Podcasts about philbrook

Hello Interactors,A couple weeks ago, I found myself in Tulsa for the first time. I left pleasantly surprised. There's a lot of private money flowing into this town, but the city is filled with sorted stories about land, who holds it, who loses it, and how that loss and potential return is engineered. On Juneteenth, the city's history feels especially close so I thought I'd unpack the layers of displacement, violence, and reinvention that lurk beneath a city still struggling to face them.CONCRETE, COALS, AND A CITY THAT CONCEALSRaise your hand if you like Brutalist architecture (I'm raising mine.) I just didn't expect to find it in Tulsa, Oklahoma, where I was visiting for my niece's wedding.The Brut Hotel is a converted Brutalist tower a few blocks from the Arkansas River and it's all raw concrete. Even the floors and counters. Most people see Brutalism as cold — which is nice on a hot Tulsa day — but I read it as honest and direct. A bit like a Midwestern prairie settler stereotype. After all, the style did emerge in postwar Europe from an egalitarian impulse. It was meant to be democratic architecture stripped of ornamental excesses of fancy city folks. It arrived in America just in time to become the aesthetic of urban renewal. We mostly got housing projects and highway interchanges built on top of what had been Black and working-class neighborhoods, often by eminent domain and without meaningful consent. Concrete can be made to beautiful, but it's definitely also the material of displacement. Tulsa is no exception.On my first muggy Tulsa morning, I ran from The Brut toward the river. A block or two along, tucked between midtown houses on Cheyenne Avenue, I passed a small park I had read about but didn't know was so close. The bronze sculpture of a flame was the give away. This is Creek Nation Council Oak Park, and it is, in the most literal sense, where Tulsa began.In 1836, the Lochapoka clan of the Creek Nation arrived at this hill above the river after two years on the Trail of Tears. They had carried live coals from their last ceremonial fires in Alabama the entire way — embers kept alive through hundreds of miles of forced march. Under this oak, they set those coals down and kindled a new flame. They named the settlement Talasi, meaning “old town.” White settlers mispronounced it into Tulsa. The term “Trail of Tears” perhaps softens this forced displacement too much. Of the 630 Lochapoka who began the journey, 161 did not survive it. The oak did and it still holds its annual ceremonies. In November 2024, the site was formally returned to the Muscogee (Creek) Nation.As I kept running south along the river, a second gathering place was harder to miss. It has a giant sign that reads, The Gathering Place.The Gathering Place is a privately built public-ish park that stretches along the Arkansas River's eastern bank and inland a bit. It's one hundred acres of fountains, climbing structures, event lawns, and restored prairie plantings. It is, by nearly any measure, a stunningly beautiful park. It is also unmistakably the product of a single man's fortune. George Kaiser, the Tulsa-born oil billionaire and philanthropist, has poured more than $350 million into transforming this stretch of riverfront. It's honestly something you'd expect to see in a Northern European city. The park opened in 2018 to national acclaim. The New York Times called it “the most ambitious new park in a generation.” I can see why.But head north from the riverfront, past the gleaming BOK Center arena (“B. OK.” is a financial services company dating back to 1910 oil money and is half owned by Kaiser) and the reclaimed warehouse districts, (including the Bob Dylan Center — Kaiser bought Bob Dylan's archive collection in 2016) and within minutes you are in a different city. North Tulsa — and specifically the Greenwood District — reveals modest homes and stretches of underdevelopment. This is an area that feels like it's being watched and commemorated but it's not entirely clear it is being heard. The Greenwood Rising history center, also primarily bankrolled by Kaiser, opened in 2021 exactly one hundred years after the neighborhood was destroyed in the Tulsa Massacre. This building is also very nice and tells the area's story well. Whether it changes the story is another matter.Cities can act as maps of their own history, so that's how I try to read them. I take note of the distances between prosperity and poverty, commemoration and investment…even a museum and a neighborhood. These are not determinant accidents of the market, but accumulated residue of specific decisions made by specific people over a very long time. To understand Tulsa's geography today, you have to go back not just to 1921, but further — to the rivers and grasslands of Indian Territory the Lochapoka people encountered. It's here you'll find federal ledgers leveraged as weapons, their lines and lists legalizing the largest land liquidation in American history.PROMISES, PARCELS, AND THE POLITICS OF POSSESSIONThe Lochapoka were not the only ones force-marched into Indian Territory. All five of the so-called Civilized Tribes — the Cherokee, Choctaw, Chickasaw, Creek, and Seminole nations — were relocated from their homelands in the American Southeast across the 1830s. Each tribe were given the same federal promise that the territory would remain theirs permanently. The maps and the Federal treaties said so, but neither turned out to mean much.What the maps did not show, and what the official history long preferred to omit, is that the Five Tribes brought enslaved Black people with them into Indian Territory. As the historians Annette Gordon-Reed and Rose Stremlau have noted in the context of the 1619 Project, the story of this dispossession cannot be told without acknowledging that intersection: the Trail of Tears was also, for some, a forced march into continued bondage (Gordon-Reed et al., 2022). That fact would shape the politics of Oklahoma for generations — and it is the thread that connects the founding fire under the Council Oak to the rise of Greenwood eighty years later.After the Civil War, the federal government's promises to the Five Tribes began to erode almost immediately. The Freedmen — formerly enslaved people who had been held by tribal members — were formally granted citizenship in the tribes by treaty, though the tribes' willingness to honor that citizenship varied considerably. Many Freedmen, seeking mutual protection and economic self-sufficiency, began establishing their own communities. This impulse gave rise to what became known as the Black Towns Movement. Between the 1870s and the 1920s, more than fifty all-Black towns were founded in Oklahoma and Kansas, created by people who had learned, with good reason, not to rely on the goodwill of white-majority governments (Martin, 2025; Gordon-Reed et al., 2022).The legal and cartographic instrument that made the Black Towns possible — and that would ultimately help destroy them — was the allotment system. The Dawes Act of 1887 broke up communally held tribal land into individual parcels, assigning plots to enrolled tribal members and opening the remainder to white settlement. It was framed as a civilizing measure. It was in practice a mechanism for transferring Indigenous land to white hands on an enormous scale. Each parcel was drawn on a map, recorded in a ledger, and assigned a legal description. This act appeared to secure property rights while in fact it made land far easier to steal through legal machinery than it had ever been to simply seize.The discovery of oil made the theft more systematic and more lethal. When crude was found beneath allotments assigned to Native people — particularly in the Osage Nation, the Creek Nation, and elsewhere — a federal guardianship system allowed courts to appoint white guardians for Native landowners deemed “incompetent” to manage their own affairs. The definition of incompetence was flexible and self-serving. Native heirs to oil-bearing land died under suspicious circumstances with startling frequency. Deeds were forged. Guardians enriched themselves and left their wards landless. The historian David Grann has documented this in devastating detail for the Osage Nation specifically, but the pattern was region-wide. Modern GIS analysis of original allotment records against subsequent deed transfers reveals what contemporaries knew but rarely said aloud: the disappearance of Native landowners from oil country was not a coincidence, but a covert policy.For Black Oklahomans, the allotment system created a narrow window of possibility. Freedmen who appeared on the Dawes Rolls received allotments of their own. Some of this land was in proximity to other Black allottees, and the Black Towns Movement capitalized on that geography, incorporating towns, establishing churches and schools, and building the civic infrastructure that Black communities had been denied elsewhere. As scholar JT Martin has argued, the philanthropic traditions within these communities — the mutual aid societies, the church networks, the communal investment in education — were not secondary features of the Black Towns Movement but its essential architecture (Martin, 2025). People who had nothing built institutions that served everyone.Greenwood, established in the early 1900s on the northern edge of Tulsa, was the apex of that project. By 1921, it contained over thirty-five blocks of Black-owned businesses, a hospital, law offices, two newspapers, a library, schools, and churches. Booker T. Washington reportedly called it “the Negro Wall Street,” a phrase that has since become shorthand for what the neighborhood achieved. Although that shorthand flattens what was, more precisely, a masterwork of community-building under conditions designed to make community impossible.As the literary scholar Gary M. Jenkins has observed, Greenwood sat directly along what would become Route 66 (Jenkins, 2022). The all-Black towns of Oklahoma were embedded in the landscape that John Steinbeck traversed in The Grapes of Wrath — and conspicuously omitted from it. The invisibility of Black spatial achievement in the canonical accounts of American westward movement is not incidental. It reflects a pattern in which the places, presence, and prosperity of Black life were purposefully purged from the maps white Americans made of their own country.BURNING, BURYING, AND THE BATTLE TO BELONGOn the night of May 31, 1921, a white mob descended on Greenwood. Over the following eighteen hours, the neighborhood was looted, burned, and bombed — aircraft dropped incendiary devices on residential streets. When it was over, 35 square blocks had been reduced to ash. Somewhere between 100 and 300 people were dead, most of them Black. More than 10,000 Black residents were left homeless. Survivors were interned in camps run by the National Guard — many of whom had also participated in the destruction.What followed the physical destruction was a second, slower erasure. Greenwood residents who attempted to rebuild found themselves blocked by a newly enacted city ordinance that rezoned their land for commercial and industrial use. Insurance claims were denied. Property was effectively seized under the cover of “urban renewal” in subsequent decades. As Morris, Parker, and Negrón have documented, the Tulsa massacre is a case study in what they call “Black community-killing” — the systematic destruction not just of physical structures but of the institutional web that makes a community function: the schools, the churches, the newspapers, the businesses (Morris, Parker & Negrón, 2022). The buildings burned in a day. The community's capacity to reconstitute itself was methodically dismantled over years.For most of the twentieth century, the massacre was not taught in Oklahoma schools. It did not appear in city histories and land was not returned. The story was, in the most literal sense, removed from the map.Kaiser's investments in Tulsa have been substantial and wide-ranging: the Gathering Place, the Greenwood Rising museum, workforce development initiatives, early childhood programs. The philanthropic intent appears sincere, and some of the work — particularly in early education — addresses structural inequities rather than simply aestheticizing them. It would be uncharitable, and inaccurate, to dismiss the whole enterprise as window dressing.But scholar JT Martin poses this question which cuts to the heart of the matter: when we study philanthropy in America, whose philanthropic traditions do we center? (Martin, 2025). The mutual aid societies, the church networks, the community land trusts built by Black and Indigenous communities — these represent forms of collective investment that predate and often outperform the interventions of elite donors, yet they receive a fraction of the scholarly and public attention. George Kaiser's riverfront is visible. The endogenous philanthropic infrastructure of North Tulsa — the churches that held Greenwood together after the massacre, the community organizations that exist today — is largely invisible in the civic narrative that Tulsa tells about itself.The geography makes this concrete. The Gathering Place and the BOK Center sit south on the Arkansas River, in and adjacent to Tulsa's whiter, wealthier districts. Including the area where the Philbrook Museum of Art sits. This Italian Renaissance villa was built in 1926 by oil pioneer Waite Phillips (as in Phillips 66), donated to the city in 1938 as a public art center. It's now one of the finest regional museums in the country. This gesture rhymes with Kaiser's: oil money transmuted into civic cultural institution, the private estate opened to the public as an act of philanthropic legacy-building. The Philbrook is genuinely beautiful and genuinely valuable. It is also located nowhere near North Tulsa.The pattern is not new. Greenwood Rising stands in Greenwood, but the area remains economically depressed, and North Tulsa is still among the most segregated parts of an already divided city. Philanthropic investments that produce a park on the wealthy side of the river and a museum on the historically Black side, while leaving structural inequalities intact, are not reparative.The development around Greenwood tells a more troubling story. ONEOK Field, built in 2010 on historic Greenwood land despite community opposition, has delivered few benefits to Black residents, who are still taxed to support it. Nearby, the Tulsa Arts District has flourished with amenities catering to a whiter, more affluent clientele, while long-standing Black businesses struggle. Even hotels in Greenwood market themselves as part of that district. This is less restoration than a familiar precursor to displacement in the form of cultural investment followed by real estate pressure.Some argue that understanding land and spatial justice in places like Tulsa requires connecting the Greenwood reparations movement to broader Indigenous-led land reclamation efforts (Du, 2021). In 2020, the Supreme Court's decision in McGirt v. Oklahoma ruled that the Creek Nation reservation had never been legally dissolved and that the federal government's century-old maps of Oklahoma had been legally wrong all along. The majority opinion was written by Justice Neil Gorsuch, a conservative textualist, who applied the same originalist logic to treaty rights that right-wing jurists typically apply to the Second Amendment. The ruling was a genuine landmark, restoring tribal jurisdiction over a substantial portion of eastern Oklahoma. Subsequent decisions have extended the logic to other tribes.The political irony is perplexing. Oklahoma has been among the most reliably right-wing states in the country for decades; its congressional delegation is uniformly conservative; its state government has consistently resisted federal oversight and minority rights claims. Yet it was conservative judicial originalism — the doctrine that legal texts mean what they said when written — that restored, at least partially, what the federal government had promised the Five Tribes in the 1830s. The promise was old, the maps were wrong, and it took a conservative judge to point it out.What McGirt did not do was address the claims of Black Oklahomans. The Freedmen's citizenship rights within the Five Tribes remain contested. The Greenwood reparations movement has won moral recognition but not legal remedy. The 1921 massacre commission recommended reparations in 2001 and they have never been paid. These struggles do feel connected — Black and Indigenous claims to land and sovereignty in Oklahoma have been shaped by the same federal machinery of dispossession, and their futures may be intertwined in ways that neither community has yet fully reckoned with (Du, 2021).Juneteenth, the holiday now recognized federally, commemorates June 19, 1865 — the day enslaved people in Galveston, Texas, were told the war was over (the Emancipation Proclamation had been issued two and a half years earlier) and they were free. What the holiday cannot quite contain is what freedom meant in practice for people who were free but landless. They were free but also targeted. They were also freed from the maps that governed how wealth was accumulated and held in America. The Black Towns of Oklahoma were an answer to these problems and Greenwood was that, for a while. Then it was burned down.What grows back from a fire depends on who tends the soil, and who owns it. In Tulsa today, that question is still being answered. Will the answers be as brutally honest as Brutalism — the idea that a building should be honest about what it is made of? Tulsa is made of oil money and dispossession, Black resilience and white violence, broken treaties and belated reckonings. Despite conservative political domination, the maps are being redrawn. Whether they will finally show all of that honestly — without the decorative Italian Renaissance stucco — is more political than cartographic. But McGirt proves that promises, however papered over, still possess the power to pierce the present.ReferencesDu, Y. (2021). Black geographies unveiled: A critical review. Human Geography. Gordon-Reed, A., Stremlau, R., Lowery, M., et al. (2022). The 1619 project forum. The American Historical Review. Jenkins, G. M. (2022). Steinbeck, race, and Route 66 in The Grapes of Wrath. Steinbeck Review.Martin, J. T. (2025). Are Black people philanthropists? Toward a more diverse research agenda on philanthropy. Du Bois Review: Social Science Research on Race. Morris, J. E., Parker, B. D., & Negrón, L. M. (2022). Black school closings aren't new: Historically contextualizing contemporary school closings and Black community resistance. Educational Researcher. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

This week on the show, we welcome Jeremy Warren and Richard Philbrook of Dark Heart. Founded in Oakland, California in 2007, Dark Heart helped shape the modern cannabis industry through pioneering work in tissue culture, pathogen detection and large-scale genetic development-protecting and advancing the plant through years of meticulous cultivation. Jeremy Warren is the Director of Plant Genetics at Curaleaf. Jeremy has a PhD in Plant Pathology from UC Davis, has been leading Dark Heart's genetics program for over ten years, led HpLVd identification, and oversees plant genetics R&D at Curaleaf nationally and internationally. Richard Philbrook is the Principal Scientist of Genetics at Curaleaf. Richard is a Molecular biologist, studied plant genetics at UC Davis to work in cannabis, completed his Master's at Dark Heart, published researcher, and is recognized as an expert in cannabis breeding. We explore our history with the plant, favorite cultivars to cultivate and cross, and the Through the Woods launch of a new limited-edition trio of ultra-premium cannabis flower this 420. 

Back in the BRIG is a 10-time Amazon/Audible best selling author of the long running post apocalyptic zombie mega hit series ADRIAN'S UNDEAD DIARY and much much more! This time, Chris is here to chat about his brand new smash hit LitRPG novel AN UNDEAD GLITCH! This one takes the zombie apocalypse and makes it digital, via an incredibly well realized (sadly fictional) game environment. Think "Dungeon Crawler Carl" or "Ready Player One", but with ZOMBIES and tons of crude humor! What's extra cool is that the audio book for An Undead Glitch is a Retro Ridoctopus co-production—featuring engineering and narration by Parasite Steve and original retro game style music and sound effects by 8-Bit Alchemy! Expect plenty of talk on all of that, plus a discussion of our favorite glitches in gaming. Oh yeah... and WE HAD A CONTEST, which Chris graciously chooses the winners for!! SPOILER ALERT...(everyone is a winner). SHUBIBIN!! RETRO RIDOCTOPUS is ----------------------------------- "Parasite Steve"...... AKA Steve Van Samson (read) "8-Bit Alchemy "...... AKA Tim Krikorian (listen) "Coopster Gold"...... AKA Justin Cooper (subscribe) ------------------------------------------------------------------------- Retro Ridoctopus is a proud member of The Dorkening Podcast Network and is brought to you by Deadly Grounds Coffee. Podcast intro and all heavy metal interstitials by Enchanted Exile.

Donald E. Pray reached many goals by graduating from Tulsa's Central High School in 1950, graduating from the University of Tulsa in 1955 with a degree in petroleum engineering, and graduating from the University of Oklahoma School of Law in 1963.The law library at the University of Oklahoma was named for him thanks to a gift from the Donald W. Reynolds Foundation, honoring Don Pray's service to the foundation as its first Executive Director and then as a long time-time trustee. He was a founding partner at the Pray, Walker, Jackman, Williamson & Marler law firm. Don was one of the founding Trustees of the Grace and Franklin Bernsen Foundation and has also served as a Director or Trustee of St. John Medical Center, the University of Tulsa, Philbrook Art Museum, and the Tulsa Ballet Theatre.These major accomplishments by a man who “grew up in a garage”. It has been written about Don that “his life has been rewarding, not because of what he has received, but because of what he has been able to encourage others to do.”Now you can listen to Don's interesting life story on VoicesofOklahoma.com.

Spanning nine centuries of armor worn by the iconic and fascinating warriors of old Japanese society, the new Samurai exhibition at Philbrook Museum of Art gives viewers a deeper understanding of the culture, lifestyle, and art of the day. Coming to the Tulsa museum from the Collection of Ann and Gabriel Barbier-Mueller, Samurai is on display now through August 3. Nathan and Chris paid a visit to the exhibit for an up-close look at this blockbuster summer attraction at the Philbrook. Also on this week's episode: The editors share their favorite places to eat in Tulsa (of which there are many good ones) and podvents reminds us of an all-time Oklahoma Today cover. You won't want to miss it!

Museum staff titles are often lengthy, so “Creative Director” seems pretty straightforward. But what exactly does it mean? And what exactly do they do? Bhadri Verduzco holds this position at Philbrook, so on this episode we go straight to the source.      

Join Associate Professor of Psychological and Brain Sciences Lauren Philbrook as she shares her research focused on understanding how children's sleep patterns and routines impact everything from behavioral regulation to learning to general wellbeing, in this all new episode of 13.

Chris Philbrook is the creator and author of Adrian's Undead Diary, The Reemergence, Colony Lost, the fantasy world of Elmoryn and the upcoming horror series The Darkness of DIggory Finch. Chris has several years of experience working in game development and editing as well as writing fiction for several major game design companies. He has a business degree as well as a psychology degree. Chris has authored twelve novels in the horror/post-apocalyptic series Adrian's Undead Diary, as well as five urban fantasy novels in The Reemergence series and three dark fantasy novels in The Kinless Trilogy. His first science fiction novel; Colony Lost has received stellar reviews.. He has also edited two anthologies, and has had numerous short stories and novellas published in the horror world. He writes young adult science fiction under the pen name W.J. Orion, and has two books released in The Dry Earth series.

What makes American art "American"? Let's discuss. On this episode we welcome back Philbrook curator, Susan Green to chat about the new exhibition, "American Artists, American Stories from the Pennsylvania Academy of the Fine Arts, 1776-1976." It's a sweeping, varied exhibition offering more than 100 masterworks -- by Mary Cassatt, Barkley L. Hendricks, Edward Hopper, Thomas Moran, Alice Neel, Georgia O'Keeffe, Andrew Wyeth, and many others. It runs through December 29, 2024.

After an 8 month search, the Seattle Art Museum has a new director and CEO: Scott Stulen comes to Seattle from Tulsa, Oklahoma where he led the Philbrook Museum. In their announcement, SAM touted Stulen's work expanding the role of museums in civic life by using the Philbrook as a polling place and vegetable garden. Stulen's hire comes at an important time for the SAM, arts organizations are still recovering from the pandemic, the museum is engaged in union negotiations with security guards, and carrying out a new strategic plan. Guests: Scott Stulen, incoming director and CEO of the Seattle Art Museum Relevant Links: KUOW: Seattle Art Museum has a new leader after 8-month CEO search GeekWire: Seattle Art Museum's new CEO brings innovation mindset — with an openness to AI and other tech See omnystudio.com/listener for privacy information.

This week, we're giving you a front-row seat to the Keynote Conversation at the 2024 Philbrook Art Museum Wine Experience in Tulsa, Oklahoma, between your host Jermaine Stone and esteemed New York Times wine critic Eric Asimov. This conversation was especially iconic because it fell on the one-year anniversary of the profile Eric wrote about Jermaine for The NY Times. From the release of his first network show, the Emmy and James Beard award-nominated series Street Somm, to breaking barriers in wine and wine tasting heard around the world at Clos de Vougeot, which featured hip hop played for the first time within the 1000-year-old castle walls, Jermaine has been quite busy. His conversation with Eric covers it all while giving an in-depth journey through the road that got him there. Special thanks to the entire team at The Philbrook museum of art for graciously sharing this content with us!!

This week we welcome, Jeff Martin, Director of Communications at Philbrook Museum and President of Magic City Books. Jeff, a seasoned podcaster himself and a key player in Tulsa's cultural scene, brings an abundance of insights on blending traditional marketing with innovative storytelling. His dual role at Philbrook and Magic City Books, coupled with his wife's ownership of the locally beloved Antoinette's Bakery, makes Jeff a fountain of knowledge on engaging local and broader audiences.This episode is not just a conversation; it's an exploration of how cultural institutions can leverage their narrative to captivate and engage. Jeff shares his journey through the evolving landscape of communications, emphasizing the pivotal role of social media in transforming Philbrook into a vibrant cultural hub. The highlight? A walkthrough of Philbrook's largest fundraiser, the Philbrook Wine Experience, which has grown from a modest gathering in 1992 to a landmark event raising over $3 million. This biennial spectacle not only showcases the museum's impact on Tulsa's community but also sets a benchmark for event marketing in the B2B space.Dive into this episode to discover the secret behind Jeff's "Fun Menu" (and what that is!) as well as how his team is combining tradition with innovation as they take a nearly 100 year old museum into the future.Brenda, Brandon, Claudia, Jeff, Roop & SamTell us what you think!

Stepping into a leadership role in a new organization means not only a fresh start for your career journey but also for the organization and the people within. You bring with you your experiences and offer new perspectives on what they need. Amy Philbrook is currently unlocking this career milestone. After spending more than 25 years in a wide variety of roles at Fidelity Investments, Amy is now starting as an Executive Vice President for Service with LPL Financial. In this episode, she shares with us how she is handling this transition period, how she is thinking about the first 90 days, and where she wants to focus her energy. Amy talks about dealing with culture shock and adapting her own leadership style and then offers insights on what people get right and wrong in managing their careers. Tune in now and embark on Amy's career journey! Check out the full series of "Career Sessions, Career Lessons" podcasts here or visit pathwise.io/podcast/. A full written transcript of this episode is also available at https://pathwise.io/podcasts/amy-philbrook.Become a PathWise member today! Join at https://pathwise.io/join-now/

Three decades in and Pro-Master Mike Philbrook still has what it takes! Take our advice, never challenge Mike to "The Game"...Episode 185 tops the chart with a "laugh-per-minute" pacing and foosball promotional ingenuity! Become a Foosball Radion Patreon: Patreon.com/FoosballRadio

Every object holds a story. That's the idea behind the thought-provoking new Philbrook exhibition, TRADE & TRANSFORMATION. Curator Kalyn Fay Barnoski (Cherokee Nation enrollee, Muscogee descent) originated and organized the exhibition. On this episode she joins us to chat about how she came to create it. Trade & Transformation is on view through December 30. Details at Philbrook.org.  

"Printmaking: Art and the Written Word" reveals several centuries of European history; the materials in this exhibit reflect spirituality, culture, and academic thought from the Reformation up to the time of the Italian courts.

On this edition of MC, we've got mad props for all the archivists and librarians in the house. The stewardship that these professionals bring to MuseumLand is as multifaceted as it is vital: caretaking, cataloging, researching, locating, documenting, preserving, updating, etc. Our guest is Saige Blanchard, the Library and Collection Information Specialist at Philbrook. She also tells us about a new rare book exhibit that just opened.

Museums rarely allow their most beloved works to travel. But Omaha's Joslyn Art Museum is under renovation. An opportunity arose. Now through May 28, Philbrook presents 500 years of European treasures from that acclaimed collection. Featuring paintings by the likes of Rembrandt, Monet, El Greco, Titian, and Renoir, there's no shortage of star power. Philbrook Curator Susan Green tells us all about it.

Delving into on a splendid, newly opened show now at Philbrook; it's a special gathering of masterpieces spanning 500 years of European painting.

For everything Chris Philbrook, you gotta go straight to the source: https://www.thechrisphilbrook.com/ ----------------------------------------Retro Ridoctopus is:• Parasite Steve (read)• 8-Bit Alchemy (listen)• Nintenjoe (subscribe)----------------------------------------All original heavy metal music by Enchanted Exile Retro Ridoctopus is part of the Dorkening Podcast Network, the Inebri-Art Podcast Network and is brought to you by Deadly Grounds Coffee!

In this episode of the HP Lovecast Presents: Transmissions, Michele Brittany and Nicholas Diak interview Erika T. Wurth about her book, White Horse, and Chris Philbrook about his The Darkness of Diggory Finch series. Episode edited by: Michele BrittanyThumbnail by: Michele BrittanyIntro/Outro Music: "Azathoth" by Philippe Gerber / John 3:16 (Bandcamp page). H. P. Lovecast Logo: Philip YountErika T. Wurth LinksAmazon Author PageTwitterWebsiteChris Philbrook LinksAmazon Author PageTwitterWebsiteBumperThis episode's bumper is courtesy of the band Northumbria. More information on them can be found at Bandcamp, Facebook, and Twitter.Support HP Lovecast PodcastIf you liked this episode and want to support HP Lovecast, consider purchasing one of our books:Horror Literature from Gothic to Post-Modern: Critical EssaysHorror in Space : Critical Essays on a Film SubgenreJames Bond and Popular Culture: Essays on the Influence of the Fictional SuperspyThe New Peplum: Essays on Sword and Sandal Films and Television Programs Since the 1990s

Bedtime. It's one of the biggest struggles parents face. Everyone is tired, we just want our kids to calm and go to sleep. But how does our bedtime affect their sleep? Often we hear that we need our kids to be independent at bedtime, do things on their own, that that will lead to a good sleep. The problem is that there hasn't really been any research on how these actions affect bedtime... until now. This week I am thrilled to welcome Dr. Lauren Philbrook who is with me to talk about her new research looking at the question of how parental presence and contact as well as calming activities at night influence children's stress levels and quality of sleep. If you've bought into the idea that parents need to separate themselves at bedtime, you might want to hear what Dr. Philbrook has to say. Dr. Lauren Philbrook: https://www.colgate.edu/about/directory/lphilbrook Research Articles of Interest https://doi.org/10.1002/dev.22322: https://doi.org/10.1037/fam0001027 https://doi.org/10.1093/sleep/zsz078 https://doi.org/0.1002/dev.21442

For today's selection, we head back to the time 'before Rockne' to celebrate a duo of friends and teammates who helped turn the tide of the Notre Dame football - and who just may have stirred up some serious eligibility controversy along the way! To be fair, there were very few rules regarding this then. Dimick and Philbrook, members of the excellent 1909 team that was first dubbed the 'Fighting Irish', distinguished themselves as Notre Dame men. One died an incredibly tragic death, while the other experienced the triumph of a lifetime just mere months later. Enjoy! Want to help the show? Please subscribe, share, or even donate at Paypal.Me/OnwardToVictory  

Focus: Black Oklahoma has been selected to participate in the Advancing Democracy cohort with the Solutions Journalism Network, or SJN. Our series, In A Confused State, will follow Oklahoma advocacy groups navigating new restrictions on freedoms in four areas: reproductive rights, voting laws, teaching history and direct action/activism. We begin the show with our final piece in the series as Devin Williams sheds light on the obstacles between minority voters and the ballot box in Oklahoma. We also get closer to the people working to make the path to accurate representation more clear. Next Jamie Glisson looks at Ketanji Brown Jackson, who was officially confirmed to the supreme court on April 7, 2022, by a 53 to 47 vote, and the political successes of Black women locally and nationally that brought our political system to this historic moment. In the first installment intended to help us understand the McGirt versus Oklahoma supreme court case and its continued challenges by the state, Dawn Carter notes that almost half the state of Oklahoma may still be considered Native American land that was never disestablished when Oklahoma was granted statehood. The decision could have transformative impacts for citizens across what we know of as Oklahoma. Oklahoma's rich Black history could be lost, if not for people like Damario Solomon-Simmons and Derrick Edie Smith Jr- also known as the “history influencer”- Young Black Mayor.  Crysal Patrick shares some of what led them on this journey of educating not just our state, but our world on Oklahoma history. Then we get an introduction to a new exhibit, Woven, by Shenequa Brooks at 108 Contemporary. In this exhibit, she demonstrates where art and entrepreneurship collide. Brooks is creating art while sharing her talents and expertise with other young artists of color. Carlos Moreno shares the unique story of an “Artpreneur” with us. In this month's final story we get an inside look at what it takes to put on the biggest art show for the youngest artists in town. Lydia Jeong takes us to Philbrook for The Big Show. Focus: Black Oklahoma is produced in partnership with KOSU Radio, Tulsa Artist Fellowship, and Tri-City Collective. Additional support is provided by the George Kaiser Family Foundation and the Charles and Lynn Schusterman Family Philanthropies. Our theme music is by Moffett Music. Focus: Black Oklahoma's executive producers are Quraysh Ali Lansana and Bracken Klar. Our associate producers are Nick Alexandrov and Vanessa Gaona. Our production intern is Smriti Iyengar.

Price is Right Live! is coming to Tulsa, so James Watts, Jimmie Tramel and Grace Wood talk about their favorite game shows. Plus, turning old cassettes into wallets, Philbrook's The BIG show, "Leonlifers," barbecue and tacos.Support the show: https://tulsaworld.com/See omnystudio.com/listener for privacy information.

"Another World" has striking work by Raymond Jonson (American, 1891-1982), Emil Bisttram (American, 1895-1976), Agnes Pelton (American, 1881-1961), Florence Miller Pierce (American, 1918-2007), and several others.

In the years before World War 2, a group of artists gathered in New Mexico to “carry painting beyond the appearance of the physical world, through new concepts of space, color, light, and design, to imaginative realms that are idealistic and spiritual.” They called themselves the TRANSCENDENTAL PAINTING GROUP. On this episode we chat with Philbrook Curator Susan Green about the special exhibition, ANOTHER WORLD, the first comprehensive traveling exhibition to explore work by the group. On view at Philbrook through Feburary 20, 2022.

Do you have a New Year's resolution?   If you do and it is do more fun stuff in Oklahoma...you are in luck!   On today's episode of the Only in OK Show, we discuss some of the fun events happening throughout the Oklahoma during January.  If you want to find something new to do this month, check out the show.   Lace up your ice skates and head to Snowflake Winter Festival Ice Skating in downtown Tahlequah. The Snowflake Ice Rink is a professional-sized ice rink offering everything you need to experience all the joys of gliding and sliding on the ice. Bring your bundled up family and leave with lasting memories and hearts filled with holiday cheer.   Tahlequah, Oklahoma, the capital of the Cherokee Nation, has been named one of the Top 100 Best Small Towns in America. Tour the recreated ancient Cherokee village of Diligwa, located at the Cherokee Heritage Center for a dose of culture. Float down what many consider the state's best canoe waterway, the Illinois River, or make a big splash at Lake Tenkiller. Wander through the Tahlequah Original Historic Townsite District, an area where the street signs are written in English and Cherokee, and test your luck at Cherokee Casino Tahlequah next.   Roger and Hammerstein's beloved "Oklahoma!" in a completely fresh format at Civic Center Music Hall in Oklahoma City. This special production by OKC Broadway has been reimagined for the 21st century by Daniel Fish, featuring a darker, more psychological approach to the story. Experience this Tony Award winner for the Best Revival of a Musical and see "Oklahoma!" in a new light.   The Civic Center Music Hall is a performing arts center located in Oklahoma City, Oklahoma. It was constructed in 1937 as Municipal Auditorium and renamed in 1966. The facility includes the Thelma Gaylord Performing Arts Theatre, the Freede Little Theatre, CitySpace, the Meinders Hall of Mirrors and the Joel Levine Rehearsal Hall.   Oklahoma City, Oklahoma is a very family-friendly city for entertainment, shopping and a diverse food scene.   Visit to Foss State Park on January 1 for a free guided hike. Meet at the Cedar Point shelter above the marina at 2pm and get ready for an approximately two-mile hike on the Great Western Trail. Be sure to bring your binoculars, a camera, water and appropriate dress for a cool-weather hike.   Foss State Park is located in western Oklahoma on Foss Lake. Recreational activities include hiking, biking, disc golf, horseback riding, fishing, boating, swimming, kayaking and camping. Facilities include RV campsites, 10 of which have full-hookups.   Foss is a small town on Route 66 in western Oklahoma that has the remains of the vintage Kobel's Place Service Station, and an original old West steel jail cell.   Oklahoma Boat Expo will be held at The Cox Business Convention Center in downtown Tulsa January 7th-9th 2022. Find the biggest dealers with the latest in boats, watercraft, watersports, Rv's and just about everything you can think of to do outdoors.   Cox Business Convention Center offers over 275,000 square foot of flexible event space, Oklahoma's largest banquet space, and in-house catering, AV, IT, and more.   Tulsa is Oklahoma's second-largest city, where visitors will find world-class attractions including the acclaimed Tulsa Zoo, the Philbrook and Gilcrease museums among other top cultural attractions such as the Tulsa Ballet and Tulsa Opera, lively entertainment, casinos, sporting events, dining, shopping, family fun and outdoor escapes.   Scotfest Burns Night is an evening celebrating the life and work of the beloved Scottish poet Robert "Rabbie" Burns, the Bard of Ayrshire, Scotland. Includes performances by the Tulsa Metro Pipe Band, Tullamore, Highland Dance by the Ladymon School of Scottish Dance.  VIP Tickets include: Bottle of Single Malt Whisky at the table, Bottles of wine at the table, Specialty chocolate at the table, Priority Seating close to the Dance Floor, Priority access to buffet/food, Cheese Board with Fruit and Crackers at the table and more.   2 Hip Chicks Roadshow is a traveling event show bringing you the latest in fashion, crafts, salvaged, upcycled, repurposed furniture, good ole junk and more.   The Oklahoma State Fair Park is one of the largest state fair park facilities in the nation and is a top attraction venue in Oklahoma City. In addition to the annual Oklahoma State Fair in early fall, the fairgrounds is host to hundreds of metro events including auto racing, horse shows, rodeos, concerts, conventions, exhibitions, classes and many more.   My So Called Band is a musical tribute to one of the greatest eras of music, the 90s. They play all of your '90s and early 2000s favorites including rock, grunge, country, R&B, hip hop, and pop.   The Vanguard is a cozy music venue located in historic Brady district in downtown Tulsa, OK.   The 2022 Lucas Oil Chili Bowl Nationals presented by General Tire takes place January 10-15, 2022, atop the clay of the Tulsa Expo Raceway. The event is contested under the massive roof of the SageNet Center in Tulsa, Okla.   Tulsa Expo Square hosts hundreds of events every year.   Jump in the Millennium Falcon and journey to Tatooine, Alderaan and beyond with a complete showing of "Star Wars: A New Hope" on a giant screen in high-definition, with John Williams' Oscar-winning score played live by Tulsa Symphony. Luke Skywalker leaves his home planet, battles the evil empire and learns the ways of the Force in the iconic film that started it all. Don't miss this intergalactic musical experience at the Tulsa Performing Arts Center for one night only.   Tulsa Symphony resonates throughout the Tulsa community and Northeastern Oklahoma as the professional orchestra that educates, entertains, and inspires through creative and innovative programming. Tulsa Symphony prides itself on enriching the Tulsa community and beyond through musical excellence, education and community service. Serving as the cornerstone of the arts in Tulsa, Tulsa Symphony partners and collaborates with Tulsa Ballet, Tulsa Chorale, Philbrook Museum, Gilcrease Museum and Oklahoma Aquarium.   Built by the City of Tulsa and funded by the people of Tulsa, the Tulsa Performing Arts Center opened its doors in March 1977 as the City's new municipal theatre. The first concert took place on March 19, 1977, featuring the Tulsa Philharmonic and jazz great Ella Fitzgerald.   #TravelOK #onlyinokshow #Oklahoma #MadeinOklahoma #oklaproud #podcast #okherewego #traveloklahoma #Attraction #events  #January #NewYear #plays #festival #concert #racing #music #boats #hike

On today's episode of the Only in OK Show, we discuss some of the fun events happening throughout the Oklahoma during December.  If you want to find something new to do this month, check out the show.   Holiday in the Ark is a brand new for 2021. This festive event welcomes everyone out to the Endangered Ark Foundation in Hugo for a special meet and greet with Santa, Mrs. Claus, elves, the Grinch and elephants. Guests will be able to feed and interact with the elephants and shop for everyone on their Christmas list.   The Endangered Ark Foundation is a private nonprofit dedicated to ensuring the future of Asian elephants in North America, providing a retirement ranch for circus elephants, and educating the public about this endangered species.   Hugo, OK started as a railroad hub in the early 1900s, was a hotbed of activity, with a vivid mix of dance hall girls, hustlers and gunfighters, a Harvey House Restaurant, and at one time, a dozen circuses wintering nearby to take advantage of the moderate climate and easy rail access. The Frisco Depot Museum in the restored former Harvey House Restaurant captures some of this rollicking past, and Mount Olivet Cemetery showcases the final resting places for rodeo greats. The cemetery also features a special area known as "Showmen's Rest," which features unique headstones and gravesites for circus performers and owners.   Pollard Theatre is a 501c3 nonprofit, whose mission is to produce professional theatre that engages and inspires Oklahoma's audiences, and contributes to the quality of life and economy of our community and state.   As Oklahoma's territorial capital, Guthrie's ongoing restoration efforts make the town's downtown area the largest Historic Preservation District in the nation. Take a trolley tour through downtown to find fascinating history, one-of-a-kind stores and more than a dozen bed and breakfasts housed in charming Victorian-era buildings, or hear the history behind local hauntings on a spooky Guthrie Ghost Walk. Discover the diverse collections of Guthrie's many museums, including the Oklahoma Territorial Museum & Carnegie Library.   At Tulsa Botanic Garden's Garden of Lights event you can escape the holiday hustle and bustle and make memories with family and friends as you stroll the Garden illuminated with colorful lights. Open Thursday - Sunday nights, 5 - 10 p.m. through Jan. 5. Every night S'more kits, hot chocolate and cider (with spiked options), beer and wine will be available.   Tulsa is Oklahoma's second-largest city, where visitors will find world-class attractions including the acclaimed Tulsa Zoo, the Philbrook and Gilcrease museums among other top cultural attractions such as the Tulsa Ballet and Tulsa Opera, lively entertainment, casinos, sporting events, dining, shopping, family fun and outdoor escapes.   The Luther Pecan Festival is a family-friendly festival with a full day of art, food, music and of course, tons of pecans as downtown Luther puts on a hometown harvest celebration. In addition to great food from local establishments, take in a variety of mobile cuisine from some of the metro's best food trucks.   Luther, OK is located in far northeastern Oklahoma County on historic Route 66, and is home to the historic Threatt Filling Station.   The Minco Honey Festival features a large arts & crafts fair, tours of the Ross Honey Company and Great Plains Cotton Gin, carriage rides, free food samples, entertainment from Lucas Ross, a kid's toy tractor pull, great local shopping and restaurants, food trucks, a honey bake-off, Santa Claus and more.   Established in 1902, Minco is known as the land of milk and honey. Minco hosts an annual Honey Festival every December. Located in Grady County only 40 miles southwest of Oklahoma City along the Chisholm Trail, this old railroad town is buzzing with rich history and boutique shopping.   2 Hip Chicks Roadshow is a traveling event show bringing you the latest in fashion, crafts, salvaged, upcycled, repurposed furniture, good ole junk and more.   Tulsa Expo Square hosts hundreds of events every year.   River Spirit Casino Resort is a multi-million dollar casino features more than 300,000 square feet of gaming entertainment with over 2,500 slot machines, 24 blackjack tables, 15 poker tables, four restaurants, and regular live music. C   The Tulsa Shootout in Tulsa, Oklahoma is the largest event for micro sprint racing in the world. Going into the 36th year of this prestigious event, many drivers dream of bringing home the Golden Driller.   #TravelOK #onlyinokshow #Oklahoma #MadeinOklahoma #oklaproud #podcast #okherewego #traveloklahoma #Attraction #events  #December #Christmas #wildwest #rt66 #elephants #plays #festival #concert #racing #trains

Susan Green, a curator at Philbrook, talks about an exhibit at the museum called "Another World: The Transcendental Painting Group"

SIU School of Communication Studies faculty member Dr. Craig Gingrich-Philbrook joins Justin to talk about his recent experience as a participant on a reality television show, how that ties into his teaching of compassionate communication, a brief history of queer performance, expanding the stage through media, and the beauty of inclusiveness in a new television series.

Our guest is the acclaimed African-American artist Lonnie Holley, born in Alabama in 1950, who has three pieces now on view at Philbrook in that museum's "From the Limitations of Now" exhibit, which closes on September 5th. Known for his mixed-media and found-and-discarded-object art pieces, Holley is also an "experimental blues" musician who's made several albums. He will perform with his band tomorrow night (Friday the 3rd) at Philbrook's garden space, beginning at 7pm.

Join us for this insightful episode where Tyler is joined by Dr. Li-Zandré Philbrook and discuss everything from primary care to changing the status quo of what PT could look like in the next several years. Dr. Philbrook has a background heavy in manual therapy and orthopedics, but felt like something was missing. She now works alongside physicians, collaborating in patient care and changing the lives of her patients without touching them. She dives into what to do when your patients have “failed PT” as well as how to ask your patients the right questions to actually address their issue. Reading, endless curiosity, and self-reflection are all huge factors in Dr. Philbrook's practice, and have led her to a career in higher education to change the field as a whole. “It's about elevating everyone so patient care is better.” --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/motif-center/support

Welcome to Tulsa Talks presented by Tulsa Regional Chamber. I’m your host Tim Landes. Has anybody else noticed we’re going through a sort of modern age renaissance period in Tulsa? Some may hear Renaissance and only think legendary artists, but it was also a period of social change. Hear me out. The arts are alive and thriving like never before in Tulsa, and with that comes messages of resiliency and calls for change. Drive anywhere around town and there’s a good chance you’ll see a bright, vibrant mural that tells a story and/or promotes a business, organization, neighborhood or district. And there are some that are just fun.  There are multiple art museums, numerous galleries and exhibits being shown wherever artists can find wall space. Artists are selling paintings, prints and apparel through their Instagram and Pintrest.  There are galleries in Brookside, on Admiral, on Greenwood and inside the Dennis R. Neill Equality Center. Many of the paintings have small stickers on the nameplate indicating they’re sold. A message painted on Greenwood caused a lot of controversy in the summer of 2020 and was eventually removed by the City. It stated Black lives matter. Philbrook just launched the new exhibit “From the Limitations of Now,” which spans the museum and officials say “reflects on the important ways art and literature allow us to examine America’s past and picture a future in which, in the words of renowned Oklahoma author Ralph Ellison, “we are able to free ourselves from the limitations of today.”My guest on this episode is Alexander Tamahn. His work along with many other local artists is on display at Philbrook through September 5. He contributed to a mural titled “Time Travel” with his friends in Black Moon Collective. They also did the BLM mural by the railroad tracks between Archer and First off Greenwood. Alexander is on a prolific tear right now. He has work showing at ahha and recently contributed to a Gathering Place exhibit. It was a massive beautiful painting he did in a week because he’s that talented and always creating for the next thing.  He’s so busy we had to squeeze in time for this conversation as he was leaving Philbrook and traveling to another destination to discuss another upcoming art show. We talk about his incredible year of art. If you’ve seen the beautiful faces on the wall outside of Fulton Street Books, that’s Alexander’s work. He also contributed to the mural of Black community leaders on the wall of the Metro by T-Mobile across from McLain. He’s got more work all over the place. Alexander is also a teacher and an ORU graduate with a background in psychology. I met him a few years ago when he and other Teach for America teachers painted a mural with students through their after school project called Disrupt. We discuss why he enjoys teaching art to young people and more in this chat. Following my conversation with him, I share an audio excerpt from my recent interview with Casii Stephan about her new single “Here Comes the Light,” which she graciously shared with us to share with you. More on that later. This episode is produced by Tim Landes and Morgan Phillips. 

On this installment of ST, we learn about a show that recently opened at Philbrook Museum of Art here in Tulsa. "From the Limitations of Now" will be on view through September 5th. It's an exhibit that, as noted at the Philbrook website , offers work by artists based locally as well as nationally in order to reflect "the important ways art and literature allow us to examine America's past and picture a future in which, in the words of renowned Oklahoma author Ralph Ellison, 'we are able to free ourselves from the limitations of today.' Spanning multiple galleries throughout the Museum, the exhibition will feature a range of works, including vibrant tapestries and beadwork, vivid photographs, songs, paintings, and videos. These artworks reflect on the violence of American history, the power of ancestors who worked in the face of violence to forge a more just world, and speculate on visions of a future that is still yet to be." Our guest is Sara O'Keeffe, the Associate Curator of Modern

In November of 1620 the Pilgrims arrived by ship to a new land filled with danger and uncertainty, a world in which nearly half of them would soon die of starvation and sickness, their final resting place being unmarked graves so as not to let the surrounding Indians know how many of their group had been lost. Yet with unshakable faith and strength of spirit, the survivors of that first winter set to work to fell trees and build a village, they found the strength to clear fields and plant crops when the springtime came, and they forged an alliance with the Wampanoag Indians for their mutual benefits. Then, despite that first year of incredible hardship and loss, they set aside a few days in the fall of 1621 to give thanks to their God for all the blessings they had received. This was the first Thanksgiving at Plymouth in what we now call Massachusetts. This is their story.. Join us as we take a look back at the first Thanksgiving in Plymouth back in 1621. If you have a minute, visit our Facebook page at www.facebook.com/1001Heroes and answer our question "Despite this hard year-what are you most thankful for this Thanksgiving? Sources: Stepman, Jarrett: The War On History; Philbrook, Nathan, Mayflower; The Plymouth Colony Museum Catch ALL our author interviews in one place here at 1001 History's Best Storytellers! Android devices: https://podbay.fm/p/1001-historys-best-storytellers (cut and paste into your url) Apple devices: https://podcasts.apple.com/au/podcast/1001-historys-best-storytellers/id1483649026 NEW 1001 Ghost Stories & Tales of the Macabre is now playing at Apple Podcasts! https://podcasts.apple.com/us/podcast/1001-ghost-stories-tales-of-the-macabre/id1516332327 NEW Enjoy 1001 Greatest Love Stories on Apple Devices here: https://podcasts.apple.com/us/podcast/1001-greatest-love-stories/id1485751552 Enjoy 1001 Greatest Love Stories on Android devices here: ​​https://www.stitcher.com/s?fid=479022&refid=stpr.  Get all of our shows at one website: www.1001storiespodcast.com CALLING ALL FANS.. REVIEWS NEEDED SUPPORT OUR SHOW BY BECOMING A PATRON! www.patreon.com/1001storiesnetwork. Its time I started asking for support! Thank you. Its a few dollars a month OR a one time. (Any amount is appreciated). YOUR REVIEWS AND SUBSCRIPTIONS AT APPLE/ITUNES AND ALL ANDROID HOSTS ARE NEEDED AND APPRECIATED! LINKS BELOW... Open these links to enjoy our shows! APPLE USERS Catch 1001 RADIO DAYS now at Apple iTunes!  https://itunes.apple.com/us/podcast/1001-radio-days/id1405045413?mt=2 Catch 1001 Heroes on any Apple Device here (Free): https://podcasts.apple.com/us/podcast/1001-heroes-legends-histories-mysteries-podcast/id956154836?mt=2  Catch 1001 CLASSIC SHORT STORIES at iTunes/apple Podcast App Now: https://podcasts.apple.com/us/podcast/1001-classic-short-stories-tales/id1078098622 Catch 1001 Stories for the Road at iTunes/Apple Podcast now:  https://podcasts.apple.com/us/podcast/1001-stories-for-the-road/id1227478901 ANDROID USERS- 1001 Radio Days right here at Player.fm FREE: https://player.fm/series/1001-radio-days 1001 Classic Short Stories & Tales:https://castbox.fm/channel/1001-Classic-Short-Stories-%26-Tales-id1323543?country=us 1001 Heroes, Legends, Histories & Mysteries: https://castbox.fm/channel/1001-Heroes%2C-Legends%2C-Histories-%26-Mysteries-Podcast-id1323418?country=us 1001 Stories for the Road:https://castbox.fm/channel/1001-Stories-For-The-Road-id1324757?country=us Catch ALL of our shows at one place by going to www.1001storiesnetwork.com- our home website with Megapho

On this episode we explore the groundbreaking exhibition, "Hearts of Our People: Native Women Artists" with Philbrook Curator Christina Burke. The first of its kind and years in the making, this show honors the achievements of over 100 Native women artists from the United States and Canada spanning over 1,000 years. On view at Philbrook through January 3, 2021.

Our guest is Christina Burke, the Curator of Native American and Non-Western Art at Philbrook Museum of Art here in Tulsa. She tells us about an exciting new show at the museum, "Hearts of Our People: Native Women Artists," which is now on view for members only -- and which will open to the public on Wednesday the 7th. As noted the Philbrook website : "Women have long been the creative force behind Native art. Presented in close cooperation with top Native women artists and scholars, 'Hearts of Our People' is the first major traveling exhibition of artwork by Indigenous women of the past and present, honoring the achievements of over 100 artists from the United States and Canada [and] spanning over 1,000 years. Their triumphs -- from pottery, textiles, and painting, to photographic portraits -- show astonishing innovation and technical mastery. Philbrook is the final stop for this groundbreaking [and traveling] exhibition, and our presentation will include pieces from the collection

Scott Stulen is the CEO and President of Philbrook Museum of Art in Tulsa, Oklahoma. He’s also an artist, curator, programmer and DJ. Previously he was the first Curator of Audience Experiences and Performance at the Indianapolis Museum of Art, and Director of the McKnight Artist Fellowship for Photographers and Project Director of mnartists.org at the Walker Art Center. On our show today, we find out what Scott reads, watches, and listens to for inspiration.  About PhilbrookVilla Philbrook was a child of the Twenties. World War I was over. Women could vote. It was a time of flappers, rumble seats, prohibition, bootleggers and five-cent Cokes. More than that, in Tulsa the Twenties smelled of oil and resounded with money. In 1926 Edward Buehler Delk (1885–1956), a Kansas City architect, was hired to design an Italian Renaissance villa on 25 acres by oilman Waite Phillips. Delk skillfully interpreted Renaissance styles in the most fashionable manner of the day and was hired in a burst of commissions with three major projects at once: Villa Philbrook, Villa Philmonte and the Philtower office building. This impressive home was completed in 1927. Friends say that the Phillipses built the villa as a place where their two children could entertain friends. When they moved in, daughter Helen was sixteen, son Elliott was ten. In 1938 Waite Phillips surprised Tulsans with the announcement of his gift of the 72-room mansion and surrounding 23 acres of grounds as an art center for the city of Tulsa. The vision first made possible by Waite and Genevieve Phillips is now one of America’s finest art museums. The integrity of the original residence remains intact while later additions to the facility and gardens complete this classic Tulsa attraction. Serving over 160,000 visitors annually, Philbrook has become a poignant testimony to Tulsa’s past while building a shining example of this city’s bright future. What began as an unprecedented gift to the community of Tulsa by the Phillips family continues today through the generosity of Philbrook Members and donors. Resources: Read: Real Talk About White Supremacy Culture in Art Museums Today, Dr. Kelli Morgan  Watch: Country Music, A Film By Ken Burns Listen: Nevermind, Nirvana  Check out the songs we played during this episode Sturgill Simpson, In Bloom Nirvana, In Bloom  Nirvana, Lounge Act Meow The Jewels, Angelsnuggler Giants' Nest, Animal Hug  Norman Saan, Merry Go Thank you to our sponsor, Full Stack. Learn more about Full Stack at www.fullstackpeo.com Motivation Chaser is hosted and edited by Fabian Rodriguez, mixed and mastered by Jeff DuPont.  A Culture Collaborative Media Production.   

Scott Stulen is the CEO and President of Philbrook Museum of Art in Tulsa, Oklahoma. He’s also an artist, curator, programmer and DJ. Previously he was the first Curator of Audience Experiences and Performance at the Indianapolis Museum of Art, and Director of the McKnight Artist Fellowship for Photographers and Project Director of mnartists.org at the Walker Art Center. On our show today, we find out what Scott reads, watches, and listens to for inspiration.  About PhilbrookVilla Philbrook was a child of the Twenties. World War I was over. Women could vote. It was a time of flappers, rumble seats, prohibition, bootleggers and five-cent Cokes. More than that, in Tulsa the Twenties smelled of oil and resounded with money. In 1926 Edward Buehler Delk (1885–1956), a Kansas City architect, was hired to design an Italian Renaissance villa on 25 acres by oilman Waite Phillips. Delk skillfully interpreted Renaissance styles in the most fashionable manner of the day and was hired in a burst of commissions with three major projects at once: Villa Philbrook, Villa Philmonte and the Philtower office building. This impressive home was completed in 1927. Friends say that the Phillipses built the villa as a place where their two children could entertain friends. When they moved in, daughter Helen was sixteen, son Elliott was ten. In 1938 Waite Phillips surprised Tulsans with the announcement of his gift of the 72-room mansion and surrounding 23 acres of grounds as an art center for the city of Tulsa. The vision first made possible by Waite and Genevieve Phillips is now one of America’s finest art museums. The integrity of the original residence remains intact while later additions to the facility and gardens complete this classic Tulsa attraction. Serving over 160,000 visitors annually, Philbrook has become a poignant testimony to Tulsa’s past while building a shining example of this city’s bright future. What began as an unprecedented gift to the community of Tulsa by the Phillips family continues today through the generosity of Philbrook Members and donors. Resources: Read: Real Talk About White Supremacy Culture in Art Museums Today, Dr. Kelli Morgan  Watch: Country Music, A Film By Ken Burns Listen: Nevermind, Nirvana  Check out the songs we played during this episode Sturgill Simpson, In Bloom Nirvana, In Bloom  Nirvana, Lounge Act Meow The Jewels, Angelsnuggler Giants' Nest, Animal Hug  Norman Saan, Merry Go Thank you to our sponsor, Full Stack. Learn more about Full Stack at www.fullstackpeo.com Motivation Chaser is hosted and edited by Fabian Rodriguez, mixed and mastered by Jeff DuPont.  A Culture Collaborative Media Production.   

In times of chaos and uncertainty, the best-laid plans get tossed to the wayside. We move into crisis mode and devote our energy to staying afloat in the day-to-day. Our to-do lists grow, often with more menial tasks and tactics, and strategic thinking takes a backseat. So how can we get that back? In this episode, Amy Philbrook (she, hers) of Fidelity Investments chatted with us about why times of crises and uncertainty are opportunities to lean into strategy and higher-level thinking. We discuss: -Why strategic thinking is important now, more than ever -How to tap into the power of delegation, even if you don't manage a team -Why this is more likely to happen among women -How this approach can help you regain a feeling of power and control ******* Amy Philbrook (she, hers) loves to see people operating at their full potential and thinks there is probably a significant reservoir of untapped opportunity in each of us. Amy is really excited about agility, flexible innovation, and constant iteration. Seeing traditional structures crumble in a way that allows everybody to be the best at what they can do. Amy is the Head of Core Market Sales, Workplace Investing at Fidelity Investments. She was previously Head of Diversity and Inclusion, responsible for creating and attracting a more diverse workforce, tapping into the power of our differences to develop and retain talent, creating a culture of inclusion, and showcasing Fidelity's reputation and brand as an inclusive employer and service provider. Ms. Philbrook joined Fidelity in 1995 and has held a variety of positions throughout the firm, including human resources, compliance, retirement investment services, marketing and sales, and quality assurance and risk management. Prior to joining Fidelity, she worked in human resources for Fish & Richardson P.C., an intellectual property and litigation firm. Ms. Philbrook received a bachelor of science in political science and government from Northeastern University. She also holds the FINRA Principal Series 7 and 24 licenses.

Jeff Martin "sits" down with Chris and Jesse to talk about stories, running a bookstore during a pandemic, and some of his best memories from Philbrook and Magic City Books. Hear Jeff name what he would call his autobiography, and why Jeff and Chris would throw the world's craziest party.The Chuck Palahniuk video that is referenced can be watched here: https://youtu.be/urkfGTVNpnwTo see Magic City Books list of upcoming events go to https://www.magiccitybooks.com/To get a ticket for some alone time at Philbrook, visit there website: https://philbrook.org/visit/reopening/Please don't forget to subscribe to this podcast on Apple Podcasts or anywhere podcasts can be found. See acast.com/privacy for privacy and opt-out information.

In the wake of the shutdown, Scott Stulen, CEO and President of the Philbrook Museum of Art, had to act quickly. Projects that would take months, took hours. A new idea presented in the morning was up and running by the afternoon. In this conversation, Scott reflects on the role of museum leadership during these tumultuous times. From collaboration to garden cats to victory gardens, the Philbrook has run over 250 programs since they initially shut down and it doesn’t seem like they’re slowing down anytime soon.

Cory Hepola talked w/ Hennepin County Medical Center Trauma/Injury Prevention Specialist Julie Philbrook about the best ways to prevent injuring yourself during the summer, proper precautions to take and more See omnystudio.com/policies/listener for privacy information.

What follows is a statement recently released by Philbrook. It was created and edited in collaboration with the museum staff, leadership, and Board of Trustees. 

Philbrook recently kicked off a pen pal program for the museum cats. A bit of connection in the COVID-19 era. If you write them a letter, they write back. That's the deal. The program took off quickly and mail began arriving daily from around the country and around the world. Some from kids, some from adults. Some silly, some quite moving. Some from other cats (kind of). But one recent arrival stood out. The return address on the envelope was a prison. The letter inside was unforgettable. 

Catch up0-11 Molly Ro and Alysia update on Pandemic related changes in Bay Area CA, Scottsdale AZ, PVD RIRo’s healthy mind platter chartlink14-olympic postponement21-Introducing our two Guests Lauren Philbrook and Rachel Hyland25-check our insta for t-shirt winners!Interview!Lauren - still has 3.5 more weeks until baby-with Pandemic, now is an uncertain and anxious time to be pregnantRachel- due june 1, more uncertainty now, Dr. appointments are pushed back, done virtual etc4-decision to run the trials pregnant (the women were 27 weeks and 33 weeks along) and how much they were running in third trimester7-what they represented out on the trials course:Link Rachels blogPriorities shift with family but you can still have goals, her goal was adjusted but still held on to itRachel: “I was one of 500 who qualified and we’re all in a different place-I was in the middle of a pregnancy, Lauren was 33 weeks, someone else may have had a miscarriage, you just never know. Everyone was on their own little journey and I was just part of that.”12-Lauren: “I was actually a little bit worried that maybe some people would think I wasn’t taking this very serious event very seriously so that was probably my biggest hesitation about running in it, and then having the support from Rachel and then my husband and my friends here were like “no….” you qualified there is no reason why you can’t go run too “. “How supportive and encouraging everyone was to us, I was just blown away, I’ll never forget that feeling”13-Rachel was 4th in 2018 Boston Marathon15-Rachel: “Staying connected to the running community while I’ve been pregnant has been super important, so I think that’s another thing maybe I was, another reason that got me to the start line was being connected, cus I really needed that-I needed my running community this year in particular, even if I might have been running slower-but you don’t have to remove yourself from the competitive running community just cus you’re pregnant”16-Olympic postponement effects on these ladies-how it affects family planning18-Rachel and Lauren have other careers and balance running and family 23- Loosening your grip on perfection as an athlete who is used to chasing excellence-how those high expectations shift when you have family, work, and sport performance27- Rachel and Lauren’s story(link Runnersworld and WR story)Lauren-looks to women who are working, running at a high level and have families. It’s personally inspiringRachel-Also looks to for ex to teachers pursuing another passion aside from teaching-running is similar(link salty womens running pregnant training logs)33-lauren: “One thing i really like that Stephanie said...I’m not saying you have to run a marathon too just because I did , you can do whatever feels most comfortable to you….do what feels right to you, it doesn’t have to be a marathon, you can run if you like to and what’s comfortable, I feel like that’s what’s... appreciated”34:30 What it means to have each other during this time of their lives: they inspire each other to run post collegiately, and share first pregnancy experience

Welcome to Tulsa Talks presented by Tulsa Regional Chamber. I’m your host Tim Landes. The voice you just heard is our TulsaPeople Tulsan of the Year, Jeff Martin. I’m a huge fan of Jeff and the work he does for our city. At the end of our conversation we recorded in early December, I mentioned to Jeff that his work has helped keep me in Tulsa, and that’s definitely true. I’m a bookworm and a regular audience member at author talks hosted by Booksmart Tulsa, which was launched by Jeff in 2009. It started as a monthly pub book club held at McNellies and has grown into the Tulsa Literary Coalition that has brought more than 1,000 authors to Tulsa, including nearly 200 in 2019. That’s an event every other day. And Jeff works most of them for free. It’s those events that educate and inspire me and help shape me as a writer. Two years ago, Jeff and his business partner (the late Cindy Hulsey) opened Magic City Books at the corner of Archer St and Detroit Ave in downtown Tulsa’s arts district. Jeff and Tulsa Literary Coalition’s efforts have help reinvigorate Tulsa’s longtime love for books and we’re now seeing an explosion of independent bookstores opening in Tulsa. In our conversation, Jeff discusses why it’s so important to see those literary allies appearing across the metro. Connie Cronley wrote an excellent piece on Jeff in our January issue, and I’m thrilled I had the opportunity to expand on her work in our chat. He and I discussed his childhood and how his early work in a video store and a national chain bookstore helped mold him into who he is today. It turns out not being scared of the word “no” and asking for forgiveness instead of permission can take someone a long way toward their dreams. We also briefly talk about his work as the communications manager for Philbrook. It’s a dream job he wouldn’t have had it not been for hosting a book talk at the museum. If you’ve listened to Philbrook’s Museum Confidential podcast, you’ll already be familiar with Jeff. For those who haven’t checked it out, I suggest once you’re finished listening all our episodes, you dive into their archive. It’s really great stuff. A few days before we recorded, Jeff gave me the opportunity to moderate a book talk with author Paul Hendrickson. I can tell you, it’s not easy work filling Jeff’s shoes for an evening. I had fun, and I look forward to doing more in the future to help give the man a break every now and then. He’s earned them. Following that conversation, The Voice music writer and People To Wave To host Kyra Bruce shares highlights from her interview with Tulsa rapper First Verse, who also shares a new single with you to close out the episode. Alright let’s get this going. This is Tulsa Talks with Jeff Martin.

Scott Stulen, the director of Philbrook Museum of Art, is a regular at DoubleShot Coffee Company. He talks about the changes he is making at Philbrook, how he thinks about art differently, and the special coffee collaborations between Philbrook and DoubleShot.

Today's episode is sponsored by Tulsa Botanic Garden, presenting Festival of Lights through January 6.On today’s episode, I’m feeling extra festive, because we’ve got Philbrook Museum director Scott Stulen in the studio to talk about the museum’s annual Festival.Then, Morgan Phillips takes the stage with a dramatic rendition of What the What?!That’s the voice of Scott Stulen, the now-iconic director of the always-iconic Philbrook Museum. In the past 2 and a half years, Scott has steered the museum in a distinctively modern direction. The Internet Cat Video Festival. The 80s-themed 80th anniversary. The bold, interactive visiting exhibitions featuring the works of Andy Warhol and Mel Bochner. Plus, who can forget the tiny motel from which local musicians played live-streamed mini-concerts.Philbrook even has a podcast now, Museum Confidential, which — full disclosure — definitely had a hand in inspiring us to start a podcast too.But, Scott knows that there are some things you just don’t mess with. One of those beloved traditions is Festival, which longtime Tulsans may remember as the Philbrook Festival of Trees, an annual holiday celebration that sees the Italian Villa decked out in full holiday glory, it’s immaculate gardens illuminated and glittering. But in addition to the warm familiarity, Scott promises us new surprises, too. Scott and I were discussing the new cabin in the Philbrook gardens. Since this conversation, I’ve experienced it for myself — and it’s truly magical. But the cabin isn’t the only new addition you can expect at Philbrook’s Festival.We’ll be back with more of this conversation. But first, Morgan Phillips reconnects with her inner drama nerd thanks to the Orbit Initiative on this installment of What the What?!To get a behind-the-scenes look at this and other adventures, be sure to follow Morgan on Instagram at @whatthewhattulsa. When we left off, Scott Stulen was discussing the new additions to this year’s Philbrook Festival. But as it turns out, an old tradition is making a comeback this weekend.Philbrook Museum is at 2727 S. Rockford Avenue. Remaining festival dates are Fridays, Dec. 7, 14, 21, 28, plus Christmas Eve, Monday, December 24. As a reminder, the Children’s party is this Sunday, December 7.For more information and to purchase tickets, visit philbrook.org/festival. Adult tickets are $5/Philbrook Members, $15/Not-yet Members. Kids are free but require a ticket.Featured Local Music:Mark Gibson’s “Blue Eyed Soul” from his 2018 album “Live from Soul City.”Catch Mark playing various venues this month, including a holiday concert on Dec. 15 at Soul City.For more information, visit markgibsonmusic.com.This episode is brought to you by the Tulsa Botanic Garden, presenting the holiday event Garden of Lights through January 6th. There’s something for everyone at Garden of Lights, which runs through January 6that the Tulsa Botanic Garden, just 8 miles northwest of downtown. Have your photo taken with Botanical Saint Nick on Wednesday nights, or enjoy live music on Thursday evenings through December 20th. You can look forward to the sounds of the Bravo Performing Arts School, the Cascia Hall Singers, Mark Gibson and harpist Lorelei Barton. Plan to linger, since food trucks and a cash bar are available Thursdays, Fridays and Saturdays through Dec. 22nd. Or catch a ride around the garden lake on the Holiday Express Train, which runs Fridays and Saturday nights. Speaking of trains, December 7th kicks off Holiday Train Week from 5 to 9 PM. Train lovers old and young can see a large-scale model railroad holiday di

In this episode I chat with author Chris Philbrook. For show notes, visit our website: https://sorcero.us/episode-9-chris-philbrook-author/ --- Support this podcast: https://anchor.fm/sorcerous/support

Philbrook:https://philbrook.orghttps://www.instagram.com/philbrookmuseum/Citizens:www.citizensoftulsa.orgwww.instagram.com/citizensoftulsa

Mark and Brian sit down in the echo-chamber roastery that has been constructed on the Rookery site. Discussions about Philbrook Museum, the Specialty Coffee Association, and then an interview with Leslie Penrose, the founder of the Nicaraguan community development nonprofit, Just Hope.

On the season one finale we try our hand at a podcast classic, the vaunted “mailbag” episode. We invited social media followers to “ask us anything” about Philbrook or museums in general. We then gathered a panel of experts to provide answers, or at least attempt to. Results vary. See you this fall for season two.

How can your podcast make money? There are quite a few ways, but these newbie podcasters share their ideas with Philip Taylor after attending PodFest - a conference for podcasters who want to grow their brand and audience and maximize their income. You’ll hear from Tyler Philbrook, Alex Mason and Lindsey Lawless about how they came up with the concept for their shows, interviews vs monologue episodes, how they will promote and get feedback from their audience, and of course how they plan to monetize their podcast. For more information, visit https://finconexpo.com/mm-40-creating-new-podcast/

For our special Valentine's Day episode we explore many different kinds of love, from the boomtown couple that founded Philbrook to the supposed foot fetishism of an iconic French artist. Keep an ear out for cameos by Marie Antoinette and Edward Hopper. 

Arguably at the height of his career with work in Vanity Fair and Vogue, regularly shooting the likes of Jesse Owens, Gary Cooper, and Katharine Hepburn, photographer Lusha Nelson died in 1938 at the age of 30. His personal archive remained lost until 2015 when it was rediscovered by Philbrook. Hear the amazing true story.

Jolen Philbrook believes you need an abundance mindset to succeed in business. She puts on the ‘Advice WINGS’ today with suggestions of how to create a wealthy consciousness and overcome subconscious “money blocks”.

Explore a different side of legendary actor Vincent Price for our special Halloween episode with Philbrook curator, Christina E. Burke. Guest starring Michael Jackson, Johnny Carson, and Jack Nicholson. Hosted by Jeff Martin and produced by Scott Gregory .

GMZ is a podcast brought to you from Post-Zombie-Apocolypse Britain.   Marc is in London and Bex is in Manchester and with the faintest wi-fi signal, they manage to record a podcast via Skype.    They use their podcast to help the helpless and document Zombie Infested Britain.   In the interest of helping others survive, they find the world foremost zombie experts. Authors of Zombie Fictions.   Actors who have starred in Zombie Movies and Directors of Zombie movies. And they ask them the insightful questions only they can! to help YOU survive the Zombie Apocalypse !     In this episode they interview Chris Philbrook, author of Andrian's Undead Diary. 

Leasing vs buying, lease mileage, down payment size, online car buying, etc. 

Auto ads, local charity efforts, Mark Miller Subaru's dealership dog, 2-wheel drive trucks, etc. 

Tom Barberi, Pete Philbrook, creating a good relationship with consumers, avoiding buyer's remorse, promise pricing, no comission sales staff, misconceptions about global automotive manufacturing, Subaru's 8-passenger vehicle, etc. 

Micah Philbrook is one of Chicago's most thoughtful and invovative improvisers and teachers. He teaches at The Second City Training Center, he's a founder of pH Productions, and he performs with Tim and Micah Project. Jimmy sat down with him to talk about joining a cult-like improv group when he first came to Chicago, the importance of hanging out in the improv community and what he likes about improv.

In our very first episode, Chris finds the room with the squeakiest door in London and talks to Micah Philbrook of Second City about improv, life and burritos. Les Mannequins: https://www.youtube.com/watch?v=vTka9tUMQK4 The Tim and Micah Project: http://timandmicah.com The Second City: http://www.secondcity.com/ That Sunday Show: http://thatsundayshow.space

Episode 25 of Arm Cast: Dead Sexy Horror Podcast features two great individuals…  All Things Zombie creator and mastermind Jeff Clare stops by for a chat and then zombie author Chris Philbrook wanders in for a bit

Wow look FOUR news pieces about how much Sir Sarah loves Hayley Atwell: She’ll be in Ant-Man (maybe) She’s been accidentally beating up everyone on set She’s coming back to Agents of Shield She kicks ass in this new Agent Carter trailer and I have hearts in my eyes Netflix Is Making “A Series of […]