Podcast appearances and mentions of Joshua Logan

It's Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognizing those who were cruelly overlooked.This time, we will be casting our eye back to… the 30th Academy Awards, the year that honoured the best films of 1957. It was held March 26th 1958 at the RKO Pantages Theatre in Los Angeles, California. It was hosted by Bob Hope, Rosalind Russell, James Stewart, Jack Lemmon, David Niven and Donald Duck.David Lean's The Bridge On The River Kwai won 7 awards that night, with Joshua Logan's Sayonara starring Marlon Brando receiving the most nominations. Listen here and find out who we would've picked that night.Follow us on our Instagram page.Please check out and watch our Monument Valley Travelogue/Short Film. We hope you like it and can check it out on our YouTube Channel.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Paint Your Wagon (1969) / Play Dirty (1969) This week we're closing out careers as we play dirty with Joshua Logan's gold rush ménage à trois and paint the desert red with Andre de Toth

We return to Camelot with a look at the 1967 film production of the Lerner & Loewe musical, again starring Richard Harris as King Arthur. At three hours, it's an overly-long production that loses steam in its third hour, but the first two are lush and often inspired, and possibly the best-looking movie we've covered for the show. Starring Richard Harris, Vanessa Redgrave, Franco Nero, David Hemmings, and Lionel Jeffries. Written by Alan Jay Lerner and Frederick Loewe. Directed by Joshua Logan. This is a preview of our Patreon-only series Hollywood Avalon: An Arthurian Film Podcast. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies.

durée : 00:10:43 - Les Nuits de France Culture - par : Albane Penaranda - Sur le Vieux-Port de Marseille se tourne en 1960 "Fanny" par Joshua Logan, adaptation américaine inspirée de la trilogie marseillaise de Marcel Pagnol. Le cinéaste, grand admirateur de l'œuvre de Pagnol, explique ses choix et raconte son amitié avec l'écrivain méridional. - invités : Joshua Logan Cinéaste américain

With a career that spans 50 years, he's collaborated with Hollywood legends such as Alfred Hitchcock, George Lucas and Frances Coppola. Phil Cooke welcomes Emmy award-winning film and television producer Howard Kazanjian to share behind the scenes of a producer's role in both the studio system and independent film with credits including “Raiders of the Lost Ark, Star Wars “The Empire Strikes Back” and “Return of the Jedi.” His stories on some of the biggest blockbusters in film history will inspire new filmmakers in their careers.  Please like, rate and share this episode!  Get my new book: “Ideas on a Deadline: How to Be Creative When the Clock is Ticking” Order today and get bonus resource materials to instantly elevate your creativity. https://www.philcooke.com/ideasonadeadline/  #Audiobook available now! Take “Ideas on a Deadline” with you on your commute or morning jog. Read by Phil Cooke, it's like a masterclass on creativity. Available on Audible here: https://adbl.co/3QoD7DE  Subscribe to My Podcast for more good advice for leaders and creatives: https://podcasts.apple.com/us/podcast/phil-cooke-podcast/id1439369056 Prefer video? Subscribe to My YouTube Channel and Get More Great Advice https://www.youtube.com/c/philcookeofficial?sub_confirmation=1 New episodes are uploaded every other Wednesday. Make sure to Subscribe and hit the Notification bell to be notified when they go live.  *Helping leaders navigate their calling and career in today's distracted media-driven culture*  Do you have a message or story the world needs to hear? As a Hollywood producer and media consultant, I offer advice for leaders and creatives each week on creative leadership, digital media, branding and marketing strategies, film and TV production – and the faith to take you from where you are to where you want to be in your career.  Other Great Resources: Sign up for my blog and get immediate access to a free download that will inspire your creative leadership at https://www.philcooke.com Follow me: Twitter https://twitter.com/philcooke Facebook https://www.facebook.com/philcookepage/ Instagram https://www.instagram.com/philcooke/ LinkedIn: https://www.linkedin.com/in/philcookepage/ YouTube: https://www.youtube.com/c/philcookeofficial?sub_confirmation=1 Find out about Cooke Media Group here: https://www.cookemediagroup.com Find out more about The Influence Lab here: https://InfluenceLab.com  *More About This Episode* Emmy Award Winning Film and Television Producer – Interview with Howard Kazanjian  About Howard Kazanjian Howard Kazanjian is an accomplished film and television producer and entertainment executive. Kazanjian has produced several blockbuster films including Raiders of the Lost Ark and Star Wars Episode VI: Return of the Jedi. During his seven years as Vice President of Production at Lucasfilm Ltd., Kazanjian also oversaw the production of Star Wars Episode V: The Empire Strikes Back.  Throughout his 50 years in the film industry, Howard Kazanjian has been privileged to work with some of cinema's finest directors. Kazanjian advanced his craft on many films as an Assistant Director and Producer working closely with legendary filmmakers such as: Alfred Hitchcock, Billy Wilder, Sam Peckinpah, Robert Wise, Joshua Logan, Elia Kazan, Clint Eastwood, Francis Ford Coppola, Steven Spielberg, and George Lucas. Howard Kazanjian's films have garnered more than a dozen Oscar nominations and have won ten Oscars. He also won an Emmy for a TV documentary.  Kazanjian is the co-author of twelve books with two more to be published in 2022. Find Howard Kazanjian on IMDb here: https://www.imdb.com/name/nm0443599/ Get the book! “Howard Kazanjian – A Producer's Life” available here: https://amzn.to/41v97Nv (As an Amazon Associate, I earn from qualifying purchases. This helps support my channel and allows me to continue making episodes like this. Thank you for the support!)

Just stepping outside of the bit, here… "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

What happens when a multiple Oscar-winning screenwriter and a Pulitzer Prize-winning director adapt a musical by one of the most successful Broadway duos of all time? An absolute disaster.Adam and Nate force themselves to watch Paint Your Wagon (1969), an infamous musical flop and part of the hilarious wraparound for Simpsons musical clip show, “All Singing, All Dancing” (S9E11).Also in this episode:• An attempt to capitalize on 1960s counterculture with a cowboy throuple and folk music• How Alan Jay Lerner's back-seat directing derailed the production and drove Joshua Logan insane• An uneasy combination of westerns and musicals, realism and slapstick • Lee Marvin's alcoholic antics and the tragicomic on-set affair between Clint Eastwood and Jean Seberg• Why did anyone think this was a good idea in the first place (seriously)?Next time, Adam and Nate check out a blockbuster that barely exists, The Best Little Whorehouse in Texas (1982).

This week we take a look at our first Hitchcock film on the podcast: Vertigo, starring Jimmy Stewart and Kim Novak.By "Where Lies the Strangling Fruit" on KindleTheme music by Prod. RiddimanOther Films Mentioned:The 39 Steps (1939, dir. Alfred Hitchcock)Always Tell Your Wife (1923, dir. Alfred Hitchcock and Seymour Hicks)Auntie Mame (1958, dir. Morton DaCosta)The Birds (1963, dir. Alfred Hitchcock)The Birth of a Nation (1915, dir. D.W. Griffith)The Blackguard (1925, dir. Graham Cutts)Blackmail (1929, dir. Alfred Hitchcock)Brink of Life (1958, dir. Ingmar Bergman)Cat on a Hot Tin Roof (1958, dir. Richard Brooks)Chinatown (1974, dir. Roman Polanski)Citizen Kane (1941, dir. Orson Welles)Diabolique (1955, dir. Henri-Georges Clouzot)Family Plot (1976, dir. Alfred Hitchcock)Gigi (1958, dir. Vincente Minnelli)The Hidden Fortress (1958, dir. Akira Kurosawa)I Want to Live! (1958, dir. Robert Wise)Intolerance (1916, dir. D.W. Griffith)Jaws (1975, dir. Steven Spielberg)The Jazz Singer (1927, dir. Alan Crosland)Knives Out (2019, dir. Rian Johnson)Lifeboat (1944, dir. Alfred Hitchcock)The Lodger: A Story of the London Fog (1927, dir. Alfred Hitchcock)The Lord of the Rings: The Fellowship of the Ring (2001, dir. Peter Jackson)The Magician (1958, dir. Ingmar Bergman)The Man Who Knew Too Much (1934, dir. Alfred Hitchcock)The Man Who Knew Too Much (1956, dir. Alfred Hitchcock)The Manxman (1929, dir. Alfred Hitchcock)Marnie (1964, dir. Alfred Hitchcock)Mon Oncle (1958, dir. Jacques Tati)The Mountain Eagle (1926, dir. Alfred Hitchcock)No Time for Sergeants (1958, dir. Mervyn LeRoy)North by Northwest (1959, dir. Alfred Hitchcock)Notorious (1946, dir. Alfred Hitchcock)Obsessed With Vertigo (1997, dir. Harrison Engle)The Passionate Adventure (1924, dir. Graham Cutts)The Pleasure Garden (1925, dir. Alfred Hitchcock)Poltergeist (1982, dir. Tobe Hooper)The Prude's Fall (1925, dir. Graham Cutts)Psycho (1960, dir. Alfred Hitchcock)A Quiet Place (2018, dir. John Krasinski)Raging Bull (1980, dir. Martin Scorsese)Rear Window (1954, dir. Alfred Hitchcock)Rope (1948, dir. Alfred Hitchcock)Saboteur (1942, dir. Alfred Hitchcock)Separate Tables (1958, dir. Delbert Mann)South Pacific (1958, dir. Joshua Logan)Spellbound (1945, dir. Alfred Hitchcock)Star Wars (1977, dir. George Lucas)Strangers on a Train (1951, dir. Alfred Hitchcock)That's Entertainment! (1974, dir. Jack Haley Jr.)To Catch a Thief (1955, dir. Alfred Hitchcock)Topaz (1969, dir. Alfred Hitchcock)Touch of Evil (1958, dir. Orson Welles)Under Capricorn (1949, dir. Alfred Hitchcock)The Wages of Fear (1953, dir. Henri-Georges Clouzot)White Shadows (1924, dir. Graham Cutts)Woman to Woman (1923, dir. Graham Cutts)The Wrong Man (1956, dir. Alfred Hitchcock) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

On this episode of The Snub Club, our crew discusses 1961's Fanny. Directed by Joshua Logan and starring Leslie Caron and Maurice Chevalier, Fanny was nominated for five Academy Awards but won nothing. In this episode, Danny, Sarah and Caleb discuss intense zooms and the current Oscar nominations.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Frisbeat by Blue Wave Theory

“A Celebration of Fanny” premieres today at 1 PM CT on Apple, Facebook, Spotify, YouTube and all major podcast platforms! “Fanny” features a book by S. N. Behrman and Joshua Logan, with music and lyrics by Harold Rome. This November 8, 1954 production stars Florence Henderson, Ezio Pinza, William Tabbert, Walter Slezak and Harold Rome with host Skitch Henderson. À tout à l'heure!

Josh Logan Young joins us this week on Forager Health Podcast! Join us in this intimate and heartfelt container where we break down Josh's lifetime of insight on all the ways men are trained to fail in our modern relationships and how to rewrite the script on what intimacy with yourself and your partners can look like.  We break down in great detail many ways to grow into your potential as a divine masculine sexual expression of Self. Josh and I go back and forth in expressing the pitfalls commonly faced and the lengths we need to go to for change to be seen in our daily habits and lifelong patterns.  We also discuss: What Sacred Sexuality looks like both when alone and when experimenting with a partner.  Conventional and not-so-common practices, considerations, and strategies for stepping into your Truth as someone who is able to hold Sacred Space for yourself and others. Shadow Work for couples & having conversations about your sex life. How Pain and heartbreak can be used as a catalyst for healing if we choose it to be.  The meaning of Devotional relationships and how a Devotional mindset can shape your reality for healthier partnerships Understanding pleasure, and how we can use or abuse our Sacred Masculine Energy How Sex is supposed to be, and the practices and energetics of Sacred Sex Overcoming Generational Trauma one conversation at a time And More!! Show Notes: David Deida's books: https://www.amazon.com/The-Way-of-Superior-Man-audiobook/dp/B07FXZBYJ9/ref=sr_1_1?crid=577N6X8H9S72&keywords=way+of+superior+man&qid=1660155112&sprefix=way+of+superio%2Caps%2C231&sr=8-1 (Way of the Superior Man) https://www.amazon.com/Enlightened-Sex-Manual-Sexual-Superior/dp/1591795850/ref=sr_1_6?crid=1EED7TXS26LCE&keywords=sacred+sex+manual&qid=1660155082&sprefix=sacred+sex+manual%2Caps%2C509&sr=8-6 (Sacred Sex Manual) Time Markers: @Start - 15:18 Introductions, Trauma Responses in Everything We Do?!?!, When Trauma is Real and What it Means to Feel Free of it @15:18- 25:47 Couples Shadow Work - What it Looks Like to Bear it All with your Partner, Feel Held, Work Through the Pain of Truly Knowing One Another @25:47 - 39:44 Josh's History with Self Hate, Shame, Trauma, and Relationships Gone Wrong as a Catalyst for Healing @39:44 - 54:52 Josh's Response to the Pain Point - His Personal Practices and Largest Emphases within The Healer's Journey Including Choosing to Be Single Until Devotion Came into His Life  @54:52 - 1:01:21 Sacred Sexuality - Use and Misuse of Your Sacred Energy, Communication with The Body We Are Given, Understanding Pleasure, and Knowing Ourselves Through Intimacy and Acknowledgment of Harm @1:01:21 - 1:11:58 Choosing an Adult Reason for Sexual Intimacy, Conscious Intercourse, Responding Differently to Your Felt Dissatisfaction, Creating Love, and Expressing Your True Feelings Through Sex @1:11:58 - 1:35:04 The Practices and Energetics of Sacred Sex, Sacred Exploration for Individuals and Couples , and How to Progress from Increased Sensitivity to Achieving Transcendence with Your Partner @1:35:04 How Sex is Supposed to Be - Overcoming Societal Trauma One Conversation at a Time, and Where to Start Even if You Think You Can't

For this lusty month of May, we are bringing you Camelot. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse. Instagram / Twitter and share your thoughts with us about the movie! Email us any thoughts and takes and we may read it on the next episode! #MadeonZencastr References

El próximo martes 17 de mayo y hasta el día 28 se celebra la 75 edición del festival de Cannes. Este aniversario tan redondo nos ha animado a consultar nuestra “Enciclopedia curiosa” para recordar cómo nació el hoy considerado festival de cine más importante del mundo y darle un repaso a su historia. También os vamos a contar cómo Harvey Keitel pasó de ser considerado un actor maldito a convertirse en un imprescindible del cine americano de las últimas décadas. Charlamos con el director Juan Miguel del Castillo que acaba de estrenar su nueva película, “La maniobra de la tortuga” y en la sección de Jack Bourbon traemos esta semana el musical que puso a cantar a dos tipos duros del cine como Clint Eastwood y Lee Marvin. Nos referimos a “La leyenda de la ciudad sin nombre” dirigida por Joshua Logan en 1969.

To learn more visit www.backhomemedia.comTo support visit www.patreon.com/kmupod

To learn more visit www.backhomemedia.com To support visit www.patreon.com/kmupod

To learn more visit www.backhomemedia.com To support visit www.patreon.com/kmupod

Volvemos con Rodgers y Hammerstein de los que ya hemos visto “CAROUSEL” y “THE KING AND I“, ahora con otro de sus mega éxitos estrenado en 1949 basado en “Historias del Pacífico Sur” o “Tales of the South Pacific” que dirigido por Joshua Logan como “South Pacific” con la que ganaron 10 Premios Tony, incluyendo el de mejor musical, mejor partitura y mejor libreto además de ser todavía hoy el único musical ganador de los 4 Premios Tony a mejor actriz y actor principal y de reparto, además de hacerse con el Premio Pulitzer. Para que nos sirva de base a este podcast hemos escogido la grabación que hizo el reparto que la estrenó en el Lincoln Center de New York en 2008, dirigida por Bartlett Sher que ganó siete Premios Tony y 5 Drama Desk con Kelli O’Hara (Nellie), Paulo Szot (Emile), Matthew Morrison (Cable), Danny Burstein (BIllis) y Loretta Ables Sayre (Bloody Mary). 00h 00’00” Some enchanted evening – Perry Como 00h 03’25” Presentación 00h 05’42” Cabecera 00h 06’53” Inicio 00h 07’18” Overture 00h 14’48” Dites-moi 00h 16’05” A cockeyed optimistic 00h 17’58” Twin soliloquies 00h 20’55” Some enchanted evening 00h 24’53” Bloody Mary 00h 27’15” There is nothing like a dame 00h 31’33” Mary and Lootellan 00h 33’30” Bali Ha’i 00h 37’07” Cable hears Bali Ha’i 00h 42’07” My girl back home 00h 44’16” I’m gonna wash that man right out of my hair 00h 48’46” Some enchanted evening (Reprise) 00h 51’51” I’m in love with a wonderful guy 00h 55’43” Bali Ha'i (Girls reprise) 00h 57’35” Younger than springtime 01h 01’14” A wonderful guy (Reprise) 01h 02’33” This is how it feels 01h 04’40” Finale Act One 01h 08’46” Entr’acte 01h 12’04” Opening Act Two 01h 14’53” Entrance of Liat 01h 15’59” Happy talk 01h 21’01” Younger than springtime (Reprise) 01h 22’14” Honey bun 01h 26’43” You’ve got to be carefully taught 01h 29’08” This nearly was mine 01h 33’49” After Emile solo 01h 35’06” Communications established 01h 39’12” Communications discontinued 01h 43’26” Honey bun (Reprise) 01h 45’06” Finale ultimo 01h 46’46” Curiosidades 01h 48’02” Loneliness of evening – Mary Martin 01h 51’45” Now it’s the time – Philip Quast & Edward Baker-Dully 01h 57’01” You’ve got to be carefully taught - Harry Connick jr 01h 58’47” You’ve got to be carefully taught - Jason Danieley 02h 00’50” This nearly was mine – Brian Stokes Mitchell 02h 07’08” Exit music

This week on Fabulous Film & Friends our run of great 1955 films comes to an abrupt and awkward end as we discuss Picnic, a time capsule dramatic weepie directed by Joshua Logan and starring everyone's favorite red-eyed, clenched jawed everyman, William Holden, a nearly diffused and dowdy Kim Novak,  skinny and young Cliff Robertson, a suitably wild eyed Rosiland Russell and an always  dependable Arthur O'Connell.  My guests today are Roseanne Caputi and Alex Robertson. And now the synopsis: Based on the Pulitzer Prize winning play by William Inge Picnic tells the story of Hal Carter, a handsome but loud and big-talking freight hopping roustabout who lands in a sleepy Kansas town on Labor Day, the day of the big town picnic. It's no accident that Hal lands in the town as it is home to Hal's former college roommate Alan Benson. and Hal is hoping that the wealthy grain-empire magnate to be can offer him employment.  Alan is happy to see Hal and indeed offers him labor in the grain silos while also loaning him a car so he can take Millie Owens to the town's festivities. Millie is the sister of Alan's fiancé Madge. And Millie is bookish, college bound and awkward while Madge is beautiful and glamorous but a bit of an underachieving working girl who has a job at the town's five and dime. Madge, under intense pressure from her mother to marry up with Alan,  takes an immediate liking to Hal.  Accompanying the foursome on the picnic are Rosemary and Howard, a schoolteaching spinster and her bachelor boyfriend, whom she seems to regard as below her standards.  After a day of sack races, pie eating contests, and tug-of-war,  night settles in sexy dancing starts and with the help of the demon liquor,  the human drama comes to a loud and steady boil.   What's it all mean? Is it an enduring classic? Find out!       

En este episodio recordamos que hace 60 años se estrenaba uno de los mejores westerns de la historia, “El hombre que mató a Liberty Valance” que John Ford dirigió y John Wayne, James Stewart y Lee Marvin protagonizaron. Repasamos también la carrera y la volcánica personalidad de María Félix, todo un mito del cine mejicano. Hemos charlado con Fernando Bovaira, el productor de las películas de Amenábar que nos ha explicado en qué consiste su trabajo. Y en la sección dedicada al cine musical que cada semana nos trae Jack Bourbon nos ocupamos de “Camelot” de Joshua Logan, una película sobre la leyenda artúrica que Richard Harris y Vanessa Redgrave protagonizaron en 1967.

1956's Picnic, adapted from the Pulitzer and Tony award winning stage play by William Inge, gave director Joshua Logan the chance to realize the grand picnic of the title on actual locations in Kansas.  But the filming was not without it's headaches.  With two insecure lead actors, tornadoes that threatened to shut production down, and thousands of extras to corrall, Picnic could have been mess.  But it went on to be a box office success and win two Academy Awards.  Dan and Vicky discuss the classic drama along with some recently seen selections including Texas Chainsaw Massacre 2022, The Batman, 1960's Flesh and the Fiends, Hulu horror Fresh, Ti West's X, and Dexter: The New Blood. Take a listen and leave us some feedback or a star rating.  hotdatepod.com

Como lo prometido es deuda, mantenemos nuestra palabra de caballeros (y caballera) juramentados y aquí tenéis nuestro Especial dedicado a películas que tratan sobre el ciclo artúrico. En este Especial CICLO ARTÚRICO de Frecuencia Global (@FrecuenciaGlob1), el Mariachi de las ondas (@Ryanmariachi), Lord Azoth el demonio de los Hertzios (@Lord_Azoth), Rafa el highlander (@rafahighlander), Pablo “El truños” (@FresnoPaul) y la maravillosa Frans (@Franss2019) dan un repaso a 3 películas de diferentes décadas que se basan en este mito. Sintonizad vuestros diales que va a dar comienzo Frecuencia Global. [00:04:44] CAMELOT (1967) de Joshua Logan. [00:24:45] EXCALIBUR (1981) de John Boorman. [01:08:10] EL CABALLERO VERDE (2021) de David Lowery. Twitter: https://twitter.com/FrecuenciaGlob1 Facebook • Página: https://www.facebook.com/FrecuenciaGlobal • Grupo: https://www.facebook.com/groups/152025455181805/ Blog: https://frecuenciaglobal.wordpress.com/ Correo: frecuenciaglobalcomics@gmail.com

This week, Lucy talks to Carol Burnett, the two comediennes trade jokes and stories about show business. Carol talks about the responsibility that comes with performing on Broadway and television simultaneously, and why her golf game is improved when there's a windmill on the course. Lucy also speaks with actress Bea Lillie and director Joshua Logan.  Let's Talk To Lucy is produced by SiriusXM.  Click here for a special offer:https://www.siriusxm.com/offers/lets-talk-to-lucy

《發現音樂劇》第四集，發現音樂劇裡的「導演」。導演統御全局，是創作團隊的領袖，劇壇早年習慣將音樂劇的詞曲創作人（有時加上編劇）認定為「作者」，隨著創作觀念逐漸改變，至今「導演」已經是整部劇作中不可或缺的最重要主導勢力。 歷來大師細數不盡，前集所談三位重要編舞家，在創作能量全盛時期也都在舞作之外身兼導演；只導而不舞的名家亦多，舊譯「麥墨連」的魯本馬莫連（Rouben Mamoulian）、約書亞羅根（Joshua Logan）、喬治亞柏特（George Abbott）、哈洛普林斯（Harold Prince）等等，在本集節目中都有介紹；進入21世紀，值得一提的還有長期與紐約林肯中心合作的巴萊薛爾（Bartlett Sher），擅將過往的累積，當成豐富的文化遺產，前輩的藝術歷程對他而言不再是沉重的包袱，而是滋潤的創作養份。 本集節目特別來賓邀請到《發現音樂劇》原創音樂的創作人，同時也是全能打擊樂手、作曲家、編曲家吳沛奕（Allen Wu），分享他在上海迪士尼樂園長期演出的《獅子王》（The Lion King）劇組，置身觀眾席旁側包廂，既是伴奏樂師又是現場表演者的精采經歷，也讓聽眾朋友明白一齣長期上演的商業音樂劇，究竟是怎麼運作的。 節目企劃暨主持／陳煒智（Edwin W. Chen） 特別來賓／吳沛奕（Allen Wu） 節目編輯／曾致堯 行政統籌／沈冠宇 製作執行／金色晨曦 原創作曲／吳沛奕 音樂演出／吳沛奕、人間猫Nekomou、旋律職人林亮宇、陳章健

Luke Yankee (yes, it’s his real name) is a writer, director, producer, actor and teacher. He is the author of the memoir, Just Outside the Spotlight: Growing Up with Eileen Heckart (published by Random House, with a foreword by Mary Tyler Moore). His play, The Last Lifeboat, is published by Dramatists Play Service and has had more than 50 productions in North America. His other plays include Marilyn, Mom and Me, Confessions of a Star Maker, The Man Who Killed the Cure, The Jesus Hickey and A Place at Forest Lawn. His website is www.lukeyankee.com. In 1956, when Marilyn Monroe was cast as the lead in the film Bus Stop, she was the biggest star in the world. She had taken the previous year off to study with Lee Strasberg and had become the poster child for “Method” acting, where an actor has to experience every moment truthfully. The tough, no-nonsense, Broadway character actress Eileen Heckart was cast as her best friend in the movie. As a part of her newly discovered style of acting, Marilyn was determined to make Heckart her best friend – both on screen and off. Reluctantly, Heckart went along with it for the sake of the film and found herself emotionally entrenched in the life of Marilyn Monroe. From all outward appearances, Monroe had it all. And yet, more than anything, she yearned for what Heckart took for granted: a stable marriage, two kids and a respected Broadway career. Forty-five years later, Heckart’s middle-aged gay son, Luke, is trying to unravel his mother’s relationship with Monroe in order to better understand his own path with this highly critical, caustic, yet loving woman. Why did his mother burst into tears every time someone mentioned Marilyn’s name? The play utilizes the chaotic world of movie making in 1950’s Hollywood to uncover universal truths about love, acceptance and what it really means to feel loved and wanted.

SOUTH PACIFIC | Music by Richard Rodgers| Lyrics by  Oscar Hammerstein II  | Book by Oscar Hammerstein II and Joshua Logan | Adapted from the Pulitzer Prize-winning novel Tales of the South Pacific by James MichenerWorks Consulted:South Pacific (Libretto) Book by Oscar Hammerstein II and Joshua Logan, Music by Richard Rodgers, Lyrics by Oscar Hammerstein IISouth Pacific (Film) Directed by Joshua LoganThe South Pacific Companion by Laurence MaslonSomething Wonderful: Rodgers and Hammerstein's Broadway Revolution by Todd S. PurdumMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Twin Soliloquies" from South Pacific (Original Broadway Cast Recording) | Music by Richard Rodgers  & Lyrics by Oscar Hammerstein II | Performed by Mary Martin & Ezio Pinza"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews

Kevin welcomes RogerEbert.com assistant editor and film critic and MovieMom.com founder Nell Minow to talk about Joshua Logan's melodrama 'Picnic,' the likely runner-up in the 1955 Oscar race that lost to 'Marty.'  0:00 - 1:14 - Introduction 1:15 - 44:15 - 'Picnic' review 44:16 - 1:09:20 - Why 'Picnic' lost Best Picture 1:09:21 - 1:35:09 - Shoulda been a contender 1:35:10 - 1:38:33 - Did 'Picnic' deserve to win? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter: @Kevin_Jacobsen Follow Nell Minow on Twitter:  @moviemom Follow And the Runner-Up Is on Twitter:  @OscarRunnerUp Theme/End Music is "The Virtue" by Jonathan Adamich

Kevin welcomes back InSession Film and Awards Circuit writer/podcaster Ryan McQuade to talk about Joshua Logan's romantic drama 'Sayonara,' the likely runner-up in the 1957 Oscar race that lost to 'The Bridge on the River Kwai.'    0:00 - 1:23 - Introduction 1:24 - 51:57 - 'Sayonara' review 51:58 - 1:33:39 - Why 'Sayonara' lost Best Picture 1:33:40 - 1:53:50 - Shoulda been a contender 1:53:51 - 2:02:57 - Did 'Sayonara' deserve to win? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter: @Kevin_Jacobsen Follow Ryan McQuade on Twitter:      @ryanmcquade77 Follow And the Runner-Up Is on Twitter:  @OscarRunnerUp Theme/End Music is "The Virtue" by Jonathan Adamich

La directora Roser Aguilar en sap molt, de donar veu a dones sotmeses a l'opressi

"Music has a poetry of its own and that poetry is called melody" - Joshua Logan

World War II didn’t seem like ancient history in 1949 when South Pacific made its Broadway premiere. Sadly, its warnings of the damage that bigotry and prejudice can do aren’t ancient history now as it bows at the Spreckels Performing Arts Center. Based on James Michener’s Pulitzer Prize-winning Tales of the South Pacific, Richard Rodgers, Oscar Hammerstein II and Joshua Logan took a couple of the stories, softened some of the characters and created an immensely popular musical tale of wartime love. Set on two islands in the South Pacific during the war, two love stories are at the center of this tale. Navy Nurse Nellie Forbush (Heather Buck) finds herself falling in love with French expatriate plantation owner Emile de Becque (William O’Neill). Mssr. de Becque has a somewhat mysterious past, which doesn’t seem to bother Nellie too much. Well, at least not as much as the fact that he has bi-racial children born of a youthful relationship with a Polynesian girl. Meanwhile, newly-arrived Lt. Joe Cable (James Raasch) flips head over heels (in what seems like record time, even for a Broadway musical) for local girl Liat (Maya Babow). Liat’s mother, Bloody Mary (Elsa Fulton), is anxious to marry her off. Joe, however, just can’t imagine bringing her back to his Philadelphia family. Nellie and Joe end their relationships. Emile and Joe head off on a dangerous military mission, but will love be the ultimate casualty? Classic songs like “There’s Nothing Like a Dame”, “I’m Gonna Wash That Man Right Outa My Hair”, the enchanting “Bali Ha’i” and the beautiful “Some Enchanted Evening” fill out the story, with the daring-for-1949 “You’ve Got to be Carefully Taught” driving home the source of people’s prejudices. Musical director Nancy Hayashibara and her 11-piece orchestra deliver the lush score and Buck and O’Neill are in excellent voice and character with O’Neill’s operatic training put to good use here. Nice comedic support comes from William Thompson as Seabee ‘entrepreneur’ Luther Billis and Jeff Coté as harried Captain Brackett. Elsa Fulton steals every scene in which Bloody Mary appears. Directors Jim Coleman and Sheri Lee Miller keep things moving at a good pace through the two-hour, forty-five-minute running time, but there are some flat spots and things do get a bit sluggish in Act II. Don’t dive too deeply in the waters and you’ll find yourself enjoying the music and appreciating the message of South Pacific. South Pacific runs through February 25 at the Spreckels Performing Arts Center in Rohnert Park. Friday and Saturday performances at 8pm with 2pm matinees on Sunday. There’s also a Thursday, February 22 performance at 7:30pm. For more information, google Spreckels Performing Arts Center. They’ve got a funky city web address.

Magic. Sleight of hand. Mentalism. What is the importance of Alter Ego in Magic? Today we hear from Magician Joshua Logan, who performs magic for audiences around the world! He’s been published in Magic Magazine, Wired Magazine, has developed magic videos for EllenTube and DreamworksTV. This year on April Fools Day, Joshua Logan and Doug Hofkins opened up Boardwalk Magic, California’s newest magic shop on the Santa Cruz Beach Boardwalk. He talks about creating an Alter Ego for stage that is unstoppable, and even shares the world premiere description of his legendary “Freak Out” trick.  

Magic. Sleight of hand. Mentalism. What is the importance of Alter Ego in Magic? Today we hear from Magician Joshua Logan, who performs magic for audiences around the world! He’s been published in Magic Magazine, Wired Magazine, has developed magic videos for EllenTube and DreamworksTV. This year on April Fools Day, Joshua Logan and Doug Hofkins […]

Edición número 46 de La Gran Evasión, 21/7/2015.Un despropósito, irreverente y maravilloso a partes iguales, pero sobre todo "La leyenda de la ciudad sin nombre”, realizada en 1969 por Joshua Logan, es una película entretenidísima, graciosa y divertida, que se toma a broma todo o casi todo, una astracanada de lo más desvergonzado, de la que no se salva ni la religión, ni el civismo, ni la moralidad, ni el mítico oeste, la codicia de los hombres, ó las relaciones mujer/hombre/hombres...ni si quiera los Irlandeses se escapan de la crítica......que golpe de aire fresco poder disfrutar de esta peli en estos días tan oscuros. Una adaptación de un exitoso musical de Broadway de los 50 que fue rescatado en los 60 por la Paramount para aprovechar el enorme éxito de Sonrisas y lágrimas. Es gracias a la dirección de Logan que la peli funciona de forma tan efectiva. La puesta en escena, que no oculta en ningún momento el guiño a las grandes súper producciones (el diseño de producción y de decorados es deslumbrante), consigue sacar el mejor jugo posible a cada uno de los géneros que mezcla. Como obra musical, las canciones aparecen en el film en el momento justo para no interrumpir el avance de la acción, la base de los musicales, que los números hagan avanzar la trama y ahonden en los personajes, eso aquí si ocurre, además sus melodías son tan pegadizas como agradables (atención al vozarrón de Lee Marvin en la versión original). Como comedia, a lo largo del film se suceden episodios que ponen de relieve continuamente el aspecto más cómico del mismo, como la pelea provocada entre Ben y el "Socio" por ganarse el afecto de Elizabeth, el secuestro de las prostitutas, la secuencia del toro, que provocan que la ciudad se venga abajo, puro slapstick. Como western, “La leyenda de la ciudad sin nombre” toma los elementos más básicos para desarrollar la historia, es decir, el marco escénico y la época en que tiene lugar la acción (ese Oeste casi crepuscular), las dura vida de minero, los colonos, los granjeros en busca del sueño, la solidaridad entre desconocidos, el barro, el viento, la lluvia, el sol....la naturaleza más salvaje y extrema. Es curioso ver a Clint Eastwood tomándose medio a cachondeo su papel de pistolero sin nombre de los spaguetti western, porque aquí no sólo hace de galán, sino que además el tío canta al amor y al fracaso....la partida de póker y la canción Golfever es magnifica. Resaltar que el guión tiene una mala leche de cuidado. Se pitorrea de todos los principios morales y de comportamientos habidos y por haber, además, no duda en burlarse de todo y de todos, la moralidad, la religión, la civilización y sus reglas, los atavismos sociales, prejuicios sexuales,..que trio pecaminoso y amoral, pero lleno de amor y renuncia, nos deja para la reflexión.... Pero no lo hace ofendiendo ni insultando, sino con gracia, por lo que no te queda otra que reírte a ti también. Como el momento en que llega al pueblo el predicador, queriendo establecer un poco de orden moral, cuándo descubre que Elisabeth vive con dos maridos, las caras del pobre cura conforme avanza la conversación no tienen precio! Es Sodoma, es el mismísimo Infierno, es el Paraíso... Sin duda el momento que Marvin canta "I Was born under a wandering star" es grandioso, la lluvia, la niebla, la cuidad que se muere, los carros en camino, de nuevo a ninguna parte....memorable la canción de la estrella errante interpretada por esa voz ajada, toda una declaración de intenciones, los nacidos bajo el mismo sino pertenecemos a la misma hermandad, errabundos...viejos perdedores, solitario que das miedo, ¿es que nunca va a ganar este pobre perdedor, este pobre soñador...? Nos ponemos melancólicos, sabiendo que un buen amigo nos recogerá del barro después de esta borrachera de cine y nos llevará a casa: José Miguel Moreno a la dirección, contertulios Raúl Gallego, Gervi Navío y mención especial para José Gallego, que nos deleita con su sapiencia y buena compañía haciendo guardia mientras la bellísima Jean Seberg se baña en el río a la luz de la luna...

Bob Wilcox and Gerry Kowarsky interview actor and playwright Rachel Fenton after reviewing (1) SOUTH PACIFIC, by Richard Rodgers, Oscar Hammerstein II,& Joshua Logan, at The Muny, (2) LaBUTE NEW THEATER FESTIVAL, PART I, by Neil LaBute et al., at St. Louis Actors' Studio, (3) SOY YO! AN AFRO-LATINA SUITE, by Mariah Richardson, at Gitana Productions, (4) NUNSENSE MUNY STYLE!, by Dan Goggin, at The Muny, (5) MURPHY'S LAW, by Kenneth Stilson, at First Run Theatre, and (6) 1776, by Sherman Edwards & Peter Stone, at Insight Theatre Co.

The saga of the iO VS ComedySportz Assassins game continues. Interviews include: ComedySportz CEO Matt Elwell, Katy Colloton, Tim Frank, Peyton Brown and Peter Kremidas, as well as more from Kat Gotsick, Jon Forsythe, Brett Elam, David Flora and Joshua Logan.

Bob Wilcox and Gerry Kowarsky review (1) THE ADDAMS FAMILY, by Marshall Brickman, Rick Elice, & Andrew Lippa, at the Fox Theatre, (2) HENRY V, by William Shakespeare, at St. Louis Shakespeare, (3) PASSING STRANGE, by Stew & Heidi Rodewald, at New Line Theatre, (4) TOP GIRLS, by Caryl Churchill, at Webster University Conservatory, (5) REASONS TO BE PRETTY, by Neil LaBute, at The NonProphet Theater Co., (6) THE VIOLINIST, by Susan Berardi, at Inspired Productions, (7) RABBIT HOLE, by David Lindsey-Abaire, at Insight Theatre Co., (8) SOUTH PACIFIC, by Richard Rodgers & Oscar Hammerstein II, & Joshua Logan, at The Alpha Players, and (9) THE HOT L BALTIMORE, by Lanford Wilson, at Soundstage Productions.

Marilyn Monroe stars a young bar singer who catches the eye of an inexperienced and stubborn cowboy who insists on taking her back to his ranch and marrying her. The movie is based on a successful play. The original Broadway production of "Bus Stop" by William Inge opened at the Music Box Theater in New York on March 2, 1955, ran for 478 performances and was nominated for the 1956 Tony Award for the Best Play. Stream online: https://amzn.to/39UpEye Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

Marilyn Monroe stars a young bar singer who catches the eye of an inexperienced and stubborn cowboy who insists on taking her back to his ranch and marrying her. The movie is based on a successful play. The original Broadway production of "Bus Stop" by William Inge opened at the Music Box Theater in New York on March 2, 1955, ran for 478 performances and was nominated for the 1956 Tony Award for the Best Play. Stream online: https://amzn.to/39UpEye

Best Plays presents theatrical paramounts of excellence. It's hosted by the drama critic of New York's Daily News, John Chapman. Dramatic and comedic performances outshine other theater radio shows, greatly performed by such greats as Boris Karloff and Alfred Drake.THIS EPISODE:Henry Fonda returned to films after an eight-year absence in this masterful adaptation of the actor's Broadway hit Mister Roberts. Written and partially directed by Joshua Logan, the film stars Fonda as Lt. Doug Roberts, chief cargo officer of the supply ship "Reluctant." WW2 is in its last few months, and Roberts is itching for combat duty. But the Reluctant's surly, despotic captain (James Cagney), anxious to use Roberts to expedite his own promotion, refuses to sign any of Roberts' transfer requests. Helping to brighten Mister Roberts' humdrum existence are his best friends, Ensign Frank Pulver (Jack Lemmon, in an Oscar-winning performance) and the ship's philosophical doctor (William Powell, in his final film appearance). Most of the laughs are provided by Pulver, officer "in charge of laundry and morale." When he isn't wheeling and dealing to bring a bevy of beautiful nurses on board the Reluctant, Pulver is concocting elaborate schemes to avenge himself against the Captain -- even though he's spent 14 months on the Reluctant without ever meeting his nemesis. The film's highlights include the efforts by Roberts, Pulver, and Doc to mix a bottle of Scotch from Coca-Cola, Iodine, and other vital ingredients; and Mister Roberts' (and later Ensign Pulver's) assertion of manhood by tossing the Captain's precious palm tree overboard. Halfway through shooting, legendary director John Ford was replaced, ostensibly because of illness, by Mervyn LeRoy. One of the finest service comedies ever made, Mister Roberts spawned a less amusing sequel, Ensign Pulver (1964), as well as a 1965 TV sitcom. Hal Erickson.