Podcast appearances and mentions of eskil vogt

Joe Forte dives DEEP this week with the singular and brilliant Oscar nominated duo behind Sentimental Value, Joachim Trier and Eskil Vogt. The two discuss their unique partnership which started with a tremendous appreciation and equal love of film in their late teens. Joachim and Eskil are so eager and gracious to give such insight into their process and what they believe to be the importance of craft and how they shape a script that leads to Joachim's direction; starting with character and themes instead of plot. Not painting by numbers. And utilizing their individuality to craft a film. --- Looking for more support on your writing journey? Join Meg and Lorien inside ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL Workshops⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Episode Links: Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL merch shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TSL on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Screenwriting Life is produced and edited by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alex Alcheh.⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode, which we'll call 278.5, co-host Myles Hughes is dealing with a family matter, so we had producer Steve Prusakowski grab some of my interviews this season with Oscar nominees. So, you'll hear my conversations with Ethan Hawke (along with Richard Linklater) for Blue Moon, Will Tracy for Bugonia, Michael Bauman and Andy Jurgensen for One Battle After Another, Geeta Gandbhir for The Perfect Neighbor, Inga Ibsdotter Lilleaas, Stellan Skarsgård, Joachim Trier, and Eskil Vogt for Sentimental Value, Delroy Lindo for Sinners, as well as Clint Bentley and Adolpho Veloso for Train Dreams. We'll be back with a new episode next week, but for this week, we appreciate you partaking in this placeholder...As always my friends and faithful listeners/readers, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our 278th and a half one to date (here's to many more). Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening! 

Joachim Trier, co-writer Eskil Vogt, and an all-star cast including Stellan Skarsgård, Renate Reinsve, Elle Fanning, and Inga Ibsdotter Lilleaas talk about the making and meaning of SENTIMENTAL VALUE — the multiple-Oscar-nominated juggernaut about a filmmaker whose daughters grapple with the ways his art intersects with their messy real lives. In this special episode, Rico learns about how the movie echoes in the filmmakers' own lives… and the ways it does (and doesn't) fit into the whole tradition of “meta-movies.”SENTIMENTAL VALUE arrives exclusively on MUBI from February 13 in the UK, Ireland, Latam and India. Coming soon to Turkey. THE WORST PERSON IN THE WORLD is now streaming on MUBI in the UK, Ireland, Canada, Australia, France, Italy, the Netherlands and India. OSLO, AUGUST 31ST is now streaming on MUBI in the US, the UK, Ireland, France and the Netherlands. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

John welcomes writer and director Joachim Trier (Sentimental Value, The Worst Person in the World) to ask, how do you introduce your characters and their world to the audience? Using the screenplay for Sentimental Value, Joachim lays out how he sets up his themes, characters, conflicts and narrative authority in the first few pages. We also look at Joachim's process of developing stories with his co-writer Eskil Vogt, and answer listener questions on endings, casting, and work-life balance. In our bonus segment for premium members, Joachim and John flip through how we present screenplays on screen, why Joachim translates his scripts in pre-production, and the one little detail you might not have noticed in Sentimental Value. Links: Sentimental Value | Screenplay Joachim Trier Notorious (1946) The Lindy Effect Chris Ware Jimmy Corrigan: The Smartest Kid on Earth by Chris Ware Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram John August on Bluesky and Instagram Outro by Jeff Hoeppner & Richard Kraft (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com You can download the episode here.

If there's one recurring theme each year, it's to expect the unexpected. "Sinners" earned a record 16 nominations for the 98th Academy Awards. And then there was the blockbuster "Wicked: For Good," which was shut out. It was a day of extremes and surprises when the Oscar nominations came out on Thursday. In this week's episode, co-hosts Bruce Miller and Terry Lipshetz talk about the biggest snubs and which films could dominate when statuettes are handed out on Sunday, March 15. And we wrap the show with the new "Game of Thrones" spinoff series on HBA, "A Knight of the Seven Kingdoms." Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Host Jeff Goldsmith talks to co-writer Eskil Vogt and co-writer/director Joachim Trier about Sentimental Value. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Sentimental Value (Norwegian: Affeksjonsverdi) is a 2025 drama film directed by Joachim Trier, who co-wrote it with Eskil Vogt. It follows the sisters Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas) in their reunion with their estranged father Gustav (Stellan Skarsgård). It also stars Elle Fanning and Anders Danielsen Lie.The film had its world premiere at the main competition of the 2025 Cannes Film Festival on 21 May, where it received widespread critical acclaim and won the Grand Prix. It was theatrically released in Norway on 12 September by Nordisk Film.At the 83rd Golden Globe Awards, it was nominated for Best Motion Picture – Drama alongside acting nominations for Reinsve, Skarsgård, Lilleaas, and Fanning. It was also selected as the Norwegian entry for Best International Feature Film at the 98th Academy Awards, making the December shortlist. Hosted on Acast. See acast.com/privacy for more information.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's third podcast review, Ema Sasic, Josh Parham, and Giovanni Lago join me to review and discuss the latest film from Joachim Trier, "Sentimental Value," starring Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, and Elle Fanning. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received widespread acclaim and won the Grand Prix. It has been selected as the Norwegian entry for Best International Feature Film at the 98th Academy Awards. What did we think of it? Please tune in as we discuss the performances, writing, and direction from Trier (co-written with Eskil Vogt), the themes, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

I denne podkastepisoden møter vi Joachim Trier til en lang og detaljert samtale om Affeksjonsverdi, med fokus på filmens tematikk, hvordan han gir visuell form til det han ønsker å si og hvilken utvikling han ser i seg selv som regissør etter seks spillefilmer på to tiår. Etter verdenspremieren i Cannes i mai og påfølgende kinolansering denne høsten, har Affeksjonsverdi blitt årets suverent mest omtalte norske film. Hundretusenvis av publikummere har strømmet til kinosalene (også i utlandet), og langvarige diskusjoner om filmen har ledet til flere interessante debatter – inkludert kritikken i Morgenbladet og meningsutvekslingen som fulgte. Faste lyttere vil huske at Joachim Trier har vært gjest hos oss på Filmfrelst tidligere – først i episode #102 om tidenes 10 beste filmer og deretter i episode #473 om Verdens verste menneske. Deltagelsen her på Filmfrelst er Triers eneste (eksklusive) norske podkastopptreden denne høsten. I dialog med Montages-redaktør Karsten Meinich reflekterer regissøren ikke bare rundt tematikk, form og sin reise om filmskaper, men åpner også opp om konkrete scener fra Affeksjonsverdi og hvordan ideene kom til liv i skriverommet med co-manusforfatter Eskil Vogt. Praten vår med Trier er todelt, og andre del publiseres i neste Filmfrelst-episode. God lytting!

Welcome to the daily 63rd New York Film Festival podcast. On today's edition, Joachim Trier, Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, Elle Fanning, and Eskil Vogt join NYFF Artistic Director Dennis Lim to discuss Sentimental Value. In Joachim Trier's Cannes Grand Prix–winning follow-up to The Worst Person in the World, Renate Reinsve burrows to the steely core of an acclaimed stage actress reconnecting with her estranged movie director father (played by Stellan Skarsgård). The 63rd New York Film Festival is presented in partnership with Rolex. Get tickets at filmlinc.org Enjoy this conversation with Joachim Trier and the cast of Sentimental Value.

I dag snakker vi om Joachim Triers seneste film Affeksjonsverdi (uten spoilere) som nylig hadde kinopremiere i Norge. Filmen har allerede blitt kritikerrost internasjonalt med et fantastisk rollegalleri som inkluderer blant andre Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, Elle Fanning og Anders Danielsen Lie. Trier fortsetter her sitt samarbeid med Eskil Vogt på manus. Videre småsnakker vi litt om Oscar 2026 og hva vi føler rundt Affeksjonsverdis sjanser. Men helt i starten en rask oppsummering av Emmys 2025. God lytt! Hosted on Acast. See acast.com/privacy for more information.

We go behind the scenes with director Joachim Trier as he makes the follow-up to his international hit The Worst Person In The World. Producer Stephen Hughes gets exclusive access to the set of Sentimental Value, following the film from pre to post production. In a series of candid interviews, the writer-director reveals the anxiety he feels every time he has to make a movie, and how he is helped by his loyal team: screenwriter Eskil Vogt and producers Andrea Berentsen Ottmar, Maria Ekerhovd and Lars Thomas Skare. And it is a story with a happy ending, as Sentimental Value wins the prestigious Grand Prix at this year's Cannes Film Festival.

I denne Fysisk format-episoden av Filmfrelst presenterer professor i filmvitenskap Anne Gjelsvik sin nye bok om regissør Joachim Trier. Under etiketten Fysisk format setter vi fokus på utgivelser av film på DVD og Blu-ray eller om film i bokform, og diskuterer kulturen rundt de mange håndfaste objektene som så lenge har vært et av filmformidlingens viktigste redskap. I tidligere episoder har vi bl.a. besøkt filmbutikker i Los Angeles og Tokyo, diskutert Nasjonalbibliotekets arbeid og tatt av plasten på Agnès Varda-boksen fra Criterion. Anne Gjelsvik har nå skrevet den første boken om Joachim Trier, ReFocus: The Films of Joachim Trier. Her undersøker hun sentrale temaer i Triers filmer, som minne, sted, identitet, og vennskap, og hans oppfinnsomme stil gjennom nærstudier av tid, struktur og bruk av fortellerstemmer. (Les mer om boken hos Edinburgh University Press.) Gjelsvik er professor i filmvitenskap ved Institutt for kunst og medievitenskap, NTNU, hvor hun underviser i samtidsfilm og filmanalyse. Hun har skrevet en rekke bøker og artikler (både på engelsk og norsk) om temaer som filmkritikk, terrorisme, vold i film, adaptasjon og økokritikk. Gjelsvik er en aktiv fagformidler, blant annet som fast bidragsyter til Montages, og har mottatt priser for sin formidling fra Norsk medieforskerlag og Norsk filmkritikerlag. I denne live-podkasten møter vi Gjelsvik for å snakke om arbeidet med boken, i tillegg til å diskutere Triers posisjon i norsk filmoffentlighet og hennes personlige favoritter fra hans filmografi. Har det på noe tidspunkt eksistert en norsk filmskaper med samme grad av internasjonal anerkjennelse? Nei, mener Gjelsvik. Påstanden understøttes av at det denne uken, 14. og 15. november, arrangeres en konferanse i Paris om Triers kunstnerskap, «Urban Memories», på Université Gustave Eiffel. Her skal bl.a. Gjelsvik forelese, i tillegg til å intervjue Triers faste samarbeidspartner Eskil Vogt. (Her er hele programmet.) Opptaket ble gjort i forbindelse med Oslo Pix-festivalen, på Vega Scene, tidligere i høst. Ved mikrofonene sitter redaktørene Karsten Meinich og Lars Ole Kristiansen, i tillegg til forfatter Anne Gjelsvik. God lytting!

Niñ@s con poderes psíquicos, hay algo más perturbador en el cine? Pues aquí lo tenemos en Noruega y por partida cuádruple. Una película bastante cruel y muy inquietante.

Hello, and welcome to an all-new Films for the Void, episode #89! Eric and Landon take a look into the unknown by examining both Jack Clayton's 1961 film THE INNOCENTS, as well as Eskil Vogt's 2021 Norwegian import of the same name - all on the latest episode of Films for the Void!TIME STAMPS00:01:52 The Innocents (1961)00:47:40 The Innocents (2021)01:03:49 Landon's Recommendation for Next EpisodeTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehairArtwork by Annie CurleTheme Music by Meghan GoveEdited by Landon Defever

This is an exciting episode for us, as we're joined by Andrew's brother, Alex, to talk about one of his recent favorites, "The Innocents". Scotty also talks about a movie he saw with one of the members of Chuddle the Pod, some upcoming Beyond Fest movies he's going to see, and of course, stay tuned until the end, because one of us will be randomly chosen to pick our next movie!"The Innocents" is a Norwegian film written and directed by Eskil Vogt. It's about a group of children who come together, learning they have strange new abilities. But as young children, their home life ends up playing a big part in how they handle these abilities.Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

I denne episoden av Filmfrelst presenterer vi en ny utgave av Regirommet – en serie samtaler der to norske regissører i dialog fordyper seg i regifaget med en ny norsk film i fokus. Foreningen Norske Filmregissører (NFR) har invitert Filmfrelst til å være podkasthjem for Regirommet, og i tidligere episoder har vi tatt del i møter mellom regissører som blant annet Aurora Gossé/Mona J. Hoel, Ole Giæver/Franciska Eliassen og Erik Skjoldbjærg/Hans Petter Moland. I denne nye samtalen står spillefilmen A Happy Day av regissør Hisham Zaman i fokus, og Zaman møter Eskil Vogt til dialog om sitt arbeid. «A Happy Day handler om hvordan uvisshet og isolasjon huler ut et ungt sinn, om å se eller ikke bli sett», skrev professor Gunnar Iversen i sin analyse her på Montages. «Filmen tematiserer hvordan forelskelse og det eksistensielle møtet med et annet menneske river alt i stykker.» A Happy Day gikk på kino høsten 2023, men kan nå strømmes digitalt og er Amanda-nominert i hele fem kategorier. Regirommet-samtalen mellom Hisham Zaman og Eskil Vogt ble gjennomført etter en spesialvisning av A Happy Day på Vega Scene i Oslo, tirsdag 19. mars 2024. Episoden introduseres av Montages-redaktør Karsten Meinich. God lytting!

Happy Pride month everyone! We're covering 2017's THELMA, written and directed by Joachim Trier and co-written by Eskil Vogt. Plus, what exactly are non-epileptic seizures, finally a good gay film, and what we've been watching since our last episode. You can follow the podcast on Twitter at @HorrorTimePod and the hosts at @dykemadden and @ellemdesigns! If you like what we do, you can rate, review, and subscribe to us on Spotify, Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover!

In Episode 02 We Own the Dark explores childhood horrors and nightmares come to life! Jason chose Romano Scavolini's Nightmares In A Damaged Brain (1981), a first and absolutely wild watch for Jerry, who in turn paired The Innocents, the 2022 Norwegian supernatural horror film from director Eskil Vogt. Follow us on Instagram at: https://www.instagram.com/weownthedark Follow Jerry on Instagram at: https://www.instagram.com/thesleepermustawaken Follow Jason on Instagram at: https://www.instagram.com/vongodi Check out Whiskey & Horror at: https://www.whiskeyandhorror.com

WoHos! The theme this time is "Loss of Innocence". We reviewed THE CLOVEHITCH KILLER from the US & THE INNOCENTS from Norway.We enjoyed the exploration of the distance that grows between a child and parent during adolescence in THE CLOVEHITCH KILLER. Everyone can relate to that feeling, but thankfully only a few will ever know the horrifying reality our protag Tyler feels in THE CLOVEHITCH KILLER.In THE INNOCENTS the inherent powerlessness is what is examined in a world where children suddenly discover they have spernatural powers. CW: Cat harm and cat death--also kid harm and kid death--also parent harm and parent death.Also surprise spoiler for THE DEN at We had a good discussion about some missteps the directors take, the use and misuse of does the dog die website, the depiction of a character with nonverbal autism and whether or not this depiction was problematic, Mac, Quinn, and I have all been sick this season. It's Q's turn currently, but when she is better, we will do a Quinnisode on maybe my all-time favorite movie? FARGO.Next on the main show we will be looking at movies involving mental illness with JACOB'S LADDER from the US & THE BABADOOK from Australia.If you are enjoying the show, please get in touch and tell all your friends all about us.Stay healthy, our WoHos!And remember: We love you and DON'T go into the basement!! Support the showInterstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-MediaSubscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

Up next in Spooky Month we watched the 2021 Norwegian supernatural horror film The Innocents. Directed by Eskil Vogt the film is set during the bright Nordic summer, where a group of children reveal their dark and mysterious powers when the adults aren't looking but soon playtime takes a dangerous turn. The film stars Rakel Lenora Fløttum, Alva Brynsmo Ramstad, Sam Ashraf, Yasmin Bremseth Asheim and Ellen Dorrit Petersen. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

With a background in both music and sound, Gisle has worked with notable directors such as: Hans Petter Moland, Ruben Ostlund, Joachim Trier, and Eskil Vogt. Gisle's film credits include: A Somewhat Gentle Man, Oslo August 31st, Force Majeure, In Order Of Disappearance, Blind, Out Stealing Horses, Beware Of Children (or Barn), The Innocents, The Worst Person In The World, and more recently the acclaimed animated feature, Titina.

Killer children has been a staple in horror films since cinema began. Also, telepathy and other mental powers has been a common trope too in movie history. The latest supernatural thriller from Norway entitled THE INNOCENTS (2022) joins both these horror subgenres together and gives a new spin on the malevolence of a young unformed mind with powers they cannot control.From Wikipedia: “Lonely young girl Ida and her older sister Anna have moved into an apartment with their parents. Anna suffers from nonverbal autism, Ida having to take responsibility for her. One day Ida meets Ben and the two strike up a friendship. Strange things begin to happen after the two explore the apartment complex's basement. Somehow Anna seems to be able to form a spiritual connection with another girl named Aisha who lives nearby. Soon Anna begins to speak again.”Starring a very young cast from Norway, the film was directed and written by Eskil Vogt, who gained some notice for his debut film THELMA from 2017. THE INNOCENTS has been reviewed by over a hundred English language critics who have generally given it a very positive review. Your co-hosts take a look at this film and give their critique.

Filmsamtalen med Eskil Vogt - om "København finnes ikke" og det å adaptere en bok til filmen.

Jens received an MA in Film and Literature from the Universities of Bergen and Copenhagen before attending the National Film and Television School in London and received an MA in Editing. Jens has worked as a Freelance Film Editor in the UK and Norway, across all genres and formats. Some of Jens' film works includes: A Somewhat Gentle Man, In Order of Disappearance, and Out Stealing Horses, for Director Hans Petter Moland. Jens has worked with Dag Johan Haugerud on: I Belong, Beware Of Children, The Light From The Chocolate Factory, and the upcoming trilogy, Sex/Dreams/Love. One of Jens most notable recent works is The Innocents, for director Eskil Vogt, whose debut feature Blind, Jens also edited. Jens has garnered much acclaim for his editing work, including winning Amanda Awards for his work on: Blind, Beware Of Children, and The Innocents.

Pessi's film scores include: The Midwife, Armi Alive!, Unexpected Journey, Swingers, Land Of Hope, and Psychosia. His television score work includes: Republic Of Children and Piece Of My Heart. One of Pessi's most recent scores was for the award-winning film The Innocents for director Eskil Vogt, for which Pessi was nominated for a Norwegian Amanda Award for best score. 

Hij draait al ruim een week, maar Gudo en Jasper willen nog graag hun ei kwijt over de nieuwe Marvel-blockbuster Thor: Love and Thunder. Deze werd, net als het vorige deel met Chris Hemsworth als de dondergod (Thor: Ragnarok), weer gemaakt door de Nieuw-Zeelandse komiek en cineast Taika Waititi. Zijn campy humor moet ditmaal worden afgewisseld met meer drama. Leverde hij de juiste cocktail af? Na een kort blokje ‘Ook nog gezien' storten de MovieInsiders zich op de indringende Noorse horrorfilm The Innocents die inzoomt op de duistere krochten van het kinderbrein. Na de recensie volgt een interview met de schrijver en regisseur van dienst: de eerder dit jaar nog voor een Oscar genomineerde Eskil Vogt (The Worst Person in the World).00:00 Introductie02:30 Recensie: Thor - Love and Thunder24:33 Ook nog gezien: Knor & Fire of Love31:40 Recensie: The Innocents (De Uskyldige)45:08 Interview: Eksil Vogt, schrijver en regisseur The Innocents71:52 VooruitblikSupport the show: https://www.patreon.com/movieinsidersSee omnystudio.com/listener for privacy information.

Filme que fez explodir a fama do diretor Joachim Trier, A Pior Pessoa do Mundo é, na verdade, o terceiro capítulo da “trilogia de Oslo”, cujas primeiras duas parcelas são Começar de Novo, de 2006, e Oslo, 31 de agosto, de 2011. Os três filmes da trilogia possuem duas características que os tornam únicos: são simultaneamente melancólicos e cômicos, e permitem, com muita sensibilidade e precisão, observar o autêntico comportamento humano. Mérito de roteiros geniais, escritos em parceria com o brilhante Eskil Vogt, e das performances impecáveis de seus atores, em especial da espetacular Renate Reinsve, e de Anders Danielsen Lie, protagonista dos dois filmes anteriores, que, além de ator, é médico e músico. Afinal, quem Julie pensa que ela é? O filme se faz essa pergunta a sério, sem julgamentos e preconceitos. Não deixe de conferir a nossa discussão sobre autoconhecimento, a mutabilidade da identidade (possível apenas na Noruega), sobre “ser você mesmo” em relacionamentos, sobre caprichos e Desejo, e o que realmente significa se intitular a pior pessoa do mundo. Quer fazer um comentário, uma crítica ou uma sugestão? Envie um email a saladeprojecaopodcast@gmail.com ou mande mensagem em nossas redes sociais e responderemos em breve. Ficha do Filme: A Pior Pessoa do Mundo (Verdens verste menneske), 2021. Direção: Joachim Trier. Roteiro: Eskil Vogt e Joachim Trier. Elenco: Renate Reinsve, Anders Danielsen Lie, Herbert Nordrum, Hans Olav Brenner, Helene Bjørneby, Vidar Sandem, Maria Grazia Di Meo. 128 min. Noruega. Créditos: Ilustração: Felipe Sobreiro – sobreiro.com Edição e Identidade Visual: Thiago Vergara - thiagoverg@gmail.com Música de Introdução: https://www.bensound.com Músicas do filme: Bad Feeling (Cobra Man) Feel The Love (Prins Thomas) I will Take You There (Harry Nilsson) Pieces Froides No 2 Trois Danses De Travers (Erik Satie, Klara Kormendi) Poly (Daphni) The Way You Look Tonight (Billie Holiday) Water, Voices & Show (Christophe Chassol) Wersailles (Planeur) (Christophe Chassoll) Música de Crédito ao Editor Águas de Março (Elis Regina - Antônio Carlos Jobim)

The General Witchfinders present: Folk in Hell! (a spinoff podcast)The Innocents NOT the 1961 film with Deborah Kerr, which we WILL be covering in the mothership show at some point, which has a far more comprehensive Wikipedia article than the sparsely covered film that we did watch, hence Ross adding in this short paragraph to bulk out the intro a little - Rather, we are talking about - The Innocents or De Uskyldige  - a 2021 Norwegian supernatural thriller film directed by Eskil Vogt.Four children become friends during the summer holidays, and out of sight of the adults they, discover they have hidden powers. While exploring their newfound abilities in the nearby forests and playgrounds, their innocent play takes a dark turn and strange things begin to happen.Leslie Felperin of The Hollywood Reporter called the film "low-tech, high-tension", writing that "The lonely, uncanny and sometimes unthinkingly violent world of childhood is explored with chilling candour and exceptional skill". Jessica Kiang of Variety praised the performances of the child actors as well as the film's atmosphere, calling the film "both a satisfying genre exercise and a minute observation of the process by which young children acquire morality."SPECIAL GUEST: Becca (Ross's long-suffering wife) Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. See acast.com/privacy for privacy and opt-out information.

Joachim Trier and Eskil Vogt co-wrote a script for Thelma, which Trier directed. Now Vogt has written and directed his own script for The Innocents, which has a lot in common with Thelma. We take advantage of the overlap for a twofer podcast on Thelma and The Innocents, and according to Tom Chick, you should […] The post Qt3 Movie Podcast: The Innocents (and Thelma) appeared first on Quarter to Three.

THE GAS PRICES ARE HIGH AND THE MOVIES ARE HOT BABY! Here to talk about some of the first movies of summer 2022! -- MAY Doctor Strange in the Multiverse of Madness- dir. Sam Raimi; Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez Firestarter- dir. Keith Thomas; Zac Efron, Ryan Kiera Armstrong, Sydney Lemmon On the Count of Three- dir. Jerrod Carmichael; Jerrod Carmichael, Christopher Abbott, Tiffany Haddish, Henry Winkler Bob's Burgers Movie- dir. Loren Bouchard, Bernard Derriman; H. Jon Benjamin, Kristen Schaal. John Roberts, Dan Mintz, Eugene Mirman The Innocents- dir. Eskil Vogt; Rakel Lenora Fløttum, Alva Brynsmo Ramstad, Sam Ashraf, Mina Yasmin Bremseth Asheim Men- dir. Alex Garland; Jessie Buckley, Rory Kinnear, Paapa Essideu Chip n Dale: Rescue Rangers: dir. Akiva Schafer; starring John Mulaney, Andy Samberg Top Gun Maverick- dir. Joseph Kosinski; Tom Cruise, Jennifer Connelly, Val Kilmer, Mike's Teller, Bashir Salahuddin, Jon Hamm JUNE Crimes of the Future Watcher Dashcam Jurassic World Dominion Lightyear Cha Cha Real Smooth The Black Phone Mad God Marcel the Shell with Shoes On Flux Gourmet Elvis --------------------------------------------------- iTunes: podcasts.apple.com/us/podcast/movi…el/id1082173626 Google Play: podcasts.google.com/feed/aHR0cDovL2…L3NvdW5kcy5yc3M Spotify: open.spotify.com/show/2VE15E5fS0Z…e983275eb550499c Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

Written and Directed by Eskil Vogt, The Innocents is a distressing and unflinching look at childhood told during the seemingly never ending Nordic summer. This week Chris, Eric and Scott recant old childhood memories, rank their favorite creepy kids in movies and discuss the perils of homemade Jerky. Spoilers will be forewarned! As always music by Keeko, @ongodbruhbeats and Scott Anderson. Art by Scott Anderson. --- Send in a voice message: https://anchor.fm/movieslastnight/message

Michael J. Dougherty joins the show for a discussion about disability representation in the movies. Andrew recently watched and reviewed the new film THE INNOCENTS from writer/director Eskil Vogt, and took issue with one aspect of the film pertaining to disability. Michael is a filmmaker, writer and disability advocate, and he helps break down some of the best and worst examples of disability representation, as well as giving his thoughts on THE INNOCENTS. Links Andrew's review of THE INNOCENTS on ArthouseGarage.comAndrew's interview with Eskil Vogt on YouTubeMichael Dougherty on FacebookMichael's PSA, Look Around, on YouTube Other films & TV we discuss in this episode Sia's MusicThe TribeCODASound of MetalThe Water DanceLife AnimatedIronsideMy Left FootThe Sessions Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

Michael J. Dougherty joins the show for a discussion about disability representation in the movies. Andrew recently watched and reviewed the new film THE INNOCENTS from writer/director Eskil Vogt, and took issue with one aspect of the film pertaining to disability. Michael is a filmmaker, writer and disability advocate, and he helps break down some of the best and worst examples of disability representation, as well as giving his thoughts on THE INNOCENTS. Links Andrew's review of THE INNOCENTS on ArthouseGarage.comAndrew's interview with Eskil Vogt on YouTubeMichael Dougherty on FacebookMichael's PSA, Look Around, on YouTube Other films & TV we discuss in this episode Sia's MusicThe TribeCODASound of MetalThe Water DanceLife AnimatedIronsideMy Left FootThe Sessions Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

During the bright American summer, a group of podcast hosts reveal their dark and controversial takes on popular culture. While exploring their newfound voice, their innocent discussions take a dark turn and strange things begin to happen. On Episode 513 of Trick or Treat Radio we discuss The Innocents, a Norwegian thriller from director Eskil Vogt! We also find out who has a steaming hot take on a very popular property, we have the semi-reoccuring conversation about Jon Cryer's best film roles, and we find out what New Mutants through a Stephen King lens would look like! So grab your favorite English Muffin, fill those nooks and crannies, practice your newfound superhuman abilities, and strap on for the world's most dangerous podcast!Stuff we talk about: RIP Ray Liotta, Gene Wilder, Gene Hackman, the REAL Lex Luthor, Mule Kick to the Taint, Michael Rosenbaum, Lenny Luthor, Jon Cryer, Martha Stewart is Getting Out, Dudes, Amy Heckerling, Penelope Spheeris, Gangrel T-Shirt, Police Navidad, embracing your inner heel, Ivan Drago, Baby Creed, Stone Cold Steve Austin, banned in Germany, Apt Pupil, Scott Bakula, The Pringles to the Prequel, set phasers to stun, beards make you look older, Just for Men, Ra's al Ghul, Captain America is from Brazil, Kenobi, Star Wars Celebration, Val Kilmer, Andor, The Adventures of Mo Mosa, The Mandalorian, Jude Law, Skeleton Crew, Ponda Baba, nooks and crannies, Rough House Publishing, Derek Rook, IFC Midnight, The Innocents, Eskil Vogt, norwegian horror, New Mutants through a Stephen King lens, at what age were you when you made your worst decisions?, the freedom we had as children, telekinesis, empath abilities, Ian Ziering, organic dialogue, Noomi Rapace, You Won't Be Alone, Goran Stolevski, Jack Sparrow hand motions, Boba Fede Alvarez, Gwen Stefani, Sugar Ray, and Crusting the Uncrustable.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

The Innocents.On this episode we are joined by Eskil Vogt, Eskil Vogt is a Norwegian film director and screenwriter. His films include Reprise, Oslo, August 31st, Louder Than Bombs, The Innocents and Thelma all of which were directed by Joachim Trier from scripts written by Vogt and TrierPlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme or you can even treat yourself to a sticker over at my store here: https://www.etsy.com/uk/shop/MarkandMeStore

Norwegian writer/director Eskil Vogt (on both solo projects and those co-written with frequent collaborator Joachim Trier) is intrigued by the idea of “coming of age”...regardless of what age that might be. So it makes sense that he “felt seen” at an early age by The Breakfast Club's Brian Johnon (Anthony Michael Hall). More recently, Eskil saw himself in Julie (Honor Swinton Byrne) from The Souvenir Parts I and II, which focuses on a more grown-up coming of age. He and Jordan unravel all that, and his chilling new movie The Innocents.Then, one quick thing about Men (...the Alex Garland movie).Find out how/where to see The Innocents.***With Jordan Crucchiola and Eskil VogtMaxFun members: order your patches ASAP! All sales benefit Trans Lifeline.  Sale ends on May 20, 2022! 

Eskil Vogt is the writer-director of The Innocents, and an Oscar nominee for co-writing The Worst Person in the World. His films transcend genre, but value both realism and surprise. In this episode, Vogt talks with MovieMaker's Tim Molloy about good vs. evil and why neither really exists, why screenwriters sometimes have to harm children and animals (only cinematically, of course) and a 1977 Swiss-French film he loves. We also discuss the promise of the X-Men films and how they often fall apart. See acast.com/privacy for privacy and opt-out information.

On this episode I discuss the Norwegian horror film “The Innocents” written and directed by Eskil Vogt

This week on the Film at Lincoln Center podcast, we're featuring a Q&A from the 51st New Directors/New Films with Eskil Vogt, director of The Innocents, moderated by FLC's Director of Programming Dennis Lim and a programmers preview of the 29th New York African Film Festival. Perhaps best known as the co-screenwriter of acclaimed Norwegian director Joachim Trier (The Worst Person in the World), Eskil Vogt proves himself to be a filmmaker of astonishing skill and elemental force in his own right with this daring supernatural thriller. Set during the summer at an apartment complex surrounded by an ominous, fairy-tale-like forest, The Innocents follows the sinister, increasingly alarming interactions of a group of prepubescent children: Ida, feeling ignored next to her autistic older sister Anna; the bullied Ben; and the angelic Aisha, who appears to communicate telepathically—and feel through—the nonverbal Anna. With unforgettable, dark images and fleet visual storytelling, Vogt's film pushes the “evil children” subgenre into more philosophical territory, creating a morally askew universe controlled by a child's primitive understanding of the world. The Innocents is now playing in our theaters. Go to filmlinc.org/innocents for showtimes and tickets. Before the Q&A, listen to a programmers preview of the 29th New York African Film Festival, now playing in our theaters and virtually nationwide through May 17. Explore the lineup, Q&As, info on a free digital art exhibition, a free masterclass, and more at filmlinc.org/african.

The pandemic ain't over folks. Dave has COVID and it sucks but he does his best to manage it in this week's episode. Megan's on vacation again, so he and Evan tackle two movies. First up is Lisa Hurwitz's documentary THE AUTOMAT (3:26), a short, but interesting chronicle of the once-popular restaurant chain in New York City and Philadelphia that offered fresh-cooked meals in a commissary-style eatery. Next, they discuss Eskil Vogt's disturbing horror film THE INNOCENTS (19:07), which is about a group of children who develop dark powers that they wield against each other and the adults around them. And in this week's Patreon exclusive audio, Evan and Dave talk about Elaine May's 1976 crime drama MIKEY AND NICKY, starring Peter Falk and John Cassavetes!

Visit the episode page at Trailers From Hell for the full list of movies, references and more.And don't forget to follow us on Letterboxd.

Aired on Sunday, March 27, 2022 on ABCTo listen to Part 1 of this two-part episode, click here!Website: OscarsHere Are the Categories We Discussed Across Both Parts:International Feature Film*WINNER* DRIVE MY CARJapanFLEEDenmarkTHE HAND OF GODItalyLUNANA: A YAK IN THE CLASSROOMBhutanTHE WORST PERSON IN THE WORLDNorwayWriting (Adapted Screenplay)*WINNER* CODAScreenplay by Siân HederDRIVE MY CARScreenplay by Ryusuke Hamaguchi, Takamasa OeDUNEScreenplay by Jon Spaihts and Denis Villeneuve and Eric RothTHE LOST DAUGHTERWritten by Maggie GyllenhaalTHE POWER OF THE DOGWritten by Jane CampionWriting (Original Screenplay)*WINNER* BELFASTWritten by Kenneth BranaghDON'T LOOK UPScreenplay by Adam McKay; Story by Adam McKay & David SirotaKING RICHARDWritten by Zach BaylinLICORICE PIZZAWritten by Paul Thomas AndersonTHE WORST PERSON IN THE WORLDWritten by Eskil Vogt, Joachim TrierDirectingBELFASTKenneth BranaghDRIVE MY CARRyusuke HamaguchiLICORICE PIZZAPaul Thomas Anderson*WINNER* THE POWER OF THE DOGJane CampionWEST SIDE STORYSteven SpielbergActress in a Supporting RoleJessie Buckley in THE LOST DAUGHTER*WINNER* Ariana DeBose in WEST SIDE STORYJudi Dench in BELFASTKirsten Dunst in THE POWER OF THE DOGAunjanue Ellis in KING RICHARDActor in a Supporting RoleCiarán Hinds in BELFAST*WINNER* Troy Kotsur in CODAJesse Plemons in THE POWER OF THE DOGJ.K. Simmons in BEING THE RICARDOSKodi Smit-McPhee in THE POWER OF THE DOGActress in a Leading Role*WINNER* Jessica Chastain in THE EYES OF TAMMY FAYEOlivia Colman in THE LOST DAUGHTERPenélope Cruz in PARALLEL MOTHERSNicole Kidman in BEING THE RICARDOSKristen Stewart in SPENCERBest PictureBELFASTLaura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers*WINNER* CODAPhilippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, ProducersDON'T LOOK UPAdam McKay and Kevin Messick, ProducersDRIVE MY CARTeruhisa Yamamoto, ProducerDUNEMary Parent, Denis Villeneuve and Cale Boyter, ProducersKING RICHARDTim White, Trevor White and Will Smith, ProducersLICORICE PIZZASara Murphy, Adam Somner and Paul Thomas Anderson, ProducersNIGHTMARE ALLEYGuillermo del Toro, J. Miles Dale and Bradley Cooper, ProducersTHE POWER OF THE DOGJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, ProducersWEST SIDE STORYSteven Spielberg and Kristie Macosko Krieger, ProducersActor in a Leading RoleJavier Bardem in BEING THE RICARDOSBenedict Cumberbatch in THE POWER OF THE DOGAndrew Garfield in TICK, TICK...BOOM!*WINNER* Will Smith in KING RICHARDDenzel Washington in THE TRAGEDY OF MACBETH See acast.com/privacy for privacy and opt-out information.

Aired on Sunday, March 27, 2022 on ABCTo listen to Part 2 of this two-part episode, click here!Website: OscarsHere Are the Categories We Discussed Across Both Parts:International Feature Film*WINNER* DRIVE MY CARJapanFLEEDenmarkTHE HAND OF GODItalyLUNANA: A YAK IN THE CLASSROOMBhutanTHE WORST PERSON IN THE WORLDNorwayWriting (Adapted Screenplay)*WINNER* CODAScreenplay by Siân HederDRIVE MY CARScreenplay by Ryusuke Hamaguchi, Takamasa OeDUNEScreenplay by Jon Spaihts and Denis Villeneuve and Eric RothTHE LOST DAUGHTERWritten by Maggie GyllenhaalTHE POWER OF THE DOGWritten by Jane CampionWriting (Original Screenplay)*WINNER* BELFASTWritten by Kenneth BranaghDON'T LOOK UPScreenplay by Adam McKay; Story by Adam McKay & David SirotaKING RICHARDWritten by Zach BaylinLICORICE PIZZAWritten by Paul Thomas AndersonTHE WORST PERSON IN THE WORLDWritten by Eskil Vogt, Joachim TrierDirectingBELFASTKenneth BranaghDRIVE MY CARRyusuke HamaguchiLICORICE PIZZAPaul Thomas Anderson*WINNER* THE POWER OF THE DOGJane CampionWEST SIDE STORYSteven SpielbergActress in a Supporting RoleJessie Buckley in THE LOST DAUGHTER*WINNER* Ariana DeBose in WEST SIDE STORYJudi Dench in BELFASTKirsten Dunst in THE POWER OF THE DOGAunjanue Ellis in KING RICHARDActor in a Supporting RoleCiarán Hinds in BELFAST*WINNER* Troy Kotsur in CODAJesse Plemons in THE POWER OF THE DOGJ.K. Simmons in BEING THE RICARDOSKodi Smit-McPhee in THE POWER OF THE DOGActress in a Leading Role*WINNER* Jessica Chastain in THE EYES OF TAMMY FAYEOlivia Colman in THE LOST DAUGHTERPenélope Cruz in PARALLEL MOTHERSNicole Kidman in BEING THE RICARDOSKristen Stewart in SPENCERBest PictureBELFASTLaura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers*WINNER* CODAPhilippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, ProducersDON'T LOOK UPAdam McKay and Kevin Messick, ProducersDRIVE MY CARTeruhisa Yamamoto, ProducerDUNEMary Parent, Denis Villeneuve and Cale Boyter, ProducersKING RICHARDTim White, Trevor White and Will Smith, ProducersLICORICE PIZZASara Murphy, Adam Somner and Paul Thomas Anderson, ProducersNIGHTMARE ALLEYGuillermo del Toro, J. Miles Dale and Bradley Cooper, ProducersTHE POWER OF THE DOGJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, ProducersWEST SIDE STORYSteven Spielberg and Kristie Macosko Krieger, ProducersActor in a Leading RoleJavier Bardem in BEING THE RICARDOSBenedict Cumberbatch in THE POWER OF THE DOGAndrew Garfield in TICK, TICK...BOOM!*WINNER* Will Smith in KING RICHARDDenzel Washington in THE TRAGEDY OF MACBETH See acast.com/privacy for privacy and opt-out information.

Et si on parlait d'autres films que de super-héros ? A l'instar de nos SuperFriends qui vont s'aventurer en dehors du comics sensu stricto, nos formats On Screen aiment aussi aller voir quelques autres patûres, tout en restant dans un cinéma de genre et des thématiques qui plairont à notre public. C'est ce qui nous pousse à parler aujourd'hui de The Innocents, formidable film réalisé par Eskil Vogt, qui rappelle à la fois Chronicle dans sa thématique et Morse par son ambiance et sa cruauté. Une expérience fascinante qui sera de retour en juin prochain en Blu-Ray et DVD, après sa venue en salles au mois de février 2022. Et comme on ne fait pas les choses à moitié, le début de ce podcast comporte même une interview avec le réalisateur, qui parle français !  Interview et débat pour The Innocents  Par la suite, ce sont deux habitué(e)s du podcast que vous pourrez retrouver pour le débat et la discussion sur The Innocents en bonne et due forme, en compagnie de Api et Spleenter - ce dernier étant pour une fois invité à discuter d'un bon film, il ne faut pas s'en priver. On espère que l'émission dans son ensemble vous plaira - et que vous aviez pu voir le film (on repostera l'émission en juin de toute façon).    On vous rappellera aussi volontiers que les partages sont une forme de soutien importante et même vitale pour nos émissions, n'hésitez pas à faire tourner le podcast, ce n'est pas tous les jours qu'on peut avoir le réal' du film avec nous ! Bonne écoute, et à bientôt pour la prochaine émission !  Le Programme  Interview Eskil Vogt - 01:20 Partie sans spoilers - 15:00 Partie avec spoilers - 44:00  --Soutenez nous sur Tipeee : https://fr.tipeee.com/first-print  Ne manquez aucun rendez-vous : https://podcast.ausha.co/firstprintfra   Retrouvez nous sur Facebook : https://facebook.com/FirstPrintFRA  sur Instragram : https://www.instagram.com/firstprintfra  et sur Twitter : https://twitter.com/FirstPrintFRA 

24 de marzo | Nueva YorkHola, maricoper. Te escribo mientras me bebo un café y me como un quesito, un dulce de hojaldre puertorriqueño. Tengo muchas ganas de escribir esta newsletter porque es el clímax de la temporada de premios y porque estos días soy muy feliz de hacer mi trabajo y de que me leas con atención. Gracias por estar ahí.Bienvenido a La Wikly diaria. Esta vez, te traigo una edición especial con mi quiniela de los Premios Oscar en exclusiva antes de desvelar mis opiniones en el stream del viernes. Volveremos con titulares y una sorpresita más mañana viernes.Si quieres comentar las noticias en nuestro servidor de Discord, usa este enlace.Y si quieres acceso a los canales exclusivos para suscriptores premium, responde directamente a este email con tu nombre de usuario en Discord.Comparte esta newsletter con familiares y amigos para que se pongan al día:Leer esta newsletter te llevará 7 minutos y 2 segundos.¡Anakin! Bienvenido a La Wikly.🏆 ¿Sorpresa en Hollywood?Por Emilio DoménechLo importante: la gala de los Oscar tiene previsto celebrarse este domingo y la expectación es que la gran favorita desde hace meses puede acabar perdiendo la estatuilla a Mejor Película.Sí, El poder del perro iba encaminada a darle el primer Oscar a Mejor Película a Netflix, pero las tornas han cambiado a favor de CODA en apenas una semana.Pero no nos adelantemos a los acontecimientos. A continuación, un repaso a todas las categorías de los Oscar con mis predicciones de las ganadoras, mis favoritas de las nominadas y las menciones que creo que se han olvidado este año.Aviso 1: tengo pendientes varias películas y por eso me reservaré mi opinión en algunas categorías para cuando ponga todo al día, que será el domingo a ultimísima hora antes de empezar el stream especial de la ceremonia.Aviso 2: en algunas categorías no he incluido la opción ‘debería estar nominada’ porque no tengo nada mejor que ofrecer.Aviso 3: las explicaciones de las categorías las desarrollo en el podcast, que si no esto habría sido una maldita Biblia.💥 Efectos visualesDUNEPaul Lambert, Tristan Myles, Brian Connor y Gerd NefzerFree GuySwen Gillberg, Bryan Grill, Nikos Kalaitzidis y Dan SudickNo Time to DieCharlie Noble, Joel Green, Jonathan Fawkner y Chris CorbouldShang-Chi and the Legend of the Ten RingsChristopher Townsend, Joe Farrell, Sean Noel Walker y Dan OliverSpider-Man: No Way HomeKelly Port, Chris Waegner, Scott Edelstein y Dan SudickGANARÁ: DuneDEBERÍA GANAR: Dune🔊 SonidoDUNEMac Ruth, Mark Mangini, Theo Green, Doug Hemphill y Ron BartlettBelfastDenise Yarde, Simon Chase, James Mather y Niv AdiriNo Time to DieSimon Hayes, Oliver Tarney, James Harrison, Paul Massey y Mark TaylorThe Power of the DogRichard Flynn, Robert Mackenzie y Tara WebbWest Side StoryTod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson y Shawn MurphyGANARÁ: DuneDEBERÍA GANAR: West Side StoryDEBERÍA ESTAR NOMINADA: The Last Duel💄 Maquillaje y peluqueríaTHE EYES OF TAMMY FAYELinda Dowds, Stephanie Ingram y Justin RaleighComing 2 AmericaMike Marino, Stacey Morris y Carla FarmerCruellaNadia Stacey, Naomi Donne y Julia VernonDuneDonald Mowat, Love Larson y Eva von BahrHouse of GucciGöran Lundström, Anna Carin Lock y Frederic AspirasGANARÁ: Los ojos de Tammy FayeDEBERÍA GANAR: Dune👗 Diseño de vestuarioDUNEJacqueline West and Robert MorganCruellaJenny BeavanCyranoMassimo Cantini Parrini y Jacqueline DurranNightmare AlleyLuis SequeiraWest Side StoryPaul TazewellGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Mark Bridges por Licorice Pizza🏰 Diseño de producción DUNEDiseño de producción: Patrice Vermette; Decoración de set: Zsuzsanna SiposNightmare AlleyDiseño de producción: Tamara Deverell; Decoración de set: Shane VieauThe Power of the DogDiseño de producción: Grant Major; Decoración de set: Amber RichardsThe Tragedy of MacbethDiseño de producción: Stefan Dechant; Decoración de set: Nancy HaighWest Side StoryDiseño de producción: Adam Stockhausen; Decoración de set: Rena DeAngeloGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADAS: Sarah Greenwood y Katie Spencer por Cyrano🎼 Canción original“NO TIME TO DIE” DE NO TIME TO DIEMúsica y letras de Billie Eilish y Finneas O’Connell“Be Alive” from King RichardMúsica y letras de DIXSON y Beyoncé Knowles-Carter“Dos Oruguitas” from EncantoMúsica y letras de Lin-Manuel Miranda“Down To Joy” from BelfastMúsica y letras de Van Morrison“Somehow You Do” from Four Good DaysMúsica y letras de Diane WarrenGANARÁ: “No Time To Die” de No Time To DieDEBERÍA GANAR: “Dos Oruguitas” de EncantoDEBERÍA ESTAR NOMINADA: “Every Letter” de Cyrano🎻 MúsicaDUNEHans ZimmerDon’t Look UpNicholas BritellEncantoGermaine FrancoMadres ParalelasAlberto IglesiasThe Power of the DogJonny GreenwoodGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Jonny Greenwood por Licorice Pizza🎞 MontajeDUNEJoe WalkerDon’t Look UpHank CorwinKing RichardPamela MartinThe Power of the DogPeter SciberrasTick, Tick…Boom!Myron Kerstein and Andrew WeisblumGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADOS: Sarah Broshar y Michael Kahn por West Side Story📸 FotografíaTHE POWER OF THE DOGAri WegnerDuneGreig FraserNightmare AlleyDan LaustsenThe Tragedy of MacbethBruno DelbonnelWest Side StoryJanusz KaminskiGANARÁ: The Power of the DogDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADOS: Paul Thomas Anderson y Michael Bauman por Licorice Pizza🦊 Película animadaENCANTOJared Bush, Byron Howard, Yvett Merino y Clark SpencerFleeJonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen y Charlotte De La GournerieLucaEnrico Casarosa y Andrea WarrenThe Mitchells vs. the MachinesMike Rianda, Phil Lord, Christopher Miller y Kurt AlbrechtRaya and the Last DragonDon Hall, Carlos López Estrada, Osnat Shurer y Peter Del VechoGANARÁ: EncantoDEBERÍA GANAR: Raya y el último dragónDEBERÍAN ESTAR NOMINADA: Belle de Mamoru Hosoda📹 Película documentalSUMMER OF SOUL (…Or, When the Revolution Could Not Be Televised)Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent y David DinersteinAscensionJessica Kingdon, Kira Simon-Kennedy y Nathan TruesdellAtticaStanley Nelson y Traci A. CurryFleeJonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen y Charlotte De La GournerieWriting with FireRintu Thomas y Sushmit GhoshGANARÁ: Summer of Soul🌍 Película internacionalDRIVE MY CAR (Japón)Ryûsuke HamaguchiFlee (Dinamarca)Jonas Poher RasmussenThe Hand of God (Italia)Paolo SorrentinoLunana: A Yak in the Classroom (Bután)Pawo Choyning DorjiThe Worst Person in the World (Noruega)Joachim TrierGANARÁ: Drive My CarDEBERÍA GANAR: The Worst Person in the WorldNOTA: No he visto Flee ni Lunana✍️ Guion originalLICORICE PIZZAEscrita por Paul Thomas AndersonBelfastEscrita por Kenneth BranaghDon’t Look UpGuion de Adam McKay; Historia de Adam McKay y David SirotaKing RichardEscrita por Zach BaylinThe Worst Person in the WorldEscrita por Eskil Vogt y Joachim TrierGANARÁ: Licorice PizzaDEBERÍA GANAR: Licorice PizzaDEBERÍA ESTAR NOMINADA: Emma Seligman por Shiva Baby📚 Guion adaptadoTHE POWER OF THE DOGEscrita por Jane CampionCODAEscrita por Siân HederDrive My CarEscrita por Ryusuke Hamaguchi y Takamasa OeDuneEscrita por Jon Spaihts, Denis Villeneuve y Eric RothThe Lost DaughterEscrita por Maggie GyllenhaalGANARÁ: The Power of the DogDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Tony Kushner por West Side StoryNOTA: No he visto The Lost Daughter🎭 Actor secundarioTROY KOTSURCODACiarán HindsBelfastJesse PlemonsThe Power of the DogJ.K. SimmonsBeing the RicardosKodi Smit-McPheeThe Power of the DogGANARÁ: Troy KotsurDEBERÍA GANAR: Troy KotsurDEBERÍA ESTAR NOMINADO: Mike Faist por West Side StoryNOTA: No he visto Being the Ricardos🎭 Actriz secundariaARIANA DEBOSEWest Side StoryJessie BuckleyThe Lost DaughterJudi DenchBelfastKirsten DunstThe Power of the DogAunjanue EllisKing RichardGANARÁ: Ariana DeBoseDEBERÍA GANAR: Ariana DeBoseDEBERÍA ESTAR NOMINADA: Marlee Matlin por CODANOTA: No he visto The Lost Daughter🎭 Actor protagonistaWILL SMITHKing RichardJavier BardemBeing the RicardosBenedict CumberbatchThe Power of the DogAndrew Garfieldtick, tick…Boom!Denzel WashingtonThe Tragedy of MacbethGANARÁ: Will SmithDEBERÍA ESTAR NOMINADO: Peter Dinklage por CyranoNOTA: No he visto Being the Ricardos ni The Tragedy of McBeth🎭 Actriz protagonistaPENÉLOPE CRUZMadres paralelasJessica ChastainThe Eyes of Tammy FayeOlivia ColmanThe Lost DaughterNicole KidmanBeing the RicardosKristen StewartSpencerGANARÁ: Penélope CruzDEBERÍAN ESTAR NOMINADAS: Renate Reinsve por The Worst Person in the World, Alana Haim por Licorice Pizza y Jodie Comer por The Last Duel. Esta categoría es un puto desastre.NOTA: No he visto ni The Lost Daughter, ni Being the Ricardos, ni The Eyes of Tammy Faye. Vale, soy un ignorante hipócrita.🎥 DirecciónJANE CAMPIONThe Power of the DogKenneth BranaghBelfastRyusuke HamaguchiDrive My CarPaul Thomas AndersonLicorice PizzaSteven SpielbergWest Side StoryGANARÁ: Jane CampionDEBERÍA GANAR: Paul Thomas AndersonDEBERÍA ESTAR NOMINADO: Denis Villeneuve por Dune🎬 PelículaCODAPhilippe Rousselet, Fabrice Gianfermi y Patrick WachsbergerBelfastLaura Berwick, Kenneth Branagh, Becca Kovacik y Tamar ThomasDon’t Look UpAdam McKay y Kevin MessickDrive My CarTeruhisa YamamotoDuneMary Parent, Denis Villeneuve y Cale BoyterKing RichardTim White, Trevor White y Will SmithLicorice PizzaSara Murphy, Adam Somner y Paul Thomas AndersonNightmare AlleyGuillermo del Toro, J. Miles Dale y Bradley CooperThe Power of the DogJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning y Roger FrappierWest Side StorySteven Spielberg y Kristie Macosko KriegerGANARÁ: CODADEBERÍA GANAR: Licorice PizzaDEBERÍAN ESTAR NOMINADAS: The Worst Person in the World y The Last Duel👾 En el DiscordUn retazo de Maricopa Land@Lady Blue y @Alirp han hecho una quiniela de los Oscars para quien quiera participar. Te dejo el enlace por aquí para que hagas tus votaciones. Y que sepas que puedes pasarte por el canal específico de #Oscars en el que estaremos siguiendo todo sobre la ceremonia en los próximos días.La Wikly es una newsletter joven e independiente que se mantiene con el apoyo de los suscriptores de pago. Súmate al proyecto:Feliz jueves, This is a public episode. Get access to private episodes at www.lawikly.com/subscribe

Host Jeff Goldsmith interviews Zach Baylin, Sir Kenneth Branagh, Jane Campion, Ryûsuke Hamaguchi, Jon Spaihts and Eskil Vogt about their Oscar nominated screenplays. Download my podcast here Copyright © Unlikely Films, Inc. 2022. All rights reserved. For more great content check out Backstory Magazine @ www.backstory.net

A film from Norway about a young woman seeking fulfillment in relationships takes the conventions of romantic comedy and turns them over to reveal the male-centered trap underneath. The Worst Person in the World. Now, there's a title that will get your attention. But this new film from Norwegian director Joachim Trier is named ironically. It's not a portrait of an evil person at all, but of someone who is set up by the world she lives in to blame herself for everything. Julie, a medical student played by the excellent Renate Reinsve, suddenly realizes that she doesn't want to be a doctor after all, but would rather study the mind, in other words, become a psychologist. Then she changes her mind again and says she will pursue photography. As an audience, we might be tempted to see her as flaky, but the film makes us see that this kind of wavering is normal for someone in their 20s, especially someone in the upper middle class. The one element that does disturb Julie's focus is romance. Once again, normal. She loves the initial very blissful stage of connection with an attractive man, and of course this element includes sex, a pleasure that we all know is powerful. The subtle point we're made to realize is that the unspoken but real male social dominance makes it harder for women to navigate career and romance, and the one aspect the film beautifully portrays is how relationships inevitably become about the man's thoughts, desires, and overall narratives; automatically relegating women to a supporting role. This all might sound rather dry when I describe it, but Trier and his screenwriter, Eskil Vogt, weave a remarkably observant portrait of people trying to navigate the rules of the game, and Reinsve's performance is a constant revelation of female intelligence, desire, and frustration. Julie gets into a relationship with a well-known artist who is fifteen years her senior. The enjoyment of each other's company is genuine, but she ends up feeling like a spectator of her own life. She eventually cheats on him with a married man she meets at a wedding reception that she's crashed, but rather than take this plot development for granted, the film beautifully conveys the gradual stages, from initial flirting while feeling a sense of taboo, to final acceptance of the need to be together, the peak being a long brilliant sequence in which everyone in the world stops in a freeze-frame while Julie runs through all these stationary figures to see her new lover. But we know—and this is another clever thing—that the same contradictions will arise again. When I thought about the film's clear-eyed view of patriarchy, I considered opening this review by saying, “What if Woody Allen were a feminist?” But that's actually selling this movie short. Yes, it's written and directed by men, and it doesn't have a radical style, but I rarely see films in which the intricacies of love, sex, and relationships in a male-dominated world, are so finely and compassionately exposed. The men in the film are not depicted as bad people, even though we know such men exist. Instead, everyone in this story is well-meaning, trying their best, but it's the unconscious assumptions and unspoken rules that are driving everything. The ads and previews try to tell us that this is a romantic comedy. Well, OK, but if so, it's the least consoling rom-com I've ever seen. It's frequently funny, but there are no jokes or gags. The humor springs from anxiety and loss. The Worst Person in the World, with its mocking title and lovely main character, may seem light-hearted on the surface, but it carries the weight of disappointed dreams.

A conversation with newly minted Oscar nominee Eskil Vogt! Vogt was just nominated for Best Original Screenplay, together with director Joachim Trier, for ‘The Worst Person in The World'. The film was also nominated for Best International Feature. We talk about his long collab with Trier, ‘The Worst Person in the World', as well as his new film, his second feature as writer/director, the supernatural horror film ‘The Innocents'. Learn more about your ad choices. Visit megaphone.fm/adchoices