Podcasts about indie films

This week on Bad Dads Film Review, Sidey, Dan, Reegs and Cris review Michael Sarnoski's Pig, starring Nicolas Cage as Robin Feld, a reclusive Oregon truffle hunter whose beloved pig is stolen in the night. On paper, it sounds like the setup for a strange little revenge thriller. In practice, it is something quieter and much sadder: a film about grief, food, memory, authenticity and the terrible fact that not every loss can be fixed.The dads begin with Cage in full anti-Cage mode. Robin lives in the woods, barely speaks, looks as if hygiene has become an optional philosophy, and shares his cabin with the pig who helps him find valuable truffles. His only regular contact is Amir, played by Alex Wolff, a young buyer who arrives in a yellow Camaro, listens to self-improvement classical-music lessons, and seems desperate to perform the role of a successful man.When Robin is attacked and the pig is taken, the film appears to be lining up a “John Wick with a pig” story. Instead, Robin and Amir move through a hidden Portland restaurant underworld where reputation matters more than violence. The trail takes them from a furious pork-belly seller to junkies in a trailer park, then into an underground service-worker fight club where Robin simply allows himself to be beaten so that the right people will remember his name.That name is the key to the film. Robin Feld was once a legendary chef, and the city's food world still treats him like a myth. The dads especially enjoy the restaurant scene at Eurydice, where Robin confronts a former employee now trapped in a sterile fine-dining performance. He does not shout or threaten him. He just tells him that the food is technically correct but dead, reminds him of the honest pub he once wanted to run, and gently dismantles the life he has built around pretending.The conversation naturally detours into fine dining, restaurant pretension, Marco Pierre White, Heston Blumenthal, Gordon Ramsay, The Fat Duck, street food in Bangkok, and whether chefs are artists, monsters, addicts, or simply people who would like to smoke something and go home. Cris, having actually worked with chefs for decades, is particularly unconvinced by the romantic idea that a chef would remember exactly what every customer ate years earlier.The emotional climax comes when Robin cooks for Darius, Amir's father, who arranged the theft. Rather than fight him, Robin recreates a meal he once cooked for Darius and his wife, a meal Amir remembers as one of the only happy moments from his childhood. The food unlocks memory and grief, and Darius finally admits the truth: the pig was killed the night she was stolen. Robin's search was already too late.The ending refuses easy satisfaction. Robin does not get revenge, does not rescue the pig, and does not return to the life he had before. He washes the blood from his face, goes back to the cabin, and finally listens to the tape of his late wife singing Bruce Springsteen's “I'm On Fire.” Reegs finds that lack of catharsis frustrating at first but ultimately fitting, because life does not always end with you getting your pig back.Verdicts are positive. Sidey enjoys the quieter Nicolas Cage performance and gives it a bacon recommend, even though he wanted the pig restored. Dan appreciates the 90-minute runtime, the odd characters and the way the film uses cooking rather than violence as its final weapon. Reegs likes that it resists the revenge-thriller version of itself and becomes a parable about grief and letting go. Cris enjoys the look and mood, while remaining extremely suspicious of all chef mythology.So the Bad Dads verdict on Pig is a bacon recommend: a small, mournful, oddly funny Nicolas Cage film that promises a stolen-pig revenge quest and instead gives you blood, truffles, restaurant trauma, Springsteen, and the painful truth that sometimes the pig is not coming home.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Your indie film isn't automatically worth what you spent making it. In this episode, I break down how the marketplace actually determines an indie film's value—and why cast, genre, audience, festival exposure, buzz, timing, and buyer demand can matter far more than your production budget. I also explain why filmmakers need to understand what buyers are actually paying so they can work backward, determine a realistic market value, and build the right production budget from the beginning.

Get Reelisms Podcast Ep. 196: Zuzena Magsino on Breaking In, Community, AD Life, and AI in Film On episode 196 of the Get Reelisms podcast, hosts Adam Chase Rani and Christine Chen interview actor and assistant director Zuzena Magzino about her path into entertainment, from show choir and dance auditions to overcoming fear of being recorded and posting social content. After a five-year hiatus and serious health issues, she returned via a 2021 TikTok Dunkin' casting call, booked the spot, and later moved to LA, emphasizing the importance of supportive circles, networking, persistence, and the reality that even “set” celebrities may struggle without financial literacy and protection from exploitation. The conversation covers filmmaking community, conflict resolution and chaos management on set, sexism and ego problems among crew, and concerns about AI replacing actors while acknowledging AI as a tool. They close with promotion for Getreelisms.com merchandise and an online film school.   About Christine W Chen: Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast. For more information about Christine Chen: christinewchen.com About Adam Rani: Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they've built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.   About Guest Zucena Magsino: Zucena is a queer mixed Filipino-American actor from San Diego based in Los Angeles since 2024. They've recently studied at Bristol Old Vic Theatre School and can be seen in an array of music videos, short films, vertical series, and TV mini series. Their lead role in Charlene, a Kilam Production, written by Mai Briggs premiered at LA Shorts International Film Festival 2026. And their series-regular debut as Leah in Marriage Material is now streaming on Apple TV for the US & Canada and Amazon Prime worldwide. When they're not acting they're creating their own projects, helping their community, or on set as an AD!    WEBISODE version of the Podcast   00:00 Fame Money Myth 00:43 Podcast Intro 01:09 Meet Zuzena 02:49 From Dance to Camera Fear 04:25 Social Media and Corporate Detour 06:27 Health Crisis Reset 06:54 Dunkin TikTok Breakthrough 08:45 Supportive Sets and Circles 14:27 Networking and Hustle Mindset 15:50 Making It Takes Years 17:26 Actors Not Set for Life 19:36 Brand Ownership and IP 20:45 AI Actors and Ethics 22:00 AI as Tool Not Replacement 23:47 Conflict as Collaboration 24:23 Miscommunication on Set 25:21 Egos and Drama Queens 25:48 Veteran PA Meltdown 28:25 Second AD Maid Mode 29:33 Safety and Respect 31:08 Tranquility Through Chaos 33:55 Stern Voice and Strikes 35:12 Women Leading on Set 39:04 Collaboration and Continuity 41:17 Landing the Plane 41:30 Housekeeping and Film School Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Join in the conversation!Welcome back to another episode of the Hella Chisme Podcast. Join Dana on the Hella Chisme Podcast for an inspiring conversation with filmmaker and recording artist Mark Angel about Seraphim a 72-minute Black queer musical drama love story set in Brooklyn. Mark breaks down how he wrote, produced, composed, edited, starred in, and grassroots-toured the film through COVID delays, running out of money, and learning to edit and color from scratch.We talk DIY, independent filmmaking, queer representation, inspiration from Janet Jackson's Rhythm Nation, Prince's Purple Rain, Moonlight and Noah's Ark, audience reactions at in-person screenings, his mantra "Light Up the Darkness," and where to watch Seraphim now on Deku (Apple TV, Amazon Prime, Roku).Plus: Dana opens on Hispanic Heritage Month and remembering 9/11 with community care.

JJ Lippman is one of the youngest guests we've ever had on the show, but she also has a new movie (MIND GAMES), and a debut novel out (MARITAL BLISS). She's a fast-thinking, fast-talking, friendly go-getter...so imagine our surprise when she knew for sure that she felt seen by Julianne Moore's Carol White, the lead role in the 1995 Todd Haynes masterpiece SAFE. She and Jordan get into the suburbia, the mental health, the environmental anxiety of it all -- and, perhaps, how to get clear once and for all.Then Jordan has one quick thing about a couple of new action films from past guest James Nunn. Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfeelingseen Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun. You can watch video editions of our new episodes on our YouTube Channel!Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

We're on our summer hols! So here's a repeat of one of our favourite episodes of “How Do You Say That?!” sponsored by britishvoiceover.co.uk, when George Weightman joined Sam and Mark in November 2025 to talk about the world of character creation for video games - oh, and Peppa Pig!Get involved! Have you got a Wildcard suggestion that we should try or an idea for the show? Send it to us via Mark or Sam's social media or email it directly to podcast@britishvoiceover.co.ukScript 1Christmas Eve, 1853.Step into the heart of Victorian London… where darkness comes alive. The candles gutter, the snow falls, and somewhere in the fog — a whisper calls your name.This holiday season, journey beyond the ordinary — into a world of ghosts and forgotten tales. Where every spirit has a story to share.Discover the magic in every haunting at “The Christmas Séance”…Listen. The ghosts are waiting.Script 2'I don't care if the workshop scares you. Deliver the gold or face your punishment.''If any of you see Midas in the field, you know where to aim. I want those golden hands mounted on the walls of my study.''Then why are you talking and not shooting!''There are outlaws in my home...what am I paying you for? ELIMINATE THEM!''If you want to become wealthy beyond imagining, Bring me the man with the golden hands.'We'd love your feedback - and if you listen on Apple Podcasts or Spotify, hit the follow button today!**Listen to all of our podcasts here - you can also watch on YouTube, or say to your smart speaker "Play How Do You Say That?!"About our guest: George Weightman was awarded Voice Artist of the Year 2025 at the One Voice Awards UK and Best Actor in an Indie Film at the New York Film Awards. Having trained in the UK and Russia, George has used his extensive versatility, both vocally and physically, to develop a career in screen acting, voice over and motion capture.His roles include Obelix in the ongoing series of Asterix & Obelix games, the lead villain of Spencer in the British indie feature film 'Tiny Little Voices', Fletcher Kane in 'Fortnite' and Daddy & Grandpa Pig in 'Peppa Pig Tales'. He also played a guest lead on the BBC's 'Doctors', was award nominated for his roles in 'Black Myth Wukong' and contributed to the BAFTA winning game 'Metaphor: ReFantazio', among many others.He has also narrated over 70 audiobooks.George's WebsiteResources: Click here for the Wildcard Generator and don't forget to think of an action your character can be doing!About your hosts:With over 40 years representing major international clients such as Google, Emirates and HSBC; Mark Ryes has been trusted to be the voice for some of the world's biggest brands. If your business needs a fresh voice to represent you, then make it Mark's British voice. As a voiceover, TV presenter, podcaster or product demonstrator - Mark makes your brand truly sparkle!Mark's demos & contact details: https://linktr.ee/britishvoiceovermarkElegantly British with an intelligent, warm and seductive voice, Samantha Boffin helps creatives and production companies create great audio that really connects with their audience. BBC-trained and with over 20 years of broadcast experience on both sides of the mic, she's created award-winning promos, narration and commercials for companies all around the globe, including the BBC, Sky, Games Workshop, John Lewis, Audible and Penguin Random House.Samantha's demos & contact details: https://linktr.ee/samanthaboffin

Remarkably claustrophobic GOODY GOODY on Shudder is unsettling, enjoy hearing all about it from writer, director Raymond Creamer before watching the anxiety inducing (particularly anyone pregnant) horror on Shudder. Music is by Jett Kwong, a name to watch. Goody Goody - a Shudder exclusive starring Zoe Renee, Samantha Robinson, Colleen Foy, Colby Hollman. https://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj

Join us, along with lead actress June Schreiner and writer/director Daniel Byers, for a discussion about their new film Dark Hollow(2026)! This Appalachian folk horror creature feature is available now on VOD! Dark Hollow: https://darkhollowmovie.com/ Amazon: https://www.primevideo.com/detail/0G8ZCULZ45P9LKL0D0NJZDYGNR?jic=16%7CCgNhbGwSA2FsbA%3D%3D&ref_=atv_dp_amz_c_TS8274d9_1_1 Dark Hollow Film Score: https://open.spotify.com/album/5uh0jLi7hTlD5rkJaqDqMc?si=Rn8aNH1zTJysNkjyjjnzSw&utm_source=copy-link&nd=1&dlsi=7c5d4990da4c4b13 TNC: https://linktr.ee/thenightclubSpecial Guests: Daniel Byers and June Schreiner.

Emotional independent feature film STORM BIRD star Serena Solaire (Serena Ven Sandalwood) is a Canadian musician, first time actor. Her creative blossom of talent shines through, I really enjoyed our conversation, hopefully you do too. STORM BIRD written, co-directed, also starring James Ivor with Anthony Phelan. Filmed in tropical North Queensland locations. An impressive little Australian film with good performances all round. https://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj

We welcome back some friends from the DBS Films crew and some new friends that are the leads in tonights film, Evil Follows(2026)! Evil Follows: https://www.primevideo.com/detail/0JO22NI4KG3FPRAT8U6UH8ST9Z TNC: https://linktr.ee/thenightclubSpecial Guests: Benjamin L. Newmark, Brendan Rudnicki, Dylan DeVane, Grace Maddux, and Stuart Maxheimer.

Citizen Vigilante director UWE BOLL in an extended conversation on his film being a talking point, his cast, the production & a sequel, we veer off into various things.4 retro movies of vigilantes against lack of justice or the establishment.DEATH WISH (1974) SUDDEN DEATH (1985) MS. 45 (1981) AVENGING ANGEL (1985)https://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj

HELLCAT has an undeniable tour de force performance for Dakota Gorman, written, directed by Brock Bodell it's on Shudder, enjoy our conversation on behind the scenes memories and details on how Hellcat pieced together, then watch the movie or vice/versa. HELLCAT also starring top notch talent Liz Atwater, alongside Todd Terry. Streaming on SHUDDER around the world. https://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj

In this episode of the podcast, our host Ashley Scott Meyers talks with filmmaker Josh Folan. Our guest Josh Folan talks about his latest project, Room Tone: The Sound of The Room. This fun Doc interviews Zsolt Magyar and Tim D. Lioyd from the sound team on The Room (2003). Josh Folan shares some of […]

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: RYE LANE (2023)Director: Raine Allen MillerSYNOPSISTwo twenty-somethings reeling from bad breakups spend an eventful day wandering South London, helping each other face their nightmare exes and rediscovering the possibility of romance.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Joe Swanberg returns to In the Room with a lot to catch up on.As THE SUN NEVER SETS arrives in theaters September 4, Joe takes us inside his new film starring Dakota Fanning, Jake Johnson and Cory Michael Smith, including shooting on 35mm in Alaska, building scenes from real relationships and making a movie while parts of the emotional story were still unfolding in his own life.But we also go deep into the realities of independent filmmaking.Joe explains why he decided to produce five horror features back-to-back like a season of television, how recurring crews, actors and resources allowed them to rethink the traditional indie production model, and what happened when the financing disappeared before the movies were finished.He talks candidly about the stress of unfinished films, collaborators waiting to be paid, distribution money being used to cover finishing costs and the behind-the-scenes financial reality audiences rarely see.We also get into the young filmmakers who reignited his excitement for filmmaking, why a new generation is rediscovering his earliest microbudget work, making movies without waiting for permission, directing actors, improvisation, shooting on film, theatrical distribution, relationship movies, comedy and where independent cinema might be heading next.A conversation about making the work, surviving the work, and finding a reason to keep doing it.

Fiscal sponsorship can give independent filmmakers access to tax-deductible donations, in-kind contributions, grants, and other resources without changing how they ultimately monetize their films. No Film School's GG Hawkins speaks with filmmaker Lindsey St. Laurent and New Hollywood's Ian Mark about how fiscal sponsorship works, how filmmakers can make their projects more attractive to donors, and why sustainable working conditions should be built into an indie film's financial plan from the beginning. They also discuss practical ways to prevent burnout, make microbudget sets more efficient, leverage tax incentives, and build the relationships that can help filmmakers get their projects made. In this episode, No Film School's GG Hawkins and guests Lindsey St. Laurent and Ian Mark discuss... What fiscal sponsorship is and how it allows filmmakers to raise tax-deductible donations while still operating as a for-profit project when the film goes to market Why fiscal sponsorship can make donating to an independent film more appealing than a traditional equity investment How in-kind donations such as equipment, food, and other production resources can reduce a film's cash expenses Why fiscal sponsorship can add legitimacy when filmmakers approach corporations and local businesses for support New Hollywood's requirements for fiscally sponsored projects, including 12-hour maximum average workdays, 11-hour turnarounds, and protected meal breaks Why sustainable set culture and crew wellbeing can be part of a film's financing and production strategy Lindsey's preference for keeping production days under 10 hours and how extensive pre-production helps make that possible How table reads, storyboards, and careful crew selection can help prevent burnout and keep an indie production on schedule Why directors need a clear creative vision while remaining flexible when working with limited time and resources How filmmakers can make department heads' jobs easier by including them in scheduling and production-planning conversations The emotional demands placed on actors during fast-paced productions and why filmmakers should consider those demands when building a shooting schedule The importance of knowing your workplace rights, advocating for fair pay, and reading contracts on union and non-union productions How the current economic environment has made grants and corporate support more competitive for independent filmmakers Why filmmakers raising larger budgets should understand production tax credits and rebates before approaching investors How to approach potential donors as collaborators rather than simply asking them for money Why filmmakers should create momentum around a project and communicate that the production is moving forward with or without a particular donor Lindsey's advice to emerging filmmakers about building a community, supporting other filmmakers, and continuing to make work without waiting for ideal circumstances Ian's advice to learn as many filmmaking jobs as possible, create projects that fit the available budget, and maintain creative outlets while pursuing financing Why securing the first supporter, sponsor, or production partner can make subsequent partnerships easier to obtain Memorable Quotes: “The key thing for filmmakers to know is it doesn't affect the way you monetize your film at the end of the day.” “If I can put more energy into pre-production so that I'm supported to just, like, have summer camp fun on set the whole time, and I have the right people around me to support me, I'm gonna do it.” “Nobody is going to advocate for you on those sets except yourself, so it is good to know your rights.” “The first yes is the hardest one to get. Once you get that yes, the other yeses just start coming.” Guests: Lindsey St. Laurent Ian Mark Resources: New Hollywood — Nonprofit organization providing fiscal sponsorship to filmmakers who commit to improved working conditions. New Hollywood Fiscal Sponsorship — Information about the program, tax-deductible contributions, and production requirements. SASAENG / K-Pop Movie — Lindsey St. Laurent's film project and an example of fiscal sponsorship in practice. A More Perfect Union — Ian Mark's feature film. Entertainment Partners — Production resources and information about film and television incentives. Entertainment Partners has also published guidance on combining fiscal sponsorship with production incentives. Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Got questions on navigating the Indie film world? We've got answers!

A woman stops for a quick errand and returns to her car to find an abandoned old man in the front seat. Another woman fights to stay herself while the world around her turns cruel and unpredictable. Those are the sparks behind Saverio and XY, two LADFF short films that hit with humor, heartbreak, and the kind of specificity that makes a story feel uncomfortably universal.We sit down with writer-director Ellen Ancui to talk about her winding path from New York theater to TV writing, the “golden handcuffs” of stable work, and what finally pushed her to direct her debut film. She shares how a real encounter with elder abandonment led to Saverio, why “granny dumping” is more common than people think, and how you write a short film where every line earns its place. We also get practical about indie production: letting locations reshape the script, collaborating early with an editor, and making the set move faster through better communication.Then we're joined by director and director/co-writer Stephen Fleet and co-writer and star JL Perkell to unpack XY, authenticity in queer and trans storytelling, and the creative trust it takes to build a film together from page to edit. They break down a devastating one-take phone monologue, discuss the theme of how America fails its queer communities, and offer hard-won directing advice for anyone sitting on a script and waiting for permission.Subscribe for more filmmaker conversations, share this with a friend heading to a film festival, and leave a review with the moment that stayed with you.❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

In this episode of Pysho-Cinematic, Vic is joined by the writer, director, and star of "Mooch" (2025), Jeff Ryan.Watch Mooch here: https://www.moochfilm.com/#watch Follow me on IG: https://www.instagram.com/bigvicmedia?igsh=MWVvd3c5c2dyODN1ag%3D%3D&utm_source=qrFollow me on TikTok: https://www.tiktok.com/@bigvicmedia?_t=8nLBsEUZy0c&_r=1Psycho-Cinematic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2IdGuest: Jeff RyanFollow Jeff on IG: https://www.instagram.com/justjeffryan/?hl=en

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: EVELYN (2018).Director: Orlando von EinsiedelSYNOPSISWhen a 22-year-old kills himself, his three siblings try to bury their pain. Ten years later, they go on a hiking trip and seek out the places he liked to walk in the English countryside, allowing them to contemplate their brother's life.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

The conversation covers a range of topics, including the success of summer movies, the impact of superhero movie fatigue, the production of the movie 'The Odyssey,' and the challenges of indie filmmaking. It also delves into the issue of compensation for film crew members and the future of movie theaters.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: MOON (2009)Director: Duncan JonesCast: Sam Rockwell; Kevin Spacey; Dominique McElligott; Kaya ScodelarioSYNOPSISAstronaut Sam Bell's (Sam Rockwell) three-year shift at a lunar mine is finally coming to an end, and he's looking forward to his reunion with his wife (Dominique McElligott) and young daughter. Suddenly, Sam's health takes a drastic turn for the worse. He suffers painful headaches and hallucinations, and almost has a fatal accident. He meets what appears to be a younger version of himself, possibly a clone. With time running out, Sam must solve the mystery before the company crew arrives.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Send us Fan MailOn this episode of Induced Fear, Writer/Director Dylan Hora, Cinematographer Aydan Metsch, and Producer Sean Shannon chat with me to discuss their film "The Midnight After Prom" a horror slasher with the feel of the classic 80s movies we all love. These filmmakers really love what they're creating and it definitely shows in their work. From its conception to creation, we dive into what brought them on this path together, how its going, and what the future may have in store!Follow & Support The Midnight After Prominstagram: https://www.instagram.com/midnightafterpromgofundme: https://www.gofundme.com/f/support-the-midnight-after-prom-our-first-featureInduced Fear Contact Info:Email: inducedfearpod@gmail.comInstagram: https://www.instagram.com/inducedfearpodcast/Facebook: https://www.facebook.com/inducedfearpodcast/Youtube: https://www.youtube.com/channel/UCyw2Mtsb1KXArjwmwbQu3zQ

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: JIRO DREAMS OF SUSHI (2011)Director: David GelbCast: Jiro Ono; Masuhiro Yamamoto; Daisuke Nakazama; Harutaki TakahashiSYNOPSISA documentary about an octogenarian sushi master, his two sons, and the tiny restaurant in which they tirelessly work.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Cameron sits down with Jon Reiss and Marjan Safinia to examine the structural challenges facing independent filmmaking—and why many of the assumptions that shaped the last two decades no longer hold.Jon is a filmmaker, author, and media strategist whose book Think Outside the Box Office has become a key resource for independent filmmakers thinking seriously about audience building and distribution. Through his company 8 Above, he creates custom audience-building strategies, theatrical experiences, and digital release campaigns for independent features and documentaries—and actively distributes films himself, most recently bringing The Librarians to over 200 theaters. He has consulted with hundreds of filmmakers and organizations worldwide, helped run the IFP/Gotham Filmmaker Lab for a decade, and founded the 8 Above Distribution Lab to teach filmmakers how to distribute and market their work.Marjan is an Iranian documentary filmmaker whose work—including Seeds and But You Speak Such Good English—has played at over 100 international festivals and been broadcast across North America, Europe, and the Arab world. She is the longest-serving president of the International Documentary Association and the only woman of color to have led the organization since its founding in 1982. A member of the Academy of Motion Picture Arts & Sciences Documentary Branch and a Sundance Catalyst Fellow, she is also a board member of Chicken & Egg Pictures and co-hosts The D-Word, a leading online documentary community.Jon is also the co-founder and board president of the Future Film Coalition, formed in 2025 to unite independent film professionals and organizations in building collective power, securing visibility, and shaping public policy that ensures U.S. independent filmmaking continues to flourish. Marjan is an active member of the coalition. In this conversation, Jon and Marjan discuss how financing, distribution, discoverability, and audience behavior have fundamentally shifted—and why the biggest challenge facing independent filmmakers today isn't getting a film made, but building a sustainable path for it to reach an audience. They explore why distribution thinking needs to begin at the development stage, how marketing and audience strategy have become inseparable from production, and why the changing economics of streaming and theatrical exhibition make direct audience relationships more important than ever.Finally, Jon and Marjan discuss the Future Film Coalition's broader advocacy work, including efforts to address media consolidation, strengthen tax credit programs across the country, and make the case to policymakers and regulators that independent film is a significant economic force in communities across the United States.The views and opinions expressed by guests on this podcast are solely their own and do not reflect the views of Wrapbook, its employees, or affiliates.ABOUT WRAPBOOKWrapbook is the AI platform for production finance.Built for today's fast-moving production landscape, Wrapbook brings payroll, spend, and accounting into one AI-powered system—giving production teams the tools they need to do more, faster.Built for features, TV, or commercials—Wrapbook helps the industry's biggest production companies stay compliant, track every dollar in real time, and eliminate the paper-chasing that slows everything down. AI handles the busywork—reading invoices, flagging issues, syncing data—so your team can focus on the work that really matters.But software is only half the story. Wrapbook pairs powerful automation with concierge support from industry experts who've worked on set and know what's at stake. It's how the best production teams scale smarter, protect their budgets, and keep their crews happy.See how Wrapbook is a force multiplier for production finance teams at www.wrapbook.com.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: OVERNIGHT (2003)Directors: Tony Montana; Mark Brian SmithCast: Troy Duffy; Harvey Weinstein; Chris BrinkerSYNOPSISThis documentary follows Troy Duffy, a brash, foul-mouthed bartender whose screenplay for an action film called "Boondock Saints" scores him a generous contract to write and direct the film for Harvey Weinstein at Miramax Studios. Duffy's band, the Brood, is also in the midst of signing a contract with Madonna's Maverick Records. Duffy's fiery manner is instrumental to his success, but when the deals go sour, no one seems safe from his explosive temper.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Can you tell if an indie film will sell in the first five minutes? In this episode, Tom Malloy explains the key signals distributors and sales agents look for during a pitch—from your hook and artwork to your trailer and marketing plan. Learn how to present your project like a professional and dramatically improve your chances of getting meetings, offers, and distribution.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: RACHEL GETTING MARRIED (2008)Director: Jonathan DemmeScreenplay: Jenny LumetStars: Anne Hathaway; Rosemarie DeWitt; Bill Irwin; Debra WingerSYNOPSISA young woman who has been in and out of rehab for the past ten years returns home for the weekend for her sister's weddingSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Something is shifting in independent film right now, and Ron Cohen, one of the producers on June July and a veteran of physical production, is exactly the person to make sense of it. Chris and Daniel bring him in for a wide-ranging conversation that touches on everything from The Odyssey's marketing to the A24 backlash of the moment, but the real news is that the team just wrapped a shoot on June July, and Ron walks through how it actually went. The conversation moves into the details of that shoot, where fully ray traced and relightable Gaussian splats, an unplanned split diopter, and a crew that improvised through a rough second day produced a shot nobody storyboarded. Ron also weighs in on private equity's growing role in indie film financing, the five to ten million dollar sweet spot for creative freedom, and what the Warner Bros/Paramount consolidation could open up for smaller studios willing to bet on story over stars. References mentioned: A24 Google DeepMind The Odyssey Warner Bros / Paramount Sponsors: Center Grid Virtual Studio: https://cgvirtualstudio.com/

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: SHOT CALLER (2017)Director: Ric Roman WaughWritten By: Ric Roman WaughStars: Nikolaj Coster-Waldau; Omari Hardwick; Lake Bell; Jon BernthalSYNOPSISA California stockbroker is arrested and charged for a fatal DUI accident, and on his lawyer's advice, takes a plea deal which sees him sentenced to 16 months in prison. While incarcerated, he becomes involved with a violent white supremacist gang.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

If you win "Best Feature" at a film festival, but the festival doesn't give you a trophy, can you make your own trophy? Or is that too cringe? Spouses and filmmakers Kaye and Mariel disagree! Their film THE REBRAND (trailer here) won several film festival awards! But most of the festival organizations did not provide trophies, or any physical representation of the win for that matter. Kaye wants to design and 3-D print her own trophies to commemorate the occasion, and to serve as a reminder that "they like her They really like her!" But, while Mariel is proud of the work they have done and the awards they received, she's also trying to rely less on external validation. Who's right? Who's wrong?  If you want to check out the Obscure Cultural Reference, tap here! Thanks to reddit user u/dihydrogenmonoxidesoup for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Thanks to Christian Duguay for letting us close the show with "Frisbee Golf (The Legend Of Tom Clutch)" by Cephalopods Are People! Make sure to check out the Valley Heat podcast if you haven't already. Start at episode 1 and enjoy the ride that is this hilarious show! SUBSCRIBE TO THIS PODCAST in APPLE PODCASTS or the RSS FEED ---Judge John Hodgman is member-supported! Become a member to unlock special bonus episodes and more. Memberships start at just $5 a month. Just tap here!

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: LEFT-HANDED GIRL (2025)Director: Shih-Ching TsouWriters: Shih-Ching Tsou; Sean BakerStars: Janel Tsai; Shih-Yuan Ma; Nina YeSYNOPSISAfter a single mother and her two daughters return to Taipei to start anew, their fragile family dynamic is tested by debt and a dying patriarch. But when the traditional grandfather strictly forbids the youngest, left-handed granddaughter from using her 'devil hand,' generations of deep-seated family secrets begin to unravel.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Madhouse Films co-founders Katherine Romans and Charlie Traisman join GG Hawkins to explain how they built an independent production company from the ground up. They discuss using short films as their version of film school, raising project financing through relationship-building, approaching investors as creative partners, and transitioning from shorts to feature films. The conversation also explores cold outreach, fiscal sponsorship, balancing artistic ambition with financial realities, building durable producing partnerships, and why filmmakers must treat their projects like small businesses. In this episode, No Film School's GG Hawkins and guests Katherine Romans and Charlie Traisman discuss... How Romans and Traisman's longtime friendship developed into a creative and business partnership Using short films to establish Madhouse Films' voice, values, and community of collaborators Why emerging producers should make projects before waiting for the perfect opportunity Raising a flexible pool of financing while simultaneously developing and producing films Identifying different investor profiles and understanding what each person wants from participating Approaching investors as creative partners rather than treating fundraising as a transaction Using fiscal sponsorship to accept tax-deductible donations for qualifying independent film projects Reframing fundraising and relationship-building as part of a filmmaker's creative practice Why clear, direct financial asks are more effective than vague pitches Learning from rejection and using each “no” to improve the next approach How cold emails helped Madhouse build relationships with filmmakers they admired Transitioning from short-film fundraising to feature-film financing, revenue participation, and ROI conversations Giving filmmakers room to dream while establishing practical budget boundaries Deciding which creative priorities are worth protecting and where compromises can be made Maintaining trust, communication, and humor within a producing partnership Why directors should act as entrepreneurs and actively help their producers find financing Treating an independent film like a small business that must be continually pushed toward completion Developing Madhouse Films' new film fund and expanding what audiences consider a Madhouse project Memorable Quotes: “The whole process of raising and relationship building is extraordinarily fluid and nonlinear.” “You don't want money from just anyone. You do want someone who's aligned with you because they're part of your team.” “Because someone says no does not mean you stop asking. You just have to understand how to ask better.” “If you're getting no's, it means you're putting yourself out there.” Guests: Katherine Romans Charlie Traisman Resources: Madhouse Films Madhouse Films on Instagram Madhouse Films Newsletter Fractured Atlas Fiscal Sponsorship Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

What does it really take to make an independent film with almost no money, no studio backing, and no guarantees?In this episode, filmmakers Bob Woolsey and Darren Borrowman break down the entire chaotic journey of making their indie feature film Do Something with Your Life—from crowdfunding disasters and broken cameras to film festivals, self-distribution, and the harsh realities of today's indie film marketplace. Along the way, they share invaluable lessons about collaboration, creativity, and why waiting for permission is the fastest way to never make your movie.The conversation dives deep into crowdfunding strategy, low-budget filmmaking hacks, horror film distribution, DSLR filmmaking, building long-term creative teams, and the emotional rollercoaster of surviving post-production. Bob and Darren reveal why modern filmmakers must think beyond just making the movie and start planning distribution from day one. This is a masterclass in DIY filmmaking from two creators who learned everything the hard way—and kept going anyway.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Send us Fan MailJoining us on this episode is director, co-writer, and actor Britt Bankhead along with his co-star Grace Patterson for the film The Town That Takes,  a supernatural horror thriller inspired by Croatoan hitting select theaters Friday, July 10, 2026.  Follow us on Social Media:  @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

From Docs to Drama: Morgan Matthews on Directing 500 Miles & Funding Indie Films How do you take the run-and-gun instincts of a documentary filmmaker and apply them to a highly structured narrative feature? This week on The Filmmakers Podcast, Giles Alderson sits down with the phenomenal writer and director Morgan Matthews to find out. Morgan shares his incredible journey from studying photography to directing BAFTA-winning documentaries, and eventually transitioning into the world of feature films. We take a deep dive into the making of his latest film, 500 Miles, an ambitious road movie shot across the unpredictable landscapes of Ireland. Morgan shares the unvarnished truth about the indie hustle, from securing financing to managing the brutal logistics of shooting on ferries and in extreme weather.

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: PAYING FOR IT (2024)Director: Sook-Yin LeeStory by: Chester BrownStars: Emily Lê; Andrea Werhun; Dan BeirneSYNOPSISWhen an introverted cartoonist's girlfriend wants to redefine their relationship, he begins sleeping with sex workers and discovers a new kind of intimacy in the process.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

We have a masterpiece painting to finish, the rent is due and we're all out of drugs. Join us for a Midnight Ritual of the neon drenched eye bukkake from Joe Begos, Bliss(2019)! TNC: https://linktr.ee/thenightclub

The Evil Dead franchise holds a special place in our hearts. It is a part of our youth and brings back lots of pleasant memories. There has also never been anything like it. We talk about how the new Evil Dead movies are continuing to live up to the awesome legacy. We also spend some time discussing how two horror icons have finally come together. There have been a ton of sharksploitation movies over the decades since Jaws invented the sub-genre. On this show alone, we have gone to Venice, Mexico, and Malta in search of great sharksploitation. It has been a mixed bag, to say the least. Along with shark movies, there have been tons of killer animal flicks. We have even managed to cover a few. Hungry provided us with something new. To the best of our knowledge, it is the first hippo horror movie. Being the first means there are some pretty glaring missteps. But when the film is firing on all cylinders, it is something to behold. Did we just witness the first good use of AI? Can you find hippos in the wild in North America? How important are well written characters in an “when animals attack movie”? Why did we talk about all this when there was a killer hippo running rampant? We discuss all this and more. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

Noyer on filmmaking, Tax Incentives, Folk Horror, and Directing Love is the Monster What do you do when your folk horror film is deeply rooted in Finnish mythology, but the financing dictates you have to shoot it in Canada? You adapt, you pivot, and you get your movie made. This week on The Filmmakers Podcast, Giles Alderson sits down with returning guest, writer-director, and genre champion Alex Noyer (Sound of Violence) to unpack the production of his latest feature, the creature-feature folk horror Love is the Monster. Starring Madeline Zima and Leonardo Nam, the film follows a toxic couple whose trip to a remote wellness retreat plunges them into a deadly mythological ritual. Alex strips back the curtain on the grueling reality of independent film financing, sharing the exact strategic choices that moved his production across the globe to secure the best tax rebates possible.

"Obsession," directed by Curry Barker, is an indie film that has become a surprise blockbuster film. The Apes give their thoughts on why it works and why streaming services ought to take notes. 

This week we welcome cinematographer Julia Swain back on the show to talk about shooting her first Studio Feature Voicemails for Isabelle, how she got attached to the film and all about her career achievements since we last chatted! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Watch This Episode On YouTubeWatch STRAIGHT TO HELL On Criterion ChannelEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: STRAIGHT TO HELL (1987)Director: Alex CoxWriters: Dick Rude; Alex CoxStars: Joe Strummer; Dick Rude; Courtney LoveSYNOPSISThree bank robbers (Sy Richardson, Joe Strummer, Dick Rude) and a pregnant woman tear up a desert town.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

The indie film financing landscape has changed dramatically. In this episode, I break down the new rules filmmakers need to understand before raising money, including realistic revenue projections, changing international sales, budget sizing, marketable elements, and why educating yourself on actual film revenues can make the difference between a fundable project and a fantasy.

In this episode of Best in Fest, host Leslie LaPage sits down with Elissa Shay. actress, writer, and producer, to break down her journey from struggling to find the right roles in Hollywood to producing and starring in her own feature film, Fractured.After facing challenges as a mixed-ethnicity actress in an industry that often struggles with representation, Elissa took control of her career—writing, producing, and financing projects that aligned with her purpose and creative voice.

What does it really take to make an independent film with almost no money, no studio backing, and no guarantees?In this episode, filmmakers Bob Woolsey and Darren Borrowman break down the entire chaotic journey of making their indie feature film Do Something with Your Life—from crowdfunding disasters and broken cameras to film festivals, self-distribution, and the harsh realities of today's indie film marketplace. Along the way, they share invaluable lessons about collaboration, creativity, and why waiting for permission is the fastest way to never make your movie.The conversation dives deep into crowdfunding strategy, low-budget filmmaking hacks, horror film distribution, DSLR filmmaking, building long-term creative teams, and the emotional rollercoaster of surviving post-production. Bob and Darren reveal why modern filmmakers must think beyond just making the movie and start planning distribution from day one. This is a masterclass in DIY filmmaking from two creators who learned everything the hard way—and kept going anyway.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

What really stops independent filmmakers from succeeding?According to producer and actress Jenna Edwards, it's not talent, money, or even connections—it's the complete lack of a real plan. In this powerful conversation, Jenna shares the hard truths she learned moving from acting on shows like Buffy the Vampire Slayer and Malcolm in the Middle into producing independent films. From networking mistakes to ego-driven productions, she explains why most projects collapse long before the camera ever rolls.But beneath the filmmaking advice is an even deeper story of resilience. After surviving a horrific tragedy that nearly ended her career, Jenna rebuilt her life from the ground up and discovered a new perspective on storytelling, creativity, and collaboration. This episode becomes more than a conversation about filmmaking—it becomes a blueprint for how artists survive the chaos of the industry without losing themselves in the process.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

What really stops independent filmmakers from succeeding?According to producer and actress Jenna Edwards, it's not talent, money, or even connections—it's the complete lack of a real plan. In this powerful conversation, Jenna shares the hard truths she learned moving from acting on shows like Buffy the Vampire Slayer and Malcolm in the Middle into producing independent films. From networking mistakes to ego-driven productions, she explains why most projects collapse long before the camera ever rolls.But beneath the filmmaking advice is an even deeper story of resilience. After surviving a horrific tragedy that nearly ended her career, Jenna rebuilt her life from the ground up and discovered a new perspective on storytelling, creativity, and collaboration. This episode becomes more than a conversation about filmmaking—it becomes a blueprint for how artists survive the chaos of the industry without losing themselves in the process.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.