Podcasts about mpse

While in London, Tonebenders was invited to Wave Studios in Soho, to talk to Johnnie Burn and Paul Davies. I brought them together, to talk about their varied approaches to finding the "sonic voice" of each project they work on. They discuss the importance of a good relationship with a director, spotting sessions, pouring over a script well in advance, identifying the ambitions of a film and lots more. SPONSOR: Big "thanks" to the Motion Picture Sound Editors, for sponsoring this series of episodes featuring the interviews I did while in England.  To learn more about the Motion Picture Sound Editors, you can go to www.MPSE.org.  They are doing great work to support and advocate for sound editors around the world. If you are in The Toronto area on June 13th, come out to the Back To The Future Screening screening with one of the original sound editors, Scott Hecker, in attendance for a Q&A about how they came up with all the iconic sounds in this classic film. If you are interested in going to this screening, to see a great film and find out what being a MPSE member is all about, go to https://www.eventbrite.ca/e/vff-mpse-celebrates-back-to-the-futures-40th-anniversary-tickets-1258511534879?aff=oddtdtcreator to claim your ticket. Use the Code "VFFTONEBENDERS" for your free tickets. Episode Notes: https://tonebenderspodcast.com/308-mpse-presents-finding-a-films-sonic-voice-with-johnnie-burn-amp-paul-davies/ 
Podcast Homepage: www.tonebenderspodcast.com 
This episode is hosted by Timothy Muirhead

Welcome to Following Films, the podcast where we explore the creative minds behind the movies and shows we love. I'm your host, Chris Maynard.Today, we're diving into the sonic world of Invincible—Amazon's hit adult animated superhero series that's equal parts heartfelt and harrowing. If you've been following the journey of 17-year-old Mark Grayson as he discovers his powers and unravels the dark truth about his father, Omni-Man, then you already know this show pulls no punches—visually or sonically.Joining me is Brad Meyer, MPSE, a Golden Reel-winning and Emmy-nominated Supervising Sound Editor whose work has helped define the visceral, emotional landscape of Invincible. Brad brings over a decade of experience in post-production audio and has lent his talents to projects across Netflix, HBO, Hulu, Nickelodeon, and more. From creepy horror flicks to energetic animated adventures, Brad's sound design isn't just about effects—it's about storytelling.In this episode, we'll talk about how sound shapes the world of Invincible, what it takes to balance superhero spectacle with grounded emotional beats, and why audio is one of the most powerful—and often overlooked—tools in filmmaking.So turn it up and settle in—this is Following Films.

From breaking bones to trudging through snow – it is a Foley artist's role to reproduce the everyday sound effects that are added to film, TV and games. By using a variety of unconventional props and their own bodies, the goal is to create an authentic soundscape that will enhance our auditory experience. If the Foley goes unnoticed then they've done their job well! Datshiane Navanayagam speaks to two award winning Foley artists and asks what it's like to spend so much time, quite literally stepping into someone else's shoes. Caoimhe Doyle has over 25 years' experience creating Foley sound effects and footsteps for film, television and video games. She's been nominated three times for the MPSE Golden Reel Award for her work on Colm Bairéad's An Cailín Ciúin (The Quiet Girl), The Favourite, directed by Yorgos Lanthimos and David Cronenberg's Eastern Promises. In 2011 she won a MPSE Golden Reel Award and was nominated for an Emmy for her work on Game of Thrones: Season 1 and is a current MPSE nominee for work on Rich Peppiatt's Kneecap. Caoimhe collaborates with an all-female team out of The Foley Lab in a quiet part of County Wicklow in Ireland.Marita Sbeih is a Lebanese Foley artist and one of only a handful working in the Middle East. Since 2018, she has been the dedicated Foley Artist at DB Studios in Beirut, which provides audio post-production for films, documentaries, and art productions from around the globe. Pursuing a career as a Foley artist in a country with many unique challenges has been far from easy, but Marita has built an impressive list of credits for Foley and footsteps in some of the Arab world's more distinguished art-house and indie productions, as well as international projects. Most recently, she worked on Hot Milk, a UK film directed by Rebecca Lenkiewicz, which was selected for the official competition at the 75th Berlinale (2025).Produced by Hannah Dean (Image: (L) Caoimhe Doyle courtesy Caoimhe Doyle. (R) Marita Sbeih credit Lama Sawaya.)

For Episode 425, Nadia Dalimonte, Daniel Howat, Alyssa Christian & Tom O'Brien join me to offer our condolences and resources to those in Los Angeles impacted by the recent fires that have broken out over the past week. We also react to the Golden Globe winners' impact on the Oscar race and the SAG, DGA, ADG, and MPSE nominations. We also reveal the winner of last week's poll, asking, "Which 2025 Movie Are You Looking Forward To The Most?" and ask this week's poll question, "Which Five Films Will Be Nominated For Best International Feature Film At The 97th Academy Awards?" We also answer your fan-submitted questions and give our reactions to the trailers for "Companion," "Bring Them Down," and more. Thank you so very much for listening, supporting, and subscribing. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In the last of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Joel D. Catalan, CAS — a sound re-recording mixer who was Emmy-nominated for the NatGeo series Cosmos: A SpaceTime Odyssey — sits down with two of 2024's Emmy contenders in the category of outstanding sound editing for a comedy or drama series (one hour): Brian J. Armstrong, MPSE, is nominated for FX's period drama Shogun, and Tim Kimmel, MPSE, got nods for two Netflix shows: sci fi epic 3 Body Problem and animated adventure Avatar: The Last Airbender. The two sound supervisors reveal how they collaborate with showrunners to balance music, dialogue, action and strategic silence, frequently deploying what Armstrong calls “addition by subtraction.”

On this episode, I spoke to sound designer, supervising sound editor & re-recording mixer Steve Fanagan about his work on How to Have Sex. Fanagan's accolades include:  A British Independent Film Award nominee (Best Sound for How to Have Sex) An Emmy nominee (Outstanding Sound Editing for a Series for Game of Thrones)  A Golden Reel Award winner (Best Sound Editing - Short Form Sound Effects and Foley in Television for Game of Thrones and nominee (Outstanding Achievement in Sound Editing - Foreign Language Feature for The Quiet Girl)  BAFTA Television Craft Award (Sound: Fiction for Normal People)  How to Have Sex was written and directed by Molly Manning Walker. The film stars Mia McKenna-Bruce, Lara Peake, Samuel Bottomley, Shaun Thomas, Enva Lewis and Laura Ambler.

On today's show we chat with Matthew Kulewicz, a Two-Time Emmy Honors recipient, Recording Engineer/Sound Mixer, Voice Actor and musician, originally from NY currently based out of Los Angeles, CA. Mathew received Master's Degree for Music Technology at NYU with honors in Tonmeister studies.  He is an active member of MPSE (Motion Picture Sound Editors). His audio work specializes in post-production and voice-over recording/editorial for animation and video games.  He's experienced in developing and implementing remote recording workflow for actors and productions.  His voice-over work focuses in creatures noises and unconventional characters. Matthew prides himself on being able to work on both sides of the microphone, as engineer and actor. www.mattkulewicz.com/ @spikesplayfood/

SPOILER ALERT: This podcast discusses important plot points from episode three, “The Autopsy.”Executive Producer (and co-showrunner) J. Miles Dale joins us on the podcast to discuss the horror anthology series Guillermo del Toro's Cabinet of Curiosities, which was recently nominated for seven Primetime Emmy Awards. Joining the conversation are nominees: Supervising Sound Editor Nelson Ferreira, MPSE, and Director of Photography Anastas Michos, ASC, GSC.To avoid spoilers, be sure to watch “The Autopsy” before listening to this podcast! But be forewarned, it is extremely dark — both thematically and visually — which was entirely by design:“The genre is squarely within a horror/sci-fi mode. It is about what we don't see in life. That's what makes shooting horror films or thrillers so interesting. That we allow the audience to only see what we want them to see, and tease the rest of it into the blacks [of the image].”—Anastas Michos, ASC, GSC, Director of Photography, Guillermo del Toro's Cabinet of CuriositiesGuillermo del Toro's Cabinet of Curiosities is currently streaming on Netflix in Dolby Vision® and Dolby Atmos®.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

On this episode, I spoke to sound designer Markus Stemler about his work on All Quiet on the Western Front.  Stemler is an Oscar nominee (All Quiet on the Western Front), a BAFTA award winner as of yesterday for Best Sound for All Quiet on the Western Front, an AMPS winner for Excellence in Sound for a Feature Film for All Quiet on the Western Front, a 3x MPSE nominee (All Quiet on the Western Front, The Matrix Resurrections, Citizenfour), and much more. 

In this episode we talk with the presidents of The Motion Picture Sound Editors (Mark Lanza) and The Cinema Audio Society (Karol Urban) about the various reasons for joining these organizations. Show Notes: https://tonebenderspodcast.com/214---should-you-join-mpse-and-cas/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead To learn more about The Motion Picture Sound Editors or buy tickets to the upcoming Golden Reel Awards go to mpse.org

Catherine has worked for the post-production studio Boom Limited in London for the past 15 years, starting as a runner, moving into foley recording, editing, mixing, and performance. Catherine has worked on several major productions in film and television, including: The Crown, Black Mirror, Peaky Blinders, Call The Midwife, The Kings Speech, and The Aeronauts, and more recently worked on Ali And Ava and Pretty Red Dress. Catherine is a member of MPSE, or Motion Picture Sound Editors, the premiere organization for sound editing professionals, and she has been nominated for 7 MPSE Golden Reel Awards, and won two, for her work on A Christmas Carol and Oasis.

On this episode, I spoke to supervising sound editor David McCallum about his work on Women Talking.  McCallum is a 3x Emmy nominee, a BAFTA TV Award winner, and a 20x MPSE nominee (1x winner for Penny Dreadful).  Women Talking was directed by Sarah Polley and stars Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, and Frances McDormand.

On this episode, I spoke to composer and music editor David Klotz about his work on The Watcher.  Klotz is an 8x Emmy winner and 19x Emmy nominee. He is also a 7x MPSE winner and 24x MPSE nominee.  Klotz won his Emmys for American Horror Story, Game of Thrones and Stranger Things. 

Lenise Bent is one of the first women audio engineers & honed her skills on many iconic records including “Aja” by Steely Dan and “Breakfast in America” by Supertramp. She is the first woman engineer to receive a platinum album for Blondie's “AutoAmerican” album which includes “The Tide is High” and the very first hit rap song with music, “Rapture”. Lenise is also a post-production audio professional, specializing in recording and editing foley sound effects for many films and animated series and has traveled the world for Dreamworks supervising the foreign dialogue recording and producing the vocals for such animated features as “Shrek”, “Spirit: Stallion of the Cimmaron” and “Shrek 2”. She also archives and repairs audio, and instructs and consults for singer/songwriters. Lenise is a long-standing member of the Audio Engineering Society, the Producers & Engineers Wing of the Recording Academy, and a voting member of NARAS. She is also a proud member SoundGirls, Women's Audio Mission (WAM), Women in Music, the prestigious Hollywood Sapphire Group, The Blues Foundation, IASA (International Association of Sound Archivists), and ARSC (Assoc. of Recorded Sound Collectors). Though primarily working in digital recording formats, Lenise recently produced and engineered an all-analog recording with blues/rock/Indy band Primal Kings, recording to 2” tape, mixing to 1⁄2” and cut to vinyl from tape, all analog and entirely out of the box. To know more about Lenise Bent go to her website at www.lenisebent.com SoundGirls Feature Profile Lenise Bent https://soundgirls.org/giving-back-to... SoundGirls Living History Project Lenise Bent Part 1 https://youtu.be/lNM6seMROaI SoundGirls Living History Project Lenise Bent Part 2 https://youtu.be/0hCLBaqz51s Interviewed by Aline Bruijns Aline Bruijns (MPSE) Aline has a never-ending drive to create sound design that enriches a soundtrack and that elevates the story. As a jazz vocalist (and multi-instrumentalist), she obtained her Bachelor's Degree at the Conservatory in Enschede (the Netherlands) in 2004. She continued at the HKU (School of the Arts Utrecht) in Hilversum and got a Master of Arts Degree in Sound Design in 2007. Having experienced and been educated in so many layers of music and sound has enhanced her work and ability to collaborate and work within all audio postproduction departments. She has been the founder and sound designer of the audio post-production company AudioRally Sounddesign since 2009. In 2019 she was admitted as an International Member of the Motion Picture Sound Editors organization (MPSE), board member of the VCA (dutch film audio society), and became co-chapter head of SoundGirls Netherlands. For more information about Aline www.audiorallysounddesign.com Sponsored by QSC https://www.qsc.com  

Fire Walk With Me - David Lynch's haunting prequel to the legendary Twin Peaks series - turns 30 this year, and we're excited to be able to bring you the exclusive story behind the sound of the film in our in-depth talk with Emmy & MPSE award-winning supervising sound editor/sound designer Doug Murray. We also highlight some of the most interesting new independent sound releases. Interview by Jennifer Walden, hosted by Asbjoern Andersen, and with library highlights by Christian Hagelskjaer From

Lenise Bent is one of the first women audio engineers & honed her skills on many iconic records including “Aja” by Steely Dan and “Breakfast in America” by Supertramp. She is the first woman engineer to receive a platinum album for Blondie's “AutoAmerican” album which includes “The Tide is High” and the very first hit rap song with music, “Rapture”. Lenise is also a post-production audio professional, specializing in recording and editing foley sound effects for many films and animated series and has traveled the world for Dreamworks supervising the foreign dialogue recording and producing the vocals for such animated features as “Shrek”, “Spirit: Stallion of the Cimmaron” and “Shrek 2”. She also archives and repairs audio, and instructs and consults for singer/songwriters. Lenise is a long-standing member of the Audio Engineering Society, the Producers & Engineers Wing of the Recording Academy, and a voting member of NARAS. She is also a proud member SoundGirls, Women's Audio Mission (WAM), Women in Music, the prestigious Hollywood Sapphire Group, The Blues Foundation, IASA (International Association of Sound Archivists), and ARSC (Assoc. of Recorded Sound Collectors). Though primarily working in digital recording formats, Lenise recently produced and engineered an all-analog recording with blues/rock/Indy band Primal Kings, recording to 2” tape, mixing to 1⁄2” and cut to vinyl from tape, all analog and entirely out of the box. To know more about Lenise Bent go to her website at www.lenisebent.com SoundGirls Feature Profile Lenise Bent https://soundgirls.org/giving-back-to... SoundGirls Living History Project Lenise Bent Part 1 https://youtu.be/lNM6seMROaI SoundGirls Living History Project Lenise Bent Part 2 https://youtu.be/0hCLBaqz51s Interviewed by Aline Bruijns Aline Bruijns (MPSE) Aline has a never-ending drive to create sound design that enriches a soundtrack and that elevates the story. As a jazz vocalist (and multi-instrumentalist), she obtained her Bachelor's Degree at the Conservatory in Enschede (the Netherlands) in 2004. She continued at the HKU (School of the Arts Utrecht) in Hilversum and got a Master of Arts Degree in Sound Design in 2007. Having experienced and been educated in so many layers of music and sound has enhanced her work and ability to collaborate and work within all audio postproduction departments. She has been the founder and sound designer of the audio post-production company AudioRally Sounddesign since 2009. In 2019 she was admitted as an International Member of the Motion Picture Sound Editors organization (MPSE), board member of the VCA (dutch film audio society), and became co-chapter head of SoundGirls Netherlands. For more information about Aline www.audiorallysounddesign.com Sponsored by QSC https://www.qsc.com  

Lenise Bent is one of the first women audio engineers & honed her skills on many iconic records including “Aja” by Steely Dan and “Breakfast in America” by Supertramp. She is the first woman engineer to receive a platinum album for Blondie's “AutoAmerican” album which includes “The Tide is High” and the very first hit rap song with music, “Rapture”. Lenise is also a post-production audio professional, specializing in recording and editing foley sound effects for many films and animated series and has traveled the world for Dreamworks supervising the foreign dialogue recording and producing the vocals for such animated features as “Shrek”, “Spirit: Stallion of the Cimmaron” and “Shrek 2”. She also archives and repairs audio, and instructs and consults for singer/songwriters. Lenise is a long-standing member of the Audio Engineering Society, the Producers & Engineers Wing of the Recording Academy, and a voting member of NARAS. She is also a proud member SoundGirls, Women's Audio Mission (WAM), Women in Music, the prestigious Hollywood Sapphire Group, The Blues Foundation, IASA (International Association of Sound Archivists), and ARSC (Assoc. of Recorded Sound Collectors). Though primarily working in digital recording formats, Lenise recently produced and engineered an all-analog recording with blues/rock/Indy band Primal Kings, recording to 2” tape, mixing to 1⁄2” and cut to vinyl from tape, all analog and entirely out of the box. To know more about Lenise Bent go to her website at www.lenisebent.com SoundGirls Feature Profile Lenise Bent https://soundgirls.org/giving-back-to... SoundGirls Living History Project Lenise Bent Part 1 https://youtu.be/lNM6seMROaI SoundGirls Living History Project Lenise Bent Part 2 https://youtu.be/0hCLBaqz51s Interviewed by Aline Bruijns Aline Bruijns (MPSE) Aline has a never-ending drive to create sound design that enriches a soundtrack and that elevates the story. As a jazz vocalist (and multi-instrumentalist), she obtained her Bachelor's Degree at the Conservatory in Enschede (the Netherlands) in 2004. She continued at the HKU (School of the Arts Utrecht) in Hilversum and got a Master of Arts Degree in Sound Design in 2007. Having experienced and been educated in so many layers of music and sound has enhanced her work and ability to collaborate and work within all audio postproduction departments. She has been the founder and sound designer of the audio post-production company AudioRally Sounddesign since 2009. In 2019 she was admitted as an International Member of the Motion Picture Sound Editors organization (MPSE), board member of the VCA (dutch film audio society), and became co-chapter head of SoundGirls Netherlands. For more information about Aline www.audiorallysounddesign.com Sponsored by QSC https://www.qsc.com  

On this episode, I spoke to re-recording mixer/sound designer/supervising sound editor Johnnie Burn and editor Nicholas Monsour about their work on Nope.  Burn is a 2x British Independent Film Award nominee and 3x MPSE nominee.  Monsour is an Emmy nominee and 2x Saturn Award nominee. 

For our third event in our Crew Talks series, WFT is continuing the conversation when it comes to spotlighting the women working in the field of Sound. Irish Foley Artist Caoimhe Doyle and Oscar-winning Supervising Sound Editor Nina Hartstone talk about their experiences working in the industry – and how sound can elevate a story. This event has been made possible with the support of Screen Skills Ireland. About Caoimhe Doyle Caoimhe Doyle is a Foley artist and co-owner of The Foley Lab, a dedicated Foley studio located on a quiet country estate in County Wicklow, Ireland. She has 24 years experience creating Foley sound effects and footsteps for film, television and video games. In 2018, Caoimhe was nominated for a MPSE Golden Reel Award for her work on The Favourite, directed by Yorgos Lanthimos. She won a MPSE Golden Reel Award and was nominated for an Emmy for Game of Thrones: Season 1 (2011). In 2008, she was nominated for a MPSE Golden Reel Award for her work on David Cronenberg's Eastern Promises (2007). Caoimhe received a BA Honours Degree in Film Production from Dun Laoghaire Institute of Art Design + Technology. About Nina Hartstone Nina Hartstone is an Oscar-winning Supervising Sound Editor working in feature films, specialising in Dialogue and ADR. She is always seeking to create the highest quality soundtrack for every project by working with leading industry professionals to implement innovative ways of recording, creating and editing sound for film. In 2019, this work was recognised with Oscar, BAFTA, AMPS and MPSE award wins for sound editing on the film Bohemian Rhapsody. Other credits include Evita, The Hours, An Education, Everest and multi-award winner, Gravity. She is particularly passionate about nurturing the next generation of sound creatives and in particular, fostering opportunities for under-represented groups. https://wft.ie/

On this episode, I spoke to re-recording mixer/sound designer/supervising sound editor Wayne Pashley about his work on Elvis. Pashley is a 2x CAS nominee and 10x MPSE nominee (2x winner for Mad Max: Fury Road and Babe). Other credits include: The Great Gatsby and Australia. 

Ai-Ling Lee was born in Singapore where she studied music audio engineering. After two years of mixing and editing commercials and music, she moved to Los Angeles in 1998 to pursue a career in sound design for feature films. Since then she has worked as a sound designer, re-recording mixer, and sound supervisor on a variety of films including JoJo Rabbit, La La Land, First Man, Deadpool, Wild, Maze Runner, and Buena Vista Social Club. Ai-Ling has had the opportunity to work with directors Damien Chazelle, Taika Waititi, Jean-Marc Vallée, Noah Hawley, Wes Ball, Cameron Crowe, Gus Van Sant, and Sam Raimi, to name a few. She has been nominated for four Academy Awards (editing and mixing), two BAFTA, nine MPSE awards, and won a CAS award for Best Sound Mixing.  

After a week's hiatus due to the Sundance Film Festival, we are back with Episode 279 to discuss the guild nominations for PGA, DGA, WGA, ACE, ADG, CDG, MPSE, CAS, ASC, VES, and more! Josh Parham and Dan Bayer joined me to discuss these nominations before our final Oscar nomination predictions episode next week, what films we saw at Sundance, what we think will be nominated at the BAFTAs on February 3rd. We also go over the polls, give our reactions to the trailer for "The Cursed," answer your fan-submitted fan questions, and much more! Please take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the founder and CEO of Sound Particles Nuno Fonseca from Leiria, Portugal.  Nuno Fonseca (PhD), is the founder and CEO of Sound Particles company, and was the creator of Sound Particles software, a 3D CGI-like audio software used in all major Hollywood studios in productions such as “Star Wars 9”, “Frozen II”, “Aquaman” or “Game of Thrones”. Former university professor (computer science and music technology areas),  Nuno is the author of the Portuguese book “Introdução à Engenharia de Som” (Introduction to Sound Engineering), co-author of the Portuguese book “Desenvolvimento em iOS” (iOS Development), author of "All You Need to Know About 3D Audio" ebook, and author of more than 20 papers regarding audio research. He is a member of AES, SMPTE, CAS, MPSE, AMPS, and a member of the Audio Engineering Society (AES) Technical Committee on “Audio for Cinema”.  In this episode, Nuno shares the story of the creation of Sound Particles and he explains the core operational principles of Physics-based Audio and its unique sonic properties. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://www.1618digital.com/immersive-audio-podcast-episode-56-nuno-fonseca-sound-particles-physics-based-audio/ If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com

Join your qualified Disney Imagineer hosts Kim Adragna and Tom Greer as they discuss ALL things magic under the house of mouse! Kim and Tom talk about the latest tips, tricks and news about Disney, Dreamworks and more. Kim and Tom propose a new dress code for the parks, Tom admits that he actually liked the birthday cake castle while they talk about the new look for the 50th. There are new fire work shows on the way which mean some will be retied, we give our full reaction and last but certainly not least we are joined by the great Paulette Lifton. MORE ABOUT PAULETTE LIFTON: 2x Emmy Winning Casting & Voice Director Producer & CEO of Oracle Post Ms. Lifton, is a multi-Emmy and MPSE winning Sound/ADR Supervisor on shows like Kung Fu Panda and SpongeBob Squarepants. She was Co-Producer and Casting Director of the animated series, Spy Kids: Mission Critical for Neflix. Ms. Lifton was also the casting and voice director on multiple animated and live-action features for Netflix, Amazon and Starz including the Academy Award-nominated films Lion and Carol. She voice-directed some of the top actors in the business; Meryl Streep, Ed Norton, Jim Gaffigan, Julie Andrews, Kate McKinnon, Elle Fanning, Nat Wolff and Mel Brooks. @TheMagicKimTom We talk about: Disney history Park openings Disney movies Podcasting & More

Join your qualified Disney Imagineer hosts Kim Adragna and Tom Greer as they discuss ALL things magic under the house of mouse! Kim and Tom talk about the latest tips, tricks and news about Disney, Dreamworks and more. Kim and Tom propose a new dress code for the parks, Tom admits that he actually liked the birthday cake castle while they talk about the new look for the 50th. There are new fire work shows on the way which mean some will be retied, we give our full reaction and last but certainly not least we are joined by the great Paulette Lifton 2x Emmy Winning Casting & Voice Director Producer & CEO of Oracle Post Ms. Lifton, is a multi-Emmy and MPSE winning Sound/ADR Supervisor on shows like Kung Fu Panda and SpongeBob Squarepants. She was Co-Producer and Casting Director of the animated series, Spy Kids: Mission Critical for Neflix. Ms. Lifton was also the casting and voice director on multiple animated and live-action features for Netflix, Amazon and Starz including the Academy Award-nominated films Lion and Carol. She voice-directed some of the top actors in the business; Meryl Streep, Ed Norton, Jim Gaffigan, Julie Andrews, Kate McKinnon, Elle Fanning, Nat Wolff and Mel Brooks. @TheMagicKimTom We talk about: Disney history Park openings Disney movies Podcasting & More

Karol Urban CAS, MPSE, NATAS has served directors and producers as a re-recording mixer for television and feature films since 1999. Focusing principally on documentaries early in her career in Washington DC, she now lives in Los Angeles where she currently mixes for television and film. She describes her job as "playing mind games with sound." As a perpetual student of her craft, she enjoys exploring the power sound has to immersive the viewer in the narrative. She is also an involved member of her community having served on the Television Academy's Governor's Peer Group for Sound Mixing, organized events for The LA Sound Group, and served as a blue ribbon panel judge for the Motion Picture Sound Editors Golden Reels. Karol acted as content editor of the CAS Quarterly and served as a board member for the Cinema Audio Society before being elected as President of the organization in 2019. She enjoys educational outreach and has moderated panels for Mix's Sound for Film Event, various FYC campaigns, and AMPAS. Some of her recent credits include:  Stephen King’s The Stand,  Grey’s Anatomy, Single Parents, Big Sky, and Project Bluebook.   This podcast was edited by Sara Stacey!

Tommy Minkler is a PhD student at West Virginia University, studying in sport and exercise psychology. Alongside Dr. Carol Glass & Megan Hut, He has worked on mindfulness-based interventions (MPSE) to be delivered through a train-the-trainer model. I speak with Tommy about some of the past research involving MPSE, his latest work that will be presented at the AASP2020 conference, mindulfness in general, and his perspective looking forward.

In the sixth episode of the AMPS Podcast, we feature an in depth interview with Leslie Gaston-Bird AMPS MPSE. We ask Leslie to talk about her career to date, working in radio, film and academia. Leslie also talks about her book 'Women in Audio': https://www.amazon.com/Women-Audio-Engineering-Society-Presents/dp/1138315990 The AMPS Podcast is presented by Owen Peters and Owen Shirley

How much do you allow "the rules" to impact your creative songwriting and mixing choices? What is the right balance? Listen in on the continued conversation with audio engineers and educators John March and David Bondelevitch while they discuss naming conventions, finding the right team, and the challenges of starting a career in the music industry. "Don’t try and be everything all at once. You know, it took me 40 years to be a good session musician, a good mixer and producer to the point where I'm comfortable doing any of those roles. But when you're starting, figure it out and get a good team around you. Collaborate with people."Guest Host: David BondelevitchDavid Bondelevitch is an Emmy-award winning sound editor and re-recording mixer. He has also won two Motion Picture Sound Editors Golden Reel Awards and has been nominated twenty-six times. He is Associate Professor at the University of Colorado Denver. David is Past President of the MPSE and spent 14 years on the board of the Cinema Audio Society. He holds an MFA in Cinema Production from USC.He is also a member of the Television Academy, the Recording Academy, AFM Local 47, Film Independent, and the International Documentary Association. Recent Work by David: Southwest of Salem: The Story of the San Antonio Fourhttps://tinyurl.com/yxenammaThe Trauma of Sanctuary by Deborah Esquenazihttps://tinyurl.com/yxbnvnxhJohn March – AV Media Consultant and Producer, Sound Mixer, Sound Designer and Social activist.For the last 40 years, John has been working freelance as an audio craftsman/technologist, Producer, and A/V technology consultant, as well as a session musician in multiple areas of expertise and development. He is currently focused entirely on creating opportunities that utilize his aggregate skill-sets and diverse professional experience to help solve problems that serve the greater good, and supports the community. In collaboration with ALOC Media, ALOCMedia.com, he works as a freelance Senior Producer and consultant. He is entirely focused on creating affordable high-quality media and content for Non-profits, educational institutions, artists, musicians/bands and entrepreneurs. www.zenavguy.comwww.syncclubpodcast.comTwitter @syncclubpodcast

Have you ever thought about best practices for creating your sound recordings for film and television? Guest host David Bondelevitch joins Steve to speak with musician and audio technician John March about music and audio for film and TV. Join the conversation with two seasoned audio engineers who bring a wide range of experience, from music production to feature length films. "And then the one thing I tell everybody who works for me is never ever give a demo to anybody, or a recording or a mix, to anybody that isn’t the absolute best possible representation of who you are. Don’t rush, don’t just try and get it out of the door. "~John MarchGuest Host: David BondelevitchDavid Bondelevitch is an Emmy-award winning sound editor and re-recording mixer. He has also won two Motion Picture Sound Editors Golden Reel Awards and has been nominated twenty-six times. He is Associate Professor at the University of Colorado Denver. David is Past President of the MPSE and spent 14 years on the board of the Cinema Audio Society. He holds an MFA in Cinema Production from USC.He is a also member of the Television Academy, the Recording Academy, AFM Local 47, Film Independent, and the International Documentary Association. Recent Work by David: Southwest of Salem: The Story of the San Antonio Fourhttps://tinyurl.com/yxenammaJohn March – AV Media Consultant and Producer, Sound Mixer, Sound Designer and Social activist.For the last 40 years, John has been working freelance as an audio craftsman/technologist, Producer, and A/V technology consultant, as well as a session musician in multiple areas of expertise and development. He is currently focused entirely on creating opportunities that utilize his aggregate skill-sets and diverse professional experience to help solve problems that serve the greater good, and supports the community. In Collaboration with ALOC Media, ALOCMedia.com, he works as a freelance Senior Producer and consultant. He is entirely focused on creating affordable high-quality media and content for Non-profits, educational institutions, artists, musicians/bands and entrepreneurs.www.zenavguy.com

Sound Designer and Sound Supervisor Mark Lanza tells about his journey that took him from computer programming to working on some of Hollywood's biggest films including "Independence Day," "Natural Born Killers," "JFK," and "The Doors" as well as some of television's hottest shows such as "Empire" and "Sneaky Pete." 

The death of Eritrean American Gramee Award Nominee Raper. - ንሎሚ ብዛዕባቲ ዝሓለፈ ሰንበት 31 መጋቢት፡ ካብ ትካሉ ክወጽእ ከሎ፡ ብጨው ቀትሪ ኣብ ኣፍ ደገ ትካሉ ዝተቐትለ ኤርትራዊ መበቆል ዘለዎ፡ ኣመሪካዊ ደራፋይ ኤርሚያስ ዳዊት ኣስገዶም (Nipse Hussel) ሓጺር ታሪኽ ሂወቱን ጉዕዞኡ ኣብ ሙዚቃ ኣመሪካን ዝምልከት እዩ።

Over the last couple decades, Sergio worked in several aspects of sound, from Supervising Dialog and ADR Editor to Supervising Sound Editor to Re-recording Mixer to Sound Designer. He has won or been nominated for several awards including winning the Golden Reel Award from the MPSE for his sound work on Pan's Labyrinth.  Sergio has collaborated with renowned directors on films such as Pan's Labyrinth and Hellboy II, 21 Grams and Babel, Into the Wild, and Apocalypto. Sergio has worked on other acclaimed films including: Battle in Heaven, Silent Light, Rudo y Cursi, The Prize, The Delay, Light After Darkness, Heli, The Thin Yellow Line, Desierto, The Untamed, and While the Wolf's Away. One of Sergio's most recent projects is as Sound Designer and Supervising Sound Editor for the Academy Award winning film Roma for Alfonso Cuaron, for which he has been nominated an Academy Award for Sound Editing. 

What does it take to make a career in sound post-production? In this episode we listen in on a panel discussion hosted by Soundgirls.org, with 5 talented audio-post pros: Onnalee Blank (Re-Recording: Mixer Game of Thrones, If Beale Street Could Talk), Karol Urban (Re-Recording Mixer: Grey’s Anatomy, New Girl), Kate Finan (Supervising sound editor: Future-Worm!, Muppet Babies) and April Tucker (Re-recording Mixer: The Bachelor, Alt-Right: Age of Rage) and moderator Anne-Marie Slack (Executive of Organization Services for MPSE). They each tell how they got started, and share stories and advice on how to keep moving forward in film and TV post-production.

What does it take to make a career in sound post-production? In this episode we listen in on a panel discussion hosted by Soundgirls.org, with 5 talented audio-post pros: Onnalee Blank (Re-Recording: Mixer Game of Thrones, If Beale Street Could Talk), Karol Urban (Re-Recording Mixer: Grey’s Anatomy, New Girl), Kate Finan (Supervising sound editor: Future-Worm!, Muppet Babies) and April Tucker (Re-recording Mixer: The Bachelor, Alt-Right: Age of Rage) and moderator Anne-Marie Slack (Executive of Organization Services for MPSE). They each tell how they got started, and share stories and advice on how to keep moving forward in film and TV post-production.

During her career as an exhibiting artist, Paula was the director of Canada's foremost media center, Charles Street Video.  Her art work resides in several collections worldwide, including the National Gallery of Canada. Paula started out her sound work with Sound Dogs in Toronto, relocating to Los Angeles in 1998. She has garnered fifteen MPSE nominations, with four wins for her work on Game of Thrones and Lost, eight Emmy nominations and one win, and a Canadian Screen Award. Paula has recently focused on projects like the series Game of Thrones and Darren Aronofsky's feature, Mother!.  Paula is debuting a new immersive audio work called, Ocean of Tears, in 2018.

Join host Larry Jordan, live from the trade show floor at the 2017 NAB Show, in this episode of the Digital Production Buzz, as he discusses the latest news and announcements with:   * Patrick Santucci, Technical & Marketing Representative, of Sigma * Cameron Jahn, CMO of AmpLive * Paul Rodriguez, Board Treasurer of MPSE and South Lake Audio * James DeRuvo, Senior Writer for DoddleNEWS with a round up of the day   Patrick Santucci talks about Sigma’s variety of camera and lenses, how to decide which lens to choose, and what makes Sigma lenses special.… The post Digital Production Buzz @ NAB Show 2017 – Show 13 appeared first on Digital Production Buzz.

Working Class Audio Session #116 with Mark Kilborn!!! Mark Kilborn is a sound designer, mixer and implementer with over a decade of experience in the video games industry. He has worked on various game franchises including Borderlands, Forza Motorsport, Brothers In Arms, Tony Hawk and Project Gotham Racing. For the last seven years he has served as one of the Audio Directors for the Call of Duty series, collaborating with teams of sound designers around the world on various projects including Modern Warfare 3, Advanced Warfare, Black Ops 1-3, Exo Zombies, Call of Duty Online and Modern Warfare Remastered. After he and his wife had twins in 2015, he setup a home studio and continues to contribute to the Call of Duty series as a Principal Audio Designer. He lives in Madison, WI with his wife, three kids, two dogs and too much snow. Mark flew to San Francisco for the Game Developers Conference recently and met Matt at a Starbucks to talk about Mark's world in game sound. Mark's list of credits include , Call of Duty 2017 Call of Duty: Modern Warfare Remastered (PS4/XB1/PC) Call of Duty: Black Ops 3 (PS4/XB1/PC) Call of Duty: Exo Zombies (PS4/XB1/PC) Call of Duty: Advanced Warfare (PS4/XB1/PC) - Nominated for BAFTA, AIAS awards for sound - Winner, GANG Sound Design and Audio of the Year awards Call of Duty: Ghosts (PS4/XB1/PC) Call of Duty: Black Ops 2 (360/PS3/PC) Call of Duty Online (PC) Call of Duty: Modern Warfare 3 (360/PS3/PC/WII) - Nominated for BAFTA, AIAS, GANG and MPSE awards for sound Call of Duty: Black Ops (360/PS3/PC/WII) Singularity (360/PS3/PC) Forza Motorsport 3 (360) Dr. Awesome Microsurgeon MD (iPhone) Borderlands (360/PS3/PC) Brothers in Arms: Hell's Highway (360/PS3/PC) Samba De Amigo (Wii) Project Gotham Racing 4 (360) The Club (360/PS3/PC) Boom Boom Rocket (XBLA) Tony Hawk's Project 8 (360/PS3) Bionicle Heroes (NDS)

Dave has been nominated for a BAFTA and CAS award and has won a Golden Reel from the MPSE for the films District 9 and The Adventures of Tin Tin. Dave has worked on several international projects over the years including: The Lord of the Rings trilogy, Out of the Blue, The World's Fastest Indian, Eagle vs Shark, The Water Horse, District 9, The Lovely Bones, and The Hobbit. Some of Dave's more recent film projects include Elysium, Snowpiercer, Chappie, and the Oscar nominated, Arrival.

sociación Madres Solteras por Elección por Pilar Castellanos, que tuvo lugar en Espacio Ronda (Madrid) el 7 de Junio 2015 durante el IV Congreso en movimiento Maternidad-Paternidad Celebrando la Vida. La gran familia MSPE: Asociación Madres Solteras por elección Conocer la Asociación Madres Solteras por Elección (MPSE) fue algo maravilloso, fue encontrarme con mis iguales, con esas mujeres que un día sintieron que su proyecto de vida era el mismo que el mío: ser madre. Ser su presidenta durante tres años ha sido un orgullo y un honor. “Seguir caminando juntas e ir consiguiendo visibilidad para nuestras familias, una forma de vida." Por; Pilar Castellanos, tengo 44 años y soy Madre Soltera por Elección desde hace 7. Fue la mejor decisión de mi vida, sin duda alguna. La maternidad me ha dado mucho más de lo que jamás pensé y estoy muy agradecida a la vida. Trabajo como secretaria en la administración desde hace 25 años. --------------------------- http://www.luznatal.com http://www.espacioronda.com http://www.mindalia.com - La Red Social de Ayuda a través del Pensamiento http://www.mindaliaradio.com - La Radio del Pensamiento Positivo http://www.circulosdeayuda.com Los videos de esta y otras conferencias y entrevistas de interés en http://www.mindaliatelevision.com Puedes escuchar este y otros audios en http://mindaliacomradio.ivoox.com

sociación Madres Solteras por Elección por Pilar Castellanos, que tuvo lugar en Espacio Ronda (Madrid) el 7 de Junio 2015 durante el IV Congreso en movimiento Maternidad-Paternidad Celebrando la Vida. La gran familia MSPE: Asociación Madres Solteras por elección Conocer la Asociación Madres Solteras por Elección (MPSE) fue algo maravilloso, fue encontrarme con mis iguales, con esas mujeres que un día sintieron que su proyecto de vida era el mismo que el mío: ser madre. Ser su presidenta durante tres años ha sido un orgullo y un honor. “Seguir caminando juntas e ir consiguiendo visibilidad para nuestras familias, una forma de vida." Por; Pilar Castellanos, tengo 44 años y soy Madre Soltera por Elección desde hace 7. Fue la mejor decisión de mi vida, sin duda alguna. La maternidad me ha dado mucho más de lo que jamás pensé y estoy muy agradecida a la vida. Trabajo como secretaria en la administración desde hace 25 años. --------------------------- http://www.luznatal.com http://www.espacioronda.com http://www.mindalia.com - La Red Social de Ayuda a través del Pensamiento http://www.mindaliaradio.com - La Radio del Pensamiento Positivo http://www.circulosdeayuda.com Los videos de esta y otras conferencias y entrevistas de interés en http://www.mindaliatelevision.com Puedes escuchar este y otros audios en http://mindaliacomradio.ivoox.com