Podcasts about indie films

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: HARD EIGHT (1996)Director: Paul Thomas AndersonScreenplay: Paul Thomas AndersonStars: Philip Baker Hall; John C. Reilly; Samuel L. Jackson; Gwyneth PaltrowSYNOPSISVeteran gambler Sydney befriends a young man named John, transforming into a Las Vegas casino champion. John falls for a prostitute, and the couple soon finds themselves in need of Sydney's help.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. In today's escapism episode, movie maven Hoffman begins with a recommendation of a new, very Jewy podcast, Classical Music Happy Hour with pianist Emanuel Ax. We then discuss the 2025 independent film, "Fantasy Life," written and directed by Matthew Shear. His directorial debut is produced by and stars Amanda Peet, Shear, and a slew of Jewish (or Jew-ish) actors, including Alessandro Nivola, Judd Hirsch, Bob Balaban, Andrea Martin and Zosia Mamet. Next, we turn to the classic Larry David series, "Curb Your Enthusiasm," which Borschel-Dan had never seen. Hoffman assigned her the iconic "Palestinian Chicken" episode. See how she liked it. Check out who got the "oy," the "meh" and the "not bad" marks in this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

This week we're joined by writer/director Ian Tuason, whose new A24 horror film Undertone is creeping into theaters March 13. The film plays with a deceptively simple question: what if the scariest thing in a movie isn't what you see… but what you hear later? We talk with Ian about building tension through sound, the eerie psychology of playback and EVP recordings, and why something as innocent as a children's song can suddenly feel sinister when it's heard through fresh ears. He also tells us about filming the movie in his own childhood home, the challenge of creating tension with minimal visuals, and the trust it takes to let actors experiment when they're carrying so much of the film. Plus, we get into what excites him about stepping into the world of Paranormal Activity next. And of course, Ian builds his Spook'em Scare'em Starter Kit. Headphones recommended... COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Break out the spyglass! It’s time to forecast what is coming in 2026 We’ve got 2025 in the rear view window, and Hollywood has determined to not just relegate horror movies into the fall/Halloween schedule. Springtime apparently is a good time to have a big fear injection. So, we had to get the word out on movies you can anticipate coming to a theater near you! Admittedly, we’re out a little late this year. But, I would suggest we are just in time! Surprisingly, there are a lot of horror movies that are being released in late March. It also happens to be the eve of when many of the big genre film festivals get rolling. Sundance has just completed. SXSW is right on us now. Overlook is around the corner. So is Panic Fest. With these festivals, it sets the table for what you all can expect to come out this year. It becomes a bit of a guessing game for those of us who attend these festivals to predict what films are going to be on the schedule. Horror has proven to be profitable in what used to be a dead period for box office. Already, both Iron Lung ($50 million on a $3 million budget) and Send Help ($92 Million) opened up strong in January, traditionally the dumping ground for cast-off studio films. With the tremendous profitability and critical response to last year’s crop of films, we will see what will become this year’s banner carrier. My guess? Scream 7. There isn’t a studio backed big prestige movie like Sinners or Weapons this year, but I could very easily see a Neve Campbell led Scream 7 into a $300 million earner, much like Final Destinations: Bloodline from last year. If Scream 7 lives up to its potential, it could fly past that number. I don’t think that the effect of last year’s horror boom will be felt until next year’s crop. The studios didn’t have enough time to understand the influence until the season largely wrapped in October, well after prduction had wrapped for most films getting released for 2026. A Good Year for Indie Films? The indie horror films are in abundance this year. SXSW has a huge roster of genre films. Overlook just announced their roster, and so has Panic Fest. Usually there is a lot of overlap, but not so much this year. That suggests a wide variety and a lot of options out there. An that’s not taking into account the large Summer and Fall festivals like Frightfest, Popcorn Frights, and Screamfest. As usual, there will be films that we didn’t see coming because they come with zero fanfare, but end up surprising us with original storytelling or raw savagery. Better yet… both! We always summarize what we did from the previous year, and I think we actually did pretty well in our selections for 2025. You can check out last year’s predictions HERE. Will 2026 be as solid for Scariest Things selections? Listen in, and remember this come the end of the year! Episode 209: Looking Forward to 2026 Note… we announced this one episode off. Looking Forward To 2026: The Candidates Dolly (2026) Ready or Not 2: Here I Come (2026) Evil Dead Burn (2026) Hokum (2026) Hungry (2026) Ice Cream Man (2026) Lestat Season 3 The Mummy (2026) Obsession (2026) Scream 7 (2026) Sender (2026) Undertone (2026) Forbidden Fruits (2026) American Dollhouse (2026) Grind (2026) Drag (2026) Never After Dark (2026) Monitor (2026) And Her Body Was Never Found (2026) The Bride (2026) Buddy (2026) Chili Finger (2026) Cold Storage (2026) Faces of Death (2026) Family Movie (2026) Other Mommy (2026) Saccharine (2026) They Will Kill You (2026) Ugly Cry (2026) Break a Leg (2026) Frogman Returns (2026) Bagworm (2026) Anima (2026)

The mid-budget independent film model is collapsing — and most filmmakers don't see it coming. In this episode, I break down why $750K–$5M films are struggling, how the loss of DVD revenue and platform saturation changed the market, why B-list cast no longer guarantees sales, and why some producers believe $15M films are actually safer investments than $5M films. If you're raising capital or structuring your next indie film budget, this is essential listening.

We made it to Episode 500!

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: THE CELEBRATION (1998)Director: Thomas VinterbergScreenplay: Thomas Vinterberg; Mogens RukovStars: Henning Moritzen; Ulrich Thomsen; Thomas Bo LarenSYNOPSISA dark secret mars a Dane's (Henning Moritzen) 60th birthday celebration, attended by his family (Ulrich Thomsen, Thomas Bo Larsen) and friends.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

It's Festive Friday and we've got a wild holiday rom-com to discuss today! ABOUT THE CHRISTMAS DECOY A socially awkward man is bribed by his narcissistic best friend to run interference with a woman who won't leave him alone during the holidays. The Christmas Decoy is a rom-com full of mischief, mismatched intentions, and holiday heart. AIR DATE & NETWORK FOR THE CHRISTMAS DECOY August 24, 2025 | Streaming/Rental CAST & CREW OF THE CHRISTMAS DECOY Stephen Fisher as Jeff Wilkins Marguerite Haines as Sophia Wilkins Hope Harvard as Mia Barrett John Allen as Allen Bontrager BRAN'S MOVIE SYNOPSIS We meet Jeff as he jumps out of bed and starts singing Joy to the World. I guess he like owns a hotel and also lives there. He gets a call from someone named Jordan who tells him that she's not coming to help at the hotel this holiday season. Instead, she's sending a girl named Mia...someone who has a massive crush on Jeff since they were kids. The problem is Jeff can't stand Mia. So he's really mad about it so he drives to his buddy Allen's house. He has a request for him - will you work at my hotel for 2 weeks and work alongside her - run interference so I don't have to be around her? He pushes back because he doesn't want to take 2 weeks off of work but ultimately gives in. He starts to like her and they end up going on a date. One date leads to another date which leads to a kiss. Jeff starts getting jealous - he wants her to keep liking him even though he's not interested because he's a psycho. So he texts her to go to a movie and she says sure and then asks if Allen is coming. So he says yes. But at the movie, he tries to hold her hand. She's not interested. She holds Allen's hand instead. The next day, Allen tells Mia the truth about how he was only hired to run interference which makes her mad. He goes after her and tells her he loves her and they kiss. Jeff is forced to move on and says hi to the next girl who walks into the hotel. Who knows what'll happen next. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Writer and director Matthew McManus hangs out with us this week to talk about making movies with family, jumping from comedy into genre, and taking on the multiverse. From American Vandal to indie sci-fi with his brother Kevin, Matthew's always had a sharp sense of tone. With Redux Redux, starring his sister Michaela, the McManus siblings build a time bending revenge story that feels intimate, intense, familiar and like something we haven't seen before.  We get into collaborating with your siblings, shifting into darker spaces, handling big sci-fi ideas without losing the feeling, and why revenge stories are so hard to look away from. It's a really fun one. Some laughs, some process, some genuine movie love sooo… Come hang out!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Anne Hollister—actress, writer, and producer at Happy Bad Bungalow—joins In the Room to discuss her evolution from Broadway performer to independent film producer.Anne shares the six-year journey of bringing Mattress Mack to life, the realities of financing independent films, and what it takes to build a production company from the ground up. She opens up about stepping away from representation to focus on writing, developing her thriller The Housesitter, and navigating the microaggressions and systemic bias that still exist for women in Hollywood.The conversation explores:• The actor-to-producer transition• Indie film financing and attaching talent• Why female-led stories are still labeled “unrelatable”• Manifestation as creative inspiration• Building community in film and televisionThis episode offers an honest look at persistence, authorship, and claiming creative control in a shifting industry.

HEADS-UP! Amour is beautiful but heavy (have the tissue ready!). Do you want to write gritty stories that leave readers grief struck long after they read THE END and close the book? Amour is a fantastic template for a complex moral problem that will never be resolved. This is another example of how a story can have an arc when the protagonist is constant. And Valerie does a stellar job of working out who or what the force of antagonism is and how the speech in praise of the villain applies when the antagonist isn't obvious. -M. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

HEADS-UP! Amour is beautiful but heavy (have the tissue ready!). Do you want to write gritty stories that leave readers grief struck long after they read THE END and close the book? Amour is a fantastic template for a complex moral problem that will never be resolved. This is another example of how a story can have an arc when the protagonist is constant. And Valerie does a stellar job of working out who or what the force of antagonism is and how the speech in praise of the villain applies when the antagonist isn't obvious. -M. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

This week we continue our Oscars 2026 coverage with Mary Bronstein's "If I Had Legs I'd Kick You." We discuss the film's inception from script to screen, and discuss the real-life experience that led to the film. We then dive into the film itself describing everything we loved about this film. Finally, we end the film with another for a pair of double bills for your viewing enjoyment.Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: MISTRESS DISPELLER (2024)Director: Elizabeth LoWriters: Charlotte Munch Bengtsen; Elizabeth LoStars: Fei Fei; Wang ZhenxiSYNOPSISA Chinese woman hires someone to secretly end her husband's extramarital relationship in an attempt to save her marriage.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Send a textAnn Lewis Roberts explains how she climbed from intern to network leader and shares today's creator playbook: get in the door any way you can, treat brands like studios, own and repurpose your content. YouTube, Verticles and MUCH MORE!!         #FilmHustlers #CreatorPlaybook #Filmmaking #ContentStrategy #Reels #YouTubeShorts #IndieFilm #MediaCareer

We sit down with Catherine Batavick, Acting Director of the Maryland Film Office, to explore what it really takes to attract and support major film and television projects at the state level. Catherine shares how a film office operates behind the scenes, connecting producers with locations, crew, permitting agencies, and community partners, and what makes a region competitive in today's incentive-driven landscape.Over the years, the state incentive program she oversees has helped generate more than $1 billion in economic impact through projects such as House of Cards, VEEP, We Own This City, Lady in the Lake, and Special Ops: Lioness. In this conversation, Catherine walks through the practical realities of producing in Maryland: permitting timelines, local crew depth, location diversity, and how the tax credit actually works in real-world scenarios. She outlines an ideal application timeline for independent features in the $1–$10 million range, explains how the state supports both large-scale series and Maryland-based independent films, and details how productions can monetize tax credits to fund post-production. She also shares how Maryland balances limited incentive funds to support both major studio projects and homegrown filmmakers.Beyond logistics, the episode explores the broader shift in the unscripted and independent production landscape, and how Maryland positions itself as an efficient, collaborative, and cost-effective alternative to larger production hubs.ABOUT WRAPBOOKWrapbook is the AI platform for production finance.Built for today's fast-moving production landscape, Wrapbook brings payroll, spend, and accounting into one AI-powered system—giving production teams the tools they need to do more, faster.Built for features, TV, or commercials—Wrapbook helps the industry's biggest production companies stay compliant, track every dollar in real time, and eliminate the paper-chasing that slows everything down. AI handles the busywork—reading invoices, flagging issues, syncing data—so your team can focus on the work that really matters.But software is only half the story. Wrapbook pairs powerful automation with concierge support from industry experts who've worked on set and know what's at stake. It's how the best production teams scale smarter, protect their budgets, and keep their crews happy.See how Wrapbook is a force multiplier for production finance teams at www.wrapbook.com.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: JACK GOES BOATING (2010)Director: Philip Seymour HoffmanStory by: Robert GlaudiniCast: Philip Seymour Hoffman; Amy Ryan; John Ortiz; Daphne Rubin-VegaSYNOPSISSingle Jack (Philip Seymour Hoffman) drives a limo for a living and has a best friend, Clyde (John Ortiz), a married co-worker. Clyde and his wife decide to set up Jack with another friend, Connie (Amy Ryan). Jack and Connie hit it off, and a tentative romance blossoms, inspiring Jack to take cooking lessons, learn to swim, and apply for his dream job. However, as that relationship grows stronger, Clyde and his wife find their marriage crumbling.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Send a textJoining us to discuss their new film Sweetness is Herman Tømmeraas of Netflix's Ragnarok and writer/director Emma Higgins. Sweetness is a coming of age story that highlights what can potentially happen when the line of fandom and obsession are blurred. Sweetness is currently available on Digital & Demand via Saban FilmsFollow us on Social Media: @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Anne Thompson and Ryan Lattanzio break down the underwhelming Film Independent Spirit Awards and what their winners actually mean for the Oscars. They also dive into political controversy at the Berlin Film Festival, revisit a star-studded Oscar screenwriters panel, and analyze the risky acquisition of a buzzed-about Sundance favorite. Plus, early reactions to new releases and what's worth watching this week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textHe's back — and he's not slowing down.With over 200 IMDb credits, a growing YouTube presence, and a real-life stonework business that literally keeps him grounded, Mike Ferguson is redefining what it means to be a modern working actor.In this episode, Mike returns to discuss his latest film, BLACKOUT — an apocalyptic story set in a a rapidly devolving Los Angeles, where survival isn't guaranteed. But off-screen, Mike's career mirrors that same intensity. No safety net. No waiting around. Just momentum.We talk about balancing independent film with blue-collar craftsmanship, building an audience on YouTube, staying mentally sharp in an industry that chews people up, and why discipline — not luck — is the real currency in Hollywood.This isn't just a conversation about acting. It's about durability. Reinvention. And the mindset required to keep building when most people would burn out.Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcast

In this episode of the Crazy Wisdom podcast, host Stewart Alsop interviews John von Seggern, founder of Future Proof Music School, about the intersection of music education, technology, and artificial intelligence. They explore how musicians can develop timeless skills in an era of generative AI, the evolution of music production from classical notation to digital audio workstations like Ableton Live, and how AI is being used on the education side rather than for creation. The conversation covers music theory fundamentals, the development of instruments and recording technology throughout history, complex production techniques like sidechain compression, and the future of creative work in an AI-assisted world. John also discusses his development of Cadence, an AI voice tutor integrated with Ableton Live to help students learn music production. For those interested in learning more about Future Proof Music School or becoming a beta tester for the AI voice tutor, visit futureproofmusicschool.com.Timestamps00:00 Future Proofing Musicians in a Changing Landscape03:07 The Role of AI in Music Education05:36 Generative AI: A Tool for Musicians?08:36 The Evolution of Music Creation and Technology11:30 The Impact of Recording Technology on Music14:31 The Fragmentation of Culture and Music17:19 Exploring Music History and Theory20:13 The Relationship Between Music and Memory23:07 The Future of Music Creation and AI26:17 The Importance of Live Music Experiences28:49 Navigating the New Music Landscape31:47 The Role of AI in Finding New Music34:48 The Creative Process in Music Production37:33 The Future of Music Theory and Composition40:10 The Search for Unique Artistic Voices43:18 The Intersection of Music and Technology46:10 Cultural Shifts in the Music Industry49:09 Finding Quality in a Sea of ContentKey Insights1. Future-proofing musicians means teaching evergreen techniques while adapting to AI realities. John von Seggern founded Future Proof Music School to address both sides of music education in the AI era. Students learn timeless production skills that won't become obsolete as technology evolves, while simultaneously exploring meaningful creative goals in a world where generative AI exists. The school uses AI on the education side to help students learn, but students themselves aren't particularly interested in using generative AI for actual music creation, preferring to maintain their creative fingerprint on their work.2. The 12-note Western music system emerged from mathematical relationships discovered by Pythagoras and enabled collaborative music-making. Pythagoras demonstrated that pitch relates to vibrating string lengths, establishing mathematical ratios for musical intervals. This system allowed Western classical music to flourish because it could be notated and taught consistently, enabling large groups to play together. However, the piano is never perfectly in tune due to necessary compromises in the tuning system. By the 1920s, composers had explored most harmonic possibilities within this framework, leading to new directions in musical innovation.3. Recording technology fundamentally transformed music by making the studio itself the primary instrument. The invention of audio recording in the early-to-mid 20th century shifted music from purely instrumental composition to sound-based creation. This enabled entirely new genres like electronic dance music and hip-hop, which couldn't exist without technologies like synthesizers and samplers. Modern digital audio workstations like Ableton Live allow producers to have unlimited tracks and manipulate sounds in infinite ways, making any imaginable sound possible and moving innovation from hardware to software.4. Generative AI will likely replace generic music production but not visionary artists. John distinguishes between functional music (background music for films, work, or bars) and music where audiences deeply connect with the artist's vision. AI excels at generating functional music cheaply, which will benefit indie filmmakers and similar creators. However, artists with strong creative visions who audiences follow and identify with won't be replaced. The creative fingerprint and personal statement of important artists will remain valuable regardless of the tools they use, just as DJs created art through curation rather than original production.5. Copyright restrictions are limiting generative music AI's quality compared to other AI domains. Unlike books and visual art, recorded music copyrights are concentrated among a few companies that defend them aggressively. This prevents AI music models from training on the best music in each genre, resulting in lower-quality outputs. Some developers claim their private models trained on copyrighted music sound better than commercial offerings, but legal constraints prevent widespread access. This situation differs significantly from other creative domains where training data is more accessible.6. Modern music production involves complex technical skills like sidechain compression and multi-track mixing. Today's electronic music producers work with potentially hundreds of tracks, each with sophisticated processing. Techniques like sidechain compression allow certain elements (like kick drums) to dynamically reduce the volume of other elements (like bass), ensuring clarity in the final mix. Future Proof Music School teaches students these complex production techniques, with some aspiring producers creating incredibly detailed compositions with intricate effects chains and interdependent track relationships.7. Culture is fragmenting into micro-trends, making discovery rather than creation the primary challenge. John observes that while the era of mass media created mega-stars like The Beatles and Elvis, today's landscape features both enormous stars (like Taylor Swift) and an extremely long tail of creators making niche content. AI will make it easier for more people to create quality content, particularly in fields like independent filmmaking, but the real problem is discovery. Current algorithmic recommendations don't effectively surface hidden gems, suggesting a future where personal AI agents might better curate content based on individual preferences rather than platform-driven engagement metrics.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: CITY ISLAND (2009)Director: Raymond De FelittaWriter: Raymond De FelittaCast: Andy Garcia; Steven Strait; Julianna MarguliesSYNOPSISPrison guard Vince Rizzo (Andy Garcia) wants to quit his job to become an actor, but he also needs to make up for lost time with Tony (Steven Strait), a long-lost son who's an inmate where Vince works. When Tony is freed, Vince suggests the ex-convict move in with his wife, Joyce (Julianna Margulies), and their children. But because Vince neglects to tell his family that Tony is not just a stranger, but the son he fathered before he met Joyce, this leads to a series of comic misunderstandings.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Send a textRussell Emanuel — co‑founder and CEO of Extreme Music — joins Film Hustlers to unpack how he turned a dusty music library into a global, tech‑driven powerhouse that lets filmmakers instantly find, customize, and license premium cues without the Hollywood price tag. He explains the company's radical focus on real composers, remixable tracks, and bespoke scoring through Bleeding Fingers, how the platform fills gaps for every genre worldwide, and why this modern library is now essential for producers who need high‑quality, affordable music fast.

Send a textHello, my people—welcome back to The Global Latin Factor .This is a special on-the-streets episode from Fort Worth's Historic Northside at Artes de la Rosa, covering the premiere of A Feliz Navidad: A Family's Journey to Reconnection by Lúcido Films.You'll hear real conversations with:Pablo De León on grief, forgiveness, and turning a personal story into filmJulio César Cedillo on humanity over labels, cultural accuracy, and why our stories are universalCast, community leaders, and supporters who showed up for Latino storytelling done rightThis night was culture in motion—mariachi, folkloric art, and community—all celebrating family and reconnection.⏱️ Audio Chapters 00:00—Intro: live from the premiere  02:00 — Greg (Primo Advertising): why this film matters 05:10—Julio César Cedillo: Fort Worth roots and storytelling 14:05—Northside history and culture as community 20:30—"There is no Hollywood" message to creators 23:10—Cast and community quick interviews 39:30—Pablo De León post-screening: the real story behind the film 52:10—How to support the feature-length version 56:10—Closing messageSupport the showSocial Media:Facebook: https://www.facebook.com/TheGlobalLatinFactorPodcastTwitter: https://twitter.com/thegloballatin1Instagram: https://www.instagram.com/thegloballatinfactorpodcastTiktok: ...

Charmane Star shares her unexpected journey from a small role in Black Dynamite to discovering a deep passion for independent filmmaking. What began as a routine booking evolved into a Sundance Film Festival premiere and a Sony Pictures acquisition, introducing her to the collaborative and global nature of indie cinema. Through international screenings, she gained firsthand insight into how cultural context shapes audience reactions and why universal storytelling matters.The conversation also explores her work in indie horror and thriller films like Face of Evil and Catch 22, where she embraced physically and emotionally demanding roles. From zombie makeup and night shoots to intense character preparation, Charmane reflects on growth, reinvention, and balancing career with personal life. Her story is a reminder that creative paths don't have to be linear—and that staying open to change can lead to powerful new chapters.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

"West of Greatness" is a hybrid fiction-documentary shot entirely on the West Bank, where real bodybuilders play themselves, train for nine months, and compete in a contest created just for the film. You've never seen anything quite like it, so how did a story about bodybuilding become a film about masculinity, addiction, ambition, and trying to survive your early 20s in working-class Louisiana? Jared Cliff Lareau and James Goodreau of "West of Greatness: The Story of the Westwego Muscle Boys," join Ian Hoch to talk about it.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: OKIE (2024)Director: Kate CobbWriters: Boris Lojkine; Delphine AgutCast: Kevin Bigley; Kate Cobb; Scott Michael Foster; Dan JohnsonSYNOPSISLouie, a lauded writer, returns to his dilapidated hometown after his father's death. Confronted with a deluge of people from his past, Louie is forced to reconcile with the stories he's stolen, twisted, or downright exploited for profit.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

The indie film "Still Life" takes viewers back to teen life in 1999: corded phones, reading profiles of Claire Danes in Seventeen magazine and Y2K hysteria. For Dafne, the main 15-year-old character, this is around the time of her life when her mother dies from leukemia. "Still Life" was shot in the Bay Area, and was inspired by screenwriter and director Lauren Shapiro's experiences growing up here. Jenee Darden is the host of KALW's Sights and Sounds show. She spoke to Shapiro about the film, and how she let her heart bleed into her art. 

Mike Hogan joins Katey and Chris to talk about the surprising optimism he found on the ground at Sundance, plus some of the festival's buzziest titles like I Want Your Sex and Josephine. Then, K-Pop Demon Hunters co-director Maggie Kang looks back at the tiny details she fought hard to include in the breakout film, and how she and her collaborators kept reminding themselves to make a film that was both heartfelt and "kind of stupid." ⁠⁠⁠⁠Subscribe today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to Prestige Junkie After Party bonus episodes for just $5 a month. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: MADELEINE COLLINS (2021)Director: Antoine BarraudWriters: Boris Lojkine; Delphine AgutCast: Abou Sangare; Alpha Oumar Sow; Nina MeurisseSYNOPSISJudith leads a double life: two lovers, two sons in France and one daughter in Switzerland. Entangled in secrets and lies, her lives begin to shatter.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Send us a textSeason 6 of Film Hustlers is HERE! —

This week we're joined by award winning filmmaker Greg Porper, writer, director, and producer of the darkly funny indie feature Don't Tell Larry, now streaming on Amazon Prime and Apple TV. We talk about the film's evolution from a scrappy web series into a feature, finding the right tone for a workplace comedy that slowly spirals into something more stressful and unsettling, and how a small lie can snowball into complete chaos.Greg breaks down the real world inspiration behind Larry...that coworker thats just a bit off and no one wants to deal with and how performances from Kiel Kennedy, Patty Guggenheim, Kenneth Mosley, and Ed Begley Jr. helped shape the film in unexpected ways. We also dig into casting surprises, comedic timing, and the blurry line between comedy and horror where laughter turns nervous; tension builds without release and the movie refuses to let you off the hook. Along the way Greg shares stories from the DIY side of production, lessons learned making an indie film right now and what's next for him after Don't Tell Larry.And as usual before the chat we catch up on some horror news and afterward we wrap things up with our Mostly Horror Recommendations of the Week sooo...COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On today's show, the San Francisco Symphony's "SoundBox" show is about dreams. Then, a coming-of-age film about a Bay Area teenager who's trying to balance school, her social life and concern for her dying mother. Then, one of the featured poets from the upcoming "Sights + Sounds" event about love.

In this episode of Best in Fest, host Leslie LaPage sits down with Debra Gilels — a veteran film PR strategist, producer's rep, and distribution consultant who has helped launch award-winning documentaries and indie features into global release.With over 20 years of experience guiding films from festivals to streaming platforms, Debra breaks down how distribution really works today, why most filmmakers misunderstand the process, and what creators must do before seeking a distribution deal.In this episode, you'll learn:

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: SOULEYMANE'S STORY (2024)Director: Boris LojkineWriter: Boris Lojkine; Delphine AgutCast: Abou Sangare; Alpha Oumar Sow; Nina MeurisseSYNOPSISSouleymane, an asylum-seeking cyclist who delivers meals in Paris, has only two days to prepare for a crucial interview. This interview will determine his residence permit status.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Here is a compilation of reviews we did in 2025 for streaming services like Peacock, HBO max, and Amazon Prime along with some movies that had limited theatrical runs.https://youtu.be/fYoCZgvn6o0https://rumble.com/v74rsoe-2025-misc.-streaming-originals-and-indie-films-hack-the-movies-live-review-.html

In this episode, Alex is joined by Emmy and Peabody Award–winning producer, and analyst, Evan Shapiro. Known widely as the Media Cartographer, Evan has spent years mapping how power, attention, and money move across media. But now he's gone beyond analysis and into practice with SKIT, a $65,000 feature film shot in eight days and released globally via Tubi and Filmhub. Evan calls SKIT a case study in the “Affinity Economy”: a new model for independent filmmaking that is creator-led, audience-aligned, and designed for sustainability rather than old industry models of gatekeepers and 'lottery-ticket' thinking. Evan and Alex explore why the traditional indie film system no longer works, how festivals and streamers have narrowed opportunity, and why creators must now think in terms of communities, engagement, and ownership. They dive into the making of SKIT, the economics of free ad-supported streaming, the collapse of monoculture media, and what it really takes to build a sustainable creative career in 2026 and beyond. This episode is essential listening for filmmakers, creators, and anyone navigating the future of screen storytelling. About Evan Shapiro Since he created his Media Universe Map, Evan Shapiro has become known as the Media Cartographer. Using his very specific voice and point of view, Shapiro charts Media's future through his essays on the Media War & Peace Newsletter – which is now one of the most read entertainment business publications on Substack. He also co-hosts The Media Odyssey podcast, which has become an industry touchstone. Shapiro has been a featured speaker at the world's most important media events. His maps, infographics, and ruminations are now widely quoted and used by businesses, executives, analysts, and colleges around the world. Shapiro is also an Emmy and Peabody Award winning producer of TV, films and podcasts, including Portlandia, This Film Is Not Yet Rated, Please Like Me, Comedy Bang Bang, Brick City, and Harmonquest. He also served 18 years as a professor at New York University's Stern School of Business. Find our more about Evan at https://eshap.substack.com/ More abut Future of Film: www.futureoffilm.live

Charmane Star shares her unexpected journey from a small role in Black Dynamite to discovering a deep passion for independent filmmaking. What began as a routine booking evolved into a Sundance Film Festival premiere and a Sony Pictures acquisition, introducing her to the collaborative and global nature of indie cinema. Through international screenings, she gained firsthand insight into how cultural context shapes audience reactions and why universal storytelling matters.The conversation also explores her work in indie horror and thriller films like Face of Evil and Catch 22, where she embraced physically and emotionally demanding roles. From zombie makeup and night shoots to intense character preparation, Charmane reflects on growth, reinvention, and balancing career with personal life. Her story is a reminder that creative paths don't have to be linear—and that staying open to change can lead to powerful new chapters.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: TO THE WONDER (2012)Director: Terrence MalickWriter: Terrence MalickCast: Ben Affleck; Olga Kurylenko; Javier BardemSYNOPSISAfter falling in love in Paris, Marina and Neil come to Oklahoma, where problems arise. Their church's Spanish-born pastor struggles with his faith, while Neil encounters a woman from his childhood.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Drew's websitehttps://www.drewmedia.studio/Forbidden Knowledge Network https://forbiddenknowledge.news/ FKN Link Treehttps://linktr.ee/FKNlinksMake a Donation to Forbidden Knowledge News https://www.paypal.me/forbiddenknowledgenehttps://buymeacoffee.com/forbiddenWe are back on YouTube! https://youtube.com/@forbiddenknowledgenews?si=XQhXCjteMKYNUJSjBackup channelhttps://youtube.com/@fknshow1?si=tIoIjpUGeSoRNaEsDoors of Perception is available now on Amazon Prime!https://watch.amazon.com/detail?gti=amzn1.dv.gti.8a60e6c7-678d-4502-b335-adfbb30697b8&ref_=atv_lp_share_mv&r=webDoors of Perception official trailerhttps://youtu.be/F-VJ01kMSII?si=Ee6xwtUONA18HNLZPick up Independent Media Token herehttps://www.independentmediatoken.com/Be prepared for any emergency with Prep Starts Now!https://prepstartsnow.com/discount/FKNStart your microdosing journey with BrainsupremeGet 15% off your order here!!https://brainsupreme.co/FKN15Book a free consultation with Jennifer Halcame Emailjenniferhalcame@gmail.comFacebook pagehttps://www.facebook.com/profile.php?id=61561665957079&mibextid=ZbWKwLWatch The Forbidden Documentary: Occult Louisiana on Tubi: https://link.tubi.tv/pGXW6chxCJbC60 PurplePowerhttps://go.shopc60.com/FORBIDDEN10/or use coupon code knowledge10Johnny Larson's artworkhttps://www.patreon.com/JohnnyLarsonSign up on Rokfin!https://rokfin.com/fknplusPodcastshttps://www.spreaker.com/show/forbiddenAvailable on all platforms Support FKN on Spreaker https://spreaker.page.link/KoPgfbEq8kcsR5oj9FKN ON Rumblehttps://rumble.com/c/FKNpGet Cory Hughes books!Lee Harvey Oswald In Black and White https://www.amazon.com/dp/B0FJ2PQJRMA Warning From History Audio bookhttps://buymeacoffee.com/jfkbook/e/392579https://www.buymeacoffee.com/jfkbookhttps://www.amazon.com/Warning-History-Cory-Hughes/dp/B0CL14VQY6/ref=mp_s_a_1_1?crid=72HEFZQA7TAP&keywords=a+warning+from+history+cory+hughes&qid=1698861279&sprefix=a+warning+fro%2Caps%2C121&sr=8-1https://coryhughes.org/Become Self-Sufficient With A Food Forest!!https://foodforestabundance.com/get-started/?ref=CHRISTOPHERMATHUse coupon code: FORBIDDEN for discountsOur Facebook pageshttps://www.facebook.com/forbiddenknowledgenewsconspiracy/https://www.facebook.com/FKNNetwork/Instagram @forbiddenknowledgenews1@forbiddenknowledgenetworkXhttps://x.com/ForbiddenKnow10?t=uO5AqEtDuHdF9fXYtCUtfw&s=09Email Forbidden Knowledge News forbiddenknowledgenews@gmail.comsome music thanks to:https://www.bensound.com/ULFAPO3OJSCGN8LDDGLBEYNSIXA6EMZJ5FUXWYNC6WJNJKRS8DH27IXE3D73E97DC6JMAFZLSZDGTWFIBecome a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

Director and star of OBEX (which premiered at 2025's Sundance Film Festival), Albert Birney is a filmmaker and animator who has paved his own unique path forward in the world of cinema, and done so with great success. He's brought another unique success story to the Feeling Seen table this week: Marcel, the Shell with Shoes On (and his eponymous 2021 film). Albert and Jordan also talk about his resonance with 1999's American Movie, a documentary that highlights the beauty and folly of one small-town man's quest to make his cinematic magnum opus.Then, Jordan has one quick thing about the star-studded new Netflix trashy cop movie THE RIP, out this weekend. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: THE END OF THE TOUR (2015)Director: James PonsoldtScreenplay: Donald MarguliesCast: Jason Segal; Jesse EisenbergSYNOPSISDavid Lipsky, a reporter with the Rolling Stone magazine, interviews acclaimed novelist David Foster Wallace for five days, during which they form a unique bond.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: BUNNY (2025)Director: Ben JacobsonWriters: Mo Stark; Ben Jacobson; Stefan MarolachakisCast: Mo Stark; Ben Jacobson; Liza ColbySYNOPSISOver one wild summer day and night in their East Village tenement, streetwise hustler Bunny and his friend Dino scheme with a crew of eccentric neighbors to cover up a dead body. Chaos reigns as the clock ticks and the heat rises.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: GRAND TOUR (2024)Director: Miguel GomesWriters: Telmo Churro; Maureen Fazendeiro; Miguel GomesCast: Gonçalo Waddington; Crista Alfaiate; Cláudio da SilvaSYNOPSISEdward, civil servant, flees fiancée Molly on their wedding day in Rangoon, 1917. His travels replace panic with melancholy. Molly, set on marriage, amused by his escape, trails him across Asia.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

In this episode of Mission Matters, Adam Torres interviews Lada Egorova, Co-Founder of Pocket Cinema, about launching a mobile-first platform for short series, the rise of elevated vertical storytelling, and why bringing genres like horror, sci-fi, and action into micro-drama could unlock new opportunities for indie filmmakers. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠American Film Market⁠⁠ ! Follow Adam on Instagram at ⁠⁠https://www.instagram.com/askadamtorres/⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠ Visit our website: ⁠⁠https://missionmatters.com/⁠⁠ More FREE content from Mission Matters here: ⁠⁠https://linktr.ee/missionmattersmedia⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Filmmaker, actor, and writer Kazy Tauginas joins the show to discuss his new film Mirror Life: Modern Zombies. Kazy is joined by co‑host and actor Cuyle Carvin, who also stars in the film. Together, they explore the inspiration behind the story, the eerie parallels between fiction and real‑world events, and the creative process behind crafting a film that blends suspense, commentary, and character‑driven tension.WATCH THIS EPISODE ON YOUTUBE.ABOUT THE FILMSet against the backdrop of a global pandemic, the film follows Tracy Kovalsky, who documents her search for her cousin Jordan after he disappears during an illegal clinical trial for a so‑called “miracle drug” called Dumitor. When an outbreak erupts inside the testing facility, the patients are locked down — and hunted. As Tracy digs deeper, she uncovers a conspiracy determined to bury the truth at any cost.You can watch Mirror Life: Modern Zombies (2025) on streaming platforms like Amazon Prime Video, Google Play, Youtube and Tubi, and you can also buy the physical DVD. BIOKazy Tauginas is an actor, writer, and filmmaker known for his intense screen presence and grounded performances. Before entering the entertainment world, he was a Golden Gloves boxer — a discipline that informs the physicality and focus he brings to his roles. A few of his notable film and television credits include The Equalizer (tv seLike what you hear? Let us know.$10 Afraid of Nothing merch - and more - at the Afraid of Nothing Shopify store. Visit afraidofnothingpodcast.com or use this url:https://www.afraidofnothingpodcast.com/p/shopify-store/Never be afraid to look good and have cool merch! Support the showSUPPORT THE PODCAST NEW: SHOP OUR STORE ON SHOPIFY!Never Be Afraid to Look Good at https://383e86-d1.myshopify.com/.FOLLOW/SUBSCRIBE/REVIEW...On our website at afraidofnothingpodcast.com.SUBSCRIBE...Your gracious donation here helps defray production costs. Beyond my undying gratitude, you will also will be shouted out in an upcoming episode.WATCH ON YOUTUBE...We are uploading past episodes on our Youtube channel. WATCH THE DOC… VIMEO ON DEMAND: Rent the Afraid of Nothing documentary here: https://vimeo.com/ondemand/aondoc. TUBI: watch for free with ads on tubitv.com. REVIEW OUR FILM ON ROTTEN TOMATOES...Write your five-star review here.

Happy holidays! Adam made a feature film and we're (finally) going to celebrate it in style. It's a bonus episode of holly, jolly, drinks, and independent film. With a very special guest host!Our old friend Sarah Welch-Larson takes the reins this week for an exploration of feature filmmaking, micro budget cinema, the inspirations behind Adam's film, and some questions about its creation–including Dom's role as co-editor!Also, you better believe we're talking about Eye of the Duck scenes, too.Next week, we set course for Mordor at long last. Part II of our Rings miniseries begins with THE FELLOWSHIP OF THE RING (2001). And we can't wait! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Craft Services Adam Volerich InterviewParth MaratheAdam VolerichDom NeroCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: CHRISTMAS EVE IN MILLER'S POINT (2024)Director: Tyler TaorminaWriters: Eric Berger; Tyler Taormina; Kevin AntonCast: Matilda Fleming; Francesca Scorsese; Maria DizziaSYNOPSISA family gathers on Christmas Eve for what could be the last holiday in their ancestral home. As the night wears on and tensions arise, one of the teenagers sneaks out with her friends to claim the wintry suburb for her own.Subscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

In this episode of Mission Matters, ⁠⁠Adam Torres⁠⁠ interviews ⁠⁠Alan Bagh⁠⁠, CEO, Producer, Writer & Actor at Bagh Films, about his first American Film Market experience and what it takes to keep moving forward in independent film. Alan discusses pitching feature projects and pilots to distributors and sales agents, staying resilient through industry ups and downs, and his mission to create films that entertain, inspire, and connect with audiences. About ⁠⁠Alan Bagh⁠⁠ Alan Bagh (born May 30, 1985) is an American actor. He is best known for playing the character "Rod" in the horror film Birdemic: Shock and Terror, Birdemic 2: The Resurrection, and Birdemic 3: Sea Eagle. He currently resides in Los Angeles, CA. Follow Adam on Instagram at ⁠⁠https://www.instagram.com/askadamtorres/⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠ Visit our website: ⁠⁠https://missionmatters.com/⁠⁠ More FREE content from Mission Matters here: ⁠⁠https://linktr.ee/missionmattersmedia⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Known for her roles in Marvel's The Avengers, Captain America: The Winter Soldier, and Black Widow, Scarlett Johansson is a Tony-winning and Academy Award-nominated actress who has spent the last three years building her skincare line, The Outset. In this conversation from June 2023, Johansson joins Willie Geist at The Outset's New York offices to discuss starring in Wes Anderson's Asteroid City, balancing blockbuster films and family life, and her husband Colin Jost's unlikely eye cream obsession. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.