Podcasts about furrow

Send us a textSteve Werblow is an accomplished agricultural journalist based in Ashland, Oregon, just north of the California border. He holds a degree from Cornell University's College of Agriculture & Life Sciences, graduating in 1988. Since 1995, Steve has been a freelance writer, covering agriculture on six continents for various magazines. ​Steve's work has been recognized with multiple awards from the American Agricultural Editors Association/Ag Communicators Network and the Livestock Publications Council. He has been named AAEA/ACN Writer of the Year five times and has earned the organization's Master Writer, Master Photographer, and Fellow honors. ​In addition to his writing, Steve serves as the current president of the International Federation of Agricultural Journalists (IFAJ), a role he assumed in 2024. His involvement with IFAJ has provided him with opportunities to bring stories from around the world to readers of The Furrow. ​

Fr. Joseph Illo joins Patrick to discuss Lenten Spiritual Reading (3:29) Why can reading bring about growth in the spirit? (6:56) What types of books should we be looking for during Lent to help us grow? (9:09) What is Lectio Divina? (12:44) Rebecca –This is a great book: He Leadeth Me - Fr. Walter Cizeck. (14:31) Julie – Is it okay to read Freidrich Nitzche “The Anti Christ”, “Back to Virtue”, Peter Kreeft or “Lift Up Your Hearts” Fulton Sheen? (16:42) Charles –Best book to read I the Catechism of the Catholic Church. (20) Break 1 (22:11) Fr. Illo book suggestions – Bible, Augustine’s Confessions, Story of a Soul. St. Therese Lisieux, “Imitation of Christ” Thomas A Kempis, “Finding and maintaining peace” or “Time for God” Jacques Philippe, “The Way or “The Forge” St. Josemaria Escriva, “Lenten Journey with Mother Mary” Fr. Ed Looney, “33 Days of Morning Glory” Fr. Michel Gaitley. (26:31) Michael –My book suggestions: The Dogma of Hell, The Battle of the Virtue and Vices, and Vibrant Paradoxes. Bishop Robert Barron. (28:08) Kyle – My suggestion St. Gregory of Nisus...Life of Moses. Letters of St. Ignatius of Antioch Emailer – Lent is a time to read books by Thomas Merton or Leo Tolstoy. (36:51) Break 2 (37:55) Anything in particular we should be mindful to stay away from? (41:21) Tom -Suggestion: “7 Story Mountain” Thomas Merton, Sherry Weddell “Fruitful Disciple” (44:45) Fr. Bill - Suggestion: St. Maria Faustina's Diary on Divine Mercy Suggestions for Lenten spiritual reading Please note that some of these were suggested by callers. Content of all books suggested has not been reviewed and may contain errors. Sacred Scripture (The Bible) Catechism of the Catholic Church (also, Compendium of the Catechism of the Catholic Church, YouCat: Catechism for Youth) Fr. Walter Ciszek, He Leadeth Me Peter Kreeft, Back to Virtue Archbishop Fulton Sheen, Lift Up Your Hearts: Guide to Spiritual Peace St. Augustine, Confessions Thomas a Kempis, Imitation of Christ St. Therese of Lisieux, Story of a Soul Fr. Jacques Phillippe – any of his little books (Finding and Maintaining Peace, Time for God, Searching for and Maintaining Peace, etc.) St. Josemaria Escriva, The Way, Furrow, The Forge Fr. Ed Looney, Lenten Journey with Mother Mary Fr. Gaitley – any of his books (devotional) Fr. Calloway, Consecration to St. Joseph Thomas Merton, No Man is an Island, Seven Story Mountain Sherry Weddell, Forming Intentional Disciples, Fruitful Discipleship Leo Tolstoy, Anna Karenina Fyodor Dostoyevsky, Crime & Punishment F. X. Schouppe S.J., The Dogma of Hell Pope Saint Leo IX, The Battle of the Virtues and Vices Fr. Bishop Barron, Vibrant Paradoxes St. Gregory of Nyssa, Life of Moses Thomas Merton, Seven Story Mountain, No Man is an Island Fyodor Dostoyevsky, The Brothers Karamazov, Crime and Punishment Fiction of Charles Dickens, Willa Cather, Flannery O’Connor Pope Benedict XVI, Introduction to Christianity, Jesus of Nazareth series Dr. Thomas McGovern, What Christ Suffered St. Faustina’s Diary Corrie Tenboom, The Hiding Place Sr. Marianne Mayard, Make Friends with the Angels Scott Hahn, Rome Sweet Home Bl. Columba Marmion, Christ, The Life of the Soul Franck Sheed, Theology and Sanity St. Athanasius, Life of St. Anthony · Classics: Thomas a Kempis, Imitation of Christ; Therese of Lisieux, The Story of a Soul; St. Augustine, Confessions. · How to pray: little books by Fr. Jacques Philippe, esp Time for God; · Testimonials: Sohrab Ahmari, From Fire By Water; Scott Hahn, Rome Sweet Home; Robert Cardinal Sarah, The Day is Now Far Spent · Devotionals: St. JoseMaria Escriva, The Way, Furrow, The Forge. · Novena books (staged): Fr. Ed Looney, A Lenten Journey with Mother Mary; Fr. Michael Gaitley’s books, esp 33 Days to Merciful Love; Fr. Donald Calloway, Consecration to St. Joseph, · Catechisms: Joseph Ratzinger, Introduction to Christianity; The Compendium of the CCC · Just published: Fr. John Nepil, To Heights unto Depths; Dr. Thomas McGovern, What Christ Suffered Our Lady: Andrew Apostoli, Fatima for Today; Fulton Sheen, The World's First Love

02 17 25 In-Furrow Corn Applications by Ag PhD

Advent invites us to reflect on our Christian disposition, oriented towards peace, hope, joy, and love. St. Josemaría Escrivá was known to summarize that disposition by calling it, simply… “simple.” In The Way, he praises the apostles and St. Joseph for imitating Jesus himself in being simple. And then he exhorts us: “May you not lack simplicity.” Heights faculty Joe Cardenas and Nate Gadiano join us this week to explore the Christian meaning of “simplicity,” beginning with the ways that God is simple: unified, sincere, essential, and wholly true. As we strive to reflect his example, how do we find that interior disposition of simplicity? And how can we help our boys find it too? Chapters: 3:07 A Catholic sense of simplicity 10:13 Moving beyond “minimalism” 18:38 Simplicity in Scripture 20:43 Social simplicity 24:12 As opposed to duplicity 26:08 How spiritual direction simplifies you 30:36 A unity of purpose 32:39 Distinct from feelings-based “honesty” 39:02 Helping our boys as parents, mentors 41:41 A boy's insecurity, overcome by trust 47:38 Secure in divine filiation Links: The Way, Furrow, and The Forge by St. Josemaría Escrivá Also on the Forum: The Virtues Playlist on The Heights Forum

11 05 24 In-Furrow Fertilizer and Other Treatments by Ag PhD

Julie Koeninger is Managing Director and Senior Portfolio Manager in Agriculture at Manulife Investment Management, where she serves as the senior agricultural portfolio manager for the Hancock Timberland and Farmland Fund and leads business development for Manulife Investment Management global agriculture strategy.  She has over 30 years of experience in agriculture investing, having worked in a series of roles at other institutions prior to joining Manulife and led the first ever securitization of US Agricultural mortgages.   Our conversation traces Julie's career at the intersection of infrastructure and finance and the evolution of those industries in terms of product creation and understanding of the asset class. We examine some of the lateral moves that Julie made throughout her career and how they contributed to her growth as a professional.  We spend some time on the innovations in products centered around agriculture and look at how investors are treating agriculture within the context of their overall portfolio.  This podcast is kindly supported by GCM Grosvenor. GCM Grosvenor is a global alternative asset management firm with a longstanding commitment to supporting small, emerging, and diverse investment managers. For over 30 years, the firm has developed expertise in funding and guiding these managers as part of its broader activity across alternative investments.  With over $20 billion in AUM dedicated to small and emerging managers and $16 billion in AUM dedicated to diverse managers, GCM Grosvenor leverages its experienced team, broad network, and proprietary sourcing capabilities to support their success. Through the Small, Emerging, and Diverse Manager Program, the firm creates opportunities for investors to access a wide range of talent while seeking to drive strong returns and impact. For more information, visit www.gcmgrosvenor.com.

The Furrow revolucionó el agromarketing al cambiar de un enfoque de publicidad directa a la creación de contenido educativo. En lugar de centrarse en vender productos, ofrecía a los agricultores información útil para mejorar su trabajo, generando lealtad hacia la marca John Deere. Este enfoque pionero mostró que el valor agregado, a través del conocimiento y las soluciones prácticas, era más eficaz que la promoción tradicional. The Furrow sentó las bases del marketing de contenidos moderno, creando conexiones emocionales y fidelizando a los clientes mediante la educación. https://podcastagricultura.com/episodio-471/

Amy Forde chats to plough woman Katie Kehoe ahead of the National Ploughing Championships next week. Hosted on Acast. See acast.com/privacy for more information.

Joining host Marianne today is Corby Furrow, a Transformational Catalyst and the founder of Radiant Core Solutions.  Corby empowers women by helping them heal triggers, eliminate anxieties, and discover their true selves.Discussion Points:The Backstory of Tapping:Corby shares how she went from being an HR executive to an executive coach and why tapping became instrumental in her own life journey.Understanding EFT/Tapping:Level setting on what EFT (Emotional Freedom Techniques) or tapping is.Practical Application:How tapping is used to address emotional and psychological issues and what types of issues it's effective for.Logistics of Tapping:How long it typically takes to learn tapping techniques.Can individuals effectively practice tapping on their own?Typical duration of tapping sessions.Expectations on the timeline for seeing results from tapping practices.Success Stories:Corby shares where she has seen the most success with tapping.Getting Started:Suggestions and tips for listeners interested in trying tapping.Connect with Corby:  www.radiantcoresolutions.comDonna Eden Energy Routine Mentioned in the episode: https://www.youtube.com/watch?v=Di5Ua44iuXc Keep the conversation going - Join us for more insightful conversations in the Message in the Middle Private Facebook Community & subscribe to Message in the Middle podcast on your favorite listening platform. Connect with Marianne:Website: Message In The Middle with MarianneMessage In the Middle Facebook Group: https://www.facebook.com/groups/422430469323847/YouTube: https://www.youtube.com/@MessageInTheMiddle/playlistsEmail: Contact | Message In The Middle with Marianne

It is with profound sadness that we announce the passing of Dr. Sue Johnson on April 23, 2024. In this very special tribute episode, we hear from Sue in her own words about her childhood and professional legacy. Sue was also a cherished friend whose warmth and wisdom profoundly touched all who knew her. Two of those friends and leaders in the EFT Movement, Gail Palmer & Jim Furrow, join Eli to share their memories and emotional last conversations with their mentor.

It's the 145th episode of Hear and Now Podcast! Heather and Sophia are joined by their guest, Susan Husband, to chat about motherhood, raising boys, virtue, being the first models of Christ, and so much more.Links Mentioned:Family MantrasStrengthening Brotherly BondsBooks I've read (and re-read lately) :The Ghost KeeperThe Shadow of His WingsPastoral SongHannah CoulterSpiritual Reading:The Way, Furrow, The Forge (St. Josemaria, always reading these!)When You FastWhen You PrayCurrently reading to the boys:Navigating EarlyHealth + Wellness:The Body Keeps the ScoreThe book I couldn't recall from our visit today: John Eldridge, Wild at HeartFind Heather: Website, Instagram, ShopFind Sophia: Website, Instagram, TikTokFind Susan: InstagramInterested in sponsoring or being a guest? Email us: hearandnowpod@gmail.comFollow the podcast on Instagram: @hearandnowpodcast

Camden Furrow-Casement shares how he went from no religion in his life to wondering what he believed in to becoming a member of the church just a few months ago, how meeting a member of the church encouraged him to take the step to attend church, and how he is now thriving as a young single adult in his ward.

Today's story I wrote with Alastair Budge from the English Learning for Curious Minds podcast. In last week's episode, we brainstormed the story together, and today we present to you A Visitor from Chilly Bottom. A man who has lived in Antarctica all his life visits the UK for the first time. Technically, he is a British citizen, as he grew up on British Antarctic Territory. And he has an important message for the king! It's just that, the king has no idea who this man is... Go to EasyStoriesInEnglish.com/Chilly for the full transcript. Get episodes without adverts + bonus episodes at EasyStoriesInEnglish.com/Support. Your support is appreciated! Level: Intermediate. Genre: Comedy. Vocabulary: Chilly, Royal seal, Bonkers, Butler, Tailcoat, Worship, Spit, Regurgitate, Colony, Crumbs, Poo, Furrow your brow, Captive, Press release, Waddle. Setting: UK. Word Count: 3272. Author: Ariel Goodbody and Alastair Budge. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brett Leahr, Sales Agronomist with AgriGold, joins us to talk about his work and interest in using essential oils in the furrow as a method of disease control.

“Our society doesn't want to hear about how interdependent we are—doesn't want to hear that if we want to thrive, we have to put people first and we have to create community. And people need connection with others like they need oxygen. If you create a world where that connection isn't very available or it all happens on a screen, you are going to have huge problems. You are going to have huge problems with depression, anxiety, suicide, emptiness—people are going to make terrible choices.” (Sue Johnson)We need each other. We are relational beings, and our thriving—or languishing—often hinges on relationships. In this episode, psychologists Sue Johnson and Jim Furrow not only explain why relationships are so important, they offer practical advice on how to pursue healing, emotional regulation, and lasting thriving in all kinds of relationships.Sue Johnson is the creator of Emotionally Focused Therapy, the gold standard in tested, proven interventions of couples and author of many books including Hold Me Tight: Seven Conversations for a Lifetime of Love. Jim Furrow is a marriage and family therapist and an internationally renowned trainer of Emotionally Focused Therapy.This conversation goes from profound to practical, covering the biological and psychological science to explain why belonging gives way to becoming. We discuss the rampant emptiness and loneliness, fear, and depression people today experience and the connection between relationships and a sense of meaning in life. Sue and Jim also provide a framework for how to understand your attachment style and the way it impacts your relational health. And they discuss the practical ways we can grow and change so that we can engage in and sustain fulfilling and life giving relationships.In this conversation with Sue Johnson & Jim Furrow, we discuss:What it means to be fully alive, in all the existential fullness that being human meansHow to bring together the spectrum of emotional realities with our lived experienceThe crisis of loneliness we face today, and what we can do about itThe role of empathy and caring in the healing processAn introduction to attachment science, the role of attachment figures in thriving relationshipsAnd the therapeutic and relational practices that lead to security, a sense of worth, empowerment, and competence in life.About Sue Johnson & Jim FurrowSue Johnson is the creator of Emotionally Focused Therapy and author of many books including Hold Me Tight: Seven Conversations for a Lifetime of Love. Jim Furrow is a marriage and family therapist and an internationally renowned trainer of Emotionally Focused Therapy.Show NotesLearn more about Emotionally Focused Therapy (including ways to find a therapist)Sue Johnson's book, Hold Me Tight: Seven Conversations for a Lifetime of LoveWe're made for relationships.“We need to understand how crucial relationships are for us. They are oxygen. We need to help people value them and learn how to have them.”“If we're not willing to risk and we're not willing to reach, we're not going to necessarily be found.”“You can't be a self or by yourself. I think that says it all. That's the most basic human interaction. Do you share my reality? Is my reality valid? Do you see what I see? Can you make sense of it? Can you help me make sense of it? Is what I'm feeling making sense? Can you share it? Am I alone? I mean, this is the most basic human contact of all.”The purpose of our being and our means to becoming.Episode SummaryPam King welcomes Sue Johnson and Jim Furrow.What is thriving meant to you?“Full existential living… fully alive.”Carl Rogers“Trust yourself to go through life in an active way.”“Fulsome being… not only who I am, but who I'm with.”Purpose, meaning, and connectionTherapy is not only about reducing thriving to the treatment of symptoms.Coherence vs Binary Thinking: “How does all of this cohere in a new way of making sense?”Mother and Child: Explaining reality and needing other people to do soUnexpected, unknown, and fearAttachment figuresFullness vs. EmptinessThe relational isn't just a means to an end. It's our purpose.Sue's relationship with her father: “He was an amazing attachment figure.”“I'm an ardent feminist.”Understanding attachment through loss and griefSue Johnson on working with trauma survivorsJohn Bowlby: “You do unto yourself as you've been done to.”“Just to have some sort of sense of who you are, coherent sense of self, you need the recognition from another person. Yes, you matter. Yes, you're important. Yes, you have meaning. Yes, I see you. … to not feel seen, to not feel like you matter to anybody is, it's excruciating for human beings.”“One safe relationship with a loving other. seems to protect us and create resilience.”Jim's loss of his father: “I know he's going through a difficult time, but I believe in him and I know he will make it.”The power of attachmentFully oneself, fully connected with anotherAttachment to God: foundation, protector, shield, transcendentSpirituality and experience of attachment through the beauty and transcendence of nature“My life is part of this beauty.”Animate, invigorate, create.“Your worth comes from your connection to others.”“But no, we're not enough. But I think our society doesn't want to hear that. It doesn't want to hear about how interdependent we are. Doesn't want to hear that if we want to thrive, we have to put people first and we have to create community.”Interdependence and affective dependenceHow to forge relational bonds.Attention“Love and bonding is about attention and if you don't give attention to the other person in your relationship, which means if you don't take the time, make it important enough and focus down and spend time, then whatever connection you have naturally erodes.”ARE—Accessible, Responsive, and Engaged“It's more than date night… it's about engaging with the other person.”“Loneliness and depression are going to be the main problems for the next century.”Relationship-driven church communities“One of the things that is a heartbeat in our work in emotionally focused therapy is calling individuals into opportunities to share vulnerably with one another.”John Cacioppo (loneliness researcher): we have changed deep relationships from an essential to an incidental.Vulnerability and lonelinessDepressed or heartbroken?The impact of smartphone technology on relationshipsEmpathy and caring in the healing process“When the vulnerability becomes specific and makes sense and is accepted, then people have words for it, they can tolerate it, and they start to be able to share it. And when they do that, they pull their partner towards them. They evoke empathy and caring. That's the only solution to human emotional pain that there really exists—s the empathy and caring of another. That is true in religion too. It's the empathy and caring of a God figure. That's about bonding. It's about sharing vulnerability.”“No one goes through vulnerability alone.”Belonging leads to becomingPam King's key takeaways:Being fully alive means finding coherence and connection with others. finding meaning in human and spiritual relationships.Relational bonding is built in to our genetic code. We're built for connection and made for relationships and we have to work at it.Relationships are powerful. They are capable of bringing sorrow and joy. To the extent that they're able to break us down, they're even more able to build us back up and bring us to healing.Longing for relationships is natural and normal. While loneliness can be so frightening, it does not need to be stigmatized. But it does need to be worked through.Often healing comes through the very wounds we're hurting with. We heal when we open up in vulnerability, when we seek transcendence and connection with others, and ultimately with a loving and caring God About the Thrive CenterLearn more at thethrivecenter.org.Follow us on Instagram @thrivecenterFollow us on X @thrivecenterFollow us on LinkedIn @thethrivecenter About Dr. Pam KingDr. Pam King is Executive Director the Thrive Center and is Peter L. Benson Professor of Applied Developmental Science at Fuller School of Psychology & Marriage and Family Therapy. Follow her @drpamking. About With & ForHost: Pam KingSenior Director and Producer: Jill WestbrookOperations Manager: Lauren KimSocial Media Graphic Designer: Wren JuergensenConsulting Producer: Evan RosaSpecial thanks to the team at Fuller Studio and the Fuller School of Psychology & Marriage and Family Therapy.

Kat Furrow is a self-taught artist based in Carlsbad, California. She is a Navy veteran, a full-time student, and an art instructor with over a decade of experience. Drawing inspiration from her love of people and nature, Kat is passionate about her craft, utilizing bold colors and textures. She embraces an "Art Every Day, it's a Mindset" philosophy, viewing her art as a metaphor for living life with curiosity and hope. As a "Trusted Art Seller" with the Art Storefronts Organization, she ensures quality and value in her work. Kat is open to commissions, special editions, and offers classes, embodying her belief in the transformative power of art.Follow Kat here.

Kat Furrow is a self-taught artist based in Carlsbad, California. She is a Navy veteran, a full-time student, and an art instructor with over a decade of experience. Drawing inspiration from her love of people and nature, Kat is passionate about her craft, utilizing bold colors and textures. She embraces an "Art Every Day, it's a Mindset" philosophy, viewing her art as a metaphor for living life with curiosity and hope. As a "Trusted Art Seller" with the Art Storefronts Organization, she ensures quality and value in her work. Kat is open to commissions, special editions, and offers classes, embodying her belief in the transformative power of art.Follow Kat here.

In this episode, Jeff Furrow of Wellsboro Automotive talks about being a relational leader and how that translates into creating an environment where his technicians can learn, grow, and in turn train their fellow techs. He also discusses his apprentice program and how he finds students. Sponsored by Ford Motorcraft

An in-furrow starter, also known as a "pop-up" fertiliser enables for easier administration and placement of nutrients close to the sprouting seed. This allows the seedling easy access to nutrients. In this episode, Rupert Vermaas, technical adviser at AECI Plant Health, looks into the importance of applying and placing fertilisers as precisely as possible, especially in row crops.

Here are some actions and lines you can use when a woman has challenged you - and revealed her blossoming attraction for you. You have to be a bit of an actor to pull some of these off, but seduction is, in its essence, the art of acting... The key to many of these is a bemused or neutral facial expression. Body language should be slow and deliberate, bordering on instilling discomfort. - Arch eyebrows. Stare at her for three seconds. Look away. - Look her over with neutral expression, draw in lips, slowly nod head, and exhale “yeeeeeeeahhh.....” - Sarcastically, “Wow, so cold, so cold. mmhmmm.” - “Goooooddamnit.” Act disappointed, shake head, frown. “I thought you were different.” - “Hmm,” *pause pause pause* “you're off to a good start, I see.” - “Just what I needed tonight.” Smirk a little here. “A ballbuster.” - Stare, cock head, blank face. “Charming.” - “I'm sorry, did you say something?” - Smile broadly and phonily. “All right! This is fun!” Raise your glass to her, like a toast. - “I thought I was the biggest bitch here.” To be used sparingly on especially hot women with serious bitch complexes. - Exhale loudly and slowly. Put your drink on the bar. Turn to face her. Relax arms and clasp your hands together. - “Your games are for children.” - Straight face, “I'm glad I got to know you.” Excuse yourself politely from her company. - “I bet you say that to all the men who secretly make you a little nervous. Like a schoolgirl.” - Furrow your brow, cock head, like your examining a zit on her face. “You're.... weirdly fascinating.” - “Thanks for not making this too easy/polite/friendly.” - “It's a good thing I met you. Nice girls bore me.” - “I've got a question. Does this normally work for you?” - “Well.” Raise your glass to her. Smile. Nod in appreciation. “Just what I expected.” - “I've heard about girls like you.” Wait for a reply. “Nothing good, I'm afraid.” - “C+.” She will ask what you're talking about. “Your flirting skills. Not bad, room for improvement if you apply yourself.” - Make a fake pained expression. - Appear befuddled. “Your question seems silly to me.” - “I've gotta hand it to you. I was expecting a sane, boring girl.” - “Never-mind.” - “Hold that thought.” Drink, talk to the bartender or a friend, or just stare at the wall. She will expect you to return to the conversation. You won't. - Duct tape her mouth. “That's better.” One of the above is a joke.

11 02 23 In-Furrow Fertilizer and Other Treatments by Ag PhD

Éanna spoke to members of the Teagasc team about the value of hedgerows, and particularly native hedgerow plants, to a whole range of wild creatures, including mammals, birds and pollinating insects.

For the first time, Making Meaning has been recorded outdoors! I met up with Kate Unwin of The Moon and the Furrow at her woodland in Wales. Kate is an artist, maker, grower and one of my closest friends. She moved to Wales to live a more sustainable and nature-connected life and she runs a small business that is very much aligned with her values and creative inspirations. We talk about nature, creativity and healing, about making conscious choices with a business, about living simply and about sharing wonderful things with other people. Find out more here https://ruthsinger.com/2023/09/19/making-meaning-podcast-episode-29-with-kate-unwin Support the podcast with a donation or subscription: http://ruthsinger.com/podcast-fundraiser Find more episodes at: http://ruthsinger.com/podcast Get a copy of Making Meaning Journal: http://ruthsinger.com/journal Join my creative community, Maker Membership: http://ruthsinger.com/membership Keep in touch by joining my email list: http://ruthsinger.com/email    

Joysee Cartagena's coworkers at JetBlue know something is awry when she fails to log in for work—a complete break from her reliable character. Soon after, her lifeless body is found in her home in Sanford, Florida, a zip tie around her neck igniting a slew of investigative questions. Joseph Scott Morgan and Dave Mack dissect the intricacies of Joysee's perplexing death, weaving together cutting-edge forensic science with real-world implications. The hosts explore everything from forensic markers like ligatures and Tardieu spots to the complex relationship dynamics between Joysee and her boyfriend, Joel Bauza. As they delve into the timeline, scrutinize the evidence, and discuss the eventual charges, their unwavering goal remains: to shed light on the truth behind Joysee's untimely death.   Time codes: 00:00:00 — Joseph Scott Morgan introduces the complexities of death investigation. The discussion opens with abnormal elements that investigators often encounter. 00:01:40 — Joe delves deeper into the relevance of zip ties in an ongoing case in Sanford, Florida. He details their significance in the overall forensic investigation. 00:03:20 — Dave Mack introduces the story of Joel Bauza and Joysee Cartagena. He portrays Joysee as a caring individual who always put others first, while Joel appears financially dependent on her. 00:04:40 — Joysee's work history and her job at JetBlue are discussed. Dave reveals how important her career was to her. 00:05:00 — The red flag goes up when Joysee misses work. Her coworkers' immediate concern sets the stage for the investigation. 00:05:40 — Emphasizing the importance of timelines in death investigations, Joseph Scott Morgan argues that every minute counts when piecing together the facts. 00:07:42 — Morgan brings up the uncommon circumstances surrounding Joysee's death. The atypical nature of the case required extra attention from detectives and crime scene techs. 00:09:08 — Dave discusses the zip tie and signs of a struggle. He lays out potential scenarios that could explain Joysee's untimely death. 00:10:39 — Suicide as a possible result of a domestic dispute is pondered. It's a heartbreaking thought, yet critical to the investigation. 00:11:11 — Joe Scott instructs on letting the environment of a crime scene "speak" to the investigator. He warns against being influenced by others present. 00:16:00 — The importance of leaving a ligature in place at a crime scene is brought to light. It's a detail that can have far-reaching implications. 00:17:40 — Morgan questions why the ligature was not removed in Joysee's case. The unanswered action hints at a potential suspect. 00:19:00 — Joe Scott explains the process of proving a suicide and emphasizes the importance of treating all deaths as homicides until proven otherwise. 00:23:00 — Dave points out delays in the criminal justice process. 00:25:00 — The physical evidence, particularly multiple abrasions on Joysee's body, is dissected. Joe Scott posits that these suggest a struggle. 00:30:13 — Joseph Scott Morgan introduces the topic of ligatures, which are often seen in hangings. He provides an insight into the presence of Tardieu spots, a specific type of petechiae, and how they appear in cases of strangulation. 00:33:21 — The hosts discuss the pressure points on a zip tie during strangulation and how they can be traced post-mortem. 00:37:20 — Addressing mental health, Joseph Scott Morgan acknowledges listeners struggling with suicidal thoughts, provides the Suicide and Crisis Lifeline number, and emphasizes the importance of seeking help.See omnystudio.com/listener for privacy information.

Scott Furrow invites Jason Jimenez, president of Stand Strong Ministries, to talk about his latest book,  Hijacking Jesus. Jason and Scott talk about the distinction between biblical Christianity and progressive Christianity and how progressive Christians are rejecting the truths of the Bible.See omnystudio.com/listener for privacy information.

Scott Furrow and Erik Baptist, senior counsel for Alliance Defending Freedom, discuss the legal challenges against the FDA's approval and distribution of the abortion pill, as well as the ethical concerns, and safety issues surrounding it. See omnystudio.com/listener for privacy information.

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Luisa Fernandez-Willey, Assistant Vice President – Policy & Economics at the Association of American Railroads. What role will US railroads play in this year's harvest? How do rail lines work with other modes of transportation to move grain around and out of the country? Britt and Luisa discuss those topics and a whole lot more.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Verl Prather, Director of Buyer Relations with Ever.Ag. What were Ever.Ag's biggest takeaways from the latest WASDE report? Did the figures tell us anything new about global grain supply and demand? Britt and Verl discuss those topics and a whole lot more.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

Matt Swanson used to apply fertility at time of planting in furrow. But then he stopped, for various reasons not the least of which was ineffectiveness. Now he's dabbling back into in-furrow with a 40 acre experiment in conjunction with AgroLiquid. The results won't be in until the combines roll but already the corn is withstanding weather stress much better than Matt's non-treated acres. That, along with agronomic advances and the very real prospect of regulations on fertilizer application is why you should consider in-furrow fertility to spoon-feed your crops for profitable results. Presented by Advanced Drainage Systems

Pastor Scott Furrow and Pastor Greg Laurie discuss the recent Maui wildfire that destroyed a town, and how Harvest Christian Fellowship is providing relief and spiritual support. They also mention the Jesus Revolution movie's availability on streaming platforms and the potential for revival during these challenging times.See omnystudio.com/listener for privacy information.

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Eric Anderson, Field Crops Extension Educator with Michigan State University. How are crop conditions shaping up in Southwest Michigan and the surrounding area? What pests and diseases have impacted Michigan crops this year? Britt and Eric discuss those topics and a whole lot more.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

Prepare to journey into the heart of the Hip's 2009 album, "We Are the Same." This week, we're pulling back the curtain on an album that made fans wait an extra year for its release. We're not just talking about the music; we're delving into the nostalgia, the reception, and the adventure of listening to this collection of songs. TracksMorning Moon - Studio versionThe Last Recluse - Montreal 2009The Depression Suite - San Fransciso 2009Frozen in my Tracks - Syracuse 2009TranscriptTrack 1:[0:01] For the first time in over 20 years, hip fans had to wait longer than two years for new material. It was three years after we got World Container that Bob Rock came down from the mountain with the Stone Tablet Masters of what appeared to be a campfire album called We Are TheSame. Although it launched with a cool promo, the hip, performing live at the bathhouse, beamed to cineplex theaters across Canada, and it debuted at number one, I have absolutely no memoryof this album entering the zeitgeist. In fact, I could tell you that only Love Is a First made it to my ears before the Fully and Completely podcast. My first full listen of this album was followed by a visit to the grocery store where I bumped into my co-host Greg, and I remember us casually throwing around terms like milk toast andbeige when describing what we were getting into with this springtime release. What followed though is something amazing and it's something only music can truly do. [1:05] You see, I gave this album its due and by that I mean a good solid listening session. On walks, at my desk, on my patio, the beige started to turn into a kaleidoscope of colors and shapes. The album was making me feel nostalgic for my 1977 El Camino. I could envision loading up the back of this hog with camping gear and taking this record to the cottage for the May long and listening to nothing but. Yes, I had become a fan of We Are The Same. Today it's an album I reach for when I feel wistful and I want to reminisce with my past. I adore Morning Moon and the Depression Suite, but the deeper cuts do it for me too. Will the love that Pete and Tim felt on the Bob Rock produced World Container spill over onto this record, or will their first experience be like mine? We're here now, so we may as well be getting hip to the hip. Track 4:[2:31] Hey it's JD here and welcome back to Getting Hip to the Hip. I'm here every week with my friends Pete and Tim and what we do is we talk about the Tragically Hip one album at a time week over week trying to understand what it's like to hear thisband for the first time again. Pete, Tim, How the fuck are you guys doing? Ola, como estas? Buenas tardes. Bueno, bueno, bueno. Los fanes de Tragically Hip. That's how they would say it here. I'm not culturally appropriating. That's how people talk here in Spain. In Spanish, you mean? Yeah, yeah. And they wouldn't change the name of Tragically Hip. hip, they would just say tragically hip, just like they say. See, see, see. Cloud, cloud, or cloud, or cloud. I don't know where he's went to, but there was a guy on Facebook. He's in the Facebook group. And his name is Luca Tadia, I believe. And he's Italian. And he discovered the hip out of, he's an Italian, he's in a band. He's a singer-songwriter. [3:47] And he was at a really low point. And he discovered the hip. And he, he really feels so strongly about them that he's rewritten, rewritten. [3:59] The lyrics like transcribe, like not transcribe them. What word am I looking for? Translated them, but in many cases he's had to write his own because there's so many turns of phrase he's, he's having to write like his own sort of stuff, but, but to fit in the melodicstructure and then, you know, he, he alters the melodic structure a little bit, but he's released a whole whack and he's coming out with a record and everything, but I haven't seen, I haven'tseen anything about him in a while. So what a fucking surface, Luca, come back to it. I'll point out, I'll send some stuff to the thread later this week, but, um, I'm getting way, uh, way caught up in the weeds here because we're here to talk about a record we're here to talkabout, we are the same, uh, released in 2009, which interesting tidbit. This is the first time that a hip band had had to wait more than two years for a record since the band emerged in 1987. They had to wait three years. So it was 2006, then 2009. Was that the longest three years of hip's lives? Or what was going on during that time? I'm guessing the diehards were losing their minds. Yeah. Are they breaking up? What's going on? Like, Gord was doing solo stuff. Rob Baker was doing Stripper's Union in 2005. So he might have toured Stripper's Union in 2006. [5:22] I don't know, they did their usual stuff, but they, like, to my... [5:28] To my knowledge, they, I mean, the record still opened at number one, um, for the week that it was released, which was consistent with what the hip had been doing. I think they had eight in a row or something like that, but they just weren't part of the zeitgeist, you know, they weren't part of, or maybe it's just, they weren't part of my zeitgeist. That, that might be it. Uh, they, they might've been, but, but I feel like if they were as big as they were in 96 in 2009, then they would have never fell off my radar, sort of. And it wasn't that they fell off my radar. They, I just started listening to other music. I just, you know, I- Were you aware of their whole, their whole bathhouse performance at the end or before the release? Like they played at the bathhouse to, they played a show? I would have lost my, like, I would have lost my mind. So I, yeah, I don't, I don't know. [6:24] It was just out of my reference point. Yeah, so I read that they played at the Bathhouse and it was screened, I guess, at Cineplex Theatres across Canada. It's like, these guys were, you know, celebrating for sure. Do you know what Cineplex Theatres owns? One of the things they own is a branch of places called the Rec Room. And one of the Rec Rooms is in Toronto, where we're going to be hosting our event. And we hope you all make it. Get out of fucking town. Wait, what's this event? What are we doing? [6:59] Come on be on board I hate the pull it out game That's gonna be a fun night. I just can't wait. That's gonna be a real fun. Oh, don't lie Jay Jay D Your pull-out game is great. [7:15] Oh my gosh He's got like 12 pockets on his outfit right now he's pulling shit out of her. Oh man. Yeah, I know, the event's going to be great, tickets are selling through, so get themwhile you can. Hit them quick. Get more information on our Twitter feed or send any of us an email, JD, Pete, Tim at gettinghiptothehip.com you can do all of that and more. So let's get into this Bob Rock produced record. This one's recorded entirely at The Bath House, which is a stark contrast from World Container, which was recorded at a big studio in Vancouver and a relatively large studio in Toronto. This was now The Hip on their own ground. I feel like as a result of that we get a very different sounding record. It's got like the nuances the nooks and crannies that the bathhouse records are sort of becoming famous for but it's still like holy shit is this record produced. Like it is depending on what side of the fence you're on it's either intricate or too busy you know like in terms of some of the arrangements. [8:34] The general, I don't know, gist of it that I was kind of reading about is a little bit of a love-hate. I don't know. I also read that that extra year they're waiting for Bob Rock to returnfrom a carnival cruise. Like a really extended long carnival cruise. Oh, wow. That's boggers. That's my joke right there. Oh, okay. Oh, yeah, I got that, it took me a second. Yeah, me too. Sorry. We'll dial it in, we'll dial it in in post. I'll test my new editing tools on that one. Punch up the laughter. Okay. No, I really, I read a bit about this album. It is very much highly produced. I feel like it's, the all music reviews, three stars. Yeah. Which is lower, you know, by at least half a point than usual. And one term they used about it was a creative bankruptcy. Like, they pulled out all the stops. All of the stops for this album and tapped the tank. So I thought that was a pretty fucking harsh review. That's very harsh. Considering three years, man. Yeah, no, no, don't be sorry. I just, I don't see that it's, it's, yeah. [9:59] I like this. I like this record. I'll tell you guys. I didn't. The first time I heard it, did not. So I was the same. Yeah, yeah. Let's hear about your experience listening to the record. I was kind of the same. I listened to it. Well, I listened to parts of it. I couldn't sit through it all thefirst try. It was like, I don't know, it was like reading a series of books and getting to the next book and it's like, oh my gosh, this book's going to take me forever. That's what it just felt like to me and finally got through it. I'll say finally. [10:32] And wasn't so sure, but you know there were songs, I'll just say that there were songs that grew on me after repeat listens and I and I got to a point where I thought I could see howhip fans either embraced the whole trajectory of the hip and continued to absolutely love this band and I could see how some hip fans were like Like, what the fuck? When are we going to get this Bob Brock guy out of here? Yeah. Because, I mean, I feel like that's still, I don't know, still a thread going through it. So yeah, that was my take. Listened to it kind of everywhere. [11:11] I just, I gave this album some real attempts. But I listened to it also, I think, less than other albums in general. Okay. Pete? You know, I say we get into it cause I got a lot to say about the, you know, the record as we go. And I'll leave my comments to the record as we move on. Okay, well then kick us off here. Let's start right out with Morning Moon. I mean, I thought it was, I thought it was, let's see. It definitely a different tone to begin the record on with the acoustic vibe, the melody was really cool. I was surprised by the strings, but as we'll talk about as we go on here, the strings become a thing. Hey, that's a good way of putting it, Tim. [12:12] There's a really cool country lick with the electric guitar, I like it. Chorus is catchy, heavy harmonies, twangy guitar. I got some, I got some like a little bit of Eagles vibes on this too. Sure. Clearly hear it. My note that I, my note I wrote down was, it's got an AM radio chorus. Yeah. Yeah, totally, totally. But, but. In a good way. Yeah, in a good way. But I wasn't like, I wasn't like, ah, ah, fuck. This is, yeah. I mean, this is not... [12:49] This is not music at work. This does not grab you by the balls and punch you in the face and then throw you down the fucking hill. It doesn't do that. [13:02] Not to say that I want that, but yeah, interesting start. That's all I'll say. Track one. We'll go there. We'll talk about Bob Rock as we keep going. Oh, Bobby, I thought, you know, this is an interesting start as well. It's got this country rock ballad, you know, it's like, are we jumping into a good condition 90s Chevy Suburban driving through Nashville in this one, like heading to the barbecue place? I don't know. But it also felt like, you know, I was listening through and I also thought this is so singable and it's kind of lovely and it's balladish and And it feels a little country. There's slide guitar. There's some, I don't know, cello or something that comes in. There's strings happening. And then I thought, I could rewrite the lyrics of this song and play it for anybody, and they would like it. I could actually turn this into a country music song. Or you could turn it into, dare I say, a Christian rock song. It just felt really mainstream, stream kickoff song to this album. It was like beautiful. Yeah, it's beautiful. And I like dug it, but it felt like programmed, I felt kind of programmed. [14:26] I would never suggest rewriting Gord Downie lyrics. I agree. But the music merited a feeling of, this could be a song played on different types of radio stations. It just, yeah. I wanted, you know, the kickoff on an album for me, it's got to be gripping. And it puts you in the seat. And you put on your seat belt. And you go. And this one was like, OK, what's number two? [14:56] Which, before we get into number two, honey, please, which, from each of you, song would you have used to kick off the record if you were sequencing the record? Is there a song on there that does that, that throws you down the hill, or grabs you by the throat? I know which one I would not, out of all of them, but I'll take it. It's a good question, but to be honest with you, I feel like this record, there are songs on. There's even notes that I'll say when we get into other songs. I feel like there's songs that don't belong in this record. Gotcha. Yeah, it's hard to say. I mean, they kicked it off the way they kicked it off. And I think it's, you know, you can't argue with what's been done. And I can't make their fucking decisions. But yeah. Yeah, I don't know. That's a tough question. It's a good question, but I can't answer it, JD. All right, honey, please. Oof. Here's another one I thought that kind of had this R.E.M. feel. I have East Street Band written down. OK. I also had. The beginning just reminds me of that piano lick at the beginning. Just reminds me of Springsteen. [16:08] It just feels like it's going into a Springsteen song. OK. This one, it somehow made me think of the band Big Country. I think they were, where were they from? Were they Scottish? I don't know. It just, Gord comes in softly, you know, I kind of felt like, oh, I wonder if they do this one live and he's angrier. Like it just, it just, I felt like there was a shift that wasn't in this song. Like it just felt like a great radio song, but at the same time. It was also playing in the ceiling speaker system when I was in Vancouver, BC getting my teeth cleaned. You know, like it just, it was really, it like, it was like I couldn't figure out what it was. It was that, or it was almost a wedding song. Like I couldn't figure out what this song was supposed to be. I just, it just kind of stumped me. It was good and sing along and everything, but it was also like, where are we going? I know, it's hard. This is that song, this might be the album that got kicked in the balls at the show on September 1st. Somebody might just walk up and kick me in the balls. Oh, there are big fans of this record. This might be that album. I'm wearing a cup, dude. [17:33] On Amazon, like, no fucking way. I'm wearing a mouth guard. I'm wearing a wig and I'm going to have like a voice modifier on my throat. I can just set you guys up behind the screen like so nobody can see you. You know, one of those things like silhouette. The old cage. You remember like watching fucking Roadhouse where the band played behind like a fucking like a chain link fence. And that band was? Jeff Healy and the... Fuck, Jeff Healy and the... I can't remember the band. I would have just said Jeff Healy band. Fucking shadow puppets. Here's my shadow puppets, Pete and Tim. Jesus Christ, man. Great fucking man, though. You know, we've been drinking the Kool-Aid and sometimes you get a little gherpie from, you know, too much Kool-Aid. I think that's just kind of... It's funny you say that, Tim, because I'm reading my notes for this song and it's... And honey, please... You've got gherpie written down. No, no, it didn't matter. This is my complete notes on this song. Heavy production. Producer is really mixing the Kool-Aid here. [18:44] Even how the drums are mixed, I mean, I just, I could not, I could not listen to this fucking song enough to even see, like, I just was like, yeah, dentist's office. I'm at, I'm at a fucking Sears or, or I'm at a Hallmark store and I'm just like, what the fuck, man? I just want to get out of here so I can put on fucking Black Sabbath or the, or fucking, or fully and completely in my fucking car. Like I just, Christ, excuse my language, but yeah, it justwas not taken, not taken. The, the, I'll just, there's more, but the, the, you're right about the drum mixing because there were a couple times where I was like, there's nothing wrong with this drummer. Why are we doing what we're doing here? Oh, it was like fucking the right tom went from the right ear to the left ear and then the kicks going back. I'm like, what the fuck are we doing? Why? Like, just give me the fucking drums. I don't need a ping pong set in my ears. It was just too much. I hear you on the E Street Band JD, but yeah, other than that, could not, oh, yeah, that's all I got. That's all I got. you. [20:05] J.D. we need to rerecord the start and you're going to be like, this is where I lost my friendship with Pete Dibb. And they were banned from the roof of the United States. No entry. No entry. [20:22] The first time I sat down and listened to the record was for Fully and Completely, the podcast. By the way, Pete, it's Fully Completely. Fully and Completely was our podcast. Whoa, easy, JD. Okay, now you're cut. Okay, all right. Mr. Details. This is episode... He's gotten our back. This is like, I mean, we got one record after two records. I should know this, you're right. I should know this at this point. I don't know if I can say this. So I listened to it then and I like absolutely, it did nothing for me. It did nothing. Like, I was just like, I don't even, I didn't pick up anything. I can't even say, oh, well, the Parchment Suite I really liked, you know, like, no, it just washed over me. And that really disappointed me and so I gave it like a session listen. Probably two or three weeks later, where I sat down and listened to it two or three times in a row. And that's when I latched onto a few songs. I won't say what they were, but I latched onto a few songs. And then picking it up again for this podcast and listening to it, it's like I'm finding some of these songs feel weirdly nostalgicnow, you know? And Honey Please, I like the tone of of his voice, like, I like what he's doing with his vocals on this song. Yeah. Uh, like he's, he's really playful. Like Jimmy's like, no, not like that. [21:51] Well, I was just in shock because I thought for a second, Gordani was sitting across from me. Oh, I thought you meant Tim was having a fucking seizure. No, it's, it's what I've been doing around the house when I need a refill. It's like, No, this, you know what, I'll tell, I'll tell you something, this, this is a really weird analogy, but like, I'm not a, I'm not one of those guys who's, I mean, I think the last time beforethis time I had been to a strip club when I was like 18 years old, you know, when you're 18, this is the first thing you can do. You go to a strip club. Yeah. Uh, and I had gone to one, one time after I was in a very committed and loving relationship And it was like, I got there and I was like, there's this beautifulwoman and she's talking to me and she smells nice and everything. And she's like, it's not doing, it's not, it's not taking. [22:44] And then like, you know, the night goes on, I have a couple of beers and I'm like, still not working. I don't understand what it is. And, you know, turns out, at least in terms of the strip club, it was because I love the person I was with and I didn't want to be there. I was not happy about where I was at. But that's how I felt listening to this song, is that no matter how much I tried, it did nothing for me whatsoever. Wow. It wasn't because it was your aunt, Shirley? I mean, for art, for art, that is the most harsh criticism you can give, right? I hate to say that. I hate to say that. This song is- No, no, I'm fine. This is what this is, right? This is great. Yeah, yeah, yeah. I like that you're being honest rather than pandering, you know, I'm not going to pander and I'm going to be honest about this. It means the stuff that you have loved is that much more real to me. You know, thank you. Yeah. I mean, when you go back to, I mean, talk to me about fucking trouble with the hen house and I'm Christ. [23:52] Well, and just wait for next, next week. Ooh. Okay. I'm, I'm, you know, I don't want to get to the last recluse. [27:09] Oh, so, you know, fun chorus, lots of oohs, aahs. You know, I like a good ooh-aah section in a song when it works. I don't mind it. It can make it fun. But this song is so loaded. It's like tons of instruments. I don't know if there's an accordion in this song. I don't know. There's keys. There's tons of layers. It's got this ominous start. Um, it's a really bridge. Yeah. Bridge is so ominous. This chanting. Yeah. Yeah. I, which I thought was kind of cool, but, uh, you know, the keys fade out at the end and, and Gord's just, who are you? Who are you? Who are you? And it's, uh, I don't know what the song is, is about or who, or I don't know. It just, it just was like, whew, this, this song's loaded. Did you watch those videos I sent you guys? There's a trilogy from this record and Gord produced the videos and I sent them as a link. I don't think I think I said I was going to watch it because I wasn't in a place with Wi-Fi and thenI never watched it. I think that's my excuse also. [28:23] I don't remember getting it from you. You have to resend it. I'll resend it. I would watch it. Yeah, I want to read my notes verbatim here. Okay, um because yeah, I I really cool opening. I got YouTube vibes, a little Alice in Chains with the acoustic. [28:46] Guitar. The melody is good but it's very Coldplay. I got a lot of Coldplay vibes from this song. Not that I'm a Coldplay fan but unless you've been living under a fucking rock, you know what Coldplay sounds like. [29:00] And not to say that Coldplay's bad. There's a market for them. I like the keyboards but again with like the chanting and everything like I wrote down I do not recognize this band and it's no it's no surprise to me that Bob Rock did not produce the nextrecord because I feel like the whole time this guy Bob Rock whoever he is I don't know how he sounds I don't know where he's from but he's like listen guys nah this is the way it's gottabe I've been in the business for years I did this Metallica group you hear of them you heard of them they're from they're from California I know how to do it. It's just what you got to do to make this record sound good. Okay, I'm a big time record producer here. Like, I mean, the whole band is just like, Gord, what do you think? Do you know how much this haircut costs? Yeah, I put my my my pants on the same way as everybody else. The only difference is I make gold records. Like, I'm like, just like, fuck, dude, I'm the band must have just been sitting sitting there like, okay, all right, we'll do this. [30:08] Hey Gord, we're taking a coffee break right now. Hey Gord, I just ran into fucking Bob Rock coming out of the bathroom and he says we should put some Gregorian chants on thenext song. And he's like, you said, you said what? Okay, I guess we'll try it. Like it just, I don't know. Yeah. I, let's, can we go to Coffee Girl? Because it's not just. Sure. Can we? Can we? I promise, I promise this is gonna get better, but not with this song. Yeah, it is, it is. Not with this song. [30:43] It's a rollercoaster ride. This song. I'm reading I'm reading verbatim here feels like a song used for a scene transition in a romantic comedy when the guy and the girl break up before the final act where they get backtogether. Coffee girl. It's like I'm just picturing like, ah, fuck, he broke up. It's a montage of like her at work alone, pissed off because the guy fucking broke her heart, whatever the And, and, and like the trumpet, it's like, it was cool, but it was just like, what thefucking trumpet? Like, what is, what is going on right now? [31:24] And, and I mean, maybe it's supposed to make you feel like you're in a, like, give you that, that so I made her an expert or so I married an expert vibes. You remember that? Yes. Yeah. Like with a trumpet, like a lowly coffee shop in San Francisco, like, I don't know what the fuck's going on, but I'm just like, okay, this band is takingdirection. This is not, not to say it's not the same guys, but they're just like, they're led astray on some songs with this record, I feel. That's all I'm saying. Interesting thing. Yeah. I'd want this, this song, I got this, like, I agree with you pretty much, but I got creepy vibes from it. Get to the back door, look around, then turn the key, turn on all the lights, take down the chairs and make things neat. One night he'll make you choose. I mean, what? This is... Well, the beginning part is her opening the coffee shop. This song's creepy though. It's, I don't know. There's, there's... So I had that little sentiment about it. And then I was like, I remember when you could walk in Starbucks and you'd hear like like a catchy song. And then they had CDs for sale next to the cash register. I remember those days. And you can like take from, you know, the holiday Starbucks playlist, but it was on CD for sale right there. Right. I wondered, like, yeah. [32:51] You used to have a song you could download too. Yeah, yeah, yeah. I was like, was this a Starbucks song? I don't think it was a single. Tim's all creeped out and JD's like, no. JD's like, no, I've worked at a coffee shop. I've worked at a Starbucks before. You turn the lights, you turn the fucking key, you put the chairs out. Tim, what the fuck is the problem? Yeah, the problem is one night he'll make you choose. What is that? Like there's... You gotta watch the videos. Watch the videos, all right? I don't... Fucking... Okay. All right. Homework. Homework. Now, I agree with you. This song is very milquetoast. Milquetoast. Good work. You know? Yeah. It's fine. But it's enhanced significantly by this video. You enjoy it a little bit more. But... Well, in that essence, do you feel the song was kind of made for video, hand in hand, kind of? Well, I don't know why it wouldn't have been a single then, you know? Yeah, yeah. Okay. Like, back in the day, they were releasing six, seven singles a record to give those record legs. [34:06] Well, it's got, I think, second biggest plays, or third biggest plays for this entire record on Spotify. Definitely a single category as far as listening is concerned. And I said it at the top of the fucking conversation about this tune is that it feels like it's made for a movie, you know? Yeah, yeah. So yeah, I thought of the same. Only played 77 times live. So it's not really a big live song. No, it'd be super rare. Yeah. You guys are such data whores. Such data whores. You started it with your Spotify. I really wasn't with this album until yesterday. I usually do some research along the way in this album. I really just tried to listen to it, and I tried to listen to it. You weren't inspired. And then yesterday, got into some of the data stuff. All right. Let's go to track number five. Let's go. So, the acoustic guitar feels kind of played hard. Like, I don't know if you caught this, Pete, but it felt like. I don't know. I don't think it feels forced, but the strumming of the acoustic guitar in the beginning feels a little bit annoyed or something. I don't know. There's some sentiment in there. [35:33] Drums felt kind of simple, and then everything kind of thickens up, and there's big solos in here. It's over a six-minute song, So it's building us up in song length. I mean, this is a long song for the hip. [35:52] What else did I have in my notes here? Oh, there is, you know... Sorry, I have to read this real quick. You know, the importance of this one is just how it is all about the reference of the residential school system. We actually watched a kind of docudrama film about the residential school system up there and all the government's policies towards First Nations people. And that's some heavy, heavy stuff. Yeah, yeah, yeah. Yeah. It's just the song, let's see, I read the song is a response to this basically a cool you've apologized. Oh no, no, this was a Gord quote, I believe. Cool you've apologized, but nothing has really changed. The damage has been done. People are still suffering as a direct result of the government's policies. You know, that's, it's, it's not an apology song, but it's sort of. This one's just big. It's just a big song. Another one. [37:06] Yeah, before I speak about the song, I'm going to go back to one thing I said in the previous pod. I really wish to God Gorda was alive today, because I feel like the governments of the world, specifically the United States government and the Canadian government are just fucking itspeople in so many ways. Not making this a political thing, but like, Absolutely, I just I feel like that guy is a guy who would speak out and and you know, it's funny because I remember watching like video ofTrudeau when he died and Saying what a great guy he was and him actually tearing up but thinking like god, man I wonder if Gord hadn't died and what he'd be saying about some of theshit going. Yeah, no doubt the war or, you know, anything that happened during COVID, all that shit. I just really, you know, that guy is an important voice for the people in Canada. And I think, I don't know, I say North America, although there's not a lot of Americans that know the hip, but I sure shit do now. So, but getting back to the song, I liked this one. I, Tim, I certainly felt the same vibe. acoustic guitar in the beginning sounds extremely dated so that's where I think you got the vibe. [38:28] There's a lot of chorus and a lot of reverb it's just like way too like is this is this 1991? 92? It sounded like the same guitar tone on the song More Than Words by Xtreme. It just but strumming instead of that Like it just was too much. That being said, again, the strings come in, but there's a lot more of that on this fucking record. Rob Baker kind of saves the day. Solo starts coming in. The hit is great. The chorus is awesome. I love it there's some really cool arpeggios that are done in the second verse that just mix up the the sound of the song and then Rob Baker's solo it I Mean, I don't know dude. I'm willing to think he's probably the biggest fucking Pink Floyd fan in all I thought the same thing! That motherfucker, it's just fucking David Gilmour. I mean, I'm like, is Gilmour playing on this fucking record or is it Rob Baker? I mean, it's not even like, if you heard it, you'd be like, oh yeah, it's David Gilmour playing guitar. Like, no, it's actually Rob Baker, which is cool. I like it. And then Paul Amois doing like a Beatles thing, like with the guitar, like bouncing back and forth. [39:57] But in the end, I felt like this song had literally, I don't wanna miss a thing, Aerosmith, Armageddon vibes. Like it was produced to that level. Like it was good. Cinematic. But it was just, yeah, like, whoa, like, did I see this on the IMAX? I've got to listen to this song in IMAX. Yeah, to really appreciate it. Oh my gosh. I had the Pink Floyd reference, not so much of the guitar playing, but more as the all-encompassing feel of this album and the journeys throughout it, because it felt like it was trying to belike this massive Floyd production. That's one thought I had relating to the Floyd. [40:44] But the song, it made me wonder. This is where I dove into the story a little bit more. I wanted to know who Honey Watson was. Did you find out who Honey Watson is? Anybody? The reference here. So Gord apparently was watching a CBAE, CBC news story about the residential schools and started to write this song about it. And then the news story shifted to some story in Haiti and the news correspondent's name was Connie Watson. And he heard it as Honey Watson. And he thought that was funny, so he incorporated her name, Connie Watson, as Honey Watson into the song. Just thought it was cool and wrote it down. So he's like going through this really heavy topic, like one of. [41:36] Canada's maybe, you know, top three heaviest topics, residential school system. And he's throwing in these funny little, I thought they said, honey, Watson, her name's Connie Watson. I'm going to put this in this fucked up story, you know, it's like, God damn what this guy can do. And Pete, I completely agree with you. We, we, if I could choose, of course, any of us to have Gord still around. Yes. But we also need the band. Like, this is something I kind of want to save to the end, but of the whole, all of our experience, but like, we don't have art in the form of music that isscreaming about issues going on right now and making people angry. We don't have like, I can't name a band right now that has death threats against it from groups of idiots. [42:31] You know, I just don't know, like, there's a lot of- Hang tight, Tim. Our record comes out in December. Yeah, there we go. I was just going to say, there's a lot of, there's a lot, there are many lesser known, but on the rise, you know, kind of post-punk stuff coming out or going on, you know, like there's a lot. I agree with you though, man. There's just like, there's no- There's no mainstream people out there who are really screaming about issues going on around the world and ruffling feathers. [43:07] Like so much. Where's the song War Pigs, dude? Fuck, I've second time I've mentioned Sabbath during this fucking podcast. But like, where's the song War Pigs? Right now. Right now. It's on my hard drive. Back off. Hey, no, but like, I mean, I mean, here we are. [43:27] You know sending Billions of dollars to fund war all around the world and where the fucking dude, you know what? Um, there's a great fucking tiktok or whatever the fuck it is And it's some guy like i've seen it. Don't pretend like you don't tiktok all the time. No, I don't I don't have it But I wish I did um for that purpose, but there's a guy's Sitting in his car. He actually has his own account. Yeah. Look it up at pete. Um, it's all about his hair No, dude, there's a fucking guy sitting in his car and he's just like, you know, you guys in your punk bands and you were young, you were fighting against thesystem. [44:06] But somewhere you got old and you got fucking soft and you joined a party and it dude, he just fucking nails it. This guy fucking nails it. Wow. He fucking nails it. And it's like when I see shit like people like Henry fucking Rollins, like supporting the Democratic Party, which is like, fuck the Republicans, fuck the Democrats, fuck them all. Your job is to be against the system. You fuck. Excuse my language, but it's just like that's yeah, that's how I feel like, like a guy like Gord had. I don't know. The interviews I've seen with him and so much integrity, he wouldn't waffle. He'd tell he'd call a fucking spade a spade when he saw it. And if he smelled bullshit, he'd call it out no matter who it was. I don't know. That's how I feel, man. And yeah, you're right, Tim. We need the band. We need the band. We do. We need the band. Because the music's... Because not everybody watches the news and not everybody watches interviews. You hear music, though, man. You hear fucking War Pigs and you listen to those lyrics and you think, yeah, Smedley Butler was right. If you don't know who Smedley Butler is, listeners, Google him. He's not either. No, he's dead, but he wrote a good book. War is a wreck. Anyhow, too soon yet. He's been dead a while. It's a depression suit. [54:35] I had no idea what I was getting in store for when the song started, right? I mean, I was in the car and the display in my mediocre sound system, M-S-S. Clearly not my sound system. Fucking premium audio shit. My stock sound system. Anyways, on my screen it doesn't show the amount of time the song is. It just shows the amount of time it's been playing. And I just kept looking over. Like, I'm driving across town and I keep looking over. Like, god damn, how long is this song gonna go? The last song was like six minutes plus, right? Is this one a rock opera? Like, what is going on? It has this lovely start, but you really don't know where it's going. [55:26] The lyrics, I just, I was a little bit confused. The first listen, I thought we were really going to end around three and a half minutes, because that's when I was looking over. But we just kept evolving. It shifts gears, it speeds up, it gets more intense. Gord gets more loud. The strings get more loud. It just like, it's really climbing up this mountain. [55:50] And you know, part of the lyrics is, is what if the song does nothing? What is it doing? You know, what if the song does nothing? In one of the reviews of the song, which I later read, some of the hip fans who aren't as much into this album, they, you know, their, their response of what if the song does nothing waslike, yeah, what if it's not doing anything, you know, it's just confusion maybe? I don't know. Some fans were were like, no, I don't want to see how it ends because Gord's lyrics kind of ask for that. There's this, um... Kind of painful guitar solo at like eight minute mark. I mean the strings that loop and have this abrupt stop it's just this song is... It just goes. I've only listened to it three times I will listen to it again but the song to me was just... I just wonder what everybody was trying to do because it just was magnanimous. [56:59] It's giant. All right. Well, I will say I fucking love this. I thought I thought it was fucking magnificent. I think, you know, I finally with all the strings that are on this record was like, OK, I can dig them on this song. You know, I mean, it's a very, this is a very emotional record. It sounds like just lyrically, I don't feel like any of the first five songs really moved me that way. But there's a lot of musical references that he makes in here to like things like perfectfifths. The chorus is fucking amazing. When he starts warming up his voice, when he really starts digging his fucking heels in and he starts repeating, if this song does nothing, with the strings backing him up, I think are superpowerful. [58:03] They move me in this song, especially I listen to this song a lot in the car. I've talked about it once or twice, but, you know, it's a different experience when you listen to a song, when you listen to hip in my car or any music but you know I have a, The soundsystems, you know, it came with premium, but it's it's you know, it's it's a good It's a good audio system in my car. Frothy and quiet. Pete's premium sound system There's When the strings there's a cool syncopated rhythm that happens in the song and then when it when it breaks There's a part, because this is twodifferent songs, it's like 9 minutes and 27 seconds long and when this song breaks and it changes course, there's a part in it that is Alice Cooper's Only Women Bleed. Has anybody heard that song before? Yeah, sure have. It's that, it's fucking that, fucking it's the hook in that song they fucking use. And Gord's vocals are exactly that. [59:16] He smokes and drinks and don't come home at all. That's the lyric in the Alice Cooper tune. But it's fucking, I dig it. And then, you know, I liked Rob Baker's solo. It was very emotional. This is a really emotional tune. And I don't feel like I'm like, ah, this is fucking amazing. I just think it's, it clearly took a ton of work and a ton of work. Yeah. But I do feel like the band starts to come together on this track. You start hearing, okay, this seems more tragically hip than before. [59:58] So anyway, that's what I got for this tune. They played this, they played the song live 86 times. Like I wanted to look that up to see, like did they play it 10 times, six times? Theyplayed it 86 times. That's like not a ton compared to all the shows they played in their entirety, but that's a handful of times at this. Well, considering it's a later album, I mean, obviously they played the earlier ones more. Yeah. So to experience it and to know it and experience it live was probably fucking epic. Yeah, but who knows if it was with the strings too. [1:00:35] Yeah, I don't think they toured with strings for sure. Okay, okay. If you're playing like Royal Albert Hall or something, yeah, you're gonna have fucking strings, but like, youknow, otherwise... That didn't happen for sure, JD. [1:00:48] I don't remember. I don't remember that being... Like, this would have been around the time in their career that that would have been something that you might expect them to do. You know, like, we're going to do a tour with a full orchestra to get different venues on board and, you know, things like that. Bands do that kind of shit. The Cineplex Theater video. Would have been perfect for this record. Yeah, that Sinplex Theater air didn't include all the Strings people or whomever, do you know? Was that just the band? I can't imagine it would have. I'll try to find that. Yeah, if you know, send me an email, jd.gettinghiptothehip.com. That would be really cool. But let's go to the exact feeling. I didn't have a whole lot on this one. I felt like it had the DNA more, a little more so, of a hip song. Like a standout was the wah pedal going on and kind of this faint background guitar playing fade out at the end like I Honestly didn't have a whole lot not many exact feelings of this oneNot that I didn't like it. It just felt like a filler spot to me. I just kept rolling. Okay. I Yeah, okay. There. This song is the one that starts with the Castagnets, so very Spanish. Yeah. They wrote it for me. [1:02:15] I like the rolling melody, like the chord progression, the way they do it is really cool. It just it drops and then it comes back, it drops and it's very circular. The chorus is fucking amazing on this song. And the way it builds to the chorus is like, it definitely has more of a hip vibe. Like I said last time, I feel like they really start to like becomethe hip again. It's like, whoa, who's that other fucking band the first four songs or whatever, you know? And now there's like, okay, we're warmed up now, fellas, sit back and relax and enjoy. So I dug it. But then, you know, it just kind of doesn't know where to go, fades out. Tim doesn't like fade outs. the time I don't. Yeah, sometimes they're okay. Yeah, in this case, I just feel like the song was really cool. They had some cool ideas, and then there was nowhere to really go. They painted themselves into a corner and we're just like, okay, we're just going to stop painting the room. [1:03:18] You know, but yeah, but I got I got stuff to say about the next song. Yeah, go. Let's go. Queen of the Furrows. I love the beginning. I thought it was fucking awesome. This song is fucking Led Zeppelin three. It is Led Zeppelin three. I think Rob Baker's playing the mandolin. I don't know if Gord is. I don't know who's playing the mandolin. Would love to get some get a line on that. If you know anything, Pete at getting it at the hip.com. You like what you see what I did there? That was that was very professional. Did it sound natural? My boys all growed up. [1:03:57] I dug this song. The way the fucking chorus, the way the chorus comes in is like, it's just so different from the song, which is not very Led Zeppelin 3 because it's so heavy. It's fucking rad. And then the solo by Rob Baker, I'm going to read notes for Vadim here, Rob Baker melts dicks off people. He doesn't even melt your face, he melts your dick. I mean, this solo is fucking screams. It's so good. You can just tell he's in the zone and he could hear that he wanted to play that solo and he just wanted to fucking destroy it. And he just did. He delivered, I don't know if he did that in one take or if they mixed different solos together to make that, but it just sounds so good, dude. Goddamn, it's so good. I love it. Good song, good tune. Good tune. I'll pretty much agree with that. You know, it's one, I'm not going to add much to what Pete just put in, but what I did want to know what, you know, what this queen of the furrows is. And, um, it's actually a crown awarded annually to quote an agriculturally-minded young woman of Ontario. [1:05:23] And I'll just show you guys real quick. This is Kieran County Queen of the Furrow 2020 as part of Ontario's Plowman's Association. Can you see? Oh, yeah. What do you think? She's nice, you know, it's so to give everybody You know some insight into that photo. I would say she's dressed like a like you would think she'd be wearing overalls or something likethat, but she's dressed like a beauty queen. She's got a lovely dress on. She's got a sash and a tiara that looks, you know, like, that looks all beautiful and like prom queenie. Not at all what I would have expected the Queen of the Furrows to look like. Which for real... Not at all what I expected the Plowman's Association to be doing. Easy, Tim! Easy! But I didn't know, furrows is the word for the lines, you know. That's right. In the farm from the machines planting seeds or doing whatever you do. I mean, now I know when I'm sitting in the window seat on Alaska Airlines, covering the West Coast as I do. [1:06:37] I thought the guitar solo, it hearkened me back to some GNR. That's all I'll say about that. Certainly. this I guess just lastly the ending had this noisy but kind of quiet background guitar feedback something like there was something something playfulhappening with some guitar noise and the congos like this was one of those interesting enders but but kind of a cool song. Speed River. So, Speed River, I was like, ah, okay, I'm kind of digging this one. This felt a little more like what I was hearkening back to, Liking of the Hip. This was a single. Yep, yep. This has, again, a big guitar solo, which quiets down into keys and some rim shots from drumsticks happening. [1:07:34] This house sounds like a bomb hit it is a fucking cool lyric. I didn't know if that was referencing the feeling of recording and just being in the zone. This is what I was imagining, just being in the zone of the music just feeling so good with yourbandmates. You know, this house feels like a fucking bomb hit it because we are destroying with this music. But this song is kind of cool. a little more, I don't know, a little more fun in an easilysingable way. You know, it has a somewhat fitting, abrupt ender to it. It might have been... At first glance, it was like, this might be my song on the album. I'm not sure. Don't give it away, buddy. I didn't. I left it hanging a little. All right. He said it might. Yeah. Okay. Okay. I stand corrected. Speed River. I'd love to agree with Tim, because I love agreeing with him, but the tonal licks were cool. [1:08:45] Overall, though, not impressed. I feel like this song was written to play live. I mean, literally, they wrote it and were like, yeah, we don't care how this fucking sounds on the record. It's just gonna be a fucking banger to play live. Yeah, I'm sure it was great live. How many times did they play it there, Tim? Let's look. It was probably like a- Oh, I thought you had it pulled up hard. I do. It's just on, I got it right here. It probably was awesome, you know, to play like the fifth song of a show just to keep the crowd going. It was played 11. This was played 11 times. So this song was probably a treat for people who do it. You know, it was probably a fucking treat. Yeah. I guess so. I heard the rim shots and the keyboards, it's just felt so country pop, like, I felt like I felt like I should be at, like, the lake with my, like, pseudo country Republican voting friends, like, 12Bud Lights deep being like, yeah, this is fucking mad, right? Yeah, this is fucking cool. Yeah. Fuck, yeah. [1:10:00] So that was Bobby and. Yeah. You know, I don't know. It's just the vibe I got. I don't know why, but I felt. I felt like if I heard the song live, I'd be like, fuck, yeah. But on the record, it was just. It was like a bad Viagra pill, not that I've ever taken Viagra, but I don't know why. That's why. That's what I thought of. But it's like somebody selling you like a, like a placebo and be like, yeah, this will, this will do it. And you take it and you're like, I didn't do anything. [1:10:35] I think it was 2009 that we went to Mazatlan. That's kind of throwing me back to bad Viagra pills. Okay. I just thought, because you know, songs, you want to say this song to getmy engine going. That's why I did that. Anyway. If you look at the blueprints of this song, though, it should work like it should. It should all be there. Yeah, yeah. It's got an interesting chorus. But you're right, the sum of the pieces don't add up. Now, there are people that will love this song and tell us why you love it. It'd be great to hear. You could love it, but compare it to the shit that they've done. [1:11:19] And we're not in the compare and contrast game. We're not comparing apples and and oranges, groeries and forges. But I mean, dude, like. You're going to put this up against fucking fireworks, go fucking freak off, as Ricky LeFleur would say. Freak, freak right off. I mean, Christ, I mean, not even close. Right. Just I. But you're right, Judy, the sum of it, you know, it has all the components. It's like, Hey, babe, I was going to make this amazing soup for you. I put all the ingredients in, but for some reason it still tastes like shit. Yeah. Yeah. I won't go. Yeah. I won't, I won't go that far, but yeah. [1:12:08] Well, you know, you know where I'm going. Yeah. Well, with it, with this album and where we're at now and with, with all these journeys of these songs, I mean, we've gone fromlike three minute songs to nine minute songs, these, these past two, Queen of the Froze and Speed River, they feel like kind of placed in there to fill it out a little bit. But they also feel to me a little bit like past albums filler songs. So yeah. To me, they were good and they represent. But in this particular album, it's almost like, guys, we had 10 days book to record. We're at day four and you're feeling done. What do you have? They were part of this for two months. What do you have that we could pull in here? Jesus Christ. What about that song, Speed River? I just hope Bob Brock can retire after this. Yeah. What was that? [1:13:02] I just said, I hope Bob Rock retired after this or, or no, no offense to Bob Rock. Cause he produced some great shit, but just like, or found a band that he was more compatible with because it just. Yeah. I feel you. I feel you. I don't feel, and that's, you know, you guys dug the last record and that was him. And, uh, and, and you turned me back onto it by your, by your digging of it. You know, it's, it's just, it's just interesting. It's it sure is. I mean the last record I I it kind of won me over quickly and I believe I said this, you know, I went online to see how I could get it on vinyl and And then the more I listened to it the less Ilooked into Getting it on vinyl. I'm watching literally watching a crow in my backyard right now I'm going to destroy. [1:13:59] An old crow? I have a crow right now, destroying. Hey! Go! I love birds. I'm a birder. And this crow is destroying my cover over my... It's too complicated. I didn't know that crows in Portland speak English. Did you know that, Jamie? I did not know that either. That is a fact. I would have assumed they spoke Croatian. Oh shit. Fuck man. JD takes a sip of his fucking whiskey and says, I'm out bitches, finish the podcast on your own motherfuckers. I printed out the article, I didn't really, but I printed out the article about dads who throw out dad jokes are better dads than dads who do not throw out dad jokes. That may be true, but I'll tell you what, um, uh, camera, wait, what was it? Pigeon camera? Pigeon camera. Yeah. Yeah, it'd be cool if we, they did a crow camera. At least you havealliteration. [1:15:08] I guess crows weren't as smart, but crows are supposed to be really smart. They're fucking smart. And they, they have face recognition skills. They, they remember people. Frozen in my tracks. [1:18:58] You know, I think it's kind of a pleasure. It's a little bit of a gift, or maybe it's a huge gift, when Gord does his, what do we call it, when he speaks over... Spoken word! Yeah, when he does a spoken word fucking poetry, trippy stuff, like this song has it, and we got it, and I'm happy at this point on any hip song to get that. It's got kind of a... That's cool. Yeah, I mean, come on. It's got somewhat of a spooky start. The snare on this one's a bit tuned up, and the bass is like, lack of a better term for thuddier or deeper. It's like the drums felt a little bit different to me. [1:19:43] This, you know, Gord at the one minute mark, he's already screaming in this song. [1:19:48] I thought that, I don't know, with the bridge at like two minutes, this kind of locomotive feeling, I thought this song reminded, it made me wonder if Bob Rock, look, can yousqueeze call him Bobby? Because if he listens to this, I just want him to be Really upset. It's called a 

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk. This week, Britt is joined by Brad Rippey, a meteorologist with USDA and an author of the US Drought Monitor. What factors are considered when creating the Drought Monitor? From D1 to D4, how should you read drought ratings? And how do those conditions inform other USDA grain reports? Britt and Brad discuss those topics and a whole lot more.Check out the USDA Drought Monitor here.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Jake Kingsley, Director of Feed Procurement with Ever.Ag. How could the end of the Black Sea Grain Initiative impact US export prospects? How are US crops shaping up amid summer weather? Britt and Jake discuss those topics and a whole lot more.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Scott Gerlt, Chief Economist with the American Soybean Association. How could EPA's new renewable fuel standard impact soybean demand? Are there other opportunities for biodiesel and grain-driven fuels? Britt and Scott discuss those topics and a whole lot more.Learn more about the American Soybean Association here.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Daniele Siqueira, Grains Market Analyst and agricultural journalist with AgRural. What boosted Brazil's current crop to bumper status? How is the country positioning itself to become a top grain exporter? Britt and Daniele discuss those topics and a whole lot more.To learn more about AgRural, click here.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Shelby Myers, Grain Market Intelligence Director with Ever.Ag. What did USDA's latest acreage and stocks data tell us about this year's corn and soybean crops? How does weather continue to drive markets? Britt and Shelby discuss those topics and a whole lot more.To learn more about our services, visit https://www.ever.ag/.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk. This week, Britt is joined by Michael Langemeier, Associate Director with the Center for Commercial Agriculture and a professor in the Department of Agricultural Economics at Purdue University. How are input costs shaping up for this year's crop? How might producer margins be affected? Britt and Michael discuss those topics and a whole lot more.Visit the Center for Commercial Agriculture here.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

Scott Furrow interviews Pastor Greg Laurie to discuss recent MLB decisions, the upcoming crusade, evangelizing, and more.    This interview first aired on The Pastor Scott Show. --- Learn more about Greg Laurie and Harvest Ministries at harvest.org. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.

Scott Furrow interviews Pastor Greg Laurie to discuss recent MLB decisions, the upcoming crusade, evangelizing, and more.    This interview first aired on The Pastor Scott Show. --- Learn more about Greg Laurie and Harvest Ministries at harvest.org. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Eric Snodgrass, Principal Atmospheric Scientist with Nutrien Ag Solutions. With the US crop in the ground, all eyes are on forecasts. What weather patterns should producers be tracking this growing season? Britt and Eric discuss those topics and a whole lot more.Sign up for Eric's weekly weather emails here.Check out Eric's prototype site by clicking here while on your phone or tablet.Check out Nutrien's YouTube channel here.Check out Nutrien's daily national report (maps and analysis) here.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

In our weekly series From the Furrow, host Britt O'Connell and fellow grain geeks shed light on current market conditions and how grain producers can take action to manage their risk.This week, Britt is joined by Matt Tranel, dairy agent and broker with Ever.Ag. How are recent grain market movements impacting dairy producers? What factors could impact grain prices – and, in turn, feed costs – in the months ahead? Britt and Matt discuss those topics and a whole lot more.To learn more about our services, visit https://www.ever.ag/.Questions or comments? Contact us at Insights@Ever.Ag, or give us a call at (312) 492-4200.Disclaimer: TRADING FUTURES AND OPTIONS ON FUTURES INVOLVES SIGNIFICANT RISK OF LOSS AND MAY NOT BE SUITABLE FOR EVERYONE. THEREFORE, CAREFULLY CONSIDER WHETHER SUCH TRADING IS SUITABLE FOR YOU IN LIGHT OF YOUR FINANCIAL CONDITION. PAST RESULTS ARE NOT INDICATIVE OF FUTURE RESULTS. THE INFORMATION AND COMMENTS CONTAINED HEREIN ARE PROVIDED BY EVER.AG AS GENERAL COMMENTARY OF MARKET CONDITIONS. THIS INFORMATION SHOULD NOT BE INTERPRETED AS TRADING ADVICE OR RECOMMENDATION WITHOUT FURTHER DISCUSSION WITH YOUR EVER.AG ADVISOR. THIS IS A MATTER OF SOLICITATION.©2023 Ever.Ag, Confidential and Proprietary.--The following music was used for this media project:Music: Funky Intro 29 by TaigaSoundProdFree download: https://filmmusic.io/song/9520-funky-intro-29License (CC BY 4.0): https://filmmusic.io/standard-licenseArtist website: https://linktr.ee/taigasoundprod

On this installment of the AAMFT Podcast, Eli interviews EEFT innovator, Jim Furrow, Ph.D. They discuss how to confidently lead family members through distress and past injuries to create new relational patterns, bond with each other, and experience a fuller sense of security.

We are now mid-May, halfway through a month of graduations, spring celebrations, and weddings, and Mother's Day is upon us here in the US this coming weekend. Something that all of these celebratory kinds of human-marked rituals and events have in common? We so often mark them with the best of our most loved flowers of the season. With that as our touchstone, I am so pleased to once again be in conversation this week with Deb Prinzing, founder of the Slow Flowers movement here in the U.S. and Canada, and of The Slow Flowers Society, representing the needs, successes, stories, and voices of the floral world in the Slow Flowers Journal, in the weekly Slow Flowers Podcast, and in the annual gathering known as the Slow Flowers Summit, this year happening in Seattle, WA June 26th and 27th. As yet another facet of her floral-focused advocacy, Deb is co-founder and Editorial Director of Bloom Imprint Books, which identifies, develops, and publishes projects that shine a light on the floral lifestyle, showcasing the stories of floral personalities, creatives, entrepreneurs, farmers, artisans, and makers. Their newest title, “Furrow and Flour,” by sisters Sarah Kuenzi and Beth Syphers, fits right in with this week's themes. I don't know how she does it all, but I am so pleased she's back to share with us about it. Enjoy! Cultivating Place now has a donate button! We thank you so much for listening over the years and we hope you'll support Cultivating Place. We can't thank you enough for making it possible for this young program to grow even more of these types of conversations. The show is available as a podcast on SoundCloud, iTunes, Google Podcast, and Stitcher. To read more and for many more photos please visit www.cultivatingplace.com.

PART 2!!!!  We are so excited for this episode of A Blooming Good Time.  We are diving farther into the world of roses and all of the ways to take care of them. So get your self cozy and let get started!Instagram:@abloominggoodtimepodcast@crowleyhouseorder a copy of our book Furrow and Flower! https://crowley-house-flower-farm.myshopify.com/

03 09 23 What to Put In-Furrow on Corn by Ag PhD

In this special interview originally aired on KKLA, Scott Furrow interviews Pastor Greg Laurie on the upcoming film, JESUS REVOLUTION. They discuss whether America is on the verge of revival, the unique opportunity this film represents, and how to use this film for evangelism.  Get your tickets today at https://jesusrevolution.movie/ SoCal Live! is heard 3–5 PM Monday through Friday on 99.5 KKLA in Los Angeles, CA and https://kkla.com/. --- Learn more about Greg Laurie and Harvest Ministries at harvest.org. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.

In this special interview originally aired on KKLA, Scott Furrow interviews Pastor Greg Laurie on the upcoming film, JESUS REVOLUTION. They discuss whether America is on the verge of revival, the unique opportunity this film represents, and how to use this film for evangelism.  Get your tickets today at https://jesusrevolution.movie/ SoCal Live! is heard 3–5 PM Monday through Friday on 99.5 KKLA in Los Angeles, CA and https://kkla.com/. --- Learn more about Greg Laurie and Harvest Ministries at harvest.org. This podcast is supported by the generosity of our Harvest Partners.Support the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.