Podcasts about indie films

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: MOON (2009)Director: Duncan JonesCast: Sam Rockwell; Kevin Spacey; Dominique McElligott; Kaya ScodelarioSYNOPSISAstronaut Sam Bell's (Sam Rockwell) three-year shift at a lunar mine is finally coming to an end, and he's looking forward to his reunion with his wife (Dominique McElligott) and young daughter. Suddenly, Sam's health takes a drastic turn for the worse. He suffers painful headaches and hallucinations, and almost has a fatal accident. He meets what appears to be a younger version of himself, possibly a clone. With time running out, Sam must solve the mystery before the company crew arrives.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: JIRO DREAMS OF SUSHI (2011)Director: David GelbCast: Jiro Ono; Masuhiro Yamamoto; Daisuke Nakazama; Harutaki TakahashiSYNOPSISA documentary about an octogenarian sushi master, his two sons, and the tiny restaurant in which they tirelessly work.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Cameron sits down with Jon Reiss and Marjan Safinia to examine the structural challenges facing independent filmmaking—and why many of the assumptions that shaped the last two decades no longer hold.Jon is a filmmaker, author, and media strategist whose book Think Outside the Box Office has become a key resource for independent filmmakers thinking seriously about audience building and distribution. Through his company 8 Above, he creates custom audience-building strategies, theatrical experiences, and digital release campaigns for independent features and documentaries—and actively distributes films himself, most recently bringing The Librarians to over 200 theaters. He has consulted with hundreds of filmmakers and organizations worldwide, helped run the IFP/Gotham Filmmaker Lab for a decade, and founded the 8 Above Distribution Lab to teach filmmakers how to distribute and market their work.Marjan is an Iranian documentary filmmaker whose work—including Seeds and But You Speak Such Good English—has played at over 100 international festivals and been broadcast across North America, Europe, and the Arab world. She is the longest-serving president of the International Documentary Association and the only woman of color to have led the organization since its founding in 1982. A member of the Academy of Motion Picture Arts & Sciences Documentary Branch and a Sundance Catalyst Fellow, she is also a board member of Chicken & Egg Pictures and co-hosts The D-Word, a leading online documentary community.Jon is also the co-founder and board president of the Future Film Coalition, formed in 2025 to unite independent film professionals and organizations in building collective power, securing visibility, and shaping public policy that ensures U.S. independent filmmaking continues to flourish. Marjan is an active member of the coalition. In this conversation, Jon and Marjan discuss how financing, distribution, discoverability, and audience behavior have fundamentally shifted—and why the biggest challenge facing independent filmmakers today isn't getting a film made, but building a sustainable path for it to reach an audience. They explore why distribution thinking needs to begin at the development stage, how marketing and audience strategy have become inseparable from production, and why the changing economics of streaming and theatrical exhibition make direct audience relationships more important than ever.Finally, Jon and Marjan discuss the Future Film Coalition's broader advocacy work, including efforts to address media consolidation, strengthen tax credit programs across the country, and make the case to policymakers and regulators that independent film is a significant economic force in communities across the United States.The views and opinions expressed by guests on this podcast are solely their own and do not reflect the views of Wrapbook, its employees, or affiliates.ABOUT WRAPBOOKWrapbook is the AI platform for production finance.Built for today's fast-moving production landscape, Wrapbook brings payroll, spend, and accounting into one AI-powered system—giving production teams the tools they need to do more, faster.Built for features, TV, or commercials—Wrapbook helps the industry's biggest production companies stay compliant, track every dollar in real time, and eliminate the paper-chasing that slows everything down. AI handles the busywork—reading invoices, flagging issues, syncing data—so your team can focus on the work that really matters.But software is only half the story. Wrapbook pairs powerful automation with concierge support from industry experts who've worked on set and know what's at stake. It's how the best production teams scale smarter, protect their budgets, and keep their crews happy.See how Wrapbook is a force multiplier for production finance teams at www.wrapbook.com.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: OVERNIGHT (2003)Directors: Tony Montana; Mark Brian SmithCast: Troy Duffy; Harvey Weinstein; Chris BrinkerSYNOPSISThis documentary follows Troy Duffy, a brash, foul-mouthed bartender whose screenplay for an action film called "Boondock Saints" scores him a generous contract to write and direct the film for Harvey Weinstein at Miramax Studios. Duffy's band, the Brood, is also in the midst of signing a contract with Madonna's Maverick Records. Duffy's fiery manner is instrumental to his success, but when the deals go sour, no one seems safe from his explosive temper.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Can you tell if an indie film will sell in the first five minutes? In this episode, Tom Malloy explains the key signals distributors and sales agents look for during a pitch—from your hook and artwork to your trailer and marketing plan. Learn how to present your project like a professional and dramatically improve your chances of getting meetings, offers, and distribution.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: RACHEL GETTING MARRIED (2008)Director: Jonathan DemmeScreenplay: Jenny LumetStars: Anne Hathaway; Rosemarie DeWitt; Bill Irwin; Debra WingerSYNOPSISA young woman who has been in and out of rehab for the past ten years returns home for the weekend for her sister's weddingSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Enchanting, interesting, vibrant, talented MELANIE FIELD is uproarious in Home Delivery as an about-to-give-birth member of a chaotic family.Melanie is in rarely seen Heathers (television series film adaptation) A League of their Own (another TV adaptation) and Florida Girls. Enjoy the conversation on Home Delivery and diverse career so far.HOME DELIVERYrent/buy digital platforms Eagle Entertainment Australiaalso with Lesley Anne Warren, Peter MacNicol, Jimmi Simpson, Traci Thoms, Donald Faison, Joe Pantolianohttps://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj

Something is shifting in independent film right now, and Ron Cohen, one of the producers on June July and a veteran of physical production, is exactly the person to make sense of it. Chris and Daniel bring him in for a wide-ranging conversation that touches on everything from The Odyssey's marketing to the A24 backlash of the moment, but the real news is that the team just wrapped a shoot on June July, and Ron walks through how it actually went. The conversation moves into the details of that shoot, where fully ray traced and relightable Gaussian splats, an unplanned split diopter, and a crew that improvised through a rough second day produced a shot nobody storyboarded. Ron also weighs in on private equity's growing role in indie film financing, the five to ten million dollar sweet spot for creative freedom, and what the Warner Bros/Paramount consolidation could open up for smaller studios willing to bet on story over stars. References mentioned: A24 Google DeepMind The Odyssey Warner Bros / Paramount Sponsors: Center Grid Virtual Studio: https://cgvirtualstudio.com/

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: SHOT CALLER (2017)Director: Ric Roman WaughWritten By: Ric Roman WaughStars: Nikolaj Coster-Waldau; Omari Hardwick; Lake Bell; Jon BernthalSYNOPSISA California stockbroker is arrested and charged for a fatal DUI accident, and on his lawyer's advice, takes a plea deal which sees him sentenced to 16 months in prison. While incarcerated, he becomes involved with a violent white supremacist gang.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

If you win "Best Feature" at a film festival, but the festival doesn't give you a trophy, can you make your own trophy? Or is that too cringe? Spouses and filmmakers Kaye and Mariel disagree! Their film THE REBRAND (trailer here) won several film festival awards! But most of the festival organizations did not provide trophies, or any physical representation of the win for that matter. Kaye wants to design and 3-D print her own trophies to commemorate the occasion, and to serve as a reminder that "they like her They really like her!" But, while Mariel is proud of the work they have done and the awards they received, she's also trying to rely less on external validation. Who's right? Who's wrong?  If you want to check out the Obscure Cultural Reference, tap here! Thanks to reddit user u/dihydrogenmonoxidesoup for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Thanks to Christian Duguay for letting us close the show with "Frisbee Golf (The Legend Of Tom Clutch)" by Cephalopods Are People! Make sure to check out the Valley Heat podcast if you haven't already. Start at episode 1 and enjoy the ride that is this hilarious show! SUBSCRIBE TO THIS PODCAST in APPLE PODCASTS or the RSS FEED ---Judge John Hodgman is member-supported! Become a member to unlock special bonus episodes and more. Memberships start at just $5 a month. Just tap here!

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: LEFT-HANDED GIRL (2025)Director: Shih-Ching TsouWriters: Shih-Ching Tsou; Sean BakerStars: Janel Tsai; Shih-Yuan Ma; Nina YeSYNOPSISAfter a single mother and her two daughters return to Taipei to start anew, their fragile family dynamic is tested by debt and a dying patriarch. But when the traditional grandfather strictly forbids the youngest, left-handed granddaughter from using her 'devil hand,' generations of deep-seated family secrets begin to unravel.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Madhouse Films co-founders Katherine Romans and Charlie Traisman join GG Hawkins to explain how they built an independent production company from the ground up. They discuss using short films as their version of film school, raising project financing through relationship-building, approaching investors as creative partners, and transitioning from shorts to feature films. The conversation also explores cold outreach, fiscal sponsorship, balancing artistic ambition with financial realities, building durable producing partnerships, and why filmmakers must treat their projects like small businesses. In this episode, No Film School's GG Hawkins and guests Katherine Romans and Charlie Traisman discuss... How Romans and Traisman's longtime friendship developed into a creative and business partnership Using short films to establish Madhouse Films' voice, values, and community of collaborators Why emerging producers should make projects before waiting for the perfect opportunity Raising a flexible pool of financing while simultaneously developing and producing films Identifying different investor profiles and understanding what each person wants from participating Approaching investors as creative partners rather than treating fundraising as a transaction Using fiscal sponsorship to accept tax-deductible donations for qualifying independent film projects Reframing fundraising and relationship-building as part of a filmmaker's creative practice Why clear, direct financial asks are more effective than vague pitches Learning from rejection and using each “no” to improve the next approach How cold emails helped Madhouse build relationships with filmmakers they admired Transitioning from short-film fundraising to feature-film financing, revenue participation, and ROI conversations Giving filmmakers room to dream while establishing practical budget boundaries Deciding which creative priorities are worth protecting and where compromises can be made Maintaining trust, communication, and humor within a producing partnership Why directors should act as entrepreneurs and actively help their producers find financing Treating an independent film like a small business that must be continually pushed toward completion Developing Madhouse Films' new film fund and expanding what audiences consider a Madhouse project Memorable Quotes: “The whole process of raising and relationship building is extraordinarily fluid and nonlinear.” “You don't want money from just anyone. You do want someone who's aligned with you because they're part of your team.” “Because someone says no does not mean you stop asking. You just have to understand how to ask better.” “If you're getting no's, it means you're putting yourself out there.” Guests: Katherine Romans Charlie Traisman Resources: Madhouse Films Madhouse Films on Instagram Madhouse Films Newsletter Fractured Atlas Fiscal Sponsorship Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

What does it really take to make an independent film with almost no money, no studio backing, and no guarantees?In this episode, filmmakers Bob Woolsey and Darren Borrowman break down the entire chaotic journey of making their indie feature film Do Something with Your Life—from crowdfunding disasters and broken cameras to film festivals, self-distribution, and the harsh realities of today's indie film marketplace. Along the way, they share invaluable lessons about collaboration, creativity, and why waiting for permission is the fastest way to never make your movie.The conversation dives deep into crowdfunding strategy, low-budget filmmaking hacks, horror film distribution, DSLR filmmaking, building long-term creative teams, and the emotional rollercoaster of surviving post-production. Bob and Darren reveal why modern filmmakers must think beyond just making the movie and start planning distribution from day one. This is a masterclass in DIY filmmaking from two creators who learned everything the hard way—and kept going anyway.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Send us Fan MailJoining us on this episode is director, co-writer, and actor Britt Bankhead along with his co-star Grace Patterson for the film The Town That Takes,  a supernatural horror thriller inspired by Croatoan hitting select theaters Friday, July 10, 2026.  Follow us on Social Media:  @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

From Docs to Drama: Morgan Matthews on Directing 500 Miles & Funding Indie Films How do you take the run-and-gun instincts of a documentary filmmaker and apply them to a highly structured narrative feature? This week on The Filmmakers Podcast, Giles Alderson sits down with the phenomenal writer and director Morgan Matthews to find out. Morgan shares his incredible journey from studying photography to directing BAFTA-winning documentaries, and eventually transitioning into the world of feature films. We take a deep dive into the making of his latest film, 500 Miles, an ambitious road movie shot across the unpredictable landscapes of Ireland. Morgan shares the unvarnished truth about the indie hustle, from securing financing to managing the brutal logistics of shooting on ferries and in extreme weather.

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: PAYING FOR IT (2024)Director: Sook-Yin LeeStory by: Chester BrownStars: Emily Lê; Andrea Werhun; Dan BeirneSYNOPSISWhen an introverted cartoonist's girlfriend wants to redefine their relationship, he begins sleeping with sex workers and discovers a new kind of intimacy in the process.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

We have a masterpiece painting to finish, the rent is due and we're all out of drugs. Join us for a Midnight Ritual of the neon drenched eye bukkake from Joe Begos, Bliss(2019)! TNC: https://linktr.ee/thenightclub

The Evil Dead franchise holds a special place in our hearts. It is a part of our youth and brings back lots of pleasant memories. There has also never been anything like it. We talk about how the new Evil Dead movies are continuing to live up to the awesome legacy. We also spend some time discussing how two horror icons have finally come together. There have been a ton of sharksploitation movies over the decades since Jaws invented the sub-genre. On this show alone, we have gone to Venice, Mexico, and Malta in search of great sharksploitation. It has been a mixed bag, to say the least. Along with shark movies, there have been tons of killer animal flicks. We have even managed to cover a few. Hungry provided us with something new. To the best of our knowledge, it is the first hippo horror movie. Being the first means there are some pretty glaring missteps. But when the film is firing on all cylinders, it is something to behold. Did we just witness the first good use of AI? Can you find hippos in the wild in North America? How important are well written characters in an “when animals attack movie”? Why did we talk about all this when there was a killer hippo running rampant? We discuss all this and more. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

Noyer on filmmaking, Tax Incentives, Folk Horror, and Directing Love is the Monster What do you do when your folk horror film is deeply rooted in Finnish mythology, but the financing dictates you have to shoot it in Canada? You adapt, you pivot, and you get your movie made. This week on The Filmmakers Podcast, Giles Alderson sits down with returning guest, writer-director, and genre champion Alex Noyer (Sound of Violence) to unpack the production of his latest feature, the creature-feature folk horror Love is the Monster. Starring Madeline Zima and Leonardo Nam, the film follows a toxic couple whose trip to a remote wellness retreat plunges them into a deadly mythological ritual. Alex strips back the curtain on the grueling reality of independent film financing, sharing the exact strategic choices that moved his production across the globe to secure the best tax rebates possible.

"Obsession," directed by Curry Barker, is an indie film that has become a surprise blockbuster film. The Apes give their thoughts on why it works and why streaming services ought to take notes. 

Ottawa's high-speed rail project is exploring a route change that could add a Kingston stop — a move that might broaden support, but also complicate the line's speed and politics. Plus, Google is reportedly investing $75M in indie studio A24 to build AI film tools, putting the “creative-first” brand in a tricky spot as Hollywood weighs cost savings against reputational risk and job losses.The Peak Daily is produced in partnership with reframevid.com

This week we welcome cinematographer Julia Swain back on the show to talk about shooting her first Studio Feature Voicemails for Isabelle, how she got attached to the film and all about her career achievements since we last chatted! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Watch This Episode On YouTubeWatch STRAIGHT TO HELL On Criterion ChannelEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: STRAIGHT TO HELL (1987)Director: Alex CoxWriters: Dick Rude; Alex CoxStars: Joe Strummer; Dick Rude; Courtney LoveSYNOPSISThree bank robbers (Sy Richardson, Joe Strummer, Dick Rude) and a pregnant woman tear up a desert town.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

The indie film financing landscape has changed dramatically. In this episode, I break down the new rules filmmakers need to understand before raising money, including realistic revenue projections, changing international sales, budget sizing, marketable elements, and why educating yourself on actual film revenues can make the difference between a fundable project and a fantasy.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: LURKER (2025)Director: Alex RussellWriter: Alex RussellStars: Théodore Pellerin; Archie Madekwe; Havana Rose Liu;SYNOPSISA retail employee infiltrates the inner circle of an artist on the verge of stardom. As he gets closer to the budding music star, access and proximity become a matter of life and death.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Ann sits down with Waco Indie Film Festival founders Louis Hunter and Samuel Thomas to discuss this year's fest screenings, attractions and celebrity guest appearances, including Elizabeth Tabish ("The Chosen").See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: OUT OF LOVE (2025)Director: Nathan AmbrosioniWriter: Nathan AmbrosioniStars: Camille Cottin; Monia Chokri; Juliette ArmanetSYNOPSISA woman is forced to take care of her niece and nephew after their mother voluntarily disappears.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Welcome back for another exciting Discovery of Indie Film! Zeshaan Younus came on the podcast to speak about his film “I've Seen All I Need To See,” which was a SOFF 2025 Official Selection: Feature Film – Drama. I’m clearly not the only one who saw what they needed to see to know this was a terrific film because it took home the Grand Jury Award – Best Feature Film –Drama,  Grand Jury Award – Best Director – Feature Film – Zeshaan Younus, Grand Jury Award – Best Score – Feature Film – Benjamin Doherty, Grand Jury Award – Best Sound Design – Feature Film – Aidan Neuner AND the Audience Award – Best Feature Film. You probably want to watch this film right now and you can! Click here to see where to watch Zeshaan’s feature film I’VE SEEN ALL I NEED TO SEE Click here to watch Zeshaan’s previous feature film THE BUILDOUT on Tubi for free. Click here to watch Zeshaan’s short film PREFIGURED on Youtube/Dust. You can also find out more on IG @isaintsfilm _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Links DIF Podcast Website – DIF Instagram – DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Website Sherman Oaks Film Festival Film Invasion Los Angeles

In this episode of Best in Fest, host Leslie LaPage sits down with Elissa Shay. actress, writer, and producer, to break down her journey from struggling to find the right roles in Hollywood to producing and starring in her own feature film, Fractured.After facing challenges as a mixed-ethnicity actress in an industry that often struggles with representation, Elissa took control of her career—writing, producing, and financing projects that aligned with her purpose and creative voice.

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: FIRST GROWTH (2015)Director: Jérôme Le GrisWriters: Vanessa Portal; Rémi Bezançon; Jérôme Le GrisStars: Gérard Lanvin; Jalil Lespert; Alice TaglioniSYNOPSISCharlie must take over operation of his family's vineyard when it nears bankruptcy. He gambles on the farm's future by using traditional methods that went away with the introduction of new technology.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

Why do so many indie films fail to find an audience? In this episode, I break down the biggest reasons independent films struggle after release, including oversaturated marketplaces, weak marketing strategies, ineffective artwork and trailers, and relying too heavily on distributors. You'll learn practical ways to improve your film marketing, reach the right audience, and give your movie a better chance of success in today's competitive film distribution landscape.

What does it really take to make an independent film with almost no money, no studio backing, and no guarantees?In this episode, filmmakers Bob Woolsey and Darren Borrowman break down the entire chaotic journey of making their indie feature film Do Something with Your Life—from crowdfunding disasters and broken cameras to film festivals, self-distribution, and the harsh realities of today's indie film marketplace. Along the way, they share invaluable lessons about collaboration, creativity, and why waiting for permission is the fastest way to never make your movie.The conversation dives deep into crowdfunding strategy, low-budget filmmaking hacks, horror film distribution, DSLR filmmaking, building long-term creative teams, and the emotional rollercoaster of surviving post-production. Bob and Darren reveal why modern filmmakers must think beyond just making the movie and start planning distribution from day one. This is a masterclass in DIY filmmaking from two creators who learned everything the hard way—and kept going anyway.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Detroit meets Hollywood on this episode of the Shad Vs Everybody Podcast as Shad chops it up with actor, producer, author and media personality Lester Greene — a true grinder whose story is built on hustle, creativity and persistence. From driving buses in New York City while chasing his acting dreams to landing roles in hit productions like Wu-Tang: An American Saga, Power, Gotham and multiple independent films, Lester Greene proves what happens when talent collides with determination.The conversation goes deep into Lester's journey through the entertainment industry, producing independent films through his company Lubey Jube Productions, hosting The Lester Greene Talk Show on Roku and Fire TV, and balancing acting, writing, music and entrepreneurship all at once. The energy gets real as Shad and Lester discuss surviving the grind, staying creative in a crowded industry, independent Black filmmaking, and what it really takes to build your own lane without waiting for Hollywood to hand you permission.Known for appearances in films like Driving Force, Father May I, Repay It in Blood and more, Lester Greene brings raw insight, motivation and behind-the-scenes stories from the world of indie cinema and television.If you're into independent film, Detroit culture, acting, entrepreneurship, entertainment industry gems, or real conversations with people actually putting in work — this episode is for you.

On this fresh from the grave episode of Death By DVD filmmaker Jeremy Berkowitz returns to Death By DVD to discuss their life one year after releasing their debut feature film, Sydney. Filmmaking, mental health, physical health, growth, change, autism and more is discussed on this episode that dives deep into what its like to make movies, and what art means. Quit reading and hit play, now! Dive into this episode celebrating and exploring independent film and life itself. Watch Sydney by Jeremy Berkowitz now on Amazon : https://www.amazon.com/Sydney-Jeremy-Berkowitz/dp/B0GPD3NXTRVisit the official website of Jeremy Berkowitz : https://www.jeremyberkowitz.com/Official website for Sydney : https://www.sydneythefilm.com/CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

What really stops independent filmmakers from succeeding?According to producer and actress Jenna Edwards, it's not talent, money, or even connections—it's the complete lack of a real plan. In this powerful conversation, Jenna shares the hard truths she learned moving from acting on shows like Buffy the Vampire Slayer and Malcolm in the Middle into producing independent films. From networking mistakes to ego-driven productions, she explains why most projects collapse long before the camera ever rolls.But beneath the filmmaking advice is an even deeper story of resilience. After surviving a horrific tragedy that nearly ended her career, Jenna rebuilt her life from the ground up and discovered a new perspective on storytelling, creativity, and collaboration. This episode becomes more than a conversation about filmmaking—it becomes a blueprint for how artists survive the chaos of the industry without losing themselves in the process.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

When Aimee Kuge set out to make her indie-horror-romance CANNIBAL MUKBANG, she knew that she didn't want her lead to be your typical final girl. And in her "feeling seen" pick, we find another female protagonist that is nothing like anyone else in film (and yet, maybe more like a real-life person than most film characters could ever hope to be). It's Patty, as played by Emily Skeggs, in Adam Carter Rehmeier's 2020 sleeper hit (thanks, TikTokkers!) DINNER IN AMERICA. Then, Jordan has one quick thing about Adam Carter Rehmeier's upcoming new film, CAROLINA CAROLINE. Follow along with Aimee's next project, Trial Separation, on Seed&Spark.   Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfeelingseen Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun. You can watch video editions of our new episodes on our YouTube Channel!Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Lost with You, starring Disney Channel regular, Jake Short and star of All American, Madison Shamoun. The film is about two people of opposing viewpoints finding one another despite having differing opinions on almost everything. I think given the crazy times we're living in, this is a vibe that audiences are looking for. The film won Best Indie Film at the Los Angeles Film Awards late last year and just got a ridiculously rave review from Film Threat.Written and directed by first-time feature filmmaker Mike Southerly, the film was accomplishment in true guerilla filmmaker style without pulling a single permit despite filming at the Griffith Observatory, the Santa Monica Pier, and the Hollywood sign, among other iconic Los Angeles locales. It's a pretty great story how he was able to get this one into the end zone for under $200K. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

What really stops independent filmmakers from succeeding?According to producer and actress Jenna Edwards, it's not talent, money, or even connections—it's the complete lack of a real plan. In this powerful conversation, Jenna shares the hard truths she learned moving from acting on shows like Buffy the Vampire Slayer and Malcolm in the Middle into producing independent films. From networking mistakes to ego-driven productions, she explains why most projects collapse long before the camera ever rolls.But beneath the filmmaking advice is an even deeper story of resilience. After surviving a horrific tragedy that nearly ended her career, Jenna rebuilt her life from the ground up and discovered a new perspective on storytelling, creativity, and collaboration. This episode becomes more than a conversation about filmmaking—it becomes a blueprint for how artists survive the chaos of the industry without losing themselves in the process.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: FOUR LETTER WORDS (2000)Director: Catherine BreillatWriter: Sean BakerStars: Henry Beylin; David Ari; Darcy Bledsoe; Fred BermanSYNOPSISA study of the post-adolescent male psyche looks at their views, attitudes, and language.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedIn

What if the biggest obstacle to your film career… isn't talent—but misunderstanding how the industry actually works?In this eye-opening conversation, Bill Ostroff—founder of one of the longest-running indie film festivals—pulls back the curtain on the hidden realities of film festivals, distribution, and why most indie films never reach an audience. From the explosion of fake festivals to the harsh economics behind entry fees, Bill exposes the truths filmmakers rarely hear before spending thousands chasing validation instead of strategy. This episode challenges the romantic idea of “just make a film and success will follow.” Instead, it reframes filmmaking as a business of positioning, branding, and audience-building. Bill reveals why 99% of indie films won't get theatrical distribution—and why that's not failure, but reality—and how filmmakers can still win if they understand the system.Because the real question isn't “Is your film good?”It's “Does anyone know it exists?”Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: LAST SUMMER (2023)Director: Catherine BreillatWriters: Catherine Breillat; Pascal Bonitzer; Maren Louise KäehneStars: Léa Drucker; Samuel Kircher; Olivier RabourdinSYNOPSISSuccessful lawyer Anne leads a happy life with her husband Pierre and their two daughters. But when she begins an affair with Theo, Pierre's son from a previous marriage, her career and family life are in jeopardy.

AVOD is where indie films are making money now. In this episode, I break down why ad-based video on demand platforms like Tubi, YouTube, and Pluto are becoming the biggest opportunity for indie filmmakers, why younger audiences prefer free content with ads, and how smart filmmakers can use AVOD strategy to increase revenue and improve film performance.

One of the most anticipated films being screened at the 2026 Dallas International Film Festival, Last Shot tells the story of a young basketball prodigy who faces grief over the death of his father and an estranged relationship with his mother.  Producer/Writer Tod Friedman & Director Andy Palmer join me to talk about this film and the personal elements that are there, especially for Friedman. Follow the film @hemlockcircle on IG and other platforms or go to www.hemlockcircle.com The highlighted charity this month is Kids & Art, using art to help children in cancer treatment. visit www.kidsandart.org to learn more an support their work. New patrons of the Broken Brain will have 50% of their monthly donation go to Kids & Art as long as they remain donors. www.patreon.com/brokenbrain 

486  Overview Daren Smith — indie film producer and founder of Craftsman Films — is back on the show, and he's bringing a whole new level of clarity on what it takes to build a sustainable creative business. He breaks down the MOVIE framework from his new book Blockbuster, shares the LinkedIn strategy that grew his audience from 800 to 12,000+ followers, and offers a totally fresh take on selling that doesn't feel like selling at all. If you've ever struggled with getting clients to say yes, or wondered how to stop spinning your wheels across too many platforms, this one's for you. Key Takeaways Pick one channel and go all in. Daren grew his LinkedIn following from 800 to 12,000+ in about 18 months by showing up consistently and targeting the specific audience he needed to reach — investors, not just filmmakers. Stop convincing, start listening. Rather than pitching what you want to make or sell, "dig for the demand" by asking clients what's frustrating them, what they wish were different, and what's keeping them up at night. Leverage other people's audiences. Getting a column on IndieWire — a site with 10 million monthly visitors — didn't happen overnight, but it started with a single DM and a year of showing up. That's the shortcut that doesn't feel like one. Use a filter for every opportunity. Daren evaluates every project with three questions: Is there leverage? Do I feel compelled to make this? And is it inevitable? If it doesn't clear all three, it's a no. About Daren Smith Daren is an independent film producer based in Utah, USA, who has produced four indie features and four seasons of television. Last year he had TWO films in theaters at the same time, which was a huge milestone. Currently, he's raising Producer Fund I, a $10M fund to produce the next 10 indie features, with the ultimate goal of creating a truly independent film ecosystem that benefits everyone - the investors, the filmmakers, the audience, and the industry at large. He's the founder of Craftsman Films, and the author of a number of books, his most recent being Blockbuster - How Independent Creators Can Build Massively Profitable Businesses. In This Episode [00:00] Welcome to the show! [05:13] Meet Daren Smith [06:47] Blockbuster [13:36] Visibility [16:18] Marketing [22:54] Go All In [26:35] Leverage [29:35] Indie Film [45:49] Having a Checklist [50:26] Connect with Daren [52:49] Outro Quotes "I'm not in the business of convincing people. If you convince somebody, you're running the risk of them being really upset if it doesn't go exactly the way they expected." — Daren Smith "The release of the thing is the start of the marketing. If you're really smart and strategic, you're actually doing marketing leading up to it — creating the tension that gets people to say, I have to have this." — Daren Smith "You're competing against everything else on the internet. Not just other people making movies — it's all of social media, all of AI, all of TV, all of gaming. You can make a really good thing and it can still fail if it doesn't reach enough people." — Daren Smith "I'm doing an exclusively family-friendly, values-based, meaningful media model. When I evaluate a project, I want filmmakers to know how I think — so that you're not saying yes to things you shouldn't be." — Daren Smith "Go all in on one channel until you reach a tipping point where it's kind of working on its own. None of mine were growing when they each got 10% of my time and energy." — Daren Smith Guest Links CraftsmanFilms.co — Daren's main hub (free digital copy of Blockbuster at craftsmanfilms.co/blockbuster) Find Daren online - LinkedIn Links Find out more about the Studio Sherpas Mastermind Join the Grow Your Video Business Facebook Group  Follow Ryan Koral on Instagram Follow Grow Your Video Business on Instagram Join the Studio Sherpas newsletter

Send us Fan MailThe needle is moving faster than ever in the film industry. In this episode of Film Hustlers, host Mark Roberts, Rod "Tuddy" Rinks are joined by veteran exec and producer  Ann Lewis Roberts to break down the radical shift from traditional gatekeepers to independent success.We dive deep into the "ultimate blueprint" for modern filmmakers: the story of Iron Lung, a film made by a YouTuber for $3M that bypassed streamers to gross over $52M globally. Whether you have 40 million subscribers or 400, the lessons on viral hooks, authenticity, and betting on yourself are universal.

Send us Fan MailJoining us to discuss their new film, Frankie, Maniac Woman, are director/co-writer Pierre Tsigaridis and co-writer and actress Dina Silva. We get into all the themes and personal connections to the film as well as the two creators personal connection to each other.FRANKIE, MANIAC WOMAN will be In Select Theaters April 24, 2026.Follow us on Social Media:  @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Send us Fan MailProduction Design is often the "invisible" art of filmmaking, but Hustler Robert Wise explains that everything the camera sees is a result of his work. Join the Huslers as they dive into the high-stakes world of the Art Department.From his early days on the iconic Blink-182 "All The Small Things" music video to managing Kanye West's Sunday Service with an Amex Black Card, Robert reveals what it really takes to build the world you see on screen.Robert is a production designer currently in consideration for a Guinness World Record for shooting 7 Christmas movies in 2025.If you've ever wondered how to get started as a PA, how to handle a difficult director, or how to "cheat" a shot for the camera, this episode is a class in set survival and creative problem-solving.Featured Guest: Robert Wise (Production Designer) Hosted by: Mark Roberts, Rod Rinks, and Davie Dave.

Want to get your film distributed by Angel Studios? In this in-depth conversation, Phil Cooke https://philcooke.com sits down with Jared Geesey (EVP of International Distribution at Angel Studios) to break down the Angel Studios submission process, how the Angel Guild works, and what filmmakers need to know to secure a distribution deal. If you're an indie filmmaker looking for film distribution opportunities, this episode reveals how Angel's audience-driven model is changing the industry—giving YOU the chance to get your project reviewed, improved, and potentially released in theaters. Watch now and transform your filmmaking career!

What if the biggest obstacle to your film career… isn't talent—but misunderstanding how the industry actually works?In this eye-opening conversation, Bill Ostroff—founder of one of the longest-running indie film festivals—pulls back the curtain on the hidden realities of film festivals, distribution, and why most indie films never reach an audience. From the explosion of fake festivals to the harsh economics behind entry fees, Bill exposes the truths filmmakers rarely hear before spending thousands chasing validation instead of strategy. This episode challenges the romantic idea of “just make a film and success will follow.” Instead, it reframes filmmaking as a business of positioning, branding, and audience-building. Bill reveals why 99% of indie films won't get theatrical distribution—and why that's not failure, but reality—and how filmmakers can still win if they understand the system.Because the real question isn't “Is your film good?”It's “Does anyone know it exists?”Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

It's Festive Friday and we've got a wild holiday rom-com to discuss today! ABOUT THE CHRISTMAS DECOY A socially awkward man is bribed by his narcissistic best friend to run interference with a woman who won't leave him alone during the holidays. The Christmas Decoy is a rom-com full of mischief, mismatched intentions, and holiday heart. AIR DATE & NETWORK FOR THE CHRISTMAS DECOY August 24, 2025 | Streaming/Rental CAST & CREW OF THE CHRISTMAS DECOY Stephen Fisher as Jeff Wilkins Marguerite Haines as Sophia Wilkins Hope Harvard as Mia Barrett John Allen as Allen Bontrager BRAN'S MOVIE SYNOPSIS We meet Jeff as he jumps out of bed and starts singing Joy to the World. I guess he like owns a hotel and also lives there. He gets a call from someone named Jordan who tells him that she's not coming to help at the hotel this holiday season. Instead, she's sending a girl named Mia...someone who has a massive crush on Jeff since they were kids. The problem is Jeff can't stand Mia. So he's really mad about it so he drives to his buddy Allen's house. He has a request for him - will you work at my hotel for 2 weeks and work alongside her - run interference so I don't have to be around her? He pushes back because he doesn't want to take 2 weeks off of work but ultimately gives in. He starts to like her and they end up going on a date. One date leads to another date which leads to a kiss. Jeff starts getting jealous - he wants her to keep liking him even though he's not interested because he's a psycho. So he texts her to go to a movie and she says sure and then asks if Allen is coming. So he says yes. But at the movie, he tries to hold her hand. She's not interested. She holds Allen's hand instead. The next day, Allen tells Mia the truth about how he was only hired to run interference which makes her mad. He goes after her and tells her he loves her and they kiss. Jeff is forced to move on and says hi to the next girl who walks into the hotel. Who knows what'll happen next. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.