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Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

La historia arranca con un bulo muy extendido: la supuesta persecución de la Inquisición contra los primeros fumadores de tabaco llegados de América. Javier Traité desmonta esta leyenda y repasa cómo el consumo de tabaco se extendió rápidamente por Europa tras los viajes de Colón, hasta el punto de que ya en el siglo XVII la Iglesia tuvo que prohibir fumar dentro de los templos. Una mirada a los orígenes del tabaco, los mitos que lo rodean y las curiosas normas que surgieron cuando su uso se convirtió en un fenómeno de masas.

La historia arranca con un bulo muy extendido: la supuesta persecución de la Inquisición contra los primeros fumadores de tabaco llegados de América. Javier Traité desmonta esta leyenda y repasa cómo el consumo de tabaco se extendió rápidamente por Europa tras los viajes de Colón, hasta el punto de que ya en el siglo XVII la Iglesia tuvo que prohibir fumar dentro de los templos. Una mirada a los orígenes del tabaco, los mitos que lo rodean y las curiosas normas que surgieron cuando su uso se convirtió en un fenómeno de masas.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.ESCUCHAR RADIO 

Are we alone? In this short-isode, Elton traces the bizarre, hilarious, and occasionally unhinged history of humanity's quest for alien communication. From Frank Drake's Equation in 1961, a mathematical roadmap for the search for extraterrestrial intelligence (SETI), to the times before radio, when our ideas were pure fantasy: he dives into the wild ideas and scams. Like, the 19th-century scheme to burn massive geometric messages onto the surface of Mars using a gargantuan, laser-focused mirror. For real.From those ambitious, largely insane, early visual signals to the iconic messages we've strapped to spaceships—we've spent centuries leaving a very expensive voicemail for an unknown recipient.We also explore the cosmic artifacts and phenomena that made us stop and whisper, "Is someone calling us?" Learn the true story behind the Black Knight Satellite (spoiler: it's an escaped blanket), the enduring mystery of the Wow! Signal, and the strange case of 'Oumuamua, the cigar-shaped interstellar visitor.Finally, we confront the ultimate cosmic buzzkill: the Fermi Paradox. If the galaxy should be crowded, "Where is everybody?" We discuss the terrifying ethical debate over intentional messaging (METI) and the chilling logic of the Dark Forest Theory. Tune in to find out why, even in crushing silence, we simply cannot stop shouting "Hello?" into the dark.GET THE BOOK: ⁠⁠⁠⁠⁠From Amazon⁠⁠⁠⁠⁠⁠⁠⁠From an Indie Book Seller⁠⁠⁠⁠BECOME AN Elton Reads A Book A Week CONTRIBUTOR HERE:⁠⁠⁠⁠⁠⁠Elton Reads A Book A Week Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SOCIAL MEDIA!⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠This is the LINK TREE!⁠⁠⁠⁠⁠⁠⁠⁠Join the Discord server!⁠⁠⁠EMAIL: eltonreadsabookaweek@gmail.comThe following section is reserved for the people, places, things, and more that Elton probably offended in this episode--THE APOLOGIES SECTION: Martians, New Yorkers...again, TalkToAliens.com users, UFO conspiracy theorists, etc.A special thanks to Diedrich Bader and Jenna Fischer for all their inspiration.Tags: Drake Equation, Fermi Paradox, SETI, METI, Extraterrestrial Intelligence, Frank Drake, Cosmic Silence, Voyager Golden Records, Pioneer Plaques, Arecibo Message, Alien Communication, Interstellar Communication, Charles Cros, Wow! Signal, Black Knight Satellite, 'Oumuamua, Dark Forest Theory, UFO, Space Mystery, Long Delayed Echoes (LDEs), Baltic, Martian Lasers, Nikola Tesla, Cosmic Chat, Alien Conspiracies, Commercialization of Space, Space Hoaxes, Science Podcast, Short-isode, Elton Reads a Book a Week, Books and Reading, Infotainment, learning, fun, comedy, history

Zdravo. Tokrat začnemo z odvisnostjo, ki je odvisna od tega, kako odvisen si, se preselimo k amazonskim plemenom, ki še do včeraj niso poznala niti digitalnih ur, niti črnih ogledal in mehiškim plemenom, ko so ob prelomu tisočletja otroke skrivala pred fotoaparati turistov, da jim ne bi ukradli duše. Fotoaparati, ne turisti. Razmišljamo o tem, zakaj večja kot je razlika med notranjim in zunanjim svetom, več odvodov potrebuje človek. Veselimo se tudi festivala domoljubnih pesmi, kjer bo vnuk lahko pel in igral slovenske pesmi, Pirkovič pa bo morda napisal tekst za Na Golici. V 3. poglavju knjige Zadnja priložnost si privoščimo doručak, pogledamo nosoroge, ob koncu najdemo zid za revolucijo, izbor, kdo gre prvi predenj, pa prepuščamo vam: glasujte na Discordu.

Au sommaire : Donald Trump affirme avoir négocié le passage de pétroliers dans le détroit d'Hormuz, ce qui permettrait de réapprovisionner les ports du monde et de donner un peu d'air à l'économie mondiale.Les routiers sont mécontents de l'enveloppe accordée par le gouvernement pour faire face à la flambée du carburant, et le président du METI estime qu'il faut accompagner spécifiquement les secteurs très consommateurs de pétrole.Les services de renseignement craignent une menace d'attaque terroriste en Europe pilotée depuis l'Iran, avec plusieurs attentats récents en Europe.Une étude japonaise indique que cuisiner au moins une fois par semaine peut réduire le risque d'Alzheimer près de 25% chez les plus de 65 ans, en stimulant le cerveau et en favorisant les liens sociaux.L'appel à l'union de 90 personnalités de droite et de centre-droite en faveur d'un candidat unique pour l'élection présidentielle de 2027 est également abordé.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cet épisode des Voix de l'économie, Frédéric Coirier, le président du Mouvement des entreprises intermédiaires (METI), nous plonge au cœur des défis auxquels font face les entreprises européennes face à la guerre en Ukraine et à la concurrence féroce de la Chine.Le président du METI, qui dresse un tableau sombre de la situation économique. Les entreprises font face à de nombreuses difficultés, des problèmes d'approvisionnement aux hausses vertigineuses des coûts de l'énergie et des matières premières. Bien que le gouvernement ait annoncé des mesures de soutien, il estime qu'elles sont insuffisantes, notamment pour les secteurs les plus touchés comme le transport routier.Au-delà de cette crise conjoncturelle, le président du METI s'inquiète surtout de la perte de compétitivité de l'Europe face à ses concurrents, en particulier la Chine. Il pointe du doigt les écarts de coûts et de réglementation qui pénalisent les entreprises européennes, notamment les entreprises de taille intermédiaire (ETI) qui sont le cœur de l'économie des territoires. Pour relever ces défis, Frédéric Coirier annonce la tenue prochaine d'un Sommet européen des ETI, qui réunira 700 chefs d'entreprise de plusieurs pays. L'objectif est de faire un état des lieux précis des difficultés rencontrées et de formuler des propositions concrètes pour redonner de la compétitivité au continent européen.Un des enjeux majeurs évoqués est la concurrence frontale de la Chine, qui dispose désormais de technologies de pointe à des prix défiant toute concurrence. Face à cette menace, Frédéric Coirier plaide pour une approche équilibrée, mêlant ouverture commerciale et protection des entreprises européennes, avec notamment un renforcement des contrôles aux frontières.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Miguel lleva casi toda su vida queriendo ser bombero. La primera vez que entró en un parque tenía ocho años y ya no se le fue de la cabeza. Después vinieron la carrera de periodismo, un máster que dejó a medias en vuelo de regreso de Dinamarca, y cuatro años de oposición en los que estudió entre seis y siete horas diarias con papel, crono y un sistema de vueltas que muchos tildarían de lento pero que a él le funcionó. En la última convocatoria de Bomberos de la Comunidad de Madrid —la mayor de la historia del cuerpo, con 267 plazas— sacó un 9,6 en el temario, metió 172 puntos sobre 180, quedó el 70 y pasó las físicas con margen. En este episodio cuenta todo: el proceso, el método, la gestión mental y el día del examen.¿Quieres prepararte con nosotros?https://formacion.ninja/?utm_source=podcastNuestro Canal de WhatsApp:https://whatsapp.com/channel/0029VaDKoSOCcW4tN3Cuh10QSi te ha gustado el vídeo, dale 5 estrellas

We sit down to chat about the Korean swing dance scene, Meti's dance journey from clubbing to jazz, and her passion for creating performances. We also talk about taking care of your body as a dancer and training in a sustainable way. Finally, Meti shares her experience performing in New York with the K-Swing Wave show and running her Deep Dive event that connects swing and street dancers. 

Resumen de noticias de LA NACION de la tarde del 11 de marzo de 2026

As tensions escalate across the Middle East and shipping through the Strait of Hormuz grinds to a halt, in our daily episode of the Energy Connects podcast, host Chiranjib Sengupta speaks with Nobuo Tanaka, Executive Director Emeritus of the International Energy Agency, and member of the Energy Connects Advisory Board, about what the situation means for Asia's energy security. Tanaka reflects on the lessons from past oil shocks, including from his tenure at Japan's METI in 1973 to the IEA in 2011, and highlights the prospect of potential supply disruptions and inflationary pressure. He discusses how countries such as Japan – under the leadership of Prime Minister Takaichi, may respond. The conversation also explores the growing role of nuclear energy, emerging technologies and international collaboration in strengthening long-term energy resilience.

Karla Jacinto tenía 12 años cuando fue captada por una red de tr4t4 de personas. Durante cuatro años vivió una realidad marcada por el control, la manipulación y la v10l3ncia, ejercida por quien se hizo pasar por su pareja y la introdujo en ese mundo. En este episodio, Karla cuenta su historia desde la supervivencia: cómo operan estas redes, las formas en las que se gana la confianza de las víctimas y el largo proceso que implica salir, sanar y volver a reconstruirse. Su testimonio busca generar conciencia sobre una problemática que sigue afectando a miles de niñas y mujeres. Un episodio educativo que pone en el centro la voz de una mujer que logró escapar y hoy transforma su experiencia en una herramienta para informar, prevenir y acompañar a otras.See omnystudio.com/listener for privacy information.

En este episodio en vivo hablamos de nuestras predicciones para el show de medio tiempo de Bad Bunny y las mejores actuaciones del Super Bowl según Chris. Además, conversamos de cómo se metió un halcón a la casa de Chris y Nacho le entrega a Daniel un regalo de su hater #1.GRACIAS A:MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.NordVPN Deal ➼ https://nordvpn.com/ednDeal exclusivo de 4 meses gratis.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada

Una mujer quiso ayudarle a su amimga mientras se ubicaba en Estados Unidos, pero la otra ni corta ni perezosa le bajó al marido. Mantente al día con los últimos de 'El Bueno, la Mala y el Feo'. ¡Suscríbete para no perderte ningún episodio!Ayúdanos a crecer dejándonos un review ¡Tu opinión es muy importante para nosotros!¿Conoces a alguien que amaría este episodio? ¡Compárteselo por WhatsApp, por texto, por Facebook, y ayúdanos a correr la voz!Escúchanos en Uforia App, Apple Podcasts, Spotify, y el canal de YouTube de Uforia Podcasts, o donde sea que escuchas tus podcasts.'El Bueno, la Mala y el Feo' es un podcast de Uforia Podcasts, la plataforma de audio de TelevisaUnivision.

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Nishikawa Kazumi, Principal Director for Economic Security Policy at the legendary Japanese Ministry of Economy, Trade and Industry (METI), joins China Talk. Cohosting is Charles Lichfield of the Atlantic Council.  Today, our conversation covers:  METI's reputation as a juggernaut of industrial policy, and how the organization has evolved since the 1970s, How Japan conceives of and pursues economic security, METI's criteria for market intervention, and how it balances economic security considerations with business incentives, Japan's experience dealing with China's weaponization of rare earths, How Japan maintains strong relationships with the U.S and other allies. Thanks to the U.S.-Japan Foundation for sponsoring this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nishikawa Kazumi, Principal Director for Economic Security Policy at the legendary Japanese Ministry of Economy, Trade and Industry (METI), joins China Talk. Cohosting is Charles Lichfield of the Atlantic Council.  Today, our conversation covers:  METI's reputation as a juggernaut of industrial policy, and how the organization has evolved since the 1970s, How Japan conceives of and pursues economic security, METI's criteria for market intervention, and how it balances economic security considerations with business incentives, Japan's experience dealing with China's weaponization of rare earths, How Japan maintains strong relationships with the U.S and other allies. Thanks to the U.S.-Japan Foundation for sponsoring this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to not only reach the pinnacle of a sport like World Long Drive but to sustain a nearly two-decade career at its peak? In this engaging episode we go far beyond the grid and the spectacle of 380-yard bombs to uncover the heart, wisdom, and entrepreneurial spirit of a true icon. Host Colin Weston sits down with the remarkable Phillis Meti - ranked #3 in the world and 5 time World Champ - to explore her incredible journey from picking up her father's shanked golf balls in New Zealand to becoming a global golf ambassador. Phillis opens up about the fierce mentality required to compete, the pivotal lessons learned from both victory and heartbreaking defeat, and her visionary mission to pave pathways for the next generation. This conversation is a masterclass in longevity, adaptability, and giving back. Whether you're fascinated by the physics of speed, the business of golf, or stories of profound resilience, Phillis's insights will leave you inspired and ready to “kick the door down” for your own ambitions. Get ready for an episode packed with power, purpose, and unforgettable stories. https://media24.fireside.fm/file/fireside-uploads-2024/images/1/1ea879c1-a4a2-4e10-bea4-e5d8368a3c7a/cTlwO047.jpg Key takeaways in this episode with Phillis that you will discover: Longevity is Built on Wisdom and Adaptability: Success isn't just about raw speed. Phillis credits her sustained career to evolving from a "fearless" hitter into a savvier technical player, learning to adapt her ball flight to different grids, and prioritizing recovery and intelligent strength training. True Power Starts with Your Hands: A crucial technical insight for anyone wanting more speed: your hands hold the club, so their movement is paramount. Phillis emphasizes that generating speed is a sequencing chain, where proper hip movement ultimately serves to allow the hands to move faster through the hitting zone. Create Pathways So Others Can Follow: Phillis's vision extends far beyond competition. Inspired by her parents, she is actively working to build an indigenous school and recruitment pipeline to help student-athletes from New Zealand and Polynesia transition to U.S. colleges, ensuring they have the support to succeed. Her mission is to show what's possible and pull others up with her. Episode Chapters: (00:01 - 01:25) Introduction: Welcoming World Long Drive Phenom Phillis Meti (01:25 - 03:15) From Rugby to Golf: Phillis's First Swing and Family Influence (03:15 - 06:26) A Multi-Sport Childhood: The Circuitous Path to Long Drive (06:26 - 08:42) Anatomy of a Competition: How World Long Drive Works (08:42 - 13:45) The Speed Equation: Training, Technique, and Swinging 125 MPH (13:45 - 17:13) Wisdom Over Fear: The Evolution of a Champion's Mindset (17:13 - 19:25) The Key to Longevity: Spinal Hygiene and Injury Prevention (19:25 - 24:35) The 2025 Season Arc: Global Competition and New Formats (24:35 - 27:59) Inside the Bag: The Tech & Specs of a Long Drive Driver (27:59 - 31:14) The State of the Game: Community, Competition, and Commerce (31:14 - 38:31) Entrepreneurial Drive: Building a School and Creating Pathways Home (38:31 - 42:43) A Vision for the Future: Bringing Long Drive to the Masses & Closing Thoughts Quotable Moments from Phillis: On Perspective and Growth: "Winning my first championship in 2006 and coming second twice after, I completely lost focus. I got caught up in the hype. Between then and now, I am a better game player with a bit more wisdom. I play the game differently now." On Equipment and Control: "The one thing about the women is that we don't swing it fast enough to afford using lofts lower than a seven-degree head. I have one of the fastest club head speeds, but I use one of the highest lofts on the tour." On Legacy and Lifting Others: "When you're on your way up, always try to look back and pull others up with you. So if people want to keep going further than you, at least they have your shoulders to stand on. Why not be me to kick down that door? I've got a big foot!" Phillis Meti's bio page >> https://modgolf.fireside.fm/guests/phillis-meti Phillis Meti is a multi-time World Long Drive Champion, currently ranked #3 globally, whose career embodies power, resilience, and purpose. Hailing from New Zealand, her journey began at age seven, wielding a club to pick up her father's errant golf balls. A gifted multi-sport athlete, she excelled in netball and discus before a flyer for a local long drive qualifier at age 18 changed her trajectory. Demonstrating breathtaking natural power, she not only qualified but went on to win the World Long Drive Championship in her very first attempt in 2006. Nearly two decades later, Phillis remains a dominant force, combining 125 MPH clubhead speed with hard-earned wisdom to outthink and outlast the competition on grids across the globe. Colin and Phillis were part of Team AM Golf at The Vegas Baby ProAm Invitational in Las Vegas, where they shot lots of video including this YouTube Short as part of Colin's Positivity Project: https://media24.fireside.fm/file/fireside-uploads-2024/images/1/1ea879c1-a4a2-4e10-bea4-e5d8368a3c7a/H4Xa8VDs.jpg (https://youtube.com/shorts/_WDI9IYTkCA?si=oIX7kGfvY8nbWuYu) Join our mission to make golf more innovative, inclusive and fun... and WIN some awesome golf gear! As the creator and host of The ModGolf Podcast and YouTube channel I've been telling golf entrepreneurship and innovation stories since May 2017 and I love the community of ModGolfers that we are building. I'm excited to announce that I just launched our ModGolf Patreon page to bring together our close-knit community of golf-loving people! As my Patron you will get access to exclusive live monthly interactive shows where you can participate, ask-me-anything video events, bonus content, golf product discounts and entry in members-only ModGolf Giveaway contests. I'm offering two monthly membership tiers at $5 and $15 USD, but you can also join for free. Your subscription will ensure that The ModGolf Podcast continues to grow so that I can focus on creating unique and impactful stories that support and celebrate the future of golf. Click to join >> https://patreon.com/Modgolf I look forward to seeing you during an upcoming live show!... Colin https://files.fireside.fm/file/fireside-uploads/images/1/1ea879c1-a4a2-4e10-bea4-e5d8368a3c7a/q_IZwlpO.jpg (https://patreon.com/Modgolf) We want to thank our partner British Columbia Golf for presenting this episode of The ModGolf Podcast! https://files.fireside.fm/file/fireside-uploads/images/1/1ea879c1-a4a2-4e10-bea4-e5d8368a3c7a/lDkT7bRv.png (https://britishcolumbiagolf.org) When I mentioned Phillis' episode to the folks at British Columbia Golf they immediately wanted to support it, as one of their goals is to create a sport that is accessible and inclusive. They strive to create a golf environment that is respectful of participant's personal goals and is free from all forms of maltreatment. As a provincial arm of Golf Canada, British Columbia Golf supports women golfers and players of all ages and abilities, while continually working to improve partner relationships to increase participation in the sport. If you're looking to plan your next amazing golf trip, British Columbia Golf is the place to explore and book from the over 300 golf courses they support across our beautiful province. To learn about the impact they are making and to discover your next golf adventure, check out their website at www.britishcolumbiagolf.org (https://britishcolumbiagolf.org). Special Guest: Phillis Meti: World Long Drive Champion, Entrepreneur, and Legacy Builder.

This is „Easy Croatian“ – a weekly podcast brought to you by SBS Croatian and the Croatian Studies Centre at Macquarie University. “Easy Croatian” is intended for those who want to brush up on their Croatian. News is written in simpler and shorter sentences and read at a slower pace. Before we move on to the feature, you will hear some of the more complex vocabulary and expressions, followed by their English translations. The transcript, as well as a short quiz, can be found below.

Strani studenti koji napuštaju Australiju su upozoreni da ne prodaju podatke o svojim bankovnim računima i osobnim dokumentima. Iz Australske savezne policije kažu da se studentima nudi “brza zarada”, no ako ju prihvate time bi mogli izgraditi neraskidivu poveznicu s kriminalnim mrežama.

La calidad de la persona importa cuando se le encomiendan funciones públicas que pueden impactar directamente en la vida y el destino de los demás, sobre todo en un país, como el nuestro, donde no hay certezas jurídicas

Darkness Radio Presents: Reinventing SETI: New Directions in the Search for Extraterrestrial Life w/ John Gertz & Scotty Rorek! In today's Thanksgiving Episode, you get a double helping of guests! Scientist/Author John Gertz and Psychic/Medium Scotty Rorek!  For millennia, humanity has looked up at the sprawling tapestry of stars and wondered what lay beyond. With time, we learned that each star is not a pinprick point in a domed sky, but a massive plasma sphere so far away that the distance becomes incomprehensible to the human mind, measured in light years of millions and billions. This distance invokes crucial questions. Do we share the universe with other intelligent lifeforms? If so, how do we approach the Search for Extraterrestrial Intelligence (SETI)? Lastly, do we need to examine our assumptions about extraterrestrial intelligence? John Gertz's book, Reinventing SETI clears out the cobwebs of outdated or wrongheaded SETI paradigms such as Fermi's Paradox, the Drake Equation, and METI (i.e., proactively sending signals from Earth to putative aliens). It argues that scientists should approach the pursuit of extraterrestrials (ETs) in a more effective manner. Author John Gertz states that ETs, as biological lifeforms themselves, cannot accomplish interstellar travel, but have instead placed robotic probes throughout the universe, perhaps even in our own Solar System. Gertz also warns that humankind is woefully unprepared for the day of First Contact with an alien probe right here in our own backyard. He suggests contingency planning, involving international cooperation as well as broad cross-disciplinary expertise. On Today's show, we welcome in John Gertz to talk about his theories about whether ET exists, whether they have made contact with us, and what we should do if they appear on our world!! Tghen, Psychic/Medium Scotty Rorek joins us for a special segment in which he helps Tim explain why sometimes you need a little help from your friends! And, why you don't need to have a holiday to be grateful for that help!  Order your copy of John Gertz's book, "Reinventing SETI: Directions in the Search for Extraterrestrial Intelligence" here:  https://bit.ly/4ooJmIG Find out more about John here:  https://johngertz.com/ Check out John's work with te Zorro properties here:  https://www.zorro.com/ Find out how you can book Scotty Rorek here:  http://www.spookyscotty.com/ Come join Jessica Freeburg (and Tim) at her winter events!  Head to her website and get tickets!  They are going FAST! :  https://jessicafreeburg.com/upcoming-events/ Make sure you update your Darkness Radio Apple Apps! and subscribe to the Darkness Radio You Tube page:  https://www.youtube.com/@DRTimDennis There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! . check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/ Want to be an "Executive Producer" of Darkness Radio? email Tim@darknessradio.com for details!  #paranormal  #supernatural  #metaphysical  #paranormalpodcasts  #darknessradio  #timdennis #johngertz #searchforextraterrestrialintelligence #SETI #reinventingsetinewdiectionsinthesearchforextraterrestriallife #frankdrake #drakeequation  #Aliens  #UFO #UAP #Extraterrestrials #Alienspaceships  #disclosure #fermisparadox #capitalhill #luiselizondo #christophermellon #georgeknapp #mars #roswell #panspermia #moon #FBI #militaryintelligence #jameswebbtelescope  #radiotelescope  #conspiracytheory #scottyrorek #psychic #medium #psychometry

Darkness Radio Presents: Reinventing SETI: New Directions in the Search for Extraterrestrial Life w/ John Gertz & Scotty Rorek! In today's Thanksgiving Episode, you get a double helping of guests! Scientist/Author John Gertz and Psychic/Medium Scotty Rorek!  For millennia, humanity has looked up at the sprawling tapestry of stars and wondered what lay beyond. With time, we learned that each star is not a pinprick point in a domed sky, but a massive plasma sphere so far away that the distance becomes incomprehensible to the human mind, measured in light years of millions and billions. This distance invokes crucial questions. Do we share the universe with other intelligent lifeforms? If so, how do we approach the Search for Extraterrestrial Intelligence (SETI)? Lastly, do we need to examine our assumptions about extraterrestrial intelligence? John Gertz's book, Reinventing SETI clears out the cobwebs of outdated or wrongheaded SETI paradigms such as Fermi's Paradox, the Drake Equation, and METI (i.e., proactively sending signals from Earth to putative aliens). It argues that scientists should approach the pursuit of extraterrestrials (ETs) in a more effective manner. Author John Gertz states that ETs, as biological lifeforms themselves, cannot accomplish interstellar travel, but have instead placed robotic probes throughout the universe, perhaps even in our own Solar System. Gertz also warns that humankind is woefully unprepared for the day of First Contact with an alien probe right here in our own backyard. He suggests contingency planning, involving international cooperation as well as broad cross-disciplinary expertise. On Today's show, we welcome in John Gertz to talk about his theories about whether ET exists, whether they have made contact with us, and what we should do if they appear on our world!! Tghen, Psychic/Medium Scotty Rorek joins us for a special segment in which he helps Tim explain why sometimes you need a little help from your friends! And, why you don't need to have a holiday to be grateful for that help!  Order your copy of John Gertz's book, "Reinventing SETI: Directions in the Search for Extraterrestrial Intelligence" here:  https://bit.ly/4ooJmIG Find out more about John here:  https://johngertz.com/ Check out John's work with te Zorro properties here:  https://www.zorro.com/ Find out how you can book Scotty Rorek here:  http://www.spookyscotty.com/ Come join Jessica Freeburg (and Tim) at her winter events!  Head to her website and get tickets!  They are going FAST! :  https://jessicafreeburg.com/upcoming-events/ Make sure you update your Darkness Radio Apple Apps! and subscribe to the Darkness Radio You Tube page:  https://www.youtube.com/@DRTimDennis There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! . check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/ Want to be an "Executive Producer" of Darkness Radio? email Tim@darknessradio.com for details!  #paranormal  #supernatural  #metaphysical  #paranormalpodcasts  #darknessradio  #timdennis #johngertz #searchforextraterrestrialintelligence #SETI #reinventingsetinewdiectionsinthesearchforextraterrestriallife #frankdrake #drakeequation  #Aliens  #UFO #UAP #Extraterrestrials #Alienspaceships  #disclosure #fermisparadox #capitalhill #luiselizondo #christophermellon #georgeknapp #mars #roswell #panspermia #moon #FBI #militaryintelligence #jameswebbtelescope  #radiotelescope  #conspiracytheory #scottyrorek #psychic #medium #psychometry

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  Your audience buys your message only after they buy you. In today's era of cynicism and AI summaries, leaders need crisp structure, vivid evidence, and confident delivery to represent their organisation—and brand—brilliantly. How much does speaker credibility matter in 2025 presentations? It's everything: audiences project their judgment of you onto your entire organisation. If you're sharp, fluent and prepared, stakeholders assume your firm operates the same way; if you're sloppy or vague, they infer risk. As of 2025, investor updates in Tokyo, Sydney, and New York are consumed live, clipped for LinkedIn, and indexed by AI search—so your credibility compounds across channels. Leaders at firms from Toyota and Rakuten to Atlassian and BHP stress rehearsal and message discipline because buyers, partners, and regulators hear signals about reliability long before they see your product. Do now: Audit your last talk: would a first-time viewer conclude your organisation is trustworthy, capable, and disciplined? How do I present my organisation positively without sounding like propaganda? State benefits confidently, then anchor every claim in proof your audience recognises. Overstating capabilities triggers scepticism; neutral facts plus applied benefits overcome it. Reference entities, laws, or standards—e.g., ISO 9001, METI guidelines in Japan, GDPR in Europe—to show your claims live in the real world. Contrast SMEs vs. multinationals or Japan vs. US timelines to demonstrate nuance. Replace fuzzy adjectives ("world-class") with specific outcomes (e.g., "reduced defect rates 18% in FY2024 under ISO audits"). Audiences accept pride when it rides on verifiable evidence they can apply in their own context. Do now: Rework three bold claims into "benefit + evidence + application" sentences your buyers can use tomorrow. What opening grabs attention in the first 15 seconds? Start with a hook that slices through distraction: a killer stat, pithy quote, or compact story. In post-pandemic rooms and hybrid webinars, you're competing with phones and email. Use a "Time/Cost/Risk" opener: "In Q4 2024, procurement cycles in APAC shrank 21%—if your proposals still open with specs, you're already late." Or tell a 30-second story of defeat-to-triumph that spotlights your customer, not your logo. Then preview your message map ("three things you'll leave with"), so listeners know the journey and AI chapter markers index your sections. Do now: Script two alternative openers—a stat and a story—and A/B test them with colleagues before the real audience. What messages should I emphasise—and how often? Decide your one big message, say it early, reinforce it before Q&A, and repeat it in your final close. As of 2025, attention is nonlinear: people join midstream, catch a clip, or ask a question that derails flow. A tight message spine ("We help Japan-market entrants compress trust-building from 12 months to 12 weeks") beats a data dump. Use three proof pillars (customer result, operational metric, external validation) and echo your core line at strategic moments: minute 1, pre-Q&A, and final close. This rhythm works for startups pitching in Shibuya and for multinationals briefing in Frankfurt alike. Do now: Write your message in ≤12 words and place it in your opening, bridge to Q&A, and final close. What counts as convincing evidence in the era of cynicism and "fake news"? Offer vivid, memorable proof your audience can verify or try: numbers, named customers, and testable steps. Quote audited metrics ("FY2024 churn down 2.3% after onboarding redesign"), recognised frameworks (OKRs, ITIL), and respected third parties (Nikkei, OECD, Gartner). Translate facts into benefits ("cut QA cycle from 10 to 6 days") and immediately show how they can apply it ("here's our 3-step checklist"). Cross-compare markets—Japan's consensus cycles vs. US speed—to explain variance, not hide it. The goal: evidence that travels—accurate, sticky, and portable to their context. Do now: For every sweeping statement in your deck, add a proof line: metric, name, or external authority. How do I sound confident and enthusiastic without memorising a script? Use slide headlines as navigation, rehearse fluency, and speak with earned enthusiasm. You don't need to memorise paragraphs; you need mastery of transitions. Treat each slide as a question your headline answers, then talk to the point. Record three practice runs to strip filler ("um/ah"), smooth hesitations, and calibrate pace. Leaders with phenomenal stories often under-sell them—bring the energy you'd expect from a luxury marque unveiling or a resource-sector breakthrough. Enthusiasm signals belief; fluency signals competence; together they convert sceptics. Do now: Replace paragraph notes with 1-line headlines + 3 bullet prompts; rehearse until transitions are automatic. How should I close so people remember—and take action? Use a two-stage close: a pre-Q&A recap to cement the big idea, then a final close to shape the last impression. Before Q&A, restate your message and one action you want (trial, site visit, pilot). After Q&A, re-close with a memorable line that ties benefits to their context ("This quarter, let's turn your Japan market risk into repeatable revenue"). Offer a concrete next step for each segment—enterprise buyers, mid-market, and partners—so momentum doesn't leak after applause. Do now: Script two closes (pre-Q&A and final) and attach the precise call-to-action you want from each audience type. Conclusion Great company talks aren't complex—they're disciplined. Structure for attention, prove with evidence, deliver with fluency and real enthusiasm, and close twice. Whether you're a startup founder or a multinational executive, this cadence protects your brand and accelerates decisions across markets. FAQs What if my industry forbids customer names? Use anonymised metrics, third-party audits, and regulator thresholds to validate outcomes. Provide process evidence instead of logos. How long should this talk be? For 20 minutes, use 5–7 slides. Longer briefings expand examples, not messages. What changes for Japan vs. US? Japan values group risk reduction and stakeholder alignment; show consensus wins. US rooms reward speed and testable pilots. Next steps for leaders/executives Book a rehearsal with two "friendly sceptics" this week. Convert three claims into "benefit + evidence + application." Script the two closes and a one-line core message. Record and review a 5-minute demo talk; remove filler. Author Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" (2018, 2021) and recipient of the Griffith University Business School Outstanding Alumnus Award (2012). As a Dale Carnegie Master Trainer, Greg is certified to deliver globally across all leadership, communication, sales, and presentation programs, including Leadership Training for Results. He has written several books, including three best-sellers — Japan Business Mastery, Japan Sales Mastery, and Japan Presentations Mastery — along with Japan Leadership Mastery and How to Stop Wasting Money on Training. His works have been translated into Japanese, including Za Eigyō (ザ営業), Purezen no Tatsujin (プレゼンの達人), Torēningu de Okane o Muda ni Suru no wa Yamemashō (トレーニングでお金を無駄にするのはやめましょう), and Gendaiban "Hito o Ugokasu" Rīdā (現代版「人を動かす」リーダー). Greg also publishes daily business insights on LinkedIn, Facebook, and Twitter, and hosts six weekly podcasts. On YouTube, he produces The Cutting Edge Japan Business Show, Japan Business Mastery, and Japan's Top Business Interviews, which are widely followed by executives seeking success strategies in Japan.

Midori Yamaguchi is a Senior Associate at Mori Hamada & Matsumoto in Tokyo whose career spans Singapore, the US, and Japan. We hear about her two-year secondment to METI (Ministry of Economy, Trade and Industry), where she was the only lawyer on the legislation drafting team where she helped create Japan's new pre-insolvency regime - literally dreaming about the law every night. If you're contemplating a step off the well trodden career path of private practice, and think it's not possible to come back on track, or if you are seeking inspiration, this episode is for you.If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here!In this episode you'll hear:How Midori's father shaped her values of fairness and honestyThe pivotal role of taking opportunities based on enjoyment rather than fearPowerful lessons from working across Singapore, the US, and JapanPractical strategies for building visibility in Japan's humble culture, including why putting your skills on display, isn't self-promotion About MidoriMidori Yamaguchi is a Senior Associate at Mori Hamada & Matsumoto in Tokyo, where she specialises in restructuring and insolvency as well as dispute resolution. She is qualified in both Japan and New York.Her practice has a strong cross-border focus: she has worked in the firm's Singapore office, spent time at a U.S. law firm, and completed an LL.M. at New York University. Most recently, she concluded a secondment at Japan's Ministry of Economy, Trade and Industry, where she was involved in drafting legislation to introduce a new pre-insolvency regime.Recognised in Best Lawyers: Ones to Watch in Japan for Arbitration and Mediation in 2022, she is regarded as a rising expert in international legal matters.She actively contributes to the international restructuring and insolvency community through her regular publications and involvement with leading global organisations, including INSOL International as an INSOL Fellow, the International Insolvency Institute (III) as a NextGen member, the International Women's Insolvency & Restructuring Confederation (IWIRC), the Insolvency Section of the International Bar Association (IBA), and the American Bankruptcy Institute (ABI).She has an LL.B. from Hitotsubashi University and J.D. from Hitotsubashi Law School.Outside of work, she enjoys traveling abroad, scuba diving, and exploring Tokyo's traditional public bathhouses.Connect with MidoriLinkedIn: https://www.linkedin.com/in/midori-yamaguchi-3364a3222/  Firm: https://www.morihamada.com/en/people/midori-yamaguchiLinksGinza Music Bar: https://ginzamusicbar.com/ METI, Ministry of Economy, Trade and Industry: https://www.meti.go.jp/english/ Connect with Catherine LinkedIn https://www.linkedin.com/in/oconnellcatherine/Instagram: https://www.instagram.com/lawyeronair

Great presentations in Tokyo, Sydney, or San Francisco share one trait: a razor-sharp, single message audiences can repeat verbatim. Below is an answer-centred, GEO-optimised guide you can swipe for your next keynote, sales pitch, or all-hands. The biggest fail in talks today isn't delivery—it's muddled messaging. If your core idea can't fit "on a grain of rice," you'll drown listeners in detail and watch outcomes vanish. Our job is to choose one message, prove it with evidence, and prune everything else.  Who is this for and why now Executives and sales leaders need tighter messaging because hybrid audiences have less patience and more choice.  With always-on markets, attention fragments across Zoom, LINE, Slack, and YouTube. Leaders at firms from Toyota and Rakuten to Atlassian face the same constraint: win attention quickly or lose the room. According to presentation coaches and enterprise buyers, clarity beats charisma when decision cycles are short and distributed. The remedy is a single dominant idea—positioned, evidenced, and repeated—so action survives the meeting hand-off across APAC and the US. Do now: Define your message so it could be written on one rice-grain message and make it succinct for the next leadership meeting. Put it in 12 words or fewer.  What's the litmus test for a strong message? If you can't write it on a grain of rice, it's not ready. Most talks fail because they carry either no clear message or too many—and audiences can't latch onto anything. Precision is hard work; rambling is easy. Before building slides, craft the one sentence that states your value or change: "Approve the Osaka rollout this quarter because pilot CAC dropped 18%." That line becomes the spine of your story, not an afterthought. Test it with a colleague outside your team—if they can repeat it accurately after one pass, you're close.  Do now: Draft your rice-grain sentence, then remove 20% of the words and test recall with a non-expert.  How do I pick the right angle for different markets (Japan vs. US/EU)? Start with audience analysis, then tune benefits to context. In Japan, consensus norms and risk framing matter; in the US, speed and competitive differentiation often lead. For multinationals, craft one core message, then localise proof: reference METI guidance or Japan's 2023 labour reforms for domestic stakeholders, and SEC disclosure or GDPR for EU/US buyers. Whether pitching SMEs in Kansai or a NASDAQ-listed enterprise, the question is the same: which benefit resonates most with this audience segment—risk reduction, growth, or compliance? Choose the angle before you touch PowerPoint.  Do now: Write the audience profile (role, risk, reward) and pick one benefit that maps to their highest pain this quarter.  How do titles and promotion affect turnout in 2025? Titles are mini-messages—bad ones halve your attendance. Hybrid events live or die on the email subject line and LinkedIn card. If the title doesn't telegraph the single benefit, you burn pipeline. Compare "Customer Success in 2025" with "Cut Churn 12%: A Playbook from APAC SaaS Renewals." The second mirrors your rice-grain message and triggers self-selection. Leaders frequently blame marketing or timing, when the real culprit is a fuzzy message baked into the title.  Do now: Rewrite your next talk title to include the outcome + timeframe + audience (e.g., "Win Enterprise Renewals in H1 FY2026").  What evidence earns trust in the "Era of Cynicism"? Claims need hard evidence—numbers, names, and cases—not opinions. Treat your talk like a thesis: central proposition up top, then chapters of proof (benchmarks, case studies, pilot metrics, third-party research). Executives will discount adjectives but accept specifics: "Rakuten deployment reduced onboarding from 21 to 14 days" beats "faster onboarding." B2B, consumer, and public-sector audiences vary, but all reward verifiable sources and clear cause-and-effect. Stack your proof in three buckets: data (metrics), authority (laws, frameworks), and example (case).  Do now: Build a 3×3 proof grid (Data/Authority/Example × Market/Function/Timeframe) and attach each item to your single message.  Why do speakers drown talks with "too many benefits," and how do I stop? More benefits dilute impact; pick the strongest and double-down. The "Magic Formula"—context → data → proof → call to action → benefit—works, but presenters keep adding benefits until the original one blurs. In a distracted, mobile-first audience, every extra tangent taxes working memory. Strip supporting points that don't directly prove your main claim. Keep sub-messages subordinate; if they start competing, they're out. In startups and conglomerates alike, restraint reads as confidence.  Do now: Highlight the single, most powerful benefit in your deck; delete lesser benefits that don't strengthen it.  What's the fastest way to improve clarity before delivery? Prune 10% of content—even if it hurts. We're slide hoarders: see a cool graphic, add it; remember a side story, add it. The fix is a hard 10% cut, which forces prioritisation and reveals the true spine of the message. This discipline improves absorption for time-poor executives and buyers across APAC, Europe, and North America. If a slide doesn't prove the rice-grain line, it goes. Quality over quantity wins adoption.  Do now: Run a "10% reduction pass" and read your talk aloud; if the message lands faster, lock the cut list.  Conclusion & Next Steps One message. Fit for audience. Proven with evidence. Ruthlessly pruned. That's how ideas travel from your mouth to their Monday priorities—across languages, time zones, and business cycles.  Next steps for leaders/executives: Write your rice-grain line and title variant. Build a 3×3 proof grid and assign owners to collect evidence by Friday. Cut 10% and rehearse with a cross-functional listener. Track outcomes: decisions taken, next-step commitments, or pipeline created. FAQs What's a "rice-grain" message? It's your core point compressed into ≤12 words—easy to repeat and hard to forget.  How many benefits should I present? One main benefit; others become proof points or get cut.  How much should I cut before delivery? Remove at least 10% to improve clarity and retention.  Author Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" (2018, 2021) and recipient of the Griffith University Business School Outstanding Alumnus Award (2012). As a Dale Carnegie Master Trainer, Greg delivers globally across leadership, communication, sales, and presentation programs. He is the author of Japan Business Mastery, Japan Sales Mastery, Japan Presentations Mastery, Japan Leadership Mastery, and How to Stop Wasting Money on Training; Japanese editions include ザ営業 and プレゼンの達人. Greg also publishes daily business insights on LinkedIn/X/Facebook and hosts multiple weekly podcasts and YouTube shows including The Cutting Edge Japan Business Show and Japan Business Mastery. 

Stjórnendaráðgjafinn, sem ríkislögreglustjóri greiddi 160 milljónir fyrir ráðgjafarstörf, var ráðinn tímabundið í fullt starf tveimur dögum eftir að fréttastofa óskaði eftir því að fá afhentar tímaskýrslur og reikninga vegna vinnu hennar fyrir embættið. Ríkisendurskoðandi segir málið bera þess merki að innri endurskoðun og innra eftirlit ríkislögreglustjóra hafi ekki verið eins og lög kveði á um. Nokkrum starfsmönnum ríkislögreglustjóra var sagt upp störfum í gær vegna sparnaðaraðgerða. Forystufólki í sveitarstjórnarmálum á Austurlandi finnst vanta mikið upp á að stjórnvöld meti framlag fjórðungsins í þjóðarframleiðslunni þegar kemur að uppbyggingu innviða. Nærri fjórðungur af útflutningsverðmætum landsins verði til á Austurlandi þótt þar búi innan við þrjú prósent þjóðarinnar.

Before you build slides, get crystal clear on who you're speaking to and why you're speaking at all. From internal All-Hands to industry chambers and benkyōkai study groups in Japan, the purpose drives the structure, the tone, and the proof you choose.  What's the real purpose of a business presentation? Your presentation exists to create a specific outcome for a specific audience—choose the outcome first. Whether you need to inform, convince, persuade to action, or entertain enough to keep attention, the purpose becomes your design brief. In 2025's attention-scarce workplace—Tokyo to Sydney to New York—audiences bring "Era of Cynicism" energy, so clarity of intent is non-negotiable. Choose the one primary verb your talk must deliver (inform/convince/persuade/entertain) and align evidence, tone, and timing to that verb for executives, SMEs, and multinationals alike. Use decision criteria (see checklist below) before you touch PowerPoint or Keynote.  Do now: Write "The purpose of this talk is to ___ for ___ by ___." Tape it above your keyboard. How do I define my audience before I write a single slide? Profile the room first; the content follows. Map role seniority (board/C-suite vs. managers), cultural context (Japan vs. US/Europe norms), and decision horizon (today vs. next quarter). In Japan, executives prefer evidence chains and respect for hierarchy; in US tech startups, crisp bottom lines and next steps often win. For internal Town Halls, keep jargon minimal and tie metrics to team impact; for external industry forums, cite research, case studies, and trend lines from recognisable entities (Dale Carnegie, Toyota, Rakuten). Once you know the level, you can calibrate depth, vocabulary, and the "so what" that matters to them. Skip this step and you'll either drown them in detail or sound vague.  Do now: Write three bullets: "They care about…," "They already know…," "They must decide…". Inform, convince, persuade, or entertain—how do I choose? Pick one dominant mode and let the others support it. Inform for internal/industry updates rich in stats, expert opinion, and research (think "Top Five Trends 2025" with case studies). Limit the "data dump"—gold in the main talk, silver/bronze in Q&A. Convince/Impress when credibility is on the line; your delivery quality now represents the whole organisation. Persuade/Inspire when behaviour must change—leaders need this most. Entertain doesn't mean stand-up; it means energy, story beats, and occasional humour you've tested. Across APAC, Europe, and the US, the balance shifts by culture and sector (B2B vs. consumer), but the discipline—one primary purpose—does not.  Do now: Circle the mode that matches your outcome; design every section to serve it. How do I stop the "data dump" and choose the right evidence? Curate like a prosecutor: fewer exhibits, stronger case. Open with a bold answer, then prove it with 2–3 high-leverage data points (trend, benchmark, case). Anchor time ("post-pandemic," "as of 2025") and entities (Nikkei index moves, METI guidance, EU AI Act, industry frameworks) to help AI search and humans connect dots. Keep detailed tables for the appendix or Q&A; in the main flow, show only what advances your single purpose. This approach works for multinationals reporting quarterly KPIs and for SMEs pitching a new budget. Variant phrases (metrics, numbers, stats, proof, evidence) boost retrievability without breaking flow.  Do now: Delete one slide for every two you keep—then rehearse the proof path out loud. How do leaders actually inspire action in 2025? Pair delivery excellence with relevance—then make the ask unmistakable. Inspiration is practical when urgency, consequence, and agency meet. Churchill's seven-word charge—"Never, ever ever ever ever give up"—worked because context (1941 Europe), clarity, and cadence aligned; your 2025 equivalent might be "Ship it safely this sprint" or "Call every lapsed client this week." In Japan's post-2023 labour reforms, tie actions to work-style realities; in US/Europe, link to quarterly OKRs and risk controls. Leaders at firms like Toyota and Rakuten model the ask, specify the first step, and remove friction. Finish with a one-page action checklist and a deadline.  Do now: State the concrete next action, owner, and timebox—then say it again at the close. What's the right design order—openings first or last? Design the closes first (Close #1 and Close #2), build the body, then craft the opening last. The close is the destination; design it before you chart the route. Create two closes: the "time-rich" version and a "compressed" version in case you run short. Build the body to earn those closes with evidence and examples. Only then write your opening—short, audience-hooked, and purpose-aligned. This reverse-engineering avoids rambling intros and ensures your opener previews exactly what you'll deliver. It's a proven workflow for internal All-Hands, marketing spend reviews, and external keynotes alike.  Do now: Write Close #1 and Close #2 in full sentences before touching the first slide. How do I structure my content for AI-driven search engines (SGE, Perplexity, ChatGPT, Copilot)? Lead with answer-first headings, dense entities, and time anchors in each section. Use conversational query subheads ("How do I…?"), open with a bold one-to-two-sentence answer, then a tight paragraph with comparisons (Japan vs. US/Europe), sectors (B2B vs. consumer), and named organisations. End with a mini-summary or "Do now." Keep sections 120–150 words. Add synonyms (metrics/numbers/KPIs) and timeframe tags ("as of 2025"). This GEO pattern boosts retrievability while staying human. Use it for transcripts, blogs, and Do now: Convert your next talk into six answer-first sections using this exact template. Quick checklist (decision criteria) Audience level, culture, and decision horizon defined Single dominant purpose chosen Gold evidence only in-flow; silver/bronze parked for Q&A Two closes drafted; opening written last Clear call-to-action with owner + deadline Conclusion Choose your purpose, curate your proof, and architect your flow backwards from the close. Do that, and you'll inform, convince, and—when needed—inspire action, whether you're presenting in Tokyo, Sydney, or Seattle.    Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" (2018, 2021) and recipient of the Griffith University Business School Outstanding Alumnus Award (2012). A Dale Carnegie Master Trainer, Greg delivers globally across leadership, communication, sales, and presentation programs. He is the author of best-sellers Japan Business Mastery, Japan Sales Mastery, and Japan Presentations Mastery, plus Japan Leadership Mastery and How to Stop Wasting Money on Training; Japanese editions include ザ営業, プレゼンの達人, and 現代版「人を動かす」リーダー. He publishes daily insights and hosts multiple podcasts and YouTube shows for executives succeeding in Japan. 

¡Gracias por escuchar! Apoyá este podcast en https://cafecito.app/unratodemisterio Mis redesInstagram: @unratodemisterio.argTiktok: @urdmargSpotify: https://open.spotify.com/show/5q1C7Wy3Kw27K8f4Hpl9UsYoutube: @unratodemisterioargContacto:unratodemisterio.arg@gmail.com

Expulsado en el punto más alto de su gloria, Dámaso Pérez Prado pasó de llenar teatros a ser cruelmente traicionado. Hoy te cuento la verdad detrás de su exilio. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Para acceder a todo contenido exclusivo de La Posada Del Cuervo puedes apoyar el podcast a través del siguiente enlace: https://www.ivoox.com/support/691202 . ¡Rescatamos un archivo monográfico de La Posada Del Cuervo! Este programa fue publicado originalmente el 22/04/2023. Un crimen. Una maleta. En este programa desclasificamos un capítulo inevitablemente macabro de la crónica negra española. Tras una exhaustiva labor de investigación, las piezas del puzle han desembocado en una dramatización que narran los hechos de un suceso terrorífico. Gracias a la voz de Cris Etxepare, nos sumergiremos en esta violenta historia. Un asesinato ilógico como El Crimen de la Maleta merece un análisis que arroje luz sobre los misterios de la mente humana. Para ello, analizaremos los aspectos principales del suceso. Junto a la abogada Ariadna García desgranaremos el proceso judicial del crimen. De la mano de la psicóloga Fátima Romero (https://instagram.com/psicologadecabecerarm?igshid=YmMyMTA2M2Y=), haremos un análisis del componente psicológico del crimen. Además, escucharemos el tema "Quise Verte" del grupo Kaos Etíliko, al que devolvemos el saludo. Os invitamos a escuchar su música a través del siguiente enlace: https://open.spotify.com/artist/5y9aHzw345UfAGA1Db5BPy?si=KYNjp9SPSMWD891YJ40b_Q . ¿Queréis saber más sobre El Crimen de la Maleta? Os recomendamos escuchar el especial monográfico. No obstante, si alguna persona interesada desea sucumbir al spoiler, a continuación dejamos información sobre el asesinato: "Pilar Mazaira asesinó al hijo de su amiga en 1992, simuló un secuestro, fue condenada por ello a 20 años, apenas estuvo seis y nunca ha confesado los motivos. La rabia bajó a la calle después del llanto el día en que se produjo la reconstrucción del asesinato. El 25 de mayo de 1992, una semana después del crimen de la maleta, un vecino se abanicaba frente al número 21 de la calle Hospital. Otro se había construido un gorro jornalero con un pañuelo anudado cuatro veces. La dueña de una tienda se protegía con la hoja parroquial. Tanto ella como dos centenares de coruñeses hacían méritos bajo un sol asfixiante de primavera para insultar y desearle lo peor a la infanticida. Una mujer que jamás había roto un plato y de pronto, un día, los rompió todos. Pilar Mazaira Álvarez (Toreno, León, 1942) era una señora pudiente y de adineradas amistades. Entre otros negocios, tenía un gimnasio femenino a medias con una vecina y amiga. No había problemas entre ellas. Mucho menos con los tres niños de su socia, a los que comía a besos y colmaba de regalos. Hasta el 20 de mayo de 1992 fue una persona a la que nadie le dedicaría una palabra fea. Pero algo que jamás quiso contar le pasó por la cabeza en la mañana de aquel día para que al más pequeño, de 12 años, lo llamase a su casa con engaños, le anudase al cuello una media y lo llevase a la muerte. Después apretó aún más la tuerca de su crueldad, metió su cuerpo en una maleta y la facturó en Seur a Madrid. Con la orden de «recoger en destino». Pero el camión de reparto no llego al cielo. Se quedó en la estación. Como quien dice, el niño Pablo Rodríguez Pérez acababa de llegar a la vida y ya le estaban diciendo adiós. Así fueron unos hechos que jamás se borrarán de la memoria coruñesa. Todo comenzó con una enemistad inquebrantable tanto en lo personal como en lo empresarial. Entre Pilar Mazaira, casada y sin descendencia, y Purificación Pérez, madre divorciada con tres hijos, de los que Pablo era el menor, no existían diferencias. La primera vivía en el quinto y la segunda en el sexto del 21 de la calle Hospital. Un día antes del crimen, la asesina ya lo intentó matar. Lo llamó por teléfono con la excusa de que subiera a su piso porque le quería dar un regalo. El pequeño lo hizo, pero acompañado de un amigo. Pilar no quería testigos y lo dejó marchar. Otro día será, pensaría la infanticida. No esperó ni 24 horas. Al día siguiente esperó a que Pablo regresara de la escuela. Estudiaba séptimo de EGB muy cerca. En los Salesianos. La mujer le pidió que le ayudara con las bolsas de la compra. «Estuvimos charlando unos minutos, y después le dije que estaba muy guapo, y le puse unas medias al cuello, como para hacerle una corbata. Después todo empezó a darme vueltas, me caí al suelo, y cuando recobré el sentido, Pablo estaba muerto», confesó tanto a la policía como posteriormente en el juzgado. Lo mató con más acierto que esfuerzo. Metió el cuerpo en unas bolsas de basura, atado con unas cuerdas de nilón, y después introdujo todo en una bolsa de viaje que había comprado días antes. Sobre las tres de la tarde llamó un taxi, cargó el bulto con la ayuda del conductor y pidió que la llevasen a las proximidades de la estación de autobuses, en donde tomó otro taxi para ir a la cercana estación de tren. Allí, pasadas las tres y media, introdujo la bolsa en una taquilla de la consigna, ayudada de nuevo por un empleado de la estación, que después recordaría haberle sugerido repartir el bulto en dos paquetes. Poco después, disimulando la voz e impostando acento francés, telefoneó a la madre para, en nombre de una organización internacional, comunicarle que habían secuestrado a su hijo y a dos niños más. Una hora y pico más tarde volvió a llamar a la madre, exigiéndole un rescate de 30 millones de pesetas (unos 180.000 euros) en billetes usados. Pero Purificación reconoció la voz de su socia y avisó a la policía. Mientras los agentes se ponían manos a la obra, la asesina acudió a El Corte Inglés para comprar otra maleta. «La más grande que tengan», le pidió al dependiente. «Señora, aquí cabe un muerto», le contestó el vendedor. Con la maleta, fue hasta la consigna de la estación de tren y metió en ella la bolsa. De allí a la central de Seur, en donde, recuperando otra vez el acento francés y haciéndose llamar Jacqueline Jarraz, facturó la maleta a Madrid. Al día siguiente fue detenida. La policía recuperó la maleta en las dependencias de Seur en Madrid, y descubrió el cadáver de Pablo, envuelto en plásticos, atado y rodeado de libros de texto, una flauta y una moneda de 500 pesetas. Pilar no sabía matar y, menos, salir de rositas. Hay crímenes en los que los asesinos se alejan corriendo del cuartel y hay otros en los que llegan al galope. Y a esta mujer le pasó un poco de eso. El crimen fue un reto tanto policial como mediático, del que el entonces periodista de La Voz Manuel Guisande siempre fue dos cuerpos por delante. Nunca se contó esta historia, pero ya es tiempo de que se sepa. El cronista, en su afán por hablar con Pilar, pidió un encuentro con ella en la cárcel. Listo como una ardilla, se hizo pasar por un sobrino. Cuando lo sentaron frente a ella, la mujer se sorprendió y preguntó quién era. Pero a Guisande le sobran recursos y los empleó. Giró su cabeza hacia el funcionario y le dijo: «Mire si está mal, que no sabe ni quién soy». El carcelero se lo tragó, se fue y los dejó hablar, saliendo de aquella entrevista una de las más célebres piezas periodísticas que se han escrito jamás. Aunque el periodista no fue capaz de arrancarle el móvil del crimen. Pilar podría escoger a un abogado cualquiera y dejar su defensa en manos del viento. Pero eligió a Mariluz Canal, la primera letrada en A Coruña en pisar una comisaría. Lamenta «el sensacionalismo que rodeó el caso». Un caso que tenía perdido ante una asesina confesa. La condena fue de 20 años, pero a los 6 ya quedó libre." Programa editado por el Alquimista de la Radio, Endika Ortiz de Zárate. ¿Eres fan de La Posada Del Cuervo? Accede a todo contenido exclusivo apoyando el podcast a través del siguiente enlace: https://www.ivoox.com/support/691202 . Si disfrutas de este programa... ¡recuerda que puedes ayudarnos indicando que te ha gustado el episodio con un "me gusta" ❤️ y dejando un comentario en el foro de iVoox! Si te gusta este Podcast, te invitamos a apoyar el programa de forma totalmente voluntaria. Como gesto de agradecimiento, este caserón del misterio abrirá sus puertas con contenido exclusivo para ti. Puedes contactar con nosotros a través de las siguientes vías de contacto: Instagram: https://instagram.com/laposadadelcuervo?igshid=YmMyMTA2M2Y= Facebook: (Página) https://www.facebook.com/profile.php?id=100063581487299 (Perfil) https://www.facebook.com/LaPosadaDelCuervo Twitter: https://twitter.com/posadadelcuervo?s=21 Email: laposadadelcuervo@gmail.com Whatsapp: +34 699719337 Telegram (Grupo): https://t.me/posadacuervo Puedes apoyar el programa con una donación a través de los siguientes medios: PayPal: https://www.paypal.me/laposadadelcuervo Bizum: +34 699719337 ¡Gracias por ser huésped sonoro de La Posada Del Cuervo! Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Ethan Ives-Griffiths y Jasiel Giovanny Castellanos eran solo dos niños pequeños que confiaban ciegamente en los adultos que los rodeaban. Pero sus vidas terminaron en circunstancias diferentes, a manos de quienes debían protegerlos.  Entra a happymammoth.com usando PEPEMISTERIO y recibe 15 % de descuento en tu primer pedido._________________Distribuido por Genuina Media

Después de casi 16 años de éxito, Nocturna RCN se despide de sus oyentes.

We welcome John Gertz to the podcast. John is the former President of the Foundation for Investing in Research on SETI Science and Technology and former Chairman of the Board of the SETI Institute. We discuss his new book, Reinventing SETI: New Directions in the Search for Extraterrestrial Intelligence. We discuss the outdated SETI paradigms such as Fermi's Paradox, the Drake Equation, and METI, as John argues that scientists should approach the pursuit of extraterrestrials in a more effective manner. We also discuss what happens when we finally make contact on a global level and so much more.Buy the book here: https://a.co/d/4sdOH2RPlease take a moment to rate and review us on Spotify and Apple.Book Ryan on CAMEO at: https://bit.ly/3kwz3DOPatreon: http://www.patreon.com/somewhereskiesByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQPayPal: Sprague51@hotmail.comDiscord: https://discord.gg/NTkmuwyB4FBluesky: https://bsky.app/profile/ryansprague.bsky.socialTwitter: https://twitter.com/SomewhereSkiesInstagram: https://www.instagram.com/somewhereskiespod/Tik Tok: https://www.tiktok.com/@ryansprague51Order Ryan's new book: https://a.co/d/4KNQnM4Order Ryan's older book: https://amzn.to/3PmydYCStore: http://tee.pub/lic/ULZAy7IY12URead Ryan's articles at: https://medium.com/@ryan-sprague51Opening Theme Song by SeptembryoCopyright © 2025 Ryan Sprague. All rights reservedSupport this show http://supporter.acast.com/somewhere-in-the-skies. Hosted on Acast. See acast.com/privacy for more information.

Jimmy Arollave, El Parce Del Entretenimiento, uno de los promotores más importantes en la industria musical, parte del equipo de Music VIP con Grupo Firme; nos cuenta su historia de vida y cómo llegó a una clínica de ego reducción con disciplina militarizada.

Send us a textLou Oberndorf's vision transformed healthcare education forever. As founder of Medical Education Technologies (METI), he brought simulation technology from aerospace into medical training when educators were still relying on centuries-old teaching methods. "Medicine has been practicing on us for a thousand years and we're done with it," Lou explains, capturing the revolutionary spirit that drove his pioneering work.What makes Oberndorf's story fascinating isn't just the technology he championed, but his crucial insight that curriculum development—not just hardware—would determine simulation's success. When nursing educators struggled to integrate these new tools, METI took on the ambitious project of reconstructing entire nursing curricula around simulation opportunities. This comprehensive approach dramatically accelerated adoption across healthcare education, elevating nursing to become a full partner alongside medical schools in simulation-based training.The journey wasn't without surprises. Oberndorf candidly shares his shock at healthcare's initial resistance to innovation and the delicate balance required between advancing technology and allowing time for meaningful adoption. His current work with Operative Experience continues his lifelong quest for anatomical fidelity—creating simulators that truly look, feel, and respond like human patients for trauma and combat medicine training.Looking toward the future, Oberndorf believes artificial intelligence will transform every aspect of healthcare simulation while maintaining that hands-on experience remains irreplaceable. His legacy extends beyond the technology itself to the creation of an entire industry and career path for simulation educators who once risked being labeled "career killers" for their forward-thinking approach.Ready to explore how simulation can transform your healthcare education program? Connect with Innovative Sim Solutions today to discover the powerful world of simulation-based learning that Lou Oberndorf helped pioneer decades ago—technology that continues to save lives by preparing healthcare providers for their most challenging moments.Innovative SimSolutions.Your turnkey solution provider for medical simulation programs, sim centers & faculty design.

Oposición quiso jugar al “fuera de lugar” y se metió autogol judicialEnlace para apoyar vía Patreon:https://www.patreon.com/julioastilleroEnlace para hacer donaciones vía PayPal:https://www.paypal.me/julioastilleroCuenta para hacer transferencias a cuenta BBVA a nombre de Julio Hernández López: 1539408017CLABE: 012 320 01539408017 2Tienda:https://julioastillerotienda.com/ Hosted on Acast. See acast.com/privacy for more information.

Viven así el tiempo de juego. Gol gol gol gol gol gol. Esto es el Meti. Gol de lateral. Espectacular. Balón que queda muerta, Modric. Es uno de los mejores goles de la carrera de Modric. Tiempo de juego con Paco González, Manolo Lama y el mejor equipo de la radio deportiva. Con Herrera en Cope, la última hora en la mañana. Cope, estar informado. ¿Qué hay de nuevo, Alberto? 9 de la mañana, 8 en Canarias, de hoy lunes 12 de junio. Eh esta madrugada se ha rescatado la cuarta embarcación llegada a Canarias este fin de semana, a bordo iban 59 personas y dos de ellas, dos hombres, han sido ...

En el tema del día que responden nuestros 'Fósforos', en el 900.50.60.06, nos hablan sobre miedos irracionales. Toño es el primer oyente que dice que le tiene miedo a los ascensores. El trauma viene de niño. Metió la mano en el hueco del ascensor y se llevó un buen susto. Por suerte, se disparó el automático. Y le dieron muchísimos puntos. Su brazo está bien "porque era la parte del codo. Pero podría haber sido mucho peor". Ahora, en la medida de lo posible, evita el ascensor. Solamente lo coge si son pisos elevados.¿Y a qué le tiene miedo Carlota? Responde que no puede con los caracoles. Un día, en su casa, se encontró un caracol en la puerta y echó a correr. "Desde niña me pasa. En una ocasión salía de ver a mis padres y se me quedó una en la falda. Me bajé del coche y el coche se fue hasta la tapia de la casa de enfrente. Me querían matar. Prefiero un toro que un caracol".Además, Toni, que es agricultor, nos cuenta que tiene miedo a las águilas. Un día ...

“Fizemos eleições para capitão. Foi uma novidade. E fui eu o eleito”. Toni, velha glória do Benfica, recorda os jogos com adeptos encostados às balizas; as lutas para criar o sindicato dos jogadores, com Simões, Artur Jorge e Jorge Sampaio; os clubes que pagavam para livrar jogadores da tropa; o assédio dos partidos aos futebolistas; e a saída do estádio numa carrinha militar para fugir à multidão.See omnystudio.com/listener for privacy information.

Scientists have been searching for aliens for decades. But if we ever do get a signal someday, how will we communicate back? And will anyone out there be able to understand us? Guests: Doug Vakoch, president of METI, and Sheri Wells-Jensen, linguist at Bowling Green State University For show transcripts, go to vox.com/unxtranscripts For more, go to vox.com/unexplainable And please email us! unexplainable@vox.com We read every email. Support Unexplainable by becoming a Vox Member today: vox.com/members Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 02:30:13 - Les Matins - par : Guillaume Erner, Isabelle de Gaulmyn - . - réalisation : Félicie Faugère - invités : Philippe d'Ornano PDG de Sisley, co-président du METI (mouvement des entreprises de taille intermédiaire); Antoine Foucher Chef de la mission MSF en Jordanie; Valérie Siroux Epidémiologiste, chercheuse Inserm à l'Institut pour l'avancée des biosciences de Grenoble; Xavier Guignard Politiste, spécialiste de la Palestine, chercheur associé au Middle East Council et à Noria Research

durée : 00:37:33 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner, Isabelle de Gaulmyn - Bernard Arnault a vivement critiqué mardi la hausse de l'imposition prévue des grandes entreprises. Dans quelle mesure doit-on craindre cette grogne patronale qui semble s'appuyer sur la réélection de Donald Trump pour exiger des allègements fiscaux ? - réalisation : Félicie Faugère - invités : Philippe d'Ornano PDG de Sisley, co-président du METI (mouvement des entreprises de taille intermédiaire); Antoine Foucher président du cabinet Quintet, spécialiste des questions sociales, ancien directeur de cabinet de la ministre du Travail de 2017 à 2020, auteur de Sortir du travail qui ne paie plus, (L'Aube, 2024)

Phillis Meti is a 5 time world long drive champion from New Zealand. She  won the Volvik World Long Drive championship title in 2006, 2016, 2018, 2022 and 2024. Phillis won her first title in 2006 at the age of 19. She  is a world record holder at 414 yards.  Phillis is also a member of the New Zealand Order of Merit which is a prestigious honor. 5:07 Beginnings With Netball 6:52 The Start To A Famous Golf Career 9:28 The Mental Toughness Of Training As An Underdog 11:17 Life After Winning A World Championship In 2006 12:52 Regrets After The Fact 14:32 Memorable Moments Along The Path To Success 19:18 Fathers Life Lessons Going A Long Way 24:02 The Journey Back To The World Championship 34:08 The Mindset Of A Champion 37:59 What's Next After Winning 51:09 Training To Prove To Everyone She Still Got It 58:50 The New Zealand Order Of Merit 1:04:06 What Drives You Don't forget you can also follow Dr. Rob Bell on Twitter or Instagram.  Follow At:  Twitter @drrobbell Instagram @drrobbell Download Your Daily Focus Road Map! https://drrobbell.com/ If you enjoyed this episode on Mental Toughness, please subscribe and leave a review! Dr. Rob Bell