Podcast appearances and mentions of Mischa Maisky

durée : 01:28:46 - Mischa Maisky, expressif et passionné - par : Aurélie Moreau - Disciple de Rostropovitch et Piatigorsky, Mischa Maisky a quitté l'Union Soviétique en 1971. Soliste invité des plus grands chefs, dont Leonard Bernstein, il se consacre aussi à la musique de chambre et forme un duo d'exception avec Martha Argerich.

1.J.S. Bach - Wariacje Goldbergowskie, Aria i wariacje 7,8,9, Kimiko Ishizaka. 2. Vivaldi Recomposed by Max Richter, Wiosna cz.2 i cz.3., Daniel Hope - violin. 3. Oscar Peterson - IT Happens Every Spring. 4. April on Paris - Ella Fitzgerald, Louis Armstrong. 5. Saint Saens - Łabędź, Mischa Maisky, Orpheus Chamber Orchestra. 6. W.A. Mozart - kwartet smyczkowy G - dur KV387, Andante, Alban Berg Quartet. 7. Aaron Copland - Appalachian Spring suita: cz. 6 Meno mosso cz. 7 Doppio movimento: Variations on a Shayker Hymn cz. 8 Moderato: Coda Los Angeles Philharmonic, Zubin Mehta.

1. J.S. Bach - Wariacje Goldbergowskie Aria i wariacje 10,11,12, Julian Rachlin, Nobuko Imai, Mischa Maisky. 2. Marek Grechuta - Wiosna ach to Ty. 3. I. Strawiński - Święto Wiosny cz.1 Uwielbienie Ziemi: Introdukcja; Wiosenne wróżby i tańce młodzieńców; Zabawa w porywanie; Chicago Symphony Orchestra, Się George Solti. 4. Dean Blunt - Six. 5. Deep Purple - April. 6. Spring Waltz - Carla Bruni. 7. Christian Sinding - Rustle od Spring, Norweska Orkiestra Radiowa, Ari Rasilainen. 8. Jean Sibelius - Spring Song op. 16, Norweska Orkiestra Radiowa , Ari Rasilainen.

UPPLÄSNING: Ida Börjel Första rad: 13 juli. Leva som vanligt Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: Ur ”Ringa hem” av Ida BörjelDIKTSAMLING: Ringa hem. Dokumentärdikt (Ariel förlag, 2022)MUSIK: Maurice Ravel: Là-bas, vers l'égliseEXEKUTÖR: Daria Hovora, piano och Mischa Maisky, cello

Yo-Yo Ma, Mischa Maisky o Steven Isserlis s

Chillout Classic w Radio Spin Dziś melancholijnie, trochę smutno...ale pięknie...Pamiętacie, podczas audycji mile widziana pidżama, kapcie i wygodna poduszka...prowadzi Tomasz Diakun Playlista Chillout Classic 1. J.S. Bach, Aria z Wariacji Golbergowskich - Julian Rachlin, Nabuko Imai, Mischa Maisky. 2. Giazotto/Albinoni - Adagio na smyczki i organy, Stuttgarter Kammerorchester, Karl Munchinger. 3. W. A. Mozart - Requiem d-moll, KV 629 - Lacrimosa, Academy of St Martin in the Fields Sir Neville Marriner. 4. W. Kilar - "Sortie du port" z filmu "Smuga Cienia". 5. H.M. Górecki - III symfonia, cz. 2 Lento e largo- Tranquillissimo, Zofia Kilanowicz, NOSPR, Antoni Wit. 6. F. Chopin - Preludium e moll, Martha Argerich. 7. H. Mancini - Sunflower, Temat główny i temat Mashy. 9. S. Barber - Adagio na smyczki, op. 11. 10. E. Morricone - Temat Debory z filmu "Pewnego razu na dzikim zachodzie", Kathia Buniatishvili.

Den Cellisten Mischa Maisky und die Pianistin Martha Argerich verbindet seit fast fünfzig Jahren eine tiefgreifende Künstlerfreundschaft. Im Interview erzählt Maisky, wie die beiden sich kennengelernt haben und warum in ihren gemeinsamen Proben nicht nur musiziert wird.

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022.In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt.Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018. 

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022.In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt.Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018. 

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022. ​ In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt. ​ Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018.  ​ Dedicated to music education and outreach, Marlon is a jazz faculty member of CSArts San Gabriel Valley. He also serves as a double bass coach for the Capistrano Unified School District, and collaborates with the Inner City Youth Orchestra of Los Angeles. With the support of the Colburn School and Billy Strayhorn Songs Inc., Marlon will record educational lectures and performances on the music of Billy Strayhorn, with Marlonius Jazz Orchestra, for Colburn School's Amplify Series in 2022.

Om vikten av att tala om det svåra, att sätta ord på det vi måste minnas. Just nu firas Pesach inom judendomen, vårens och frihetens högtid till minne av den historiska våren då judarna lämnade slaveriet i Egypten. Varje år läses berättelsen och varje år uppmanas varje person att tala. Det är inte en berättelse om en hjälte eller ledare som Moses utan en berättelse om ett folk, framhåller Ariella Lindström.Vi vet att det är tack vore Moses som Israels barn kom ut ur slaveriet i Egypten men han nämns inte i Haggada boken. För att i Haggada är det vi, Israels barn som är huvudpersonerna Ariella Lindström är föreläsare, författare och medlem i föreningen Abrahams döttrar.TextHaggadaMusikFrom jewish life av Ernest Bloch med Mischa Maisky och Lily Maisky  Producent Neta Norrmo ljudmix Frida Claesson Johansson för Sveriges Radio Göteborg liv@sverigesradio.se

Nous explorons l'univers des œuvres composées pour un instrument à cordes seul, et comment Jean-Sébastien Bach en a légué des exemples incontournables avec ses Suites pour violoncelle, influençant ainsi des siècles de musique.

Jess Gillam and horn player Felix Klieser share the music they love, with some sumptuous early Prokofiev, Kate Bush, Sidney Bechet, Piazzolla and Sting. Playlist: Mozart - Horn Concerto No. 4 in E-flat Major, K. 495; III. Rondo, Allegro vivace [Hermann Baumann (horn), Saint Paul Chamber Orchestra, Pinchas Zukermann] Piazzolla - Four Seasons of Buenos Aires - Verano Porteno The Police - Every Breath You Take Prokofiev - Autumnal Sketch [Bournemouth Symphony Orchestra, Kirill Karabits] Kate Bush - Pi Sidney Bechet - Petite Fleur Saint-Saens - Romance in F major, Op. 36 R. 195 [Mischa Maisky (cello), Orpheus Chamber Orchestra] Olafur Arnalds - Respite

Algo va mal con las vacunas contra el COVID… y se desata una pandemia zombi. Este programa va describir en detalle el camino por el que se podría materializar esta pesadilla, a los ojos del historiador. En el tramo final llegaremos a conocer las consecuencias a largo plazo. Índice: • Del COVID 19 a las vacunas • Del síndrome nervioso al ataque zombi • Estabilización tras la pandemia zombi • La segunda ola Contacto: ficcionhistoriapodcast@gmail.com Telegram Chat de Historia Ficción: https://t.me/HistoriaFiccionChat Facebook Historia Ficción: https://www.facebook.com/ficcionhistoria/ Twitter: @ficcionhistoria • Créditos the-path-of-the-goblin-king, The Curtain Rises, on-hold-for-you, tyran, oppressive-gloom, The Snow Queen by Kevin Macleod (incompetech) Link: https://filmmusic.io/song/7078- the-path-of-the-goblin-king License: http://creativecommons.org/licenses/by/4.0/ winter. By MusicLFiles. Link: https://filmmusic.io/song/7078-winter License: http://creativecommons.org/licenses/by/4.0/ Bach. Suite para chelo No. 1: Preludio. Interpretado por Mischa Maisky https://www.youtube.com/watch?v=S6yuR8efotI&list=PLLPlWM-k9w7l-Nl2uEXqs0vGY3MbkbRWs&index=31 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Zusammen mit seiner Tochter, der Pianistin Lily Maisky, spielt der Starcellist Mischa Maisky das Auftaktkonzert beim Kissinger Musiksommer. BR-KLASSIK hat mit ihm über die Bedeutung der Familienbande beim Musizieren gesprochen.

Kalm met Klassiek is jouw dagelijkse dosis klassieke ontspanning. “Het is het speciale terrein van muziek om ons hart te raken.” Johann Sebastian Bach wist het in de 17e eeuw al. Muziek kan tot in het diepst van onze ziel komen. Dat is ook wat we ontdekken in deze podcast, Kalm met Klassiek. Hallo, leuk dat je er weer bent! In deze serie trakteert Ab je elke werkdag op mooie muziek en fijne ontspanning. Het is de laatste dag van deze week vol Johann Sebastian Bach. We besluiten hem met de prachtige eerste ‘Suite voor solo cello', gespeeld door de Letse cellist Mischa Maisky. Alvast een mooi weekend gewenst!

Les carnets de Gautier Capuçon - Mischa Maisky

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Themen im Podcast: - Der Weg zur eigenen Vermarktungsstrategie. - Offenheit und Adaptivität bei neuen Trends. - zunehmende Diversität des Geschäftsmodells im Klassikmarkt. Kirill Troussov gehört zu den international gefragtesten Geigern seiner Generation. Zu seinen Kammermusikpartnern zählen Künstler und Künstlerinnen wie Sol Gabetta, Yuja Wang, Daniel Hope, Joshua Bell, Gautier und Renaud Capucon, Yuri Bashmet, Mischa Maisky, Elisabeth Leonskaja, Julian Rachlin, Christian Zacharias und Natalia Gutman. Zu Kirill Troussovs internationalen Auszeichnungen gehören unter anderem der Europäische Kulturpreis, der Davidoff-Preis des Schleswig-Holstein Festivals, der internationale Yamaha Preis und der Reuters-Preis beim Verbier Festival. Kirill Troussov gibt regelmässig Meisterkurse in Mozarteum Salzburg, European Music Intstitute Vienna, , Cremona, Mailand, Madrid, Dublin, Berlin, München, Oslo, Budapest, USA und Hong Kong. Photocredit: © Marco Borggreve Das alles in dieser Episode von Careers of Classical Musicians! Diese Folge wird präsentiert von Dreher.Media

In this episode of 'Classics Unlocked', Graham Abbott explores one of the mightiest works for the keyboard: Johann Sebastian Bach's 'Goldberg Variations'. Today, it stands alongside the St Matthew Passion, the Mass in B minor, The Art of Fugue and the Musical Offering as an eternal musical monument. This episode features four different recordings, headed by Lang Lang's 2020 Deutsche Grammophon album:BACH: Goldberg VariationsLang Lang, pianoDG 481 8971DISCOVER: https://uma.lnk.to/usjMcRfFYP​BACH: Goldberg Variations (Extended Edition)Lang Lang, pianoDG 481 9701DISCOVER: https://uma.lnk.to/zomHEe0QYP​BACH: Goldberg Variations George Malcolm, harpsichordDecca Eloquence 482 8439DISCOVER: https://Eloquence.lnk.to/000289482843...​BACH: Goldberg Variations Julian Rachlin, violin; Nobuko Imai, viola; Mischa Maisky, celloDG 477 6378DISCOVER: https://uma.lnk.to/0PYI5JJY​BACH: Goldberg Variations Catrin Finch, harpDG 4778097DISCOVER: https://uma.lnk.to/SYQjBjv0​ See acast.com/privacy for privacy and opt-out information.

En juin 2020, nous rencontrions Hagit Hassid-Kerbel, co-fondatrice du Festival Musica Mundi, ainsi que de l'école Musica Mundi. A l'occasion d'un grand concert de Musique de Chambre de ses étudiants, vendredi prochain, 2 avril, à 19h30, nous vous proposons une nouvelle diffusion de cet entretien. Hagit Hassid-Kerbel est pianiste. En 1999, elle créait avec le violoniste Leonid Kerbel, son époux, le Festival Musica Mundi A leur arrivée en Belgique, Hagit et Leonid Kerbel (ndlr. : respectivement Israëlienne et Russe) constatent que les structures d'enseignement musical de haut niveau manquent pour leurs élèves les plus brillants et les plus passionnés, ceux pour qui la musique est davantage qu'un loisir. On parle ici de ces jeunes gens qui ne sont pas encore en âge d'intégrer le Conservatoire, et qui doivent suivre la filière de l'enseignement général. En 1999, forts de ce constat, Hagit Hassid-Kerbel et son époux décident dès lors d'organiser un stage d'été de haut niveau pour des jeunes musiciens de 10 à 20 ans. Rapidement, ils convainquent de très grandes figures mondiales de la Musique de Chambre de les rejoindre : le violoncelliste Mischa Maisky sera ainsi le tout premier guide, et le premier soutien de l'aventure Musica Mundi. Concomitamment à ce constat, Hagit et Leonid décident d'organiser un Festival conjointement à ce stage : Musica Mundi était né ! 22 ans plus tard, le Festival Musica Mundi rassemble chaque été les plus grands noms de la Musique de Chambre : de Vadim Repin, au quatuor Prazak, en passant par le regretté Paul Badura Skoda, les King's Singers, Dietrisch Henschel, Rudolf Buchbinder, Ivry Gitlis, Lily et Mischa Maisky , Maxime Vengerov, Ronald Van Spaendonck, et tant d'autres... Le Maître-mot du Festival et de son stage est sans aucun doute celui d' "émulation". Il consiste à faire vivre ensemble des jeunes musiciens du monde entier pendant 10 jours. De jeunes artistes qui ont l'occasion de fréquenter de grands Maîtres pendant tout le stage, dont certains sont parfois leurs idoles. Cours particuliers, stages d'Orchestre, et pour les plus brillants et chevronnés d'entre eux, la possibilité de se produire sur scène, pendant les concerts du Festival : un rêve éveillé pour certains. En septembre 2018, Hagit et Leonid Kerbel franchissaient un pas de plus, et concrétisaient un projet qui germait depuis la création du stage Musica Mundi : celui de créer une école : la Musica Mundi school. Une école répondant à l'enseignement "Cambridge", c'est à dire qu'elle dispense actuellement à 35 jeunes du monde entier, des humanités générales d'une part, et un enseignement musical de haut niveau, d'autre part. La philosophie, les désirs du stage Musica Mundi sont ici inchangés : offrir simultanément un enseignement général et un enseignement musical d'excellence, à des jeunes de 12 à 18 ans. Les cours sont dispensés en anglais, et le modèle "Cambridge" permet aux jeunes d'être les détenteurs d'un diplôme d'humanités en bonne et due forme. "Notre envie", nous confiera Hagit Kerbel, "c'est de ne pas compartimenter d'un côté les cours généraux, et de l'autre, la Musique". Dans cette école, les loisirs et le travail se confondent joyeusement, de 7h du matin, jusqu'à 22h. L'école Musica Mundi est installée dans le Domaine de Fichermont, à Waterloo, un Monastère désacralisé. Les cours sont donnés en anglais, et si tous les grands noms du Festival ne peuvent être aux côtés de ces jeunes tout au long de l'année, certains d'entre eux comme Mischa Maisky et Maxime Vengerov, leur rendent visite plusieurs fois par an. L'équipe pédagogique est fournie : on y retrouve quelques grands noms, comme le pianiste Jacques Rouvier, la harpiste Catherine Michel, ou bien encore le clarinettiste belge Ronald Van Spaendonck. Outre l'écrin de verdure dans lequel se niche l'ancien Monastère, l'école peut s'enorgueillir de posséder une splendide salle de concert, qui était autrefois la Chapelle des...

“Como Bach consegue fazer harmonia com apenas um violoncelo? Como ele compõe para uma situação em que ele não pode empilhar as notas verticalmente e fazer a polifonia que é sua marca registrada? Ele faz isso criando uma ‘harmonia subentendida’. Ele a sugere, aponta para ela, planta a semente da harmonia. Ele remove todas as notas que pode para que da polifonia, despojada, não reste mais do que o essencial, deixando o ouvinte preencher as lacunas. Ele alterna fragmentos de linhas diferentes, de registros diferentes, e induz o ouvinte a pensar que está ouvindo mais do que uma linha ao mesmo tempo. Bach subentende a harmonia.” Essas afirmações são do jornalista canadense Eric Siblin, no seu livro As Suítes para Violoncelo – J. S. Bach, Pablo Casals e a Busca por Uma Obra-Prima Barroca, publicado no Brasil em 2014 pela É Realizações Editora, com tradução de Pedro Sette-Câmara. Elas foram citadas no programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 12 e 13 de setembro de 2020, o segundo de uma série com seis episódios que comemora os 300 anos das seis Suítes para Violoncelo de Bach, criadas em cerca de 1720, na corte de Köthen. No programa, foi exibida a Suíte para Violoncelo Número 2 em Ré Menor (BWV 1008), na interpretação do violoncelista letoniano Mischa Maisky, além da cantata Ich lasse dich nicht, du segnest mich denn, “Eu não ter deixo, pois tu me abençoas” (BWV 157). Ouça no link acima a íntegra do programa. Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast na área de podcasts do Jornal da USP. As edições anteriores de Manhã com Bach estão disponíveis neste link.

Beethoven’s Pianokwartetten en het -kwintet d: Opus 56; WoO 36 no. 3 en 79.1. Pianokwartet in C WoO 36 no. 3 Martha Argerich, piano. Renaud Capuçon, viool. Lida Chen, altviool. Gautier Capuçon, cello. 2. Concert voor piano, viool en cello, in C, opus 56 “Tripelconcert” Martha Argerich (piano), Renaud Capuçon (viool), Mischa Maisky (cello) 3. […]

durée : 00:59:15 - Martha Argerich (3/5) - Une semaine sur les traces de la déesse du piano. Ce matin, tour d’horizon des plus grandes collaborations musicales de Martha Argerich. De Claudio Abbado à Gidon Kremer et Mischa Maisky, partenaires privilégiés des années 80 et 90.

durée : 01:58:34 - Le Bach du dimanche de dimanche 10 mai 2020 - par : Corinne Schneider - Au programme de cette 120e émission (8e et dernier dimanche de confinement) : Anne-Sophie Mutter, Andras Schiff, Mischa Maisky et Martha Argerich en première heure ; puis la Cantate BWV 147 et le claveciniste Kenneth Weiss dans son « intégrale confinée » de L’Art de la fugue. - réalisé par : Céline Parfenoff

Aquí te dejo el maravilloso Cello de Mischa Maisky bajo la lluvia con un libro en la mano. Relax 1. Prelude 2. Allermande 3. Courante 4. Sarabande 5. Menuet I / II 6. Gigue Estamos en Twitter @hleidas Gracias!!

Aquí te dejo el maravilloso Cello de Mischa Maisky bajo la lluvia con un libro en la mano. Relax 1. Prelude 2. Allermande 3. Courante 4. Sarabande 5. Menuet I / II 6. Gigue Estamos en Twitter @hleidas Gracias!!

Recipient of the prestigious 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang is considered to be one of the most distinctive artists of his generation. The Washington Post proclaimed Mr. Huang as "an artist with the goods for a significant career" following his recital debut at the Kennedy Center.This summer, Mr. Huang made highly acclaimed debut at Bravo!Vail Music Festival stepping in for violinist Anne-Sophie Mutter in the Mozart’s Violin Concerto No.4 with Chamber Orchestra Vienna-Berlin. Recent and forthcoming engagements include his recital debut at the Lucerne Festival in Switzerland, Aspen Music Festival, as well as appearances with the Mariinsky Orchestra with Valery Gergiev (St. Petersburg's White Nights Festival), Berliner Symphoniker with Lior Shambadal (Philharmonie Berlin debut), Detroit Symphony with Leonard Slatkin, Houston Symphony with Andres Orozco-Estrada, Orchestra of St. Luke's with Carlos Miguel Prieto, Seoul Philharmonic, Baltimore Symphony and Grant Park Festival Orchestra with Markus Stenz, North Carolina Symphony and Charlotte Symphony with Gemma New, Buffalo Philharmonic with JoAnn Falletta, Pacific Symphony with Carl St. Clair, National Symphony Orchestra of Taiwan with ShaoChia Lu and the Taipei Symphony with Jahja Ling (both in Taipei and on a U.S. tour). 2019-20 season will also see Mr. Huang giving the German premiere of Tan Dun’s Violin Concerto “Fire Ritual” with the Nuremberg Symphony with Kahchun Wong and appearances in the U.S. with the Tucson Symphony, New Mexico Philharmonic, Long Beach Symphony, Brevard Symphony, and Mobile Symphony.Recital and chamber music performances this season will include Mr. Huang’s recital debut for People’s Symphony Concerts in New York, a recital tour across North America and Taiwan with pianist Helen Huang, as well as his debut at the Wolf Trap in Washington D.C. He will also return to Camerata Pacifica in Santa Barbara and the Chamber Music Society of Lincoln Center for three separate tours in the U.S., Europe, and the Far East.Mr. Huang's recent recital engagements included Lincoln Center's "Great Performers" series and return engagement at the Kennedy Center where he premiered Conrad Tao's "Threads of Contact" for Violin and Piano during his recital evening with pianist Orion Weiss. He also stepped in for Midori with Leonard Slatkin and the Detroit Symphony to critical acclaim. Mr. Huang has also made debuts at the Wigmore Hall, Seoul Arts Center, and the Louvre in Paris.His first solo CD, Intimate Inspiration, is a collection of favorite virtuoso and romantic encore pieces released on the CHIMEI label. In association with Camerata Pacifica, he recorded "Four Songs of Solitude" for solo violin on their album of John Harbison works. The album was released on the Harmonia Mundi label in fall 2014.A frequent guest artist at music festivals worldwide, he has performed at the Seattle, Music@Menlo, Caramoor, Bridgehampton, La Jolla, Santa Fe, Moritzburg, Kissinger Sommer, Sion, Orford Musique, and the PyeongChang Music Festival in Korea. His chamber music collaborators have included Gil Shaham, Cho-Liang Lin, Nobuko Imai, Mischa Maisky, Jian Wang, Frans Helmerson, Lynn Harrell, Yefim Bronfman, and Marc-Andre Hamelin.Support the show (https://thatsnotspit.com/support/)

Today, I'm very excited to have the brilliant violinist, violist, and conductor Julian Rachlin on the show! At the end of this very busy week, playing with and conducting the Chicago Symphony, Julian graciously took the time to sit with me and discuss meticulous practicing, mindful music-making, and his deep love of the art form! He covers many topics, including studying with Boris Kuschnir and Mr. Kuschnir's thorough approach to mastering the instrument, his views on the lifelong path that is growing as an artist, his daily practice regimen, and how playing the viola and conducting have allowed him to explore music from different angles. Julian elaborates on: How he believes we are never done learning How the fact that his parents never made him practiced helped foster his deep love of music His daily practice regimen Why the responsibility to grow as an artist lies with the student How musicians are a community How playing the viola and conducting allow him to explore music from different angles Why we should brush our taste as often as we brush our teeth Finding the right balance between being completely open-minded and fully convinced (and when to be which)   MORE ABOUT JULIAN RACHLIN: Website: http://www.julianrachlin.com/ YouTube channel: https://www.youtube.com/channel/UCm_Eyb3YAt3m7_ic4VTA84A Facebook: https://www.facebook.com/julianrachlin/ Instagram: https://www.instagram.com/julianrachlin/ Elisabeth Gilels: Daily Exercises for the Violinist Boris Kuschnir: http://www.boriskuschnir.com/   Violinist, violist and conductor Julian Rachlin is one of the most exciting and respected musicians of our time. In the first thirty years of his career, he has performed as soloist with the world's leading conductors and orchestras. Mr. Rachlin is Principal Guest Conductor of the Royal Northern Sinfonia, Turku Philharmonic Orchestra and Kristiansand Symphony Orchestra. He also leads the "Julian Rachlin & Friends Festival" in Palma de Mallorca. Highlights of Mr. Rachlin's 2018/19 season include performances with the St. Petersburg Philharmonic and Mariss Jansons, Montreal Symphony Orchestra and Christoph Eschenbach, Boston Symphony Orchestra and Juanjo Mena, Pittsburgh Symphony Orchestra and Manfred Honeck, as well as the KBS Symphony Orchestra and Myung-Whun Chung. Alongside soloist Sarah McElravy and the Royal Northern Sinfonia, he will perform the UK premiere of Penderecki's Double Concerto for Violin and Viola, which is dedicated to him. Additionally, Mr. Rachlin will conduct among others the Vienna Symphony Orchestra, Berlin Konzerthaus Orchestra, Naples Philharmonic, Moscow Philharmonic, St. Petersburg Symphony, Essen Philharmonic, Strasbourg Philharmonic, Slovenian Philharmonic, Zagreb Philharmonic and Trondheim Symphony Orchestra. Julian Rachlin's recent highlights include a residency at the Prague Spring Festival and his own cycle at the Vienna Musikverein. He also performed with the St. Petersburg Philharmonic Orchestra and Yuri Temirkanov, Filarmonica della Scala and Riccardo Chailly, Munich Philharmonic and Zubin Mehta, Philharmonia Orchestra and Jakub Hrůša, Orchestra del Maggio Musicale and Vladimir Ashkenazy, as well as the Vienna Symphony Orchestra and Lahav Shani. As conductor, he toured Europe with the English Chamber Orchestra, and led the Royal Northern Sinfonia across South America and Japan. Additionally, he conducted the State Academic Symphony Orchestra of Russia, Hungarian National Philharmonic, Royal Liverpool Philharmonic Orchestra, Orchestra della Svizzera Italiana, National Taiwan Symphony Orchestra, Prague Philharmonia, and made his USA conducting debut at the Grand Teton Music Festival. In recital and chamber music, Mr. Rachlin performs regularly with Itamar Golan, Denis Kozhukhin, Denis Matsuev, Mischa Maisky, Sarah McElravy, Vilde Frang and Janine Jansen. Born in Lithuania, Mr. Rachlin immigrated to Vienna in 1978. He studied violin with Boris Kuschnir at the Vienna Conservatory and with Pinchas Zukerman. After winning the "Young Musician of the Year" Award at the Eurovision Competition in 1988, he became the youngest soloist ever to play with the Vienna Philharmonic, debuting under Riccardo Muti. At the recommendation of Mariss Jansons, Mr. Rachlin studied conducting with Sophie Rachlin. Since September 1999, he is on the violin faculty at the Music and Arts University of Vienna. His recordings for Sony Classical, Warner Classics and Deutsche Grammophon have been met with great acclaim. Mr. Rachlin, a UNICEF Goodwill Ambassador, is committed to educational outreach and charity work. Julian Rachlin plays the 1704 "ex Liebig" Stradivari and a 1785 Lorenzo Storioni viola, on loan to him courtesy of the Dkfm. Angelika Prokopp Privatstiftung. His strings are kindly sponsored by Thomastik-Infeld.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Šiandien minime Europos dieną. Su puikiais kviestiniais solistais sezoną baigia dvi didžiosios nacionalinės institucijos: penktadienį šventiniu koncertu su violončelininku Mischa Maisky sezoną užbaigs LVSO, diriguojamas savo įkūrėjo ir meno vadovo Gintaro Rinkevičiaus, o šeštadienį į sezono uždarymą kviečia Modesto Pitrėno vadovaujamas LNSO su pianistu Luku Geniušu. Paskutiniame laidos puslapyje - LRT Klasikos stažuotojos Dominykos Murauskytės parengtas pasakojimas apie įtakingas įtakingų džiazo muzikantų moteris. Vedėja Jūratė Katinaitė.

Šiandien minime Europos dieną. Su puikiais kviestiniais solistais sezoną baigia dvi didžiosios nacionalinės institucijos: penktadienį šventiniu koncertu su violončelininku Mischa Maisky sezoną užbaigs LVSO, diriguojamas savo įkūrėjo ir meno vadovo Gintaro Rinkevičiaus, o šeštadienį į sezono uždarymą kviečia Modesto Pitrėno vadovaujamas LNSO su pianistu Luku Geniušu. Paskutiniame laidos puslapyje - LRT Klasikos stažuotojos Dominykos Murauskytės parengtas pasakojimas apie įtakingas įtakingų džiazo muzikantų moteris. Vedėja Jūratė Katinaitė.

Picks from across the week on In Tune with Sean Rafferty. His guests this week are Hollywood superstar Leslie Caron, who appeared in such classic films as An American in Paris and Gigi; young South African soprano Pretty Yende, who joined us live from The Met in New York; and supreme cellist Mischa Maisky.

Mischa Maisky, der Musiker mit den bunten Hemden und dem wunderbaren Cello-Sound, gehört seit Jahrzehnten zu den schillernden Figuren der Klassik-Szene. Am 10. Januar wird er 70 Jahre alt. BR-KLASSIK gratuliert zum runden Geburtstag mit einem Porträt.

The last episode of Season 1 marks the end of Ben’s tenure at the Center on Budget and Policy Priorities. Jared interviews Ben about his thoughts on the economics profession, the policy process, and Washington, DC. Musical Interlude: Haydn’s “Cello Concerto No. 2 in D Major” by Mischa Maisky https://www.youtube.com/watch?v=5tAvhIyw-BY

Questa settimana iniziamo portandovi a sentire due tra i più grandi artisti viventi, Martha Argerich e Mischa Maisky che saranno protagonisti al Teatro dal Verme per Serate Musicali. Poi vi raccontiamo di Liszt, al centro di una rassegna del Conservatorio nell’Aula Magna dell’Accademia di Brera, passando in seguito al capolavoro di Tchaikovsky, il Concerto per […]

"El compositor i l'int

Hear Italian virtuoso Aniello Desiderio play stunningly original interpretations of Albeñiz, Scarlatti, Carulli, Vivaldi, and even Paco de Lucía. Desiderio discusses the importance of finding one's own voice as a performer, especially with regard to imagination, emotion, and sincerity. He passes on some valuable wisdom gained from his conversations with Leo Brouwer and cellist Mischa Maisky, he creates a distinction between playing concerts and playing in competitions, and he also expresses his admiration for the recently departed luminary of the guitar world, Paco de Lucía. Finally, Aniello gives us a lesson in authentic Italian cooking with his recipe for Spaghetti alle Vongole (Spaghetti with clams).

  More about Nocturnes Leon Bosch, Sung-Suk Kang "Nocturne" (mp3) from "Virtuoso Double Bass" (Meridian Records) Buy at iTunes Music Store More On This Album   The working relationship between Sung-Suk Kang and the distinguished double bass player Leon Bosch goes back to 1982, when both were students at the Royal Northern College of Music in Manchester, UK. Sung-Suk accompanied Leon during lessons and at scholarship auditions. 'At the end of our courses of study,' Leon remembers, 'the RNCM principal, Sir John Manduell, invited us to play two pieces together in one of the so-called principal's concerts. These were showcase events in which his ‘prize students’ were afforded a platform to perform in front of an audience of many distinguished invited guests, as well as the public. Sung-Suk and I performed two pieces by the great double bass player Bottesini, the Capriccio di Bravura and Fantasy Sonnambula. 'I'll remember that 1984 concert forever, for Sung-Suk’s magical playing throughout. There was one extended piano tutti in Sonnambula which was particular memorable for its unique delicacy and scintillating effervescence.' Sung-Suk picks up the story. 'After we left the RNCM, Leon and I lost contact with each other for twenty years. Then in the autumn of 2006, all of a sudden I received an SMS message from Leon on my mobile.....out of the blue. I called him back and discovered that at short notice he wanted me to play for him on a CD of pieces by Bottesini. After exchanging a few emails, I agreed.’ So what had inspired Leon to make the move? 'After Sung-Suk and I parted company back in 1984 I always thought of her whenever I played Sonnambula. I often wondered what had happened to her. I have a tape recording of that principal's concert and played it often over the years to reassure myself that it was indeed real and not just a grossly exaggerated and romanticised memory! 'Then when I was scheduled to record my first Bottesini disc, my pianist had to withdraw. After much thought, I resolved to try and find Sung-Suk, since she was the only person I felt I'd really be happy to work with. I put her name into Google and found her referred to on the website of the conductor, Nayden Todorov. With that lead, I traced her to Vienna.’ 'We began to rehearse as soon as I arrived in London!' Sung-Suk recalls. 'There wasn`t enough time to work on each piece in detail.... and we only had one and a half days to record all the repertoire for the CD. 'Playing with Leon wasn`t easy at first - he has a unique way of phrasing and his rubato is never predictable. And of course my ears had to concentrate so much on picking up the thick, deep lower register of the double bass sound. But during the recording sessions everything clicked and became completely natural. 'We tried to create a new atmosphere for each piece and then find the inspiration for a special interpretation at the end of the process. This was always different from what we'd prepared....music-making with Leon is always spontaneous! I love the full sound he makes, all the different colours he creates to express varied emotions in depth.’ As for Nocturne, it allows the piano to anticipate the main theme in the opening section but then gives it no share of the melodic line so expressively introduced and sustained by the double bass. It is, however, the piano which towards the end initiates the change from minor to major harmonies, just before double-bass harmonics magically project the melody into the soprano register. If Bottesini expected to be remembered by future generations he no doubt felt that it would be through his operas and sacred music. In fact, while they are forgotten, his posthumous reputation derives from an instrumental artistry which, though it died with him, survives in the hands of those few bassists who can do his compositions full justice.   Nikolai Lugansky "Nocturne, Op. 55 No. 1" (mp3) from "Chopin: Piano Sonata No. 3, Fantasie-impromptu, Prélude, Nocturne, et al." (Onyx Classics) Buy at iTunes Music Store More On This Album   Nikolai Lugansky's first recording for ONYX. The Daily Telegraph commenting on Lugansky, said 'He can thrill in taxing pianism through his iron will and fingers of steel, but there is an assuaging velvet quality to his tone, a natural feel for lyrical line' Gramophone praised his 'pianism of immense skill, fluency and innate musical quality' Nikolai Lugansky was born in Moscow in 1972. He studied at Moscow Central Music School (under Tatiana Kestner) and then at the Moscow Conservatory, where he was a pupil of Tatiana Nikolayeva, who described him as ‘the next one’ in a line of great Russian pianists. Following Nikolayeva’s untimely death in 1993, Lugansky continued his studies under Sergei Dorensky. A laureate of the International Bach Competition in Leipzig, the Rachmaninov Competition in Moscow and the International Tchaikovsky Competition in Moscow, Lugansky has a repertoire of over 50 concertos with orchestra as well as a wide range of solo and chamber works. He has worked with many distinguished orchestras and conductors including Christoph Eschenbach, Vladimir Fedoseyev, Valery Gergiev, Neeme Järvi, Raymond Leppard, Yoel Levi, Mikhail Pletnev, Gennady Rozhdestvensky, Vladimir Spivakov, Evgeny Svetlanov, Yuri Temirkanov, Kurt Masur, Riccardo Chailly and others. His chamber music partners have included Vadim Repin, Alexander Kniazev, Joshua Bell, Yuri Bashmet, Mischa Maisky, Leonidas Kavakos and Anna Netrebko among others. Lugansky has recorded 23 CDs. His solo recordings on Warner Classics — Chopin Études, Rachmaninov Préludes and Moments musicaux and Chopin Préludes — were each awarded a Diapason d’Or. His PentaTone Classics SACD of Tchaikovsky’s Piano Concerto no.1, with the Russian National Orchestra under Kent Nagano, was cited as ‘Editor’s Choice’ in Gramophone. His Prokofiev CD was one of the ‘CDs of the Year’ (2004) featured in The Daily Telegraph. Lugansky’s recordings of the complete piano concertos of Rachmaninov, with the City of Birmingham Symphony Orchestra under Sakari Oramo, received Choc du Monde de la Musique, Preis der deutschen Schallplattenkritik and the 2005 ECHO Klassik Award. His last recording (Chopin’s and Rachmaninov’s cello sonatas) with the cellist Alexander Kniazev won the 2007 ECHO Klassik Award. As well as performing and recording, Lugansky teaches at the Moscow Conservatory as an assistant of Prof. Sergei Dorensky.   Anthony Goldstone "Nocturne in D-Flat Major, Op. 8" (mp3) from "Russian Piano Music, Vol. 4: Sergei Lyapunov" (Divine Art) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Now almost forgotten in the West, Lyapunov was one of the truly great composers of the Romantic era in the late 19th and early 20th centuries. His Sonata is a phenomenal work and his mastery of pianistic composition is also finely demonstrated by the other works on this album masterfully interpreted by Anthony Goldstone. Anyone who loves Chopin or Liszt should get to know this music.   Fuzjko Hemming "Nocturne No. 20 In C-Sharp Minor" (mp3) from "Fuzjko Hemming - Collector's Edition" (Fuzjko Label) Buy at iTunes Music Store Stream from Rhapsody Buy at Amazon MP3 More On This Album Having wowed much of the Eastern Hemisphere for years, classical pianist Fuzjko Hemming is preparing for her introduction to the United States. Having been born into humble circumstances, child of a Japanese mother and Swedish father, she has felt rootless, too Asian in appearance for Sweden, and in Japan constricted by the society's stratified and class-oriented way of life. Then, as she was starting to gain traction as a professional musician, her promising career was cut short. - Fuzjko lost all hearing in her left ear after battling a serious cold. At 16, she already lost her hearing in her right ear due to illness. Completely deaf for 2 years, she eventually had 40% of her hearing restored in her left ear. After living in poverty in Europe for many years before returning to Japan and gaining acclaim for her music - critics hailed her as being "born to play Chopin and Liszt " In 1999, Japan's NHK Television aired a documentary of her life and she released her debut album, La Campanella, which sold more than two million copies, a rare accomplishment for any classical artist She also has won an unprecedented four Classical Album of the Year Awards at the Japan Gold Disc Awards, another extraordinary achievement for any artist, let alone a classical artist She remains the only four-time Gold Disc Award winner. Since that time she has recorded numerous successful albums - invigorating collections of classical interpretations, five of which are being released for the first time in the U.S. on her label Domo Records: Echoes of Eternity, La Campanella, Liszt: Piano Concerto No. 1, Nocturnes of Melancholy, Live at Carnegie Hall. On the new album, Fuzjko, the artist performs largely romantic repertoire ranging from Beethoven's "The Tempest" sonata to works by Chopin, Liszt, Scarlatti and Debussy. In each piece, whether performing Chopin's Nocturnes or Liszt's bravura pieces "La Campanella" and "Grand Etudes D'Apres Paganini No. 6", Fuzjko infuses poetry to these timeless compositions, and always in her own eminently attractive style. The warmth of Fuzjko's sound can also be heard in Scarlatti's Sonata K.162 and Debussy's "Claire De Lune". Although much of the repertoire is familiar, Fuzjko also dips into lesser known works like Liszt's transcription of Schumann's "Fruhlinghsnacht", and Chopin's "Trois Nouvelles Etudes No.3, and always played with her celebrated musicality much in evidence. The celebrated virtuoso blends the classicality of her influences such as Franz Liszt, Frédéric Chopin with the sophisticated approach of her mentors (Leonard Bernstein, Herbert von Karajan) to create an emotional delivery of exquisite craftsmanship. She's been known to bring some fans to tears with her moving immersion in her music. With her strikingly unorthodox playing style and intricate ethnic roots, it's evident that Fuzjko's true home is at the piano, where she reveals herself as a true artist of the world.   Carly Comando "Bear" (mp3) from "One Take" (Deep Elm) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album   Chilling. Stirring. Powerful. Contemplative. These are some of the words most frequently used to describe the achingly beautiful piano instrumentals of Carly Comando. Her debut album "One Take" features ten delicately woven songs (including her single "Everday") that are the direct emotional output of her innermost thoughts. "The album means the world to me. It's complete, in-the-moment sincerity translated into moody solo piano music. I used an improv technique, recording in just one take, so I could capture the essence of pure emotion" says Carly. From the rises and falls to the shrinks and swells, these songs will leave an indellible impression on your mind. It's music that stays with you forever. "One Take" was recorded in Carly's home studio in Brooklyn, NY. Mastered by Phil Douglas (Latterman, Small Arms Dealer, Iron Chic). The album includes the "Everyday" which was originally released in December 2006. Deep Elm Records is simultaneously releasing an EP titled "Cordelia" featuring four additional piano instrumentals. Carly also plays keyboards / sings in the band Slingshot Dakota and composes custom works upon request. And yes, that was the name given to her at birth. "This is music that changes lives, opens minds, broadens horizons. Carly is an amazing pianist." - ANA "Beautiful and soothing, she will evoke emotion and ease any scattered mind. A talented composer." - SweetieJo "Emotional and inspiring, it grabs your soul and moves you. Highly recommended." - The Rez