Trump plays along for a whileThe Venezuelan situation with Guyana, the oil trade, and currenciesThe Regime forces elections to be held and then tries to dictate the outcomeBoth sides declare victory and the Color Revolution playbook is in full effectMaduro says he isn't going anywhereThe emerging narratives force Regime supporters to violate their principles - we shouldn't be doing the same.Connect with Be Reasonable: https://linktr.ee/imyourmoderatorHear the show when it's released. Become a paid subscriber at imyourmoderator.substack.comVisit the show's sponsors:Diversify your assets into Bitcoin: https://partner.river.com/reasonableDiversify your assets into precious metals: reasonablegold.comOther ways to support the work:ko-fi.com/imyourmoderatorDonate btc via coinbase: 3MEh9J5sRvMfkWd4EWczrFr1iP3DBMcKk5Make life more comfortable: mypillow.com/reasonableMerch site: https://cancelcouture.myspreadshop.com/Follow the podcast info stream: t.me/veryreasonableOther social platforms: Truth Social, Gab, Rumble, or Gettr - @imyourmoderator Become a member at https://plus.acast.com/s/be-reasonable-with-your-moderator-chris-paul. Hosted on Acast. See acast.com/privacy for more information.

In today's episode:Geopolitics and the difficulties in discerning what's actually happening through the fog of an information warThis is not the first time the Regime has tried to overthrow the Maduro governmentWhen Trump plays along for a whileThe Venezuelan situation with Guyana, the oil trade, and currenciesThe Regime forces elections to be held and then tries to dictate the outcomeBoth sides declare victory and the Color Revolution playbook is in full effectMaduro says he isn't going anywhereThe emerging narratives force Regime supporters to violate their principles - we shouldn't be doing the same.Connect with Be Reasonable: https://linktr.ee/imyourmoderatorHear the show when it's released. Become a paid subscriber at imyourmoderator.substack.comVisit the show's sponsors:Diversify your assets into Bitcoin: https://partner.river.com/reasonableDiversify your assets into precious metals: reasonablegold.comOther ways to support the work:ko-fi.com/imyourmoderatorDonate btc via coinbase: 3MEh9J5sRvMfkWd4EWczrFr1iP3DBMcKk5Make life more comfortable: mypillow.com/reasonableMerch site: https://cancelcouture.myspreadshop.com/Follow the podcast info stream: t.me/veryreasonableOther social platforms: Truth Social, Gab, Rumble, or Gettr - @imyourmoderator Become a member at https://plus.acast.com/s/be-reasonable-with-your-moderator-chris-paul. Hosted on Acast. See acast.com/privacy for more information.

On Instagram @a_table_inthecorner Cover image sketched by Courtney Cara Lawson All profile portraits by Russel Wasserfall unless otherwise credited

Tom, Trey, and Elder review El Burro. 0:00:00 IntroductionJenny Nicholson's videoStar Wars Unlimited Expansion Shadows of the GalaxyGuards of Atlantis IIBlood on the Clocktower Concordia0:31:50 Game Review: El Burro: A La Granja GamePlanta NuboLa GranjaAgraCooper IslandTroyes-  Find Etamar at kirbooloni.com-  Game Brain Facebook Group-  Instagram

Ben and Trey go deep into Salton Sea and also share initial impressions of Pax Penning and El Burro.  Plus, the two revisit Heaven & Ale and chat about what they want out of a game store.

Juanma Rodríguez le dedica su comentario de entrada al jugador del Real Madrid

3-24-2024 This message was brought to you by Pastor Nelson Perezwww.1bcchbg.com

Ruben El Burro Ruidoso - Capitulo DosWe appreciate your support! Tune in for fresh episodes every week. Let's keep the conversation going,join our community, subscribe and grow with us!Support the Show.Welcome to 'Facts Or Nonsense Podcast,' where the past, present, and future converge in a symphony of discovery.

Ruben el Burro RuidosoWe appreciate your support! Tune in for fresh episodes every week. Let's keep the conversation going,join our community, subscribe and grow with us!Support the Show.Welcome to 'Facts Or Nonsense Podcast,' where the past, present, and future converge in a symphony of discovery.

Rafael Fernández comparte cada semana interesantes anécdotas de la vida cotidiana y cómo podemos ver la mano de Dios en ellas.

El actor presenta su nueva obra 'Burro', estrenada el pasado 17 de enero en el Teatro Reina Victoria

As always, keep the questions coming to questions@rahdo.com !! :) 0:00 Intro •••Game/show Q&A►►► 0:40 If I can only one 1 game from every year? 14:26 Critiquing Earth? 26:47 Analyzing the stats of 2023? 37:19 Best of 2023 I haven't played? 40:37 Multi-hand co-op? 51:04 How to learn games? 53:11 Board game media ignoring theme? 59:53 Board game media over-emphasizing innovation? 1:05:07 Isn't Tapestry too cutthroat for a carebear? 1:10:12 How much Rahdo on the Rahdo channel? 1:18:42 Board game testing and balance? 1:23:56 Opponents determine my action strength? 1:26:03 El Burro vs La Granja? 1:2917 Crossing Oceans runthrough? 1:30:36 New version of Yunnan? 1:32:42 New games not as good as old games? 1:36:44 Old filming style vs new filming style? 1:40:08 Which heavy game would I play? 1:41:23 Solo categorization? 1:47:00 What are the Rahdo contributor's day jobs? 1:54:23 Board game dilemmas? 2:02:38 Outdated mechanisms? 2:03:45 Boardgame design commandments? 2:05:57 Shorter vs longer game length? 2:14:45 More board game dilemmas? •••Personal Q&A►►► 2:31:18 RV trip travelogue update? 3:23:55 Renting while we're on the road? 3:26:05 RVing vs returning to Europe? 3:28:33 How any American tourists have we run into? 3:29:31 Jen's glass while we're on the road? 3:31:22 UK govt euthanizing pitbulls? 3:32:49 Why do we get to attached to our pets? 3:36:59 Gaza? 3:38:03 Doggos!!! 3:39:55 What politician is so bad we'd vote for Trump over them? 3:43:26 Outro

El burro nos enseña que la verdadera grandeza no reside en la apariencia, sino en la capacidad de llevar nuestras responsabilidades con humildad y determinación. En este episodio, vemos como este noble animal, a menudo visto cargando pesadas cargas con la cabeza baja y avanzando a un paso aparentemente lento, nos ofrece una lección profunda sobre la persistencia en la vida. ¡Éxitos!

Carlos Antonio Vélez, en sus Palabras Mayores del 6 de diciembre de 2023, habló acerca de la Selección Colombia que se alista para los dos últimos amistosos del año; se refirió a las diferencias que hay entre la forma de dirigir de Marcelo Bielsa (Uruguay) y Néstor Lorenzo; asimismo, habló de la cantidad de goles que se anotan en la Premier League; por último, confirmó que no habrá Liga Betplay durante la Copa América 2024.

Juan David Betancurelnarrodororal@gmail.com Había una vez un burro y un camello que trabajaban para un campesino. El campesino maltrataba mucho a ambos animales y además los hacia trabajar desde la mañana hasta la mitad de la noche y poco les daba de comer. Un día, cansado del mal trato el burro le dijo a la camello . no aguanto más esta vida que me están dando, mañana me voy a ir y dejare este campesino. El camello que le respondió. Yo también quiero irme pero no se como hacerlo.  El burro que pese a su mala fama es muy inteligente le dijo. Este es mi plan. Mañana cuando nos carguen con los sacos de trigo nosotros vamos a caminar un rato, pero en algún momento cuando el sol este en lo alto nos tiramos al suelo y hacemos como si estuviéramos muertos de cansancio. Obviamente el campesino como es su costumbre nos va a golpear para que nos paremos y sigamos caminando con la carga de trigo. Pero nosotros nos quedaremos quietos, quietos y el campesino nos castigara de nuevo pero nosotros permaneceremos acostados. Finalmente, el pensara que efectivamente estamos casi muertos y nos dejara a mitad de camino y el continuara con el resto de animales cargados.  -De acuerdo -dijo el camello. Así lo haremos.Al día siguiente, el burro y el camello, como de costumbre, cargaron los sacos de trigo y comenzaron a caminar y cuando vieron que el sol estaba en lo alto y que el calor era mayor, simplemente se tiraron al suelo y se tumbaron como si estuvieran muertos. El campesino enojado se acercó a ellos y con una vara se puso a darles golpes, mientras les decía. Levántense animales. No es tiempo de descansar. Después de algunos minutos el camello se paro cansado de recibir golpes, pero el burro continuo tirado en el piso. El campesino pensó que el burro realmente estaba a punto de morir y recogiendo la carga del burro se la puso encima al camello quien le toco soportar el doble del peso. El astuto burro por su parte cerro los ojos y espero hasta que el campesino se hubiera marchado y feliz se levanto y comenzó a correr hacia el otro lado para que el campesino no lo viera.  Caminando, caminando llego a una planicie donde encontró un animal que nunca había visto, era un tigre que estaba buscando que comer. El tigre había olfateado al burro y se el había acercado muy lentamente, cuando ya estaba cerca para abalanzarse sobre el el burro lo escucho y comenzó a mover las orejas, a estirar la cola y a rebuznar como solo los burros lo saben hacer. El ruido que producía era tal que el tigre paro en su carrera y se tapo los oídos. La imagen de aquel ser desconocido con grandes orejas, piel negra, cola parada, boca grande y una grito terrible lo asusto de muerte.  Inmediatamente se dio vuelta y comenzó a correr hacia el otro lado hasta que llego donde un lobo que estaba igualmente paseando por la pradera en busca de algo delicioso que comer. El tigre que venia cansado de correr paro ante el lobo y este le dijo. Tigre que pasa nunca te había visto tan apurado. El tigre con temor le dijo. Acabo de ver un monstruo como nunca antes. Tiene alas en la cabeza, una lanza en la cola, es de color negro y produce un sonido infernal por una boca grande. Debe ser el mismo demonio. El lobo oyo esto y pensó. Me suena que debe ser un burro y se por experiencia propia que son muy deliciosos.  -Ese animal es un burro. No debes tenerle miedo. Ven, va­mos juntos a atraparlo y prepararemos una buena cenita para los dos. El tigre comprendió que lo habían engañado y furioso dijo. Conque no es un demonio, vamos pues y lo cazamos para la comida. Y juntos tigre y lobo salieron a buscar el burro.   El burro por su parte se había parado en lo alto de una pequeña colina dedicado

Juan David Betancurelnarrodororal@gmail.comPues iba paseando Cosiaca por el campo a las afueras de la villa de la candelaria,  hoy Medellín,  cuando se encontró un burrito muy bonito. Cosiaca se Montó en él  y se fue hasta donde un caballero muy rico y generoso que vivía en esos tiempos cerca a la ciudad y le pidió trabajo. El caballero le tomo cariño a cosiaca ya que este era muy entrador y conversador y lo contrato para que le cuidara los potreros de la hacienda. Por el trabajo el hombre le pagaría una moneda de oro al mes  y las tres comidas. Cosiaca y su burro se lo pasaron muy bien en aquella hacienda ya que el trabajo no era muy duro y la comida era abundante, tanto para el como para el burro. Paso todo un año y cosiaca que no necesitaba gastar en nada ya que la comida se la daban gratis se encontró con que tenía 12 monedas de oro ahorradas. Cosiaca que no había visto nunca tanto dinero junto se emocionó mucho y para que no se las robaran las metió por la cola del burrito.  De camino a la villa, por allá por el alto de santa elena, paso por la casa de un señor muy rico que al verlo pasar le dijo.  Oiga buen hombre, como se llama usted.  Cosiaca le contesto. Pues se me conoce como cosiaca y estoy para servirle.  El ricachón le dijo. Veo que tiene un burrito muy bonito. De muy buena pinta…. Dígame de quien es ese burrito. Cosiaca levanto pecho y dijo. Pues este burro es mío y me sirve para todo quehacer. Además le cuento que me da mis buenas monedas de oro todos los días.  El hombre intrigado le respondió. Y que gracia es esa. Hombre no le entiendo.  Cosiaca se monto en el burrito y con las espuelas golpeo al burrito en la panza del burrito y este soltó una ventosidad por la cola y junto a ella cayeron 3 monedas de oro.  El rico no lo podía creer. Cosiaca se bajo del burrito recogió las monedas y dijo. Ya ve señor como este burrito me provee de todo lo que necesito.  El rico asombrado le dijo. Oiga hombre cosiaca yo no había visto algo como eso nunca. Y ese burro de donde saca las monedas de oro.  Pues de la comida mi don. Como todo los burros. Yo le doy pasto verde bien fresquito y el después de un día me da 3 o 4 monedas de oro. No se dotor de pronto es algo que mi dios me mando. Pero así ha sido desde hace mucho tiempo. El rico se fue entusiasmando y le dijo -Hombre cosiaca , ¡véndeme tu burro!-¡Pero cómo le voy a vender el burro, señor, Fíjese, que cada vez que necesito con que pagar algo, simplemente me monto en el y le doy un espuelazo y listo en seguida me suelta varias monedas de oro. Yo no necesito más. El rico que estaba más que entusiasmado le insistió. Hombre cosiaca te voy a dar mil monedas de oro. Así que ya podrás tener el dinero que necesitas por mucho tiempo. Cosiaca se hizo como el desentendido por un rato y después le dijo. Mire dotor es que esto es muy mal negocio para mi. Con mil monedas yo puedo vivir un año pero después que. En cambio el burrito me puede dar monedas por muchos años si lo cuido bien. Además yo necesito el burrito para ir a la villa. -Entonces, el rico  le ofreció dos mil quinientas monedas de oro y el mejor caballo tenia en los potreros .  Cosiaca haciéndose el difícil finalmente dijo. Esta bien, tráigame el caballo y el saco de monedas de oro. El ricachón salió para la hacienda y en menos de lo que canta un gallo llego con el caballo y un par de alforjas llenas de monedas de oro.  Cosiaca que era muy desconfiado se sentó a contar las monedad y después de un rato dijo. Están bien 2500 monedas. Ya podemos hacer el intercambio y le pas

Camino al mercado, un hombre, acompañado de su hijo y un burro, escucha las opiniones que la gente tiene sobre él e intenta complacer a todos. ¿Crees que lo logre?

Aunque usted no lo crea existe un gran porcentaje de la población que no tiene redes sociales y no es exclusivamente de los viejos. ¿Cuáles fueron las razones? ¿Se metieron en problemas?Se abre un nuevo Incentivo monetario en un país europeo, a raíz de la baja taza de población en los últimos años. ¿Quieres participar en la repoblación del mundo? Esta información te puede interesar.¡Ponte los audífonos y escucha el podcast de El Bueno, La Mala y El Feo que está caliente en Uforia, Apple Podcast o Spotify o en tu plataforma favorita!

Hoy te quiero compartir la historia que demuestra la razón por la cual no debes perder tu tiempo discutiendo con burros.Suscríbete gratis a mi nuevo newsletter "Domina Tu Camino" y recibe directamente en tu bandeja de email una dosis de desafíos diarios para inspirarte a actuar: https://gustavovallejo.com/newsletterSupport the show

Is this The ultimate overlanding bug? Thats what Jamie Wiseman set out to build. After listening to this podcast you may agree Jaime is a certified master tech for Honda after working for dealerships decided to open his own garage. Buying a bug for his wife back in 2015 spurred his interest and Air-cooled VW's. His commitment to reliability and uniqueness led him to eventually stumble across the 67 that you hear about on this podcast. From custom making his own a-arm suspension to modifying bus shifter to work the rebuilding this entire beetle purely to make it a purpose built long haul traveler that can trail with the best of them. Listen as it goes back to the drawing board for version 3.0 the new Drive train set up is a late model bus box ,IRS trailing arms, fuel injected, electronic engine management and turbo charged with a lot of engineering designed into the build. You'll agree that this is one awesome beetle that makes us all want to take 8000 mile adventures. This VW has Aor conditioning, power assit steering, diesel heater and much more. By the time your done listing to this you'll remeber Jamie Wiesman and El Burro the overlanding beetle!   https://www.instagram.com/jamiewiseman/ https://rosswulf.com https://vwtrendsmagazine.com https://www.ulogoup.com https://www.instagram.com/lanny_hussey_custom_cars/

Hoy en Historias del Más Acá:   Notas Macabrosas Se rompe una piedra en Japón que contenía a un demonio en forma de zorro con 9 colas: Como si nos hicieran falta malas noticias. Se viraliza el video de un hombre encontrando un supuesto embrión extraterrestre: Probablemente es un molusco, pero definitivamente está bien raro. Reportan venta de equipo médico radiactivo en un tianguis de México: Aquí vamos de nuevo Roban caja con cabezas humanas en Denver: (insertar chiste de “perdió la cabeza” aquí) Se avistan enormes cocodrilos en las playas de Costa Rica: Andan turisteando con la mandíbula trabada Burro mata a su dueño a mordidas y se descubre que también mató a su dueño anterior: El reboot de Shrek se puso muy raro Arrestan a hombre que grabó alrededor de 500 personas desnudas sin su consentimiento: Los pervertidos con tecnología son peligrosos   ¿Tienes una noticia / suceso que te gustaría que comentemos? Escríbenos a sucesos@sincontexto.com con el asunto "Historias del Más Acá" BRUJA EMBRUJADA LINKS: YOUTUBE: https://youtu.be/81EhKVzezO0 IG y TT : @THE_REAL_ANTONIOS FB: https://www.facebook.com/therealantonios CANCION: https://orcd.co/therealantonios-brujaembrujada También puedes escucharnos en Youtube, Spotify, Apple Podcasts, Google Podcasts o tu app de podcasts favorita.   Apóyanos en Patreon: https://www.patreon.com/leyendaspodcast​   Apóyanos en YouTube: https://www.youtube.com/c/leyendaslegendarias/join   Síguenos: https://instagram.com/leyendaspodcast​ https://twitter.com/leyendaspodcast​ https://facebook.com/leyendaspodcast​   #Podcast​ #LeyendasLegendarias​ #HistoriasDelMasAca Patreon: https://www.patreon.com/leyendaspodcast