Podcasts about kilar

Krzysztof Urbański und Jan Lisiecki unternahmen am 30. April gemeinsam mit den Münchner Philharmonikern einen bewegenden Streifzug durch die polnische Musikgeschichte. Auf dem Programm: Werke von Kilar, Górecki und Chopin.

Guest: Jason Kilar, former CEO & co-founder of Hulu and former CEO of WarnerMediaWhen Jason Kilar was a child, he was obsessed with Walt Disney — not just as a filmmaker or the creator of Disneyland, but as an entrepreneur. He started his career at the Walt Disney Company (where else?) but then got his first opportunity to help build something new when a young startup entrepreneur from Seattle visited his business school classroom. Most of Jason's classmates predicted the failure of this startup, Amazon.com, which elicited “this awesome laugh, the Jeff Bezos trademark laugh.” How a leader reacts to criticism or doubts, Jason learned, says a lot about their conviction and intelligence.Chapters:(01:08) - Bing Gordon and John Doerr (04:11) - Warner Bros. (06:12) - Walt Disney (11:10) - Working at Disney (14:32) - What makes it special (18:31) - Meeting your heroes (20:06) - “Walt's folly,” Disneyland (22:45) - Harvard and Amazon (25:09) - Meeting Jeff Bezos (29:10) - “Help people understand Amazon exists” (33:25) - Amazon's culture (38:07) - What Warner Bros. makes (40:55) - Obscurity and relevance (45:53) - Feeling the lows (50:09) - Launching Hulu (53:36) - NewCo or ClownCo? (59:13) - Over-communication (01:03:14) - The future of TV memo (01:06:46) - Innovator's dilemma (01:08:57) - No labels (01:14:04) - Unfinished business (01:16:22) - Staying present (01:20:26) - The theatrical window (01:26:19) - What's next? Mentioned in this episode: Amazon, The Matrix, Star Wars: A New Hope, Disney World, Diane Disney Miller, Honey, I Shrunk the Kids, Michael Eisner, Universal Studios and Harry Potter, Disney University, Jeffrey Rayport, Barnes & Noble, Joel Spiegel, David Risher, Joy Covey, Garry Trudeau and Doonesbury, Andy Jassy, Brian Birtwistle, Jim Kingsbury, Vessel and Verizon, HBO, Friends, Hogwarts Legacy, Sony, Netflix, NBCUniversal, Paramount, AT&T, Discovery, Richard Tom, Kara Swisher, Fox, YouTube and Google, Saturday Night Live, Peter Chernin, Jeff Zucker, Bob Iger, Andy Rachleff and Benchmark, CBS, Miracle on 34th Street, Marissa Mayer and Yahoo, Rony Abovitz and Magic Leap, House of the Dragon and Industry, Dune, Christopher Nolan, and the TSA.Links:Connect with JasonTwitterLinkedInConnect with JoubinTwitterLinkedInEmail: grit@kleinerperkins.com Learn more about Kleiner PerkinsThis episode was edited by Eric Johnson from LightningPod.fm

Fantha Tracks loaded up the stock heavy freighter and hit the hyperspace lanes to Olympia for another packed weekend in the Star Wars Zone at London Film and Comic Con, with Fantha Tracks hosting the Lucasfilm related panels on the Second Stage. Host Mark Newbold, along with Paul Naylor, Brian Cameron and Mark Mulcaster spoke to a cargo hold full of guests, and to continue our coverage we hear from Ahsoka stunt performer Rissa Kilar and Andor ISB officers Nick Owenford and Jonathan Cass. Remember to tune in to Good Morning Tatooine, LIVE Sunday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook, YouTube, X, Instagram and Twitch and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: https://www.youtube.com/@FanthaTracksTV/ https://links.fanthatracks.com/ https://link.chtbl.com/fanthatracksradio www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks www.twitch.tv/fanthatracks www.threads.net/@FanthaTracks

Making Tracks is back with episode 202, and there's a Firespray full of news to talk about. We discuss Temuera Morrison and whether he could be in The Mandalorian & Grogu, leap headfirst into our thoughts on the second season of Andor, congratulate Daisy Ridley on her Rising Star Award and hear Rissa Kilar on the Second Stage in the Star Wars Zone at London Film and Comic Con. All this and the usual craziness on the 202nd episode of Making Tracks. Remember to tune in to Good Morning Tatooine, LIVE Sunday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook, YouTube, X, Instagram and Twitch and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. Thanks to James Semple for the Fantha Tracks intro, Blues Harvest for our Making Tracks opening music and Mark Daniel and Vanessa Marshall for our voiceovers. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: https://www.youtube.com/@FanthaTracksTV/ https://links.fanthatracks.com/ https://link.chtbl.com/fanthatracksradio www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks www.twitch.tv/fanthatracks www.threads.net/@FanthaTracks

Si vous n'aimez pas Mark Lanegan, je vous conseille de faire une pause dans ce flux au mois de Mai.On commencer avec la lecture de ma chronique de son premier album solo, que j'ai confié à Ben de Graine de Violence. Merci à lui, et si ce n'est pas déjà fait, courrez écouter son podcast. La chronique de l'album, parue sur Albumrock L'album sur Spotify Un grand merci à Dam pour l'idée : t'es un Kilar, Berthier ! Pour vous plaindre sur le fait que je parle trop de Mark Lanegan : Par mail : recoversionpodcast@gmail.com Sur twitter : @Recoversion Sur Instagram : @recoversionpodcast Sur Facebook : @Recoversionpodcast

Disney's $8.6 billion buyout of Comcast's Hulu share has begun. Former Hulu chief Jason Kilar laid out his plan for streaming success, but can Disney achieve it once the Comcast deal is done?

W siedemnastym odcinku podkastu Literacka Kavka | Obce regały wypływamy na książkowe wody z Mateuszem Borkowskim. Posłuchajcie o miłości do muzyki, o tęsknocie za czasami, kiedy duże domy wydawnicze sięgały po opowieści o muzyce, eseje dotyczące muzyki. Posłuchajcie o czytaniu książek i Internetu, ale też naszym stosunku do krytyki – również muzycznej. Zapiszcie nieoczywiste nazwiska, które zaprowadzą was do backlisty, sięgającej dalej niż do roku wstecz. Partnerem podkastu jest audioteka.pl – dobrze opowiedziane historie. W Audiotece znajdziecie serię Polskiego Wydawnictwa Muzycznego „Małe monografie”, w tym książkę gościa tego odcinka podkastu, poświęconą Wieniawskiemu. Przed Wami „Palester”, „Szymański”, „Lutosławski” „Berlioz”, „Bacewicz”, „Mozart” i „Kilar” – bardzo polecam! ___ Podkast tworzą: Georgina Gryboś (rozmowy), Tomasz Orzechowski (produkcja), Patryk Tyburkiewicz (oprawa graficzna).

Håller CM Punk AEW Collision gisslan med Ace Steel hemmakontor?  Fick Rush nys om "Jungle Boy" Jack Perrys tråkiga attityd på konventet For The Love Of Wrestling? Och vem är den nu äldsta, levande före detta WWE världmästaren? Många frågor, knappt några får svar. Men det är en habil styv timma podd. Fullsmetad show!

Sadie Sutton Kilar, host of the She Persisted podcast, graduate of the BABB Academy, and co-founder of WaveForm Social (who helps with the production of the BABB podcast !!) joins the show this week! Sadie gives us alllll the tangible tips on how to best manage anxiety -- both in-the-moment support for when you're very overwhelmed or having an anxiety attack as well as how to change your lifestyle to mitigate things boiling over. If you need more peace in your life and tangible tips on managing anxiety & depression... Sadie is your girl! Thank you for sharing this episode with anyone who needs this & struggles with anxiety/mental health! ~~~~~~~~~~~~~~~~~~~~~~~~ She Persisted PodcastAbbie's episode on the She Persisted PodcastShe Persisted Podcast InstagramWaveform Social InstagramWaveform Social Website ~~~~~~~~~~~~~~~~~~~~~~~~~ If you need personalized health support, start by taking my quiz to see which program is best for you! We have 4 SPOTS LEFT for the June 2023 class of the BABB Academy (same program Sadie completed!), click here to learn more & apply! Want to join our free BABB Facebook Community? Join us here! Make sure to follow me on Instagram & Tiktok (@abbie.stasior) Click here to learn more about Be About Being Better as a company here!

Chillout Classic w Radio Spin Dziś melancholijnie, trochę smutno...ale pięknie...Pamiętacie, podczas audycji mile widziana pidżama, kapcie i wygodna poduszka...prowadzi Tomasz Diakun Playlista Chillout Classic 1. J.S. Bach, Aria z Wariacji Golbergowskich - Julian Rachlin, Nabuko Imai, Mischa Maisky. 2. Giazotto/Albinoni - Adagio na smyczki i organy, Stuttgarter Kammerorchester, Karl Munchinger. 3. W. A. Mozart - Requiem d-moll, KV 629 - Lacrimosa, Academy of St Martin in the Fields Sir Neville Marriner. 4. W. Kilar - "Sortie du port" z filmu "Smuga Cienia". 5. H.M. Górecki - III symfonia, cz. 2 Lento e largo- Tranquillissimo, Zofia Kilanowicz, NOSPR, Antoni Wit. 6. F. Chopin - Preludium e moll, Martha Argerich. 7. H. Mancini - Sunflower, Temat główny i temat Mashy. 9. S. Barber - Adagio na smyczki, op. 11. 10. E. Morricone - Temat Debory z filmu "Pewnego razu na dzikim zachodzie", Kathia Buniatishvili.

In the latest episode of Hollywood Breaks podcast, we explore just how impactful the potential return of movie theatres will be for the film industry. We delve into discussions around the leadership decisions that could have a lasting effect on setting Hollywood right. Be sure to tune in!

- Właściwie przez całą swoją karierę może nie tyle myślałem nacjonalistycznie, ile byłem zwrócony w stronę kompozytorów polskich. Byłem w komfortowej sytuacji, że w drugiej połowie XX wieku ze wszystkich krajów mieliśmy najwięcej wybitnych kompozytorów: Lutosławski, Górecki, Kilar, Penderecki, mógłbym wymieniać bez końca. Może dlatego polska muzyka zawsze mi towarzyszyła - mówił w Dwójce znakomity dyrygent Jacek Kaspszyk, który 10 sierpnia skończył 70 lat.

- Jest jedna sprawa wokół Wojciecha Kilara, która jest jedną z największych tajemnic polskiej, a może nawet światowej kinematografii - mówiła w Dwójce Magda Miśka-Jackowska, autorka książki pt. "Kilar", która niedawno się ukazała w serii "Małe monografie".

Jon Kelly and Peter discuss the inside story behind David Zaslav's decision to kill off CNN+: the personal beefs, the strategic blunders, the Kilar of it all, and the deeper and more sinister truth… Warner Bros. Discovery isn't a media company so much as it's a highly-levered and financially engineered corporate marriage of necessity. Zaz needs another Game of Thrones less than he needs $14 billion in EBITDA and $3 billion in synergies. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jason Kilar anunció de manera oficial su salida como CEO de WarnerMedia.Para una discusión más a detalle, busca el podcast de Noticias de Tecnología Express en Spotify, Apple Podcast, Acast y YouTube. Disponible en Spotifyhttps://open.spotify.com/show/2BHTUlynDLqEE2UhdIYfMaen Apple Podcastshttps://podcasts.apple.com/us/podcast/noticias-de-tecnolog%C3%ADa-express/id1553334024

Follow us (and like us!) at Apple Podcasts or wherever you listen to your favorite podcasts, and follow us on Twitter. Also please subscribe to The Ankler at TheAnkler.com for more podcasts and stories like these about the entertainment industry.For subscribers: read the full transcript here.Today's Ankler Hot Seat podcast is hosted by Tatiana Siegel and welcomes guest Abigail Disney, Fork Films CEO, philanthropist, granddaughter of Roy O. Disney and grandniece of Walt Disney. The woman who is perhaps the single biggest thorn in the side of Disney's two Bobs – former CEO Bob Iger and current CEO Bob Chapek – has been at it again, eviscerating the mega-conglomerate and its “botched” response to Florida's so-called “Don't Say Gay” law.Disney, who recently wrote an op-ed on the subject for The Washington Post, weighs in on why she won't sit by idly on the sidelines. “The bear needed poking,” she tells The Ankler Hot Seat. “[Chapek's] response was so flatfooted and ill-considered. The first round of response was, ‘Oops. Well, we're neutral anyway. So don't yell at us.'” First of all, you're not neutral if you're giving money to those particular politicians. I know about their records. Nobody who gives them money should be surprised at all by their stance on this issue. There is no neutral. The right-wing in the case of transgender and LGBTQ people have been coming for their very existence for a long time now.”She says Disney's leadership that well pre-dates Chapek often backs right-wing politicians in its shameless pursuit of profits. “Politicians in general have always benefited by the largesse of Disney in California and Florida and federally as well. But they lean Republican in who they support because Republicans, generally speaking, and politicians on the right are more supportive of what is generally called a pro-business agenda, which means lower taxes, less regulation and more autonomy for companies,” the heiress says. “So, I don't think Disney was necessarily thinking about [Florida State Sen. Dennis Baxley's] record when they gave him money. They were thinking about his record on business.”Disney also talked about the mindset behind directing the Sundance documentary The American Dream and Other Fairy Tales, about “America's dysfunctional and unequal economy” focusing on her family's story as a prism to view systemic problems. The project began in 2018, and it rankled corporate brass. (“I had a film crew with me when I went to testify [before Congress]. I know there was a Disney lobbyist there trying to prevent me from testifying,” she recalls. She recounts how she reached out to then-CEO Iger about her concerns about the company's drift towards inequity only to have her emails go unreturned. “It started before I started the film when I wrote a long email to him about my concerns. And of course, my concerns are not the concerns of a person who went to business school. But I think that's partly why they need to be heard. Right? His response to me was really actually dismissive and tiny bit insulting. I wrote him a second time and then I just never heard from him again.”Finally, in this podcast she challenges Disney to put a rank-and-file worker on the board to represent employee interests. “I don't know why boards are always filled with managers when the lion's share of workers are [low-level] workers. Their interests should be represented at the board level.” Instead, the company's top tier, particularly Iger, accumulated fabulous wealth on the backs of those workers (Iger and Chapek's comp packages were reported at $45.9 million and $32 million respectively in 2021). “Bob Iger never took a risk in his life,” she notes. “He took risks by purchasing other companies, but was he ever in danger of losing his house. Never. So to get rewarded that way [and] having never taken that kind of risk, it feels wrong.”Representatives for the Disney Corporation did not respond to requests for comment.Please just us next week for more episodes of Ankler Hot Seat, and remember to follow us (and like us!) at Apple Podcasts or wherever you listen to your podcasts.If you're not already a paying subscriber, we invite you to join our community and never miss another podcast or story again, New on The Ankler:Will NFT's save Hollywood? Entertainment Strategy Guy looks at the industry's next would be savior.An entire industry's love/hate psychosis arout Netflix.Spotify's Top Dealmaker to Depart: news first broken here.Inside the State of Zaslav's WB SlatePod: David Zaslav “May Have Hubris but He's Not Stupid”A View to a Kilar: surveying the final gasp of the AT&T era at Warners.Subscribe to The OptionistThis week: Finding T. rex + 7 Great Picks Q&A: Cons are In, Bleak is Out: With projects all over town, Truly Adventurous is changing the journalism x Hollywood playbook This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theankler.com/subscribe

Follow us (and like us!) at Apple Podcasts or wherever you listen to your favorite podcasts, and follow us on Twitter. Also please subscribe to The Ankler at TheAnkler.com for more podcasts and stories like these about the entertainment industry. Today's Ankler Hot Seat podcast is hosted by Janice Min, Richard Rushfield and Tatiana Siegel, and welcomes guest Peter Kafka, senior correspondent at Recode. Kafka, who conducted one of the final interviews with outgoing WarnerMedia CEO Jason Kilar, weighs in on what to expect as the new Warner Bros. Discovery regime takes shape (and also speculates as to why Kilar has done so much press around his departure): “[Zaslav] has promised to cut $3 billion out of the budget somehow. So everyone who complained about the last three years of cuts under AT&T and Kilar should be ready for more, and I think they know that's coming,” says Kafka, host of the podcast Recode Media. “He has not been forthright about what he intends to do with programming. You know, if you ask him how are you going to compete with Netflix spending $20 billion, he'll say, ‘We're already spending that,'” adds Kafka. “But that's not a real number because that includes what he's spending on his linear programming.”The veteran chronicler of the high-stakes worlds of media and technology also explains that the vest-wearing mogul has “played it fairly close to the vest up until now,” but now that the deal is closed and Zaslav can explain his plans, Hollywood is hanging with bated breath. “But we don't know [what Zaslav plans to do] is the short answer.”Rushfield juxtaposed the legacy culture of Warner Bros. past and the frugal unscripted-driven Discovery and how the two may mesh (or not): “Private jets for all, unlimited expense accounts, everybody gets six assistants” versus the “company largely populated by [low-cost] reality.”As for what went wrong with AT&T ownership of WarnerMedia, Kafka shares an interesting theory. “There is an anecdote that James Andrew Miller has reported [and] I've heard as well about an AT&T executive being surprised to learn that all of HBO or TNT…that their content didn't come from Warner Bros. (but is instead bought from outside suppliers). And they had to learn that once they bought the company. And that person I've heard that's John Stankey. Again, anyone who listens to this podcast understands that it's really mind-boggling to think that the people being paid tens of millions of dollars to spend $110 billion on this stuff didn't really understand at all what they were getting into.”In other subjects, the hosts discuss looming headaches for Warner Bros. via its profitable but scandal-plagued DC universe. Siegel has been covering the fallout following a series of troubling incidents involving The Flash star Ezra Miller. Also on the docket: ESG appraises Shonda Rhimes vs. Ryan Murphy and their respective nine-figure deals at Netflix and declares a winner. (Hint: If you watch Bridgerton, you probably know the answer.) Please just us next week for more episodes of Ankler Hot Seat, and remember to follow us (and like us!) at Apple Podcasts or wherever you listen to your podcasts. And please remember to subscribe to The Ankler at TheAnkler.com. If you aren't already a paid subscriber to The Ankler, we invite you to join our growing community of entertainment's most powerful and never miss another story or podcast.New on The Ankler:Ryan vs. Shonda: Entertainment Strategy Guy crunches the numbers and declares a winer. A View to a Kilar: surveying the final gasp of the AT&T era at Warners.Is anyone in charge here? Thoughts on the leadership vacuum revealed by the Will Smith fiasco.The Transom's got Jason Momoa going to Apple project, Kerry Washington to Hulu, and the Ted Lasso team's next move.The Glossy says RIP to the male's gaze's reign on the red carpet10 Truths About Will Smith's Resignation: Richard Rushfield spares no words, nor any entity.Pod: Bruce Willis and ‘Years of Concern': One of the reporters of the LAT's recent article on Bruce Willis's struggles with aphasia talks about the actor's troubling path.Subscribe to The OptionistQ&A: Cons are In, Bleak is Out: With projects all over town, Truly Adventurous is changing the journalism x Hollywood playbookThis week's picks: A Jan. 6 Family Tragedy + 7 More Finds This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theankler.com/subscribe

Matt is joined by Jason Kilar, who has recently announced his resignation as CEO of WarnerMedia. He discusses the choice to drop Warner's 2021 slate of movies directly on HBO Max on their premiere dates, the vision for CNN+, his decision to resign ahead of Discovery's merger with WarnerMedia, the future of advertising on streaming services, and where Jason is headed next. Host: Matt Belloni Guest: Jason Kilar Producer: Craig Horlbeck Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our anchors begin today's show with Craft Ventures General Partner David Sacks discussing Twitter appointing Elon Musk to its board of directors and opportunities in the fintech space. Then, CNBC's Kristina Partsinevelos reports on chipmaker Analog Devices' investor day, and Citi Senior Tech Analyst Jim Suva weighs in on tech hardware providers and concerns over softening demand affecting investors. Next, our Julia Boorstin sits down with WarnerMedia CEO Jason Kilar for an exclusive interview on his plans to step down as head of the entertainment giant. CNBC's Morgan Brennan also covers Amazon's plans to launch satellite-based broadband internet service, and our Jon Fortt shares highlights from his interview with IBM Senior Vice President and Director of Research Darío Gil. Later, CNBC's Steve Kovach breaks down gaming company Roblox CEO David Baszucki receiving a $233 million pay package in 2021.

Jason Kilar deja oficialmente de ser el CEO de Warner Media, días antes de que se concrete la fusión de WarnerDiscovery. ¿Por qué lo hizo? ¿Cuál ha sido su influencia en la industria? eso y más lo veremos en esta entrega de #TheDailies¿Tienes cuenta de Amazon Prime? ¡Puedes apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí. https://www.patreon.com/posts/suscripciones-en-40782787Este episodio es traído a todos ustedes gracias al apoyo invaluable de:Productora Ejecutiva: Blanca LópezCo-Productor: Dany SaadiaCo-Productor: Juan Carlos ToledoCo-Productor: Logan MayerCo-Productor: Óscar CamposCo-Productor: Román RangelAgradecimiento especial a nuestros Patreons: Adriana Fernández, Agustín Galván, Barbas Poéticas, Fernando de Anda, Jaime Rosales, Juan Espíritu, Luiso Uribe, Miguel Huesca, Arturo Manrique, Lau Berdejo, Pepe Ruiloba, Álvaro Vázquez, Alejandro Alemán, Arturo Aguilar, Emile Rudoy, Enrique Vázquez, Ernesto Diezmartínez, Jorge I. Figueroa, Luis Macías, La Niña Triqui, Marcela Salgado, Mariana Padilla, y Fernando Alonso.Tú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas¿Quieren continuar la discusión? Tenemos nuestro canal de Discord de Charlas y Palomitas, con distintos temas, unos solo para productores del show y otros para toda la banda. https://discord.gg/gEgCAdC¿Sabías que tenemos playeras bien bonitas con diseños cinematográficos? Los encuentras en nuestra tienda, con envíos a toda la república. ¡Checa el catálogo acá! https://printome.mx/tienda/1/100875fb2c7f3821995.57759414

Jason Kilar deja oficialmente de ser el CEO de Warner Media, días antes de que se concrete la fusión de WarnerDiscovery. ¿Por qué lo hizo? ¿Cuál ha sido su influencia en la industria? eso y más lo veremos en esta entrega de #TheDailies¿Tienes cuenta de Amazon Prime? ¡Puedes apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí.¿Lo quieres en audio? Lo pueden descargar aquí o escuchar en el siguiente reproductor. También puedes escucharnos con tus aplicaciones favoritas como Spotify, Apple Podcasts, Pocket Cast, Spreaker, Stitcher, Tune In, Acast, Player FM, MixCloud, Overcast, iHeart Radio, Hear This At, Podcast Addict, Castbox, y hasta en iVoox.¿Respuesta directa? Por que la compañía de la que tenía control pasa a manos de Discovery. Shownotes extensos solo en Patreon. ¿O qué? ¿Quieres todo gratis? Y hay mucha información que no alcancé a comentar pero allá sí la encuentras. Este episodio es traído a todos ustedes gracias al apoyo invaluable de:Productora Ejecutiva: Blanca LópezCo-Productor: Dany SaadiaCo-Productor: Juan Carlos ToledoCo-Productor: Logan MayerCo-Productor: Óscar CamposCo-Productor: Román RangelAgradecimiento especial a nuestros Patreons: Adriana Fernández, Agustín Galván, Barbas Poéticas, Fernando de Anda, Jaime Rosales, Juan Espíritu, Luiso Uribe, Miguel Huesca, Arturo Manrique, Lau Berdejo, Pepe Ruiloba, Álvaro Vázquez, Alejandro Alemán, Arturo Aguilar, Emile Rudoy, Enrique Vázquez, Ernesto Diezmartínez, Jorge I. Figueroa, Luis Macías, La Niña Triqui, Marcela Salgado, Mariana Padilla, y Fernando Alonso.Tú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas¿Quieren continuar la discusión? Tenemos nuestro canal de Discord de Charlas y Palomitas, con distintos temas, unos solo para productores del show y otros para toda la banda.¿Sabías que tenemos playeras bien bonitas con diseños cinematográficos? Los encuentras en nuestra tienda, con envíos a toda la república. ¡Checa el catálogo acá!

Nearly two weeks after CNN president Jeff Zucker was forced out of his position, his former lieutenant Allison Gollust has also resigned from the company. In a memo to staffers Tuesday evening, WarnerMedia CEO Jason Kilar said Gollust resigned after an investigation "into issues associated with" former CNN anchor Chris Cuomo and his brother Andrew, the former New York governor. "Based on interviews of more than 40 individuals and a review of over 100,000 texts and emails, the investigation found violations of Company policies, including CNN's News Standards and Practices, by Jeff Zucker, Allison Gollust, and Chris Cuomo," Kilar said in the memo. To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Our anchors begin today's show covering Microsoft's latest earnings report, with insight from Citi Senior Equity Research Analyst Tyler Radke. Then, our Julia Boorstin sits down with WarnerMedia CEO Jason Kilar after AT&T posted results this morning and updated its timeline for the entertainment company's merger with mass media firm Discovery. Next, Matrix Asset Advisors CIO David Katz joins for more on investment opportunities in tech mega-caps, including Microsoft, Alphabet and Meta. CNBC's Kate Rooney also profiles the implications of the crypto crash on athletes, celebrities and public officials who requested their salaries be paid in digital currencies. Later, Madrona Ventures Group Managing Director Hope Cochran takes a closer look at Microsoft's plans to acquire video game publisher Activision for $68.7 billion, and CNBC's Eamon Javers delivers breaking news on the retirement of Supreme Court Justice Stephen Breyer.

Jason Kilar does not have opinions about the finale of HBO's Succession, because he hasn't seen it yet. The CEO of HBO's parent company, WarnerMedia, does have opinions about lots of other stuff, though, including the future of movie theaters, the rise of games, and how the ad industry reacts to the streaming world. Kilar is scheduled to leave his post if AT&T's deal to move WarnerMedia to Discovery goes through next year, which makes this a great time to chat with Recode's Peter Kafka. Learn more about your ad choices. Visit podcastchoices.com/adchoices

WarnerMedia CEO Jason Kilar has an instinct for disruption. He first cut his teeth at Disney, helped transform Amazon in its early days, and was the founding CEO of Hulu. In aggregate, his experience represents a clear knack for jumping at opportunities to transform media right at the moment when people are receptive to tide-turning change. Kilar spoke with Greylock general partner David Sze as part of Greylock's Iconversations series. They discussed Kilar's 30 years in the media industry; the lessons he's learned along the way; and what he anticipates for the future — even in a time of immense change — as someone with a track record of trailblazing. You can read the transcript of the interview here: https://greylock.com/greymatter/moving-the-world-through-story/ You can check out the entire Iconversations series here: https://greylock.com/iconversations/

Jason Kilar was interviewed recently and was asked about the backlash for the HBO Max duel release strategy and feels disappointed he might lose his job as WarnerMedia CEO.

W dzisiejszym odcinku z cyklu „Sukces obcasem wydeptany” rozmawiam z Moniką Kilar. To kobieta, która przeszła niezwykle ciekawą drogę zawodową budując imponującą karierę. Od lat związana jest z międzynarodową branżą internetową jako szefowa marketingu, ale zaczynała w szkole ucząc dzieci angielskiego. Choć nie lubi mówić o tym zbyt wiele, Monika jest spokrewniona ze znanym kompozytorem Wojciechem Kilarem. Serdecznie zapraszam na podcast.

Hello, and welcome back to Small Screen Stories. On today's episode, we are joined by Clint Baker and James Simon to talk about Jason Kilar's time at WarnerMedia possibly being up. However, we will also be chatting about Loki Episode 1, The Bad Batch Episode 7, Shadow And Bone Season 2, Sweet Tooth Season 2 and so much more! Other topics on the show: Master Of The Universe: Revelation, New Lord Of The Rings anime prequel movie and John Wick: Chapter 4. All of this, and more, on today's episode of Small Screen Stories! Check out Small Screen (which is at www.small-screen.co.uk) for even more pop culture news, features and reviews. You can find us on Facebook, Twitter and Instagram at @SmallScreenCo. Thank you so much for listening and I'll see you back here at the same time next week. Facebook: facebook.com/smallscreenco/ Twitter: twitter.com/SmallScreenCo Instagram: instagram.com/smallscreenco/ Website: small-screen.co.uk

In this episode I talk about the new Kim Masters THR article about the future of Jason Kiler and Ann Sarnoff at WarnerMedia. The ditor of Suicide Squad talks about Ayer's Cut. And Jurassic World Dominion starts teasing.

AT&T just sold WarnerMedia to Discovery for $43 billion, after acquiring it for $85 billion just a few years ago. We discuss why AT&T needs to refocus on its wireless business and stop buying media assets, Jason Kilar's exit and why traditional Hollywood leadership is coming out on top, and the right strategies for disruptive streamer roll-outs while managing core legacy media models.Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up linkLearn more about our market research and executive advisory: RockWater websiteEmail us: rounduppod@wearerockwater.com---EPISODE TRANSCRIPT:Chris Erwin:All right. So Andrew, this week, a big deal in the media mix. AT&T agrees to sell WarnerMedia to Discovery for 43 billion. Now this one hits particularly close to home because we've written about Jason Kilar in the past, signaling a new hiring strategy for new Hollywood. And that doesn't seem to be the case, which we'll dive into shortly. Andrew Cohen:Not in the prediction business. Chris Erwin:No. So, selling WarnerMedia for 43 billion. Of note, AT&T had just bought it a few years ago for 85 billion, right? So a near 50% reduction in value. And Jason, who's going to be the new former CEO of WarnerMedia, is negotiating his exit package, and supposedly was not even aware of the deal. The deal was done direct between John Stankey of AT&T and David Zaslav of Discovery, pretty wild stuff. Andrew Cohen:Yeah. New former CEO. That's really nice way to put it. Chris Erwin:Yes, yes. True. All right, so let's dive into why this is happening, and there's some bigger implications here. So overall, AT&T has made it very clear that they're refocusing on their core wireless business, right? So they're focusing all their capital and all their team on buying spectrum and investing in base stations and antenna system support distribution, and their 5G rollout. Andrew Cohen:Yeah. I think it was 23 billion at just for buying spectrum alone. Chris Erwin:Yes. Which then adds to its already increased debt load, but yeah, that's a big number. So, we've talked about that this is a symptom of a larger trend that, when combining into big media businesses doesn't necessarily make sense. And specifically for AT&T, yeah, these assets like DirecTV, which it just had bought, I think, back in 2005 for 67 billion, it just sold to TPG for 16 billion back in February. So clearly, AT&T is getting out of the media business and it makes sense, right? They need to focus on their exclusive wireless services business, which has fixed distribution, and WarnerMedia did not enhance their wireless offering whatsoever. And clearly the combination with AT&T didn't meaningfully improve the distribution of HBO Max, right? It only got around 10 million subs over the past year. So the synergies didn't really exist at all. Andrew Cohen:No, and this isn't the first time we've seen this. I mean, Verizon recently made a similar kind of final exit, selling off Yahoo and AOL to Apollo for five billion this past month. I think they recently bought that for around nine billion. We've seen it with other Verizon misfires in the media space from go90, and even with Complex. There just isn't really that kind of unified synergistic vision, whereas compared to a Barstool and Penn National Gaming or Ringer and Spotify where that media is top-of-funnel for kind of a compatible core business model has been really successful. Just the telco and media synergy doesn't really make sense at any level. If you look at kind of the lower level of the spectrum, like a Complex and Verizon, and now at the higher end of the spectrum with an HBO Max and an AT&T, they're kind of just incompatible business models. Andrew Cohen:And I think what really stands out at this more premium end of the spectrum, like you said, it's kind of all of these costs that are now being juggled. So for a cable or telecommunications giant like AT&T are massive, we already mentioned 23 billion that they had to spend on spectrum, or their existing $170 billion debt load. Now on the side, as kind of a side hustle, to then be trying to win the streaming wars just seems unsustainable, especially when you look at the amount of capital needed to compete in the stream wars in a meaningful way. I mean, Netflix is paying 17 billion on content this year, 2 billion on marketing. Disney spends 24 billion on content. Reminds me of a quote from the great Ron Swanson from Parks and Recreation, where he says, “Don't half-ass two things, whole-ass one thing.” And the stream wars is definitely something that takes a whole-ass to compete in. Andrew Cohen:And now, Warner and Discovery are well positioned. Them as a combined entity now have the second largest content spend in the mix with 20 billion, behind Disney's 24 billion. So, interesting to see how that'll set them up going forward. And then also what are the implications for NBCU and Comcast, where I think that there's a kind of a similar incompatibility between these two models. We're seeing Peacock is kind of having a tough time compete. They have 14 million subscribers, which is even less than what Discovery Plus has. So are we going to have to see an exit there, maybe another merger with Viacom and CBS, and is this kind of the end of the telco-media pipe dream chapter of immediate history, as we know it? Chris Erwin:To talk about subs, I think Discovery has achieved 15 million subs in just a few months since launch, which is really noteworthy, considering how much in terms of smaller capital spend and overall IP library, relative to a Peacock and relative to the WarnerMedia-backed HBO Max, which has 10 million new subs with over 12 months of launch. Andrew Cohen:And also, when you consider the fact that Discovery Plus' library is largely non-exclusive, non-first window. Largely content that has already aired on their cable networks and then have a second window on OTT, which then speaks to this kind of greater point and theme that we're seeing here, which is this kind of clash between old Hollywood and new Hollywood. And it seems like in this case, old Hollywood has prevailed, really. Kilar came in with the exact opposite of approach, of having Warner Brothers movies debut on HBO Max, which we know kind of disrupted and ruffled the feathers of the legacy film studio Hollywood system, whereas Zaslav and Discovery Plus took almost the exact opposite approach, making Discovery Plus kind of compatible and complimentary, non-competitive to their existing cable partners. Chris Erwin:I think that's right. Look, Kilar is known as the Hollywood disruptor, right? So he was an early executive and CEO and one of the co-founders of Hulu, which kind of defined the new streaming landscape and business model. We wrote an article about how Kilar signals the new hiring strategy and the right characteristics for the new Hollywood executive. And he was a unifier. He was getting all the different film studios and TV networks onboard to this single streaming service, not easy to do when you're wrangling those big egos and those different alliances. And he made it happen. And then he was also someone who took an extreme focus to content and fan sensibility, and had incredible product chops. So he really thought about, what is the product experience? What is the distribution experience? How is a consumer receiving and experiencing content in a new direct-to-consumer digital stream? Chris Erwin:And it seemed like, is that going to be the new differentiator in the streaming wars? But I think what's very clear about him being pushed out and these traditional, old school Hollywood executives like David Zaslav and John Malone on the rise is, maybe the product is a bit of a commodified offering and it really comes down to, what is your IP portfolio? Do you have content that's going to get consumers to climb the paywall, and are you going to be able to develop a real breadth of a catalog that's going to get consumers to stay there once they climb that wall? And I think that's really contingent on this, how do you navigate the political realms of Hollywood, your strategic content partners, and getting them excited to work with you. Where you respect them, you don't go scorched earth, you don't blow up that first theatrical window, but you probably ease into this direct-to-consumer business over time. And it seems like the old Hollywood guard is winning out. Andrew Cohen:It raises a larger point. And this is something that we kind of think through in our business every day, of how you respect kind of your core legacy business, while also being future focused and trying to kind of navigate a very rapidly evolving landscape. And it's easy for Netflix, who doesn't have this legacy infrastructure to balance, to just go pure play OTT. But for a company like WarnerMedia, where its traditional cable film studio infrastructure can be a big asset, but it's also incumbent on them to kind of figure out that right balance between past, present and future. I think Disney has done a really good job with it, unifying kind of all of their assets in kind of one combined entity. But I don't know, Chris, what do you think that this says for, going forward, how companies that are navigating disruption, innovation, do they lean a bit more towards a slow and steady approach when weaning themselves off of traditional models? Chris Erwin:Andrew, so that speaks to a few different points to think through. So one, the classic adage is, a startup, it's always a race against the clock to get distribution and scale before they run out of money. Versus an incumbent, which is how fast can an incumbent innovate before they are disrupted by the upstart, right? But I think there's also something else to consider here. I think a startup like Netflix, entering the business, they had nothing to lose. They didn't have an existing film studio or a TV network. They could just make these big bets, and if there was a growth opportunity, then they were going to double down and triple down into it. And in addition, that was what their team was recruited, hired and trained to do. Chris Erwin:You look at the old Hollywood guard, it's kind of like trying to move the Titanic. You do it a few degrees at a time. It reminds me of Obama saying, I think it was Obama or another president, which was like, “How do you run the country?” And it's a win, if you can just alter the course, two or three clicks to the right, that's the win over an eight-year span. So I think about a lot of these media businesses, which are cash cows, they have executives and tens of thousands, if not hundreds of thousands of employees, like Disney, that are used to operating and thinking a certain way. And to throw that by the wayside and say, “Hey, we're going to eschew our core model, eschew all of our core strategic partners, and we're going to start operating very differently.” To make that work, you would have to totally revamp your entire hiring ranks and you'd have to totally revamp the executive team. Chris Erwin:And I think considering that we just arrived at the point that it's not product as a differentiator, but it is the content as a product that's a differentiator. And having those content executives stay around to fuel the competitive beast, that's what needs to happen. And at WarnerMedia, a lot of those executives were very frustrated with the leadership changes and the new mandates, and they all departed. So that's my quick take on how you balance the old guard and thinking about an upstart, versus an entrenched incumbent in the new streamer wars model. Andrew Cohen:That makes sense. I think it's kind of about knowing your advantages and playing to those strengths. I think it's sexy to say that, “Oh, cable is dead,” and look at mass cable legacy infrastructure as a burden, but cable's not dead yet. Its cord-cutting is rising at a rapid rate, so it's important to be future-focused and know how to navigate this transition, but at the same time, if you play your cards right, having those traditional assets that Warner has, can be a huge advantage, in some ways, over a Netflix, it's definitely... Linear TV is still the best way to reach scale audiences. There's a reason why every NFL game is on CBS and Fox, even though they just rolled out their first digital-exclusive game this year. But again, you look at Disney, who, they have all these traditional assets as well, parks, TV- Chris Erwin:Cruise lines. Andrew Cohen:Exactly. And they're making it work for them. They're making it all kind of one flywheel and wrapping OTT within that. So I think for Warner and Discovery to look at not like, “Oh, we have this burden that's holding us down,” but, “Okay. How do you use those assets as an advantage?” I think that's going to be interesting to see. Chris Erwin:So what are the implications now, because there's talks of Amazon potentially acquiring MGM. And I think that that deal makes a lot more sense, but we'll have to save that for the next episode. Andrew Cohen:Wow. Call that a tease in the business. Chris Erwin:All right, Andrew, until next time. Andrew Cohen:Later.

Warner Media CEO Jason Kilar started his job in the middle of a global pandemic. Things got even weirder after that. Kilar talks with Recode’s Peter Kafka about his controversial plan to stream big movies on HBO Max, and how he’ll change that in 2022. Plus thoughts on sports, CNN, and Amazon, where he got his start. Featuring: Jason Kilar (@jasonkilar), CEO of Warner Media Host: Peter Kafka (@pkafka), Senior Editor at Recode More to explore: Subscribe for free to Recode Media, Peter Kafka, one of the media industry's most acclaimed reporters, talks to business titans, journalists, comedians, and more to get their take on today's media landscape. About Recode by Vox: Recode by Vox helps you understand how tech is changing the world — and changing us. Learn more about your ad choices. Visit megaphone.fm/adchoices

O muzyce filmowej, która niesie znaczenie i stylu rozpoznawalnym od pierwszego słyszenia. W najnowszym odcinku ROZMÓW O KINIE Violetta Rotter-Kozera – reżyserka, kompozytorka, dokumentalistka, opowiada Mariuszowi Ciszewskiemu o swojej najnowszej książce „Kilar. W bliskim planie”, w której wybitne postaci kultury i sztuki dzielą się wspomnieniami o jednym z najważniejszych polskich kompozytorów, twórcy muzyki do filmów Kazimierza Kutza, Romana Polańskiego, Krzysztofa Zanussiego czy Francisa Forda Coppoli. Muzyka: Backed Vibes by Kevin MacLeod Link: https://filmmusic.io/song/3410-backed-vibes License: https://filmmusic.io/standard-license Montaż: Natalia Kaniak

O muzyce filmowej, która niesie znaczenie i stylu rozpoznawalnym od pierwszego słyszenia. W najnowszym odcinku ROZMÓW O KINIE Violetta Rotter-Kozera – reżyserka, kompozytorka, dokumentalistka, opowiada Mariuszowi Ciszewskiemu o swojej najnowszej książce „Kilar. W bliskim planie”, w której wybitne postaci kultury i sztuki dzielą się wspomnieniami o jednym z najważniejszych polskich kompozytorów, twórcy muzyki do filmów Kazimierza Kutza, Romana Polańskiego, Krzysztofa Zanussiego czy Francisa Forda Coppoli. Muzyka: Backed Vibes by Kevin MacLeod Link: https://filmmusic.io/song/3410-backed-vibes License: https://filmmusic.io/standard-license Montaż: Natalia Kaniak

Francis Merson is a clinical psychologist, classical music educator, and long time friend of the ACO. In this podcast, released ahead of the first tour of our 2021 season, 'Tabula Rasa', Francis takes us on a whirlwind tour of the works by Arvo Pärt, Shostakovich, Kilar, Prokofiev, and Thomas Adès featured as part of the 'Tabula Rasa' program, exploring their history and the fascinating and often turbulent circumstances behind their composition.

This week, Kara Swisher interviewed WarnerMedia's chief executive, Jason Kilar, fresh on the heels of the announcement that Warner Bros. will release its 2021 film slate in theaters and on its streaming site, HBO Max, simultaneously. (If you missed that episode — scroll back and hit play! Or click here if you're on the World Wide Web).In this bonus episode of “Sway,” Kara Swisher and the New York Times media columnist Ben Smith discuss what the news means for the future of the film industry, and whether this move will establish Mr. Kilar as the streaming king of Hollywood or leave his “head on a platter.” As Mr. Smith puts it, “A huge piece of the studio business — and of Warner's business — are these relationships with directors who they just burned the hell out of."You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

This week, Kara Swisher interviewed WarnerMedia’s chief executive, Jason Kilar, fresh on the heels of the announcement that Warner Bros. will release its 2021 film slate in theaters and on its streaming site, HBO Max, simultaneously. (If you missed that episode — scroll back and hit play! Or click here if you’re on the World Wide Web).In this bonus episode of “Sway,” Kara Swisher and the New York Times media columnist Ben Smith discuss what the news means for the future of the film industry, and whether this move will establish Mr. Kilar as the streaming king of Hollywood or leave his “head on a platter.” As Mr. Smith puts it, “A huge piece of the studio business — and of Warner’s business — are these relationships with directors who they just burned the hell out of."You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher. 

If you want to be the first to watch “Dune,” “Godzilla vs. Kong” or the new “Matrix” movie this year (yes, there's a fourth one) — you won't have to line up at a movie theater. That's because Jason Kilar, the C.E.O. of WarnerMedia, announced last week that the full slate of Warner Bros. films will be simultaneously released in theaters and on the company's streaming service, HBO Max.Mr. Kilar is only seven months into the job, and he just unleashed one of the biggest industry shake-ups in recent history. Movie theater executives and filmmakers are reeling. As director Christopher Nolan told The Hollywood Reporter, “some of our industry's biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service.”In this episode of “Sway,” Kara Swisher questions Mr. Kilar on whether he just delivered the final death blow to struggling theaters, how he'll make good with Hollywood's top talent, and what films will look like when — as Mr. Kilar predicts — blockbuster budgets surpass a billion dollars.You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

If you want to be the first to watch “Dune,” “Godzilla vs. Kong” or the new “Matrix” movie this year (yes, there’s a fourth one) — you won’t have to line up at a movie theater. That’s because Jason Kilar, the C.E.O. of WarnerMedia, announced last week that the full slate of Warner Bros. films will be simultaneously released in theaters and on the company’s streaming service, HBO Max.Mr. Kilar is only seven months into the job, and he just unleashed one of the biggest industry shake-ups in recent history. Movie theater executives and filmmakers are reeling. As director Christopher Nolan told The Hollywood Reporter, “some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service.”In this episode of “Sway,” Kara Swisher questions Mr. Kilar on whether he just delivered the final death blow to struggling theaters, how he’ll make good with Hollywood’s top talent, and what films will look like when — as Mr. Kilar predicts — blockbuster budgets surpass a billion dollars.You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

In a momentous decision that could upend the way movies are distributed in the future, Warner Bros., the world's second-largest movie studio, announced it would stream all of its 2021 movies at the same time they hit theaters.The movies include "Matrix 4," "Dune," "Judas and the Black Messiah," "Space Jam: A New Legacy," "The Suicide Squad" and the film adaptation of "In The Heights," among others, WarnerMedia announced Thursday. WarnerMedia, which owns CNN, is the parent company of Warner Bros. and HBO. Shares of movie theatre operators AMC and Cinemark fell more than 15% on the news.Although movie-watching habits have been changing for years, with cheap big-screen television sets and ubiquitous streaming services, the coronavirus pandemic has exacerbated those trends. Warner Bros.' announcement, however, is a massive leap that none of its competitors has yet taken. The movie theater distribution business remains lucrative and crucial to Hollywood's bottom line."No one wants films back on the big screen more than we do. We know new content is the lifeblood of theatrical exhibition, but we have to balance this with the reality that most theaters in the U.S. will likely operate at reduced capacity throughout 2021," Ann Sarnoff, chair and CEO of WarnerMedia Studios and Networks Group, said in a statement.The studio announced last month it would run "Wonder Woman 1984" simultaneously in theaters and on the streaming service on December 25. The decision followed the studio's release of "Tenet" in theaters last summer, which faced disappointing box office sales. Disney and Universal Studios have chosen to release some of their films directly on streaming services including "Mulan" and "Trolls: World Tour," respectively. Unlike those two movies, however, the Warner Bros.' theatrical slate won't cost HBO Max subscribers anything extra.WarnerMedia CEO Jason Kilar said in Thursday's blog post that the studio's 2021 slate includes 17 films such as "The Little Things," "Tom & Jerry," "Godzilla vs. Kong," "In The Heights" and "Dune.""Our content is extremely valuable, unless it's sitting on a shelf not being seen by anyone," Kilar said. "We believe this approach serves our fans, supports exhibitors and filmmakers, and enhances the HBO Max experience, creating value for all."Text by By Kerry Flynn, CNN Business

Welcome to a special edition podcast of the Multi-Media Men Podcast, a show dedicated to all forms of entertainment. Movies, television shows, music, theatre, and nationwide events will be covered, along with some other wild segments. Hosts Bryan Kluger from Boomstick Comics, High Def Digest, and Screen Rant along with Preston Barta of Fresh Fiction and the Denton Record-Chronicle and Dan Moran of Boomstick Comics. In this episode, we discuss the breaking announcement that Warner Bros. will be releasing all future films directly to HBOMAX. From Warner Bros: Today, the Warner Bros. Pictures Group announced that it has committed to releasing its 2021 film slate via a unique, consumer-focused distribution model in which Warner Bros. will continue to exhibit the films theatrically worldwide, while adding an exclusive one month access period on the HBO Max streaming platform in the U.S. concurrent with the film's domestic release. The hybrid model was created as a strategic response to the impact of the ongoing global pandemic, particularly in the U.S. Following the one month HBO Max access period domestically, each film will leave the platform and continue theatrically in the U.S. and international territories, with all customary distribution windows applying to the title. All films will be available in 4K Ultra HD and HDR on HBO Max. This announcement was made today by Ann Sarnoff, Chair and CEO, WarnerMedia Studios and Networks Group (of which Warner Bros. is part) and Jason Kilar, CEO, WarnerMedia. Warner Bros. Pictures Group's 2021 expected* release slate currently includes The Little Things, Judas and the Black Messiah, Tom & Jerry, Godzilla vs. Kong, Mortal Kombat, Those Who Wish Me Dead, The Conjuring: The Devil Made Me Do It, In The Heights, Space Jam: A New Legacy, The Suicide Squad, Reminiscence, Malignant, Dune, The Many Saints of Newark, King Richard, Cry Macho and Matrix 4.  “We're living in unprecedented times which call for creative solutions, including this new initiative for the Warner Bros. Pictures Group,” said Sarnoff. “No one wants films back on the big screen more than we do. We know new content is the lifeblood of theatrical exhibition, but we have to balance this with the reality that most theaters in the U.S. will likely operate at reduced capacity throughout 2021. With this unique one-year plan, we can support our partners in exhibition with a steady pipeline of world-class films, while also giving moviegoers who may not have access to theaters or aren't quite ready to go back to the movies the chance to see our amazing 2021 films. We see it as a win-win for film lovers and exhibitors, and we're extremely grateful to our filmmaking partners for working with us on this innovative response to these circumstances.” “After considering all available options and the projected state of moviegoing throughout 2021, we came to the conclusion that this was the best way for WarnerMedia's motion picture business to navigate the next 12 months,” said Kilar. “More importantly, we are planning to bring consumers 17 remarkable movies throughout the year, giving them the choice and the power to decide how they want to enjoy these films. Our content is extremely valuable, unless it's sitting on a shelf not being seen by anyone. We believe this approach serves our fans, supports exhibitors and filmmakers, and enhances the HBO Max experience, creating value for all.” “This hybrid exhibition model enables us to best support our films, creative partners and moviegoing in general throughout 2021,” said Toby Emmerich, Chairman, Warner Bros. Pictures Group. “We have a fantastic, wide ranging slate of titles from talented and visionary filmmakers next year, and we're excited to be able get these movies in front of audiences around the world. And, as always, we'll support all of our releases with innovative and robust marketing campaigns for their theatrical debuts,

Episode 11 features Sadie Sutton Kilar! Sadie is a 17-year-old from the Bay Area and the host of the highly praised She Persisted. After receiving a year and a half of intensive treatment for severe depression and anxiety, Sadie was inspired to recount her journey by interviewing family members, industry experts, and fellow teens to offer self-improvement tips, DBT education, and personal experiences in a weekly podcast. Sadie shares her own mental health journey on today's episode with Karina. She gives her advice for someone who is struggling with their mental health and the best ways to reach out for help. She gives some of her favorite Dialectical Behavior Therapy strategies, "TIPS," "Accumulating Positives," and "Building Mastery," on the show as well. To wrap up the episode, we chat more about podcasting and how we both have learned so much from it and how it has become something that we both love to do. To learn more about Sadie Sutton Kilar and She Persisted, check out her website and Instagram! Thank you so much for tuning in! Here is the link to the feedback form! I would absolutely love if you could fill it out. I am open to any and all feedback that you may have, so feel free to fill it out honestly: https://forms.gle/5Dwy7R2V6tjVA9wt6 Do you want to be a guest on the podcast or do you have a guest recommendation? Fill out this form. Make sure to follow @stick2you_ on Instagram for more updates and announcements! Check out our new website https://stick2youbusiness.wixsite.com/stick2you!!

No matter how challenging, if given the choice, Jason Kilar, founder of Hulu and current CEO of WarnerMedia, would willingly disrupt the way television and film was distributed, all over again. Listen to Kilar’s account of contextualizing business during the burgeoning days of the internet, the early, tumultuous times at Hulu, his predictions about where media and entertainment are heading -- and a missed opportunity Jason wishes he had captured.

"The Last Dance" concluded and we break down episodes 9&10 and the documentary in total (1:16)Then, UNC grad/Hulu founder/current CEO of WarnerMedia Jason Kilar joins to talk his time at Carolina, the future of media and how Speed Racer helped him realize the power of streaming TV (21:50)Plus: we open up the email inbox (1:10:13) and introduce "Carolina Insider Live" (1:11:08)

AT&T has appointed former Hulu CEO Jason Kilar as the new head of WarnerMedia. That means he’ll oversee HBO, HBO Max, CNN, Warner Bros. and other WarnerMedia properties. It’s a bold choice. Kilar is known for being a visionary in the streaming world, but is not as well known in the old-school Hollywood circles. 

Con Carlos Iribarren | ¿Has sentido terror alguna vez? ¿Y te lo ha provocado la música? Hoy Toca se viste de (rellena este espacio con algo que te dé miedo) y te ofrece este especial con obras compuestas por Saint-Saëns, Mozart, Mussorgsky, Kilar y Bernard Herrmann para helarnos la sangre... ¡Y vaya si lo consiguen! Carlos y Mario Mora reciben la visita de Teo Rodríguez, escritor y autor de diversos podcasts relacionados con el terror, quien nos contará muchas cosas, algunas sorprendentemente divertidas. Así es Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Con Carlos Iribarren | ¿Has sentido terror alguna vez? ¿Y te lo ha provocado la música? Hoy Toca se viste de (rellena este espacio con algo que te dé miedo) y te ofrece este especial con obras compuestas por Saint-Saëns, Mozart, Mussorgsky, Kilar y Bernard Herrmann para helarnos la sangre... ¡Y vaya si lo consiguen! Carlos y Mario Mora reciben la visita de Teo Rodríguez, escritor y autor de diversos podcasts relacionados con el terror, quien nos contará muchas cosas, algunas sorprendentemente divertidas. Así es Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Na ten duet czekała cała Polska i się doczekaliście. Samo mięso o filmowaniu o Adrianie, jego RED'zie, pracy na weselach i wielu innych aspektach jego życia :)

Kõlavad tuntud Poola helilooja Wojciech Kilari neli kirgast teost kammerorkestrile.

Kõlavad tuntud Poola helilooja Wojciech Kilari neli kirgast teost kammerorkestrile.

"Photographer John Kilar’s site will tell you, simply, that he is a nomad. Portraits and landscapes by Kilar will show you that too, with a raw presentation of untamed characters and equally wild and beautiful locations. Variety does not shake the colorful, documentary aesthetic that is true to his photos, which show a curious admiration for each subject. John Kilar’s images can be found in Oyster Magazine, VICE, Dazed & Confused, Purple Fashion, and DIS Magazine. His client list includes Heineken, Urban Outfitters, The Cobra Snake, and several other lifestyle-saavy brands which Kilar worked with while living in Venice Beach, California." Text by Linnea Stephan @ Juxtapoz Topics Discussed In This Episode: His journey into a nomadic lifestyle Synchronicities Following your bliss Deactivating technology to be more focused on the present moment Expanding consciousness Identity Having empathy towards others www.artistdecoded.com www.twitter.com/yoshinostudios

In the early days of a startup, founders can maintain control of company culture. But as the company grows, how can they ensure the DNA and values of the early team scale with it? Jason Kilar has worked at a number of iconic companies, including Disney and Amazon, before joining Hulu as the CEO and later founding Vessel. In this talk, he shares mechanisms some of these companies used to scale their culture as they grew to thousands of employees. This presentation was recorded at The Scaleup Offsite, an event focused on scaling companies co-hosted by Greylock Partners and YC Continuity.

Jason Kilar’s interest in customer service was sparked by a visit to Disney World when he was 10 years old. The wonder he felt as he walked underneath the train station and out onto Main Street stays with him to this day. It was a pivot point for him, even at that young age. Eventually, Kilar would intern at Disney World and walk those same steps each night after his shift ended. “It really influenced who I was as an early manager,” Kilar shared. His career started with Amazon when it was a relatively small, early-stage private company. While there, Kilar was able to grow from his roots and expand while learning deep lessons about the importance and value of ... Play Now The post Curiosity, Spark, and Building a Better Model appeared first on Mayfield.

Former Hulu CEO Jason Kilar explains why passionate fans will pay $3 a month for his latest video service, Vessel, which is YouTube's newest challenger. Learn more about your ad choices. Visit podcastchoices.com/adchoices