Podcasts about stockton california

Episode 90 of Messy Jesus Business podcast, with Sister Julia Walsh. (We had some issues with Elena's microphone during recording, our apologies! -Colin) In this episode of Messy Jesus Business podcast, Sister Julia Walsh, FSPA talks with Elena Segura about Evangelicalism, conversion, social justice, the radicalness of Mass, immigration reform, silence, and more. Podcast: Play in new window | Download Subscribe:  Email | RSS | More A transcript of the show is available. "Evangelization is just being who you are." -Elena Segura Learn more about Elena Segura's work here, and join her in saying a rosary every Wednesday during Lent for immigration reform. Elena Segura ABOUT THE GUEST Elena Segura leads a national initiative of the Archdiocese of Chicago to develop and implement Pastoral Migratoria, which she founded in 2008 as an immigrant-led ministry for service, justice, and accompaniment in parish communities. Pastoral Migratoria is based in the methodology of Aparecida, whose main architect was (now) Pope Francis. Chicago area participants include 200 Hispanic lay leaders across 40 Hispanic parishes. The Dioceses of Stockton (CA) and Kansas City–Saint Joseph (MO) launched their pilot programs last year. Ten dioceses interested in starting this ministry took part in the inaugural Instituto Pastoral Migratoria in Chicago in July 2018. The goal is to create a national network. Since the 2005 inception of the Catholic Campaign for Immigration Reform, Elena directed the archdiocese's local Immigration Ministry, facilitating formation of pioneering networks of 200 priests, 54 religious orders, and immigration liaisons in 124 native-born congregations. Elena began her career organizing grassroots responses to problems facing her community in rural Peru. MESSY JESUS BUSINESS is hosted by Sister Julia Walsh.  Produced and edited by Colin Wambsgans. Email us at messyjesusbusiness@gmail.com BE SOCIAL: https://www.facebook.com/MessyJesusBusiness Facebook: https://www.facebook.com/MessyJesusBusiness Twitter: @messyjesusbiz Instagram: https://www.instagram.com/messyjesusbusiness SUPPORT US: https://www.patreon.com/messyjesusbusiness

As soon as the last ice age glaciers melted, Indigenous people occupied this siteA recently discovered archaeological site in Saskatchewan, dated to just less than 11,000 years ago is the oldest settlement in the region by about 1,500 years. It also is evidence that Indigenous people settled there as soon as the environment could support them after the glaciers disappeared. Glenn Stuart, from the University of Saskatchewan, is one of the archaeologists working along with local Indigenous community members to preserve and study the site.Just the right magnetic field will make sea turtles do a ‘happy dance'Researchers investigating how sea turtles navigate the vast and trackless ocean have discovered just how sensitive the reptiles' magnetic sense is, as they can even use it to identify the location of food resources. While feeding the loggerhead turtles in the lab, Kayla Goforth, a postdoctoral researcher at Texas A&M University noticed that the turtles would perform a ‘happy dance' when they recognized the right magnetic signature. She led this research that was published in the journal Nature.Intense exercise causes our bodies to belch out DNA that may reduce inflammationScientists were surprised to discover that the more intensely you exercise, the more certain immune cells belch out fragments of DNA that can form webs to trap pathogens, and lead to fewer pro-inflammatory immune cells circulating in our blood. Canadian researcher Stephen Montgomery, a professor of pathology at Stanford University, said their findings suggest that circulating cell-free DNA may play a role in how exercise lowers inflammation in the body. The study was published in the journal PNAS. An ancient Antarctic duck lived at the time of T-RexBirds are the last surviving lineage of dinosaurs, but modern birds are surprisingly ancient – dating to before the extinction of the rest of their family. An extremely rare, nearly intact bird skull found in Antarctica and dated to about 69 million years ago confirms this. This waterfowl had similarities to ducks and loons. Chris Torres is an assistant professor at the University of the Pacific in Stockton California and was part of the team that analyzed this fossil. Their research was published in the journal Nature.Science is being transformed by the AI revolutionThe stunning advances in artificial intelligence that we see with internet AI apps are just the tip of the iceberg when it comes to science. Researchers from almost every field are experimenting with this powerful new tool to diagnose disease, understand climate change, develop strategies for conservation and discover new kinds of materials. And AI is on the threshold of being able to make discoveries all by itself. Will it put scientists out of a job?Producer Amanda Buckiewicz spoke with:Jeff Clune, a professor of computer science at the University of British Columbia, a Canada CIFAR AI Chair at the Vector Institute, and a senior research advisor to DeepMind. He's also a co-author of The AI Scientist.Allison Noble, a Professor of Biomedical Engineering at the University of Oxford and a Foreign Secretary at the Royal Society, and chair of the Science in the Age of AI working group.Elissa Strome, executive director of the Pan-Canadian Artificial Intelligence Strategy at CIFAR.Cong Lu, postdoctoral research and teaching fellow at the University of British Columbia and the Vector Institute, and a co-author of The AI Scientist.Fred Morstatter, a research assistant professor at the University of Southern California, and a principal scientist at USC's Information Sciences Institute.

Paul Kimball is an active musician in Stockton California. He conducts Musicals, The Zion Chamber Orchestra and Pops Choir and recently retired after 36 years as a music teacher with the Lincoln Unified School District. He is French Horn player. As a baby, Paul lived in Foster Care after being relinquished by his first mother, a concert cellist, at 5 days old. He was adopted on his first birthday by a liberal Berkeley family in the 1960's. He is married to Doctor Dominee Muller-Kimball. They have two daughters and one and one beautiful grandson! Paul loves hiking. His Memoir, We are all Human Beings/An Adoptee Ponders is available on Amazon and Outskirts Press. He is currently working with California Alliance for Adoptee Rights on legislation that would allow unrestricted access to Original Birth Certificates to Adult California born adoptees.Paul's memoir, "We are all Human Beings; An Adoptee Ponders is available on Amazon.com. Music by Corey Quinn

In this episode we go way back to the early 1900's to meet a California beauty named Emma LeDoux, recount the shocking murder and 'scandals' she became famous for, and in his corner Arthur explains how he knew he was trans and we give some love and shoutouts to members of the Fam who have either helped us or are having a rough go of it.  So join us as we go VERY old school true crime as we discuss Emma LeDoux!  Let's Learn Something!Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

Izaiah Dillion is from Stockton California, A man that takes pride in the fact that he lives every day to create the man he needed growing up. Teaches people how to do the same, we don't lack discipline or motivation, we lack our understanding of knowing out 'WHY". Izaiah Dillion, mindset, training and nutrition coach here to show you how to actually create the best version of your self! - Thanks to my Sponsors : If you or know some body you know is struggling with anxiety and want to know how to be 100% anxiety free, in 6 weeks, without therapy or drugs, fully guaranteed    https://www.danielpackard.com/ ----- Speaking Podcast Social Media / Coaching My Other Podcasts ⁠https://bio.link/podcaster⁠   ============ What we Discussed:   - How Izaiah got into Jail (2 mins) - Family life with a single mom (4 mins) - When he got tackled to the Ground by the Police he changed his mindset (5 mins) - How he got into Coaching (7 mins) - Why he went to Japan (9 mins) - How he was able to travel to another Country despite being in Prison ( 10 mins) - The Conversation with his Monther when he got arrested (11 mins) - Why People go back to Prison (12 mins) - What were the Guards & Prisoners like (14 mins) - Has he Self Reflected on the Pain he Caused to the House he Robbed (14:45 mins - 17:08mins) - Doing a crime from a selfish point of view ( 18 mins) - Helping People dealing with Negative Self Talk ( 19 mins) - Best thing to do for you when going to the Gym (21 mins) - The bet way to burn body fat ( 22:45 mins) - The Perfect Diet (24:45 mins) - Should you take Protein Powder (26 mins) - Know Your Why (27:45 mins)   - Mindset Training & Nutrition Coaching (30 mins) - Dealing with Depression (32 mins) - Books that influence him (35 mins) - Have an Action Plan with your books (37 mins)   ===============   How to Contact Izaiah Dillion :   https://www.instagram.com/mudvillezay/ https://www.trainerize.me/profile/izaiahdillion/Izaiah.Dillion/ - Donations  ⁠⁠https://www.podpage.com/speaking-podcast/support/⁠⁠   Speaking Podcast Social Media / Coaching My Other Podcasts ⁠https://bio.link/podcaster --- Send in a voice message: https://podcasters.spotify.com/pod/show/roy-coughlan/message

THIS WEEK: Eric and Willie are joined by good friend and podcast host Morgan Mizell (The Big Humble Podcast and The Definitive Rankings of Everything) and they talk about their trip to Buffalo Wild Wings for ALL YOU CAN EAT wings, Willie's trip to Stockton CA, Dead and Company at The Las Vegas Sphere, Double Down bar in Vegas, Steven A Smith, Gambling at the Pool Party Sports book, other Las Vegas tips, and more! A podcast from two comedians who only read headlines. Every week stand up comedians Willie Simon and Eric Freedman tackle some of the worlds most pressing issues with no chance of ever solving them. Jokes first, facts sometimes. Help support the show and watch extra content SUBSCRIBE ON PATREON: Patreon.com/2dumbbabies Follow Morgan Mizell:   Instagram: @handsome_morgan Follow 2 Dumb Babies:   Instagram: @twodumbbabies Tiktok: @2dumbbabies Facebook: @2dumbbabies Follow Willie Simon:    Instagram: @williesimon_ Tiktok: @williesimon_ Follow Eric Freedman: Instagram: @ericjfreedman Tiktok: @ericjfreedman Facebook: @ericfreedmancomedian Please RATE, REVIEW, and SUBSCRIBE to 2 Dumb Babies on all platforms! Produced/Edited by: Petty Cash Studios / pettycashstudios.com  

(TW:Talk about substances + suicide) In episode fifty-nine, Alex and Karly introduce the pod to Vas. From Vas: I am from Stockton CA. I graduated from UC Berkeley in 2020. I had a couple-year long career in case management, harm reduction, therapy, and social work, which was rewarding but drove me into the ground and didn't give me the time to properly care for myself. I was suffering from autistic burnout (pre-diagnosis) and the problem was worsened by my frustration with my burnout symptoms impacting my ability to “function like normal”. After taking a few months off to move back home and focus on my health, I was diagnosed (at 25 years old) with Autism. My diagnosis made me kinder on myself and more understanding of my challenges in light of the new diagnosis, and after learning to work with (as opposed to against) my brain I am now looking into doing Harm Reduction work (in direct service and policy) and potentially pursuing a PhD in Public Policy. I still don't “function like normal”, but who the hell wants ‘normal' anyway ! In this episode, Vas shares about their experiences with substance use, ways society can provide support and direction in harm reduction. This episode may be triggering to some, but is an important topic to learn about. Thank you for listening!

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Living Legacies: LARRY THE MUSICAL x MISTER REY TRIBUTE Host Aisa Villarosa covers “Larry the Musical” a new theatrical production based on the book “Journey for Justice: The Life of Larry Itliong” written by Gayle Romasanta and the late Dr. Dawn Mabalon. Nomi aka Power Struggle and Aisa also honor an anchor and leader of the Bay Area Filipinx and civil rights community –  Mister REY. Links to Episode Features: Larry The Musical website: https://www.larrythemusical.com/   Allyson Tintiangco-Cubales: https://www.instagram.com/pinayism/?hl=en Billy Bustamante: https://www.billybustamante.com/ Mister REY Memorial GoFundMe https://misterrey.bandcamp.com/album/wonders-mysticisms-beat-tape Power Struggle https://soundcloud.com/mario-de-mira Show Transcripts Living Legacies: Larry the Musical x Mister REY tribute Opening: [00:00:00] Apex Express Asian Pacific expression. Community And cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board The Apex Express Aisa Villarosa: [00:00:28] You're listening to Apex Express on 94.1 KPFA Berkeley, 89.3 KPFB Berkeley, 88.1 KFC at Fresno and online at KPFA. org. Welcome, welcome, welcome. I am your host, Aisa Villarosa. I'm an artist, attorney, ethnic studies advocate, general rabble rouser, and lifetime fan of the Apex Express crew. Shout out to my homie Miko. Get comfy, get cozy. We have a wonderful show for you tonight. It's a show about a show, that is Larry The Musical, which is based on the book Journey for Justice: The Life of Larry Itliong, written by Gayle Romasanta, and the wondrous late great Dr. Dawn Mabolon. The story and songs are influenced by and honor our ancestors, and the musical debuts at San Francisco's very own Brava Theater running March 16th through April 14th, 2024. That means, seats are limited. So, in addition to checking out the show we have for you tonight, visit www.larrythemusical.com to get your tickets today, learn about this cast and crew. Now for our show. First up we'll hear about Larry Itliong's legacy of organizing, resistance, and community power building from Dr. Allyson Tintiangco-Cubales. Next, Larry The Musical director Billy Bustamante, previews the heart, soul, and talent behind this production. And, because we're pretty big of a deal here [laughs] we'll also hear a sneak peek of two songs from Larry The Musical. Finally, the artist Power Struggle will help me wrap up this episode by honoring an anchor and leader of the Bay Area Filipinx and civil rights community and our friend, Mister REY. Rest in power. All right, that's the show. Let's dig in. I'm here with Dr. Allyson Tintiangco-Cubales, one of the country's leading Ethnic Studies and Filipinx studies scholars and professors, co-founder and director of Community Responsive Education, and the educational consultant for Larry The Musical. Allyson, it's so wonderful to have you here. Allyson Tintiangco-Cubales: [00:02:34] My gosh, thank you so much for having me. I really appreciate this show and all the work that you've been doing for many years. Thank you so much. Aisa Villarosa: [00:02:41] For our dedicated Apex Express listeners who may not be familiar with the wonderful Larry Itliong. Can you talk a little bit about who he is and who he is to this particular Civil Rights Movement? Allyson Tintiangco-Cubales: [00:02:57] Larry Itliong. He was born in the Philippines, in San Nicolas Pangasinan. He came here at 15 years old. Imagine coming here at 15 years old. He only had a sixth grade education. And he came here, actually in order to pursue his studies and he moved to the United States in 1929. As you probably know, because of the Great Depression, it was difficult to find jobs. He was forced to work in the railroads and then eventually became a migrant farm worker. And he traveled all the way from like Montana, South Dakota, Washington, and finally landed here in California. So during that time, Larry Itliong learned of the plight suffered by Filipinos and other immigrants working in the fields. Larry Itliong was a prominent leader in one of the most important social justice movements in the US, and we call that the Farm Worker Movement. A lot of Filipinos involved along with Mexicanos. He organized a group of 1500 Filipinos to strike against the grape growers in Delano, California. Some people call that the great Delano Grape strike of 1965. Basically they were trying to fight for workers' rights. They had this strike for eight days. And there was tons of violence by the growers, hired hands, and even the sheriff department, and they were thrown out of the labor camp. Larry Itliong. He was strong and he remained tenacious and resilient. And he called upon someone very famous that many of us know Cesar Chavez, and Cesar Chavez' community, to join forces with the Filipinos and they striked again. Because of Larry Itliong, the two groups combined and they ended up becoming the United Farm Workers. And a lot of us know the United Farm Workers and a lot of it is attributed to Cesar Chavez, but really Larry Itliong really pushed that ability to create a coalition. To create a connection to really fight for collective liberation. So this unification between the farmworkers of all different ethnicities, not just Filipino and Mexicano was really unprecedented. And really set an example for many of us—many of us meaning workers and organizers—many of us learned from that movement, how to really create alignment, how to really create a coalition, how to really fight alongside each other. And that movement was very successful. You may or may not know this, but Larry Itliong also was the president of the Filipino American Political Association, the first national political Filipino American organization. And it was very crucial, between Filipino professionals and laborers, that grew out of the Delano Grape strike. Larry Itliong was instrumental in founding lots of things including the Pablo Agbayani Village, a Retirement Home built by volunteers for retired Filipino Manos, who no longer had families and needed a place to call home. I recently visited Agbayani Village with my family. Even in my own family, my husband, his father was one of the farm workers, and it means a great deal to actually be there at Agbayani Village, quite literally, you feel the spirits. And having, having brought my daughter there and she got to, you know, see, where our ancestors lived. Larry Itliong, he passed away in 1977 at the age of sixty-three, very young. He left behind his wife and seven children. But his accomplishments and his legacy, continues to live and we really reap the benefits from all the work that he did. Aisa Villarosa: [00:06:41] I got shivers at several points when you shared Allyson. Thank you. And I am told that as part of your work as educational consultant for Larry The Musical, that one of your unique roles is helping the cast see history in this moment and see what Larry's struggle and Larry's story is to them and their families. So I love that sort of full circle practice. It also means that for a musical to take on you know you've named some, some pretty heavy things, right? You're naming organizing struggle, you're naming the struggle against white supremacy. Can you talk a little bit about what makes this musical special and, and even to be able to do right by Larry and his story, how did you all bring this to life? Allyson Tintiangco-Cubales: [00:07:33] Whoa. That's a really important set of questions and I really appreciate the connections between what's happening on the stage and what's happening in our classrooms and, you know, what's really happening in our communities. It is a really important show. I think a lot of shows have said, “Oh, we're a hundred percent this, we're a hundred percent that.” But when I go into working with the cast, I really see a hundred percent Filipino, Filipina, Filipinx Americans who are really telling a story that is important. Larry's story is not glamorous, [laughs] you know, and I say that because I've seen a lot of Broadway shows. You know, I have a child who's a performer and I spend a lot of time in New York, and I really do love watching musicals. And so this genre is like happy times for me, right? I go in and I get, I mean, they start singing and I, I just want to cry right away [laughs]. But there's something so powerful, yes, about a hundred percent Filipino cast, but also telling a story about struggle, and about labor, about someone who's working class, who really has changed our lives. I think sometimes when I go to musicals, I try to find myself, you know, like on stage I'm like, which character am I? You know? And in this musical I really feel like I'm all the characters. And you will see this, you know, because there's Larry, of course, this, it's a story about Larry Itliong, but you will see characters, and the creative team has wonderfully weaved characters from different parts of that era, and then also maybe even parts of their own lives and their own families, and they land on stage. They are telling this story alongside Larry, and it's beautiful and I'm really, really excited for people to see it. I'm not going to, I'm not gonna give too much away. Aisa Villarosa: [00:09:39] [Laughs] People gotta buy tickets. Yes. Allyson Tintiangco-Cubales: [00:09:41] Buy your tickets and bring your tissue [laughs]. Because I really feel like people are going to not only see Larry on stage, but they're gonna see themselves, their families, their parents, their community, their ancestors, all of them there. I will say that, I had the fortune of working with the cast, specifically on a project called Tatlong Bagsak Talambuhay and what I said to the cast was, this work has to be different. This work cannot just be about telling one man's story. And so it's really important for them to understand their own story, their own family's legacy, and why they're doing this work. And so at the beginning of each of the rehearsals, there's one cast member who tells their story. Talambuhay, you know, telling their life story. So that every person is allowed to share their story on the stage, quite literally. And also to be able to make the connections to why they're there on that stage. I had one cast member come up to me last week and say, “I've never been part of a [laughs] a show like this. You know, like where I was seen.” And that's the power of Larry The Musical. It, it's definitely about Larry and how he has inspired us, but it is so much more. And so I'm really excited for people to be able to experience that. Aisa Villarosa: [00:11:18] I was lucky enough to attend the community preview y'all had put on in the fall. It was smashing and I could feel Dawn Mabalon's love and spirit in the room because so much of what you're saying is how are we creating a living archive, right? And there's so many stories that make up history that ultimately is intentionally not told or kept away from people. So it sounds like this is hopefully one of many opportunities for folks to either learn that history for the first time, or to learn it in a really freeing way. I want to talk a little bit about women. If we look at various movements across labor, thinking about the figures of labor, you know, you have Larry, you have Philip Vera Cruz. I am sure there are some strong, strong women in Larry. And as a Filipina we also see that the value of care work, of women really it's often invisibilized by history. Talk to us a little bit about, you know, what can we expect to see from the women in Larry? Are there any toxic narratives that are reversed or addressed by the musical? Allyson Tintiangco-Cubales: [00:12:32] I feel like you saw the script. [Laughs]. Aisa Villarosa: [00:12:34] I didn't. I did not. [Laughs]. Allyson Tintiangco-Cubales: [00:12:36] Oh, okay. Okay. I can't give up too much. It'd be really unfair, but I'll say that this begins with the strong women who did the research and who wrote the play, the musical, the book, the script. And I'll start with, a lot of the work is rooted in Dr. Dawn Bohulano's research. I mean, she really was going to tell Larry Itliong's story in an academic book. And before she passed, she was able to write Journey for Justice with Gayle Romasanta. It was, it quite literally went to press the day that she passed. Dr. Dawn Bohulano Mabalon had a dream to really tell Larry's story, but I know deep inside it wasn't just about Larry's story, it was a story about her family. It was a story about her ancestors, including the women. And so I think how beautiful it is to have quite literally the voice and research of Dr. Dawn Bohulano Mabalon in the script that Gayle Romasanta really was able to bring forth. So we have writers like Gayle Romasanta, Kevin Camia, and then writing the music we have Brian Pangilinan, and then you'll hear the sounds of course of Sean Kana. But when we talk and think about the women, the voices quite literally, the singing voices of the women are so powerful. I think sometimes people imagine women during that movement as being behind the men. In this show, that's not the case. I think of the work of Stacey Salinas, Dr. Stacey Salinas, who writes about Filipina farmworkers in the movement. She has some beautiful archives of Filipina women during that time. And you literally see them on the stage and you see them challenging men and you see them saying yes, we are part of this struggle. And so, although it's called Larry The Musical, Larry definitely isn't the main character by himself. Aisa Villarosa: [00:14:40] I love that. And what you shared also reminds me of thinking about the people power movement and the phrase makibaka huwag matakot, where there is power in struggle, right? If, if we can come together collectively. Turning to the musical, it's going to premiere soon. We hope that folks visit the Apex Express website [kpfa.org] where y'all can buy tickets. Please support this incredible work. What is your greatest hope for this musical? Allyson Tintiangco-Cubales: [00:15:11] Ooh, that's a good question. It caught me off guard. I secretly hope that this musical goes beyond the Bay Area, potentially travels, potentially goes to Broadway, maybe the Philippines. You know, I want people to know how wonderful our story is, our story. And you will really see our story in this. So yeah, I hope it makes it big. [Laughs] I, I really do. We deserve it. Aisa Villarosa: [00:15:41] Well, it's not a secret anymore. You, you manifested it, so now it's gotta happen, right? [Laughs]. Allyson Tintiangco-Cubales: [00:15:47] Yeah, I really do. I mean, I hope, I hope for all of that. And to be honest, I don't think the Pinnacle is Broadway in my mind. It might've been when we first started the project, but really, I, I feel like most importantly is for people to know the stories of our people. And Larry The Musical can really bring that out. And I hope people can see themselves on stage. I mean, that is a big goal for them to be able to see themselves on stage. Aisa Villarosa: [00:16:13] Allyson, it's been so wonderful talking with you. Before we head out, is there anything else you'd like to share with the listeners? Allyson Tintiangco-Cubales: [00:16:21] There's so many struggles going on right now in the world, whether that be, like the manifestation of colonialism and imperialism everywhere, to what's happening in our classrooms. I feel like really key that Larry The Musical is ethnic studies. I think [it's] important that people know that the goal of ethnic studies is collective liberation and we do that by centering the voices of people of color in the first person, ultimately to eliminate and eradicate racism and white supremacy. I mean, like it's all of that. Aisa Villarosa: [00:16:50] Yeah. Allyson Tintiangco-Cubales: [00:16:51] But I want people to know that Larry is that, and I think sometimes we get stuck on wanting representation, like, oh, I wanna see a Filipino on stage. And so we vote for people on those shows and we get so excited. Aisa Villarosa: [00:17:05] Or that becomes the ceiling, right? Allyson Tintiangco-Cubales: [00:17:08] Exactly. It becomes the ceiling. We have made it because we've seen ourselves on TV or we've seen ourselves on a stage on Broadway, but I think it's not enough. Because those stories oftentimes are not the stories of our own people. We often play characters who are not ourselves, and we oftentimes have to compromise our integrity to actually become famous. And so for me, when I think about Larry The Musical, it does not compromise. It does not compromise. And it really is about our stories and us telling our stories in the first person. I'll leave it at that. Aisa Villarosa: [00:17:44] I love that. It's such a great way to send us off. And as someone who used to work in the arts and has been shushed at primarily white events, I love the decolonization of the arts as well. It's arts and ethnic studies. So many folks in our work do this work because of a really important moment in ethnic studies that came to them. Unfortunately, because of the forces that are out there trying to stop ethnic studies, for many that revelation comes kind of late in life or sometimes doesn't come at all. So, please let us have more Larry, more stories like Larry and more ways for folks to access this sort of awakening. Thank you so much, Allyson. It has been a pleasure. Allyson Tintiangco-Cubales: [00:18:31] Thank you. Thank you. Thank you for all the work that you do. Aisa Villarosa: [00:18:34] As Allyson shared, Larry The Musical is a lesson in living civil rights history, a chronicle of the racial violence faced by Filipinx organizers and how they mobilize to overcome it. This plays out in the musical's track, “Watsonville,” which we're about to preview. In the 1930s, violence against Filipinos was a daily occurrence. It was not out of the ordinary for Filipinos to get shot at, be beaten, or have their campos bombed. Two major events happened in January 1930, the Watsonville Riots and the bombing of the Filipino Federation of American Building in Stockton California. The Watsonville riots saw hundreds of Filipinos beaten and Fermin Tobera killed over four days of mob violence. White mobs beat and shot Filipinos, and in the end, no one was arrested. “Watsonville” follows our characters as these historic events unfold. It was written by Gayle Romasanta and Kevin Camia, music composed by Bryan Pangilinan and Sean Kana. Let's take a listen. SONG Aisa Villarosa: [00:19:39] You're listening to Apex Express on KPFA Radio with me, Aisa Villarosa. That was a special preview of “Watsonville” from Larry The Musical. I'm here with acclaimed New York City-based theater artist, director, performer teacher, and community-driven artivist Billy Bustamante, director of Larry The Musical. We are so honored to have you join us, Billy. Billy Bustamante: [00:21:02] Hi there. Thank you so much for having me. I'm so thrilled to be here. Aisa Villarosa: [00:21:06] Awesome. Well, we are going to dive into Larry The Musical. And a few months ago I had the honor of catching the community preview at the Brava Theater in San Francisco and it blew my socks off as a mentee of the great ate Dawn Mabalon, a hero and mentor gone too soon, it was beautiful to see her archiving come alive in song. For those who are new to Larry The Musical, can you tell us a little bit about what audiences can expect? Billy Bustamante: [00:21:38] Sure. When you come to the Brava Theater this spring, you will see a story about our shared Filipino American history, but even greater our shared American history brought to life on stage. You will see a story that centers Filipino Americans in the telling of that history. It is a musical that will make you laugh, will make you cry, will make you dance in your seat, and will hopefully make you step back out into the world as you leave the theater with a little more power in your hands. Aisa Villarosa: [00:22:06] Those all sound so incredible. Billy, can you share more, as someone who has been in the arts world for so long, why is this project near and dear to your heart? Billy Bustamante: [00:22:18] Larry means so much to me for so many reasons. I've been making theater now for a little over 20 years professionally. And throughout that time I have kind of had to hold two sides of myself in various capacities, right? I have my American-ness, and I have my Filipino-ness. As a born and raised Filipino American here in the States, I have always had to examine unconsciously how much of myself I can bring into an artistic space just because those spaces have predominantly been white led. Now that we are in a space that is created for by and about Filipino people telling a story that is for by and about Filipino people that really centers not just Filipino story, but the Filipino identity, not just in the product but in the process, that is a feeling I have literally never had before in my 42 years on this planet. And every time I step into this space, I am amazed at how much more myself I feel, and I can see that sensation flashing in every single person in the room. And it's on one side beautiful. It's like a beautiful thing to witness us all kind of come alive a bit more, expand into the space, be more of ourselves. And it's also a bit infuriating to know that it's taken me 42 years to get to this moment. This feeling of true belonging is something that I have grown more and more addicted to and that I continue to chase in any other experience that I have. Aisa Villarosa: [00:23:46] Wow. I'm getting a little goosebumps over here. I am hearing that it's, it's almost like coming home to yourself, that often, and I too have a Filipino family, grew up here I'm second generation, and often the dominant culture's understanding of Filipinos is limited to very simplistic notions, whether that's our food, even if food is very political. Billy Bustamante: [00:24:11] Yes. Aisa Villarosa: [00:24:11] There's often sort of a niceness, and the arts and culture world is no exception. So thank you for sharing. And in thinking about the cast of the musical, can you share what makes this cast special and unique? Billy Bustamante: [00:24:29] I am a firm believer that theater artists of any background are some of the most exhilarating people in the world [laughs]. As a theater artist, specifically as a musical theater artist, there is so much skill you must be able to access in order to do your job. It's not just one thing at a time, it is all things at a time. So we are making a show that sings, acts and dances all the time [laughs], and within that there's that triple threat of skill while also incorporating this fourth ingredient of identity and shared history. So each of the actors that we have brought into this cast has really shown up with not just those first three skills in brilliant capacity, but also a hunger and an enthusiasm to be generous about how they bring this fourth ingredient into the process. Again, another thing none of us have been able to do in an artistic space before. For so many of us, it's our first time bringing ourselves to the work in this way. Because none of us have had a chance to do it. So many of us have never played Filipino on stage before, let alone Filipino Americans specifically. I know I've been lucky to have played Filipinos on stage and have been telling Filipino stories, but none of those have been led by Filipinos or written by Filipinos. So there's a level of not just authenticity, but integrity to the work and the story we're telling that allows each of these cast members to be greater like artistic citizens and contributors to the work. Aisa Villarosa: [00:25:58] I love that. There's in Filipino culture, the word kapwa, right? Which is collective identity. And I was reading a quote from you and you said, “My favorite thing about Filipinx culture is creating community. If you've shared a meal with a Filipinx family, you're family.” And it sounds like here you're talking about a meal but this theater experience and all the prep that y'all did, there's a family feeling to that, and can you share some of the behind the scenes love and care and intentionality that went into creating Larry? Billy Bustamante: [00:26:33] Yes. Yes. I, I love that you found that quote. I can't remember when I said it, but I know I say it a lot. [Laughs]. Aisa Villarosa: [00:26:39] I was creeping on the internet. [Laughs]. Billy Bustamante: [00:26:40] I love it. I, and I do firmly believe, like that's one of my favorite things about Filipino culture. Yeah. If you sit at my table, you leave as a family member, right? And I do think that's the environment we wanna create for the audience as well. This piece of art that we are creating is what I hope will be a fully nourishing seven course meal of artistry that again, audience members come into the theater as guests and they leave as family. That is my hope. How we get there is, has been a thrilling experiment, again, as a theater maker for like 20 plus years, the pandemic, this pandemic pause that was forced upon us as artists, really forced me to examine, but I think forced the greater industry to examine the dysfunction in how we do what we do. And now that we have started creating theater again, I've personally been on this, you know, mission to honor the science experiment that we're all on in terms of a, how to be in a room together and then how to create art together and hopefully a healthier more empowering way across the board. So knowing that's been a mission I've been on with any theater project I take on, for this one specifically there is so much more importance laid onto that particular ingredient, right? How do we make a healthier room? How do we make a more restorative healing process for everyone? Recognizing that the story we are telling impacts the actors and their bodies in a way that no other story does, right? There is an additional toll and cost to reckoning with your own history on stage. And it's, it's a privilege to get to do that, but that does mean we need to reexamine what supportive systems and structures we are creating in the room. Again, this is all an experiment [laughs] and it's going well so far, but some steps we have taken or to gather our company. Our company, on the first full day of rehearsal when we got all the actors together. One thing I was excited about our first day of rehearsal was that we took a good amount of time to sit in a circle and create what we called community commitments. Like a set of shared agreements that we all were participatory in creating that gave us all a guideline of how we treat each other in this space. So now it's thrilling, it's freeing to have this social contract in place that we have all agreed to, that not just allows for the pursuit of an ideal space, but also a way to kind of move through conflict as we pursue that space. So to me that feels really helpful. Another thing we just did in rehearsal yesterday, was we brought Allyson in to lead a facilitation of how we bring our personal individual stories to this greater story that we are telling. We are telling a history and we are living history in this moment. So it was amazing to hear Allyson give us a technique for how we share our individual stories as humans to the rest of the company, which is a practice we will start incorporating at the beginning of every rehearsal. And I can only wait to see how much that impacts the art that we make on stage, knowing that everyone will know more and be more invested with each other as humans. Aisa Villarosa: [00:29:32] And you're talking about living history, right? And as you were sharing, I wrote down safety to create. It's rare that we as folks of color as Filipinos can be in these safe liberatory spaces. Taking it a little personal, has your family seen Larry yet? Billy Bustamante: [00:29:50] Well, I mean, no one really has, [laughs] you know, our world premiere in March will be a world premiere. No one will, even if people have seen every workshop, this is a version of the musical in its fullest form that no one will have ever seen before. So in that way, I'm very excited. With that said, my parents have been keeping up with all the filmed workshops and the interviews, and that's all been amazing. Both of my parents are on the east coast. They're in the DC area, which is where I'm from. So they're keeping up with it virtually. But I am so excited for them to fly out here, to catch opening weekend. I'm getting a little emotional talking about it right now, but my parents are incredibly supportive as is the rest of my family. And they do a great job at coming to see and support whatever I do. And this one, having them in the room to watch this one, I think will be a really special experience. Aisa Villarosa: [00:30:43] I, I can feel love and as a huge fan, a mentee of folks like Dr. Allyson and Dawn Mabalon there's a moment where a lot of Filipinos, Filipino organizations are trying to archive the struggle, the triumphs of the past, and it's incredible that through theater y'all are doing that in a way that will be fresh for new generations. And speaking of theater, you are always creating, you wear so many hats. Tell us what is coming down the road for you in addition to Larry, would love to hear more. Billy Bustamante: [00:31:26] Yeah. I'm gonna put this into the ether here. I, my hope is that this world premiere of Larry will be the first of many steps for this musical. So what I hope is that the next few years includes more productions of Larry at a bigger and wider scale. With that said, there are a few other projects that I'm really excited about. I am a theater leader, but also an educator. So I'm on teaching faculty at Circle in the Square Theater School, which is the only theater training ground attached to a Broadway theater. So, in that way I feel really excited about the work I get to do with young artists there. We are developing a new musical called The Rosetta Project, which I hope everyone checks out. It's gonna be amazing. I'll be directing that. From there I have a couple of, you know, other pots on the stove. I'll be directing, choreographing a new off-Broadway show called Straight Forward in spring of 2025, which I'm very excited about. There are a couple of other things that I cannot release at this moment, but if you want to keep up with the [laughs] shenanigans I am up to, please check out billybustamante.com because I'll be sure to be shouting from the rooftops with excitement once I can. Aisa Villarosa: [00:32:36] Beautiful. And we will include links to your website, Billy, as well as links for folks to get tickets for Larry at the Brava Theatre. And folks can check that out on the Apex Express website [kpfa.org]. And Billy, before we go, is there anything else you want to share? Billy Bustamante: [00:32:55] I think there is one thing. I'm usually not a person who really is enthusiastic about promoting my projects [laughs]. I've always kind of felt some sense of ickiness around that. Some sense of like transactionality around that [laughs]. But Larry is so special to me and there's a spirit that we are creating in this piece that I think everyone needs to experience and be a part of. And I also recognize that, you know, where audience members choose to spend their money is a big investment and a big decision and I hope that everyone who is excited by anything I've said today or anything we've talked about today finds a way to grab a ticket and join us at the theater. This time will be fleeting and it's gonna be over before we know it, and I really hope everyone gets to be a part of it because I think it's gonna be really special so get those tickets if you can. Aisa Villarosa: [00:33:49] Adding a plus one to that. And Billy, you earlier mentioned the impact of these covid pandemic years and yeah, that was the longest period of theater closures, right? Since World War II. As someone who used to work in the arts I also recall that often there's sort of an elite nature to the arts and one of my favorite things when I go to the Larry website is there are so many people who gave all sorts of amounts to make this happen, right? There's folks who gave like 50 bucks. It's such a welcoming site, so I too hope that this is only the beginning. Billy Bustamante: [00:34:28] Awesome. Thank you so much and thanks to everyone who supported us so far. I'm so grateful. Aisa Villarosa: [00:34:32] Our final track from Larry The Musical is called “Train,” which is about Filipinos jumping trains throughout the western United States, traveling from town to town in search of work in the 1920s and 1930s. Train was written by Gayle Romasanta and Kevin Camia, music composed by Brian Pangilinan and Sean Kana. They wanted to create a broad picture of how the thousands of Filipinos must have met each other, built friendships, planned labor meetings, and all while traveling. Here is the exclusive preview. SONG Aisa Villarosa: [00:35:03] You're listening to Apex Express on KPFA Radio, and I'm your host, Aisa Villarosa. That was a preview of “Train” from Larry The Musical. You just heard Dr. Allyson Tintiangco-Cubales and Billy Bustamante talk about what makes the world premiere of Larry The Musical so special. Larry debuts at the Brava Theatre in San Francisco March 16th through April 14th, 2024. Seats are limited, so visit www.larrythemusical.com to buy tickets today. Finally, tonight's episode of Apex Express is dedicated to the life and legacy of Reynaldo Timosa Novicio Jr. a father, son, friend, and prolific sound producer, artist and guiding light of the Filipinx American and Bay Area Music and Civil Rights community. Rey passed away on February 2nd, 2024. I'm joined right now by a friend, a colleague, an incredible artist, activist dad, and a martial arts practitioner, Nomi, AKA Power Struggle. Nomi, it's so great to have you on the show today. Nomi (Power Struggle): [00:37:12] Hey Aisa, thank you for having me. Thank you to the KPFA and the Apex Express listeners. What's up Bay Area? Aisa Villarosa: [00:37:19] Nomi, you rep the Bay Area hard. I think a good way to start our conversation is given all the hats you wear, all the ways that you're making change: What does it mean to be Filipinx American in the Bay Area right now? Nomi (Power Struggle): [00:37:34] I think right now it is a really important moment to, there's been so much happening in this particular moment around the liberation of Palestine and the end of the genocide in Gaza, and I think that a lot of folks in our community have been really seeing this moment as a way to express their solidarity and mobilize and take action against what's happening to the Palestinians. And I think that is just reflective of the bigger, historical context that a lot of Filipino, Filipinx, Americans, immigrants, have experienced and live under, right? So I believe like a lot of folks are just seeing those connections between colonization, the colonization of the Philippines from various different occupation nations and armies, to what's happening in Palestine. And they make those connections and they even are not that far removed, maybe like two generations removed from the experiences of their grandparents that went through the Japanese occupation during World War II and lived through some of those horrors and they remember that stuff and the stories that they were told and I think that informs a large amount of our community to, to mobilize and take action. I'm not saying that, we don't have more conservative folks in our broad community across the Bay Area, but I believe for a lot of young folks, a lot of folks that have taken time to be part of other movements, whether it be the movement for Black Lives, or Indigenous movements, or even for liberation movements in the Philippines, they kind of understand all these connections, and are building bridges and building solidarity with folks. Aisa Villarosa: [00:39:16] Yeah, it's the young and it's the young at heart, right? I think folks who can be ever curious, and, you know, we have made some headway in ethnic studies where folks are connecting the dots, right, between those shared histories, those living histories of struggle. Tonight's episode started off with a tour of Larry Itliong, the new musical coming out. And it's quite clear that to be Filipino in so many ways means to resist. And as it relates to Larry The Musical, resistance through music is such a powerful form of political organizing. Nomi, you're here today because this episode is also a tribute to our friend who passed away, the wonderful Mister Rey, who you have collaborated with, you have made music with. Can you start by just sharing a little bit about who Rey was to you and maybe talk a little bit about what made your musical collaboration so special? Nomi (Power Struggle): [00:40:27] I'm really thankful for this opportunity to just share the story of Mister REY with the entire Bay Area with the country. Mister REY, Reynaldo Novicio, and I worked on one of our first records together. It was called Remittances. And I met Rey back in around 2009. I can't remember specifically where we met. It just happens in life, especially in the art community, you start talking with people and collaborating, and he would invite me to a spot in Daly City, where he was living at the time with his family, and every Saturday morning we would session. I would go over there with Dennis and Kane, Drew, Vi, and we would just, he would just play beats that he had made, and we would write. And after a few months of that, we slowly started to create this body of work that was starting to be more cohesive that would be like the material for the album, Remittances. A couple months after that, we decided to move in, him and his partner, and their family were moving into a spot in the Excelsior District and they had an extra room. I think I was going through a displacement. I think I was going through an eviction in the mission. And so it all kind of worked out and I ended up moving in with them. And that really was just a great opportunity to live together and continue this process of working on this album, which is to me my favorite piece of work. It's so meaningful. The title Remittances. You know, is a remittance obviously, when you send money to your family back home or abroad, was just such a symbol of the immigrant experience, especially for our community and the Filipino community. And so the title was like an offering of culture and love, for our community through music. And that's why we chose that title Remittances and that offering and love transcends beyond just this neighborhood, but also across the seas to our homelands and throughout our diaspora. That project was just really important. For all the artists out there, when you go through a creative process you're partnering with someone and you live with them it's just like a deeper level of connection and struggle [laughs] as well, right? Because, you live together so and Rey has two twin daughters he has one more now. But at the time, and so, you know, you're just really immersed with the family. And for me, it was also such a beautiful experience because Mister REY was a bridge builder. He really was a tulay. He immigrated from the Philippines at a pretty young age, I think late elementary school or middle school, still very much had the identity of the migrant community you know, Tagalog was his first language a lot of his folks, his homies were a lot of recent immigrant hip hop heads and folks from that community. But he was also able to just because there, there is this kind of conception that there's a divide often between immigrant communities and first or second generation Filipino Americans. And it is true to an extent. I've seen it manifest in high schools and on the streets and things like that. But Rey was really able to bridge these differences and connect folks. And so for me, especially someone that grew up in the Midwest, that didn't really grow up around Filipinos, getting to experience living with Mister Rey and his family and living in the Excelsior District, which has the highest concentration of Filipinos in San Francisco, was just such an immersive and beautiful thing and a reconnection to our culture, on so many levels, and I'm already in my, late 20s at the time, and so to go through this experience was really powerful and eye opening. I think it also related to just like what we're fighting for in San Francisco. You know what I mean in the sense of upholding this identity of being a city of multiple languages, a city of multiple classes and incomes. And, and this is what, like, that experience really upheld. At the time I was also doing a lot of work with the Filipino Community Center as a worker's advocate. I was doing some organizing with Migrante, which is a migrant workers organization. And, for all of these kind of different things, from like the organizing work, to my day job, to living with Mister Rey, and being with the Filipino community in the Excelsior, coming together was like one of my favorite periods of my life where I was really understanding more about our culture, our history, our positionality in society and on a local level, on a national level, and on a global level to really understand how politics and history have brought us to America and to really experience it, right? All of these things were super impactful, and I feel like they helped inform and mold what that album, Remittances, was about. And Mister REY was such a huge part of that, right? He was, you know, he wasn't like this crazy political scientist but through his lived experience and his own way of analyzing his life and things he had been through was very sharp and also informing the kind of political influences of this record. So yeah, it was just such a really important time. I don't think I can ever come close to doing something like that again. I just thank him for that year or two that we lived together, embracing me and letting me come into their family life and just being in community with them. His work in terms of, if you visit his catalog of albums, which I highly recommend folks to check out his bandcamp. And it's just Mister REY, M-I-S-T-E-R R-E-Y, check that out and you can hear all of his work. So much like high level art, beat production wise is really sophisticated. He still embraces most of all of his writing and his rapping is in Tagalog. He sprinkles a lot of English in it too but it's just a really beautiful body of work where people in our diaspora can really identify with and just get a lot of nourishment from. So I really suggest folks go check out his catalog. It's really accessible on Bandcamp. Aisa Villarosa: [00:46:40] Nomi, thank you for opening your heart and sharing about what sounded like a really intimate process, right? To make music with someone. And I know the last time I was at Rey's place, he loves his kitchen so I feel like y'all also broke bread, right? Not just making the beats. I was also struck by Rey was such a multi-dimensional advocate, right? Whether it was mental health, whether it was youth issues, right? All of the sort of organizing he did to challenge juvenile curfew laws, for example. You've today brought a track that you worked on with Rey. It's titled “ArtOfficial Freedom” and I'd love for you to cue up the track and just share a little bit about the music. Nomi (Power Struggle): [00:47:31] This was a signature single on the album. It was produced by Mister REY and it also features Mister REY singing the chorus, where he just does a pretty basic refrain where he says, “round and round.” This was like, I feel like for me at least, or many hip hop artists, I think they have that one single on every album that represents the whole album, and I think this is the one. Like I mentioned earlier, around like all the different things that I was doing at the time in terms of community organizing and workers organizing and all the stuff that he was doing, at that time, he was really focusing on mentoring a lot of Tagalog hip hop rappers in the community. And so all these young cats would be at the apartment all the time [laughs], recording in the kitchen. And it was really a lesson for me in Tagalog where I had to like try to learn as much as possible. For all these things to come together, I think are reflected in the song. This song, “ArtOfficial Freedom” is just a great representation of the album. And the title itself is just like a play on words. It spelled art official freedom, to mean that like through art, we can try to aim towards some sense of freedom, some, you know, towards the goal of freedom using art, but then a play of words of artificial freedom that what we are currently existing in and under is an artificial form of freedom. Through this, capitalistic, imperialistic, racist society [laughs]. So that's kind of the play on words, artificial freedom. That was a long time ago. That was like 10 years, no, 14 years ago that we dropped that album. It's great to, I'm glad you're bringing it back on the airwaves. And I just want to give a shout out to also Fatgums, who was the number three part of this record. Lives in LA and is also the CEO of Beatrock Music and Beatrock Art Collective but he was just also a big part of this record. So shout out to Fatgums. Aisa Villarosa: [00:49:25] Here is ArtOfficial Freedom from Mister REY and Power Struggle SONG Aisa Villarosa: [00:53:29] Nomi before we go, is there anything else you'd like to share with the listeners tonight? Nomi (Power Struggle): [00:53:34] When our people leave us in the physical world, there's so many ways that we can continue for them to live on and their legacy to live on, especially through art, and especially through the technologies that exist now. Like I said before, please, check out Mister REY's catalog on Bandcamp, it's just Mister REY, M-I-S-T-E-R R-E-Y and look up his music. He also has a project with MrRey and Aristyles called America is in the Dark. That's a beautiful EP. Please check those things out and promote and propagate them, share them with your friends, download them. It's great music. If I could also please plug, to support his family, Mister Rey leaves behind two twin girls and a young son of the age of nine and their mother. And so if you could please donate to the GoFundMe, if you just look up Reynaldo Novicio, his name will pop up, and any donation is greatly appreciated. Lastly, on March 15th Fifth Elements and Hummingbird Farm is going to be organizing a life celebration, for Mister REY, his creative life and his legacy. It's going to be at Hummingbird Farm, which is in the Excelsior District right by Crocker Park, behind the soccer fields. Check that out on March 15th, 4 to 8 pm. The program is still being crafted, but I guarantee it's going to be a really special time. I think there's going to be some films, there's going to be performances, music, and the space in general, Hummingbird Farm, is a really dope community space that is really people power driven. So please check those things out. And again, just really appreciate this time to share about Mister REY and our work together. Aisa Villarosa: [00:55:14] Thank you, Nomi. And Rey would talk about how the Guitar Center in SoMa was a hub for him early on, and he would just meet people, and you have called Rey a bridge builder. So thank you for being with us here tonight and paying it forward with love. Please check out our website kpfa.org to find out more about Larry The Musical, Mister REY, Power Struggle, and the guests we spoke to. We thank you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is produced by Aisa Villarosa, Anuj Vaidya, Ayame Keane-Lee, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Aisa Villarosa and edited by Ayame Keane-Lee. Have a great night. Mga kababayan. Makibaka, huwag matakot. The post APEX Express – 3.14.24 – Living Legacies Larry the Musical appeared first on KPFA.

We've often heard it said that it is important to be evenly yoked. That Christians should marry other Christians - but why? Is this a recommendation from worried parents, or a biblical mandate that we should follow? What about dating a non believer? What about living with your significant other before marriage? Join host Andrew Marcus as he connects with pastor Matt Boga from Reality Church in Stockton California as they unpack what the Bible says and how we ought to navigate dating and marriage in the midst of what today's culture declares acceptable. 

https://youtu.be/eIFKtOsZl8c https://www.independent.co.uk/us https://youtu.be/FSef-DWBPaE  

In her new book THE FIGHT TO SAVE THE TOWN: Reimagining Discarded America, MICHELLE WILDE ANDERSON, Professor at Stanford Law School and Stanford School of Sustainability, explores vicious cycles in Stockton CA, Lawrence MA, Detroit MI, and Josephine County OR - four communities left behind by the modern economy. As local economies shrink, government is underfunded. As underfunded government delivers less to citizens, they lose faith in government and in each other. Coming back gets harder and harder, but it is not impossible. She tells the tough and inspirational stories of “People who” - in her words - “are working their asses off on some of the most important issues in the country.

In her new book THE FIGHT TO SAVE THE TOWN: Reimagining Discarded America, MICHELLE WILDE ANDERSON, Professor at Stanford Law School and Stanford School of Sustainability, explores vicious cycles in Stockton CA, Lawrence MA, Detroit MI, and Josephine County OR - four communities left behind by the modern economy. As local economies shrink, government is underfunded. As government delivers less to citizens, they lose faith in government and in each other. Coming back gets harder and harder, but it is not impossible. She tells the tough and inspirational stories of “People who” - in her words - “are working their asses off on some of the most important issues in the country.” 

Globalization, technology, devastating impacts from the foreclosure crisis and the opioid addiction have wreaked havoc on communities left behind by the modern economy. Some of these discarded places are rural. Others are cities or suburbs. Some vote blue, others red. Some are the most diverse communities in America, while others are nearly all white, all Latino, or all Black. In this episode we visit four cities and towns with deep poverty and gutted public services— where entire communities are struggling to hold on.Our guest is Michelle Wilde Anderson, a professor of property, local government and environmental justice at Stanford Law School. Her recent book is "The Fight to Save the Town: Reimagining Discarded America"."We have given up on many of these places", Michelle tells us. She describes discarded America as "giant parts of many states that have not found their foothold in the 21st century economy." Discarded America is "a term that describes active decision making."Her book describes the fallout from decades of cuts to local government amidst rising segregation by income and race. She reports on efforts to revive four communities— Stockton California, Lawrence Massachusetts, Josephine County Oregon, and Detroit.The focus is on local activists, community leaders, elected officials and others who have poured their heart and soul into fighting for the places where they live. In these places and others some of the most basic aspects of local government services have been dismantled.This podcast was first published last year and is a companion piece to "How Do We Fix It?" episode #390— "For the Love of Cities" with Peter Kageyama.In this episode we learn about brave and innovative efforts to cope with years of falling tax receipts in many communities that were hit hard by the foreclosure crisis, and decades of economic decline as jobs and entire industries moved offshore or to other parts of the country.As always with our podcast, there is also a focus on solutions, as we discuss examples of civic pride and rebuilding.Michelle Wilde Anderson book Review: "Building Back Better— One Community at a Time (New York Times).Additional InformationThe Democracy Group listener surveyHow Do We Fix It? PodcastMore shows from The Democracy Group

Hour 2 of A&G features Biden's lies.  Plus, a feature, "Joe Getty's What's Nu...Clear", Jack's odd experiences at the local farmer's market, how loneliness will be regulated and some clerks in Stockton CA beat-up a thief!  Stupid Should Hurt: https://www.armstrongandgetty.com/See omnystudio.com/listener for privacy information.

Hour 2 of A&G features Biden's lies. Plus, a feature, "Joe Getty's What's Nu...Clear", Jack's odd experiences at the local farmer's market, how loneliness will be regulated, and some clerks in Stockton California beat up a thief!  See omnystudio.com/listener for privacy information.

Hour 2 of A&G features Biden's lies. Plus, a feature, "Joe Getty's What's Nu...Clear", Jack's odd experiences at the local farmer's market, how loneliness will be regulated, and some clerks in Stockton California beat up a thief!  See omnystudio.com/listener for privacy information.

Globalization, technology, devastating impacts from the foreclosure crisis and the opioid addiction have wreaked havoc on communities left behind by the modern economy. Some of these discarded places are rural. Others are cities or suburbs. Some vote blue, others red. Some are the most diverse communities in America, while others are nearly all white, all Latino, or all Black. In this episode we visit four cities and towns with deep poverty and gutted public services— where entire communities are struggling to hold on.Our guest is Michelle Wilde Anderson, a professor of property, local government and environmental justice at Stanford Law School. Her recent book is "The Fight to Save the Town: Reimagining Discarded America"."We have given up on many of these places", Michelle tells us. She describes discarded America as "giant parts of many states that have not found their foothold in the 21st century economy." Discarded America is "a term that describes active decision making."Her book describes the fallout from decades of cuts to local government amidst rising segregation by income and race. She reports on efforts to revive four communities— Stockton California, Lawrence Massachusetts, Josephine County Oregon, and Detroit.The focus is on local activists, community leaders, elected officials and others who have poured their heart and soul into fighting for the places where they live. In these places and others some of the most basic aspects of local government services have been dismantled.This podcast was first published last year and is a companion piece to "How Do We Fix It?" episode #390— "For the Love of Cities" with Peter Kageyama.In this episode we learn about brave and innovative efforts to cope with years of falling tax receipts in many communities that were hit hard by the foreclosure crisis, and decades of economic decline as jobs and entire industries moved offshore or to other parts of the country.As always with our podcast, there is also a focus on solutions, as we discuss examples of civic pride and rebuilding.Michelle Wilde Anderson book Review: "Building Back Better— One Community at a Time (New York Times).Recommendation: Richard watched the FX drama series, "The Old Man", starring Jeff Bridges, John Lithgow, Amy Brenneman and Alia Shawkat. Hosted on Acast. See acast.com/privacy for more information.

DJ KENZO GUEST MIX LIVE FROM STOCKTON, CA! FOLLOW US! Twitter- @NOLIMITSfm Instagram- @nolimits.fm Host- @joshgiggin Host-@mixedbyjba

Carlos Perez David Joins us on the Podcast to have a good chill conversation about his upbringing in Mexico and also making the move to Stockton Ca. in 1960.  Carlos also shares his experiences with Chicano Movements in California. Carlos Shares his story on being one of the Team Members that created the famous "Apple Logo" , very cool dude and has so much to share. Listen and Share.  Pura Cultura , Sin Censura 

Watch this weeks as the guys link up with one of the hottest artist to come out of Stockton California, Acito. Listen in as him and his business partner YoungSix discuss their future for Cartel Mob Records… with a whole lotta smoke #podcast #acito #mob #youngsix #recordlabel Instagram: @truephjt @dopeaholic @emilbustos  @Acito762 @youn6six_2x

[00:03:33] NEWS [00:03:50] Collision Between Plane and Bus Leaves at Least 5 Injured at LAX [00:10:14] Qatar B788 at Doha on Jan 10th 2023, Steep Descent After Takeoff [00:25:41] United Dive After Maui Departure Adds to List of Industry Close Calls [00:37:39] Wideroe DH8C enroute on Jan 20th 2020, Severe Icing, Engines Affected [00:49:22] Final Report - North American B25N Crash Landing Sept 19/2020 - Stockton CA [01:01:26] Kaya the Service Dog Goes Home [01:06:18] GETTING TO KNOW US [01:28:50] COFFEE FUND [01:30:39] FEEDBACK [01:30:49] AJ - New Patron with a Story Because of the Mythical Triad [01:48:56] Mahzuz - Aviation-themed movies you love or hate? [02:02:11] PLANE TALE - [02:27:42] Kevin - Maker of Defective Rotor Pin Agrees to $10M Settlement [02:31:43] Tim - I See Capt Jeff's Ride [02:34:13] Robert - How is Turbulence Info Shared? [02:51:50] Aaron, Richard, FO Rico - NOTAMS Endangered Species [02:57:11] Matt - Jetpack Guy Found? Gear Up or Gear Down? VIDEO Don't see the video? Click this to watch it on YouTube! ABOUT RADIO ROGER “Radio Roger” Stern has been a TV and Radio reporter since he was a teenager. He's won an Emmy award for his coverage in the New York City Market. Currently you can hear his reporting in New York on radio station 1010 WINS, the number one all-news station in the nation. Nationally you can hear him anchor newscasts on the Fox News Radio Network and on Fox's Headlines 24-7 service on Sirius XM Radio. In addition Roger is a proud member of and contributor to the APG community. Give us your review in iTunes! I'm "airlinepilotguy" on Facebook, and "airlinepilotguy" on Twitter. feedback@airlinepilotguy.com airlinepilotguy.com "Appify" the Airline Pilot Guy website (http://airlinepilotguy.com) on your phone or tablet! ATC audio from http://LiveATC.net Intro/outro Music, Coffee Fund theme music by Geoff Smith thegeoffsmith.com Dr. Steph's intro music by Nevil Bounds Capt Nick's intro music by Kevin from Norway (aka Kevski) Doh De Oh by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100255 Artist: http://incompetech.com/ Copyright © AirlinePilotGuy 2023, All Rights Reserved Airline Pilot Guy Show by Jeff Nielsen is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

   On this episode EJ talks to long time friend Henry Rodriguez the owner of a non profit that organize  sober living homes in Stockton Ca and also a clothing brand that promotes clean living. Henry tells his story of growing up in Stockton influenced by gangs and drugs  and living that lifestyle until a realization caused by a comment made by another gang member "why are you so sucked up". Henry was on meth that left him super thin and followed up with a criminal charge that planted the seed of recovery. Henry's  journey of recovery has led him to oppurtunities that seemed impossible when he wasn't clean.   https://linktr.ee/nsawithej#REACHOUT https://linktr.ee/nsawithej

Quand on a lancé French Expat en octobre 2019, on avait la boule au ventre. Qui allait nous écouter ? Et si on était ridicule ? Et si les histoires ne rencontraient pas leur public ? Comment allions nous éditer les témoignages récoltés ? … Mais vous vous en doutez, on a tout de même fini par appuyer sur le bouton “publier”. On a publié un peu en secret initialement, le temps de s'assurer que tout fonctionne. Mais à peine une heure après la publication, nous avons reçu le message suivant “super cool le podcast ! je viens d'écouter l'épisode 2. Le 1 ne fonctionne pas”. Mise à part le souci technique, c'était fou et officiel : nous avions (au moins) un auditeur. Chemin faisant, on a commencé a discuter avec Anthony. Jeune français parti vivre en Chine mais ayant rencontré l'amour en Californie, d'où il nous écoutait et où il s'était installé peu de temps auparavant. Une belle histoire d'amour et de reconversion un peu dingue, le genre de reconversion dont on entend surtout parler auprès de celles et ceux qui ont décidé de partir vivre à l'étranger. Cette personne, c'est Anthony Derendinger. Ingénieur devenu pilote de ligne, c'est près de 4 ans après avoir enregistré un premier épisode ensemble que nous nous rencontrons en personne lors d'une escale à Denver dans le Colorado et que nous faisons le point sur sa situation. Pour découvrir le premier épisode enregistré avec Anthony en janvier 2020, c'est par ici : https://play.acast.com/s/french-expat-le-podcast/s1e35-anthonyd.-chine-usa-celuiquiasuquec-etaitlafemmedesavieapresunesemainedecampingauxusRetrouvez tous les podcasts de French Morning à www.frenchmorning.com/podcastSuivez les coulisses de French Expat Le Podcast sur les réseaux sociaux :

Arrestan en Stockton California, al presunto asesino en serie que cobró la vida de seis personas.Rusia vuelve a atacar a Kiev con drones kamikaze dejando al menos una víctima mortal.¡Es un hecho! Ya está activa la página web para hacer tu solicitud de alivio financiero o perdón de hasta 20 mil dólares, para deudas estudiantiles.Julián Figueroa hará un homenaje a su padre Joan Sebastian. Voto latino será clave en las elecciones de medio término así lo aseguró el expresidente Barack Obama.    

To get a deeper understanding of Stockton's distinct place in Philippine-American history, I reached out to Little Manila Rising, an organization whose mission is to remember and reclaim Stockton's proud Filipino history. When I arrived, the organization's Community Development Director Irene Calimlim and Board Member Manang Elena Mangahas welcomed me with a tour and intensive history lesson of Stockton's Little Manila. After our tour of Little Manila, I sat down with them to talk in-depth about their personal connection with South Stockton and the Little Manila organization.Little Manila Rising (LMR) serves the South Stockton community, developing equitable solutions to the effects of historical marginalization, institutionalized racism, and harmful public policy. LMR offers a wide spectrum of programs that address education, environment, redevelopment, and public health. LMR values all people's unique and diverse experiences and wishes to see the residents of South Stockton enjoy healthy, prosperous lives.In this episode we'll cover…·       Stockton's distinct history of Filipino Manong and what's left of Little Manila·       Little Manila Rising's efforts in historic preservation, cultural revitalization and environmental protection·       How Stockton's youth, aka "Boomerangs," are returning home to create positive community change ·       The importance of Filipina leaders to decolonize their minds to rise up for their communities·       Stockton's grassroots efforts to create partnerships on the local and national level  Importance of Episode:The amount of passion and dedication Irene and Elena exude to preserve Filipino history as well as advance initiatives to protect the community is nothing short of awe-inspiring. When I hear them talk, I can't help but feel that their determination to uplift and do what is right for both history and for the future comes from the same unending source of strength and integrity that generations of Filipinos have felt who came in search of a better way of life. Because in the end, the Story of Little Manila Stockton is not just their story, it is our story to share, to discover and to create together.Watch Exclusive Footage of this interview with Little Manila Rising:https://youtu.be/rsubrQwuE5g Watch Exclusive Footage from my tour of Little Manila in South Stockton, CA: https://youtu.be/nnhXoDlL-UIConnect with Little Manila Rising: ·       Website:  https://littlemanila.org/·       Instagram: https://www.instagram.com/littlemanilastockton/If you would like to help support Little Manila Rising in their efforts to preserve Stockton's Filipino History, visit https://littlemanila.org/futureJoin the Filipina Soul Sisterhood Circle! Hang out with Krystl and other “journeying” Pinays every week, as we reconnect with our culture, meet with and get mentored by impactful, industry-disrupting Filipina leaders, and help each other step into our power as Pinays. Support, Share, Follow, Get Spotlighted:·       Support the show for as little as $1 a month: http://patreon.com/filipinaontherise·       Follow IG @filipinaontherisePledge $3 or $10 a month to help keep the show going! Here: Patreon

A string of murders in Stockton California have police warning about a possible serial killer in the area, former President Trump asks SCOTUS to intervene in his legal battle with the FBI, and the Supreme Court hears arguments for online speech case with sweeping implications. Get the facts first on Morning Wire.

Serial Shooter Stockton California --- Support this podcast: https://anchor.fm/otcpod1/support

A serial killer is on the loose in California. Specifically, up north in Stockton where police say six murders since April of last year appear to be committed by the same person. We go In Depth into the mind of a serial killer and what motivates them to kill.  California seems to have energy problems. First it was the possibility of heat-related power outages and now we have record gas prices due issues that exist only here.  Angelina Jolie is making new claims of domestic violence and abuse against Brad Pitt.  Former President Trump is suing CNN. We go In Depth into whether he actually has a legit defamation case.  A professor in New York gets fired after students complained his class was too hard.  If you like Spam, we have a canned treat for you. It's getting more popular by the day.  We look back at the life of country music legend Loretta Lynn who died today at the age of 90.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

A serial killer is on the loose in California. Specifically, up north in Stockton where police say six murders since April of last year appear to be committed by the same person. We go In Depth into the mind of a serial killer and what motivates them to kill. California seems to have energy problems. First it was the possibility of heat-related power outages and now we have record gas prices due issues that exist only here. Angelina Jolie is making new claims of domestic violence and abuse against Brad Pitt. Former President Trump is suing CNN. We go In Depth into whether he actually has a legit defamation case. A professor in New York gets fired after students complained his class was too hard. If you like Spam, we have a canned treat for you. It's getting more popular by the day. We look back at the life of country music legend Loretta Lynn who died today at the age of 90.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Presidente Biden viajó a Puerto Rico, para anunciar una importante ayuda para restaurar las zonas afectadas por el paso de Ian.Huracán Orlene llegó a Mazatlán Sinaloa y dejó varias inundaciones y daños.Mucho temor entre la comunidad hispana de Stockton California por cuenta de un asesino en serie que ya lleva cinco víctimas.Identifican a la funcionaria como perla Huerta a la que presuntamente envió a los inmigrantes con falsas promesas de estabilidad y vivienda en Martha‘s Vineyard.

Police in Stockton California are investigating 5 murders that happened between July and September of this year. There is evidence linking the murders and authorities are now saying they may have a serial killer on their hands. https://www.lodinews.com/news/article_9c705738-3f99-11ed-b8f8-8faf6f5899e9.html?fbclid=IwAR2RTbIVwT7IR7PKDqlJedxYxdcQ4HPt473_QezhC2Sv8VKGXHwur056r_g https://www.sfgate.com/bayarea/article/stockton-california-serial-killer-suspect-17481436.php?fbclid=IwAR1bu1EFwXO6JyNyJ8CGTxkXk9I2slZ7GtcDqZ6HCf39NcrG7EBLC_YvwEU https://www.ktvu.com/news/stockton-police-search-for-apparent-serial-killer-tired-to-5-fatal-shootings?fbclid=IwAR1-XtrsENqVYydgocw7BOSmlH9OvH3-uYv5L8eqrwLFE9KHSLxJqX4np04 https://abc7chicago.com/serial-killer-unsolved-murders-crime-stoppers-homicides/12287742/?fbclid=IwAR1fctdLLY28hgxVNMmselcEgjfEjaL7VPsb52AfWUpC1ITWTEDm0CuAS7c True Crime Update Renee MacRae has finally gotten justice. https://www.bbc.com/news/uk-scotland-highlands-islands-63074084 WTF News Ex-prosecutor Adam Lane Chaudry has been charged. https://lawandcrime.com/crime/doj-charges-baltimore-homicide-prosecutor-with-illegally-obtaining-ex-romantic-partners-phone-records-to-stalk-them/?fbclid=IwAR0sC6ZpxtGRzNoiTYTJOdCFejHAYPkjiWhJmc8C9WNO_YCUX-Ixd_SPhjQ SUBSCRIBE: https://www.youtube.com/channel/UCd85RJRW6kn51aM2un6ButA/featured *Social Media Links* Facebook: www.facebook.com/truecrimeparanormalTPS Facebook Discussion Group: https://www.facebook.com/groups/215774426330767 Website: https://www.truecrimeparanormalpodcast.com/ TikTok: https://www.tiktok.com/@truecrimeparanormal Our Latest Video: https://youtu.be/QP7VuBEzX8w Check Out Some of Our Previous Uploads! Patriot Front in Coeur d'Alene, Mark Middleton, Baby Holly https://youtu.be/Fz7vTzUiKIw Shasta Groene, The VHS Bandit, Nancy Brophy found guilty https://youtu.be/Bhu1Do0J_bQ The Girl Scout Murders, Diane Lynn Dahn, Heather Marie Underwood https://youtu.be/UdQrQ7yjtpE True Crime Paranormal on Spotify https://open.spotify.com/show/5gIPqBHJLftbXdRgs1Bqm1 True Crime Paranormal on Apple https://podcasts.apple.com/us/podcast/true-crime-paranormal/id1525438711?ls=1 Kristi's Crystal Shop https://www.ehcrystals.com

In this next episode, we are thrilled to be joined by none other than El Tecolote founder, Juan Gonzales. In this episode, our cohost Monti Rossetti not only sits down with Juan Gonzales to discuss the founding of El Tecolote, but also takes us way back to the beginning of Juan's childhood in Stockton California, how he became interested in journalism in the first place, and shares from milestones and anecdotes of why el tecolote is el voz del pueblo.

Yankees scout, Tim McIntosh,  joins KNBR Tonight with FP about scouting Aaron Judge at Linden High School near Stockton, CASee omnystudio.com/listener for privacy information.

Yankees scout, Tim McIntosh,  joins KNBR Tonight with FP about scouting Aaron Judge at Linden High School near Stockton, CASee omnystudio.com/listener for privacy information.

Sean goes into Game of Thrones and the spikes.

Sean goes into Game of Thrones and the spikes.

En este podcast nuestras hermanos jóvenes de Stockton CA compartan sus experiences en el recorrido al sur!

In this episode, DJ Chrissy Chris, DJ/Producer/Engineer from Stockton, Ca describes his experiences growing up with his family in Stockton Ca, having a family of his own and navigating through the music industry. --- Support this podcast: https://anchor.fm/thetycoons/support

In today's episode of the Sports Business Classroom Audio Experience, we sat down with Warren Legarie, Co-Founder of the Las Vegas Summer League and NBA Agent. Warren LeGarie is President at WGL management where he represents a number of top coaches, front office personnel, and executives across the NBA. In this episode we discuss:- Becoming an international agent- The criteria when you are evaluating a potential client- Why your ego is not your amigo- What goes in to making the NBA Summer League happen and more!Warren Legarie attended the University of the Pacific, in Stockton California where he played college basketball for the Pacific Tigers. After graduating college he went into the produce business and began traveling to learn the business. After working his way up, he found himself prepared for his next journey when he decided to become an agent in the business of basketball.1:55 - Warren LeGarie Introduction3:50 - Warren Walks Us Through His Legendary Career8:26 - Becoming An Agent In The International Niche24:16 - Criteria When Evaluating A Potential Client29:06 - Keeping Up With Clients Constantly30:54: You Better Like People In A People Business32:54 - Why Warren Wore A Hawaiian Shirt At Every Summer League33:35 - How Warren Met Tommy Sheppard And The Importance Of Helping People35:48 - You Have To Make Yourself An Imperative36:12 - Why Your Ego Is Not Your Amigo38:04 - Making The Vegas Summer League Happen50:16 - Adding Components To Summer League To Enhance The Experience54:08 - Meeting Someone That Gets Things Done Like Albert Hall56:10 - Assembling The Team For The First Vegas Summer League1:03:04 - Bringing New Technology Into Vegas Summer League1:06:12 - Why Creating A Basketball Festival Is So Important1:09:50 - The Importance Of Seeing The Stars Of Tomorrow

Neighborhood, local and regional inequality has been overlooked too long. In this episode we visit four cities and towns with deep poverty and gutted public services— where entire communities are struggling to hold on.Our guest is Michelle Wilde Anderson, a professor of property, local government and environmental justice at Stanford Law School. Her new book is "The Fight to Save the Town: Reimagining Discarded America"."We have given up on many of these places", Michelle tells us. Discarded America is "a term that describes active decision making."She reports on efforts to revive four communities— Stockton California, Lawrence Massachusetts, Josephine County Oregon, and Detroit.The focus is on local activists, community leaders, elected officials and others who have poured their heart and soul into fighting for the places where they live. In these places and others some of the most basic aspects of local government services have been dismantled.We learn about the devastating impact of the foreclosure crisis, opioid addiction and long economic decline as jobs and entire industries moved offshore or to other parts of the country.As always with our podcast, there is also a focus on solutions, as we discuss examples of civic pride and rebuilding.Book Review: "Building Back Better— One Community at a Time (New York Times).Our Recommendation: Richard is watching the FX drama series, "The Old Man", starring Jeff Bridges, Jon Lithgow, Amy Brenneman and Alia Shawkat. See acast.com/privacy for privacy and opt-out information.

Neal Adams was a giant: from his art to his fight for artists' rights we'll talk about his legacy and work. This roundtable is for Neal Adams newbies and experts alike. You'll even hear some new personal stories about Adams' unique status as The Dad of Comics. Joining me are: Bryan Stratton is a writer, digital consultant, and co-host of the Marvel by the Month podcast, which covers each month of Marvel Comics history in chronological order. https://marvelbythemonth.com/ Emily C. Martin, illustrator, comic artist, teacher, podcaster and amateur martial artist. Martin is on Patreon as megamoth as well as Twitter, and mega_moth on Instagram and co-hosts Progressively Horrified Podcast. https://progressivelyhorrified.transistor.fm/ Ramon Villalobos is a Stockton California based comic artist and host of the comics podcast Mex Flentallo.

April 18 2022 was just another Monday at Stagg High School  in Stockton California when a man walked into the school for reasons still unknown and stabbed 15 year old Alycia Reynaga. Alycia was a Freshman, a JV Softball Player and a young woman with her life ahead of her. However, she died later that day and there is still not motive for this senseless crime. Listen to this story of a life taken to young when Letty presents the story of Alycia Reynaga. Also, an update on Episode 18 Yanira Cedillos15-year-old girl stabbed to death by intruder at a Stockton high schoolSuspect may face death penalty for deadly stabbing at Stockton high schoolStockton man accused of stabbing girl to death at school makes 1st court appearanceMan accused of killing 15-year-old at Stockton school appears in court, denied bail'I'm broken for my family' | 15-year-old student Alycia Reynaga laid to rest in Stockton 

The Willis family got their start in Stockton California where dad Jerry Dean Willis the first was a bar operator. His young sons were trained in the fine art of lawn care. Detailing cars and others by himself. Years later friends would talk of the skills those young men learned so many years ago. I say that in jest.. My guest played under all of the great football coaches at MHS and he then went on to play college ball. And then a business marketing class sent home an assignment to start a business on paper For this college student/MHS graduate, he did that homework and on paper designed a sports bar. Which were the new type of bars being built in the late eighties. Now there are a lot of em, that seem to be on steroids. Compared to one of the originals I am sure in the state, that is the reason I picked this gentleman to be on the show.. He and his father scouted out many locations and were doing research on taking that dream from a piece of paper and making it work bringing it to fruition. This club in Manteca was named ROCKO's based on a nickname given to the owner by some college friends. It stuck and all these years later after a terrible fire gutted and killed the place. The owner, you'll hear re-invented himself and is nowhere near bringing a bar back at his age now. You'll find out in the show here what he has been up to the story of its inception and the life of my guest Jerry Dean Willis JR. or as they call him JD Willis he was the proprietor of Rockos sports bar and he has put in the time here, that's the reason I am here with JD he will tell us about his life and I know I am a little jaded but this gonna be great podcast so settle in adjust your headphones and here comes the story of JD WILLIS and the legend of Rockos on the Man About Town Podcast

On episode 3, Abolition Serves Survivors, Crystal and Ra are joined by community organizer Adrianna Griffith. They dive into how abolition centers survivors, and what it looks like now in Stockton California's Women's Center Youth & Family Services where Adrianna is currently employed. In this season of Abolition is for Everybody, we talk about harm–what creates it, what recycles it, and how we can find our way to meaningful means of repair. To do this, we talk to folks who have caused harm, folks who prevent it, folks who experienced it, and we learn a lot about how often harms intersect, or grow from the same root. We're excited to have these conversations with you! To access episode transcripts, visit: www.InitiateJustice.org/Podcast --- Support this podcast: https://anchor.fm/abolitionisforeverybody/support

CW: this episode contains descriptions of violence against a pregnant person Our first minisode features a case out of Stockton, CA that seems to have gone cold practically as soon as it began.   Barbara Ann Smith's body was found behind a portable classroom on the grounds of Van Buren Elementary in 1991, and 30 years later, we still don't know anything else.  What happened to Barbara Ann Smith? Sources https://www.abc10.com/article/news/crime/unsolved-california-chapter-story/103-097c2ac6-7a45-437a-9b30-6c3df3f78eb0 https://www.abc10.com/article/news/crime/pregnant-stockton-woman-unsolved/103-7974f9fc-8bfc-4c73-b137-4da591335dc8?utm_source=operamini&utm_medium=feednews&utm_campaign=operamini_feednews&fr=operanews https://m.facebook.com/SJCDA/photos/a.413782925335053/4593214954058475/ https://twitter.com/madisoncwade/status/1461781342132355082?ref_src=twsrc%5Etfw

Hello to you listening in Stockton, California!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Time Out Tuesday and your host, Diane Wyzga.I live on a glacial rock surrounded by water. I'm never far from sight and sound of water. I turn on the tap and wonderfully clean water from an underground reservoir spills out.  Today is World Water Day 2022 . Held on March 22nd every year since 1993 World Water Day focuses on an indispensable element of life: water. This year's theme is Groundwater. Almost all of the liquid freshwater in the world is groundwater. Every day, we depend on safe water for drinking, agriculture, industry, recreation, hygiene, sanitation, and health care. Yet, there are some 2.2 billion people living without access to safe water.Practical Tip: I invite you to sit with water today and simply Be. Here. Now. How do I do that, you might ask, I'm nowhere near water. Pour yourself a cup of water. Place it where you can see it. Imagine how it got you. Celebrate what you have, cherish it, and take some one action to protect the groundwater you and your loved ones depend on.  Click here  for the  many groundwater stories from around the world You're invited: “Come for the stories - stay for the magic!” Speaking of magic, I hope you'll subscribe, share a nice shout out on your social media or podcast channel of choice, including Android, Amazon Music and Audible and join us next time! Remember to stop by the website, check out the Services, arrange a Discovery Call, and Opt In to stay current with Diane and Quarter Moon Story Arts and on Linked In: linkedin.com/in/diane-f-wyzga-78403919a  Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present: for credit & attribution Quarter Moon Story Arts

Antonio Sajor is a Stockton, California native who was drawn to the profession of law enforcement from a sense of service and duty to his community.  Check out how Stockton's favorite son became a change agent in this great Northern California town.

Brought along my friend who shared his story on losing his mother at a young age, weed addiction, & growing up in Stockton California. We dove deeper than any episode yet. We got a little side tracked into an interesting conversation on conspiracy theories, first time using shrooms, & more. 

Bakotunes welcomes singer songwriter, guitarist and Stockton California native, Chris Isaak. Hear stories about his early music career making ends meet in San Francisco to getting dropped into the soundtrack for David Lynch's "Wild at Heart" and rolling around in the sand with supermodel Helena Christensen on MTV. Behind the guitar and cool exterior is an artist with a reverence for the roots of American music, including one of his idols, Buck Owens. Hear how they met in this previously unreleased interview from 2012 recorded during his "Beyond The Sun" tour. Isaak is the real deal and one of the coolest guys around. Info: mattomunoz@gmail.com 

It's once again time to Bust the Slump and enjoy another episode of the Slumpbuster podcast! Joining us this week, both Aundre "MMA Dre" Huynh and Mike "The Mobster" Gomez. Mike is a aspiring MMA fighter out of Stockton California currently fighting in amateur. To kick things off, Mike a Stockton native expresses his excitement for Nick Diaz's return to the octagon. Diaz will square off against Robbie Lawler in a rematch of their clash 17-years ago. Diaz got the victory in their first fight but will a five year layoff prove too much against Lawler at UFC 266? #NickDiaz Fighter pay has been a hot button issue in the MMA community. UFC fighters reportedly take home about 18% of the revenue the company generates. Other pro leagues offer their athletes closer to a 50-50 revenue split. Is this a sustainable business model for Dana White and the UFC? Should fighters consider the idea of collectively bargaining to ensure a more financially stable future in the ever growing sport? #UFC The UFC Heavyweight division has an influx of amazing talent but tons of confusion. Francis Ngannou beat Stipe Miocic for the title back in March. Three months later, Ciryl Gane beat Derrick Lewis for the interim crown. Currently Ngannou and Gane is being billed as the next fight. This has rubbed former champion Miocic the wrong way as he seeks a rematch with Ngannou. Meanwhile Jon Jones looks to potentially move to heavyweight and Ngannou is vying for that challenge. What is the future of the division moving forward? #MMA We close out by talking Ariel Helwani's departure from ESPN. Will this be better for the sport or worse in the long run? Was this all Dana White's fault or does Helwani share some of the blame? Enjoy the Show! Recorded: Saturday, August 28, 2021 Music: "Flama" by Lalo Production Beats Host: Julian "Ju-Ju" Martinez Ig: @jujutalkssports | Twitter: @jujutalkssports Featuring: Aundre "MMA Dre" Huynh Ig: @mma_dre101 Mike "The Mobster" Gomez Ig: @mobstermike Sponsors: CavemanCoffeeCo.Com | PROMO CODE : SLUMP Social Media: Ig: @slumpbusterpodcast | Twitter: @slumpbusterpod Website : https://www.theslumpbuster.com/