Podcast appearances and mentions of gary rydstrom

Smid en besked :)Halløj kære lyttere på baggrund af vores introduktion af Jurassic Park I Cinema4 d. 29 September i Skive har vi en gennemgang af filmen klar til jer. Vi glæder os meget til at se jer.Men vi skal på eventyr med dinosaurer, Sam Neil, Laura Dern, Jeff Goldblum, Richard Attenborough og Samuel L. Jackson. Folk bliver ædt, skubbet ud over en kløft og zappet. Alt går galt med verdens største rovdyr tilsat en vild omgang lyd af Gary Rydstrom og et ikonisk score af John Williams. En fuldstændig vanvittig flot film. Lyt med når vi tager på eventyr.mvh FilmfædreDennis  Lemming og Martin Stilund

Brothers Pete and Paul Escarcega, joined by Pete Busch and Jake Fenske, revisit one of Arnold Schwartzeneggar's best films, "Terminator 2: Judgement Day."Terminator 2: Judgment Day - 1991 - Rated R - 2h 17mA cyborg, identical to the one who failed to kill Sarah Connor, must now protect her ten year old son John from an even more advanced and powerful cyborg.Director: James CameronWriters: James Cameron, William WisherStars: Arnold Schwarzenegger, Linda Hamilton, Edward FurlongIMDB Rating: 8.6Metascore: 75Budget: $102 MillionBox Office Worldwide: $502 MillionTop rated movie #28Won 4 Oscars39 wins & 33 nominations total1992 Nominee Oscar - Best Cinematography: Adam Greenberg1992 Winner Oscar - Best Sound: Tom Johnson, Gary Rydstrom, Gary Summers, Lee Orloff, Mark Goldblatt1992 Nominee Oscar - Best Film Editing: Conrad Buff IV, Mark Goldblatt, Richard A. Harris1992 Winner Oscar - Best Effects, Sound Effects Editing: Gary Rydstrom, Gloria S. Borders, Dennis Muren1992 Winner Oscar - Best Effects, Visual Effects: Dennis Muren, Stan Winston, Gene Warren Jr., Robert Skotak1992 Winner Oscar - Best Makeup: Stan Winston, Jeff DawnThe group also picks their Top 5 Arnold Schwartzeneggar Films and Best James Cameron Movies!To listen to other episodes with Jake Fenske and Pete Busch:, tune in here:"Rocky IV"https://youtu.be/LVZ1I1iNs1M"Die Hard"https://youtu.be/yH8Fm3Vp8XA"Back to the Future"https://youtu.be/m2aBAf8N-cg"The Karate Kid"https://youtu.be/MDLIOhnVJkw"Top Gun"https://youtu.be/DHUQ9z5poywTo listen on Apple Podcast:https://podcasts.apple.com/us/podcast/aaaction-podcast/id1634666134To listen on Spotify:https://open.spotify.com/show/1L78fn3C6RlKKdUihtiLyR?si=f31450db95724290Please like and subscribe to the Aaaction podcast for more movie news and reviews!https://www.youtube.com/channel/UCzJFoiUHvdbaHaiIfN37BaQ#aaactionpodcast #podcast #film #movie #moviereview #classicmovies #tombstone #rocky #moviepodcast #terminator #terminator2judgmentday #arnoldschwarzenegger #scifi #jamescameron #sarahconnor #johnconnor #judgementday #top5 

Jim Hill starts off this week's show with a solo news section. Then Drew Taylor joins the fun in a pre-taped segment that looks back at Gary Rydstrom's animated films Over the course of this episode, listeners will learn about: How many Annie nominations did Pixar's “Elemental” receive this year Which William Shakespeare play provided the inspiration for “Strange Magic” What Pixar movie were the blobby alien characters seen in “Lifted” originally designed for When is the sequel to “Winnie the Pooh: Blood & Honey” supposed to arrive in theaters How well did Pixar's “Soul” do when it was finally released to theaters earlier this month Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hill starts off this week's show with a solo news section. Then Drew Taylor joins the fun in a pre-taped segment that looks back at Gary Rydstrom's animated films Over the course of this episode, listeners will learn about: How many Annie nominations did Pixar's “Elemental” receive this year Which William Shakespeare play provided the inspiration for “Strange Magic” What Pixar movie were the blobby alien characters seen in “Lifted” originally designed for When is the sequel to “Winnie the Pooh: Blood & Honey” supposed to arrive in theaters How well did Pixar's “Soul” do when it was finally released to theaters earlier this month Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Art Heals All Wounds, I interview longtime friend Gwen Whittle, a supervising sound editor and three-time Academy Award nominee for the films Avatar, Tron Legacy, and Avatar, The Way of Water. We discuss Gwen's journey from New York to San Francisco, her experiences in the sound editing industry, and the importance of sound in storytelling. We both share stories of belonging and the impact of travel on our perspectives and the importance of listening. Don't forget to go to my website and leave me YOUR story of belonging to feature on a future episode!Buy Me a Coffee!Follow Gwen!Gwen's Page on IMDbFollow Me!●      My Instagram ●      My LinkedIn●      Art Heals All Wounds Website●      Art Heals All Wounds Instagram●      Art Heals All Wounds Facebook

Peter J. Devlin, recently elected as a Governor of the Academy of Motion Pictures Arts and Sciences, has worked on more than 70 films and been nominated for five Oscars including Black Panther, Transformers: Dark Side of the Moon, Transformers, Star Trek (2009) and Pearl Harbor. He received a BAFTA nomination for his work on Star Trek and a Primetime Emmy nomination for Star Trek: Picard. He has worked closely with some of the top directors in film, including Michael Bay, Ryan Coogler, Ron Howard and Patty Jenkins. Earlier in the year he wrapped his work on Black Panther: Wakanda Forever, and is thrilled to have just worked with Chris Pine, who is making his directorial debut with the upcoming film Poolman. A past CAS Board member, it was his first CAS nomination for Oliver Stone's Any Given Sunday that introduced him to the organization in 2000. Since then, he has received multiple nominations. Born and raised in Belfast, Northern Ireland, Devlin knew that he wanted to work in film after seeing Jaws as a teenager. Though his school principal told him his dreams were “pie in the sky,” he applied for a trainee audio assistant position at the BBC in Belfast in 1981. Initially thinking he might move into the camera department, he quickly realized his true interest was in production sound. To prepare for the interview, he spent his days in the local library reading as much about microphone principles, recording techniques and filmmaking as he could find. He got the job, which proved the perfect training ground, with the BBC's wide range of productions, from news, to sports, to concerts and to radio drama. “I had great mentors, and I learned about all of the different disciplines of sound there.” Devlin's focus and persistence were evident as he took the next step, writing to directors he admired, including Michael Mann. He still has the letter Mann sent him in 1987, inviting him to visit the set of Miami Vice. From there, Devlin forged connections with others in the industry, landing his first job in the United States, working in commercials. Eventually, he moved into television and film. Today, Devlin continues to adapt to the ever-changing technologies that enhance storytelling through production sound mixing. While he wishes that he had today's tech for some of the films he worked on in the past, he says, “The most important element will always be the work of the sound department as a team, boom operators and sound utilities. Their expertise allows me to concentrate on recording performance and create tracks that can elevate a scene when they are handed off to our colleagues in post production.” Devlin joins an illustrious group of past CAS Career Achievement Honorees including: Anna Behlmer, Willie Burton, Tom Fleischman, Les Fresholtz, Ed Greene, Tomlinson Holman, Doc Kane, William B. Kaplan, David MacMillan, Paul Massey, Scott Millan, Mike Minkler, Walter Murch, Andy Nelson, Chris Newman, Lee Orloff, Richard Portman, John Pritchett, Don Rogers, Gary Rydstrom, Dennis Sands, Randy Thom, Jim Webb, Jeffrey S. Wexler and Charles Wilborn.

It's not often that you get a chance to chat with living legends and Paul has found himself in conversation with the Oscar® winning maestro of movie sound Gary Rydstrom and cinema scholar Gianluca Sergi as they discuss their new book “The Endless End of Cinema,” early experiments with surround sound, the history of movie theaters, how you never can count out the big screen experience and much more.See omnystudio.com/listener for privacy information.

In this episode we have two absolutely all-timers join us for a fun talk about their long standing working relationship and their earliest memories of going to the movies. After that we dig deep into the soundscape of The Fablemans, director Steven Spielberg's latest and most personal film to date. Show Notes: https://tonebenderspodcast.com/210---gary-rydstrom--andy-nelson-from-the-fabelmans/ Podcast Home Page: www.tonebenderspodcast.com Tonebenders Host this episode: Timothy Muirhead

Gianluca Sergi is a professor of Film at the University of Nottingham. He specialises in sound, and his research and contacts have taken him to places such as Skywalker Ranch, Pixar, Dolby, The Oscars and Industrial Light and Magic. Shortly to Publish a book with Oscar winning sound designer Gary Rydstrom, Gianluca talks about how the relationship between academia and Hollywood came about, how we met, discovered a love of wine, and how not to make an entrance at the Academy of Film.  If you like what you hear, and you can afford it, you can make a one-off donation to us via:https://ko-fi.com/coupleofdrips If you love what you hear, and would like to support us regularly, then please click on the “Support” button in your podcast app of choice. This allows you to listen ad-free and will shortly give you access to bonus content. We hope to have more membership tiers in the future.  Want to add us to your RSS reader? No problem, here is the link Links to things we talked about:Pact Coffee Guest Links: The Endless Ends of Cinema - bookVanity Fair – articleGianluca's LinkedInGianluca's university profile Thanks for listening and don't forget to subscribe and look out for us on the first Friday of every month!   Become a member at https://plus.acast.com/s/acod. Hosted on Acast. See acast.com/privacy for more information.

The American composer Mason Bates wrote Philharmonia Fantastique to a commission from a host of major US orchestras (Chicago Symphony Orchestra, Dallas Symphony Orchestra, National Symphony Orchestra, Pittsburgh Symphony Orchestra, San Francisco Symphony and the American Youth Symphony). It was recorded for Sony Classical by the Chicago SO under Edwin Outwater and released earlier this year. Now an animated film by Academy Award-winning sound designer Gary Rydstrom, and featuring the work of Jim Capobianco, has been made using the same soundtrack. (It will be available from November 4 to rent or purchase in 4K and surround-sound on the AppleTV app and to stream on Apple Music.) Gramophone's Editor, Martin Cullingford, spoke to Mason Bates about the work and the new animated film. Gramophone Podcasts are made in association with Wigmore Hall, sponsors of the 2022 Chamber Award.   

Legendary sound designer and re-recording mixer Gary Rydstrom joins us once again, this time to discuss his groundbreaking work on Steven Spielberg's classic film, "Jurassic Park" (1993), ahead of the upcoming premiere of the final film in the franchise — "Jurassic World: Dominion." Amazingly, even nearly 30 years later, Rydstrom's work on the original film still holds up incredibly well. "I have a theory that — especially in the early days of computer graphics — sound needed to be real. Even more so, like real sounds. Synthesized sounds are hard to do [and] not so interesting, usually. So I knew we needed to be real. But in this case, it has to ground visuals that you can't believe, right? So the sound had to be organic and real. So the first thing I did is record as many animals as I could." — Gary Rydstrom, Sound Designer and Re-recording Mixer, "Jurassic Park" (1993) Rydstrom and his team recorded dozens of animals and layered those tracks together to create the unforgettable sounds of the dinosaurs, as showcased in the behind-the-scenes documentary: "The Making of 'Jurassic Park,'" directed by John Schultz, which we feature in today's episode: https://www.imdb.com/title/tt0256908/ (https://www.imdb.com/title/tt0256908/) "Jurassic World: Dominion" will be available in theaters on June 10th in Dolby Vision® and Dolby Atmos®, where available. https://www.jurassicworld.com/ (https://www.jurassicworld.com/) Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

Philharmonia Fantastique: The Making of the Orchestra is a 25-minute concerto for orchestra &animated film that flies through the instruments of the orchestra to explore the age-old connection between creativity and technology. PhilharmoniaFantastique is a collaboration between composer and DJ Mason Bates, Oscar-winning director and sound designer Gary Rydstrom, and animator Jim Capobianco. Guided by a magical Sprite, we see violin strings vibrate, brass valves slice the air, and drum heads resonate. Imaginatively blending traditional and modern animation styles, it is a kinetic and cutting edge guide to the orchestra. By the film's end, the orchestra overcomes its differences to demonstrate “unity from diversity” in a spectacular finalePurchase the music (without talk) at:Philharmonic Fantastique (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

Museum Founder Steve Lee and his co-host Richard Anderson chat with multiple Oscar-winning Sound Designer & Re-recording Mixer, Gary Rydstrom ("Jurassic Park," "Saving Private Ryan," "Terminator 2," and many others). Make a tax deductible donation to the Museum and subscribe to our Patreon page: www.HollywoodSoundMuseum.org Contact us: SoundMuseumPodcast@gmail.com #KeepListening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

0:00 - Introduction Welcome to the Juras-Sick Park-Cast podcast, the Jurassic Park podcast about Michael Crichton's 1990 novel Jurassic Park, and also not about that, too.  Find the episode webpage at: Episode 9 - Skeleton. 9:46 - Guest interview with Jamie Reaume 25:00 - The Shining's influence on Jurassic Park 37:00 - Foreign Film Star sample music  43:00 - Jurassic Park trivia In this episode, my terrific guest Jamie Reaume chats with me about:  Ace Ventura When Nature Calls, Christmas Cards, The Chatham Capitol Theatre, Dune, special effects, Michael Keaton's Batman, The Dark Knight, classic Hollywood, Brachiosaurus, velociraptors, sound design, adopting Costa Rican culture in the sound design, The Shining, Jack, plaigiarism v. tribute, Blues, Led Zepplin, learning to play guitar, 1993, layering sounds, Gary Rydstrom , tyrannosaurus sound design, velociraptor sound design, posterizable moments, Ninja T-Rex, mating sounds, music production, No Country for Old Men, Tommy Lee Jones, Robert Muldoon, trivia, Dances With Wolves, runtimes, Weird Al, Daniel Radcliff, Ian Malcolm, Godzilla soundtrack, sampling roars, Aerosmith, Living on the Edge, Spoonman, Metallica, performing live, and what I like about poo (you'll see).   You can find Jamie Reuame at Shapes Guitar Lessons.com where he's an instructor, and he's co-host of Trivia Schmivia.com and you can find his musical catalogue on Youtube. Musical samples come from Safe Trip (kitchen pot, with his fingertips); The Ones and Zeros of Digital Rain (playing glasses of water); and Beautiful Pulse (with the funky outro).  3:40 - Fossil evidence of the avian vocal organ from the Mesozoic 5:44 - Voices of the past: a review of Paleozoic and Mesozoic animal sounds Plus dinosaur news about: Fossil evidence of the avian vocal organ from the Mesozoic Voices of the past: a review of Paleozoic and Mesozoicanimal sounds 0:47 - Music by Snale the rock band. Featuring the music of Snale https://snalerock.bandcamp.com/releases  Intro: Latebloomer. Outro: Grow Old or Don't. Text This week's chapter is Skeleton, pages spanning from 42 - 48. Synopsis Alice Levin's X-Ray of the biting lizard shocks Grant and Ellie, who diagnose it as a procompsognathus, and consider if it's a hoax or a rediscovery, before Hammond calls to invite them to inspect his new island. 1:05:57 - Analyzing the literary and stylistic techniques 1:11:40 - Discussions on the allusions, the MacGuffin, Building  a Mystery, the portrayal of women, Control as a Hoax, Timeline, and responsibility and safety. Discussions surround:  Allusions to the Piltdown man, coelocanth's rediscovery, archaeopteryx, Fred Hoyle, the real procompsognathus triassicus, responsibility and safety, heroes and villains, Hammond's ironic comments on character, paleontology, costly digging, Child of the 80s, the Portrayal of Women, Hoaxes are Omnipresent, Timeline, Due Diligence, MacGuffins, and Building a Mystery.   Side effects vary from minor problems like a runny nose to life-threatening events:  Find it on iTunes, on Spotify (click here!) or on Podbean (click here). Thank you! The Jura-Sick Park-cast is a part of the Spring Chickens banner of amateur intellectual properties including the Spring Chickens funny pages, Tomb of the Undead graphic novel, the Second Lapse graphic novelettes, The Infantry, and the worst of it all, the King St. Capers. You can find links to all that baggage in the show notes, or by visiting the schickens.blogpost.com or finding us on Facebook, at Facebook.com/SpringChickenCapers or me, I'm on twitter at @RogersRyan22 or email me at ryansrogers-at-gmail.com.  Thank you, dearly, for tuning in to the Juras-Sick Park-Cast, the Jurassic Park podcast where we talk about the novel Jurassic Park, and also not that, too. Until next time!  #JurassicPark #MichaelCrichton

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24 de marzo | Nueva YorkHola, maricoper. Te escribo mientras me bebo un café y me como un quesito, un dulce de hojaldre puertorriqueño. Tengo muchas ganas de escribir esta newsletter porque es el clímax de la temporada de premios y porque estos días soy muy feliz de hacer mi trabajo y de que me leas con atención. Gracias por estar ahí.Bienvenido a La Wikly diaria. Esta vez, te traigo una edición especial con mi quiniela de los Premios Oscar en exclusiva antes de desvelar mis opiniones en el stream del viernes. Volveremos con titulares y una sorpresita más mañana viernes.Si quieres comentar las noticias en nuestro servidor de Discord, usa este enlace.Y si quieres acceso a los canales exclusivos para suscriptores premium, responde directamente a este email con tu nombre de usuario en Discord.Comparte esta newsletter con familiares y amigos para que se pongan al día:Leer esta newsletter te llevará 7 minutos y 2 segundos.¡Anakin! Bienvenido a La Wikly.🏆 ¿Sorpresa en Hollywood?Por Emilio DoménechLo importante: la gala de los Oscar tiene previsto celebrarse este domingo y la expectación es que la gran favorita desde hace meses puede acabar perdiendo la estatuilla a Mejor Película.Sí, El poder del perro iba encaminada a darle el primer Oscar a Mejor Película a Netflix, pero las tornas han cambiado a favor de CODA en apenas una semana.Pero no nos adelantemos a los acontecimientos. A continuación, un repaso a todas las categorías de los Oscar con mis predicciones de las ganadoras, mis favoritas de las nominadas y las menciones que creo que se han olvidado este año.Aviso 1: tengo pendientes varias películas y por eso me reservaré mi opinión en algunas categorías para cuando ponga todo al día, que será el domingo a ultimísima hora antes de empezar el stream especial de la ceremonia.Aviso 2: en algunas categorías no he incluido la opción ‘debería estar nominada’ porque no tengo nada mejor que ofrecer.Aviso 3: las explicaciones de las categorías las desarrollo en el podcast, que si no esto habría sido una maldita Biblia.💥 Efectos visualesDUNEPaul Lambert, Tristan Myles, Brian Connor y Gerd NefzerFree GuySwen Gillberg, Bryan Grill, Nikos Kalaitzidis y Dan SudickNo Time to DieCharlie Noble, Joel Green, Jonathan Fawkner y Chris CorbouldShang-Chi and the Legend of the Ten RingsChristopher Townsend, Joe Farrell, Sean Noel Walker y Dan OliverSpider-Man: No Way HomeKelly Port, Chris Waegner, Scott Edelstein y Dan SudickGANARÁ: DuneDEBERÍA GANAR: Dune🔊 SonidoDUNEMac Ruth, Mark Mangini, Theo Green, Doug Hemphill y Ron BartlettBelfastDenise Yarde, Simon Chase, James Mather y Niv AdiriNo Time to DieSimon Hayes, Oliver Tarney, James Harrison, Paul Massey y Mark TaylorThe Power of the DogRichard Flynn, Robert Mackenzie y Tara WebbWest Side StoryTod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson y Shawn MurphyGANARÁ: DuneDEBERÍA GANAR: West Side StoryDEBERÍA ESTAR NOMINADA: The Last Duel💄 Maquillaje y peluqueríaTHE EYES OF TAMMY FAYELinda Dowds, Stephanie Ingram y Justin RaleighComing 2 AmericaMike Marino, Stacey Morris y Carla FarmerCruellaNadia Stacey, Naomi Donne y Julia VernonDuneDonald Mowat, Love Larson y Eva von BahrHouse of GucciGöran Lundström, Anna Carin Lock y Frederic AspirasGANARÁ: Los ojos de Tammy FayeDEBERÍA GANAR: Dune👗 Diseño de vestuarioDUNEJacqueline West and Robert MorganCruellaJenny BeavanCyranoMassimo Cantini Parrini y Jacqueline DurranNightmare AlleyLuis SequeiraWest Side StoryPaul TazewellGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Mark Bridges por Licorice Pizza🏰 Diseño de producción DUNEDiseño de producción: Patrice Vermette; Decoración de set: Zsuzsanna SiposNightmare AlleyDiseño de producción: Tamara Deverell; Decoración de set: Shane VieauThe Power of the DogDiseño de producción: Grant Major; Decoración de set: Amber RichardsThe Tragedy of MacbethDiseño de producción: Stefan Dechant; Decoración de set: Nancy HaighWest Side StoryDiseño de producción: Adam Stockhausen; Decoración de set: Rena DeAngeloGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADAS: Sarah Greenwood y Katie Spencer por Cyrano🎼 Canción original“NO TIME TO DIE” DE NO TIME TO DIEMúsica y letras de Billie Eilish y Finneas O’Connell“Be Alive” from King RichardMúsica y letras de DIXSON y Beyoncé Knowles-Carter“Dos Oruguitas” from EncantoMúsica y letras de Lin-Manuel Miranda“Down To Joy” from BelfastMúsica y letras de Van Morrison“Somehow You Do” from Four Good DaysMúsica y letras de Diane WarrenGANARÁ: “No Time To Die” de No Time To DieDEBERÍA GANAR: “Dos Oruguitas” de EncantoDEBERÍA ESTAR NOMINADA: “Every Letter” de Cyrano🎻 MúsicaDUNEHans ZimmerDon’t Look UpNicholas BritellEncantoGermaine FrancoMadres ParalelasAlberto IglesiasThe Power of the DogJonny GreenwoodGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Jonny Greenwood por Licorice Pizza🎞 MontajeDUNEJoe WalkerDon’t Look UpHank CorwinKing RichardPamela MartinThe Power of the DogPeter SciberrasTick, Tick…Boom!Myron Kerstein and Andrew WeisblumGANARÁ: DuneDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADOS: Sarah Broshar y Michael Kahn por West Side Story📸 FotografíaTHE POWER OF THE DOGAri WegnerDuneGreig FraserNightmare AlleyDan LaustsenThe Tragedy of MacbethBruno DelbonnelWest Side StoryJanusz KaminskiGANARÁ: The Power of the DogDEBERÍA GANAR: DuneDEBERÍAN ESTAR NOMINADOS: Paul Thomas Anderson y Michael Bauman por Licorice Pizza🦊 Película animadaENCANTOJared Bush, Byron Howard, Yvett Merino y Clark SpencerFleeJonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen y Charlotte De La GournerieLucaEnrico Casarosa y Andrea WarrenThe Mitchells vs. the MachinesMike Rianda, Phil Lord, Christopher Miller y Kurt AlbrechtRaya and the Last DragonDon Hall, Carlos López Estrada, Osnat Shurer y Peter Del VechoGANARÁ: EncantoDEBERÍA GANAR: Raya y el último dragónDEBERÍAN ESTAR NOMINADA: Belle de Mamoru Hosoda📹 Película documentalSUMMER OF SOUL (…Or, When the Revolution Could Not Be Televised)Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent y David DinersteinAscensionJessica Kingdon, Kira Simon-Kennedy y Nathan TruesdellAtticaStanley Nelson y Traci A. CurryFleeJonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen y Charlotte De La GournerieWriting with FireRintu Thomas y Sushmit GhoshGANARÁ: Summer of Soul🌍 Película internacionalDRIVE MY CAR (Japón)Ryûsuke HamaguchiFlee (Dinamarca)Jonas Poher RasmussenThe Hand of God (Italia)Paolo SorrentinoLunana: A Yak in the Classroom (Bután)Pawo Choyning DorjiThe Worst Person in the World (Noruega)Joachim TrierGANARÁ: Drive My CarDEBERÍA GANAR: The Worst Person in the WorldNOTA: No he visto Flee ni Lunana✍️ Guion originalLICORICE PIZZAEscrita por Paul Thomas AndersonBelfastEscrita por Kenneth BranaghDon’t Look UpGuion de Adam McKay; Historia de Adam McKay y David SirotaKing RichardEscrita por Zach BaylinThe Worst Person in the WorldEscrita por Eskil Vogt y Joachim TrierGANARÁ: Licorice PizzaDEBERÍA GANAR: Licorice PizzaDEBERÍA ESTAR NOMINADA: Emma Seligman por Shiva Baby📚 Guion adaptadoTHE POWER OF THE DOGEscrita por Jane CampionCODAEscrita por Siân HederDrive My CarEscrita por Ryusuke Hamaguchi y Takamasa OeDuneEscrita por Jon Spaihts, Denis Villeneuve y Eric RothThe Lost DaughterEscrita por Maggie GyllenhaalGANARÁ: The Power of the DogDEBERÍA GANAR: DuneDEBERÍA ESTAR NOMINADO: Tony Kushner por West Side StoryNOTA: No he visto The Lost Daughter🎭 Actor secundarioTROY KOTSURCODACiarán HindsBelfastJesse PlemonsThe Power of the DogJ.K. SimmonsBeing the RicardosKodi Smit-McPheeThe Power of the DogGANARÁ: Troy KotsurDEBERÍA GANAR: Troy KotsurDEBERÍA ESTAR NOMINADO: Mike Faist por West Side StoryNOTA: No he visto Being the Ricardos🎭 Actriz secundariaARIANA DEBOSEWest Side StoryJessie BuckleyThe Lost DaughterJudi DenchBelfastKirsten DunstThe Power of the DogAunjanue EllisKing RichardGANARÁ: Ariana DeBoseDEBERÍA GANAR: Ariana DeBoseDEBERÍA ESTAR NOMINADA: Marlee Matlin por CODANOTA: No he visto The Lost Daughter🎭 Actor protagonistaWILL SMITHKing RichardJavier BardemBeing the RicardosBenedict CumberbatchThe Power of the DogAndrew Garfieldtick, tick…Boom!Denzel WashingtonThe Tragedy of MacbethGANARÁ: Will SmithDEBERÍA ESTAR NOMINADO: Peter Dinklage por CyranoNOTA: No he visto Being the Ricardos ni The Tragedy of McBeth🎭 Actriz protagonistaPENÉLOPE CRUZMadres paralelasJessica ChastainThe Eyes of Tammy FayeOlivia ColmanThe Lost DaughterNicole KidmanBeing the RicardosKristen StewartSpencerGANARÁ: Penélope CruzDEBERÍAN ESTAR NOMINADAS: Renate Reinsve por The Worst Person in the World, Alana Haim por Licorice Pizza y Jodie Comer por The Last Duel. Esta categoría es un puto desastre.NOTA: No he visto ni The Lost Daughter, ni Being the Ricardos, ni The Eyes of Tammy Faye. Vale, soy un ignorante hipócrita.🎥 DirecciónJANE CAMPIONThe Power of the DogKenneth BranaghBelfastRyusuke HamaguchiDrive My CarPaul Thomas AndersonLicorice PizzaSteven SpielbergWest Side StoryGANARÁ: Jane CampionDEBERÍA GANAR: Paul Thomas AndersonDEBERÍA ESTAR NOMINADO: Denis Villeneuve por Dune🎬 PelículaCODAPhilippe Rousselet, Fabrice Gianfermi y Patrick WachsbergerBelfastLaura Berwick, Kenneth Branagh, Becca Kovacik y Tamar ThomasDon’t Look UpAdam McKay y Kevin MessickDrive My CarTeruhisa YamamotoDuneMary Parent, Denis Villeneuve y Cale BoyterKing RichardTim White, Trevor White y Will SmithLicorice PizzaSara Murphy, Adam Somner y Paul Thomas AndersonNightmare AlleyGuillermo del Toro, J. Miles Dale y Bradley CooperThe Power of the DogJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning y Roger FrappierWest Side StorySteven Spielberg y Kristie Macosko KriegerGANARÁ: CODADEBERÍA GANAR: Licorice PizzaDEBERÍAN ESTAR NOMINADAS: The Worst Person in the World y The Last Duel👾 En el DiscordUn retazo de Maricopa Land@Lady Blue y @Alirp han hecho una quiniela de los Oscars para quien quiera participar. Te dejo el enlace por aquí para que hagas tus votaciones. Y que sepas que puedes pasarte por el canal específico de #Oscars en el que estaremos siguiendo todo sobre la ceremonia en los próximos días.La Wikly es una newsletter joven e independiente que se mantiene con el apoyo de los suscriptores de pago. Súmate al proyecto:Feliz jueves, This is a public episode. Get access to private episodes at www.lawikly.com/subscribe

We are joined by Gary Rydstrom to talk about his recent Oscar nominated work on the latest Steven Spielberg film, West Side Story. He also tells us about his sound design philosophies, how slipping sound/picture sync can change everything and lots more. Show Notes & Full Transcript: https://tonebenderspodcast.com/189-gary-rydstrom/ Podcast Homepage: https://tonebenderspodcast.com

Welcome to our continuing coverage of this year's Academy Awards. Like last year, we have compiled interviews from each of the nominees in the Best Sound category. So, if you are an Oscar voter — either as an Academy member or as a fan participating in your annual office pool — you'll have a much better idea of what to watch for and (more importantly) what to listen for as you get to the Best Sound category on your ballot! Here are the nominees, in alphabetical order: BELFAST: Denise Yarde, Simon Chase, James Mather and Niv Adiri DUNE: Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett NO TIME TO DIE: Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor THE POWER OF THE DOG: Richard Flynn, Robert Mackenzie and Tara Webb WEST SIDE STORY: Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy Each of these interview excerpts is taken from our full episodes dedicated to the sound design of each of these incredible films. Here's a table of contents, in case you'd like to jump around, as well as links to the full episodes from our back catalogue: 0:01:33 - BELFAST - https://www.youtube.com/watch?v=nvNkqKN7B4c (from episode 104, December 9, 2021) Sir Kenneth Branagh — Director, Writer, and Producer  Simon Chase — Sound Supervisor and Re-recording Mixer Niv Adiri — Academy Award-Winning Re-recording Mixer James Mather — Sound Supervisor 0:16:56 - DUNE - https://www.youtube.com/watch?v=eWV3Om6oHCM (from episode 99, October 26, 2021) Denis Villeneuve — Director, Writer, and Producer Mark Mangini — Supervising Sound Editor Theo Green — Sound Designer / Supervising Sound Editor Ron Bartlett — Re-recording Mixer 0:33:02 - NO TIME TO DIE - https://www.youtube.com/watch?v=ATB8ieuq1WI (from episode 101, November 10, 2021) Oliver Tarney — Supervising Sound Editor Paul Massey — Re-recording Mixer Mark Taylor — Re-recording Mixer 0:46:04 - THE POWER OF THE DOG - https://www.youtube.com/watch?v=o7tHu7hW370 (from episode 105, December 13, 2021) Jane Campion — Director, Writer, and Producer Robert Mackenzie — Supervising Sound Editor Dave Whitehead — Sound Designer Tara Webb — Re-recording Mixer (1st nom) 0:57:39 - WEST SIDE STORY - https://www.youtube.com/watch?v=VjubJvkMG6U (from episode 114, February 22, 2022) Gary Rydstrom - Re-recording Mixer, Supervising Sound Editor, Sound Designer Shawn Murphy - Scoring Mixer Brian Chumney - Supervising Sound Editor Tod A. Maitland - Sound Mixer Andy Nelson - Re-recording Mixer Many thanks to all the studios for helping us pull these interviews together! Be sure to check out https://www.focusfeatures.com/belfast (BELFAST), https://www.dunemovie.com/ (DUNE), https://www.unitedartistsreleasing.com/007-no-time-to-die/ (NO TIME TO DIE), https://www.netflix.com/title/81127997 (THE POWER OF THE DOG), and https://www.20thcenturystudios.com/movies/west-side-story (WEST SIDE STORY) before Oscars voting ends! We have two more episodes just like this one — for the Best Cinematography and Best Animated Feature categories —  coming up. So if you haven't already, please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

If it seems like the Hollywood musical is making a comeback, that's because, in many ways, it is. And after decades of promising to one day direct one, legendary filmmaker Steven Spielberg finally decided to tackle a new interpretation of "West Side Story." The film is now nominated for seven Academy Awards, including Best Cinematography, Best Director, Best Picture, and Best Sound. Joining us today is the sound team behind this film, who collectively took great pains to use as many modern recording techniques available to them to create this impressive, cutting-edge soundtrack. Gary Rydstrom - Re-recording Mixer / Sound Designer / Supervising Sound Editor - this is his 20th  Academy Award nomination (seven wins) Shawn Murphy - Scoring Mixer - fourth nomination (one win) Brian Chumney - Supervising Sound Editor - first nomination Tod A. Maitland - Sound Mixer - fifth nomination Andy Nelson - Re-recording Mixer - 22nd nomination (two wins) "I think the most remarkable thing in this movie is you never, for one second, don't believe that the singing you're hearing, or the acting you're hearing, is not happening on that set. It feels completely believable at every time. And seamlessly goes in and out of the music. I've never heard a musical be that seamless before. I think that's one of the great achievements of this particular movie." — Gary Rydstrom, Re-recording Mixer / Sound Designer / Supervising Sound Editor, "West Side Story" https://www.20thcenturystudios.com/movies/west-side-story ("West Side Story" is now playing in cinemas) and will be streaming on HBO Max and Disney+ as of March 2, 2022.  Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

En 1993, Steven Spielberg révolutionne le cinéma, les effets spéciaux et les jouets avec Jurassic Park. Dans ce film mythique, une famille croise de nombreuses espèces de dinosaures dans un parc d'attractions d'un nouveau genre. Et spoiler : ça ne se passe pas bien. Ils crient. La famille, les dinos, l'avocat sur les toilettes, TOUT LE MONDE CRIE.Le problème pour Spielberg et son équipe, c'est : comment créer les cris des dinosaures sachant que l'Homme n'en a jamais entendu ?C'est le travail de Gary Rydstrom, le designer sonore du film. Et il va utiliser les sons de la nature, ceux d'animaux vivants en colère. On vous raconte.Abonnez vous aux podcasts Konbini pour ne rater aucun épisode ! ____Auteur et VO : Aurélien Chapuis | Podcast producer, réalisation audio : Robin Riccitiello | Mix et edit : Manuel Lormel |

Q&A on sound design for West Side Story with Gary Rydstrom, Sup Sound Ed/Designer/Re-record Mix, Brian Chumney, Sup Sound Ed, Andy Nelson, Re-Record Mix, Tod Maitland, Sound Mixer, Shawn Murphy, Film Music Mixer. Love at first sight strikes when young Tony spots Maria at a high school dance in 1957 New York City. Their burgeoning romance helps to fuel the fire between the warring Jets and Sharks -- two rival gangs vying for control of the streets.

Carolyn is joined by the Supervising Sound Edit, Re-recording Mixer, and Production Sound Mixer for Steven Spielberg's rendition of 'West Side Story'. Together they share their experiences bringing the sound of this music to the screen and how they were able to keep the vocals grounded in realism. 'In this podcast series, Carolyn Giardina, Tech Editor for The Hollywood Reporter, extends her coverage of the filmmaking crafts. She will be talking with the cinematographers, editors, production designers, composers, visual effects supervisors, and other leading artists that bring the magic of motion pictures to theaters. Subscribe now to receive episodes of this inspired new series that shines a light on the artists that spend most of their time behind the screen. Hosted by: Carolyn Giardina Produced by: Matthew Whitehurst Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we rewind with two previous podcasts and two different filmmakers. The first filmmaker is Gary Rydstrom a seven time Academy Award Winner. He talks about the George Lucas film, Strange Magic that he directed. The second filmmaker is Lisa Bryant, director for the Netflix series Jeffrey Epstein 'Filthy Rich.'    Follow to receive every new episode: https://www.podbean.com/podcast-pbblog-8zDNGRf2NIOG-follower Download the Podbean Player App: https://www.podbean.com/podcast-app-iphone-android-mobile   ► FACEBOOK: https://www.facebook.com/YourFilmPodcast ► YOUTUBE:  https://www.youtube.com/channel/UCo95_Quaast5vCQZtbCTjzA Please send feedback or questions to: indiefilmpodcast@gmail.com  Show your support and please rate and review us on iTunes:  https://podcasts.apple.com/us/podcast/shoot-it-now/id1545805946 Romain Dagnan | The Film Podcast Theme Composer www.romaindagnan.com Every week 'The Film Podcast' interviews award winning and indie-film directors, cinematographers (DOP) film editors, actors and other cast and crew members to learn from their unique stories. 

In this episode we rewind and look at two previous podcasts with two different filmmakers. The first filmmaker is Lisa Bryant, director for the Netflix series Jeffrey Epstein 'Filthy Rich.' The second filmmaker is Gary Rydstrom a seven time Academy Award Winner. He talks about the George Lucas film, Strange Magic that is directed. The full episode is coming soon.   Follow to receive every new episode: https://www.podbean.com/podcast-pbblog-8zDNGRf2NIOG-follower Download the Podbean Player App: https://www.podbean.com/podcast-app-iphone-android-mobile   ► FACEBOOK: https://www.facebook.com/YourFilmPodcast ► YOUTUBE:  https://www.youtube.com/channel/UCo95_Quaast5vCQZtbCTjzA Please send feedback or questions to: indiefilmpodcast@gmail.com  Show your support and please rate and review us on iTunes:  https://podcasts.apple.com/us/podcast/shoot-it-now/id1545805946 Romain Dagnan | The Film Podcast Theme Composer www.romaindagnan.com Every week 'The Film Podcast' interviews award winning and indie-film directors, cinematographers (DOP) film editors, actors and other cast and crew members to learn from their unique stories. 

For this episode I was fortunate enought to  have a  conversation with Oscar winning sound designer Gary Ridstrom, he of Terminator 2 and Jurassic Park fame.I hope you enjoy the podcast. Please share to your friends!Support the show (https://www.patreon.com/jamiebenning)

Gary Rydstrom is a film director and sound designer.  For Pixar Animation Studios, he directed two shorts: the Oscar-nominated Lifted, and Toy Story Toons: Hawaiian Vacation.  For Disney and Studio Ghibli, he directed the English-language versions of The Secret World of Arrietty, From Up on Poppy Hill, and The Wind Rises.  At Skywalker Sound, he has designed and mixed many films, including Terminator 2, Jurassic Park, A River Runs Through It, Toy Story, Quiz Show, Titanic, Saving Private Ryan, Star Wars: Episode I, Punch-Drunk Love, Finding Nemo, War Horse, and Bridge of Spies.  He also wrote and directed the feature film, Strange Magic. He has won seven Academy Awards for Sound and Sound Editing, and Career Achievement Awards from both the Cinema Audio Society and Motion Picture Sound Editors.  He is currently working on sound design for Steven Spielberg's West Side Story. Gary is a native of Elmhurst, Illinois, and a graduate of the University of Southern California's School of Cinema.

We talk to Gary Rydstrom a 7 time Academy Award winner for Sound Design. His work includes working with Steven Spielberg on The Post, Terminator, James Cameron Titanic, Saving Private Ryan, Minority Report, Jurassic Park, Ad Astra, Captain Marvel, Bridge of Spies and more.... Follow to receive every new episode: https://www.podbean.com/podcast-pbblog-8zDNGRf2NIOG-follower Download the Podbean Player App: https://www.podbean.com/podcast-app-iphone-android-mobile  2018 Ready Player One  2017 The Post  2016 The Great Wall   2015 Star Wars: Episode VII - The Force Awakens  2015 Bridge of Spies  2015 Jurassic World   2012 Lincoln   2011 Mission: Impossible - Ghost Protocol   2002 Minority Report    2002 Star Wars: Episode II - Attack of the Clones    2001 A.I. Artificial Intelligence    2000 X-Men  1999 Star Wars: Episode I - The Phantom Menace    1997 Titanic   1997 Hercules    1997 The Lost World: Jurassic Park    1996 Mission: Impossible   1994 Quiz Show  1992Single White Female   1991 Rush    1991 Terminator 2: Judgment Day    The Film Podcast Facebook: https://www.facebook.com/Shoot-it-Now-105337104805218 The Film Podcast YouTube:  https://www.youtube.com/channel/UCo95_Quaast5vCQZtbCTjzA Please send feedback or questions to: indiefilmpodcast@gmail.com  Show your support and please rate and review us on iTunes:  https://podcasts.apple.com/us/podcast/shoot-it-now/id1545805946 Romain Dagnan | The Film Podcast Theme Composer www.romaindagnan.com Every week 'The Film Podcast' interviews award winning and indie-film directors, cinematographers (DOP) film editors, actors and other cast and crew members to learn from their unique stories. 

Bobette Buster is an acclaimed lecturer, award-winning producer and author, whose workshops are sought after by top media companies and corporations alike, from Disney/Pixar, Sony and BBC to Google and SoulCycle.Listen to Bobette as she talks about:Why we all have a story to tellHow we can make the world  better place through storiesHow you can find the right story to tell.CourageWhy you have to go through the wildernessThe magical force of taking one step through your fearSound design in movies. Bobette’s documentary Making Waves -  - The Art Of Cinematic SoundWorking with Gary Rydstrom (who has won 7 oscars)Follow Bobette:http://www.bobettebuster.comDo Storyhttps://thedobook.co/products/do-story-how-to-tell-your-story-so-the-world-listensDo Listenhttps://thedobook.co/products/do-listen-understand-whats-really-being-said-find-a-new-way-forwardMaking Waves Documentaryhttps://www.makingwavesfilm.co.ukBobette - Instagram:https://www.instagram.com/bobette.buster/Bobette - Twitter:https://twitter.com/bobettebusterFollow Matt:https://twitter.com/Matt_4_Goodhttps://www.instagram.com/matt.callanan/Today's podcast is brought to you by:We Make Film Happen http://wemakefilmhappen.com/We Make Good Happen http://wemakegoodhappen.com/We Make Podcasts Happen https://www.wemakepodcastshappen.comPodcast Like a Pro: https://www.podcastlikeapro.co.uk/We tap into the minds of people like adventurers, world record holders, entrepreneurs, voice coaches, psychologists, musicians and people making a positive difference around the world.We want to find out what’s their path to success and what have they learnt along the way.This is real stories from real people.Plus we want to find out what success means to them.The We Make Success Happen podcast is hosted by Matt Callanan, a former international DJ and musician turned filmmaker (with We Make Film Happen) and founder of the kindness project We Make Good Happen.

In episode seven, Rebecca and Nathan talk about how William Greaves' NATIONTIME (covering the 1972 National Black Political Convention) and the documentaries of Frederick Wiseman are essential watching this election season. They also dive into the sound worlds of Gary Rydstrom, whose career in sound design is featured in MAKING WAVES: THE ART OF CINEMATIC SOUND. And Hannah Bonner joins the conversation to share insights on New Hollywood, the topic of her virtual FilmScene 101 series.

This week on SWIFT BITES, Jurassic Park Sound Designer Gary Rydstrom signs on to Jurassic World: Dominion, Sam Neill and Jeff Goldblum jam in-between filming on Dominion, and new findings show that dinosaurs also got cancer. STORIES:1. Sound Designer Gary Rydstrom is returning to the Jurassic Franchise in Dominion! - https://www.jurassicoutpost.com/new-interview-with-jurassic-park-sound-designer-gary-rydstrom-and-jurassic-park-3-cinematographer-shelly-johnson2. Jeff Goldblum and Sam Neill Duets - https://twitter.com/TwoPaddocks/status/1302945816521383938?s=20 - https://twitter.com/TwoPaddocks/status/1303045547155169281?s=20 - https://twitter.com/TwoPaddocks/status/1303718164413341696?s=20 - https://twitter.com/TwoPaddocks/status/1304761783870279681?s=20 3. Dinosaurs Suffered From Cancer, Too” - https://www.smithsonianmag.com/science-nature/dinosaurs-suffered-cancer-too-180975467/ 4. “Steven Spielberg Insisted Netflix's Jurassic World Cartoon Pull No Punches” - https://io9.gizmodo.com/steven-spielberg-insisted-netflixs-jurassic-world-carto-1845011845 5. “The Entire First Season of the Cancelled Jurassic Park Television Series Revealed (Exclusive)” - https://www.jurassicoutpost.com/entire-first-season-cancelled-jurassic-park-television-series-revealed-exclusive/ 6. “Never Before Seen Art Surfaces from Cancelled ‘The Lost World: Jurassic Park’ Animated Series!” - https://www.jurassicoutpost.com/never-before-seen-art-surfaces-from-cancelled-the-lost-world-jurassic-park-animated-series/ 7. My InGeneral Podcast appearance - https://youtu.be/ikqPCV0WGDg 8. Promote Jack De La Mare’s Isla Sorna Isla Sorna primer - https://www.youtube.com/watch?v=HxQCLDX4UvI&t=240s Donate to the Patreon: https://www.patreon.com/seejurassicright Follow along with the show:https://twitter.com/sjrpod https://www.instagram.com/seejurassicright/

On this episode, Ted and Dan are once again joined by Mix Magazine’s content director, Tom Kenny. During this second part of their three part conversation, they discuss Tom’s passion for the Mix Sound for Film & TV event, A star-studded surprise show at the Bluebird Café in Bloomington Indiana, Paul Rothchild inviting Tom to Hollywood to write a feature on The Doors movie, and a whole lot more!

In the second half of our conversation with Gary Rydstrom, seven-time Oscar winner and the sound designer/mixer for “Mission: Impossible – Ghost Protocol” who also mixed the first film, we get into some of his other incredible work, including Paul Thomas Anderson’s “Punch-Drunk Love,” James Cameron's “T2," and he also shares stories of his work on abandoned Pixar feature “Newt.” And we even get his favorite “M:I” hairstyle!

This we are lucky to be joined by seven-time Oscar winner Gary Rydstrom, a true visionary who was the sound designer and re-recording mixer for “Mission: Impossible – Ghost Protocol” and the re-recording mixer for the first film. In this installment Gary talks about what it was like working with Brian De Palma, how Brad Bird had designed some sequences for sound, and teases the abandoned snowmobile sequence in "Ghost Protocol."

Show Notes:  In this episode of The Tiara Talk Show, sound designer Gary Rydstrom chats with host Tammy Tuckey to celebrate the upcoming 20th anniversary of "Atlantis: The Lost Empire"! Want to give us your thoughts on this episode? Call us at 1-407-413-9390 and leave us a voicemail! Thanks for listening! “The Tiara Talk Show” is edited, created and hosted by Tammy Tuckey. The Tiara Talk Show is Copyright © 2013-2020 by Tammy Tuckey. All rights reserved.

Hello and welcome to episode 6 of The Closing Credits Podcast. Today, I interviewed 7 time Oscar winner, Gary Rydstrom. He is a director, sound designer, and re-recording mixer working at Skywalker Sound. You may recognize his work in Saving Private Ryan, Minority Report, Jurassic Park, Punch Drunk Love and Pixar films such as Toy Story and A Bug's Life-the list really goes on and on. In this episode, we spoke about the recent Academy Award sound category change, working with directors, how to create rhythm within chaotic scenes, and how to tackle a scene from script to screen.   Be sure to checkout Making Waves: The Art of Cinematic Sound to learn more about the world of sound featuring Mr. Rydstrom and other living legends. https://www.makingwavesmovie.com/   Gary Rydstrom's IMDb: https://www.imdb.com/name/nm0003977/?ref_=nv_sr_srsg_0   Skywalker Sound: https://www.skysound.com/   Podcast Website: www.closingcreditspod.com  Twitter and Instagram: @closingcred Email: contact@closingcreditspod.com   Please also let me know of any jobs in the film industry you'd like to know more about or who you'd like to be interviewed!   Theme song by Christopher Findlaytor and the logo by Steve Mehallo. Thanks for listening!

The seven-time Academy Award-winning sound designer discusses using subliminal ambiences, manipulated vocal loops, and strategically used distortion. Check out the https://www.youtube.com/watch?v=VdOnwlsoh-Q&feature=youtu.be (video) for this episode. https://linktr.ee/dolbyinstitute (Subscribe) to the Dolby Institute Podcast. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). Movie buff? Follow Dolby Cinema on https://www.instagram.com/dolbycinema/?hl=en (Instagram).

In this episode, seven-time Academy Award-winner Gary Rydstrom delves into using sound to create an increasingly unsettling journey for the audience through the use of subliminal ambiences, manipulated vocal loops, and strategically used distortion. We also deconstruct the film’s signature lunar rover chase sequence and discuss the film’s rules of sound, an important topic to director James Gray.

On this week's episode, Carolyn visits legendary sound designer Gary Rydstrom at Skywalker Sound to discuss his work on director James Gray's film, 'Ad Astra'. He shares insights into elements of sound design in the film, how silence informed his choices for the sound edit, and a piece of advice he learned early in his career that he continues to use to this day. In this podcast series, Carolyn Giardina, Tech Editor for The Hollywood Reporter, extends her coverage of the filmmaking crafts. She will be talking with the cinematographers, editors, production designers, composers, visual effects supervisors, and other leading artists that bring the magic of motion pictures to theaters. Subscribe now to receive episodes of this inspired new series that shines a light on the artists that spend most of their time behind the screen.

Timothy talks to Midge Costin about her new documentary feature on the art of sound for films called Making Waves. Calling in from Ghent, Belgium, Midge tells us about how the film came to be and why she was born to make this project. Go to www.makingwavesmovie.com to find a way to see this film, featuring sound luminaries Walter Murch, Ben Burtt, Gary Rydstrom and so many more!

Timothy talks to Midge Costin about her new documentary feature on the art of sound for films called Making Waves. Calling in from Ghent, Belgium, Midge tells us about how the film came to be and why she was born to make this project. Go to www.makingwavesmovie.com to find a way to see this film, featuring sound luminaries Walter Murch, Ben Burtt, Gary Rydstrom and so many more!

Film sound legends Walter Murch (The Godfather, Apocalypse Now), Ben Burtt (Star Wars, Wall•E), Gary Rydstrom (Jurassic Park, Saving Private Ryan) and Making Waves director Midge Costin join Dolby Institute director Glenn Kiser in conversation before a live audience after the film’s premiere at the Tribeca Film Festival. The wide-ranging discussion touches on the role of subjective sound in creative storytelling, why the sound of Wall•E’s voice made some people cry, and how famed director Francis Ford Coppola uses what he calls “silent take 6.”

Seven-time Academy Award winner Gary Rydstrom has created some of the most memorable sound designs in modern cinema (Jurassic Park, Toy Story, and Saving Private Ryan, to name a few). He has also brought his audio storytelling outside traditional film, designing the sound for theme park Star Wars: Galaxy's Edge in Disneyland and an installation at San Francisco’s deYoung Museum called The Companions, an audio-only cinematic experience that guided visitors through immersive and directional sound. Listen as Gary takes us through the creative process behind The Companions, and the power of using audio in storytelling.

What an honor to share this conversation with legendary Sound Designer/Editor/Mixer Gary Rydstrom, who has been collaborating to create the soundscape of Steven Spielberg films for over 25 years and whose credits include 'Jurassic Park,' 'Toy Story' and 'Star Wars: The Force Awakens' among many others. In our conversation, we discuss Gary's creative relationship with Steven Spielberg, working in animation on many beloved Pixar movies, the bone-shaking experience of recreating the battle sounds in 'Saving Private Ryan,' the thrilling NYC car chase from 'Ready Player One' and much more! Make sure to find and follow the podcast on Facebook at: https://www.facebook.com/soundstageaccess/

After a crazy NFL Sunday, the guys couldn't help but share their quick reactions to Amari Cooper and The Miami Miracle (1:05), but they quickly move on to Kevin now not having to defend a Dallas athlete (6:55). Then the guys get talk about ESPN's app gaffe during the Heisman before discussing Kyler Murray's (and many others') controversial tweets (10:04). Two poker players bet on true isolation. The guys discuss which one is the crazy one (29:57). Who decided what dinosaurs sound like? Well, Gary Rydstrom did, since he sound designed Jurassic Park. The guys talk about some of the cool aspects of sound design (37:03). Then Pops is in a quandary. Why does Arkansas have such goofy names (46:50). All that and more, this week on Just Press Play. Show notes and more can be found on our website, check out how we're doing in Playoffs?! and Buy Buy Buy. Music provided by TRUTH. This week's episode is brought to you MyBookie.ag, use offer code JPP to double your initial investment. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Triple Academy Award®-winner Walter Murch (Apocalypse Now, The Godfather) answers questions from fellow sound designers, Ren Klyce and Gary Rydstrom. https://linktr.ee/dolbyinstitute (Subscribe) to the Dolby Institute Podcast. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). Movie buff? Follow Dolby Cinema on https://www.instagram.com/dolbycinema/?hl=en (Instagram).

Welcome to The Jurassic Park Podcast! In this episode, we have some news, we'll visit the audio segment to hear a behind the scenes clip from Gary Rydstrom, Steven Spielberg, & Chris Boyes, and we've also got a huge chat with James Hawkins & Steve Hurrell from Jurassic Unicast about the sounds of Jurassic Park! News: Dinosaur Classification Main Street Lego Ideas Audio Segment: Jurassic Park Sound This Week's Guests: James Hawkins & Steve Hurrell Youtube | Twitter | Facebook Watch Via Youtube: Coming Soon You can leave us a VOICEMAIL!  Call 732-825-7763Follow us on Twitter @JurassicParkPod Send us an email with any ideas, concerns, news, or if you just want to say hello! Thanks for listening!

Seven-time Academy Award winning sound designer Gary Rydstrom discusses his career, his recent work on Star Wars: The Force Awakens and Strange Magic, and his enthusiasm for the master’s program in sound at Northwestern.