Podcasts about Marmoset

Welcome to our first monthly forecast episode! This is a new ~~experiment~~ I'm trying exclusively on the pod feed where I check in on the first Friday of each month to share a few fun marketing trends, this month's biz-care to-dos, and hopefully some listener Q&A!Tune in to hear why I'm super into worldbuilding, Selena Gomez & tax prep right now. And click through all the links below for a browser full of fun!Get in touch with Amelia:

Farnell Newton is an accomplished jazz artist, composer and trumpeter who's toured and played with stars like Jill Scott and Aretha Franklin. He works in A&R at the powerful music licensing agency Marmoset. Farnell breaks down with us what actually happens at a sync agency, and how they work directly with artists to meet the needs of their clients. He also keeps creating stunning music of his own - which we talk about!

In today's episode, you will hear Amina Moreau discuss the future of shared workspaces as she and her business partners see it. She is a powerhouse of ideas, full of positive energy and enthusiasm for what's possible! Get ready to think differently about what co-working spaces are and where you have your next team meeting. Amina Moreau has a long and varied work experience. Amina began her career in 2004 as Cofounder and Executive Creative Director at Stillmotion, Inc., a five-time Emmy Award winning band of filmmakers. In 2013, she co-founded Story & Heart, a footage licensing marketplace, education platform, and collaborative community of storytellers. That same year, she became a Partner at Marmoset, an off the beaten path, boutique music marketplace. In 2017, she took on the role of Director of the Greater Portland Tennis Council, where she worked to give back to the community through the sport of tennis. In 2018, she became an Adjunct Professor at the University of Oregon's School of Journalism and Communication, teaching graduate students about the business of storytelling. In 2020, she founded Float Small Business, a website that encourages small businesses to set up fundraising campaigns and gift card offerings. Additionally, she is the CEO and Cofounder of Radious, an online marketplace that turns houses, apartments, and other residential properties into collaborative workspaces, rentable by the day. Connect with Amina Moreau On LinkedIn: https://www.linkedin.com/in/amina-moreau/  On the Radious website: https://radious.pro/  = = = = = Thank you for supporting the show! Your 5-star rating and review makes a difference -- it's easy to leave one and it helps spread the word about the podcast! = = = = = My latest book, The Far Unlit Unknown -- is available everywhere books are sold including Audible! Get your copy and learn more about it here Are we connected yet on social?  @maryloukayser (Instagram) https://www.linkedin.com/in/mlkayser/ (LinkedIn)

I think we can all agree that “making it” in the music industry requires a champion. In this episode of I HAVE SOMETHING TO SAY, I'm joined by José Maldonado, Account Manager at Marmoset Music, a pioneering music agency based in Portland, Oregon. He shares his inspiring journey into the music industry and his role in creating pathways to mainstream media for independent artists. José's introduction to Marmoset came in 2016 when he attended a “Listening Hour” hosted by the company. Instantly captivated by the atmosphere and the mission of Marmoset, he knew that he wanted to be a part of this creative community. Although he didn't get the job initially, his perseverance paid off, and he was eventually called upon to join them. From that moment, José found a place where career growth, inclusivity, and a true sense of community converge. Working at Marmoset, the world's first B Corporation music agency, allows him to fulfill his purpose and contribute to important causes. As a music agency, Marmoset represents diverse, emerging, and independent artists, bands, and record labels for licensing. Their Music Production Team specializes in creating original music, soundtracks, and scores for brand campaigns, film, and television, revolutionizing the mainstream media landscape, empowering independent artists, and championing diversity and inclusion in the music industry. Marmoset's values shine through in their daily interactions, their flexibility and adaptability, their passion, and their collaborative nature. They challenge, encourage, empathize, and listen offering unwavering support to local and indie artists. During this episode, José sheds light on Marmoset's commitment to diversity, equity, and inclusion (DEI) as a Certified B Corporation. As a person with an immigrant background, José is deeply passionate about immigrant rights and social justice. He emphasizes the significance of representing underserved and underrepresented artists in the mainstream media industry. Marmoset goes beyond just providing tangible opportunities; they also identify diverse talent, provide capacity building, and foster collaboration among artists. By listening to their interests and dreams, Marmoset creates an environment conducive to growth and success. The company's values can be applied to recruitment practices across all industries where representation is critical. Marmoset believes in upskilling individuals, fostering collaboration through peer-to-peer mentorship, and connecting people with the right resources and networks to help them achieve their career goals.

Broadcasting note: We're taking a few days off, but we'll be back on Wednesday. See you soon! Ryan Williams joins Fred in studio to go over the latest Creation Magazine (vol 45, no 2).  On the cover is the Marmoset, a monkey that is known for its quick, jerky movements.  The Marmoset is found in both Africa and South America, so the question is, how did it migrate there? Listen in to find out how evolutionists are now appealing to a concept that creationists knew all along! Ryan and Fred also talk about the future “evolution” of humans, as imagined by a 3D Model called ‘Mindy' with a clawed hand, a hunchback, a second eyelid, and more all due to the overuse of smartphones! While Ryan and Fred don't doubt certain negative impacts of too much smartphone use, they were quick to point out the flaws in yet another example of unscientific musings coming from the secular world.  RSR also took delight in an email from one of our listeners regarding a recent science news article, “Where did Earth's water come from? Not melted meteorites, according to scientists”. Our astute listener did the math and showed that "... it would require a bombardment of the world's largest carbonaceous chondrites, falling at the heaviest rate ever recorded, 252 THOUSAND TIMES the conjectured evolutionary age of the solar system to bring the present weight of ocean water to earth... And by the way, I'M not the one that said 'The present is the key to the past.' " As our listener noted, it's another failed evolutionary fantasy and in the end, "there's nothing to see here!" We love our listeners!  

Broadcasting note: We're taking a few days off, but we'll be back on Wednesday. See you soon! Ryan Williams joins Fred in studio to go over the latest Creation Magazine (vol 45, no 2).  On the cover is the Marmoset, a monkey that is known for its quick, jerky movements.  The Marmoset is found in both Africa and South America, so the question is, how did it migrate there? Listen in to find out how evolutionists are now appealing to a concept that creationists knew all along! Ryan and Fred also talk about the future “evolution” of humans, as imagined by a 3D Model called ‘Mindy' with a clawed hand, a hunchback, a second eyelid, and more all due to the overuse of smartphones! While Ryan and Fred don't doubt certain negative impacts of too much smartphone use, they were quick to point out the flaws in yet another example of unscientific musings coming from the secular world.  RSR also took delight in an email from one of our listeners regarding a recent science news article, “Where did Earth's water come from? Not melted meteorites, according to scientists”. Our astute listener did the math and showed that "... it would require a bombardment of the world's largest carbonaceous chondrites, falling at the heaviest rate ever recorded, 252 THOUSAND TIMES the conjectured evolutionary age of the solar system to bring the present weight of ocean water to earth... And by the way, I'M not the one that said 'The present is the key to the past.' " As our listener noted, it's another failed evolutionary fantasy and in the end, "there's nothing to see here!" We love our listeners!  

Welcome back to Season 3 of The Trail Ahead, hosted by Faith E. Briggs & Addie Thompson. In this episode they reflect on why bringing together their multiplicities of identity is essential to their theory of change - which is (clumsily) that with a multi-racial dialogue that seeks to amplify the voices on the frontlines of environmental justice they can encourage more people to fall in love with the natural world and aim to protect it. They discuss the potential flaws in this theory, how it has changed, how much they are learning and where they go from here. While Addie and Faith originally met through trailrunning, they bonded through their passions. Faith is a documentary filmmaker with a background in representation and a focus on identity politics. Addie's road to stories is grounded in work that has been a mix of climate policy and environmental grantmaking. It is at this intersection where these conversations live. This episode reflects on previous seasons and gives some sneak peeks on the kind of conversations coming down the road.Theme music is "All is Forgiven" from the band Alekesam and the Album Sound Proof Heart.This episode is sponsored by Subaru, learn more on social via @subaru_usa.Additional music comes from Track Club by Marmoset. Other links, orgs, and folks mentioned in this episode are:Rising Hearts:  An Indigenous led grassroots organization committed to the heart work in elevating indigenous voices, promoting, and supporting intersectional collaborative efforts across all forms of movements in cultivating community with the goals of racial, social, climate and economic justice.Rising Hearts' Running on Native Lands  program that aims to make land acknowledgements at trail AND road race events a common and inclusive practice and encourages those who become a partner to go the extra mile by giving back to the communities which the land is borrowed from.Runners for Public Lands toolkitDr. Carolyn Finney episode of The Trail AheadBlack Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors by Dr. Carolyn FinneyLink to This LandThe Tongass and the fight to protect it from clearcutsAlaska's Izembek National Wildlife Refuge#StopWillowJade Begay, Policy & Advocacy Director at @ndncollective and member of the Enviro Justice Advisory Council at the white house, on TWITTERNDN CollectiveGrist Fixers 2022Imagine 2200

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.30.534950v1?rss=1 Authors: Saleem, K. S., Avram, A. V., Yen, C. C.-C., Magdoom, K. N., Schram, V., Basser, P. J. Abstract: Subcortical nuclei and other deep brain structures play essential roles in regulating the central and peripheral nervous systems. However, many of these nuclei and their subregions are challenging to identify and delineate in conventional MRI due to their small size, hidden location, and often subtle contrasts compared to neighboring regions. To address these limitations, we scanned the whole brain of the marmoset monkeys in ex vivo using a clinically feasible diffusion MRI method, called the mean apparent propagator (MAP)-MRI, along with T2W and MTR (T1-like contrast) images acquired at 7 Tesla. Additionally, we registered these multimodal MRI volumes to the high-resolution images of matched whole-brain histology sections with seven different stains obtained from the same brain specimens. At high spatial resolution, the microstructural parameters and fiber orientation distribution functions derived with MAP-MRI can distinguish the subregions of many subcortical and deep brain structures, including fiber tracts of different sizes and orientations. The good correlation with multiple but distinct histological stains from the same brain serves as a thorough validation of the structures identified with MAP-MRI and other MRI parameters. Moreover, the anatomical details of deep brain structures found in the volumes of MAP-MRI parameters are not visible in conventional T1W or T2W images. The high-resolution mapping using novel MRI contrasts, combined and correlated with histology, can elucidate structures that were previously invisible radiologically. Thus, this multimodal approach offers a roadmap toward identifying salient brain areas in vivo in future neuroradiological studies. It also provides a useful anatomical standard reference for the region definition of subcortical targets and the generation of a 3D digital template atlas for the marmoset brain research (Saleem et al., 2023). Additionally, we conducted a cross-species comparison between marmoset and macaque monkeys using results from our previous studies (Saleem et al., 2021). We found that the two species had distinct patterns of iron distribution in subregions of the basal ganglia, red nucleus, and deep cerebellar nuclei, confirmed with T2W MRI and histology. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.24.534057v1?rss=1 Authors: Yip, H. M. K., Allison-Walker, T. J., Cloherty, S. L., Hagan, M. A., Price, N. S. C. Abstract: Ocular following is a short-latency, reflexive eye movement that tracks wide-field visual motion. It has been studied extensively in humans and macaques and is an appealing behaviour for studying sensory-motor transformations in the brain due to its rapidity and rigidity. We explored ocular following in the marmoset, an emerging model in neuroscience because their lissencephalic brain allows direct access to most cortical areas for imaging and electrophysiological recordings. In three experiments, we tested ocular following responses in three adult marmosets. First, we varied the gap between saccade end and stimulus motion onset (post-saccadic delay), from 10 to 300 ms. As in other species, tracking had shorter onset latencies and higher eye speeds with shorter post-saccadic delays. Second, using sine-wave grating stimuli we explored the dependence of eye speed on spatiotemporal frequency. The highest eye speed was evoked at ~16 Hz and ~0.16 cycles per degree (cpd), however, the highest gain was elicited at ~1.6 Hz and ~1.2 cpd. The highest eye speed for each spatial frequency was observed at a different temporal frequency, but this interdependence was not consistent with complete speed tuning of the ocular following response. Finally, we found the highest eye speeds when saccade and stimulus motion directions were congruent, although latencies were unaffected by direction congruence. Our results showed comparable ocular following in marmosets, humans and macaques, despite over an order of magnitude variation in body and eye size across species. This characterization will help future studies examining the neural basis of sensory-motor transformations. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.02.28.530008v1?rss=1 Authors: Kodera, T., Takeuchi, R. F., Takahashi, S., Suzuki, K., Kassai, H., Aiba, A., Shiozawa, S., Okano, H., Osakada, F. Abstract: Studying the non-human primate (NHP) brain is required for the translation of rodent research to humans, but remains a challenge for molecular, cellular, and circuit-level analyses in the NHP brain due to the lack of NHP brain system. Here, we report an NHP cerebral model using marmoset (Callithrix jacchus) embryonic stem cell-derived cerebral assembloids (CAs) that recapitulate inhibitory neuron migration and cortical network activity. Cortical organoids (COs) and ganglionic eminence organoids (GEOs) were induced from cjESCs and fused to generate CAs. GEO cells expressing the inhibitory neuron marker LHX6 migrated toward the cortical side of CAs. COs developed their neural activity from a synchronized pattern to an unsynchronized pattern as COs matured. CAs showed mature neural activity with an unsynchronized pattern. The marmoset assembloid system will provide an platform for the NHP neurobiology and facilitate translation into humans in neuroscience research, regenerative medicine, and drug discovery. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

One of humanity's great quests made microscopic in the aging intestines of tiny monkeys.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.02.02.526911v1?rss=1 Authors: Zhu, X., Yan, H., Zhan, Y., Feng, F., Wei, C., Yao, Y.-G., Liu, C. Abstract: The cerebellum is a key region of the brain for motor control and cognitive functioning, and it is involved bidirectional communication with the cerebral cortex. As one of the smallest non-human primates, the common marmoset provides many advantages in the study of the anatomy and the functions of cerebello-cerebral circuits. However, the cerebellum of the marmoset is far from being well described in published resources. In this study, we present a comprehensive atlas of the marmoset cerebellum in three parts: 1) fine-detailed anatomical atlases and surface-analyzing tools of the cerebellar cortex, based on ultra-high resolution ex-vivo MRI; 2) functional-connectivity gradients of the cerebellar cortex, based on awake resting-state fMRI; and 3) structural-connectivity based mapping of the cerebellar nuclei, based on high-resolution diffusion tractography. The atlas shows the anatomical details of the marmoset cerebellum; reveals distinct gradient patterns of the intra-cerebellar and the cerebello-cerebral functional connectivity; and maps the topological relationship of the cerebellar nuclei in cerebello-cerebral circuits. As version 5 of the Marmoset Brain Mapping project, the atlas describes the anatomical and connectivity details of the marmoset cerebellum and is publicly available via marmosetbrainmapping.org. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.11.08.515696v1?rss=1 Authors: Szczupak, D., Choi, S.-H., Alikaya, A., Mou, Y., Silva, A. C., Schaeffer, D. J. Abstract: The common marmoset monkey (Callithrix jacchus) is a species of rising prominence in the neurosciences due to their small size, ease of handling, fast breeding, and their shared functional and structural brain characteristics with Old World primates. With increasing attention on modeling human brain diseases in marmosets, understanding how to deliver therapeutic or neurotropic agents to the marmoset brain non-invasively is of great preclinical importance. In other species, including humans, transcranial focused ultrasound (tFUS) aided by intravenously injected microbubbles has proven to be a transient, reliable, and safe method for disrupting the blood-brain barrier (BBB), allowing for the focal passage of therapeutic agents that do not otherwise readily traverse the tight endothelial junctions of the BBB. The critical gap that we address here is to document parameters to disrupt the BBB reliably and safely in marmosets using tFUS. By integrating our marmoset brain atlases and the use of a marmoset-specific stereotactic targeting system, we conducted a series of systematic transcranial sonication experiments in nine marmosets. We demonstrate the effects of center frequency, acoustic pressure, burst period and duration, establish a minimum microbubble dose, estimate microbubble clearance time, and estimate the duration that the BBB remained open to passage. Successful BBB disruption was reported in vivo with MRI-based contrast agents, as well as Evans blue staining assessed ex vivo. Histology (Hematoxylin and Eosin staining) and immunohistochemistry indicated that the BBB can be safely and reliably opened with the parameters derived from these experiments. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.18.512442v1?rss=1 Authors: Krienen, F. M., Levandowski, K. M., Zaniewski, H., del Rosario, R. C., Schroeder, M. E., Goldman, M., Lutservitz, A., Zhang, Q., Li, K. X., Beja-Glasser, V. F., Sharma, J., Shin, T. W., Mauermann, A., Wysoker, A., Nemesh, J., Kashin, S., Vergara, J., Chelini, G., Dimidschstein, J., Berretta, S., Boyden, E., McCarroll, S. A., Feng, G. Abstract: Within the vertebrate neocortex and other telencephalic structures, molecularly-defined neurons tend to segregate at first order into inhibitory (GABAergic) and excitatory (glutamatergic) types. We used single-nucleus RNA sequencing, analyzing over 2.4 million brain cells sampled from 16 locations in a primate (the common marmoset) to ask whether (1) neurons generally segregate by neurotransmitter status, and (2) neurons expressing the same neurotransmitters share additional molecular features in common, beyond the few genes directly responsible for neurotransmitter synthesis and release. Unexpectedly, we find the answer to both is "no": there is a surprising degree of transcriptional similarity between GABAergic and glutamatergic neurons found in the same brain structure, and there is generally little in common between glutamatergic neurons residing in phylogenetically divergent brain structures. The origin effect is permanent: we find that cell types that cross cephalic boundaries in development retain the transcriptional identities of their birthplaces. GABAergic interneurons, which migrate widely, follow highly specialized and distinct distributions in striatum and neocortex. We use interneuron-restricted AAVs to reveal the morphological diversity of molecularly defined types. Our analyses expose how lineage and functional class sculpt the transcriptional identity and biodistribution of primate neurons. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.11.511827v1?rss=1 Authors: Coop, S. H., Yates, J. L., Mitchell, J. F. Abstract: Each time we make a saccadic eye movement, attention moves before the eyes, resulting in a perceptual enhancement at the target of the movement (Kowler et al., 1995; Deubel & Schneider, 1996; Rolfs & Carrasco, 2012). Recent psychophysical studies suggest that this pre- saccadic attention may differ in important ways from covert attention when no eye movement is made (Li, Pan, & Carrasco, 2021a,b). One difference is that pre-saccadic attention involves an automatic enhancement concentrated around the features of the saccade target, such as its orientation, whereas spatial attention in covert attention enhances stimulus features uniformly (Li et al., 2016; Ohl et al., 2017). While previous neurophysiological studies have found that pre- saccadic attention enhances neural responses (Moore et al., 1998; Li & Basso, 2008; Moore & Chang, 2009; Steinmetz & Moore 2010; Merrikhi et al., 2021), no studies have tested for changes in tuning that would support a concentration of enhancement around target features. Here we examined pre-saccadic attention using a saccade foraging task developed for marmoset monkeys. We first establish that the marmoset monkey, like macaques, shows enhanced pre-saccadic neural responses in the middle temporal (MT) and middle temporal crescent (MTC) areas. To examine if changes in neural tuning might support feature enhancement, we fit an adjusted Von Mises function to the direction selective responses of neurons. Neurons exhibited diverse changes in tuning, but the predominant pattern was an additive and multiplicative increase in the tuning curve consistent with spatial gain. The changes in tuning predicted changes in neural sensitivity assessed by measures of mutual information with motion direction. Additive increases led to detriments in sensitivity while gain increases improved sensitivity. And although a subset of neurons did show a narrowing in tuning that could reflect feature-selection, there were equal number of neurons showing the opposite. Overall the modulation of neural responses during pre-saccadic attention appears highly consistent with previous studies of covert attention. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.10.511640v1?rss=1 Authors: Coop, S. H., Bunce, G. W., Abrham, Y. T., Bucklaew, A., Mitchell, J. F. Abstract: During natural visual foraging, primates move their eyes 2-3 times per second to bring objects of interest to central, high-resolution vision at the fovea. For moving objects, they use a combination of rapid saccadic eye movements along with smooth following movements to track targets continuously. It is also known that saccadic eye movements produce perceptual enhancements for the saccade target before the eyes move, called pre-saccadic attention. Recently, in human participants, we found that saccades made to peripheral motion apertures resulted in smooth post-saccadic following that tracked stimulus motion at low gain (Kwon, Rolfs, & Mitchell, 2019). Because this effect persisted even when the stimulus disappeared in saccade flight, we can infer the post-saccadic following was predictive, reflecting the integration of peripheral motion information from the target before the saccade, and provides an automatic perceptual read-out of stimulus motion. Here we examined post-saccadic following in marmoset monkeys to determine if they automatically tracked stimulus motion like humans, and if so, if that following response could be used as a reliable behavioral read-out of motion. Marmosets performed a saccade foraging task in which they initially acquired central fixation and then made a saccade that sampled between three different motion apertures. For each trial, the direction of motion of each aperture was independently sampled from 16 directions. We found that immediately upon saccade offset, the marmosets eye traces followed the pre-saccadic motion with a low (10-20%) gain that was consistent with humans. We also found that the motion from other non-target apertures influenced following responses though with a much weaker gain. The gain was distributed equally across apertures before the saccade, but immediately after the saccade was enhanced for the saccade target relative to other apertures, consistent with a post-saccadic target enhancement found in smooth pursuit (Gardener and Lisberger, 2001). This following response provided an estimate of target motion with a median absolute angular errors ranging from 25 to 50 degrees across sessions, roughly half as accurate as that achieved with an explicit trained perceptual report (Cloherty et. al., 2020). Session by session the relative gain for the target as compared to other apertures also varied, providing an index of attentional selection. These findings support that natural visual foraging with moving targets can provide an automatic behavioral read-out of peripheral motion integration and pre-saccadic attention. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.08.511417v1?rss=1 Authors: Shaw, L. H., Wang, K. H., Mitchell, J. Abstract: Primates have evolved sophisticated visually guided reaching behaviors for interacting with dynamic objects, such as insects during foraging. Reaching control in dynamic natural conditions requires active prediction of the target's future position in order to compensate for visuo-motor processing delays and enhance online movement adjustments. Past reaching research in non-human primates mainly focused on seated subjects engaged in repeated ballistic arm movements to either stationary targets, or targets that step once during the movement. However, those highly constrained approaches also impose task constraints that limit the natural dynamics of reaching. A recent field study in marmoset monkeys highlights predictive aspects of visually-guided reaching during insect prey capture among wild marmoset monkeys (Ngo et. al. 2022). To examine the complementary dynamics for similar natural behavior within a laboratory context we developed an ecologically motivated unrestrained reach-to-grasp task involving live crickets. We used multiple high-speed video cameras to capture the movements of marmosets and crickets stereoscopically and applied machine vision algorithms for marker-free object and hand tracking. Contrary to estimates under traditional constrained reaching paradigms, we find that prediction for dynamic targets can operate at incredibly short visuo-motor delays, rivaling the speeds that are typical of the oculomotor systems during closed-loop visual pursuit. Multivariate linear regression modeling of the kinematic relationships between the hand and cricket velocity revealed a visuo-motor delay below 100ms. Predictive corrections for moving crickets were incorporated into hand motion especially during the latter stage of the reach-to-grasp trajectory. This approach reveals that the marmoset motor system for reaching can operate at short visuo-motor delays comparable to the oculomotor system under natural dynamic conditions. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

Ryan Wines has consistently advocated for creators, makers, and artists and once gave a TED Talk about leading creatives amidst a modern landscape. Today, the founder and CEO of Marmoset shares the story of turning this bootstrapped startup into industry-leading tech-powered music licensing company. I learn more about how they set out to become the Patagonia of music licensing, bring transparency into the industry, and how Web 3.0 will impact the future of music licensing. We discuss Track Club: Marmoset's subscription app for the creator economy. The platform knows what creators need when they look for music. As a rule, they want to get in, get exceptional music, and get out quickly — and they want the music to feel custom-made for their content. We also discuss MixLab: Track Club's new stem mixer technology, empowering creators to mix, arrange & produce music.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.09.05.506600v1?rss=1 Authors: Marschner, H., Pampel, A., Müller, R., Reimann, K., Bock, N., Morawski, M., Geyer, S., Möller, H. E. Abstract: Cell membranes and macromolecules or paramagnetic compounds interact with water proton spins, which modulates magnetic resonance imaging (MRI) contrast providing information on tissue composition. For a further investigation, quantitative magnetization transfer (qMT) parameters (at 3T), including the ratio of the macromolecular and water proton pools, F, and the exchange-rate constant as well as the (observed) longitudinal and the effective transverse relaxation rates (at 3T and 7T), R1obs and R2*, respectively, were measured at high spatial resolution (200 m) in a slice of fixed marmoset brain and compared to histology results obtained with Gallyas' myelin stain and Perls' iron stain. R1obs and R2* were linearly correlated with the iron content for the entire slice, whereas distinct differences were obtained between gray and white matter for correlations of relaxometry and qMT parameters with myelin content. The combined results suggest that the macromolecular pool interacting with water consists of myelin and (less efficient) non-myelin contributions. Despite strong correlation of F and R1obs, none of these parameters was uniquely specific to myelination. Due to additional sensitivity to iron stores, R1obs and R2* were more sensitive for depicting microstructural differences between cortical layers than F. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

Ryan is the Founder and CEO of Marmoset — a full-service music agency based in Portland, Oregon, specializing in music licensing and original music production for brands, film, and TV. Ryan co-pilots Marmoset's creative teams and spends most of his time studying people and human systems — constantly deconstructing the status quo, pushing boundaries, and searching for a better way to lead and nurture people.A fiery advocate of creators, makers and artists, Ryan gave a TED Talk about “leading creatives amidst a modern landscape” and has traveled far and wide sharing his ideas and experiences on topics of music, branding, and leadership at places like TEDx, SXSW, CMJ Music Festival, and beyond. An Oregon native, Ryan first realized his passion for music as a College Radio DJ at his alma mater, Southern Oregon University in Ashland. Since then, he's worked in a variety of roles in the creative agency arena, advising brands, bands, record labels and award-winning filmmakers.Under Ryan's leadership, Marmoset landed on the Inc. 500 List, ranked #6 in “The Fastest Growing Private Companies in Oregon,” ranked in “The 100 Best Places to Work in Oregon,” among many other awards and accolades. Ryan also maintains a journal at Nurture Theory, where he shares some of his more fascinating and impactful experiences, specifically focusing in on a new way of leading and achieving high performance among teams of people, and is currently pursuing related coursework at MIT and The Wharton School of Business at the University of Pennsylvania.Lean more about Lyte.Find more great podcasts from Osiris Media, the leading storyteller in music. Hosted on Acast. See acast.com/privacy for more information.

Ryan is the Founder and CEO of Marmoset — a full-service music agency based in Portland, Oregon, specializing in music licensing and original music production for brands, film, and TV. Ryan co-pilots Marmoset's creative teams and spends most of his time studying people and human systems — constantly deconstructing the status quo, pushing boundaries, and searching for a better way to lead and nurture people.A fiery advocate of creators, makers and artists, Ryan gave a TED Talk about “leading creatives amidst a modern landscape” and has traveled far and wide sharing his ideas and experiences on topics of music, branding, and leadership at places like TEDx, SXSW, CMJ Music Festival, and beyond. An Oregon native, Ryan first realized his passion for music as a College Radio DJ at his alma mater, Southern Oregon University in Ashland. Since then, he's worked in a variety of roles in the creative agency arena, advising brands, bands, record labels and award-winning filmmakers.Under Ryan's leadership, Marmoset landed on the Inc. 500 List, ranked #6 in “The Fastest Growing Private Companies in Oregon,” ranked in “The 100 Best Places to Work in Oregon,” among many other awards and accolades. Ryan also maintains a journal at Nurture Theory, where he shares some of his more fascinating and impactful experiences, specifically focusing in on a new way of leading and achieving high performance among teams of people, and is currently pursuing related coursework at MIT and The Wharton School of Business at the University of Pennsylvania.Lean more about Lyte.Find more great podcasts from Osiris Media, the leading storyteller in music. See acast.com/privacy for privacy and opt-out information.

Tom “Marmoset” Chick and Kelly “Tagline” Wand drive up the onramp, adjust their rear view mirrors, activate their turn signal, and carefully merge onto the highway to the danger zone! But why is Marmoset upset that real F-18s don't fly like that? And why is Tagline hung up on what became of Kelly McGillis' character? […] The post Qt3 Movie Podcast: Top Gun: Maverick appeared first on Quarter to Three.

These days, nearly all content being created features music, so how are content creators finding the music they need and safely tackling sync licensing hurdles? Ryan Wines, CEO and founder of Marmoset and Track Club, joins this week's episode to explore the world of music curation, stems, and music licensing. Learn more about Marmoset, the music agency providing meticulously curated music licensing, award-winning music production, and unique artist collaborations for sync licensing, advertising, film, TV, and social media content. Find out how Trackclub's latest feature, Mixlab, allows users to customize and download stem groups from any song on the platform and perfectly customize the audio to meet their needs. Ryan dives into emerging trends such as long form vs short form video and authenticity. How are tiktokers, youtubers, instagramers embracing new trends and technology? Find out on this week's episode.      The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit MusicTectonics.com to learn more, and find us on Twitter, Facebook, and Instagram. Let us know what you think!

In this special episode of Princeton Insights: The Highlights, we interview show host Thiago Tarraf Varella, a third year graduate student in the Psychology department. We discuss his research, which was done with his advisor, Dr. Asif Ghazanfar, a professor and researcher in the Princeton Psychology Department focused on developmental and evolutionary bases for communication in humans. Thaigo's research investigates altriciality, cooperative breeding, and reinforcement learning in marmoset monkeys and their ties to evolution.This episode of The Highlights was produced under the 146th Managing Board of The Daily Princetonian. Thiago Tarraf Varella is a graduate student in Princeton's Psychology department in Professor Ghazanfar's lab. He can be reached at tvarella@princeton.edu.To view the transcript for this episode, click “More Info” and then “Full Transcript” in the episode player. RESOURCESPrinceton Insights Coverage: https://insights.princeton.edu/2022/01/marmosets-infants-learn-to-speak/Original paper: Varella, T. T., & Ghazanfar, A. A. (2021). Cooperative care and the evolution of the prelinguistic vocal learning. Developmental Psychobiology.Marmoset audio:  D. Y. Takahashi et al., Science 349, 734 (2015)CREDITSWritten and hosted by Senna Aldoubosh and Sophia VillacortaEdited by Sophia Villacorta and Senna AldouboshProduced by Senna AldouboshOriginal Insights coverage by Sarah McFann“Family of Common Marmosets” by Francesco Veronesi / CC BY-SA 2.0Image of Thiago Varella Courtesy of Thiago Varella, taken by Rohini MajumdarFor more coverage from the Daily Princetonian, visit www.dailyprincetonian.com. Subscribe to Insights on Apple Podcasts, Spotify, or wherever you got your podcasts!

In an interview conducted last December, Ben chats with Chicago-area musician Worry Club about why he prefers working on music alone. how a ridiculous TikTok idea almost turned into a record deal and more. Since our convo, the Club has collaborated with lead singer Chase Walsh's favorite band The Maine,  went to SXSW as an official artist and played a show in Norman, Oklahoma of all places. Follow Worry Club: IG, Twitter, TikTok @worryclubNEW PLAYLIST additions:Pass the Water - Raé LunaLonestar - Monet NgoGUCCI SLIDE - Turich Benjyblue lung - Justend, Joe AsteKick Back - Lo ArtizSUPPORT: Make sure to catch Birria Ta-Ta-Tacos ' popup at Sleeping Village on Thursday, March 24. Also, Schuba's  is throwing free shows with their "100% Off Series." See Cece Maravilla, Ebony Loren, and more for free on April 4.All details are visible in our SEASON 2 GOOD WORK document.Theme music by Evan Dawkins. Logos & cover art: MC Blue Matter. Mixed by Dagz. Sponsored by Project FILOSupport the show (https://www.cash.app/bmoskow)

Good evening friends... tonight we welcome the true king of Staten Island: Sebastian Conelli! He's famously loud, but tonight he's trying his best to lull you to dreamland.This episode is about... toilet paper weed, Sebtheman01, one of the best schools in the country, Fantasia, Marmoset monkeys establishing dominance, gushers and fruit snacks,  a DARE shirt and a pack of cigarettes, Giuliani's frat, getting hit by the subway, and waking up early to take a long bath.Sebastian has performed at UCB with the Stepfathers and Assssscat every Friday and Sunday. You can now see him in Raaaatscraps and his podcast “Loud About Nothing” is available on Apple Podcasts, Spotify and via Instagram: @loudaboutnothing. Currently, new episodes air twice a week.

In this week's episode: Weekly Updates: Steve talks about the livestream of his Scoring Challenge that you can find on the Production Music Academy Website (below), and he explains his Cinematic Folk album. Eric talks about his Indie Pop Folk tune and brand, The Splendid Manifest, his new M-Audio Hammer 88 Pro, and finishing a Classical Piano album for a SonyBMG library. Eric also talks about his new "Hello Composers!" YouTube channel, including shorts. 15:35: Mid-Tier Libraries. We look at the following libraries: Artlist, MusicVine, Marmoset, Epidemic, Soundstripe, Musicbed, Bedtracks, Audiosocket, Premium Beat, Jamendo, and Audiio. We talk about Artlist first and Steve's experience with them the last year. We also have a short interview with artist Dan Barracuda and his recent acceptance to MusicVine. We then talk through the other libraries and how they differ from stock libraries like Pond5, AudioJungle, and even Motion Array. -- The Make Music Income Discord (Come join for great free conversation!): https://bit.ly/3fYDSVd The Production Music Academy: https://productionmusicacademy.com Make Music Income Website: https://www.MakeMusicIncome.com -- YouTube Channels: Make Music Income: https://www.youtube.com/makemusicincome Stevie B / Production Music Academy: https://www.youtube.com/channel/UC-6OyeP_Tk6G-gt5JSVKzkg -- Instagram: Make Music Income: https://www.instagram.com/makemusicincome/ Steven Beddall: https://www.instagram.com/stevenbeddall/ Production Music Academy: https://www.instagram.com/productionmusicacademy/

When you first see this animal you may think it's a few animalsphotoshopped together, but it's really just one. The pygmy marmoset is native to south america. They can be foundin the rainforests of Brazil, Colombia, peru, Ecuador, and Bolivia. They spendtime hiding among the plants. They live in small groups of up to 15 others.Marmosets eat mostly insects, fruit, and tree sap. Pygmy marmosets find food by using their good climbing skills toforage in the trees. These animals are very small they have a lot of predators.Some include cats, eagles, hawks, and snakes. The way they protect themselvesis by making loud screeches and noises to scare the predator away. Pygmy marmosets are special because of their miniature size. Theyare usually about half a foot or 12 centimeters. They are one of the smallestmonkey species in the world. They have a lifespan of around 12 years, or 16 incaptivity. There are around 2,500 pygmy marmosets left in the wild. They areshaped somewhat like an egg and have brownish grey fur all over their bodies. for wild suzhou i'm palm tree and thank you for listening.

Welcome to the EXP Podcast hosted by Tim Burroughs and co-hosts Kem Yaralioglu and Luan Vetoreti. This episode we are joined by Cairo Goodbrand, Environment Artist at Next-Gen Dreams 3D and Alfie Summers, Contract Material Artist at Marmoset. We cover a range of topics including: Why they chose to do a mentorship, what they got from the experience and how mentorships differ from university education. Cairo Goodbrand: https://www.artstation.com/artwork/48yERY Alfie Summers: https://www.artstation.com/alfiesummers Spotify: https://open.spotify.com/show/7gscvAcyPKpveH4dmpEWgf Apple: https://podcasts.apple.com/gb/podcast/experience-points-podcast/id1514661728 Intro Music by A Himitsu - https://www.youtube.com/watch?v=6WQjgHuUDWU https://www.exp-points.com Patreon - https://www.patreon.com/exppoints Discord - https://discord.gg/hdv6ZEb Twitter - https://twitter.com/exp_points_int Facebook - https://www.facebook.com/experiencepoints.international LinkedIn - https://www.linkedin.com/company/experiencepoints/ Instagram - https://www.instagram.com/experiencepointsinternational/

Bate papo com DJs Marmoset e Lucas Lima da Disco Groove.

After Katherine Roe and two of her fellow PETA scientists paid a visit to UMass Amherst about its cruel monkey experiments, the university went from enthusiastic to silent. The school would rather hang on to their federal grants worth millions--even if the science--based on animals--is unlikely to be of benefit to humans. Roe, the new director of the Science Advancement and Outreach Division talks with Emil Guillermo about the UMass Amherst case, and how it's an advantage when real scientists are leading the battle for change. Go to PETA.org for more. THE PETA PODCAST PETA, the world's largest animal rights organization, is 6.5 million strong and growing. This is the place to find out why. Hear from insiders, thought leaders, activists, investigators, politicians, and others why animals need more than kindness—they have the right not to be abused or exploited in any way. Hosted by Emil Guillermo. Powered by PETA activism. Contact us at PETA.org. Listen to the very first PETA podcast with Ingrid Newkirk. Music provided by CarbonWorks. Go to Apple podcasts and subscribe. Contact and follow host Emil Guillermo on Twitter @emilamok Or at www.amok.com Please subscribe, rate and review wherever you get your podcasts. Help us grow the podcast by taking this short survey. Thanks for listening to THE PETA PODCAST! (Originally published May 19, 2021).  

"DJ Meredith motivates you with the latest Electronica from artists like Dalex, DJ Low Low, Basto and so many more! Tracks like ‘Dogs’ by MarmoSet, FLACK music will help you smash your fitness goals! “Luck is largely a matter of paying attention.” - Susan M. Dodd “Always have your hook baited; in the pool you least think, there will be a fish.” - Ovid “Laziness fuels more laziness. Activity fuels more activity.” “It’s about progress, not perfection. Your fitness is a personal journey. You may workout with others, but no one will ever workout for you.” 00:00 - Mic Break 01:39 - Callejero (Original Mix) - Konigsberg 09:47 - Dogs (Original Mix) - MarmoSet, FLACK Music 14:36 - Mic Break 14:42 - Tik Tik Tok (Rhythm Of The Clock) (Trainmiller’s Alternative Original Remix) - Kid Alina, DJ Ey DoubleU 16:50 - Finally, Destiny (Ragno Remix Edit) - Ava Dayton 20:23 - Loneliness (Original Mix) - Dalex 27:09 - Mic Break 27:16 - Mind Games (Original Mix) - HNTR 31:16 - Scared Back (Original Mix) - DJ Low Low, D-FRA 36:39 - Mic Break 36:45 - Flowers (Edu Escartin Remix) - Greck B 42:48 - Hooked (Original Mix) - Javi Bosch, David Calvo 49:13 - Mic Break 49:31 - Waking Hours - Basto 52:04 - Don’t Look Back (Extended Mix) - Alex Alive, IQ-Talo 55:43 - Mic Break 57:15 - The Small (Original Mix) - Almost Mad 64:49 - Finish "

"DJ Meredith motivates you with the latest Electronica from artists like Dalex, DJ Low Low, Basto and so many more! Tracks like ‘Dogs’ by MarmoSet, FLACK music will help you smash your fitness goals! “Luck is largely a matter of paying attention.” - Susan M. Dodd “Always have your hook baited; in the pool you least think, there will be a fish.” - Ovid “Laziness fuels more laziness. Activity fuels more activity.” “It’s about progress, not perfection. Your fitness is a personal journey. You may workout with others, but no one will ever workout for you.” 00:00 - Mic Break 01:39 - Callejero (Original Mix) - Konigsberg 09:47 - Dogs (Original Mix) - MarmoSet, FLACK Music 14:36 - Mic Break 14:42 - Tik Tik Tok (Rhythm Of The Clock) (Trainmiller’s Alternative Original Remix) - Kid Alina, DJ Ey DoubleU 16:50 - Finally, Destiny (Ragno Remix Edit) - Ava Dayton 20:23 - Loneliness (Original Mix) - Dalex 27:09 - Mic Break 27:16 - Mind Games (Original Mix) - HNTR 31:16 - Scared Back (Original Mix) - DJ Low Low, D-FRA 36:39 - Mic Break 36:45 - Flowers (Edu Escartin Remix) - Greck B 42:48 - Hooked (Original Mix) - Javi Bosch, David Calvo 49:13 - Mic Break 49:31 - Waking Hours - Basto 52:04 - Don’t Look Back (Extended Mix) - Alex Alive, IQ-Talo 55:43 - Mic Break 57:15 - The Small (Original Mix) - Almost Mad 64:49 - Finish "

Michael and Adam open the show discussing Michael's 35th birthday bash. The conversation quickly turns to music, licensing and the evolution of the guys' music selections for wedding videos. Michael runs through his latest artist and song picks while Adam elaborates on how he picks the songs he uses in his videos. Before wrapping, Michael shares a story with Adam and the guys talk about what's on the horizon for the first part of 2021. Find us on Instagram: @weddingvideographyschool@aflatis @filmsaboutlove@michaelleeringLooking for Adam's LUT pack? You can find it here. Want the Ultimate Wedding Videography Contract that includes a force majeure clause? Here it is. Support the show (https://www.buymeacoffee.com/WVSPodcast)

Sooner or later, every adventure has a dungeon.

Jay and Kirsten from THE MARMOSET CHRONICLES have taken over this feed to discuss THE ARMS OF ARTEMIS which was definitely a thing that happened in the 70s! Check out the full SHOW SWAP lineup here: https://twitter.com/OrangeGrovesNet/status/1359610632656605184 This podcast is powered by Pinecast.

Minnesota is finding new ways to fall behind in the vaccination effort. Plus, Dr Mike’s animal kingdom.

Marmoset monkeys and a flock of one hundred black vultures highlight todays Strange Science.

Bizi diğer primatlardan ayıran en temel özelliğimiz, vücut büyüklüğümüze göre daha iri olan beyinlerimizdir. İnsan olmayan ama primat olan atalarımızdan bize kadar gelecek olan yolakta, çok sayıda gen rol aldı ve bunların zaman içinde değişmesinin etkisiyle bizler, atalarımıza ve kuzenlerimize göre… Seslendiren: Özgür Babal

How do I get distribution for my film? How do I get funding for my feature film? Do I need a name actor in my film? How do I make my film's money back? Demystified is a series aimed at finding answers to questions like these, the aspects of indie filmmaking that are rarely seen and seldom talked about, through the lens of StudioFest.In Episode 6, we talk to Jim Cummings, 2016 Sundance 'Best Short Film' winner, about the future of independent filmmaking. We discuss the new age of film finance and how to become Yorgos Lanthimos from your garage.SOUVENIRS Now available on:Redboxhttps://www.redbox.com/ondemand-movies/souvenirsAmazon Primehttps://www.amazon.com/Souvenirs-Jamie-Donnelly/dp/B08FQ2XQF1/ref=sr_1_1?dchild=1&keywords=souvenirs&qid=1603674667&s=instant-video&sr=1-1MovieMaker's interview with Jim Cummings: https://www.moviemaker.com/wolf-of-snow-hollow-director-jim-cummings-on-the-power-of-public-freakouts-podcast/Marmoset tracks00:00, 00:50 - Curiosity (Instrumental) by Lazer Lights00:31, 11:10, 17:37 - No Shade (Instrumental) by BLACKVVANA02:17, 02:33 - What Could You Do (Written by Dolorean) (Instrumental) by Radiation CityField Of Fireflies by Purrple Cat | https://purrplecat.comMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_US

(1972 - 2013) Dean Marmoset, whom you definitely have never heard of, died last night alongside thirty-five others in a high school gym - but at least there was coffee. A delivery man with a penchant for spilling liquids, Marmoset was the protege of famed inventor Mr. Charles, whom you definitely have heard of, and attempted to follow in the footsteps of this vehicular pioneer: a pursuit of Elon Musk-iness that accidentally sped him to his untimely death. He will be buried on Friday with his prototypes, after a brief eulogy and pilates session led by his sister, Stacy. This episode is sponsored by: ROY'S RED HOT WARM ICE CUBES & SPYWARE EMPLOYEE ft. JONAH - Dean Marmoset TRICIA CRIMMINS - Mr. Charles / Stacy / Afternoon Buzzer / sponsorships JOHN GOODMAN - Devil / Mr. Loge / Short Guy / Tall Guy / Evening Buzzer DAN KUAN PEEPLES - God / He-Who-Shall-Not-Be-Named / Kid / Morning Buzzer theme song by Aaron Shapiro an ELEVATOR pod

Making a Scene Presents an Interview with Tyler FortierLAST YEAR’S MAN is the pseudonym of Eugene, OR based producer and singer/songwriter, Tyler Fortier. He is a frequent collaborator with up-and-coming Northwest singer/songwriters and has produced recordings for artists such as Anna Tivel, Beth Wood, and Jeffrey Martin. OPB Music named Jeffrey Martin's “Golden Thread,” off the Fortier-produced One Go Around, one of the best songs of 2017, calling it, "rock-solid songcraft...wrapped snugly in warm production that highlights every positive angle." As a songwriter, Fortier has shared the stage with the likes of Frazey Ford, The Deep Dark Woods, David Dondero, Matt Pond PA, and more, and has contributed to the catalogs of Warner/Chappell, BMG, and Marmoset. Fortier is currently writing and recording Last Year’s Man debut album, Brave the Storm. Last Years Man,The Valley of Jehoshaphat-v2,Last Years Man,The Dark End of the Road-v2,www.makingascene.org,Last Year's Man (Tyler Fortier),Last Years Man,No Eye On the Sparrow-v2,Last Years Man,My Own Ghost Town-v2, 

All week we are giving away $1000 to you guy's to Do something you've always wanted to but never got around to doing! It's called the BOOK IT LIST.... and today was our first winner and you'll never guess what she want's to do with that money, Plus lets Talk seriously about Mullets, Because its Time To reveal Jacks new Hair Cut.... He's been mullet afied! All that Plus Today's Misheard Lyrics and Waste some time With the Timewaster. BIG SHOW! ... Enjoy.See omnystudio.com/listener for privacy information.

Thanks for everything, Laz. You can find Kirsten on Twitter at @kirstenmwrites and Jay at @extremesalsaing. Our album art, a faithful play on the original poster for The Phantom and the Wren, was drawn by Alyssa Krasnansky, who can be found on Twitter at @imajoyk.

A postmortem on our one-by-one discussion of The Marmoset Chronicles, and also a look towards what's next. Also, some really long tangents about Homestuck and recursive storytelling. You can find Kirsten on Twitter at @kirstenmwrites and Jay at @extremesalsaing. Our album art, a faithful play on the original poster for The Phantom and the Wren, was drawn by Alyssa Krasnansky, who can be found on Twitter at @imajoyk.

Come join Kirsten and Jay as they make their way through The Marmoset Chronicles, the legendary octology of action films by director Laz Patillo which shaped all of cinema and pop culture since 1970.

In the final installment of the Get Paid series (in collaboration with Vortex Music Magazine), Portia discusses sync licensing and brand partnerships with Brett Byrd of CD Baby, Marissa Hernandez of Marmoset, and Scott Wagner of WagsWorks. Do you want to know if your music sync-able, or how to make sure that music supervisors can find your music among thousands of songs when a request comes in? Listen in, and then go get paid! Guests: Brett Byrd (CD Baby) Marissa Hernandez (Marmoset) Scott Wagner (WagsWorks) Music: Filthy Friends “November Man” Wimps “Mope Around” Kinski “Guest Girl Vocalist” Delta 5 “Mind Your Own Business”

Episode #127: On June 30th, we hosted a live panel in Portland with DJ Klyph. Panelists included local hip hop veterans Vursatyl and DJ OG ONE, along with promising newcomers Rasheed Jamal, Mic Capes, and Karma Rivera. The panel covered everything from all ages venues to networking and offers insight that transcends geography and genre. Produced by Will Watts and Anna McClain. Taped live at Mississippi Studios in Portland, OR. Engineered by Brent Asbury. Special thanks to Marmoset. Subscribe to The Future of What: hyperurl.co/krsfow Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl Newsletter: http://eepurl.com/cVo9ar

Episode #20: On the front page of Pandora's website, there's a statement that says “It's a new kind of radio — stations that play only music you like.” How can it be that Pandora knows what you'll enjoy? Isn't liking music purely up to personal taste? Pandora, like many other digital music platforms, uses a complex algorithm to predict what their listeners want to hear. Other services employ human beings to curate their music discovery systems. So who's the more effective tastemaker? Man, or machine? On today's episode we tackle this question with writer and consultant Jim McDermott, then talk to two people who get paid to listen to music all day: New Music Scout and Artist Relations Manager for Marmoset Brandon Day and Rumblefish's Senior Music Supervisor William Nix. Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl

Episode #76: Licensing a song may have once come with accusations of selling out, but today, getting a song on a movie, TV show or commercial can be one of the most lucrative moves for a musician. It can make paying for a tour or album that much more feasible, and can even break a band to a new audience. So how does licensing work, and how can an artist up their chances of making a deal? On this episode we talk with Kat Olsen, music supervisor at boutique licensing agency Marmoset, and Ritchie Young of Loch Lomond, who talks about having music licensed for everything from ads to Laika's The Boxtrolls. Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl