Podcasts about Garibay

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

La realidad de esta imagen es la siguiente. El general Trevilla habló con Ulises Sánchez Garibay, alias “El Inge”, en junio de 2018 para que dejara pasar un convoy militar. En menos de un mes este sujeto, Sánchez Garibay, fue detenido.

Candace and Cuitlahuac speak with Texas House District 49 Democratic candidate Montserrat Garibay who talks about her personal and professional journey, education-specific legislative goals, and what she's hearing is important to the people in her district.

Hola Darling!! Espero que estés excelente. Hoy regresa Bárbara Garibay al podcast, pero con una identidad totalmente renovada. Hoy, Bárbara es stylist y closet curator, y nos comparte su proceso de transformación: cómo dejó una versión de sí misma que ya no la representaba, cómo soltó las etiquetas con las que la conocíamos y cómo está encontrando un camino mucho más auténtico, alineado y consciente. Hablamos de moda... de cómo vestirte con intención puede cambiar tu energía y cómo literalmente puedes impulsar tus sueños a través de tu closet. Espero que te encante tanto como a mi!    Checa este episodio en YouTube: https://youtu.be/wdyMkyebnJ8 Sígueme en mis redes sociales: https://www.instagram.com/stephanierdzs/  https://www.tiktok.com/@stephanierdzs  https://stephanierodriguez.mx/   Sigue a Bárbara en Instagram: https://www.instagram.com/barbaragaribay_/?hl=es

#LucíaMéndez evitó comentar sobre #AntonioPérezGaribay, afirmando que sus abogados le prohíben hablar del tema.See omnystudio.com/listener for privacy information.

What can our children’s screen time teach us about family relationships? Cecilia Sada Garibay, graduate student in communication at the University of Arizona, observes to find the answer. Before entering her Ph.D. program, Sada Garibay was a professor and researcher at the School of Communication at Universidad Panamericana in Mexico City. There, she taught courses […]

In the fall of 2017, Enrique Garibay Ruiz—a physicist, mathematician, and writer—left Budapest for what he promised would be a short trip to the United States. He visited New York, then flew west to Los Angeles, checking into a hostel and renting a gray Toyota RAV4. He told his family he'd be home soon. But Enrique never came home. On October 3rd, he checked out of the hostel.  On October 4th, he rented the car.  On October 5th, he told his wife he was at the airport, waiting for a flight back to Hungary. Just hours later, in the early morning of October 6th, his credit card was swiped at a Carl's Jr. near LAX. After that—nothing. The car was never returned. Enrique was never seen again. In one of the busiest cities in the world, he simply vanished. Listen as we dive into the Los Angeles, the case of Enrique Garibay Ruiz, and how to stay alive on vacation. Do you have a story to share? Send your email to lasttrippodcast@gmail.com We're on YouTube with full video: https://www.youtube.com/@TheLastTripPodcast Follow us on IG: https://www.instagram.com/thelasttripcrimepod/ And join our Patreon: https://www.patreon.com/TheLastTripPodcast Theme Music by Roger Allen Dexter Sources: https://charleyproject.org/case/enrique-garibay-ruiz https://www.reddit.com/r/MissingPersons/comments/wzh9bz/missing_nuclear_physicist_in_la_enrique_garibay/ https://www.univision.com/local/los-angeles-kmex/enrique-por-favor-regresa-a-casa-la-suplica-tras-la-misteriosa-desaparicion-de-un-cientifico-mexicano-en-los-angeles https://charleyross.wordpress.com/2019/10/04/national-hispanic-heritage-month-enrique-garibay-ruiz/ https://www.univision.com/local/los-angeles-kmex/donde-esta-enrique-a-seis-meses-de-la-misteriosa-desaparicion-de-un-cientifico-mexicano-en-los-angeles https://crimesolverscentral.com/blog/post?name=the-enigmatic-disappearance-of-enrique-garibay-ruiz-a-15505 https://www.facebook.com/BuscoAQuique/ https://www.univision.com/los-angeles/kmex/noticias/desapariciones/reportan-desaparecido-a-un-cientifico-mexicano-que-viajaria-de-los-angeles-a-hungria https://regeneracion.mx/desaparece-cientifico-mexicano-en-los-angeles/ https://www.univision.com/los-angeles/kmex/noticias/desapariciones/lo-que-sabemos-sobre-el-caso-del-cientifico-mexicano-desaparecido-en-los-angeles-video https://www.gofundme.com/f/help-enrique-garibay-ruiz039s-family https://websleuths.com/threads/ca-dr-enrique-garibay-ruiz-51-los-angeles-6-oct-2017.356673/ https://enriquegaribay.blogspot.com/ https://www.proceso.com.mx/nacional/2017/10/31/buscan-al-cientifico-mexicano-enrique-garibay-desaparecio-en-los-angeles-hace-25-dias-194112.html https://beverlypress.com/2017/10/authorities-seek-clues-about-man-gone-missing/ https://www-expreso-com-mx.translate.goog/noticias/mundo/el-fisico-nuclear-mexicano-enrique-garibay-ruiz-desaparece-en-los-angeles/24915

José Ramón Zavala entrevista al padre de Checo Pérez, Antonio Pérez Garibay, quien revela cómo se están manejando las negociaciones del piloto con escuderías para regresar en 2026. Conéctate en Tamara con Luz en MVS, de lunes a viernes, de 10:00 AM a 01:00 PM por MVS 102.5 FMSee omnystudio.com/listener for privacy information.

Fue sede real y capital de reino, la cuna de los reinos de Castilla, Navarra y Aragón. Nájera fue escenario del medieval juego de tronos español. Sus calles guardan historia y leyendas, que cobran vida, gracias a sus vecinos, cada año, en la Crónica Najerense. Representación teatral -declarada Bien de Interés Cultural y Fiesta de Interés Turístico de La Rioja- en la que se narra, entre otros pasajes, el prodigioso hallazgo de la Virgen Negra de la Jarra o de la Terraza que dio origen al Monasterio, y panteón real, de Santa María la Real. Hoy descubrimos en la España Mágica de Más de Uno con nuestro compañero Fran Contreras los secretos, historia y leyendas de Nájera junto con Jesús Pérez Garibay, responsable de comunicación de la Crónica Najerense

At age 20, Juan Garibay survived a spinal cord injury that changed the course of his life. Once involved in gang activity and serving time in prison, Juan emerged from tragedy with a new sense of purpose. Today, he is a Research Assistant and Program Manager at the Rancho Research Institute, where he helps shape groundbreaking rehabilitation programs and spinal cord injury research. In this inspiring episode of Walk and Roll Live – Disability Stories, Juan shares his powerful story of redemption, transformation, and impact. From his early days volunteering at Rancho Los Amigos to leading life coaching programs and enrolling patients in the SCI Model System study, Juan has devoted more than 20 years to helping others turn their lives around. Tune in as we discuss violence prevention, spinal cord injury recovery, peer mentorship, and the critical role of lived experience in rehabilitation. Juan's story is a testament to resilience, second chances, and the life-changing power of service. Walk and Roll Live 

Excelente trabajo que realizo obras públicas del municipio de Durango con este espectacular estadio de beisbol, nos acompaña Carla Sanisima

Jorge Garibay graduated from McKay HS in 2014 and was part of group that competed for a league title while he was there. It took a lot of time in the gym to get there, and his leadership was a big reason for that. Jorge looks back at the process to getting there and what it meant for him to make McKay basketball competitive. 00:42 Developing his competitive drive 02:20 Learning to compete at the varsity level as a sophomore 06:23 Gaining confidence and feeling like he belonged on the court 07:30 Getting involved in sports as a kid 10:00 Gaining motivation by watching McKay HS games during the Martino-era 14:15 Developing his work ethic 16:09 Learning from and through his family history 18:30 Learning the blocker-mover system into his junior year 26:46 Off season workouts at McKay 29:00 Stepping up junior year and being a competitive program as juniors and seniors 46:00 Lessons learned through sports and hard work 49:48 Being able to play for Coach Sanderson and live up to his expectations

In this episode, we sit down with Lt. Nathan Garibay to talk about the life-saving work of Deschutes County Search and Rescue. From avalanches, to ski rescues to recent flooding near Burns, Lt. Garibay shares how teams train, deploy, and stay ready for anything. Hear firsthand what it takes to respond when the terrain is tough, time is short, and lives are on the line.

En el episodio de hoy de VG Daily, Andre Dos Santos y Eugenio Garibay analizan la guerra comercial global que se está intensificando tras la entrada en vigor de los aranceles del 25% al acero y aluminio impuestos por Trump. Los presentadores examinan cómo estos gravámenes, efectivos desde la medianoche del 11 de marzo, han provocado represalias inmediatas de la Unión Europea, que impondrá contraaranceles a productos estadounidenses por valor de 26.000 millones de euros a partir del 1 de abril.La dupla profundiza en la respuesta contundente de Canadá, que anunció aranceles del 25% sobre bienes estadounidenses valorados en 30.000 millones de dólares canadienses, con planes de incrementarlos hasta 155.000 millones en 21 días. Mientras tanto, explican cómo México intentó sin éxito quedar excluido de estas medidas a pesar de los esfuerzos diplomáticos liderados por el secretario de Economía, Marcelo Ebrard.Dos Santos y Garibay desglosan el impacto económico potencial de esta escalada comercial, desde el aumento de precios en productos cotidianos como automóviles y electrodomésticos hasta la volatilidad en los mercados financieros globales. El episodio concluye aterrizando todos estos temas en el mercado.

Chicago is a city of pubs and taverns with a robust drinking culture. During the holiday season, that might mean sipping on some warm Swedish glögg, or, as we heard in our last episode, grabbing a Tom and Jerry at Miller's Pub. But what about a Chicago-specific cocktail? “People really want us to have a cocktail,” said Liz Garibay, executive director of the Beer Culture Center. “It's like, you go to New Orleans and there's a Sazerac. You go to New York, there's Manhattan.” So is there a quintessential Chicago cocktail? Curious City host Erin Allen talks to Garibay as well as Greg Shutters, owner of Cohassett Punch Liqueur to see what they think. Garibay says either way, the city's drinking culture is shaped by its immigrant and working class roots. We talk with Garibay and Shutters about Chicago's drinking scene, past and present.

Antonio Pérez Garibay, padre del piloto mexicano de Fórmula 1, Sergio ‘Checo' Pérez, dice que quienes aseguraban que su hijo no seguiría en Red Bull en 2025, deberían ofrecer disculpas. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Ali USA Podcast episode # 237. Feat. James Garibay. Recorded on October 20th, 2024.

Send us a textIn today's episode, I interview Julia Grupińska, Tian Westraad, and Ezequiel Garibay, three of the five directors of the short film "El Ombligo de la Luna." The short animated film is a heartwarming story of a boy reconnecting with his long lost father and was selected as a finalist for the 2024 Student Academy Awards.Listen to hear about how the team found the perfect voice for one of their main characters, the meaning of the title of the film, and what movies the directors all agree on as some of their favorites.Books mentioned in this episode include:The Uses of Enchantment: The Meaning and Importance of Fairy Tales by Bruno BettelheimManufacturing Consent: The Political Economy of the Mass Media by Edward Herman and Noam ChomskyOutliers: The Story of Success by Malcolm GladwellThe Ambassadors by Henry JamesFilms mentioned in this episode include:"El Ombligo de la Luna” directed by Sara António, Julia Grupińska, Bokang Koatja, Tian Westraad, and Ezequiel GaribayThe Lord of the Rings: The Fellowship of the Ring directed by Peter JacksonThe Lord of the Rings: The Two Towers directed by Peter JacksonThe Lord of the Rings: The Return of the King directed by Peter JacksonWhiplash directed by Damien ChazelleThe King's Speech directed by Tom HooperThe Matrix directed by Lana Wachowski and Lilly WachowskiYou can check out the film on YouTube and find the work of Aldo Martínez who composed the music for the film on SoundCloud and Instagram.Follow the film on Instagram @luna.gobelins, Julia @juliagrupinska, Tian @tian.ouest, and Ezequiel @ezequiel_garibay.

Coatepec fue nombrado Pueblo Mágico en 2006 por la Secretaría de Turismo de México, y hoy Justo José Fernández Garibay, Director General del Hotel Posada Coatepec y Givette Orea, Directora General de la Asociación Nacional de Cadenas Hoteleras, les van a decir por qué sí o sí tienen que conocerlo. Hosted on Acast. See acast.com/privacy for more information.

Fin de semana del circuito donde más veces ha ganado Checo Pérez y quén mejor que el papá del mismo Checo; Antonio Pérez quien nos contará el detrás de estas victorias y algunos secretos detrás del piloto tapatío. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Reorg Primary View, Javier Garibay, a senior associate at Mayer Brown in Mexico City specializing in M&A and restructuring, talks with Reorg's Maria Abreu about the challenges in restructuring Mexican companies that have issued bonds governed by U.S. law and are navigating commercial bankruptcy in Mexico, as well as strategies for bondholders to safeguard their interests before and during the bankruptcy process. And as always, we also bring you our weekly summary of interesting developments in the restructuring world as well as a preview of what's on tap for this week. For more information on our latest events and webinars, visit reorg.com/resources/events-and-webinars/ Sign up for our weekly newsletter, Reorg on the Record: reorg.com/resources/reorg-on-the-record We're looking for feedback to improve the podcast experience! Please share your thoughts by taking the survey:https://www.research.net/r/Reorg_podcast_survey

Did you know that the Girl Scouts is now giving the 1.7 million girls in its program the opportunity to earn a homosexual pride patch?  To qualify, the younger Girl Scouts are required to attend three God-forsaken homosexual pride events like the non-family friendly marches! And the older Girl Scouts are required to attend six homosexual pride events. Plus, their bizarre “patch” work involves creating a painting of a famous homosexual and compiling a music playlist of 12 homosexual singers. And last summer, the Girl Scouts implemented its Camp Culture Code document which requires all Girl Scouts and its leaders to use the biologically incorrect pronouns of gender-confused girls who are pretending to be boys. Guest host Adam McManus interviews Patti Garibay, founder of American Heritage Girls, a Christ-centered scouting program for girls in which his 12-year-old daughter, Mercy, participates. Garibay discusses the 35-page e-book entitled “Raising Godly Girls Guide to Gender and Identity” which will empower parents a guide through the secular maze of gender and identity in a chaotic and confused culture. A recent report revealed that the majority of adolescents who start to question their gender identity in America are girls. And nearly 30% of Gen Z women identify as homosexual, transgender, or confused. Garibay, the host of the new Raising Godly Girls Podcast, said “American Heritage Girls provides a space that celebrates the Biblical femininity inside every girl who was purposefully designed by God. He has created men and women differently on purpose. For centuries, the beauty of God-given femininity has been under attack, its definition debated, its behavior contested. Secular humanism has attempted to destroy the beautiful model of femininity and transform it into an equal model to masculinity. “Today, it has gone one step further to claim an embrace of non-binary sexual identity. With all this confusion in our society, it is no wonder that this debate has filtered down to our youngest members: our children. This is no coincidence. Satan is in for the long haul. As Christians, we must engage in this debate. Scripture is clear.” That's why, in partnership with True Girl, American Heritage Girls is offering three Biblically-focused patches that affirm a girl's God-given identity. This program includes: 1. The World View in 5 Minutes with Adam McManus (Girl Scouts pushes homosexual “pride” patch, Joe Biden's grimace-worthy post-debate interview, Swanson heard bombs in Ukraine & asks for prayers for suffering church) 2. Generations with Kevin Swanson (Guest Host: Adam McManus)

It's Monday, July 8th, A.D. 2024. This is The Worldview in 5 Minutes heard at www.TheWorldview.com. I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Kevin Swanson heard bombs in Ukraine, asks for prayers for suffering church Kevin Swanson, the founder of Generations, has been traveling throughout Ukraine.  Here is his report. SWANSON: “Adam, Gerald Huebner and I are in Kryvyi on a mission to bring the family discipleship message to the nation of Ukraine. We have been invited to encourage pastors, Christian leaders, and families from various denominations on the subjects of Christian family life, Christian worldview, and family-based education during a time of very deep crisis for the nation. “We rode the train overnight into Kryvyi, into south central Ukraine, arriving about five o'clock this morning. I'm gonna say about 7:30am the bombing siren sounded and explosions were heard around the city, probably Ukrainian defenses shooting down missiles launched into the area. “An Evangelical pastor in Cherkasy told me yesterday they have had more free speech and less persecution at the hands of the state here in Ukraine since gaining independence in 1992. Ukrainians have an independent streak and they appreciate their freedoms here. “Now, this has been a time of growth for Evangelical Christian faith in the country. But Christians have recently reported 30 Ukrainian Evangelical pastors killed thus far in the war at the hands of the Russians. The two-plus year war is wearing hard on the civilian population here in central, southern, and eastern Ukraine. The power grid is mostly down, maybe two hours a day. Very little air conditioning, not much promise of heating this winter. “However, these pastors tell us that the Evangelical work of the church must continue despite the war. We still have the obligation to pursue the greatest commission disciple the nations no matter what. And that's why we are ministering here in Ukraine on this day, July 5, 2024. So, pray for the suffering Church in a time of war. These are faithful Christians serving Jesus, but facing extreme hardship. “This is Kevin Swanson reporting for The Worldview from Kryvyi, Ukraine.” Revelation 2:10 says, “Do not be afraid of what you are about to suffer. I tell you, the devil will put some of you in prison to test you, and you will suffer persecution. … Be faithful, even to the point of death, and I will give you life as your victor's crown.” Joe Biden's grimace-worthy post-debate interview Following the June 27th Biden/Trump presidential debate in which many viewers thought Biden's performance was so demonstrably poor that he should consider withdrawing from the race altogether, ABC aired an eye-opening interview last Friday in which George Stephanopoulos sat down with President Biden who blamed his bad performance on a cold. STEPHANOPOLOUS: “Let's start with the debate. You and your team have said you had a bad night. But your friend Nancy Pelosi actually framed the question I think is on the minds of millions of Americans. Was this a bad episode or the sign of a more serious condition?” BIDEN: “It was a bad episode. No indication of any serious condition. I was exhausted. I didn't listen to my instincts, in terms of preparedness, and a bad night.” STEPHANOPOLOUS: “You know, you say you're exhausted. And I know you've said that before as well. But you came home from Europe about 11 or 12 days before the debate, spent six days in Camp David. Why wasn't that enough rest time, enough recovery time?” BIDEN: “Because I was sick. I was feeling terrible. Matter of fact, the docs with me I asked him if did a COVID test because we're trying to figure out what's wrong. They did a test to see whether or not I had some infection, you know, a virus. I didn't. They just said I had a really bad cold.” Stephanopolous to Biden: "Are you more frail?" STEPHANOPOLOUS:  “Do you dispute that there have been more lapses, especially in the last several months?” BIDEN:  “Can I run the 100 [meters] in 10 [seconds] flat? No. But I'm still in good shape.” STEPHANOPOLOUS:  “Are you more frail?” BIDEN: “No.” STEPHANOPOLOUS:  “I know you spoke with your doctor after the debate. What did he say?” BIDEN: “He said, ‘You're exhausted.' I have medical doctors travel with me everywhere I go. Every president does, as you know. I have an ongoing assessment of what I'm doing. They don't hesitate to tell me if they think there's something wrong.” STEPHANOPOLOUS:  “Have you had a full neurological and cognitive evaluation?” BIDEN: “I get a full neurological test every day. And I've had a full physical.” STEPHANOPOLOUS:  “Have you had this specific cognitive test? And have you had a neurologist, a specialist, do an examination?” BIDEN: “No. No one said that I had to.  They said I'm good.” STEPHANOPOLOUS:  “Would you be willing to undergo an independent medical evaluation that included neurological and cognitive tests and released the results to the American people?” BIDEN: “Look, I have a cognitive test every single day. Everything I do. Not only am I campaigning, but I'm running the world. There's no day I go through there are not those decisions I have to make every single day.” STEPHANOPOLOUS:  “Yet there are concerns about your age and your health are growing. So, that's why I'm asking you. To reassure them, would you be willing to have the independent medical evaluation?” BIDEN: “There's a lot of time left in this campaign. There's over 125 days.” STEPHANOPOLOUS:  “The answer right now is: ‘No.' You don't want to do that right now.” BIDEN:  “No, I've already done it.” Stephanopoulos to Biden: "Are you "being honest with yourself?" Stephanopoulos became more direct. STEPHANOPOLOUS:  “Are you sure you're being honest with yourself when you say you have the mental and physical capacity to serve another four years?” BIDEN: “Yes I am because, George, the last thing I want to do is not be able to meet that.” STEPHANOPOLOUS:  “But are you being honest with yourself as well about your ability to defeat Donald Trump right now?” BIDEN: “Yes! Yes, yes, yes.” STEPHANOPOLOUS:  “You say that and let me challenge you.” BIDEN: “Sure.” STEPHANOPOLOUS:  “Because you were close, but behind going into the debate. You're further behind now, by any measure. It's been a two-man race for several months. Inflation has come down.  In those last few months, he's become a convicted felon, yet you're still falling further behind.” BIDEN: “You guys keep saying that. George, look, you know polling better than anybody. Do you think polling data is as accurate as it used to be?” Number of Americans who think Biden is too old has doubled The ABC anchor cited the dramatic increase in American voters who believe Joe Biden is too old to run for re-election. STEPHANOPOLOUS:  “The number of Americans who think you're too old to serve has doubled since 2020. Wouldn't a clear-eyed political calculus tell you that it's going to be much tougher to win in 2024?” BIDEN: “Not when you're running against a pathological liar. Not when he hadn't been challenged in a way that he is about to be challenged. Not when people …” STEPHANOPOLOUS:  “You have had months to challenge him.” BIDEN: “Well, sure I had months, but I was also doing a lot of other things like wars around the world, by keeping NATO together.” STEPHANOPOLOUS:  “Do you really believe you're not behind right now?” BIDEN: “All pollsters I talked to tell me it's a toss-up.” STEPHANOPOLOUS:  “When you look at the reality though, Mr. President, I mean, you won the popular vote in 2020, but it was still deadly close in the Electoral College.” BIDEN: “by seven million votes.” STEPHANOPOLOUS:  “Yes, but you're behind now in the popular vote.” BIDEN: “I don't, I don't buy that.” STEPHANOPOLOUS:  “Is it worth the risk?” BIDEN: “I don't think anybody's more qualified to be president or win this race than me.” Democratic Senator Mark Warner and other senators think Biden should step down While Biden was incredulous that Trump wanted to undo all of the policies he has implemented in the last three and a half years, Stephanopoulos zeroed in on the question of whether Biden is the best man to defeat Trump. BIDEN: “He's the guy who wants to undo every single thing I've done, every single thing!” STEPHANOPOLOUS:  “I understand that's why you want to stay in the race. But have you convinced yourself that only you can defeat him?” BIDEN: “I've convinced myself of two things. I'm the most qualified person to beat him. And I know how to get things done.” STEPHANOPOLOUS:  “If you can be convinced that you cannot defeat Donald Trump, will you stand down?” BIDEN: “Well, it depends. If the Lord Almighty comes down and tells me that, I might do that.” STEPHANOPOLOUS:  Well, I mean, on a more practical level, the Washington Post just reported in the last hour that Senator Mark Warner [of Virginia] is assembling a group of senators together to try to convince you to stand down because they don't think you can win more. BIDEN: “Mark and I have a different perspective.” STEPHANOPOLOUS:  “And if Chuck Schumer and Hakeem Jeffries and Nancy Pelosi come down and say, ‘We're worried that if you stay in the race, we're going to lose the House and the Senate, how will you respond?” BIDEN: “I'd go into detail and I've spoken to all of them -- in detail. They all said I should stay in the race.” STEPHANOPOLOUS:  “But if they do?” BIDEN: “They're not going to do that.” STEPHANOPOLOUS:  “You're sure?” BIDEN: “Yeah, I'm sure. If the Lord Almighty came down and said, ‘Joe, get out of the race,' I'd get out of the race. But the Lord Almighty is not coming down.” Matthew 24:42 says, “Therefore keep watch, because you do not know on what day your Lord will come.” Girl Scouts pushes homosexual “pride” patch, rewarding girls for attending perverse parades And finally, as Kevin Swanson travels and speaks abroad, I guest host for him today on Generations Radio. I chatted with Patti Garibay, founder of American Heritage Girls, a Christ-centered scouting program for girls in which my 12-year-old daughter Mercy participates. Back in the 1990s, she founded American Heritage Girls when the Girl Scouts abandoned loyalty to God in their pledge and began endorsing abortion. Did you know that today the Girl Scouts is now giving the 1.7 million girls in its program the opportunity to earn a homosexual pride patch?  Listen. GARIBAY: “On their Facebook page, June one, they encourage the girls to earn their LGBTQ+ ‘Pride' patch, and to march in their local parades, as well as research some famous people in the LGBTQ community so that they can learn more. And this goes all the way down to the little 5-year-old Daisies. They are to learn about these kinds of the famous authors, the famous artists from the LGBTQ. McMANUS: “I'm looking directly at the Girl Scouts homosexual Transgender Pride badge. The Daisy, Brownie, and Junior Girl Scout levels, which consists of children beginning in kindergarten, must participate in three Pride-related -- meaning homosexual/transgender-related activities to earn the patch. Older Girl Scouts at the Cadet, Senior, and Ambassador levels must participate in six activities, ‘Pride' homosexual events to earn the patch. “Girl Scouts are encouraged to identify five books by homosexual/transgender authors, create a painting of a homosexual/transgender artist, create a music playlist of 12 homosexual/transgender musicians and the list goes on. “It's just baffling! They're just falling all over themselves to cave to the culture.” In Matthew 18:6, Jesus said, “If anyone causes one of these little ones—those who believe in Me—to stumble, it would be better for them to have a large millstone hung around their neck and to be drowned in the depths of the sea.” To listen to my interview with Patti Garibay, the founder of American Heritage Girls, just go to Generations.org/radio. That's Generations.org/radio. (Garibay discusses the AHG 35-page e-book entitled “Raising Godly Girls Guide to Gender and Identity.”) Join me on the Colorado Father/Son Retreat Join me, Adam McManus, and my two sons, Honor and Valor, at the Colorado Father-Son retreat Thursday, August 15th through Sunday, August 18th. It'll be a great time filled with fun activities time for fathers and sons to connect in a meaningful way, and inspirational speakers. For more info, visit the website, ColoradoFatherSon.com. Close And that's The Worldview on this Monday, July 8th, in the year of our Lord 2024.  Subscribe by iTunes or email to our unique Christian newscast at www.TheWorldview.com. Or get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

Guest: Patti GaribayOrganization: American Heritage GirlsPosition: Founder and Executive DirectorResource: A Raising Godly Girls Guide to Gender and IdentityWebsite: americanheritagegirls.org

Guest: Patti GaribayOrganization: American Heritage GirlsPosition: Founder and Executive DirectorResource: A Raising Godly Girls Guide to Gender and IdentityWebsite: americanheritagegirls.org

In this conversation, Leslie Nunnery and Patti Garibay discuss six crippling realities that parents must face in today's world. These realities include increased exposure and decreased experience, increased stimulation and decreased critical thinking, increased connections and decreased community, increased opportunity and decreased risk-taking, increased anxiety and decreased activity, and increased instant gratification and decreased resilience. They emphasize the importance of intentional parenting, limiting screen time, building community, promoting critical thinking, encouraging physical activity, and fostering resilience. They also highlight the role of American Heritage Girls in supporting parents and providing a Christ-centered character development program for girls.  About the Guest:Patti Garibay is the Founder and Executive Director of the national character development organization, American Heritage Girls (AHG), in which 60% of the members are homeschoolers. Over the past 28 years, AHG has ministered to tens of thousands of families in all fifty states and 16 international countries.Educated at The Ohio State University with majors in secondary education and French, Patti shares a love of history and youth. Over her tenure with American Heritage Girls, Garibay has been featured across hundreds of nationally recognized media outlets, including Axis' Parenting Teen Summit, Axis' Online Homeschool Convention, Family Life Radio, Focus on the Family, TIME Magazine, The New York Times, and she was one of the first guests featured on James Dobson's Family Talk. Garibay was named a woman of excellence by the West Chester – Liberty Chamber Alliance in 2004, was named a member of the American Family Association's ‘40 Faithful' in 2017, and was nominated and selected as a Woman of Influence through LEAD Magazine in 2017. She is the voice of the Raising Godly Girls Minute heard nationwide daily and the weekend host of the Raising Godly Girls podcast.Key Takeaways: Parents need to be intentional in addressing the six crippling realities that children face in today's world. Limiting screen time and promoting outdoor experiences can help counteract the negative effects of increased exposure and decreased experience. Encouraging critical thinking and fostering resilience are essential for children's development. Building community and engaging in physical activity can help combat increased anxiety and decreased activity. American Heritage Girls provides a Christ-centered character development program that supports parents in addressing these realities.  We recently finished our event season for this year, and there were some amazing workshops offered there, including workshops offered by today's guest and many of the others you hear on the podcast each week. Did you know that you can still get the recordings to those events and every other event we've done through a membership to Teach Them Diligently 365? TTD365 has an audio/video vault with more than 4,000 workshops and resources that are available exclusively to members. In addition to that, though, the community you'll find within TTD365 is second to none. You'll have monthly opportunities to connect with like-minded moms, retreats are offered throughout the year, and relationships are built through small groups that connect with one another in ways that work for them. You HAVE to check it out—I'm convinced it's the best place on the internet for a Christian homeschool mom to be! Go to TeachThemDiligently.net/JoinTTD365 to learn more and join us now! You'll be so glad you did!!Additional Resources:Find out more about American Heritage Girls HEREListen to the Raising Godly Girls Podcast HERE

El dinero está en todas partes y a veces tenemos energía estancada y creencias que nos limitan a verlo y crear más abundancia. En este episodio platiqué con Barabara Garibay que llevao aproximadamente 10 años certificándome en programas de energía, autoconocimiento, integración del ser, Human Design y nos metimos en el mindset del dinero. Como todo forma parte de nuestra mentalidad y creencias. Creo que a todos nos sirve ver este punto de vista. Creemos abundancia en todo lo que hagamos. Comparte y comenta en qué te pareció este episodio. ayúdame a llegar a más oídos Encuentrás a Barabara en redes como https://www.instagram.com/BarbaraGaribay_Su página es https://www.barbaragaribay.com.mx/☆ Cuéntame que opinas en www.instagram.com/bernayoga➪ Suscríbete a mi newsletter para seguir inspirándote Hosted on Acast. See acast.com/privacy for more information.

Special guest episode today we have our friend Adriana aka @drinoculars on the pod!! Adriana is an athlete / cook here in Chicago she has worked with brands like Under Armour, Nike, Don Julio and so many more! This episode starts off as a Jack Black appreciation show we then get some great advice from Adriana with Squareds big marathon coming up on how he can prepare for a good run, hopefully no chaffing nips and falling toe nails. Jason is back from Hawaii still feeling the effects from Rex's bachelors trip and had to deal with someone almost touching him with her feet on the flight. Pablo watched Ralph Barbosa on the same night as Mr. February's birthday celebration, Squared had a great bday from what he can remember! The guys try to recall how we first met Adriana but come up short, they all just kind of knew each other from OG Twitter & IG, seeing eachother from social media this is actually the first time sitting down with Adriana but it felt like they been friends for years! Adriana has always been pretty active but these recent years she randomly decided to run marathons with no training or experience, her mentality is super inspiring you can tell she can do anything she puts her mind to. At the moment she's working on creating her own cook book, we discuss the difficulty because she considers herself an "eyeball cook" and putting the recipes down on paper is tough. This process led her to reaching out for help with content and capturing her dishes for the general public, we talk about the importance of asking for help and reaching out. You might have seen Adriana on Black Ink Chicago, we get a little insight on what it's like to be on the set of these reality TV shows and what was really real. ANYONE CAN GET IT ON BRO Chocolate Ding Dongs for snack time! We talk about the risky actions that some of these rappers, Drake, 21 Savage, Play Boy Carti. Vision Pro just dropped we give our opinions seems like no one wants one except Pablo. Riot Fest and Summer festivals in general are always around the corner we get Adrianas experiences and her favorite type of music. How do we deal with grief and helping others that might be going through something, sometimes saying less is more.. A lot of great advice from Squared and Adriana who both have experiences big losses in their lives. There's alot in this episode the best way to find out is to listen all the way through! Thank you for listening, watching on youtube and telling all your friends about it. Follow Adriana @drinoculars, and you can follow US @usrfrnldypodcast individually @squaredhill, @pablotrees, @jas.outoforder STAY FRNDLY!

Join Rachael and AHG Founder & Executive Director Patti Garibay for a profound conversation about the essence of a Biblical Worldview and its transformative impact on parenting. Delve into the importance of identifying and cultivating a Biblical Worldview, drawing wisdom from Deuteronomy 6. Explore practical tips on guiding daughters and families toward a Bible-centric perspective and how to perform a “Biblical Worldview Check-Up". Discover the significance of applying and living out a Biblical Worldview in the context of today's cultural challenges. Uncover the key aspects of focusing on worldview and find inspiration for incorporating a Biblical perspective in your daily life.    Time Stamps:  [00:00:14] The importance of worldview. [00:03:33] The liver of our soul. [00:09:10] The importance of a biblical worldview. [00:10:30] Museum of the Bible [00:15:41] Guiding children with hybrid worldview. [00:17:49] A biblical worldview spectrum. [00:23:12] Declining belief in orthodox Christianity. [00:23:13] Decline in belief in God. [00:27:35] The consequences of our sin. [00:31:12] Decline of belief in absolute moral truths. [00:33:39] Embracing a biblical worldview. [00:36:48] Decline in Christianity and hope.   Links:  American Heritage Girls>> Raising Godly Girls Podcast Blog>>

In this weekend edition of the Raising Godly Girls podcast, join hosts Rachael and Melissa as they engage in an insightful conversation with founder Patti Garibay. Together, they explore the importance of raising Godly girls in today's challenging cultural environment. Gain practical tips on building influence, fostering family relationships, and incorporating faith into everyday moments. Discover how programs like AHG and meaningful rituals contribute to the journey of raising Godly girls. Tune in for a thoughtful discussion on parenting, faith, and empowering the next generation.    Time Stamps:  [00:02:39] Incorporating God into everyday life. [00:04:03] Keeping God first in our lives. [00:07:44] The relevance of scripture in everyday life. [00:10:17] Translating Scripture for everyday life. [00:12:49] Parenting styles. [00:16:03] Unique identities of your kiddos. [00:18:13] Creating Family Traditions. [00:22:20] Importance of prayer in parenting. [00:28:16] Character development and faith. [00:29:59] Parenting tips for the new year.   Links: American Heritage Girls>> Raising Godly Girls Podcast Blog>>

In this episode of the Raising Godly Girls Podcast, host Rachael engages in an extended conversation with AHG Founder & Executive Director, Patti Garibay, exploring the fundamental question of what defines a girl and how American Heritage Girls (AHG) anchors that definition. Grounded in a Biblical Worldview, they discuss the purpose behind AHG's founding and its role in affirming a Godly identity in young girls. The episode emphasizes the importance of safe and Holy Spirit-filled places like AHG and the church in supporting and guiding girls in a cultural moment where various influences impact their identity.    Time Stamps:  [00:01:06] What is a godly girl? [00:03:13] Gender confusion and original sin. [00:09:35] Personality shopping. [00:12:45] Failure and learning from mistakes. [00:14:31] Identity and fitting in. [00:17:58] The evolution of American Heritage Girls. [00:22:01] Teaching resilience and growth.

The latest Youth Risk Behavior Surveillance Data reveals that more than 4 in 10 students felt persistently sad or hopeless and nearly 29% experienced poor mental health! Alarmingly, 1 in 5 students seriously considered attempting suicide and 1 in 10 attempted suicide.    Our youth are experiencing a Mental Health Crisis at rates never before seen! Why is this happening and how should we respond?  Join Eric Hovind and Patti Garibay, founder of American Heritage Girls, for an insightful conversation on how to help the next generation find their true identity and purpose in Christ.   Watch this Podcast on Video at https://creationtoday.org/on-demand-classes/our-youth-and-the-mental-health-crisis/  Join Eric LIVE each Wednesday at 12 Noon CT for conversations with Experts. You can support this podcast by becoming a Creation Today Partner at CreationToday.org/Partner

Executive director of America First Works Ashley Hayak joins us to discuss Cosmo magazine having an article on how to get a Satanic Abortion. Next, director of the Border Security and Immigration Center at the Heritage Foundation Lora Ries explains President Biden's policies that are creating an open border all the way to Guatemala. Then, founder of American Heritage Girls Patti Garibay breaks down how the Girl Scouts are going woke. Finally, we take your calls in open phones across America. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Patti Garibay, founder, and executive director of American Heritage Girls talks with Marc & Kim about the Girl Scouts' new racial equity training set to further indoctrinate children and adults alike

Usamos la palabra depresión con gran facilidad creyendo que sentirnos tristes un día o por un acontecimiento quizá cotidiano pueda determinar un estado mental. La depresión aguda o grave es una condición real, una enfermedad mental, que puede llevar a episodios psicóticos donde no sabes distinguir entre lo que es real y no. La depresión grave te lleva a un extremo emocional donde la muerte no solo se vuelve una opción viable pero la única opción; como en el caso de Garibay, para el y su familia.

Life can be a journey filled with sunny days, but it's also dotted with storms that threaten to shake our very foundations. In this powerful episode, my guest Patti Garibay explores the spiritual wisdom and insights that Christianity offers when we find ourselves in the midst of life's storms. Together, we navigate the turbulent seas of uncertainty, doubt, and adversity, and discover the beacon of hope and strength that our faith provides. We cover: --What life's storms teach us and how to use those lessons to help our families --How to develop the maturity needed to find God's glory during challenging times --A Christian framework for parenting daughters --Much more   Links and resources: Learn more about American Heritage Girls to volunteer or get your daughter involved HERE and follow them on Facebook HERE Access our FREE guide: When God Says Shift Follow us on Instagram:@agodshift Follow us on Facebook: @agodshiftmovement For more about the God Shift Movement, check out the website.

American Heritage Girls has been at the forefront of Christian leadership development for girls ages five to 18 for nearly 30 years. Want to meet the founder, Patti Garibay? You can by joining me for this special podcast on “Navigating Girlhood.” With a mission to build women of integrity through service to God, family, community, and country, AHG is the premier national character development organization for young women that embraces Christian values and encourages family involvement. Be inspired and encouraged, if you have girls or not, that there are Christian programs to help parents navigate the many challenges our youth face today.  Link to Patti's book: "Why Curse the Darkness when you can Light a Candle?"*UPDATE! Since recording this podcast (August, 2023), Hamas attacked Israel on October 7—and the Middle East is presently embroiled in war! With a burden for the impact of violent headlines on young hearts, Patti has issued a free e-book, “The Raising Godly Girls Guide to Peace in Times of Global Conflict.” This timely e-book is a free resource for parents, guardians, teachers, and church leaders looking for age-appropriate guidance to talk to girls about world events causing anxiety in a generation of highly anxious teens. With practical ways to apply scriptural truths, parents and their daughters can build a culture of biblical peace in their homes, communities, and most importantly, in their girls' hearts. Download your free resource here. 

In our previous episode of The Dad Whisperer Podcast we heard from Patti Garibay, founder and executive director of American Heritage Girls. Today we're privileged to hear from her husband Pat as the two of them are a power team who LOVE investing in young women so they can thrive and stand strong against the cultural tide. As a dad to four daughters, Pat shares today from his experience and wisdom with an episode titled, "Leadership Without the Bible is No Leadership at All."

How did you get interested in this particular border crossing as an investment opportunity? These border crossings with Mexico are seeing expanded cross-border trade and significant growth in traffic at commercial crossing points such as Laredo and Brownsville. Is this also the case in Eagle Pass/Piedras Negras? What are the industrial sectors growing the most in Eagle Pass that are driving the need for more commercial truck lanes as well as rail crossings? I understand there was a rail embargo last week because customs officers who were usually assigned to clear freight, were reassigned to process immigrants. Will the new technology at Puerto Verde relieve these kinds of processing bottlenecks? Will the Infrastructure Bill help with funding of this project What is the current status of the project and what can we do to help? Follow the Rethink Reshoring Podcast Other FreightWaves Shows Learn more about your ad choices. Visit megaphone.fm/adchoices

Thursday, August 31, 2023 Host Penna Dexter leads us through this great show. In the first hour, she will talk with Elaine Donnelly about progress in eliminating wokeness in the Military. In the second hour, she welcomes Tom Trento to discuss how we're defending the border. Then she speaks with the Founder & Executive Director […]

Patti Garibay is on with us today to talk to us about American Heritage Girls, a faith based alternative to the Girl Scouts. American Heritage Girls is filling a void and developing character in young women across the nation and around the world.

A recent survey of American children and their parents revealed that 75% of the children who experience gender dysphoria were female, while just 25% were male. Our girls are under attack, and we must proactively address this with our daughters. During Happy Hour with Heidi Patti is sharing some of her hardships and mistakes in life and the shame that came with them. But we're not stopping there, because the Lord is the God of Redemption!​ NOTES --- Send in a voice message: https://podcasters.spotify.com/pod/show/heidistjohn/message

Part three in our three-part series covering the disappearance and murder of Chairo Garibay Ferreyra: on December 11th, 2005, 20 year-old Chairo disappeared; she'd planned on attending church with her family in Olivehurst, California, but she never arrived.She was reported missing to the Yuba County Sheriff, and both her family and law enforcement began a search that extended through Christmas. It would be five weeks before Chairo was found. Though there would eventually be a 50,000-dollar reward authorized in Chairo's case, no one has been arrested for her murder.  There is a 50,000 dollar reward available in Chairo's case. If you have any information, you can contact authorities in the following ways: Yuba County Sheriff's Office has an Anonymous Tipline at (530) 749-5181. Their tip mail is YCSOanonymoustip@co.yuba.ca.us.  Take your FREE in-depth hair consultation and get 15% off your first order today at Prose.com/FALLLINE. Cancel unwanted subscriptions and manage your expenses the easy way by going to RocketMoney.com/FALLLINE. Go to getscoreknowledge.com to receive a full one week trial for just $1.  Link to printable and sharable posters here: https://www.thefalllinepodcast.com/news-1/2023/1/13/downloadable-posters-chairo-garibay-1 Submit a case to The Fall Line: https://www.thefalllinepodcast.com/case-submissions Written, researched, and hosted by Laurah Norton, with research assistance from Bryan Worters, Kyana Burgess, and Michaela Morrill/Interviews by Brooke Hargrove/Produced, scored, and engineered by Maura Currie/Translation by Guadalupe Lopez/Content advisors are Brandy C. Williams, Liv Fallon, and Vic Kennedy/ Theme music by RJR/Special thanks to Angie Dodd, Liz Lipka, and Sarah Turney  Sources at our website: https://www.thefalllinepodcast.com/sources Join us on Patreon: https://www.patreon.com/thefalllinepodcast 2023 All Rights Reserved The Fall Line® Podcast, LLC Want to advertise/sponsor our show? Contact Glassbox Media https://glassboxmedia.com/contact-us/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Part two in our three-part series covering the disappearance and murder of Chairo Garibay Ferreyra: on December 11th, 2005, 20 year-old Chairo disappeared; she'd planned on attending church with her family in Olivehurst, California, but she never arrived.She was reported missing to the Yuba County Sheriff, and both her family and law enforcement began a search that extended through Christmas. It would be five weeks before Chairo was found. Though there would eventually be a 50,000-dollar reward authorized in Chairo's case, no one has been arrested for her murder.  Take your FREE in-depth hair consultation and get 15% off your first order today at Prose.com/FALLLINE. Submit a case to The Fall Line: https://www.thefalllinepodcast.com/case-submissions Written, researched, and hosted by Laurah Norton, with research assistance from Bryan Worters, Kyana Burgess, and Michaela Morrill/Interviews by Brooke Hargrove/Produced, scored, and engineered by Maura Currie/Translation by Guadalupe Lopez/Content advisors are Brandy C. Williams, Liv Fallon, and Vic Kennedy/ Theme music by RJR/Special thanks to Angie Dodd, Liz Lipka, and Sarah Turney  Sources at our website: https://www.thefalllinepodcast.com/sources Join us on Patreon: https://www.patreon.com/thefalllinepodcast 2023 All Rights Reserved The Fall Line® Podcast, LLC Want to advertise/sponsor our show? Contact Glassbox Media https://glassboxmedia.com/contact-us/ Learn more about your ad choices. Visit megaphone.fm/adchoices

To hear the rest of Chairo's story, please find The Fall Line anywhere you listen to podcasts. There is a 50,000-dollar reward in Chairo's case; tips can be submitted to Yuba County Sheriff's Office via Anonymous Tipline at (530) 749-5181. Their tip mail is YCSOanonymoustip@co.yuba.ca.us Written and hosted by Laurah Norton and researched by Laurah Norton and Bryan Worters, with assistance from Kyana Burgess and Michaela Morrill/Translation by Guadalupe Lopez/Interviews by Brooke Hargrove/Produced and engineered by Maura Currie/Content advisors are Brandy C. Williams, Liv Fallon, and Vic Kennedy Sources at our website: https://www.thefalllinepodcast.com/sources   2023 All Rights Reserved The Fall Line Podcast, LLC  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On December 11th, 2005, 20 year-old Chairo disappeared; she'd planned on attending church with her family in Olivehurst, California, but she never showed. She was reported missing to the Yuba County Sheriff, and both her family and law enforcement began a search that extended through Christmas. It would be five weeks before Chairo was found. Though there would eventually be a 50,000-dollar reward authorized in Chairo's case, no one has been arrested for her murder.   Take your FREE in-depth hair consultation and get 15% off your first order today at Prose.com/FALLLINE. Get 40% off any new system at SIMPLISAFE.com/fallline today. Cancel unwanted subscriptions and manage your expenses the easy way by going to RocketMoney.com/FALLLINE.   Submit a case to The Fall Line: https://www.thefalllinepodcast.com/case-submissions Written, researched, and hosted by Laurah Norton, with research assistance from Bryan Worters, Kyana Burgess, and Michaela Morrill/Interviews by Brooke Hargrove/Produced, scored, and engineered by Maura Currie/Translation by Guadalupe Lopez/Content advisors are Brandy C. Williams, Liv Fallon, and Vic Kennedy/ Theme music by RJR/Special thanks to Angie Dodd, Liz Lipka, and Sarah Turney  Sources at our website: https://www.thefalllinepodcast.com/sources Join us on Patreon: https://www.patreon.com/thefalllinepodcast 2023 All Rights Reserved The Fall Line® Podcast, LLC Want to advertise/sponsor our show? Contact Glassbox Media https://glassboxmedia.com/contact-us/       Learn more about your ad choices. Visit megaphone.fm/adchoices

Únete a la comunidad #EnDefensaPropia — tenemos contenido exclusivo: talleres, mentorías, Q&A con expertas y mucha gente bella comunidad.endefensapropia.com ¿Cómo estamos diseñado?, ¿qué tipo de energía predomina en nosotros y cómo usarla a nuestro favor? Bárbara Garibay nos explica los diferentes tipos de energia que tenemos según el "Human Design": manifestadores, generadores, reflectores, proyectores y la combinación de goeneradores manifestantes. Nos habló de las caracteristicas positivas y de aquellas que nos retan y guían para mejorar. No invitó a aceptarnos tal cual somos y a trabajar en función de esa energía que predomina en nosotros para sacarle el provecho, entender nuestras decisiones, cómo actuamos y lograr esos sueños que tenemos. El Human Design es un sistema que reune el I Ching, astrología, Cabalá, Chakra y física cuántica, que nos ayuda a encotrar información sobre nosotros mismos y tener más herramientas para este proceso de reinvención #EnDefensaPropia SUSCRÍBETE: https://www.youtube.com/erikadelavegaoficial WEB: http://erikadelavega.com/ Instagram: https://www.instagram.com/erikadlvoficial/ Twitter: https://twitter.com/ErikaDLV Facebook: https://www.facebook.com/erikadelavega/ Producción: Valentina Carmona https://www.instagram.com/pelicarmona Producción: November Content https://www.novembercontent.com/ Edición: Vanessa Ferrebus