Podcast appearances and mentions of Leo Castelli

In this episode, our host Josh Baer speaks with guest Barbara Castelli, President of the legendary Castelli Gallery for the past twenty five years. In part one of the conversation, Castelli discusses her origins with the gallery, the importance of her late husband Leo Castelli's legacy, and how Barbara's sharp vision—alongside the trust of her artists and buyers—has carried and shaped the gallery into the present day   Then, tune in as Castelli shares lessons learned from twenty five years at Castelli Gallery, how she navigates the idiosyncratic nature of conceptual art, and what makes a work truly “important” when it hits the market.   In part three of the conversation, Baer and Castelli dive deep into how the gallery model has changed in the 2020s, the re-evaluation of the Western art canon, and the finicky nature of “taste” when it comes to collecting art.

Taking Venice (2023, EE.UU.), dirigido por Amei Wallach y producido por Vanessa Bergonzoli, Tal Mandil y Andrea Miller. V.O. en inglés con subtítulos en inglés En plena Guerra Fría, Estados Unidos puso en marcha su diplomacia cultural para conseguir que el artista norteamericano Robert Rauschenberg recibiera el Gran Premio de la Bienal de Venecia de 1964. Este documental desvela la historia detrás de este hito que se considera la consagración del cambio de escenario entre los artistas de la Escuela de Nueva York y el éxito del pop. Alice Denney, mujer del mundo del arte vinculada a Washington y amiga de los Kennedy, recomendó que fuera Alan Solomon, comisario que apoyaba el arte más contemporáneo, quien organizara la participación de Estados Unidos en la Bienal. Solomon tramó un plan audaz junto a Leo Castelli, galerista neoyorquino y marchante de Rauschenberg. Las maniobras realizadas para conseguir el premio dejaron a la prensa internacional boquiabierta y al artista cuestionando la política nacionalista que lo había llevado hasta allí. La Fundación Juan March inauguró en 1985 la primera exposición de Rauschenberg en España. En octubre de 2025, con el apoyo de la Robert Rauschenberg Foundation, presentará una segunda muestra centrada en la utilización de las imágenes que el artista hizo a lo largo de su trayectoria, práctica clave en su producción. La presentación de este documental, sesenta años después de la Bienal, y la mencionada exposición, Robert Rauschenberg: el uso de las imágenes, contribuirán a remarcar la relevancia de un artista cuyo centenario tendrá lugar en 2025.Más información de este acto

Carlo Vanoni"L'arte quando brucia"I cinque decenni che hanno cambiato la bellezzaSolferino Libriwww.solferinolibri.itL'arte non è un museo, è un panorama in cui viaggiare: si fa più dolce o più impervia secondo il tempo e la geografia, cambia con il mutare delle condizioni esterne, si lascia modificare dalle passioni personali e collettive.Questo libro è un itinerario nel Paese dell'arte, con cinque singolari protagonisti, ciascuno dei quali ci guida attraverso un decennio del Novecento: sono Jackson, Mario, il Tedesco, Francesca e lo Squalo. Così l'arte contemporanea, che spesso guardiamo con distrazione o pregiudizio, magari solo per decretare che «non si capisce», diventa una colorata avventura che ci porta da New York a Roma, da Monaco a Londra, da Bologna a Parigi. Entriamo nel granaio di Pollock e nella stanza insanguinata di Francesca Alinovi; nei locali scrostati del Bronx e nella mitica galleria di Leo Castelli nell'Upper East Side. Scopriamo i luoghi della controcultura urbana e le vie del collezionismo, da una parte all'altra dell'Atlantico. Ci chiudiamo in una gabbia con un coyote, impacchettiamo scogliere, facciamo esplodere tonnellate di roccia, in breve: partecipiamo, da spettatori finalmente informati dei fatti, alle rivoluzioni che gli artisti da sempre compiono modificando la realtà, la rappresentazione e la bellezza. E di pagina in pagina respiriamo una nuova libertà: quella di interpretare la vita fuori dagli schemi e dai canoni.Carlo Vanoni spazia con la sua scrittura ricca e ispirata tra aneddoti e analisi, racconta i grandi movimenti e le opere fondamentali e ci fa sognare i sogni degli artisti che hanno voluto raccontare, cambiandoli, le epoche e il mondo. A costo di bruciare: stili, categorie, materiali e a volte anche se stessi.Carlo Vanoni, storico dell'arte, è consulente di varie gallerie d'arte e curatore di mostre. Ha portato in teatro spettacoli di successo (tra cui L'arte è una caramella e, con Leonardo Manera, I migliori quadri della nostra vita), ed è spesso ospite di trasmissioni radiofoniche e televisive. Ha pubblicato per Solferino A piedi nudi nell'arte (2018), Ho scritto t'amo sulla tela (2020) e I cani di Raffaello (2021). È ideatore di BienNoLo, la Biennale d'arte milanese.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

At the height of the Cold War, the U.S. government is determined to fight Communism with culture. The Venice Biennale, the world's most influential art exhibition, becomes a proving ground in 1964. Alice Denney, Washington insider and friend of the Kennedys, recommends Alan Solomon, an ambitious curator making waves with trailblazing art, to organize the U.S. entry. Together with Leo Castelli, a powerful New York art dealer, they embark on a daring plan to make Robert Rauschenberg the winner of the Grand Prize. The artist is yet to be taken seriously with his combinations of junk off the street and images from pop culture, but he has the potential to dazzle. Deftly pulling off maneuvers that could have come from a Hollywood thriller, the American team leaves the international press crying foul and Rauschenberg questioning the politics of nationalism that sent him there. Director Amei Wallach (Ilya and Emilia Kabakov: Enter Here) stops by for an in-depth conversation on a time and place where the long reach of the Cold War, the internal machination's of the Olympic's of the art world and the ascendency of modern art's bête noire and how they all crossed paths in this John le Carré-ish tale. For more go to: zeitgeistfilms.com/taking-venice

Magazzino exhibit shares 1960s work by talented, but troubled, artist One takeaway from the exhibit Germinal at Magazzino Italian Art in Philipstown is how often the artist, Mario Schifano, shifted visual and technical gears over just 10 years, from 1960 to 1970. In Italy, the groovy 1960s collided with lingering post-World War II malaise and radical politics. Schifano visited New York City three times during the period, hobnobbing with jazz masters and hanging out with Andy Warhol, Mark Rothko and Robert Rauschenberg. A cheeky account states that "the Rolling Stones stole his girlfriend," Anita Pallenberg (who dated Brian Jones and had three children with Keith Richards). Later in the decade, Marianne Faithfull left Mick Jagger for Schifano. One photo in the exhibit shows Jasper Johns preparing a libation as Schifano relaxes. The Italian's extensive photos and films of old New York are priceless, but he also picked up a heroin habit and did not return to the city after interest in his work waned. He continued to create, but ill-gotten fame grew with successive arrests. After spending time in a mental institution and with a band, he died in 1998 at age 63. He had exhibited all over Europe and around the world, from Tokyo to Los Angeles and South America. This show, curated by Filippo Fossati, reimagines and streamlines the museum's Schifano exhibition from last fall, focusing on the period when his dalliances in New York City and Italian politics informed his work. At first, the artist's textured monochrome paintings attracted the interest of Leo Castelli and Ileana Sonnabend, among the world's most renowned art dealers at the time. In his expansive studio at 791 Broadway, he created many large works, some of which conveyed motion as stencil-like people beat feet, hands extended as if marching down an urban street. One is clearly derivative of Da Vinci. "Elemento per grande paesaggio" (1962) "Compagni compagni" (1968) "La testa della madre 1913" (1965) "Futurismo rivisitato a colori" (1965) "Ultimo autunno" (1964) "Particolare di propaganda" (1962) The works on display at Magazzino are smaller, including an installment of his recurring series Propaganda, which incorporated interpretations of the Coca-Cola and Esso (precursor to Exxon) logos beginning in 1962 and earned inevitable comparisons to Warhol. His handlers wanted Schifano to keep knocking out single-color works, but he rebelled and they dropped him. The show features abstracts, what he called "anemic" landscapes, more realistic landscapes and two loud, strident images of workers holding hammers and sickles. There is also one painting from a series of collaborations with poet and neighbor Frank O'Hara, who wrote on the canvas: "There was a lot of static - Lately deciding to be relatively evil or not I bought a wrist radio." He added: "Images were shy and oblique and I love Federico Fellini more than grass." Schifano overlaid several works with plastic or plexiglass, including an untitled collage with yellow strips of jagged Perspex hanging from the top and "52 Delle Grotte Alley from the Inside in the Early Morning," which depicts a window with an interior perspective but is covered by what resembles the material used to cover fluorescent lights. Recurring motifs include words and slogans splashed across canvasses along with outlines of wood rulers and drafting tools, as if left on the table of a quasi-abstract artist. Many works are embellished with random, geometrically rigid shapes disconnected from the rest of the image, like the red strips punctuating "Anemic Landscape I" and a bright-green rectangle that clashes with the unfinished red, white and brown canvas in "Propaganda Detail." Schifano painted flourishes around a photo of his artistic heroes, the Futurists from the early 1900s, although their faces are blanked out. Pieces from another series were influenced by his infatuation with television. The exhibition's title is drawn from the artist, who claimed t...

durée : 03:30:04 - Les Nuits de France Culture - par : Albane Penaranda - En 1985 sur France Culture, le mythique galeriste et marchand d'art new-yorkais Leo Castelli, raconte un demi-siècle de peinture contemporaine - invités : Daniel Templon Galeriste et marchand d'art français; Robert Combas Peintre et artiste plasticien; Christian Boltanski Artiste plasticien; Marcelin Pleynet; Gérard Garouste Artiste; Léonor Fini

In s3e40, Platemark host Ann Shafer talks with Luther Davis, master printer and director of Powerhouse Arts, Brooklyn. This is a two-parter. For this interview, Platemark collaborated with its sister podcast Hello, Print Friend. Miranda Metcalf, Hello, Print Friend's host and creator interviewed Luther about his background and early career; Ann Shafer spoke with Luther about the present and future at Powerhouse Arts, a new non-profit arts center in a renovated transit power station on the Gowanus Canal in Brooklyn. Both Hello, Print Friend and Platemark's episodes will be available on both podcast channels. Luther has been in the biz for a long time and has great stories about the printing industry in Brooklyn. We talk about industrial printing and ask what the differences are between "art" and everything else. We talk about how important accessible shops are for artists to fabricate large projects (in addition to a print shop, Powerhouse has a ceramics studio, and a large sculpture fabrication shop). We talk about the state of print publishing today.   Luther has brought his prodigious experience to bear at Powerhouse Arts, a fairly new player in the field. He is taking the reigns of the Print Shop and running with it. Episode image: Dana Zinsser. Powerhouse Arts Print Shop, Brooklyn. Pulled in Brooklyn, exhibition curated by Roberta Waddell and Samantha Rippner. IPCNY, April 4–June 15, 2019. Industrial map of New York City showing manufacturing industries. New York Public Library. Printing industries are marked in orange. Grand Hall, Powerhouse Arts, Brooklyn. Powerhouse Arts Print Shop, Brooklyn. Inaugural artist-in-residence Ivan Forde working at Powerhouse Arts Print Shop, Brooklyn. Jasper Johns (American, born 1930). Leo from The Leo Castelli 90th Birthday Portfolio, 1997. Color etching. Plate: 17 11/16 × 11 13/16 in. (45 × 30 cm.); sheet: 36 13/16 × 27 in. (93.5 × 68.6 cm.). Published by Jean-Christoph Castelli; printed by Noblet Serigraphie. Museum of Modern Art, New York. Ed Ruscha (American, born 1937). News from the portfolio News, Mews, Pews, Brews, Stews & Dues, 1970. Screenprint. Image: 18 1/16 x 27 1/16 in. (45.8 x 68.8 cm.); sheet: 23 1/16 x 31 7/8 in. (58.6 x 81 cm.). Published by Editions Alecto; printed by Alecto Studios. Museum of Modern Art, New York. Peacock Visual Arts' Risograph color chart. Powerhouse Arts Print Shop, Brooklyn. Printer Zaire Anderson coating screens for Avram Finkelstein's Who Died. Powerhouse Arts Print Shop, Brooklyn. With backs turned, left: Chris Kinsler; right: Dennis Hrehowsik. Facing camera, left: Zaire Anderson; right: Dana Zinsser. Powerhouse Arts Print Shop, Brooklyn. Nellie Davis and Kyle Goen working on his giant rainbow roll at Powerhouse Arts Print Shop, Brooklyn. Printer John Bartolo working on a screenprint by Aziz and Cucher at Powerhouse Arts Print Shop, Brooklyn. Powerhouse Arts Print Shop, Brooklyn. Powerhouse Arts Print Shop, Brooklyn. Donald Baechler installation shot. Galerie Forsblom, 2014. Kara Walker (American, born 1969). The Emancipation Approximation, 1999–2000. Portfolio of 26 screenprints. Sheet (each): 45 3/4 x 45 3/4 in (116.2 x 116.2 cm.). Published by Sikkema Jenkins Editions; printed by Jean Yves Noblet. Phillips Auctions, New York. Fourth Estate www.fourthestate.com Alex Dodge (American, born 1977). Unread Messages, 2017. Screenprint. 20 x 30 in. Haystack Editions.   USEFUL LINKS Poster House www.posterhouse.org Jungle Press Editions www.junglepress.com Avant Arte www.avantearte.com Radix Media & Graphics NY Printing & Graphics www.nyprintinggraphics.com Du-Good Press www.du-goodpress.com Carousel's Press www.carouselpress.com Kayrock Screenprinting www.shop.kayrock.org Bushwick Print Lab www.bushwickprintlab.org Ulano Corp. www.ulano.com KIWO Inc. www.kiwo.com Guerra Paint & Pigment www.guerrapaint.com Labor statistics on fine artists from the US Bureau of Labor Statistics https://www.bls.gov/oes/current/oes271013.htm#nat  

In this episode Barbara shares some amazing stories and dives into how she was initially drawn toward spirituality and art throughout her life. We spoke about her journey becoming an art historian and her move to NYC where she became a well known gallerist and art dealer. We spoke about her experiences with spiritual giants like Maharishi Mahesh Yogi,  Swami Satchidananda, and Yogi Bhajan.  We also dialogue about the current shift in the art world, the reasons why spirituality might have been taboo in the past, along with  the potential the spiritual in art holds for our collective future.  Barbara has so much wisdom and insight to share around these subjects and I know you all are going to absolutely love this episode!!  ------------------------ Barbara Braathen is an art historian, curator, dealer and writer.  She had galleries in New York from 1980-2005, programming an eclectic mix of contemporary styles and media.  Exhibitions included graffiti personality Rammellzee, language artist Guy de Cointet, abstract painter Joan Waltemath, sculptor Donald Lipski, Surrealist legend Charles Henri Ford, spiritual expressionist Hunt Slonem,  magic painter Peter Grass, mystic John Wells, plus tombstone rubbings by the infamous Scott Covert, paintings and sculpture of the actor Fred Gwynne, a group show "Surrealismo" co-curated with "The Godfather of Gallerists" Leo Castelli, a collaboration with the French Embassy, Richard Osterweil paintings of the Romanov family at the Russian Embassy on New York's upper east side, as well as readings in the gallery by poet laureate John Ashbery,.  Group exhibitions included works by Marcel Duchamp, Man Ray, Jean Cocteau, Roy Lichtenstein, Andy Warhol, Jean-Michel Basquiat, Keith Haring, and many others.  Barbara Braathen Gallery was reviewed in Artforum, Artnews, Art in America, Flash Art, The New Yorker, The Atlantic Monthly, and a host of other publications.  She holds a PhDC in modern art history from UCLA. Interest in spiritual subjects began while a college student in the 1960s.  Experiences in Los Angeles included close interfacing with Maharishi Mahesh Yogi, Swami Satchidananda, Yogi Bhajan who brought Kundalini yoga to the west, and innumerable other spiritual leaders.  She as well participated in study groups with a close circle, the principle readings being in Theosophy (Blavatsky, Besant, Leadbetter), plus Cayce, Gurdjieff, and Hindu and Buddhist writings.  She has experienced several miraculous healings.  Current studies include the anthroposophical teachings of Rudolf Steiner.  She is on the Board of Directors of Spring River School, a Waldorf-inspired outdoor school in Jacksonville Florida where she currently resides. https://en.wikipedia.org/wiki/Barbara_Braathen https://nyweekly.com/?s=Barbara+braathen https://www.readersdigest.co.uk/culture/art-theatre/barbara-braathen-an-aesthete-in-the-art-industry https://www.laprogressive.com/sponsored/barbara-braathen See More from Martin Benson *To stay up on releases and content surrounding the show check out ⁠⁠⁠⁠my instagram⁠⁠⁠⁠ *To contribute to the creation of this show, along with access to other exclusive content, consider joining ⁠⁠⁠⁠my Patreon⁠⁠⁠⁠! Credits: Big Thanks to Matthew Blankenship of ⁠⁠⁠⁠The Sometimes Island ⁠⁠⁠⁠ for the podcast theme music! --- Support this podcast: https://podcasters.spotify.com/pod/show/martin-l-benson/support

durée : 01:59:05 - Les Nuits de France Culture - Par Claude Mourthé - Avec César (sculpteur), Leo Castelli (marchand d'art, galeriste), Didier Decoin (écrivain, scénariste), Pierre Restany (historien et critique d'art), Olivier Mosset (artiste plasticien), Gilbert Le Coze (grand chef cuisinier), Pierre Constant, Pierre Pottier (directeur des travaux des monuments historiques) et Katherine Pancol (journaliste, romancière) - Réalisation Claude Mourthé

Welcome back to part 4 of my series Art of the Deal! This time I'm taking you on a whistle-stop tour of the life of Italian/American art dealer Leo Castelli. Castelli was a powerhouse on the American art scene in the 1950s / 60s / 70s and helped champion the names of now art world superstars Jasper Johns and Robert Rauschenberg! Castelli has left a lasting impact on the art scene as we know it and even mentored now mega dealer Larry Gagosian when he was starting out. I talk you through how Castelli ended up working in the art world at the age of 50, the 'Castelli Method' and how he forged lifelong bonds with the artists he showed. Castelli is an incredible character within the history of art and the art market and I hope you enjoy learning more about this brilliant dealer! Host: Jo McLaughlin Instagram: https://www.instagram.com/josarthistory/ Website: https://www.josarthistory.com/podcast Where can I find out more about Leo Castelli? There is a great chapter written about Castelli in Rogues' Gallery by Philip Hook - available on Amazon. I picked up my copy for £3! You can hear Castelli speak about his life as a dealer in 1976 on Youtube - https://www.youtube.com/watch?v=4vxKIzFRGPA&t=229s The Art Story on Leo Castelli: https://www.theartstory.org/gallery-castelli-leo.htm You can read more about him here: https://somethingcurated.com/2019/06/12/the-life-legacy-of-legendary-new-york-art-dealer-leo-castelli/ Book Leo and his Circle - be warned it is pretty pricey: https://www.amazon.co.uk/Leo-His-Circle-Life-Castelli/dp/1400044278 Artsy Article: https://www.artsy.net/article/artsy-editorial-leo-castelli-changed-art-market-forever Interview with Castelli and Roy Lichtenstein: https://www.youtube.com/watch?v=DAW1Xipmpt0

This week, I met visual artist Howard Gross. Throughout his career which started in Chicago in the 70s, Howard was very keen on experimenting with different techniques and mediums. At first, after graduating from Art Institute of Chicago, his choice was oil on canvas. Then, he turned to box sculptures, from which he proceeded to relief sculptures, but he didn't stop there. When he moved to New York, he started to photograph cracks in the city. Later on, he started to photograph people in the art world with their eyes closed: Leo Castelli, Betty Parsons, Louise Bourgeois, Agnes Gund among many others, accepted to be photographed without posing in front of him. How does he condition himself to look at the world as an adventure? That's the question of the week.

Björn Wetterling driver Wetterling Gallery, Stockholms mest etablerade galleri inom samtidskonst. I detta avsnitt diskuterar vi Björns metaforiska resor från börsmäklare till att driva galleri, samt mer konkreta resor till New York i konstens namn. Hör Björn berätta om upplevelserna från över 40 konstresor till New York - Rauschenbergs studio på Lafayette Street, Leo Castelli, Jasper Johns, MOMA, The Metropolitan samt SoHo och Tribeca på 80-talet. See acast.com/privacy for privacy and opt-out information.

durée : 02:00:00 - Les Nuits de France Culture - par : Philippe Garbit - Par Claude Mourthé - Avec César (sculpteur), Leo Castelli (marchand d'art, galeriste), Didier Decoin (écrivain, scénariste), Pierre Restany (historien et critique d'art), Olivier Mosset (artiste plasticien), Gilbert Le Coze (grand chef cuisinier), Pierre Constant, Pierre Pottier (directeur des travaux des monuments historiques) et Katherine Pancol (journaliste, romancière) - Réalisation Claude Mourthé

Russell and Robert meet legendary American gallerist John Ollman on the 50th anniversary of his career in the art world. As Co-Founder and Director of Fleisher/Ollman gallery, John has paved the way for collectors and museums to support Self-Taught artists. For more than 5 decades, his Philadelphia gallery features work by contemporary artists working both inside and outside of the mainstream.We discuss the lasting influence of Joseph Duveen and Leo Castelli on many gallerists, the psychology of Collecting, the art of Topiary, beginning to work with Janet Fleisher gallery in the early 1970s on a memorable Oceanic Art exhibition. We discuss his championing Self-Taught artists works. We discuss the terminologies created for self-taught artists such as Outsider, Outlier, Visionary and Folk Art. We discuss numerous artists including Sister Gertrude Morgan's paintings, meeting Lee Goadie whilst she was painting outside a Neimann Marcus store, working with Bill Trailor's work since 1981, James Castle, William Edmondson, the Chicago Imagists, Pauline Simon, the curator Lynne Cook's exhibitions, Martn Ramírez (considered as a 'self-taught master'), Howard Finster's Paradise Garden, the game-changing exhibition ‘Magicians de la Terre' which ran across the entire city of Paris in 1989, including Hilma af Klint introducing mainstream audiences to spiritualism within painting. Finally, we explore contemporary artists such as Marlon Mullen and how he discovered the work of the Philadelphia Wire Man in 1985 and the adventures introducing the world to this undiscovered artist's extraordinary sculptures. We also explore the importance of books as a way to discovering artists and artworks plus how collecting art and museum collections have evolved over the past 50 years.Visit @FleisherOllman on Instagram as well as the exhibitions from earlier this year @JTT_NYC and @AdamsAndOllmanView the 'Dear John' show archive page at Adams and Ollman in Portland: https://adamsandollman.com/Dear-JohnView the 'Dear John' show archive page at JTT gallery in New York: https://www.jttnyc.com/exhibitions/2021/dear-johnView the 'Back Stories' show archive page at Fleisher Ollman gallery in Philadelphia: https://fleisher-ollmangallery.com/exhibitions/back_storiesFor images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

Nel 1977, il critico Douglas Crimp organizza a New York “Pictures”, una mostra che darà voce ad artisti post-ideologici come Jack Goldstein, Sherrie Levine e Robert Longo. In breve tempo, nella scena dell'arte contemporanea americana, emergono altri artisti con ispirazioni simili: Louise Lawler, Sarah Charlesworth, Richard Prince e Cindy Sherman. Ad accomunarli c'è il loro interesse per l'immagine fotografica e pubblicitaria: tutti troppo giovani per aver vissuto l'attivismo degli anni '60, troppo disillusi per cadere nella seducente trappola del consumismo. Nel 2009, saranno consacrati al Metropolitan Museum di New York nella mostra “The Pictures generation”.In questa puntata si parla di Douglas Crimp, Troy Brauntuch, Jack Goldstein, Sherrie Levine, Robert Longo, Philip Smith, Barbara Krueger, Elizabeth Taylor, Montgomery Clift, Sherrie Levine, Walker Evans, Marcel Duchamp, Lilli Gruber, Elaine Sturtevant, Louise Lawler, Hans Haacke, Benjamin Buchloh, On Kawara, Cindy Sherman, David Robbins, Julian Schnabel, William Gibson, Justin Trudeau, Diana Ross, Angela Merkel, Emmet Miller, Nick Tosches, Bob Dylan, Van Halen, Pete Molinari, Maria Goretti, Giordano Bruno Guerri, Jack Goldstein, Sarah Charlesworth, John Baldessari, David Salle, Francis Picabia, Peter Arno, Mickey Rourke, Mary Boone, Leo Castelli, Richard Prince, Clint Eastwood, Brooke Shields, Garry Gross, Alfred Stieglitz, Stefan Edlis, Gloria Guida, Lilli Carati e Greta Thunberg.

Da quando Marcel Duchamp ha ribaltato un orinatoio e l'ha piazzato in una mostra, i musei e le gallerie sono diventati dei supermercati in cui si possono trovare oggetti di uso comune, lattine di birra e cibi di ogni tipo. In questa puntata Costantino e Francesco ci dicono che ruolo ha il Pad Thai nell'arte contemporanea, esplorano il rapporto tra artisti italiani e ferramenta e ci spiegano perché non dovremmo mai fidarci di un sacchetto di patatine.In questa puntata si parla di Willem de Kooning, Jasper Johns, Leo Castelli, Marcel Duchamp, Jean Arp, Brian Eno, Pierre Pinoncelli, Sherrie Levine, Andrea Fraser, Nicolas Bourriaud, Ralph Fiennes, Rirkrit Tiravanija, Dan Graham, Tino Sehgal, Maurizio Cattelan, Jorge Pardo, Donald Trump, Darren Bader, Andreas Gursky, Wayne Thiebaud, James Rosenquist, Man Ray, Claes Oldenburg, Gabriel Orozco, Piero Manzoni, Mario Merz, Jannis Kounellis, Michelangelo e Lawrence Abu Hamdan

En este episodio hablaremos de los inicios de una pareja de galeristas que deciden abrir sus espacios comerciales en la década de los 60's en Nueva York y Paris. A través de este recorrido podremos ver el cambio de la capital del arte del siglo XIX, Paris, a Nueva York.

durée : 00:28:34 - Une histoire particulière, un récit documentaire en deux parties - par : Stéphane Bonnefoi - Le poète Alain Bosquet dans "Combat", après la remise du Lion d'or de Venise à l'artiste américain Robert Rauschenberg, en 1964 : "C'est une insulte, une atteinte à la dignité de la création artistique, un acte abject et intéressé dont on peut se demander si l’art de l’Occident pourra se relever". - réalisation : Vincent Decque

durée : 00:28:34 - Une histoire particulière, un récit documentaire en deux parties - par : Stéphane Bonnefoi - Le poète Alain Bosquet dans "Combat", après la remise du Lion d'or de Venise à l'artiste américain Robert Rauschenberg, en 1964 : "C'est une insulte, une atteinte à la dignité de la création artistique, un acte abject et intéressé dont on peut se demander si l’art de l’Occident pourra se relever". - réalisation : Vincent Decque

durée : 00:28:49 - Une histoire particulière, un récit documentaire en deux parties - par : Stéphane Bonnefoi - L'arrivée d'Eisenhower en 1953 accélère le processus. Un "consortium" est créé, regroupant des philanthropes, le MOMA, la CIA..., doté de plusieurs millions de dollars et chargé de propager l'art américain en Europe. - réalisation : Vincent Decque

durée : 00:28:49 - Une histoire particulière, un récit documentaire en deux parties - par : Stéphane Bonnefoi - L'arrivée d'Eisenhower en 1953 accélère le processus. Un "consortium" est créé, regroupant des philanthropes, le MOMA, la CIA..., doté de plusieurs millions de dollars et chargé de propager l'art américain en Europe. - réalisation : Vincent Decque

This week's guest is Mark Busacca, curator, art consultant, and owner of Busacca Gallery in San Francisco. After graduating from art school in the 1980s, he was immersed in LA's celebrity culture that brought him in contact with Andy Warhol, Leo Castelli, and others in their milieu. Mark's insight into what makes a successful artist is sage advice for aspiring artists everywhere. His decades of experience as a dealer propelled him to found an art technology company that aims to "archive all the world's objects." His platform, Artifact, plans to disrupt the art market by giving collectors access to their #artdata. This episode was recorded via Zoom on April 29th, 2020. To learn more about Mark's gallery, visit BusaccaGallery.com@markbusaccaartcollections on InstagramVideo on Vimeo: https://vimeo.com/66473401

 Annie Cohen-Solal "Leo Castelli et les siens" (Gallimard 2009) Leo Castelli est né Leo Krauss le 4 septembre 1907 à Trieste qui fait alors partie de l'Empire austro-hongrois et mort le 21 août 1999 à New York. Il a régné sur l'art contemporain international pendant plus de quarante ans.  Castelli est décrit dans sa généalogie et, dans l'histoire de la sécularisation des Juifs en Europe, de la Renaissance italienne au début du XXe siècle.  C'est lui qui découvre les grands Américains des années 60 : Jasper Johns, Robert Rauschenberg. C'est un personnage érudit, affable et médiatique, patient, rusé, acharné..  Cette biographie est nourrie d'entretiens et d'archives.  C'est à la fois historique, politique, sociologique et économique. Choix musicaux: Nina Simone "Four women" et Thomas Dutronc "C'est si bon" https://music.apple.com/be/album/four-women/1469552026?i=1469552031&l=fr  https://www.youtube.com/watch?v=EIxz5N5qva8

On this episode of the newest season ‘The Art World', Maeve looks at the Gallery, featuring interviews with YBA Gavin Turk, London-based art dealer and curator and founder of the JD Malat Gallery, Jean David Malat, and Mimi Thompson Rosenquist, former gallery manager at Leo Castelli where she met her husband, artist James RosenquistTo listen to more of A Private View with Maeve Doyle listen live every Tuesday and Friday, 10 to 11am on Soho Radio's Culture channel at www.sohoradiolondon.com/player/culture. Hosted on Acast. See acast.com/privacy for more information.

Que vous êtes-vous offert pour vos 18ans ? Une fête? Un bel objet ? Une escapade ? Notre invitée s’est offert le vernissage d’une exposition d’artistes de street art dans sa propre galerie.Magda Danysz est galeriste passionnée et experte reconnue de street art, d’art numérique, d’art chinois contemporain et d’autres spécialités.Elle a de l’audace : vous entendez Magda évoquer son parcours qui débute par l’ouverture de sa première galerie à 17ans et qui la menée à exposer dans ses 3 galeries à Paris à Londres et à Shanghai.Magda part constamment à la chasse au trésor de nouveaux artistes. Elle suit son instinct et accompagne, dans la durée, des artistes dans la mise en œuvre de leurs projets.Elle a du flair : Madga a exposé et collaboré avec des artistes comme JR (qui réalise des collages photographiques monumentaux), Shepard Fairey (celui qui a peint le portrait d’Obama en bleu et rouge), Vhils, Felipe Pantone, Erwin Oaf et de nombreux autres.Elle a su écouter : Magda a eu comme mentor Leo Castelli, le galeriste marchand d’art, référence sur l’art américain de la seconde partie du XXe siècle.Vous découvriez dans notre conversation comment Madga travaille avec ses équipes, avec les artistes, avec les acheteurs et les collectionneurs.Elle parle du « drive » qui lui permet, depuis toutes ses années de faire bouger les lignes, de rester en haleine.Vous l’entendrez parler de sa récente découverte : les vacances où l’on ne consacre pas son temps à parcourir les galeries.Nous avons apprécié son approche de la réussite et du succès qu’elle relativise en posant la question : peut-on être dans une logique de réussite sans connaître le but final ? Bonne question !Bonne écoute !(Notes et références de cet épisode sur http://humanlx.com/galeriste)Talents Précieux : le podcast de la Réussitologie©, l’art des comportements de la réussiteTalents Précieux a pour ambition d’illustrer la mise en oeuvre des comportements qui mènent aux succès, dans le contexte professionnel, à travers le témoignage d’un invité différent à chaque épisode.Qu’il soit Entrepreneur, Dirigeant de société, Cadre, Médecin, Religieux, Enseignant, Artiste, Artisan…, nous cherchons à révéler:– les types de comportements gagnants (curiosité, audace, agilité, collaboration) qui lui permettent de réussir dans sa mission – l’alignement des planètes qui favorise la mise en oeuvre de ces comportements, – les conseils que l’on peut en tirer pour réussir au travail.---Talents Précieux est conçu et produit par Human Learning eXpedition.Co-fondé par Amélie Dagues et Perrine Corvaisier, Human Learning eXpedition ou HLX, est le cabinet de conseil et de coaching qui accompagne les organisations dans la réussite durable de leurs transformations et les individus dans leurs réussites professionnelles en cultivant les comportements qui mènent aux succès.Contactez-nous pour en savoir plus : contact @ HumanLX.com et www.HumanLX.com Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

"Mercanti di bellezza" di Costantino D'Orazio

Jasper Johns’ first show at the Castelli gallery was an enormous success for the artist and started off his career in an unprecedented way. But they exact method used by Leo Castelli (one of the biggest galleries to have ever walked the streets of New York) was remarkable and incredibly simple at the same time.

Based on her 2015 book, Yayoi Kusama: Inventing the Singular, Prof. Midori Yamamura will discuss Japanese-born artist Yayoi Kusama and Jewish art dealer Leo Castelli, who both launched their careers in New Yorks 1950s multicultural downtown scene, where immigrants from diverse backgrounds converged after the Second World War. By the early 1960s, Kusama was exhibiting together with the Pop and Minimal artists during their formative years. In Europe, she showed with the Dutch Nul and the German Zero artists. However, as the global art market fully took root, the so-called New American Art replaced multiculturalism with mostly U.S.-born white male artists, most of whom were represented by a single New York gallery, Leo Castelli, and Kusama became marginalized. This was owing in part largely to the successful efforts of the capitalists transnational activities to establish what was in effect a market monopoly. This experience uniquely shaped Kusamas art, and forced her to invent a singular practice that foreshadowed the politically charged feminist art of the 1970s and queer art, challenging the conventional ideas of gender and sexuality.

Ludwig Schwarz earned a BFA from Southern Methodist University and an MFA from the School of the Visual Arts, NY. Solo exhibitions include “Some 20 year old works on Paper and 2 New Sculptures”, curated by Charles Dee Mitchell, The Box Company, Dallas, TX (2017); “Rest Stop”, Peter Makebish Gallery, NYC (2015); “Retrospective (1990-2014)”, Oliver Francis Gallery, Dallas (2014); “Meet the Schwarzes,”(with Marjorie Schwarz), Nada Art Fair, NYC (2013); “The Four Seasons (Season Premier)”, Sunday LES, NYC (2008); “Untitled (Travelogue 8)”, Freight and Volume, NYC (2005); as well as exhibitions at Angstrom Gallery and Road Agent, Dallas and Lump, Raleigh, NC. Group exhibitions include Brucennial 2012 and 2010, NYC; Leo Castelli, NYC; Gavin Brown, NYC; Inman Gallery, Houston; The Rose Art Museum, Brandeis University, MA; Texas Prize at Art House, Austin, and Art Museum of Southeast Texas, Beaumont.

AOTB Podcast - Top 5 News 1. Research results published: Democratizing Art Markets: Fractional Ownership and the Securitization of Art, January 18, 2018, by Amy Whitaker and Roman Kraussl. Using data from the Leo Castelli art gallery, the authors created a "novel model of evaluating art market returns using first-sale prices alongside auction results." https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3100389 https://www.theartnewspaper.com/news/artists-would-do-well-to-invest-in-their-own-work-study-says 2. Online art lot auctions and losing money. The Art Newspaper quotes Edward Dolman, Chief Executive of Phillips, that auction houses lose money on an average online auction valued at $2k. He is quoted as saying: "Blockchain is the nearest thing to something that might help here, because you might, in some instances, take the role of expert out." The Art Newspaper, print edition, March 2018 p. 41 3. DJ Gareth Emery launches, his blockchain solution for the music industry, Choon, this month. https://www.forbes.com/sites/andrewrossow/2018/03/03/international-music-dj-gareth-emery-brings-blockchain-project-to-music-industry/#6514d87c5479 4. Technomedioevo. Age of future reloaded. Exhibit, March 1 - June 16, 2018. The Museum of The Order of St John in collaboration with Techno Medioevo and The Sir Denis Mahon Charitable Trust will host an exhibition entitled "Age of Future Reloaded. Scenes, Visions and Fragments from an Alternative History." https://www.saatchiart.com/leonardopasseri https://www.facebook.com/Walteriusgallery-1670792876497514/ 5. Decentralized Art Show in Austin, March 12, 2018. SXSW Decentralized Art Show Austin March 9-18. Can still participate. https://steemit.com/sxsw/@stellabelle/sxsw-decentralized-art-show-austin-march-9-18-it-s-a-crypto-party-call-for-artists Twitter handles for this episode @itsmee.bosslady @Sommerzworld @stellabelle @TheArtNewspaper @steemit @SaatchiArt @garethemery @CastelliGallery @StJohnsGate @phillipsauction @sketch_mcguiney @DJ_PEPE @cryptoartsy ART PROJECT DECENTRALIZED TELEGRAM ROOM: https://t.me/cryptoartproject Follow us on twitter @AOTB_PODCAST https://medium.com/@ScrillaVentura/introduction-to-cryptoart-cryptomusic-3752923792c7 Bitcoin tips: 1D3DYP4nBC5DqTm1g5GeKf1uWeemLipwpY

Legendary East Village gallerist Gracie Mansion talks about the various turning points in her life and career, including:  Her early days in the East Village (9th St. between 1st & Ave. A), when she had an apartment to live, and another for her studio, for about $200 total; the genesis of her first gallery, which she started out of the bathroom of that apartment, and managed to stir up a whirlwind of visitors and press; one of her day jobs, at a SoHo gallery, where her boss had her run a ‘museum’ of art by prostitutes; the changing landscape of the downtown NYC gallery world, as she moved her spaces through the East Village, later to SoHo, and then much later to Chelsea; how she learned how to price artworks from legendary dealer Leo Castelli; what it’s like to negotiate with gallery backers, and how that worked out for her; and how and why she changed her name to Gracie Mansion (the name of the New York City Mayor’s residence).

Author Annie Cohen-Solal speaks about her biography of renowned gallery owner Leo Castelli.

Author Annie Cohen-Solal speaks about her biography of renowned gallery owner Leo Castelli.

LEO CASTELLI raccontato da Stefano Chiodi

Annie Cohen-Solal talks about her book on the life of Leo Castelli and and he played a role in bringing American art to the international forefront. (October 25, 2010)

An audiobook recording of Suzi Gablik's 'Conversations Before the End of Time', produced by Cast Iron Radio for European Capital of Culture Aarhus 2017. Conversations Before the End of Time was first published by Thames and Hudson in 1995. Copyright © 1995 Suzi Gablik Reproduced by permission of Thames & Hudson Inc. All rights reserved.

Con una exposición de 60 obras de la Colección Leo Castelli, de Nueva York, la Fundación Juan March abre a partir del 7 de octubre su temporada artística del curso 1988-89. Es la primera vez que una selección de la colección privada de Leo Castelli se exhibe publicamente. La muestra ofrecerá cuadros, esculturas y obras sobre papel de 16 artistas norteamericanos, 17 de las cuales han sido realizadas en la década de los 80. Leo Castelli, afincado en Nueva York desde los años 40, es uno de los principales promotores del arte contemporáneo. A él se debe en gran parte el conocimiento y prestigio de que gozan artistas como Rauschenberg, Warhol, Jasper Johns, Lichtenstein y Stella, entre otros muchos. La Galería Castelli, en el número 420 West Broadway, de Nueva York, es «lugar de peregrinación para el turismo de las galerias de arte, un estratégico nudo de comunicaciones del comercio internacional en este ámbito de la cultura, y el núcleo del acontecer artístico contemporáneo» (Gabriele Henkel). La exposición, que permanecerá abierta en la Fundación Juan March hasta el 8 de enero del año próximo, será inaugurada con una conferencia del propio Leo Castelli, quien ya ha colaborado en , otras ocasiones con la Fundación prestando obras de su galería para las exposiciones dedicadas a Cornell, en 1984, y a Rauschenberg, en 1985, entre otras, Dichas muestras fueron presentadas por el mismo. Los 16 artistas representados en la muestra -todos ellos vivos, a excepción de Andy Warhol, fallecido en 1987-son Artschwager, Flavin, Johns, Judd, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Serra, Stella y Warhol.Más información de este acto