Podcasts about diet prada

Tony Liu, entrepreneur and co-founder of cutting edge Instagram account Diet Prada which critiques fashion, pop culture, and current events talks with Patrick O'Donnell from New York. Together they discuss the huge influence of the PRADA colour palette on Tony's life and work. Tony also recalls his first suit in grey at the age of just four and what it symbolised, his passion for green which he associates with a moment of acute shyness during a school photo shoot and his love of pastel colours and the Impressionist painters. Learn about the colours featured in each episode hereSee the colours of Tony's Life hereFollow Tony on Instagram hereFollow us on Instagram here Hosted on Acast. See acast.com/privacy for more information.

Cet épisode de Couture Apparente est notre second format court ! Désormais, 1 épisode sur 2 sera une sélection d'actualités mode qui illustrent les liens entre cette industrie et les dynamiques sociales et politiques de notre époque. Au sommaire de cet épisode consacré aux actus de mars et avril 2024 :L'inclusivité régresse dans la modeDries Van Noten quitte l'industrie, et il n'est pas le seulAlessandro Michele chez Valentino : où est la diversité ?Exploitation chez Loro Piana pour un pull à 9800 eurosLes marques éthiques ferment en sérieBientôt une loi contre la fast fashion ?#balancetonphotographe arrive...ICON magazine lance son édition françaiseS'ABONNER A NOTRE NEWSLETTER NOUS SUIVRE SUR INSTAGRAM  Pour aller plus loin (sources de l'épisode) :Inclusivité dans la mode : VOGUE BUSINESS : https://www.voguebusiness.com/story/fashion/the-vogue-business-aw24-size-inclusivity-report THE CUT : https://www.thecut.com/article/paloma-elsesser-model-of-the-year-essay.html#/ GUIDE FFPAPF : https://pretaporter.com/publication/guide-diversite-inclusion-mode/ Dries Van Noten quitte l'industrie : ONE GRANARY https://www.instagram.com/p/C4s3yl-t-ch/ https://www.instagram.com/p/C5QlBiqsRPs/ DRIES VAN NOTEN : https://www.instagram.com/p/C4sYGodrXQU/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA%3D%3D&img_index=2 Michele chez Valentino : THE GUARDIAN : https://www.theguardian.com/fashion/2024/mar/28/alessandro-michele-announced-as-new-creative-director-of-valentino KHEMAÏS BEN LAKHDAR : https://www.editions-stock.fr/livre/l-appropriation-culturelle-9782234095816/ Loro Piana : BLOOMBERG : https://www.bloomberg.com/features/2024-lvmh-loro-piana-vicuna-sweater-labor/?embedded-checkout=true BUSINESS OF FASHION https://www.businessoffashion.com/news/sustainability/us-lawmaker-demands-lvmhs-loro-piana-answer-for-exploitation-in-peru/ DIET PRADA : https://www.instagram.com/p/C4ix4IruRs3/?img_index=1 Marques éthiques : KIND STUDIO : https://www.instagram.com/p/C5WDXUZNZz2/?img_index=1 RESAP : https://www.instagram.com/p/C4aFXm3C7OM/ SALUT BEAUTE : https://www.instagram.com/p/C4Kkp8GAkzN/ Loi fast fashion : THE GOOD GOODS : https://www.thegoodgoods.fr/media/reglementation/open-editorial-analyse-de-la-proposition-de-loi-contre-la-fast-fashion-par-glynnis-makoundou/FASHION UNITED : https://fashionunited.fr/actualite/mode/lifm-et-kering-font-defiler-des-maillots-de-bain-en-laine-au-senat/2024040234692 #balancetonphotographe : https://www.instagram.com/p/C5Wfmy5rGrG/?img_index=5 Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On this week's episode, I have influencer/creator expert Taylor Lorenz. Tune in as we talk about her book, “Extremely Online: The Untold Story Of Fame, Influence, And Power On The Internet” as well as her experiences working as a journalist for “The Washington Post” and “The New York Times”. We also dive into some tidbits she has about social media.Show NotesTaylor Lorenz on Instagram: https://www.instagram.com/taylorlorenz/?hl=enTaylor Lorenz on TikTok: https://www.tiktok.com/@taylorlorenz?lang=enTaylor Lorenz on YouTube: https://www.youtube.com/channel/UCp38w5n099xkvoqciOaeFagMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptTaylor Lorenz:These old school entertainment people come on and they don't really understand the app and they clearly are not doing it themselves. They have some content assistant and then they're like, Hey kids, I guess I have to be here now. And it's like, what are you doing here? I will say the musicians do a better job. Megan Trainor has Chris Olsson, but TikTok buddy that, and music is such a part of TikTok, I feel like they get a warmer reception.Michael Jamin:You're listening to, what the Hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity, I'm talking about writing, and I'm talking about reinventing yourself through the arts.Hey everyone, what the hell? It's Michael Jamin talking about today. I'm going to tell you what I'm talking about. So for those of you who have been listening for a long time, I'm always telling you, just put your work out there. Get on social media, start making a name for yourself, because whether you want to be an actor or a writer or director, you got to bring more to the table than just your desire to get a big paycheck and become rich and famous. If you can bring a market, if you can bring your audience you're going to bring, that brings a lot to the table. And so my next guest is an expert on this, and she's the author of Extremely Online, the Untold Story of Fame, influence and Power on the Internet. I'm holding up her book. If you're watching this podcast, if you're driving in the car, you can imagine that there's a book and has a cover. So please welcome, pull over your car and give a round of applause to Taylor Lorenz. Thank you Taylor for coming and joining me for talking about this. It's an honor meeting you finally.Taylor Lorenz:Yeah, likewise. Excited to be here.Michael Jamin:So you wrote this great book, which I read, and there's so much, I guess there's so much. You actually document the history starting from the beginning of mommy bloggers and all these people who kind of were at the forefront and then built a name for themselves on social media. And so I'm just hoping to talk to you about how we can take some of this information and apply it to the people who listen to my podcast and follow me on social media so that they can help do the same. So I guess starting from the beginning, what was interesting that you pointed out is that women were kind of at the forefront at this whole thing. You want to talk about that a little bit?Taylor Lorenz:Yeah, definitely. I mean, I talk about this in the book, but in the turn of the millennium, the early aughts, this blogging was taking off and there were tons of blogs, and I talk about some of the big political and tech blogs at the time, but it wasn't really until the mommy bloggers entered onto the internet in the early aughts who were these moms, these stay at home moms that really had nothing else to do. A lot of them were shut out of the labor market, and they turned to blogging and ended up really building their own kind of feminist media empires by building audiences. And they were the first to really cultivate strong personal brands online and then leverage those personal brands to monetize.Michael Jamin:And you're right about, I remember this may have been 10 years ago or maybe longer, one of my friends, our screenwriter, she developed a TV show on these mommy bloggers. And I'm like, wait a minute. And there was a couple of people who did that. Max Nik, who was a guest on my podcast a while, a couple weeks ago, same thing. He wrote a show based on shit my dad says, but it's on a Twitter feed and there's all these people. It's so interesting. I was a little late to the game in terms of Hollywood exploiting all these markets, these people who are making names for themselves. Lemme back up for a second though. Why did you decide to even write this book?Taylor Lorenz:Yeah, so I started covering this. I started as a blogger myself a little bit later.Michael Jamin:What were you blogging?Taylor Lorenz:I was blogging about my life, a lot, about my life and a lot of about online culture stuff. I thought that the mainstream media was really bad at covering the internet, and so I thought, I'm going to write about the internet. This was when I was young millennial, right out of college.Michael Jamin:You were writing about your personal life?Taylor Lorenz:Yes.Michael Jamin:Okay. So that's a whole different thing. You're opening yourself up to everything. And was there any, I know I'm jumping around here, I guess I have so many questions, but I don't know, was there backlash from that? Were there repercussions? Because we're talking about people do this. What's the backlash?Taylor Lorenz:Well, this was like 2009, so it was such a different internet, and I'm so grateful, honestly, that I was blogging in that era and not this era because I think I didn't get a lot of backlash. I had a great community. I met some of my best friends, were other bloggers from that era. I became very popular on Tumblr for my single serving like meme, like blogs. So yeah, I think when you're young, you're just kind of trying a lot of different things out. I didn't know what I wanted to do out of college. I'd never studied journalism. I didn't know I was working at a call center and just became popular on the internet and then was like, I guess I'm pretty good at thisMichael Jamin:Stuff. Really? I didn't know that about it. You have a pretty big following on TikTok and Instagram as well, which is so weird because you're writing about something that you are also participating in. I mean, it's almost meta how you are, what you're talking about. No,Taylor Lorenz:Yeah. I mean, I started, had I been able to monetize my blog nowadays, content creators on TikTok, they can monetize in 2009, 2010, couldn't, the best that you could hope for was one of those book deals that Urban Outfitters. Right?Michael Jamin:ButTaylor Lorenz:You couldn't really leverage it into much. I ended up just leveraging it into a career in media, which has been fun. ButMichael Jamin:See, this is what's interesting to me because right now you see so many people on social media, how do I monetize this? Meaning ads or even sponsorships, but there's other ways to monetize outside of brand deals or views on YouTube getting used. So yeah, there's a whole, I don't know. Do you think that's a large percentage of people on the internet? It seems like to me most are doing it to monetize for the brand deals. What's your take on it?Taylor Lorenz:Yeah, I think now that you can monetize in that way, a lot of people, that's their end goal. I'm kind of glad. I mean, it's a double-edged sword. Who knows what I could have done if I was able to monetize, but I'm really glad actually that you couldn't, because I think myself and a lot of other bloggers, we ended up going in a lot of different ways and entering into a lot of media type of jobs that, yeah, I mean would've never gotten otherwise. And I've learned how to be a journalist and I've gotten all these opportunities and my whole career from just experimenting and having fun online. So yeah, I think I always tell people, it's great if you can monetize, get the bag. If somebody comes to you offering you thousands of dollars, why not? But I think it's really good to take that virality and leverage it into, I like what Kayla Scanlan does, or Kyla, she's the economics YouTuber, and she gives all these talks about econ now, and she has a newsletter, and she's able to just do a lot more. It's not just doing a bunch of brand deals online. It's like using it to launch a career and whatever you want to have a career in.Michael Jamin:Yeah, see, I see. That's the funny, I think it's so smart what you're saying. I see some people, I'm like wondering, what's your end game out of this? Is it just to, but what you're saying is the end game, it's interesting. The end game is to do something else. And I wonder if that's what's going on with Hollywood people when I'm encouraging people to, I don't know, put theirselves out there with their art, their writing their music or whatever in my mind, to build an audience following to basically, so you can do the next thing. But I'm wondering how often that if you see that happening for people,Taylor Lorenz:I think the smart ones do recognize it. I feel like the internet, you're just hopping from lily pad to lily pad a lot of the time, which I know that's how a lot of creative people feel. It's just like, I think internet fame in itself can be a goal. I mean, look, someone like Mr. Beast, you've done it. You crack the code. Most people are not going to reach that level. And so it makes a lot of sense. If you're really into food, you're making food content, use that to open your own restaurant or food line or whatever, but use it to go into something that you're interested in because then you still, you always have that online audience. I still have my online audience. I have people that have followed me for a decade and maybe they know me from my blog or I had a Snapchat show in 2016 or things that I've done over the years, but it's always in service of my broader career.Michael Jamin:And so Well, maybe tell me what that is. Do you have a broader goal ahead of all this? Other than getting a book, which is pretty impressive.Taylor Lorenz:I know. I never thought I would write a book. And then just, there was a lot of revisionist history once the pandemic hit in 2021 and all these venture capitalists were pouring money into the content creator world, and TikTok was taking off. People were just kind of like, they were rewriting history. And I was like, I'm going to write the definitive history. I've been around for this. And I always thought it would be interesting to write a book. I didn't know anything about the publishing industry, except I have a couple friends that did those Urban Outfitters typeMichael Jamin:Books. That's so funny.Taylor Lorenz:See,Michael Jamin:Oh, go ahead. I don't cut you off. So your broader goals. Oh, yeah.Taylor Lorenz:I love media. I love media. I want to keep working in media. I love creative sort of endeavors. I like writing. I make videos as I am very obsessed with news media, so I wantMichael Jamin:To, right. So maybe more of that. There's a couple of things in that book, in your book that kind of took me a little bit by surprise. One is there are, well, first of all, I think there are people who make content. This is just my opinion, their content's a little disposable. And so you spoke about people who, I don't know, it's like pranksters who they got to keep upping the prank until it comes to a point where this one woman you're talking about, she was sick to her stomach with the pressure of having to come up with something all the time. And to me, it felt like that's because you're making, I guess I have a rule. I have a rule. I was like, I don't want to spend more than 10 minutes a day on this. But there are people who spend on posting, but there are people who put way a lot of time and pressure on this, and it winds up destroying themselves, don't you think?Taylor Lorenz:Oh, a hundred percent. I mean, there's a whole bunch of that in my book of just the burnout. And I think, like you said, it comes from just making content for content's sake and feeling like it's an extra burden and giving it, it's also when it's your whole livelihood, the stakes become higher. That's why I say you should diversify a little bit.Michael Jamin:Yeah. There was another, the thing that really surprised me that I learned from your book, because I'm a little older, so I don't really know all this stuff, but there's a whole culture of content creators who their job is just to talk shit about other content creators.Taylor Lorenz:And I'm like,Michael Jamin:Oh my God. And I've witnessed some of this stuff, but I didn't realize it's really a thing, like a gossip. They're just gossipers, right?Taylor Lorenz:Yeah. They basically have replaced tabloid news for the internet, and yeah, it's a huge drama channel industrial complex online that you're lucky if you've not encountered.Michael Jamin:Yeah. And do they go anywhere with, what do you think is the end game for them?Taylor Lorenz:Well, I mean, the woman that runs DUIs, which is more of a blind item, celebrity news page, she has a podcast. She also, she wrote a novel kind of based around the content. Others like Diet Prada have really successful newsletters. A lot of the other commentators like Keemstar and stuff, their goal is just to basically run these media empires of gossip, kind of like a TMZ for the internet.Michael Jamin:And then how are they further monetizing though?Taylor Lorenz:They monetize through partnerships and brand deals and a lot through YouTube ads. They get a lot of views. A lot of them get a lot of views on YouTube.Michael Jamin:See, I just turned, maybe I'm crazy, but I turned down a brand deal today because I thought, I don't know, it doesn't align with anything that I stand for. And I was like, am I crazy for turning this down? Or I don't know. But have you get approached by things that, are you turning stuff down?Taylor Lorenz:Well, yeah, I have to turn down so much stuff. I'll never forget a tech company, which I will not name, offered me $60,000 to do three video, three audio chat rooms for them.Michael Jamin:What is an audio chat room?Taylor Lorenz:Like? A live chat type thing? It was going to be like three hours of work. And obviously I couldn't do it because I can't take on sponsored content. I'm a journalist. You can't do that, especially not with a tech company. But I have to say that one really made me question my career choices. Normally people are like, can you promote X, Y, Z? And I explained that I don't do.Michael Jamin:So there's nothing that you can promote a journalist. There's nothing.Taylor Lorenz:I mean, I could theoretically probably promote companies that I don't cover, but I don't really want to, I don't need to make $500 promoting a mop.Michael Jamin:Right, right. Yeah, it's so interesting. You have to protect what you, it's so odd because I don't see a lot of people making brand when I'm scrolling through my pages for you a page on TikTok, I don't see a lot of people making brand deals, but I guess they are, right? Am I not seeing it?Taylor Lorenz:Yeah, the branded content doesn't always live on TikTok. A lot of times they'll create whitelisted content that the brand then promotes in a TikTok ad.Michael Jamin:Wait, when you say white, okay, explain this to me. So whitelisted means the creator. Go ahead.Taylor Lorenz:The creator creates branded content, but it doesn't necessarily live on their feed. They create it for the brand, and then the brand will use that video they made to the creator, like, wow, I love my air stick selfie thing. They'll run ads. So it's using that creator's likeness in the ad. It's the video that they made, but you're not going to see it on their page. You're going to see it in the,Michael Jamin:But do they not put it on their page or you're not going to see it? No one's going to watch it.Taylor Lorenz:Sometimes they do put it on their page, sometimes they don't. I mean, all of these are negotiated in the terms of the ad deals, which are structured increasingly in complicated ways. But I mean, there's a lot of spun con on TikTok. Also, sometimes there's product placement on TikTok. You'll see people doing videos with certain products. Sometimes the products have paid to be in their,Michael Jamin:And they have to mention this, right? They have to, I wasn't aware of this, but theoretically, yes, theoretically. But you're saying they don't always mention it. They don't always say, this isTaylor Lorenz:The sponsor. So the FTC says Yes, and I write about that decision in 2017 when they had to do that. The thing is that a lot of times they can get away with not saying it because it's not directly sponsored. For instance, you could have a long-term, year long partnership with the brand. They could be giving you tons of free product, but they didn't directly pay you for that post. So you feel like, oh, I don't have to disclose it,Michael Jamin:But they paid you for something. I mean, that doesn't make sense. They paid you. It's totally great. Okay. Yeah. ButTaylor Lorenz:People get around it by kind of fudging things.Michael Jamin:Who would get in trouble then if they got caught? The brand, not the TikTok or whatever.Taylor Lorenz:Not really. I mean, they went after Kim Kardashian. If you're that level, they'll go after you. But normally they're going after the brands. The brands are usually doing this. And also it's ultimately the brand or the agency that's running the marketing campaign that's up. It's up to them to enforce it and be like, Hey, put this in your caption.Michael Jamin:You said something else that surprised me in your book is that at one point, maybe it's still this way that the agencies are making the money and many of the creators are not getting that money. Explain to me what happens. I read it twice. It's like, wait, I'm missing something. SoTaylor Lorenz:There's been this explosion in sort of middlemen agencies, management companies that have come in. And what they do is they find these up and coming creators, they sign them into contracts like, Hey, I'll handle all your spun con, or I'll come in and do this deal. And then they take a huge portion, the brand pays maybe a hundred thousand dollars for a campaign. The agency will come in and take 50% of that or something, and then the rest goes to the creators. They allocate it, soMichael Jamin:They're getting something. You couldTaylor Lorenz:Argue that they are providing a service, and that's true, but the less ethical agencies are less upfront about the amount that they're taking.Michael Jamin:Interesting. Oh, they don't tell you how much it is? Probably,Taylor Lorenz:Yeah. They won't tell you what the brand originally paid. They'll just say, oh, it's $10,000 for this campaign. Nevermind that we got a hundred thousand dollars from the actualMichael Jamin:Brand. Oh, wow. Yeah. There's so much to be careful. There really is. And so I asked you a little bit earlier if you knew of many. Okay, so I'll let give you an example from my experience. So I did a show, I don't know, maybe 10 years ago, maybe not maybe 10. And the studio, we had a cast a role, and the studio wanted to get an influencer to play the part because this influencer had a bigger audience than the network had. And he turned it down several times because the money, he was going to paid a lot of money, but the money wasn't worth it to him. He was making more on a daily, which I was shocked about. And so do you know more? Can you speak more to that?Taylor Lorenz:That happens all the time. Yeah.Michael Jamin:Really?Taylor Lorenz:Yeah.Michael Jamin:I thought this guy was crazy, but okay, go on.Taylor Lorenz:Well, I mean, for a lot of content creators, their goal, it depends on the content creators. Some content creators, their goal is to get into Hollywood, and that would be an amazing opportunity for them. But especially the ones at the upper echelon, they're already the a-list of the internet. They're making millions of dollars. They really don't need to engage. And maybe it's a fun thing if they want to do it, and they have time and it's like a novelty type thing, or it adds some sort of legitimacy to them. But a lot of times, if they're spending, for instance, hours on a set, that's money out of their pocket that they could be making a lot. So it kind of doesn't make sense. And people have struggled. Not every content creator succeeds as well. So I think some of them do have that feeling of like, look, I'm really good at this. I know I'm really good at this. I'm making money. Do I want to gamble? Take time away from that. Try my hand at this thing that maybe I have and succeeded at before. It's not always there.Michael Jamin:Maybe I shouldn't even ask this on as we're being recorded. Do you know this guy, nurse Blake? Have you heard of him?Taylor Lorenz:I don't think so. Wait,Michael Jamin:Okay. Because I can't tell if he's a comedian or a nurse, but whatever he is, he's selling out arenas.Taylor Lorenz:Oh, I know this guy. I've seen him before. Yes. He's a comedian, right?Michael Jamin:Well, he doesn't act, but I also see him also posting in the hospital. It seems like he could be selling out arenas, but also he likes doing the rounds or something. I don't know. Yeah.Taylor Lorenz:So it's so funny. I don't know when you joined TikTok, but the earliest content creators on TikTok back in 2018, when it flipped from musically to TikTok, the earliest groups of content creators that emerged were police officers, nurses and service workers. And they were all gaining huge audiences. And I think it's because those jobs have an enormous amount of downtime, and they kind of almost have interesting stages themselves. They're always in the hospital or at Walmart working or whatever. And so there's a lot of people like that on social media that have kind of pivoted their career in that way to,Michael Jamin:Okay. I've been on a TikTok for maybe two and a half years, and at first I was very self-conscious. I was like, isn't this the app where teenage girls shuffle dance? Am I going to be the creepy guy on this app? And you're saying, it's so hard to tell. I mean, the first time, my first week and a half of posts were like this, this is cringey.Taylor Lorenz:They always say, you know what? My favorite quote is that I think all the time Xavier from Party Shirt said this, that everything is cringe until it gets views. And I think that'sMichael Jamin:True. Until it getsTaylor Lorenz:It's popular. It's not cringe anymore,Michael Jamin:I guess. So when you first started posting, did you look to anyone for, I don't know, to emulate?Taylor Lorenz:Yeah. I mean, there's this woman, Katie nais, who's still hilarious internet person, and she's a blogger too. She ended up working at Buzzfeed for a decade. I always just wanted to be like her. She was so creative and funny. She had this website called, I think it was called Party something. She would aggregate really funny party photos, and she just was really good at finding funny things on the internet.Michael Jamin:And do you know, have you reached out to her?Taylor Lorenz:Yeah, now I'm friends with her because I've been obsessed with her for my whole career. So sheMichael Jamin:Very really, so now you have a friendship with her. That's nice. Do you get recognized a lot when you're out and about?Taylor Lorenz:Not in la. No one gives a shit about me in la.Michael Jamin:But when you're out somewhere else, if I'm notTaylor Lorenz:VidCon or something, yeah, usually. I mean, I got recognized in DC on my book tour when I was eating. That was cool. But yeah, sometimes, I mean, when I was doing my Snapchat show, I got recognized a lot more, I think, because a lot of kids were seeing me on the Snapchat Discover Channel thing.Michael Jamin:I was on your link tree, you're everywhere, but are you active on every, I'm like, damn. She's on every platform.Taylor Lorenz:I'm an equal opportunity poster. Well, I mean, I cover this world, so I kind of feel obligated to be on everything. I definitely think Instagram and TikTok are my main ones. And then I have threads also now,Michael Jamin:Which I, are you making different content you posting? Are you reposting or posting brand new stuff? Everywhere.Taylor Lorenz:I repost. If I make a short video for TikTok, I repost it on reels and YouTube shorts. YouTube's always the one that I like. I'm so lazy about, honestly,Michael Jamin:It's hard to grow on YouTube. It's soTaylor Lorenz:Hard to grow, and I don't know, it's just like there's something demoralizing about YouTube.Michael Jamin:Interesting.Taylor Lorenz:But yeah, I think it's because it's like, you know how it is, it's like you post something, you get a hundred thousand views on TikTok, it's doing really well on Instagram. And then you go on YouTube and it's like me, 2000 views, and you're like, oh, I'm aMichael Jamin:Failure. What's the point of that? And you were blocked. Are you still blocked from Twitter or whatever? Twitter is?Taylor Lorenz:Yeah. Elon banned me for a while. I did get back on. I don't really, Twitter is dead to me, honestly.Michael Jamin:What did you do to get banned?Taylor Lorenz:I was, well, he banned me under this rule that he made that said you couldn't promote your links to other social media profiles. And I was promoting my Instagram account, so that's what he technically banned me under. But what he really banned me for is that I reached out to him for comment. I wrote a story about how he completely lied about a bunch of stuff, and I reached out to him for comment. And the minute I reached out to him for comment, I got banned. And then he tried to say, oh, it was actually because she was promoting her Instagram. No,Michael Jamin:That was Oh, interesting. So do you think he was guy, do you, you made it he enemy. He responds. He knows who you are and hates you.Taylor Lorenz:Yeah. Oh, he definitely, yes. I mean, I've interacted with him somewhat frequent basis, but that week I was not the only journalist that was banned for reporting on him. So the same week, drew Harwell, my colleague was banned, and then a bunch of people from the New York Times, we all got banned within a week, soMichael Jamin:Wow. BackTaylor Lorenz:On.Michael Jamin:And then they let you back on. Interesting. And then you're, screw this.Taylor Lorenz:But yeah, Twitter is also just very toxic and political, and I think culture is happening more on TikTok.Michael Jamin:Don't you think they're all toxic?Taylor Lorenz:Oh, totally. But I think Twitter's uniquely toxic. TikTok is toxic in a different way.Michael Jamin:Okay. I want to know what you think the differences are in each platform, because I have opinions, but Okay. Yeah. What are your differences? I mean,Taylor Lorenz:Twitter is just very political, and it's political in a way that there's a lot of, especially as a member of the media, it's like there's a lot of journalists on there. I think it's a giant group chat for a lot of media people. It's stressful. Editors, bosses are on there. I don't really use it. I use it to keep up with, I'm super immunocompromised, and so I keep up with Covid News on there. It's really the only thing I use it for. It's really hard to get news and information because Elon has sort of made so many changes to make it hard to get news on there. So I don't mess with Twitter. TikTok I love. But yeah, I mean, TikTok is just mob mentality. So I mean, I'll never forget. I defended, do you remember West Elm Caleb?Michael Jamin:No. And it's so funny when you say these names. I'm like, these ridiculous names. I'm like, no, I don't know that comic book character.Taylor Lorenz:Okay, well, west Elm Caleb a year and a half ago was getting canceled on TikTok. He was a guy that ghosted a bunch of people. He ghosted a bunch of women, and a bunch of women went on TikTok, like, this guy's a ghoster. And it got so crazy that he got fully doxxed and fired from his job. And anyway, I defended him and I was like, Hey guys, can we calm down a little bit? We haven't even heard this guy's side of the story. I believe he shouldn't be an asshole to women, but I've been doxxed. It sucks. Don't do that. And TikTok, they came for me hard on that one. They were like, no,Michael Jamin:No,Taylor Lorenz:Somebody from West Tom, Caleb.Michael Jamin:And then, yeah. How worried are you about, I worry about that. How worried about you getting haters and stuff?Taylor Lorenz:I've gotten haters. I write about YouTubers for a living. So if I was worried about haters, it doesn't matter. My friend is a pop music writer, and he was saying, he told me a couple years ago, because if anytime you are covering something with a fandom, you're going to deal with haters. And they're vicious, but a lot of them are 11 years old, or they're just online and they're mad andMichael Jamin:Okay. Do you respond to your posts comments on your post? You do.Taylor Lorenz:I do. I try to mean, don't try not to respond to haters. Sometimes I'm weak and I do respond to the haters, but noMichael Jamin:Good comes of it. Right? When you do, no,Taylor Lorenz:No good comes of it. But sometimes you just, I don't know. You just got to, butMichael Jamin:Even if you respond with kindness, which I did today to somebody, he just doubled down on his stupidity. They don't care. Why am I trying to,Taylor Lorenz:They don't care at all. They're like, fuck you.Michael Jamin:Yeah,Taylor Lorenz:Yeah. No, it doesn't help. I mean, sometimes if I'm bored, I've replied something, but I mostly just ignore those people, or I limit my comments and I try to keep it to that only my community's engaging and not a bunch of randos. Or if they have a good faith question, I get a lot of story ideas from people commenting. Or sometimes smart people will comment, you click on their profile, you're like, oh, cool. Person's interesting. Right.Michael Jamin:Okay. Okay. So you sound emotionally mature about this whole thing? Maybe more than I am because I get upset sometimes.Taylor Lorenz:No, trust me, I've had my moments. It's hard. But I think I've just been through it so long. I've been through the cycle so many times that I'm immune.Michael Jamin:And do you talk to your colleagues who, I guess, are they as active as you are on, let say on TikTok? No. Other reporters?Taylor Lorenz:Journalists are not. It's weird with journalists on TikTok. They're not really, journalists are so addicted to Twitter. Twitter is where everyone in the media is. And there's some journalists on TikTok, but not that many. So the ones that are, I think we all try to support each other,Michael Jamin:Or it's just not competitive. Yeah, it's supportive. You think?Taylor Lorenz:I try to be supportive. I don't, like somebody said this really early on of Don't compete collab or something. It was like early thing. And I really like that. I felt that with blogging too. I had made friends with a lot of bloggers. We were all in the same group. And it's just like the internet is really vast and everyone is unique. AndMichael Jamin:There's not tooTaylor Lorenz:Many internet culture reporters either. So,Michael Jamin:Well, that's a question I can't tell how big TikTok is. Sometimes I'll see, oh my God, this creator knows that creator, and they talk whether they stick to each other. I'm like, wow, this is a small place. But then I'm wondering, well, maybe I'm only seeing this wedge of the pie, and it's actually much larger. I can't get a sense of how big this thing is.Taylor Lorenz:It is really big. I mean, it's like billions of users, so it's really big. But I do think that inMichael Jamin:Terms of the creators though, theTaylor Lorenz:Creator community is smaller than you think. And I think the people that are really active, they form a network. And you're always going to get people that are a couple degrees away from people that you follow usually.Michael Jamin:Yeah. Where do you think, I'm certainly not the first person to say this, but during the early days of Instagram, it was always about people. This is the glamorous life. It was all made up. It was like they got sponsored posts to be on a yacht or whatever. They're pretending to be rich and famous or whatever. And because we're all idiots, we're like, wow, they're rich and famous, and they're living that life. And then that somehow evolved to now influences turn to creators, and creators are more authentic. This is my life. Take it or leave it. What do you think there's next? What comes next after that? Do you have any idea? Yeah,Taylor Lorenz:I mean, I think we always flip back and forth between aspirational versus authenticity. And people want a little bit of both. People still want the aspirational content. It's just not everything. And I do think that the authenticity is part of the appeal, and I don't think it's going away anytime soon. But yeah, I don't know. I mean, different content formats perform well depending on what the platform is promoting. So right now, they really want long form video. So I think we're going to see people that succeed in long form grow faster.Michael Jamin:But do you think when you're posting, maybe you don't even want to answer this on the air. I wouldn't blame you. Are you thinking about, oh, this post will do Well, I should talk about this. I know it'll do well. Or is it like, this is what I'm talking about, take it or leave it?Taylor Lorenz:Yeah. It depends on the day. Some days so many times where I'm like, oh, I know this would do well, but I just don't feel like posting today.Michael Jamin:Oh, really? EspeciallyTaylor Lorenz:Lately, oh my God. There's been so many things where I'm like, oh, that's going to go viral. And then I see somebody else posted and I'm like, good. They got the traffic. You have to be early on something. And then sometimes just most stuff I just post because I think it's interesting, and it's just my taste and news and information and just something I found interesting. But howMichael Jamin:Long will you spend on a post? Do you do it again and again until you get it right? No. One take and you're done?Taylor Lorenz:Usually, maybe I'll do two or three if I might rerecord something, but I don't take it that seriously. It's just one of many things I'm doing during the day, so not, and especially since I've been on book tour, I've just been too busy to make. I go through periods and it depends on how busy I am, how many videos I'm making.Michael Jamin:And how much of your personal life, because I know you're talking about technology and you're interviewing people and you're covering events like a journalist, but how much of yourself do you share?Taylor Lorenz:I share my opinions. I mean, I'm very opinionated, and I think I always tell people that you can be very authentic. And I think a lot of people would find me to be very authentic person online. I'm not a shy person or something, but I don't talk about my personal information. Also, it's not that interesting, I think. Oh, butMichael Jamin:People would love to know. People would love to know. I know Date youTaylor Lorenz:Nosy. They're nosy. But I think about all the cool stuff that I did in my twenties, and I'm like, I wish I had TikTok, I think back then, and I was talking about my life more. I was doing more and going out more. And now I'm like, I have a little bit more of a chill life. So sometimes I talk about walking around the Silver Lake reservoir or something, but I'm not like, if I go to a really interesting event, maybe I'll share it. I mean, I just went to Dubai and I actually haven't posted yet, but I'm making a video about that.Michael Jamin:I can't believe you went. That flight is just too long. I would think it wasTaylor Lorenz:So long. It was so long. But I got invited to this book festival, and I thought, when else am I going to go?Michael Jamin:Okay, what is a book festival?Taylor Lorenz:So there's this really big book festival called the Sharjah International Book Festival, and it's huge. And there's thousands of authors and books, and yeah, I got invited to speak, and I thought,Michael Jamin:Oh, you're speaking. So what if you're not speaking, what happens to Is everyone, okay? If you weren't invited to speak, would you be at a booth? What is it? Yeah,Taylor Lorenz:You just attend. I mean, there's thousands of people that attend and they just come from all over to, there's a lot of book buyers, and then there's a lot of publishing industry people in the Middle East and in Europe and that side of the world. And then there's just a lot of people that are interested in meeting the authors, going to panels. There's a lot of celebrity author type people there.Michael Jamin:Who's setting that up? Your publisher or who?Taylor Lorenz:Yeah, the publisher. Actually, I think maybe my book agent forwarded it to me. They were forwarded it to me, look at this random thing, and I was like, no, that's so cool. I want to do it.Michael Jamin:Oh, wow, really? And so did they fly you out?Taylor Lorenz:Yeah, they flew me out. They didn't pay me or anything. They just flew me out and covered my travel, which honestly was enough for me. It was pretty cool. HowMichael Jamin:Many days were you there?Taylor Lorenz:I was only there for three, four days. Four days,Michael Jamin:Including the flight, which was theTaylor Lorenz:Travel was a day on each side because the travel wasMichael Jamin:Long. And then you were there for the rest of the time, and you spoke on the panel? I was on the panel. That's an hour,Taylor Lorenz:Michael. I just did tourist stuff. I didn't have to do anything aside from that, so I was like, let me just go.Michael Jamin:Oh, okay. So it was a chance for you to be a tourist.Taylor Lorenz:Yeah. My friend is an editor over there for Bloomberg, and so we hung out and just did all the cool Dubai stuff together.Michael Jamin:But I'm curious because it's interesting, since you were a journalist, are we supposed to know anything about you? I mean, are there rules? Yeah,Taylor Lorenz:It's so funny. So the old school sort of notions of journalism is like, I'm serious, and I don't talk about my life, and I never share an opinion. I think that's a very outdated and dumb model of journalism that nobody will trust. That's why we have a crisis in media, I think, of trust is because people don't know about, there's so much mistrust in the media, and I'd much rather be upfront with my beliefs and tell people, Hey, look, this is what I'm thinking about the issue. Do you think I'm wrong? Do you think I'm right? Ultimately, the goal of writing any article is to be fair and accurate.Michael Jamin:WeTaylor Lorenz:AllMichael Jamin:Have. I thought you weren't supposed to be biased. I thought you were supposed to. Why do I know? I thought you supposed to. This is theTaylor Lorenz:Fact everyone. Everyone has opinions, right? There's no such thing on earth. The point is, is that you're not allowed. You shouldn't let that kind of shape the story to the point that it alters the truth. But to act like, oh, I don't have opinions as a journalist, that's stupid. We're all human beings. We all have opinions. Baseball writers that write about sports teams, they still are fans of a specific team. That doesn't mean that it's going to shape their coverage. That's the most important thing. It's like, I might love or hate certain things on the internet, but I'm not going to let it affect some story to the point that it would be truthful. You know what I mean?Michael Jamin:This gets into something else. Whereas you're kind of maybe, I don't know if this isn't the right word, but a celebrity journalist, because you recently had a photo spread in this magazine, and they're dressing you up and couture, right? I mean, so what's that about? You're celebrity journalist.Taylor Lorenz:I know. I've been in a couple things like that. Yeah, I mean, look, journalists have always been, it's always been a public facing job. It's always been a public. I mean, Woodward and Bernstein, obviously. Bob Woodward also works at The Post. He's incredibly famous. Anderson Cooper, Barbara Walters, the original female journalist, Katie Couric. All these journalists are, well-known household names because of their journalism, but of course, they're also people. And I think with the internet now, that's all come to a smaller scale. I'm definitely not at those people's levels at all. But with the internet, I think we all follow journalists and content creators. And again, it goes back to transparency. That's what I think is a big problem with that old model of media, where it's like, don't ever speak your opinion or something on anything. Because I think actually when you don't and you try to sort of act like, oh, I don't have an opinion, that's a lie.Everyone has an opinion on everything. Or maybe, but you should just be honest about it because that helps people trust you. I can be like, look, I don't love, this is a total example. I do love Emma Chamberlain, but I could be like, I don't love Emma Chamberlain, but I had the opportunity to interview her editing style was pioneering. It transformed YouTube. I wrote about it in my book, X, Y, Z. I'm not going to let my personal feelings about her color, but I would answer questions about it. If somebody asked me, I'd be like, well, here's my thoughts.Michael Jamin:Okay, so what is your daily life then? Do you freelance all these? How does it work? What is your life?Taylor Lorenz:No, I work for the Washington Post. So I am on our morning meeting every day at 8:00 AM on Zoom.Michael Jamin:Okay. Is no one, well, that's a good question. Is everyone online now? If you work for the Washington Post, does no one go to the office?Taylor Lorenz:They have a big office in Washington, but I moved out here with the New York Times, so I was at the New York Times for several years, and New York Times does have an office in la. So they moved me out here, and then the Post recruited me, and I was like, well, I'm not leaving la. And they have a lot of people from the post in LA obviously as well. Are youMichael Jamin:From, I thought you were from la. No,Taylor Lorenz:No. I live in la, but I'm from New York originally.Michael Jamin:Oh, where are you in New York? Are you from?Taylor Lorenz:Well, I lived on the Upper East Side when I was little, and I lived all over New York. I've lived, I think 11 different neighborhoods,Michael Jamin:But all, not all in Manhattan?Taylor Lorenz:No, no, no, no. Mostly in Brooklyn. I was in Fort Green before I moved.Michael Jamin:Okay. I didn't know that. So you're a New Yorker. Okay. Yeah. And then not anymore. So are you pitching them ideas or are they telling you, this is what we want you to cover today?Taylor Lorenz:It's a mix. I would say it's probably like 80 to 90% coming up with your own ideas. The rest of it. Sometimes there's an editor assigned story. Most of the time it's breaking news. So for instance, the war breaks out. I cover TikTok. I cover the content. So they're like, well, is there an angle on it?Michael Jamin:Why is news? My God. So what is most of your day then? Is it surfing the internet, or is it making calls to experts or whatever?Taylor Lorenz:Yeah, it's a mix. I wish it was surfing the internet all day, but it's a lot of meetings, a lot of, we have editorial meetings where we discuss coverage and we all give feedback on our stories. And I have meetings with my editor to talk about stories. I write features, so I generally write longer pieces. Sometimes I'm working on investigations for months.Michael Jamin:And then how did you have, go ahead. GoTaylor Lorenz:Ahead. Oh, yeah, it's a mix of, I do a lot of interviews and I do a lot of informational interviews, and I do a lot of consuming content andMichael Jamin:Keeping Well, then where did you get the time to write this book? It sounds very busy.Taylor Lorenz:I know. And I didn't take book leave like an idiot. I was like, I'll just do it nights and weekends.Michael Jamin:People go on book leave.Taylor Lorenz:Leave, yeah. But it's unpaid, so that's how they get you. And I didn't want to do that, so I thought I'll just try to do it all on top of my job. And I did, but it took me two years.Michael Jamin:Are you working on your next book? What's that?Taylor Lorenz:No, I'm not doing another book.Michael Jamin:You're done for now, but you will at some pointTaylor Lorenz:Maybe. Sure. Like yours. I don't want to do that right now.Michael Jamin:It was really hard. Why? I know. It was a lot of work, a lot of research, andTaylor Lorenz:Just the fact-checking. I interviewed about 600 people for the book, and it was just a lot. And throughout it all, I make videos, I do. I speak at things. I go to events. I have a lot going on in between.Michael Jamin:And how are you getting these speaking engagements? You're a celebrity now?Taylor Lorenz:No. No, but I talk at industry conferences type stuff a lot. Just like VidCon or things likeMichael Jamin:That. What is VidCon? Stop talking. I know what I'm talking about. I don't even know what that is.Taylor Lorenz:Wait, Michael, you need to come to VidCon next year.Michael Jamin:I don't even know what it is.Taylor Lorenz:Oh my God. VidCon is the largest, soMichael Jamin:Ignorant.Taylor Lorenz:No, no, no. You know what? You would have no reason to know it. It's the biggest conference for, it's a convention for online content creators. It's in Anaheim every year. They also have VidCon Baltimore this year. But it's a big convention where all the big content creator type people get together and the industry sort of.Michael Jamin:So are you going as a guest or are you going as a speaker?Taylor Lorenz:I've mostly, in recent years, gone as a speaker, but I used to go as a guest.Michael Jamin:And so what do you do as a guest?Taylor Lorenz:As a guest, you get to meet your biggest, you meet the big content creators that are there, talkers meet and greets. You go to panels, you can go to events. There's parties. It's kind of like a fun thing if you're up and coming or you care about the internet. It used to be a really big thing. I mean, I talk about this a little bit in the book, but it started in 2010, and it started as this small thing of just the biggest creators on the internet getting together just because there was no event, physical event. And then it got bought by Viacom, and now it's this huge.Michael Jamin:So now they reach out to you to say, we want you to be on a panel or something.Taylor Lorenz:Yeah, I'm always talking about, sometimes I do interviews with big content creators on the main stage. They need somebody to interview Charlie Delio or something. And so I'll do that. Sometimes. I'm talking about, I mean, I did one, I think it was last year or the year before, on news content creators. That's something that people always want me to talkMichael Jamin:About all. So we don't live far for each other. So we'll ride fair. If you like riding in a Jeep, you're not afraid of writing into Jeep.Taylor Lorenz:I think you might be recognized. Maybe you'll be a speaker soon. They love the entertainment people. There was some women they had there one year. They always get some weird entertainment celebrity that has a YouTube channel to come, and they're always really out of place. It's very funny.Michael Jamin:They wait, why would they be out of place if they're famous? If they're a celebrity? They'reTaylor Lorenz:Not internet people. They don't even run their own channel usually.Michael Jamin:Oh, I see. So that's a whole different thing when celebrities put themselves. That's the thing. I read somewhere, well, I guess there was pushback when a celebrity gets on YouTube, it's like, Hey, or TikTok, get off TikTok celebrity. It's like, why is everyone so mad? But I guess maybe talk a little about that. What happens when they try to do that?Taylor Lorenz:I think it's just these old school entertainment. People come on and they don't really understand the app and they clearly are not doing it themselves. They have some content assistant and then they're like, Hey kids, I guess I have to be here now. And it's like, what are you doing here? I will say, the musicians do a better job. Megan Trainor has Chris Olsson, her TikTok buddy that, and music is such a part of TikTok. I feel like they get a warmer reception. But people, I mean, when Reese Smith first joined, people were like, they were in the comments being mean toMichael Jamin:Her. Aren't you rich enough? Reese? But there is some woman I follow, and I was shocked. I'm like, there's so many ways that people are making on this. And she talks about politics, so she's like a punt. That's her passion. So I'm like, okay, let's get her take on it. But she also does these, they're called TRO trips. Have you heard of this TRO Trotro trip? And so basically it's this website. So she'll run a trip in Europe, we're going to Italy for a week, come onto this and you can pay her basically to be your tour guide.Taylor Lorenz:Oh, this, I see. It's like a host. They're hosting you for the tour. Interesting. Oh my gosh,Michael Jamin:Yes. I'm like, how smart. So she basically gets a free trip, but she has to be with people for a week. She's the host. Well,Taylor Lorenz:They were doing that with our New York Times when I was at the New York Times. I think they stopped doing it because one of the reporters was being controversial on the trip, and I think they kind of scaled back the program, but I think they were like, actually, we don't want our reporters talking to the public. But they used to have people travel with New York Times reporters, and that was a way that the New York Times made money off journalists.Michael Jamin:Oh, wow. And for the same kind of thing where let's go tour the Vatican or something.Taylor Lorenz:It would be like tour the Vatican with the TimesMichael Jamin:Reallys recording or whatever. It's so weird. But there's just so many ways for people to, I don't know, make a name for themselves. I was good for her.Taylor Lorenz:Yeah, totally. I mean, there's just endless ways to monetize online.Michael Jamin:I haven't discovered any of them yet, but I'm waiting for it. I got my eyes peeled, but okay, so yeah, so you go to this VidCon thing, you do a panel, and then people want your opinion. And I imagine it's people a lot smaller than you who aspire to be you.Taylor Lorenz:Yeah. Or it's just people in different industries that are there to learn more about the industry or It's a lot of brand people too. The head of marketing for Walmart or something.Michael Jamin:Oh, really?Taylor Lorenz:Want to understand the ecosystem.Michael Jamin:Oh, so they're not talking, I don't know, conferences. I don't know what this is about. It depends.Taylor Lorenz:I mean, sometimes those people, if they're really good, I mean, I actually know the woman who runs the Walmart, influencer marketing was also at this event I was at recently. So that's a bad example. But a lot of times it's like marketers, maybe they're not totally in it yet, or they're a brand that wants to understand the content creator world, but they don't. Maybe they're not doing that yet, or they want to do more of it. So they go to these events to build connections. AndMichael Jamin:So you're saying, I should go to this thing.Taylor Lorenz:I think you should go to VidCon. It's interesting. It's fun to just go to once. And there's a lot of fans there too. So there's the industry side, then there's the fan side, and then there's just all these sort of adjacent events.Michael Jamin:Hey, it's Michael Jamin. If you like my content, and I know you do because listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people. You can unsubscribe whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michaeljamin.com. And now back to what the hell is Michael Jamin talking about?Alright, so what about other people who have, I guess, transition from, I guess I'm saying, what I'm thinking is how can we help my listeners into, I don't know, everyone turns to me for like, Hey, what should I put on? It's like, I don't know, just build a following. Do you have advice for them?Taylor Lorenz:Everyone asked me the same thing, and I'm like, I wish it was easy. If I could give you a three step thing, we would all have millions of followers. I mean, a huge part is consistency, which is very hard. And I have to say, you post forever. You can't get obsessed with the views because people just quit and they feel like, oh, if you have an audience of 500 people, that really matters. It is very much about creating more of a community of people, and it is scale. So I think it's just, that's so valuable, and it also matters who's following you, rather than just getting random views. You want influential or interesting or whatever type of market you're trying to go for. You want the right people to follow you.Michael Jamin:Well, this is something that I was always perplexed at the beginning of TikTok, so I guess both of them, but on TikTok, you have followers that are, I get all these followers. I'm like, but if I have all these followers and only a 10th of them are seeing an average post or less, what's the point? Why? Why do I keep track of this metric? Why do they have the metric of followers if they don't show it to your followers?Taylor Lorenz:The way that I explain TikTok is following is just one signal to the algorithm. It's one signal out of probably thousands. And so it's useful. It's like, I have an affinity to this person. Obviously, you follow people too. Then you're mutuals, and then you can DMM with each other more, or comment. Sometimes you can put videos to Mutuals only. So there is a value, I think, in following, but most of people's experience is of consuming content on TikTok is obviously through the for you page. So I wouldn't even, followers doesn't matter that much, right?Michael Jamin:It doesn't.Taylor Lorenz:And also it's like, again, it goes back to who is following you. There's so many creators that people always wonder this with press, because people are like, why? How do I get written about? And it's really not about how big you are. It's like, do you have something new and interesting, or have you cultivated some sort of unique audience that maybe hasn't been served before? Things like that. So you don't have to be the biggest,Michael Jamin:Well, I say this, there's this one guy, I'm trying to remember his name, but he has a show, he's sold a show somewhere. I should know his name, but it was a Twitter feed, and he was just writing, he had a thriller. So every day he posts a little different line from this thriller he was writing. Oh, cool. And then it just blew up because it's mystery and suspense, and people wanted to find out what was in the basement or whatever. Then he was able to, I was like, oh, that's a good idea. So he did it. And so I don't know. Are you following any other people who do anything like that?Taylor Lorenz:Twitter. Twitter. There was this period on Twitter where there were a lot of TV writers and comedians were trying things out there, and you could really get traction, and people were looking at Twitter. Now, no one's looking at that anymore. I would say it's much more TikTok and Instagram for comedy, and that's just where it is. But I mean, things people make, I mean, I was interested, this guy, Ari Kagan, who is kind of like a young director, content creator. He doesn't like to be called a content creator, but he just sold a show with Adam McKay, where they're making it for TikTok.Michael Jamin:They're making it for TikTok. Wait a minute, what does that mean?Taylor Lorenz:They're going to make it on TikTok. It's going to live on TikTok, I guess,Michael Jamin:But not as, what we do is some kind of different TikTok channel or something where it's long form.Taylor Lorenz:Yeah, yeah, it's, hold on, let me find it. I want to actually get it right. Oh, yeah. Here. It's a series that they're making on TikTok. Hold on. It happened when I was, okay. I just put it in the chat. Okay. Yeah, I think it's scripted. Yeah, it's a scripted series to run on TikTok.Michael Jamin:So you may or may not. That means you may or may not see it like we were just talkingTaylor Lorenz:About. Yeah, exactly. Yeah, so I guess they're hoping that it'll perform well. I'm sure they're going to put paid media behind it, butMichael Jamin:Oh, okay. Oh, okay. How interesting. Yeah, this whole thing is so you got to be honest, people are always saying, how do I break into Hollywood? And I'm thinking, well, you don't need to. You can do this on your own.Taylor Lorenz:I mean, Ari did a lot on his own initially. I think that's how a lot of people get in there, is they sort of start making their own little projects. I mean, one person that I think has done this really well, he is an actor. His name is Brian Jordan Alvarez. Do you know him?Michael Jamin:No.Taylor Lorenz:Oh my God.Michael Jamin:So I got to know who.Taylor Lorenz:Alright,Michael Jamin:Put him in the chat.Taylor Lorenz:I'm going to put him in the chat. He was an actor on Will and Grace and he was in Megan, and he is very funny. I'll put, oh, he has a Wikipedia now. He's big time. He's an actor, but it makes this really amazing content. And he started making music online and these series online and I think it's like helped him a lot. I mean, everyone knows who he is now. He's been in Time Magazine and stuff, and it's mostly from his, he made this YouTube series a while ago that was popular, and then his tiktoks took off and he started making music. But it's like,Michael Jamin:All right, I got to follow this guy. You're sayingTaylor Lorenz:He's very funny, but it's just raised his profile a lot. I think what he does on the internet, and he does it in a really fun way. And I listened to him on a podcast recently, and he was just saying how it's led to more people kind of knowing his work, and obviously people see his work and then they want to work with you.Michael Jamin:Right. Do you have a podcast yet?Taylor Lorenz:Careful.Michael Jamin:Maybe I might tune.Taylor Lorenz:We'll see, I had one and then the New York Times made me quit it. The Times is crazy about outside projects, so I quitMichael Jamin:It. Oh, really? Hope that the post is not as, maybe they don't.Taylor Lorenz:They're better. That's why I work there now.Michael Jamin:Wow. You got your hand in so many different things. Yeah. I don't know. I just thought you're absolutely fascinated because you are an expert, but you're also in it. You know what I'm saying? Yeah, yeah. Is it overwhelming for you?Taylor Lorenz:I think I have good boundaries because I mean, I'm grateful to be a millennial where I think it's harder for the 22 year olds today where everything, their whole social life is so enmeshed in the internet. I think I have a healthy distance from it, and I have friends that are just my friends that aren't internet.Michael Jamin:So your boundaries are basically how much time you're willing to invest every day on being online. And also justTaylor Lorenz:Like I have a very strong sense of self, and I think when you get on the internet, everybody tries to push you into doing things or making content or being like, oh, you should do this, or, oh, you should do this. And I have always had a mind of, actually, I know what I want and I'm going to do this, and I'm just going to do only what I want. I know who I am if people, because it's hard on the internet and sometimes things perform well. So if I had continued to talk about my life, I think that probably would've performed well back when I was blogging, but I made the decision to just stop doingMichael Jamin:That. But you're right, if something's controversial, I try to steer away from controversy. I feel like I'm just here to talk about art and entertainment and writing and Hollywood, but I also know if I took a bigger stand on things and pissed people off, it would go viral. But then what's the point of this? I don't know.Taylor Lorenz:Then you get all these haters. I've written a lot of political stories that have to do with the content creator world and the political ecosystem, and so those are some of my most viral stories. But I have to say, it just gets you a lot of people that then follow you. They feel like, oh yeah, she's on our side on this, or whatever, or, oh, I hate her. She wrote about this content creator that. So I think it's just better to just be true to yourself. Yeah,Michael Jamin:Though I did a post couple, maybe when I first started off and it went, somehow Yahoo picked up on it and I was on Yahoo Entertainment News. My first reaction was, oh no. You know what I'm saying? Oh no. People know about me. It felt wrong. I don't know. I was like, I don't want people knowing about me.Taylor Lorenz:I know. It feels really, I mean, I've struggled with that a lot, and I actually really like being in LA for this reason. I was thinking just the past few years, more and more people start to know who you are and start writing about you, and that is such a mind fuck. I used to really believe, oh, every journalist is so great and they only have the best interests at heart of, and that is just not true. Unfortunately, there's a lot of places that just aggregate things for clicks and whatever, or they're very partisan in certain ways, and yeah, it's very hard. I used to run around trying to correct people. I tried to correct my own Wikipedia page, and then now I'm like, I gave up on all of that. I don't care.Michael Jamin:See, that's something I still frightens me a little bit is when people will stitch me or they'll make me the face of whatever argument they want. I'm like, whoa, whoa, whoa. Keep me out of it. I never said any of this. I didn't sign up for that. This is your thing. I know that frightens me a little bit,Taylor Lorenz:I think, because everybody uses each other as characters online, and so it's like you're the main character. Then you just use all these other people around you as supporting characters and whatever you're trying to do on the internet,Michael Jamin:I thinkTaylor Lorenz:Really, butMichael Jamin:Well, that's what scared me about what you wrote in your book, but those people who just, they're whatever, they gossip about other tiktoks like, whoa, whoa, whoa. This just feels so wrong to me. Just do your own thing.Taylor Lorenz:I know.Michael Jamin:Don't try to cancel me. What are you doing?Taylor Lorenz:I know my first job in media was at the Daily Mail, and it was such a great training ground for media because tabloid news is just so relentless, and

Sarah Burton showcased her last show recently at Fashion Week for the final time at Alexander McQueen. Her departure from the house, meant that all the remaining (and her replacement) are now all Male. The uproar created by this was highlighted by Diet Prada and just shows how far back we've gone in the industry.Support this show http://supporter.acast.com/eyesonthebrands. Hosted on Acast. See acast.com/privacy for more information.

Who watches the watchdog? Hannah and Maia discuss the weird evolution of Diet Prada, and whether or not it can (or needs to) adhere to a code of ethics in the lawless wasteland that is social media. Brief digressions include a fight that Maia got into (scrap!), the micro-celebs you'll find at Dumbo House, and a marvellous synchronized performance of the infamous "cerulean" monologue from The Devil Wears Prada. Support us on Patreon and get juicy bonus content! https://www.patreon.com/rehashpodcast Intro and outro song by our talented friend Ian Mills: https://linktr.ee/ianmillsmusic Sources: Randi Bergman, “Has the Time Come to Critique Diet Prada?” Elle (2021). https://www.ellecanada.com/culture/society/has-the-time-come-to-critique-diet-prada Maureen O'Connor, “The Trials of Diet Prada” Vanity Fair (2021). https://www.vanityfair.com/style/2021/09/diet-prada-roasting-the-runway Rachel Tashjian, “In Fashion, Who Will Cancel the Cancelers?” GQ (2020). https://www.gq.com/story/diet-prada-kanye Ryan J. Thomas & Teri Finneman, “Who watches the watchdogs?: British newspaper metadiscourse on the Leveson Inquiry” Journalism Studies, vol 15, no. 2 (2014).

Links:   Short-sellers' bets against Boohoo reach £45m as shares tumble [Retail Gazette] Sustainability at Boohoo [Boohoo] Kourtney Kardashian wants to make Boohoo's fast-fashion sustainable. Spoiler alert: she can't [The Guardian] Here's What Boohoo Has to Say About the Backlash [Women's Wear Daily] Kourtney Kardashian Uses 101k Gallons of Excess Water During Historic Drought [NPR] Kourtney Kardashian's Boohoo runway show plagued by power problems [Page Six] Kourtney Kardashian Launches ‘Lemme' a New Supplement Line [Newswire] About: Obsessive about the dark underworld of Instagram influencers, celebrity-induced conspiracy theories, and modern media shenanigans? You're in the right place! Hosted by Joan Summers and Matthew Lawson, Eating For Free is a weekly investigative podcast reporting live from the absolute edge of the internet. We're a new wave of gossip sleuths at a time when our culture is increasingly chaotic and mass media lacks the talent or clarity to make sense of our shared capitalist nightmare! You can also find us on our website, Twitter, and Instagram. Or buy our merch! Any personal, business, or general inquires can be sent to eatingforfreepodcast@gmail.com  Joan Summers: Twitter: @laracroftbarbie Matthew Lawson: Twitter: @_matthewlawson

Ciao Everyone, Once again we see the killing of innocent children due to the lack of gun regulations in the US, I share with you my view on the topic, especially regarding the profile hypocrisy. In this episode also share some thoughts on the latest post on Striscia La Notizia, the Italian Satire program that was called out last year.  I have some news for you to share on the racist ad, there has been some progress! You do want to tune in for this one,  Benny x 

Welcome to our first episode Today we will be discussing the Instagram page Diet Prada and the infamous Dolce & Gabanna lawsuit in relation to cancel culture and internet toxicity. For more content from us please follow us on Instagram where we post fashion memes and fashion commentary https://www.instagram.com/antifashionpod/ For any business inquiries please contact antifashionpodcast@gmail.com Hosted by: Soukita Morgan https://www.instagram.com/souklta/ https://soukita.tumblr.com/ Meg O'Connell https://www.instagram.com/megcoraoconnell/ https://www.megcoconnell.com/ https://twitter.com/megssoconnell

David plant einen 100 km Marsch und Masha kann sich nicht gegen ihren Shoppingwahn wehren. Und welche Gemeinsamkeit haben David und der Tinder Swindler? Diese Folge wird es wieder ziemlich persönlich und am Ende erzählen die Zwei von dem größten Zufall überhaupt. Masha: https://www.instagram.com/masha/David: https://www.instagram.com/davidnotjacob/ Inhalt:00:00 - 00:36 - Intro00:36 - 04:08 - Valentinstag04:08 - 05:34 - David Winterurlaub05:34 - 10:33 - David und die Switch10:33 - 21:51 - KaDeWe und Masha’s Shoppingflow21:51 - 25:44 - Mammut Marsch 25:44 -39:06 - Tinder Schwindler39:06 - 44:20 - Kim und Naomi44:20 - 46:19 - Kim und Kanye46:19 - 48:53 - Lady Boss Ray vs: AfD48:53 - 50:14 - Orlando Bloom ist Legolas50:14 - 58:34 - KlimaktivistInnen58:34 - 01:02:10 - Rollerschlüssel Zufall01:02:10 - 01:02:26 - Abschied Shownotes: Instagram Post von Diet Prada: https://www.instagram.com/p/CZw83H-uAXp/ Mammutmarsch: https://mammutmarsch.de/ Hier könnt ihr den Tinder Schwindler sehen: https://www.netflix.com/title/81254340 Lady Boss Ray's Outfit: https://twitter.com/LadyBitchRay1/status/1492919557110919169 KlimaaktivistInnen: https://www.rnd.de/politik/berlin-klimaaktivisten-blockieren-erneut-strassen-mehrere-festnahmen-2J3ZCTTVDZMC4LY2ANPCVPMYAI.html Das TikTok mit dem LKW Fahrer: https://vm.tiktok.com/ZML6QYgQM/

This week, Kulap and SuChin are happy to be psychoanalyzing each other again. What does it mean that SuChin is slathering her narrow feet in another French pharmacy find or that Kulap is literally chasing coyotes out of her backyard with jingle bells? It sure is fun to speculate. Plus, after an unsettling incident at REI, Ku and Su talk about how much has changed for them with all the violence against AAPI people over the last two years. They talk about resources you can use as a bystander and ways to stay informed.   Please note, Add To Cart contains mature themes and may not be appropriate for all listeners.    To see all products mentioned in this episode, head to @addtocartpod on Instagram. To purchase any of the products, see below.    The balm SuChin is using on her bony little feet The Linda Linda's music video for “Growing Up”, directed by Humberto Leon Kulap is loving the Cartoon 3D Style filter on Snapchat that makes her look like a Pixar princess Here are the 5 D's of bystander intervention from Hollaback. Make sure to check out their different trainings and additional resources Also head to Next Shark, Stop AAPI Hate, Hate is a Virus and Diet Prada for more ways to support the AAPI community as hate crimes continue  Kulap is making tequila sours from this recipe SuChin is actually falling asleep with this method   Stay up to date with us on Twitter, Facebook, and Instagram at @LemonadaMedia.    Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium.    Click this link for a list of current sponsors and discount codes for this show and all Lemonada shows: lemonadamedia.com/sponsors   See omnystudio.com/listener for privacy information.

TBC über “Caprisongs” von FKA Twigs, Jamie Lynn Spears X Britney Feud, Highlights der Men's Fashion Week Fall/Winter 22 und Fehleinschätzungen von Diet Prada. Außerdem: Talk mit Julian Reichelt und das Monaco der Alpen: Bad Gastein.

　「WWDJAPAN」ポッドキャストシリーズの新連載「考えたい言葉」は、2週間に1回、同期の若手2人がファッション＆ビューティ業界で当たり前に使われている言葉について対話します。担当する2人は普段から“当たり前”について疑問を持ち、深く考え、先輩たちからはきっと「めんどうくさい」と思われているだろうな……とビビりつつも、それでも「メディアでは、より良い社会のための言葉を使っていきたい」と思考を続けます。第10弾は、【ミーム】をテーマに語り合いました。「WWDJAPAN.com」では、2人が対話して見出した言葉の意味を、あくまで1つの考えとして紹介します。 ポッドキャスト配信者 佐立武士（さだち・たけし）：He／Him。入社2年目、ソーシャルエディター。幼少期をアメリカ・コネチカット州で過ごし、その後は日本とアメリカの高校に通う。早稲田大学国際教養学部を卒業し、新卒でINFASパブリケーションズに入社。在学中はジェンダーとポストコロニアリズムに焦点を置き、ロンドン大学・東洋アフリカ研究学院に留学。学業の傍ら、当事者としてLGBTQ+ウエブメディアでライターをしていた。現在は「WWDJAPAN」のソーシャルメディアとユース向けのコンテンツに注力する。ニックネームはディラン ソーンマヤ：She／Her。入社2年目の翻訳担当。日本の高校を卒業後、オランダのライデン大学に進学して考古学を主専攻に、アムステルダム大学でジェンダー学を副専攻する。今ある社会のあり方を探求すべく勉強を開始したものの、「そもそもこれまで習ってきた歴史観は、どの視点から語られているものなのだろう？」と疑問を持ち、ジェンダー考古学をテーマに研究を進めた。「WWDJAPAN」では翻訳をメインに、メディアの力を通して物事を見る視点を増やせるような記事づくりに励む 若手2人が考える【ミーム】 　「ミーム（meme）」とは主にインターネットを通じて拡散、模倣、再生産される画像や動画などの情報、それを利用する文化を指す。笑いや共感を得ることを目的としたものが多く、コミュニティーの団結や、拡散されやすい特性を生かして社会運動に利用することもある。日本では“あるあるネタ”や大喜利が近い存在。狭義では、画像に文字をつけ、新しいコンテクストを作り出す画像ミームを指し、同じフォーマットで新たな言葉と共に投稿するのが最も一般的な広がり方と言える。例えば、1990年代のアニメ「太陽の勇者ファイバード」でキャラクターが蝶を前にして「これは鳩ですか？」と発言するシーンは、社会の矛盾や勘違いを表現するミームとして2010年代後半から英語圏で頻繁に使われている。画像のみならず、動画やその中のダンスなどもミームになる。国際的に本来は悲しみを表す“目を潤ませた絵文字”を、日本語圏で“ぴえん”という言葉と共に、さまざまな感情を表すため使う行為が近年急速に普及している。このように模倣によって人から人へと伝わり、共通の理解や習慣を持つことが広義の現象としてのミームである。 　ミームは、インターネットの情報拡散には欠かせない文化になった。Z世代と若いミレニアル世代が中心のミーム文化には庶民的・市民的な視点が多く、皮肉的なユーモアが中心のため、社会的問題への風刺に重宝されている。BLM運動やLGBTQ+コミュニティーへの理解促進などさまざまな場面で使われる。デザインの盗用や、多様性や差別問題などの視点でファッション業界をウオッチするメディア「ダイエットプラダ（Diet Prada) 」も、ミームを利用して情報を発信している。急速に情報が広がる特徴を利用し、企業もビジネス的に利用しようとするケースもみられる。2017年には、「グッチ（GUCCI）」が“ル マルシェ デ メルヴェイユ コレクション（LE MARCHE DES MERVEILLES COLLECTION）”の時計のプロモーションにミームをいち早く使用して注目を集めた。しかし、草の根運動的な一面を持つミームだからこそ、企業の商業的利用には冷ややかな反応が多いのも事実だ。 【ポッドキャスト】 「WWDJAPAN」ポッドキャストシリーズはSpotifyやApple Podcastsでもお聞きいただけます。

If there's one person who knows every IYKYK brand, it's Nico Lazaro. For most folks, he's the source of new trends, ideas and has been experimenting with his looks for ages. But before that?Yes, like all of us, he was making business cards for his Tumblr. And eventually, he was hired as an early employee at Grailed. But his career path was shocking and, unfortunately, more common than we all realize.Nico has always been a member of the Slack, popping in to drop knowledge bombs here, and I'm pleased to say Rob convinced him to come hang!Rob, Nico, and Jeremy chat about how he found his way onto the whistleblower fashion site, Diet Prada, working at Grailed, what brands he's been into, and the superpower of being a nerd online.Grab a turkey leg. It's Blamo! Extra baby!**Listen to the entire episode on Blamo! Extra

Welcome to our spooky episode this week where we talk about a scary concept: getting sued by a brand for calling them out on IG? Diet Prada is currently under fire by Dolce & Gabbana for...telling the truth? We discuss how we feel about this concept from small and large scale brand perspective. On a lighter note, we give you our 2021 Halloween costume predictions! See if your costume made the list of what we predict will be the heavy hitters everyone is sure to rock this year. Plus, last minute already-in-your-closet costume ideas in case you're more of a "better under pressure" person (spoiler: someone on this podcast def falls into this category). Links you'll want: Episode discussing Dolce & Gabbana's racist, classist, generally awful actions: Spotify Diet Prada IG Verve Social Links: @katiegassmann @lucky.averett @vervepodcast --- Send in a voice message: https://anchor.fm/vervepodcast/message

Happy Thursday, lovely people!On today's show: Scott Disick proves why you should never, ever, take digs at your very famous ex in someone else's Instagram DMs. The Dolce and Gabbana fashion show was paid a visit by mother nature, what to make of the semi-terrible movie that's number one on the Netflix charts right now, and then - finally - the politics of being an “it girl”; the UK's biggest influencer just made the biggest move of her career so far, but lots of people have been left feeling pretty ick about it.This week, Mich recommended watching Ms Represented with Annabel Crabb on ABC iView. Zara recommended Nine Perfect Strangers on Amazon Prime and Fox and the Big Lie on ABC.For that video of Dolce and Gabanna's fashion show on Diet Prada's Instagram, head here.Got some thoughts on today's episode you wanna share? We're allllll ears (also, eyes, heads, bodies, etc etc) - join in the convo over on our Insta @shamelesspodcast.Big thanks to Calming Blankets for making this episode possible. Don't forget to use the code ‘SHAMELESS115' at checkout for a generous $115 off your order.Want to support our show? We are sending air kisses, air tea, and air hugs (too far?) to anyone who clicks ‘subscribe' on Apple (bonus hugs for anyone who leaves a five-star review, too) or ‘follow' on Spotify.Still not enough? Well! Our hearts! See below for everything else.Subscribe to the weekly ‘ASK SHAMELESS' newsletter: http://eepurl.com/gFbYLTJoin our book club: https://www.instagram.com/theshamelessbookclub/Check out our website: https://shamelessmediaco.com/Write to the Shameless Mailbag: Email hello@shamelessmediaco.comThanks for listening! We are very big fans of yours.

On this week's #SampleSize episode, our Sample Size Investigations team is back, and this time we take notorious fast fashion behemoth, Shein, to court. In the opening of the case we set the stage, building a character profile of the brand by examining its founding, the evolution of its business model, and the controversial moves they've made en route to becoming the number one downloaded shopping app. Next, the prosecution builds the case against Shein, bringing to light recent thievery committed by the brand at the expense of crochet fashion designer & small business owner, Bailey Prado. Even calling to the stand expert witness and fashion blog, Diet Prada, to help shine a light on this specific fashion crime. Finally, in defense of Shein, we take a look at US trademark law, discussing it's lack of protections for fashion designers, allowing Shein free reign to prey on the works of small businesses. And yes, we do talk about THAT challenge, and the messiness associated with it, so you definitely don't want to this episode! If you're not already following us on Apple Music or Spotify, make sure to hit that "follow" button on the top of our show's profile page & if you enjoyed this episode, rate us 5 stars and leave a review, telling us what you liked best! To stay updated on everything Sample Size, connect with us on all major social media platforms @SampleSizePod. See you next episode!

(Trigger Warning: References of violence, sexual assault, and rape) In December 2020, fashion designer Alexander Wang faced multiple accusations of sexual assault. It began when male model Owen Mooney shared a series of TikTok videos detailing a 2017 incident where Wang allegedly groped him in a New York nightclub. The story went viral after being shared on Instagram by Shit Model Management and fashion watchdog, Diet Prada, prompting others with stories about the designer to come forward. Such stories ranged from having their genitals exposed to being slipped MDMA without their knowledge, and rape. Author: Bec Oakes Category: CULTURE Listen to the full story, or read it online - also available in Easy Read. For more Culture-related stories, head to https://www.thespillmag.com/culture --- Send in a voice message: https://anchor.fm/thespillmag/message

Hello hello! Today’s episode is proudly sponsored by Scarlet, a new Australian period-care brand aiming to make our cycles more sustainable and redefine the period experience. Follow them on Instagram at @wearescarlet.Now strap in because it's a pop-culture popcorn episode this week with a handful of the latest stories. We discuss Olivia Rodrigo's debut album and Brooke Blurton being announced as the first Indigenous and bisexual Bachelorette. Billie Porter announces he is HIV positive in an open and moving interview and Demi Lovato comes out as gender non-binary to more backlash than we've seen with other celebrities. Maggie reads from an NBC article by Mary Emily O'Hara titled 'Demi Lovato's Non-Binary Revelation Is Important In More Ways Than One'.We then get into a more somber segment as we give context on the tragic Israel/ Palestine conflict which came to a ceasefire late last week. We both recommend this ABC 'Behind The News' explainer on this situation if you're looking for more information as well as Al Jazeera reports. This is because we then discuss the full-page ad run by The New York Times where an independent organisation attacked Bella and Gigi Hadid and Dua Lipa for speaking out against Israel's crimes. It was also reported on by Diet Prada here. Running on from this, Jas recommends the VOX explainer on the Israel/ Palestine conflict this week while Maggie recommends this Sydney Morning Herald article titled 'Meet The McCallum's One Of Australia's Few Amish Families' by Melissa Fyfe.  

Nuova puntata de "La Sciarpa Viola" di Claudia Magro. Questi gli argomenti: Diet Prada: l'account più temuto dalla moda..perché?! Coinvolti anche dolce e gabbana e striscia la notizia. Capsule Wardrobe: pochi semplici consigli per creare il guardaroba perfetto Denim mania: tutti i nomi dei modelli di jeans e le loro differenze

Il 18 maggio è prevista l'udienza davanti alla I sezione civile del Tribunale di Milano, chiamata a decidere la controversia insorta tra il brand italiano D&G e il watchdog group Diet Prada. Vi raccontiamo il caso.>> Leggi anche l'articolo: https://bit.ly/3vfsGIt>> Scopri tutti i podcast di Altalex: https://bit.ly/2NpEc3w

Ciao Everyone, In the last year, I've been reflecting a lot on the importance of having hard conversations and learning the dangers of toxic positivity. Toxic positivity can also make the fight against racism difficult and this last week the Italian TV has proved to us that there is a lot of work to do following another racism satire targeting Asian People. In this episode, we unpack why racism is normalised on Italian TV and how First Generation Italian youths demand change, especially with the initiative #cambieRAI, and the demands that are much deeper than political correctness. Enjoy x

Incredibile ma vero, è successo di nuovo! Nella puntata di Striscia la Notizia del 12 Aprile 2021, Michelle Hunziker e Gerry Scotti, introducendo un segmento sulla Sede della Rai a Pechino, "parodizzano" la parlata orientale, con tanto di allungamento dei propri occhi con l'aiuto delle mani. Sono arrivate accuse di razzismo, partite da molti profili sui social, attirando l'attenzione del profilo IG di Diet Prada, influente account statunitense. Così Michelle Hunziker si è scusata su Instagram - secondo voi quelle scuse sono state sincere? L'episodio procede, toccando gli ultimi argomenti che hanno popolato le pagine online, ovvero: La morte del Principe Philip, il caso di Malika Chalhy, la foto di Khloe Kardashian e il vestito di Kid Cudi. Se volete rimanere in contatto con noi, lo potete fare tramite la nostra pagina IG: @vabbepodcast

Diet Prada über Michelle Hunziker und Gerry Scotti in “Stricia di Notizia”: https://www.instagram.com/p/CNnuRoKnv8u/ Michelle Hunziker entschuldigt sich: https://www.instagram.com/p/CNo9n2riL1T/ Der Tages-Anzeiger über Yvonne Feri in der “Arena”: https://www.tagesanzeiger.ch/kamala-harris-kann-sowieso-tanzen-weil-sie-dunkelhaeutig-ist-272294801996 Teen Vogue über das unretouchierte Foto von Khloé Kardashian: https://www.teenvogue.com/story/khloe-kardashian-released-a-statement-on-her-leaked-unfiltered-picture Vogue über Khloé Kardshian, Body Shaming und das Problem an der Geschichte: https://www.vogue.co.uk/arts-and-lifestyle/article/khloe-kardashian-viral-unfiltered-bikini-pic Khloé Kardashians Statement zum umstrittenen, unretouchierten Foto: https://www.instagram.com/p/CNY29zthNif/ Katherine Ormerod in der britischen Grazia über ihren Körper und der Vergleich mit dem von Emily Ratajkowski: https://graziadaily.co.uk/life/parenting/emily-ratajkowski-post-partum-body/ Katherine Ormerod - Why Social Media is Ruining Your Life: https://www.orellfuessli.ch/shop/home/artikeldetails/ID103349304.html Jameela Jamil auf Instagram https://www.instagram.com/p/CNmuxLclKbk/ Kerstin über das #pinkygate auf annabelle.ch: https://www.annabelle.ch/body-soul/zwei-maenner-erfinden-einen-periodenhandschuh-und-ernten-einen-shitstorm/ Andrea Arezina im Magazin über kostenlose Hygieneartikel in der Schweiz: https://www.tagesanzeiger.ch/wuerden-maenner-menstruieren-waeren-tampons-laengst-gratis-682886771732 Die Ooia-Gründerinnen darüber, weshalb die Pinky Gloves problematisch sind: https://www.instagram.com/p/CNmlBP6qblI/ Das Statement auf Instagram von Pinky Gloves: https://www.instagram.com/p/CNpJASaluu9/ Kerstins Tipp: Meditationsapp “Meditopia”: Anniks Tipp: Amanda Gorman - The Hill We Climb: https://www.orellfuessli.ch/shop/home/artikeldetails/ID150740875.html?ProvID=10917736&gclid=Cj0KCQjwpdqDBhCSARIsAEUJ0hNjfFxssEL52AZ3hlMdtGZvITuIwxL-yewqi8GR7eFSappshuctoxIaAr0rEALw_wcB

Live from New York, it’s yenta time! The original Dimes Square denizen, David Fierman, proprietor of the Lower East Side’s Fierman Gallery, joins us to discuss the New York Times T Magazine’s Friendship issue, catches us up on the highs and lows of the New York gallery world, and spills it all as he says it like he means it! Meanwhile, reporting live from our Berlin bureau, Przemek tells us how he stumbled upon the much-slammed Bottega Veneta fashion show mere hours after it happened, and became a hot topic himself after his screed against the class divide in Berlin’s arts and culture world went viral and landed him on Diet Prada.

Dolce & Gabbana has spent years in hot water for problematic statements and marketing campaigns, but this time, with the help of Diet Prada, people outside of the fashion community finally took note. In 2018, Diet Prada was instrumental in bringing D&G's wildly racist ad to light, but unfortunately, found themselves in court after D&G sued them over a cancelled fashion show and lost revenue. Tune in to find out more!* Episode Note: While Dapper Dan was already working for Gucci when the blackface sweater came out, it seems like they increased his presence afterwards.Instagram: https://www.instagram.com/legallyjudgy/?hl=enTwitter: https://twitter.com/LegallyJudgyIntro Song:Trick or Treat (instrumental) by RYYZN https://soundcloud.com/ryyznCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/l_trick-or-treatMusic promoted by Audio Library https://youtu.be/uNPXJ9CDzbcOutro Song:Sundown Drive by Ghostrifter Officialhttps://soundcloud.com/ghostrifter-officialCreative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0Free Download / Stream: https://bit.ly/-sundown-driveMusic promoted by Audio Library https://youtu.be/2H-uKkyJzSs 

John and Clarke are joined by fan favorite Greer to discuss vaccines, The People vs. Diet Prada, whatever an NFT is, canine misbehavior in the White House, why daylight savings is bad, and then guess who the mayor of Philadelphia is. Intro/outro music: Daisies - I Don’t Mind

Good morning lovely people!On today’s show: Stellar Magazine posted a bunch of topless men on their cover to celebrate IWD we have a few questions, Dolce and Gabbana sues Diet Prada for a stupid amount of money, the next Bachelor is announced as a past Bachelorette gets married, and then! OF COURSE, Meghan, Harry, Oprah, and that history-making interview.This week, Zara recommended Honeybee and the Instagram account, MipsChips. Mich recommended reading Priyanka Chopra’s memoir, Unfinished.Head here for that Diet Prada GoFundMe link we mentioned in today’s episode.Thank you so much to today’s sponsor, Pantene and their Rainbow Ribbon of Strength Campaign. Get your very own Rainbow Ribbon of Strength by DMing @PanteneANZ on Instagram.If this is your first time checking us out (hey, you), we are an independent media company that is dedicated to telling young women’s stories. The best way to support Shameless is to click ‘Follow’ on your Spotify app, and to tell your mates about us. We will reward such good behaviour with a puppy! Not everything in this paragraph is true!To catch up on everything Shameless, head to our website www.shamelessthepodcast.com.We cherish your feedback on the show, and would bloody love to hear your wonderful voices. If you’d like to weigh in on an episode - whether it be a segment in our Thursday pop culture analysis, an In Conversation guest, or this month’s book club pick, we’d love for you to call our Shameless Hotline. You miiiiight just be featured on an episode.Thanks so much for lending us your ears for this episode! Have a great day! Stay hydrated!This episode was produced by Annabelle Lee for Shameless Media.

Good morning lovely people!On today’s show: Stellar Magazine posted a bunch of topless men on their cover to celebrate IWD we have a few questions, Dolce and Gabbana sues Diet Prada for a stupid amount of money, the next Bachelor is announced as a past Bachelorette gets married, and then! OF COURSE, Meghan, Harry, Oprah, and that history-making interview.This week, Zara recommended Honeybee and the Instagram account, MipsChips. Mich recommended reading Priyanka Chopra’s memoir, Unfinished.Head here for that Diet Prada GoFundMe link we mentioned in today’s episode.Thank you so much to today’s sponsor, Pantene and their Rainbow Ribbon of Strength Campaign. Get your very own Rainbow Ribbon of Strength by DMing @PanteneANZ on Instagram.If this is your first time checking us out (hey, you), we are an independent media company that is dedicated to telling young women’s stories. The best way to support Shameless is to click ‘Follow’ on your Spotify app, and to tell your mates about us. We will reward such good behaviour with a puppy! Not everything in this paragraph is true!To catch up on everything Shameless, head to our website www.shamelessthepodcast.com.We cherish your feedback on the show, and would bloody love to hear your wonderful voices. If you’d like to weigh in on an episode - whether it be a segment in our Thursday pop culture analysis, an In Conversation guest, or this month’s book club pick, we’d love for you to call our Shameless Hotline. You miiiiight just be featured on an episode.Thanks so much for lending us your ears for this episode! Have a great day! Stay hydrated!This episode was produced by Annabelle Lee for Shameless Media.

Hablemos de TOLERANCIA. ¿Hasta cuando termina, cuan tolerante se puede ser en medio del caos?

We jump all over Milan Fashion Week in our discussion today from Blumarine, Valentino to Versace. I’m the extended version we also dive into the legal battle between Diet Prada and Dolce & Gabbana. To hear the extended version, join one our membership tiers at www.patreon.com/fashionvictimspod.

Hey dears,What a week in pop culture! Some of our fave OG British YouTubers are having babies which sparks a conversation about life milestones and expectations. Maggie references The Cut’s podcast episode, “Thirty, Flirty and Thriving”.Then, we discuss the tell-all Oprah interview with Harry and Meghan. At the time of recording, the episode had not yet aired in Australia but we draw from this Guardian article and this Sydney Morning Herald piece. Dolce & Gabbana have filed a defamation suit against fashion watchdog Diet Prada. We reference The Fashion Law’s piece on it and refer to this GQ piece, “In Fashion, Who Will Cancel the Cancelers?” This week, Maggie recommends the YouTube channel Emergency Awesome’s breakdown of Wandavision episodes. Jasmine recommends “I think I speak for a lot of Australian women when I say I’m so tired after this week” by Anna Spargo-Ryan for The Guardian. She also recommends the biography, And Now We Have Everything: On Motherhood Before I Was Ready by Meaghan O’Connell.Our jingle, editing and production is by India Raine. You can email us at cultureclubmail@gmail.com, find us on Instagram at @cultureclubpod, or on our personal accounts at @jasmineeskye and @yemagz.We hope to catch some of you at our Melbourne Fashion Festival live podcast recording this Friday the 12th, from 2–2:45pm at the Lonsdale St entrance of the Emporium.Ciao for now,Mags and Jas x

On this week’s episode of Scrolling, Harry and Austin discuss Lady Gaga’s French bulldog burglary, KJ Apa’s internet-breaking photoshoot, and Rosamund Pike’s latest thriller: I Care A Lot (spoilers ahead!) Plus, so much more.On the Extended Patreon Episode, The Boys discuss Juergen Teller’s photos for W Magazine and other random idle gawssip, of course.Pre-order your official Scrolling merchandise at ScrollingPod.com! Pre-orders end March 9th! 00:35 MFK: Tom-Jerry-Chloe Grace Moretz11:18 It’s March 1st, so naturally Happy Birthday Justin Bieber!12:20 Austin talks Promising Young Woman starring Carey Mulligan13:34 Harry talks I Care A Lot starring Rosamund Pike19:02 Lady Gaga’s dogs are stolen and then returned while she shoots the upcoming film Gucci in Rome21:20 Why do french bulldogs keep getting stolen? Cruella marketing team reportedly not behind the attacks23:11 So, who’s getting the $500K from Gaga??? And how does award money work?29:00 101 Dalmatians caused an influx of impulsive pet purchases in the 90s30:08 Kendall Jenner, 818 tequila, Diet Prada, etc.32:53 K.J. Apa compares being on Riverdale to being in a jail34:08 Harry gets a voice message DM from Bret Easton Ellis- technically39:01 Does anyone have a vintage Marge Simpson Jibbitz they’re willing to part with??41:21 Twitter is in its flop era. Speaking of flops, remember floaties?49:51 Is Walt Disney cancelled? Austin praises The Imagineering Story on Disney+54:49 Austin claims he’s not a Disney gay while the two delve into the strange policies of Disney parksScrolling is hosted by @VeryHarryHill and @AustinBlakeMaysFor extended weekly episodes and exclusive content, support us on Patreon: patreon.com/scrollingpodListen to Harry and Austin's Most Played Songs Here! https://tinyurl.com/scrollingsspotifywrappedFollow us on Instagram: @scrollingpodTweet us @HiScrollersRate, Subscribe, and Share!

David Cho is an old friend of ours who’s had his hand in many sites, apps, and projects over the years. He’s currently a Creative Director working with musicians, writers, and startups in New York. We chat about Diet Prada making fake neon signs, the guy who would menace people up in line at Supreme, Jason being called “Big Bird,” a Super Bowl recap, how David met Chris for the first time, cancel culture, the roaring 20’s, and we give Chris a chance to let his guard down with the bros. twitter.com/davidcho twitter.com/donetodeath twitter.com/themjeans --- Support this podcast: https://anchor.fm/howlonggone/support

On today's episode of Biased, José and Joseph Maglieri discuss references at the intersection of fashion and culture, the importance of giving credit, the connection between social sciences and fashion, the need to de-center references, biases, and of course, Diet Prada. In this episode, Joseph and I dive deep into references and their weight in today's fashion landscape. We discuss the difference between a good and well-developed reference and simple copy-catting, the connection between fashion and culture, and the endless cycle of some work informing culture and other being informed by it. We also discuss the importance of giving credit to minorities and the cultures who have, for so long, informed fashion with no credit or recognition. Joseph is a fashion doll with over 10 years of industry experience. He currently leads the Social Impact Initiatives at the Council of Fashion Designers of America (CFDA) specializing in diversity, equity, and inclusion programming. He also leads NYFW programming across all markets, including designer discovery and the NYFW schedule. Joseph is also a writer and one of my favorite fashion thinkers, he is currently based in NYC. Follow José on Instagram: @eljosecriales Follow Joseph on Instagram: @josephmaglieri For episode transcript visit: https://docs.google.com/document/d/1bwZbqsK-n5Aiqt-WMXz5asuKDO7_ppZAVlPcjFaRA9o/edit?usp=sharing --- Support this podcast: https://anchor.fm/biasedwithjcu/support

Hi everyone!2021 is here and has already delivered us HUGE world news. We start off with a chat about what we both got up to over the New Year holidays and debate whether the rumours about Harry Styles’ latest flame are true or just clever PR… In more serious news, model Owen Mooney has claimed that fashion designer, Alexander Wang, assaulted him in a club in 2017. While this news came out in the middle of December, we discuss whether it’s been spoken about less due to the gender and sexuality of the victims. In this discussion, Maggie brings up this piece about the Australian fashion industry’s #MeToo moment by Melissa Singer for The Age. If this topic brings up any emotions for you, don’t be ashamed to reach out and get help. Call 1800 737 732 or visit www.1800respect.org.au for The National Sexual Assault, Family & Domestic Violence Counselling Line which supports any Australian who has experienced, or is at risk of, domestic violence and/or sexual assault. You can also reach out to Lifeline on 13 11 14 or www.lifeline.org.au, a resource to put you in contact with a crisis provider in your state. Of course, we had to mention the AUDACITY of the white women “refreshing” the centuries old Chinese game, Mahjong. They were called out by Diet Prada yet are still selling the gentrified game for between $325 - $425 a pop. We read from this FB post that neatly summarises the problematic actions of The Mahjong Line.Jas recommends Disney Pixar’s latest film Soul, while Maggie recommends a classic Rachel McAdams rom-com, The Vow. We also discuss the latest Netflix series taking the internet by storm; period drama, Bridgerton. Take me, Duke. Chat to you all next week! Happy 2021, folks.

We love Billie Eilish (sorry for the clickbait title), but conversations around her paparazzi shots have gotten out of hand. We read from this Buzzfeed article by Scaachi Koul about it. Oh, and little Timmy Chalamet responded to those kissing photos with Lily-Rose Depp.You might have seen the UK ads about creative industries floating around after UK chancellor Rishi Sunaks' comments about how creatives should retrain. Though the ads have now been fact checked, Tristan Cross wrote an op-ed for Dazed on why culture and the arts are so important. Danielle Bernstein aka We Wore What has come under fire for suing The Great Eros after they sent her a cease and desist notice. Diet Prada covered the drama and The Fashion Law provided us with a legal viewpoint.This week, Jasmine recommends an opinion column by rapper and entertainer Megan Thee Stallion on the New York Times. Titled “Why I Speak Up For Black Women,” Jasmine also recommends watching the accompanying video.Maggie recommends The Claudia Kishi Club mini-documentary on Netflix. Directed by Sue Ding, this 17 minute short film revolves around interviews with Asian creatives and their experiences with the character of Japanese-American Claudia Kishi from The Baby-Sitters Club.Our jingle, editing and production is by India Raine. You can email us at cultureclubmail@gmail.com, find us on Instagram at @cultureclubpod, or on our personal accounts at @jasmineeskye and @yemagz.Love,Maggie & Jasmine

In this week's episode of Superficial, hosts Juliette and Steph recap the tragic finale of The Bachelor 2020, before deep-diving into Diet Prada's breaking Instagram post about the photographer inserting himself into nude images of models without their consent. They also sat down to discuss toxic positivity and grind culture with fellow journalist and podcaster Jasmine Wallis.   HOSTS: Juliette Capomolla and Stephanie Chadwick EDITOR: Stephanie Chadwick See omnystudio.com/listener for privacy information.

In this week's episode, we dive into the pros and cons of industry watchdog accounts like Diet Prada and Estée Laundry. We give contextual background on each account and explore their biggest wins, their major slip-ups, and the impact they've had on the fashion and beauty industries. Have we put too much power in the hands of these viral accounts when we don’t know who’s behind them? When do they cross the line from pro-consumer to pro-cancel culture? And ultimately, do we think they cause more harm than good? Join our Renegade by Centennial Beauty closed Facebook group: https://www.facebook.com/centennialbeauty/ Recaps: #BootyForBiden: Tana Mongeau offers nudes in exchange for a Biden vote  David Dobrik responsible for one of the biggest-ever voter registration influxes in U.S. history David Dobrik launches a perfume Nikita Dragun faces backlash for tweeting about “choosing” her race Noah Beck confirms relationship with Dixie D’Amelio Rihanna apologises to Muslim fans for offending them with song during Savage x Fenty fashion show Nikki Fre$h on Quibi Recommendation:  David Attenborough: A Life On Our Planet Articles mentioned: https://centennialbeauty.com/david-dobrik-largest-voter-registration/ https://centennialbeauty.com/nikita-dragun-accused-blackfishing-backlash-choosing-race/ https://centennialbeauty.com/david-dobrik-launches-perfume/ https://centennialbeauty.com/nick-bean-explains-sway-house-violent-attack-on-man-video/ https://centennialbeauty.com/rihanna-apology-muslim-hadith-savage-x-fenty-backlash/ https://www.gq.com/story/diet-prada-kanye  https://www.nytimes.com/2019/03/14/fashion/diet-prada.html  https://www.thecut.com/2019/11/the-anonymous-beauty-insiders-at-este-laundry-stir-up-drama.html

Visit my Amazon store for all of my books (both under my name and under my Jean Lee Publishing pen name), reselling supplies, and household favorites: https://amzn.to/36p4UwQ SHOW NOTES: Retail Headlines: https://www.cnbc.com/retail/ Diet Prada on Instagram: https://tinyurl.com/y29h3sba Ebay for Business Facebook Page: https://www.facebook.com/eBayForBusiness Etsy Complaints: https://tinyurl.com/y5b47tl3 Poshmark Facebook Page: https://www.facebook.com/Poshmark USPS Article: https://tinyurl.com/yyoyu37e Information on the show is provided under the Fair Use Act. PLEASE be sure to do your own further research on any topics discussed. --- Support this podcast: https://anchor.fm/theresellingreport/support

Luxury fashion retailers have long relied on their storied histories to buoy themselves through times of trouble. In a sense, they have become too big, or at least too important to fail. And, we as customers, given their “importance to our social identities” are willing to give these luxury brands much more room to fail and recover. It’s something that the likes of Bernard Arnault or Francois Pinault, the CEOs of LVMH and The Kering Group respectively, understand unequivocally. In fact, it’s what drives their “portfolio” approach to the luxury business. When Gucci is “in” then it doesn’t matter so much if YSL is “out.” And in some cases, there have been brands such as Alexander McQueen that at one point was bleeding money, but was kept in the portfolio for prestige. McQueen’s extraordinary and extravagant runway shows served as a counterweight to more wearable, sellable labels. This portfolio approach has also meant that luxury brands have always had some wiggle room to be more creative, and not so tied to retail sales, or shareholder demands. This is indeed a positive, in a fashion economy that requires year-to-year sales growth. However, from a more negative point of view, it has hidden some of the problems that some luxury labels have contended with—from high turnover of creative directors, to low sales, and even the ramifications of major public communication fiascos. In the context of today’s culture wars, fashion luxury brands, have managed to put “foot in mouth” an astounding amount of times, and still manage to come through largely unscathed. There are many examples: Prada and Gucci’s blackface representations Dolce & Gabbana’s outright racist and anti-LGBTQ statements, Marni’s tone-deaf and culturally appropriated ad campaign, Jacquemus’ performative use of black models notwithstanding a mostly white organization, or Burberry’s noose on the runway… Customers will complain on social media, even like Diet Prada’s scathing posts…but then they continue to share that same content and shop these luxury brands notwithstanding. As Dior’s president Pietro Beccari stated, no matter the culture conversation, or the pandemic, “we have 20 million followers to feed on Instagram".” And why not, the repercussions are not there. And again, largely hidden within the portfolio system. But in an age where the rising consumer is demanding more authenticity and transparency, will luxury brands still get a way with this? Will they eventually meet the wrath of “cancel culture?” Will they be able to claim authenticity while continue to still build their brands on appropriated culture? On the backs of those who cannot even afford their products? After all, luxury fashion is a luxury—that can be satiated elsewhere.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hazkel aka @homosinner makes some of my favorite looks. Between his makeup and styling, he has the ability to really build characters in singular images. He's built up a motif around his Homosinner persona, and regularly collaborates with my favorite, and IMHO most influential image makers out there right now, such as @zah and @gypsysport. Diet Prada could open up a new account just for this NYC set and all the brands who copy them. Hazkel's originally from Costa Rica, but has been in NYC for a long time. We're a generation apart, but a lot of our worlds cross over in the sense that while embodying entirely different scenes, I feel we've looked for the same things in them. There's a few people in my life who I really trust as a barometer for how creative culture is going, so talking to him is like food for me; you can sense my enthusiasm. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/teawithsg/message Support this podcast: https://anchor.fm/teawithsg/support

For millions of influencers, the rapid rise of the largely unregulated $8 billion influencer marketing economy has resulted in little to zero labor rights protection, disproportionate endorsement rates, multiple practices of racial bias (including visibility and pay inequities), as well as the easy trap of falling foul of community guidelines. This is all compounded by the current demand for authentic, purpose driven, messaging — while maintaining a stellar, inoffensive online footprint, among other minefields to navigate in the content creating space — influencers are often left to simply figure it out for themselves. And with no shortage of critics of their perceived undeserved success, it's not surprising influencers would organize to bring some regulation to their livelihood. The American Influencer Council, a newly formed trade organization has stepped in to replace the current trial and error approach to influencer marketing with policy and protection written “by creators for creators.” The AIC's founder Qianna Smith Bruneteau and influencer and council member Chrissy Rutherford join us on this episode to breakdown the little understood influencer landscape that's full of gray areas... the relationship between brand, influencer and policy, creator rights and responsibilities and how AIC will help to navigate the culture of fear and uncertainty with no central nervous system or clear rules in an economy that's proving to be working. And about that massive Times Square billboard when AIC launched and other elements Diet Prada have taken issue with in their recent post - we address that too. We hope you enjoy this substantive conversation, it certainly gave us a lot to think about. Please let us know what you think and also subscribe, rate this podcast (*****) and follow us on Instagram @TheConversations.Podcast for more.

This week we're discussing Diet Prada's transition from feared truth-tellers to washed meme account, the return of irl Paris Fashion Week, and all things GAP: Yeezy Gap, Mowalola Ogunlesi, and Gap x Telfar. Plus, we explain how you can help us celebrate episode 100.  Read Rachel's Diet Prada story here. Read Mowalola Ogunlesi's SSENSE interview here. Check out Josh Hartnett's enormous fit from the 1999 MTV Awards here.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we’re discussing Diet Prada’s transition from feared truth-tellers to washed meme account, the return of irl Paris Fashion Week, and all things GAP: Yeezy Gap, Mowalola Ogunlesi, and Gap x Telfar. Plus, we explain how you can help us celebrate episode 100.  Read Rachel’s Diet Prada story here. Read Mowalola Ogunlesi’s SSENSE interview here. Check out Josh Hartnett’s enormous fit from the 1999 MTV Awards here.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kelly kicks back with Friday co-host Joey Venturini (@thejoeyventurini) for their week in review. Joey celebrates another year around the sun and talks about his quarantine birthday plans. Kelly shares details on her newfound health kick including a new exercise regiment and intermittent fasting. They also talk about their dislike for the infamous IG account Diet Prada, people hating on fast fashion, and the fate of NYFW this September. They also chat about the top celeb stories of the week which include Bravo firing Stassi Schroeder and Kristen Doute, the newest Lea Michele allegations, Chris Cuomo getting caught naked in wife Cristina’s yoga video, Coachella 2020 getting cancelled, and much more.

Eugene and Charis discuss the future of Diet Prada, the media company run by Tony Liu and Lindsey Schuyler that aims to hold the fashion industry accountable. They also talk about the use of gender-neutral pronouns and the possible effects shifting language can have on shifting culture. 00:01:30 Diet Prada 00:28:51 Pronouns Links https://www.businessoffashion.com/articles/professional/the-future-of-diet-prada https://www.wired.com/story/actually-gender-neutral-pronouns-can-change-a-culture/ www.maekan.com --- Send in a voice message: https://anchor.fm/maekanitup/message

Happy Monday beautiful people!Coming up on today's episode: the Novak Djokovic rumours that just won't go away. Plus, is Masterchef doomed now that its three hosts have walked away? And how Diet Prada is achieving what mainstream media never could.Mich recommended two things this week! The MCoBeauty Instant Brows pencil (here: https://modelco.com/shop/mcobeauty/instantbrows) and Grotti Lotti prints for your next impressive present (here: https://grottilotti.com.au). Zara recommended the Phoebe Waller-Bridge/Fleabag episode of How To Fail with Elizabeth Day. Listen here: https://howtofail.podbean.comThanks to today's sponsor, White Runway, for making this episode of Shameless possible. If you have a special event coming up, check out their online boutique or visit the team in store for a personalised shopping experience. Oh, and don't forget you get TWENTY PERCENT OFF all full-priced items (!!!!) with the code 'SHAMELESS' at checkout, or by mentioning this podcast episode at your appointment: https://whiterunway.com.au/Mich used copyright-free music from Chill Out Records for today's (very mediocre) remix.

Happy Monday beautiful people!Coming up on today's episode: the Novak Djokovic rumours that just won't go away. Plus, is Masterchef doomed now that its three hosts have walked away? And how Diet Prada is achieving what mainstream media never could.Mich recommended two things this week! The MCoBeauty Instant Brows pencil (here: https://modelco.com/shop/mcobeauty/instantbrows) and Grotti Lotti prints for your next impressive present (here: https://grottilotti.com.au). Zara recommended the Phoebe Waller-Bridge/Fleabag episode of How To Fail with Elizabeth Day. Listen here: https://howtofail.podbean.comThanks to today's sponsor, White Runway, for making this episode of Shameless possible. If you have a special event coming up, check out their online boutique or visit the team in store for a personalised shopping experience. Oh, and don't forget you get TWENTY PERCENT OFF all full-priced items (!!!!) with the code 'SHAMELESS' at checkout, or by mentioning this podcast episode at your appointment: https://whiterunway.com.au/Mich used copyright-free music from Chill Out Records for today's (very mediocre) remix.

Good morning to everyone except the sleazy photographers sliding into women's Instagram DMs! On the agenda today, the 'Big Little Lies' finale, how we both got scammed and a new podcast we think you'll love. PLUS, a model's Diet Prada-backed accusations against a prolific celebrity photographer have rattled Hollywood, leading Kim Kardashian and Ariana Grande to speak out. The case goes to show how powerless young models can be - but why wasn't Kanye put under the same scrutiny as his wife?Read:The Red Parts by Maggie Nelson'Where is Ivanka' by Elaina Plott for The Atlantichttps://www.theatlantic.com/politics/archive/2019/07/ivanka-trumps-silence-border-crisis-racist-tweets/594217/Listen: Who? Weekly podcastHow To Fail with Elizabeth Day: FLEABAG IS BACKPhoebe Waller-Bridge on Fresh AirWatch:Queer EyeThe Bachelorette USABig Little Lies Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

The Barneys Podcast is back with a new host, and she's ready to shake up the conversation. This season, trailblazing journalist Noor Tagouri takes over the mic to dig deeper, challenge convention, and celebrate the people who dare to push culture forward. She brings her heartfelt interview style to Season 3, as she has intimate conversations with a dynamic guest lineup that includes Tan France, Elaine Welteroth, Diet Prada, and more.

Cette semaine à Simple À Porter nous avons un épisode chargé. Les gars parlent de Louis Vuitton, Calvin Klein, Young Thug, Baby Phat, Diet Prada, YEEZY, Micheal Jackson, Tom Ford, Gosha et des CFDA awards!

Au revoir to Karl Lagerfeld & hello to Kardashian counterfeit drama. Diet Prada stays on point.

Omondi sits down with Tony Liu and Lindsey Schuyler, the duo behind the infamous instagram account @diet_prada

Omondi sits down with Tony Liu and Lindsey Schuyler, the duo behind the infamous instagram account @diet_prada

This week, Will Welch and Noah Johnson examine what’s been going down in the fashion world recently. Topics include: Yeezy Season 6, sole units, whether anyone cares about fashion award shows, Diet Prada, fashion brand hashtags, graphic T-shirts at Art Basel, and more. Plus, in “13 Vibes,” Noah explains why you should embrace totally reckless social media habits. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Will Welch and Noah Johnson examine what's been going down in the fashion world recently. Topics include: Yeezy Season 6, sole units, whether anyone cares about fashion award shows, Diet Prada, fashion brand hashtags, graphic T-shirts at Art Basel, and more. Plus, in “13 Vibes,” Noah explains why you should embrace totally reckless social media habits. Learn more about your ad choices. Visit podcastchoices.com/adchoices