Podcasts about Marmoset

Comedian Francisco Ramos Talks "Still Learning" |The Brett Allan Show WATCH HERE https://www.youtube.com/watch?v=Me1bJ5Pcc60&t=2s Francisco joins Brett to talk about his latest special, the journey of joke, always be writing and so much more! WANT MORE? www.brettallan.com You've probably seen me on Netflix, Hulu, or HBO Max. And if you haven't yet, you will... Comedy, for me, has always been about connection—finding the humor in real life and sharing it in a way that brings people together. Whether I'm on stage, on screen, or behind the camera, I strive to bring authenticity, sharp storytelling, and my own perspective as a Venezuelan-American into everything I create. I star in the upcoming feature The Unexpecteds, executive produced by Kevin Smith, premiering October 14. Audiences may also recognize me from Netflix's Gentefied and Hulu's This Fool. Beyond acting, I directed, co-wrote, and starred in my debut comedy short Zoo Animals, which is now streaming on HBO Max. My stand-up career has taken me across the country and onto some incredible stages. I've filmed two comedy specials—Venezuela'Merican, produced by Brad Garrett (Everybody Loves Raymond), and HBO's Entre Nos. Earlier in my career, I was a top 10 finalist on Last Comic Standing, and today I continue touring nationwide, sharing my perspective and humor with audiences in comedy clubs and theaters throughout North America. On screen, I've had the chance to work on a wide range of TV and film projects. My credits include Showtime's Shameless, Steve Carell's Angie Tribeca, Netflix's Lady Dynamite, Comedy Central's @midnight, multiple appearances on Jimmy Kimmel Live, and voice acting as Marmoset in the animated hit Rio as well as in Cartoon Network's Victor and Valentino. As a writer and performer, I'm proud to be an alum of Lorne Michaels' Mas Mejor, where I wrote, directed, and starred in comedy sketches. My debut comedy album Vayalo broke into the Billboard Comedy Top 5 and streams exclusively on SiriusXM. I've also performed in the CBS Diversity Showcase, won first place at the Lucille Ball Comedy Festival, and was featured in American Latino's Latino Out Loud documentary, which highlighted my journey in comedy. I continue to create, perform, and push my work in new directions—whether through stand-up, acting, writing, or voice work—always striving to connect with audiences through honest, original comedy.

I don't blame you for not knowing what the episode title means. This week Amelia is going to look at bad art at a few points in history, but the sort of things where it's so bad it's good. So we'll be looking at some bad artwork, some bad singing, and some truly awful translations.The following music was used for this podcast:"Anachronist" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Queen of the Night Aria performed by Florence Foster JenkinsThank you for the Music performed by Jeremy Hardy from BBC's I'm Sorry I Haven't a Clue Hosted on Acast. See acast.com/privacy for more information.

The Daily Quiz - Science and Nature Today's Questions: Question 1: What Kind Of Animal Is A Marmoset? Question 2: A young goat is known as what? Question 3: Which chemical has the atomic number one? Question 4: What is -459.7 F also know as? Question 5: What would you call a baby frog? Question 6: What does the acronym 'ROM' stand for in computers? Question 7: What would you call a male sheep? Question 8: Who discovered the law of gravity? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we talk about everybody's nostalgic favourite teen high school alien parasite movie. One of us clearly loves it a lot. Guess who? Do your bit: Sign up to our Patreon for (almost) unedited and raw video versions of every new episode Rate and review us wherever you're listening  Email us with your thoughts, questions, and FT slash fiction Follow us on Instagram, Bluesky and TikTok Check out Red Scare Industries

Comic book talk.Jonah is an incredible story, Leviathan, the Great Fish.Are the Conan the Barbarian stories actually real history?Abraham was a minor warlord for awhile.Behemoth and Leviathan, what are they?Strange animal husbandry, hybrid bloodlines, giants in the Bible, why the Israelites wiped out entire tribes of people in the Promised Land.Shape-shifting pigs.David's Mighty Men, how tall was Goliath actually? Cubits and measurement inaccuracies.How did the giants survive the flood?Gregarious forms, lion-faced men.Why David picked up 5 stones to fight Goliath.The Biblical cinematic universe.Adam's comics and their backstory.LinksE. Adam Farris on SubstackS1E039: This Isn't Even Our Gregarious FormMore Linkswww.MAPSOC.orgFollow Sumo on TwitterAlternate Current RadioSupport the Show!Subscribe to the Podcast on GumroadSubscribe to the Podcast on PatreonBuy Us a Tibetan Herbal TeaSumo's SubstacksHoly is He Who WrestlesModern Pulp

Send us a textBuilding a Sustainable and Ethical Homewares Brand: An Interview with Nareen Holloway from Marmoset FoundIn this episode I interview Nareen Holloway, the founder of the homewares company Marmoset Found. Nareen shares her journey from working in streetwear retail to creating a sustainable homewares brand known for its long-lasting ceramics and glassware. The discussion covers the challenges and risks she faced, including finding ethical manufacturers, evolving her product line, and managing logistics. Nareen also provides insights into her marketing strategies, the importance of beautiful imagery, and balancing work-life harmony. This episode offers valuable advice for anyone looking to turn their creative passion into a successful business.00:00 Introduction to the Lotco Business Podcast00:32 Special Guest: Noreen Holloway from Marmoset Found02:02 Founding Marmoset Found: The Journey Begins04:04 Navigating Manufacturing and Early Challenges05:13 Scaling Up: From Small Orders to Big Risks06:57 Warehouse Evolution and Stock Management10:14 Marketing Strategies and Trade Fairs12:27 Team Dynamics and Operational Efficiency15:03 Marketing and Customer Engagement17:57 Challenges and Opportunities in Business20:48 Setting Up Wholesale Pricing22:42 Balancing Family and Business27:32 Dealing with Copycats29:55 Finding Inspiration31:21 Starting a Brand32:54 The Value of Wholesale34:37 Supporting Wholesale Customers37:22 Conclusion and Contact InformationSupport the showI'm Mel Robbins! from @thelotco Want a Roadmap to Building a Profitable Product Business head here for directions! Looking for ongoing support to grow your brand and sell more of your product? Join the Product Business Growth Club here. Find more details at https://www.thelotco.com.au/Business Coach for product-based businesses. Teaching creative business women how to build a scalable and profitable million-dollar product business whether a physical Retail store or Brand.Over 25 years as a Retail and Wholesale Strategist (Sales and Marketing for Brands).Grab my 8 step checklist on building a profitable product business.

Director of Research for the Dolphin Research Center, Dr. Kelly Jaakkola returns to discuss her upcoming free webinar summarizing recent dolphin cognition studies hosted by the Dolphin Communication Project and her just published invited rebuttal to a paper in the journal Science about marmosets supposed use of individual names. Few species have been shown to use names much like we humans do as labels to identify specific individuals. She discusses how authors of a recent study that relied on machine learning to analyze common marmoset "phee calls" found patterns which they suggest indicate the use of these calls as individual names. Dr. Jaakkola suggests in her rebuttal that while the computer methodology seems sound and exciting for future investigative work, there is another explanation which fits the data better than the  authors' interpretation that marmosets are using these calls as names like humans or dolphins do. Animal Care Software

In this mind-bending installment, hosts Jaysin and John strap on their astro-chaps to blast off toward the newly discovered Marmoset Moon Base—a hidden lunar colony run by multilingual primates with a flair for interpretive jazz tap. Upon arrival, they discover the Marmosets are embroiled in a heated turf war with a clandestine order of mozzarella monks, all vying for a revered cosmic artifact: The Nacho Oracle, said to bestow infinite knowledge on anyone who can read the cheese crystals without dissolving into a fountain of jalapeño tears. While Jaysin attempts to prove his worthiness by reciting haiku in the Marmoset Queen's personal yodeling chamber, John embarks on a daredevil cheese-scrying quest in the subterranean catacombs, where bell-bottomed salamanders whisper cryptic marketing tips for interstellar caravans. Together, they'll face off against robotic rodents that fuel their pogo sticks with liquid guacamole, forging alliances and uncovering the spicy secrets that unite the cosmic dairy realms. Will Jaysin's poetic yodeling skills impress the Marmosets enough to gain access to the Nacho Oracle's gooey wisdom? Can John survive the jalapeño tears that threaten to turn him into a human quesadilla? Tune in for an out-of-this-world blend of lunacy, lactose, and leaps of faith as Jaysin and John attempt to bring peace (and the perfect topping ratio) to the Marmoset Moon Base.

A Ukrainian F-16 crashes in a Russian air raid, Video footage shows Houthi fighters planting bombs on the Greek tanker Sounion, Libya's central bank chief flees from militias, Student protests are conducted across Canada amid the scrapping of an immigration policy, The US reportedly has urged Israel to change evacuation order procedures in Gaza, Donald Trump proposes universal coverage for in vitro fertilization (IVF), The first Harris-Walz media interview of the campaign airs on CNN, California passes an AI regulation bill, Nassau County, New York police make their first arrest under a mask ban policy, and a study finds that marmosets call each other by names to communicate. Sources: verity.news

Join me on a wildlife adventure to learn about the Pygmy Marmoset—the smallest primate on planet earth. Strap on some hiking shoes, and prepare for a journey to a South American Jungle. Whether you're looking to sleep, feeling a little anxious about something, or simply curious about these amazing creatures, this episode is sure to provide a calming escape. Support the show's mission while getting access to exclusive content, uploaded once a week. You can listen to exclusive episodes, you gain access to voting, and more, by becoming a Patron. No obligation, cancel anytime, and you can even sign up for a 7-day free trial. If you decide to stay, it can cost you less than half a cup of coffee a month:⁠patreon.com/relaxwithanimalfacts⁠—we're waiting for you! To submit your animal request, head to the "Submit" tab on ⁠relaxwithanimalfacts.com⁠ To contact Stefan Wolfe: E-mail ⁠relaxwithanimalfacts@gmail.com⁠ Send a message to ⁠relaxwithanimalfacts⁠ on Instagram. A huge thank you to ⁠George Vlad⁠ for the ambiences—it is because of his important work that we can visit some of the coolest places on earth. He has helped the show so much, and I encourage you to subscribe to him ⁠on YouTube⁠, and check out ⁠his website⁠. If you would like to learn more, the resources used in this episode are listed below: https://animals.sandiegozoo.org/animals/pygmy-marmoset https://factanimal.com/pygmy-marmoset/ New episodes every Tuesday and Friday!

Have you ever wanted to start a product business?But you aren't sure you're ready for the business risks or potential copycats?In this episode, I bring on Nareen Holloway to discuss her journey of creating Marmoset Found.Nareen has experienced it all - From marketing to stock to work/life balance to copycats.Tune into this episode to hear us discuss the following:00:53 Who is Nareen Holloway and what is Marmoset Found?06:38 Taking risks with your business08:09 Managing stock and stockists11:32 Using imagery for product businesses13:40 Marmoset Found's team members16:16 Using photoshoots for marketing20:13 What is the hardest part of business for Nareen?25:34 Would Nareen do anything differently with her business?30:50 Dealing with copycats33:29 Where does Nareen get her inspiration from?35:07 What advice does Nareen have for anyone starting out?37:05 Why wholesale and how can you support wholesalers?Connect with Marmoset Found on Instagram.Shop all things homeware at the Marmoset Found website.I'm Mel Robbins! from @thelotco Register for my FREE webinar here https://www.thelotco.com/trainingAnd if you want a Roadmap to Building a Profitable Product Business head here for directions! Looking for specific help with Wholesale? Check out the Transform your Wholesale programFind more details at https://www.thelotco.com.au/Business Coach for product-based businesses. Teaching creative business women how to build a scalable and profitable million-dollar product business whether a physical Retail store or Brand.Over 25 years in Retail and Wholesale Sales and Marketing.Grab my 8 step checklist on building a profitable product business.

This week we were lucky enough to sit down with 3 of Paradise Country's animal specialists to chat all about training! The girls chat about training wins and challenges, reinforcers and future training goals with all three species! You can find Paradise Country on socials @paradisecountrygc and the podcast @trainertalksandtails. You can reach out for feedback or queries on trainertalksandtails@outlook.com.

How can marmosets inform human birth experiences? Are there really four types of human pelvises? What happens when primates birth litters? Prof. Julienne Rutherford joins Chris and Eric to answer these questions and more! Find the articles discussed on this episode via the following citations: Rutherford, J.N., Ross, C.N., Ziegler, T., Burke, L.A., Steffen, A.D., Sills, A., Layne Colon, D., Demartelly, V.A., Narapareddy, L.R. and Tardif, S.D., 2021. Womb to womb: Maternal litter size and birth weight but not adult characteristics predict early neonatal death of offspring in the common marmoset monkey. Plos one, 16(6), p.e0252093. VanSickle, C., Liese, K.L. and Rutherford, J.N., 2022. Textbook typologies: challenging the myth of the perfect obstetric pelvis. The Anatomical Record, 305(4), pp.952-967. ---------------------------------------------------- Dr. Julienne Rutherford is Professor and John & Nell Mitchell Endowed Chair for Pediatric Nursing in the University of Arizona College of Nursing. She is a biological anthropologist whose work integrates bioanthropological theory with biomedical science. For 20 years, she has sustained a program of research exploring the intrauterine environment as a biosocial determinant of health. She studies how maternal life history and lived experience shape this earliest developmental setting, and how, in turn, the intrauterine environment influences growth, health, and development across the life course and across generations. ---------------------------------------------------- Contact the Sausage of Science Podcast and Human Biology Association: Facebook: www.facebook.com/groups/humanbiologyassociation Website: humbio.org/, Twitter: @HumBioAssoc Chris Lynn, HBA Public Relations Committee Chair Website: cdlynn.people.ua.edu/, E-mail: cdlynn at ua.edu, Twitter:@Chris_Ly Eric Griffith, HBA Junior Fellow, SoS producer E-mail: eric.griffith at duke.edu

We declared that we would not record another episode until the Seattle Mariners won a game of baseball. Instead, we intended to focus our efforts on our true passion: pygmy marmosets. However, those very same Mariners did win one baseball game...so we decided to devote to them some of our time. Derek doesn't know how to count, but that's ok. New Patreon: www.patreon.com/umspod Pay us so we can do more than 1 episode per week, & Derek can afford to stop eating dog food! Twitter: @umspod Keromy: @jkrom34 Drk: @ibangmybros Youtube: @umspod

Welcome to our first monthly forecast episode! This is a new ~~experiment~~ I'm trying exclusively on the pod feed where I check in on the first Friday of each month to share a few fun marketing trends, this month's biz-care to-dos, and hopefully some listener Q&A!Tune in to hear why I'm super into worldbuilding, Selena Gomez & tax prep right now. And click through all the links below for a browser full of fun!Get in touch with Amelia:

Farnell Newton is an accomplished jazz artist, composer and trumpeter who's toured and played with stars like Jill Scott and Aretha Franklin. He works in A&R at the powerful music licensing agency Marmoset. Farnell breaks down with us what actually happens at a sync agency, and how they work directly with artists to meet the needs of their clients. He also keeps creating stunning music of his own - which we talk about!

In today's episode, you will hear Amina Moreau discuss the future of shared workspaces as she and her business partners see it. She is a powerhouse of ideas, full of positive energy and enthusiasm for what's possible! Get ready to think differently about what co-working spaces are and where you have your next team meeting. Amina Moreau has a long and varied work experience. Amina began her career in 2004 as Cofounder and Executive Creative Director at Stillmotion, Inc., a five-time Emmy Award winning band of filmmakers. In 2013, she co-founded Story & Heart, a footage licensing marketplace, education platform, and collaborative community of storytellers. That same year, she became a Partner at Marmoset, an off the beaten path, boutique music marketplace. In 2017, she took on the role of Director of the Greater Portland Tennis Council, where she worked to give back to the community through the sport of tennis. In 2018, she became an Adjunct Professor at the University of Oregon's School of Journalism and Communication, teaching graduate students about the business of storytelling. In 2020, she founded Float Small Business, a website that encourages small businesses to set up fundraising campaigns and gift card offerings. Additionally, she is the CEO and Cofounder of Radious, an online marketplace that turns houses, apartments, and other residential properties into collaborative workspaces, rentable by the day. Connect with Amina Moreau On LinkedIn: https://www.linkedin.com/in/amina-moreau/  On the Radious website: https://radious.pro/  = = = = = Thank you for supporting the show! Your 5-star rating and review makes a difference -- it's easy to leave one and it helps spread the word about the podcast! = = = = = My latest book, The Far Unlit Unknown -- is available everywhere books are sold including Audible! Get your copy and learn more about it here Are we connected yet on social?  @maryloukayser (Instagram) https://www.linkedin.com/in/mlkayser/ (LinkedIn)

I think we can all agree that “making it” in the music industry requires a champion. In this episode of I HAVE SOMETHING TO SAY, I'm joined by José Maldonado, Account Manager at Marmoset Music, a pioneering music agency based in Portland, Oregon. He shares his inspiring journey into the music industry and his role in creating pathways to mainstream media for independent artists. José's introduction to Marmoset came in 2016 when he attended a “Listening Hour” hosted by the company. Instantly captivated by the atmosphere and the mission of Marmoset, he knew that he wanted to be a part of this creative community. Although he didn't get the job initially, his perseverance paid off, and he was eventually called upon to join them. From that moment, José found a place where career growth, inclusivity, and a true sense of community converge. Working at Marmoset, the world's first B Corporation music agency, allows him to fulfill his purpose and contribute to important causes. As a music agency, Marmoset represents diverse, emerging, and independent artists, bands, and record labels for licensing. Their Music Production Team specializes in creating original music, soundtracks, and scores for brand campaigns, film, and television, revolutionizing the mainstream media landscape, empowering independent artists, and championing diversity and inclusion in the music industry. Marmoset's values shine through in their daily interactions, their flexibility and adaptability, their passion, and their collaborative nature. They challenge, encourage, empathize, and listen offering unwavering support to local and indie artists. During this episode, José sheds light on Marmoset's commitment to diversity, equity, and inclusion (DEI) as a Certified B Corporation. As a person with an immigrant background, José is deeply passionate about immigrant rights and social justice. He emphasizes the significance of representing underserved and underrepresented artists in the mainstream media industry. Marmoset goes beyond just providing tangible opportunities; they also identify diverse talent, provide capacity building, and foster collaboration among artists. By listening to their interests and dreams, Marmoset creates an environment conducive to growth and success. The company's values can be applied to recruitment practices across all industries where representation is critical. Marmoset believes in upskilling individuals, fostering collaboration through peer-to-peer mentorship, and connecting people with the right resources and networks to help them achieve their career goals.

Broadcasting note: We're taking a few days off, but we'll be back on Wednesday. See you soon! Ryan Williams joins Fred in studio to go over the latest Creation Magazine (vol 45, no 2).  On the cover is the Marmoset, a monkey that is known for its quick, jerky movements.  The Marmoset is found in both Africa and South America, so the question is, how did it migrate there? Listen in to find out how evolutionists are now appealing to a concept that creationists knew all along! Ryan and Fred also talk about the future “evolution” of humans, as imagined by a 3D Model called ‘Mindy' with a clawed hand, a hunchback, a second eyelid, and more all due to the overuse of smartphones! While Ryan and Fred don't doubt certain negative impacts of too much smartphone use, they were quick to point out the flaws in yet another example of unscientific musings coming from the secular world.  RSR also took delight in an email from one of our listeners regarding a recent science news article, “Where did Earth's water come from? Not melted meteorites, according to scientists”. Our astute listener did the math and showed that "... it would require a bombardment of the world's largest carbonaceous chondrites, falling at the heaviest rate ever recorded, 252 THOUSAND TIMES the conjectured evolutionary age of the solar system to bring the present weight of ocean water to earth... And by the way, I'M not the one that said 'The present is the key to the past.' " As our listener noted, it's another failed evolutionary fantasy and in the end, "there's nothing to see here!" We love our listeners!  

Broadcasting note: We're taking a few days off, but we'll be back on Wednesday. See you soon! Ryan Williams joins Fred in studio to go over the latest Creation Magazine (vol 45, no 2).  On the cover is the Marmoset, a monkey that is known for its quick, jerky movements.  The Marmoset is found in both Africa and South America, so the question is, how did it migrate there? Listen in to find out how evolutionists are now appealing to a concept that creationists knew all along! Ryan and Fred also talk about the future “evolution” of humans, as imagined by a 3D Model called ‘Mindy' with a clawed hand, a hunchback, a second eyelid, and more all due to the overuse of smartphones! While Ryan and Fred don't doubt certain negative impacts of too much smartphone use, they were quick to point out the flaws in yet another example of unscientific musings coming from the secular world.  RSR also took delight in an email from one of our listeners regarding a recent science news article, “Where did Earth's water come from? Not melted meteorites, according to scientists”. Our astute listener did the math and showed that "... it would require a bombardment of the world's largest carbonaceous chondrites, falling at the heaviest rate ever recorded, 252 THOUSAND TIMES the conjectured evolutionary age of the solar system to bring the present weight of ocean water to earth... And by the way, I'M not the one that said 'The present is the key to the past.' " As our listener noted, it's another failed evolutionary fantasy and in the end, "there's nothing to see here!" We love our listeners!  

Welcome back to Season 3 of The Trail Ahead, hosted by Faith E. Briggs & Addie Thompson. In this episode they reflect on why bringing together their multiplicities of identity is essential to their theory of change - which is (clumsily) that with a multi-racial dialogue that seeks to amplify the voices on the frontlines of environmental justice they can encourage more people to fall in love with the natural world and aim to protect it. They discuss the potential flaws in this theory, how it has changed, how much they are learning and where they go from here. While Addie and Faith originally met through trailrunning, they bonded through their passions. Faith is a documentary filmmaker with a background in representation and a focus on identity politics. Addie's road to stories is grounded in work that has been a mix of climate policy and environmental grantmaking. It is at this intersection where these conversations live. This episode reflects on previous seasons and gives some sneak peeks on the kind of conversations coming down the road.Theme music is "All is Forgiven" from the band Alekesam and the Album Sound Proof Heart.This episode is sponsored by Subaru, learn more on social via @subaru_usa.Additional music comes from Track Club by Marmoset. Other links, orgs, and folks mentioned in this episode are:Rising Hearts:  An Indigenous led grassroots organization committed to the heart work in elevating indigenous voices, promoting, and supporting intersectional collaborative efforts across all forms of movements in cultivating community with the goals of racial, social, climate and economic justice.Rising Hearts' Running on Native Lands  program that aims to make land acknowledgements at trail AND road race events a common and inclusive practice and encourages those who become a partner to go the extra mile by giving back to the communities which the land is borrowed from.Runners for Public Lands toolkitDr. Carolyn Finney episode of The Trail AheadBlack Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors by Dr. Carolyn FinneyLink to This LandThe Tongass and the fight to protect it from clearcutsAlaska's Izembek National Wildlife Refuge#StopWillowJade Begay, Policy & Advocacy Director at @ndncollective and member of the Enviro Justice Advisory Council at the white house, on TWITTERNDN CollectiveGrist Fixers 2022Imagine 2200

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.30.534950v1?rss=1 Authors: Saleem, K. S., Avram, A. V., Yen, C. C.-C., Magdoom, K. N., Schram, V., Basser, P. J. Abstract: Subcortical nuclei and other deep brain structures play essential roles in regulating the central and peripheral nervous systems. However, many of these nuclei and their subregions are challenging to identify and delineate in conventional MRI due to their small size, hidden location, and often subtle contrasts compared to neighboring regions. To address these limitations, we scanned the whole brain of the marmoset monkeys in ex vivo using a clinically feasible diffusion MRI method, called the mean apparent propagator (MAP)-MRI, along with T2W and MTR (T1-like contrast) images acquired at 7 Tesla. Additionally, we registered these multimodal MRI volumes to the high-resolution images of matched whole-brain histology sections with seven different stains obtained from the same brain specimens. At high spatial resolution, the microstructural parameters and fiber orientation distribution functions derived with MAP-MRI can distinguish the subregions of many subcortical and deep brain structures, including fiber tracts of different sizes and orientations. The good correlation with multiple but distinct histological stains from the same brain serves as a thorough validation of the structures identified with MAP-MRI and other MRI parameters. Moreover, the anatomical details of deep brain structures found in the volumes of MAP-MRI parameters are not visible in conventional T1W or T2W images. The high-resolution mapping using novel MRI contrasts, combined and correlated with histology, can elucidate structures that were previously invisible radiologically. Thus, this multimodal approach offers a roadmap toward identifying salient brain areas in vivo in future neuroradiological studies. It also provides a useful anatomical standard reference for the region definition of subcortical targets and the generation of a 3D digital template atlas for the marmoset brain research (Saleem et al., 2023). Additionally, we conducted a cross-species comparison between marmoset and macaque monkeys using results from our previous studies (Saleem et al., 2021). We found that the two species had distinct patterns of iron distribution in subregions of the basal ganglia, red nucleus, and deep cerebellar nuclei, confirmed with T2W MRI and histology. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.24.534057v1?rss=1 Authors: Yip, H. M. K., Allison-Walker, T. J., Cloherty, S. L., Hagan, M. A., Price, N. S. C. Abstract: Ocular following is a short-latency, reflexive eye movement that tracks wide-field visual motion. It has been studied extensively in humans and macaques and is an appealing behaviour for studying sensory-motor transformations in the brain due to its rapidity and rigidity. We explored ocular following in the marmoset, an emerging model in neuroscience because their lissencephalic brain allows direct access to most cortical areas for imaging and electrophysiological recordings. In three experiments, we tested ocular following responses in three adult marmosets. First, we varied the gap between saccade end and stimulus motion onset (post-saccadic delay), from 10 to 300 ms. As in other species, tracking had shorter onset latencies and higher eye speeds with shorter post-saccadic delays. Second, using sine-wave grating stimuli we explored the dependence of eye speed on spatiotemporal frequency. The highest eye speed was evoked at ~16 Hz and ~0.16 cycles per degree (cpd), however, the highest gain was elicited at ~1.6 Hz and ~1.2 cpd. The highest eye speed for each spatial frequency was observed at a different temporal frequency, but this interdependence was not consistent with complete speed tuning of the ocular following response. Finally, we found the highest eye speeds when saccade and stimulus motion directions were congruent, although latencies were unaffected by direction congruence. Our results showed comparable ocular following in marmosets, humans and macaques, despite over an order of magnitude variation in body and eye size across species. This characterization will help future studies examining the neural basis of sensory-motor transformations. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.02.28.530008v1?rss=1 Authors: Kodera, T., Takeuchi, R. F., Takahashi, S., Suzuki, K., Kassai, H., Aiba, A., Shiozawa, S., Okano, H., Osakada, F. Abstract: Studying the non-human primate (NHP) brain is required for the translation of rodent research to humans, but remains a challenge for molecular, cellular, and circuit-level analyses in the NHP brain due to the lack of NHP brain system. Here, we report an NHP cerebral model using marmoset (Callithrix jacchus) embryonic stem cell-derived cerebral assembloids (CAs) that recapitulate inhibitory neuron migration and cortical network activity. Cortical organoids (COs) and ganglionic eminence organoids (GEOs) were induced from cjESCs and fused to generate CAs. GEO cells expressing the inhibitory neuron marker LHX6 migrated toward the cortical side of CAs. COs developed their neural activity from a synchronized pattern to an unsynchronized pattern as COs matured. CAs showed mature neural activity with an unsynchronized pattern. The marmoset assembloid system will provide an platform for the NHP neurobiology and facilitate translation into humans in neuroscience research, regenerative medicine, and drug discovery. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

One of humanity's great quests made microscopic in the aging intestines of tiny monkeys.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.02.02.526911v1?rss=1 Authors: Zhu, X., Yan, H., Zhan, Y., Feng, F., Wei, C., Yao, Y.-G., Liu, C. Abstract: The cerebellum is a key region of the brain for motor control and cognitive functioning, and it is involved bidirectional communication with the cerebral cortex. As one of the smallest non-human primates, the common marmoset provides many advantages in the study of the anatomy and the functions of cerebello-cerebral circuits. However, the cerebellum of the marmoset is far from being well described in published resources. In this study, we present a comprehensive atlas of the marmoset cerebellum in three parts: 1) fine-detailed anatomical atlases and surface-analyzing tools of the cerebellar cortex, based on ultra-high resolution ex-vivo MRI; 2) functional-connectivity gradients of the cerebellar cortex, based on awake resting-state fMRI; and 3) structural-connectivity based mapping of the cerebellar nuclei, based on high-resolution diffusion tractography. The atlas shows the anatomical details of the marmoset cerebellum; reveals distinct gradient patterns of the intra-cerebellar and the cerebello-cerebral functional connectivity; and maps the topological relationship of the cerebellar nuclei in cerebello-cerebral circuits. As version 5 of the Marmoset Brain Mapping project, the atlas describes the anatomical and connectivity details of the marmoset cerebellum and is publicly available via marmosetbrainmapping.org. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.11.08.515696v1?rss=1 Authors: Szczupak, D., Choi, S.-H., Alikaya, A., Mou, Y., Silva, A. C., Schaeffer, D. J. Abstract: The common marmoset monkey (Callithrix jacchus) is a species of rising prominence in the neurosciences due to their small size, ease of handling, fast breeding, and their shared functional and structural brain characteristics with Old World primates. With increasing attention on modeling human brain diseases in marmosets, understanding how to deliver therapeutic or neurotropic agents to the marmoset brain non-invasively is of great preclinical importance. In other species, including humans, transcranial focused ultrasound (tFUS) aided by intravenously injected microbubbles has proven to be a transient, reliable, and safe method for disrupting the blood-brain barrier (BBB), allowing for the focal passage of therapeutic agents that do not otherwise readily traverse the tight endothelial junctions of the BBB. The critical gap that we address here is to document parameters to disrupt the BBB reliably and safely in marmosets using tFUS. By integrating our marmoset brain atlases and the use of a marmoset-specific stereotactic targeting system, we conducted a series of systematic transcranial sonication experiments in nine marmosets. We demonstrate the effects of center frequency, acoustic pressure, burst period and duration, establish a minimum microbubble dose, estimate microbubble clearance time, and estimate the duration that the BBB remained open to passage. Successful BBB disruption was reported in vivo with MRI-based contrast agents, as well as Evans blue staining assessed ex vivo. Histology (Hematoxylin and Eosin staining) and immunohistochemistry indicated that the BBB can be safely and reliably opened with the parameters derived from these experiments. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.18.512442v1?rss=1 Authors: Krienen, F. M., Levandowski, K. M., Zaniewski, H., del Rosario, R. C., Schroeder, M. E., Goldman, M., Lutservitz, A., Zhang, Q., Li, K. X., Beja-Glasser, V. F., Sharma, J., Shin, T. W., Mauermann, A., Wysoker, A., Nemesh, J., Kashin, S., Vergara, J., Chelini, G., Dimidschstein, J., Berretta, S., Boyden, E., McCarroll, S. A., Feng, G. Abstract: Within the vertebrate neocortex and other telencephalic structures, molecularly-defined neurons tend to segregate at first order into inhibitory (GABAergic) and excitatory (glutamatergic) types. We used single-nucleus RNA sequencing, analyzing over 2.4 million brain cells sampled from 16 locations in a primate (the common marmoset) to ask whether (1) neurons generally segregate by neurotransmitter status, and (2) neurons expressing the same neurotransmitters share additional molecular features in common, beyond the few genes directly responsible for neurotransmitter synthesis and release. Unexpectedly, we find the answer to both is "no": there is a surprising degree of transcriptional similarity between GABAergic and glutamatergic neurons found in the same brain structure, and there is generally little in common between glutamatergic neurons residing in phylogenetically divergent brain structures. The origin effect is permanent: we find that cell types that cross cephalic boundaries in development retain the transcriptional identities of their birthplaces. GABAergic interneurons, which migrate widely, follow highly specialized and distinct distributions in striatum and neocortex. We use interneuron-restricted AAVs to reveal the morphological diversity of molecularly defined types. Our analyses expose how lineage and functional class sculpt the transcriptional identity and biodistribution of primate neurons. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.11.511827v1?rss=1 Authors: Coop, S. H., Yates, J. L., Mitchell, J. F. Abstract: Each time we make a saccadic eye movement, attention moves before the eyes, resulting in a perceptual enhancement at the target of the movement (Kowler et al., 1995; Deubel & Schneider, 1996; Rolfs & Carrasco, 2012). Recent psychophysical studies suggest that this pre- saccadic attention may differ in important ways from covert attention when no eye movement is made (Li, Pan, & Carrasco, 2021a,b). One difference is that pre-saccadic attention involves an automatic enhancement concentrated around the features of the saccade target, such as its orientation, whereas spatial attention in covert attention enhances stimulus features uniformly (Li et al., 2016; Ohl et al., 2017). While previous neurophysiological studies have found that pre- saccadic attention enhances neural responses (Moore et al., 1998; Li & Basso, 2008; Moore & Chang, 2009; Steinmetz & Moore 2010; Merrikhi et al., 2021), no studies have tested for changes in tuning that would support a concentration of enhancement around target features. Here we examined pre-saccadic attention using a saccade foraging task developed for marmoset monkeys. We first establish that the marmoset monkey, like macaques, shows enhanced pre-saccadic neural responses in the middle temporal (MT) and middle temporal crescent (MTC) areas. To examine if changes in neural tuning might support feature enhancement, we fit an adjusted Von Mises function to the direction selective responses of neurons. Neurons exhibited diverse changes in tuning, but the predominant pattern was an additive and multiplicative increase in the tuning curve consistent with spatial gain. The changes in tuning predicted changes in neural sensitivity assessed by measures of mutual information with motion direction. Additive increases led to detriments in sensitivity while gain increases improved sensitivity. And although a subset of neurons did show a narrowing in tuning that could reflect feature-selection, there were equal number of neurons showing the opposite. Overall the modulation of neural responses during pre-saccadic attention appears highly consistent with previous studies of covert attention. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.10.511640v1?rss=1 Authors: Coop, S. H., Bunce, G. W., Abrham, Y. T., Bucklaew, A., Mitchell, J. F. Abstract: During natural visual foraging, primates move their eyes 2-3 times per second to bring objects of interest to central, high-resolution vision at the fovea. For moving objects, they use a combination of rapid saccadic eye movements along with smooth following movements to track targets continuously. It is also known that saccadic eye movements produce perceptual enhancements for the saccade target before the eyes move, called pre-saccadic attention. Recently, in human participants, we found that saccades made to peripheral motion apertures resulted in smooth post-saccadic following that tracked stimulus motion at low gain (Kwon, Rolfs, & Mitchell, 2019). Because this effect persisted even when the stimulus disappeared in saccade flight, we can infer the post-saccadic following was predictive, reflecting the integration of peripheral motion information from the target before the saccade, and provides an automatic perceptual read-out of stimulus motion. Here we examined post-saccadic following in marmoset monkeys to determine if they automatically tracked stimulus motion like humans, and if so, if that following response could be used as a reliable behavioral read-out of motion. Marmosets performed a saccade foraging task in which they initially acquired central fixation and then made a saccade that sampled between three different motion apertures. For each trial, the direction of motion of each aperture was independently sampled from 16 directions. We found that immediately upon saccade offset, the marmosets eye traces followed the pre-saccadic motion with a low (10-20%) gain that was consistent with humans. We also found that the motion from other non-target apertures influenced following responses though with a much weaker gain. The gain was distributed equally across apertures before the saccade, but immediately after the saccade was enhanced for the saccade target relative to other apertures, consistent with a post-saccadic target enhancement found in smooth pursuit (Gardener and Lisberger, 2001). This following response provided an estimate of target motion with a median absolute angular errors ranging from 25 to 50 degrees across sessions, roughly half as accurate as that achieved with an explicit trained perceptual report (Cloherty et. al., 2020). Session by session the relative gain for the target as compared to other apertures also varied, providing an index of attentional selection. These findings support that natural visual foraging with moving targets can provide an automatic behavioral read-out of peripheral motion integration and pre-saccadic attention. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.08.511417v1?rss=1 Authors: Shaw, L. H., Wang, K. H., Mitchell, J. Abstract: Primates have evolved sophisticated visually guided reaching behaviors for interacting with dynamic objects, such as insects during foraging. Reaching control in dynamic natural conditions requires active prediction of the target's future position in order to compensate for visuo-motor processing delays and enhance online movement adjustments. Past reaching research in non-human primates mainly focused on seated subjects engaged in repeated ballistic arm movements to either stationary targets, or targets that step once during the movement. However, those highly constrained approaches also impose task constraints that limit the natural dynamics of reaching. A recent field study in marmoset monkeys highlights predictive aspects of visually-guided reaching during insect prey capture among wild marmoset monkeys (Ngo et. al. 2022). To examine the complementary dynamics for similar natural behavior within a laboratory context we developed an ecologically motivated unrestrained reach-to-grasp task involving live crickets. We used multiple high-speed video cameras to capture the movements of marmosets and crickets stereoscopically and applied machine vision algorithms for marker-free object and hand tracking. Contrary to estimates under traditional constrained reaching paradigms, we find that prediction for dynamic targets can operate at incredibly short visuo-motor delays, rivaling the speeds that are typical of the oculomotor systems during closed-loop visual pursuit. Multivariate linear regression modeling of the kinematic relationships between the hand and cricket velocity revealed a visuo-motor delay below 100ms. Predictive corrections for moving crickets were incorporated into hand motion especially during the latter stage of the reach-to-grasp trajectory. This approach reveals that the marmoset motor system for reaching can operate at short visuo-motor delays comparable to the oculomotor system under natural dynamic conditions. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

Ryan Wines has consistently advocated for creators, makers, and artists and once gave a TED Talk about leading creatives amidst a modern landscape. Today, the founder and CEO of Marmoset shares the story of turning this bootstrapped startup into industry-leading tech-powered music licensing company. I learn more about how they set out to become the Patagonia of music licensing, bring transparency into the industry, and how Web 3.0 will impact the future of music licensing. We discuss Track Club: Marmoset's subscription app for the creator economy. The platform knows what creators need when they look for music. As a rule, they want to get in, get exceptional music, and get out quickly — and they want the music to feel custom-made for their content. We also discuss MixLab: Track Club's new stem mixer technology, empowering creators to mix, arrange & produce music.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.09.05.506600v1?rss=1 Authors: Marschner, H., Pampel, A., Müller, R., Reimann, K., Bock, N., Morawski, M., Geyer, S., Möller, H. E. Abstract: Cell membranes and macromolecules or paramagnetic compounds interact with water proton spins, which modulates magnetic resonance imaging (MRI) contrast providing information on tissue composition. For a further investigation, quantitative magnetization transfer (qMT) parameters (at 3T), including the ratio of the macromolecular and water proton pools, F, and the exchange-rate constant as well as the (observed) longitudinal and the effective transverse relaxation rates (at 3T and 7T), R1obs and R2*, respectively, were measured at high spatial resolution (200 m) in a slice of fixed marmoset brain and compared to histology results obtained with Gallyas' myelin stain and Perls' iron stain. R1obs and R2* were linearly correlated with the iron content for the entire slice, whereas distinct differences were obtained between gray and white matter for correlations of relaxometry and qMT parameters with myelin content. The combined results suggest that the macromolecular pool interacting with water consists of myelin and (less efficient) non-myelin contributions. Despite strong correlation of F and R1obs, none of these parameters was uniquely specific to myelination. Due to additional sensitivity to iron stores, R1obs and R2* were more sensitive for depicting microstructural differences between cortical layers than F. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

Ryan is the Founder and CEO of Marmoset — a full-service music agency based in Portland, Oregon, specializing in music licensing and original music production for brands, film, and TV. Ryan co-pilots Marmoset's creative teams and spends most of his time studying people and human systems — constantly deconstructing the status quo, pushing boundaries, and searching for a better way to lead and nurture people.A fiery advocate of creators, makers and artists, Ryan gave a TED Talk about “leading creatives amidst a modern landscape” and has traveled far and wide sharing his ideas and experiences on topics of music, branding, and leadership at places like TEDx, SXSW, CMJ Music Festival, and beyond. An Oregon native, Ryan first realized his passion for music as a College Radio DJ at his alma mater, Southern Oregon University in Ashland. Since then, he's worked in a variety of roles in the creative agency arena, advising brands, bands, record labels and award-winning filmmakers.Under Ryan's leadership, Marmoset landed on the Inc. 500 List, ranked #6 in “The Fastest Growing Private Companies in Oregon,” ranked in “The 100 Best Places to Work in Oregon,” among many other awards and accolades. Ryan also maintains a journal at Nurture Theory, where he shares some of his more fascinating and impactful experiences, specifically focusing in on a new way of leading and achieving high performance among teams of people, and is currently pursuing related coursework at MIT and The Wharton School of Business at the University of Pennsylvania.Lean more about Lyte.Find more great podcasts from Osiris Media, the leading storyteller in music. See acast.com/privacy for privacy and opt-out information.

Ryan is the Founder and CEO of Marmoset — a full-service music agency based in Portland, Oregon, specializing in music licensing and original music production for brands, film, and TV. Ryan co-pilots Marmoset's creative teams and spends most of his time studying people and human systems — constantly deconstructing the status quo, pushing boundaries, and searching for a better way to lead and nurture people.A fiery advocate of creators, makers and artists, Ryan gave a TED Talk about “leading creatives amidst a modern landscape” and has traveled far and wide sharing his ideas and experiences on topics of music, branding, and leadership at places like TEDx, SXSW, CMJ Music Festival, and beyond. An Oregon native, Ryan first realized his passion for music as a College Radio DJ at his alma mater, Southern Oregon University in Ashland. Since then, he's worked in a variety of roles in the creative agency arena, advising brands, bands, record labels and award-winning filmmakers.Under Ryan's leadership, Marmoset landed on the Inc. 500 List, ranked #6 in “The Fastest Growing Private Companies in Oregon,” ranked in “The 100 Best Places to Work in Oregon,” among many other awards and accolades. Ryan also maintains a journal at Nurture Theory, where he shares some of his more fascinating and impactful experiences, specifically focusing in on a new way of leading and achieving high performance among teams of people, and is currently pursuing related coursework at MIT and The Wharton School of Business at the University of Pennsylvania.Lean more about Lyte.Find more great podcasts from Osiris Media, the leading storyteller in music. Hosted on Acast. See acast.com/privacy for more information.

Tom “Marmoset” Chick and Kelly “Tagline” Wand drive up the onramp, adjust their rear view mirrors, activate their turn signal, and carefully merge onto the highway to the danger zone! But why is Marmoset upset that real F-18s don't fly like that? And why is Tagline hung up on what became of Kelly McGillis' character? […] The post Qt3 Movie Podcast: Top Gun: Maverick appeared first on Quarter to Three.

These days, nearly all content being created features music, so how are content creators finding the music they need and safely tackling sync licensing hurdles? Ryan Wines, CEO and founder of Marmoset and Track Club, joins this week's episode to explore the world of music curation, stems, and music licensing. Learn more about Marmoset, the music agency providing meticulously curated music licensing, award-winning music production, and unique artist collaborations for sync licensing, advertising, film, TV, and social media content. Find out how Trackclub's latest feature, Mixlab, allows users to customize and download stem groups from any song on the platform and perfectly customize the audio to meet their needs. Ryan dives into emerging trends such as long form vs short form video and authenticity. How are tiktokers, youtubers, instagramers embracing new trends and technology? Find out on this week's episode.      The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit MusicTectonics.com to learn more, and find us on Twitter, Facebook, and Instagram. Let us know what you think!

In this special episode of Princeton Insights: The Highlights, we interview show host Thiago Tarraf Varella, a third year graduate student in the Psychology department. We discuss his research, which was done with his advisor, Dr. Asif Ghazanfar, a professor and researcher in the Princeton Psychology Department focused on developmental and evolutionary bases for communication in humans. Thaigo's research investigates altriciality, cooperative breeding, and reinforcement learning in marmoset monkeys and their ties to evolution.This episode of The Highlights was produced under the 146th Managing Board of The Daily Princetonian. Thiago Tarraf Varella is a graduate student in Princeton's Psychology department in Professor Ghazanfar's lab. He can be reached at tvarella@princeton.edu.To view the transcript for this episode, click “More Info” and then “Full Transcript” in the episode player. RESOURCESPrinceton Insights Coverage: https://insights.princeton.edu/2022/01/marmosets-infants-learn-to-speak/Original paper: Varella, T. T., & Ghazanfar, A. A. (2021). Cooperative care and the evolution of the prelinguistic vocal learning. Developmental Psychobiology.Marmoset audio:  D. Y. Takahashi et al., Science 349, 734 (2015)CREDITSWritten and hosted by Senna Aldoubosh and Sophia VillacortaEdited by Sophia Villacorta and Senna AldouboshProduced by Senna AldouboshOriginal Insights coverage by Sarah McFann“Family of Common Marmosets” by Francesco Veronesi / CC BY-SA 2.0Image of Thiago Varella Courtesy of Thiago Varella, taken by Rohini MajumdarFor more coverage from the Daily Princetonian, visit www.dailyprincetonian.com. Subscribe to Insights on Apple Podcasts, Spotify, or wherever you got your podcasts!

In an interview conducted last December, Ben chats with Chicago-area musician Worry Club about why he prefers working on music alone. how a ridiculous TikTok idea almost turned into a record deal and more. Since our convo, the Club has collaborated with lead singer Chase Walsh's favorite band The Maine,  went to SXSW as an official artist and played a show in Norman, Oklahoma of all places. Follow Worry Club: IG, Twitter, TikTok @worryclubNEW PLAYLIST additions:Pass the Water - Raé LunaLonestar - Monet NgoGUCCI SLIDE - Turich Benjyblue lung - Justend, Joe AsteKick Back - Lo ArtizSUPPORT: Make sure to catch Birria Ta-Ta-Tacos ' popup at Sleeping Village on Thursday, March 24. Also, Schuba's  is throwing free shows with their "100% Off Series." See Cece Maravilla, Ebony Loren, and more for free on April 4.All details are visible in our SEASON 2 GOOD WORK document.Theme music by Evan Dawkins. Logos & cover art: MC Blue Matter. Mixed by Dagz. Sponsored by Project FILOSupport the show (https://www.cash.app/bmoskow)

Good evening friends... tonight we welcome the true king of Staten Island: Sebastian Conelli! He's famously loud, but tonight he's trying his best to lull you to dreamland.This episode is about... toilet paper weed, Sebtheman01, one of the best schools in the country, Fantasia, Marmoset monkeys establishing dominance, gushers and fruit snacks,  a DARE shirt and a pack of cigarettes, Giuliani's frat, getting hit by the subway, and waking up early to take a long bath.Sebastian has performed at UCB with the Stepfathers and Assssscat every Friday and Sunday. You can now see him in Raaaatscraps and his podcast “Loud About Nothing” is available on Apple Podcasts, Spotify and via Instagram: @loudaboutnothing. Currently, new episodes air twice a week.

In this week's episode: Weekly Updates: Steve talks about the livestream of his Scoring Challenge that you can find on the Production Music Academy Website (below), and he explains his Cinematic Folk album. Eric talks about his Indie Pop Folk tune and brand, The Splendid Manifest, his new M-Audio Hammer 88 Pro, and finishing a Classical Piano album for a SonyBMG library. Eric also talks about his new "Hello Composers!" YouTube channel, including shorts. 15:35: Mid-Tier Libraries. We look at the following libraries: Artlist, MusicVine, Marmoset, Epidemic, Soundstripe, Musicbed, Bedtracks, Audiosocket, Premium Beat, Jamendo, and Audiio. We talk about Artlist first and Steve's experience with them the last year. We also have a short interview with artist Dan Barracuda and his recent acceptance to MusicVine. We then talk through the other libraries and how they differ from stock libraries like Pond5, AudioJungle, and even Motion Array. -- The Make Music Income Discord (Come join for great free conversation!): https://bit.ly/3fYDSVd The Production Music Academy: https://productionmusicacademy.com Make Music Income Website: https://www.MakeMusicIncome.com -- YouTube Channels: Make Music Income: https://www.youtube.com/makemusicincome Stevie B / Production Music Academy: https://www.youtube.com/channel/UC-6OyeP_Tk6G-gt5JSVKzkg -- Instagram: Make Music Income: https://www.instagram.com/makemusicincome/ Steven Beddall: https://www.instagram.com/stevenbeddall/ Production Music Academy: https://www.instagram.com/productionmusicacademy/

(1972 - 2013) Dean Marmoset, whom you definitely have never heard of, died last night alongside thirty-five others in a high school gym - but at least there was coffee. A delivery man with a penchant for spilling liquids, Marmoset was the protege of famed inventor Mr. Charles, whom you definitely have heard of, and attempted to follow in the footsteps of this vehicular pioneer: a pursuit of Elon Musk-iness that accidentally sped him to his untimely death. He will be buried on Friday with his prototypes, after a brief eulogy and pilates session led by his sister, Stacy. This episode is sponsored by: ROY'S RED HOT WARM ICE CUBES & SPYWARE EMPLOYEE ft. JONAH - Dean Marmoset TRICIA CRIMMINS - Mr. Charles / Stacy / Afternoon Buzzer / sponsorships JOHN GOODMAN - Devil / Mr. Loge / Short Guy / Tall Guy / Evening Buzzer DAN KUAN PEEPLES - God / He-Who-Shall-Not-Be-Named / Kid / Morning Buzzer theme song by Aaron Shapiro an ELEVATOR pod

All week we are giving away $1000 to you guy's to Do something you've always wanted to but never got around to doing! It's called the BOOK IT LIST.... and today was our first winner and you'll never guess what she want's to do with that money, Plus lets Talk seriously about Mullets, Because its Time To reveal Jacks new Hair Cut.... He's been mullet afied! All that Plus Today's Misheard Lyrics and Waste some time With the Timewaster. BIG SHOW! ... Enjoy.See omnystudio.com/listener for privacy information.

Thanks for everything, Laz. You can find Kirsten on Twitter at @kirstenmwrites and Jay at @extremesalsaing. Our album art, a faithful play on the original poster for The Phantom and the Wren, was drawn by Alyssa Krasnansky, who can be found on Twitter at @imajoyk.

A postmortem on our one-by-one discussion of The Marmoset Chronicles, and also a look towards what's next. Also, some really long tangents about Homestuck and recursive storytelling. You can find Kirsten on Twitter at @kirstenmwrites and Jay at @extremesalsaing. Our album art, a faithful play on the original poster for The Phantom and the Wren, was drawn by Alyssa Krasnansky, who can be found on Twitter at @imajoyk.

Come join Kirsten and Jay as they make their way through The Marmoset Chronicles, the legendary octology of action films by director Laz Patillo which shaped all of cinema and pop culture since 1970.

In the final installment of the Get Paid series (in collaboration with Vortex Music Magazine), Portia discusses sync licensing and brand partnerships with Brett Byrd of CD Baby, Marissa Hernandez of Marmoset, and Scott Wagner of WagsWorks. Do you want to know if your music sync-able, or how to make sure that music supervisors can find your music among thousands of songs when a request comes in? Listen in, and then go get paid! Guests: Brett Byrd (CD Baby) Marissa Hernandez (Marmoset) Scott Wagner (WagsWorks) Music: Filthy Friends “November Man” Wimps “Mope Around” Kinski “Guest Girl Vocalist” Delta 5 “Mind Your Own Business”

Episode #127: On June 30th, we hosted a live panel in Portland with DJ Klyph. Panelists included local hip hop veterans Vursatyl and DJ OG ONE, along with promising newcomers Rasheed Jamal, Mic Capes, and Karma Rivera. The panel covered everything from all ages venues to networking and offers insight that transcends geography and genre. Produced by Will Watts and Anna McClain. Taped live at Mississippi Studios in Portland, OR. Engineered by Brent Asbury. Special thanks to Marmoset. Subscribe to The Future of What: hyperurl.co/krsfow Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl Newsletter: http://eepurl.com/cVo9ar

Episode #20: On the front page of Pandora's website, there's a statement that says “It's a new kind of radio — stations that play only music you like.” How can it be that Pandora knows what you'll enjoy? Isn't liking music purely up to personal taste? Pandora, like many other digital music platforms, uses a complex algorithm to predict what their listeners want to hear. Other services employ human beings to curate their music discovery systems. So who's the more effective tastemaker? Man, or machine? On today's episode we tackle this question with writer and consultant Jim McDermott, then talk to two people who get paid to listen to music all day: New Music Scout and Artist Relations Manager for Marmoset Brandon Day and Rumblefish's Senior Music Supervisor William Nix. Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl

Episode #76: Licensing a song may have once come with accusations of selling out, but today, getting a song on a movie, TV show or commercial can be one of the most lucrative moves for a musician. It can make paying for a tour or album that much more feasible, and can even break a band to a new audience. So how does licensing work, and how can an artist up their chances of making a deal? On this episode we talk with Kat Olsen, music supervisor at boutique licensing agency Marmoset, and Ritchie Young of Loch Lomond, who talks about having music licensed for everything from ads to Laika's The Boxtrolls. Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl