Podcast appearances and mentions of eskil vogt

We go behind the scenes with director Joachim Trier as he makes the follow-up to his international hit The Worst Person In The World. Producer Stephen Hughes gets exclusive access to the set of Sentimental Value, following the film from pre to post production. In a series of candid interviews, the writer-director reveals the anxiety he feels every time he has to make a movie, and how he is helped by his loyal team: screenwriter Eskil Vogt and producers Andrea Berentsen Ottmar, Maria Ekerhovd and Lars Thomas Skare. And it is a story with a happy ending, as Sentimental Value wins the prestigious Grand Prix at this year's Cannes Film Festival.

I denne Fysisk format-episoden av Filmfrelst presenterer professor i filmvitenskap Anne Gjelsvik sin nye bok om regissør Joachim Trier. Under etiketten Fysisk format setter vi fokus på utgivelser av film på DVD og Blu-ray eller om film i bokform, og diskuterer kulturen rundt de mange håndfaste objektene som så lenge har vært et av filmformidlingens viktigste redskap. I tidligere episoder har vi bl.a. besøkt filmbutikker i Los Angeles og Tokyo, diskutert Nasjonalbibliotekets arbeid og tatt av plasten på Agnès Varda-boksen fra Criterion. Anne Gjelsvik har nå skrevet den første boken om Joachim Trier, ReFocus: The Films of Joachim Trier. Her undersøker hun sentrale temaer i Triers filmer, som minne, sted, identitet, og vennskap, og hans oppfinnsomme stil gjennom nærstudier av tid, struktur og bruk av fortellerstemmer. (Les mer om boken hos Edinburgh University Press.) Gjelsvik er professor i filmvitenskap ved Institutt for kunst og medievitenskap, NTNU, hvor hun underviser i samtidsfilm og filmanalyse. Hun har skrevet en rekke bøker og artikler (både på engelsk og norsk) om temaer som filmkritikk, terrorisme, vold i film, adaptasjon og økokritikk. Gjelsvik er en aktiv fagformidler, blant annet som fast bidragsyter til Montages, og har mottatt priser for sin formidling fra Norsk medieforskerlag og Norsk filmkritikerlag. I denne live-podkasten møter vi Gjelsvik for å snakke om arbeidet med boken, i tillegg til å diskutere Triers posisjon i norsk filmoffentlighet og hennes personlige favoritter fra hans filmografi. Har det på noe tidspunkt eksistert en norsk filmskaper med samme grad av internasjonal anerkjennelse? Nei, mener Gjelsvik. Påstanden understøttes av at det denne uken, 14. og 15. november, arrangeres en konferanse i Paris om Triers kunstnerskap, «Urban Memories», på Université Gustave Eiffel. Her skal bl.a. Gjelsvik forelese, i tillegg til å intervjue Triers faste samarbeidspartner Eskil Vogt. (Her er hele programmet.) Opptaket ble gjort i forbindelse med Oslo Pix-festivalen, på Vega Scene, tidligere i høst. Ved mikrofonene sitter redaktørene Karsten Meinich og Lars Ole Kristiansen, i tillegg til forfatter Anne Gjelsvik. God lytting!

Niñ@s con poderes psíquicos, hay algo más perturbador en el cine? Pues aquí lo tenemos en Noruega y por partida cuádruple. Una película bastante cruel y muy inquietante.

Hello, and welcome to an all-new Films for the Void, episode #89! Eric and Landon take a look into the unknown by examining both Jack Clayton's 1961 film THE INNOCENTS, as well as Eskil Vogt's 2021 Norwegian import of the same name - all on the latest episode of Films for the Void!TIME STAMPS00:01:52 The Innocents (1961)00:47:40 The Innocents (2021)01:03:49 Landon's Recommendation for Next EpisodeTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehairArtwork by Annie CurleTheme Music by Meghan GoveEdited by Landon Defever

This is an exciting episode for us, as we're joined by Andrew's brother, Alex, to talk about one of his recent favorites, "The Innocents". Scotty also talks about a movie he saw with one of the members of Chuddle the Pod, some upcoming Beyond Fest movies he's going to see, and of course, stay tuned until the end, because one of us will be randomly chosen to pick our next movie!"The Innocents" is a Norwegian film written and directed by Eskil Vogt. It's about a group of children who come together, learning they have strange new abilities. But as young children, their home life ends up playing a big part in how they handle these abilities.Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

I denne episoden av Filmfrelst presenterer vi en ny utgave av Regirommet – en serie samtaler der to norske regissører i dialog fordyper seg i regifaget med en ny norsk film i fokus. Foreningen Norske Filmregissører (NFR) har invitert Filmfrelst til å være podkasthjem for Regirommet, og i tidligere episoder har vi tatt del i møter mellom regissører som blant annet Aurora Gossé/Mona J. Hoel, Ole Giæver/Franciska Eliassen og Erik Skjoldbjærg/Hans Petter Moland. I denne nye samtalen står spillefilmen A Happy Day av regissør Hisham Zaman i fokus, og Zaman møter Eskil Vogt til dialog om sitt arbeid. «A Happy Day handler om hvordan uvisshet og isolasjon huler ut et ungt sinn, om å se eller ikke bli sett», skrev professor Gunnar Iversen i sin analyse her på Montages. «Filmen tematiserer hvordan forelskelse og det eksistensielle møtet med et annet menneske river alt i stykker.» A Happy Day gikk på kino høsten 2023, men kan nå strømmes digitalt og er Amanda-nominert i hele fem kategorier. Regirommet-samtalen mellom Hisham Zaman og Eskil Vogt ble gjennomført etter en spesialvisning av A Happy Day på Vega Scene i Oslo, tirsdag 19. mars 2024. Episoden introduseres av Montages-redaktør Karsten Meinich. God lytting!

Happy Pride month everyone! We're covering 2017's THELMA, written and directed by Joachim Trier and co-written by Eskil Vogt. Plus, what exactly are non-epileptic seizures, finally a good gay film, and what we've been watching since our last episode. You can follow the podcast on Twitter at @HorrorTimePod and the hosts at @dykemadden and @ellemdesigns! If you like what we do, you can rate, review, and subscribe to us on Spotify, Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover!

Charlie Chaplin er nok mest kendt for sine komiske optrin i en lang og gloværdig stumfilmskarriere, men i 1931 skaber han på mange måder et ganske atypisk værk i skikkelse af Byens lys, der har dramaet i centrum af fortællingen mere end selve komikken. Men bare rolig, der er stadig masser af Chaplinsk gak og løjer, og han arbejder stadig med alle sine velkendte temaer. Byens lys er på mange måder Chaplins kunstneriske højdepunkt og en stædigt holden sig fast i stumfilmen og pantomimen som filmmediets raison d'etre. Vi kan allerede afsløre nu, at Martin og jeg ikke er helt enige omkring denne films kvaliteter.

In Episode 02 We Own the Dark explores childhood horrors and nightmares come to life! Jason chose Romano Scavolini's Nightmares In A Damaged Brain (1981), a first and absolutely wild watch for Jerry, who in turn paired The Innocents, the 2022 Norwegian supernatural horror film from director Eskil Vogt. Follow us on Instagram at: https://www.instagram.com/weownthedark Follow Jerry on Instagram at: https://www.instagram.com/thesleepermustawaken Follow Jason on Instagram at: https://www.instagram.com/vongodi Check out Whiskey & Horror at: https://www.whiskeyandhorror.com

WoHos! The theme this time is "Loss of Innocence". We reviewed THE CLOVEHITCH KILLER from the US & THE INNOCENTS from Norway.We enjoyed the exploration of the distance that grows between a child and parent during adolescence in THE CLOVEHITCH KILLER. Everyone can relate to that feeling, but thankfully only a few will ever know the horrifying reality our protag Tyler feels in THE CLOVEHITCH KILLER.In THE INNOCENTS the inherent powerlessness is what is examined in a world where children suddenly discover they have spernatural powers. CW: Cat harm and cat death--also kid harm and kid death--also parent harm and parent death.Also surprise spoiler for THE DEN at We had a good discussion about some missteps the directors take, the use and misuse of does the dog die website, the depiction of a character with nonverbal autism and whether or not this depiction was problematic, Mac, Quinn, and I have all been sick this season. It's Q's turn currently, but when she is better, we will do a Quinnisode on maybe my all-time favorite movie? FARGO.Next on the main show we will be looking at movies involving mental illness with JACOB'S LADDER from the US & THE BABADOOK from Australia.If you are enjoying the show, please get in touch and tell all your friends all about us.Stay healthy, our WoHos!And remember: We love you and DON'T go into the basement!! Support the showInterstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-MediaSubscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

Up next in Spooky Month we watched the 2021 Norwegian supernatural horror film The Innocents. Directed by Eskil Vogt the film is set during the bright Nordic summer, where a group of children reveal their dark and mysterious powers when the adults aren't looking but soon playtime takes a dangerous turn. The film stars Rakel Lenora Fløttum, Alva Brynsmo Ramstad, Sam Ashraf, Yasmin Bremseth Asheim and Ellen Dorrit Petersen. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

With a background in both music and sound, Gisle has worked with notable directors such as: Hans Petter Moland, Ruben Ostlund, Joachim Trier, and Eskil Vogt. Gisle's film credits include: A Somewhat Gentle Man, Oslo August 31st, Force Majeure, In Order Of Disappearance, Blind, Out Stealing Horses, Beware Of Children (or Barn), The Innocents, The Worst Person In The World, and more recently the acclaimed animated feature, Titina.

Killer children has been a staple in horror films since cinema began. Also, telepathy and other mental powers has been a common trope too in movie history. The latest supernatural thriller from Norway entitled THE INNOCENTS (2022) joins both these horror subgenres together and gives a new spin on the malevolence of a young unformed mind with powers they cannot control.From Wikipedia: “Lonely young girl Ida and her older sister Anna have moved into an apartment with their parents. Anna suffers from nonverbal autism, Ida having to take responsibility for her. One day Ida meets Ben and the two strike up a friendship. Strange things begin to happen after the two explore the apartment complex's basement. Somehow Anna seems to be able to form a spiritual connection with another girl named Aisha who lives nearby. Soon Anna begins to speak again.”Starring a very young cast from Norway, the film was directed and written by Eskil Vogt, who gained some notice for his debut film THELMA from 2017. THE INNOCENTS has been reviewed by over a hundred English language critics who have generally given it a very positive review. Your co-hosts take a look at this film and give their critique.

En Juegos inocentes (De uskyldige, 2021), frío thriller del director Eskil Vogt, cuatro niños desarrollan extraños poderes a la par que exploran el mundo que los rodea y caminan una delgada línea entre el bien y el mal con fatales consecuencias para ellos durante un tedioso verano en un suburbio noruego. Hosted on Acast. See acast.com/privacy for more information.

Filmsamtalen med Eskil Vogt - om "København finnes ikke" og det å adaptere en bok til filmen.

Film passato praticamente in sordina, che potete però recuperare sul canale Midnight Factory di Prime Video. Anzi...dovete recuperare questa chicca thriller/horror a tinte soprannaturali. Una pellicola dal giusto ritmo lento, scritta da quel brav'uomo che ha creato l'altrettanto bellissimo Thelma...che non avrete visto a sua volta, lo so. In The Innocents, un gruppo di bambini, conosciutisi durante le vacanze estive, scopriranno di avere poteri speciali e, mettendoli in pratica, provocheranno non pochi problemi alle rispettive famiglie. Ci saranno buoni e cattivi, ma soprattutto la storia descrive con genialità il disagio delle menti più piccole e i primi accenni di una crescita non sempre desiderata, mentre genitori assenti non riescono ad entrare in empatia con la prole o non vogliono proprio. Un film scandinavo che non annoia, perlomeno lo spettatore più attento e, nonostante non sia ai livelli dell'immenso Speak no Evil, anche qui la tensione è alle stelle e lo scontro finale, appena accennato e senza azione, rimane comunque ben impresso nella memoria. Una pellicola cattiva, dolorosa, ma anche estremamente toccante in alcuni dei suoi punti.

Jens received an MA in Film and Literature from the Universities of Bergen and Copenhagen before attending the National Film and Television School in London and received an MA in Editing. Jens has worked as a Freelance Film Editor in the UK and Norway, across all genres and formats. Some of Jens' film works includes: A Somewhat Gentle Man, In Order of Disappearance, and Out Stealing Horses, for Director Hans Petter Moland. Jens has worked with Dag Johan Haugerud on: I Belong, Beware Of Children, The Light From The Chocolate Factory, and the upcoming trilogy, Sex/Dreams/Love. One of Jens most notable recent works is The Innocents, for director Eskil Vogt, whose debut feature Blind, Jens also edited. Jens has garnered much acclaim for his editing work, including winning Amanda Awards for his work on: Blind, Beware Of Children, and The Innocents.

Pessi's film scores include: The Midwife, Armi Alive!, Unexpected Journey, Swingers, Land Of Hope, and Psychosia. His television score work includes: Republic Of Children and Piece Of My Heart. One of Pessi's most recent scores was for the award-winning film The Innocents for director Eskil Vogt, for which Pessi was nominated for a Norwegian Amanda Award for best score. 

Liv, Karl Aksel og Astrid snakker om Oslo-Trilogien til Joachim Trier og Eskil Vogt. Vi tar for oss Reprise, Oslo 31. august og Verdens verste menneske, og diskuterer fremstillingen av Oslo by og alle de dype temaene filmene byr på!

Muziek van Pessi Levanto bij The Innocents (Noorwegen 2021), een thriller van Eskil Vogt. De onschuldigen uit de titel zijn vier kinderen (van zeven tot elf jaar oud), die wonen in een Noorse flatwijk en allesbehalve onschuldig zijn. De vier hebben nog weinig moreel besef en beschikken bovendien over bovennatuurlijke krachten, wat een levensgevaarlijke combinatie is. Muziek van Pessi Levanto, die een dertigtal films én een dertigtal korte films en documentaires van muziek voorzag, naast zijn werk als componist voor commercials. Eskil Vogt was zeer te spreken over zijn samenwerking met Levanto, die hij een extreem getalenteerd componist noemt, en bovendien een aardige kerel om mee te werken. Verontrustend en mooi tegelijkertijd, zo noemt Vogt het resultaat.

Hij draait al ruim een week, maar Gudo en Jasper willen nog graag hun ei kwijt over de nieuwe Marvel-blockbuster Thor: Love and Thunder. Deze werd, net als het vorige deel met Chris Hemsworth als de dondergod (Thor: Ragnarok), weer gemaakt door de Nieuw-Zeelandse komiek en cineast Taika Waititi. Zijn campy humor moet ditmaal worden afgewisseld met meer drama. Leverde hij de juiste cocktail af? Na een kort blokje ‘Ook nog gezien' storten de MovieInsiders zich op de indringende Noorse horrorfilm The Innocents die inzoomt op de duistere krochten van het kinderbrein. Na de recensie volgt een interview met de schrijver en regisseur van dienst: de eerder dit jaar nog voor een Oscar genomineerde Eskil Vogt (The Worst Person in the World).00:00 Introductie02:30 Recensie: Thor - Love and Thunder24:33 Ook nog gezien: Knor & Fire of Love31:40 Recensie: The Innocents (De Uskyldige)45:08 Interview: Eksil Vogt, schrijver en regisseur The Innocents71:52 VooruitblikSupport the show: https://www.patreon.com/movieinsidersSee omnystudio.com/listener for privacy information.

Filme que fez explodir a fama do diretor Joachim Trier, A Pior Pessoa do Mundo é, na verdade, o terceiro capítulo da “trilogia de Oslo”, cujas primeiras duas parcelas são Começar de Novo, de 2006, e Oslo, 31 de agosto, de 2011. Os três filmes da trilogia possuem duas características que os tornam únicos: são simultaneamente melancólicos e cômicos, e permitem, com muita sensibilidade e precisão, observar o autêntico comportamento humano. Mérito de roteiros geniais, escritos em parceria com o brilhante Eskil Vogt, e das performances impecáveis de seus atores, em especial da espetacular Renate Reinsve, e de Anders Danielsen Lie, protagonista dos dois filmes anteriores, que, além de ator, é médico e músico. Afinal, quem Julie pensa que ela é? O filme se faz essa pergunta a sério, sem julgamentos e preconceitos. Não deixe de conferir a nossa discussão sobre autoconhecimento, a mutabilidade da identidade (possível apenas na Noruega), sobre “ser você mesmo” em relacionamentos, sobre caprichos e Desejo, e o que realmente significa se intitular a pior pessoa do mundo. Quer fazer um comentário, uma crítica ou uma sugestão? Envie um email a saladeprojecaopodcast@gmail.com ou mande mensagem em nossas redes sociais e responderemos em breve. Ficha do Filme: A Pior Pessoa do Mundo (Verdens verste menneske), 2021. Direção: Joachim Trier. Roteiro: Eskil Vogt e Joachim Trier. Elenco: Renate Reinsve, Anders Danielsen Lie, Herbert Nordrum, Hans Olav Brenner, Helene Bjørneby, Vidar Sandem, Maria Grazia Di Meo. 128 min. Noruega. Créditos: Ilustração: Felipe Sobreiro – sobreiro.com Edição e Identidade Visual: Thiago Vergara - thiagoverg@gmail.com Música de Introdução: https://www.bensound.com Músicas do filme: Bad Feeling (Cobra Man) Feel The Love (Prins Thomas) I will Take You There (Harry Nilsson) Pieces Froides No 2 Trois Danses De Travers (Erik Satie, Klara Kormendi) Poly (Daphni) The Way You Look Tonight (Billie Holiday) Water, Voices & Show (Christophe Chassol) Wersailles (Planeur) (Christophe Chassoll) Música de Crédito ao Editor Águas de Março (Elis Regina - Antônio Carlos Jobim)

The General Witchfinders present: Folk in Hell! (a spinoff podcast)The Innocents NOT the 1961 film with Deborah Kerr, which we WILL be covering in the mothership show at some point, which has a far more comprehensive Wikipedia article than the sparsely covered film that we did watch, hence Ross adding in this short paragraph to bulk out the intro a little - Rather, we are talking about - The Innocents or De Uskyldige  - a 2021 Norwegian supernatural thriller film directed by Eskil Vogt.Four children become friends during the summer holidays, and out of sight of the adults they, discover they have hidden powers. While exploring their newfound abilities in the nearby forests and playgrounds, their innocent play takes a dark turn and strange things begin to happen.Leslie Felperin of The Hollywood Reporter called the film "low-tech, high-tension", writing that "The lonely, uncanny and sometimes unthinkingly violent world of childhood is explored with chilling candour and exceptional skill". Jessica Kiang of Variety praised the performances of the child actors as well as the film's atmosphere, calling the film "both a satisfying genre exercise and a minute observation of the process by which young children acquire morality."SPECIAL GUEST: Becca (Ross's long-suffering wife) Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. See acast.com/privacy for privacy and opt-out information.

Joachim Trier and Eskil Vogt co-wrote a script for Thelma, which Trier directed. Now Vogt has written and directed his own script for The Innocents, which has a lot in common with Thelma. We take advantage of the overlap for a twofer podcast on Thelma and The Innocents, and according to Tom Chick, you should […] The post Qt3 Movie Podcast: The Innocents (and Thelma) appeared first on Quarter to Three.

THE GAS PRICES ARE HIGH AND THE MOVIES ARE HOT BABY! Here to talk about some of the first movies of summer 2022! -- MAY Doctor Strange in the Multiverse of Madness- dir. Sam Raimi; Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez Firestarter- dir. Keith Thomas; Zac Efron, Ryan Kiera Armstrong, Sydney Lemmon On the Count of Three- dir. Jerrod Carmichael; Jerrod Carmichael, Christopher Abbott, Tiffany Haddish, Henry Winkler Bob's Burgers Movie- dir. Loren Bouchard, Bernard Derriman; H. Jon Benjamin, Kristen Schaal. John Roberts, Dan Mintz, Eugene Mirman The Innocents- dir. Eskil Vogt; Rakel Lenora Fløttum, Alva Brynsmo Ramstad, Sam Ashraf, Mina Yasmin Bremseth Asheim Men- dir. Alex Garland; Jessie Buckley, Rory Kinnear, Paapa Essideu Chip n Dale: Rescue Rangers: dir. Akiva Schafer; starring John Mulaney, Andy Samberg Top Gun Maverick- dir. Joseph Kosinski; Tom Cruise, Jennifer Connelly, Val Kilmer, Mike's Teller, Bashir Salahuddin, Jon Hamm JUNE Crimes of the Future Watcher Dashcam Jurassic World Dominion Lightyear Cha Cha Real Smooth The Black Phone Mad God Marcel the Shell with Shoes On Flux Gourmet Elvis --------------------------------------------------- iTunes: podcasts.apple.com/us/podcast/movi…el/id1082173626 Google Play: podcasts.google.com/feed/aHR0cDovL2…L3NvdW5kcy5yc3M Spotify: open.spotify.com/show/2VE15E5fS0Z…e983275eb550499c Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

Written and Directed by Eskil Vogt, The Innocents is a distressing and unflinching look at childhood told during the seemingly never ending Nordic summer. This week Chris, Eric and Scott recant old childhood memories, rank their favorite creepy kids in movies and discuss the perils of homemade Jerky. Spoilers will be forewarned! As always music by Keeko, @ongodbruhbeats and Scott Anderson. Art by Scott Anderson. --- Send in a voice message: https://anchor.fm/movieslastnight/message

Explorer the mysteries that lurk in the secret world of children with the Norwegian film from Eskil Vogt, The Innocents. Our shopkeeper looks at the story, the characters, the themes, and the feel of this haunting, tension driven story.WARNING: SPOILERSVisit Odds Bodkins Curiosity Shoppe on Facebookhttps://www.facebook.com/OddsBodkinsCuriosityShoppe Theme music 'Middle Earth' provided by https://audionautix.com/

https://www.instagram.com/bb69_channel/ Sobat BB69!  Sebuah film thriller supernatural karya Eskil Vogt asal Norwegia yang berjudul De uskyldige atau The Innocents baru saja rilis.  Film yang cukup disturbing bagi beberapa penonton ternyata cukup menarik untuk didiskusikan.  Yuk dengarkan pembahasannya bersama Teman Kongkow BB69  @Sini Aja  #TheInnocents #DeUskyldige

Michael J. Dougherty joins the show for a discussion about disability representation in the movies. Andrew recently watched and reviewed the new film THE INNOCENTS from writer/director Eskil Vogt, and took issue with one aspect of the film pertaining to disability. Michael is a filmmaker, writer and disability advocate, and he helps break down some of the best and worst examples of disability representation, as well as giving his thoughts on THE INNOCENTS. Links Andrew's review of THE INNOCENTS on ArthouseGarage.comAndrew's interview with Eskil Vogt on YouTubeMichael Dougherty on FacebookMichael's PSA, Look Around, on YouTube Other films & TV we discuss in this episode Sia's MusicThe TribeCODASound of MetalThe Water DanceLife AnimatedIronsideMy Left FootThe Sessions Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

Michael J. Dougherty joins the show for a discussion about disability representation in the movies. Andrew recently watched and reviewed the new film THE INNOCENTS from writer/director Eskil Vogt, and took issue with one aspect of the film pertaining to disability. Michael is a filmmaker, writer and disability advocate, and he helps break down some of the best and worst examples of disability representation, as well as giving his thoughts on THE INNOCENTS. Links Andrew's review of THE INNOCENTS on ArthouseGarage.comAndrew's interview with Eskil Vogt on YouTubeMichael Dougherty on FacebookMichael's PSA, Look Around, on YouTube Other films & TV we discuss in this episode Sia's MusicThe TribeCODASound of MetalThe Water DanceLife AnimatedIronsideMy Left FootThe Sessions Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

The Innocents (Norwegian: De uskyldige) is a 2021 Norwegian supernatural thriller film directed by Eskil Vogt. In July 2021, the film premiered at the 2021 Cannes Film Festival, in the Un Certain Regard section CAST Rakel Lenora Fløttum as Ida Alva Brynsmo Ramstad as Anna Sam Ashraf as Ben Mina Yasmin Bremseth Asheim as Aisha Ellen Dorrit Petersen as Ida and Anna's mother Morten Svartveit as Ida and Anna's father Kadra Yusuf as Aishas' mother Lisa Tønne as Ben's mother --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

During the bright American summer, a group of podcast hosts reveal their dark and controversial takes on popular culture. While exploring their newfound voice, their innocent discussions take a dark turn and strange things begin to happen. On Episode 513 of Trick or Treat Radio we discuss The Innocents, a Norwegian thriller from director Eskil Vogt! We also find out who has a steaming hot take on a very popular property, we have the semi-reoccuring conversation about Jon Cryer's best film roles, and we find out what New Mutants through a Stephen King lens would look like! So grab your favorite English Muffin, fill those nooks and crannies, practice your newfound superhuman abilities, and strap on for the world's most dangerous podcast!Stuff we talk about: RIP Ray Liotta, Gene Wilder, Gene Hackman, the REAL Lex Luthor, Mule Kick to the Taint, Michael Rosenbaum, Lenny Luthor, Jon Cryer, Martha Stewart is Getting Out, Dudes, Amy Heckerling, Penelope Spheeris, Gangrel T-Shirt, Police Navidad, embracing your inner heel, Ivan Drago, Baby Creed, Stone Cold Steve Austin, banned in Germany, Apt Pupil, Scott Bakula, The Pringles to the Prequel, set phasers to stun, beards make you look older, Just for Men, Ra's al Ghul, Captain America is from Brazil, Kenobi, Star Wars Celebration, Val Kilmer, Andor, The Adventures of Mo Mosa, The Mandalorian, Jude Law, Skeleton Crew, Ponda Baba, nooks and crannies, Rough House Publishing, Derek Rook, IFC Midnight, The Innocents, Eskil Vogt, norwegian horror, New Mutants through a Stephen King lens, at what age were you when you made your worst decisions?, the freedom we had as children, telekinesis, empath abilities, Ian Ziering, organic dialogue, Noomi Rapace, You Won't Be Alone, Goran Stolevski, Jack Sparrow hand motions, Boba Fede Alvarez, Gwen Stefani, Sugar Ray, and Crusting the Uncrustable.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

The Innocents.On this episode we are joined by Eskil Vogt, Eskil Vogt is a Norwegian film director and screenwriter. His films include Reprise, Oslo, August 31st, Louder Than Bombs, The Innocents and Thelma all of which were directed by Joachim Trier from scripts written by Vogt and TrierPlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme or you can even treat yourself to a sticker over at my store here: https://www.etsy.com/uk/shop/MarkandMeStore

Norwegian writer/director Eskil Vogt (on both solo projects and those co-written with frequent collaborator Joachim Trier) is intrigued by the idea of “coming of age”...regardless of what age that might be. So it makes sense that he “felt seen” at an early age by The Breakfast Club's Brian Johnon (Anthony Michael Hall). More recently, Eskil saw himself in Julie (Honor Swinton Byrne) from The Souvenir Parts I and II, which focuses on a more grown-up coming of age. He and Jordan unravel all that, and his chilling new movie The Innocents.Then, one quick thing about Men (...the Alex Garland movie).Find out how/where to see The Innocents.***With Jordan Crucchiola and Eskil VogtMaxFun members: order your patches ASAP! All sales benefit Trans Lifeline.  Sale ends on May 20, 2022! 

What is it about kids that just allows them to be so creepy?On this episode we dive head first into the creepy undertones of 'The Innocents' which is in theatres now...Four children become friends during the bright Nordic summer. Out of sight of the adults, they discover they have hidden powers. While exploring their newfound abilities in the nearby forests and playgrounds, their innocent play takes a dark turn and strange things begin to happen.Think like Ingmar Bergman made 'Children of the Corn' and you've got this insidiously creepy piece of cinema.  We had the unique pleasure of sitting down with writer/director Eskil Vogt to talk about the origins of the film and so very much more...

Eskil Vogt is the writer-director of The Innocents, and an Oscar nominee for co-writing The Worst Person in the World. His films transcend genre, but value both realism and surprise. In this episode, Vogt talks with MovieMaker's Tim Molloy about good vs. evil and why neither really exists, why screenwriters sometimes have to harm children and animals (only cinematically, of course) and a 1977 Swiss-French film he loves. We also discuss the promise of the X-Men films and how they often fall apart. See acast.com/privacy for privacy and opt-out information.

On this episode I discuss the Norwegian horror film “The Innocents” written and directed by Eskil Vogt

In our May edition of the show, Cinetopia founder Amanda Rogers is joined by co-Producer and Take One Magazine Editor-in-Chief Jim Ross as well as film critics Simon Bowie, Garry Arnot, and Clara Strachan. Together they review five films this month: The uber-hyped new release from the Daniels, 'Everything Everywhere all at Once,' Emmanuel Carrère's French social realist docu-drama, 'Between Two Worlds,' 'Doctor Strange in the Multiverse of Madness,' MCU's latest mega-blockbuster, Carey William's Sundance sensation, 'Emergency' and Eskil Vogt's Norwegian thriller, 'The Innocents.' Lots of films and lots of opinions from our regular team of film critics. ------------------------ 5:45 - Everything Everywhere all at Once (Dir: The Daniels) 26:23 - Between Two Worlds (Dir: Emmanuel Carrère) 38:30 - Doctor Strange in the Multiverse of Madness (Dir: Sam Raimi) 47:38 - Emergency (Dir: Carey Williams) 1:01:50 - The Innocents (Dir: Eskil Vogt) -----------------------

This week on the Film at Lincoln Center podcast, we're featuring a Q&A from the 51st New Directors/New Films with Eskil Vogt, director of The Innocents, moderated by FLC's Director of Programming Dennis Lim and a programmers preview of the 29th New York African Film Festival. Perhaps best known as the co-screenwriter of acclaimed Norwegian director Joachim Trier (The Worst Person in the World), Eskil Vogt proves himself to be a filmmaker of astonishing skill and elemental force in his own right with this daring supernatural thriller. Set during the summer at an apartment complex surrounded by an ominous, fairy-tale-like forest, The Innocents follows the sinister, increasingly alarming interactions of a group of prepubescent children: Ida, feeling ignored next to her autistic older sister Anna; the bullied Ben; and the angelic Aisha, who appears to communicate telepathically—and feel through—the nonverbal Anna. With unforgettable, dark images and fleet visual storytelling, Vogt's film pushes the “evil children” subgenre into more philosophical territory, creating a morally askew universe controlled by a child's primitive understanding of the world. The Innocents is now playing in our theaters. Go to filmlinc.org/innocents for showtimes and tickets. Before the Q&A, listen to a programmers preview of the 29th New York African Film Festival, now playing in our theaters and virtually nationwide through May 17. Explore the lineup, Q&As, info on a free digital art exhibition, a free masterclass, and more at filmlinc.org/african.

The pandemic ain't over folks. Dave has COVID and it sucks but he does his best to manage it in this week's episode. Megan's on vacation again, so he and Evan tackle two movies. First up is Lisa Hurwitz's documentary THE AUTOMAT (3:26), a short, but interesting chronicle of the once-popular restaurant chain in New York City and Philadelphia that offered fresh-cooked meals in a commissary-style eatery. Next, they discuss Eskil Vogt's disturbing horror film THE INNOCENTS (19:07), which is about a group of children who develop dark powers that they wield against each other and the adults around them. And in this week's Patreon exclusive audio, Evan and Dave talk about Elaine May's 1976 crime drama MIKEY AND NICKY, starring Peter Falk and John Cassavetes!

Visit the episode page at Trailers From Hell for the full list of movies, references and more.And don't forget to follow us on Letterboxd.

Q&A on the IFC Midnight film The Innocents with writer & director Eskil Vogt. Moderated by Mara Webster, In Creative Company. During the bright Nordic summer, a group of children reveal mysterious powers. But what starts out innocent soon takes a dark and violent turn in this gripping supernatural thriller.

This month Mark Cosgrove, Watershed Cinema Curator, is joined by Steph Read, UWE MA Curation placement, as they look forward to the program of films at Watershed over the coming month.They discuss perspective in cinema and the presentation of childhood in Norwegian supernatural thriller The Innocents by Eskil Vogt. Also, with Doc'n Roll returning to Bristol this month they review the music documentaries screening for the festival including artists like; Karen Dalton, The Triffids and Nick Cave and Warren Ellis.

2022 est enfin là dans 24FPS, le podcast ciné avec ou sans spoiler, et il est temps d'aborder les films vus en début d'année ! Voici la liste des 18 films abordés sans spoiler par Julien et Jérôme dans cet épisode : 355 de Simon Kinberg (à partir de 0:03:05) The Green Knight de David Lowery (à partir de 0:16:31) Spencer de Pablo Larrain (à partir de 0:21:36) The Outfit de Graham Moore (à partir de 0:27:09) X de Ti West (à partir de 0:30:39) Massacre À La Tronçonneuse de David Blue Garcia (à partir de 0:37:06) Mother/Android de Mattson Tomlin (à partir de 1:00:46) Adieu Monsieur Haffmann de Fred Cavayé (à partir de 1:03:31) Mort Sur Le Nil de Kenneth Branagh (à partir de 1:06:01) The Innocents de Eskil Vogt (à partir de 1:11:13) Super-Héros Malgré Lui de Philipe Lacheau (à partir de 1:17:08) Scream de Matt Bettinelli-Olpin et Tyler Gillett (à partir de 1:19:52) Un Monde de Laura Wandel (à partir de 1:41:54) Maigret de Patrice Leconte (à partir de 1:45:34) Nightmare Alley de Guillermo del Toro (à partir de 1:48:51) Big Bug de Jean-Pierre Jeunet (à partir de 2:00:05) Moonfall de Roland Emmerich (à partir de 2:07:00) Uncharted de Ruben Fleischer (à partir de 2:19:35) Bonne écoute, et n'hésitez pas à nous dire ce que vous pensez de Netflix ! Crédits musicaux : Rope A Dope de Hans Zimmer, issu de l'album Broken Arrow - Original Motion Picture Soundtrack (1996), et Africa de Toto, issu de l'album Toto IV (1982) 24FPS est un podcast du label PodShows

Unangenehm…! Natürlich nicht diese Folge, vielmehr das Wort des Tages. Marco und Fabian begeben sich ins Genre und haben so einige interessante und eben unangenehme Filme gesehen. Das sowohl im positiven, als auch im negativen Sinne… Morbius *hust*. Fantasy Film Fest Nights – PodcastMarco war auf den Fantasy Film Fest Nights und hat ein paar wirklich gute Dinger sehen können. Welche das sind und welche man vielleicht demnächst einmal noch nachholen kann. Hört ihr natürlich in dieser wunderbaren Episode.Außerdem haben Fabian und Marco noch 3 aktuelle Kinostarts für euch parat. Mit Morbius macht Fabian den Anfang und klärt auf, ob das neue Abenteuer aus dem Venomvers etwas taugt. Ein Grusel der anderen Art hat die beiden dann bei The Dark and the Wicked erwartet. Was der „gruseligste Film des Jahres“ kann? Naja… mehr hatte The Innocents da so bieten. Der Film von Eskil Vogt wurde bereits lange von Marco erwartet und hat hoffentlich nicht enttäuscht. Die beiden wünschen viel Spaß bei dem Nachklapp.

Schuldig oder nicht schuldig? Das ist hier die Frage. Die Richter und Henker der deutschen Filmpodcasts sprechen über den norwegischen Horrorfilm "The Innocents". Kann der Film von Eskil Vogt über Kinder mit Superkräften überzeugen? Außerdem im Zeugenstand: Der neueste Wizarding World Epos "Phantastische Tierwesen: Dumbledores Geheimnisse" sowie die Rückkehr der Bleibende Schäden Tracklist. Also schwingt den Hammer und bildet euch euer Urteil!So erreicht ihr Bleibende Schäden:Instagram: @bleibende_schaedenMail: schadenkasten@gmail.comWebsite: https://bleibende-schaden.letscast.fmUnterstützt diesen Podcast unter:https://ko-fi.com/bleibendeschaden

Aired on Sunday, March 27, 2022 on ABCTo listen to Part 2 of this two-part episode, click here!Website: OscarsHere Are the Categories We Discussed Across Both Parts:International Feature Film*WINNER* DRIVE MY CARJapanFLEEDenmarkTHE HAND OF GODItalyLUNANA: A YAK IN THE CLASSROOMBhutanTHE WORST PERSON IN THE WORLDNorwayWriting (Adapted Screenplay)*WINNER* CODAScreenplay by Siân HederDRIVE MY CARScreenplay by Ryusuke Hamaguchi, Takamasa OeDUNEScreenplay by Jon Spaihts and Denis Villeneuve and Eric RothTHE LOST DAUGHTERWritten by Maggie GyllenhaalTHE POWER OF THE DOGWritten by Jane CampionWriting (Original Screenplay)*WINNER* BELFASTWritten by Kenneth BranaghDON'T LOOK UPScreenplay by Adam McKay; Story by Adam McKay & David SirotaKING RICHARDWritten by Zach BaylinLICORICE PIZZAWritten by Paul Thomas AndersonTHE WORST PERSON IN THE WORLDWritten by Eskil Vogt, Joachim TrierDirectingBELFASTKenneth BranaghDRIVE MY CARRyusuke HamaguchiLICORICE PIZZAPaul Thomas Anderson*WINNER* THE POWER OF THE DOGJane CampionWEST SIDE STORYSteven SpielbergActress in a Supporting RoleJessie Buckley in THE LOST DAUGHTER*WINNER* Ariana DeBose in WEST SIDE STORYJudi Dench in BELFASTKirsten Dunst in THE POWER OF THE DOGAunjanue Ellis in KING RICHARDActor in a Supporting RoleCiarán Hinds in BELFAST*WINNER* Troy Kotsur in CODAJesse Plemons in THE POWER OF THE DOGJ.K. Simmons in BEING THE RICARDOSKodi Smit-McPhee in THE POWER OF THE DOGActress in a Leading Role*WINNER* Jessica Chastain in THE EYES OF TAMMY FAYEOlivia Colman in THE LOST DAUGHTERPenélope Cruz in PARALLEL MOTHERSNicole Kidman in BEING THE RICARDOSKristen Stewart in SPENCERBest PictureBELFASTLaura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers*WINNER* CODAPhilippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, ProducersDON'T LOOK UPAdam McKay and Kevin Messick, ProducersDRIVE MY CARTeruhisa Yamamoto, ProducerDUNEMary Parent, Denis Villeneuve and Cale Boyter, ProducersKING RICHARDTim White, Trevor White and Will Smith, ProducersLICORICE PIZZASara Murphy, Adam Somner and Paul Thomas Anderson, ProducersNIGHTMARE ALLEYGuillermo del Toro, J. Miles Dale and Bradley Cooper, ProducersTHE POWER OF THE DOGJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, ProducersWEST SIDE STORYSteven Spielberg and Kristie Macosko Krieger, ProducersActor in a Leading RoleJavier Bardem in BEING THE RICARDOSBenedict Cumberbatch in THE POWER OF THE DOGAndrew Garfield in TICK, TICK...BOOM!*WINNER* Will Smith in KING RICHARDDenzel Washington in THE TRAGEDY OF MACBETH See acast.com/privacy for privacy and opt-out information.

Aired on Sunday, March 27, 2022 on ABCTo listen to Part 1 of this two-part episode, click here!Website: OscarsHere Are the Categories We Discussed Across Both Parts:International Feature Film*WINNER* DRIVE MY CARJapanFLEEDenmarkTHE HAND OF GODItalyLUNANA: A YAK IN THE CLASSROOMBhutanTHE WORST PERSON IN THE WORLDNorwayWriting (Adapted Screenplay)*WINNER* CODAScreenplay by Siân HederDRIVE MY CARScreenplay by Ryusuke Hamaguchi, Takamasa OeDUNEScreenplay by Jon Spaihts and Denis Villeneuve and Eric RothTHE LOST DAUGHTERWritten by Maggie GyllenhaalTHE POWER OF THE DOGWritten by Jane CampionWriting (Original Screenplay)*WINNER* BELFASTWritten by Kenneth BranaghDON'T LOOK UPScreenplay by Adam McKay; Story by Adam McKay & David SirotaKING RICHARDWritten by Zach BaylinLICORICE PIZZAWritten by Paul Thomas AndersonTHE WORST PERSON IN THE WORLDWritten by Eskil Vogt, Joachim TrierDirectingBELFASTKenneth BranaghDRIVE MY CARRyusuke HamaguchiLICORICE PIZZAPaul Thomas Anderson*WINNER* THE POWER OF THE DOGJane CampionWEST SIDE STORYSteven SpielbergActress in a Supporting RoleJessie Buckley in THE LOST DAUGHTER*WINNER* Ariana DeBose in WEST SIDE STORYJudi Dench in BELFASTKirsten Dunst in THE POWER OF THE DOGAunjanue Ellis in KING RICHARDActor in a Supporting RoleCiarán Hinds in BELFAST*WINNER* Troy Kotsur in CODAJesse Plemons in THE POWER OF THE DOGJ.K. Simmons in BEING THE RICARDOSKodi Smit-McPhee in THE POWER OF THE DOGActress in a Leading Role*WINNER* Jessica Chastain in THE EYES OF TAMMY FAYEOlivia Colman in THE LOST DAUGHTERPenélope Cruz in PARALLEL MOTHERSNicole Kidman in BEING THE RICARDOSKristen Stewart in SPENCERBest PictureBELFASTLaura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers*WINNER* CODAPhilippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, ProducersDON'T LOOK UPAdam McKay and Kevin Messick, ProducersDRIVE MY CARTeruhisa Yamamoto, ProducerDUNEMary Parent, Denis Villeneuve and Cale Boyter, ProducersKING RICHARDTim White, Trevor White and Will Smith, ProducersLICORICE PIZZASara Murphy, Adam Somner and Paul Thomas Anderson, ProducersNIGHTMARE ALLEYGuillermo del Toro, J. Miles Dale and Bradley Cooper, ProducersTHE POWER OF THE DOGJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, ProducersWEST SIDE STORYSteven Spielberg and Kristie Macosko Krieger, ProducersActor in a Leading RoleJavier Bardem in BEING THE RICARDOSBenedict Cumberbatch in THE POWER OF THE DOGAndrew Garfield in TICK, TICK...BOOM!*WINNER* Will Smith in KING RICHARDDenzel Washington in THE TRAGEDY OF MACBETH See acast.com/privacy for privacy and opt-out information.

Et si on parlait d'autres films que de super-héros ? A l'instar de nos SuperFriends qui vont s'aventurer en dehors du comics sensu stricto, nos formats On Screen aiment aussi aller voir quelques autres patûres, tout en restant dans un cinéma de genre et des thématiques qui plairont à notre public. C'est ce qui nous pousse à parler aujourd'hui de The Innocents, formidable film réalisé par Eskil Vogt, qui rappelle à la fois Chronicle dans sa thématique et Morse par son ambiance et sa cruauté. Une expérience fascinante qui sera de retour en juin prochain en Blu-Ray et DVD, après sa venue en salles au mois de février 2022. Et comme on ne fait pas les choses à moitié, le début de ce podcast comporte même une interview avec le réalisateur, qui parle français !  Interview et débat pour The Innocents  Par la suite, ce sont deux habitué(e)s du podcast que vous pourrez retrouver pour le débat et la discussion sur The Innocents en bonne et due forme, en compagnie de Api et Spleenter - ce dernier étant pour une fois invité à discuter d'un bon film, il ne faut pas s'en priver. On espère que l'émission dans son ensemble vous plaira - et que vous aviez pu voir le film (on repostera l'émission en juin de toute façon).    On vous rappellera aussi volontiers que les partages sont une forme de soutien importante et même vitale pour nos émissions, n'hésitez pas à faire tourner le podcast, ce n'est pas tous les jours qu'on peut avoir le réal' du film avec nous ! Bonne écoute, et à bientôt pour la prochaine émission !  Le Programme  Interview Eskil Vogt - 01:20 Partie sans spoilers - 15:00 Partie avec spoilers - 44:00  --Soutenez nous sur Tipeee : https://fr.tipeee.com/first-print  Ne manquez aucun rendez-vous : https://podcast.ausha.co/firstprintfra   Retrouvez nous sur Facebook : https://facebook.com/FirstPrintFRA  sur Instragram : https://www.instagram.com/firstprintfra  et sur Twitter : https://twitter.com/FirstPrintFRA 

Actual nominations are in bold font, nominations I think should have been made are in standard font.BEST FILMWho Will WinThe Power Of The DogWho Should WinBelfastMy Personal WinnerBelfastMy Personal NominationsBelfast, Don't Look Up, Drive My Car, Flee, The Last Duel, Licorice Pizza, The Lost Daughter, Nightmare Alley, Passing, The Power Of The DogBEST ANIMATED FILMWho Will WinEncantoWho Should WinFleeMy Personal WinnerFleeMy Personal NominationsEncanto, Flee, The Mitchells vs. The Machines, Pompo: The Cinéphile, Poupelle Of Chimney TownBEST DOCUMENTARYWho Will WinSummer Of Soul (...Or, When The Revolution Could Not Be Televised)Who Should WinSummer Of Soul (...Or, When The Revolution Could Not Be Televised)My Personal WinnerSummer Of Soul (...Or, When The Revolution Could Not Be Televised)My Personal NominationsFlee, In The Same Breath, Procession, Summer Of Soul (...Or, When The Revolution Could Not Be Televised), Writing With FireBEST FOREIGN FILMWho Will WinDrive My Car [Japan]Who Should WinFlee [Denmark]My Personal WinnerFlee [Denmark]My Personal NominationsCompartment No. 6 [Finland], Drive My Car [Japan], Flee [Denmark], A Hero [Iran], The Worst Person In The World [Norway]BEST DIRECTORWho Will WinJane Campion (The Power Of The Dog)Who Should WinKenneth Branagh (Belfast)My Personal WinnerJoel Coen (The Tragedy Of Macbeth)My Personal NominationsPaul Thomas Anderson (Licorice Pizza), Kenneth Branagh (Belfast), Jane Campion (The Power Of The Dog), Joel Coen (The Tragedy Of Macbeth), Rebecca Hall (Passing)BEST ACTORWho Will WinWill Smith (King Richard)Who Should WinBenedict Cumberbatch (The Power Of The Dog)My Personal WinnerBenedict Cumberbatch (The Power Of The Dog)My Personal NominationsBenedict Cumberbatch (The Power Of The Dog), Andrew Garfield (tick, tick...BOOM!), Michael Greyeyes (Wild Indian), Oscar Isaac (The Card Counter), Denzel Washington (The Tragedy Of Macbeth)BEST ACTRESSWho Will WinOlivia Colman (The Lost Daughter)Who Should WinJessica Chastain (The Eyes Of Tammy Faye)My Personal WinnerJessica Chastain (The Eyes Of Tammy Faye)My Personal NominationsJessica Chastain (The Eyes Of Tammy Faye), Olivia Colman (The Lost Daughter), Jodie Comer (The Last Duel), Isabelle Fuhrman (The Novice), Kristen Stewart (Spencer)BEST SUPPORTING ACTORWho Will WinTroy Kotsur (CODA)Who Should WinKodi Smmit-McPhee (The Power Of The Dog)My Personal WinnerKodi Smmit-McPhee (The Power Of The Dog)My Personal NominationsRobin de Jesús (tick, tick...BOOM!), Andrew Garfield (The Eyes Of Tammy Faye), Jason Isaacs (Mass), J.K. Simmons (Being The Ricardos), Kodi Smmit-McPhee (The Power Of The Dog)BEST SUPPORTING ACTRESSWho Will WinAriana DeBose (West Side Story)Who Should WinKirsten Dunst (The Power Of The Dog)My Personal WinnerRuth Negga (Passing)My Personal NominationsJessie Buckley (The Lost Daughter), Judy Davis (Nitram), Ariana DeBose (West Side Story), Kirsten Dunst (The Power Of The Dog), Ruth Negga (Passing)BEST ORIGINAL SCREENPLAYWho Will WinPaul Thomas Anderson (Licorice Pizza)Who Should WinKenneth Branagh (Belfast)My Personal WinnerKenneth Branagh (Belfast)My Personal NominationsKenneth Branagh (Belfast), Adam McKay (Don't Look Up), Paul Thomas Anderson (Licorice Pizza), Emma Seligman (Shiva Baby), Joachim Trier & Eskil Vogt (The Worst Person In The World)BEST ADAPTED SCREENPLAYWho Will WinJane Campion (The Power Of The Dog)Who Should WinMaggie Gyllenhaal (The Lost Daughter)My Personal WinnerNicole Holofcener, Ben Affleck & Matt Damon (The Last Duel)My Personal NominationsRyūsuke Hamaguchi & Takamasa Oe (Drive My Car), Nicole Holofcener, Ben Affleck & Matt Damon (The Last Duel), Maggie Gyllenhaal (The Lost Daughter), Rebecca Hall (Passing), Jane Campion (The Power Of The Dog)DIRECT LINK

24 de marzo | Nueva YorkHola, maricoper. Te escribo mientras me bebo un café y me como un quesito, un dulce de hojaldre puertorriqueño. Tengo muchas ganas de escribir esta newsletter porque es el clímax de la temporada de premios y porque estos días soy muy feliz de hacer mi trabajo y de que me leas con atención. Gracias por estar ahí.Bienvenido a La Wikly diaria. Esta vez, te traigo una edición especial con mi quiniela de los Premios Oscar en exclusiva antes de desvelar mis opiniones en el stream del viernes. Volveremos con titulares y una sorpresita más mañana viernes.Si quieres comentar las noticias en nuestro servidor de Discord, usa este enlace.Y si quieres acceso a los canales exclusivos para suscriptores premium, responde directamente a este email con tu nombre de usuario en Discord.Comparte esta newsletter con familiares y amigos para que se pongan al día:Leer esta newsletter te llevará 7 minutos y 2 segundos.¡Anakin! Bienvenido a La Wikly.🏆 ¿Sorpresa en Hollywood?Por Emilio DoménechLo importante: la gala de los Oscar tiene previsto celebrarse este domingo y la expectación es que la gran favorita desde hace meses puede acabar perdiendo la estatuilla a Mejor Película.Sí, El poder del perro iba encaminada a darle el primer Oscar a Mejor Película a Netflix, pero las tornas han cambiado a favor de CODA en apenas una semana.Pero no nos adelantemos a los acontecimientos. A continuación, un repaso a todas las categorías de los Oscar con mis predicciones de las ganadoras, mis favoritas de las nominadas y las menciones que creo que se han olvidado este año.Aviso 1: tengo pendientes varias películas y por eso me reservaré mi opinión en algunas categorías para cuando ponga todo al día, que será el domingo a ultimísima hora antes de empezar el stream especial de la ceremonia.Aviso 2: en algunas categorías no he incluido la opción ‘debería estar nominada’ porque no tengo nada mejor que ofrecer.Aviso 3: las explicaciones de las categorías las desarrollo en el podcast, que si no esto habría sido una maldita Biblia.💥 Efectos visualesDUNEPaul Lambert, Tristan Myles, Brian Connor y Gerd NefzerFree GuySwen Gillberg, Bryan Grill, Nikos Kalaitzidis y Dan SudickNo Time to DieCharlie Noble, Joel Green, Jonathan Fawkner y Chris CorbouldShang-Chi and the Legend of the Ten RingsChristopher Townsend, Joe Farrell, Sean Noel Walker y Dan OliverSpider-Man: No Way HomeKelly Port, Chris Waegner, Scott Edelstein y Dan SudickGANARÁ: DuneDEBERÍA GANAR: Dune🔊 SonidoDUNEMac Ruth, Mark Mangini, Theo Green, Doug Hemphill y Ron BartlettBelfastDenise Yarde, Simon Chase, James Mather y Niv AdiriNo Time to DieSimon Hayes, Oliver Tarney, James Harrison, Paul Massey y Mark TaylorThe Power of the DogRichard Flynn, Robert Mackenzie y Tara WebbWest Side StoryTod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson y Shawn MurphyGANARÁ: DuneDEBERÍA GANAR: West Side StoryDEBERÍA ESTAR NOMINADA: The Last Duel💄 Maquillaje y peluqueríaTHE EYES OF TAMMY FAYELinda Dowds, Stephanie Ingram y Justin RaleighComing 2 AmericaMike Marino, Stacey Morris y Carla FarmerCruellaNadia Stacey, Naomi Donne y Julia VernonDuneDonald Mowat, Love Larson y Eva von BahrHouse of GucciGöran Lundström, Anna Carin Lock y Frederic AspirasGANARÁ: Los ojos de Tammy FayeDEBERÍA GANAR: Dune👗 Diseño de vestuarioDUNEJacqueline West and Robert MorganCruellaJenny BeavanCyranoMassimo Cantini Parrini y Jacqueline DurranNightmare AlleyLuis SequeiraWest Side StoryPaul TazewellGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Mark Bridges por Licorice Pizza🏰 Diseño de producción DUNEDiseño de producción: Patrice Vermette; Decoración de set: Zsuzsanna SiposNightmare AlleyDiseño de producción: Tamara Deverell; Decoración de set: Shane VieauThe Power of the DogDiseño de producción: Grant Major; Decoración de set: Amber RichardsThe Tragedy of MacbethDiseño de producción: Stefan Dechant; Decoración de set: Nancy HaighWest Side StoryDiseño de producción: Adam Stockhausen; Decoración de set: Rena DeAngeloGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADAS: Sarah Greenwood y Katie Spencer por Cyrano🎼 Canción original“NO TIME TO DIE” DE NO TIME TO DIEMúsica y letras de Billie Eilish y Finneas O’Connell“Be Alive” from King RichardMúsica y letras de DIXSON y Beyoncé Knowles-Carter“Dos Oruguitas” from EncantoMúsica y letras de Lin-Manuel Miranda“Down To Joy” from BelfastMúsica y letras de Van Morrison“Somehow You Do” from Four Good DaysMúsica y letras de Diane WarrenGANARÁ: “No Time To Die” de No Time To DieDEBERÍA GANAR: “Dos Oruguitas” de EncantoDEBERÍA ESTAR NOMINADA: “Every Letter” de Cyrano🎻 MúsicaDUNEHans ZimmerDon’t Look UpNicholas BritellEncantoGermaine FrancoMadres ParalelasAlberto IglesiasThe Power of the DogJonny GreenwoodGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Jonny Greenwood por Licorice Pizza🎞 MontajeDUNEJoe WalkerDon’t Look UpHank CorwinKing RichardPamela MartinThe Power of the DogPeter SciberrasTick, Tick…Boom!Myron Kerstein and Andrew WeisblumGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADOS: Sarah Broshar y Michael Kahn por West Side Story📸 FotografíaTHE POWER OF THE DOGAri WegnerDuneGreig FraserNightmare AlleyDan LaustsenThe Tragedy of MacbethBruno DelbonnelWest Side StoryJanusz KaminskiGANARÁ: The Power of the DogDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADOS: Paul Thomas Anderson y Michael Bauman por Licorice Pizza🦊 Película animadaENCANTOJared Bush, Byron Howard, Yvett Merino y Clark SpencerFleeJonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen y Charlotte De La GournerieLucaEnrico Casarosa y Andrea WarrenThe Mitchells vs. the MachinesMike Rianda, Phil Lord, Christopher Miller y Kurt AlbrechtRaya and the Last DragonDon Hall, Carlos López Estrada, Osnat Shurer y Peter Del VechoGANARÁ: EncantoDEBERÍA GANAR: Raya y el último dragónDEBERÍAN ESTAR NOMINADA: Belle de Mamoru Hosoda📹 Película documentalSUMMER OF SOUL (…Or, When the Revolution Could Not Be Televised)Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent y David DinersteinAscensionJessica Kingdon, Kira Simon-Kennedy y Nathan TruesdellAtticaStanley Nelson y Traci A. CurryFleeJonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen y Charlotte De La GournerieWriting with FireRintu Thomas y Sushmit GhoshGANARÁ: Summer of Soul🌍 Película internacionalDRIVE MY CAR (Japón)Ryûsuke HamaguchiFlee (Dinamarca)Jonas Poher RasmussenThe Hand of God (Italia)Paolo SorrentinoLunana: A Yak in the Classroom (Bután)Pawo Choyning DorjiThe Worst Person in the World (Noruega)Joachim TrierGANARÁ: Drive My CarDEBERÍA GANAR: The Worst Person in the WorldNOTA: No he visto Flee ni Lunana✍️ Guion originalLICORICE PIZZAEscrita por Paul Thomas AndersonBelfastEscrita por Kenneth BranaghDon’t Look UpGuion de Adam McKay; Historia de Adam McKay y David SirotaKing RichardEscrita por Zach BaylinThe Worst Person in the WorldEscrita por Eskil Vogt y Joachim TrierGANARÁ: Licorice PizzaDEBERÍA GANAR: Licorice PizzaDEBERÍA ESTAR NOMINADA: Emma Seligman por Shiva Baby📚 Guion adaptadoTHE POWER OF THE DOGEscrita por Jane CampionCODAEscrita por Siân HederDrive My CarEscrita por Ryusuke Hamaguchi y Takamasa OeDuneEscrita por Jon Spaihts, Denis Villeneuve y Eric RothThe Lost DaughterEscrita por Maggie GyllenhaalGANARÁ: The Power of the DogDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Tony Kushner por West Side StoryNOTA: No he visto The Lost Daughter🎭 Actor secundarioTROY KOTSURCODACiarán HindsBelfastJesse PlemonsThe Power of the DogJ.K. SimmonsBeing the RicardosKodi Smit-McPheeThe Power of the DogGANARÁ: Troy KotsurDEBERÍA GANAR: Troy KotsurDEBERÍA ESTAR NOMINADO: Mike Faist por West Side StoryNOTA: No he visto Being the Ricardos🎭 Actriz secundariaARIANA DEBOSEWest Side StoryJessie BuckleyThe Lost DaughterJudi DenchBelfastKirsten DunstThe Power of the DogAunjanue EllisKing RichardGANARÁ: Ariana DeBoseDEBERÍA GANAR: Ariana DeBoseDEBERÍA ESTAR NOMINADA: Marlee Matlin por CODANOTA: No he visto The Lost Daughter🎭 Actor protagonistaWILL SMITHKing RichardJavier BardemBeing the RicardosBenedict CumberbatchThe Power of the DogAndrew Garfieldtick, tick…Boom!Denzel WashingtonThe Tragedy of MacbethGANARÁ: Will SmithDEBERÍA ESTAR NOMINADO: Peter Dinklage por CyranoNOTA: No he visto Being the Ricardos ni The Tragedy of McBeth🎭 Actriz protagonistaPENÉLOPE CRUZMadres paralelasJessica ChastainThe Eyes of Tammy FayeOlivia ColmanThe Lost DaughterNicole KidmanBeing the RicardosKristen StewartSpencerGANARÁ: Penélope CruzDEBERÍAN ESTAR NOMINADAS: Renate Reinsve por The Worst Person in the World, Alana Haim por Licorice Pizza y Jodie Comer por The Last Duel. Esta categoría es un puto desastre.NOTA: No he visto ni The Lost Daughter, ni Being the Ricardos, ni The Eyes of Tammy Faye. Vale, soy un ignorante hipócrita.🎥 DirecciónJANE CAMPIONThe Power of the DogKenneth BranaghBelfastRyusuke HamaguchiDrive My CarPaul Thomas AndersonLicorice PizzaSteven SpielbergWest Side StoryGANARÁ: Jane CampionDEBERÍA GANAR: Paul Thomas AndersonDEBERÍA ESTAR NOMINADO: Denis Villeneuve por Dune🎬 PelículaCODAPhilippe Rousselet, Fabrice Gianfermi y Patrick WachsbergerBelfastLaura Berwick, Kenneth Branagh, Becca Kovacik y Tamar ThomasDon’t Look UpAdam McKay y Kevin MessickDrive My CarTeruhisa YamamotoDuneMary Parent, Denis Villeneuve y Cale BoyterKing RichardTim White, Trevor White y Will SmithLicorice PizzaSara Murphy, Adam Somner y Paul Thomas AndersonNightmare AlleyGuillermo del Toro, J. Miles Dale y Bradley CooperThe Power of the DogJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning y Roger FrappierWest Side StorySteven Spielberg y Kristie Macosko KriegerGANARÁ: CODADEBERÍA GANAR: Licorice PizzaDEBERÍAN ESTAR NOMINADAS: The Worst Person in the World y The Last Duel👾 En el DiscordUn retazo de Maricopa Land@Lady Blue y @Alirp han hecho una quiniela de los Oscars para quien quiera participar. Te dejo el enlace por aquí para que hagas tus votaciones. Y que sepas que puedes pasarte por el canal específico de #Oscars en el que estaremos siguiendo todo sobre la ceremonia en los próximos días.La Wikly es una newsletter joven e independiente que se mantiene con el apoyo de los suscriptores de pago. Súmate al proyecto:Feliz jueves, This is a public episode. Get access to private episodes at www.lawikly.com/subscribe

Joachim Rønning ble sammen med sin makker Espen Sandberg nominert til en Oscar for Kon-Tiki i 2013, og har siden den gang bygget seg opp en karriere som regissør av blockbustere i Hollywood. Rønning er vår gjest i denne podkastepisoden, og forteller om sine erfaringer med Oscar-kampanjer, forholdet til norsk filmbransje og hvordan karrieren har ledet ham fra Sandefjord til de øverste gemakker i Hollywood. Det nærmer seg årets Oscar-utdeling, og i anledning at Joachim Trier, Eskil Vogt og Verdens verste menneske er nominert til kategorien for beste internasjonale film og beste originalmanus, kommer de internasjonale mulighetene for norsk filmbransje igjen tilbake i samtalen. Men hva betyr egentlig denne Oscar-oppmerksomheten for de som nomineres? Og hva ligger bak en vellykket Oscar-kampanje? Hvordan kan norske regissører gå fra å lage film hjemme til å stå bak kameraet på noen av de mest påkostede filmene i Hollywood? Få er bedre plassert til å reflektere rundt dette enn Joachim Rønning, som etter å ha laget Bandidas (2006), Max Manus (2008), Kon-Tiki (2012) og Pirates of the Caribbean: Dead Men Tell No Tales (2017) sammen med Espen Sandberg, har fortsatt karrieren på egen hånd i studiosystemet, som regissør av Disneys Maleficent: Mistress of Evil (2019) og straks også Young Woman and the Sea – som går i opptak om en uke. I samtale med Montages-redaktør Karsten Meinich forteller regissøren åpent og detaljert om sine erfaringer med de norske storfilmsuksessene Max Manus og Kon-Tiki, til den vellykkede Oscar-kampanjen for sistnevnte – og hvordan nominasjonen åpnet alle tenkelige dører i Hollywood. Rønning deler også noen kritiske betraktninger rundt norsk filmbransje og hvordan vi på mer eller mindre vellykket vis har klart å omsette internasjonal suksess i videre vekst for filmfeltet hjemme. God lytting!

Notre critique du film "The Innocents" réalisé par Eskil Vogt avec Rakel Lenora Fløttum, Alva Brynsmo Ramstad. Abonnez-vous à notre chaîne YOUTUBE : https://bit.ly/3nm7Oy9 ---   Titre : The Innocents  Sortie : 16 mars 2022  De : Eskil Vogt Avec : Rakel Lenora Fløttum et Alva Brynsmo Ramstad. Synopsis : Un été, quatre enfants se découvrent d'étonnants pouvoirs et jouent à tester leurs limites, loin du regard des adultes. Mais ce qui semblait être un jeu d'enfants, prend peu à peu une tournure inquiétante... Bande-annonce : https://www.youtube.com/watch?v=z36sHib2KSs #TheInnocents #Critique #Podcast 

Verdens to verste mennesker diskuterer en film med overraskende høy gjenkjennelsesfaktor! Både symbolikkmesteren Henning og kaviarstjerna Benjamin ser seg selv i årets norske Oscarfilm! Perler For Svin er en norsk podcast om norsk film! Du finner oss på https://twitter.com/Perler_For_Svin, https://www.facebook.com/perlerforsvinpod eller www.PerlerForSvin.no ! Med lydklipp hentet fra åpne kilder på nett og benyttet i henhold til god skikk for sitering. Disse inkluderer klipp fra Verden Verste Menneske og Filmmagasinet.

Host Jeff Goldsmith interviews Zach Baylin, Sir Kenneth Branagh, Jane Campion, Ryûsuke Hamaguchi, Jon Spaihts and Eskil Vogt about their Oscar nominated screenplays. Download my podcast here Copyright © Unlikely Films, Inc. 2022. All rights reserved. For more great content check out Backstory Magazine @ www.backstory.net

A film from Norway about a young woman seeking fulfillment in relationships takes the conventions of romantic comedy and turns them over to reveal the male-centered trap underneath. The Worst Person in the World. Now, there's a title that will get your attention. But this new film from Norwegian director Joachim Trier is named ironically. It's not a portrait of an evil person at all, but of someone who is set up by the world she lives in to blame herself for everything. Julie, a medical student played by the excellent Renate Reinsve, suddenly realizes that she doesn't want to be a doctor after all, but would rather study the mind, in other words, become a psychologist. Then she changes her mind again and says she will pursue photography. As an audience, we might be tempted to see her as flaky, but the film makes us see that this kind of wavering is normal for someone in their 20s, especially someone in the upper middle class. The one element that does disturb Julie's focus is romance. Once again, normal. She loves the initial very blissful stage of connection with an attractive man, and of course this element includes sex, a pleasure that we all know is powerful. The subtle point we're made to realize is that the unspoken but real male social dominance makes it harder for women to navigate career and romance, and the one aspect the film beautifully portrays is how relationships inevitably become about the man's thoughts, desires, and overall narratives; automatically relegating women to a supporting role. This all might sound rather dry when I describe it, but Trier and his screenwriter, Eskil Vogt, weave a remarkably observant portrait of people trying to navigate the rules of the game, and Reinsve's performance is a constant revelation of female intelligence, desire, and frustration. Julie gets into a relationship with a well-known artist who is fifteen years her senior. The enjoyment of each other's company is genuine, but she ends up feeling like a spectator of her own life. She eventually cheats on him with a married man she meets at a wedding reception that she's crashed, but rather than take this plot development for granted, the film beautifully conveys the gradual stages, from initial flirting while feeling a sense of taboo, to final acceptance of the need to be together, the peak being a long brilliant sequence in which everyone in the world stops in a freeze-frame while Julie runs through all these stationary figures to see her new lover. But we know—and this is another clever thing—that the same contradictions will arise again. When I thought about the film's clear-eyed view of patriarchy, I considered opening this review by saying, “What if Woody Allen were a feminist?” But that's actually selling this movie short. Yes, it's written and directed by men, and it doesn't have a radical style, but I rarely see films in which the intricacies of love, sex, and relationships in a male-dominated world, are so finely and compassionately exposed. The men in the film are not depicted as bad people, even though we know such men exist. Instead, everyone in this story is well-meaning, trying their best, but it's the unconscious assumptions and unspoken rules that are driving everything. The ads and previews try to tell us that this is a romantic comedy. Well, OK, but if so, it's the least consoling rom-com I've ever seen. It's frequently funny, but there are no jokes or gags. The humor springs from anxiety and loss. The Worst Person in the World, with its mocking title and lovely main character, may seem light-hearted on the surface, but it carries the weight of disappointed dreams.

I del 2 av “Oslo-trilogien” (natt til 31 august) arrangerer Benjamin dykkerekspedisjon etter en jakke i Nordmarka, Hans Olav Brenner spiller Battlefield, og Henning setter heroin rundt omkring i Oslo før han klikker i jobbintervju! Perler For Svin er en norsk podcast om norsk film! Du finner oss på https://twitter.com/Perler_For_Svin, https://www.facebook.com/perlerforsvinpod eller www.PerlerForSvin.no ! Med lydklipp hentet fra åpne kilder på nett og benyttet i henhold til god skikk for sitering. Disse inkluderer klipp fra Dumbo/Seductor (Anders Danielsen Lie), Oslo 31 August og Filmmagasinet.

Siden Norge kommer til å vinne to Oscarstatuetter for Verden Verste Menneske trosser pojkarna korona og studiomangel for å sette i gang med Oslo-triologien! Er Joachim Triers debut hylende morsom eller et meningsløst stemningsbilde? Er bandet Kommune mer enn vi tror? To studioutfordrede podcastere bruker alle tilgjengelige verktøy for å løse filmen! Perler For Svin er en norsk podcast om norsk film! Du finner oss på https://twitter.com/Perler_For_Svin, https://www.facebook.com/perlerforsvinpod eller www.PerlerForSvin.no ! Med lydklipp hentet fra åpne kilder på nett og benyttet i henhold til god skikk for sitering. Disse inkluderer klipp fra Reprise, At dere tør og Filmmagasinet.

Vad händer med en familj när tillvaron är på väg att totalt förändras? Filmen "Alcarràs" har vunnit festivaljuryns hjärtan i Berlin och fått Lisa Bergström att gråta. Möt regissören Carla Simón. FILMFEST FÖR DEN SOM VILL GÅ PÅ BIO I HELGENVi guidar dig till tre nya filmpremiärer: Hör om Audrey Diwans film "Omständigheter" om en illegal abort, baserad på romanen med samma namn av författaren Annie Ernaux. Vår reporter Björn Jansson har träffat regissören och manusförfattaren Eskil Vogt som står bakom filmen "De oskyldiga". En film som väckt starka publikreaktioner genom sin skildring av barn som inte bara är snälla och gulliga, utan också utstuderat grymma. Och hur ser världen ut genom ett par koögon? P1 Kulturs Felicia Frithiof har sett filmen "The cow".NORSKE KONSTNÄREN NIKOLAI ASTRUP - LIKA STOR SOM MUNCH I SITT HEMLANDOch nu kan man bekanta sig med hans landskapsmåleri i "Visioner av norsk natur" på Valdemarsudde i Stockholm. Vår konstkritiker Mårten Arndtzén har tjuvkikat på den första större utställningen av Nikolai Astrup i Sverige.FRITZ LANGS FILM "M" - OM MÖRDAREN SOM VISSLAR PÅ NORSKAEn av filmhistoriens första seriemördare hade ett runt babyface och visslade Griegs "I bergakungens sal" ur "Peer Gynt" innan han skred till verket. Peter Lorre satte skräck i hela Berlin i Fritz Langs "M" 1931. Fortfarande skrämmande, atmosfärrik och elegant, tycker filmkritikern Mårten Blomkvist i veckans Klassikern.Programledare: Lisa Bergström. Producent: Mårten Arndtzén.

A conversation with newly minted Oscar nominee Eskil Vogt! Vogt was just nominated for Best Original Screenplay, together with director Joachim Trier, for ‘The Worst Person in The World'. The film was also nominated for Best International Feature. We talk about his long collab with Trier, ‘The Worst Person in the World', as well as his new film, his second feature as writer/director, the supernatural horror film ‘The Innocents'. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pour partager du Plaisir autour de Films à (re)découvrir ! Avec aujourd'hui : #TheInnocents (2022) de Eskil Vogt. Avec Tim en invité star ! Me Soutenir : https://www.patreon.com/dexetlecinema

"Verdens verste menneske" har fått hele to Oscar-nominasjoner, for beste orginalmanus og for beste internasjonale spillefilm. Vi prøver å forstå hva regissør Joachim Trier, manusforfatter Eskil Vogt og hovedrolleinnehaverne Renate Reinsve og Anders Danielsen Lie har gjort rett. Hør episoden i appen NRK Radio

Det är festivalens femte dag. Barn med superkrafter. Vad är egentligen ondska? Vi pratar med den norska succéregissören Eskil Vogt om skuld och ohyggliga superkrafter. Festivalgästerna berättar om tårar på biografen. Och som vanligt: en guide till dagens bästa filmer.

Sí, adivinaste: es viernes. El día que sale Hoy Trasnoche. ¿Y adiviná qué? Hay un nuevo episodio. Salidos de la emoción de la semana pasada, Flor y Calu vuelven a la habitualidad con un episodio de novedades totales, porque vieron The Innocents (De uskyldige, 2021) de Eskil Vogt, no pensaron taaan lo mismo y capaz que se tiraron con de todo. No contentos con eso, trajeron coyuntura variada a la mesa, que incluye, entre otras cosas, un “devolvé la guita” que no nos pertenece, algo más de Ridley Scott y la película esa de época y hasta a Slavoj Žižek haciendo la review de la nueva Matrix. Pero esperá que hay más, porque no es un capítulo Kennedyless. O sí. O no. O más o menos, porque después del temita de Dallas medio que JFK quedó en el recuerdo, pero Flor empieza la saga de la mamá de Leevon Kennedy. Mirá, la verdad que no se nos ocurre qué más podés querer, pero esto es lo que hay.

Popcorn Podcast talks Joachim Trier's The Worst Person In The World, led by Renate Reinsve in the acclaimed role that won her Best Actress at Cannes Film Festival. The Norwegian film follows four years in the life of Julie (Reinsve) as she navigates life, love and loss while trying to figure out who she really is and whether her choices make her the worst person in the world. Join Leigh and Tim as they discuss this romantic drama.Visit popcornpodcast.com for more movie reviews, celebrity interviews and news.Popcorn Podcast interviews the biggest stars, including Hugh Jackman and more, on YouTube: Popcorn Podcast

Ali Tansu Turhan'la çıktığımız keşif diyalogunda bir iletişim aracı olarak sessizliği; bir hafıza aracı olarak mekânı ele alıyor, onun sinemasıyla Kadıköy'ün, Eskil Vogt'un sinemasıyla Oslo'nun apartman dairelerine uğradık. Hazırlayan ve sunan: Emre Eminoğlu Keşif Sineması çarşambaları saat 10:00'da e-posta kutunda

La temporada otoñal está que arde, y nos proporciona viajes compartidos un poco accidentados, niños y niñas ligeramente perversos, aplicaciones móviles con un reverso tenebroso, fantasmas que  no saben decir adiós… De la Edición 40 del TerrorMolins, nos traemos algunas vivencias, y entre otros visionados, «The Innocents» aka «De uskyldige», del noruego Eskil Vogt, y […]

Gjest: Filmskaper Eskil Vogt. Vi diskuterer Cannes-filmene De uskyldige og Titane og skrekkfilmens status. Mangfoldige The Eternals får hard medfart, vi er mildere stemt uten å være overbegeistrete. Einar driter seg ut i Marvel-quiz. Prøver Edgar Wright å ta en Tarantino med den historiske grøsserthrillerdramafilmen Last night i Soho? Og hva skjer når Steven Soderbergh fotograferer og klipper og regisserer gangsterkrim på HBO Max? Og hva er førsteinntrykket av den oppdaterte strømmetjenesten? I studio: Einar Aarvig og Andreas Kjensli Knudsen. Til Marvel-quizen: Her er huset til Alicia Keys, som skal ha vært inspirasjon til Tony Stark sitt technopalass: https://edition.cnn.com/style/article/alicia-keys-swizz-beatz-home-architectural-digest/index.html

A Ona Cinema hem dedicat el programa als festivals de cinema. Aquests dies, un cop finalitzat el de Sitges, podem gaudir de la Seminci, Serielizados, AbyCine, Another Way... i en breu arribaran Terror Molins, IV Festival de Cine por Mujeres de Madrid, Cardoterror, Asian Film Festival Barcelona, In-Edit Festival, Panoramic i Mallorca International Film Festival (molts es poden seguir online a Filmin). I hem dedicat gran part de la secció al Sitges Film Festival: les nostres pel·lícules favorites, les premiades, les properes estrenes a cartellera, les d'animació. Destaquem la galardonada com a millor pel·lícula 'Lamb' de Valdimar Jóhannsson amb Noomi Rapace (actriu premiada a la mostra que també estrena a Netflix 'The Trip' de Tommy Wirkola), 'Last night in Soho' de Edgar Wright amb Anya Taylor-Joy, 'Inexorable' de Fabrice du Welz, 'The innocents' de Eskil Vogt (menció a pel·lícula), 'Earwig', de Lucile Hadzihalilovic amb Romola Garai, premi Career Meliès... Continuem amb el millor curtmetratge, 'T'es morte Helène' de Michiel Blanchart, els llargmetratges 'Silent night' de Camille Griffin, 'Limbo' de Soi Cheang, 'Luzifer' de Peter Brunner, 'Barbaque' de Fabrice Eboué... Pel que fa a animació, 'Belle' de Mamoru Hosoda, 'Where is Anne Frank' a Ari Folman, i els films de stop motion 'Mad God' de Phil Tippet i 'Junk head' de Takahide Hori. Hem vist també films relacionats amb la temàtica del festival d'enguany, 'La bestia interior' (llibre oficial publicat per Hermenaute), on destaquem 'Hunter hunter' de Shawn Linde, i hem pogut rescatar títols mítics com 'El hombre lobo' de George Wagner i 'Aullidos' de Joe Dante. Finalment, hem vist films més comercials i entretinguts, com 'Veneciafrenia' d'Alex de la Iglesia i 'Prisoners of the Ghostland' de Sion Sono. Proper programa, especial 'Halloween'! Ona Cultural - Ona de Sants - ràdio - cinema - cine - cultura - estrenes - festivals - Laura Clemente - Lluís Rueda - José Angel Rico - Eli

Writer/director Eskil Vogt talks with Fantastic Fest Director of Programming, Annick Mahnert, about his latest film, The Innocents! The film is a taut, slow-burning supernatural thriller about children with psychic abilities that explores the dark and light nature of kids. Masterfully told and ripe with excellent performances, Vogt creates a mysterious and compelling world where dark actions have dark consequences. It's definitely one to watch!

Termina el Festival de Sitges. Hablamos con David Casademunt, director de "El páramo"; Eskil Vogt de "Los inocentes"; Emilio Gutiérrez Caba, galardonado con el premio Nosferatu. Y con David Hebrero, Macarena Gómez, Ana Milán y Rubén Ochandiano, de la película "Y todos arderán". Escuchar audio

We discuss Raw and Thelma, two classics of modern horror from directors who both have exciting new films on the festival circuit. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Editor-at-Large Mary Angela Rowe. Show Notes Purchase our ebook Beyond empowertainment: Feminist horror and the struggle for female agency. The book features a case study on Thelma, featuring an essay and interviews with Trier, co-writer Eskil Vogt, and cinematographer Jakob Ihre. Read excerpts here. Register for The Seventh Circle, a symposium on gender, sexuality, and disability in horror cinema. Sign up for updates on the first book to ever be published on the films of Norwegian filmmaker Joachim Trier Read Mary Angela's 2017 review of Raw Read a preview of Orla's essay on sisterhood in Raw from Beyond Empowertainment. Related Episodes Ep. 109: TIFF 2021, part 1 Ep. 107: Are men OK? Masculinity, mental health, & addiction in Another Round and Oslo, August 31st Redux Ep. 35: The Invisible Man and Unsane (Member's Only) Ep. 21: Feminist horror Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

Alex and Orla discuss the Cannes 2021 films they watched from home: a couple of competition titles, and even more interesting sidebar films that flew under the radar. On this episode: Announcements (1:11) Cannes and COVID (4:54) Cannes Winners (9:32) The Divide (Catherine Corsini) (19:10) Bergman Island (Mia Hansen-Løve) (22:19) The films we have not many thoughts on (36:32) How Cannes treats documentaries (41:20) Murina (Antoneta Alamat Kusijanović) (47:05) Olga (Elie Grappe) (50:23) A Radiant Girl (Sandrine Kiberlain) (54:53) The Innocents (Eskil Vogt) (1:02:58) Conclusion (1:11:54) Episode Notes Read Alex's review of Une jeune fille qui va bien (A Radiant Girl) Read Alex's 2018 interview with Cannes "breakout" Anders Danielsen Lie Read Alex's 2017 interview with Eskil Vogt, on Thelma Read Mary Angela Rowe's review of Julia Ducournau's Raw Read Elena Lazic's 2019 interview with Mia Hansen-Løve on Maya Read our January article about the thirty films we're most looking forward to in 2021 Related Episodes Ep. 84: Berlinale 2021, Part 2: The Competition Ep. 83: Berlinale 2021, Part 1: The Sidebars Ep. 82: Genocide on Film: Quo Vadis, Aida and Our Lady of the Nile Ep. 79: Sundance 2021, Part 2 Ep. 78: Sundance 2021, Part 1 Ep. 75: Portrayals of disability in Sound of Metal and Blind Ep. 17: Jennifer Kent's The Nightingale (Member's Only)

Flommen i Tyskland: Ødelagte landsbyer, mer enn 120 er omkommet og katastrofen kan påvirke hvem som styrer Tyskland etter valget. Nekter å føde før klimakrisen er løst. - MDG innfører babyskam, svarer Frp. Er Kristelig Folkeparti åpent for et samarbeid med en Ap/Sp-regjering etter valget? Nei, sier partiledelsen, men leder i tankesmien Agenda er overrasket over utspillene fra Olaug Bollestad denne uka. De store fra filmverdenen har stimlet sammen i Cannes i år - og nå kan det vidunderlige skje: To norske filmer kan få priser - men det regissør Eskil Vogt tar det med knusende ro og blir med i Dagsnytt 18.

Cannes 2021: Den historisk sterke norske deltagelsen ved årets filmfestival i Cannes er kanskje aller tydeligst forankret i manusforfatter og regissør Eskil Vogt, som både har sin egen film De uskyldige i Un certain regard, og har co-skrevet Joachim Triers Verdens verste menneske som er i hovedkonkurransen. Mellom slagene i Cannes satte vi oss ned med Vogt og hans klipper Jens Christian Fodstad for en prat om arbeidet med De uskyldige. I våre to foregående intervjupodkaster fra årets Cannes-festival har vi snakket med Trier og to av hans skuespillere, samt produsentene Thomas Robsahm og Maria Ekerhovd om de to norske filmene som har blitt bejublet av kritikerne på Croisetten her de siste dagene. I denne episoden retter vi altså fokuset på Eskil Vogt og De uskyldige, en overnaturlig skrekkfilm («supernatural horror») med fire barn i de sentrale rollene. Filmen utspiller seg mellom ruvende boligblokker i en drabant utenfor Oslo, og forårsaket hørbare gisp! og noen walk outs, etterfulgt av rungende applaus, under verdenspremieren søndag 11. juli, i Un certain regard-sideprogrammets storstue Salle Debussy. Vi møtte Vogt og Fodstad like etter premierevisningen, og de forteller begge i samtalen nedenfor om sine opplevelser fra de siste Cannes-dagene, samt om sitt arbeid med De uskyldige. De to intervjuene er gjort av Montages-redaktør Karsten Meinich, og episoden inneholder ingen spoilere. God lytting!

Cannes 2021: I denne episoden fra årets Cannes-festival snakker vi med produsentene bak de norske filmene Verdens verste menneske og De uskyldige, som deltar i henholdsvis hovedkonkurransen og sideprogrammet Un certain regard. Maria Ekerhovd og hennes selskap Mer Film har produsert De uskyldige, som er skrevet og regissert av Eskil Vogt, og deltar i sideprogrammet Un certain regard. Thomas Robsahm fra Oslo Pictures er produsent for Verdens verste menneske, regissert av Joachim Trier, og skrevet av Trier og Vogt. Montages' to utsendte i Cannes, Karsten Meinich og Lars Ole Kristiansen, leder samtalen med Ekerhovd og Robsahm – en uformell prat ved et kafébord i skyggen, like ved festivalpalasset. Episoden sneier innom en hel del ulike aspekter ved de to produsentenes opplevelser med sine nye filmer, fra hvordan det er å sikte mot Cannes-festivalen som et mål allerede mens man legger strategien for en film som skal lages, og hvilke kort man har på hånden overfor festivalens programkomité, til hvordan de opplever forskjeller og likheter ved Trier og Vogt som regissører, og hva det betyr for filmenes videre liv etter å ha fått tildelt plass i festivalverdenens fremste utstillingsvindu. Det at vi er vitne til en historisk god norsk Cannes-årgang, er naturligvis også et overhengende tema underveis. Episoden inneholder ingen spoilere. God lytting!

Den norske filmen «De usynlige» skal vises på den prestisjeunge Cannes-festivalen i sommer og «Verdens verste menneske» skal til og med konkurrere i hovedkonkurransen. Eskil Vogt har satt sitt tydelige preg på begge filmene og kommer til oss.

¡Hola! Bienvenidos a Pin Pum Pan, un podcast sobre cine. En este episodio conversamos sobre Blind (2014), película noruega de Eskil Vogt, y Swallow (2019), de Carlo Mirabella-Davis, además de conversar sobre lo que hemos visto durante la semana, esperamos que lo disfruten y nos acompañen todas las semanas, siendo esta de episodio doble. Estén atentos a nuestro Instagram, y en nuestro Twitter (00:02:13) Blind (2014) (00:28:15) Recomendaciones de la semana Road to Perdition (2002) (00:39:12) The Last Dance (Serie, 2020) (00:50:20) Basic Instinct (1992) (00:59:04) Avatar: The Last Airbender (2005) (01:08:09) Swallow (2019) (01:24:24) Spoilers Swallow (01:41:24) Películas del viernes Referencias: Queen & Slim (2019) Waves (2019) Dark Waters (2019) Reprise (2006) Oslo, 31. august (2011) Louder Than Bombs (2015) Thelma (2017) Beautiful Boy (2017) Annihilation (2018) I'm Thinking of Ending Things (2020) Butch Cassidy and the Sundance Kid (1969) Saving Private Ryan (1998) The Terminal (2004) Cast Away (2000) Friends (Serie, 1994) How I Met Your Mother (Serie, 2005) American Beauty (1999) 1917 (2019) Revolutionary Road (2008) Spectre (2015) Basic Instinct (1992) The Quick and the Dead (1995) RoboCop (1987) Total Recall (1990) Starship Troopers (1997) Terminator (1984) Blade (1998) Matrix (1999) Elle (2016) De Vierde Man (El Cuarto Hombre, 1983) The Invisible Man (2020) Cam (2018) Dune (2021) Mulan (2020) Mindhunter (2017) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/pinpumpan/support

Sturla was born in Trondheim, Norway, and attended the Bergen Academy of Art and Design in Norway and then The National Film School of Denmark in Copenhagen, where he lives and works. Sturla’s most notable past projects include the single-take thriller Victoria, for which he received the Silver Bear at Berlinale along with winning the Silver Frog at Camerimage for Rams, a film stylistically opposite to Victoria. Sturla’s recently worked with Benh Zeitlin for Wendy, Josephine Decker for Shirley and Michael Noer for Before The Frost. He also worked on Last And First Men for the late Jóhann Jóhannsson.     Upcoming films for Sturla include Another Round directed by Thomas Vinterberg and The Innocents directed by Eskil Vogt.

Før trodde Eskil Vogt at han kunne skille ut bra folk ut fra kulturelle referanser. Inntil han oppdaget at referansene ikke er alt. Vi snakker om lengselen etter det magiske, om Cinemateket-latter, og i Christines serie om kjærlighet: Kjærligheten skal være liten og stor.

Samtale om kinofilmen Thelma

Eskil Vogt, Director, Blind. Festival Section: Dare. Fred meets with veteran script writer Eskil Vogt, however here in London with his directorial debut BLIND, a film defying genres and narratives, starring  Ellen Dorrit Petersen. Reporter: Nicolò Comotti.   The post Eskil Vogt – Blind #LFF appeared first on Fred Film Radio.

Eskil Vogt, Director, Blind. Festival Section: Dare. Fred meets with veteran script writer Eskil Vogt, however here in London with his directorial debut BLIND, a film defying genres and narratives, starring  Ellen Dorrit Petersen. Reporter: Nicolò Comotti.   The post Eskil Vogt – Blind #LFF appeared first on Fred Film Radio.

Eskil Vogt, Director, Blind. Festival Section: Dare. Fred meets with veteran script writer Eskil Vogt, however here in London with his directorial debut BLIND, a film defying genres and narratives, starring  Ellen Dorrit Petersen. Reporter: Nicolò Comotti.   The post Eskil Vogt – Blind #LFF appeared first on Fred Film Radio.

Eskil Vogt, Director, Blind. Festival Section: Dare. Fred meets with veteran script writer Eskil Vogt, however here in London with his directorial debut BLIND, a film defying genres and narratives, starring  Ellen Dorrit Petersen. Reporter: Nicolò Comotti.   The post Eskil Vogt – Blind #LFF appeared first on Fred Film Radio.

Eskil Vogt, Director, Blind. Festival Section: Dare. Fred meets with veteran script writer Eskil Vogt, however here in London with his directorial debut BLIND, a film defying genres and narratives, starring  Ellen Dorrit Petersen. Reporter: Nicolò Comotti.   The post Eskil Vogt – Blind #LFF appeared first on Fred Film Radio.

Eskil Vogt, Director, Blind. Festival Section: Dare. Fred meets with veteran script writer Eskil Vogt, however here in London with his directorial debut BLIND, a film defying genres and narratives, starring  Ellen Dorrit Petersen. Reporter: Nicolò Comotti.   The post Eskil Vogt – Blind #LFF appeared first on Fred Film Radio.

** Lederkonflikten vil ta livet av Rock City, mener Høyre i Namsos. ** Bent Hamer, Hisham Zaman og Eskil Vogt - tre norske regissører som kan bli Oscar-kandidater. ** Årets mest voldelige film er fin kunst også, sier vår anmelder. Filmen heter «The Raid 2».

Fem filmer får terningkast 5 her i Filmpolitiet i dag. American Hustle er en herlig retrofilm, Blind er en helt spesiell filmopplevelse, Om hester og menn er forfriskende original, Inside Llewyn Davis er umiskjennelig Coen-brødrersk og Sightseers byr på blodig britisk campinghumor. I tillegg skal to debuterende regissører forklare bakgrunnen for filmene deres, nemlig Eskil Vogt om Blind og Benedikt Erlingsson om Om hester og menn. Vi feller også dommen over de tre første episodene av Vikings sesong 2 og det nye storspillet Thief. Og selvfølgelig skal vi spå hvem vi tror stikker av med de gjeveste Oscar-prisene natt til mandag.

Intervjuer med Stellan Skarsgård, Hans Petter Moland, Eskil Vogt, Jakob Oftebro. Anmeldelse av Jonze sin Her. OG intervju med Kevin Spacey og Robin Wright Penn.