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Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

This episode with Linda Santoni is a bit of a milestone for the podcast. Linda is a 2L at the University of Bologna in Italy and the first guest I have ever had from Italy, which, by itself, made this a fun one to record. It also happened to be my final episode recorded from Albany before making the move back to Long Island, so a fitting send-off all around.Linda's path is genuinely unlike anything I have covered before. In Italy, law school is a five-year program that doubles as your bachelor's degree, so she started right out of high school at 19 years old. Before that, in high school, she focused on Humanities Studies, where she some time reading and learned Greek and Latin texts in their original languages. We got into how that discipline actually translates pretty cleanly to legal work, and it might be one of the most interesting connections I have drawn with a guest in a while.What I really enjoyed about this conversation was where it went after the basics. Linda is deep into international law and has already been to Washington, D.C. for the American Society of International Law's annual meeting, where she serves as Vice Chair of the International Development Law Interest Group. She also walked through her experience as an advisor for the Philip Jessup International Law Moot Court Competition, which she initially saw as a failure for not making the speaking team, but turned into one of the most valuable experiences she has had. The whole “failure opening doors you wouldn't have seen otherwise” thing landed.We also got philosophical, which you knew was going to happen the second she mentioned reading Aristotle in Greek. I asked Linda about her take on the American Dream for young lawyers, and her answer about community impact and giving a voice to people who get neglected by the system was genuinely one of the more thoughtful answers I have gotten to that kind of question.Linda's LinkedIn: linkedin.com/in/linda-santoniBe sure to check out the Official Sponsors for the Lawyers in the Making Podcast:Rhetoric - Empowers your teaching and training with AI that strengthens learning, protects integrity, and proves authentic understanding, for students and professionals alike, with CICERO. Find them here: userhetoric.comThe Law School Operating System™ Recorded Course - This course is for ambitious law students who want a proven, simple system to learn every topic in their classes to excel in class and on exams. Go to www.lisablasser.com, check out the student tab with course offerings, and use code LSOSNATE10 at checkout for 10% off Lisa's recorded course!Start LSAT - Founded by former guest and 22-year-old superstar, Alden Spratt, Start LSAT was built upon breaking down barriers, allowing anyone access to high-quality LSAT Prep. For $110, you get the Start LSAT self-paced course, and using code LITM10, you get 10% off the self-paced course! Check out Alden and Start LSAT at startlsat.com and use codeLITM10 for 10% off the self-paced course!Lawyers in the Making Podcast is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Lawyers in the Making Podcast at lawyersinthemaking.substack.com/subscribe

"The key is to enjoy the moment, and never stop learning along the way." —Sharon Santoni encouragement to explore France's many antique and vintage markets, fairs and shops France. The history, the ambiance, the food, ahhh, and the antiques and vintage treasures. If you've ever dreamed of traveling to France or have traveled to France and have wanted to know how to navigate the many brocantes, antique fairs and markets, a new book has been written for you. Sharon Santoni, founder of My French Country Home - the blog, the magazine, the travel tours and the seasonal boxes filled with treasures, has spent years traveling around France treasure hunting, and mostly in the wee hours of the morning. A mother of four, now a self-described empty-nester, she and her husband had their home to furnish, and so it was to the French brocantes they went to do so. Thus began an adventure and sparked a passion for French antiques. In our conversation talking about her new book - The Art of Antiquing in France, Sharon will share how her introduction into this wonderful world of treasures and French history began, who guided her through and welcomed her into the community of dealers that find themselves at various markets and fairs over the calendar year, and she generously shares insights of where to go, what to look for and how to connect with the dealers to learn more about what catches your eye. She will also share what the true test of a good buy is when it comes to purchasing antiques, and how to hone your eye, taste and judgment so you can feel confident with your choices. Listen to the episode, #424, to hear our entire conversation and find the Show Notes on The Simply Luxurious Life blog - https://thesimplyluxuriouslife.com/podcast424 

La proroga del taglio sulle accise incide molto poco sui mezzi dagli Euro V e Euro VI, che già beneficiano degli sconti. “La situazione si sta facendo insostenibile, ci sono problemi di liquidità, i servizi vengono svolti in perdita, il rischio del fermo è reale, occorrono sostegni da parte del governo”, denuncia Michele Santoni, presidente nazionale di Cna-Fita.

I corpi dei membri di un'intera famiglia vengono trovati all'interno della loro casa. Sono stati tutti e tre massacrati a colpi di coltello. Qual è il motivo di questa strage?Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/true-crime-mistery--5398711/support.

I corpi dei membri di un'intera famiglia vengono trovati all'interno della loro casa. Sono stati tutti e tre massacrati a colpi di coltello. Qual è il motivo di questa strage?Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/true-crime-mistery--5398711/support.

Eccoci qua! Bentornati a Life in the Garden!In questo episodio del podcast ho avuto il piacere di intervistare Samuele Santoni, da Porto Sant'Elpidio nelle Marche, titolare dell'azienda Il Mondo dei Semi. Con Samuele abbiamo parlato di come abbia iniziato nel 2020 questa sua attività di rivenditore di semi, che non produce lui direttamente, ma che comporta un meticoloso e attento lavoro manuale (pesatura dei semi con bilance professionali, chiusura, termosaldatura ed etichettatura delle bustine).Nell'episodio abbiamo anche affrontato molti temi legati alla semina: substrato di semina, epoca, calendario, raccolta e conservazione dei semi e molto altro ancora.Non vi anticipo altro, buon ascolto!Se volete supportare Life in the Garden:Condividete l'episodio, lasciate 5 stelle di valutazione al podcast su Spotify e attivate la campanella per ricevere le notifiche sui nuovi episodi!Grazie a tutti!Credits:Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/holly-jones/thirteenLicense code: 1OSYNWZKZR0N37FNMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/brock-hewitt-stories-in-sound/a-new-dayLicense code: ZQANLKALRUGW2ZSI

Maraming Pilipino ang deboto sa Sto. Niño — at hindi lang dahil bahagi ito ng ating kasaysayan at kultura, kundi dahil may malalim na spiritual connection tayo sa Batang Hesus. Mula sa pagdating nito sa Cebu hanggang sa pagkakaroon ng exclusive Sto. Niño Mass na inaprubahan ng Vatican para sa Pilipinas, tunay na espesyal ang debosyon na ito.

Filipino devotees across Australia gather to celebrate the Sinulog Festival, the annual feast honoring the Santo Niño. - Balikan ang ilan sa mga naging panayam ng SBS Filipino sa mga deboto ng Santo Niño sa Australia, mga kuwentong nagpapakita kung paano patuloy na nabubuhay ang pananampalataya at tradisyon ng Sinulog, kahit malayo sa Pilipinas.

La revisione del calendario dei divieti di circolazione per i mezzi pesanti, la transizione green del settore e la necessità di rendere più attrattiva la professione di autotrasportatore sono alcuni dei temi al centro dell'agenda del nuovo presidente di Cna Fita, Michele Santoni, eletto nel mese di settembre.In questa puntata di Container, Massimo De Donato intervista Santoni per fare il punto sui primi mesi del suo mandato e sulle principali priorità che attendono il comparto dell'autotrasporto artigiano.Fin dal momento del suo insediamento, il neo presidente ha sottolineato la volontà di garantire continuità con il lavoro svolto dal predecessore, con l'obiettivo di consolidare i risultati raggiunti e proseguire lungo il percorso avviato negli anni precedenti.

Send us a textWe explore the biblical roots, theology, and living traditions of devotion to the Divine Child Jesus, guided by the lives of Anthony of Padua, Teresa of Avila, and Therese of Lisieux. Along the way we connect Bethlehem to the Eucharist and offer simple practices for childlike trust.• biblical foundations for devotion to the infant Jesus• theology of divine childhood and humility• Saint Anthony's vision and spiritual surrender• Teresa of Avila's playful prayer and simplicity• Therese's little way of confidence and love• Santo Niño and global traditions of the Christ Child• Eucharist as today's Bethlehem and adoration• Mary as pathway to welcoming the Infant• practical steps to foster childlike faith• modern witnesses and communities devoted to the ChildBe sure to look at the description for special information of interest to you in Saints in Love with the Divine Child JesusShop our curated collection of statues, sacred art, and devotional aid centered on the divine child Jesus, perfect for your home, parish, or Catholic storeExplore our exclusive media, dive into EWTN programs, books, and video pilgrimages that illuminate the lives of saints devoted to Jesus in his holy infancyJoin a virtual pilgrimage with us to the shrines and miracle sites where saints beheld the child Jesus, deepening your own faith journeySupport our ministry, every purchase, share, or prayer fuels our evangelization efforts, helping Catholics everywhere discover the transforming love of ChristBe sure to click the link in the description for special news itemAnd since there is more to this article, finish reading and check out the special offerVisit journeysoffaith.com website todayExplore Divine Child Jesus CollectionOpen by Steve Bailey Support the showJourneys of Faith brings your Super Saints Podcasts ***Our Core Beliefs*** The Eucharist is the Source and Summit of our Faith." Catechism 132 Click Here “This is the will of God, your sanctification.” 1Thessalonians 4“ Click Here ... lay up for yourselves treasures in heaven...” Matthew 6:19-2 Click Here The Goal is Heaven Click Here Why you should shop here at Journeys of Faith official site! Lowest Prices and Higher discounts up to 50% Free Shipping starts at $18 - Express Safe Checkout Click Here Cannot find it let us find or create it - - Click Here Rewards Program is active - ...

Café Plus con Victoria Walsh y Vanessa Santoni, 3 de diciembre del 2025 by TXS Plus

"L'allineamento dell'accisa del gasolio a quella sulla benzina, di fatto un aumento di 4 centesimi al litro, costituirà un extra costo pesantissimo, soprattutto a carico delle imprese con veicoli sotto le 7,5 tonnellate o dati, per i quali non sono previsti rimborsi trimestrali, parliamo di 65 milioni di euro", denuncia Michele Santoni, neo presidente nazionale di Cna-Fita.Nel settore dei trasporti l'intermediazione vale tra i 4 e i 5 miliardi di euro sui 60 miliardi complessivi. L'abuso di questa pratica generi effetti distorsivi sul mercato, denunciano le associazioni. Ne parliamo con Massimo Campailla, docente di Diritto della Navigazione e dei Trasporti all'Università degli studi di Trieste.

Episode 246 :     Welcome to the next episode of Pi Perspectives. After a very busy September, we are back with new content. Fresh off conferences in Chicago and Colorado, we have some new guests lined up for the rest of the year. Today we are fortunate to have Tim Santoni, A PI from California. Tim is a second generation PI that does a good amount of Background checks. Today the guys discuss the pros and cons of doing this work and how to do it properly. Please welcome Tim Santoni and your host, NY Private Investigator, Matt Spaier  Links:      Matt's email: MatthewS@Satellitepi.com   Linkedin: Matthew Spaier       www.investigators-toolbox.com   Tim on Linkedin: Tim Santoni Email: tsantoni@santoniworldwide.com 
 PI-Perspectives Youtube link:  https://www.youtube.com/channel/UCYB3MaUg8k5w3k7UuvT6s0g Sponsors:     https://piinstitute.com/ https://www.skopenow.com https://researchfpr.com/ https://www.trackops.com FBI Tip Line https://tips.fbi.gov/home https://www.fbi.gov/contact-us/field-offices/newyork/about - (212) 384-1000

Maracanà con Marco Piccari e Stefano Impallomeni. Ospiti: Santoni:" L'Italia non deve guardare la classifica." Canovi:" Non sono molto ottimista sull'Italia." Impallomeni:" La responsabilità dei Ct supera quella di Gravina."

Vanni Santoni"Il detective sonnambulo"Mondadori Editorewww.mondadori.itParigi, oggi. Martino se n'è andato dall'Italia, come tanti, e vaga senza grandi prospettive fino a quando incontra Johanna: capelli rosso fuoco, magnetica e scostante, è giovane quanto lui eppure più matura e complessa, almeno ai suoi occhi. Si innamorano, ma è un amore reso difficile dalle continue scomparse di lei, che non sembra avere una sola vita ma molte, negli ambienti più diversi. E tuttavia si amano, nella città scossa da manifestazioni e rivolte, fino a quello che per Martino è il collasso di un mondo: Johanna scompare di nuovo, ma stavolta non per un giorno o due. Scompare, e non si fa più vedere. Martino la cerca ovunque, mentre passano i giorni e le settimane (e finiscono i soldi), finché incappa in un manifesto che mostra la foto di un ragazzo bellissimo ed elegante che scende da un jet privato. Dietro di lui, riconosce subito i capelli rossi e l'inconfondibile postura di Johanna. Il poster è stato affisso da Tanya, la leader di un gruppetto anarchico che sta conducendo una ricerca che è lo specchio della sua: vuole ritrovare il giovane della foto, un certo Manfredi Contini della Torre, criptomilionario che ha fatto una misteriosa donazione al suo gruppo. Tanya e Martino uniscono le forze e si imbarcano in un'indagine che li porterà a inseguire in giro per l'Europa Manfredi e gli eccentrici progetti finanziati dal suo impero fondato sui bitcoin, fino a invischiarsi con lui e Johanna in un quadrilatero amoroso sempre più difficile da sbrogliare. Vanni Santoni ci consegna una storia d'amore, amicizia e denaro profondamente calata nell'oggi, e ci costringe a fare i conti con un quesito eterno: possono gli individui arrivare a determinare la Storia, o sarà sempre la Storia ad averla vinta sulle sorti individuali?Vanni Santoni (1978) ha pubblicato, tra gli altri, i romanzi Gli interessi in comune (Feltrinelli, 2008), Se fossi fuoco, arderei Firenze (Laterza, 2011), Muro di casse (Laterza, 2015), La stanza profonda (Laterza, 2017, nella dozzina finalista del premio Strega). Per Mondadori è autore del ciclo di Terra ignota (2013-2017), dei Fratelli Michelangelo (2019) e della Verità su tutto (2022, premio Viareggio selezione della giuria). Il suo ultimo libro è Dilaga ovunque (Laterza, 2023), premio Selezione Campiello. Scrive sul “Corriere della Sera”, “Linus” e “Internazionale”.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Ci siamo incontrat* con Vanni Santoni nel primo dei 5 spazi tra edicole, bibliobus e biblioteche di questo ciclo di incontri Felicità Metropolitane organizzato dall'associazione La Nottola di minerva in collaborazione con Tram di Firenze Spa all'interno di Estate Fiorentina 2025. Con Vanni, Andrea e Giulia tra una birretta e il rumore del traffico, hanno parlato del suo ultimo romanzo “Il detective sonnambulo”, di comunità e di come si possano recuperare spazi di libertà in questo momento storico. Vanni Santoni autore versatile e prolifico esordisce nel 2007 con “Personaggi precari”. Laureato in scienze politiche all'università di firenze alterna prosa, narrativa e saggistica e collabora con testate prestigiose come Corriere della sera, Linus, Internazionale.I suoi romanzi più noti: Gli interessi in comune, Se fossi foco arderei Firenze, Muro di Casse, La Stanza Profonda (finalista premio Strega 2017), il ciclo fantasy Terra Ignota e il suo ultimo romanzo Il Detective Sonnambulo.Ti ricordiamo che puoi sostenere il nostro lavoro con SSTRF, che prevede organizzazione, studio, editing, grafica, scrittura testi, correzione di bozze, rifai tutto da capo, resisti alle intemperie… con una piccola donazione al nostro Ko-Fi

ASCOltaci: un podcast di OncoInfo in diretta da Chicago per ASCO2025ASCOltaci è il nuovo podcast che ti aggiorna direttamente con la viva voce dei più autorevoli specialisti italiani dal congresso ASCO 2025 di Chicago. Le voci che contano… quando contano. Con uno sguardo tempestivo e critico, i nostri ospiti analizzano – a caldo – le novità che stanno ridisegnando le traiettorie della pratica clinica in oncologia. Strategie terapeutiche sempre più complesse, scelte che richiedono tempismo, visione e ascolto dei dati: dalla voce di chi quei dati li traduce in cura. Un podcast per chi vuole capire dove stiamo andando, mentre ci stiamo andando.Seguici sui nostri socialInstagram (@drtalk_it)YouTube (DrTalk_it)

Si te gusta lo que escuchas y quieres apoyar esta empresita, ven a ver el programa en directo de lunes a viernes a las 10:00h en Twitch.tv/chiclanafriends

durée : 00:12:55 - Le Disque classique du jour du mercredi 12 février 2025 - Pour son premier récital, la soprano Vannina Santoni rend hommage à l'amour : de Franco Alfano à Massenet en passant par Gounod, Verdi et Puccini, elle interprète de grands airs qui lui sont chers avec l'Orchestre national de Lille et le chef Jean-Marie Zeitouni

durée : 00:12:55 - Le Disque classique du jour du mercredi 12 février 2025 - Pour son premier récital, la soprano Vannina Santoni rend hommage à l'amour : de Franco Alfano à Massenet en passant par Gounod, Verdi et Puccini, elle interprète de grands airs qui lui sont chers avec l'Orchestre national de Lille et le chef Jean-Marie Zeitouni

La historia de una señora que tenía la imagen del Santo Niño de Atocha. Desde España a Zacatecas México ECDQEMSD podcast episodio 5945 El Santo Perdido Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias del Mundo: Último viernes del año - Puro capital humano - Jean-Claude Van Damme - Al actor belga le vale - Las canciones más escuchadas en Navidad - Música para personas inteligentes - Playlist imposibles - El Águila Calva ya es oficial Historias Desintegradas: Objetos perdidos - La representación del Niño de Atocha - Los mineros de Zacatecas - Cristianos y musulmanes - Foros de debate - El negocio de la señora - Restaurante en Cartagena - Delicioso Wasabi - Dalí y el Perro Dinamita - Como todo Ricotero - Louis Pasteur, todo lo que le debemos y más... En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados!! NO AI: ECDQEMSD Podcast no utiliza ninguna inteligencia artificial de manera directa para su realización. Diseño, guionado, música, edición y voces son de  nuestra completa intervención humana.

Francescu Santoni, cofondateur de Mojo, était l'invité de François Sorel dans Tech & Co, la quotidienne, ce jeudi 7 novembre. Il s'est penché sur la créaton et le métier de Mojo, ses fonctionalités, et la préparation de "Mojo 2" boosté à l'IA, sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez la en podcast.

Since January, David Santoni has been Managing Director, Business Development at Audax Private Equity, now investing out of its seventh flagship fund, a $5.25 billion vehicle.  Before Audax, David was a well-known middle-market investment banker based in Minneapolis with several firms, notably Lazard Middle Market (dating back to its Goldsmith Agio Helms days), Hennepin Partners, and Prestwick Partners.  David delves into his career, the vibrant Minneapolis deal community and his current experience managing sponsor coverage relationships after so many years as a coverage banker himself.  Discussion winds up on David's Philadelphia sports loyalties – a source of mild pleasure for Andy and more than mild irritation for Charlie.

Far West 18 ottobre 2024

Lucia Della Porta"Pisa Book Festival"LETTERATURA DEL MARE, SCRITTURE AL FEMMINILE, STORIA E FANTASY DAL 3 AL 6 OTTOBRE LA 22ESIMA EDIZIONE DEL PISA BOOK FESTIVAL Doppia inaugurazione con il libro-inchiesta di Stefano Liberti "Tropico Mediterraneo" e la Lectio Magistralis della storica Donatella Puliga Editoria indipendente, letteratura del mare, scritture al femminile, storia e fantasy sono i pilastri della ventiduesima edizione del Pisa Book Festival, la fiera nazionale dell'editoria indipendente che da giovedì 3 ottobre a domenica 6 ottobre tornerà ad animare i Lungarni pisani con un fiume di libri, lettori e grandi autori. Sei le sedi della manifestazione che sui romantici Lungarni, nel tratto tra il Ponte di Mezzo e il ponte della Cittadella, ospiterà le passeggiate letterarie di migliaia di visitatori. Cuore della fiera sono gli antichi Arsenali Repubblicani, con gli stand di 90 editori espositori, mentre gli incontri con gli autori, i seminari e le masterclass troveranno posto nell'adiacente Fortilizio della Torre Guelfa, nelle sale del Museo delle Navi Antiche, di Palazzo Reale, di Palazzo Blu, nella chiesa di San Vito e presso lo storico Royal Victoria Hotel.Tra gli ospiti gli scrittori Björn Larsson, Gabriella Genisi, Claudia Durastanti, Antonella Boralevi, Federico Maria Sardelli, Francesca Manfredi, Giuseppe Mendicino, Joseph Farrell, Vanni Santoni, Gianluca Miniaci, Silvia Pozzi, Andrea Butini, Edoardo Rialti, Sonia Aggio. E gli storici: Marco Mondini, Antonio Musarra, Marco Natalizi, Ettore Cinnella, Gaetano Breccia, Federigo Argentieri, Marcello Garzaniti.La letteratura del mareIl mare, fonte di suggestioni e immaginazioni è protagonista di questa edizione. Il 3 ottobre alle 17.00 il festival inizia con il libro-inchiesta “Tropico mediterraneo” (Laterza) di Stefano Liberti e la Lectio Magistralis di Donatella Puliga, storica dell'antichità, che parlerà di Voci dal mare tra storia e mito nel mondo antico (ore 18.30). Sabato da non perdere le masterclass di Joseph Farrell su Stevenson (ore 10.00) e quella di Giuseppe Mendicino su Conrad (ore 11.00).Sui cambiamenti climatici da segnalare sabato alle 12.00 “Un pianeta da salvare” della climatologa Marina Baldi. Alle 19.00 il concerto dedicato al mare: Patrizia Gattaceca canta e recita il mediterraneo, a cura di Albiana, casa editrice corsa, editore storico del PBF. Domenica alle 12.00 lo scrittore svedese Björn Larsson parlerà dei suoi libri più belli: “Il porto dei sogni incrociati”, “Raccontare il mare” e “Saggezza del mare”, usciti per Iperborea.Scritture al femminileEsiste uno stile femminile di scrivere? Lo scopriamo con Gabriella Genisi (venerdì alle 17.00) Francesca Manfredi (sabato ore 14.00) Claudia Durastanti (sabato ore 16.00). Domenica alle 18.00 Antonella Boralevi presenta in anteprima “L'amore può succedere” (Baldini + Castoldi). Ma anche con “La Gentile” (Voland) di Roberta Lepri, “Giorni al neon” di Linda de Santi e “Amare una sirena” di Sophia Fucci (editi da Prospero), “Il corpo inverso” di Barbara Guazzini (8tto edizioni) e “Una vita e altre notti” di Stefania Rossotti (Barta).Storia e storieGrande è l'interesse del festival per la storia con un ciclo di lezioni che si tengono a Palazzo Reale, inaugurato lo scorso anno. Quest'anno in programma 5 incontri- conferenze tenute da storici autorevoli e rivolte al grande pubblico. Tre hanno per argomento il mare, “La battaglia della Meloria”, di Antonio Musarra, “La battaglia di Trafalgar” di Gaetano Bresci, e la conferenza di Eugenio Giani, “I Medici e il mare”. Marco Mondini parlerà invece del Ritorno della guerra, e Marco Natalizi dell'Impero russo di Caterina II. Da segnalare un libro anteprima: “Storia e leggenda della Rus'di Kiev” di Ettore Cinnella, che la casa editrice Della Porta presenta al festival, (domenica alle 15.00) e la biografia di “Oskar Schindler” il nazista che salvò gli ebrei” (Terra Santa Edizioni), scritta a quattro mani da Alessandra Repossi e Francesca Cosi (domenica alle 16.00). Sempre domenica il politologo Federico Argentieri rifletterà sulla crisi della democrazia in occidente,” L'Ungheria di Orban, da paese liberale a regime autoritario” (ore 11), mentre la sinologa Silvia Pozzi parlerà della Cina di Yu Hua ( domenica alle 10).Il FantasyDebuttano in questa edizione una serie di conversazioni sul fantasy, curate da Vanni Santoni, che quest'anno vedono protagonisti lo scrittore Andrea Butini (sabato alle 16.00) e il traduttore e biografo di Tolkien Edoardo Rialti (domenica alle 16.00). Santoni presenta la nuova edizione del fortunato “Personaggi precari” (Voland) sabato alle 18.00.Pisa Book AwardsSpazio anche ai premi con la cerimonia di premiazione della quarta edizione dei Pisa Book Translation Awards venerdì 4 ottobre al Royal Victoria Theatre. Tre i finalisti: Rosalba Molesi, Marco Federici Solari, Giulia Zavagna. Nello stesso contesto saranno assegnati il Premio alla Carriera a Roberto Francavilla e all'editore Roberto Keller, il Premio Poesia a Massimo Bacigalupo, mentre Joseph Farrell riceve la menzione speciale Ambasciatore della cultura italiana.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Joe Santoni is a bass singer and studio vocalist, best known for his work with DCappella, Disney's premiere acapella group. Joe has had the pleasure of performing for over 15 years both professionally and academically. Throughout his music career he's had amazing opportunities come his way. Some of his performance credits include performing in over 3 professional operas, benefit concerts, various a cappella groups as well as an elite LA choir called the LA Choral Lab. Performing alongside the LA Choral Lab he's sung in the ‘Legend of Zelda: Symphony of the Goddesses' at the Dolby theater in Los Angeles, and had the pleasure of singing on ‘The Nun' from the James Wan conjuring universe. Joe's hometown is Port Huron, Michigan where he grew up and went to college for opera and has since moved to Los Angeles to pursue his career in singing. Peter and Joe talk about working for the monolith company that is Disney, being a part of high-budget music videos, working and living in Los Angeles, vocal ranges, what it's like to be a bass singer on tour, being a studio vocalist, and much more. Please welcome Joe Santoni.

Simone has come a long way since his Italian childhood in Como: while part of a legendary double-act with Alex Kratena, he led London's Artesian Bar to an unprecedented four #1 listings in World's 50 Best Bars. Simone's post-Artesian career is even more impressive: Sips, his Barcelona bar together with business partner Marc Alvarez, was crowned #1 in 2023, he bought the revered classic Barcelona bar Boadas, the spirits brands he has co-founded, Canaima Gin, Amaro Santoni and MUYU liqueurs, go from strength to strength, and the online training portal he created, The Art of Shaking, reaches thousands of aspiring bartenders daily, teaching them techniques and mentalities that simply can't be communicated in noisy bar shows. We sat down in Sips while it was being renovated - Simone's hands were coated with silicone residue and dried paint - and chatted about the before, the now and the future. Enjoy! Simone on IG: https://www.instagram.com/simonecaporale_/Sips on IG: https://www.instagram.com/sips.drinkeryhouse/Boadas on IG: https://www.instagram.com/boadascocktails/Canaima Gin on IG: https://www.instagram.com/canaimagin/MUYU liqueurs on IG: https://www.instagram.com/muyu_liqueurs/The Art of Shaking: https://www.instagram.com/theartofshaking/ Get in touch with Duff!Podcast business enquiries: consulting@liquidsolutions.org (PR friends: we're only interested in having your client on if they can talk about OTHER things than their prepared speaking points or their new thing, whatever that is, for a few hours. They need to be able to hang. Oh, plus we don't edit, and we won't supply prepared or sample questions, or listener or “reach” stats, either.) Retain Philip's consulting firm, Liquid Solutions, specialised in on-trade engagement & education, brand creation and repositioning: philip@liquidsolutions.orgPhilip on Instagram: https://www.instagram.com/philipsduff/ Philip on Facebook: Philip Duff Philip on X/Twitter: Philip Duff (@philipduff) / Twitter Philip on LinkedIn: linkedin.com Old Duff Genever on Instagram: Old Duff Genever (@oldduffgenever) • Instagram photos and videos Old Duff Genever on Facebook: facebook.com Old Duff Genever on X/Twitter: https://twitter.com/oldduff...

Send us a Text Message.About the guest: Giulia Santoni, PhD is a neuroscientist who obtained her PhD at the EPFL in Switzerland, where she studied epigenetic influences on memory formation.Episode summary: Nick and Dr. Santoni discuss: transcription & gene regulation; synaptic plasticity; learning & associative memory; epigenetics, histones, DNA methylation, and mechanisms of gene regulation; chromatin plasticity & the neural basis of memory formation; and more.Related episodes:Emotion, Cognition, Consciousness, Behavior & Brain Evolution | Joseph LeDoux | #73Cognitive Neuroscience, Cognitive Flexibility & Control, Attention, Working Memory, Multitasking & Behavior | Tobias Egner | #130*This content is never meant to serve as medical advice.Support the Show.All episodes (audio & video), show notes, transcripts, and more at the M&M Substack Try Athletic Greens: Comprehensive & convenient daily nutrition. Free 1-year supply of vitamin D with purchase.Try SiPhox Health—Affordable, at-home bloodwork w/ a comprehensive set of key health marker. Use code TRIKOMES for a 10% discount.Try the Lumen device to optimize your metabolism for weight loss or athletic performance. Use code MIND for 10% off.Learn all the ways you can support my efforts

Cette semaine sur tech 45', une startup en croissance ET rentable

Aujourd'hui, je te fais découvrir Mojo, l'app mobile de retouche vidéo avec tout un tas de fonctions pour mettre en valeur son contenu ou son business sur les réseaux sociaux ; par exemple les sous-titres qu'on voit dans beaucoup de petits clips un peu partout désormais. Le co-fondateur de Mojo est passé par Stupeflix (revendu à GoPro) il a ensuite lancé sa startup ; il te donne sa secret sauce pour percer dans ce monde ultra-concurrentiel des applications ; Quelques metrics = ▶️ revenu mensuel récurrent > 1M€ (MRR) ▶️ 30% du CA provient des états-unis ▶️ équipe resserrée d'une vingtaine de personnes Dans cet extrait, Francescu décrit dans le détail l'usage BtoB de son app. Si tu aimes tech 45', laisse-moi la meilleure note et un avis pour permettre à d'autres de nous rejoindre, d'avance merci

On the podcast: How Mojo grew to over $1M in MRR, the most impactful pricing and paywall experiments, and why it's important to choose complexity instead of just letting it happen.Key Takeaways:

Scott Kerr sits down with Giuseppe Santoni, chairman and executive president of Santoni, the nearly half-century-old luxury Italian footwear company famed for its artisanal craftsmanship, high-quality leather and contemporary style. Founded as a men's shoe business by his father Andrea Santoni in 1975, Giuseppe talks about the workshop being his "playground" as a child, taking over the helm of the company at 21-years-old and growing it into one of the world's leading brands in men's luxury footwear. He also discusses how the brand's values have helped guide it through economic downturns and shifting tastes, his strong ambitions to grow the women's category to half the business, and how Italian brands should be speaking to Gen Z about the importance of "Made in Italy" manufacturing. Plus: New footwear trends that are driving the evolution of the market.Featuring: Giuseppe Santoni, Chairman and Executive President of Santoni (santoni.com)Host:Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast:The Luxury Item is a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: Email: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend!

Silena Santoni"La mia creatura"Giunti Editorewww.giunti.itDa sempre, Mary inabissa il suo straordinario talento di scrittrice sotto il peso dei fantasmi e delle colpe. È solo l'amore folle per Percy Shelley che la tiene in vita: per quell'uomo anticonformista e geniale, romantico e crudele, Mary è disposta a tutto. Anche a perdere sé stessa. Pierre è un montanaro pacifico e curioso che gestisce con la moglie una locanda sulla riva del Lago di Ginevra. Quando vede sopraggiungere a Villa Diodati l'eccentrico poeta Lord Byron con i suoi ospiti, ne è stregato. Inizia a spiarli: Percy Shelley, Claire Clairmont, Polidori si lasciano andare alle più depravate sregolatezze mentre ai margini, come estranea agli eventi, Mary li osserva. È il 1816, “l'anno senza estate”, e a Villa Diodati sta per consumarsi una vicenda oscura che, fra crimini e inquietanti ossessioni, porterà Mary a concepire la sua creatura: un mostro spietato che, nel metterla di fronte agli incubi più cupi, le darà finalmente anche la forza di liberarsene. Per diventare immortale. Un romanzo gotico ispirato alla vita di Mary Shelley che intreccia verità e finzione in un'emozionante storia di rivalsa femminile. Un'eroina tormentata, magnetica, indimenticabile.Silena Santoniè nata e vive a Firenze. Per molti anni ha insegnato Lettere nella scuola secondaria di I e II grado. Scrive brani e adattamenti teatrali per la compagnia Katapult, nella quale ha a lungo recitato. Una ragazza affidabile (2018), il suo romanzo d'esordio, è stato un grande successo di critica e pubblico, al quale hanno fatto seguito Piccola città (2020) e Volver (2022), tutti pubblicati da Giunti Editore.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

In our latest episode, we dive into an inspiring conversation with Estee Santoni, a marketing powerhouse and beacon of manifestation and determination. We explore her multifaceted journey from the airwaves to the challenging and exhilarating world of entrepreneurship.Join our conversation as we discover Estee's transformative experiences, leaps of faith into new ventures, and unwavering belief in making dreams come true.We also explore topics such as:The Power of Manifestation: Discover how Estee's unwavering belief in her goals turned her aspirations into tangible successes.Stepping Out of Your Comfort Zone: Discover the courage it takes to step out of your comfort zone and the tremendous growth that awaits you outside your mind's boundaries.Building Community: Learn the impact of building support networks for women and the strength of cultivating lasting professional relationships.Enjoy this compelling story of growth, identity, and the magnetic drive that inspires Estee Santoni. Let's embrace our Spanglish and celebremos las voces that connect worlds. FOLLOW OUR SOCIALS Website: https://hablamosspanglish.com/ Instagram: https://www.instagram.com/hablamosspanglish/ Facebook: https://www.facebook.com/hablamosspanglish LinkedIn: https://www.linkedin.com/showcase/hablamos-spanglish/ Estee Santoni Website: https://www.thevivaagency.com/ LinkedIn: https://www.linkedin.com/in/estee-santoni-38b9b85/?locale=es_ES Instagram: https://www.instagram.com/estee.santoni/

Ready to Deep Dive into our guest's personalities? It's time for “5 Questions With…” We put our previous guests back on the hot seat to answer 5 more burning, quirky and random questions we just had to know. Back today we are doing a “Best of 5 Questions With…” and we are bringing back two of our popular guests from last season. Jim Verraros is an American Idol Alumni that went on to singing and acting for many years after his appearance on the show. After a hiatus, Jim is back with brand new music that is making waves across the dancefloors in the US and beyond with some amazing remixes. More music is sure to follow. Joe Santoni began singing in school and his deep and soulful bass voice has resonated literally around the world. As Part of the Disney Acapella Group DCappella, Joe and his fellow singers have been featured on tours and television shows and even in Japan. Joe has been transitioning to Voice over work which he started while in DCappella and more so after the group was disbanded in 2023. Thank you for listening to Left of Str8 Podcasts, hosted by Scott Fullerton. Left of Str8 Podcasts were created for the LGBTQ Community and our Straight Allies and our current podcasts are: “Left of Str8 Show Interviews,” where we interview celebrities and personalities from the worlds of Entertainment, Foodies, Music, Books, and Advocacy; “5 Questions With…” where we ask the guests from last week's interviews 5 more silly and fun questions; “Standing on my Soapbox,” where we talk about more serious issues such as politics, religion, minority rights, environment, etc.; and “Bears of a Certain Age,” a lifestyle podcast mostly for gay men bears and chubs and their admirers, pushing 50 years old and up. We also have some Special Correspondents segments. Currently there is “Rainbow Gastronomy,” a special foodie segment twice a month with acclaimed chef, Chef Lynn Wheeler; and “Bent Cinema,” a special segment with cinephile Nathan Box, who talks all things movies. Subscribe on your favorite distributor so you never miss an episode. You can also click the bell icon to be notified when new episodes are available. The video podcasts are on YouTube and Spotify, and the audio podcast is available at all major distributors including: iTunes, iHeart Radio, GoodPods, Amazon Music, Audible, Google Podcasts and more. If you like us, please give our episodes a 5 star rating so more people will find them in the Algorithm. Please share with your friends and follow us on social media @leftofstr8 on Instagram and Threads and Tik Tok, @leftofstr8radio on Twitter (X), and Left of Str8 Show on Facebook. Go to our website at www.leftofstr8.com to listen to all shows, enter contests, write questions to the show for Scott or Guests, and if you want to be a guest or host on the network. You can support the show on our Patreon Page for as little as $3 a month, $5 a month, or $7 a month, to help cover show expenses and other costs. you can find us over at www.patreon.com/leftofstr8

On this week's episode of the show, the boys break down Super Bowl 58 and the Kansas City Chiefs lifting their third Lombardi trophy in five years. The Chiefs is still the Chiefs, Patrick Mahomes is inevitable, and Brock Purdy is who we thought he was. The boys recap the game and give their takes on all things Super Bowl LVIII. Kyle Shanahan has now been involved with three teams that have blown double-digit leads in Super Bowls, so Josh and Dante weigh in on some of the Kyle Shanahan discourse that has been floating around the internet since Sunday's game. Brock Purdy, on paper, had a decent game, but Josh and Dante give their thoughts on why Purdy being a game manager ultimately led to the 49ers losing this Super Bowl. On the other side, Patrick Mahomes, Andy Reid, and Travis Kelce are, unfortunately, inevitable. This Chiefs' offense was the worst of his career, but Mahomes still led them to another Lombardi, proving that he is one of the greatest NFL players of all time. Dante stakes his claim that Mahomes is already a top 10 player in the history of the game, and that if he passes Joe Montana in Super Bowl wins (4), that he will have a case for being the “GOAT” over Tom Brady. In addition to Patrick Mahomes and Andy Reid, Steve Spagnuolo is an absolute madman who, once again, came ready to play with a phenomenal game plan that ruined Brock Purdy and the Niners' offense day. Moving away from the big game, the NFL is officially in the offseason, which means a plethora of question marks surrounding the Baltimore Ravens. A laundry list of key free agents, a depleted coaching staff, the looming NFL draft, and salary cap issues are at the top of Eric DeCosta's to-do list. The boys give their thoughts on how to address the cap, and who of the pending free agents should be prioritized by EDC. Lastly, Pitchers & Catchers reported Wednesday meaning that Spring Training is HERE. Dante and Josh are extremely excited for the O's and cannot wait for the birds to get going. To round out the show this week, the boys are joined by the pod's favorite DJ to talk all things EDM, Philly sports climate, Ravens' season ending, and the Orioles upcoming year. Bobby Santoni gives his thoughts on house music and the future of the genre, as well as why Mike Macdonald should be the current head coach of the Baltimore Ravens. HUGE episode this week for y'all, and we cannot thank you enough for tuning in. We love you all so much. Cheers!

Israele nega l'ingresso alla funzionaria ONU Francesca AlbaneseL'omicidio di Palermo tra sette e santoni

Israele nega l'ingresso alla funzionaria ONU Francesca AlbaneseL’omicidio di Palermo tra sette e santoni

Una ceremonia que hay que meditar bien y asegurar ciertas condiciones para no ir directo al fracaso. Tips para un pedido de mano exitoso. ECDQEMSD podcast El Cyber Talk Show - episodio 5710 Pedido De Mano Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias Del Mundo: La epidemia de fentanilo - Crisis en Portland - Dinero sucio en la política mexicana - El vestuario para el Santo Niño - Tamales para La Candelaria - Pronóstico del Tiempo. Historias Desintegradas: Romántica Buenos Aires - Un viaje amoroso - Un concierto de los Jonas Brothers o de Karol G - Frente al Mar del Plata - Fan de cine de desgracias - Un cocodrilo, un tsunami, un desastre - Crisis argentinas - Problemas con el alquiler - El objeto del deseo - La profesora sexy - Músicos por décadas - Tamales para La Candelaria - Los mejores tamales - Salados o dulces y más... https://www.canaltrans.com/ecdqemsd_podcast_2024/5710_pedido_de_mano.html En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

Ready to Deep Dive into our guest's personalities? It's time for “5 Questions With…” We put our previous guests back on the hot seat to answer 5 more burning, quirky and random questions we just had to know. Back today is my new buddy Joe Santoni, who run's the bass line better than anyone I know. As part of Disney's Acapella singing group, DCappella, how low can he go? Then Tommy Atkins one of my fave country singers from the UK gets back on the hot seat along with my good friend and a terrific actor, writer and producer Mel England. And the questions are always fun, quirky and bring out the guests secret personalities. Thank you for listening to Left of Str8 Podcasts, hosted by Scott Fullerton. Left of Str8 Podcasts were created for the LGBTQ Community and our Straight Allies and our current podcasts are: “Left of Str8 Show Interviews,” where we interview celebrities and personalities from the worlds of Entertainment, Foodies, Music, Books, and Advocacy; “5 Questions With…” where we ask the guests from last week's interviews 5 more silly and fun questions; “Standing on my Soapbox,” where we talk about more serious issues such as politics, religion, minority rights, environment, etc.; and “Bears of a Certain Age,” a lifestyle podcast mostly for gay men bears and chubs and their admirers, pushing 50 years old and up. We also have some Special Correspondents segments. Currently there is “Rainbow Gastronomy,” a special foodie segment twice a month with acclaimed chef, Chef Lynn Wheeler; and “Bent Cinema,” a special segment with cinephile Nathan Box, who talks all things movies. Subscribe on your favorite distributor so you never miss an episode. You can also click the bell icon to be notified when new episodes are available. The video podcasts are on YouTube and Spotify, and the audio podcast is available at all major distributors including: iTunes, iHeart Radio, GoodPods, Amazon Music, Audible, Google Podcasts and more. If you like us, please give our episodes a 5 star rating so more people will find them in the Algorithm. Please share with your friends and follow us on social media @leftofstr8 on Instagram and Threads and Tik Tok, @leftofstr8radio on Twitter (X), and Left of Str8 Show on Facebook. Go to our website at www.leftofstr8.com to listen to all shows, enter contests, write questions to the show for Scott or Guests, and if you want to be a guest or host on the network. You can support the show on our Patreon Page for as little as $3 a month, $5 a month, or $7 a month, to help cover show expenses and other costs. you can find us over at www.patreon.com/leftofstr8

Summary Joe Santoni, a member of the Disney singing group Decappella, shares his journey of growing up in Michigan, discovering his passion for choir, and pursuing a career in music. He discusses the challenges of navigating the music industry and the support he received from his dad. Joe also talks about his experience with Decappella, including their performance on American Idol and their diverse representation. He shares his love for video games, horror movies, and Judy Garland, and discusses his interest in voiceover work and the possibility of working in Japan. Joe Santoni discusses his love for gaming, the future of Decappella, and his aspirations in the entertainment industry. He also shares his social media handles and voice reels. The conversation concludes with a fun segment of 'Five Questions' with Joe Santoni. Takeaways Joe Santoni is passionate about gaming and enjoys playing Fallout games. Decappella officially ended in April of last year, but Joe is still involved in separate Disney projects. Joe aspires to be a voice actor and dreams of being a series regular on an animated show. Listeners can follow Joe Santoni on social media and check out his voice reels. Thank you for listening to the Left of Str8 Radio Network, hosted by Scott Fullerton. The Left of Str8 Radio Network was created for the LGBTQ Community and our Straight Allies and we talk to and about, celebrities and personalities from the worlds of Entertainment, Foodies, Music, Books, and Advocacy Subscribe on your favorite distributor so you never miss an episode. You can also click the bell icon to be notified when new episodes are available. The video podcasts are on YouTube and Spotify, and the audio podcast is available at all major distributors including: iTunes, iHeart Radio, GoodPods, Amazon Music, Audible, Google Podcasts and more. If you like us, please give our episodes a 5 star rating so more people will find them in the Algorithm. Please share with your friends and follow us on social media @leftofstr8 on Instagram and Threads and Tik Tok, @leftofstr8radio on Twitter (X), and Left of Str8 Show on Facebook. Go to our website at www.leftofstr8radio.com to listen to all shows, enter contests, write questions to the show for Scott or Guests, and if you want to be a guest or host on the network. You can support the show on our Patreon Page for as little as $3 a month, $5 a month, or $7 a month, to help cover show expenses and other costs. you can find us over at www.patreon.com/leftofstr8

Josh and Dante are back this week to discuss another week in Baltimore sports. They kick off the week discussing a weekend full of College Football, capstoned by a great game between Notre Dame and Ohio State, unfortunately ending with a Buckeyes walk off touchdown. The Orioles officially concluded their road schedule for the 2023 regular season, finishing a staggering 52-29 away from Baltimore, which is tied for the league lead with the Atlanta Braves. Splitting the series in Cleveland over the weekend, the O's come home entering the Beltway series with a magic number of 3 to clinch the AL East. The Orioles are at home for the final six games of the season, two with the Nationals and four with the Red Sox, looking to close out the season with the division in hand. Felix Bautista is throwing simulated games, with a limit of 25 pitches, which most likely means he's being ramped up for the postseason run. Dante and Josh break down what a potential return for the all-star closer would mean for this Orioles team in October. The Baltimore Sun posted an article asking if it's time to abandon the "Thank God I'm a Country Boy" tradition at Camden Yards, to which Josh and Dante simply answer "no." Lastly on the Orioles, with heavy hearts, the Baltimore community and fanbase lost a great one this week. The team announced Tuesday afternoon that legendary Oriole Brooks Robinson tragically passed. Dante tells the story of how he coincidentally met Brooksie in the Baltimore airport, and he and Josh give their tender condolences on the loss of Mr. Oriole. Moving on the the other team in Baltimore, the Ravens lose at home 22-19 vs Colts in over time in what can only be described as an "all things went wrong" performance. Josh and Dante dive deep into what lead to the Ravens' first loss of the season, what needs to improve, and also give credit where it's due on both sides of the field. The Ravens have their second divisional matchup this week as they head to Cleveland to take on the Browns, who are coming off a big win over Tennessee, so Josh and Dante both give their Keys to Victory and what they want to see in response to last week's debacle of a game. Before concluding, they go over the week 5 college slate as the Irish have another big top-25 matchup with Duke, as well as some other key games across the country. Friend of the pod and professional DJ, Bobby Santoni, joins the show to talk all things house music, his path to get where he is currently, his goals and where he's striving to be, as well as his takes on the Ravens and Orioles. Dante and Bobby sat down and discussed their love for Baltimore sports ahead of the bulk of the Ravens season upcoming, as well as what has all the makings of an electric playoff run for the Orioles. Lastly, as always, Dante gives his best bets for NFL week 5. Cheers!

Impactante relato sobre el martirio del Santo Niño de la Guardia.

EL MERCADO:Llega el primer toque de campana de la República Dominicana, un hito que va a marcar un antes y un después en EL MERCADO de valores del país. En esta serie especial conoce como ser el primero toma determinacion y valentia, y la empresa Cesar Iglesias se atrevió a ser el primero. Acompáñanos de la mano de José Gior Ariza y Alejandro Santoni, Socios de INVESTA, empresa clave en la organización de este gran momento, a conocer el trayecto recorrido por el gobierno, la empresa y el mercado para hacer esto hito historico una realidad.Recuerda que puedes ver más detalle de la empresa antes de invertir en: https://cesariglesias.com/accionistas/https://simv.gob.do/

A new and vibrant take on Italy's classic bitter-sweet amaro liqueur, Amaro Santoni is at its best served as an aperitivo: think Santoni Spritz, Santoni Negroni.. Amaro Santoni Managing Partner Luca Missaglia and I dug deep into the history and bitter sweet flavor profile of the classic Italian Amaro, and Amaro Santoni's fresh and vibrant take on this classic after dinner liqueur and digestif. Amaro, the Italian word for bitter, often refers to the classic Italian after dinner liqueur, but now Amaro Santoni has taken it to a whole new level and created fantastic aperitif and cocktail creations you can enjoy almost anytime of the day.

Having raised her four children as a full time mom for twenty years, Sharon Santoni saw the empty nest looming and decided to react: she set about to reinvent herself and find a new way to channel her energy and creativity. In 2010 at the age of 51 she started a blog about her life in France and quickly found an audience. A few years later she published two successful books, and in 2017 she created a luxury subscription box which today delivers curated collections of French products to thousands of clients around the world.In 2019 Sharon published the first edition of her print and digital magazine, My French Country Home Magazine.  She also offers an on-line boutique and runs high end tours, welcoming clients to the most beautiful regions of France.Today, she is 64 years old and her business is still growing with a team of over 10 people. She calls herself an “accidental entrepreneur”, and says that she has learned from the past 10 years that staying creative is vital to her balance and well being.Connect With Sharon :sharonsantoni.commyfrenchcountryhomebox.commyfrenchcountryhomemagazine.commfchtravel.com//WHEN YOU'RE READY, HERE'S HOW I CAN HELP YOUFREE SUBSCRIPTION TO EXTRAORDINARY WOMEN MAGAZINEhttps://www.extraordinarywomenmagazine.com/SCHOOL OF JOIE DE VIVREhttps://www.extraordinarywomenmagazine.com/programAPPLY TO BE FEATUREDhttps://extraordinarywomenmagazine.com/contribute/Instagram: https://www.instagram.com/extraordinarywomenmagazine/

This week, Emilio Sparks and Mighty Vin discuss all things AEW Collision, but not before remembering a special PSA from Tom Green. Follow us on social media! https://twitter.com/emiliosparks https://www.twitter.com/mightyvin https://www.instagram.com/emiliosparks https://www.instagram.com/vinfortenyc https://www.instagram.com/WrassleRap https://twitter.com/WrassleRap https://twitter.com/oddballpodcast   NEW EPISODES DROP TWICE A WEEK!

In this episode, Gretchen Crowder interviews Colleen Santoni. Colleen is a passionate educator with 25+ years of teaching and administration experience. who is committed to providing quality education to students and to supporting educators by creating a strong and nurturing environment for learning and social emotional growth. Listen to Colleen share not only what being "loved as you are" means to her but also how she tries to impart that idea on her sons and the people she serves through her job with Northshore Learning, an educational consultant company. I think you are going to like this one! ------ If this episode hits home and you feel you have your own story to share, email Gretchen at lovedasyouarepod@gmail.comFollow along and contribute to the conversation @lovedasyouarepod on Instagram.Find more from Gretchen Crowder @gdcrower as well as at gretchencrowder.com.