Podcast appearances and mentions of Tyrell Corporation

The newest BLADE RUNNER comic book installment concerns an alternate 2015 setting in Tokyo.   Does it make great use of the often-mentioned Calanthia colonies battles and Tyrell Corporation's latest scheme?    How are the Yakuza turf wars and bootleg replicant companies configured into this particular plot?    Should fans read this comic first before all the other spin-off material?    Find out that night!       SONG USED: "Blade Runner Love Theme Cover" by LUX- Ambient Music                   MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/    SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass   

Folge 2 stößt den Blade Runner Ray McCoy direkt in die Ermittlungsarbeit. Die, am Tatort des Tiermassakers gefundenen, Hinweise führen uns zurück ins Präsidium zur Beweisanalyse auf den Schießstand und zu unserem ersten Voight - Kampf Test. Danach geht es weiter nach Chinatown, zu unserem Freund Howie Lee, dessen neuer Koch sich verdächtig verhält und unsere Aufmerksamkeit auf sich zieht. Während wir, nach einem gefährlichen Arbeitstag, in unserem Apartment und zu unserer Hündin "Maggie" zurückkehren um uns etwas schlaf gönnen, findet ein weiterer, brutaler Mord statt...direkt im Herz der Tyrell Corporation. Dieses Mal führt die Spur in die "Animoid - Row" und zu dem zwielichtigen Pfandleiher Izo, was er zu verbergen hat, welchen Gefahren wir noch ausweichen müssen und an welche zwielichtigen Orte uns unsere Ermittlungen noch führen, das erfahrt ihr in dieser Folge. Viel Spaß wünschen Marius, Fabian und Ringo

Professor Andrea presents a report from the field about a source of CINEMANIA she recently encountered, Alfred Hitchcock's 1963 film "The Birds." Not only can this film cause CINEMANIA in the viewers, but upon viewing, it is obvious the filmmakers themselves suffered its debilitating effects during the course of production.    LEGAL NOTICE: This is a work of satire / parody and should not be construed as making statements of fact.   Written and performed by Andrea Palladino, with additional material by Andy Slack and Ethan Ireland. Music by Karl Casey at White Bat Audio Tracks used: "Patrol Bot," "Alliance," and "Tyrell Corporation."   Cassette tape stock image by Thegreenj provided courtesy of Wikimedia Commons, and appears here under CC By SA 3.0 "Share Alike" license. This image was modified to remove brand logos and to add text. https://creativecommons.org/licenses/by-sa/3.0/deed.en https://commons.wikimedia.org/wiki/File:Compactcassette.jpg          

This is Renegade Files Episode 61, Artificial Intelligence: The History, Ethics, and Future of AI. When I was a kid the promise of the future was beautiful, exciting, and, well, futuristic. We rode the Monorail at Disney and were told that in the future, everyone would travel on those incredibly smooth, electromagnetic hovering trains. We'd all have flying bubble cars like the Jetsons, sleek robots would clean our homes and cook our meals, and hoverboards were just around the corner. The Tyrell Corporation would sell us genetically engineered humanoid replicant girlfriends, and rebel pilots could explore the star systems of exotic worlds. But the monorail never left Disney World. When hoverboards came out, they had wheels. Flying cars and our pleasure model replicants resided firmly imprisoned within our TV, Computer, and Phone Screens. The disappointment that resulted generated a negative creative response and we got an overdose of dystopian sci-fi, zombie movies, cataclysmic disaster predictions, and suddenly, the future was far less bright.  In short, we never got the future we were promised. But then, a glimmer of futuristic hope. Artificial Intelligence.We go deep on this one, so put the car on autodrive and get ready to have your organic mind blown, on Renegade Files episode 61 we explore the cutting edges of Ai.--------------------------Help Crowdfund RF on Patreon https://www.patreon.com/renegadefiles Get cool RF Merch https://www.bonfire.com/store/renegade-files/ Visit and Share the Website http://therenegadefiles.com Dig us on YouTube https://www.youtube.com/@renegadefiles Follow RF on Instagram https://www.instagram.com/renegadefiles/--------------------------If you think we deserve it, please leave us a 5-Star Review on Apple Podcasts or Spotify. (It helps the show find new listeners.) Thank you.--------------------------Music and Sound Effect Licensing:Theme Song: “Steve's Djembe” by Vani, FMA, licensed: Creative Commons CC BY-SA 4.0 License. “Pyramids Under Glass” by Stone Calculus, DV8NOW Records, licensed: Creative Commons CC BY-NC-ND 4.0 License. 2001: A Space Odyssey partial scene audio clip Used As Satire Under Fair Use.

This week, we're taking a look at Ridley Scott's groundbreaking, visually striking 1982 movie, Blade Runner. It tells the story of a retired cop, Rick Deckerd, who happens to be a former BLADE RUNNER, a specially trained breed of cop whose sole duty is to hunt down “replicants”, artificial beings created for hard labor off-world. Replicants are not allowed back on their home planet under pain of death, and that's where Deckerd comes in, he's pulled out of retirement for the purpose of hunting down 4 of these escaped replicants who have returned to Earth to question their creator, Elden Tyrell. While investigating the Tyrell Corporation, Deckerd learns that there is a 5th replicant on Earth, Tyrell's assistant, Rachel, however, she is unaware that she is a replicant because she has been implanted with the memories of Tyrell's niece. Now Deckerd not only has the problem of hunting down the original 4 replicants, he seems to be developing feelings for Rachel who, herself, isn't human. What did we think of this neo-noir/cyber-punk/sci-fi classic? Listen in to the conversation and find out!

In this episode Jim & Adam share their thoughts on the final cut of Blade Runner (1982), which is being screened at the Strand Arts Centre in Belfast as part of this year's Rendr Festival.Ridley Scott's film sees Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with.This week's episode also feature's  Tim Burden from the Braid Film Theatre chat about his recent experience at the Avenue's Threatre of Food experience and Thérèse Rea talks about the BAFTA's.As always be warned this recording is filled with spoilers and tangents a-aplenty.If you enjoyed it, be sure to leave us a review wherever you get your podcasting fix.Check out our socials on Facebook, Twitter , Instagram and YouTube.Don't forget to subscribe to make sure you never miss a single episode and find our complete back catalogue on the BanterFlix website.

Ian and David are back with a different take on a classic film!There may be five versions of Ridley Scott's seminal sci-fi thriller, Blade Runner, but recently the guys experienced the movie with a mind-blowing orchestral accompaniment, courtesy of the Chicago Philharmonic!Harrison Ford stars as Deckard, a cop living in the far-flung world of 2019 Los Angeles, who specializes in tracking down and decommissioning "replicants"--rogue androids created by the nefarious Tyrell Corporation, whose resemblance to people makes them almost undetectable. While hunting four dangerous renegade 'bots, Deckard begins questioning his own humanity, and whether or not he's truly serving justice.In this retrospective review, Ian and David look at what makes Blade Runner different from the sci-fi movies that preceded it; unravel memories (both real and false) from the various cuts; and try to figure out how the film's notoriously "problematic" scene survived all of the edits over 42 years.Plus: They talk about seeing the movie at Chicago's famed Auditorium Theatre with live instruments and vocals!Subscribe, like, and comment to the Kicking the Seat YouTube channel, and check out kickseat.com for multiple movie podcasts each week!Show LinksWatch the Blade Runner (1982) trailer.Learn more about the Chicago Philharmonic's "Auditorium Philms" series, and get tickets for their amazing 2024 lineup!Follow David Fowlie's film criticism at Keeping It Reel.

What happens when Falk gets stuck in a screwball comedy? Can Falk weed out the humans from the androids? Do androids dream of His Girl Friday? Listen to find out!Do Androids Dream of His Girl Friday? , episode 98 of This Gun in My Hand, was manufactured not by the Tyrell Corporation but by Rob Northrup, using dialogue from the 1940 public domain film His Girl Friday, which was adapted from the 1928 public domain play The Front Page. The part of Walter Burns was played by Cary Grant, with Rosalind Russell as Hildy Johnson and Ralph Bellamy as Bruce Baldwin. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, information on how to subscribe, and to buy my books, such as Little Heist in the Big Woods and Other Revisionist Atrocities. How do I survive a screwball comedy? With This Gun in My Hand!Show Notes:1. The 1940 film His Girl Friday was adapted from a 1928 stage play titled The Front Page, both in the public domain. Dialogue in this episode was taken from His Girl Friday. (Link below.) It's excellent but has (CONTENT WARNING) the kind of racism and sexism you might expect in a 1940 film. There's also a one hour Lux Radio Theater adaptation starring Fred MacMurray and Claudette Colbert; a Screen Guild Theater radio adaptation starring Cary Grant and Rosalind Russell squeezed down into a half hour; and an even more offensive, grittier 1970 film of The Front Page starring Walter Matthau and Jack Lemmon. And there's a 1931 film version of The Front Page which I have yet to watch.https://archive.org/details/his_girl_fridayCredits:The opening music clip was from The Sun Sets at Dawn (1950), with transitional music from His Girl Friday (1940) and the closing music was from Killer Bait (1949), all films in the public domain. Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.The two women saying “pixielated” were from the Campbell Playhouse radio adaptation of “Mr. Deeds Goes to Town,” broadcast February 11, 1940, public domain. Sound Effect Title: bustle in the pubLicense: Public Domainhttps://freesound.org/people/organicmanpl/sounds/403285/Sound Effect Title: teletype_medium_speed.wavBy stratcat322License: Creative Commons Attribution 3.0https://freesound.org/people/stratcat322/sounds/169259/The image accompanying this episode is a modified detail of a promotional photo by A. L. Schafer for the 1940 film His Girl Friday showing Cary Grant, Rosalind Russell and Ralph Bellamy sitting next to each other. Superimposed over Ralph Bellamy's face is the robot from The Phantom Creeps (1939) from another promotional photo (photographer unknown).

Underserved has reached Episode 100! We celebrate this special landmark with a very special show. We bring back three previous guests (Mike Breault from #007, Eli Goldberg from #069, and Steve Kaufer from #013) and add one new one (Rachael Rosen) to form a panel of distinguished experts. We discuss with our panel how artificial intelligence is going to change the software development game forever.   ChatGPT: https://openai.com/blog/chatgpt CoPilot: https://github.com/features/copilot Prompt Perfect: https://promptperfect.jina.ai/ The Tyrell Corporation: https://www.speculativeidentities.com/research/tyrell-corp

Do Androids Dream Of Electric Sheep?

Following directly our last episode, Jaime & Patrick break down what might be the most iconic scene in science fiction movie history. Getting orders from Bryant, Deckard travels to the Tyrell Corporation to interview a Nexus Six Replicant. Who Deckard meets ends up changing the course of his life and the Blade Runner universe. Join us as we talk about this incredible scene.   Apple Podcasts: bit.ly/shoulderoforionitunes // For more on this and our other projects, please visit www.bladerunnerpodcast.com  // If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha. // To support the show, please consider visiting www.bladerunnerpodcast.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

Welcome to the Season 2 opener of Fabulous Film and Friends where this week we will be throwing down with a Battle of the Blade Runners , as we compare Ridley Scott's 1982 sci fi giant Blade Runner starring Harrison Ford, Rutger Hauer, Sean Young, Darryl Hannah, William Sanderson, M. Emmet Walsh, Joanna Cassidy, Edward James Olmos, Brion James, Joe Turkel and James Hong with Denise Villenueve's 2017 follow-up: Blade Runner 2049, starring Ryan Gosling, Harrison Ford, Ana De Armas, Jared Leto,  Sylvia Hoeks, Robin Wright, , Mackenzie Davis, Dave Bautista, Edward James Olmos and Sean Young.   Joining me are the two helped launch this podcast one year ago, Roseanne Caputi and Dave Johnson, DDS.  Set in a once futuristic, but now alternate 2019 Los Angeles megalopolis, Blade Runner centers around Rick Deckard, a Sam Spade-style, world weary ex-LAPD officer from a unit known as Blade Runners, who is pulled out of retirement to hunt down five artificial humans known as replicants.  Replicants are illegal on earth and used as slave labor in space exploration and colonization and five top of the line, Nexus 6 replicant outlaws led by super soldier Roy Batty, come back to earth in an attempt to extend their life span, which is limited to four years.  Aiding Deckard in his pursuit of the fugitives is the alluring Rachel, executive secretary to Dr. Eldon Tyrell whose corporation manufactures replicants. Upon meeting Rachel and administering a device on her known as Voight-Kampf, an empathy test used to detect replicants, Deckard learns that Rachel herself is a replicant, and while cold to her initially, Deckard ends up falling in love with her.  After Deckard confronts and kills three of the wanted replicants, -- with Rachel's help—he is pummeled and beaten by Batty and nearly left for dead until Batty has a change of heart and saves Deckard from a precipitous fall off a towering building. Battered and bruised, Deckard learns the true meaning of empathy and he reunites with Rachel. The pair escape Los Angeles and go into hiding, unsure of how long they have together.  Set 30 years later --after a great famine and information blackout, as well as a buyout of the Tyrell Corporation by a blind tech giant/savior named Niander Wallace, Blade Runner 2049 follows Blade Runner Agent K, who after a seemingly routine run-in with an erratic old style Nexus 8 replicant named Sapper Morton, discovers a link to events of the past that could change life on earth as they know it: the buried remains of the Replicant Rachel, who died  after giving birth to her and Rick Deckard's child. With that discovery, Agent K, a new-style tamed replicant himself known as “Joe” to his AI girlfriend Joi, embarks on a journey to find the identity and truth of Rachel and Deckard's human/replicant hybrid offspring, believing himself to be that very child that will start a revolution. This quest will lead K not only to Deckard but to a face-to-face confrontation with himself and his place in the universe. Who is the winner? 

Early in the 21st Century, THE TYRELL CORPORATION advanced robot evolution into the NEXUS phase - a being virtually identical to a human, but it's a puppet. Join us for a Muppet version of Blade Runner. Check out the game we're running in this mini-season - A Very Moppet Version by Scott Milton here Buy our book, The Ultimate Random Encounters Book: bit.ly/RandomBook Find out more about the show at our website: www.vre.show Show pins and more: shop.vre.show Support us on Patreon: www.patreon.com/VRE Follow us @VRECast

Blade Runner is one of the most exceptional and influential works of science fiction to ever grace the silver screen.  It brought the works of Phillip K Dick to life from its opening shots of geysers of flame erupting in the shadow of the Tyrell Corporation's Egyptian skyscrapers.  The technology might be fantastical and the world transformed, but the people of the city were the same, and Blade Runner knows it.  To this day it is considered one of the best explorations and examinations of humanity, even if its slow pacing and flat characters might be off putting for some.15 years after the release of the movie saw the release of the point and click adventure game of the same name.  Blade Runner (1997) follows the journey of Ray Mcoy in a parallel side story to Deckard, as he investigates bombings, hunts down replicants, and otherwise gets tangled up in something far beyond his simple job.  It was released to widespread critical acclaim, with reviewers both praising both its detailed environments and dynamic gameplay.But 25 years later, point and click adventure games are a dead artform, cursed and largely forgotten.  Blade Runner itself got a shot in the arm with its sequel, and for many that's the only exposure they have to this world.  Is it possible, all these years later, that this game could possibly still hold up today?On this episode, we discuss:How well does Blade Runner capture the atmosphere of the movie?  In what way does it use sound, audio and animation to convert high resolution film to a low resolution, voxel based video game?Blade Runner's story is extremely dynamic, with clues, identities and even entire scenes playing out completely differently for each playthrough.  Does this come across as confusing and incoherent, or is this a brilliant type of storytelling that should never have been retired?Blade Runner is a point and click adventure game that barely features puzzles.  Does stripping this feature fix what makes this genre rotten to the core, or has it been replaced with something far worse?We answer these questions and many more on the 93rd episode of the Retro Spectives Podcast!—Intro Music: KieLoBot - Tanzen KOutro Music: Rockit Maxx - One point to anotherBlade Runner OST: Frank Klepacki—Which piece of Blade Runner media do you think is best - the book, one of the first movie cuts, or the sequel?  Is the gameplay of Blade Runner more sophisticated and clever than we gave it credit for?  Is there another modern game that uses the systems present here?  Come let us know what you think and join the conversation on our community discord server!

Blade Runner is a 1982 science fiction film directed by Ridley Scott, and adapted by Hampton Fancher and David Peoples. Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep? The film is set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work on space colonies. When a fugitive group of advanced replicants led by Roy Batty (Hauer) escapes back to Earth, burnt-out cop Rick Deckard (Ford) reluctantly agrees to hunt them down.This soundtrack is not available in our store.

“All'inizio del XXI secolo, la TYRELL CORPORATION portò avanti l'evoluzione dei robot alla fase NEXUS – un essere virtualmente identico ad un umano – noto come Replicante”. Il 25 giugno 2022 Blade Runner di Ridley Scott compie 40 anni. Come sta il classico della fantascienza che cambiò per sempre il genere sci-fi e la percezione non solo del nostro futuro, ma della fragilità dell'esistenza della vita umana? Ne parliamo con il professore, critico cinematografico, scrittore e podcaster Roy Menarini, una delle menti più lucide nel commentare e analizzare l'arte cinematografica. Iscrivetevi al podcast, condividetelo con gli amici e (in)seguiteci su https://open.spotify.com/show/06wRlaUWQ5NdWusO25uqZk?si=4PkqQwHCT86xZaWk5pDiHA ➡️PAGINA FACEBOOK: https://www.facebook.com/ilbruttoilcattivo2.0

Blade Runner Blade Runner is a 1982 science fiction film directed by Ridley Scott, and adapted by Hampton Fancher and David Peoples. Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep? The film is set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work on space colonies. When a fugitive group of advanced replicants led by Roy Batty escapes back to Earth, burnt-out cop Rick Deckard reluctantly agrees to hunt them down. A massive classic of the science fiction genre, one of the first great depictions of a cyberpunk dystopia and one of the best ad-libbed monologues in film history. We discuss the clues that point to Deckard possibly being a replicant, the differences between the directors “final cut” and the original theatrical release, lighting, the problematic scene and the overall shape of the narrative. Science-wise, we talk about an experiment to see if memories make the person or if it is a moral viewpoint that does. To Hear the Episode: https://gravityundone.net/episode-80-blade-runner/ For all other Space Brains Episodes: https://spacebrains.com.au/ Contact us: Space Brains Podcast (@spacebrainspodcast) Space Brains Podcast - Home spacebrains@spacebrains.com.au Space Brains is recorded in Mandurah, Western Australia. Visit: https://gravityundone.net/ https://www.markregan.com.au/  https://spacebrains.com.au/

Tread Perilously keeps yet another promise by finally watching Small Wonder, but will an episode called "The Suitor" change Erik or Justin's opinion of the series? When Jamie's nerdy classmate, Warren, catches sight of Vicki, he's immediately smitten. And thanks to Jamie's primer on mushy romance, she reciprocates -- or at least as much as an emotionless "child identicant" can. Will Jamie be able to program her with a tactful way to let Warren down or will the nerdy kid end up in tears? Also, will anyone punish Jamie for his behavior and racially insensitive impressions? Erik and Justin enter the heart of darkness with one of the worst sitcoms ever recorded. They go over the premise -- both the one cited by the show itself and the one Justin sees buried just underneath. Gambling, the Tyrell Corporation, and Pakistan become important. Justin offers a few thoughts on Shang-Chi and the Legend of the Ten Rings. A surprising examination of Regan Era media and culture breaks out. Erik has a hard time believing actor Dick Christie was a nerd in high school. Denis Villeneuve gets compared to Ridley Scott and Justin learns whether or not he must endure an episode of 7th Heaven next week.

The knot deal with an issue caused by another knot. Season Finale! We have started recording season 4, but life keeps getting in the way. We will be taking an extended break before season 4 so we can work on getting our backlog built out.  GM: Megan Players: Aser as Rigel Sloan, Landan as Garrett, and Shaunna as Rafaella Stel Music by Rob Anderson. Logo by Taylor Livingston. Editing and Production by Lucas - check out his show Ballad of the Seven Dice! If you want to hear the latest news about the show and keep up with what's going on in the world of Numenera, check us out on Twitter @amberclave or go to our website. You can now join us on the Redacted Files discord! Special thanks to our Agent+ patrons: Ben, Bernie, Chris, Denise, Drue, Eric, Fandible, John, Jonn, LordTentacle, Nyssa, Patrick, Slacker Initiative, Skie Borne Stories, Stuart, Terryann, and Tom. The Amber Clave is a member of The Redacted Files Podcast Network! Find more from us on our other shows: The Redacted Files - A multisystem Actual Play Podcast Firefly Podcast- a Firefly Actual Play Podcast Gold Wings, Black Skies- a streamed Tachyon Squadron show Deniable Operations - a community content feed Other sound credits: hyperfun, Long Note Two -   Kevin MacLeod Link: https://incompetech.filmmusic.io/  License: http://creativecommons.org/licenses/by/4.0/    Graham Plowman - The Great Old Ones and Other Beings - 01 Great Cthulhu https://gplowman.bandcamp.com/ Tyrell Corporation, Aggressor, Cosmic Death Machine - Karl Casey at White Bat Audio https://whitebataudio.com/ Endless by Rafael Krux Link: https://incompetech.filmmusic.io License: http://creativecommons.org/licenses/by/4.0/   Michaël Ghelfi - RPG Ambiences Vol. 1 - 27 Sailing Ship https://michaelghelfi.bandcamp.com/ reddit - Dreamheaven  Link:https://incompetech.filmmusic.io/  License: http://creativecommons.org/licenses/by/4.0/

Blade Runner's stunning atmosphere and visuals? They're matched only by Corrye's articulation of humanity and how it looms large in Ridley Scott's picture. The fellas play hardball, quickly tackling the "is Deckard a replicant" question right out of the gate. PLUS: Luke is perplexed by the lack of security at the Tyrell Corporation and complains (again!) about movie criticism; Corrye stumps Luke in 5 Questions; and the "hidden" gem outside Rochester where Corrye and Luke stumbled into each other.

Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with. Skin Jobs... the Futility of life... Themes around eyes... Drinking... and SO much rain!  It's time for a futuristic noir in the #LiteraryAdaptation of Philip K. Dick's novel "Do Androids Dream of Electric Sheep?" in 1982's Blade Runner!  What better way to end our 3rd Season, "Return of the Feels", than with this amazing Ridley Scott classic?  From the music, to the amazing sets, we're also captivated by the mysteries of the characters in this movie.  This is a treat for the Reel Feels Boys, we hope it is for you too.  Thank you for an amazing third year of downloads, community and the Reelest of Feels!   We are the Reel Feels Podcast, every other Wednesday we'll bring you a new movie with all the feels you can handle.  We'll laugh, we'll cry and possibly restrain the frustrations to curse the heavens.  But what you can count on is three guys sharing their love of cinema with you.  Please leave us a review and share your "reel" feelings. Don't forget to call the "Tucc" line (Reel Feels Hotline) and leave us a voicemail: 661-376-0030  Patreon: https://www.patreon.com/ReelFeelsPodcast Email:  reelfeelspodcast@gmail.com Twitter:  https://twitter.com/ReelFeelsPod Facebook:  https://www.facebook.com/ReelFeelsPodcast/ 

Sci-Fi 5 turns its attention to the Tyrell Corporation. It was on this day in 2016 that the infamous Roy Batty was activated (or "incepted") and started his career as an off-world combat replicant. Get your Sci-Fi 5, five minutes of science fiction history, at Roddenberry Podcasts.

Grab your trenchcoat, order some noodles, and get ready to do some hacking or bounty hunting or virtual reality living. This week Shaunn and TJ return to the show to talk about Cyberpunk, the genre of gritty futures that feels more like the present every day. We talk about Bonejackers, Molly Millions, Stacks and Sleeves, Upgrades, Mnemonic Couriers and more. Plus Fake Ad Reads and the Thunderdome. And we're superliminally forced to talk about Zack Snyder.Check out the Mole Hole Radio family of podcasts at http://moleholeradio.com/Listen to Michael J. O'Connor's tunes at https://michaeljoconnor.bandcamp.com/And be good to each other! Please. 

In this episode Mark talks about one of his favourite films: the 1982 science fiction film "Blade Runner", directed by Ridley Scott and written by Hampton Fancier and David Peoples, based upon the 1968 novel "Do Androids Dream of Electric Sheep?" by Philip K. Dick. The film is set in a dystopian version of 2019, in which synthetic humans known as "replicants" are bio-engineered by the powerful Tyrell Corporation to work on off-world space colonies - however, when a fugitive group of advanced replicants flee to Earth to hide, Rick Deckard (played by Harrison Ford) is tasked to track down and eliminate the group, led by Roy Batty (played by Rutger Hauer). The film explores themes such as identity, slavery, artificial intelligence, and where the path towards creating advanced machines who look and act human may eventually lead. "Blade Runner" has been culturally as well aesthetically influential since is initial release and it continues to draw audiences back to it because of the deeply profound possibilities that it proposes and investigates in regards to humanities burgeoning relationship with artificial life. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/markthepoet/message

Blade Runner is a 1982 science fiction film directed by Ridley Scott, and written by Hampton Fancher and David Peoples. Starring Harrison Ford, Rutger Hauer, Sean Young and Edward James Olmos, it is loosely based on Philip K. Dick's novel Do Androids Dream of Electric Sheep? (1968). The film is set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work at space colonies. When a fugitive group of advanced replicants led by Roy Batty (Hauer) escapes back to Earth, burnt-out cop Rick Deckard (Ford) reluctantly agrees to hunt them down.Ben's Room Twitter: https://twitter.com/bensroomshowInsta: @BensroomshowGreg's Twitch: https://www.twitch.tv/microp1Rene interviews Greg 8/23/20! First thing you would do as a slave: Work on myself, take it day by day; the little successes are the most important.How many times have you seen jack cry: yeah, smart assWould you date big ronda: No, but I'd fuck the shit out of herWas Ted Kaczynski wrong, if so why: We have psychopaths "bombing" our country with their legislation, its all hypocrisy.Do you get cheese on your cheeseburger: Don't play your mind games with me bitch.blade runner,microp,your moms house,podcast,cancelled,chills,top ten,bens room,movies,rotten tomatoes,reviews,comedy,news,good fellas,80s,film,ai,skynet,technology,crown royal,harrison ford,underdog,future,ring leaders,hot takes,the marine,hackers,owls,bens room show,stimulus check,antifa,proud boys,qanon

"Blade Runner" opened in theaters in 1982. Director Ridley Scott creates a cityscape of Los Angeles in 2019. The film has many aspects of film noir blended into a future where synthetic humans or replicants are produced to work on planets, asteroids and other objects scattered throughout space. These replicants are prohibited from being on Earth. When four Nexus-6 replicants escape back to Earth, Rick Deckard played by Harrison Ford is persuaded to hunt them. Deckard is a former police officer and now a "Blade Runner" who is authorized to eliminate or "retire" the four fugitives. The four replicants are Roy Batty the leader played by Rutger Hauer, Pris - Daryl Hannah, Leon Kowalski - Brion James and Zhora Salome - Joanna Cassidy. Sean Young plays Rachael an employee of the Tyrell Corporation makers of replicants. Deckard and Rachael form a bond that is a key part of the film. As a part of our April 11 and 12, 2020 virtual film festival we watched the final cut of the film that is, in our opinion, the best of the seven versions of "Blade Runner". Enjoy this exciting film. Here’s the IMDB page for “Blade Runner”Part 2 will be released next week OR you can head over to our Patreon page and listen to Part 2 right now for free. Be sure to check out the Patron only episodes and benefits and consider supporting the show over on Patreon.Up next, a Patron only episode of “Once Upon A Time In The West”And then we review the legendary or infamous “Taxi Driver”

Lords: * JP recommends Esperpento. http://esperpentotapasrestaurant.com/ * Styger recommends Esperpento and Yamo. https://www.theinfatuation.com/san-francisco/reviews/yamo Topics: * 1:52 A brief history of JP using "Lords" as a comedy word, 2008-present, and why British people will probably never "get" this quasijoke. * 9:00 Emergency preparedness! * The SFFD neighborhood emergency response team: https://sf-fire.org/neighborhood-emergency-response-team-nert * 16:55 The apple with a launch date. https://story.californiasunday.com/cosmic-crisp-apple-launch * 23:15 Larry asks: "Are there horses" * Miniature horses as service animals: https://duckduckgo.com/?q=miniature+therapy+horse&ia=images&iax=images * 28:39 Being an amateur naturalist from another part of the country. * Sneakers: navigating San Francisco by sound. https://www.youtube.com/watch?v=KuIheGaiFLM * "Watch Dogs 2: Touring San Francisco's Famous Landmarks" * https://www.youtube.com/watch?v=1F9l19j4XY * 43:15 What makes some hotels scarier than others? * "It should be illegal for horror movies to advertise." https://twitter.com/okexactly/status/1185756975612727297?s=20 * "If you make that film as a bleak drama, then we’re making it for like, an audience of three. So what might be a deterrent to an audience in one genre suddenly becomes a virtue in another, and it just felt like a no-brainer to channel that through a horror-movie filter." https://www.vulture.com/2018/06/hereditarys-ari-aster-breaks-down-his-upsetting-film.html * Scratch and sniff feelie in Leather Goddesses of Phobos. https://en.wikipedia.org/wiki/LeatherGoddessesofPhobos Microtopics: * Hypothesizing about how much business your internet review gets a small business. * A restaurant in San Francisco somehow not going out of business. * Reassuring meme carriers that they are still good people. * Majestic yet ridiculous muscledudes. * Dreaming a GDC talk. * Taking the "lord" title seriously because you are probably ruled by literal lords. * Our sister podcast across the pond, Topic Senators. * Distinguishing lords from non-lords by their shoulder armor. * Preppers going from being a joke to an aspiration. * Realizing that literally none of your skills would help you in the apocalypse. * Drinking pee through a Life Straw and it still tasting like pee. * California-branded disasters. * Naming your produce via an Internet poll. * Produce having a launch date. * Lining up at Safeway for produce's midnight launch. * Eating berries exclusive to your region. * Believing horses still exist because you've seen them once. * Being almost sure horses aren't a hoax. * Inserting horses into the historical record. * Duckbilled platypi being obviously bullshit. * Every platypus having been secretly manufactured by the Tyrell Corporation. * LA and San Francisco merging because Philip K Dick didn't predict rising construction costs. * Finding out that miniature horses can be service animals. * Service ponies in the soup aisle. * Someone defacing an explanatory sign to make people believe that horses can be service animals. * Miniature ponies being grandfathered in. * Everyone choosing the mockingbird as their state bird. * Being annoyed that trees are the wrong trees. * Being young enough for them to just be trees I guess. * The sky being the wrong sky. * Seeing freeway exit signs for Jupiter. * The Golden Gate Bridge getting wrecked. * A story being grounded in geography. * Stepping out of the movie theater into the neighborhood the movie you saw was set in and feeling like you're still in the movie. * Everyone's effective hometown being San Francisco because that's where every movie is set. * Getting experience points for taking selfies. * The Coit Tower secretly being a giant hologram full of horses. * The arbitrariness of what makes a hotel scary. * The horror of a hotel room possibly having bedbugs. * Not being scared by a movie because you chose to watch it. * The cute robot doing all the murders. * The TV edit of Robocop somehow being even more traumatic. * Sneaking an art house movie into your horror movie. * No longer being affected by supernatural horror but being terrified of movies with car accidents. * The implicit social contract that horror movies shouldn't address the horror of real life. * The ethics of advertising horror movies. * The ad that places a horrible idea in your mind and promises closure/the antidote if you pay for the full movie. * Buying a tub of baked beans at the concession stand and feeling good for five minutes. * Refilling the essential oil cartridge for gunfire. * Not wanting to smell Bioshock, or most video games really.

Hailed as one of the best "Night Stalker" episodes, Mr. R.I.N.G. has Carl Kolchak writing an obituary for a scientist who happened to be working on a cutting-edge robotics experiment for the Tyrell Corporation. Under the guise of defending America's taxpayers, Carl tracks down Mr. R.I.N.G. (Craig R. Baxley), the titular Frankenstein monster.

Tornem amb la segona temporada! Hui parlem del Cyberpunk... vivim en un món cyberpunk? T'alimentes de menjar ràpid precuinat en racions individuals? Tens que buscar-te la vida en feines irregulars per a grans empreses multinacionals com a Deliveroo o la Tyrell Corporation, per exemple? Passes més temps connectat a Internet que a la vida real? Al teu barri sempre és de nit, sempre plou i està i?luminat per llums de neó? Si has contestat afirmativament al menys a tres de les preguntes anteriors.... pot ser estigues vivint en un món cyberpunk i encara no ho saps I també parlem d'un tema molt interessant: l'ofensiva de Nintendo i altres companyies de videojocs contra l'escena dels mods de jocs antics i retro. Interessos comercials, estupidesa, ganes de guanyar més pasta o... és que són així?

Tornem amb la segona temporada! Hui parlem del Cyberpunk... vivim en un món cyberpunk? T'alimentes de menjar ràpid precuinat en racions individuals? Tens que buscar-te la vida en feines irregulars per a grans empreses multinacionals com a Deliveroo o la Tyrell Corporation, per exemple? Passes més temps connectat a Internet que a la vida real? Al teu barri sempre és de nit, sempre plou i està i?luminat per llums de neó? Si has contestat afirmativament al menys a tres de les preguntes anteriors.... pot ser estigues vivint en un món cyberpunk i encara no ho saps I també parlem d'un tema molt interessant: l'ofensiva de Nintendo i altres companyies de videojocs contra l'escena dels mods de jocs antics i retro. Interessos comercials, estupidesa, ganes de guanyar més pasta o... és que són així?

This week we continue the ecstatically futural mind-jazz duet with cyborg performance artist and body-machine interface master hacker Onyx Ashanti, exploring the frontiers of new meta-languages emerging at the intersection of the born and manufactured, and creative possibilities thereof. Onyx Online:http://onyx-ashanti.comhttp://youtube.com/onyxashantihttp://twitter.com/onyxashantiAnyone who enjoys this episode will also like these essays from my upcoming book:“The Future is More of Everything”https://medium.com/@michaelgarfield/how-to-live-in-the-future-part-2-the-future-is-entropic-2faa4aa6f433“The Future Is Disgusting”https://medium.com/@michaelgarfield/the-future-is-disgusting-911379af30fe“Being Every Drone: The Future of XR & Robotic Telepresence”https://medium.com/@michaelgarfield/being-every-drone-the-future-of-xr-robotic-telepresence-19f12889da78In this episode, we discuss:Fractal Sonocybernetics & The Future of LanguageThe neurological and experiential differences between speaking and singing, between continuous movement and discontinuous speech.“The English alphabet is created of embedded Fibonacci relationships…there are five vowels; all five of those vowels are odd numbers…between A and E is three letters; between E and I is three letters; between I and O is five; O and U is five; and between U and the end of the alphabet, wrapping around to the A, is five letters…two 3s and three 5s is also one of these relationships. There are twenty-one consonants in the alphabet, and twenty-one is one of these Fibonacci values.”Book: Darwin’s Pharmacy by Richard DoyleReaching beyond language to communicate the ineffable psychedelic experience…only to create new (insufficient) languages.Violent counter-reactions to the sudden is-ness of black swan events (like the election of Barack Obama OR Donald Trump).“Those of us that get it and CAN talk about it, it is necessary for us to talk about it. But then to reinforce what we’re talking about with action.”The moral imperative of people with a vision to communicate it. The ethical necessity of artists to create and share.Music as an irreplaceable core module of an n-plus-one-dimensional future language.“We’re like some kind of ant, or bee, and our honey is technology.”With respect to the Singularity: The end of the world? The end of WHAT world? WHAT DOES “END” EVEN MEAN?What happens to identity politics in an age of exponential change and its metamorphosis of “baseline” human identity into something plural, mutable, and ineffably always-evolving?“We have to burst out of identity politics in a way such that it is BORING, that it is MUNDANE, that our perception of identity politics is that it is no longer [the house-sized thing that I am within], it is [identity politics, this thing I am holding in my hand and I can examine like I would examine a grapefruit].”“One’s reality is limited by their ability to comprehend complexity.”If we act from the understanding that our brains are harmonically organized, our thoughts and actions can begin to take on that harmonic organization…Gamma brainwaves as the lubricating medium of harmonically coherent brain activity, just as blockchain-enabled microtransactions enables a fluid economy and liquid democracy in the global brain…How to become resilient in a networked society by using failure to inform the design of new evolutionary systems.“Bitcoin…it’s unstoppable. Right now. And when it IS stoppable, we will have a new version that is vastly less stoppable than this one. And then it will get attacked mercilessly…and then maybe someone brings the quantum chain down. And then we create something we can’t even imagine at this point…”“I feel that Bit Torrent begat Bitcoin.”“The interesting thing with the Bitcoin community is that we’re all working for a company that…there’s nobody working for that company!”Is crypto the cathedral of planetary culture we’ve been waiting for?Onyx waxes rhapsodic about the blockchain.Open-source space program.Book: Project Hieroglyph (containing Cory Doctorow’s short story, “The Man Who Sold The Moon”)Onyx uses Sun Ra and the afro-futurist mythology that he created repeatedly to make a point about legendary creative badassery.“You have to share it in such a way that each person feels that they are absorbing it. And want to. ‘How can I get involved?’”Pay No Attention to The Realm of Loud Dumb ShitWhat a bad example of a good future cyberpunk is… (Tyrell Corporation in Blade Runner, etc.)Story/Film: Johnny Mnemonic by William GibsonImagining a Crypto Pride Parade with everyone wearing reflective Face ID spoofing masksWhat it takes to turn a work of art into a movement: resonance.“If you [lawmakers and IP holding companies] can’t stop a five megabyte file [mp3s], good luck stopping crypto.”And more for those with time to listen!Join the Facebook Group:https://facebook.com/groups/futurefossilsSubscribe on Apple Podcasts:https://itunes.apple.com/us/podcast/future-fossils/id1152767505?mt=2 Subscribe on Google Podcasts:http://bit.ly/future-fossils-google Subscribe on Stitcher:https://www.stitcher.com/podcast/michael-garfield/future-fossils Subscribe on Spotify:https://open.spotify.com/show/2eCYA4ISHLUWbEFOXJ8C5v Subscribe on iHeart Radio:https://www.iheart.com/podcast/269-FUTURE-FOSSILS-28991847/ Support the show on Patreon:https://patreon.com/michaelgarfield See acast.com/privacy for privacy and opt-out information.

On Episode 289 of Trick or Treat Radio we welcome back in studio, filmmaker and our good buddy Michael Neel to catch up and to talk all about his recently released book, Ghoulish Stories Vol 1! We also veer off into interesting territory as we run the spectrum of topics from Netflix as a legitimate release platform, why horror is viewed as a second class citizen in American filmmaking, and we learn the genesis of The Wallet Squad! We also manage to find some time to discuss the recently released Sci-Fi Thriller, Diverge from director James Morrison. So grab your copy of Ghoulish Stories Vol 1, put your wallet in your action sack and strap on for the world’s most dangerous talk radio show! Stuff we talk about: The antithesis of Ares, Lee Press on Beard, burly AF, the meat raffle, The Deadites next live show!, The Five Hossmen Wrestling Podcast, Cloverfield Paradox, The Royal Rumble, a masturbatory deity, “The Conduit”, why Netflix isn’t viewed as a legitimate platform to the Academy Awards, necrophilia, Sam Neill, Sean Bean, Paramount, the genre known as the found footage genre, John Goodman, Mary Elizabeth Winstead, John Goodman, Get Out, The Shape of Water, The Silence of the Lambs, Black Swan, Misery, Mad Max: Fury Road, Devilman Crybaby, Ari: God of War, Alden Ehrenreich, Young Han Solo, Donald Glover, Wilfred Brimley, bringing incest back, Clint Howard, Joseph Gordon Levitt, Drive-In Horrorshow, Ghoulish Stories Vol. 1, horror anthologies, Rockwell, Stephen King, Greg Ansin, solitary confinement, The Wallet Squad - The Ravenshadow and Michael Neel buddy comedy, The Ray, MZ’s worn down Wednesday Night Wars shirt, The Down Boys shirt, Jasper Tales, Outside the Cinema 10 year anniversary, Tyrell Corporation, Time Travel movies, Diverge, James Morrison, Valentine’s Day, horror hosts, 12 Monkeys, Good Times, Svengoolie, and Desmond of the Outer Santorum. Send Email/Voicemail: podcast@trickortreatradio.com Visit our website: http://trickortreatradio.com Use our Amazon link: http://amzn.to/2CTdZzK FB Group: http://www.facebook.com/groups/trickortreatradio Twitter: http://twitter.com/TheDeadites Facebook: http://facebook.com/TheDeadites YouTube: http://youtube.com/TheDeaditesTV Instagram: http://instagram.com/TheDeadites Buy our music on Bandcamp: http://thedeadites.bandcamp.comSupport the show (https://www.patreon.com/trickortreatradio)

We return with a highly esoteric discussion on Blade Runner 2049, the 2017 sequel to Ridley Scott's cult-classic from 1982. Despite not doing well at the Box Office, this film succeeds in artfully suggesting a number of stories within one, and like the first film, leaves the audience feeling they have witnessed something profound.  Set in the titular year in dystopian Los Angeles, the film follows the replicant LAPD officer 'K' as he uncovers hidden evidence that replicants are capable of reproducing autonomously. After being ordered by his superiors to investigate and destroy the evidence, K is led to believe that he himself may be the offspring of a union between replicants, and so disobeys his orders in search of his origins.  We start by summarising the plot and the story, before diving into the multi-layered elements of the film, looking at the heavy use of biblical motifs and creation mythologies in both the script and the subtext. As humanity has fallen from grace in foolishly pursuing godhood, the next epoch of creation is born, and so the film is replete with wordplay and symbolic motifs which elucidate these ideas.  We discuss the film's focus on feminine imagery, especially following the many negative reviews given by feminist critics. We deconstruct the notion that the film is overtly sexist and gratuitous in its imagery, by pointing out the deeper symbolic significance in these motifs. The film is both critiquing the objectification of women whilst also celebrating the goddess archetype and venerating the full range of feminine principles.  We also spend time talking about the various characters, in terms of what they represent and how they develop throughout the story. The ultimate journey of K in particular is heavily suggestive of Gnostic principles and ideas, though we also touch on the characters of LUV and JOI, who at various points reveal a higher truth or meaning to his journey into selfhood.   We touch on a myriad of other topics in this extended podcast, from Silicon Valley execs and the transhumanist demiurge Niander Wallace, to questions of humanity, to the artful cinematography and soundtrack of the film, plus much more. Please excuse the low audio quality.  Topics discussed include: Blade Runner, Los Angeles, Dystopia, Environmentalism, Synthetic Foods, Synthetic Society, Replicants, Artificial Intelligence, Original Film, Sequels, Artful production, Ryan Gosling, Harrison Ford, Jared Leto, JOI, LUV, Niander Wallace, Wallace Corporation, Tyrell Corporation, LAPD, DNA, Regeneration, Reproduction, Miracles, Biblical Themes, Adam & Eve, Garden of Eden, Genesis, Creation, Gnosticism, Pyramids, Pharaohs, Godhood, Demigod, Demiurge, Light, Symbolism, Geometry, Human Eye, Feminist Critiques, Goddess Archetypes, Sexuality, Objectification, Veneration, Slavery, Oppression, Self Awareness, Las Vegas, Holograms, Earth Mother Archetype, Masculine vs Feminism, Search for Truth, Materialism, Infertility, Revolution, Wordplay, Secret Societies, Sacrifice, Truth, Love vs Joy, Techniques of Cinema and Sound, Quality of film and music.  Intro & Outro music by Hans Zimmer. 

Dirigida en 1982 por Ridley Scott, Blade Runner es una combinación de ciencia-ficción y cine negro. La acción se ubica en Los Ángeles, en el entonces lejano año 2019, una ciudad multirracial dominada por las grandes empresas, la inmigración china y la polución. Muestra un futuro distópico, agobiante, muy distinto a las asépticas escenas de otras películas del género. La pirámide de la Tyrell Corporation, empresa fabricante de los replicantes, domina el skyline de una ciudad llena de smog, oscuridad, edificios abandonados y letreros luminosos. El trabajo de Deckard –Harrison Ford- consiste en matar replicantes, seres con aspecto humano. Por su parte, la de los replicantes es una historia de supervivencia, una carrera para escapar de la muerte. Roy Batty, su líder, papel que interpreta Rutger Hauer, se enfrenta a su propio creador en busca de una solución; y no lo hace tanto por él sino por su compañera, la bella Priss. Al final, ciego de ira ante la muerte de sus compañeros, Roy persigue a Deckard, lo arrincona, y cuando lo tiene a su merced… abandona todo deseo de venganza. La muerte se aproxima, y el replicante lo sabe. Lo siente. Y se despide de la existencia con uno de los párrafos más memorables de la historia del cine: "Yo he visto cosas que vosotros no creeríais. Atacar naves en llamas más allá de Orión. He visto rayos C brillar en la oscuridad cerca de la Puerta de Tannhauser. Todos esos momentos se perderán en el tiempo, como lágrimas en la lluvia. Es hora de morir." Se cuenta que este soliloquio fue improvisado por el actor, pues al parecer no estaba en el guión original. Sin desmerecer para nada la soberbia interpretación de Hauer, me inclino por la tesis de los que dicen que dicho soliloquio y toda su ambientación estaban perfectamente planificados e inspirados en el gran poema de Rimbaud “El barco ebrio” . En cualquier caso, lo cierto es que el resultado es una escena de deslumbrante lirismo que hace de esta despedida todo un mito del séptimo arte, de la talla del “siempre nos quedará París”... La despedida de Roy deja a Deckard perplejo, aturdido, incapaz de comprender: "No sé por qué me salvó la vida. Quizá en esos últimos momentos amaba la vida más de lo que la había amado nunca. No sólo su vida, la vida de todos, mi vida. Todo lo que él quería eran las mismas respuestas que buscamos todos: ¿de dónde vengo?, ¿a dónde voy?, ¿cuánto tiempo me queda? Todo lo que yo podía hacer era sentarme allí y verle morir..."

Comer and Radulich put the neo-noir cult favorite Blade Runner, On Trial! Blade Runner is a 1982 American neo-noir science fiction film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos. The script was written by Hampton Fancher and David Peoples. It is a loose adaptation of the 1968 novel Do Androids Dream of Electric Sheep? by Philip K. Dick.  Set in a dystopian Los Angeles in 2019, the story depicts a future in which synthetic humans known as replicants are bioengineered by the powerful Tyrell Corporation to work on off-world colonies. When a fugitive group of replicants led by Roy Batty (Hauer) escape back to Earth, burnt-out Los Angeles cop Rick Deckard (Ford) reluctantly accepts one last assignment to hunt them down. During his investigations, Deckard meets Rachael (Young), an advanced replicant who causes him to question his mission.

Dirigida en 1982 por Ridley Scott, Blade Runner es una combinación de ciencia-ficción y cine negro. La acción se ubica en Los Ángeles, en el entonces lejano año 2019, una ciudad multirracial dominada por las grandes empresas, la inmigración china y la polución. Muestra un futuro distópico, agobiante, muy distinto a las asépticas escenas de otras películas del género. La pirámide de la Tyrell Corporation, empresa fabricante de los replicantes, domina el skyline de una ciudad llena de smog, oscuridad, edificios abandonados y letreros luminosos. El trabajo de Deckard –Harrison Ford- consiste en matar replicantes, seres con aspecto humano. Por su parte, la de los replicantes es una historia de supervivencia, una carrera para escapar de la muerte. Roy Batty, su líder, papel que interpreta Rutger Hauer, se enfrenta a su propio creador en busca de una solución; y no lo hace tanto por él sino por su compañera, la bella Priss. Al final, ciego de ira ante la muerte de sus compañeros, Roy persigue a Deckard, lo arrincona, y cuando lo tiene a su merced… abandona todo deseo de venganza. La muerte se aproxima, y el replicante lo sabe. Lo siente. Y se despide de la existencia con uno de los párrafos más memorables de la historia del cine: "Yo he visto cosas que vosotros no creeríais. Atacar naves en llamas más allá de Orión. He visto rayos C brillar en la oscuridad cerca de la Puerta de Tannhauser. Todos esos momentos se perderán en el tiempo, como lágrimas en la lluvia. Es hora de morir." Se cuenta que este soliloquio fue improvisado por el actor, pues al parecer no estaba en el guión original. Sin desmerecer para nada la soberbia interpretación de Hauer, me inclino por la tesis de los que dicen que dicho soliloquio y toda su ambientación estaban perfectamente planificados e inspirados en el gran poema de Rimbaud “El barco ebrio” . En cualquier caso, lo cierto es que el resultado es una escena de deslumbrante lirismo que hace de esta despedida todo un mito del séptimo arte, de la talla del “siempre nos quedará París”... La despedida de Roy deja a Deckard perplejo, aturdido, incapaz de comprender: "No sé por qué me salvó la vida. Quizá en esos últimos momentos amaba la vida más de lo que la había amado nunca. No sólo su vida, la vida de todos, mi vida. Todo lo que él quería eran las mismas respuestas que buscamos todos: ¿de dónde vengo?, ¿a dónde voy?, ¿cuánto tiempo me queda? Todo lo que yo podía hacer era sentarme allí y verle morir..."

Episode 20 we film punch "Blade Runner" (1982) Final Cut, directed by Ridley Scott, moderated by Dave Clingerman. Stay tuned for our next film punch "Blade Runner 2049" directed by Denis Villeneuve, starring Ryan Gosling, Harrison Ford, and Robin Wright Film Punch is a podcast where we record our reactions to a film that we've just watched right beforehand. We are a meetup group. meetup.com/film-punch ITunes: itunes.apple.com/us/podcast/cflx3…d1039201310?mt=2 Follow us on twitter @FilmPunchMeetup E-mail us filmpunch@gmail.com Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with.

Let us rewind once again! The year we’re going back to is 1982 – the year that Harrison Ford wasn’t doing a Star Wars or Indiana Jones movie – Blade Runner. In anticipation of the upcoming sequel Blade Runner 2049, Jason and Rob rewind to bring us a review of the Ridley Scott’s neo-noir, science fiction film. But which version you ask? Blade Runner: The Final Cut. In a slightly dystopian 2019 Los Angeles, ex-police officer Rick Deckard (Harrison Ford) is forced to return to his old job as a “Blade Runner” – His assignment: eliminate four escaped bioengineered Replicants. Deckard goes to the Tyrell Corporation where he meets Rachel (Sean Young), a Replicant girl he develops feelings for – challenging his previous views on the humanity of Replicants. In the cinematic feature that has garnered itself a cult following, we dig deep in exploring the many levels of themes (it's our most analytical podcast yet), the special effects, and standout scenes. We ask the important questions; What do the eyes mean? What’s the deal with the unicorn? And is Deckard a Replicant!? Sit back and enjoy our second episode of Rewind & Review.

Main Review: Blade Runner (1982) Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with. Scores - Jack -10 , Ben -10 , Trevor -5 , Sean -9.5 Overview- 9 Check us out on itunes or on our website at www.tsucanshed.com Today's show is brought to you by freshbooks.com - get a 30-Day Free Trial at www.gofreshbooks.com/gang. Please rate and subscribe Music: http://www.bensound.com

PELÍCULA NO AUDIO DESCRITA. Título original Blade Runner Año 1982 Duración 112 min. País Estados Unidos Estados Unidos Director Ridley Scott Guión David Webb Peoples, Hampton Fancher (Novela: Philip K. Dick) Música Vangelis Fotografía Jordan Cronenweth Reparto Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah, Edward James Olmos, Joanna Cassidy, Brion James, Joe Turkel, M. Emmet Walsh, William Sanderson, James Hong, Morgan Paull, Hy Pyke Productora Warner Bros. Pictures Género Ciencia ficción. Acción | Neo-noir. Thriller futurista. Cyberpunk. Distopía. Robots. Película de culto Sinopsis A principios del siglo XXI, la poderosa Tyrell Corporation creó, gracias a los avances de la ingeniería genética, un robot llamado Nexus 6, un ser virtualmente idéntico al hombre pero superior a él en fuerza y agilidad, al que se dio el nombre de Replicante. Estos robots trabajaban como esclavos en las colonias exteriores de la Tierra. Después de la sangrienta rebelión de un equipo de Nexus-6, los Replicantes fueron desterrados de la Tierra. Brigadas especiales de policía, los Blade Runners, tenían órdenes de matar a todos los que no hubieran acatado la condena. Pero a esto no se le llamaba ejecución, se le llamaba "retiro".

This week, Zach travels to the future to see if androids dream of electric sheep, or if the dystopian future is just around the corner as he explores Ridley Scott's 1982 film, Blade Runner. BLADE RUNNER Blade Runner is a 1982 American dystopian science fiction thriller film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, Sean Young and Edward James Olmos. The screenplay, written by Hampton Fancher and David Peoples, is loosely based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants—visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as by other "mega-corporations" around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt-out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! During the show, Zach mentions a video on Vimeo.com. Here it is. During the show, Stephen mentions the book, Future Noir. The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

This week, Zach travels to the future to see if androids dream of electric sheep, or if the dystopian future is just around the corner as he explores Ridley Scott's 1982 film, Blade Runner. BLADE RUNNER Blade Runner is a 1982 American dystopian science fiction thriller film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, Sean Young and Edward James Olmos. The screenplay, written by Hampton Fancher and David Peoples, is loosely based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants—visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as by other "mega-corporations" around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt-out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! During the show, Zach mentions a video on Vimeo.com. Here it is. During the show, Stephen mentions the book, Future Noir. The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants – visually indistinguishable from adult humans – are manufactured by the powerful Tyrell Corporation as well as by other "mega–manufacturers" around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt-out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down. - Wikipedia